#i know this probably isn't a plot the movies would explore for the sake of telling new stories which i understand

[sensesdialed]

i've talked about this but i'm still kind of obsessed with the idea of peter either knowing or having a sense of Who Is Doomed By The Spider-Man Narrative bc of nwh and trying so hard to steer them away from that path in advance but it only ends up pushing them further towards it

[toy-capsule]

barbie movie rewrite because it was okay but i know how it couldve been better

ya so i've only watched the movie once and actively as i was watching it i was thinking of ways to rework the plot.. and i wrote none of it down after i saw it. but i like this website and i should post here more so here's my nonsense thoughts :)

so couple of main changes need to take place for this movie to work as a proper feminist movie in my opinion. making it perfect or overly nuanced isn't my idea of fixing it; I would much rather improve the fundamental message and conclusion so it isn't a specifically flawed intro to feminism because that is a really valuable thing for movie's in this climate to be.

change 1: alan deserved better!

one of the biggest philosophy's of feminism i believe in is intersectionality. alan is in a very interesting spot in the barbie world which i believe makes him uniquely suited for the movie's core conflict- an opportunity that the writers squandered (number one pathetic character apologist here). anyways, from what ive seen in the commentary and reactions this movie has, is that like weird barbie, alan is seen as a bit of a queer icon. but instead of his typical pre-movie interpretation of him just being a gay man, ive witnessed many also head canon them as non-binary as well (I'll stick to he/they pronouns for them here!) because of how much he chooses to associate with the barbies over the kens more often than not. i cannot believe that this wasn't explored more in the conclusion.

this leads me into my main argument for alan- instead of simply inspiring the resolution they should've been a much more important key player. how this might happen starts with the dance off in the third act. i think that pitting the kens against each other here was a pretty low blow narratively, it really establishes a pretty unfortunate theme for the ending which is just division between the two groups. (the barbie movie is really just misogyny but in reverse and doesn't attempt to fix any of the problems it acknowledges.) instead of infantilizing the kens -which was fine at the beginning of the movie for shits and giggles but became less funny and more frustrating as the movie went on- i think a much more productive start to the beach dance-off scene could've been alan trying to talk sense into the kens (like gloria does for the brainwashed barbies.) it would have needed to fail at this point for the sake of conflict but it would have brought in an easy applicable solution for our real life equivalent of misogyny into the narrative - men (and those apart of their sphere socially) talking to and checking their fellow peers when they are doing sexist shit

after the barbies take over the supreme court and do their thing we have a bit of tension to resolve still. even though gosling's stereotypical ken (sken) has discovered that he is kenough, that can't be said for the rest of the ken's. liu's ken #2 (real character name) should probably be the one to try to enforce the patriarchy just because of the preestablished tension. i think it would be a wonderful moment to see sken stand up to him properly here and really acknowledge alan's message here of respecting the other Barbie's as people and friends (shout out ace stereotypical barbie!) rather than objects. additionally they ask for respect in turn (equal representation on the supreme court because that ending was so foul wtf) also maybe some hand holding action because i am nothing if not a poly sken/alan/ken2 shipper- this is still a tumblr analysis what did you expect)

change 2: ruth shouldn't have been god, barbie should've

barbie becoming human at the end was weird and gross. who would actually want to be human? i'm sorry but if i lived as an inspirational concept to little girls around the world i think i would've taken that power a bit more seriously.

i'm so glad ruth was included in this movie and she should still play a key part in barbie's crisis and development. but.. instead of being god i think she should've acted more as a guiding spirit to barbie or a silly (possibly vengeful - literally just for fun i have no basis for this) ghost haunting mattel. after all, all of barbie's power comes from being an idea that can persevere throughout generations, and ruth is well... dead. i think instead of asking to become human when she got agency the conversation shouldve gone a bit more like this : ruth: what do you want barbie? barbie: honestly i don't know, is that normal? ruth: yes honey, (big dramatic monolouge about not rushing to find purpose.. etc) barbie: after everything that's happened i still dont feel like i belong ruth : that's okay too. you have all the time in the universe to decide what you want to be, youre in control of your own destiny barbie: the universe sounds nice actually, but there is one thing i need to do before i go *she fucking obliterates mattel's ceo and thats how she debuts as god*

not the best but better than her going to the fucking gyno as an ending

minor changes!

I think gloria and sasha should have gotten more development, making them mirror ruth and barbie wouldve been a nice touch. maybe an ending or after credits scene depicting the two of them having a similar conversation to the one i just described would have been silly. (also please take sasha more seriously that girl is right about everything and is listened to only a third of the time she actually gets lines. she could've been an excellent dead-pan comedic foil to the more absurdist jokes of the film, under utilized fave) big opportunity to make that conversation absolutely unhinged too:

gloria: you can be whatever you want in life kid sasha: *actively pinning up pictures of warner bros ceo david zaslav on a bulletin board with a big red x and looks directly into the camera* I know mom <3

mattel's depiction was barely passable. i have had enough of major companies being posed as villains but keeping them silly and unthreatening- its unfaithful and disrespectful to real life. start them off as silly and shitty, thats fine. it matches the tone of the movie- but as parallels between real life and the movie converge in the third act, mattel should start acting like the predatory company they actually are.

their investment in reinstating barbie as supreme leader over ken despite him making more money in the name of "feminism" would have never in a star death ever happen. literally the entire board only being men was a joke they really fucking made and still had them supporting women- it ruins the entire thesis of the movie and makes the message muddy. fix that, keep them forcefully trying to pair up barbie and ken but change it so its true life: nothing more than an effort to make more of a profit and bring patriarchy to barbieland. this would've brough the climax to an apex and match the stakes to my barbie god conclusion.

anyways yeah i loved the artistic direction of this movie and the casting but not much else! let me know if i missed anything and thx for reading

[kylosrehn]

for the tv series thing, I know it isn't one but star wars?

send me a tv film series and I’ll tell you:

my all-time ultimate fave character: 

Since the sequels came, I’m highkey loving Rey. But before that it was Vader. Still is, I guess. They’re kinda tied. Yeah I like the villains okay fight me.

a character I didn’t used to like but now do:    

Hmm…Kylo I guess. I never disliked him, but I was pretty meh about him. I just didn’t care all that much. But I like how they fleshed him out in TLJ and built-up his backstory, and I’ve warmed to him since. He’s very much a tragic character and I always like that. Between the two of us, he reminds me a little bit of Ward—or FW Fitz, take your pick. It’s the whole lack of affection/evil mentors make monsters out of good boys/men thing all over again. 

      a character I used to like but now don’t:

I actually left this question til last to see if I could think of something, but nah, I’ve got nothing. I don’t think I went from liking to disliking any one character completely, just kind of…liking them less. Padme is one of those. She used to be my girl through my childhood and now I’m more meh about her. I guess that’s the closest example I can think of right now.

a character I’m indifferent about:

There’s a good few. Rose, Finn, Holdo out of the sequels. They’re the first ones that come to mind. Boba Fett, Phasma, Hux (aside from the fact that he makes for good comic relief). I don’t know, probably a few more.

a character who deserved better:

Maybe Padme, because the whole ‘breed and die’ trope, but it was obviously necessary because she never shows up in the originals and they had to explain that somehow. And Obi-Wan. Though it’s less of a ‘deserved better’ and more of a ‘fuck he’s been through a lot of shit in his life.’ The Rogue One crew I suppose, though again that was a plot thing. 

a ship I’ve never been able to get into:

Finn/Rey. I’m just not very interested in friends to lovers ships (looking at you FS.) And maybe Han/Leia. I know they’re basically at “iconic” level by now, but they never really wowed me. Tbh most SW ships are like, “eh, okay” for me. I tolerate/moderately like them, but there are very few that make me go into hardcore shipper mode. Mini-me loved Anidala growing up, they were literally one of my biggest childhood OTPs, but over time the allure has started to fade and I’ve picked up on more and more flaws, and honestly, I think I’ve just outgrown them. Now I’m focusing on Reylo because it’s just such a cool dynamic that’s never been explored in the films before (I mean, a telepathic/empathic bond that lets them tap into each other’s skills and memories? That’s so awesome, I’m so here for this) and all that build up and development in TLJ really got me. I was kind curious (but mostly in the worried kind of way) to see how they’d approach it after TFA but now I’m 100% on board. I loved what they did with them. Aaaand that’s not the question. (Totally unrelated: I lowkey shipped Vader with Aphra from the Comics. It’s such a rarepair, but the dynamic was quirky and I’m always here for that. She was kinda like a S1-Skye cracking jokes at this evil, murderous Sith Lord. Plus, the line “you’re what I’ve been waiting for my whole life.” ‘Nuff said.)

a ship I’ve never been able to get over:

Reylo. Please don’t screw it up in IX, please please please.

a cute, low-key ship:

Jyn/Cassian. Also, I really like platonic Finn/Rey. And Luke and Leia’s relationship. And I wouldn’t be opposed if somehow Finn/Poe happened. And Poe/BB-8. Okay so not all of those are ship-ships, but y’know.

an unpopular ship but I still enjoyed it:

Tbh I lowkey wanted Poe to be with Paige, Rose’s sister, but lol she got killed off pretty quickly. Unpopular…well, I’m kinda looking forward to seeing how Han/Q’ira plays out in Solo (I’m 99% sure she plays him somehow. But hey, that seems to be my type.) I don’t know.

a ship that was totally wrong and never should have happened:

Eh, I don’t hate any ships, really, or think something was “wrong.” Not a huge fan of Rose/Finn just because I don’t see any chemistry between them and it sorta feels one-sided, but I mean, you can develop feelings over time, so that might change in IX. I don’t mind them, they’re just kinda…there. Not a fan of Kylux but that’s just a fan thing, so whatever.  

my favourite storyline/moment:

Right now it’s the Reylo Force Bond scenes. Yeah, all of them, lol. And the throne room fight scene because you expect them to start attacking each other, but instead they work together and subvert all expectations and I loved it. That scene at the end of Rogue One where Vader just demolishes the rebels. It was so dark and chilling and just all around ahh. Also, the Obi-Wan/Qui Gon/Maul fight from TPM is one of my all-time favourites. And the music! Ahh, awesome. Oh, also, the arena fight on Geonosis. I’m not sure I have a favourite storyline—though I’m admittedly a sucker for the whole ‘here, go on a totally-not-romantic trip to protect to senator on this beautiful, lush, fragrant world and try not to fall in love lol bye’ storyline because it’s just so wonderfully tropey. It’s like something pulled straight out of fic (and not necessarily in a bad way.) I’m kinda tempted to write a fic based on that, ngl. One day. 

a storyline that never should have been written:

Predictably, lol, I’m gonna say the Jar-Jar Binks/Gungan stuff from TPM. The whole underwater kingdom concept was cool, but it just felt like it took up way too much screentime. I wouldn’t have minded if it was just more of a background thing, or if it was of lesser importance. They’re just a huge part of this film and then they’re virtually never brought up again (in the films) in any significant way, so all of that just feels so moot and unnecessary, like it was just a run time filler. The political plot, although somewhat frustrating, does prove relevant to the story later on so I’m cool with it. I don’t think I hated any storyline really. TFA was a disappointment for me in that it felt a little too familiar and I really wished they would’ve taken more risks and tried to pave their own path as opposed to recycling elements (I mean, ANOTHER Death Star? Sorry, Starkiller Base. Really? And the Empire’s defeated but like, merely a few years later they’re back and crushing the rebellion again? Sorry no, that’s…It’s the First Order now. Got it. Totally different. My bad.) from the originals just to please the hardcore fans, but luckily TLJ assuaged most of that frustration. I can only hope the mood for IX is closer to TLJ than TFA because that would be regression and honestly just a huge insult to the saga.

my first thoughts on the show films:

I think I just loved them straight away, lol. I must’ve been…five at most when I first watched them—well, the originals and I and II, they were the only ones that were out at the time—on the good old VHS with my dad because he was/is a huge fan and he got me into it. Obviously the more nuanced stuff flew over my head as a small kid and certain things only really clicked when I rewatched them years later, but the love was there. 

my thoughts now:

I still love it, though my love tends to come in sporadic bursts now as opposed to being linear all the time. Like, I can just push it to the back of my mind for a year/two/three but then something like Rogue One comes out and reminds me just how much I love that world. I ride the high for a few months, read fic, etc. and then the hype tapers off and plateaus for a while. Nothing for another few months/a year, new movie, and wham, I’m sucked back in. 

I try to stay in my own little corner though and not get too involved in fandom because the drama is just nasty and can really suck the enjoyment out of, well, everything really. For a long time I guess I just wasn’t aware of how nasty the SW fandom was—aside from the group that hates on the prequels for the sake of hating the prequels because it’s what the cool kids do or whatever—probably because I didn’t actively go looking for this type of stuff. But then TFA came out and it kind of erupted like a volcano that’s been…somewhat dormant since III in 2005. Still, I stayed away from it for the most part, only hearing stories of hate in passing, and never really engaged until after TLJ, when it became a little “safer” for the Reylos to emerge. Before that it was two years of hell and name-calling and threats and verbal abuse and general fandom wank, to my knowledge. And that’s fucked up. No one should have to endure that, not in any fandom. Stuff like that just pisses me off so much. But I’m sure you already know that.