#i like broadway

[anna-scribbles]

emma dupain cheng on the brain😽🎀

more:

[neloretto]

The besties ever

[harveyverse]

do i ship johnny and ponyboy romantically? no. do i think they had a platonic bond that is so intense it just feels inherently queer? maybe. do i think their relationship is absolutely beautiful to the point where it makes me tear up when i think about it too much? YES.

[maplewozapi]

She’s just a rag dolly 🥺🥺💖💖

[wrongspacetime]

GEN V (2023–) | Marie & Jordan - Deleted scene

[cowpokezuko]

A helpful chart

EDIT: Stop pointing out I made a typo. I know.

[an-unprofessional-artist]

BJTM as text posts 18

[doctorsiren]

A couple of textured canvases ft. Edgeworth but as Captain Phoebus from The Hunchback of Notre Dame :3

[girlishwhimsies]

two-bit and soda being that one “pretending to be a toxic married couple in ikea” meme is so important to me. god they’d be so annoying

[novelconcepts]

I really think we as a society don't give enough credit to performers who thrive in an ensemble situation. It's always obvious when an actor is excellent front and center, and we're constantly rewarding that skill set with awards, but god, there's something to be said for the power of a true ensemble piece. People who are so good at reading one another and playing off what they're given, tossing the ball and knowing when to turn it into a grenade. As much fun as it is to watch a solid monologue or a solo show, I always find it so much more thrilling--and so much more authentically lived-in--when there's an ensemble just feeding one another in every single scene. Who do I look at? What is everyone else learning and deciding even from the background? This is what life looks like, and actors who really shine in that environment have really become my favorite to follow.

[darrys-laundry]

theatre etiquette is at an all time low, y’all cannot be singing and shouting things at actors. period.

they’re doing their jobs, and i did not pay the ticket price to listen to you.

[phierecycled]

i just read an article and apparently jonathan kaplan (who played jason in the falsettos obc and was 11 at the time), watched his voice teacher who helped him through the show's auditions decline and eventually die from aids related illness during the show's previews.

in this same article michael rupert mentioned how there would be patients who came and saw the show and would go to the stage door just to be near the performers and tell them how much the story meant to them.

one day, heather macrae (charlotte) attended the funeral of her friend paul jabra and immediately after went straight to the theatre to perform in the evening show.

stephen bogardus recalls leaving the theatre and walking through the audience (about 15 minutes after the show had finished) and people would still be there holding each other.

[personinthepalace]

POV: you’re Christian Borle glancing off stage right in Some Like It Hot.

From Kevin Del Aguila's instagram

[youaremydearestdream]

the outsiders musical rant !! sorry if this doesn’t make sense, i just had to get it out there !

i find it interesting that despite being the main character of the outsiders musical, ponyboy does a lot of harmonizing with others instead of just taking the melody

he takes the melody when he’s narrating,, especially about his problems (tulsa ‘67, his solo parts in i could talk to you all night and far away from tulsa, etc.) but when he sings with other people, he is normally heard harmonizing

he opts up in grease got a hold and great expectations, leaving everyone else behind as they sing the melody. this shows his yearning for a life outside of tulsa, and a life outside of his problems. he takes the lower harmony in i could talk to you all night with cherry, and the highest harmony in throwing in the towel. he is always consumed by the need to get away.

cherry keeps him grounded. he can relate and connect with her, but it’s not enough. meanwhile, pony is disconnected from his brothers, but with darry most of all (darry sings the lower harmony, musically the furthest away from pony) while soda is the connector between the two, which is why soda is the one who takes the melody during the chorus of throwing in the towel when all three brothers sing together— soda is literally in the middle of them, stuck between a rock (darry) and and hard place (pony)

ponyboy is almost always harmonizing with everyone, except for when he’s with johnny. johnny is who he sings of running away with. by killing bob (in self defense!!) johnny is the one who makes running away a reality, which is why it’s fitting that johnny is the one takes the harmony when he sings with ponyboy in far away from tulsa and death’s at my door. he’s the one that pony feels the most safe and comfortable to be himself around because pony knows that johnny always understands him.

it’s only until after johnny dies that pony begins harmonizing with him instead, jumping between low and high harmonies during stay gold. this shows how affected he is by johnnys death— his harmonies are as “unstable” as he is. he finally comes back to the melody when he sings the last line of the song by himself, internalizing johnny’s message: to stay gold, to be himself, and to learn that there are so many more reasons to why life is worth living.

during the finale, he lets darry and sodapop read out the narration, showing that he has successfully mended the gap between him and darry. he sticks to the melody throughout the entire song. he no longer opts up like he did in the beginning because he has realized that running away from his problems (and running away from the melody) cannot solve anything. by the end of the outsiders musical, ponyboy has finally grown into his own skin and is no longer ashamed of where he comes from.

[lovelyreprisethirteen]

you don’t understand.

they played an instrumental reprise of ‘loser, baby’ when husk and angel were flirting with each other and i m e l t e d.

like, you don’t understand. that’s their theme now. they have a t h e m e. i have a ship with a theme tune, now. and i’m m e l t i n g.

if they play it when they finally kiss, i’m actually going to implode.

[ashleyslorens]

AARON TVEIT & JOJO LEVESQUE Curtain call for Moulin Rouge! The Musical (July 23, 2024) 📸 Avery Brunkus