#i like her sooooo much <3< /div> Explore tagged Tumblr posts

[bebsibby]

I present to you, Dunk-dyne

[elfdyke]

what if we were both girls with tadpoles in our brains. could we explore each others bodies. oh you need to work through your severe childhood trauma pertaining to a cult you were raised in? oh ok sure thats fine. i can wait.

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[suusoh]

would be funny, if Nina had a gf, and due to Johan's tendency to see him and nina as the same, he'd drop by casually, disguised or not, while nina is away. What's wrong? Nina is him and he's Nina! There's no complications with kissing him! You're basically kissing his sister! (Eaten ask)

your brain anon...........like EXACTLY. exactly. God this is sooo hot and weird which is johan's brand. He is karl marxing the fuck out of his sister's girlfriend. What do you mean "meet my girlfriend"? You mean meet OUR girlfriend. right? (tw: nonconsensual kissing, yandere)

Could you imagine bidding your girlfriend, Nina, goodbye after she spent the whole evening at your place? You whine and beg her to stay longer, clinging onto her, but she rolls her eyes playfully and insists she has to go.

She gives you a loving parting kiss on your lips, then plants even more– on your nose, cheeks, and finally your forehead– before she reluctantly pulls away. Any more, she jests, and she won’t be able to leave.

"You know I hate leaving you like this," she laughs softly. "But don't worry, I'll make up for today once my exams are over. Okay?"

She gives you one last final kiss before finally leaving, waving at you as she walks down the street.

You sigh and close the door, already missing her.

You really love Nina, but sometimes it feels like she doesn’t have much time for you. You understand she has her exams, a part-time job, and aikido training, which doesn’t really leave much left for you. Still, you can’t help but feel a bit greedy, wishing she’d at least dedicate a part of her to you. You're her girlfriend, after all.

You sigh one last time. No use.

She’s already spread too thin, and you know if you tell her your concern, she’ll worry and try to double her efforts to make time for you. No way in hell are you going to give her any more stress in her life. Although today was just half a day together, you're grateful. Even if it left you unbelievably craving, aching for more…

You hear a soft knock on your door. Is it Nina? Did she forget something? Oh, your prayers have been answered. You just wanted one more second with her. You open the door immediately, an excited smile on your face.

"What did you forget this ti-"

"Missing me already?"

You freeze, standing dumbfounded. In front of you is not, in fact, your girlfriend, but a tall, blonde man smiling softly at you.

"I'm… I'm sorry. I don't— Do I know you?" you ask, trying to stay cool. He must have the wrong house to ask something like that so proudly. You’ve never met him before.

His smile doesn’t falter at your question. He continues looking at you, his eye contact unwavering.

"You do." he answers, calmly leaving no explanation, still smiling softly.

You’re getting nervous. He keeps staring and smiling at you. You try to get a good look at him. Is he a mutual friend? An old classmate? A person you pissed off once? You’re at a blank. Though… the more you look at him, the more you notice how similar he looks to… to your… what the hell.

Why does he... look... a bit like Nina?

No. You chalk it off. He just has blonde hair and blue eyes, and the fact you’re missing your girlfriend terribly doesn’t help. But even then, their facial features strike a matching resemblance. It’s a bit uncanny.

You let out a nervous laugh and smile sheepishly at him. "Look, I’m really racking my brain here. Have we met before? I’m really sorry if I can’t recall…"

You give him his cue to introduce himself, to remind you who he is, to be offended at you forgetting—anything! He’s just standing there, staring down with that same smile. Your eyes dart around, seeing if this is a prank. A small uneasy pit forms in your stomach.

A beat passes by. You still wait for his reply.

You can't help but start feeling creeped out. Stupid. Always ask who’s there before opening the door. Just ask him what he wants with you and get it out of the way.

"Hey uh, I-"

He kisses you, his lips softly crashing against yours, hands gently cradling the back of your neck. He’s not forceful, but his hold is steady. You squirm and try to break free, but he quickly shushes you and holds you closer, entrapping your lips in another long kiss.

You think of quickly think of biting him, but he gently pulls away right before you can go through with the thought. His hands come up to tenderly cup your face, his thumb softly brushing against your cheek as he looks at you.

Your vision begins to blur from your tears, your legs wobbling from the fear of the situation.

"I don't know you!" you practically scream out. Your desperation kicks in as you continue to panic. "P-Please. please. please. I'm sorry. I don't know you. I don't… I don't… please… I-."

You cry softly, pleading with him. He just continues cradling your face in his hands, looking at you with that godawful eerie smile. He leans back in, slowly murmuring,

"Shh…"

He continues peppering kisses all over your wet cheeks. "You do know me," he whispers, kissing your nose. "And you know I need to make it up to you," he says, kissing your forehead. He hums softly and leaves another final chaste kiss on your lips.

"And you know I hate leaving you like this."

[triglycercule]

horror is so BLESSED he's the only one out of the murder time trio that has actual good people trying to influence his story 💔💔 dust and killer were both driven to INSANITY because of the choices of their respective humans but horror??? every time without FAIL the polls for horrortale's plotline have always ended in a good place for aliza (either by bettering her relationships/reputation or for her to just. not DIE)

horrortale's potential alternate timelines my beLOVEd🙏🙏 they're SO lucky that we're being kind and benevolent hehe (≧ω≦) now where are the aus based off the possible different outcomes that could've happened in horrortale HUH???? (like how aliza couldve killed toriel or chosen horror's puzzle or gone with undyne to the core........)

[that-was-anticlimactic]

see a world so beautiful and strange (spinning off somewhere)

“Why? Why are you suppressing?”

“Because I can't tic,” Alya whispered, fingernails digging into the skin on her arm. “I know Tourette’s isn’t exactly uncommon, but it’s part of my identity as Alya Césaire. It can’t be a part of Rena Rouge, too. Someone could figure out who I am and then…”

And then she’d have to give up the coolest thing that’s ever happened to her, give up living her dreams.

[or, alya is suppresses as rena rogue in order to protect her identity, but neither ladybug nor trixx will let her hurt herself like that]

🦊2,345 words | alya-centric, alya & ladybug friendship🦊

happy tourette's awareness month!!!

[mashmouths]

so i started this show and it just gets worse and worseeeee not only did it lift the romance subplot directly from twilight (and not well) but they also are trying to play the forbidden love angle hard in the fantasy racism vein except it's a "cross-species" relationship between the two whitest people i've ever seen in my life and there are three people of color in the whole (first season of the) show who aren't villains and it seems that every other episode (and sometimes ebery episode and sometimes twice an episode!) there is a man physically or magically subjugating a woman and i keep waiting for the big reveal at the end to be stolen from fucking rainbow rowell

[marshmellowtea]

sandra being the only woman chris has ever felt even a fleeting attraction to in any capacity is such a funny headcanon to me. you know his ass could NEVER tell her that she would be so annoying about it

[eikichi-supremacy]

crying myself to sleep im so sorry they cut you out atsuko they couldn't handle the cunt you were serving im so sorry but i know i saw you cheer on your son during the dark tourney i saw you hold onto a dying puu i was there i know

[thelonelyshore-if]

Yeah my response was to the poll

I voted last night and was so happy to see such a large lead and I checked back this morning (for me at least) and was so sad to see it wasn't in the lead anymore

I am just a poor Yasmin simp and also a poly lover 😭

I hope it climbs back up to regain it's (imo) rightful place on top

Haha I absolutely feel you Nonnie!! I was thrilled to see its early lead; like I said, I'm really pleasantly surprised to see it still has a solid 10%. I love love love the Yas/Jay poly and also Yasmin herself, too, so I'm personally happy lol.

The good news is I plan to write drabbles for everyone!! And I'll play with the order of release after the first to try and spread the love throughout the ROs c:

[pallases]

IM FREEEEEE

[euclydya]

wild to think I'm like besties with a 10 year old now (DO NOT GET IT TWISTED THIS IS ABOUT A STARMATE)

[b1rdthieves]

rooks

[thebigqueer]

literally having the worst day ever and i cant ever be happy (has only experienced minor inconveniences today but they keep adding up)

[im-smart-i-swear]

cough. i did a thing

[the-sparkling-diamond-satine]

if you title this you could post the first few chapters already!!! (for the wip ask game lol)

WIP Ask Game! tw: abuse implied

But Christian isn’t looking at her face. His gaze is currently fixed on Satine’s wrist where—Satine notices as if in slow motion and with a lurch of her stomach—the sleeve of her coat has ridden up and a nasty purple bruise is on full display. Unable to adjust her sleeve with her hands full of coffee cups, Satine rotates her arm but it’s too late; the damage has been done. “Are you alright?” Christian asks, reaching for her arm. His touch is as warm as Satine remembers but she flinches back from it as if it’s scalding hot. “I’m fine.” “I’m sorry, did I hurt you?” Christian asks, searching her eyes. “Not at all,” Satine hastens to reassure him, realizing too late that she probably should have taken that excuse when it was offered to her, that flinching away from something that didn't hurt is suspicious while flinching away from something that did is reasonable. “Nothing to worry about,” Satine tries next, “just one of the hazards of live theatre. The show has a lot of lifts and I bruise easily. You’ll see tonight—the dancing is incredible,” Satine says, trying to get him back on topic of opening night.