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michpeach · 2 years

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Movie magic

When I was 6 months old, my family moved from Zacatecas, Mexico to Southern California. I was too young to speak any language, but my parents and older sisters all only spoke Spanish.

Considering SoCal is so Latino/Hispanic heavy, it wasn’t a huge problem for them to get around, plus we had family here. But my mom recalls being in parent teacher conferences with my eldest sister’s teachers and her (semi) English-speaking and feeling useless.

“Aquí estaban, hablando de mi hija frente a mí y no podía entender nada,” she said, which translates to, “Here they were, talking about my kid in front of me and I couldn’t understand a thing.”

She was determined to learn the damn language. Film/ TV was a big help.

She watched Mr. Rogers with us, and rewatched 80s films (Top Gun was her favorite) she had seen in Mexico, but hadn’t cared enough to pay attention to their language then. She didn’t think she’d ever live in an English speaking country.

My dad did this, too. Of course, he worked most of the day so he missed out on Mr. Rogers and other kid shows, but we’d watch movies everyday.

I guess I didn’t ever realize how many movies I’ve seen in my lifetime, until I started dating my boyfriend.

“I was busy playing outside,” he says.

Well, I wasn’t. My mom was really protective (still is!) and we lived in an apartment complex in a not-so-great part of town. Sometimes, we’d go to the park or the library. But a lot of the times, we’d watch movies.

Movies were enough.

To this day, I watch a ton of film/TV. It’s my favorite art form. Without it, I don’t know who I’d be.

So what are my favorite films, and why?

5) Fantastic Mr. Fox (2009)

Directed by Wes Anderson | Written by Wes Anderson and Noah Baumbach

"I think I have this thing where everybody has to think I'm the greatest, the quote unquote 'Fantastic Mr. Fox' and if they aren't completely knocked out and dazzled and slightly intimidated by me, I don't feel good about myself."

Pretty profound words, for a fox.

This film is one of my favorites for a few reasons. In a very Wes Anderson-esque way, the film is just gorgeous and symmetrical which I find mesmerizing. I've always been curious about claymation and seeing a film like this just peaked my interest.

Aside from this, the story is just flat out great. A fox looking for a rush at the cost of his family and community; how does he fix things? Mr. Fox is a really well developed and dimensional character, with relationships that may seem familiar to some watchers, such as the one he has with his wife and son.

4) Frances Ha (2012)

Directed by Noah Baumbach | Written by Noah Baumbach and Greta Gerwig

"I'm so embarrassed. I'm not a real person yet."

A love letter to women in their 20s that don't know what they're doing with their lives.

I feel there are more coming of age stories about people in their teens than there are about young adults in their 20s, which is criminal because who really matures enough to truly "come of age" at 15/16/17. I know technically you're an adult at 18, but your brain isn't even fully developed?

This film really reassures me, as a 22-year-old, that it's completely fine to not know what you're doing. It's fine to float through life for a while.

It's part of the journey of life, eventually you'll land somewhere.

3) The Trial of the Chicago 7 (2020)

Directed and written by Aaron Sorkin

"Since this trial began, 4,752 US troops have been killed in Vietnam. And the following are their names"

Is there one right way to revolutionize?

I've never really taken myself as a history buff, but this film makes things fun. It's a story we don't learn about in classrooms.

The story of eight individuals tried in court for starting a riot at the 1968 Democratic National Convention. But was it really them? And did everyone at the defendants table need to be there?

The film itself is a riot. It's quick, but also poses questions about ethics behind badges and benches, which are questions that remain unanswered even today.

2) Little Women (2019)

Directed by Greta Gerwig | Written by Greta Gerwig Sarah Polley

"Life is too short to be angry at one's sisters"

I feel like anyone who has read the novel by Louisa May Alcott can understand what a wonderful and joyous group of girls the March sisters are.

Now mix that with Greta Gerwig's creative hand and some of the most beautiful costumes in the world and you get the 2019 film rendition of this beloved tale.

Aside from the story, the actors were just phenomenal in their delivery. I wouldn't expect less from Saoirse Ronan, Florence Pugh, Emma Watson, Timothée Chalamet (whom I'm in love with), Laura Dern, Bob Odenkirk, and the Meryl Streep. Wow! I hadnt even realized how many true stars were in this one. Amazing.

This is another coming of age film for women in their 20s. Sure, it's a different time entirely, but the message is the same. Women will, in their own time, know what's best for them.

1) Big Fish (2003)

Directed by Tim Burton | Written by John August

"I saw my death in that eye, and this isn't how it happens."

"So how does it happen?"

"Surprise ending. Wouldn't want to ruin it for you."

I have only seen my father cry in one movie, and this is it. Could it be the complex relationship between father and son shown on screen resonates with him? Or that is particularly a beautiful film? I've never asked him.

What makes me cry about this movie is that it's a build up to the ultimate ending. You see this man, slightly delusional, living his life through stories and you soon realize that perhaps its not an unfortunate way to live. It could be quite fulfilling.

I don't think I've ever seen another movie about wild imagination past adolescence, but it's a wonderful thing.

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alhilton · 2 years

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Something I've been wondering since finishing Lullaby and Distraction - do creasia get multiple names/change names? It's mentioned that Carmine got his name from other creasia. Did he have a previous name before? Was Halvery already named Halvery before Coden cut off his tail?

Ah, good question. Creasia cubs have a high mortality rate. They're rarely weaned before two and sometimes not until they're 3. The old tradition is not to name them until they're weaned, but the exact time-to-name varies from mother to mother and den to den. Some might name them as soon as their eyes open, but this is considered bad luck. There's a scene in Hunters main novel (it's near the beginning of part 3) where Halvery comes to talk to Arcove about the disappearing deer and his suspicions regarding Treace. Arcove and Roup are teaching 3 cubs to hunt in a mouse circle. Halvery is drawn into a conversation about his own cubs and a recent tragedy in which one of them was taken by an Ely-ary while swimming. For people reading between the lines, Halvery is clearly upset about it, but he doesn't want to show weakness in front of Roup. He says, "The females say not to name cubs until they’re three. Useless advice when they name themselves.” What den mothers are trying to say with this naming convention is: don't get too attached to cubs until you're sure they're going to grow up. Otherwise, you might grieve yourself to death. Humans do this, too. My great-great grandmother lost 3 or 4 kids in a row and then didn't name the next one until she was...6, I think? 7? Everyone just called her "baby" until then. Three is pretty old, though, for a creasia. That's like 12 or 13 in human years. That's pretty extreme, and you can bet this advice is rarely followed to the letter, but I was trying to make a point about cub mortality and also the level of love and attachment of creasia parents for their cubs. I was trying to show the ways they try to shield themselves from heartbreak. Creasia start talking around their second or third season, so if the parents wait to name them, the cubs may name themselves or the community may name them (like Carmine). In some cases, the parents or siblings may give them a nickname that is not intended to be final, but it sticks. If you keep reading through Bright Side, you'll see cats talking about naming cubs when they're born. This is regarded as bad luck, but they're talking about it. They're certainly not waiting until the cubs are 3 years old. Naming has been occurring earlier and earlier over the last few decades. My intended implication is that mortality rates are falling as Leeshwood becomes a less violent place. Name changes - I do mention one change in Bright Side. A cat who did not wish to be found changed his name when he went to a new clutter. In a world without mass communication or photography, where most cats do not venture outside their territories often or ever, a name change could allow you to disappear completely. I think adult creasia are unlikely to change their names very often. It would make them harder to find. But if they really want to start over, that's what they do.

#hunters unlucky #creasia

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kaypeace21 · 4 years

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Analyzing the 5 plays in this drama club poster .From the bts pics of stranger things 4.

So... some of ya’ll know I'm going through the st s4 films given to us by the official st twitter + the films reffed in the show itself or mentioned by the Duffers in interviews .

So I decided to look at the plays mentioned here. Because even if we don't see the monologues in the show directly - the Duffers wouldn't name drop anything unless it inspired them in some way. Similar to films name dropped in the show. Tw : for some dark themes .

This is just a quick little analysis I decided to do since we probably won't get any new st content today (3/22). Nothing too deep. Just mentioning things that caught my interest especially cause these plays have a lot of narrative connections to the st s4 movies I've been watching.

Invitation to a march (Authur laurents)

Reminds me of the stancy/jancy love triangle. "A young woman is having second thoughts about doing the right thing and marrying a respectable , rich, kind, young man with good prospects.By way of a prewedding diversion, this woman becomes interested in the passionate but poor and entirely unsuitable son of a local landlord.Basically, the plot concerns the efforts of Norma Brown to choose between a conventional fiance who "puts her to sleep" but is wealthy (like what her own mother did) or go for this new-poor guy. The play is principally interested in how this youthful love triangle affects the three mothers involved (whether the kids like it or not)

12th night (Shakespeare)

- viola (el) wrongly assumes a family member (hopper) is dead. She dresses up as a man named 'cesario'. A girl named Olivia falls for 'cesario' (violet dressed as a man). "Finally, when 'Cesario' and Sebastian (violet's twin brother: assumed to have drowned - Will) appear in the presence of Olivia there is more wonder and confusion at their physical similarity. Taking Sebastian for 'Cesario', Olivia asks him to marry her, and they are secretly married in a church. Cough if Olivia is 'straight' cause she fell for Viola (as a doppleganger dressed like her twin brother).Mike being into el who multiple characters in s1 said looked like a boy and specifically like Will is...suspish and a hint he's not straight lol. just like Olivia they're both into guys . plus, this play just has a butt load of love triangles (ugh i hated that aspect). There was also romantically coded letters (which was in the s4 films) . One character is also thrown into an insane asylum and framed as 'insane'.'Pretending that Malvolio is insane, they lock him up in a dark chamber. Feste visits him to mock his insanity'. We all know the psych hospital will be narratively important- talked about it more here.

The seagull (Anton Chekhov-russian)

similar to how I believed s4 will show m*#even already broken up since the months between s3-4 : act 3 (s3) ends with Nina begging for one last chance to be with Trigorin before he leaves/moves away. They kiss and make plans to meet again in Moscow.And in act 4 there's a timeskip where it shows they've been broken up for a long time between acts- and its established they never actually loved eachother. Do i even have to spell out why this parallels the m*#even ending in s3? There is also a play within the play (this is common in a lot of the st films- they have plays- or a story within a story- which illustrate certain themes or emotions of the characters within said film : blackswan, children of paradise, highschool musical, Rushmore, book of Henry, welcome to marwen, never ending story, romancing the stone, wet hot American summer, etc).The play is Konstantin's latest attempt at creating a dense symbolist work. There is also alot of love triangles in the seagull. TW!: for se#ual ab*se/su*cidal thoughts/ inc*st (here and in other play segments). The seagull motif reminds me a lot of Jonathan's rabbit story.Konstantin romantically into Nina shows up to give her a gull that he has shot. Nina is confused and horrified . Trigorin sees the gull that Konstantin has shot and muses to Nina on how he could use it as a subject for a short story: "The plot for the short story: a young girl lives all her life on the shore of a lake. She loves the lake, like a gull, and she's happy and free, like a gull. But a man arrives by chance, and when he sees her, he destroys her, out of sheer boredom. Like this gull." This immediately reminded me of jon's rabbit story and some of the movies on the s4 list . Like in forrest gump- Jenny (who is poor) was se*ually ab*sed as a very young girl by her father. As a child she runs away into a field-away from her alcoholic father yelling at her -there she prays that she can "be a bird so I can fly far far away" .

Jenny as an adult struggles with this unresolved trauma- being with ab*sive partners, doing dr*gs, and having su*cidal thoughts . She as an adult when contemplating su*icide, jokes 'you think i can fly like a bird ?' while looking down at a bridge.God-i'm worried about jonathan (Jenny was also a musician sort of like jon). In another s4 movie example ' mystic river ' :(in the 80s) a preteen baseball playing boy is r*ped by men in the woods. He later says he wishes he could become an undead monster to not feel the pain of that experience - cause quote " if I'm not human anymore maybe the pain will stop" (Will) . slightly off topic but he also has another personality, imagines a alternate word that dissappears when he turns his head. And as a less direct animal parallel to the play - the boy from the film also imagined his perpetrators as monsters and wolves to cope.In 'getout' the photographer character sees a dead deer in the woods and it represents a parent/his own childhood tra*ma relating to his past. similarly in 'prince of tides' the 2 siblings as kids were ra*ed by men. The older brother remembered it and the younger sibling developed DID (so didn't remember but she would draw wolves- as the perpetrators/villains in her picture stories she created . In the film they also had an ab*sive dad and were very poor. She also tried k*ling herself multiple times-but started to get better after remembering the source of her pain and trauma. There is also the theme of multiple attempted su*cides in the play- and the play ends with yet another attempt- and the audience is left unaware of the artist's fate at the end of the play.

The tempest (Shakespeare)

Prospereo - (the perceived antagonist) is a wizard with monstrous looks, storm powers , and ability to create monster-dogs

He wants revenge on a man who tried ra*ing his family member & revenge on his other family member who wronged him years ago. I mean... pretty much my did theory.But in the end.Prospero decides to show his enemies the mercy that they did not show him twelve years earlier. He tells Ariel to bring the men to him, he will restore their sanity and then renounce magic forever.Prospero breaks the spell that the men are under .

Diary of a scoundrel (Alexander Ostrovsky-Russian)

- I suppose this could loosely relate to Jonathan? Glumov, is a young man from an impoverished family lacking status seeking entrance into society's pampered class. A 19th-century Russian scoundrel must scheme his way out of his meager life in a small apartment -whatever it takes.He has a quick mind and some talent for seeing through the hypocrisies of people around him ( Jonathan does make a lot of social critiques about society). That gives him some advantages. A tale of one man's mission to finagle his way into upper-class society and find a cushy job. Set in 1874, this social comedy follows Glumov, a Russian youth who begins his ambitious ascent to social esteem. He progresses by wit, guile and rhetoric. Pitting one stupid person against another, he soon gains his ends. To reach these goals, Glumov will lie, flatter, and cater to the vanities of the wealthy. Unable to contain his disgust with his victims, Glumov decides to relieve his unvoiced satirical comments by recording his schemes in a diary. But he is tripped up by his uncle's wife, to whom he has made passionate love on his way to success. At the end of the play, his diary is stolen and his duplicity exposed, but he can nevertheless suceeds. The author is much more critical about the high society itself than about the main character, so the play keeps attracting generations of directors by opening possibilities for political criticism while also avoiding naming names of the current rulers.The play's aim was to overthrow bourgeois tradition and establish a class-conscious art called eccentricism giving a deliberately comic portrayal of reality.

I suppose I notice some possible commonalities- besides s3 critiquing the wealthy/capitalism in comedic ways . jonathan since s1 has worried about his family's finances / had some resentment toward the rich . In some of the s4 movies ‘orphan’ & ‘ girl interrupted’ someone reads their diary out loud to get at them (in girl interrupted the winona character’s diary even had critiques of her new friends). Alot of movies also have someone (usually a teen/young adult) making a documentary about their life -which could narratively replace said diary? A few movies have a poor guy adjusting to snobby rich social circles (or being poor and then getting money)- titanic, kingsmen, karate kid, the craft , godfather, wardogs,into the spiderverse,flashdance, and many others . And movies like wardogs has a poor-young-character do shady things to finacially support his family . There’s also that whole uncle’s wife thing- which makes me uncomfortable for obvious reasons (but I’m just thinking of Lonnie’s creepy gf who was into him). A few movies had the guy’s step mom innappropriately hit on him- orange county & you got mail. And him trying to avoid her advances. Or...not to mention ... it may be a problematic coincidence /trope. But in enter the void -the guy who needs to finacially support his sibling/ does dr*gs -hooks up with his dr*g dealing friend’s married mom (who would give him money). Or in gilbert grape- the poor teen-who has to finacially support his siblings/single mom-has his endgame relationship be a girl his own age. But before that he h*oked up with a married woman -who would give him money. Don’s plum -young film guy-propositioned by older female film director (for dream job). Not even mentioning the other films that have the guy hooking up with toxic older women (like ‘the graduate’). Or analyze this-where the therapist accuses him of having an Oedipus complex (not touching that one... but the guy in ‘enter the void’ a 100% had one). It’s possible those movies were just- inspo for s3? A coincidence? Or s3 was foreshadowing for this in s4- but unlike s3 it will accurately be played as wrong and a sign of Jonathan recreating past tra*ma caused by Lonnie (cough like the photos) /being desperate for money. And not played ‘comedically’ like how it mostly was in s3. But shown as self destructive (for Jon) and immoral on the Woman’s end. Like... Billy and Jon are character foils. Both are older siblings into rock music, with ab*sive dads who shoved them into walls. Both lose it (and beat steve to a pulp when Steve accidentally triggers their daddy issues). In s3 it’s established womanizer Billy has mommy issues, than he tries ho*king up with someone his mom’s age, and the characters ref ‘back to the future ‘ and Steve incorrectly says it’s about “alex p keaton trying to bang his mom.” This could illustrate his subconscious issues with parental figures/adults cause of Lonnie’s possible past se*ual ab*se . One film the friend even says to the guy “you don’t have friends!” guy b: i have friends! him: no you have acquaintances! ADMIT IT! YOU’RE AFRAID OF MEN!I mean-Jonathan liked Nancy- but he initially hooked up with her cause he wanted to prove he didn’t have ‘trust issues’ from his dad. Also it’s prob a bit of a reach (and maybe a coincidence)- but the fact Murray in the same breath compares Steve (Nancy’s then bf) and Lonnie ... uh... if you think too long about it ... it’s very sinister . Especially because in s3: muray tells Joyce that despite her wanting to be with a nice guy, she’s curious about “the brute” Hopper despite him reminding her of a past “bad relationship”(aka Lonnie). Like- yeah connect some dots. Quite a few films (other than forrest gump) also have the character who (as a kid) was r*ped by their dad/parent- begin to do dr*gs/be pr*miscuous as adults since they never learned to properly cope with their trauma (’girl with the dragon tattoo’, ‘black swan’, and ‘magnolia’). Unfortunately the whole relative doing such things to kid-relatives is in at least 30+ movies.

Personally, i would be MUCH happier if Jon had a age appropriate romance- and had not a single creepy adult near him. A few movies actually imply Lonnie gets yet another ‘new model’ replacing his gf in her 20s with a new gf- who is ‘barely l*gal” and just turned 18. so there’s that possibility as well- that she’s jonathan’s age.I just want Jonathan-happy &safe. GOD. IS THAT TOO MUCH TO ASK?

#byler #byeler #will byers #mike wheeler #Jonathan byers #nancy wheeler #joyce byers #jim hopper #murray bauman #stranger things #el hopper #s4 theory #stranger things theory

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twoidiotwriters1 · 4 years

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Iron 3 (Peter Parker x F!Oc)

Words: 1,756

Masterlist

Chapter 2 / Chapter 4

Tony Stark's trip to showcase the new Jericho missile is a success with the military, but when soldiers take him back, they’re intercepted and the billionaire is kidnapped.

Both Lily and Pepper find out by watching television. The call from Colonel James Rhodes confirms their fears. Although the information isn’t much, the important thing is that they’re doing everything to find him.

Pepper Potts concentrates on everything she has to do for the company without her boss. Working for Tony for so many years has formed a special connection, even if it is not the conventional one. Sometimes thoughts of possible horrible scenarios come to her mind, but she pushes them away.

Something she can be thankful for is the company of little Lily, who also can't help but worry about the man. He may not have been kind, but no one deserves to be tortured.

The tension remains for three long months, the wait for news from Tony along with the paternity results in the envelope which has not been opened. Nobody knows what to do in a situation like this.

Rhodes keeps searching for his best friend with the help of the army. Pepper and Happy take care of the little girl. The relationship between Tony and Lily's small circle has been strengthened in all this time, even Rhodey receives some calls from her asking if he’s okay and if he has found Tony. Regardless of the test results, they would protect Lily.

At the end of the three months, the new news give everyone a great respite. Tony Stark is alive and returns home.

Although Lily wants to meet Tony along with Pepper and Happy, they won't let her. Surely there would be a lot of reporters and they’d ask a lot of questions if they see the girl.

For those cases, Pepper had already arranged a babysitter. A difficult task, but she managed to find a twenty year old girl, she has no idea who the girl is, nor who hired her. The contact was a Stark Industries worker. With that problem solved, they both wait in Pepper's apartment.

Jessica the babysitter isn't so bad, Lily thinks. The only bad thing is that she spends a lot of time on her phone.

Lily searches all the channels for any news about Tony and finds one where they’re broadcasting a press conference with him eating a hamburger.

"That man must be crazy," Jessica says from the couch.

"Why?"

“He just said that he will no longer make weapons. His company produces the most. He’ll run out of money,” She explains.

Lily frowns.

Why would Tony stop producing what makes so much money?

***

"Did you think I wasn't going to find out about the girl, Tony?"

“Obie…”

Obadiah Stane raises his hand to interrupt him.

"It hurts me that you don't trust me.”

Tony sighs.

"I didn't have much time to explain everything to you and after my obligatory vacation, I couldn't do it.”

"Is she yours or not?"

“I don't know, I haven't seen the results. But, I don't think you called me for this,” Tony tries to deflect that topic as soon as possible. He can't handle this now.

They walk through Stark Industries until they reach the room where the Arc Reactor is. They argue about the actions of the company and how it affects Tony's decision. He tries to show Stane another form of energy, but in the end he fails to do much.

Happy waits for him in the limousine to take him back to the house. Tony gets in the car.

"Sir, Lily asked me to give you this," says Happy, handing him a folded paper. "She's already at your house," He informs and starts the car.

Tony unfolds the paper, finding a drawing made with colored crayons. A big house, the sea behind and three people standing in front. The names Happy, Rhodey, and Pepper are written under each person in crooked letters. The man can't help but smile, but what he’s really surprised about is seeing the fourth person in the air with outstretched arms. It's him with a big smile and the words 'I'm alive' next to him. He doesn’t know whether to feel fear at those words or simply laugh at the idea.

The truth is that during his experience in Afghanistan, he did think about her. How his life would be if the test was positive. If he’d manage to get out of that situation and return to have a family. Images from his childhood, everything he lived with his parents came to his mind.

Howard Stark was not the best father in the world. Tony doesn't remember loving or encouraging words from him, no matter how hard he tries. He discussed this with his assistant and his friend Yinsen, who was very helpful in giving real advice, but even so, he still doesn't believe that he’s capable of raising a girl. He doesn't have a clue how to do it.

“Sir," Happy interrupts his thoughts. “We’re home.”

***

"You're good?”

“Yes."

"You don't look good.”

"Well, I am," Tony answers, arranging some things in his workshop.

"Did you like my drawing?"

"It could be better.”

Lily frowns. It’s not the answer she expected. Maybe that means he wants more drawings, to see how much I can improve, she thinks.

“Okay.”

Tony takes off his shirt and leans back on a table. He connects several cables to his body. Lily looks at him curiously and notices the circle in the center of his chest.

"What is that?”

"You wouldn’t understand.”

"Doesn't it hurt?"

“No."

"How does it work?"

“You wouldn’t understand-"

“Try me,” She cuts him off. She’s sick of that answer. Tony sighs.

"This little wheel of light,” He touches it. “It's what keeps me alive, it works so that the shrapnel doesn’t reach my heart.”

"What is shrapnel?"

"Fragments of a missile that tried to kill me.”

She nods.

"And what are you going to do now?"

“Update it. Jarvis, call Miss Potts.”

"Can I ask another question?"

"You already did.”

"I'll ask another question," She informs. Tony brings his lips together to avoid a smile.

“Okay."

“Your dad was also an inventor. Did he answer all your questions?"

Tony frowns. He could never ask so many questions to his father. Howard kept him as far away as possible, but he had other teachers or he did research himself.

Pepper's arrival interrupts them. Her steps are nervous, she thought that finally her boss would want to know the result of the paternity test, but seeing that he needs her for something else, she leaves the envelope on a table.

The man explains what she has to do to replace the reactor in his heart with a better one. Lily looks amused as Pepper panics and Tony tries to relax her, but it only upsets her further.

"It's like the game ‘operating'."

"What is that?" asks Pepper scared.

"I know what it is, can I try it?"

"No!" The two adults answer. She makes a face.

When the machines sound faster on alert, Lily freaks out and looks around for something she can help out with, but she doesn't know what all of Tony's toys work for. But Pepper manages to solve it in time and everything ends.

“You're better?" She asks approaching again.

“Yes, Kid. Back off,” He answers, pulling her away a bit.

Pepper wipes her hands. Tony explains what she has to do with the old reactor, she nods, but after she clears her throat.

"We have a pending issue,” Tony turns to see them. Pepper points to the girl.

“Right," He sighs. "Just tell me if she's mine or not.”

"Don't you want to see the papers?"

Tony sits on a bench and looks at Lily.

“No."

Pepper opens the envelope carefully. Reads every detail and sighs in relief. She smiles and looks up at her boss.

“Lily's your daughter, sir.”

Tony doesn't take his eyes off the girl.

“Fine."

Pepper notices the tension between them.

"Just fine?"

"Yes, that's it,” Now he stares at the redhead. "Thank you, Miss Potts.”

The redhead nods unsure and leaves the workshop.

Tony makes a face and returns to the girl.

"You got scared?" He raises an eyebrow.

“Yes.”

“What did you think?"

"I don't want to lose my dad so soon,” She cocks her head. "I just found him.”

"I should take you to an orphanage.”

“You'll do it?"

“You’d be better with someone else.”

"But I don't want to be an orphan.”

“Nobody wants to be. I am.”

"Is that why you're always sad?"

He opens his mouth thinking of an attack, but he decides to avoid it.

“This is a bad idea. Being my daughter, I don't recommend it.”

“Well, not that I have a choice. My mom is no longer at home and…” She sighs. "I don't think she wants me back.”

Tony puts his hands to his face and groans.

“Fine," He gets up and looks around. "I have other things to do. Pepper will handle the paperwork."

“Can I help?"

Tony walks to a desk and touches the surface. Holograms of plans and folders are projected in front of him. Lily approaches the desk, Tony looks at her from the corner of his eye, maybe he can admit that it is nice to have someone who’s easily impressed.

He and Jarvis talk about a secret project, outside of any Stark Industries business.

"I don't want this to fall into the wrong hands.”

"What about mine?" Lily asks. She raises both hands showing him her palms.

He sighs.

“They're still wrong, but,” He cocks his head. “I guess you're a Stark now. That's enough,” He crouches down to her level. "You can’t tell anyone about this.”

"Not even Happy?"

“I'll take care of Pepper, Happy and Rhodes. This shouldn't get out of here unless I say so. Okay?" He offers his hand.

“Deal," They shake hands. “Can I help?"

"Only if you follow my rules.”

"Which are?"

“Don't get in the way. Do exactly what I tell you and don't ask so many questions.”

She frowns at the last rule.

"I can't help it, how can I help you if I don't know what to do?"

He rolls his eyes.

"Fine, we’ll have a limit of questions.”

“Fine," She answers in a deep voice, imitating his. She smiles looking at him, but she stops when he doesn't.

"This will be more complicated than I thought.”

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cowperviolet · 4 years

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A GUIDE TO MEDIEVAL TOURNAMENTS

Do you have a dynastic wedding to celebrate? A diplomatic visit to spice up? An axe to grind with a neighbour whose pageantry is eclipsing yours? Organize a tournament. It’s always the answer. A tournament of the greatest knights of the realm cannot go wrong.

Of course, it’s also a great and complex undertaking; but, thankfully, this step-by-step handbook should guide you through the process with only minimal pain and no injury

Obtain permission.

In England in France at least, organizing tourneys had become mostly a royal and ducal prerogative after 1340 – if you are not lucky enough to belong to one of those miniscule categories of the population, you would have to seek a special license. Obtaining it shouldn’t be a problem… unless, of course, there is a war on. In that case, you’d better check the latest royal proclamations – it’s more than possible that one of them contains a temporary ban on all tournaments while men of fighting age might have to risk their lives and limbs against an actual enemy. If this is true, it would be prudent of you to postpone your plans for a few months (or years, depending on how the war is going) – you wouldn’t want to content yourself with the kind of furtive affair that was the Le Hem tournament of 1278. It was hastily staged in direct violation of Louis IX ’s prohibition of tournaments because of the ongoing war, and as a result had to even dispense with the mêlée on the third day.

(If you think the prohibition overbearing and unfair, plenty of people would agree with you – and not just the kind of people who can afford swords and horses. The poet Sarrasin criticized the king in his Le Roman du Hem for bankrupting the heralds, armourers, saddlers and provisioners of France with his tournament ban).

2. Consider the time and place.

Most tourneys run from Monday to Sunday, with Friday being the rest day. You would need a spacious marketplace to divide into lists, too.

A lot depends on what kind of tournament you want to host. A general mêlée whose absence so disappointed the spectators in Le Hem would need more space than a contained joust; on the other hand, mêlée combat has been steadily losing its popularity as of late in favour of one-on-one jousts.

Of course, some people grumble that the old days when horsemen smashing into enemy in massed formations were the fixture of any tournament where the days when men were still men. But we are modern, fifteenth-century people, and we understand the importance of ensuring safety both for the participants and the spectators – hence the barriers down the centre of each list to prevent the knights from actually colliding with each other, and fenced enclosures to keep the audience strictly away from the danger. Which brings us to…

3. Decide on the rules.

The traditional rules of joust are the following: the knights are divided into two teams, those ‘within’ and those ‘without’ – or, in other words, the ‘defenders’ and the ‘attackers’. The space is, in turn, divided into three lists, each separated from the other by high barriers. The courses – the charges by two opposing knights – are going to be run down each, towards the spectacular splintering of lances. Each day, a prize, usually in the form of a small jewel or a golden chain, should be given to the best-performing knight and squire from each team.

You can, however, add or tweak a few details in order to make the sport safer for the participants – or more exhilarating for the audience. For example, you could take a page out of Maximillian I’s book and provide the knights with special spring-loaded shields that would flow apart if struck in the right place. You could also follow King Edward of England’s example and model your tournament after the béhourd he sponsored in Windsor in 1278: he specified, among other things, that the participants would have to wear cuir bouilli – a type of leather boiled until it was almost as hard as metal – and use wooden shields and whalebone swords.

If you scoff at the lightweight kind of tourneys popular these days, and especially if you care little for pageantry, then a different kind of joust might be more up your alley. The so-called passage of arms, or pas d’armes, is an undertaking to defend a certain place (usually a bridge or a gate) from all comers. It was inspired by various episodes from Arthurian romances, such as the Romance of Yvain by Chrétien de Troyes. In fiction, the knights undertook the defend a bridge, a gate, or a ford in single combat, and, if they were defeated, the winner took their place. Naturally, a real passage of arms plays out somewhat differently – for one thing, the defense only lasts a specified period of time (rarely longer than two weeks), and one defeat in a particular joust does not mean surrender. The most famous example of any knights attempting this kind of endeavor is probably the pas d’armes that Suero de Quinones organized at the Orbigo Bridge in northern Spain for two weeks until the St. James’ Day of 1434. They claimed a plan of breaking 300 lances in total – if they failed, the organizers promised, they would remain there for a further fortnight. They fulfilled that promise, and ended up withdrawing only on the 9th of August – but even with that extra time, they’ve only managed to break 178 lances in total. It’s no mean result, of course – plenty of minor conventional tourneys end in mighty disappointment for the spectators with not a single lance ending up broken at all.

It must be said that, although a passage of arms is a grandiose undertaking, jousting proper usually only takes a couple of hours a day there – in other words, the spectators are likely to be disappointed anyway. Your fellow knights, however, are going to be delighted by the concept – if, of course, they are true connoisseurs of tourneys just like you.

4. Think of the logistics.

The matter might begin with the rules of fighting itself, but it doesn’t end there. If you are in a position to organize a tournament out of your own purse in the first place, you must be the master of the lands where it’s going to be held, so make sure your subjects don’t suffer as a result of the soaring prices that usually accompany such events, not to mention the influx of professional warriors. Fix the prices firmly for the duration of the tournament, especially the prices on bread, fish, and meat; stipulate that no spectators or unarmed persons are to mix with the participants; make sure each gate of the city is manned by about twelve armed men, and station at least five hundred guards around the setting of the tournament itself.

5. Send out invitations.

Sending letters of invite seems to be the most logical course – however, it is also the most excruciating one, given the number of noblemen of fighting age who would be eligible for participation. In your situation, it would be better to contact the organizer of the tourney closest to yours and ask him to have your upcoming event announced there.

You would also do well to contact the tournament societies in your region – if you live in Germany, it’s going to be particularly easy: the whole concept, after all, originated in Bavaria. Tournament societies are essentially permanent tournament teams from different regions. Instead of laboriously summoning individual knights, one could simply issue a challenge from one society to another. Moreover, some societies’ rules even specify that the members have to meet annually at a tournament -it might as well be yours!

6. Think of the theme.

Of course, you don’t have to have a theme – you might want your tournament to simply be a bit of rough, honest fun it used to be in William Marshall’s days. We don’t live in William Marshall’s days anymore, though, and I suspect you wouldn’t want to be outdone by your neighbours.

The most go-to theme are Arthurian legends. It’s the kind of oldie-but-goldie you cannot go wrong with. The fashion was arguably started by Edward I of England, who set out a round table and acted out a number of Arthurian romances with the other noblemen at the feast after the tournament in honour of his daughter’s wedding. That was a far cry from the spectacular Arthurian festival arranged across the Channel by the lords Longueval and Bazentin in Picardy: they had the tournament presided over by ‘Queen Guinevere’, and stipulated that all the attendant knights had to bring a damsel with them. Another member of the theatricals was named as Chevalier au Lyon, who supposedly ‘rescued’ the ladies in ‘Guinevere’s retinue, and even had a real lion with him.

If this is all a bit too out there for you (or, the other way around, too pedestrian – everyone does the Round Table these days!), you could organize the pageantry of the tournament around your heroic ancestor or your sigil – possibly both. For example, the joust that Adolf of Cleves staged in Lille had been inspired by the story of the Cleves’ progenitor, a knight who was miraculously led along the Rhine by a swan and ended up marrying the local princess. During the joust, the ‘Knight of the Swan’ was to take on all challengers.

The procession, to quote the words of a contemporary, included

‘…drummers; and after them a pursuivant of arms dressed in a coat of arms full of swans; after him came a large swan, marvellously and skilfully made, with a crown of gold around its neck, from which hung a shield of the full arms of Cleves; and from this crown hung a golden chain on which, from one end, there hung the shield of the knight; and this swan was flanked by two very well made centaurs who had bows and arrows in their hands, and made as though to shoot at anyone who tried to approach the swan’.

7. Plan the banquet.

Nothing can sour the impression of a great tourney as a meagre banquet afterwards. The need for a generous display of food is self-explanatory – roebucks, suckling pigs, silvered eels, gilded bread, almond soup, kid goats, and the like – however, this is sadly not enough. You also have to think about the entremets.

What are the entremets? To put it simply, everything that is a part of the banquet, but is not edible. I’m not simply talking about straightforward entertainments like music, theatre pieces, or juggling. Entremets can also be elaborate installations for your guests to admire, such as a mini-carrack, exquisitely executed up to the last rope and laden with goods, or a mechanical forest full of strange, if thankfully unmoving, beasts. Even vessels sometimes count – you could have the sweets be contained in little chariots decorated with gold and azure. If you prefer to walk on the wild side, take a page out of Taillevent’s book (quite literally – it’s called Viandier) and construct a fake lion equipped to spout flame: ‘make it with a brass-lined mouth and a thin brass tongue, and with paper teeth glued in the mouth; and put camphor and a little cotton in the mouth and, when it is about to be served before the lords, set fire to this’.

Just don’t do what they did for the Feast of the Pheasant when they’ve made a statue of a naked woman in a large hat who spouted sweetened wine from her breasts for the duration of the dinner. Please.

Sources:

Normore, Christina. A Feast for the Eyes.

Andrew Brown and Graeme Small, Court and Civic Society in the Burgundian Low Countries c. 1420–1530.

Kelcey Wilson-Lee, Daughters of Chivalry: The Forgotten Children of Edward I.

#medieval history #medieval #Middle Ages #history #history geek #writing reference #writing resources #writing ref

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ryik-the-writer · 3 years

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THE AUDACIOUS STORYBROOKE MIRROR ADVICE COLUMNIST (WEDNESDAY PAPER EDITION) In which Lacey French is a smutty advice columnist for the Storybrooke Mirror.

Ch. 4: Lacey has a conversation with one of her biggest opposers, followed by an interlude with Gold

A03

Wednesday morning came too soon, but Lacey had met the deadline for her column, and she still had a job when she walked into her office.

“Racy Lacey,” Cruella had responded when she sent in the final edit. “When did you become so angelic?”

“Stuff it,” she said to her secondary editor.

Glass’s feedback was mutual.

“Well kid, I admit I had some doubts,” he said just as Lacey was about to scream. “But you pulled it off. We’re getting decent comments on the new column, especially from the higher up.”

“You mean from her majesty,” Lacey spat, despising the woman who got her into this who mess.

“The mayor is pleased, yes,” Glass relayed with a slight warning to his voice.

Lacey ignored it of course, but she didn’t want to talk about that horrid woman any longer.

“What did you think?” she asked, running a finger over a book on his desk.

Glass had the audacity to laugh. “You haven’t asked me that since you were an intern.”

She turned a harsh glare at him and Glass finally put her out of her misery.

“I thought you put a lot of heart into it, and I know it wasn’t easy stepping into something so different from what you’re used to.”

“You’re fucking telling me,” Lacey muttered undetected.

“It’s a heavy subject, I mean good God Lace, did you pick this one to get back at me?”

“Maybe.” Lacey teased.

He let it slide and stood, cueing that there conversation was coming to an end.

“Well you did good, and, well, I’m proud of you kid.”

That was indeed something she hadn’t heard since she was a bright-eyed intern back in high school, and something she hadn’t heard from anyone but him.

Not even from her own father.

“Don’t get mushy on me, Delicate-as-Glass,” she snarked, enjoying the way he bristled from the use of her nickname from him.

“Easy,” he warned, but he more important things to do than lecture his most wild employee on respect.

“Anyway, I think we can start adding one of those with your usual debauchings, and that should keep you in the clear.

It was just as she suspected, but she complained simply to put on a show and then let the matter rest. She’d have to work with Gold some more, which she had no problem with at all.

Though it would seem their attempt at a romantic relationship was going to need some time.

Sunday came around and Lacey hadn’t seen nor heard hide or hair of him since their drink.

As Lacey walked the streets of Storybrooke, an attempt to get her thoughts in order, she but decided she’d visit him that night for more help on her “fluff” article, and maybe some feedback on her smutty one.

Bells rung cleanly through the air as church services let out and Lacey scrunched her nose. The religious zealots in Storybrooke were her biggest haters. It wasn’t uncommon that she’d get some sort of email warning of the damnation of her soul or the obstruction of the town’s youth.

Lacey laughed aloud as she thought of the latter, certain Storybrooke’s youth found their first form of porn in a much more modern way – a fact she often wrote as reply in her emails on the subject.

“Glad to see you’re in good spirits, Miss French.”

Lacey’s grin melted into an annoyed frown at the familiar, very unwelcomed voice.

“Son of a bitch,” she muttered as her most vocal opposer approached: Mother Superior.

The head nun of Storybrooke’s covenant had her finger in the grand pie that was Storybrooke and was quick to take down anything she could pinpoint as “sinful.” Such measures included removing a majority of “inappropriate” books from the town’s school libraries (the public one had been closed for years), mandating separate PE classes at said schools, and worse, writing a religious reminder about the wages sin in Storybrooke’s Sunday paper—Lacey’s fucking territory!

“Morning,” Lacey greeted vilely, glancing over her shoulder. “And…goodbye.” She began to walk away, but was halted by more of the pious nun’s words.

“I was interested to see your choice of column’s this week,” she spoke. “Much more effective than the sinful trash you usually post.”

Lacey swung around on her heal, letting out a fake gasp.

“And here I thought you hated my work,” she gave the nun a plastic smile. “Good to hear you read my columns regularly.”

Mother Superior bristled, already losing her battle with the spicy Lacey French.

“You—you obviously can stop your sinful ways if you give yourself the chance. You could really help people instead of leading them down the path of—”

“I do help people,” Lacey hissed. “Sex, intimacy, closeness, all of those things are important to people, and they come to me for help because unlike you I’m not going to shame them.”

The head nun went quiet and Lacey thought for a moment she’d won this fight and could go about her day in peace, but then a wicked grin spread over Mother Superior’s face and Lacey knew her day was about to get much worse.

“People seek your insight because you’re an easy slut who has whored herself out expertly.”

She said it. The W-word Lacey hated with a passion. The word that was always aimed at her.

She tried to hide the impact it had on her. No one, not even a pillar of the fucking community, was going to get under her skin.

“At least people read my expert advice. From what I seen they shred your little letter of conviction up and donate it to the animal shelter for bedding.”

Mother Superior’s face turned green and her mouth opened again to comment when another familiar figure added their appeal.

“Mother Superior,” Gold greeted darkly. “I do hope since you’ve found time to invade Miss French’s business then you’ve found time to gather the rent for tomorrow.”

The head nun’s expression turned pale. Her mouth failed to work and Lacey found some secret pleasure in her downfall.

“O-of course, Mr. Gold,” she finally replied, giving Lacey one last dirty look before she dashed away to the convent.

Lacey snorted, spinning around to face Gold.

“Thanks cutie pie, but I was handling myself just fine.”

Gold shrugged. “I never miss a moment to remind that gnat of a woman of her place.”

She chuckled at that, though the sting of the nun’s words were still wearing off.

Gold noticed her shift in mood and searched for an out.

“I was…going to call you.”

“But you didn’t.”

“Well neither did you.”

“Ugh,” Lacey groaned. “We wrote a column, not slept together, let’s drop it.”

Gold’s face heated and he went quiet.

Lacey sighed, knowing she’d already made the situation between them more awkward than it already was.

“Look,” she said, “I have a few fluff columns I need to go through. How about I come by your place later and you see what you can do.”

Still flustered, Gold could only nod.

“Great,” Lacey said. “I’ll see you then.”

Gold watched her leave, the clanking of her high heels matching the thumping of his heart.

So far there relationship was a sort of business casual agreement, but there was the “what if” factor floating cleanly over them.

His attraction for her was clear between them, but exactly how she felt was still unknown.

For all he knew she was simply using him, but at least it was for his mind and not for his heart.

He was becoming content with their relationship, but he was a lonely soul who would one day want more. What would happen when he tried to take that step? Would it be the end of them?

Unbeknownst to him, the same thought was on Lacey’s mind.

No one had ever stood up for her like that before, and there was a certain tastefulness watching him snarl at that gnat of a nun.

She’d admit that Gold was attractive in his own way. Lean, a decent stature, nicely grayed out, and those eyes. Damn his eyes. The color of whiskey and just as addictive.

She found herself grinning like a freaking teenager as she thought of her unofficial business partner and her growing attraction for him.

It only occurred to her as she got halfway to her apartment that she had spoken to him completely in the open and felt absolutely no remorse or concern.

0-0-0-0-0-0-0-0-0-0

“Okay, how about this one: Racy Lacey, I’m at my wits in with my new boyfriend—oh never mind, this one’s smut-worthy too.”

Gold scoffed. They’d been looking through emails for the past hour. They were almost though a whole bottle of wine, most of which was drunk by Lacey. Gold avoided the alcohol as much as possible less he embarrass himself.

Lacey seemed to be holding her own though, mostly. She was walking barefoot through his living room, pacing back and forth as she read emails off her phone.

It was a lovely site and very distracting.

“Your mind goes straight to the gutter, doesn’t it?” Gold said, his stomach immediately twisting with anxiety.

It was the first time he’d attempted to joke with her and, judging by the snort that followed, she took it fairly well.

“Well, people write me for one thing,” Lacey shrugged, falling back beside him on the couch. “So the gutter is a good place to go.”

He chortled, grateful her sense of humor ran deep.

Lacey stared at him over the rim of her glass, curious.

“What about you?” she inquired. “Where does yours goes?”

Gold choked a bit on the sip of wine he’d taken. Not embarrassing himself was starting to go out the window, it would seem.

“S-somewhere more innocent than where yours is,” he said, not meeting her eyes. “Shouldn’t we get back to the column?”

Lacey crawled closer until she was mere inches from him. She crossed her legs, leaning one hand on her knee as she watched him grow increasingly nervous.

“Come on, converse with me,”

Gold resisted the urge to roll his eyes. Lacey French was guiltily tipsy in his living room, and getting increasingly bold at that.

“Miss French…”

“For Christ’s sake it’s Lacey,” she slurred. “We’re defiantly on a first-name basis, I mean come on.”

Gold chuckled nervously. Where they really at that stage already?

“I suppose we are. Now the column…”

“Ugh,” Lacey groaned, setting her glass on the floor beside the couch. “All work, no play. What’s the matter, afraid you’ll fall even more in love with me?”

Gold froze. Honestly, he could faint. Lacey was certainly having a field day with the knowledge of his affections from his drunken email earlier last week.

She wasn’t mocking him, that much he could tell, but he did increasingly wonder the authenticity of her affections towards him, if there were any at all. She’d probably regret her words tomorrow, but he wouldn’t remind her of them if didn’t bring them up.

“It’d certainly be a challenge not to,” he admitted.

Lacey’s smile stretched further, her chest fluttering.

Maybe it was the alcohol, or maybe Lacey simply wanted to explore this oddity she had developed with Gold. Either way, she was about to make a very drastic decision.

“Hey,” she whispered, chuckling. “How about …”

Gold tilted his head, charmed at the rosiness on her cheeks. “Yes?”

She stared into those eyes, their color so tantalizing and bright.

“…kiss me.”

Gold’s smirk slowly disappeared, his chest seizing.

“I…I beg your pardon?”

“K-I-S-S,” Lacey repeated with a smack of her lips. “me.”

Gold could only stared at the scarlet-faced goddess in front of him, the color of her face making the blue of her eyes stand out all the more.

He did want to kiss her—Gods knows he did—but was this the right time?

Lacey seemed to think so as she leaned forward, expecting his lips. In retaliation, he leaned back, trying to put as much distance between them as possible.

Lacey caught on quickly, pausing when she saw the uncertainty on Gold’s face.

“Yikes, sorry,” she muttered. “You’re not going to catch anything, damn.”

Gold was taken aback by the sudden malice in her tone and, he saw, the flicker of shame in her icy blues.

“What? Lacey what are you talking about?”

Lacey stared glassily at her bare feet, shrugging nonchalantly.

“You said ‘who knows what I have’ during our fight, remember?”

With flaming discomfort, he recalled exactly what she was talking about.

It had been a flare up, a way to push her out as he recovered from his embarrassment, to keep her at arms-length, he previously convinced himself.

The reason was pointless. He’d insulted Lacey, humiliated her really.

It didn’t take a vivid imagination to know that her early conversation with Mother Superior was only a sample what she went through daily. And he’d was no different than the fools in town who jumped to conclusions about virtue.

Her head was still bent, one of her fingers circling a patch of leather on the couch. Gold felt sick that he had made her feel any level of guilt when she shouldn’t at all.

“Lacey,” he said quietly. “I am so sorry. I was foolish. I didn’t mean what I said. I shouldn’t have said it.”

Lacey shrugged, uncrossing her legs and made her way to the window.

“It doesn’t matter.” She replied, the phrase her constant companion whenever she was compared to someone with such loose morals.

Lacey was as sex positive as they came and encouraged many of her readers to be comfortable and experimental with their sexuality, but her own experience came from a vivid imagination. Her own standards were extremely high, and her partners very few.

Of course, that didn’t stop the many she turned down from spreading callous rumors about her when she refused their beds, and of course being a sex columnist didn’t lend an the most positive opinion.

She’d learned to deal with the snarls and the crude comments whispered behind her back. She’d eye her opposers down just as damningly as they did her and came out triumph.

Still, the isolation didn’t stop the wave of loneliness that hit her from time to time.

“It does too matter,” Gold fought. “You don’t deserve what I said to you Lacey, what anyone says to you at that!”

“I’m used to it—”

“You shouldn’t be,” Gold cut her off. “You are a beautiful, intelligent person Lacey. And you do something every day that not many people have the ability to.”

Lacey snorted but smiled none the less.

“You’re so brave to do it,” Gold said, his eyes lowering. “Braver than I am.”

Lacey eyed him, cocking her head mischievously.

“I think you’re pretty brave,” she said. “Not too many people have the gall to have Racy Lacey in their house, especially with such nosy neighbors.”

“Damn the neighbors,” he said.

She scooted closer, her breath warm and acidic on his lips.

“I think you’re pretty handsome too,” she smirked.

Gold scoffed. His looks were the last thing he’d credit himself over.

“I’m serious,” Lacey said, her painted nails trailing up his neck. “Especially your hair…”

Gold accepted her touch with earnest, his predatory eyes fluttering shut as he pressed into her hand.

She watched him, a man starved for human affection. Just like her.

She carefully leaned forward, letting her lips brush against his, testing his consent. When he didn’t pull away, she strengthened the kiss, pressing her lip solidly into his as her hands tangled in his locks.

Gold returned it, lost in her taste and desperate for her touch.

They separated for air, Lacey’s hand have gripped the collar of his shirt.

“Hey,” she husked. “What if we…”

He was no fool to not know what she wanted.

He had wanted to protect, but found out she didn’t need protection, not from the town at least.

His own heart was damaged, and Lacey had begun to fix the chips and dents.

He was still hesitant, still ashamed by his behavior toward her earlier, but Lacey was pawing at his shirt and he could think of nothing else but her.

He kissed her again, his hand feeling down her hip.

Lacey was quite receptive. She uncrossed her legs and crawled into his lap, pushing him against the arm of the couch.

He captured her face with one hand while he explored her body with the other. His hands came up to her top, stopping for her permission. Her hands met his and she all but ripped off her shirt, her nipple standing at full attention through her silk bra.

Gold’s hands ran up her back, grazing her breasts and gliding over her stomach, her side, down her thigh and under the fabric of her jeans.

She clung to his shoulders as she let her tongue dance with his. Wetness was already pooling between her legs. This was escalating quickly and yet she had no intention of holding back.

He swallowed when his erection pressed against her thigh. She desired him and she needed him. Now.

With more skill than he could have imagined she managed to get her jeans off in a messy tangle, laughing as he helped her.

His fingers graced against the fabric of her panties, applying just the right kind of pressure to her clit.

“Gold,” she keened, attacking his belt and leaning off of him just enough to help pull his boxers down.

She felt his hard erection twitch, pressing against her flesh, his warmth radiating.

She kissed him again. He groaned and bucked his hips against her. She moved her hands between their bodies to free his throbbing erection from his pants. He groaned when she wrapped her hands around his cock. She wanted to taste him. She wanted him to fuck her. She wanted to bring him pleasure and see it written all over his face.

He trembled a little, grateful she had no qualms with being in charge.

“You are so sexy,” he groaned as she grabbed his cock with one hand and fighting between moving her panties aside and steadying herself with the other. Feeling how good he felt when he finally slipped inside her made all annoyance she felt slip away.

They both sighed and she captured both his hands, pulling them up and behind his head. She entwined her fingers with his and pressed his hands against the couch as she bend forward to kiss him.

She rode him hard, licking, nibbling, sucking at this mouth while she did so. He was hers and she wouldn’t allow him to run off again. He came before she could reach her climax, but feeling his hot seed spilling inside of her brought her over the edge again.

She collapsed on top of him, releasing his hands to play with his hair. And they just breathed together.

Then she started laughing, a throaty ring that made his heart pound.

“Well, Goldie Locks,” murmured as she played with his curls. “I think I have my inspiration for my next column.”

He chuckled and held her ease down so that she was lying on top of him.

“Such a shame you still have to write the tame one, you’re deadline is tomorrow morning, yes?”

Lacey groaned and buried her head in his chest. He kissed her curls in reply.

He was indeed going to enjoy this new relationship with Lacey French.

-=-=-=-=-=-=-=-=-=-=-

I’ve been trying to get these two to bang for over a month now, so boom, they banged. I can’t write a smut scene to save my life.

#rumbelle fic #rumbelle #lacey french #mr. gold #rumplestiltskin #ryik's fics

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killjoyhistoryarchive · 3 years

Text

“Conventional Weapons” and the Rocky Road to “Danger Days”

In 2009, My Chemical Romance was buzzing with activity. The band performed several shows and festivals (including Summer Sonic in Japan), Gerard and Mikey Way attended San Diego Comic Con, and The Umbrella Academy was named one of Amazon’s top comics of 2009. Ray Toro held a Whopper eating contest on the official MCR website (no joke), while a certain comic series written by Gerard Way and Shaun Simon was announced in August. And at a show at the Roxy in Los Angeles, MCR performed three new songs from their upcoming album.

But while their next album seemed easily slated for an early 2010 release, MCR was about to hit a series of hurdles that would leave them with a scrapped album, a lost drummer, and a totally new outlook on where their music was headed.

On July 31st, 2009, MCR performed a set at the Roxy that included three new songs–“Kiss The Ring,” “The Drugs,” and “Death Before Disco.” Gerard was enthusiastic about the new tracks, even telling Rolling Stone that “Death Before Disco” was “the greatest song we’ve ever written.” Videos of the tracks soon appeared online, where fans eagerly devoured what they thought would be the follow-up to 2006’s The Black Parade.

As the days and weeks went on, the media blitz kicked into high-gear. While Ray Toro posted short studio clips on MCR’s website, the band gave several interviews where they gushed about producer Brendan O'Brien, discussed their new stripped-down style, and claimed that this would be their best record yet. In an interview with MTV, Gerard described the still-untitled album as a “true love letter to rock and roll,” adding:

“There’s something about being an American rock-and-roll band that we’ve kind of grown into and we’re very proud of. And I think that’s what we’re celebrating with this record. There’s no agenda, there’s no mission; it’s just about rock and roll.”

Meanwhile, Gerard Way and close friend Shaun Simon had another surprise in store: a comic series called "Killjoys.” Dark Horse Comics announced the release at San Diego Comic Con. Jeremy Atkins, the Dark Horse Director of Public Relations, described “Killjoys” as “a psychedelic rock-and-roll road trip adventure geared toward both fans of The Umbrella Academy and My Chemical Romance.” But not much else was said about the comic, as MCR’s upcoming album had become Gerard’s top priority.

As the album drew closer to completion, MCR gave fans more glimpses of what lay in store. They shared the titles of various tracks, including “Still Alive,” “Trans Am,” “Hail To The King,” “Save Yourself, I’ll Hold Them Back," “L.A. Heavy,” "The Only Hope For Me Is You,” and “Black Dragon Fighting Society.” They cited a variety of influences, including Queen, Judas Priest, Bruce Springsteen, The Killers, and Blade Runner. By all accounts, this was going to be MCR’s defining album.

In December, MCR previewed seven tracks for SPIN magazine. A month later, in January of 2010, the album–which was still untitled–was rumored to be released on March 30th. As they continued to rework the songs, they realized that the stripped-down sound wasn’t working. As NME reported in January:

Things turned around with a song called “Trans Am,” now renamed "Bullet Proof Heart,” the likely first single. And perversely, they did it by returning to fiction. Broadly, it’s about a boy in New Jersey, dressed in a Judas Priest T-shirt, called Johnny. And a girl called Jenny who might be his girlfriend, but who also (honk the pop fact sirens!) might also be the missing girl from “Jenny Was A Friend Of Mine” by The Killers.

But in the same interview, Gerard restated that the album would give "the purest, best version of the band you could ever hope for.” And in early February, MCR finally started to wrap up production, telling Big Cheese that the album would probably be released in spring or summer.

“Killjoys” also looked promising–back in January, Scott Allie had reported in a blog post that Shaun Simon and Becky Cloonan were ready to get started. Once Gerard wrapped up the album and finished working on the Umbrella Academy movie screenplay, it seemed like he’d be ready to dive in.

But February was also when the band publicly stumbled for the first time.

Before the Big Cheese interview, MCR had abruptly cancelled their appearance at the Soundwave festival in Australia. In a blog post on MCR’s website, Frank claimed that Gerard was having voice problems (he jokingly implied that it was due to coffee and cigarettes) and required treatment to make a full recovery.

Fans were disappointed, but most understood that it couldn’t be helped. But a month later, the fandom received another shock: MCR’s drummer Bob Bryar had departed the band. In another blog post, Frank told fans:

As of 4 weeks ago, My Chemical Romance and Bob Bryar parted ways. This was a painful decision for all of us to make and was not taken lightly. We wish him the best of luck in his future endeavors and expect you all to do the same. We also wanted to give you all a quick heads up on how the record is progressing. We have been writing some very powerful new songs so this week the four of us entered the studio once again, and what has been ending up on tape each night is some of the most exciting and honest work we have ever created.

The fandom was stunned. Clearly, MCR had been experiencing some behind-the-scenes turmoil, suggesting that the process wasn’t going as smoothly as fans had thought. While it wasn’t known at the time, they also parted ways with producer Brendan O'Brien, who had been hired specifically to channel their raw, back-to-basics sound. Where would MCR go from here? And when would fans hear the latest album–which was apparently undergoing rewrites once again?

It wasn’t until late 2010 that fans would finally learn what had happened to this unreleased album.

This moment, says frontman Gerard Way, looking back on what went wrong, “was the hardest part”. Guitarist Ray Toro was “home dealing with some family things”, leaving Way, his bassist brother Mikey, and guitarist Frank Iero alone in the mixing studio. “The sinking feeling was really starting to become loud that it wasn’t right - that the record wasn’t finished, I couldn’t even put them in a track order … "Thinking about it now, it’s kind of upsetting, because I just felt so lost,” Gerard says.

This was discussed in an interview with Herald Sun, where they talked about the process of starting again after the departure of their drummer and producer. Speaking to Music Radar, Ray Toro talked about the struggles the band had with original producer Brendan O'Brien, admitting that it hadn’t gone as well as they once thought:

“He was really trying; he did the best he could with us. He knew things weren’t clicking, and he’d try to rally us. I remember he said, ‘Hey, on some songs, I’d love to hear you do what you did on The Black Parade.’ Because there wasn’t any of the harmonized guitar parts or the stacking that I usually do. He was trying to get us to make one record, and we wanted to make something totally different.

Musically, we wanted to go back to our basement. But just because we wanted to do something different didn’t make it easy. In many ways, we felt as though we were holding ourselves back creatively. We were going through the motions. Some of the songs were good, but we weren’t happy with all of them.”

Needing a break, Gerard took a vacation to the desert that surrounded Los Angeles. There, as he told Terminal 5, he realized “I had started the band after 9/11 when I hated art. Black Parade had been about hiding and punishment. I couldn’t tell the truth so I’d talk about cancer instead. I had to put on a mask to show people who I really was. But now it was time to own it. To be who I was before this band started. And I had something in my back pocket: this song, ‘Na Na Na.’”

Reunited with producer Rob Cavallo, who had worked on The Black Parade, the band kicked things off with “Na Na Na.” Gerard and Shaun Simon’s comic “Killjoys,” once a separate side project that had nothing to do with the band, suddenly became the concept that they formed the album around. Fueled by fresh creative energy, the band wrote and re-wrote tracks, came up with concepts and characters like Dr. Death Defying, and shredded the limitations that had confined them. At one point, Gerard turned to his brother Mikey and said “Danger Days, here we come again!”

Not everything from the previous record was scrapped. “Trans Am” became “Bulletproof Heart”; “Death Before Disco” became “Party Poison.” A few new versions of old tracks appeared on the record, as well as the Mad Gear and Missile Kid EP that came later. But MCR’s fourth album had gone from a rock and roll record that deliberately avoided ambitious storylines, to a vividly realized concept album that invited fans into the world of post-apocalyptic California. In many ways, it was the opposite of what they had originally planned. And it seemed to be exactly what they had been looking for.

During this time, Frank snapped in-studio photos that he sold on MCR’s official website, offering one-of-a-kind peeks into the recording process. In March, Mikey Way stated in a blog post that “One day you will wake up, and nothing will ever be the same again, but it’ll feel like an old friend.” He was talking about upcoming changes to the MCR website, but in a way that statement reflected the band’s process at the time–they had completely reinvented themselves, and yet there was still a certain familiarity in the old tracks they had revamped.

The band completed the album with fresh energy, offering sporadic updates in the coming months. Fans waited with some skepticism to see what MCR had in store. And finally, one day in early September, MCR’s website disappeared and was replaced with a mysterious transmitter. The Danger Days era had begun.

But was the scrapped album hidden away, never to be heard again? Not quite.

In 2012, in a blog post on MCR’s website, Frank talked about the feelings of depression that he had faced after The Black Parade. He felt like MCR had done it all, leaving them with nothing left to accomplish. In November 2008, Gerard called him up to talk about the band. As new ideas took shape, they prepared to start recording the album that would eventually be scrapped after months of work.

Frank pointed out that while the band had limited themselves during the recording of this album, the songs weren’t inherently bad–in fact, some of them were among his favorites that the band had produced. As time passed, he developed a greater appreciation for the tracks. And when the band met up and listened to those songs, they decided to release a selection of tracks to the public–two tracks a month for the next five months, for a total of ten.

After all this time, the album finally had a title: Conventional Weapons. Tracks included “Kiss The Ring,” “The World Is Ugly,” “Surrender The Night,” and the fan-favorite “The Light Behind Your Eyes.” Listening to the tracks, it was clear that MCR had aimed for a rock album with a pure American sound–no ambitious concepts or storylines, just a set of killer tracks. Whether they succeeded is up to the listener to decide, but they provided some insight into what came before Danger Days.

Due to its unconventional release, and the fact that the album was a series of random tracks and not a finished product, Conventional Weapons is not considered an “official” MCR album. But while Danger Days was the final album, Conventional Weapons was the final release before MCR broke up in 2013. Since the split, the release of CW has caused many fans to wonder–will My Chemical Romance’s fifth (and unreleased) album ever be shared in a similar fashion? Or will it be locked away forever, like the other CW tracks that were never released?

Only time will tell. But for now, Conventional Weapons serves as an intriguing part of MCR’s history–a time when the band set out to make one type of album, and ended up making the complete opposite.

(Picture credits: 1 2 3. Other in-studio photos by Frank Iero.)

[Originally published 07.09.2017]

#my chemical romance #mcr #gerard way #mikey way #ray toro #frank iero #conventional weapons #articles #music #behind the scenes #na na na #bulletproof heart #party poison (song)#killjoyhistory #reuploads

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bexterbex · 4 years

Text

A Soul to Mend His Own | Ch. 54

Warning, PLEASE CHECK TAGS IF YOU SEE SOMETHING YOU DON’T WANT TO READ THEN DON’T READ. Tag lists are closed

Tags: Alternate Universe - Modern Setting, Alternate Universe - Soulmates, Alternate Universe - Canon Divergence, Will tag as I go along, Will update tags, Slow Burn, Influenced by Star Trek and other Sci-Fi themes, References to We Happy Few, Tons of References and quotes to George Orwells 1984 see if you can find them all, The First Order is the new Big Brother, but who is really surprised, Blatant Nazi Symbolism, Interrogation Themes, Eventual Smut, Eventual Romance, Really just drawn out Slow Burn, Don’t repost without permission, Torture themes, Suggestive Themes, Execution themes, Disturbing Themes, Implied/Referenced Abuse, Verbal Abuse, Controlling Kylo Ren, Physical Abuse, Implied/Referenced Self-Harm, Kylo Ren is Not Nice, Kylo Ren Has Issues, Supreme Leader Kylo Ren, Possessive Kylo Ren, A character shamelessly based on Zelda

A Kylo Ren x Modern! Reader in a soulmate au with some canon divergence. —————————————SLOWBURN————————————–

He is already the Supreme leader, searching the universe to find you, his Empress. Your name on his wrist has been the only constant in his life, while you have doubts about his existence and his acceptance of you. He isn’t in the database and why did the name Kylo Ren cover Ben Solo?

MASTERLIST

Chapter 54: Learning and Encouraging

The general placed your lunch order for you, stating there were specific things needed for your course. When the droid arrived it placed a rather elaborate place setting in front of you. Lots of silverware and glasses that you weren’t familiar with.

The general seemed to want to make sure everything was precise and forced you to maintain a straighter posture than normal, “Now m’lady it is important that you take such a lead at this formal dinner. Other than the Supreme Leader, you will be the next highest ranking person there.” He then started to show you by example how to do things.

“So everyone will be looking at me and judging me. Got it.” You instantly got nervous. You hated being the spectacle of everyone’s judgment.

“Now, now m’lady, they will simply be following your lead, as will the Supreme Leader. One of the reasons why you are learning such things is that he needs to be shown what to do, he will follow your example. He has been taught these things, but he tends to either ignore them or forget them. He will be searching your mind and following you at the dinner,” Hux informed you.

“Searching my mind? Like he will literally be following my lead? I don’t know if I like that.” Truly you didn’t, it rather creeped you out.

“Well, m’lady it is either you or I, and I think he much prefers your mind versus mine. I can tell you that he does it anyway, if you know where to look you can feel him moving around in there.” He pointed to his head, “You might find that it is a good way to communicate without alerting others. I have found it rather useful at times.”

You considered this for a moment. He was in your head? You knew he read your thoughts, but you assumed that he didn’t do it all the time. But now you thought twice about it. Could he see what Adlez and you were doing? Would it even work if he knew what you were trying to do? How good was his concentration? This was something you were going to have to test.

“Ok, so if I do this correctly then he will take my lead?” You weren’t sure if that was the best thing.

“Yes m’lady, but I might recommend that you rather overly think it when you do. Like yelling in your own mind or rather when you pick up a glass you need to truly think about picking up a glass or a fork. He will need to be led by you as to what to do, less we want to make fools of ourselves.” He then went through what each item was used for and in what order you were to use them.

You eventually got to actually eat your food, “But it is very important to note that anytime you get up from the table all males will stand with you,” said the general. “The Supreme Leader will probably initiate this. You do not have to stand when another woman gets up, but any male that does not stand for you is someone who is insulting you.”

“Do you have a feeling that someone might try to insult me?” This was not something you wanted to repeat, not after the last time.

“There may be some at the dinner that do not appreciate that your planet has not been in the last few galactic wars. And now it is reaping the benefit of the First Order’s graces without doing the work.” You could tell this was not his personal feelings, only possible opinions that he was relaying to you.

“Would they possibly be the same people who are in favor of General Pryde staying around?” You had a gut feeling.

The general did not answer exactly but shared a pointed smile with you as he turned back to eating his lunch. You got the message. You were about to fight an entirely different battle. One that Kylo wasn’t proficient in, one that you would lead on your side.

“They may also make snide remarks about you m’lady, so you best be prepared. Adlez and Olivia-Rose will make sure you are presentable. It will be best if there are no marks along your neck. While they may be something, the Supreme Leader enjoys, it will not be something appreciated by them less you be in a different position; like that of a courtesan and not a lady.” He pointed to his own neck, miming to where your marks were.

“We won’t have that,” stated Adlez. “If anything, that will be the women they call wives that they will bring along.” She seemed ready to take this battle for you. You wonder if it was ever insinuated that she was one in her previous marriage. High society women were known to be catty and backstabbing.

“Of course not, but Lady Ren may have to remind the Supreme Leader as to the purpose of covering herself up.” You could tell that both you and the general knew that he probably wouldn’t be happy with the decision to cover them up.

Your hand went to the mark behind your ear, the one he almost seemed to insist be there at all times. Not that the other marks didn’t mean anything, but this was the one he darkened and remarked every morning. You had a feeling that this was the one that would have to stay, his little mark of ownership over you. His signature, his brand.

“I will try to do so general, but perhaps we can find a dress that makes covering them less tedious?” You turned to your ladies with the question.

“I have just the dress in mind, m’lady. It will show off a bit of your back but almost nothing of your collarbone and what is shown will be easy to cover. One of your many beautiful floral dresses,” said Adlez.

“We are confident we can cover any mark, the Supreme Leader decides to leave,” said Olivia-Rose.

Both of them made you feel better, you were glad you had their company otherwise you would be all alone here. Floundering trying to make this all work, lost trying to find your new role. They were essential to your success.

After lunch, you all made your way up to the second level. You walked past the place where your drink from the other night had crashed. There was a stain in the carpet there. You stared at it for a moment before taking your spot. Adlez noticed the stain and walked back downstairs before coming back with a brush and a bottle of seltzer water, salt and a rag. She went to work lifting the stain if only she could do that to the memory.

The general informed you that you would be skipping around in order of lessons until the Supreme Leader informed him that you were to do some of the others he had in mind.

Ch. 19: The Chaperon and Other Conventions

Ch. 27 Part 1: Notes and Shorter Letters (para. 1-24)

Ch. 27 Part 2: Notes and Shorter Letters (para. 25-59)

Ch. 27 Part 3: Notes and Shorter Letters (para. 60-97)

Ch. 27 Part 4: Notes and Shorter Letters (para. 98-140)

Ch. 27 Part 5: Notes and Shorter Letters (chart How to Address Important Personages - to end)

Ch. 28: Longer Letters

“Once you are officially introduced as the First Lady, Lady Ren of the First Order and because you are not married to the Supreme Leader at any official events, you are not to go off alone with him. I believe the Supreme Leader has designated myself as your official chaperon at the dinner. You will also take up some duties, including some official correspondences with some of our allies. When we get closer to the dinner the Supreme Leader and I will sit down with you and go over your new duties,” the general then stood and folded his arms neatly behind his back.

So you were not only were you and he going to be watched by everyone, you couldn’t be alone together for five minutes. You were also going to be given new duties and responsibilities. Part of you was happy because you were going to be trusted with things, but part of you was dreading having to possibly do something you didn’t want to do.

“It is also recommended that for the next few meals following up to the dinner that you follow that same set up to practice your etiquette. It should now be set up on your meal preference list to eat this way. Even though the Supreme Leader will probably just follow you, it may not hurt to have him eat like that with you beforehand,” you could tell that the general was giving you a hint. You would agree that Kylo had some manners to work on and it wouldn’t hurt to start early.

The general then took his leave as you followed your ladies down to the dressing room to get ready for dinner. You saw the lieutenant linger for a moment before he also took his leave.

You then got ready with your ladies, putting you in another rather simple dress for the evening and doing another simple but elegant style.

“So is there anyone that has caught either of your eyes on board,” you asked both of them.

Adlez caught your eye in the mirror you could tell that she knew what you were doing. “Not particularly for me, but I have had fun with some of the officers at the bar.”

Both of you watched Olivia-Rose blush and duck her head when both of your attention turned to her. “There is no one in particular.”

“No one in particular, or someone who hasn’t noticed yet,” asked Adlez taking the lead. Her all-knowing eyes settled on her younger counterpart.

“I don’t know if it would even be appropriate, or even if it would be reciprocated,” Olivia-Rose said in her own defense. She looked stressed and worried.

“It is most certainly reciprocated and really all you need to do is ask permission from Lady Ren,” said Adlez to her. She then looked at you, asking permission for her.

Olivia-Rose then caught your eye in the vanity mirror, you got up and took her shoulders in your hands. “Of course you can, all I ask is that if it doesn’t work out that you will be able to work together. He is my assistant after all, and you will have to be near each other every day.”

Olivia-Rose just blushed and ducked her head. Eventually, she nodded in response. You then walked over to the vanity mirror with her and Adlez to inspect their handiwork. They did an excellent job, as always.

“Adlez do you think you can get me ready for bed by yourself?” You turned your head to the older woman.

She met your eye in the mirror and answered it with a smirk, saying, “Of course I can.”

You then turned to Olivia-Rose, “I expect that you should be able to track him down. Or do you want me to send him a message? I am giving you the opportunity to do it now before things get too hectic for all of us.”

She blushed and ducked her head once more, “I can find him m’lady and thank you.”

With that, you dismissed them both and headed to the living area to wait for Kylo to return for dinner. You had some things to discuss tonight, one of them being the execution tomorrow. You just hoped he could keep a level head for once so that another night together wasn’t ruined.

#kylo ren #kylo ren x reader #kylo ren imagine #kylo x reader #kylo x you #star wars #first order #star wars imagine #Star wars soulmate au #sw first order imagine #star wars first order #minutes to spare #a soul to mend his own

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zoueriemandzijnopmars · 3 years

Text

Okay so I mentioned this once, but I have to face the fact that I will not be writing a fanfic that is about the same length as the entire book, so here are my headcanons for the The Letter for the King (book) AU where Isadoro will be joining Tiuri for the whole trip (because I want more women in this story).

So background: we have to tweak the world building a bit, but Isadoro is Sir Fitil’s only child and because woman can’t inherit, but he doesn’t want to remarry and he doesn’t want his castle to go to someone outside his family he one day just says he has a son instead of a daughter

This could work because Islán is situated far from everything, so would would remember whether his child was a son or daughter?

So Isadoro when she’s around 10 is send to pretend to be a boy and be a squire for Fitil’s best friend who is in on the plan.

The rest of the world believes Isa is a boy going by the name of Fitil (naming sons after their fathers is something that happens frequently in the world)

She also pretends to be 2 years younger than she actually is. So when she’ll be in the chapel at the start of the actual story Tiuri will think she’s 16 like him, but she’ll actually be 18.

This is to prevent people noticing her voice isn’t deepening and her lack of facial hair.

This will also work because afterwards she will go back to Islán and nobody ever comes there so nobody can even get suspicious.

Anyway the story

Vokia (the mysterious man) will knock on the window on Isa’s side of the chapel, so she’ll be the first to hear it. She’s also least likely to actually react because she has the most to lose.

Anyway he persists and when she finally gives in and stands to open the door, Tiuri has also heard and also wants to open the door.

Neither is willing to back down anymore, so they do it together.

It basically happens like in the book, but Isa is there too.

They go on the journey together and they take turns carrying the letter.

When there’s no sexual tension on Tiuri’s part I suspect they would banter a lot.

While Isadoro is a bit insecure because she’s faking her entire life, she still thinks that she knows everything better

And Tiuri is a bit dumb sometimes

Maybe in the brown convent Isa entrusts the abbot

because she’s uncomfortable being a woman in a men convent

or tries to but he’s like: keep your secrets if you want

So Tiuri is still oblivious

Things in Mistrinaut also go more or less the same

Isadoro and Lavinia get along very well though (it would be a good ship honestly, also in canon, but Lavinia/Tiuri is also a good ship, so they’re just friends in this headcanon)

Anyway, when they ride on with the grey knights, and at the point were they get attacked it’s not Tiuri who gets hurt in the shoulder, but Isadoro.

Ristridin treats her injury but discovers she’s a girl in the process.

He keeps it a secret for the rest though, he tells her and says she should tell Tiuri and the king, because in Ristridin’s eyes Tiuri deserves to know and you shouldn’t lie to your king

He promises not to tell anyone until she’s had the chance to do it herself.

So Isadoro and Tiuri go on.

When they meet Jaro Isadoro is probably very rude to him and argues with Tiuri about it.

She also can’t keep her secret for Menaures because he also treats her shoulder

He mostly agrees with Ristridin, but stresses that it’s her choice

Once they lose Jaro and they’re in the mountain cabin Isadoro tells Tiuri and Piak

Tiuri is quite angry and shocked

His petty shock is that she’s two years older than him

They only really solve it the night after when they’re being cold in the snow storm

Isadoro also tells Piak’s aunt and uncle, because no way she’s bathing with Tiuri and Piak

She manages to get a dress from them and she follows the journey like a girl

This gives some tension when Tiuri and Piak can ride the horses to Dangria but she’s not allowed because she’s a girl, she has to stay in the car.

She does berate Tiuri for picking the fancy horse though, slightly blowing his cover.

Their cover story is that she is Tiuri’s fiancee and Piak’s sister and that they’re visiting an aunt. (Tiuri is there as the ‘man’ and Piak should make sure they’re not doing things)

Isadoro uses her real name because “Nobody knows my real name so it’s a perfect fake name.”

Anyway, because of the existance of a girl in the gang it takes longer before they’re caught by Dangria’s mayor (they’re in the tavern when it happens) and they don’t even round up Isadoro at first.

Isadoro has the letter at this point. Because she’s certain she will get caught soon she opens and reads it.

Then she basically does what Tiuri does in the book and manages to free them.

Once they’re out of Dangria she again dresses as a boy, because they attracted to much attention.

She also learns Tiuri and Piak the contents of the letter when they’re resting

They actually have some money now when they reach the toll, but only enough for one of them, none is willing to let anyone behind though.

Because Isadoro does have common sense they will not almost drown in the river, but think about the ring a lot sooner.

They first try to get over for the price of one though. But the lord of the toll isn’t having that

So Isadoro brings out the ring, having formed a story about how it was her mothers and...

(she’s a good liar with 8 years of practice, and in canon she’s skilled at keeping information away)

she doesn’t get the chance though because the lord of the toll recognises the ring

but at least she can keep information away

Anyway, they can get over.

Meanwhile Slupor is losing his mind because now there are like 4 possible groups that could carry the letter: The two boys he followed in Dagonaut, the two boys and girl that were in Dangria, the young man that left Dangria with a message to the king and the three boys that talked to the lord of the toll

Meanwhile things happen more or less as in the book

But the writer from Dangria doesn’t get killed because Slupor is confused :)

Isadoro doesn’t bind her breasts anymore on the day they reach the city

She won’t wear a dress because they have to ride horses, but she doesn’t want to pretend to be a boy anymore

Isadoro realises that the beggar is Slupor just before Tiuri does, she shouts a warning which distracts Tiuri allowing Slupor to hurt him

He’s not dying, but he does need medical attention, Piak goes with him, but Tiuri says that Isadoro should go to the king.

So she does

But she immediately mentions Tiuri and Piak

When she’s done explaining and giving the message Tiuri and Piak show up.

They can take a bath like in the book, and Isadoro gets to explain her identity struggles to Lady Marion

Because she was like: do you want a dress or a tunic and pants?

And Isadoro was like??? Idk???

I don’t know either I think she’ll go for the dress for the dinner

Anyway things continue more or less as in the book

They see Slupor one more time and he is completely flabbergasted about Isadoro’s gender though

They don’t get a sword though, because Unauwen is uncomfortable giving one to Isadoro in case Dagonaut will punish her.

They do all get their ring though

On the way back Isadoro mainly wears pants

Btw Isadoro has massive older sister vibes with Piak

So when Tiuri makes Piak’s decision for him to stay with Menaurus Isa steps in

Like: ‘Piak you must decide for yourself, I would love it if you came, but I understand if you’d prefer to stay here. But you can also always go back or come visit one of us if you change your mind later.’

Piak decides to come with them after all

Isadoro also has a good talk with Menaurus about what she should do when they return

She doesn’t formally make a decision yet though

But she doesn’t pretend to be a boy anymore

At Mistrinaut Isadoro and Lavinia become even better friends

Lavinia and Piak also go on very well

Isadoro encourages Tiuri and Lavinia to get together but teases them about it too

They meet Ristridin again, he now says he won’t tell the king

When they’re getting closer to the city Isadoro and Tiuri talk about what she’ll do

Tiuri argues that she could still keep up the pretence

But Isadoro doesn’t want to pretend anymore and she’s afraid Ristridin won’t keep his word plus they don’t know what’s in the letter they have to deliver from Unauwen

So when they see Dagonaut she’s not wearing a dress, but she isn’t pretending to be a boy either

So Dagonaut is at first like: I have no idea what I should do

Anyway so there’s this point in the book where he asks Tiuri: “Is there anything you want to ask.” And it’s clear that Tiuri is invited (tested) to ask whether he will still be knighted, so he does and Dagonaut as the savage person he is, implies that he won’t. But in this AU, Isadoro would ask it, while Tiuri would ask what’s going to happen with Isadoro.

So Dagonaut has to reply that he doesn’t know. And then his speech that if they wouldn’t have done what they did they would’ve been knighted already. Implying that he won’t do it now, possibly implying that he will also punish Isadoro.

So both will try to speak up to defend the other.

Dagonaut interrupts them with: “Would you have done anything different had you known what the consequences were going to be?”

And of course the right answer is no, that’s what Tiuri says in the book and what he will say in this AU, but Isa will think about it and say “I don’t know.”

So Tiuri and Dagonaut are confused, because this is not how the story is supposed to go.

So Isa explains – hang on I wrote this dialogue actually:

“I don’t know,” when the others stay silent, she continues, “Honestly, Tiuri could have done this alone-“ Tiuri starts to speak, but she interrupts him, “No Tiuri, we both know it’s true, you might have taken a bit longer, but you would have managed it.” She takes a breath. “The truth is, that if the only consequence would be that I would not be knighted and that I as a woman cannot inherit my father’s castle, I would probably have done the same thing. I’m happy right now. If, however, I and my father will get punished for lying to the king-“ she diverts her eyes from Dagonaut’s face at this point. “Then I would probably not have offered my help. Especially if I had known that Tiuri would be more than capable for the job.”

So after this speech everyone is speechless and Tiuri and Isadoro leave to return later that night.

Btw Piak wasn’t there during the talk, because he doesn’t have to be and it would complicate matters for everyone, he would probably hang out with Tiuri’s parents.

So anyway what was actually in the letter from Unauwen they now gave to Dagonaut:

He did indeed say that Isadoro was a girl, but tbf that would have leaked out some day anyway and he was pretty convinced she would come clean herself. So anyway he defended both Isa and Tiuri for doing what they did + expresses his gratitude to them

And he writes that if they do get knighted, he would offer them to wear the white shield.

Undecided if he also still offers them swords.

So anyway the dinner at night

For Tiuri it turns out the same as in the book.

For Isa, Dagonaut starts in his usual way with saying all that she did wrong.

Like, “you pretended to be a man, thus lying to me, you know it’s forbidden for women to become knights, etc.”

But then he would be like, but tbf you did everything Tiuri did and it would be unfair to reward him for it but punish you

So Isadoro gets knighted as well

She would still get a punishment though, because you can’t just lie to the king y’know So she would probably have to directly serve king for another year or so and her father will get stripped of his titles

Because if she was found out it wouldn’t have been nice for a child and you can’t just subject your child to that.

Her father will be pretty mad at her for blowing her cover btw, but that’s for the next book.

Isadoro does get Islán though, and her father can stay there during her time with the king

Possible the knight she squired for that was in on the complot will get punished too.

And they lived happily ever after

Until Secrets of the Wild Wood at least.

Oh and Tiuri gets to keep Ardanwen, because he likes riding more, is a bigger fan of Ardanwen in general and has more opportunity to ride him in the coming year.

#the letter for the king #Secrets of the Wild Wood #de brief voor de koning #part time writeblr #I made an original post #Guys I love Isadoro so much and this AU is basically canon in my head #Though like this Isa is pretty different from canon Isa because her life was completely different from her 10th to her 18th #and after that as well of course #actual Isa is very feminine and I would love to see how that would change in this AU #Also I have this headcanon that is basically actual canon that Isa had a crush on Viridian that he exploited #like why would they help him?#because they thought he would marry Isa and make her queen #so that would be so cool to see in this AU version of Secrets of the wild wood #This is 2265 words #I better get at least 2 likes #actually I might just write loose scenes for this?#but anyway anybody feel free to run with this idea just tag me because I'm starved for tlftk content #also this one was by far the most popular fanfic idea in the tlftk uquiz #which I find pretty interesting

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hollygoeslightly · 5 years

Note

1. I couldn't help but find Sydney's actions at the end to be very deceitful. As much as it's framed as a tragic choice where he comes out a bruised victim unintentionally hurting Charlotte, I feel that his choice is quite like Ms Champion's and he and the audience cannot actually claim that the exact same thing is any better than her cruel choice years ago. They both left their betrothed for money and we have no idea whether her circumstances were dire or not, yet she was painted as a villain.

2. And as much as I fell in love with Charlotte and Sydney, Sydney's actions at the end when it came to his treatment of her, were deplorable. Even Lord Babbington didn't kiss nor touch Ester in that society until he proposed, even when it seemed a sure thing. He respected her dignity in society and understood what it meant to take advantage of a woman before truly providing for her or making a promise. Thus when they finally kissed, it was celebratory.

3. I had a feeling when Sydney kissed Charlotte before asking for her hand, in a sense rewarding the audience prematurely, that it wouldn't happen. Simply because in that society and context, he knowingly skipped the steps of honoring a woman rightfully rather than using her. He made no promises before they kissed. He didn't propose. Also, speaking to Charlotte about marriage is too important to delay for a week later. The fact that he didn't spare a minute to finish their convo spoke ill.

4. All of these little things at the end of the season, the last episode, left a bad taste in my mouth and gave me the sense that it would end badly. Because as much as we know that Sydney loves Charlotte dearly, his actions were irresponsible and spoke otherwise. Even with money, there are many possibilities for something to come through. You don't barter with a person though, risk hurting someone you love especially after promising them a life, or leading them.The irresponsibility is likeOtis!

5. I know that in that society, Sydney is smart enough to know how much his actions would have consequences on a vulnerable young woman who doesn't even have money to her name. He knows that it's important to have promised marriage before touching her. He knows that making such a promise, he mustn't break it, because she will make arrangements pertaining to her entire life and wellbeing, resting on him. He's also experienced the same vile taste of that happening to him! What do you think?

6. Also just to be clear, I don't want to demand anything of you and I don't want to be negative. I love your meta and I put weight on your interpretations which is why I'm asking. I also love the character of Sydney, which is why I'm deeply disgruntled by this. Not the end, bc I saw that coming, but what the last few incidents mean for his character. I trusted that he'd understand his impact; all the parallels to scoundrels, the context of society, and the contradiction to Babbington is not good.

Hey!

Thanks for the question. I hope you don’t mind, but I’m going to break down your question into parts in order to ensure my answer will make some semblance of sense.

Real Life and Reel Life

I’ve spoken about this before, but it bears repeating as it has a significant impact on how I interpret the show – I am not an Austen purist, nor am I a stickler for complete historical accuracy when it comes to my enjoyment of a particular movie or TV show. For instance, I know some people were frustrated by the historical inaccuracy of Charlotte wearing her hair down, but Charlotte’s modern hairstyle was never something that bothered me. Everyone’s mileage varies of course, but as long as the characterisation is cohesive and interesting and the creators have managed to convey the overall spirit of the period of time the story is set, I’m happy.

It’s also worth noting that while Jane Austen was a fairly historically accurate author, her body of work had a very narrow focus – middle class and upper class families in country villages in southern England. And while her body of work is historically accurate, it’s also intentionally sanitised. Regency and Victorian England was a time of significant social, political and economic change – beneath the shiny veneer of tea rooms and good manners was an underbelly of sex, drugs and gambling.

Why am I mentioning this? Because Sanditon was Andrew Davies’ attempt at expanding Austen’s focus – placing Austen’s signature study of manners against the backdrop of a fairly chaotic period in time. Personally, I loved this aspect of the show. Not only did Davies force the audience to confront their preconceived ideas of what a typical Austen character actually is, but it allowed the characters to push against issues outside of love and marriage. Don’t get me wrong, I swoon every time Darcy helps Elizabeth into the carriage after the ball at Pemberley or Anne reads Wentworth’s letter, but it was nice to have a slightly different interpretation of Austen’s work.

Finally, I firmly believe that part of the agreement you undertake when interacting with any form of entertainment is the suspension of some degree of reality. The amount of suspension is dependent on the work of course, but even true stories require some form of suspension (e.g. the amalgamation of characters, timelines sped up) to be entertaining. In the case of Sanditon, the characters inhabit a close approximation of Regency England, but not an exact copy (e.g. Charlotte wears her hair down, clothing is not always period appropriate). This is also the case when it comes to characters breaking a few of the social conventions that Austen routinely explored. For example, while Sidney kissing Charlotte prior to proposing to her in 1x08 would have been frowned upon in the real world, in Davies’ version of Regency England, Sidney kissing Charlotte is not a poor reflection of his character nor does it indicate that he knowingly took advantage of her – it’s simply a way to drive the narrative forward and create an entertaining story. This is supported by the fact that Charlotte’s reputation remains in good standing despite spending time alone with both Sidney and Young Stringer and that Esther faces no consequences for the exposure of her romantic/abusive relationship with her brother in 1x08. So while I understand that for you, Davies’ choice to overlook certain social conventions is frustrating, I think it’s important to acknowledge that the world Sanditon presents us is not 100% historically accurate, and for the purposes of entertainment, I don’t think it can be.

Sidney, Eliza and Otis

Following the fire in the new terrace apartments in 1x08, Sidney is forced to make a choice between love and money – his love for Charlotte and his desire to save his brother (The Worst) from debtor’s prison. Sidney is faced with an impossible choice and in the end chooses to sacrifice his own happiness (I think Sidney believes that Charlotte will be able to move on and find happiness again) for the well being of Tom, Mary and the children. As you’ve pointed out, this is a direct parallel to Eliza choosing money over her love of Sidney. However, I don’t think it’s accurate to claim that both decisions are equal in cruelty – doing so removes all nuance from the situation.

While I understand why some members of the fandom believe that Eliza could have had a valid reason for choosing money over love, I don’t believe the narrative supports that argument (whether this would have changed in S2, I’m not sure). Eliza is described by Tom (1x06) and Arthur (1x07) as intentionally betraying Sidney’s trust, choosing the safety of wealth over love.

Arthur – “Do you know, for years all I knew about my brother, Sidney, was that he was driven to the West Indies with a broken heart.”

Sidney – “And what’s your point Arthur?”

Arthur – “I admire your spirit of forgiveness that is all. If it were me, I do not think I could bring myself to trust her again.”

Arthur speaks of a betrayal of trust that he does not believe he could ever get past, a betrayal he is surprised that his own brother is willing to forgive. The reason Sidney is so damaged by Eliza’s betrayal is not because she was forced by circumstance to marry for money (if that was the case, it would be presented as two lovers torn apart by outside influences e.g. Sidney and Charlotte), but because by choosing to marry for money, she publically declared that Sidney was not enough. The love and future he could offer her was not enough. Eliza’s choice is so cruel, because her decision is so mercenary in nature – it’s a decision made out of choice, not necessity. She made the decision knowing what it would cost and she deemed that cost (Sidney’s self-worth) worthwhile.

This is also the case when it comes to Otis’ treatment of Georgiana. Otis made an active choice to barter with Georgiana’s name in order to extend credit for his gambling debts. He had multiple options available to him, number one being to stop gambling, but he made a decision where he would benefit and Georgiana would be placed at risk. On the other hand, the audience is made aware that Sidney is forced into a position where there are no right choices. Regardless of the decision he makes, someone will be hurt. He is the only one in the position to find the money to keep his brother out of debtor’s prison and as a result, Tom’s failure to insure Sanditon costs Sidney his future with Charlotte. Intention matters. Yes, all decisions lead to people being hurt, but Sidney is the only one who also suffers as a result of the decision he made.

While I understand the audience was upset by Sidney’s decision (I didn’t like it either), I also think an ending where Sidney and Charlotte marry while Tom is sent to debtor’s prison (most likely for the rest of his life) and Mary and the children are made homeless and shunned by society for Tom’s misdeeds, would have also been incredibly unpopular.

Sidney and Lord Babington

On the surface, I can understand why you’ve compared Sidney and Lord Babington. Both fall in love with feisty women and both intend to propose marriage to said feisty women – it’s an easy connection to make. However, I don’t think it’s accurate to say that Sidney’s actions are wholly bad and Lord Babington’s actions are wholly good simply because Lord Babington’s proposal ended in a marriage.

Let me give you another interpretation of Lord Babington and Esther’s relationship (not one I subscribe to, but one that can be drawn based on the narrative). Taken by Esther’s honesty and derision, Lord Babington makes Esther aware that he has feelings for her. Esther in turn rejects Lord Babington and tells him all further attempts on his part would be futile. Despite this, Lord Babington continues to pursue her, writing letters which she never answers – another clear indication that she is not interested. Lord Babington visits Sanditon with the express purpose of seeing Esther (1x05) and requests a private walk without a chaperone where he proposes marriage. Esther rejects his proposal. After hearing Edward speak badly of his sister, Lord Babington visits Esther in private, again without a chaperone present. Following Lady Denham’s recovery he once again goes on an outing with Esther without a chaperone. After discovering that Esther had a romantic relationship with Edward and Esther telling him that she doesn’t love him, Lord Babington proposes marriage for the second time and Esther finally accepts. They marry.

If S2 had gone ahead, I’m fairly sure Esther’s love for Edward and her lack of love for her husband would have been a major plot point. And while I think it would have all worked out in the end, that Esther would have realised she loves Lord Babington, what if it hadn’t? Esther may have come to resent her husband, trapped in a marriage by a husband who knows his wife does not love him, still pining for the one man she couldn’t have because of circumstances out of her control.

Again, I understand why the choice to ignore some social conventions may be frustrating, however in Davies’ version of Regency England, breaking these conventions do not have the consequences they would have had in real life. By judging the actions of the characters by real life rules, you are assigning intention and consequence where there are none.

I think it’s also worth noting, that apart from Sidney and Charlotte themselves, nobody knows that they kissed and only Alison, Mary, Georgiana and Young Stringer are aware that Sidney was intending to propose marriage. Charlotte’s heart may be badly bruised, but her reputation is still intact.

Charlotte’s Agency

Perhaps it’s because Charlotte’s agency is more quietly expressed than other characters, but I think the argument that Charlotte became passive in the final two episodes, overlooks the very active choices Charlotte makes in regards to her feelings for Sidney. Passiveness suggests inaction, and in 1x08 Charlotte chooses to act – she asks Sidney whether she can join him on his walk into town. This may seem inconsequential, but it is anything but. Because Charlotte is not only choosing to trust in her feelings for Sidney and in his feelings for her, but she is telling Sidney his feelings are reciprocated and those feelings are strong enough that they need time alone to discuss their possible future together. The agency lies with Charlotte the whole time.

We began with the scene with a rather inane discussion about the weather and Charlotte’s family – Sidney is both desperate to discuss their conversation from the previous night, but patiently waiting for Charlotte to indicate that this is something she wishes to do. She does, telling him she would rather continue their walk together than return to town for her dress fitting.

Charlotte – “We seem not to be walking into town?”

Sidney – “Ah, yes, your dress fitting. Forgive me, what a fool I am. Should we head back, perhaps?”

Charlotte – “No, there is absolutely no urgency about my dress fitting. A walk along the clifftops is much more to my taste.”

Sidney – “Good. My thoughts exactly.”

Sidney is willing to end their walk and the possibility of discussing their feelings at the slightest hint that this may not be something Charlotte desires. However, following Charlotte’s lead, Sidney admits that he wished to find time alone with her to discuss their conversation while glancing at her mouth every five seconds, and of course they kiss. What is important to note is that Sidney continues to check in with Charlotte at every point in the lead up to that moment. Charlotte only had to say no or ask to return to town for Sidney not to proceed, something she is well aware of and actively chooses not to do. Responding positively to Sidney’s actions is not the same as passiveness. You only have to watch as Charlotte stares longing at Sidney to know that she desired the kiss just as much as he did.

Why am I mentioning all this? Because in your question, you talk quite a bit about Sidney’s choices and actions, and the consequences they may have for Charlotte, without acknowledging that Charlotte is an active participant. Do I think that means she could have somehow prevented what occurred? No, but nor do I think it’s fair to remove Charlotte’s participation from her own storyline. She may be a victim of incredibly poor circumstances, but I don’t think it’s fair to say she is a victim of Sidney’s poor behaviour. Sidney and Charlotte not ending the season married does not cancel out Charlotte’s agency in choosing to pursue her relationship with Sidney.

Thanks for the question, I hope I made sense!

#askbox #sanditon #jane austen #sidney parker #charlotte heywood #lord babington #esther denham #sanditon meta #mine

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olliya · 5 years

Text

How popular is MadaSaku in context of other Madara’s and Sakura’s ships? Part 2

@madasakuweek

I am honestly shocked how many people liked my ship popularity analysis. Well, prepared for the second part - Fanfiction.net. It’s even longer!!! But imo more interesting.

Finding the popularity of ships on ff.net is both easier and more complicated, depending how do you approach the problem.

Let’s break up the task into two parts.

Approach 1

FF.net has a Pairing Option that was introduced in October 2013. This function makes the names of characters appear in square bracket, for example: [Madara U., Sakura H.] indicating that those characters form a romantic pair in a given fic.

When using Filters (Figure 1.a.) after choosing the character of interest, one can tick the Pairing Option, and then browse (using up and down arrows) through all the characters of the fandom. The number of fics tagged with Pairing Option between the character of interest (here: Madara) and every character B (here: Sakura) appear on the bottom of the panel (Figure 1.b.).

Data gathered through browsing through all of the Naruto characters with Pairing Option On give unequivocal results. The only limitations of this method is the relatively late introduction time point of Pairing Option (introduced in 2013, while Naruto started publishing in 1999), and sometimes peculiar definitions of “Characters” on ff.net (example: Naruko as a separate character, “Team 7” as a “Character”).

Results for Madara and Sakura are presented below (Figures 2. and 3.) For clarity, ships with four or more fics are shown for Madara. In case of Sakura, all the ships with >4 fics in a graph would blur the picture. Therefore, her Top 20 ships are presented in Figure 3., and the rest is summarized in the Table 1. The analysis was performed on 22.10.2019.

However, ff.net was launched on 15.10.1998 (which precedes publication of Naruto by one year) so there is a 14 year-worth of fic creation when the Pairing Option wasn’t available. To get the complete overview of ship popularity it is necessary to include the body of work created in the earlier years of ff.net.

This issue was addressed through Approach 2.

Approach 2

During the period of 1998-2013 fics were labelled with ship names in the summaries, and readers would look for ships of interest typing ship name into the search box. During those times certain conventional phrases were coined for the ships, and putting those in the summary allowed potential readers to find the story. Searching ff.net using selected phrases and collecting the corresponding fic numbers gives insight into those part of fanworks. Employment of search engine is shown in Figure 4. on the example of phrase “madasaku”.

I performed searches for common ships, basing the list on the ships with 4 or more fics as found using Pairing Option (see: section above).

I searched for the phrases that were and still are still commonly used ship names in Naruto fandom.

In general, there are three common ways to indicate a ship:

a) Merger of names, usually using first two syllables of both names, usually (but not always) with male name being first part of the phrase. Example: madasaku, and (less commonly used) sakumada. For the M/M and F/F couples, both orders are used, and it is impossible to predict which form is more common. Example: sakuhina and hinasaku would be used with similar frequency.

In case of names composed of two syllables or shorter, one syllable is often used.

b) Name_1xName_2 – complete names of characters separated by letter “x”, without spaces in between. There is no strict preference as to which name goes first more frequently, i.e. sakuraxmadara is equally plausible as madaraxsakura.

c) A combination of the above, i.e. shortened versions of names connected with an “x”, without spaces (example: madaxsaku)

Search engine of ff.net is case-insensitive, i.e. searching for “madasaku” will bring the same results as searching for “Madasaku” and “MadaSaku” (thank gods).

Other possible naming convention, even if there are/were used, aren’t correctly recognized by the search engine of ff.net. If there are spaces between the words of the phrase (example: “Madara x Sakura”) the search results in all fics containing words “Madara”, “x” and “Sakura” in summary, but not necessary together. Separating character names with slash “/”, even without usage of spaces (example: “Madara/Sakura”) results in list of fic containing “Madara” and “Sakura”, not necessary together (slash symbol gets ignored).

Therefore, the ship names of the kinds described above weren’t included in this analysis.

Other potential ship names variations (using “*”, using “&”, and surely a multitude of others variants that I couldn’t think of) were not included due to their relative infrequency (and limits to capacity and imagination).

For every ship included in the results of Approach 1 (total 43 searches for Sakura’s ships, and 12 searches for Madara’s ships), I searched for the following phrases (on example of MadaSaku ship):

madasaku

sakumada

madaraxsakura

sakuraxmadara

madaxsaku

sakuxmada

Certain ship names don’t follow the usual rules and/ or required special treatment. For example, for the ship Gaara/Haruno Sakura the common names merger is GaaSaku (and not GaaraSaku). Tsunade/ Haruno Sakura is equally often (or rarely, because it is very rare) abbreviated to TsuSaku and Tsunasaku. Fics tagged with TobiSaku name merger may mean Senju Tobirama/Haruno Sakura as well as Tobi (Obito’s persona)/Haruno Sakura – in this case, fics were manually inspected, and assigned to correct categories. Ship with Naruko (which scored relatively high in Pairing Option analysis), was not really possible to assess, because the merger name “narusaku” is identical for the merger of Uzumaki Naruto/Haruno Sakura (for good reasons).

All the fics for given pair were summed up (i.e. for Uchiha Madara/Haruno Sakura ship the fic numbers retrieved through searches for “madasaku”, “sakumada”, “madaraxsakura”, “sakuraxmadara”, “madaxsaku” and “sakuxmada” were added together).

Results for Madara and Sakura are presented below (Figures 5. and 6.). In case of Sakura, including all the examined ships in a graph would blur the picture. Therefore, her Top 20 ships are presented in Figure 6., and the rest is summarized in the Table 2. The analysis was performed on 22.10.2019.

This list presented in Table 2 is not a comprehensive one. There are certainly more ships with <10 fics that were not included. One prominent, detected example is Chōji, who has 13 fics in as a ship partner of Sakura, but was not included in Table 2 because according to the Pairing Option he had no fics with Sakura.

Limitations of the method

Employed method depends on performing six independent searches and summing up the numbers from those searches. A fic tagged with more than one of the searched phrases will be counted multiple times. For example: if a fic contained phrases “MadaSaku” and “MadaraxSakura” in its summary, it was counted twice. In extreme case, one fic would generate six data points: one real, and five false.

Nevertheless, since the same treatment was applied to all the pairings, the errors should be distributed in the same way across all the ships. Therefore, even if the numerical values obtained through this analysis don’t necessarily correspond to reality, the results should reflect respective relations between the ships (i.e. “ranking” should be correct). This assumption is true however only if all the subdivisions of the fandom follow the same customs and tagging etiquette. I.e. if creators writing for SasuSaku followed a habit of including only one Ship Name in their summaries, while creators of MadaSaku tended to include multiple Ship Names, then my method of analysis would overestimate the significance of MadaSaku ship. However, I am not aware of such trends existing in Naruto fandom.

Additionally, Ship Name tagging system allows for tagging infinite number of ships in one fic, therefore certain fics have been counted multiple times.

Discussion

When considering fics tagged with Pairing Option, Sakura ranks as Madara’s second most popular ship partner, after Hashirama and before Tobirama. As on AO3, it is telling that a relatively “exotic” pairing with OC ranks 4th among Madara’s ships.

Madara is the 9th most popular ship partner of Sakura. Comparing and contrasting Sakura’s data between ff.net and AO3 would be an interesting analysis in its own right, but here I will only point out the switch of positions between Naruto and Kakashi as Sakura’s ship partners (Naruto is a strong 2nd on ff.net, while Kakashi takes this position on AO3); and relatively low, 7th place of Ino (strong 4th on AO3).

When taking into account data gathered though Ship Names Searches, Sakura ranks as Madara’s 2nd most popular ship partner (after Hashirama and before OC).

Madara, on the other hand is Sakura’s 15th most popular ship partner. Since Ship Names Searches results are mostly derived from fics published in earlier years in Naruto fandom, his lower place can be explained by his very late appearance in the franchise (on-panel in February 2008 - almost 9 years after Naruto started publishing and in person in the story in October 2011 - 12 years after begin of publishing).

Data gathered in this analysis present a unique opportunity for looking into the development of ship popularity over time.

Results from Pairing Option reflect mostly the state of fandom in years 2013-2019, while the results from Ship Names Search show the status from the earlier years. The exact division is however somewhat blurred as some fics published before October 2013 has been retroactively tagged using Pairing Option (even if the majority of older fics remain untagged). The reverse is also true – many fics published after introduction of Pairing Option, even as recently as end of 2019, fail to use it. Additionally, many fics are tagged using both systems: the Pairing Option and Ship Name in summary.

Nevertheless one can tentatively regard Pairing Option results as “new”, or “current” ones, while the ones coming from the Ship Names Searches as “older” ones.

Figure 7. presents position changes in Top 12 Madara’s ships. Ranking from Pairing Option analysis was regarded as current and compared to the “older” ranking composed from all the fics tagged with Ship Names (regardless their publishing date). A positive value in the Figure 7. indicates a gain of popularity, for example: Tobirama gained 2 positions among Madara’s ships when comparing the “current” and “older” results.

This analysis reveals that certain ships (with Tobirama, Naruto and Hinata) gained, while ships with OC and Itachi lost on popularity. Dramatic loss of Itachi ship popularity is very interesting and one can speculated that it could be caused by Tobi/Obito reveal.

The same analysis was performed for Sakura’s ships and is presented in Figure 8.

Inspecting changes in Sakura ships’ rankings allows for several interesting observations. Minato, Shisui, Madara and Sasori are among greatest winners. It is symptomatic that all, except Sasori, are characters that appeared (or became relevant) later during the franchise. Among the characters losing in popularity as Sakura’s ship partners are members of Konoha Eleven (Lee, Kiba, Sai, Neji), an Akatsuki member (Deidara) and OC. It should also be noted that five top positions (Sasuke, Naruto, Kakashi, Itachi and Gaara) remained unchanged.

To further examine the “current” and “older” state of fandom, upon harvesting Ship Names data I sorted the fics according to publication date and took note of how many fics were published before and how many after 01.10.2013 (approximate date of introduction of Pairing Option tool).

If one repeats the analysis from Figures 7. and 8. considering only fics published before 01.10.2013 as “older” ones, the following pictures appears (Figure 9. and 10.):

Using this definition of “older” fics (i.e. fics tagged with Ship Names that were published until October 2013), the gain of popularity of Tobirama ship becomes even mor evident (gain of 7 positions). Ships with Itachi (as in the previous analysis) and Sasuke (undetected in the previous analysis) lost on popularity.

Sakura ships’ dynamics according to this definition of “older” fics show even more pronounced position gains of Minato and Shisui, but otherwise similar trends to previous analysis.

Analysis of ship popularity on ff.net is a challenging one, but since this platform was, and still is main archive for Naruto fandom (407 thousands fics vs 49 thousand on AO3) it is important to address this issue even if methodology is far from perfect.

I am open to all the comments, suggestions and hints, as the data collection was a major effort and I’m sure that this data can be used in many other different ways.

#madasaku #multisaku #fandom statistics #madasakuweekend2019 #naruto stats

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longforyesterday · 5 years

Photo

Ok. Here we are. Long post(/rant) ahead in response to the photo above. Sorry for my English, but I had to get these things off my chest. Thanks to everyone who will take the time to read this post, and tell me what you think!

1. They had all agreed to shut up about the “divorce” and he announced it to promote his album.

First of all, it was Allen Klein (one of the main villain in this wretched story) that had convinced John - who was very enamoured with him, his persona and his promises - not to tell anyone about it. In late December 1969 John, however, told journalist Ray Connolly, who didn’t say a word. Klein wanted to make as much money as he possibly could from the band, and announcing the break-up would have certainly damaged that prospect. Paul did it in April 1970. That’s four months of limbo, of nothing. He was in the midlle of an uncertain situation, with a manager who profited off them and their work and that he didn’t want, his bandmates and closest friends against him. Paul loved the Beatles and being a Beatle, he never wanted them to break up but the time had come. George had wanted out for years but never left for good. We all know John had lost interest in the band and had already started working with Yoko. I feel like Ringo didn’t want the band to break-up, but just went along with the other two, hoping that Paul would eventually agree with them. Releasing a solo album (that he put together without any help from the other three) while staying in the Beatles under Klein, with no hope of a follow-up to Abbey Road, in a tense situation, after John’s “divorce” private announcement, alone against the other three would have meant - for Paul - that everything he made from it would have gone to Klein for the most part. Of course he didn’t want that. Let’s not act like this didn’t affect Paul at all. It must also be mentioned that, while he was working on his solo album, Allen Klein and John had contacted Phil Spector to work on Get Back/Let It Be, which had been shelved.

Back in Beatles headspace, Paul sat in a room at Cavendish Avenue and, with fresh ears, reviewed the results of the second version of the Get Back LP. To his mind, the music was stark, unadorned, frighteningly bare, but ultimately thrilling. Klein, meanwhile, bluntly deemed it ‘a crock of shit’ and conspired with Lennon to bring in Phil Spector, who had just overseen the rousing production of ‘Instant Karma!’, to rework the tapes. Unknown to McCartney, Spector booked studio time in March and began slathering strings and brass, fairytale harp and aaahing choir onto ‘The Long And Winding Road’, making it sound hopelessly corny, like a BBC orchestra backing Engelbert Humperdinck. At this stage, however, Paul remained unaware of this development, his thoughts somewhere else entirely. Secluded in his music room at Cavendish Avenue, McCartney began recording his first solo album.

Tom Doyle, Man On The Run

Then came a letter (maybe it’s just me, but I find it a little passive-aggressive) from the rest of the Beatles.

Ringo Starr stood on the doorstep of McCartney’s house at Cavendish Avenue, unaware that he was about to precipitate the end of The Beatles. His tricky diplomatic mission, which he had chosen to accept in his role as the chirpy drummer, was to convince his increasingly estranged bandmate that there was an unacceptable clash of release dates between the long-delayed Get Back – now renamed Let It Be – and Paul’s freshly minted eponymous solo album, which was due to be issued only a week before. With him, he had a letter, dated 31 March 1970, handwritten by John Lennon and co-signed by George Harrison. It read: ‘Dear Paul, We thought a lot about The Beatles and yours [sic] LPs – and decided it’s stupid for Apple to put out two big albums within 7 days of each other. So we sent a letter to EMI telling them to hold your release date ’til June 4th (there’s a big Apple-Capitol convention in Hawaii then). We thought you’d come round when you realised that The Beatles album was coming out on April 24th. We’re sorry it turned out like this – it’s nothing personal. Love, John and George.’ Paul – his patience already strained, his temper on a hair-trigger – invited his friend inside and very quickly absorbed this information. Then he erupted. ‘I told him to eff off,’ Paul says. ‘Everyone, to my mind, was completely treating me like dirt. It was kind of like, “We’re the big guys, we’re the grownups.” And I said, “No way, man. Get out.”’ Ringo swiftly departed with the sound of Paul’s fury ringing in his ears. McCartney refused to budge and his solo album was released on 17 April 1970, forcing Let It Be back another two weeks to 8 May. It was the moment when Paul McCartney finally gave up on The Beatles, the point where he mentally quit the group.

Tom Doyle, Man On The Run

Of course the news provoked public outrage, and Paul - trying to set the record straight - later said

‘It was all a misunderstanding,’ he protested. ‘I never intended the statement to mean “Paul McCartney quits Beatles”. I didn’t leave The Beatles. The Beatles have left The Beatles, but no one wants to be the one to say the party’s over’

Tom Doyle, Man On The Run

but John was furious because he had wanted to announce it to the world and Paul had beaten him to it. He didn’t announce it to promote his own solo efforts, he wasn’t the type of person to do such a thing: Paul left that limbo he didn’t want to stay in and did what had to be done, even though it was painful. His first solo album resented from the announcement, and McCartney was destroyed by critics for ages because of it, not because of the songs, and by John, George and Ringo too.

2. “He sued the Beatles”

Yes, he sued them, that’s a fact. He sued them in December 1970, at the end of an year during which he had received worldwide hate and criticism for his actions and for his album. He could have sued the other three immediately after the release of McCartney or Let It Be (and he was booed during screenings of the movie), but procrastinated and thought a lot about it. He also had a nervous breakdown because he felt worthless and useless and because of that difficult situation within the group (which at that point didn’t exist anymore) and with Klein. We could have lost him if it hadn’t been for Linda. There was no other escape from that situation. He brought his former bandmates to court with a heavy heart. He “killed” the Beatles, but he also saved them from their manager. In the end they all recognised Paul was right about Klein, and he did them a favour by freeing them from that shark and from Apple.

3. “It’s a drag”

Imagine having just learned of your close friend’s sudden, terrible death at the hands of psycopath. Imagine burying yourself in your work, in the studio to deal with your grief, and crying your eyes out all the while (George Martin was there with him, and I trust George Martin). Then you come out of the studio and a journalist shoves a microphone in your face, prying, asking you for a reaction to the sad news you’ve been trying to deal with for hours. He probably was still in denial. Everyone has a different reaction to death and grief.

4. “He lost their songs to his little Jackson mate”

Paul and Michael had worked together on two singles, and MJ had hung out with the McCartneys in their Scottish estate. He had also asked Paul for financial advice, and he suggested investing in song-publishing. The Beatles catalogue was up for sale and Jackson seized the opportunity. Of course Paul didn’t think MJ would go after their songs and was upset about it (eight years of his and his former bandmates’ hard work in another man’s hands? I would be furious) and he and Yoko weren’t able to outbid Michael and to get the songs back, which only happened ten years ago.

5. The credits for ‘Yesterday’

Every song in the Beatles catalogue that wasn’t a cover, written jointly with Ringo or written by George was credited to Lennon-McCartney, even when they wrote and composed separately (especially after 1967). Paul and John also agreed that the credits could be reversed, if either of them wanted to, on any future releases. When I first got into the Beatles, I thought that that was a good arrangement, but in my book the name of the main composer should go first. For example,in my opinion, A Day In The Life is correctly credited to Lennon-McCartney, but Eleanor Rigby, which was Paul’s creation with some input by John, should be McCartney-Lennon. But this is just my opinion. Now, Yesterday. We all know Yesterday was and is Paul’s baby. John repeatedly said he had nothing to do with it. In Wings Over America (1976), Paul reversed the credits for five Beatles songs, and John didn’t say a word about it. In 1996, before the release of Anthology 2, Paul asked Yoko to reverse them only for Yesterday, and she disagreed. He didn’t ask her to remove John’s name. After Yoko’s refusal, (probably unbeknownst to Paul) Linda, who was at the height of her chemo treatment, phoned her to ask the same thing, only to be answered “That’s never going to happen”. She could have been more empathetic and polite. Maybe she refused beause Yesterday is the most covered song of all time and still makes a lot of money?

6. “Salieri and Mozart”

Some people may argue that I’m bringing Yoko into this for no reason whatsoever, but - actually - there is a reason. The comparison with Salieri and Mozart was made by Yoko herself in a BBC interview in December 1997, when Linda was diagnosed with terminal liver cancer. Put yourself in Paul’s shoes. Your wife is dying and your best friend’s widow rubs salt into the wound and describes you as the Salieri to her late husband’s Mozart. Common knowledge has it that the two composers were enemies, and that Salieri even poisoned Mozart, but in reality the Italian musician was Wolfgang’s mentor and tutor, and we probably wouldn’t have had Mozart without Salieri. If you choose to make that comparison just as Yoko made it, you should keep in mind the historical truth, and that Salieri was essential. The person who made the comment said that Paul is the modern equivalent of Mozart, and for a reason. Mozart had been a musical prodigy since his childhood, and Paul was and is still considered by many an all-round musician and multi-instrumentalist. People who worked with the Beatles like George Martin and Geoff Emerick, their sound engineer, even said that he was the most musically talented of the four. He also composed Yesterday in his sleep, for heaven’s sake! You can have your favourite among the four Beatles, but you can’t deny his talent. (The commentator isn’t doing that, but a lot of people did it in the past and still do to this day.)

7. *I’m not going to repeat those last words*

Read up on his life and work, dear commentator, and then tell me if you still think that. And his solo work shouldn’t be dismissed like that. Maybe I’m Amazed? Another Day? Band on the Run? Live and Let Die? Here Today? I could go on. (The other former Beatles wrote some clunkers too, let’s not forget that). I think that many of the nasty, horrible comments about Paul come from what John said about him immediately after the break-up. John regretted them later, walked back on them, apologised and made peace with Paul (who never badmouthed him in the press), but the media ignored that and continued spreading lies. Paul wasn’t and isn’t perfect, neither of them was. A lot of people (mainly boomers) just like to act like John was Saint John of Peace from Liverpool and never did anything wrong, while the other three were inferior to him and evil people, especially Paul. Nowadays (thankfully) people tend to be objective and to not believe the old whitewashing propaganda that has been perpetuated by the Lennon Estate. But this post is not the place for that.

#i've written a testament #but it was worth it #i'm going to tag john too because i mentioned him a lot #paul mccartney #john lennon #the beatles #rant

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miraculousfanworks · 4 years

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Miraculous Fanworks’ Grammar Guide: Commas

Image credit.

Grammar. It’s confusing, isn’t it? English has so many rules to follow!

Well, worry no more. We here at the Miraculous Fanworks Discord server have got your back.

Here is the first section of the Miraculous Fanworks’ Grammar Guide, 24 Hard and Fast Rules for Commas--Miraculous Fanworks Style!

I just want to preface this by saying that it’s okay to break grammar rules in fiction writing for stylistic choices. Especially in dialogue.

But in order to intentionally break rules or guidelines, you have to recognize what they are and learn when it’s best to break them.

The Miraculous Fanworks’ Grammar Guide is a collection of basic rules of grammar and writing tips condensed into a single document, with examples from our very own Miraculous Ladybug.

If you have suggestions for the guide, feel free to join the server, DM me directly on Discord at @Cass6177, or drop a suggestion in my inbox.

Thanks, and enjoy!

-”Server Mom” Cass Maylis

24 Hard and Fast Rules for Commas--Miraculous Fanworks Style

1) Commas are all about authorial intent and indicate pauses. Basic rule of thumb: if your sentence needs too many commas, it needs to be rewritten and you probably have clauses in it that should be sentences on their own.

2) Never use a comma after "but" if it's the beginning of a sentence. This is actually because of commas as a clause separator. "But" can serve as a transition word to contrast against the previous sentence (this actually has some open grammatical questions as to whether or not it's completely precise), or it can be used in the middle of a sentence to conjoin two clauses. In the second case, you use a comma to separate the two clauses, but in the first case there is no clause to separate.

3) Using a comma before but in the middle of a sentence is only acceptable when the second phrase can stand on its own. For example, you wouldn't use a comma here: "Marinette was happy but also sad," because the second part isn't a complete sentence. But you would use a comma here: "Marinette was happy, but she was also sad," because the pronoun makes the second part of the sentence stand on its own. A sentence that can stand on its own is called an independent clause. This rule of thumb also applies to "and" and "or."

4) You need a comma before the word "too" if the word needs emphasized or requires a pause before and after it. Like, “Marinette, too, was Adrien." The commas are needed because the too interrupts the flow of the sentence. If the two doesn't come in the middle but at the end, then a comma isn't needed. Like, "Marinette liked bananas too." Too is all about authorial intent.

4a) From C-Note#9640: Commas surrounding "too" is actually a meaning thing. "Too" without commas means "in excess." ",too," with commas surrounding it means "also."

5) You always use commas to separate out things in a list. But how many to use and where to use them are subjects of contention. For example, in the sentence, "Marinette liked red, green, and blue," I place a comma after the word green and some people do not. This comma immediately before the “and” is called the Oxford comma, and it drives a lot of people up the wall. People get into fights over this, haha! I like to use them because it separates the words in my head. For example, someone saying, "Adrien owes $100 to Nino, Alya, and Chloe," makes the $100 owed to each of them. Whereas saying, "Adrien owes $100 to Nino, Alya and Chloe," makes Adrien owe Nino $100, and Adrien owes Alya and Chloe some other numbers making up 100, like 50/50. This is why I go to bat for the Oxford comma.

5a) Addendum to guideline 5: Lists are complicated, because you need a comma with three items but not two. Like, "Marinette likes red and green" does not need a comma, but "Marientte likes red, green, and blue" needs commas.

6) You need a comma before a dialogue tag unless you’re using an exclamation point or a question mark (or dashes, which indicate an interruption; more on that later). For example, “‘What?’ Marinette exclaimed” does not need a comma, where as “‘You have got to be kitten me,’ Chat said” does. Dialogue tags are also called attributive tags. They can even come in the middle of the sentence, in which case you need commas. For example: “‘You,’ Chat said, ‘have got to be kitten me.’”

6a) You need a comma after the word said or a dialogue tag if you're using a gerund (ing word). For example, "'Haha,' Marinette laughed, wrinkling her nose," needs a comma. But "'Haha,' Marinette laughed as she wrinkled her nose" does not need a comma. Does that make sense?

6b) In American English, commas always go before closing quotation marks. For example, “‘No freaking way,’ Marientte said,” requires a comma inside. But in British English, the convention is the opposite; the comma goes after the closing quotation mark. For example, “‘No freaking way’, Marinette said.” If you are writing for a British audience, use a comma after the closing quotation mark.

7) Using a comma after then is complicated. Here are some examples for sentences using the word then: http://sentence.yourdictionary.com/then

8) There are also things called compound predicates. From Grammarly, "You get a compound predicate when the subject of a sentence is doing more than one thing. In a compound predicate that contains two verbs, don’t separate them with a comma." For example, "Marinette smiled and waved" does not need a comma. But "Marinette spotted the man who entered the diner, and waved" does need a comma because we want to make sure the reader knows that Marinette waved, not the man. Make sure your reader doesn't misread.

9) Comma splices are interesting, too. When you're trying to join two independent clauses, you need a conjunction or a semi-colon. For example, "We were out of milk, I went to the store" is incorrect. You need, "We were out of milk; I went to the store," or "We were out of milk, so I went to the store."

10) Participial phrases that introduce a sentence usually need a comma. For example, "Grabbing her umbrella, Marinette left the house."

11) Interrupters and parenthetical phrases need commas. Interrupters are used to show tone or emotion. Like, "Marinette, sadly, went to camp." Parenthetical phrases are little pieces of information that don't affect the sentence as a whole, but give information. Like, "Adrien’s cooking skills, if you can call them skills, left something to be desired."

11a) Em dashes are interesting, because they're used to set off parenthetical phrases. If you use an em dash, you have to accept that what you place inside the em dashes is skippable. The sentence still has to make sense without the information contained inside the em dash. To use Treees' example from before (or something like it), "Adrien's car--a blue van--was a junkheap." The bit about the blue van is bonus information that the sentence doesn't need. But you also don't need an em dash in that sentence, a comma will do. As a good rule of thumb, em dashes are used when the bonus information phrase is super long. From Fight: "As soon as they were inside--a process Chat didn’t even pay attention to; one moment he was outside on her balcony, in the next he was standing in front of her on the floor of her room--Ladybug dropped her transformation."

12) From Grammarly: "A question tag is a short phrase or even a single word that is added to the end of a statement to turn it into a question. Writers often use question tags to encourage readers to agree with them. A question tag should be preceded by a comma." For example, "I think question tags are silly, don't you?"

13) When addressing someone by name, use a comma. For example, "Marinette, find your shoes." But not, "Marinette doesn't understand her letters yet."

14) From Grammarly: "An appositive is a word or phrase that refers to the same thing as another noun in the same sentence. Often, the appositive provides additional information about the noun or helps to distinguish it in some way." Appositives that are necessary for the sentence to function are called essential and do not need a comma, whereas unnecessary appositives are non-essential and need a comma. An essential appositive would be "Edgar Allen Poe's work The Raven is neat." The Raven is the essential appositive to the noun work. A nonessential appositive example is this: "My mother, Sabine, is a great cook." Sabine is the non-essential appositive to the word mother and needs a comma.

15) Commas in dates are tricky. Month-day-year formats need commas. "June 15, 2020." Day-month-year formats do not. "15 June 2020." If you are using a day of the week and a date, use a comma. "Tuesday, June 15, at three o'clock, ..." When referencing only a month or a year, you don’t need a comma. “June 2020.”

16) When using multiple adjectives to modify a noun, they might be coordinate, which means they are interchangeable and should be separated by commas. If a sentence still sounds natural (rhythm-wise) then the adjectives are coordinate. For example, “That man is a self-righteous, pompous, annoying idiot” vs. “That man is an annoying, self-righteous, pompous idiot.” If adjectives are not coordinate, don’t separate them with a comma. “The adorable little boy ate ice cream.” Little adorable doesn’t sound natural because of rhythm, so don’t use a comma to separate the non-coordinate adjectives.

17) Don’t separate a transitive verb from its direct object with a comma. A transitive verb is one that acts on an object. Similarly, an intransitive verb is one that doesn’t act on an object. Intransitive: “Marinette eats.” Transitive: “Marinette eats food.” Food is the object, so don’t separate the verb (eats) from the object with commas. Intransitive: “Adrien cleans often.” Transitive: “Adrien cleans his bathroom often.” Bathroom is the object being acted upon, so don’t separate the verb (cleans) from the object with commas.

18) From Grammarly: “A nonrestrictive clause offers extra information about something you have mentioned in a sentence, but the information isn’t essential to identify the thing you’re talking about. Nonrestrictive clauses are usually introduced by which or who and should be set off by commas.” For example, “The Agreste manor, which Adrien lived in, was freaking huge.” The clause, “which Adrien lived in,” is nonrestrictive because “Agreste manor” is already specific. The clause doesn’t add anything to the sentence; it’s just bonus information.

19) Opposite from nonrestrictive clauses are restrictive clauses. Restrictive clauses offer necessary information about the specific noun you used. They are often introduced by that or who and are never set off by commas. For example, “The bakery that Marinette’s family runs is fantastic.” If you removed the clause about the Dupain-Cheng family, you’d have no idea what bakery this was talking about.

20) From Grammarly: “Correlative conjunctions are conjunctions that come in pairs (such as either/or, neither/nor, and not only/but also) and connect words or phrases in a sentence to form a complete thought. Typically, commas are unnecessary with correlative conjunctions.” For example, “Either the black undershirt or the red sweater will look good with your jeans, Adrien.”

21) Parenthetical asides are used to give bonus info to the reader when a nonrestrictive clause would disrupt the flow of the sentence. Commas are placed after the closing parentheses, but not before either the opening or the closing parentheses. If the sentence would not require any commas if the parenthetical statement were removed, the sentence should not have any commas when the parentheses are added. For example, “After opening the new cookie tin (and eating several of the cookies), Adrien had a hard time replacing the lid.”

22) Don’t use a comma between an article and a noun. An article is a part of speech that indicates, specifies, and limits a noun (eg. a, an, or the in English). Incorrect: “I’ll eat an, apple.” Correct: “I’ll eat an apple.” Often times we pause when speaking and want to add a comma there in our writing to indicate the pause, but this is grammatically incorrect. If you want to indicate a pause between an article and a noun, use an ellipses: “I’ll eat an… apple.”

23) The phrase “as well as” doesn’t need commas unless it’s part of a nonrestrictive clause. For example, “Adrien wore a white overshirt as well as a black undershirt.” And also, “Adrien’s black undershirt, as well as his white overshirt, were garments he wore.”

24) The phrase “such as” requires a comma if it introduces a nonrestrictive clause. For example, “Coniferous trees, such as pine and spruce, smell great.” But if it introduces a restrictive clause, omit the comma. For example, “Trees such as pine and spruce smell great.”

#mod: cass #guide

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orthodoxydaily · 4 years

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Saint&Reading: Fri. Oct., 23,2020

Celebrated on October 10_Julian Calendar

Saint Ambrose of Optina (1891)

Alexander Michailovich Grenkov was born Nov. 23, 1812 in the Russian province of Tambov. His parents raised him strictly and with fervent piety. Since he was of a priestly family, it was no surprise when he entered the Tambov theological seminary in 1830. He did well in his studies and was ranked among the top students.

About a year before graduation Alexander became seriously ill. He promised that if God healed him, he would become a monk. Although his prayer was answered, Alexander seemed to forget his promise.

After graduation from the seminary he took a position as tutor to the children of a certain landowner and remained with this family for a year and a half. After this he became a teacher at the local parochial school.

One day in 1839 Alexander and a friend visited the famous hermit Father Hilarion to ask him what they should do with their lives. Alexander was surprised when he was told to go to the monastery of Optina Pustin, where they had great need of him. In September of that same year, however, he seemed to be prepared to continue with his teaching career.

One night he was invited to spend a pleasant evening with some friends. His conversation was witty and brilliant, and all his jokes and puns were on the mark. Although his hosts were amused and impressed by him, Alexander was disgusted by his own frivolity. Perhaps his unfulfilled promise to become a monk weighed on his conscience.

The next morning he quit his job and arrived at Optina in October of 1839. After a trial period he decided to remain in the monastery and dedicate his life to God. He received the monastic tonsure in 1842, and was given the name Ambrose in honor of Saint Ambrose of Milan (December 7). Ambrose knew the famous spiritual directors Elder Leonid and Elder Macarius. He was the cell attendant of Elder Macarius, who undoubtedly influenced the young monk’s spiritual development.

Ordained as a priest in 1845, Father Ambrose’s reverence and piety in celebrating the divine services were noticed by the other monks. His health began to decline shortly afterward, and he had to ask to be relieved of all duties. In 1846 he was so ill that the Mystery of Holy Unction was administered to him. He bore his illness without complaint and slowly regained his strength. By 1848 he was able to walk with the aid of a cane.

Father Ambrose began to help Elder Macarius with his correspondence and in preparing the Russian edition of Saint John Climacus’s LADDER OF DIVINE ASCENT, which was published by the monastery.

When Father Macarius had to go to Moscow in 1852, he designated Father Ambrose to take his place until his return. Father Ambrose never gave his personal opinions when he was asked for advice, but always referred people to the writings of the Fathers. If someone did not understand the text he was given to read, Father Ambrose would explain it in simple terms.

Father Macarius died in 1860 without naming anyone to succeed him as Elder. By divine providence, all the other possible candidates either died or were appointed as abbots of other monasteries. This left Father Ambrose as the undisputed spiritual director of the monastery. In his role as Elder, Father Ambrose had to receive many people each day to hear confessions and give advice. He used to say, “The Lord has arranged it so that I would have to talk to people all my life. Now I would be happy to remain silent, but I cannot.”

An average day in Saint Ambrose’s life began at 4 A.M. when his cell attendant came into his cell to read the morning Rule of prayer for him. After this he would wash and have some tea, then he would dictate replies to the many letters he received every day. Visitors would be lining up even as he was having breakfast. Sometimes he would take a break after two hours, but more often he would continue seeing people until noon when he had his lunch.

After lunch he would go out into the next room and greet more visitors. People would call out questions and he would give an appropriate response. He took a short rest at 3 P.M. then talked to people until the evening. At 8 P.M. he had dinner then received more visitors until 11 P.M. At that hour the evening Rule of prayer was read, and Father Ambrose begged forgiveness of the brethren whom he may have offended by thought, word, or deed. After three or four hours of sleep it would all begin again. This routine would fatigue a strong man. It is remarkable that Saint Ambrose, who was often in poor health, was able to keep it up for so many years.

From all over Russia, people flocked to the venerable Elder. The writer Tolstoy visited him on at least three occasions, and left impressed by the wisdom of the holy monk. Fyodor Dostoevsky came to Optina in 1878 after the death of his son Alyosha and was profoundly affected by his meeting with Saint Ambrose. The novelist used Father Ambrose as a model for Starets Zosima in The Brothers Karamazov.

The saint founded Shamordino convent in 1884. This convent, which was near Optina, opened its doors to women who were poor, sickly, or even blind. Most convents were very poor and had to rely on the incomes of women who had a certain personal wealth in order to remain open. Saint Ambrose made it possible for any woman who wished to become a nun to follow this path of salvation.

Shamordino began to decline after the death of the first abbess, Mother Sophia. Saint Ambrose went there in June 1890 to straighten out the convent’s affairs. He was unable to return to Optina due to illness, then winter made it impossible for him to travel. Father Ambrose continued to see visitors at Shamordino, even though his health continued to deteriorate in 1891.

By September, it was clear that he had not long to live. He fell asleep in the Lord at 11:30 A.M. on the morning of October 10 1891. Throngs of people attended his funeral and also his burial at Optina. Fathers Joseph, Anthony, Benedict, and Anatole succeeded him as Elder until the monastery was closed after the Russian Revolution.

The Moscow Patriarchate authorized local veneration of the Optina Elders on June 13,1996. The work of uncovering the relics of Saints Leonid, Macarius, Hilarion, Ambrose, Anatole I, Barsanuphius and Anatole II began on June 24/July 7, 1998 and was concluded the next day. However, because of the church Feasts (Nativity of Saint John the Baptist, etc.) associated with the actual dates of the uncovering of the relics, Patriarch Alexey II designated June 27/July 10 as the date for commemorating this event. The relics of the holy Elders now rest in the new church of the Vladimir Icon of the Mother of God.

The Optina Elders were glorified by the Moscow Patriarchate for universal veneration on August 7, 2000.

Saint Ambrose was glorified in 1988 by the Patriarchate of Moscow as part of the Millennium celebration of the Baptism of Rus.

Source Orthodox Church of America

Synaxis of the Elders of Optina

Hieroschemamonk Leo (Nagolkin), 1768-October 11, 1841

Hieroschemamonk Macarius (Ivanov), 1788-September 7, 1860

Archimandrite Moses (Putilov), 1772-June, 1862

Abbot Anthony ( Putilov) 1795- August 7, 1865

Hieroschemamonk Hilarion ( Ponamarov) 1805-September 18, 1873

Hieroschemamonk Ambrose (Grenkov) , 1812- October 10, 1891

Hieroschemamonk Anatolius I ( Zertsalov) 1824-January 25, 1894

Isaacius I (Antimonov) 1810-August 22, 1894

Hieroschemamonk Joseph (Litovkin), 1837-May 9 1911

Archimandrite Barsanuphius (Plikanov), 1845-April 1, 1913

Archimandrite Anatolius II (Potapov) July 30, 1922

Nectarius (Tikhonov) 1857 - April 29 1928

New Hiero-confessor Nikon 1888- June, 1931

New Hieromartyr Archimandrite Isaacius II ( Bobrakov) 1865-January 8, 1938

Luke 7:31-35

31And the Lord said, "To what then shall I liken the men of this generation, and what are they like?32 They are like children sitting in the marketplace and calling to one another, saying:'We played the flute for you, And you did not dance; We mourned to you, And you did not weep.'33 For John the Baptist came neither eating bread nor drinking wine, and you say, 'He has a demon. 34The Son of Man has come eating and drinking, and you say, 'Look, a glutton and a winebibber, a friend of tax collectors and sinners!'35 But wisdom is justified by all her children.

Philippians 3:8-19

8Yet indeed I also count all things loss for the excellence of the knowledge of Christ Jesus my Lord, for whom I have suffered the loss of all things, and count them as rubbish, that I may gain Christ9and be found in Him, not having my own righteousness, which is from the law, but that which is through faith in Christ, the righteousness which is from God by faith;10that I may know Him and the power of His resurrection, and the fellowship of His sufferings, being conformed to His death,11if, by any means, I may attain to the resurrection from the dead.12Not that I have already attained, or am already perfected; but I press on, that I may lay hold of that for which Christ Jesus has also laid hold of me.13Brethren, I do not count myself to have apprehended; but one thing I do, forgetting those things which are behind and reaching forward to those things which are ahead,14I press toward the goal for the prize of the upward call of God in Christ Jesus.15Therefore let us, as many as are mature, have this mind; and if in anything you think otherwise, God will reveal even this to you.16Nevertheless, to the degree that we have already attained, let us walk by the same rule, let us be of the same mind.17Brethren, join in following my example, and note those who so walk, as you have us for a pattern.18For many walk, of whom I have told you often, and now tell you even weeping, that they are the enemies of the cross of Christ:19whose end is destruction, whose god is their belly, and whose glory is in their shame-who set their mind on earthly things.

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