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#i know we're still building their kind of relationship but!!
daisywords · 6 months
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Well I finished The Hands of The Emperor, and well it was by no means a perfect read or my personal favorite ever, I did enjoy it immensely. My main takeaway is that more books should be allowed to be really long and character focused and about retirement-age adults and have a bajillion little subplots
#daisyreads#some of the scenes were superfluous but also I still had fun reading them so literally whatever#I do have to say though. I had the ebook and was in no way prepared for how long this book was#my loan expired and I had to wait to check it out again#anyway I feel like it didn't follow through satisfyingly with some of the major stuff at the end#like the ending was all about Cliopher and that stuff was lovely but also like. we kinda just stopped focusing on the emperor#also it got a little preachy/unsubtle at the end but whatever#>>going to make a really stupid joke please ignore>>#[why was this Atlas Shrugged for liberals lol]#<<okay moving on#anyway I loved loved loved a lot of the character moments#especially when you keep thinking we're building up to a character losing control and finally expressing everything they've been bottling u#except then it doesn't quite work that way because when you've been swallowing it for so long you just kind of choke#anyway Cliopher is a great character and I love him but he could have been a little less perfect at everything#and we could have done with a little less ''other people get slammed over the head with how perfect he is''#but anyway. I still liked it. close to my heart#loved the slow trickle of worldbuilding and the time to get to know it#the zoomed-in and zoomed-out worldbuilding both#although I'm still confused about The Fall but whatever#anyway I really liked some of the internal and interpersonal conflicts and relationship dynamics#very tender exploration of stuff that doesn't usually get focused on in the genre#anyway I am always a sucker for political fantasy as I am learning
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random2908 · 2 years
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I’ve been in California for a month now.
I miss my friends a lot, and in particular having a community I could lean on when I needed it; I miss my nice big apartment with the mortgage fully paid off and everything in its place rather than still in boxes; and it sucks that because of a bad boss I had to completely uproot my life like that and I’m still dealing with the fallout.
But I do not at all regret moving back to California. My life in Michigan was comfortably stagnant in a way that would have been fine. Ok. Not harmful to live out for the rest of my life. But I did sometimes lament that I wanted a shake-up, maybe a new set of friends to supplement the very-introverted ones I already had. Nothing this big, but, hey, I got my shake-up. It’s going to take a while, especially to build community--the friends I already around here have are good for weekend hangouts, but mostly don’t live close enough to lean on. But despite all that, despite the work I’m going to have to put in to put my life back together, I can already tell that things are just going to be a lot better here. I’m really looking forward to that.
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cowboybeepboop · 1 month
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Omg your Tyler Owens stuff is so good! Can I request something for him please?
Where reader and tyler have been seeing each other but they haven't told the crew they are not trying to hide it just enjoying keeping it between them. After a night of "fun" reader had big hickey on her neck and collarbone and the crew teases her about it all day even a little on camera and keep asking the reader who she is seeing thinking it might be scott since she's the only one on their team that he's nice so they tease her and tyler gets jealous. That night tyler shows her who she "belongs" to and confesses his love and the crew hears them but still thinks it scott til the next morning they see tyler and her leave the room together and with his own hicky and and the crew is shocked and tyler looks at the reader and just says "busted"
Idk just a funny idea just popped in my head
Pairing: Tyler Owens x fem! Reade
Genre: Smut, romantic and fluffy
Word count: 5.9k
Warnings: Possessive Tyler, jealous tyler, hickeys, a small mention of a biting kink, secret relationship
a/n: Thank you for the super fun request, it quite literally had me giggling and kicking my feet as I wrote. Also thank you so much for your compliment, my requests are always open as I love getting to build off of others ideas. I hope you enjoy and that this was all you hoped it would be although I kind of changed the last little bit on accident 😭
You and Tyler have been secretly going out for a couple months now. You’ve known him the longest out of the rest of the crew as you met in University. Honestly having feelings for him since the day you met but once you became friends you became too worried to lose him.
Your relationship started after a drunk night of confessions and has only progressed since, things just feel right with him. The pair of you have even started sharing hotel rooms in secret. Which is exactly how you ended up in this sticky situation: having a dark purple hickey on your neck.
You groan as you try to cover up the mark with concealer, he comes up behind you, his arms wrapping around your waist. Tyler grins, seeing your frustration as you try and fail at covering it up. He leans his chin on your shoulder, eyeing you in the mirror.
"Babe, why are you even trying to cover it up? You know it'll just keep appearing," he teased, nipping at your ear. You shoot him a glare, with no real heat behind it, as you lean back against his chest.
“Ty, we're so screwed.” you sigh as your fingers brush across the mark, “You know Boone isn’t going to let it go until he finds out who I’m with.”
Tyler lets out a low, amused chuckle, his hands slowly tracing your hips. "And what's wrong with that?" He teased, his lips wandering down the side of your neck.
His hands toy with the hem of your shirt, as if contemplating lifting it up. His voice is a low, heated growl in your ear. "You don't *want* everyone to know you're mine, babygirl?"
“Mm,” you let out a soft noise at his touch, “I thought we agreed to keep things quiet for a while..” your hands move on top of his as you pull them away from you slowly. You turn and give him a sweet smile while adjusting the collar of your shirt, trying to hide it.
You know he's not a big fan of keeping your relationship a secret, it’s just that you're worried about things changing within the team, or heaven forbid his teenage fangirls trying to track you down out of jealousy. You’ve always been a private person and he knows that.
Tyler frowns as you pull away, his arms dropping to his sides. He steps back with a small sigh, leaning against the counter. He's frustrated with you, but he's always been patient.
"We said that a few months ago," he points out. His thumbs hook into the belt loops of your jeans, pulling you closer against his chest. "I want to show you off, sweetheart. I'm tired of hiding you away...You're mine," he adds, his voice firm.
“I know..” you wrap your arms around his neck, giving him a soft kiss. “Just a little longer. Plus you have to admit, it’s a little fun sneaking around.” you gaze up at him lovingly.
"Sneaking around has its perks, I'll give you that," he agrees, his hands coming up to rest on your hips as you kiss him again.
His fingers toy with the fabric of your shirt, before his hands find their way underneath it, his touch warm against your skin. "But I'm gettin' impatient, sweetheart. This whole 'secret' thing is wearing me out..."
“You’re always impatient,” you give him another sweet smile, “We should get heading out soon…” your voice trails off as he slides his hands over your bra.
Tyler smirks at the change in your tone, his touch roaming across your bare skin underneath your shirt. He takes his time, tracing the band of your bra with his fingertips.
"Is that so?" he teased, his lips against your neck. He nips at the spot just below your ear, his stubble scratching against the sensitive skin. "What's the rush, darlin'?" you shiver at the sensation.
“Come on baby..” you reluctantly pull away from him, “We really need to get downstairs, you have a storm to find.”
Tyler watches you pull away from him with a pout, his eyes roaming over your body. He lets out a frustrated huff before he lets you go. "Fine," he grumbles. "But you're gonna pay for leaving me like *this*." He gestures down to the bulge in his jeans, giving you a cheeky smile.
You lean forward, your hands on his shoulders “I’m looking forward to that,” Tyler grins, his hands grasping your hips and pulling you closer against him. He leans in, as if to kiss you, but stops just short of your lips.
"You're gonna be the death of me, darlin'," he smirks, nipping your ear, and giving your butt a firm smack through your jeans. “You head out first, I’ll follow in a few minutes.” his voice calls after you as you walk out of the bathroom.
“Don’t be too long,” you reply with a teasing tone, your eyes flicking to his jeans. Leaving the room you head down to the truck. Tyler follows shortly after, readjusting his jeans to make his arousal less prominent.
He can't help but grin at the slight bite mark on your neck, and the faint redness there too. He slides into the driver's seat, glancing over at you before he starts the truck. "Don't you look pretty with my mark on you," he teases, leaning across to buckle you in.
“Shh,” you shush him, pulling down the mirror as you move your hair over the mark. “Ty, play nice.” Boone slides into the backseat with an annoyed sigh.
“Hey, I thought it was my turn to have shotgun Y/N.” he murmurs as his arms cross over his chest.
You shoot him an apologetic look, “We can switch, if you want.” his expression softens as he relaxes into the seat.
“I’m just playing,” he smiles at you before his eyes narrow in on the hickey, noticing it through the mirror you left down. “But what's that? On your neck?” he teases with a smirk.
Tyler can't help but chuckle as Boone teases you, his own grin growing wider. He glances in the mirror, watching Boone's reaction to your neck. "What *is* that, darlin'?" he chimes in, parroting Boone's words and playing along. He gives you an innocent smile, feigning ignorance.
“It's nothing,” you stammer with a bright blush, “Just a bug bite, I must've scratched it too hard..” Lily slips into the backseat with her drone in hand.
“Lily, Y/N has a huge ‘bug bite’,” Boone leans over to her with a smirk as he points out the mark on your neck.
Lily immediately zeroes in on the mark, her eyes narrowing. She leans forward, squinting at the redness and the bruising. "That's a hell of a bug bite!" she snickers, smirking. "It looks more like someone was gnawing on your neck."
“It’s nothing,” you repeat, your blush growing brighter as Tyler starts up the engine, pulling out.
“I wonder who could have possibly left that,” Boone presses a finger to his chin as he gets lost in thought. You groan, knowing that there's no way either of them will let it go until they find the culprit.
The good news is, it's nearly impossible for them to connect the dots between you and Tyler, considering how professional and friendly you keep things.
“Maybe it was Scott,” Lily murmurs to Boone, “he does have a soft spot for Y/N, she’s like the only person he can tolerate.”
Tyler bites back a scoff, fighting the urge to react as they mention Scott. He keeps his eyes on the road, his jaw clenching.
He's trying to keep his cool, but hearing them speculate about who left the mark, and having Scott's name brought up, is getting under his skin.
Boone glances at Tyler, noticing his clenched jaw and the subtle tension in his shoulders. He raises an eyebrow, but doesn't say anything.
“Oh come on, just let it go already.” you purse your lips with a sigh, “I’m not gonna give anyone any names.”
“She didn't deny it.” Boone says to Lily, his tone suggestive. “So maybe we got it right, I guess that would explain why she's so close with the competitor.” he smirks, knowing he's getting on your nerves.
Tyler's hands tighten on the steering wheel, his knuckles turning white. He can feel the anger rising within him, the urge to speak up and put an end to their speculation growing stronger with each passing second.
But he keeps his lips sealed, gritting his teeth as he forces himself to stay quiet. He knows that getting involved would only lead to them suspecting something. No matter how much he hates hearing them talk about you and Scott.
“Boone, just get your camera out. We’re getting close,” you nod toward the window in front of you, arms crossing under your breasts as you try to ignore their comments
Boone rolls his eyes and grabs his camera from the seat next to him. Lily sighs disappointingly, but she too reaches for her drone.
Tyler's still trying to keep his composure, still fighting the urge to snap at them. But the way your arms cross, pushing up against your chest, momentarily distracts him. He forces his gaze back onto the road.
__________
Boone keeps filming even as the tornado sweeps into the distance, a small smirk on his lips as he films you.
“Let's take a look at our beautiful Y/N,” he walks closer to you with his sly expression, “And her huge ‘bug bite’.” Lily giggles, joining in on the teasing as you roll your eyes in response. Tyler’s grip tightens further on the wheel, his knuckles turning white. He glances at you through the rear view mirror, seeing the way you roll your eyes at their teasing. A mix of anger and possessiveness stirring within him.
Boone chuckles as he gets closer to you, camera in hand. He knows he's getting on your nerves, but can't help but tease you further. You push your hand to the lens, covering it up as you shoot him a soft glare.
“Boone, you've gotta drop it at some point.” His smirk only grows as he pulls the camera back.
“Nope,” Boone grins, his smirk only growing wider. "This is too damn good. Who could have left that on your neck, darlin'? Such a mystery.”
Lily laughs, enjoying the banter. She glances at you, her eyes studying the mark on your neck with mild interest. You let out an irritated sigh, knowing the only way to shut them up is to give an answer, the downside being that it would piss your boyfriend off.
“Well, maybe it was Scott, or maybe it was some rando from the bar.” you shrug, your gaze going to Tyler with an apologetic yet pleading expression.
Tyler tenses as you answer them, the irritation and possessiveness bubbling up within him. He keeps his eyes on the road, his expression neutral, trying not to react.
The thought of you and Scott being together, even in this hypothetical scenario, fills him with a mix of anger and jealousy. But he fights to keep his cool, knowing that he can't reveal his true feelings. Boone and Lily both perk up at your answer, their teasing grins widening.
Tyler starts the engine once again, pulling out on the road as the pair continue to speculate in the back.
“So, it was definitely Scott.” Lily says with certainty, “Y/N is not the type to hook up with some stranger she just met.” you groan in response, knowing that all this talk of Scott was going to bite you in the ass later.
Boone nods, agreeing with Lily's assessment.
"That's what I was thinking," he adds, his eyes darting to the mark on your neck. "Scott has always had a soft spot for Y/N, it wouldn't surprise me at all if he's the one who left that mark."
Tyler grits his teeth, his jaw still clenching tight. He can't help but feel a surge of jealousy and anger at the mention of Scott and your nonexistent 'relationship' with him. You send the pair an irritated glare.
“Well, the case is closed. Will you let it go now?” your annoyance finally gets them to back off.
Boone holds up his hands in surrender, a bemused smile on his lips. "Alright, alright. We'll lay off. For now anyways."
Lily grins, amused at your irritation. "Don't worry, Y/N. We're just having a little fun, that's all. But don't expect us to forget about that 'bug bite' anytime soon." Her implication is clear, and Tyler's expression hardens as he gives you a frustrated glance.
You sigh, relaxing into your seat with the newfound silence, the only thing in the background being Boones music as Tyler drives down the highway. You go over all the possible arguments you're likely to have once you get back to your room, knowing that it's your fault for not just spitting out the truth.
Tyler is stewing in silence, his grip on the steering wheel still tight. He feels frustrated and angry, both at your friends for their teasing and at you for not just telling the truth.
His mind is racing with thoughts of you and Scott together. He knows he's being irrational, that it's not true, but he can't help the possessive jealousy that's consuming him.
He glances at you from time to time, his expression still stoic, silently seething. Your nerves grow as Tyler pulls into the parking lot of the motel, killing the engine and steadying his breathing.
Boone and Lily exit the truck, their conversation resuming as they head towards the motel, none the wiser to the tension between you and Tyler.
Once the others are out of earshot, Tyler turns to you. His expression is still stern, his gaze fixated on you. "We need to talk," he says curtly, his voice low and firm.
“I know baby,” you reach over, pressing your hand to his chest softly. Tyler's expression softens slightly at your touch, but his features remain stern. He takes a moment, letting the soothing feeling of your hand on his chest settle his emotions.
"You shouldn't have let them keep speculating like that," he finally says, his voice low and controlled. "And I really didn't like hearing Scott's name brought up."
“I know and I’m sorry..” you sigh softly, “They just wouldn't let it go and I figured if I gave them their answer they would back off.” your eyes study his face.
Tyler's expression softens a bit more, the anger and jealousy slowly fading as he sees the remorse in your eyes. "I get that," he relents, the edge in his voice fading. "But you know how I feel about Scott... hearing them talk about the two of you like that, it just pisses me off."
“But he's just a friend,” your voice is quiet as he cuts you off, Tyler lets out a deep sigh, running a hand through his hair.
"You say that, but you two have this... strange, close friendship. And it bugs me. He's always making those comments, he's always hanging around you... I just don't trust him, darlin'."
Your eyebrows furrow softly, you know you don't have a reason to defend him or yourself but it doesn't stop the words from spilling out of your lips. “We don't have a strange friendship.”
Tyler's expression hardens again, the irritation creeping back in. "Y/N," he interupts, his tone firm. "He calls you 'doll'. He's constantly flirting with you. And he's *touching* you all the time. How is that not strange?"
“It's not like that.” you huff out, arms crossing under your breasts.
Tyler's eyes flicker to your chest as your arms cross, a part of him distracted by the sight. But he quickly snaps his gaze back to your face, irritation and jealousy once again taking hold.
"Then tell me what it's like," he challenges, his voice growing firmer. "Because from where I'm standing, it looks like you two have some kind of thing going on. I don't like it, darlin'."
Your irritation peaks as you get out of the truck, slamming the door behind you. You're just frustrated with the way everyone has been pressing you all day.
Tyler follows closely behind you, shutting the truck door with more force than necessary. He follows you into the motel, his irritation matching yours.
As soon as you reach your room, he pushes the door open and steps in after you, his expression intense and serious. "We're not done talking about this," he states firmly, closing the door behind him.
You feel more relaxed in the privacy of your room, a soft sigh escaping your lips as you pull Tyler to you. “I’m sorry,” you press your face to his chest, “But it’s really not like that with him, I swear.”
Tyler's frustration eases slightly as you pull him to you, his arms automatically wrapping around your waist. The feeling of you against him soothes his irritation somewhat. He lets out a deep sigh, his grip on you firm and possessive. "I want to believe you," he admits, "But it's hard not to get jealous when I see him constantly all over you."
You giggle softly, your voice muffled by his chest. “We’ve been friends since elementary school, he’s just a little awkward around others, that's why he sticks by me so much.”
Tyler lets out a scoff, his arms clinging tighter to you. "Yeah, real 'awkward'," he mutters, the sarcasm evident in his voice. "He's always touching you, calling you cute little nicknames... that doesn't seem 'awkward' to me, that seems pretty damn intentional."
“Trust me Ty, he just sees me as a younger sister.” you gaze up at him, “Plus he’s probably going to propose to my sister the second he gets back home.” your voice is a soft murmur, as you reach up brushing his hair out of his eyes.
Tyler's expression softens more as you explain Scott and your sister's history. A mix of relief and guilt washes over him, realizing his own insecurities and jealousy have gotten the best of him.
He lets out a sigh, his voice quieter than before. "I guess I'm just feeling a little protective of you, darlin'. I don't like seeing other guys touching you like that. It pisses me off."
“I think I'm a fan of your jealous side,” you smirk up at him, your hand trailing down his chest. Tyler's eyes darken with desire, a low growl rising in his throat as your hand trails down his chest. Your comment only adds fuel to his possessiveness, stoking the flames of his jealousy.
He tightens his grip on your waist, pulling your body flush against his. "Oh, are you now?" he purrs, his voice deep and gravelly.
Standing on your tippy toes you whisper into his ear, “It turns me on, seeing you all possessive..” your hand travels down to his belt buckle.
Tyler's breath hitches as you whisper into his ear, followed by your hand moving to his belt buckle. His body tenses, a mixture of anticipation and desire running through him.
"Is that so, darlin'?" he murmurs, his voice low and hoarse. His hands grip your hips firmer, his thumbs gently tracing small circles against your skin.
“I like it when you get worked up like this.” you press kisses to his neck as your hands fumble with his belt, pulling it off and unbuttoning his jeans.
Tyler lets out a low moan as you press your lips to his neck. His body tenses even more, his breathing growing more ragged with each touch. Your hand fumbling with his belt, followed by the unbuttoning of his jeans, only adds to his growing arousal.
His hands grip your hips tighter, pulling you flush against him. “Are you trying to drive me crazy, babygirl?” he growls, his voice raw and husky.
“I’m trying to make things up to you,” your eyes are full of desire as you drop to the ground, pulling his jeans and boxers down with you.
Tyler's breath hitches as you drop to the ground, his gaze locked on yours as you pull his jeans and boxers down. The sight of you on your knees, your eyes full of desire, sends a jolt of anticipation through him.
He watches you intently, his hands resting on your shoulders, his expression a mixture of hunger and need. He's barely able to muster a reply, "And how exactly do you plan to do that, darlin'?"
With a wicked smile, you grasp ahold of Tyler's length, his eyes widening in surprise as you begin to suck him off. Your mouth is hot and wet, your movements slow and deliberate. You savor the feel of him in your mouth, the way he responds to your touch. His hands find their way into your hair, gripping it tightly as you tease him with your tongue, tracing the veins that run along his shaft.
His hips buck slightly as you take him deeper, your eyes never leaving his. The look in your eyes is full of challenge and defiance, as if saying 'You want to be possessive? I'll give you something to be possessive about'. Tyler's jaw clenches, his eyes hooded with desire as he watches you, his breathing growing heavier.
You feel a thrill run through you as you bring him closer to the edge, your hand moving in tandem with your mouth. The sounds of his pleasure are music to your ears, his groans and gasps driving you to go further. You swirl your tongue around the tip of his cock, feeling him throb in your grip.
Tyler's eyes are squeezed shut, his head thrown back in ecstasy. His hands tighten in your hair, guiding you as you suck him off, the tension in his body building. His hips rock into your mouth, his movements growing more erratic as you increase your pace.
You moan around him, feeling his cock thicken and swell. You know he's close, and the power you have over him at this moment is a heady rush. His grip on your hair tightens, his breathing becoming ragged.
With a final, desperate thrust, Tyler cums into your mouth, the warm, salty liquid filling it as you swallow reflexively. His hips jerk, his body trembling with the force of his orgasm. You keep your eyes locked on his, not breaking the intensity of the moment as you finish him off, your hand still working his shaft gently.
As he starts to come down from the high, he groans, pulling you to your feet. His hands roam over your body, his touch hungry and possessive. You stand up, wiping your mouth with the back of your hand, your own desire spiking from the sight of him so lost in pleasure.
He wraps his arms around your waist, his mouth finding your neck as he starts to pepper it with hot, demanding kisses. His teeth graze your skin, his tongue flicking against the sensitive spots he knows drive you wild.
You gasp as he pulls your shirt over your head, his hands moving to unclasp your bra. His eyes devour your bare chest, his breathing growing ragged. He cups your breasts, his thumbs flicking over your hardened nipples as he sucks in a sharp breath.
Leaning down, Tyler captures one of your nipples between his teeth, tugging gently before sucking it into his mouth. His tongue swirls around the sensitive peak, eliciting a moan from you as he rolls the other between his fingers. The sensation sends shockwaves of pleasure through your body, making your knees weak.
With a sudden, yet gentle force, Tyler pushes you back against the bed, his hands firmly on your hips as you stumble slightly. You let out a surprised gasp, but the excitement in your eyes is unmistakable. He follows you, his body pressing against yours as you fall back onto the mattress.
With deft movements, he slides your pants and panties off in one swift motion. The fabric whispers against your skin as it's peeled away, leaving you bare and exposed before him. You can feel the coolness of the room air kiss your newly exposed flesh, making you shiver with anticipation.
Tyler groans, his eyes darkening as they drink in the sight of your bare body. Goosebumps rise along your skin, not from the cold, but from the raw hunger in his gaze. His hands glide up your thighs, his thumbs tracing the sensitive skin of your inner thighs, sending waves of heat through your body.
He peels his own clothes away with a sense of urgency, his shirt and pants dropping to the floor in a hasty heap. His chest is bare, muscles flexing with each breath he takes, his skin warm and inviting. You can't help but reach out and run your fingers over his abs, feeling the power in each defined muscle.
He settles between your thighs, pressing warm kisses into your skin, starting at the top of your thighs and moving closer to your center. Each kiss feels like a promise of pleasure to come, sending shivers down your spine and making your legs quiver with need. His hands hold your thighs open, his gaze never leaving yours as he kisses and nips his way closer.
Your eyes widen with anticipation as he reaches the apex of your thighs, his breath hot against your sensitive skin. The kisses become softer, more gentle, as if he's savoring the moment before he takes you over the edge. His tongue flicks out, tracing the crease of your thigh before delving into your folds. You moan, arching your back as he tastes you.
The room is filled with the sound of your breathy gasps and his hungry groans. His mouth works against you, his tongue flicking and swirling, driving you closer and closer to climax. You're lost in the sensation, your hands tangling in his hair, pulling him closer as you begin to rock your hips against his face.
His eyes stay on yours, watching your every reaction, as his mouth works its magic. You can feel the tension building, your core tightening with each stroke of his tongue. He seems to know exactly what you need, his mouth moving in perfect rhythm with your body's desires.
Your legs start to tremble as you feel yourself getting closer to the edge. Tyler's eyes darken with satisfaction, his hands moving to grip your hips tighter, holding you in place as he increases his pace.
The pressure builds, your body feeling like it's going to combust from the inside out. And just when you think you can't take it anymore, he flicks your clit with his tongue, sending you spiraling over the edge.
Your body convulses with pleasure, a keening cry escaping your lips as you come apart in his arms. He doesn't stop, though, continuing to lick and kiss until you're a puddle of pleasure beneath him.
As your breathing starts to even out, Tyler pulls back, a smug smile playing on his lips. He leans over you, planting a gentle kiss on your stomach before moving up to claim your mouth with his. You can taste yourself on his lips, and the act of sharing your own arousal with him only makes your desire for him grow stronger.
He pulls away, reaching for a condom from the nightstand. His hands are shaking slightly with his own need, but he manages to sheath himself before pressing back into you. You spread your legs wider, welcoming him with a needy whine.
As he enters you, you feel a sense of rightness, of belonging. He's so much more than just a friend, more than just a lover. He's yours, and in this moment, you're his.
He moves with a fierce gentleness, his hips rocking into yours as you both chase the high of your shared passion. The friction is delicious, each thrust sending sparks through your body.
You bite down gently on his shoulder, muffling your moans as they build in your throat. Tyler's eyes darken with pleasure at the small bite of pain, his movements growing more urgent. He knows you're close, he can feel it in the way your body clenches around him.
He slows down, his hips rocking into you with a purposeful rhythm that has you on the edge of sanity. Each stroke is a declaration of his possession, a gentle reminder that you're his, and he's yours. His thumb finds your clit, circling it with the same patience and care as he does with the rest of your body.
You bite down on your lip, trying to hold in the scream that's threatening to break free. Tyler notices, a wicked smile playing on his lips as he leans in to whisper in your ear. "Let go, darlin'. I've got you."
With those words, the dam breaks, and you cum around him, your body tightening and releasing in waves of pleasure. Tyler's hips stutter for a moment, his control slipping as he's overwhelmed by the sensation of you coming apart beneath him. His eyes squeeze shut, his own climax now just seconds away.
As your orgasm subsides, Tyler's own builds, his breathing ragged and uneven. He opens his eyes, looking into yours, and you can see the desperate need in them. He wants to claim you, to make sure there's no doubt in anyone's mind who you belong to.
The idea hits you like a lightning bolt, and you act on it without a second thought. You wrap your arms around his neck, pulling him closer to you. With your teeth, you graze the sensitive skin just below his ear, feeling his body jerk in response. He's so focused on driving into you, on reaching his peak, that he doesn't notice at first what you're doing.
But when your teeth sink into the flesh of his neck, he gasps, his eyes widening. He tries to pull back, but you hold him in place, your nails digging into his shoulders. "What the hell are you..." he starts to protest, but the words die in his throat as pleasure overwhelms him.
You suck hard, leaving a dark mark that matches the one he gave you. He groans, his hips jerking as he reaches his own climax. You can feel his warmth fill you up, and the feeling of his pulsing inside you sends you into another round of spasms.
"You little minx," he pants out, his hands gripping your hips tightly as he rides out his orgasm. You giggle against his neck, your mouth still latched onto his skin. "What was that for?"
You pull away, licking your lips and smiling wickedly up at him. "Payback," you murmur, your voice still breathless from the intensity of your shared passion.
Tyler laughs, the sound deep and rich, his body still shaking with the aftershocks of pleasure. He leans down to kiss you, his tongue tracing the path your teeth had just taken. "Fair is fair," he murmurs, his breath hot against your skin.
He pulls out of you with an exhausted sigh, his chest heaving with the effort of his release. Tyler rolls over, pulling you to his chest as you both catch your breath. The scent of sex and sweat fills the air, but it's not unpleasant. It's a heady, intoxicating scent that makes you feel alive and desired. Your cheek rests against his chest, listening to the steady thump of his heartbeat as it slowly returns to normal.
"But you know," he says after a moment, his voice teasing, "I can't have just anyone leaving marks on my neck. That's my job."
You laugh, feeling the tension from earlier dissipate completely. "Deal," you murmur, snuggling closer to him. Tyler wraps his arms around you, holding you tight as your bodies begin to cool.
The sound of your combined breathing fills the quiet room, the only other noise is the faint hum of the air conditioner. You both lay there, lost in the warmth and comfort of each other's embrace, the earlier tension and jealousy a distant memory.
"I love you," Tyler whispers, his voice barely audible. You look up at him, a soft smile playing on your lips. "I know," you reply, placing a gentle kiss on his chin. "And I love you too."
The two of you lay there, basking in the afterglow of your passionate encounter, the darkness of the room a stark contrast to the warmth and light that you share between you.
__________
Tyler's eyes slowly open, a yawn escaping his lips as you plant gentle kisses against his skin, trying to rouse him from his comfortable slumber. His arms automatically wrap around you, pulling you close.
"Mornin', darlin'," he mumbles, his voice groggy from sleep.
“You better get ready for the day,” you whisper into his ear, relaxing into his body.
Tyler groans, his lips finding your neck as his hands slide up your shirt, his touch firm yet gentle as he pulls you closer. "Do I have to get up?" he grumbles, burying his face against your skin.
“Mhm, it’s almost 9 baby.” you run your fingers through his hair, fixing the wild strands.
Tyler groans again, his body reluctant to leave the warm embrace of the bedsheets. However, the mention of the time makes him reluctantly start to untangle himself from you, his eyes slowly opening to the sunlight streaming through the window.
"Fine," he mumbles, groggily propping himself up on an elbow. "But only if you go get us some coffee, darlin'."
“You’ve got it,” you press a sweet kiss to his lips, “But you better be downstairs in 20.” your tone demanding as you turn away, grabbing your keys and wallet as you step out of the room.
Tyler watches as you leave the room, a sly grin on his face. He's never seen you this authoritative before, but he finds it oddly attractive.
"Yes ma'am," he replies, his voice still groggy with sleep. He rubs a hand over his face, trying to shake off the remnants of sleep.
He sits up in bed, the sheets pooling around his waist, revealing his bare chest. He watches the door for a moment before pushing himself up and heading towards the bathroom.
You lean against Tyler's truck watching as Boone and Lily argue over something small, your grin growing. The two cups of coffee sitting on the hood of the car.
Boone and Lily, with their usual banter, are engaged in a heated discussion over something small. You can't help but chuckle as you lean against Tyler's truck, watching them go at it.
Tyler steps outside, his hair still messy from sleep, and comes up behind you. He wraps his arms around you, resting his chin on your shoulder.
"What are they arguing about now?" he asks, his breath warm on your skin. Your body stiffens at his gesture noticing how Boone and Lily gaze over at you.
“I’m really not sure,” you glance over at him, feeling your stomach twist as Boone stalks over to the pair of you.
Tyler grabs his coffee, not missing the way Boone's gaze goes to the mark on his neck. Tyler suppresses a grumble, his grip on the coffee cup tightening slightly.
Boone's smirk is infuriating as he approaches the pair of you. "Looks like you had an eventful night, Tyler," he teases, his tone slightly mocking.
“Looks like we’re busted.” Tyler gazes down at you with a soft smirk as your cheeks flush.
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l1tw1ck · 9 months
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My Liege
bottom!ftm!knight Xiao x top!masc!king reader
☆ Word Count: 1,128 ☆
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AFAB Language Used | Don't expect a part two this was in the vault for months 😭
CW: Non-Con, Dacryphilia, Fingering, Virginity Loss, Belly Bulge, Riding, Squirting
Reader Discretion is Advised
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As the king of Liyue, it's expected for you to have personal bodyguards. Between you and your husband, Zhongli, you have 4 knights.
Ganyu, Keqing, Shenhe, and Xiao. You typically take Xiao and Keqing due to their rationality and level heads. On trips to smaller and safer places you only bring Xiao.
These particular trips allow you to spend some time with your secret lover. You still think back on the first time you started your new relationship.
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"May I ask where we're going, your highness?" Xiao asks, following you to an unknown location.
"Just somewhere to get away from the crowd. It was a little too much to handle today." You reply, leading him to a secluded and worn down building. "Do a perimeter check." You enter the place and look around, happy to find a chair that's still intact.
"Yes sir." Xiao looks around the area and defeats any hilichurls and slimes that were lingering around. After double checking, he stands in front of the entrance. You grab Xiao and force him to sit down with you, pushing his back against your chest.
"Sir?" Xiao whispers worriedly, assuming there's a person somewhere.
You lean your head down to talk in his ear. "Shh." Your arm is wrapped around his stomach so he doesn't move, your other hand tugging his tank top upwards.
Whenever you tell him to be quiet, he listens and doesn't say a word until you allow him to. So even as you push his top all the way up and grope his chest, he stays silent. Even if he isn't comfortable with it.
"Sorry but I have to use you, Xiao." You kiss his neck. "Zhongli doesn't have time for this kind of thing anymore..." Your hand moves to pull his pants down.
Xiao closes his eyes and takes a deep breath, hating the way you're touching him and how your bulge is pressing against his ass.
"Your body is so pretty, Xiao." You play around with his clit. "Do you know how pretty you are?" Your fingers move down to touch his increasingly wet cunt.
Xiao tries his best not to cry, he hasn't felt this weak in years. He hadn't cried and was convinced he became unable to since his friends died. He couldn't even remember what it was like to cry.
"Pull my pants down for me."
He shakily unzips your slacks and pulls them down. You grab his hips and force him to rub against your bulge. "Come on, do it yourself."
Xiao grimaces and starts rolling his hips. You go back to playing with his clit, making his movements inconsistent and shaky.
"Good boy." You groan and turn his head to look at you.
Xiao comes with a whimper, tightening around nothing. You bring him into a heated kiss, leaving him even more out of breath than he already was.
You turn Xiao to face you completely and bring his hand to the waistband of your boxers. "Do you want it, sweetheart? Tell me you want my cock inside you."
"I...I want your- your co...cock inside me." Xiao frowns and pulls your underwear off, your hard length is making Xiao nervous. "My liege...I'm- I've never done this before...it will hurt, and I need to have the strength to protect you.."
"You can take it, Xiao. I know you can." You grab his sides and hover his body over your cock.
"Y- yes, my liege. I apologize." Xiao's voice shakes. He sucks in a breath before you lower him down, biting his lip hard enough to draw blood as your tip pushes through his entrance. He tries his hardest to relax as you shove your full length into him, stretching out his virgin cunt.
Your cock twitches in excitement. "Shit, you feel better than Zhongli."
Xiao struggles to adjust to the foreign feeling, breaking out into uncontrolled sobs. He looks gorgeous with his tummy bulging, he's so small..
“Look at how deep I am inside you, sweetheart.” You make Xiao look at his stomach. He frowns, crying harder. You gently grab his cheeks with one hand and lift his face up. "You're even cuter when you cry." You say before bringing him into a kiss. You rub circles around his clit to make him more comfortable. Xiao whimpers and moans into your mouth, subconsciously moving his hips as you bring him pleasure. He's extremely inexperienced but he tries his best to kiss you back. He hates this but he wants to make you happy. You pull away and look at Xiao's embarrassed expression.
"Was it bad..?" He asks in between sniffles. He’s worried he disappointed you with his bad kissing skills.
"Of course not.." You kiss his wet cheek. "Do you want to make me feel good?"
Xiao nods and tries wiping his tears in an attempt to stop crying but they just keep flowing. You take his hands and place them on your shoulders. “Hold onto me and lift yourself up.”
He squeezes your shoulders and raises himself up while shaking.
“Now bring yourself down.”
Xiao sinks down onto your length, a soft whine leaving his trembling lips.
“Good boy, keep doing that.”
He buries his head in your shoulder, sobbing heavily as he attempts to ride you. You don't do anything to comfort him and let him cry his heart out.
“It hu- hurts-” He whimpers. “It hurts so much-” His strong facade crumbles to pieces.
“You’re doing so well, baby…doing so well for me.” You reassure him.
“Please…please help..” His body aches from crying so hard. He feels humiliated, he’s supposed to be strong and able to withstand pain but he can't handle it. He can't handle you.
“Aw, you’re too cute.” You place your hands on his small waist and take over, raising his body before slamming him down. His eyes roll back as you use his body like a fleshlight. He can just barely stay conscious.
Xiao sobs as you fuck him, overwhelmed by an intense mix of feelings. Humiliation, pain, and…pleasure. It feels…good? Xiao’s eyes widen. No, it feels amazing. He arches his back and comes, squirting like a fountain.
You pull him off you despite the very strong urge to keep fucking him. You don't want to overstimulate him, it’d be hard to explain why you had to carry your own guard home. Xiao looks at you with a dazed expression.
“You did so well, my knight.” You have him sit on your lap. You caress his cheek and he leans into your touch.
You give him time to recover before helping him get dressed. Your boner eventually went down and you never got to come but Xiao’ll make up for it next time.
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hearts-are-connected · 5 months
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Dang it, I love this ship and I love the enemies to lovers trope. I get that a lot of people see them as a surrogate father and daughter relationship, but it feels like a been there/done that kinda thing.
As much as I love that trope, I'm also a little tired of it. There's only so much Last of Us style found family I take after seeing it for so many years.
The thing I love about VaultGhoul or Ghoulcy is the idea of Lucy breaking down of Cooper's walls while he helps build hers up.
Is he incredibly cruel to her and those around him in the first season? Yes, extremely
Does he need to chill out and find some of his humanity that's been buried under 200+ years of wasteland survival and bitterness? Yes
Who can bring that needed direction to his life while learning the ways of the new world she finds herself in? Lucy MacLean
I know that the canon ship of the show at this moment is Lucy and Maximus, and as much as I love him, I find the pairing obvious and kind of boring from a story telling perspective. I loved it on my first viewing, but upon re-watching the series, I wasn't as behind it as before. I see their relationship, kiss and all, as a kind of first fling for the both of them.
While it doesn't diminish the care they show one another, there's not a lot behind them as a couple. Now I know that some people might turn around to say how she and Cooper spent less time together than her and Max, but I guess the thing I look forward to is seeing what their relationship brings with the second season.
I feel like Max and Lucy will have a great friendship and I'm interested to see where the Brotherhood fits into their dynamic as well.
With Cooper though, I find his story so tragic, as it's supposed to be. He's your standard hardened survivor who only looks out for himself that's now stuck with the happy-go-lucky main character, however, she's not that character anymore by the end. She's still going to be the Lucy we love, but she's changed by the end. While not losing her compassion and some optimism, I think Cooper is going to bring out a harsher side to her as we saw when she bit off his finger.
I want to see her building up her walls and learning when to let them down. How to truly survive while still bringing her own energy to the wasteland and people around her. I want to see Cooper regaining some lost humanity while learning to truly care for another person again. To see the two of them as eventual equals in one another's eyes as they continue on their journey as reluctant allies.
I also want to say that I'm personally kind of tired of the 'age gap' argument. We have stories of teenagers falling in love with hundred year old vampires. So can we just drop the age gap thing?
As long as they're both consenting adults who understand what they're getting themselves into, who cares about an age gap.
Does it truly matter in the scheme of things when we're talking about a world with cryo-stasis and super mutants?
I personally don't think so.
I don't know if anyone will even bother reading this entire thing, and I know I went on a little long, but I wanted to write down my thoughts on the whole shipping situation with the Fallout TV show fandom at this moment.
I'm a VaultGhoul shipper and I can't wait to see where the second season takes our main trio of characters.
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hoshifighting · 8 months
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hihi!!
the urge to be brat tamed runs through my mind all day. but cheol taming his brat, SIGN ME THE FUCK UP!!!
covering your mouth and his veiny hands around your neck so your porn-like moans aren’t heard by his members.
making you suck his fingers and using your saliva as lube.
slapping you every time you moan a little to loud.
cum denial until the point where you’re literally screaming his name as if it’s your sole vocabulary begging him to let you cum while tears run down your fucked out face.
— the list goes on but here’s just a few to get a feel for!!
(literally love your posts sooooo much!!! keep up the good work ❤️)
BRAT-TAMER SEUNGCHEOL that's it.
Where Seungcheol gets jealous because his friend Jeongha, is all over you, even though your relationship is private, Seungcheol gets mad at your brat teasing. So he fucks you without mercy, separated by just one room from the members.
Word Count: 1.7k
Jealous dom! Seungcheol, Brat sub! Reader
Warnings: Smut, jealously sex, cum denial, slut shamming, begging, degradation, crying, angst, saliva as lube, fingering, penetrative sex, unprotected sex, bathroom sex, ass slapping, face slapping, chocking and etc.
The weekend getaway with Seungcheol and your friends had started out as a much-needed break. His friends were always very nice to you, and soon they became your friends too. The idea of renting a house for this period of rest sounded very pleasant. Everyone laughed, danced and sang, while you, Jeonghan and Mingyu cooked for the group.
As the day unfolded, you noticed Seungcheol's subtle glances whenever Jeonghan was around. Unbeknownst to your friends, your relationship with Seungcheol was still a secret, and the protective side of him was on full display. 
Jeonghan pulled you into a hug, the kind that lasted just a tad too long, and a conversation that seemed a bit too personal. Seungcheol's reaction was swift, though subtle. His jaw clenched, and his eyebrows furrowed as he observed the scene. He couldn't shake off the unease that gripped him.
As Jeonghan continued to chat with you, Seungcheol's discomfort became more evident. Sensing something amiss, you looked at him and asked, "Hey, everything okay?" He nodded, but his locked jaw and the intensity in his gaze told a different story.
Before the tension could escalate, Jeonghan, with his ever-present charisma, pulled you away to join another conversation. You shot a puzzled glance at Seungcheol, but he merely nodded again, though this time, there was a palpable tension in the air.
Seungcheol couldn't take it any longer. He grabbed your arm gently, pulling you aside towards a nearby bathroom. Once inside, he closed the door behind him, his expression unreadable.
"What's going on, Seungcheol?"
"You're mine for now," he declared, his voice low and possessive. His eyes bore into yours, a mixture of frustration and desire. "I can't stand seeing him all over you like that," he admitted, his voice low but intense. 
A mischievous grin played on your lips as you locked eyes with Seungcheol, your fingers gently tracing circles on his arm. "Well, someone seems a bit possessive," you teased, raising an eyebrow playfully.
Seungcheol's expression shifted to confusion, and he arched a thick eyebrow in response. His veins pulsed on his neck, a subtle display of the building anger beneath the surface.
 "What do you mean?" he asked, his tone irritated
You chuckled, enjoying the playful banter. "You know, claiming me in the bathroom like that. It's almost like you want to tell the world we're together."
His eyes narrowed, the tension in his shoulders rising. "I never said that," he retorted, the veins on his neck more prominent now. 
Leaning in, you whispered teasingly, "Maybe you just can't resist showing off your amazing girlfriend."
Seungcheol's jaw clenched, his frustration evident. "You're making it sound like I'm the one holding us back from going public.”
You couldn't resist pushing his buttons further. With a sly smile, you mimicked his serious expression, contorting your face into a comical version of his furrowed brows and arched eyebrow.
His eyes widened in disbelief. Before he could react, he lost his mind momentarily.
He pushed your body against the bathroom wall, a firm grip around your neck, while his lips brushed against yours. In the close proximity, he warned with a husky voice, "You're loosing your mind Y/N."
“Am I?” You couldn't help but laugh, the cut air from the choking making you gasp. 
Seungcheol's grip tightened slightly, his lips hovering near yours. "You find this cool?" he questioned.
His eyes seemed to glow red furiously. The air grew thick as he sucked his teeth, not a hint of a smile on his face. 
Before you could gauge his next move, he reached out, his fingers gripping the fabric of your sun dress. In one swift motion, he pulled you closer, the dress bunching up slightly. 
With your dress in his hands, he pulls it up, revealing your panties, so he pulls them down hard, the lacy fabric immediately tearing in his hands. You gasp, denying to yourself "I didn't even like that one anyway..." Lie. It was your favorite. 
His breath was strong against your face as he whispered, "You're mine, and I don't share.”
The possessiveness in his voice sent a shiver down your spine, and you couldn't help but moan, feeling the wetness between your thighs.
"I'm gonna give you a lesson." Without breaking eye contact, he reached out, gently guiding your chin upward. His fingers traced along your jawline before he leaned in, whispering, "You need to learn who you belong to.”
His fingers traced a path along your lower lip, the touch sending a shiver down your spine. Without breaking eye contact, he slowly trailed his digits over your tongue, the intimate contact making your saliva envelop his skin. 
You looked in his eyes, before sucking his two fingers, just like you would suck his cock. So he slowly pulled his fingers, making your lower lips flip back shiny with your saliva. 
His wet fingers circled your clit slowly, making you hold onto him, his eyes burning you "You're such a brat," he remarked, the edge of amusement evident in his voice.
With a playful glint in your eyes, you shot back, "Well, maybe I like being a brat."
He chuckled, the tension dissipating into a teasing energy. "Do you now?" he asked, arching an eyebrow. His tone held a challenge as he continued, "Tell me, what's the appeal of being a brat, hm?"
You leaned in, a mischievous smile playing on your lips. "Maybe I enjoy seeing you lose your cool. It's kind of hot, you know?"
Without warning, he pushed his two fingers inside of you, making you groan. He curled his digits perfectly while his body pressed yours on the bathroom tiles, you looked to the mirror on your side, his big biceps flexing as he worked his skillfully fingers inside of you. 
Your weeping cunt can be heard by him, the gushing sound hitting his senses as his fingers get wetter every second. "Look at you… So wet for me, and I didn't even started to fuck you." 
"I get wet just by thinking about you getting mad." 
"Yeah? Just to let you know… I am pissed off."
Without warning, he pushed your body, and you felt the cold tiles of the bathroom wall against your cheek. His strong grip held you in place, and the sudden shift left you breathless.
The sound of his belt being unbuckled echoed in the small space, you could sense Seungcheol's controlled anger. The forceful push of his big cock inside of your pussy, made you moan loud. 
Before the sound could fully echo, Seungcheol's veiny hands covered your mouth, suppressing any further noise. Your eyes met his in the mirror, and your body ached against his, caught between the cold tiles and the heat radiating from Seungcheol. 
He stopped his hips, his tip hitting your cervix, before taking everything out and slamming all in once inside of you again, his hands once again muffling a scream. "S-Seungcheol!"
Seungcheol gives you a harsh spank, making your body tremble, eyes closed tightly. Allowing you to take another breath, he takes his hand off your mouth. His voice, low and intense, broke the momentary silence. "You don't want the members to hear us, right?"
You can feel your walls clenching around his cock, sensing the know on your stomach wanting to be free, making him groan in response. The spongy little spot being abused with the strength of his dick knocking you. 
Tears trickle down your face, your lip being bitten by yourself wasn't helping too much, as you feel your orgasm getting closer, the whimpering turning into moans, that turned into screams again. 
Everytime you let out a moan escape, he gives you harsh slaps on the meat of your ass, the flesh turning red, as the skin burns like hell. "Be quiet," he instructed, his gaze locking onto yours in the mirror. His question lingered, "Is that what you want? Everyone to hear how good I am fucking you?"
Your gaze met Seungcheol's reflected eyes in the mirror, nodding yes, with a mischievous smile. Seungcheol's eyes held satisfaction, and the synchronized rhythm of his thrusts continued. 
Seungcheol groaned in your ear, your weeping cunt tightening around him, and he could feel your walls milking his dick, as your world spinned, the moans leaving your throat non-stop, and he slapped you each time. 
When entered on the brink of an orgasm, he pulled out his wet cock, making you whine between his grip and the wall. The denying made you sob, your clit begged attention, and your poor pussy was a mess.
Seungcheol coos at you "Slut… Can't even endure your own provocations…" his fingers wiped your tears away, before giving you a slap on the side of your cheek.
"P-please let me c-um" You begged, the tears shining with the bathroom light. 
"Beg that prettily for me again."
"Please Seungcheol, I am f-ucking begging you babe." Your head lays on his shoulder.
He pushed his cock effortlessly inside of you again making you scream his name, your throat barely having power to speak. His fingers search to your sopping folds, collecting your arousal to masturbate your clit fast. And if it wasn't his tight grip on you, your knees would've found the ground already.
Seungcheol hips start to stutter, the rhythm becoming inconsistent, as a wet white ring forms around the base of his cock. His groans became more whiny, and his fingers followed a crazy unstopping pace. You struggled to breathe properly because you're more and more pressed on the wall with each thrust of him. Making your moans follow the same pace of his strokes. 
"Oh my god! Please, please, pl-ease…" The begging sounded infinite as he fucked you merciless.  
You're too fucked out to process anything, or hold your moans, suddently your head feels dizzy as your knees trembled, your mouth hanging open and you could only manage silent moans. The orgasm comes harshly, making you whine shakily. 
His swollen cock throbs against your walls and he whimpered, with a trembling high, Seungcheol painted your walls white, the sticky cum dripping as his hips strokes lazily, his hands softening his grip on you. 
"You know, I think it's time I tell the members that you're my girlfriend."
You scoffed, a playful smile tugging at your lips. "After all of that, I think they probably already know, Seungcheol."
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pupyuj · 2 months
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→ “little things.” || ahn yujin x reader fic.
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— being away from weeks too long from your girlfriend has led you into thinking all the horrible things about yourself that you thought you had shut down long ago, but of course yujin wouldn't let that slide...
word count: 6.3k.
dynamic: soft dom!ahn yujin x sub!reader.
warnings: hurt/comfort (emphasis on hurt...), angst, reader suffers a depressive episode, praises, reassurance, cunnilingus, fingering.
requested?: yes!
a/n: 2/4 requested fics done! we're almost there! i hope the anon that requested this months ago is still lurking around to read this, and i hope they're in a better place now as they told me that this request came to be because of their struggles ;~; anon, please know that you are loved by a lot of people no matter what you may think of yourself ❤️‍🩹 i hope you all will love this fic as much as i loved writing it 💞 definitely hit a little close to home 😆
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your girlfriend loved you more than it was humanly possible to love another person, but you were somehow convinced that she didn’t.
because how could she? she’s ahn yujin—a top-class idol, a beloved entertainer widely known throughout the country and even the damn world! she’s the leader of one of south korea’s best girl groups in history, she’s so famous that her face is plastered all over billboards, ads, articles, posters, screens… ahn yujin was a real treasure. and you? a mere secretary in a moderately famous game company. it was the real workings of fate that made you and yujin meet right outside of your company building where you were crying at the bottom of the stairs that led to the entrance doors after receiving yet another senseless sermon from your boss. yujin just so happened to be walking her precious dog in the area and was kind enough to waste her time comforting a stranger.
though at the time, you hadn’t known it was yujin due to her being disguised as a random passerby. that was until she took off her hat, face mask, and colored hair extensions that you finally realized where you’d seen those cute dimples before—the tv screens. you didn’t make a big fuss out of being face to face with a literal golden celebrity, and yujin appreciated that a lot. so much so that she opted to stay with you on the concrete until she was able to lift your spirits. of course the two of you said your goodbyes, but both of you knew in your hearts that you would meet again someday.
and that proved to be true merely three weeks later; when all six members of ive, as well as their staff members, graced the conference room in a meeting for a collaboration with one of your company’s most popular games. you and yujin stared at each other with soft smiles and loudly-beating hearts—it was the start of a warm friendship, and an even warmer relationship when yujin finally got the guts to ask you out on a date after having been friends and colleagues for a year.
now, in your sixth year as a couple, you should be happier than ever. you’ve created the most euphoric of memories with yujin, shared the loveliest of promise rings, kissed the best of kisses, and you’ve even sworn to each other that when things calm down on yujin’s end then the two of you would settle in together, live in the same house, and eventually, if fate allows it so, get married. it all had been exciting, of course. you knew that yujin was the love of your life and that you would be the luckiest girl in the world to be her wife, but there has always been this tiny little voice in your mucked-up brain that is always telling you things you didn’t want to be true… and yet they might be.
that you might not be enough for yujin.
that you’re nothing but a problem to yujin.
that somebody else was better for yujin.
that you are not at all loved by yujin.
for a while, you blocked this voice out because not only did yujin make sure that you know that she loves you, she made you feel it. whether it was from her kisses, her touch, her thoughtful gifts, the meals she cooked for you, the late night drives she always takes you on every other friday, and even from the way she simply looked at you; you could feel every single drop of the love she held for you, and there was a lot. however, you hadn’t been able to shake the voice off for a while now and it didn’t help that you and yujin hadn’t seen each other for quite some time due to both of you being abnormally busy.
you always hated doubting yujin, but it wasn’t your fault. between the weeks you’ve been apart, the less-than-thirty-minutes calls on yujin’s breaks, and every text where yujin tells you that she can’t spend the night with you, it was easy to believe that she might be pulling away. something you hated even more than doubting your girlfriend is asking yourself the ‘what if?’ questions: “what if i’m bothering her?”, “what if i’m distracting her?”, “what if she’s come to hate me?”, “what if she met someone else?”, and the worst of it all, “what if she’s falling out of love?”
ridiculous and stupid to think about, let alone even entertain the thought. but that damn voice…
that damn voice has led you to barely eating breakfast before you left for work today. it led you to perform your tasks poorly at work, but you were lucky that your new boss (the old one, the asshole, was fired a few years ago for verbally abusing his employees)  was understanding and kind and let it all slide. it led you to skipping lunch completely, making you work for nine hours straight with barely any breaks. it led you to collapsing on your bed after you’d gotten home, sobbing pathetically into your pillow when you realized that yujin hasn’t sent you a single text today at all.
shit, what if the voice was right?
you fell asleep in your bed crying that night, in your work clothes and all. you had a dreamless sleep, but it wasn’t the kind of dreamless that was comforting or funny in a way you could make fun of it for being nothing. it was the kind that weighed heavily in your heart when you woke up and didn’t see your girlfriend snoring right beside you. and not even in your dreams did you get a chance to see her. how cruel.
you could barely get yourself to stand up and make a small breakfast—you knew yujin wouldn’t like it if she caught you skipping your meals. and right after that, you dragged your feet in the bathroom and had the saddest shower of your life. at least you didn’t have to cry all that much in there. it was pure silence from your end, with only the sound of the water running and the faint noises of the television in your room accompanying you while you washed yourself. you couldn’t remember the last time you had taken a shower with your girlfriend, it was always one of your favorite things to do with her but only because you liked the way she would insist on washing your hair and how she would smile so brightly when you agreed.
ah, great. now you miss her even more.
you couldn’t bring yourself to do much after that shower. you bundled yourself up with blankets and stared blankly at the television, waiting until another day without yujin passes. much to your annoyance, time was moving a lot slower than usual. as if the universe wanted to shove it in your face that you’re spending all this time alone. you think your phone buzzed a few times, but you didn’t even have the energy to turn your head and look at it. instead, your mind wanders to the possibility that it was anyone but yujin that was trying to contact you, and that just made your heart waver.
you let yourself wallow in your own sadness in the darkness of your room, crying softly and quietly. maybe if you disappear underneath all of your pillows and blankets then yujin will finally forget about you. would she say “good riddance”? you hated that thought, but you wouldn’t blame yujin if that was how she felt. soon enough, you’ve completely lost your sense of time. your eyes hurt from crying, your head throbbed with so much pain that you wanted to get medicine just to get it to shut up but you couldn’t be bothered to move an inch from where you were, and your entire body aches from having been in the same position for hours.
you begged the earth to swallow you whole, but not before erasing the memory of your existence from everyone’s minds completely just to spare yujin the pain of losing someone she loves. loved.
it was getting hard to keep your eyes open, especially when all you’ve been doing was cry your heart out. despite everything, you were afraid of what your fragile mind would do once you wake up without yujin by your side again. she never even liked it when you got something as small as a papercut. you can’t imagine how she would react if…
god, what were you thinking? how did you get here? is this really going to be your life whenever yujin wasn’t around to help you keep your demons at bay? you are stronger than this. you know that better than anyone. better than what they all give you credit for. get up. you repeated those two words like a prayer in your head until your body cooperated with you—sitting up and leaning your back against the headboard. good job. you took that untouched glass of water from the night table and took one big sip. that’s even better. small steps for others, but very big for you. it was enough for you to decide to not allow your mind to wander and focus on something. you wouldn’t feel any better (it was never that quick), but at least you wouldn’t be thinking about such horrible things.
and when you started getting lost in the cooking show that was playing on the television, it was impossible for you to hear the door to your dingy apartment creak open.
ahn yujin was home. finally. she could drop to her knees and cry right at your adorable ‘welcome’ mat by the door. your scent was all over your apartment and it was enough to immediately relieve the young celebrity of all of her worries and stress. she had been hoping to find you scuttling about in your kitchen since you loved reading your cookbooks there and checking if you had the correct ingredients for a dish or dessert you want to whip up impulsively, and as soon as yujin spotted you, she would’ve jumped into your arms and kiss you until you were sick of her lips on your skin. she missed you so much and all she wanted to do was be with you and celebrate the collection of good news that she has for you… but even before seeing pretty much all the lights in your apartment turned off, yujin knew something was horribly wrong.
yujin had been busy the whole day. from filming for variety shows, brand photoshoots, and magazine interviews, she didn’t have much time to do anything else. she had all the energy for it though but not because she just so happened to love her job, but she also knew that after all of it was over, she could finally go home to the love of all her lives and do everything she has been wanting to do with her without interruptions. as soon as she changed out of her work clothes and got her makeup off, yujin texted you. she told you she missed you, asked you to get ready ahead of time because she was going to pick you up and take you out on a short drive around the city before sitting down for a romantic dinner with a breathtaking view of the sunset in her friend’s fancy restaurant.
but you never replied to her messages. you didn’t even see them. that was the first sign and truthfully, it was all yujin needed to know. yujin knew you wouldn’t be doing much today so surely you would have at least tried to look at her messages even if you were occupied with something. rather than getting pouty about it, yujin was instead really worried. what if you were angry with her because she hasn’t been with you for so long? she couldn’t imagine someone so mature like you would get mad at something she can’t control and you have been apart from each other like this before and there weren’t any problems then! but… maybe that was just what you made it look like so yujin wouldn’t have to lose her head thinking about your well-being.
which would be insane, by the way. yujin believes that she isn’t the smartest person alive, but she should know when the woman closest to her heart is having a hard time. she should… and somehow she managed to not. yujin stands frozen in the cold kitchen, realizing that all this time, you were probably just putting up a strong front for her. and every day she was gone, you were dealing with things she should’ve been helping you with instead of just leaving it all for until she comes back home to you. fuck.
panic rises in yujin when she doesn’t see the lights turned on in the vacant bedroom either. if you weren’t trying to cook or waiting for yujin in the living room while getting some reading done, you would be in that bedroom working. so now yujin knows that you were holed up in your bedroom, and that alone was enough to send her running all the way to the other side of your small apartment, ready to burst through your door… until she gets a hold of herself. she prayed to the gods that you were okay, and that you were unharmed. she could hear the faint, muffled sounds of your favorite cooking show inside but you weren’t laughing.
an eerily silent (y/n) was never a good sign. slowly, yujin turned the knob and opened the door. she finds her heart breaking in two when she sees you curled up in your bed. you were barely even watching the show. between the half empty glass of water in the night table, your dirty work clothes in disarray on the carpeted floor, your adorable and fluffy panda indoor slippers haphazardly shoved underneath your bed, and the fucking pitiful state that you were in, it didn’t take yujin a split second to even know that it was definitely one of those days for you… but so much worse than what she was used to seeing.
“(y/n), honey…?”
yujin doesn’t wait for a response. she sits on the small empty spot beside you as you weakly and slowly turn around to face her. you looked exhausted. your eyes were red, puffy, and half-lidded which yujin assumes were from crying. she hated that she hadn’t been with you throughout all of this, as in at all. when she was gone, she could barely message and call you and even when she got home, she would still be occupied with something work-related or she would be too exhausted to do anything else. she needed to make it up to you. she has to. starting now.
“i’m home,” yujin brushes your hair away from your face. she leans down and gives you a kiss on the forehead, and she stays still for a few seconds to truly savor the moment of being back in your presence after such a long time. she felt safe, she was at peace. away from the cameras, the lights, and the fake smiles. now she has to return the favor. “i’m sorry i took so long…” yujin lays in bed with you, taking your figure into her arms and allowing you to melt into her after weeks too long. yujin fully expected you to cry and break down, and she truly would have just let you while pouring all of her love to you… but you were damn near silent.
there was no way you were angry. if you were, you wouldn’t even hug yujin nor would you let her come near you at all. you nestled your face comfortably on her chest, holding her like you don’t even want her to think of going anywhere else. not even a few minutes since yujin joined you and the two of you were already a mess of tangled limbs in your bed due to how close you held onto her—it was enough proof of just how much you missed her. if it hadn’t been for the fact that the television was on, yujin wouldn’t have been able to see the deep solemn look in your eyes as you looked up at her. the silence weighed heavily in the air; both of you had things to say to each other but there was so much that neither of you knew where to start.
however, now that she was in your arms, you had no problem just going back to hiding your face in the crook of her neck and just appreciating how you didn’t have to go even longer without her. yujin didn’t dare to complain, of course. whatever you thought you needed, she would happily give you and if silently cuddling was just that, then so be it. you stayed like that for a whole half hour, only occasionally raising your head to look at yujin as if not looking at her for too long would make her disappear suddenly. but no, yujin has been away from you for too long that at this point she doesn’t even want to leave your side ever again.
“i thought you’d forget about me.”
you spoke so suddenly and that yujin thought she must’ve imagined it. she feels you clutch her shirt tightly, and what she doesn’t know is that you were fighting back your tears. you wanted to celebrate having your girlfriend back, of course, but your sadness managed to beat your delight for once. this time, you couldn’t stop your fears from showing and as much as you didn’t want yujin to lose her head comforting you, you also just needed her to tell you that it was all going to be okay.
meanwhile, yujin couldn’t believe what she was hearing. she hoped that you wouldn’t take her silence the wrong way; she was only processing your question in her head to make sure that did hear it correctly. forget you?
“that’s impossible. why would i?” she was quite offended by the question, actually. but that was something she’ll make fun of another day.
“i thought that perhaps being around other successful, accomplished people could wake you up and make you see that… that i’m worthless compared to all of them,” you refused to meet yujin’s eyes as you spoke. you knew you would just break into tears and nothing would be solved. “that’s what everybody used to say… remember? during the first few months after our relationship got leaked to the public. a ‘normie’ dating ahn yujin… i was afraid you’d start to think that way too after being gone for so long.” 
that indeed was quite the dark time. yujin fought tooth and nail to tell everyone that you were worthy of her and if anything, she was the lucky one in this relationship because you’re so perfect in her eyes. she got scolded by her management for being unprofessional when she got worked up on live television about it all but it was worth it making those rude entertainers shut up and avoid her gaze for the rest of filming. not one person dared to speak ill about you around yujin ever again after that, not even in online articles and gossip sites! especially after they saw how inexplicably happy she was to be with you. 
yujin thought you could see that, too. she smiled the biggest when she was with you, laughed the loudest, and shined the brightest too. so hearing you say all of this… well, to say that yujin was in disbelief would be an understatement.
“(y/n)... you are the best thing that’s ever happened to me. what more could i ask for than meeting and falling in love with the most amazing girl in the world?” yujin hoped that this would be enough to ease your worries enough that you could finally look her in the eye, but instead you let go of her and rolled to your other side—away from her. any other day those words would’ve been enough to make you smile and tease yujin for being such a cornball despite the seriousness of the situation… but today, you cried instead. 
yujin, however, doesn’t miss a beat. she wraps her arms around your waist and kisses your shoulder, “i love you. no matter what you think—i love you.” she spoke every word with conviction. her tone strong enough for you to not only accept her words but absorb it in every fiber of your being. yujin holds you tightly as you cried in her arms, whispering words of affirmation here and there while also peppering your shoulders, neck, and ear with her soft kisses. she wouldn’t even care if this was what the two of you did for the rest of the day, just as long as she gets to see you smile and be yourself again. 
for yujin, that was when you were the most beautiful—being happy and unapologetically you.
neither of you bothered to keep track of how long you were in that position, but you did eventually stop crying. the television kept on playing its shows, the sun had started to set outside your closed blinds, and yujin was finally starting to feel all the work she’d done in the day catch up to her body. she had assumed that you’ve fallen asleep with how quiet and still you’ve gotten… but then you finally faced her again. this time, you were staring right in her eyes. and as if this was the first time you’ve done it, yujin’s heart skips a beat.
“i missed you so much… i couldn’t spend another day without you.” you told her in a weak, raspy voice.
yujin smiles, “me too. i’m so happy i get to be here, finally...” she tucks a strand of hair behind your ear. she takes her time to get familiar with your features once again, all while unknowingly leaning closer and closer to you. you close your eyes, waiting for what you have been needing for the longest time, until yujin gets a hold of her senses and finally puts her lips on yours. it might have been the softest kiss you’ve shared with her as yujin was careful with the way her lips moved against yours. but even a kiss as heavenly as this was enough to fill your heart with flowers… so when yujin slowly makes her way on top of you whilst her kisses get hungrier, your stomach was a storm of butterflies.
you started to unbutton her loose casual dress shirt, an act that mildly upset you since yujin looked so handsome in it… but she looked better with it off, and you needed to feel her skin on yours. once you’ve dropped the shirt on the floor beside your bed, your hands glide down yujin’s back with your heart beating erratically at the feeling of her muscles beneath your fingertips. yujin slots a knee in between your legs and thank goodness for that actually—the buzz in your core was not going to go away by itself, after all.
yujin’s lips were now on your neck, eager to leave a mark on every inch of your skin tht was visible while pressing her knee against your clothed pussy. you moaned, your pretty voice making yujin’s ears tingle and raising her excitement enough to slide a hand inside your shirt and cup your bare boob. you started to slowly grind against her knee, sighing blissfully at the feeling. you weren’t a big fan of… playing with yourself to satisfy your needs if yujin just so happened to be gone. her hands always knew you so much better than you did yourself. because not only did she know your heart, but she knew your body too. knew exactly which spots to hit, which part of your skin to suck on to get the most noises out of you, and how you like it all best. 
when you moan again after yujin brushes a finger across your hardened nipple, she raises her head with fear in her irises. “t-this… probably isn’t the right time for this, isn’t it? god… i’m sorry, baby, i-i went overboard… i just wanted to kiss you but… i couldn’t resist touching you too…” yujin says with those adorable puppy eyes. always have to be such a gentlewoman, this one. it was one of your main reasons for falling in love with her as that aspect of her made her so much more charming in your eyes.
as soon as you feel her moving her hand away, you stop her. “this is the perfect time, hon. i missed you… and right now, all i want is your hands on me.” you trap her knee in between your legs and press harder against it, showing yujin just how much you wanted her to touch you.
yujin was still uncertain about it all, however. “a-are you sure? we don’t have to if you’re not feeling we—”
“yujin,” you said sternly. you took her face in your hands and kissed her nose, finally smiling at her. yujin feels her heart making a mess inside her ribcage. “believe me. i’m sure.” after six whole years of dating, you still manage to make it feel like she was falling in love at first sight all over again. you’ve both grown as people since your little meet-cute, of course, but to yujin, you will always be that beautiful girl on the steps of that dingy building with the prettiest pair of eyes yujin has ever seen. and so with your confirmation, yujin was no longer hesitant to grab the hem of your shirt and pull it over your head.
she was touching you in a way that reminded you of your first intimate night together all those years ago. nervous touches, and even more nervous kisses. even the way yujin was adamant to take things as slowly and steadily as possible was the same. you didn’t complain, though. as much as you wanted your girlfriend to get it going already, you also wanted to savor this moment and make the night last. judging by how yujin hasn’t told you any devastating news about her schedule staying busy yet, you figured that the two of you now have all the time in the world to be together… so hell, why not take your time?
yujin places her hands on your hips as she sits up, opting to stare at you and ogle at your perfect body for seconds too long. she was just as desperate to feel you as you were desperate for her to show you how much she missed you, but her disciplined hands kept her from doing anything too rash. it was adorable—how glaringly obvious it was that yujin just wanted to rip your clothes off and take you however she wants to, but being the sweetheart she is, she acts according to your wants and needs. she then went on to unbutton and unzip your jean shorts, but she doesn’t pull it off of you. she slides her hand underneath the waistband of your panties and moans at the feeling of your bare cunt on her fingers.
“mmhn… i missed touching you… you have no idea how many times i wanted to walk out of a set to go home to you, and listen to something so much more pleasant than a director telling me how to do my job,” yujin parts your lips with two of her fingers and uses a third to slowly feel up your slit. you were drenched already. obviously you’ve wanted this for such a long time that no one can blame you for getting wet so easily. “do you know what that is, darling?” yujin asks. she lowers herself to your chest and gives your nipple a scrutinizingly slow lick before catching it in her warm mouth.
you were too focused on the feeling to answer her question. your hand digs through yujin’s hair, gripping it and pushing her head closer while simultaneously grinding your hips faster on her hand. yujin dips two fingers inside of your pussy but stops there, opening her eyes and letting go of your nipple, “your voice. let me hear you.” she finally shoves both fingers inside your cunt, relishing in the way you arched your back and allowed your beautiful voice to invade her ears.
you were tight around her fingers, as always. it was just how yujin liked it. something about how her fingers can’t always move in and out smoothly because your walls loved to just suck her in always made her embarrassingly wet. her next favorite thing was watching you as she fucked you; your pretty face making all sorts of expressions at every thrust and every brush of her thumb against your clit just scratched the right parts in yujin’s brain. she can’t help but want more, and more she will certainly take. yujin feels horrible about not being there enough for you during such a hard time… she should’ve figured that leaving you alone with barely anything to distract you would’ve hurt you the way it did.
“i should’ve called more… i should’ve ignored all the risks of my manager nagging at me and visited you, even just for a short while…” yujin peppers your chest with kisses as her pace increases. you couldn’t even be bothered to say anything to her—not when you were overwhelmed with how good she filled you up with only two fingers. every time her palm slammed against your wrist with how hard she was fucking you now, all the embarrassing whines and moans you tried holding back were free to be heard… but it turns out that yujin loved it all so much so there was nothing to be shy about at all.
so you stopped being self-conscious about it all, allowing all of the sinful noises to come out of your mouth just as yujin liked it. while you were busy getting lost in the pleasure, yujin had lowered herself enough to be kissing your stomach. pure desire radiated from her dark eyes, and you didn’t even notice that she had pulled off both your shorts and panties from your body until you could feel her hot breath fanning against your pussy. she pulls her fingers out, but quickly replaces the void inside you with her tongue. she knew that you were the weakest when she used her mouth on you so she was quick to intertwine your fingers to keep you grounded and focused on all of the feelings she was giving you without being too overwhelmed by it all.
“ahh.. mmn… you must’ve missed this too, huh, baby?” yujin opens her eyes and looks up at you with a grin. you were already making quite the mess on her face, but really, that wasn’t entirely your fault. yujin liked it messy, and if she could, she would make you cum to the point of showering herself in your juices but she wanted to take it easy tonight. for you, of course. between you covering your face with your arm, your chest heaving up and down from you taking deep breaths, and your grip on yujin’s hand getting tighter by the second, it was all enough for yujin to keep doing what she does best.
she ate you out like it was her first and last time, too. humming and moaning in approval while she was either deep inside your walls with her tongue or as she sucked on your sensitive clit. the latter action made your legs shake and grab yujin’s hair, not caring about her seeing all the faces you were going to make the longer she went about using her tongue on the hard bud. she put one hand on your inner thigh and pushed it back, opening your legs up even more for an easier time and actually ending up digging her nails on your skin with how hard you were gripping her scalp. she liked the pain and you were going crazy over the pleasure she gave you; it was a win-win!
every time you whined her name, it only adds to yujin’s ever-growing need to give you the best orgasm you’ve had in a while. or even ever. “god… you’re so fucking pretty. i must’ve… heh.. saved the fucking planet in another life or something… or else it doesn’t make sense how i just so happened to meet a goddess in this lifetime…” yujin smiles at you as she says this, giggling at how you blushed wildly and looked away. yujin believed in her heart that you were the most beautiful girl she would ever meet in her life—you just happened to be too humble to accept the alleged ‘facts’ that your lovely girlfriend believed.
deciding that you probably can’t take anymore teasing, yujin presses her thumb on your clit and pushes her tongue back inside you. she proceeds on rubbing your clit harshly, wincing slightly as you were starting to hurt her with your nails on her scalp. the noises that you released gave yujin nothing short of ecstasy, only encouraging her to be better, go deeper, until you finally, finally let go of yourself on her tongue. delicious. yujin keeps her lips on your pussy as you cum, slurping up your juices as best as she can, yet never having enough to actually get herself to stop.
it was a few minutes after you’ve come down from your high and yujin was giving your exhausted cunt the tiniest of licks that she heard something new. something she hadn’t heard before when the two of you got intimate like this. she missed a few others as the sound of her sucking up your wetness with so much hunger and desperation toppled over literally every other noise, but yujin was sure that she didn’t mistake that noise when she did finally hear it. a soft, tiny sob… coming from you.
you’ve been crying, and yujin had been unaware. “oh, no… i’m so sorry, honey. i-i didn’t think—did i hurt you?” yujin immediately takes you in her arms, remembering that it was the place where you felt safest. she immediately regretted going overboard when she did. how could she forget that you weren’t in the right state of mind to entertain her gimmicks? fuck, she felt beyond heartbroken to be the cause of your tears right now when she was supposed to be the very person that made them go away.
“no… no, i’m okay,” you said in tears. once you looked at yujin whose cute face was all scrunched up with worry, you ended up laughing. yujin was so confused. “i promise. you didn’t hurt me, yujin-ah.” you squeezed her shoulder and giggled even more, making yujin laugh in return but in a more… nervous and uncertain way.
“w-wha… are you sure? why are you crying then?” yujin couldn’t help her smile and hug you, rocking you back and forth out of relief. how could yujin ever hurt you, anyway? you knew in your heart that she wasn’t capable of any of that, ever.
“i don’t know… but i’m alright, i swear.” you reached up and kissed her nose. giggles erupt from the two of you when yujin starts attacking your face with kisses—it was all part of her master plan to hear more of your laugh, of course. one of the biggest things she has been missing throughout the weeks she was away. 
eventually, the two of you merely laid still on your bed in each other’s arms once again, staring blankly at the television. you’ve started to feel sleepy too since you did spend a lot of the day crying, and now yujin was threading your soft locks after she fucked you so good that you ended up crying! no wonder you were drowsy. you found yourself laying on top of your girlfriend’s chest, fighting back sleep by blinking it all away and opting to stare at yujin’s face instead. every time she asked you a question (“do you need water?”, “are you cold?”, “should we take a shower together?”) you replied with a lazy hum and weak shake of your head, neither accepting or denying whatever she offered you.
“you look tired, hon… you can take a nap. when you wake up, i’ll either have cooked you dinner or… um, i’ll have ordered our favorite take-out! how do you feel about japanese food tonight?” yujin asks. you hum again, but refuse to fully close your eyes. you opened them every few seconds, seemingly checking if yujin was still there every time you did. of course, yujin notices your intent and pinches your cheek. “i’ll be right here when you wake up. don’t worry.” yujin plants a sweet kiss on your forehead.
“mm… promise?” you pouted. gosh, you were far too cute for yujin’s weak heart.
“of course. we won’t have to worry about running out of time for a while.” yujin pulls a soft, thick blanket over your body and smiles as you immediately start drifting off. she kisses your forehead again, feeling a sudden surge of pure love washing over her as the feeling of having you sleep in her arms again was… home. yujin’s smile widened when she remembered just what she intended to surprise you with if you had seen her message and went with her to that romantic dinner with the sunset.
it was a surprise that she would have to wait another day to unveil—a surprise that came in the form of a breathtaking diamond ring that would’ve completed the beautiful picture that is your love story.
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gayraeofsun · 1 month
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i just really want to scream about this movie into the void because it was so well done, and i doubt anyone will really see this but i don't really have anyone i could have a deep discussion about this with.
trigger warning and spoiler warning ahead for the movie blink twice. content ahead discusses themes around sa, including r*pe, drugging, manipulation, and general physical/verbal abuse.
i don't keep up with any previews or recent movie releases much anymore, so i was going into this movie almost completely blind like i do with most new movies anymore. i had seen one preview, but it was apparently plain and simple enough for me to mostly forget about it. the irony in that will be made known a bit later on.
the movie automatically opens with a screen that displays a trigger warning, which is something that i had been seeing for the first time in any kind of visual media. normally these things are already listed by the ratings, but as a sa survivor who had no idea what this movie was going to be, it was a good thing to see so i could brace myself for what was to come. do i think this is necessary for any and every movie of this kind? no, it feels a little redundant (again, these things are typically included in the ratings). and, well, asking me to not watch if it would upset me is kind of a no deal, since i paid for a ticket and popcorn to see this on the big screen.
we're immediately introduced to our two main characters, two best friends, and it's hard to not immediately fall for their relationship with each other. so playful and silly and ridiculous, you can immediately tell they adore each other's company in their shitty job living in their shitty apartment, and you can tell that they're written by a woman who loves these characters and wants to portray them as relatable people. the interactions between the whole cast of girls, i think, was just outstandingly done. they felt realistic, not constantly shitting on each other and fighting for the attention of the men (though some jealousy of that fashion is still portrayed). they were all there enjoying the island and they ended up bonding together wonderfully. they were funny without being over-the-top rude or nasty or promiscuous, as is portrayed commonly in female characters in popular media. i can't and won't stop gushing over how much these characters felt just like real life girls that i was hanging out with.
this movie was really great at putting a pit in your stomach and slowly making it grow. of course, the trigger warning at the beginning spoils what's to come, so for me the pit was there from the start. any sensible person who's been socialized to be a woman will know, you don't ever just run away with some random ass group of men you don't know to the middle of nowhere with no cell service. but the little things that make the main character, frida, stop and question are so subtle, and so easily dismissed to start with. the used lip gloss in the drawer, the available clothes despite being an "unexpected" guest, the weird cleaning staff. but they increasingly get more odd. the island is full of venomous snakes and they all have to be killed on sight. something about these flirty interactions isn't quite right anymore, and he's talking about repressed memories. what day even is it? why am i always waking up with dirt under my nails?
who even knows or cares though, since we're all high and/or drunk 24/7. welcome to paradise!
it builds and builds until it begins to unravel, slowly and then all at once as the girls come to the realization of what happens to them every night when they get unbelievably high after dinner. the bond between the first two to piece it together was outstanding, and i love that there wasn't a cheap "find the phones and call authorities" plan. they worked out why that wouldn't work at all, because who would they believe? the "hysterical bitches" making claims without any kind of solid evidence, or the rich white man who's now a reformed soul and probably good friends with some of the cops?
the ending is not a happy one, in my eyes, though i believe it was probably supposed to be portrayed as one? two girls live and three girls die by the end. the ringmaster (ceo) of the whole thing ends up accidentally taking his own forgetfulness juice and suddenly doesn't understand what's going on and why all his friends are dead or have been otherwise brutalized. he knocks over lit candles and then trips and knocks himself out in his stupor, and the island burns down, the photographic evidence (that was later discovered) and all. i thought it was just going to end there and we would be left with the ambiguous ending, and that's never satisfying and feels very overdone anymore.
but instead, we're given a scene where our main character is now the ceo of the company, and legally married to the man who lured her away and horrifically abused her. twice. i interpreted this as her getting her own form of justice/revenge. i doubt she gives him half the treatment he gave her, but now she controls him and everything he owns and knew, and gets every bit of respect she wants. he killed her best friend and two other girls after overpowering the lot of them every single night. in a perfect world, he'd get tried and punished for his crimes legally. but all the evidence of it ever happening burned to the ground. so this is what she does to cope. in the final scene, she seems very satisfied, more than pleased to make her new husband's old crew squirm. she becomes the thing that destroyed her and so many others (but yk, most likely without the rapist cult).
one character i very suddenly grew interested in was the scrawniest boy in the group. he flies perfectly under the radar and doesn't appear in many of scenes that portray the gruesome sa. the one where he's in clear view, he appears to be another victim, trying to flee from one of the bigger men and receiving a black eye, which he would have no memory of getting the next morning. he's told by one of the girls that he smells nice, most likely referencing the perfume that was making them forget everything. it seemed very clear that he was in a victim role here as well, likely also being sa-ed. but he's never seen bound and gagged with the girls.
his final scene gets interesting when the ceo berates him for doing nothing to help the girls the entire time (yeah, the same ceo millionaire who's been basically orchestrating this whole sick fucking show in his perfect little getaway island). how he thinks there's a special place in hell for people who sit and do nothing in the face of evil. there are two very different ways to interpret this. 1) he wasn't actually getting drugged and abused with the girls, and was there as someone who didn't actively participate in abusing the girls, but also didn't do anything to try to stop it either. this could be blatant commentary on the two types of evil; while "not all men" r*pe and abuse people, not enough men will speak out against it or try to run to the victim's defense. or 2) the ceo was casting blame onto someone who was genuinely confused as to what was happening (which seems to ring true in both scenarios), and someone who was also a victim and stuck in a completely helpless situation. both could hold some level of truth, but ultimately i read him as the latter, thinking he was meant to represent the less common male victim. he gets killed by one of the girls, who wasn't specifically targeting him but also wasn't taking any chances, and that's the last we see of him. in my eyes he could either be read as the kind of evil that merely observes and therefore was rightfully murdered, or he could represent his male victims often get forgotten about or less acknowledged, which could speak as to why he was killed off so quickly never to be discussed again.
and i've gotta say, one thing i really appreciate about the scenes depicting r*pe is that it put a lot of the focus on the r*pists and not their victims. they were careful to not show any nudity or any shots of the women getting r*ped, but still showed them getting forced down when they tried to flee. i have not personally seen any other graphic scenes of this nature in other movies, but from what i hear a lot of it can get rather pornographic, and i feel like that's incredibly distasteful when you're trying to depict something that's absolutely vile. this movie does a great job of getting the absolute terror of the moment across without compromising any of the actresses by posing them seductively or showing off their bodies, and same goes for the men (if you don't count a couple of them being shirtless).
the writing is so wonderful, and the little clues as to what's happening beneath the surface are so good and plentiful. this is a movie that i don't think i'd ever be able to sit through again, but the sense of dread that continued to grow and grow will surely stick with me. it was very darkly funny in many places, which did great to break up some of the tension. for anyone who was able to stomach it, i would highly recommend watching through it once you're able. i think it was outstandingly well done and handled certain things as well as it could without watering any of it down.
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WIBTA for breaking up with my boyfriend because he likes my body?
TW for ED but please hear me out:
My bf (30m) and I (28f) have been together for a little over 5 years. When we got together I had an extremely stressful and physically demanding job. Shortly after our relationship started I relapsed with an eating disorder that had been a problem since prepubescence; I started restricting heavily at age 11 and had struggled with it on/off since then.
After quitting that terrible job and regaining some agency in my life, I spent a couple of years really focused on recovery. Without giving specific numbers (cause triggering) I'll say that I was extremely underweight to an unhealthy level for at least a year and experienced severe health complications because of it. I nearly died from heart problems and had a big wakeup call that caused me to change my whole life. I've done the work of recovery without medical help (history of omission with doctors) but have had support from my bf, and am currently at the highest weight of my life.
at a recent checkup my Dr talked a lot about "healthy lifestyle" and mentioned my weight gain over the past couple of years. I'm still within the "normal" range for my height and build, but the after visit summary/chart notes denoted risk of becoming overweight. Idk if my Dr would have brought it up if my history of ED was in my chart, (and I did switch primary care practices a few years ago, so they weren't treating me at my thinnest) but it still shook me a bit and I will admit to feeling very triggered.
The job I moved to is quite sedentary compared to the previous terrible one - I wfh, and very rarely have to be on my feet or do strenuous activity. In addition, I have chronic pain issues that make exercise difficult, and so historically have just restricted to maintain/lose weight because it's easier for me physically to just be hungry than to work out. I didn't want to go down that road again though because of how intense and scary it got last time.
My bf is a personal trainer and specializes in working with low ability clients and people recovering from long illness/injury. When I told him that I wanted to start exercising more often and get a good cardio routine going, he was really excited and started immediately putting together an "action plan" (what he calls it w his clients idk) for me. Then he mentioned how I'd need to add on a bunch of meal supplements and snacks to avoid losing weight and I got upset.
We're a plant-based (vegan) household and live with a roommate (bf's friend) so mostly eat/cook communal dinners and have various breakfast & lunch plans on hand, so we already eat pretty healthy and make sure to have a good balance of macro/micro in the meal plan. My intent was to eat the same but increase my activity level to get out of the danger zone without restricting. I don't generally snack and rarely eat dessert, just the 3 squares.
I told my bf that I needed to lose weight and be more active according to my doctor, and that I wasn't comfortable with having protein supplements, smoothies, and snacks in addition to regular meals because that would defeat the purpose. He got really sad and said that he likes the way my body is now, and while he supports being more active, he doesn't want the size of me to change. His exact words at some point were "you look so good now, I love the amount of you that there is and I like the way you jiggle." It kind of made me feel sick and wonder if he has like a secret size fetish or something?
So I've been thinking of breaking things off with him and moving in with a friend or back in with my parents, but idk if this is actually a red flag or just the disorder talking? He did help me a lot with recovery but if he's going to keep me from being healthy or wants me to gain even more weight then maybe it's better to leave - would this be an asshole move? I honestly don't know.
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myhamartiaishubris · 21 days
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Ben Hargreeves is the worst written best character and I can prove it
This is a poorly organized meta/essay about my baby boy who got massacred. Originally posted in the discord server so some of y'all have seen it already.
Let me be clear: this is a love letter to my favourite Hargreeves boy. I could write him better. I could fix him (narratively).
Here's why Ben is a great character who, paradoxically, was very badly written.
Umbrella Ben
Listen. Listen to me. Ben Hargreeves was, from the moment I saw him, my absolute favourite character. He's already dead? Doomed by the narrative before the narrative even begins? Also, an East Asian character in the year of our Lord 2018?? I was on board. And Brelly Ben gets a lot of good moments! You know that scene where Klaus is in the motel closet, tied up, and Ben says something like, "How does it feel being helpless? This is how I feel, watching my brother piss his life away." Um, hello?? That's such a delicious line.
Because up until this point Ben's been kind of quiet, in that dead broody way, or we saw his young self being soft and reluctant. But suddenly we realize, oh, Ben isn't nice. In fact, he's kind of nasty to his addict brother, and you get this kernel of a glimpse into his character. This is a character who might have been soft-spoken in life, but death and the years since have shredded him down to all his razor edges. He's still that bookish little Ben, except he's not little and he's frustrated, angry, traumatized, and in pain.
And season 2 builds on this! He's willing to violate Klaus's personal boundaries just for a taste of life again. Holy shit that's so delicious. My problem is that, especially in season 2, this isn't explored nearly as much as it could be. Ben's possession shenanigans are mostly played for comedy, when in fact we could be delving into the implications of Ben's character and his relationship with Klaus. You have this character who's kind, who (from what we know so far) represented the "good" of the academy, who loves his brother so so hard and it hurts him so bad to see Klaus hit rock bottom every time. The little "I missed you guys" in season 2? Devastating. And yet despite his goodness he is capable of being a bad person, and he repeatedly hurts those around him (namely Klaus).
So surely this is part of his arc, right? This is going to be explored and resolved. Right?
The Season 2 Ending
So the thing is, I didn't immediately hate the way they had Ben move on / die to save Viktor. I was sad to see my favourite character go, but also excited to see where the writers would take that storyline. Because, obviously, it wasn't over. Right? Obviously Ben's arc isn't finished, he hasn't resolved his frustrations, his complicated relationship with Klaus is never fully untangled, plus the rest of the family never get a moment of real closure with him (except maybe Diego). So clearly, it wasn't over. Right?
Well, in light of season 4, I can confidently come back and say that killing Brelly Ben off here was a stupidass decision.
And here's why: you've effectively splintered his arc in half. Starting from season 3, Ben is an entirely different character, with an entirely different arc that needs to be built from the ground up. While everyone else gets 4 seasons of development, Ben only gets 2, both times. And I'm so not over the fact that his arc isn't over. We saw Ben do some reprehensible shit to Klaus, especially in season 2 with all that possession shit! And we just. Never hear from him again? That's bullshit.
But anyway, since we're here, let's make peace with being here. Hey, Justin H Min is still playing a version of Ben, and he seems interesting, if way different! Surely this will have some interesting implications.
Sparrow Ben
Oh god, Sparrow Ben. In terms of Ben's character writing, season 3 is... fine. Like I said, it suffers from effectively fracturing his arc in half and having to start over, and this isn't the complicated, kind but frustrated and prickly ghost Ben I originally fell in love with. But ok, I do like Justin, and EA rep is still a win to me, so let's go with the flow.
For the most part, season 3 does a solid job. We get some solid beats relating to Ben's ambition and inferiority complex being Number 2. There's a bit of overacting on Justin's part, but hey, that's camp. (I think. I have no idea if I'm using that word right. Am I hip with the kids?)
I really, really loved Ben's moment with Sloane as she's getting married, because it highlights the core of this Ben's character: someone who desperately yearns for family but has forced himself to be all hard shell and soldier. In a way, he's the other end of Brelly Ben's spectrum. (Like forsterite and fayalite - all Mg on one end, Fe on the other.) How much of this Ben is family softness, how much of it is defense mechanism and lashing out?
And then of course - the thing I've been craving so badly - the in-universe comparison to Brelly Ben. This was done... underwhelmingly, if I'm honest. I liked that Ben had a moment of crisis where he couldn't live up to the Umbrellas' dead version of himself, and his moment with Klaus was nice, but in light of season 4 it becomes clear that we could have had more. I wanted him to have an entire arc about it - after all, it's a pretty significant aspect of your character to be "the worse version of yourself from another timeline." (Refer to @vyther16's Gongye Jiwu fic.) I feel like there's a lot of meta you could pull from that, about how your siblings who aren't your siblings look at you and see someone different. Someone you won't be. Someone you can't be, even if you tried, so why bother trying? And they really don't dig through that at all, which is disappointing.
The tentacle samurai fight is badass, though.
Season 4
Oh buddy oh boy. There's so much dumpster fire here, but I'll start with the season 3 loose ends and then move on to season 4's own problems.
1) Sloane. Luther picks Ben up from prison, so I thought they might have an interesting bonding moment over Sloane - after all, they're the two people who cared most about her. But actually no, apparently Ben doesn't give a shit about the one real sister he actually had left at the end of s3.
2) The subway thing. Wasn't he in Korea? My grasping-at-straws ass truly thought that might have been Brelly Ben in the reset timeline, and we'd get a Ben-Ben confrontation or a battle in the minds thing. But I guess that doesn't matter.
3) The Jennifer Incident. So we all know that everyone forgetting about an incident they explicitly reference is stupid, right? Especially because the name Jennifer only exists because they reference it in s3. Ben obsessively draws Jennifer, and then he doesn't recognize or know her? Kill me.
The continuation of his arc is also just sloppy, if it even exists. No more identity crisis about being the worse Ben, no more secret yearning for family or inferiority complex about being a good soldier. Suddenly his arc amounts to, uh, being an asshole and getting hit with sex pollen so powerful it ends the world.
And look, there is a world where Sparrow Ben spiking everyone with marigold could parallel with Brelly Ben's consent problems with Klaus. There is a world where Sparrow Ben dying because of Jennifer could echo Brelly Ben's death in a haunting, tragic, destined kind of way.
But, uh, none of that happens. Here we are, finally getting a Ben-centric season, and it's this. Being relegated to a plot device in your own season. Looking back and realizing that you were always the plot device, even in season 2. Carrying all that tragedy in your little ghost body and being treated like Chekov's waterlogged gun.
And I can't help but look back at season 1, Klaus trying so desperately to prove Ben's existence, and contrast it with the literal next season where a single throwaway line from Klaus sidelines Ben for a whole season. And then he dies. And he dies again.
Fucking hell.
It feels like I'm being made a fool of. Oh, you cared about this East Asian character? You wanted him to have narrative weight and character presence instead of being a plot device for the benefit of his White brothers? Idiot.
Because you'll still be here anyway, right? You'll grasp onto your crumbs for a cool EA character, you'll let us run a character through a trash compactor and keep pretending he's a good character because you latched onto this one East Asian protagonist and you don't want to admit that maybe you should have let go years before.
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starlightomatic · 4 months
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Hi! I saw your tags on unlearning zionism and I was wondering if you've ever spoken about that/the kind of processing you had to do? I think it's... Interesting (for lack of a better word) how this is a sentiment I've seen reflected on pretty much all explicitly non-zionist Jewish blogs I follow, and how much that reflects both how closely entwined the concept and Jewishness has become and the fierce zionism in some people.
Obviously you're free to not discuss this at all, I also understand it's deeply personal. (I'm also not intending to make anyone change their mind, I believe this is a process Jewish people should be afforded on their own terms; I'm really just trying to understand where they're coming from). ♥️
The tl;dr was through talking to people, breaking my rigidities, and being lucky enough to encounter people who were kind, committed to dialogue, and not dismissive.
Longer version under the cut.
In winter 2019 I started dating a non-zionist, so a lot of the early stuff was through conversations with them.
Here are the specific things I recall through them:
They validated my experience of having felt traumatized by a negative experience I had at a protest. I felt very on the defense, and dismissed, as a zionist who wanted to be in leftist spaces and they validated that. I don't know if they were faking it or not, but it felt real, and being heard and not dismissed was super important to building trust and safety. Ultimately, building trust and safety was the most important thing.
They would sometimes patiently poke holes in things I said. Matter of factly, not confrontationally. For example, once I said I didn't like the separation wall dividing Israel proper from the West Bank but that it was necessary to prevent terrorist attacks, and they were like "no, that wasn't the wall, it was a change in PA policy." Another time I was like "I don't understand [West Bank] settlers, if they want to be pioneers and settle more land they should settle the Negev, where they're not encroaching on Palestinians!" and they explained to me more about the situation between Israel and Bedouins and how that actually still would involve encroaching/displacement.
They're very religious, and so they had the tools to poke into my "but just open a siddur! you can see all the references to returning to Jerusalem!" and discuss how that differed from and predated zionism the political ideology. They were able to break through my dismissiveness/derision of Chareidi antizionism and help me understand that it has legitimate religious underpinnings. (They're not Chareidi though.) They affirmed for me that they do feel connected to Eretz Yisrael and they love Eretz Yisrael.
They also explained that indigenous doesn't mean "from a place" but rather describes a relationship to colonialism. It still didn't totally click for me, and they and I have both since come to understand that there are a lot of definitions of indigenous, but what it did help me understand was that when people push back against "Jews are indigenous to EY" they're not always trying to say we're not from there.
In general it helped me break down what I thought an antizionist was. I thought that an antizionist was someone who didn't think Jews had a meaningful spiritual and communal connection to EY, thought we weren't from there, didn't give a shit if all Israeli Jews ended up pushed into the sea, hadn't opened a siddur to see references to return to Jerusalem, etc. I was also pretty rigid in my thinking and had collected a bunch of talking points, mostly that I'd co-created with other members of Jewbook (Jewish facebook). They helped me break out of that rigidity and once I'd done that I was open to learning more.
What happened next is that in fall 2019 is I did a fellowship that, while unrelated to the topic, put me in contact with other Jewish antizionists.
There was one person whose project we visited during an outing on the fellowship, who had discussed their project's antizionism. I was bothered by it and asked them one question: Did they feel Jews were connected to Eretz Yisrael? Did they feel connected to Eretz Yisrael? They responded yes of course.
Another person was my roommate on the fellowship, a leftist antizionist Syrian Jew. For a while one of my sticking points had been Mizrahi support of Zionism -- my thought process here had a few pieces. One, it seemed like white privilege to go against what most Israeli Jews of color believed and wanted. Another was that I felt that a lot of antizionists were dismissive of and racist towards Mizrahim and don't understand or care to understand their needs, history, or motivations (I do still think that's true). I also saw the expulsions from SWANA and the fact that Israel took in the SWANA Jewish refugees as proof of the necessity of Zionism.
So, I think that interacting with a Mizrahi antizionist both taught me expanded perspectives on the issue, and taught me that it's possible to be antizionist and still in solidarity with Mizrahim. I learned more nuance, for example around Israel's taking in of the refugees; I knew they had been mistreated, but I think it helped me connect the dots about what that meant about the entire Zionist project. That was also the year A-WA's album Bayti fi Rasi came out, and when I listened to Hana Mash Hu Al Yaman, I think that's when it clicked for me that Israel taking them in was not some sort of miracle or blessing in disguise but rather a last resort for people who did not want to go but had no choice. The main characters in that song wanted to stay in Yemen which is I think something that hadn't clicked for me before. That may not be the majority Mizrahi perspective but it is a perspective and one I hadn't previously considered.
By the same token, my partner at the time (the one I talked about at the beginning of the post) was raised as a Yiddish speaker, and we talked about Yiddish suppression during the early days of the state, as well as Ben Yehuda's disdain for Yiddish, and the general early Zionist disdain for Eastern European Jewry and "old world" Jewish culture. I was already aware of the New Jew concept (the idea that the old Jew was studious and unathletic, but we should put that behind us to become strong and agricultural). They helped me frame this in terms of antisemitism, connecting it to the vitriol Chassidim receive from other Jews, antisemitism directed towards Jewish men and the ways it's about gender and goyish and Jewish constructions of masculinity, anti-circ rhetoric that depends on the Hellenistic idea of the body as perfection, and Naomi Klein's analysis of the dislike of Yiddish by Ben Yehuda et al as sexist due to their association of it as "feminine" and therefore lesser.
We also talked about the ways that Zionism devalues diaspora culture. I definitely see this in the ways that eg Jewbook zionists used to see the Ashkenazi past in Eastern Europe as simply a time of pogroms and violence with nothing generative or valuable. It seems that zionism posits Israel and Israeli culture as the "right" or "completed" version of Judaism, and discourages us from mourning the loss of culture we experienced during the Holocaust and our subsequent exodus.
I think there is nuance here; there are Israeli Yiddishists, there are people practicing all kinds of diaspora Jewish cultures in Israel, etc. I think this is a case where antizionists take something real and over emphasize it to sound bigger and more harmful than it is. It's not Israel's fault that European Jewry got destroyed and it's not Israel's fault that A-WA's family had to leave Yemen. Sometimes it feels like antizionist project those harms onto Israel and Zionism.
At the same time though, there is a kernel of truth in the way at least that many North American zionists view Ashkenazi culture, thought I can't say how much of that is their Zionism and how much is the legacy of American assimilationism (even among religious Jews).
In any case, 2020 is when I started on my journey to deepen my understanding of old world Ashkenazi culture and history. I started with a day spent in the kids' section of the Yiddish Book Center using the beginner education resources there to start teaching myself Yiddish (I had a lot of familiarity because my extended family speaks it, but I didn't yet). About half a second later the pandemic started, and the chaos from that took all my attention for a while, but by the end of the summer I did a deep dive on my genealogy and spent two weeks tracking down documents and names and towns. At that point my family history was no longer abstract, and I started wondering more about what their lives were like in the old country.
I started watching Yiddish plays on zoom, including a production of the Dybbuk that I fell in love with. I got involved in the shtetlcore movement, which was a social media aesthetic fad that was basically the shtetl version of cottagecore. That spring the duolingo Yiddish course came out and I did a six month streak. The following winter I went to a virtual Yiddish conference. I went again two more times in person, and last summer I went to a week-long retreat where we were only allowed to speak Yiddish. I also do Yiddish drag and burlesque.
With this emphasis and knowledge it's hard for me to accept any framing that the only "right" place for Jews to live is Israel, or that diaspora cultures are lesser-than. At some point I encountered a belief among some zionists (though I don't think most believe this) that the Jewish people's differentiation into a myriad of different cultures was a bad thing, and constituted negatively picking up pieces of non-Jewish culture, and that it's good we're back together in Israel so we can become just one culture again. I obviously strongly disagree and I while I wish we had not had to experience the trauma of Khorban Beis Hamikdash and the ensuing displacement, I think the variety of different cultures we split into is beautiful.
Ironically, Israel is actually a place of great cultural exchange between those cultures. And yes, I do worry there will be cultural loss if everything blends together melting pot style, but that's more of a function of how societies work as opposed to official state policy. And I also think the Jewish subcultures will endure. Also the cultural loss is the fault of the Holocaust, the Soviet Union, and nationalist SWANA countries way way more than it is Israel's.
At this point I've come to view the idea that Zionism is detrimental to Jewish culture as weak, but I still am not a Zionist, and that's because the issue with Zionism is not that it harms Jews but that it harms Palestinians.
In early summer 2020, I, along with many other white people were called to reckon with the realities of white supremacy in the US, and our part in it, far more deeply than we had before. I learned to understand how racism functions as a pillar of the US's underpinnings, how white supremacy morphs to sustain itself, how I as an individual and Jews as a group were being used to maintain white supremacy. It fundamentally shifted how I view these topics and how I understand the way that states function.
It was impossible not to apply these concepts to Israel-Palestine. While it is obviously not a one-to-one comparison and I am frustrated with folks who seem to think it is, the concepts and analyses I learned in June 2020 were very elucidating in understanding Israel as a state, and how white supremacy and Jewish supremacy operate in Israel-Palestine.
One of those concepts is a deeper understanding of power dynamics and the oppressed-oppressor relationship. While that is not the be-all end-all, and it is still possible for an oppressed group to do harm and commit war crimes (as they did on Oct 7), it helped me understand the ways it makes no sense to view Palestinians and Israelis as equal parties or to view Palestinians as "the aggressor" as many zionists do. Riots are the language of the unheard and, yes, so is violence. Do not imagine that I excuse, condone, or celebrate Oct 7, but I understand why it happened.
These past seven months have forced a magnifying glass on Israel-Palestine and I have spent a lot of time thinking and talking about it. I have had many experiences and interactions that have illuminated different things to me, but I'll leave you with this one.
In 1956, a young man named Ro'i Rothberg was killed in Kibbutz Nahal Oz by Palestinians who lived in Gaza. Moshe Dayan came to give a eulogy and in it, he said:
Why should we declare their burning hatred for us? For eight years they have been sitting in the refugee camps in Gaza, and before their eyes we have been transforming the lands and the villages, where they and their fathers dwelt, into our estate.
Which is to say, he is stating point blank that the Nakba happened, and that Nahal Oz -- and in fact Israel -- is built on land that had been farmed and inhabited by Palestinians. The hasbarist canard of "we didn't steal their land" falls away when Moshe Dayan himself admits it, doesn't it?
He is acknowledging, also, that he understands why the people of Gaza are enraged, and why some of them express this rage as violence. He gives his solution: That the Israeli people, and especially the people of Nahal Oz, must always be on their guard. Must never become peaceniks and forget the rage of the people of Gaza. He says "we are a generation that settles the land and without the steel helmet and the cannon's maw, we will not be able to plant a tree and build a home."
His vision is of an Israel that is always militarized and militant, always on its guard, never to know peace. A people who will send their children to the army generation after generation after generation. Never to rest. Never to be able to lower their guard.
And that is awful! Not just for Palestinians, but for Israelis! Dayan lays out here that if the Nakba is not redressed, this will continue forever. He wants it to continue forever; I want the Nakba redressed.
He knew Nahal Oz would be attacked again. And he was right. On the morning of Simchat Torah of this year, 5784, twelve residents of the kibbutz were brutally murdered. A family that my family knows hid there in their bomb shelter for ten hours with their small children until they were rescued. The kibbutz was destroyed.
And Moshe Dayan knew it would happen, all the way back in 1956. And yet did nothing to change our trajectory. I cannot forgive him that.
In the months since the destruction of Nahal Oz, we have seen Gaza pummeled with a terrifying vengeance. For years I have encountered, albeit few and far between, people who have clammored for Gaza to be "turned into a parking lot." I was horrified by them, but did not take seriously the threat they represented. Yet now, their genocidal flowers have borne fruit. Gaza lies in ruins. 60% of the roads and infrastructure are destroyed. The descendants of refugees are refugees again, chased from their homes by the descendants of refugees. The live in tents, they scrabble for water and food. They live under threat of bombing, or being shot, or dying of illness and malnutrition.
And still Nahal Oz remains destroyed. The Jewish dead of Europe remain dead. The synagogues of Tunis and Algiers remain empty. Nothing is fixed, only more and more broken.
Is it to continue this way? Is this the world we want?
I say no. I say another world is possible. And on a quiet day, I can hear her breathing.
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kkongdakz · 10 months
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“ WE'RE SO CLICHÉ. ” ft. ot9
in which : i associate love tropes with members.
ot9 x gn!reader, genre : mostly fluff, warning : alcohol consumption in jiwoong's, bullying in hao's, swearing and blood in gunwook's, a little bit of jealousy in yujin's, word count : 3,164
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kim jiwoong ♡⃗ exes to lovers
i feel like you and jiwoong had a little love story when you were younger, at the beginning of high school for example
so when you finished your high school studies, you lost touch and kind of.. break up
to meet up again later by chance, through a mutual friend you had and organized a "school memories" party where all former students gathered
and coming face to face with jiwoong brought back old feelings — he still looks the same, but in a more manly and mature way
and your heart suddenly raced, because seeing the love of your youth has made you all things again
and vice versa
just imagine ... ⠀⠀⠀⠀⠀⠀« oh y/n ! i'm happy you're here ! » says your childhood friend as she welcomes you into her home with open arms. a smile on your lips, you embraced her, checking on her, recalling fond memories of the past. but as your eyes drifted over the other people in the room, they focused on one particular figure : your ex-boyfriend from highschool. apologizing to her, you walked away to gently approach jiwoong, who in turn laid eyes on you. he was always the same, but taller, more masculine, more mature, but always with the same deep gaze and prince charming smile. grabbing two glasses of champagne, he finally approached you, handing you one with a smirk that caused your heart to miss a beat. « hi y/n, it's been a long time.. » you nodded gently, watching him for a long minute, trying to understand why your heart was suddenly racing so fast. old memories resurfaced in your head as the evening progressed, until it was time to leave, finding the two of you in the entrance to the building. and when he placed a warm kiss on your cheek, innocently slipping a piece of paper into the palm of your hand, you thought that maybe, just maybe, the flame of your love wasn't totally extinguished.
other members under the cut !
zhang hao ♡⃗ rivals to lovers
listen, he's number one in everything he do
he's so so so so so competitive
so of course, when you're as good as him in everything, he understands he has competition
and oh boy, he is so determined to destroy you and so are you
so for many years, your relationship is based on arguments and repeated bickering — a competition the whole school knows about, even forming “team hao” and “team y/n”
but one thing's for sure : hao is the only one who can compete with you and make fun of your grades. so when someone decides to attack you, right in front of his eyes, he's the first to defend you
which surprises everyone
and create a new sensation in your heart
just imagine ... ⠀⠀⠀⠀⠀⠀« who do you think you are, talking to them like that? » hao said suddenly, drawing the attention of the other students in the class. your eyes opened wide, observing his silhouette with his back to you, who had just slid in front of you — as if to protect you. the girl who had been trying to belittle you earlier suddenly found herself caught in the middle, with only one way out : to runaway. as she slipped away with a sigh, the other students around you commented in low voices, which didn't stop hao from turning to you, gently knocking the top of your skull. « don't let people put you down, okay? you know what you're worth. » — coming from the person who beats you all day long, it meant a lot. so you simply nodded, trying to ignore your heart pounding in your chest, but his hand grabbed your wrist, forcing you to get up and leave the classroom with him. which led you to end up in the library, studying in the company of the man you consider your rival. but well.. a cute one.
sung hanbin ♡⃗ soulmate
the invisible red string between you and hanbin is so real
ever since you were little, you've always felt that the love of your life, your soulmate, was not far from you
you pushed away every person who approached you in a loving way, to wait for the precise moment when you would meet the only one person who would be number one in your heart
and one day, as you entered the new cute and cosy café near your house
you saw it in the eyes of the pretty barista — the little spark that appeared when your eyes meet each other's for the first time
and instantly, your heart knew it, he knew hanbin (you still had the time to read his name on the nametag hanging on his apron) was the love of your life
your one and only soulmate
just imagine ... ⠀⠀⠀⠀⠀⠀you were frozen, facing the cash register, your eyes completely hypnotized and stuck on the boy in front of you. he was pretty, handsome, he looked as soft as cotton, radiant as the sun, cute as a puppy. and he was watching you in exactly the same way : as if two wires had touched in your heads and you'd short-circuited. his eyes seemed like two deep wells, into which you suddenly lost yourself — your heart was pounding as you suddenly found yourself at a loss for words. this boy seemed to be the one you'd been waiting for all your life. but you were snapped out of your trance when the person behind you suddenly cleared his throat, leaving the cute barista to finally speak. « uh, mh, hi- welcome. i'm hanbin, what can we do for you? » after coming to your senses, looking everywhere but into his eyes, you gave him your order, paid, and waited patiently on the side. you couldn't help but observe him, the slightest of his delicate gestures and the smile that clung to his lips over and over again. until you received your order, and noticed a phone number on your cup. “ i'm hanbin, call me when you want :)xx ”
seok matthew ♡⃗ boy next door
he's the perfect cliché of the cute-hot boy who's just moved in next door to you
look at him, his smile, almost every morning when you're out to pick up your mails
and you just.. freeze, looking at him and his honey voice when he told you “hello neighbor”
and you just runaway — slightly embarrassed at having remained frozen in place without saying anything
and after that, every time you hear a noise near your door, you sneak a peek to catch a glimpse of him, watching him taking care of the plants around your shared balcony
until one day, when you suddenly need a carton of milk, and you have no choice but to ask your beloved next-door neighbor for help
..ending up cooking pancakes with him
just imagine ... ⠀⠀⠀⠀⠀⠀you didn't know what to say, when he was standing in front of you, and you didn't look at all presentable. flour on your apron, and a spatula in your hands, you'd suddenly forgotten that you needed milk to make pancakes. « need help, neighbor? » he said suddenly, a chuckle escaping his lips, which brought you back down to earth. « hey, sorry, do you have milk? i want to make pancakes but i forgot the milk. » — nodding positively, he walked away for a few moments before returning with a carton of milk. but as you reached out to retrieve it, he gently pushed you as he closed the door to his apartment, pulling you into yours. « i'll help you, you seem to be having a hard time. » he announced, with a drop-dead smile that you didn't dare to refuse. following him to the kitchen, he helped you prepare the recipe, even taking the time to get to know you and make you laugh. finally, something interesting was happening between you.
kim taerae ♡⃗ first love
listen. taerae is so first love coded and you can't change my mind
he's the boy everyone secretly dreams about
the one you watch dreamily in class and who never fails to make your heart skip a beat every time he smiles
and when you finally get to date him, oh boi- you're in heaven
he's literally so sweet : always here for you, fingers that never miss an opportunity to tuck a lock of your hair behind your ear, take you home after school, help you study, ect ect..
he's the one who makes you discover love : the butterflies in your stomach, the scenarios in your head that become real, the sweetness of a first kiss, the soft warmth that settles in your chest when he tells you you're beautiful
a smile and you're won over. taerae is and will always be your first love
just imagine ... ⠀⠀⠀⠀⠀⠀it was a pretty warm afternoon, cherry blossom petals dancing in the air and the sun streaming through the classroom windows. you watched the clouds sail across the sky, tapping your fingers against the wood of your school table, when he entered the room. a gentle smile tugging at his lips as he caught sight of you, dreaming in your corner. then he moved towards you, settling into the chair opposite you before placing a light kiss on your cheek to bring you out of your reverie. taken aback by his action, millions of butterflies flew into your stomach, while your stunned eyes finally found the face of taerae. « i was looking for you, » he says, placing a carton of chocolate milk in front of you, « would you like to go for a walk with me after school? » — of course, you weren't going to turn down the chance to spend a special moment with the boy who was introducing you to all the emotions of first love. with your heart pounding in your chest, you nodded positively at the same time as his fingers clasped yours.
shen ricky ♡⃗ forbidden love
honestly i was thinking about a secretly rich trope but i feel like ricky really likes to tell people he actually is rich.. so naur
so my other option is. i can imagine him as a fake bad boy.
like he hates everyone but you..
so when you noticed him at school, he had already noticed you — but he played the unapproachable guy until you needed a hand with another guy who was getting a little too close to you
and suddenly you saw him from a different angle, and that menacing yet nonchalant look he had on his face made your heart miss a beat — pushing you closer and closer to the forbidden
obviously, the people around you don't approve of your relationship with him at all
but it's not like you care
he may be mean to others, but he's always been upright, courteous and gentle to you
just imagine ... ⠀⠀⠀⠀⠀⠀midnight had just passed, as the clock on your bedroom wall told you, and yet you were still working on your homework for the next day. a sigh left your lips as you rubbed your eyes, and suddenly your peace was disturbed by a few almost inaudible knocks against your bedroom window. frowning, you approached it, hesitantly shifting your curtain to finally catch a glimpse of ricky's face. hurrying to open your window, the young boy entered your room in no time, before hooking his arms around your hips to press you against him. « what are you doing here? » you asked, whispering so as not to alert your parents about the intruder who was currently in your room at such a late hour. slipping your arms around your neck, ricky simply smiled, « i missed you. » he affirmed, placing a kiss on your cheek before deviating to your lips. even if you loved the fact that he'd show up at any hours just because he missed you, you still had to be careful and make sure you could continue to see him despite your parents' prohibition. « you know my parents are here? » — ricky shook his head, shrugged his shoulders and lifted you off the ground, kissing you passionately while telling you how much he didn't care.
kim gyuvin ♡⃗ fake dating
he can't be serious but trust me, he's the most perfect fake boyfriend you could ask for
just imagine that you've promised to bring someone to your sister's wedding — but unfortunately you are completely alone
your only option is to ask someone you trust to take on this role for the duration of a ceremony : and that's where gyuvin comes in
and he's perfect : his hand on your hip and his eyes attentive to your every word, having fun with your younger cousins and talking to your parents about anything and everything
he's charming, polite and gallant — the perfect son-in-law according to your mother and the hot jackpot according to your sister
and when you finally have a little moment alone together, and you're about to thank him for the perfect fulfillment of his role, you meet the gleam in his eyes and that silly little smile that hangs on his lips
and suddenly nothing exists around you anymore — all that's left is him, you, and the sun shining on his caramel skin.
just imagine ... ⠀⠀⠀⠀⠀⠀the sun passing through the leaves gently settles on gyuvin's face, who looks at you in the most tender way possible. his hand is naturally hooked on yours — which suddenly makes you realize that he doesn't have to put on an act when it's just the two of you. « you can stop pretending, you know? » you say softly, but his pupils don't move from yours. on the contrary, his free hand moves towards your face, grazing your skin, touching your cheeks with his fingertips, as if there were only the two of you left on earth. you thought your heart was going to escape from your chest, because he was no longer pretending — his hand gently tugged on yours, pulling you closer to him, spinning slowly to the rhythm of the background music. « i think we should be careful and always act like a couple so as not to arouse suspicion, don't you think? » he whispered in your ear, and you just love the way he makes you feel at that very moment. as if you two weren't just fake.
park gunwook ♡⃗ enemies to lovers
okay this is from a personal experience because my boys planet' story with gunwook is enemies to lovers
since you met him, your relationship with gunwook has been very complicated — he don't really like you, and you don't really like him either
he tends to play the big guy to show off his superiority and that's what annoyed you about him in the first place
so ever since, you've despised him and given him death glares at every opportunity — and he can't help but prank or scare you at every opportunity
until the day you get paired together for a school project.
and, even though you'd have liked to do the job yourself from start to finish, your teacher didn't agree with you at all, which forced you to tolerate him a little
and introduced you to a new side of gunwook that you'd never seen before — a cute and silly kitty
just imagine ... ⠀⠀⠀⠀⠀⠀sitting on the floor of your living room, your work books covering every nook and cranny of the coffee table, not a word had left your lips or gunwook's since the start of the afternoon. but the atmosphere seemed heavy, this silence more distressing than relaxing, in the end. sighing as you got up to go to the kitchen, you tiptoed over to grab a glass from the top of the cupboard. but not everything went according to plan : and the next thing you know, the glass was on the floor, broken, and your finger was bleeding. « shit. » you say, running to the sink to put your wounded finger under the water, juggling from one foot to the other while holding back from swearing at how much it hurt. and suddenly gunwook was at your side, one hand on your shoulder and his eyes riveted on your wound, « do you have a first aid kit somewhere? » — nodding as you indicated where it was, you watched him grab the object and return to you, wrapping your finger in a clean cloth before guiding you into the living room. here, gunwook tended to your wound delicately, meticulously, asking you repeatedly if you weren't in pain. he was much gentler than most people you knew — he who tended to act tough in front of others, was actually an adorable kitten. with a smile on his lips, he lifted your hand and placed a magic kiss on top of the bandage he'd made, and that's probably when your heart decided to make room for him inside.
han yujin ♡⃗ childhood friends to lovers
he's still a child okay
so i can easily imagine yujin as a childhood friend
playing cards and video games as kids, right up to entering high school hand in hand
nevertheless, i imagine that you have different groups of friends, even if you remain each other's number one
and you meet up every day after class to go home together and tell each other about your day
obviously, you don't notice it, but yujin always keeps an eye on you — without showing the slight jealousy growing in his heart every time he sees you getting a little too close to your other friends
he's never shy about reminding you that he's right there and that he's still your favorite
just imagine ... ⠀⠀⠀⠀⠀⠀waiting patiently in front of the school gate, yujin kicked a pebble before suddenly hearing your voice ring out. looking away from the road to observe you, he watched you walk up to him after you had greeted your new friends. as you reached your best friend, you planted yourself in front of him, a grandiose smile hanging on your lips, creating a slight reddish tinge at the tip of yujin's ears. squinting as you started to move forward, you hurried over to him and slipped your hands around his arm, pulling him closer to you, « yah. you walk too fast with your long legs. » — slowing down to walk at the same speed as you, he was content to listen attentively as you told him about your day, nodding from time to time and speaking up when necessary. but you could see that something was on his mind, so you stopped walking, forcing him to stop and turn to face you with a questioning expression. « what's on your mind, han yujin? » you say, your sun-filled eyes dazzling his. clearing his throat while looking away, rubbing the back of his neck nervously, you tilted your head slightly to one side, watching yujin with a small smile on your lips. « i'm still your favorite, mh? » he asked, daring to look deep into your eyes, « because you'll always be mine. » — you couldn't explain, but it was like in the romance books, with butterflies in your stomach and your heart beating wildly.
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nanamiscocksleeve · 3 months
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Thirsty weekend prompt #14 w/ Geto & Nanami? 😙
Yes indeed! Kinda deviated from canon.
"A cock in each hole is the key to a happy relationship"
--------
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Suguru and Kento were the ones you'd loved. It felt odd, loving 2 men at once but it made sense, and when they defected, you went with them. With you, they became a reckoning team. No one messed with them, everything was done without fail, and no one dared question why you slept with two men in your bed.
It was you who woke them up today, whimpering and humping their thighs, needing the attention. Suguru kissed your lips as Kento yanked down your soaked panties, dipping a finger into your wet slit and stroking the swollen folds. A muffled noise leaves your throat, swallowed by Suguru's mouth.
"Such a needy little cunt we have," the blond commented, not stopping his stroking but bringing his hand down firmly on your ass which had been jiggling as you rolled your hips to match the movements of his finger.
Suguru breaks the kiss and chuckles darkly. "I know. But what can we do? She's our needy little cunt." The raven-haired man twists your hardened nipples making you moan. Ever since you'd found out what it was like having two men pleasure you, you knew you could never go back. And having both those men be in love with you? Amazing.
"Hold still," Kento commands, smacking your ass again. He inserts 2 fingers into your drooling hole, smirking as you cry out. "Now you can hump properly." You moan as he pistons his fingers but you start rolling your hips again, enjoying the extra friction.
"Do you want both of us?" Suguru asks, drawing a nipple into his mouth and suckling greedily. You nod breathlessly and both men laugh.
"Of course our little slut wants both of us. That was kind of an unnecessary question Suguru." Kento says between laughs as he curls his fingers inside, making you moan.
"Oooh...Kento...there..." you moan as his fingers move cleverly inside you. Expertly, both men build up your pleasure until it reaches its peak and you cry out in delight as you climax, body turning into a puddle of desire as you cum.
"We're not done yet." You squeak as Kento smacks your ass and pushes his thick, erect cock into you without warning. Suguru moves quickly and before you can say anything, shoves his throbbing dick into your mouth, thursting in and out of the wet cavern. He lifts your face up by the chin.
"Enjoying yourself?" he asks and you manage to nod, trying not to gag on his length.
"Good. After all, a cock in each hole is the key to a happy relationship."
Send me a prompt!
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fuckyeahisawthat · 4 months
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So Denis Villeneuve has this particular type of close-up shot that he uses to varying degrees in all his movies but uses a lot in Dune, particularly when shooting Paul. In fact he uses one for the very first shot of Paul in Dune Part One.
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There are some common cinematographic elements that define what I would consider the Villeneuve Close-Up (TM), but I'll admit there is also a vibes-based, you-know-it-when-you-see-it element to picking out these shots, which means all discussion here is somewhat subjective and we're talking about general trends instead of fixed categories. But in general, in these shots the camera tends to be at eye-level with the character, which means it can be very low or even on the ground if they are having a floor-based experience.
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Sometimes we're in a SUPER extreme close-up where the character's face is filling the frame.
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Other times we are not actually that close but we know we are seeing something that other characters are not.
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The character may be alone or they may be surrounded by people, but the point of these shots is to reveal something to us the audience that no one else in the scene sees, pulling us into a private emotional world where it's just us and the character. It's a very effective tool for building sympathy and emotional intimacy.
I'm not the only person who's noticed that we lose this specific kind of close-up of Paul entirely in the section of the movie after Paul drinks the Water of Life. I've seen this described as "we're no longer seeing from Paul's POV" or even "he stops being the protagonist of the movie at that point" but I don't think either of these are exactly what's going on. Seeing the world of the story through a certain character's POV is different from what I'm talking about here, and Dune Part Two takes us through many shifts in POV over the course of the movie.
What happens is that we, the audience, recoil from our close, intimate visual and emotional relationship to Paul--or maybe he withdraws from us--for a portion of the movie after he drinks the Water of Life. But, crucially, not right away.
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This shot in the "we're Harkonnens" conversation is such a classic Villeneuve Close-Up (TM). We're positioned as if we're sitting right next to Paul, seeing something on his face that is mostly hidden from Jessica, who's standing across the room and slightly behind him.
I think this shot is super important for telling us (even if we only register it subconsciously) that the Paul we know is not completely dead. Drinking the Water of Life may make you see things that others can't, and it may make you a little unhinged, but it doesn't make you inhuman. There's still a person in there.
I would argue that the distancing from Paul starts in these shots:
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This is still a close-up; we are not much further away from Paul than in the shot above, but the vibe is totally different. Now we are seeing him the way his followers do, closed-off and purposefully intimidating. We are seeing the image he chooses to present to the world and none of the human vulnerability underneath.
We stay at this emotional and visual distance from him for most of the rest of the movie--but not the whole thing. Because after watching Paul be a terrifying force of destruction for half an hour, we get slammed into remembering he is a person--young, hurt, alone; a person who didn't want any of this--at the very end of the movie.
I think you could make an argument for a few different shots being the first Villeneuve Close-Up of the end of the movie. But where I always notice it is here, when the Emperor is talking about Leto.
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While not a particularly close close-up, I'm always struck by this shot as well:
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And then we really get pulled in close to Paul during the duel--particularly at the end of the duel when he's already wounded and it seems like he might lose. We get this angle several times:
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We get this shot that I'm particularly feral about...
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...because while the focus of this shot is (1) the knife and (2) Feyd, someone made sure that the features you notice on Paul's face are his eyelashes and the curls of hair falling in his face, the features that make him look most soft and vulnerable.
And then of course after Paul has won the duel we get this shot, another peak Villeneuve Close-Up (TM) that I have already written about, where Paul is surrounded by people chanting his name but no one to pull the knife out of his shoulder for him.
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And we hold onto that connection with Paul right up through "Lead them to paradise."
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Which is an insane choice for that moment actually! Once again, this is not a super close close-up, but we're watching him from a perspective that no other character can see and we understand that there's no personal triumph in this moment for him.
Now, obviously, there are a lot of other choices being made in these scenes, in terms of writing, performance, lighting, score, everything. The camera placement is just one element supporting the overall storytelling. But it's one that's very easy to track through screenshots and a good example of how one specific element of filmmaking can be used to influence how we see a character, whether or not we even consciously notice it while immersed in the film.
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nenoname · 1 month
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Gravity Falls DVD Commentary Highlights
(just a huge, and I mean huge, dump of random quotes that stuck out to me, which I sorta separated into characters+their relationships and it's probably gonna be obvious that Stan is my fave lmao
I dunno how to make this legible for anyone but whatever, just take all these rando character tidbits. Stan Twin pranks! Sonployee essays! The concept for a post-Weirdmageddon episode that Alex insists is just too miserable but I want it anyway! The Pines family making me cry!)
Stan
"We love the idea of Stan [in Boss Mabel] having a minute to uh, having a context where we want to see him be his worst self and seeing his big brash personality in like a setting that everyone can understand, because the Mystery Shack is a little bit ungrounded because he's in his world of his characters, but seeing him out in the outside world is funny weird."
We really enjoyed the fact that he's as awful as ever and he's rewarded for it. We like those anti-morals where Stan uses his terribleness to succeed incredibly well.
I think it was a little hard for people to understand in the writer's room at the beginning of the series was that, even though Stan is following a lot of these tropes of being a miser, he's not grumpy. Like he actually loves being himself. He really revels in it like even though he's got some kind of sorrow inside, his kind of day-to-day like he's more about just the uncle who loves to hear himself and make dumb jokes than he is somebody who's mean or cruel or cynical per se.
The [NWHS] storyboards managed to make Stan this awesome action hero while still keeping him Stan. Like I like the fact that he steals a wallet in the middle of it. He steals a wallet, he smashes somebody against the wall, he sasses him but he also has this just great Inception moment. And it's because we're building to a big question about “who is Stan?”, I felt a moment of seeing him be kind of awesome further increases your “who is this guy?” He keeps going back and forth between like “oh geez my back” and you're like “all right that's the Stan I know” and then like “whoa, he just did an awesome jailbreak! Is he some kind of super villain? Who is he really?
There's more of Ford in Stan than I think Stan realizes that I think only comes out in certain moments.”
Why did Stan keep a clipping of himself titled “grifter at large”? I think he thought he looked cool in that picture. “You know I kind of have a Clint Eastwood look in this grifter at large photo. I think maybe I'll use this as an About the Author one day. I gotta hold on to this one. You know what, I'm a criminal but I'm a nostalgic criminal! Loving the past is my greatest crime now!”
I know how Stan feels in this [Principal talking to his family] scene, when somebody comes in and says like “You know what? There was a race you didn't know you were running and you're already behind, way behind.” 
And you know even though Stan is a guy who looks like he's having a fun time, I always, in my gut, thought of him as somebody who is a huge well of sadness, a loss of human connection. And that need to please, that trying to get laughs from the crowd and constantly telling dumb jokes and you know putting on a big show in the Mystery Shack, he's trying to get from them the affection that he never got from his family and lost with his brother.
Stan has been waiting for years to have a reunion with his brother. He's always felt like a screw-up. Stan once again had an idea of how he thought things were going to go. He thought that his brother was saying “I need your help” for the first time. He's going to go up there, they're gonna have some drinks, they're gonna catch up and instead he ended up shoving his brother into another dimension and running out of food and money. It's sort of his worst nightmare. But this was Stan's entire character, from the very beginning of the series, was built around this idea that he's living with this tragedy. He's a guy who outwardly seems like he doesn't appreciate family but in fact wants it more than anything in the world and feels like maybe he's not worthy of it and would do anything to prove that he is.
Seeing Stan figure out what he's good at felt important to me. Like he's never been good at anything in his life and he makes a stupid hokey joke and it suddenly turns into a profit. I felt like without [showing how the Mystery Shack was created], I was missing something and understanding why he would do this, how this would be the solution to his problem.
We would like the idea that Stan appears to win through dumb luck, that it's sort of Intelligence versus Guts but Stan wouldn't actually bet everyone's life on a dice roll. He's a cheater! At the end of the day, I believe Stan has been thrown out of Vegas for counting cards and for weighing dies and I believe he could con his way out of any game, particularly for an obnoxious wizard like this. The idea that Stan would gamble everyone on pure chance is like no. No, he's got a plan. This is the guy who escaped prison using gravity leaps, he's got a way out.
The one big thing [The Stanchurian Candidate] does is really highlights Stan's inferiority complex compared to his brother. Part of what he's doing is he's trying to be an important man here and this episode is actually a pretty good setup in many ways for Weirdmageddon Part 3. When we see Ford they're all going on this rescue mission to rescue Ford and this episode shows you just how much Stan wants to be the hero like the reason that he can't shake Ford's hand when they're in that circle.  The cold open of this where he sees everyone loves Ford and now that Ford's back, he's the best. Stan's like “well, how about I run for mayor!” It's just to boost his ego and make him feel better about himself.
Dipper and Mabel
“Straight man protagonists are really hard to write because every other character had a comedic hook. We understand that Soos is kind of this weirdo, his brain is in another place. Mabel has this exuberance and sees the best in every situation and is very creative. Stan is a crooked conman. Dipper is… the normal guy and a character like that can often feel like they don’t have agency, start to feel just reactive.
Waddles is Mabel's only love that lasts the summer. Mabel is very prone to love at first sight and Waddles is able to love back with Mabel's degree of love.
[In Sock Opera] Mabel's in love with Gabe, Dipper's in love with the Author and they're both willing to do something crazy to get get closer to that thing
There kept being layers of adjustment to make it, “okay what would it take to get Dipper to make a deal with Bill?”  1: He would have to not understand the rules of the deal. He's been tricked, he thinks he's just giving a puppet, he didn't know was himself. Classic genie rules, you get what you wish for in a way you didn't expect.  2: There's a little ticking clock that just started, which if he doesn't do it by now, he's gonna lose all this.  3: Bill rightfully points out that Mabel has been kind of not sacrificing for him and he maybe needs another ally right now  4: He was sleep deprived and actually you'll notice that Dipper blinks right before Bill arrives and that's our way of suggesting that that countdown might not have even existed
I think Dipper and Mabel are of equal exact intelligence but Dipper's insecure. He sees his accomplishments as a way to make himself better and thus is motivated to focus on things that are accomplishment type things. And Mabel is very confident and likes having fun and when she's having a good time, she has a little tunnel vision for the people and the things around her. That's one of her biggest flaws. She's actually really, really sweet when she notices and understands your pain but not when she's doing a bit, when she's doing a scene, when she's doing a gag.
Ford
Originally [the fake Author] looked a little bit more like an oddball wacky inventor and I felt he had to be pretty idiosyncratic. There's certain color things about him you'll notice. He's more or less got the color scheme of the Journal, you know maroons and golds, so that you kind of feel instinctively like maybe that's him. A lot of these motifs though we would end up using in Ford's design, as well the gloves and the coat and all that but much cooler later on but preparing you, it's Ford Lite. 
Now this is there's no logical reason that Ford would break [the warnings about the portal] up into all these books this way but up until this point he's been shown as this sort of all-knowing mysterious Puzzle Master that it felt appropriate, even though it's not logical.
It works for the storytelling so when Ford wrote that, that's when he was super sleep deprived. He realized that Bill had betrayed him, he was starting to have a hard time differentiating between fantasy and reality, he was losing sleep and scribbling all sorts of lunatic serial killer looking stuff about the end of the world.
In Time Traveler’s Pig, we see what should be a young Stanford Pines even though again, the design's a little off but we knew big sideburns, bushy hair. Although that Stanford looked a little bit more swole than this guy and that's one of the what we thought were very subtle clues in season one that helped a lot of fans figure figure everything out way too soon.
[Using the memory gun on the agents scene] needs to show that Ford's really awesome and so we could get rid of the agents and show that Ford can pretty much handle anything that Stan can't and also call back to our memory ray all in one.
There was a lot of fan speculation when we first met Ford. Generally when television shows introduce a new mysterious character late in the game, they turn out to be a villain like 9 out of 10 times. They turn out to be a villain or they're there to get killed off to show the stakes of something and like we could have made Ford evil but I always felt that that would be less interesting. The point that I was trying to get to is that Stan and Ford had this relationship that fell apart and it was both of their faults and I thought that if I'm Stan, I'd be more frustrated if Ford is actually a good guy. It would drive me insane if he's pretty reasonable, pretty rational, better at me than everything.
So we've flirted with this brief moment where it seems like he's a villain and we worked really hard to make it so that like his eyes are being covered by the reflection of the light. His dialogue is ambiguous enough here that for a moment you believe what Dipper believes, which is “maybe he's possessed by Bill.” You just saw him shaking Bill's hand, what is he supposed to believe?
I like that Ford has this photo with him, he had for a really really long time all the way through multiple dimensions. And he's probably told himself- I almost imagined if McGucket found that photo in his coat while they were working on the portal or something, like “What's this here?” and Ford would say “oh yes, that's a photo of a very important moment! That's when I…  that's when I first decided I want to be an inventor!” There would be no reference to the real reason he's keeping it. “This is me and my brother.” It would be like, “oh yes I was thinking about science as a horizon, a frontier to reach towards– you know like a boat, like a ship, like science! It's about science!”
Soos
You choose family. That you create over the course of your life and if that somebody earns being your family, like the Mystery Shack. These kids and Stan, they’re Soos' family and he's happy about that.
I feel like Soos gained something out of [Blendin’s Game]. He gains the knowledge that like “I'm tired of thinking about this man who I'm missing, who doesn't care about me. I'm going to concentrate on the people in front of me, the people that are my true family.”
Soos is a fan of the show even though he's in it. He's a big fan of Gravity Falls and [NWHS] killed him.
I always knew what I wanted Soos’ end to be Soos running the Mystery Shack. I imagine that Soos is actually way better at giving tours than Stan is because he loves all that stuff truly and he believes it. That's part of the difference. Stan’s like “um, all right suckers, this stagnant puddle is the befuddle puddle!” while Soos is like “yeah, one time I looked in there, I think i saw like a cyclops dude. Like, I really think I saw one! Like it might have been a reflection combining my pupils, but like?” and people are like “Whoa, really??”
McGucket
They hired a bunch of people and then they erased their memory. That’s my explanation for why there's like such amazing inventions that would take whole teams of people. McGucket secretly hired a number of contractors and erased their minds. Like I think of McGucket as being like a really sweet nice guy completely in over his head who just like “oh well, once I've erased one guy's mind, I gotta erase ten more guys’ minds to cover it up” and it just sort of builds into like “I guess I'm kind of this kingpin of crime and I'm starting a cult I didn't mean to. Whoopsy daisy!”
When we get to Ford and see their backstory and see their relationship, it just makes all the stuff that happens with the portal and what happens with Ford and all that more poignant that he had someone there who was not only his friend but also a voice of reason and telling him to stop and that he wouldn't listen to him, as opposed to Ford being down there on his own with nobody to bounce off, anybody to say “hey wait a minute, is this a good idea?”
“McGucket was the assistant and he was maybe this assistant who was sort of put upon and Ford kind of brought a college buddy together with him. You know Ford as somebody who lost Stan, and even though he rejected his brother, he kind of needs that other person and he tried to find that in this kind of sweet prodigy and he just pushed him too far.
[The test scene] is meant to show sort of what it was that McGucket needed to erase, what it was that drove him to madness. It was partially seeing the Nightmare Verse and the way it messed with his head and also partly just realizing that this thing has apocalyptic consequences and he doesn't want to be a part of it. And if he can't destroy it or talk Ford out of something, he can forget about it.
Because If Ford's weakness is pride, McGucket's weakness is weakness. He's got a kind heart and he can't stop people, he can't destroy things. I mean he should have basically knocked Ford out with a wrench and take this thing apart piece by piece. He's the one who understood how to build it but I think he's kind of a follower and I think he's the kind of person who could get suckered in by a cult leader. He’s the kind of person looking for instruction and he really respects Stanford and can't bring himself to uh, he's like “I just got out of a bunker! I don't want to go work for another guy down in another bunker! This is my third doomsday cult this year!”
Stan and the kids
Stan and Mabel have such a different life perspective it seemed natural that at some point they would get to a major conflict
Seeing Grunkle Stan and Dipper bond like, I sort of believe that both of them are bad with women and both of them would rather believe there's a giant conspiracy than that they have they just can't get ladies 
Can this idea about Mabel's relationship with Waddles actually reveal a rift between Mabel and Stan where Mabel and Stan actually get along pretty well in the series you know? When they they're both such strong stubborn personalities that when they conflict, they conflict hard like in Boss Mabel. But this idea that Waddles is sort of a metaphor for what Mabel loves and Stan loves Mabel but he doesn't really think that anything she thinks is necessarily smart or right. He loves her like “guys she's my sweet niece but she doesn't know anything you know? She doesn't know anything about a pig” She forgives a lot with Stan but like Waddles sort of represents like the purity of her deepest love and the idea that Stan would threaten that is genuinely a shock
In the previous season it ends with Dipper giving up his journal and there was a lot of argument about “oh is it lame if he just gets his journal back?” Another thing we struggled with, we knew that Stan knows the importance of this journal he wouldn't give the journal back to Dipper so it was a bit of a convolution we'd written ourselves into a corner. We wrote ourselves out, we said “okay he's photocopied it. he's giving it to Dipper because he knows that Dipper's really precocious and he'll never stop asking.”
“We knew that we wanted everything to come to a head when the kids are going to discover Stan's secret and they're going to discover it in such a way that they only get little bits and pieces and they have to decide for themselves based on the limited information. Is Stan's a good guy or if he's a bad guy? Ultimately that decision will be a decision of heart versus mind. And Dipper's mind, Mabel is heart and they're fighting with the scraps of information they have.  Should we trust our heart about how we feel about this guy over the course of the summer and everything we've been through or should we trust the clues? That seemed like a believable way to get Dipper and Mabel to begin a rift between them that is resolved by the end of the series.”
The way Stan acts in [NWHS] is like, to me part of what feels so grounded about it is like I'm a child of divorce and like I know that when parents or parent figures know that hard times are coming for the kids. They kind of lay it on thick they're like who wants ice cream you know what I mean? Like Stan being extra nice to them at the beginning is like it's kind of a realistic thing that that adults do when they know like big changes are coming.
I felt it was really important that we added the scene where they're at maximum bonding. They're up on the roof, they're shooting firecrackers. Stan knows in his heart that when his brother arrives everything is going to change in ways he can't predict and he's really savoring this moment because he knows, even if things goes completely smoothly, which they don't. the kids are still going to be mad at him, especially Dipper for basically lying.  They had this big meeting after the end of Scaryoke where of course Dipper also crossed his finger but Stan crosses his fingers and says “oh I'm telling you everything” and he knows that the kids are not going to be happy about the fact that he's been keeping this all from them because they've done amazing things together already and he should have trusted them before now. 
This act break is them saying, “wait, Stan might be a random grifter who maybe killed our real uncle!” That's pretty heavy for any show let alone a cartoon show.
What that would mean for them if all this stuff is true is so much further than just like, “oh he lied to us about a couple things.” It's just like, “no he's straight up just some random dude that we don't even know uh and the guy that I've been pining for this whole time is dead!”  We really try to stack the deck so it's like Mabel's perspective and Dipper's perspective are both kind of racing to see who gets in front and there'll be a moment where it's like yeah you kind of buy with Mabel she feels good about about Stan and then this scene is the most you’re ever with Dipper where we discover this huge crazy curveball and this feeling that you have looking at this newspaper and looking through these fake IDs this is how Dipper feels all the time.  If you want a window about what it's like to be Dipper, this moment where a giant conspiracy reveals itself out of little pieces and seems to suggest that no one is trustworthy like that's that's where Dipper lives and this to him confirms every bit of suspicion and every bit of paranoia he's ever had and he's willing to run with it. 
I love these characters so much that, for me I was like “I need to see Stan saying goodbye to the kids at that bus. And I don't want him to be some guy who isn't Stan, who doesn't even remember the kids.” That would be really dramatic. It might make you cry more but to me it doesn't actually mean anything. Their relationship which they've built, he was willing to sacrifice his memories to save them. That's how much they meant to him but because he was willing to do that, I think he deserves to get him back.
Stan and Ford
But I think Stan's hope is, that in Stan's mind this is going to play out one way which is that; he's going to free his brother, his brother's gonna come out of that portal after 30 years. Stan's probably imagining that Ford is weak, emaciated, wrapped in a blanket, that he'll stumble forward, through a beard. through blurry eyes, he'll be “my brother, is that you?” He'll embrace Stan, he'll hug him, he'll say, “all these years I thought I was goner but you saved me! I was wrong to mock you, I was wrong to call you the stupid twin! Dad was wrong about you! You're the greatest man and let's be friends again and who are these niece and nephew?” Like that was what Stan was kind of hoping. He knows it's there's a million things that could go wrong, including potentially the destruction of this dimension, but he so desperately needs to believe that he can make up for the problems of the past. He's hoping for this but he knows that things are going to change
When I started the series, I always knew Stan had a twin but all I knew about Ford from the jump was that he's everything Stan Isn't. So Stan is a guy with a huge chip on his shoulder, he's kind of a loser at life. There's somebody who is a winner at life or at least was a winner in all these ways that Stan wasn't.
We realized that in order to bring out the maximum amount of frustration in Stan, [Ford] needed to have a bit of a heart. Like here we see him being kind to the kids, he's not he's not all bad which is what's so infuriating to Stan. The idea that he would quickly get along with the kids when he can't get any respect from them. Ford is designed for what would bring out the most amount of conflict in the family. What would be Dipper's hero, what would be Stan's rival and who's somebody that we could empathize with. I mean, it’s  hard to empathize with a character that comes out and punches one of your characters in the face, basically before he almost says anything.
You see that at this age, that all the stuff [in their room] that would cross over, that would appeal to both of them. It's not just like “there's science stuff here” and then there's “what Stan would be into.” but no, they both like all this.
There was also a version [of ToTS] where early on, they'd rigged the school water fountain. They did sort of like a caper, it was science and a scam together when they were in elementary school but we decided to save the science for the science fair stuff.
We played around with the idea that you would see them working together doing little science games or pulling little pranks. There was actually a scene that some of it was even storyboarded where they're in a treehouse together and Crampelter and his friends have tracked them down and are begging for their lunch money and Stan and Ford have used their jerkiness and geniusness to rig up like a water balloon throwing machine that knocks Crampelter in the head. I remember him saying, “oh no, my old-timey paper crown!” We were really hanging a lampshade on all these sort of Little Rascal cliches.
Ford's not a villain. You know he's getting in Stan's face and saying “I want my life back” but hopefully by the end of the episode even though you don't root for his perspective, you understand his perspective where it's like Stan ruined his science project, Stan shoved him into the portal, Stan took over his house. He’s not completely unreasonable to want it back and he's not completely unreasonable about his request. He says “okay you've got till the end of the summer” and Stan's little look there tells you everything you need to know about how he feels about the situation.
We needed pressure to be at the point where Stan and Ford recognize their lifelong rivalry and Ford does a sincere apology to Stan and almost more importantly, he acknowledges Stan's intelligence. He says “you wouldn't have fallen for Bill's nonsense.” He recognizes that his brother has a kind of intelligence he doesn't.
I always imagined that as kids, Stan and Ford were like this dynamic duo. They were getting into scrapes and like planning pranks and with Stan's creativity and Ford's genius that they were an unstoppable awesome team, before life turned them against each other. I imagine that as kids they were always swapping glasses and tricking their parents so that they could get double presents. And this is a move they did back in New Jersey constantly. We had to figure out who's gonna make a sacrifice and how and even though it's Stan who agrees to be “I'll be the one erase my mind, it's fine, it's worth it”, it's a sacrifice for both. Ford at this point is willing to get his brother back and he has to lose him again. 
Stan and Ford, when they can finally work together, do bring out the best in each other. They just have been missing it for so long.
Post-mind return, Stan and Ford get along and that scene where they both threaten the bus driver gives a hint of what would happen if their powers were combined. We've never seen them working together as adults, they would be a really formidable duo.
Pines Family
[The Blind Eye has] such a great scene between Mabel and Wendy. We don't have a lot of scenes that are just them hanging out and she can kind of be like the cool older sister. Mabel's so obsessed with boys and Wendy's just like "yeah, whatever. They're a dime a dozen."
“in the storyboard, the postcard that Soos is holding up from New Orleans actually said Vegas and at the last minute we got really worried that people were gonna see that and think that that was a clue that Stan was Soos's deadbeat father. And because like our audience, we've trained them to look for clues and to connect dots, they start connecting dots that are not connected. And I called a late retake because, and I see people be like, “wouldn't that be cool if Stan was actually Soos's father” and I hate that headcanon. Whoever's listening and you think “that's a great idea!”-- that's a terrible idea!! Because it means that Stan ran out on his kid and then came back in his life. And weirdly pretends to not be his dad. It flies against the moral of this entire episode which is like, you know this guy who is Soos’ blood relative like cast him out and didn't come back and didn't make time for him and all these people did. These people are Soos’ real family and to say “Stan would be Soos' real father more if he was genetically–”, I'm like “no, no forget that!” Like relationships are about what you do. To me friendship is thicker than water and family is something you can create so I really didn't want anyone to think that we were suggesting that because to me, it actually wasn't just the wrong idea, it was like thematically against what the show's about.” "
"[In NWHS] Every character faces their worst possible choice, which is “Mabel must choose between Dipper and Stan” and “Soos must choose between Stan and the kids,” like “guard that thing with your life. I'm not going to explain to you why.” I believe that Soos would do anything to guard Mr Pines's secrets and these are the only two characters that could possibly make him doubt Stan, these two kids that he loves so much."
"For [DD&MD], you want to set it up as being like [Ford]'s like the coolest toy that's down in the basement that Dipper really wants to play with and he is not allowed to play with him."
"The first three quarters of the series are sort of about Dipper's crush on Wendy and this final quarter is sort of about his crush on the Author. He's such a fan of this guy and he's so used to being denied that which he's a fan of and he's never found anybody who cares about his nerdy stuff. Mabel doesn't care, Stan doesn't care, Soos cares but on a different level. He's so hungry for the approval of somebody like Ford This idea that they would bond over a nerdy board game felt like sort of the way to do this big idea in a sort of grounded way that I like better than like Ford presented Dipper with the Five Trials of the Genius Boy. “I passed these when I was your age! Can you do it too?” and it's like nope he just likes the same dork game that he does."
"The arrival of Ford is creating the two sets of twins starting to pair off between the Brainiacs and the Maniacs"
"Actually I enjoyed that [Ford putting the die in a cheap plastic case] got a little bit of a reckless side because it shows you the Stan part of him. The Stan part of Ford, the little bit that likes a little bit of danger, he likes a little bit of risk. If he would show that side, it would be in when he feels at ease, with a kindred spirit. Around Dipper he’d be like “isn't this pretty cool?” He'd never be that irresponsible around Stan.  I like that Dipper is sort of a little bit of a Achilles heel for Ford as well. Ford has certain blind spots and Dipper exacerbates some of those just because he's willing to encourage, he's willing to “yes and” Ford towards whatever dumb idea he might have."
"Dipper, Mabel, Stan and Ford, they're all characters who need each other. Without Dipper, Mabel's just in a fantasy land. Without Mabel, Dipper is just sort of just spiraling into misery, spiraling into his own neurosis and not being pulled into those social situations, not growing as a person."
"You want [Stan] to be true to our various awful grandfathers, so I feel like for the most part you know that [being shitty to women] a plausible thing for Stan to do, that you only forgive because you know he's not a role model. Nobody wants to be like Stan. The kids never look up to him. The only person who looks up to Stan is Soos and Soos is enough of a comedy character that you understand the joke is “oh this guy thinks the worst way to live is good.” And then at one point you realize why. We made it clear why Soos looks up to Stan is because he gave him his job. He gave him a father basically, he’s essentially Soos’ father. And of course Stan who's had a life of just chaos and disappointment, the only person who would be a surrogate son is [Soos] but also Soos has the biggest heart in the world. So only the biggest heart in the world could forgive all of Stan's many flaws and also if Soos can love Stan, then maybe there's something in there worth loving, then maybe we can too."
"Stan, even when he's sweet, he still has to threaten to murder his niece and nephew."
"I do think the value of [Stanchurian Candidate] is that we're learning just how important it is that [Stan]’s seen. At this point, the kids have become a surrogate family. At the beginning of the show, they were just kind of a little nuisance and then he kind of tried out getting the family from them that he never got from his brother and the idea that he would lose them to his brother is his greatest nightmare and the only way he can really express that is by trying to be impressive to them and trying to be his brother's rival."
"Ford offers Dipper this apprenticeship because Ford sees Dipper as somebody who's special like himself. That Ford's great flaw is arrogance. He believes that there's special people and everyone else and that you can be held back by your siblings. That human attachments are actually weaknesses. The song and dance that he's giving Dipper right now is the exact song of dance that he gave McGucket back when they were younger which is like “sure you could continue working on your job and computers but you and me are different. We're better than everyone else, we have a path that no one else can understand. Only us can do this.” And it’s a very seductive idea for Dipper but he starts to be a little insecure here. He’s kind of “I can't believe it” and he's sort of right to be suspicious because Dipper is a smart kid but Ford's projecting. Ford loves Dipper because he sees someone who tell him yes to everything. He'll never challenge him and if Dipper had taken Ford's apprenticeship,Dipper probably would have gone the way of McGucket, turned into a kind of insane paranoid hermit with no friends, just kind of losing his mind. Like it's a seductive offer but also ultimately Dipper needs to learn not to try to grow up too fast."
"This entire time Dipper's been having this journey of self-discovery and seeing his future as this wonderful thing that he can't wait for. Mabel has been, piece by piece, seeing her idea of the summer fall apart."
"As Ford and Dipper's relationship grow stronger, Stan and Mabel also find much more sort of connection. They both feel like the sibling that's getting kind of sidelined."
"I think [amnesiac!Stan] would be hardest on Soos, second hardest on Ford but Soos would show it. Probably third hardest on Mabel, fourth hardest on Dipper just because where their hearts are. Dipper's not heartless, that's a testament to just how heartbroken those other characters are."
Series goal+ The Finale
"So our idea was; the memory gun can erase a concept as designated by the dial. It stores it. It records you and it keeps that recording and that if you watch that recording things start to come back a little bit, that it hasn't actually completely erased it from your mind. It's more sublimated somewhere where it's really really hard to reach and in the series finale, my concept of Bill is that; if he hadn't gotten in all those forms and fought Stan, Stan is the one that destroyed Bill. Were it just the mind eraser itself that he would be sublimated somewhere but he was weakened in the mindscape and destroyed in the mindscape. But Stan's memories were being sublimated and by looking at the scrapbook in the same way that McGucket's memories come back, they start to come back to the surface."
"I think part of what makes [NWHS] work also is that it has the strongest ticking clock. Yeah, I mean. it has a literal ticking clock. Also the sun is going down it's also, the town is starting to drift apart as the characters are starting to drift apart. There's just such a sense of Doomsday and even though we have like a three-part apocalypse, to me nothing feels as apocalyptic as this episode now."
"The entire purpose of [ToTS] is that Stan and his brother have had this huge rivalry that remains to this day and threatens to tear apart Dipper and Mabel and briefly does, and then Dipper and Mabel are able to find their way together, which is meant to repair Stan and his brother's past."
"Here we're teeing up the rest of the conclusion of the series which is just “whoa this is different. The status quo is shifted and is it going to shift us?” and that was the mission of this entire story was shift. Shift things such that it pits Dipper and Mabel against each other so that they can ultimately make things right and fix their uncles’ trauma in the process."
"“Let's try to set things into motion such that all of these characters who we love, who love each other are placed at maximum odds”. So Ford's entire existence in the series is basically a wrench in the relationships between Stan, Dipper and Mabel, that Stan has had a sibling who he didn't get along with and they've grown up having this horrible rift. Dipper and Mabel are these two twins who love each other but are very very different and are at this sort of volatile growing up moment where if something goes wrong could they turn out like Stan and Ford."
"[The convincing Gideon] scene works for me because it sort of represents the full completion of Dipper's Wendy Arc. Even though he's talking about Gideon and Mabel, he's really talking about himself. That idea that you can't force someone to love you but you can strive to be someone worthy of loving. It really does come down to like be the best you, you can be and the right person will see and feel that."
"It was gonna be W1, W2, W3 and then some kind of goodbye story. I remember it being something vaguely about some sort of other time travel. Bringing Blendin back because he just kind of vamoosed in the middle of this big story. There was that discussed like time traveling back to the first day when the kids arrived. The challenge was thinking of a valuable arc. So like each episode needs to have like a new problem and a new resolution and I was trying to brainstorm what's something that could feel valuable for like a final episode after the apocalypse, after Stan's mind has been erased and he's in the process of getting it back. "
"The thing I remember I wrote one out it was it's the last day of summer. Dipper and Mabel are packing uh they're planning to go home, they're feeling like nostalgic, they kind of don't want to leave. Blendin shows up and he explains that there's all these time bubbles left over, these weird anomalies because of all the time business and what Bill has done and just to watch out and be careful. Then Dipper and Mabel actually accidentally trip into one of these bubbles that are sent back to the very first episode or actually beyond the first episode, their first day in Gravity Falls um and somehow this was meant their character arc was to go from being like a little sad that they're going to leave Gravity Falls to seeing what it was like on the first day. When they were scared to be in Gravity Falls. The idea is like their first day they're like “oh Grunkle Stan, he's this weird old man and we hate living in this house and like we missed our place of comfort back home! And this is a kind of scary new adventure that we don't like.”  The kids see their own growth and realize like “the way we felt about going to Gravity Falls like we don't think we can handle it, is how we feel about leaving.” That feeling of going into a new experience means that something new and exciting is going to happen you're going to grow. There was some thought that maybe over the course of that episode, Stan would get his memory back and something that the kids had done in the past would help him in the present, get his memory back.
"What's supposed to be happening here isn't that Stan's entire memory reappears in an instant. It's supposed to be a couple days of work and we see the beginning of that process when he looks at the scrapbook and then we're kind of jumping ahead a few days. maybe a week of just intensive memory therapy with Stan before he gets there."
"When we were trying to crack the half hour episode after Weirdmageddon, it felt like we were just kind of wallowing and Stan not having his memories. It was a very depressing thing. And we didn’t get to have Stan for the last episode, which was like “it's a great it's great i think you get the emotion like in this episode. It tears you apart when you see it. You could last a little bit longer on it. But going much longer, then you just feels like well what are we doing? Why are we just kind of wallowing in our own sorrows for no good reason.”
"When we had discussed the idea of an episode beyond this episode, a fourth episode, it was basically 20 minutes of [amnesiac!Stan]. This is so intense, you might think you want it but good lord, this is enough."
"Bill singing “We’ll meet again” was something that just felt like the perfect reference because this is kind of an ending about endings in a lot of ways and we know we know Bill's going to be defeated. We know that people like Vill and have grown attached to him and for him to sing “We’ll meet again” is sort of the perfect mysterious way to say like “I might be going, I might not be going.” It’s a reference to Dr Strangelove, a movie that famously ends with nuclear apocalypse and the song “We’ll meet again” so it's for those pop culture savvy. It's already tinged with a kind of a fear and an irony and the apocalypse built in, so it's perfect on a number of levels."
"The concept of the Zodiac as existing in our current canon is this idea that the prophecy was that friends and enemies would need to come together, seemingly impossible alliances would need to be made to stand up to Bill for this prophetic moment. You know that characters like Gideon who was who used to be an enemy, characters like Pacifica, like Robbie, that we've reached the point where thanks to the kids’ kindness and growth, they are now friends with Pacifica, they've resolved Robbie's jerkiness, they've helped McGucket with his memory. They've even overcome this issue with Gideon in W1 and so it seems like friends and enemies have all been restored, leaving only one thing which is Stan and Ford have to shake hands. And their pride once again is what dooms the entire world but they get so close."
"It's clear Stan, even though he's being stubborn here and holds things up, he's ready to do it.  He clasps Ford's hand and then Ford can't help but correct his ignorant brother with something that doesn't matter at all after professing how important all this is and how important it is to put pettiness aside, he's the one who ends up being petty in the end."
"I like that Stan [during the deal] is just thinking “all right, think white, think white, think white.” He's like “think about nothing but sitting on your lazy boy.” "
"Stan and Bill had never interacted in the series up until this moment  because he had just been taken over when he was asleep. We'd seen a lot of Ford and Bill, but Stan and Bill has never happened. And Bill sort of represents all the mystery and weirdness, and Stan is the guy who just wants to have a good life and protect his family. He's the one who never invited Bill in but he's willing to take Bill out."
"If Mabel's going home with a pig, Dipper's going home with this symbol of his friendship with Wendy. And even Stan he's wearing that Mabel sweater. That's a visual symbol of; he's softened up, he's embraced family, he doesn't need to be the tough guy all the time."
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togglesbloggle · 6 months
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In Defense of Bad Things
'Bad' here meaning mostly 'amateur'; stuff made enthusiastically by people at an unprofessional level. Art with visible gaps between what the artist imagined and what they achieved, products of flawed craftsmanship. I suppose everybody can appreciate them to some extent, it's a rare parent that doesn't put up their kid's drawings on the fridge in one way or another. But it turns out to be a fully general skill you can cultivate, and the more I do, the more I'm glad I did.
Partly, it's the teacher thing; finding delight in amateur work is one of the ways to find delight in the process of learning. Cultivating a love of striving-qua-striving can help make you a force for good in the world, as people start to feel safe trying to do things when you're around, even when their efforts are wobbly. You get to participate a little more in the process of atoms spinning themselves into ideas, even when there aren't any illusions about whether you're helping cultivate some revolutionary genius in the field.
And partly it's a fabulous way to build community. By necessity, our professional-level skills tend to be at the service of other people, performed for economic benefit; that's kind of how you get professionally good at something in the first place. When we're acting for our own sake, and among friends, most of what we do with one another is amateurish. I only cook middling-okay, I can't hold a tune that well, I'll never be a speed runner for anything. If you can only enjoy singing from the hundred best singers in the whole world, manufactured and polished by major studios, then you and your friends will sit shoulder-to-shoulder and passively listen to music. But it's so much richer an experience to sit face-to-face, actually singing together, even badly; you expose yourself to so many new ways to appreciate and respect one another, building relationships on what you've accomplished and not just by witty criticism or liking the same things.
And partly it's because some of the most powerful and innovative artistic experiences are in high-churn environments with low expectations and low barriers to entry, if only because those catch the passionate and driven young people that have been otherwise overlooked by our systems. The golden age of webcomics meant that a ton of the actual art involved was pretty lousy, but it also produced work that people still talk about today. D&D began as a profoundly unpolished collection of handmade rulebooks sold at cons in a plastic baggie. By the time these products of enthusiastic amateurs filter themselves through various levels of popularity and absorb mainstream cash influx, they're often risk-averse and missing a lot of the bold spark that inspired their fans in the first place; others will simply never drift towards the mainstream at all. I'm not saying you should be the person who goes out to dig through the slush piles of the internet looking for overlooked art, unless you want to be-- but sometimes a work of actual staggering genius also happens to be a Supernatural fanfic by a first-time author who's a little hazy on commas, and if that's a dealbreaker, you're going to miss out on some profoundly valuable experiences.
And hiding behind all of these things is, like...
Our appreciation of beauty has an odd structure, right? When things are done very skillfully, by brilliant artists with years of training, we can usually appreciate those accomplishments. And when we're looking at nature without human influence, and especially when we think very deeply about natural processes and understand them in context, we often rediscover that sense of beauty. There's just this bizarre hole in the middle where we declare things 'ugly'; as if a little skill is worse than none at all.
I really don't trust that gap. It feels like a trick my brain is playing on me, you know? It has me suspicious that a lot of what I consider 'ugly' or 'bad' is not a very direct experience of the world at all, or an informed judgment. That it is, rather, a declaration of (self-, social-) identity; a desire to be seen as a person of good taste, or as somebody who does things well, or just more primitively as one of the monkeys who is in the good-stuff-tribe and not one of the monkeys who is in the bad-stuff-tribe.
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