#i love breaking stuff down like this

[paintedcrows]

Human Bill! I wanna put him in a microwave

Bonus-ish: Really liked the flats on this one!

[poorly-drawn-mdzs]

hope you feel better soon!

I am riddled with ailments, but I stay silly!

[chongoblog]

So this is gonna be a bit of a "hear me out" moment, but I posted this specifically during the episode "Moral Decay" (again, stay with me here). I'm sure I can point to other examples, and maybe I will someday, but for now I might as well point out what inspired me to say this.

If you haven't seen PPG in a while or don't know the show, "Moral Decay" is an episode with arguably some preeeeeetty bad character writing in the episode as a whole (especially for Buttercup, and that's another rant), but there are still things about it I do like.

What inspired this comment was the very beginning of the episode. You see, when you have a cast of multiple main characters, you want to make sure that they're very distinct from one another. After all, if three characters are sharing the spotlight and two of them are incredibly similar to one another, then This is something that Powerpuff Girls absolutely SHINES at, especially visually, but for the sake of this ramble, through the character writing.

Now how do you set characters apart from a writing perspective? You put them up against the same situation and see what they do and how they feel.

Which brings us to Moral Decay (which you can watch here, courtesy of CN uploading the episodes on YT)

The episode starts with the girls cleaning the house. And the first lines of dialogue set up the way everyone's reaction to this (a little bit of telling rather than showing, but between the pulpiness of PPG and the quicker pacing, it's forgivable)

Buttercup really doesn't like cleaning and is grumpy for most of it, Bubbles is doing the cleaning because she legitimately thinks it's fun, and Blossom is happy to get the work done, but very much has her eyes on the prize, since the Professor promised a surprise if they clean the house up. Blossom's motivations are even reinforced when they do bring the Professor up and Blossom drops like 80 hints.

I dunno, it was really simple and basic character writing, but it really did it for me (even if the rest of the episode didn't)

Man, Powerpuff Girls really has some of the best character writing

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[vaggieslefteye]

HUSK, Hotel Bartender & Concierge | 1x04 - Masquerade

"Oh, I FORGOT — you're the wise-old bartender who's seen it all! Get the fuck over yourself and pour me a real drink."

[lemongogo]

sry i dont know what 2 draw anymore T_T . elendira portrait #999

[yuwuta]

gojo would kill your work husband. but if he were the work husband, that's a different story

REAL!! he’s such a hypocrite because if someone mentioned you had a work husband, his entire world would stop and he wold devise the absolute worst plans to make sure that your co-worker, everyone at your job, and everyone in the next building over knew that he was happily committed to you 

but if he is the work husband, he’s very........ dutiful in his role. there’s a loose office/lawyer au in my head where satoru is your secretary, and for all intents and purposes, your personal assistant, and he’s good at his job, but mostly because he considers his job to be pleasing you. he has coffee for you when you arrive, he moves your schedule around without you asking, he has answers to questions before you can even ask them, he has fresh flowers on your desk weekly, pokes into your meetings to pretend to hand you a file that’s really just maybe a single document in a manilla folder with candy on top of it—he’s made himself your business, your partner; he’s made himself irreplaceable, and he loves to remind everybody of that fact. 

he’s also extremely loyal. sure, he could day a week’s worth of work done in about a day, but that doesn’t mean he’ll just use his talents for anybody. he’s your secretary, so he’s at your beck and call, and everyone knows it. they know he’s the best, but also that he’s off limits—not because you won’t share him, but because satoru won’t let himself be shared. 

he also extends his duties beyond work, of course. when he hands you a print out of your schedule for the day and you’re confused by the three-hour block of time you have in the middle of the day, satoru just helps you shrug your coat of your shoulders and smiles, “that’s for the lunch date you have with me, of course!” hanging up your coat in your closet for you, “i’m paying, see you soon, sweets.” and because you’re great at your job, and satoru helps you be great, nobody really questions when the two of you have time for a 13-course tasting menu at 1pm on a tuesday afternoon. and if they did, all satoru would say that you two had a lovely date 

[cautionwetfloor-png]

not to step where i dont belong but why do i see shippers and saiki aroace truthers beefing all the time ... guys :( .. guys PLEASE .. WE CAN HAVE BOTH. I WANTS BOTH CAKES.

[unluckyprime]

guys they’re LITERALLY will they/won’t they partners .

[antiquepearlss]

I actually really want Eugene to officiate the Varigo wedding because one, it’s not a very official or proper wedding. If anything, it’s something Rapunzel and Varian put together in one week and is essentially just a giant party where they blow stuff up and eat cake. Varian totally asks Eugene thirty minutes beforehand if he will officiate and after five minutes of sobbing, he agrees.

And two, because I want him to say this line-

“It has been a joy to watch your distracting childish rivalry turn into a distracting childish courtship, which will undoubtedly turn into a distracting childish marriage.”

[leathfaic]

there is a lot of “soap's happy attitude is a mask he hides behind” or interpretations where he is still kinda naive and hasn’t become jaded by the world yet.

personally tho (and this can work with him hiding a lot of pain) i like to think he chose his happiness and attitude. there is no way price would have recruited a wide-eyed soldier for the 141, he needs people who know their shit and innocence can get you killed fast with their job.

no soap is fully aware of the realities of his occupation, not as jaded as ghost is for sure, but he knows whats up.

he also might carry a shit ton of pain with him, hell the way i hc him he’s gay and in the army which alone is trying to say the least, he’s probably from a catholic background (as he’s from Glasgow) which also generally means a “fun” time growing up as a gay person.

so soap seeing the world around him as it is, and still choosing not to become spiteful, instead doing what he thinks is best and to be kind, positive and loyal  despite all that he sees, experienced and grew up with is such a powerful move on his part. 

it’s absolutely the kind of attitude a man would need to approach the ghost with a smile and bump to the shoulder committed to “get a win”

it’s exactly the kind of man that could break ghost out of his shell too.

[igbylicious]

hey folks, things haven’t been going very smoothly around here so i’m gonna be on tumblr hiatus until I finish the yunwoosan oneshot; at that point i’ll take stock of the situation and see where i go from there

[zerguette]

Dave and Johnny, would have postes Charles but I didnt get to finish and was debating if posting or not posting bc of that reason qkdjqksns. For some reason i couldnt manage drawing a cute smiling Dave and instead had to like "He's been trapped inside this small pot inside this ship, alone, for who knows how long. He's not okay" and yeah, things happen

Bonus: Burt is not a danger! In my eyes he did help Dave, and not all toppats are bad people, i just found him like the one who tried to take care of Dave, and tried to free him because he knew that was torture, to have a man imprisoned, with no human(stick?) contact, [consider this mostly as a friendship art than ship art, bc of some context I dont feel brave enough to sharexdd]

And

[lunarharp]

when an obsessed orufrey person plays ace attorney for the first time in a while

[momentomori24]

I don't believe liking immoral and downright evil characters says anything about you as a person, but I think acting like this definitely does.

"The HH fanbase will defend Valentinoto the moon and back" this and "Val is praised by a majority of the fandom" that, except said majority of the fandom fucking HATES that moth and fans have been harassed, had their art scribbled on to "fix" it, repeatedly called "rapist apologists" and "abuse romanticisers", get questioned or accused about condoning him irl, received graphic death/rape threats and are in general mistreated by the fandom. A Val cosplayer was mistreated and had a gun pulled on them IN REAL LIFE not even a year ago. Even the VA got repeatedly asked or assumed to be like the character he plays because "why else would he want to voice a rapist??" and told they deserve for choosing that role (fucking WILD btw). People that like Valentino as a character are the minority of the fandom, and even there NO ONE defends him. We all realise he's a disgusting individual whose actions shouldn't be defended in any capacity. What kinda bullshit lie is that?

I'm also in the Mouthwashing fandom, and it too has a bunch of issues. Infantilising Curly and minimising his actions, making Swansea to be better than he actually is and ignoring that he knew of the SA, people still debating or not realising that Jimmy raped Anya in the first place, shipping Jimmy and Curly (which isn't even a bad thing or a real problem but this person would see it that way), ect. But sure, conveniently don't bring that up. Anything for the Hazbin Hotel hate, right 💀

These next comments especially piss me off (nevermind how they're talking about an abuse survivor which is gross already). This might be a hot take and I don't care if that's the case, but I think people refusing to call Jimmy by name and excluding him from the cast is not show of a "good" fandom, actually. Jimmy has a lot more to him besides being a rapist. Rape culture, toxic masculinity, capitalistic exploitation, misogyny, male dominance-- there's sooo much more to explore and discuss about his character besides him being a rapist. And he's an incredibly disturbing character in a fucking horror game. If you can only refer to him by some stupid nickname (which takes away the seriousness of his character imo), ignore the significance of his role and themes in the story and the rest of his character and reduce him to a single trait that's BAD. That's not a good thing, and in fact, probably makes you worse than the people that do like his character because they can at least separate fiction and reality and not scrap well written disturbing characters for the sake of "comfort" or moral standing (again, in a horror game of all things). People shouldn't feel bad for liking Jimmy because he's a very good character, and ignoring that completely and acting like there aren't people who could like him... kinda sucks?

Moving over, Valentino is not and has NEVER been portrayed in a positive light in the show. I can't wrap my head around people that genuinely think that. Whenever I hear people say that the arguments I always see are "he shouldn't be attractive" and "he's just a cartoon villain" and "he acts silly and quirky even tho he's a rapist" among other things, and I don't think these people realise they're spouting eugenics bullshit and demonstrating that they don't know anything about his character simultaneously. No, Valentino isn't a "positive" portrayal of a rapist because he's attractive (way to tie morality to appearance btw). No, Valentino isn't a positive portrayal of a rapist because he acts goofy and funny and silly. Those traits are intentional and important to his character. Val is the Overlord of lust and depravity, hell's most famous pimp. His beauty is how he lures in unsuspecting sinners, and his personality is how he gains their trust and gets them to sell their souls for him to exploit (notice how Angel signed his soul away willingly). He's supposed to be appealing. He's supposed to be charming. He's entire persona is meant to be disarming. If he were like Jimmy or just a one-note unlikeable guy, his position in the show and his relationships with the characters wouldn't make sense, so he isn't. That doesn't make him a more positive portrayal or anything, it just means he's more fleshed out and written more complex than you want him to be. He's a very real depiction of an abuser, of their two-faced nature and how being attractive and charming to others doesn't make you less of an abusive monster to someone else. For context, I have been abused by someone extremely similar to Val, so his depiction feels very real to me and it's extremely tiring seeing a bunch of assholes who have probably not even seen the show or have been abused act like he's "romanticised" or "unrealistic" or "bad" simply because he was written by Vivziepop (who's ALSO an SA survivor like what is wrong with you 💀).

This is a broader point and not entirely related to this specific case, but we don't give people shit like this over people liking murderers and serial killers-- acting like all a sudden liking a rapist character says something negative about their writing or about the people that like them is INCREDIBLY stupid. People don't talk like this about Alastor and Vox-- who are both VERY despicable people. Both of them are also abusers among other horrible things, but they're not (or at least Alastor isn't) rapists so they're "not as bad". This is a sentiment I see all the time in both the fandom and hatedom whenever Valentino discourse comes back up, and this line of logic that rapists are a unique evil that can't be liked as characters in fiction but murderers and cannibals and serial killers are totally Ok is so dangerous and backwards. Liking evil characters says nothing about you as a person aside from the fact that you're a freak in the fun way. Liking evil characters but then going after others who do as well because you consider their character "too evil" and watering down the crimes of yours to justify liking them says a lot about you tho. Saying that the characters you like says something negative you in general does too.

We seriously need to stop bringing morality into fiction and saying that "normal" people wouldn't like certain immoral characters. We need to stop ostracising people for their "problematic" ships, proudly brag about ostracising them and justify it by calling them "weirdos". We need to stop saying villains are "badly written" because they're not written how YOU want them to be written, regardless of whether or not that opinion is valid (which in this case it isn't). We need to stop putting fandoms in some weird competition with each other about how characters are written and spit on people who actually enjoy them, are comforted by them or felt seen by them (gestures at the whole Angel dust situation barely a week ago). And honestly we need to stop giving attention to people like this, who spread a false narrative and kick others down for being fans of a media they don't like or know squat about for whatever reason. Who spread lies about the media or fandom in question in way that's blatantly in bad faith.

This crappy post is sitting a 17k while I'm typing this. The way people can just say ANYTHING about Hazbin Hotel and its fandom-- doesn't matter if it's valid or true or if they watched the show or know anything about the fandom at all, it just has to be negative-- and others will eat it up no questions asked needs to be studied at this point. We saw that in the months the show first aired. We saw that with the Angel Dust video. We're seeing this again here. I don't think we should be harassing anybody over fiction and in general (and needless to say don't harass any of these people) but calling out bad actors who pull shit like this more often and making it uncool to shittalk Hazbin Hotel and its fandom (and any fandom from unapologetically dark media where the people deal with enough bullshit already) for no reason and in bad faith is a change I'd be down with. Like, wash your mouth of its name and disappear into the shadow realm, goddamnit.

[thebirdandhersong]

in my you're on your own kid era again (I never left)