#i know most of the tumblr people haven't seen it but yeah

[hunkydorkling]

Guess I'll show you guys what I was working on since being attracted to my art style again:

[graysturns]

𝕗𝕚𝕥𝕥𝕚𝕟𝕘 𝕣𝕠𝕠𝕞 | 𝕞.𝕤.

note: hey guys this is my first time posting my actual work and i’m kinda new to tumblr so pls be nice or i will cry ok thanks bye

warnings: idk smut ig

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"babe please hurry up, we're already running late," matt sighs as he shuts the car door.

"i just need to get some shorts or something, i can't show up to your mom's house in these jeans, look at this" i lift the sweater wrapped around my waist, revealing the rip around my inner thigh.

he rolls his eyes and sulks behind me as we make our way inside the old navy in our hometown. i begin to scan the various women's clothing, looking for something basic, because it's too late to go back home and figure out a new outfit.

"will you hurry up and pick one? please, y/n. chris is texting me wondering where we are. they want to start eating without us and he's most definitely gonna eat all the mac and cheese."

i roll my eyes at him. "first of all, never call me by my government name. rude. and second, we just got here, breathe. we wouldn't be here if you hadn't grabbed my ass so harshly when we stopped at the gas station. you caused this by manhandling me, matthew." i shot back.

he sighs again as i grab a few different options in my size and head towards the fitting rooms. upon arrival, we notice there aren't any employees so i pick a stall and wave matt into the small room.

he looks up at me, then around at our surroundings, "are you sure? i don't think they allow multiple people in at once, i'll just wait here."

i roll my eyes again. "matthew! get in here! i need your opinion. this store is basically empty anyways. it's not a big deal, you've seen me naked before. let's not act so innocent."

he follows me in and takes a seat on the bench facing the door. i untie the sweater he lent me and throw it at his face. "rude!" he exclaims sassily, throwing the wad of clothing to the ground.

"uhm, excuse me, you're rude. you're the whole reason we're in this mess." i begin to remove the ripped pair of pants and pull a new one off its hanger.

facing the mirror on the door, i begin to pull the pair of mom jeans on before matt looks up from his phone and stops me.

"baby, i've never seen these panties on you before, are they new?" he smirks at me. i nod, swatting at his hands.

"wait stop, they're super cute, why haven't you shown me?" he looks up at me with those hypnotic blue eyes, brows furrowed.

i turn around, with the jeans still around my ankles and my hands on my hips. "do i need to inform you every time i purchase a new article of clothing, matt? it's just panties."

he wiggles his eyebrows at me, "when they make your ass look like that, then yeah, i must be notified immediately." he places me onto his lap, pulling the jeans all the way off my ankles so i can straddle him.

"baby we're running late, you're the one who keeps insisting, as much as i want to, we don't have time to fool around" i say to him between the open-mouthed kisses he begins to place on my neck.

he starts to take my top off, then gasps. "fuck the mac and cheese! it's a matching set, now i really can't believe you kept this from me." he drools at the sight of the lacy see-through bra, rubbing his thumb over my visible nipple. he yanks down the thin fabric, causing my boobs to spill over. with one arm wrapped around me, clutching my ass, he uses the other to massage my breast, all while kissing my neck. i feel myself starting to give in, biting my lip to stifle a moan. "matt, i-i don't think we can do this here." i slightly protest, but he reaches up to kiss me, and bites my bottom lip.

i'm done for.

he's kissing and grabbing and rubbing all over me and i'm a mess. i can never say no to him, he knows how to manipulate my body to want exactly what he wants. i can feel his bulge through his jeans, and i grind on it slowly, making my clit throb against it.

suddenly, he lifts me and flips me around so im sat on his lap, and we're both facing the mirror. he's unbuckling his belt, then his pants. he wraps one arm around my waist and lifts me slightly while he pulls down his pants and boxers, revealing his dick, standing tall and proud.

he makes eye contact with me in the mirror and grabs my face, smushing my cheeks together, and whispers in my ear, "i want you to watch baby, watch how good you can take my whole dick inside of you, pay real close attention."

he smirks at my widened eyes, and moves the panties to one side, rubbing the wetness all around and then on my clit.

"you normally get to scream all you want, but not this time baby, okay? you need to be really really quiet for me, got it?" he covers my mouth.

i nod quickly, and without warning, he picks me up and thrusts his entire length into me. i hold back a scream, and i feel tears falling down my cheeks. no matter how many times, how long we've been together, i'll never be used to his size.

he gives me a second to adjust, and then begins to pound into me over and over again, my back sliding up and down his clothed chest. i'm watching as my breasts bounce up and down and his dick glides in and out, in and out. he uncovers my mouth, keeping one hand on my waist, and starts to rub circles on my clit with the pad of his thumb, making me roll my eyes back further in pleasure.

he begins to nibble on my ear, then moves down to suck the spot right underneath. as he kisses down, i feel him bite down on my shoulder to suppress a moan.

"matthew!" i hiss at the pain, but it feels so good.

"shh!" he pinches my nipple, causing me to let out a whimper.

i grab his wrist, stopping his movement, and smile at him, "my turn." i bend down slightly, still facing the mirror so he has a full view of my ass while i bounce on his dick. he presses down on my back, sliding his hand down to secure a firm grip on my neck. he curses under his breath, trying hard not to make any noise while i'm aggressively riding him. he places both hands on my ass grasping and slapping occasionally, until i sit back up and we're making eye contact in the reflection. he's rubbing on my clit again, using his other hand to massage my left breast and i can feel a knot forming in my abdomen.

i turn around so i'm straddling him, and continue to bounce up and down. he grabs me by my throat and kisses me roughly, before planting a hard slap on my ass. i move faster, and he groans, grasping my ass tighter, leaving hand-shaped bruises for him to stare at later.

"i'm almost there baby. fuck, you're the most beautiful thing i've ever laid my eyes on." he whispers in my ear and i close my eyes, feeling my climax creeping close.

we start moving in sync, until my legs shake, and i feel his dick twitch, then shoot his load into me, causing me to finish as well, leaving me trembling on his lap. i drop my head forward onto his shoulder, desperately trying to catch my breath

he wraps his arms around my shoulders, kissing the side of my head. "wow, what we just did was probably super illegal, " i laugh at his comment, but then frown when i realize what we've done.

"fucking hell, matt. we can't buy pants now, i feel too awkward going up to the register after we've been in this fitting room for so long, they probably know what we've been doing!" i cover my face with my hands.

"baby that's alright," he grabs my wrists, pulling my hands away from my face. "just put your clothes back on, we'll go back to the car, and you can just borrow some sweats when we get home."

i stare at him, mouth gaping in realization. "are you serious? we could've just done that in the first place! i'm so dumb, why didn't i think of that?"

he stands and helps me put my shirt on, followed by the ripped jeans, "it's alright y/n, i didn't think of it either. let's go home, i'm starving." he smiles at me, rubbing small circles on my back.

"i love you, matt" i look up at him, with red cheeks, wondering how i'm going to leave this dressing room with any dignity.

"i love you. don't worry, i know what you're thinking. just hold my hand and we'll walk back to the car, c'mon." he laces our fingers together and kisses me on the forehead, unlocking the door and stepping out of the changing room.

luckily enough, nobody seemed to even notice us weaving through the aisles and exiting the store. we managed to get back in matt's car without a single interruption, and soon after arriving at his house, where chris had demolished the entire dish of mac and cheese.

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ahh can’t believe i’m posting this but fuck it we ball

to be added to taglist comment here

[lennjamin-o7]

i don't think i have it in me to watch philza minecraft's too many hours hardcore streams, so I'm just curious- how does he do lore for his hardcore series?

I can give you the info I know, and I am 100% certain there are people who can give more thorough explanations and/or correct me. @rakkuntoast is someone on tumblr who I know is much more informed than me about Philza lore.

Most of Philza's hardcore streams are him building these massively cool builds. But, the Lore of the series is that he is more of an archeologist or historian, discovering these locations and the story behind them.

A lot of the Lore is delivered by him explaining and narrating the story of the world as he builds. Occasionally, he will go through the whole story of the world for new viewers who don't already know. And sometimes, happy accidents or jokes just become a part of the story.

The main lore is this.

The Enderking, a God who ruled the End, was greedy and thought he deserved to be in control of everything, so he set about stealing everything for himself.

He tried to pull in parts of the Nether, but was stopped by the Blaze Empress, goddess of the Nether. Part of the Nether is still affected by this tussle, seen in the Nethervoid build. Also, during this clash, two of the Blaze Empress's BEST warriors known as He and She were separated. They were in love, but never confessed to each other their feelings. Now they are just lava pools, separated forever. (He and She were added because Kristin convinced Phil to put a smiley face in a lava pool and the Lore sprung from there).

Then, there is Flowerfall. Flowerfall was the home of the Ocean Overlord (Affectionately called Ocean Himbo by the Crows and I had to actually google what his title was because I couldn't think of it other than Himbo). The Ocean Overlord was a god of, well, the ocean. He lived in this massive underwater palace. When the Enderking was stealing parts of the world, the Ocean Overlord was asleep. He was asleep through the whole War, actually. And the Enderking nearly ripped his house out from under him! It was only another deity, Rose, who stopped the Enderking from stealing the Ocean Overlord's house.

The Gods (Minus beloved Himbo) fought against the Enderking and kicked him out of their realms. I'm not remembering exactly, but I think that in this tussle and the return of the Ocean Overlord's home, the sea flooded the End, creating Endlantis (someone correct me on this, if its wrong). The Enderking was slain (however, he's a god so he's not REALLY dead). His corpse lies underneath Endlantis, always possible that he could return.

There are a ton of details that are added onto this, but those details are really only fleshed out in one-off moments within Phil's streams. Like, Phil adding a tree at Spawn where the Blaze Empress and Rose send each other gifts and messages because they are such good friends (Crows know they are gal pals, even if Phil doesn't confirm it). Others are derived from accidents like the Battle of Endlantis, which was where multiple dragons were accidentally spawned, and Phil had to kill them off. Or when Phil lost his trident in the void, he made it big and existant in the newest season as if it had transcended dimensions.

There are other gods that we haven't been introduced to, as well. I think there are 2 more that he hasn't named. However, yeah, its kind of hard to keep up with all of the Lore if you aren't able to constantly watch it. I know there is a really good video of Philza explaining his Hardcore Lore to, I THINK, Slimecicle? But I couldn't find it. If anyone knows where it is, please link yes!

Anyways, I hope that answered your question 💚💚💚💚

[nitrowyverine]

I thought playing Obscura would help me get rid of my brain worms. no, it just gave me new ones. For Obscura, specifically.

I'll be adjusting the format from my TOUCHSTARVED expanded thoughts post. Brain dump after the cut!

[Demo/CH 1 spoilers are included]

(Header Image from Itch.io page! All images in this post are either from there or the Rotten Raccoons tumblr page)

Design/gameplay thoughts:

In full honesty without fluff: this game fucks immensely.

The setting for Obscura might be my new all-time favorite, like, ever. Mystery underground scandalous marketplace??? Under a mountain???? it's a diverse and vast city that's still elegantly contained and claustrophobic, but in a spicy way. The worldbuilding and flavor is excellent. I really want to run a TTRPG in a similar setting now, since its an area with so many possibilities.

CH. 1/the "demo" has a LOT of meat on it. It's got different endings, variations, a whole soundtrack. Speaking of sountrack-

Obscura is also one of the few games I've put on the soundtrack to just to vibe to. The soundtrack is SO good, and sets such a strong mood/tone. I think it complements the game perfectly.

Allot of people have mentioned it, but I am also a fan of the Safeword pause menu. It's a nice and comforting touch, especially when the game can get so intense. It lets players take a breather if they need it, but also doesn't interrupt the intensity/mood of the game for someone who doesn't want a break from the narrative.

Now, onto character specific thoughts!

Cirrus:

IN MY HOUSE WE DON'T BELIEVE IN NOT STARTING OUT STRONG

Shout outs for having your asexual option in the dating sim be. The kinkiest guy there

Cirrus is a bit too intense for me, however, that is NOT a bad thing in the slightest. I think his route is well done for those who are up for his brand of intensity.

I might still play his route because. damn this boy's issues got me curious about his backstory. ($10 on mommy issues)

I had the hardest time getting to Cirrus's good end during my playthrough because having pretty much any self-preservation instinct around Cirrus gives you a bad/neutral ending. He's the only one I had to pull the guide out to get the best ending. (I think I'm just too sassy)

I get medusa vibes from Cirrus. The snake imagery is more likely tied to the lunar church, but his staunch reluctance to take his own mask off makes me wonder (this is mainly referenced in asks answered by the Rotten Raccoon studios). Refusal to let people see his eyes + snakes + power + slightly unnatural abilities to influence is, something.

I am shaking this man like a snowglobe WHAT IS YOUR DEAL I MUST KNOW MORE

(I am. metaphorically shaking him like a snowglobe. I would never shake this man im terrified)

CONCLUSION: Most likely to shame you for your anime choices. Least likely to be normal about it when you ask for help peeling an orange.

Keir:

HERE COMES BIG MAN

yeah he's tied for favorite right now. the slow burn in his plot is just too good? big man....freckles...secret soft side...im weak

he's so nice I keep forgetting. He kind of kidnaps you? not even kind of he just drags you off the street and goes "you live in my house now". Even Griff calls MC a stray early on. My man really said "Here's a convenient lost human I'm dragging them home now"

oh my GOD they were ROOMATES

I definitely was too nice to him in my first playthrough until I realized he does need (and want) to be sassed to death.

this man is like 6'6 and the canon-ish Vesper height from the CG is 5'4. THE HEIGHT DIFFERENCE. This kills the man (me)

The sprite of Keir's ears blushing SENDS ME INTO A FRENZY

I quite liked the gameplay style of Keir's route. I was so focused and invested as soon as I realized I needed to remember specific directions to save the heist group during timed decisions

Something I haven't seen discussed yet: I'm mega curious about the dagger Keir has on his outfit. It's specifically pointed out in text that it's high-quality, and I vaguely remember an ask that Rotten Raccoons answered that said it's a status symbol. (The dagger also just looks SO cool. and....it looks like Francesco's...?)

(My bet is that he either 1. stole it. or 2. got it from Oleander during their tryst (WHICH WE ALSO NEED TO TALK ABOUT-))

CONCLUSION: Most likely to be gifted a "WORLD'S BEST DAD" mug from his similarly-aged peers. Least likely to live down that one time he ate soap because he thought it was edible.

Francesco:

someone keep the "silver dust" away from this lad im scared

Originally, I was least looking forward to playing Francesco's route since I just wasn't interested in his initial concept. After playing his route though? It was excellently done, and I genuinely had fun. It was refreshing to have a character more naive than Vesper, so more cultural aspects were explained and we got a good alternate perspective on the marketplace. Also, it got REAL spicy in new and exciting ways the other chapters didn't. I'm really looking forward to the next chapters with his route!

I totally love the contrasts in his design and his character. He's got both bright red and blue highlights in his design, his outfit is very pointy and angular while his hair/smile is soft and flow-y.

And in his personality, he's both sweet and open, but extremely cagey about some information, and quite pragmatic when he wants to be. I think he's way smarter than he lets on.

that doesn't mean I don't want to bridal carry him and tuck him into bed at night after a all-nighter party

I do think Fran's slightly looser demeanor could lead to him being even more brutal than the other LI's. Remember that one anime clip (Found it, it's this one from Danshi Koukousei) where a group of friends wants to fight for fun, but one of the friends asks why they need rules in a fight? And said friend is shown like secretly holding a rock and was ready to use it? that's Fran. He would not have chill and does not heed the rules.

"Protect the boy", but mostly to prevent him from tasting blood. Because if that happens we're all fucked

CONCLUSION: Most likely to eat that M&M off the ground because you dared him. Least likely to beat the puppy allegations.

Oleander:

Oleander is tied for favorite with Keir. Oleander is just *chefs kiss* LOOK AT HIM. inscrutable......

Somewhere in an ask answered by Rotten Raccoons studio, they mentioned that for Oleander's route, they were going for a "Sexy boss situation that doesn't feel like a work safety violation". They hit that right on the nose; there's intrigue and a power imbalance, but in a non-restrictive or terrifying way.

I love being involved in the business part of his route. I keep making decisions like "Hmm yes my primary goal is to romance Oleander. But what would be the smartest business move here? How do we advance our agenda?"

Also, I do love playing a sexy evil secretary in a vn. love having a job and being evil at it AND being paid money. 10/10

That dance scene is everything I could have ever wanted no notes

I am fascinated to find out more about what he's been up to since his last trek into the marketplace. Seems like people are trying to kill him all the time anyway, so what would be enough to cause him to leave?

he's like an angler fish, but the lure is his booba

I relate to Oleander in that. I have too many online usernames because I can't stick with one. People get my 800 online names mixed up often. He has the same problem, we're basically twinsies

This man is pretending to be a himbo like his life depends on it (It probably does). He's too smart though, I know for a fact he has at least three different schemes going at any given time.

CONCLUSION: Most likely to be able to help you properly lace a corset (this man knows the boot-to-the-back necessity of the process). Least likely to be allowed to be banker during monopoly night.

Vesper:

black mask enjoyer 4 life

(all three are good I just wanted to say which one I picked. And to add my conclusion section)

CONCLUSION: Most likely to get their shit rocked by a falling piano. Least likely to survive an argument about pineapple on pizza.

Concerns:

With how separate the four routes are, the game could potentially feel like four separate visual novels all in one universe. Maybe I haven't played enough VN's, but there is a feeling of separation between the routes.

In the very beginning of the game, when you're picking your route, I wish there was a bit more heads up/information between who you're picking. For example, I had a rough idea that going into the church is where you'd find Cirrus, but only from information outside the game. I didn't know sticking around for the brawl would push you into Kier's route. It's overall pretty vague to which route you're going based on only in-game information.

Misc thoughts:

Vesper: "How are you going to keep me?? ;)" Keir and Oleander: "crimes" Vesper: "Wh-" Keir and Oleander: "you're an accomplice now congrats we're in this together. wanna get drinks"

catch my socially anxious ass wanting to be under the mountain and wear masks so I don't have to make eye contact with strangers all the time. at least its a fun thought to have when I mask for covid

OKAY FRANCESCO AND KEIR'S DAGGER MATCH? AND ARE RED/BLUE LIKE FRANCESCOS OUTFIT? DOES IT MEAN ANYTHING??? probably not but I do like the pretty knives....

For real, I got the brain worms for this game, I'm on the edge of making a big ol playlist. the headcannons? They go on my friend. they go on. I'm laying awake at night thinking about what each character would order at a coffee shop

by the time I publish this post. I did start working on the playlist

yes, I've also designed my own vesper, its such a prime opportunity for character design.

Obscura also may or may not have inspired me to get involved with an otome jam game team, more on that in the future possibly.....

OVERALL: I got the first chapter/demo of Obscura for free from Itchio/steam. High marks for writing, sound, art, game design, all of it! I am on the edge of my seat waiting for CH2.

TL;DR: If you haven't played it, and love spicy and dark stories, go play it! Part one is free! and fantastic.

Itch.io

Steam

[welcometothejianghu]

Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 山河令/Word of Honor.

Word of Honor is a 2021 adaptation of a novel by priest that tells the story of two beautiful murderers, their three kids, and their collective attempts to ignore the fetchquest madness that has taken over the rest of the jianghu.

Look, you know what Word of Honor is. Doing a rec for this is like doing my rec for Nirvana in Fire -- I am not introducing you to a new concept. Even if you haven't watched it, you've probably osmosed enough through the rest of Tumblr to have an opinion on it. At this point, if you haven't seen Word of Honor, I'm assuming it's for one of two reasons: either you haven't gotten around to it yet, or you haven't been sufficiently moved by what you've seen fandom do with it.

So I'm going to give you five reasons to watch the show, and they're probably not going to be the reasons you've seen already. Not to say that the other reasons are bad, but you've heard them already, right? What I've got for you are five somewhat more unexpected reasons that may just convince the fence-sitters that this nut-flavored morass of toxic relationships is worth your time.

1. No matter how gay you think it is, it's gayer

Okay, sure, you've probably been given the impression that this show is real gay. But I don't know if you know how gay it is. This show is so gay that we still haven't seen many of the other BL-flavored shows filmed around the same time period or since, because Chinese censorship gay-panicked and locked them all away before they could air, because Word of Honor was just too gay.

Zhou Zishu and Wen Kexing (L-R above) are in love. The story does not make sense if they're not. There is no story if they're not. Everything else in the show is set dressing to this incredible adventure story of two horrible people who fall for one another.

Oh yeah, did I mention that they're both bad guys? One's a fascist toddler-murderer and the other's a cannibal mob boss. These two deserve one another, in every possible sense of that phrase. In any other property, they'd be the villains -- and even here, they're still kind of the villains! It's just that the heroes are worse.

What's more, their two actors absolutely understood the assignment. They got the memo. They read the book. No one ever had to sit them down midway through shooting and explain their dynamic. They had it from the table read. When given creative freedom, they chose to double down and make the gay shit even gayer.

But the actors weren't the only ones who knew what they were doing! Everybody working on the production was pretty much in full-on Let's Make A BL mode. There are no gay accidents here. It's so gay that it's actually gayer than the version that aired. If you can do a little lip-reading (though beware of spoilers in those links), you can get at the original filmed version, which had a number of lines that were too homo and/or sexual for Chinese television.

No, they don't kiss. They don't have to. This is the TV version of the tweet about, what's gayer, gay sex or whatever these two have going on? The answer is, whatever these two have going on.

It's so gay that they're not the only gays. No, I'm not going to tell you who the other gays are, in part because spoilers. But trust me, they're there. Lesbians too! And a bisexual elderly polycule! And one pair of hets that we love love love, and most other heterosexuals are creepy and gross. And if that's not an accurate representation of how the world looks to queer people, I don't know what to tell you.

2. Go nuts!

You are not prepared for the product placement.

Word of Honor started off having a budget, so they went ahead and started spending that budget in the way you do when you're making a TV show. Unfortunately, circumstances changed, and their budget became much less, which meant they couldn't keep making that TV show unless they got more dollars. But where to get a sponsor for a fairly low-profile wuxia BL property?

Enter our hero: Wolong Nuts.

I have seen actors do bumper ads in costume for products from their various sponsors, and I have seen actors do bumper ads in character for the same. But the feeling of seeing a modern product diegetically hawked mid-scene by ancient fantasy characters is like none other.

Something like 40% of Word of Honor's total budget came from this nut sponsorship. And here the thing: It worked! It sold nuts! Hell, I’d buy them if they were sold anywhere near me; I like nuts in general, and nuts that support the queers in particular.

I'm including this as a selling point because, come on, it's funny as hell. But it's also a good place to warn you that Word of Honor has what we're politely going to call a spotty use of its funds. Some things, like everyone's outfits and the score, are lavish and beautiful. Other things, like some of the sets and a lot of the CG, are janky and sad. Crowd scenes are thirty humans and a bunch of Blender assets. I've never seen so many fake plastic trees together in one place before. There's a lot of visible hairnets. Like, a lot.

The show was originally planned as being 45 episodes long. It wound up being 36 + a tiny epilogue. That's a huge cut! I’ll say to its credit that you mostly can’t feel the seams; the production team did a heroic job killing their darlings (in many senses) while keeping the narrative coherent. If you know about the original vision, though, you can identify pretty quickly where the excised material should have been. Don’t be surprised when the last two episodes in particular smack you like a hit-and-run.

They blew a truly unwise amount of the budget on costumes in general, and Wen Kexing's costumes in particular, and thank goodness. (@canary3d-obsessed has done a noble job of cataloging everyone's wardrobes, and some of the details are just stunning.) See that red outfit he's wearing there, with the elaborate, delicate embroidery? That apparently took two people literal months to hand-sew. It's a terrible use of limited funds, and I am living for it. Even when Wen Kexing looks awful, he looks stunning -- especially when you put him side by side with Zhou Zishu, who is wearing the jianghu equivalent of slutty yoga pants and a thrift-store dollar-bin t-shirt that says IT'S WINE O'CLOCK SOMEWHERE.

So if, while you’re watching, you’re ever disappointed by the quality of the production in front of you, just console yourself by thinking: That’s nut money, baby.

3. The ghosts (and everyone else) doing the mosts

This is a show that somehow managed to accumulate a tremendous supporting cast of actual grown-ass adults, then had the wisdom to make them play a wide variety of balls-to-the-wall bonkers roles.

You can't throw a rock in a crowd scene without hitting a dozen actors with resumes as long as their arms, who have been acting since before you were born. Apparently they poached a couple veteran film and stage actors from other contemporaneous productions and had them come over to film bit parts on their days off. If you see a character played by an older actor who's getting more lines and face time than you think their character strictly deserves relative to their importance to the plot, and you're like, hm, I wonder if this older actor has a career that includes roles in several dozen other shows and/or stage productions, the answer is yes.

I've seen the tone of the show described as melodramatic, but I don't think that's quite it -- it's more operatic. People speak to the middle distance and play to the back row. Several actors have the body language and line delivery that makes it seem like they're always about three words away from breaking into song. Several of my favorites are downright camp. It's magnificent.

Statistically, everyone in this show is a bad guy. There are the respectable people who don't mean to be bad guys, but wind up being bad guys anyway because they support bullshit systems. There are the morally grey folk who are willing to become bad guys because they think they'll be the good guys when all is said and done. And there are the bad guys who know they're bad guys and are going to chew every piece of scenery in the vicinity about it, so watch out.

My favorite collection of scene-stealing weirdos is probably the clutch of freaks that make up the ghosts of Ghost Valley. They're not actual ghosts -- this is not a supernatural show. They are instead living people who call themselves ghosts because they've found themselves on the margins of society for one reason or another, and have created their own little society! With hookers! And blackjack! And also a little murder, as a treat!

These ghosts are so extra that they actually have a Top Ten List, where all the ones that have code names and specific costumes hang out. How do you get on the Top Ten List? By killing one or more of the people already on it, of course! I told you these guys are villains! They're not even the only villains! They're not even the only villain organization! It's wall-to-wall bad guys around here! And oh my goodness, the actors are clearly having a ball with it.

When the screenwriter came to adapt Faraway Wanderers (the novel) into Word of Honor, she realized that there weren't a whole lot of ladies in the book -- so she invented/adapted some for the show and made most of them sinister! (In fact, if you watch Legend of Fei -- and you should watch Legend of Fei -- you can see a lot of the inspiration for said ladies.) Some of the female characters in the show were men in the book, while others weren't even in the book at all. They all feel organic, though, and not like someone was trying to get Strong Female Character Points. It's the good representation you get when there's a lot of representation, so nobody has to be The Girl, and all the girls can just be people.

...Alas that another casualty of the budget cuts is that several of the lady characters did not get to live up to their full ass-kicking potential. But that potential is still there! The badassery may be implicit instead of explicit, but you don't doubt that many of these women would eat your heart at the slightest provocation, and you would thank them while they were doing it.

This show is perfect food if you're the kind of viewer liable to get sucked up into the worlds of villains, NPCs, bit parts, optional side characters, and other narratives going on outside the main storyline. Because there's a lot going on outside the main storyline. I mean, that's kind of the running joke of the whole novel, that there's this whole complicated political plot happening, and yet our dudes are over here studiously trying to not know what the hell is going on. Obviously that's harder to preserve in a show, but it's still a key feature of the narrative. Most of the Big Power Play What-Not is always happening a few towns over from where the main party is at any given moment. I know people who've watched the drama several times and still can't explain whatever's happening with all that. That's fine. You roll with it for the sake of everything else.

So! Do you like gazing upon delightful character actors and having imagination adventures about the unexplored workings of a bunch of tantalizingly mysterious and often very sexy weirdos? Great! This will keep you busy for a good long while.

4. The juciest pining in the jianghu

I said I wasn't going to tell you about all the gay shit going on here, and I'm not. What I do want to cover, however, is how much gay shit isn't going on here -- and by that I mean just how much of the show's gay longing is unrequited. If you like it when the boy yearns for the other boy, friend, you will feast well tonight.

You have likely already, through fandom, been alerted to the existence of the biggest gremlin in the land and an understandable number of people's favorite character, immortal grandpa Ye Baiyi. What may not have been conveyed, however, is just how tragically gay this bitch is. The ultra-condensed, scrubbed-for-spoilers version of his backstory is that he was in love with a guy who got injured because of him, so he decided to stay and live on a mountain with that guy and the guy's wife and coparent their son with them, all the while never once telling the guy how he felt.

This is not me with slash goggles on. This is canon. Well, okay, the "in love with" part is only confirmed in the book, but Huang Youming, Ye Baiyi's equally gremlin-like actor, has also clearly done the reading and understands how to break your heart with it. Ugh, it's so good.

Shidifuckers, rejoice! Zhou Zishu has Han Ying, his devoted little dumpling who would -- and does -- do anything for him. Back in Zhou Zishu's regrettable (but very fashionable) fascist days, he had a bunch of little underlings; one of them was Han Ying, who still works for the same evil empire. Problem is, Han Ying isn't evil. He was never loyal to his job; he was always just loyal to Zhou Zishu. It's cute the way Wen Kexing hisses like a cat upon meeting Han Ying and immediately identifying him as a rival for Zhou Zishu's affections. If you like OTPs that occasionally roll in a service-top third, please consider that adorable muffin boy up there.

And speaking of quitting your job, have you ever had the problem where you had to orchestrate your own death to get away from your toxic boss who won't stop sexually harassing you, and that motherfucker still expects you to show up for your shift next weekend? Meet Prince Jin, who has refused to accept Zhou Zishu's resignation letter with extreme prejudice.

Zhou Zishu isn't even the only ex he's mad he drove off! But that's just a namedrop in the show; see my bonus selling point for instructions on how to get into that whole gay-ass story. [insert obligatory "Prince Jin is not Helian Yi" disclaimer here]

...Nope, uh-uh, we're not going to get into what's going on with Scorpy. Suffice it to say, this is one of those cases where the show can't outright call a thing gay (though uhhhh it sure can imply a lot of it!), but it can set up an unspoken Gay Bad Idea as a direct, textual parallel with a canon Straight Bad Idea and be like, see? see? Anyway, daddy's boy there has deliciously terrible taste. This is the one that'll have you screaming crying throwing up etc.

And then there's this handsome jackass, who isn't doing the pining, but is the unfortunately heterosexual object of the often confused and misdirected longings of his friends. About the first thing you know about Rong Xuan is that he died before the series begins, so you only see him in a few flashbacks. The precious few times you do, though, you're treated to scenes of him holding court among his besties (many of whom are the spectacularly cast younger versions of major older male characters) while they all wrestle with varying degrees of homo longing for his cocky dreamboat self. You ever wanted to fuck a straight guy so bad you got both him and his wife killed about it? Because somebody in this drama sure has!

I sense you think I'm making this all up, that I'm just a fujoshi looking at the world through rainbow-colored glasses and telling you about her favorite slash pairings. Friend, I am not. Okay, I am being a little cheeky about the last one, but I swear that everything else I have listed in this selling point is about as textual as the show could make it, if not outright straight (ha ha) from the books.

(I have a whole separate theory about how priest herself is a real-life queer, based on how basically everyone in her works is either queer-coded or a token straight who's on thin ice, but that's a subject for a completely different Tumblr post no one's ever going to read, so save us both the time and imagine I already wrote it.)

I cannot stress to you enough how much this show knew what it was doing with the queer stuff. I love how amazingly toxic so much of it is, too, because one of the big themes of the show is that secrets will destroy you and everyone you love. If you have gay longing in a society that forces you to hide that gay longing, yeah, you're going to be extra-vulnerable to making some shitty decisions because of it! You're either going to suffocate yourself by keeping silent, or you're going to open yourself to intimate partner abuse you can't reveal to anyone else, or you're going to do some murders about it! Or some combination of the three! Either way, it's not good!

Also, tell your partner about your chronic health conditions, whether they be Can't Remember My Past, Would Eat A Guy If I Had The Opportunity, Stuck Some Nails In My Chest And Am Now Dying And Also Can't Get A Boner, or Whoops Took The Nails Out Of My Chest And Still Can't Get A Boner. Oh, and tell your partner if you're about to run off and go confront your dangerous ex. And absolutely tell your partner if you're about to fake your own death. Just ... learn to have conversations with the people who love you, okay? Avoid huge amounts of narrative suffering with this one weird trick!

5. Putting his whole Zhang Zhehussy into it

See, Gong Jun (playing Wen Kexing) is not what I'd call a great actor. This is more of a case where you take a guy, you cast him as a character whose motivation can be summed up as "I want to fuck that man in half," and then you cast opposite him a man that the guy in question clearly actually wants to fuck in half. And you let the magic work.

Zhang Zhehan (playing Zhou Zishu), however, legitimately knocks it entirely out of the park. Whenever the camera's on him, it's hard to take your eyes off him. He holds his own in a sea of veteran actors. He can do comedy and tragedy with equal panache. It's lucky he's such a beautiful crier, because Zhou Zishu cries so much. I have never seen someone more perfectly portray the mood of "in love and absolutely furious about it."

As the story goes, when he auditioned, he actually wanted to play Wen Kexing -- but the director told him, look, while you'd be great at that, I can find another Wen Kexing, but I'm never going to find another Zhou Zishu.

Zhou Zishu is bad man who has done terrible things and resigned himself to suffering to atone for his crimes, and he is so mad to find himself at the end of his life suddenly having a reason to keep living. Zhang Zhehan does a pitch-perfect tsundere right up to the point where he breaks. I'm not going to call it an understated performance, because nothing in this show is understated, but it is often times subtle and always complex, and fuck does he have a good crazy grin.

One of the first things you find out about Zhou Zishu is that he's got just a couple years left to live, over which time all his senses are going to deteriorate. In fact, they've already started going. And as the show goes on, you can watch Zhang Zhehan play it so you can tell when he's missed something he should otherwise have picked up on, reacting to noises and touches a split-second late. It's a testament to what a thoughtful job Zhang Zhehan's doing, keeping track of how much of Zhou Zishu has already slipped away.

There are, if you've read the book, legitimate complaints to be made about the adaptation's interpretation of Zhou Zishu's character, and I get that. But you can't say that Zhang Zhehan isn't pulling off exactly what he means to here. I say this too as someone who loves the novel: I think it works. Given the constraints of Chinese television in particular and cinematic adaptations in general, the show made the right choices when it came to figuring out what were the more filmable, actable options, and Zhang Zhehan plays every one of those choices within an inch of his life.

Also did I mention he's like the most beautiful man to ever exist? Holy crap. You're going to be so mad about what they do to his face for the first several episodes.

Don't worry, it washes off eventually.

caveat: Kind of a bummer!

You may have been warned that this one's got a sad ending. Well ... yes and no. On the "no" side of things, there's a "secret" mini-episode 37 that rolls back one of the major points of tragedy. (It's also clearly the first version that got shot, and then they shuffled around and redubbed some material to make the aired end of episode 36.)

But oh man, not all of them. Plenty of characters we love do not make it to the end. Like ... kind of a shockingly large number. Some are dispatched offscreen, some have tragic onscreen deaths, some are probably dead given the circumstances we last see them in, and a couple aren't dead yet but are almost certainly going to be soon.

(It's also kind of a meta-bummer! I mean, I don't recommend falling down the rabbit hole of what happened with Zhang Zhehan's career after the show aired, but tl;dr, it's not great.)

So yeah, it's not an outright pain simulator, and if you've got the mettle for Nirvana in Fire or Guardian, you should be okay here. But hoo boy, don't just blunder on in expecting a cheerful romp from start to finish, because ... yeah. I said it before: This is a story about a bunch of bad guys. Bad guys don't live long lives, nor do the good people who get tangled up in their shit. Just be prepared!

bonus selling point: black and white husbands

Okay, I will tell you who one of the other pairs of gays is. You'll see the two of them show up near the tail end of the show, and then you'll decide you want to know more about what their whole deal is, and then you'll read Qi Ye, which is a novel entirely about gay pining, and then it'll be all over for you.

Ready to wander this way?

There's a number of ways to watch this one! Viki, Netflix, YouTube, and Amazon Prime all have you covered -- but Viki's the only one that has the epilogue at the ready, so I'd go there if you can.

And I get it, if you're enough of an aging hipster that you don't want to play in the same sandbox everybody else is playing in. Believe me, I understand that impulse on a visceral level. After all, this is not a small fandom -- 7718 works on AO3 (at time of writing) isn't Untamed levels of content, but it's nothing to sneeze at. Maybe you want to leave this one for a little while longer, until the hubbub dies down a bit more and people's attention is redirected by a different gay and shiny thing. That's valid. I get it.

But if you do, I still encourage you to get around to it someday. For all its flaws -- and yeah, it's got flaws -- it's a good, solid story that makes you feel lots of feelings about some fascinating characters in some beautiful costumes, running around being real queer (and okay, occasionally straight) to beautiful music. This, to me, is television.

Fun fact! There is also a Japanese dub, if you feel like taking it at that speed, and the guy who voices Zhou Zishu is the voice of Kaworu from Evangelion, and the guy who voices Wen Kexing is the voice of Victor Nikiforov from Yuri on Ice. See what I mean???

I'm telling you, everybody ships it.

[wherebettertoescape]

Thoughts on The Outsiders Album

Okay, as I said yesterday, I have a LOT of thoughts on the album and I decided to revive this page so I stop bothering everyone IRL with my thoughts about it 😂 I figure there must be a good amount of people on tumblr who are down to listen to my rants about the album, so here goes.

I'll put it under a cut so there aren't any spoilers for anyone who hasn't listened yet, and I know there's one or two things which I've heard about the prouction via other posts and such. But I will stress that I haven't actually seen it, I've only listened to the album and obsessed over it 😂

It's also below the cut because it's fucking LOOOOONG

Please reply to this or send in your own thoughts - I have so much I want to talk about to do with this album and I'm like... shaking with the need to talk about it with people who actually want to listen 😂

(sad times living in the UK 🥲)

I'm gonna go through the album sequentially, like track by track, because that feels like the thing to do, even though I will say right off that I definitely have more thoughts about some tracks than others. And I will also give my favourite line from each song. But for a just, like, general overview to begin with - I love the album so much?

I will fully admit that I was kinda preparing myself for it to be bad - it's a book that I love and I wasn't the biggest fan of the movie adaptation for a few key reasons, but I was so pleasantly surprised by the musical soundtrack.

I'm in love with the style of music, I love the entire cast (all of them have such different singing voices and styles and I think that they merge together so beautifully), and it has most of the things that I love in a musical - for me, it's got the right balance of the talking sections included with the singing, as well, which I know some people aren't huge fans of, but I might be biased because Soda is and always has been my favourite character and most of the talking is by him 😂 (I love Jason Schmidt, but we'll talk about that later), and as well as that the style of music and singing like gives me a good picture of what the actual choreography might look like, which I'm obsessed with, since I probably won't get to see it unless it somehow gets to the West End (🤞🏻)

Tulsa '67

Okay so this song is just like ✨exposition ✨ but it's done in a fun way, and I've decided it's worth it just for the finale reprise

I was also like stupidly emotional the first time I heard it and it opened with the opening line of the book

I was wary because of the immediate characterisation of Sodapop as being the brother "with a broken heart" (side note - does this mean Sandy broke his heart before the show rather than after it? I've goes QUESTIONS) - I'll go into it again when we get into Grease Got a Hold for obvious reasons, but I was worried that Soda was gonna be reduced into just being a womaniser again, which is something that bothered me about the movie adaptation

Favourite line: "all the girls are pretty there, and all the guys are mean"

Grease Got a Hold

right so it has no right to be as much of a bop as it is, it's been stuck in my head for the past week since it came out and I can't even be mad about it 😂

It's essentially just a typical "gang" song to introduce and characterise all the different members

Dally always saying "Little brother" got me so emotional like immediately

And I know I just said that I was upset with Soda's characterisation as a womaniser, but considering later songs, I will say I do find it really funny that he basically just goes "yeah I'm a greaser bc I love women 😊"

I LOVE TWO-BIT MATTHEWS - I would die for Daryl Tofa, just something soooooo good about the line he gives after Soda's verse

I have to admit, I was a little worried that they were gonna be pushing some anti-Darry propaganda, but I had no cause to worry, as he's an actual angel. Also it's so funny how fucking Done he is the moment he starts speaking

Something really funny about Steve not getting a verse, but something really sad about Johnny not getting one, but I don't have fully fleshed out thoughts yet so I'm gonna leave that there

But also there's just something about all of them trying to act tough, but all of them just have the voices of angels

Favourite line: "I'm a latch-key kid but they keep changing the locks" and also "you wanna be a fighter? then know just what you're fighting for"

Runs in the Family

I'm upset because this song has been such an ear-worm for me, but it's actually just so sad? There are a couple of these, but this is one of the main ones for me

It immediately makes Darry just such a sympathetic character - it's well documented that Ponyboy doesn't feel like he's enough of a greaser, but I don't think we talk enough about Darry is a reluctant greaser

Side note: but I'm really glad that they included Darry having dropped out of school to look after Soda and Pony, because that was kinda glossed over in the movie, which I felt did Darry a disservice

I just want to hug Brent Comer and tell Darry that he's doing a good job and everything will be okay 🥲

Favourite line: "I don't know what them boys would ever do without me - and what would I do on my own?"

Great Expectations

honestly this song deserves a post all of it's own, and maybe one day I'll do a full analysis of it

but in the meantime, it's fucking GORGEOUS, like Brody Grant has NO RIGHT to sound like this I'm so mad

THE FUCKING HARMONIES I WANNA SCREAM THEY'RE SO GOOD

One of the things I've loved about the soundtrack in general is how Pony in particular draws parallels and comparrisons between Johnny and the other greasers - here it's between Darry and Johnny, and I love it because Pony references in the book that he feels like he and Johnny are the outsiders in the greasers, he feels like neither of them really belong there, and they convey that so well in the musical with these constant comparisons in the songs and music

The continual return back to this idea of a self-fulfilling prophechy - trying to prove that they're not all the same just because they're greasers (like with the different verses in Grease Got a Hold), and this striving for individuality despite the overarching label they've been given

Favourite line: "It's hard to write this story, when this story's writing me"

Friday at the Drive-in

they all just sound so young - that's my main take-away from this song

I love songs in musicals like this where you're forced to be reminded how young the characters are and you have to humanise them a bit more - a bit like with "Drink with Me" in Les Mis

Also anytime that a soundtrack includes the dance-break it makes me so happy 🥲

Favourite Line: "Got no more stress, nothing to worry me - no more teacher's pet or trigonometry"

I Could Talk to You All Night

I need to say that I love this song, but the opening from Cherry is so fucking savage - like fucking hell there's no need to do that to Pony 😂

Again obsessed with Pony not feeling like enough of a Greaser

I'm a sucker for two people who feel lost in their own worlds finding each other and bonding because they can be themselves in a way that they can never be around their other friends

It's just such a pretty duet, and I want more of Brody Grant and Emma Pittman singing - we could have a million songs of the two of them and it wouldn't be enough

Favourite line: "I'd rather read then fight a rumble, but Greasers have to go along"

Runs in the Family (Reprise)

Dude it's such a serious song, and I'm obsessed that despite that there's just Soda being a little shit in the background

"I'll fold your laundry - I'LL FOLD ALL OF IT"

I love that even in this song it's like you can tell he's just so worried about Pony but it's coming out so angry and frustrated

So full of grief for the life he almost had

He's just so angry at Pony for still being able to dream, and it's like he feels like he needs to prepare Pony for real life, because he feels like he can't dream or wish for things anymore

And then just the screeching violin at the end of the song followed by DEAD FUCKING SILENCE, and then it switches to the next song where Pony starts singing acapella it's just herugighadlsiughukdhjsak, y'know?

Favourite line: "Whats the use in dreaming, about a life I'll never know? That ship sailed long ago"

Far Away from Tulsa

okay so I've already said that I'm obsessed with it beginning with Brody Grant acapella, and I know that the songs probably don't flow straight from one to the other in the actual production, but for the sake of the cast recording the effect is incredible

But also, there was absolutely no need to make this song so gay 😂 - Ponyboy, the bisexual icon we all need

It's very reminiscent of Santa Fe, with just kids dreaming for a life that they could have outside of their big city. Especially with the line "this place is real, it's not just in my head", which is VERY similar to "just be real is all I'm asking, not some painting in my head", but I'm okay with it because Brody Grant is incredible

But that line, as well as the one "'Ponyboy you're just a dreamer', that's what both my brothers say" are also really great links back to the previous song with the references of him being a dreamer, and that being what sets him apart from the other Greasers

I also just wanna say that I think it's criminal that there weren't more Pony/Johnny duets. Sky Lakota-Lynch and Brody Grant own my soul

Also catch me being emotional over Johnny's dream being wanting a family - he doesn't realise that he's already got one in the gang 🥺 (I could write an essay about this and Dally's continued use of 'little brother')

OKAY ALSO OBSESSED WITH THE CIRCLE BACK TO GREAT EXPECTATIONS, AND WE NEED TO TALK ABOUT HOW THE LYRICS CHANGE FROM

"Torn between what is and what could be. It's hard to write this story when this story's writing me"

TO

"It's all becoming clear, there's no way we're gonna find that here"

GOTTA ESCAPE TULSA TO ESCAPE THEIR FATE, SOMETHING AGAIN ABOUT SELF-FULFILLING PROPHECIES, I JUST CAN'T

Favourite line: "I'm tired of blindly watching as we're inching towards the ground"

Run Run Brother

There's so much to say about this song, but I literally can't formulate the words, so it's probably gonna be one that I come back to and properly analyse later. so in the meantime, here are my key take-aways

right from the beginning, it gives just an "oh-shit" feeling, just so much urgency and desperation

All three of them have such different singing voices and styles and the combination of the three just makes me so happy and I don't even know how to like express what I'm feeling

Back to the thing about Dally always calling Johnny (and Pony, but we're emotional about Johnny here) "brother"

the music is just so fitting - I feel like I need to be up and moving every time I hear it, like if I ran ever this would be on the playlist 😂

And I'm going insane over the echoes of what has been previously been said - the "grease isn't given it's something you earn", and "let's leave this behind, let's just get up and go" like you're FORCED to face that they are being given what they want but in a really terrible way

Favourite line: "I hate to make you go, but there ain't no other way"

Justice for Tulsa

okay so I know that this is a really important song and everything, but I will admit this is the one I tend to skip most

I will say I think this song would hit harder if they kept with the themes of police brutality that there are in the novel and movie with regards to Dally's death (going off what I've heard about the script changes from people who have seen it, I can't verify myself)

The song feels very claustrophobic, with everyone just trying to blame everyone else, which I think is really well done. Especially with the multiple voices coming in with "you know just what you did"

And it does show the bias of the world trying to blame the Greasers just by reputation alone, which is thematically nice

and also just the kinda mob mentality of the whole thing, especially at the end, with a declaration of war

Favourite line: "or we could send them back a message, take an eye for an eye"

Death's at My Door

I think I've seen somewhere that this is the opening song for the second act and I just - fucking hell, what an opener 😂 they really just wanna destroy all of us, huh?

EDIT: I've been corrected, and it's Justice for Tulsa that starts act 2 - my bad guys, I don't know where I saw otherwise. JfT starting act 2 makes soo much more sense 😂

I wanted to like reach through my headphones somehow and hug Brody Grant, like holy shit

The first time I heard it all I could think about was how much he's going to blame himself when Johnny (and Dally) do die - especially with Johnny having comforted Pony about it

And I'm just emotional about the exploration of Pony thinking of himself as a burden on everyone he loves, especially going back to what Darry says to him in Runs in the Family reprise, just confirming everything that Pony already worries about himself

Favourite line: "I don't believe in the death that you're bringing - the reason I'm living is you"

Throwing in the Towel

I just love brothers okay? This song made me want to like message all my siblings and tell them I love them

I loved that we see Pony's inner thoughts and fears about being a burden on his brothers, immediately followed by seeing Darry's own thoughts and feelings - the two of them being so similar in how they blame themselves for everything

All three of the Curtis brothers being terrified of losing anyone else

AND THIS IS THE SODA CHARACTER REDEPTION I NEEDED - he becomes more than just the womaniser, you can see him having like actual thought and feelings, and the amount of emotion in Jason Schmidt's voice as he's trying to reassure Darry, like this song and Soda's letter gets across everything that makes Soda my favourite character

And there's something to be said about how they're finally like communicating their emotions 😂

Favourite line: "I know your head is full of doubt, but brother that's what love is all about"

Soda's Letter

Musical letters my beloved ❤️

I love songs like these - they're always just so vulnerable

It links to Tulsa '67 Reprise with the reference to how Soda kinda keeps the family all together. This song you can like see the strain that it has on him, trying to keep the brothers who he loves so much together, by trying to tell Pony that Darry does love him even though he shows it in a very different way

also anyone who has seen it and made it this far in the post can you tell me whether they keep in the bit about Pony reading this really heartfelt letter only to go "Soda's so dumb he can't fucking spell" because it's all I could think about when I listened to it for the first time

Favourite line: "Your brother needs you just as much as you need him, and brother we ain't doing to good alone"

Hoods Turned Heroes

The triumphant return of my beloved Two-Bit, and he's doing some king shit

I love him, okay?

This is another song where I know it's really important, but I actually don't have much to say about it, other than I do really enjoy it

Favourite line: "It's time to celebrate Greasers, take pride in the Greaser name"

Hopeless War

I love that it's just Cherry begging Pony not to change, and hoping that he's still an outsider of the Greasers like she is for the Socs, a hope that the two of them are still kindred spirits even after everything that happened

She knows that the rumble is gonna be where Pony loses that last bit of dreamer in him because he's holding just so much anger at the world - I dunno, there's something there I'm sure 😂

it's such a smooth transition into "Trouble" and I wanna SCREAM it's so good

Favourite line: "even if you win, it doesn't change a thing"

Trouble

It feels like a war chant or something

The music is just so agitated

It's like Run Run Brother where I feel the need to be up and moving

Favourite line: "Do it for Johnny, even the scores, time to rally the crew"

Little Brother

I get chills every time I listen to it

Something about Joshua Boone's voice guys, I don't even know like how someone goes about beginning to talk about it, but whoever takes over as Dally has got some big shoes to fill

It's a lament to Johnny, and I feel like I listen to it and I feel the same anger and indignation that Dally feels

It's a song where I listen to it and I know, even without having seen the production, how I'd stage it and that always makes me excited

The longer the song goes on, the more uneasy you feel listening to it

It links him and Darry together again, with how he blames himself for everything that happened to his little brother, he feels like he should have been able to protect Johnny, the way that Darry always tries to protect Ponyboy

The final tempo increase and the discordant violin at the end, and it feels like even just listening to it you're watching him fall into a grief-led madness, and his certainty that there's only one way that his story can end

Favourite line: "They can't take anymore from me - if I ain't got you, then I ain't got nothing else"

Stay Gold

It feels somehow criminal to put these songs next to each other, but I mean obviously they have to be - that's how they want you to feel, but it doesn't mean that I'm not mad about it

I've listened to it like a million times and it still brings me to tears every now and then

There's something about having the hopelessness of "Little Brother", with Dally bring so apologetic at having failed Johny, followed by Johnny asking Pony to tell him that there's still good in the world

Just how much everyone in this story needs each other and they don't realise that the others need them too, yknow?

Johnny being Dally's "gold" - a lot to say about that but yknow, this is already long as fuck

The simplicity of the music itself (same as with Soda's letter - makes them thematically the same blah blah blah with them both being letters and all that), but it makes the song much more vulnerable than some of the others - nothing for Sky Lakota-Lynch to hide behind

Also that line: "I have looked into a thankful father's eyes, telling me I've saved his daughters life", and how that links to what Johnny says in the book about the little girl's life being worth more than his - I dunno, it just got me emotional, okay?

Favourite line: "I hold on to the good 'cause I've made my peace with all the bad" and also "It's easy to forget when you're trying just to make it through"

Tulsa '67 Reprise

WE MADE IT BOYS (seriously though, for real, if you made it this far, thanks for reading through my descent into madness 😂 and please send your own thoughts and such, bc I'm desperate to hear other people's thoughts)

I said it at the beginning, but I think the reprise of this song makes the exposition at the beginning worth it

At the beginning we hear Ponyboy as a dreamer, and at the end he still has that, but rather than idolising and making everything spectacular, he sees beauty in the mundane - he sees it in his brothers, his friends, all of that

The call backs to the original song as well, which allow us to go back to the theme of looking at individuality - the Greasers wanting to be seen as more than just characatures, and by the end they are like fully-fleshed out people rather than just the basic stock figures we initially get them introduced as in Grease Got a Hold

The clearest examples are, of course, Darry and Soda

Darry goes from being "could have been a football star, people say he had a ticket out" to instead being "the toughest guy I've ever known"

Soda goes from "suffers from a broken heart" to "this family's life and soul"

and then it goes from "got no parents, we fend for ourselves" to "can you imagine how proud mum and dad would be"

just something so beautiful about that, I dunno

There's more I could say about the themes of brotherhood and individuality ("grease as their disguise", for example), but I'll spare it for now

Favourite line: "Just too damn good for growing old, and in his memory I stay gold"

(finally - if you've stuck around to the end, I've also recently set up an instagram account, just for me, so please also check that out if you wanna hear more about my thoughts about random musicals and stuff!)

Freddie 🐸 (Instagram)

[marshallfan99]

Something's on my mind...

Hey guys! Marshall here! I know I haven't posted anything in a while now, sorry about that, been busy with life stuff...but I just had to talk about something that's been on my mind for a couple weeks now. A couple weeks ago, I discovered that another favorite childhood show of mine (and honestly, I still like it) has an adult fandom that is big enough to create an entire documentary about it. That show being Thomas the Tank Engine. This information has made me curious about how many teen/adult PAW Patrol fans are out there in the world. One day I would love to see about making something for all of us that's not a full-on documentary but just a YouTube video or something to showcase that PAW Patrol has older fans and (this one means the most to me as an autistic person who gets made fun of by even my own dad for having PAW Patrol as a special interest...and don't even get me started on the bullying I have faced just for carrying PAW Patrol merch around) to hopefully help normalize liking things that people our age "aren't supposed to like". I do have a YouTube channel with this same username "MarshallFan99" but I haven't posted anything to it because I had planned for it to just be a channel used for commenting on PAW Patrol stuff, but if I can collect interviews from the PAW Patrol fans here on Tumblr (as well as share my own story with this show of course), I might be able to compile them into a video of some sort about what PAW Patrol means to its older fans and how we all come together over our love for these adorable pups, as well as to showcase the different things we do in this community since we all contribute to the fandom in different ways (posting art, writing fanfiction, making analyses of various aspects of the show, making character analyses, giving thoughts and reviews on the latest episodes, sharing our merch collections, making character-specific appreciation posts, sharing headcanons...and that's not even all the stuff I've seen).

And yeah, I know the PAW X Project was made last year but that mostly focused on PAWTubers. I want to showcase the Tumblr side of things (as well as the types of things we do on here) since this is the largest community of older fans I've ever been part of, and it made me so happy to find it because I finally felt a sense of belonging. So I wanna make something that can bring us all together and help show people that there's nothing wrong with liking it, especially since it's clear the creators know that we exist since they make PAW Patrol t shirts specifically in adult sizes (I have two of them).

So I guess what I'm saying is, if you'd like to be part of something like this, just let me know and we can talk about what to do! If you're not comfortable with it, that's okay too! Just let me know either way! And if you know someone who might wanna be part of something like this, feel free to share this post with them!

Looking forward to getting responses and hopefully working with some of you on this project! And till next time, Marshall out!

[utilitycaster]

anyway this is obviously a wild shift in the topic of conversation, but I was talking about it in the group chat last night as a distraction and would like to continue the distraction if I am being honest, so, with the caveat that this is based off of Fandom Osmosis Observations and a few reads of reviews and I have at this time played neither of these games, some thoughts about BG3 vs. Veilguard and what I've seen. many thanks to @captainofthetidesbreath for actually knowing things about video games and answering my many questions.

also just putting this up front with all said caveats: if you disagree that is great, I am very open that this is an outside observation and I could be very wrong but I am going to block people who get hostile without warning, and make this nonrebloggable if too many people get hostile. You are always permitted to disagree but like, I don't really care about your opinion if you're not someone with whom I have a pre-existing rapport unless idk you're like, actually a BG3 or Veilguard official story writer who happens to be on Tumblr. If you're a player? You have all of your own biases and they are not mine. Save it for someone who wants to get in a fight about this; I am not that person.

Essentially, what I've seen in terms of criticism from Veilguard that isn't just rampant transphobia comes down to the following:

why am I not playing my previous character from Inquisition again

why am I limited to a fairly consistent through line for the story

But first, I'm going to talk about BG3. What's funny is I seem like a much more obvious candidate for playing BG3, as a longtime D&D player who has come around on Forgotten Realms as a setting. However, while I looked at it for a while, I eventually lost interest for a couple of reasons. One is that apparently all the characters are WAY too eager to romance you which is like, a fun fantasy for 10 minutes but would probably annoy me in the long run. Another is that everyone who watched early reviews and kept abreast with the game told me that there was a clear favorite companion (Astarion) and that many of the characters had most of their interesting flaws sanded down (eg: Wyll was apparently much cockier originally; Shadowheart even more petulant; and as these are perhaps the two characters I was most intrigued by, reducing them to something blander destroyed much of the appeal). But perhaps the most interesting one is that as a boring goodie two shoes sort of person, my thought back when I was like "yeah, perhaps I will play this" was "oh, I do not want to have a murderous urge within me."

It became very apparent, through watching people play through and post on my dash, that if you didn't specifically play as the Dark Urge, and didn't specifically resist that urge, the story didn't really cohere. I have to admit, I know the premise of BG3 very well (tadpoles), and I know a lot of shipping trends (put a pin in that), and I know some of the more obvious points within it (Astarion is a vampire, Gale and Karlach both have bombs in their chests somehow, Shadowheart bleaches her hair) but I don't really have a great sense of the ending, and I did not avoid spoilers.

It feels like BG3 is designed for people who have one of those massive spreadsheets of D&D characters they haven't had a chance to play that are meticulously kept and thoroughly realized...and don't really leave room for modifying to fit the campaign you will actually be playing in. It feels like an OC sandbox simulator unless you do actually pick the choice the writers actually wrote for (Durge), and while it's not technically playersexual...it kinda is. I mean, I am a big fan of the trend in video games towards making it possible to romance anyone because it conjures up the idea of a world of high-powered bisexuals running around, which is very enjoyable for me, but the criticism of the Mary Sue archetype originally was never "how dare you fantasize about being cool." It was "wow, the characterizations are all warped beyond recognition solely so that everyone is in love with this character, and that makes for a dull and unsatisfying story." If you're everyone's type, and it's for romance and not just sheer lust, then either everyone around you is boring and wants the same thing, or you are sort of bland and inoffensive, or else the story is bashing characters together without a good basis for a compelling romance. This is also compounded by the fact that the companions can't get together with each other if you're playing your own character and not an Origins character.

None of this is to say it's bad to like BG3 and again, I didn't play it; but it is why I ultimately said "you know, given the effort involved to play it for me, a person without a gaming system, it's not worth it."

Veilguard has specifically intrigued me for going against a lot of this. You have a lot of choices in your character build, but they're all fairly thematically consistent: you did something within your faction that was well-intentioned but upset higher-ups and so you need to step away for a while. This establishes a personality for you! We know why you're part of a faction but also something of a free agent at the moment. We know why you're here and why you might be a good candidate for the current mission.

I'm not going to go into detail for the choices because while I'm not avoiding spoilers I don't want to spoil a relatively new game for others, but a lot of choices are fairly parallel, not in an "illusion of choice" way - they have consequences - but in terms of hitting similar themes. You can only save one city and both are places you have seen and places your companions have connections to; while the exact details may differ you are telling a consistent story.

I also think the fact that the companions can romance each other in your absence is important too! They exist even when you're not there. They are not just here to woo you, and indeed, they might be a better match for each other. I've been informed this is true in Inquisition as well, and I think it's a much more rich world if you, as the player, as the person who can ultimately decide the fates of your companions, aren't the center of their personal life. I also think it prevents the ability to sand down companions to be more agreeable to you as a player if you have to make an NPC/NPC romance compelling (and I will freely admit that, in a move that is not at all like me, I was pretty well sold by a potential in-game NPC/NPC romance, which is usually not the thing that gets me into works of fiction).

I'm not the right person to speak to the Inquisitor not being a significant character because I did not play DA:I, and I get that 'well, this is a new game with a new protagonist, as there has been for every Dragon Age game' is still not necessarily an adequate explanation. Nor is "hey, maybe it's good to attract new players" even though as someone who is highly attracted as a new player that is my opinion. However, I want to go back to the point about Resist Durge being the strongest option in BG3 in terms of story by a long shot. When I was trying to learn more, I said "ok, so just like how you're Tav in BG3 and Rook in Veilguard, you're Lavellan in Inquisition, right?" and was told that you are not - that's just the elvish Inquisitor option. Obviously this is anecdotal, but the fact that one option was far and away the most popular and thematically resonant is an indication that perhaps bringing forth the Inquisitor is carrying over some of the limitations of that game, whatever they may be. The true argument is "they are trying to tell a specific story here, and it is about a different POV than the one you previously had."

And that's really my point. I know I'm not an expert here - in fact I'm usually quite hesitant to write meta about things in which I'm not highly steeped, and very critical of those people who do - but I think an outsider perspective is useful here. The thing that is drawing me to video games is a new way to experience a fictional narrative (the other game I have been meaning to play - and even own on Steam- is Disco Elysium). That's not what everyone wants! But it is what I want. And so I want to be put into a developed, thoughtful narrative, and I don't mind if my choices are restricted in order to support it, and if I am playing a person I did not entirely choose. In tech, there is a saying of "make it easy to make the right choice (and hard to make the wrong one)" and so if you need your protagonist to hit certain beats, you should make that the required protagonist.

I think a story is stronger if your choices matter but if there is something of a foregone conclusion because it gives the writers thematic throughlines. This might sound a little silly given that this blog is largely dedicated to Actual Play but the thing is, most actual play does have, if not a foregone conclusion, at least a strongly intended conclusion of "work towards uncovering this mystery and achieving this goal", though the success of said goal is not guaranteed. I would argue that when a campaign lacks that, it tends to suffer in all aspects. RPG video games almost always have a foregone conclusion, but that's its own liability. In actual play, lacking a forgone conclusion means you spin off in any direction and it's anyone's guess if it's coherent. In an RPG, having this conclusion but not supporting it through the rest of the game will make it feel contrived. I feel a lot of Veilguard criticism is focusing on small contrivances early on that really mostly matter to a highly specific subset of potential players that prevent much larger and less forgiveable contrivances later on.

Anyway. Again, I am an outsider here, and I'm not here to say that it's bad to have a more open-world, sandboxy game with a self-insert-y OC type; but I have to be honest, I'd rather explore that in a true sandbox of fanfiction or original fiction, which is significantly cheaper and in which I can actually tell the entire story I want to tell. I don't want to be given more choices if a lot of them will be profoundly unsatisfying as a narrative. I don't want to cut through the world like a hot knife through butter. I want to be affected by it, and that's very hard to do with a character whose only trait is "self-insert whom everyone wants to fuck" or "guy that already carries the baggage of years of personal headcanons and highly variable choices that are hard to account for for every single person who ever played the previous game."

[twopoppies]

hi gina!! I hope you're having a great day.

this is gonna be a weird message, I know, you don't have to answer, you can absolutely ignore it, don't worry. it might bother you, I'm not sure.

so. I've always been a larry. always. I've always believed H and L have been in love with each other, ever since they first met. but I haven't really been active in the fandom lately, mostly because of work and personal issues. I still used tumblr occasionally, to see if there were news or just to check what was happening in general. I didn't have time to watch louis' docu until yesterday.

and. well. now, for the first time, I believe freddie is louis' son. and trust me when I tell you that up until 2 days ago I thought he most definitely wasn't. I don't know, the way he looks, the way lou talks about him and acts around him... I think he's his son.

so, because of this "realization", I basically reconsidered everything I believed in. my head is kind of a mess, because I still want to think there was something between them but that maybe something happened and they broke up or idk... maybe it really was just a relationship we made up. I feel like shit, like I'm "betraying" all of you, I don't know how to explain it.

one thing is certain, even if they were together, I believe that right now they're not an item anymore, and they haven't been for a very long time. I feel so weird, I can't believe I'm actually writing this words.

you might ask yourself why tf I'm telling you all this, and I'm really, really sorry, but there's no one in my life I can talk to about this. and gina, you and your account have always been amazing. I used to check your account all the time, to see what was happening or for fic recs. so yeah, when I was thinking about who I was gonna tell this (because I feel like I need to tell someone or I'm gonna go insane), you're the first person that came to mind. again, I'm sorry. I kinda feel like an idiot.

so yeah, here I am, I can't believe I don't think they're together anymore. I feel guilty, like me/us believing in larry was the reason they stopped being friends, like it hurt them somehow. I used to hate people who believe this. ugh. I'm sorry.

But who knows, maybe I'm wrong. there's a part of me who wants to be.

you're a great person gina, I'm sorry for bothering you with this. thank you.

Hi, love. So, I’ve very honestly lost all interest in trying to rationalize with people about babygate. If you believe Louis is a dad, and you believe that changes everything you ever knew and thought about him as a person and him and Harry as a couple, you do you.

I know what I know. I know what I’ve seen. But it’s very obvious that for some reason Louis wants people to believe he’s a dad.

I watched this clip of Zayn today on the Zach Sang show talking about his daughter. The facial expressions, the pride in his voice, the anecdotes he tells… that’s a dad.

x

But Louis is a dad. Ok. 👍🏻

Anyway, once upon a time, they wanted and needed our very vocal support. They don’t anymore. I hope that even if you think “Larry” never existed, if you think fans ruined their friendship, if you think Louis is a dad, if you think Harry and Louis were together but aren’t now… whatever you think about their personal lives, I hope you can enjoy their music because that’s all they seem to really want from their fans these days. ❤️

[butchhamlet]

yeah you interpreted my ask correctly, that's what i meant! i definitely agree that there's a middle ground. on one hand, anything shakespeare 100% intended would've been clearly laid out in the text. it's hard to argue that he intentionally wrote something off in subtext when he pretty much spells every plot point or characterization out. it's also anachronistic to the conventions of his time, i think.

on the other hand, i've seen a bunch of people say it's impossible to present alternative character/plot interpretations in various productions because it isn't what shakespeare intended. and like i agree that on a textual level, you can't really argue that one theory is the only correct interpretation, but isn't the whole point of putting on different productions to present these same characters and stories through different angles? a theory doesn't have to be textually supported for a production to incorporate it. "shakespeare didn't use subtext" applies when studying the text academically, but different stagings naturally come with different interpretations. isn't that literally the point of having so many productions and interpretations of 1 play

this is mainly a discussion i've seen in the r/shakespeare subreddit tbh. specifically it crops up a lot when people ask "are [x] character(s) gay" and a very common response is "if shakespeare intended them to be gay, he would've explicitly spelled it out" (sometimes using achilles & patroclus from troilus and cressida as an example). it's not the majority but i've also seen a few people say some characters shouldn't be made gay since that isn't what shakespeare intended, and looking for subtext in lines is misguided. which is like. ?????? i know the people on r/shakespeare and also subreddits in general tend to be a very very different group but ?????????? i genuinely don't understand where they're coming from lmao. anyway i haven't seen anyone on tumblr talk about this and was really curious about your thoughts

"shakespeare didn't use subtext" applies when studying the text academically, but different stagings naturally come with different interpretations. isn't that literally the point of having so many productions and interpretations of 1 play

EXACTLY EXACTLY EXACTLY!!! PRECISELY! i dunno maybe in modern theater, especially indie theater, there's not much of a gap between text and production, but we are talking about SHAKESPEARE here. every one of his plays has been done 500 bajillion times. the text as its own contained thing is NOT the same as any of the productions and the idea that you can't do anything not 100% supported by the text is ridiculous. i can see how it might be a little rude/gauche to go in a completely wild direction if you're putting on a small play by a playwright who is still alive, but shakespeare is the most famous playwright to ever live probably and also he is SOOOOOOO DEAD. he's not gonna care if you do hamlet but ophelia is pregnant! he's not gonna care if you do hamlet but hamlet isn't there so there are just giant blocks of silence for every soliloquy! and isn't it beautiful how the craziest productions are basically collaging with his text, cutting it apart and piecing it back together? i can understand not personally enjoying out-there productions, but conceptually the stuff people do with shakespeare is dope as hell

"if shakespeare intended them to be gay, he would've explicitly spelled it out" (sometimes using achilles & patroclus from troilus and cressida as an example). it's not the majority but i've also seen a few people say some characters shouldn't be made gay since that isn't what shakespeare intended, and looking for subtext in lines is misguided.

i don't know why i'm surprised that this debate is perhaps a smokescreen for "stop putting gay people in everything ugh don't ruin the sanctity of the text" and yet i'm still taken aback by just. the silliness of this argument. and these are the same people talking about anachronism???? like. sorry is this better?

[image description: the following edited lines from hamlet:

HAMLET I am glad to see you well: Horatio,--or I do forget myself.

HORATIO The same, my lord, and according to a 21st-century model of sexuality as fixed and partitioned into disparate categories based on identity more than on action, I'm a gay man btw.

/end description]

[princelance]

a movie........

time for a rant that has been a looong time coming because

the FUCK??? NOOOOOOOOOOOO PLEASE NO NO NO PLEASE GOD IF YOU'RE OUT THERE NEVER LET THIS MOVIE SEE THE LIGHT OF DAY NEVER EVEN MENTION THAT SHOW EVER AGAIN IN MY PRESENCE it should fucking DIE and stay DEAD

the WORST fandom i've ever come across/been part of. everyone was so fucking braindead. god the bullying here was So Bad. vld fandom was the epitome of 'you can't enjoy what you like'. and the bullies were like, some of the most popular blogs here. the content creators (among others ofc) here were NASTY. the people making decent art were so fucking rude to almost anyone that didn't bow down to them and agree with their views on the show, sitting on their high horse like they were fucking gods or something when they were like, 17 or something. mind u voltron was a show about ugly transformers lions and a bunch of kids in space meant for 7 YEAR OLDS. like stfu it's not deep, it's not important. i get that this is the internet i really do but apparently everyone was a pedo and homophobic and racist and needed to be cancelled because they weren't pure angels. i hope the people who liked the show, both teens and adults alike, have grown up and learnt what those words actually mean and why you shouldn't just casually throw them around. i hated you all. u had to be so careful about what you said on here, it was like north korea or something. i remember how kids got bullied into deleting their harmless fanfics, the fucking voice actors got bullied on a daily basis, it was BAD. i remember i got hate for having shiro as my icon and the background was the bi flag colours. I AM BI. also, so what if i had headcanoned shiro as bi, you couldn't have stopped me or anyone else from thinking that, and also IT WOULD NOT HAVE MATTERED, HE'S FICTIONAL, HE'S JUST LINES AND PIXELS. i know this is going to shatter some of your worlds (or at least would have back then), but a random ass nobody on tumblr headcanoning a character as bi when said character is "actually" straight/gay/whatever is NOT going to affect irl queer people in any way, it does NOT have real life consequences. who gives a fuck. since when has the fandom given a shit about canon anyway? fuck you.

okay, i've been bitching about the fandom enough (no i haven't, there's no way you can ever bitch about the vld fandom enough). what about the actual show? well. once again it's meant for 7 year olds. who cares if it was good or not. i've seen seasons 1–6. i liked season 1, didn't really like anything after that since the show seemed to change so much. the first season kind of has a different vibe completely? idk how to explain it, it just kind of feels like the actual show and then the rest was just a long fanfic by someone who was in love with keith's character. but since i was watching the show with my sister who was 10 at the time, it was fine, otherwise i wouldn't have kept watching after seeing season 2 i don't think.

here are a few negative things about the show imo:

making keith the main character out of nowhere after s1 (where he definitely wasn't the main focus) was so dumb. god the showrunners loved keith sooo much, it was so stupid. keith was nooot a leader. whatever.

making keith the black paladin was also so fucking stupid my god. and yes, everyone here wanting LANCE to become the black paladin just because he was the fandom favourite (don't get me wrong, he was my fave too) was so fucking braindead too honestly. shiro or allura. no one else made any sense.

canon allurance SUUUCKED. like holy shit that was so bad and horribly written, even lotor and allura had a better love story and had waaay more chemistry (and their relationship ended badly, rightfully so). and NO klance was never ever ever going to be canon, you were so delusional. like lmaooo did we even watch the same show? i just really enjoyed their dynamic and that's why i shipped them together, whatever. but yeah, like i said the bullying here was disgusting and everyone was cancelled, great, klance seemed to be the only thing you were allowed to like so in that sense i was lucky.

everything they did with allura in the later seasons............ you know what? i'm not even going to start. because wtfffffffff, as a storyteller myself i ?????? what in the world were they thinking. but yeah whatever it does not matter.

the point of this post is that EW EW EWWWW FUCK THAT SHOW AND FUCK YOU, if you were in the voltron fandom in 2017/2018 i personally hate you

[maemisnippets]

Lil Update

Apologies for the inactivity. Here's a pouty Yujin as a sign of life from me.

Just a lil update below (be warned: kinda sad)

You writing again?

To be honest with yall, the last snippet I posted (the one posted just now) was written last December. It's actually unfinished, just missing a humorous ending or witty finishing sentence or smthn, but I got too lazy to think of one. Thought I'd post it now cuz I do kinda miss being on Tumblr.

Anyways, in all honesty, I don't feel like writing anymore. While I don't know why exactly, all I know is that I've lost a lot of motivation in writing and reading smuts in general. If anyone has checked my blog the past few months, yall might have noticed that I have closed requests for a while now, and it will stay closed for a long while. Asks and commissions are still open tho.

How am I?

Can't say I'm good, but can't say I'm doing bad either. College is still taking most of my waking hours. I'm almost done tho! Just about halfway through my last year of college, but this shit fuckin sucks. Glad it's almost over.

If anything, I can say I'm doing better. I visited family these past few months and that went well. Did a lot of stuff with them, caught up with cousins I haven't seen in a very long time, and overall had a really great time. Makes me realize how grateful I should be for even the little things in life.

Boonker?

Yeah left that shit. Not coming back.

I've already said my reasons on why I left to a few people, but in short, it's just not the same place it used to be. I still keep in touch with some people I met here tho, and my discord and tumblr DMs are always open for those who still bother having me around.

Any chance of a comeback?

Not in the near future, but not impossible. It seems to be a trend among "retired" writers to come back eventually so, maybe someday I'll come back as well.

Yujin? Kep1er?

Yujin (the Choi variant) still the loml. And Kep1er always in my heart. STAN KEP1ER YOU FUCKS

If you made it here, have another Yujin

[docholligay]

Even if you haven't played it, I imagine you've absorbed some stuff about Baldur's Gate 3. What do you think about the companions, that you know of?

Oh boy am I about to disappoint you: I am the most out of the loop old lady lesbian you have ever met. A conversation between me and my wife like, oh, a month ago? six weeks?

(Context: My wife loves Pop Girlie Music)

Me: I heard this singer I think you'll really like! She's gay, but it's all very 80s flavored pop, and--

Her: Do you mean Chappell Roan?

Me: Yeah!

Her: Major pop star Chappell Roan? Have i heard of her?

Me: Well...I just heard her like yesterday, on tumblr, so.

I COULD NOT TELL YOU THE FIRST FUCKING THING ABOUT BALDUR'S GATE OTHER THAN IT IS A VIDEOD GAME. WHAT CONSOLE IS IT ON? WHAT GENRE IS IT? FUCK IF I KNOW, BABYGIRL.

Gun to my head, all I could tell you about Baldur's Gate 3 is, "Uh...presumably there is a third gate in Baldur? yeah? no?"

Let me try.

Companions, so those are characters. What characters have a seen lately on my dash, without looking?

Okay, so:

I think the gay elf girl is actually from an anime, so not her. Actually, I know she's from an anime, now that I think about it. The anime that already has the discourse that made me decide I won't watch it for a few years--fuck I should know the name of this if I'm gonna ban it from contention--Jetty will know--anyway, that gal is not from the video game.

Is the gay white haired vampire from Baldur's Gate? I get the sense that he is cunty and that's why I see so many little screenshots or whatever of him. I know people like that in a man. I guess I'm assuming he's gay, but given that I don't live on the Superwholock-esque side of tumblr, it's not all that common for me to see a man that isn't gay or Colombo.

The only other people I can think of from video games right now are those little lawyer motherfuckers y'all are in love with, Zelda, and that guy from Silent Hill.

I wanted this to be funny, but I don't even have the baseline knowledge to be wrong ahahahah. This is me walking down the street and going, "I will give you 50 dollars if you can name any country that fought in the Crimean War" (Someone: France and/or the UK me: That one's on me, I set the bar too low)

[copperbadge]

Supposedly, people with Anphantasia don't get scared reading scary stories, or at least not much. Is that true with you if you ever read Horror?

You know, I'd never thought about it, but I suppose it is. To an extent, anyway.

Follows a discussion of my relationship to horror prose and media; if you don't know what aphantasia is, as many people coming to this tumblr don't, I have a tag for it here that may help -- it's basically the lack of a "mind's eye", a visual imagination, so I hear/read things and don't see an image of them in my mind. If you are scoffing right now that nobody actually has a mind's eye, congratulations, you may also have aphantasia. The articles linked in the tag will be useful to you.

I have definitely been scared by prose before but it's very rare, and not much since I was a child, when the stories I found scary were preying on fears I already had. I loved the Scary Stories To Tell In The Dark books, and I think it's not unusual that I found the illustrations more frightening than the prose, but the only story that ever scared me was the one about the vampire who kept trying to grab a kid through a window -- because I had a window over my bed in my childhood bedroom and I was terrified I'd look up to see someone looking down at me through it. Likewise, as an adult, the only content in horror I find scary is what I think of as "mind horror" -- the loss of faculty or the loss of awareness of faculty (think the end scene of the novel Hannibal with the brain). Which is one of my biggest fears.

I don't read much horror because generally I get bored, which has in the past made me feel faintly appalled at myself, but which now makes more sense. Certainly I have no interest in slasher-style gore in prose, because I find it uninteresting and it goes on a really long time, while I don't watch it in movies/TV because the visual is upsetting -- so if I was getting the visual from the prose I might react more emotionally. I am a fan of Stephen King but mostly his early work where he was shorter on suspense, and I was reading it because I liked the ideas and the characters. Carrie is super interesting because of the personalities involved, not because of the violence or the horror aspects. But I've never seen a movie adaptation and I can imagine I would be deeply unsettled if not distraught by certain scenes if depicted visually. Although I didn't find the Hannibal TV series super upsetting (I mostly was put off by how bad I imagined Will smelled) so perhaps body horror just doesn't do it for me.

This may also explain my hard-no on zombie media, because I'm not scared at all of zombies, I just find them boring and gross, and that leaves the post-apocalyptic humans. My hard-no on post-apocalypse anything is an aversion to imagining the end of my world, though, which isn't visual, it's conceptual, and not scary, just upsetting.

Like, people kept suggesting Zombies Run! to me when I was taking up running and -- well, one, I needed the music to keep my pace, I didn't want it interrupted. But two, I didn't see why a bunch of random groaning noises would make me run faster. If you could see zombies chasing you in your head, yeah, that'd probably be more motivating.

It kind of explains too why I haven't written much horror. I used to be very curious about how people worked out what's "scary" in horror prose and I guess part of the curiosity came from not experiencing it myself. It's tough to know how to write a scary story when stories don't scare you.

To be clear, I definitely experience fear. Reading Stephen King's "It" didn't really scare me, but there were scary moments in the film adaptations. I startle at jumpscares. There's plenty of stuff in real life that I'm scared of. And even podcasts -- I don't get mental images during podcasts like apparently most people do, but Magnus Archives got me with the "digging into your pre-existing fears" thing once or twice, and while I didn't finish The Left Right Game (I just got bored) the hitchhiker scene definitely got me. But I think, unless it's playing on something conceptual that already existed, yeah, I don't find prose particularly frightening.

Huh. This feels like the kind of thing that could have a significant impact on my creative output if I could crowbar my way into it. Knowing that I as an aphantic don't need descriptions that other people do has already, I think, impacted my editing process, but this feels like it maybe would somehow have an effect on the whole thing -- the fact that I don't experience emotions when reading in the same way other people do because I don't get the visuals is something to meditate on.

How the fuck did I ever even become a writer. Like what's up with that.

(Ironically it was X-Files fanfic. X-Files, a show that very much did scare me, for which I wrote and read a lot of fanfic, none of which did...yikes. Well, that's something to meditate on for the weekend.)

[lemotmo]

I love it when people who at least have an idea of how these things work get questions like this.

Q. Did you hear Ryan's podcast? I'm vibrating at this point 👀👀👀

A. Haha, I did listen to it, anon. It was a good reminder of why podcasts usually turn out to be the better interviews. If you're not aware, in 99% of print interviews the questions have been pre screened by the actors/show so they go into the interview already knowing pretty much everything they're going to say. It's why so many of them are repetitive. Podcasts tend to have a little more leeway. They usually only have to get topics pre-approved. So even though they know what topics are going to be discussed they don't usually know the specific questions. Now obviously those interviews come with greater risks because if your actor doesn't know how to edit themselves they could say something epically bad. Obviously this one was pre-recorded so he had a little bit of a safety cushion but it didn't appear to be heavily edited content wise. I love that he touched on the racist/bigoted thing. Even though this came prior to the entire Gerard nonsense, I'm glad he got a chance to tell those people how incredibly wrong they are where he is concerned. I hope he hasn't seen most of it, but given everything he has been tagged in I fear he has seen more than he should have ever had too.

He's in the position now that Oliver was last year. He's the one doing the promotional interviews, but he's just out of canned answers he can give, lol. There's nothing left for him to say except the 'thing' he can't yet say. So you can tell he's trying to make the same answers sound somewhat new and for the most part he was able to do that. It was though just one more thing that kind of made you go, yeah it's going where we think it's going. I just think the show is all out of later. They can't keep pushing the story to 'next season'. And I think that's why we're seeing so many winks and nods from ABC and the show. The comments they replied to yesterday were intentional. Yes, they deleted them but they knew the people who they were intended for would see them and remember them. It's time. Let's go.

Thanks Nonny!

Ah yes! Hard agree on everything here! I haven't seen/heard the whole podcast yet (I'm planning to listen tomorrow when I'm relaxing), but I've seen all of the videos, snippets and quotes about 911 and Eddie that were posted online.

Everything is aligning and people are noticing the change. There is this tentative surge of emotion of 'Oh wow, this is it. It's actually happening this time. No more clowning,' going around in fandom and even beyond the fandom. Love that for us.

So yeah, the time is right.

The time is now.

Let's go!

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[milkinthemicrowave]

Hey, Doctor Doctor meaning

I made a song called Hey, Doctor Doctor, and it's blown up recently. Thing is, hundreds of people have left me comments confused about what the song means, so I decided to finally put the basic meaning in a text post. Here's a really good animation of the song!! So u can listen :)

Lyrics:

Hey, Doctor Doctor! Could you tell me what's wrong? I know you're very busy so I won't make this too long I got a question 'bout the rain The fog that just won't go away And something quite absurd That I just learned the other day

I asked my friend a simple question 'bout the rain But then they all went quiet and looked at me in a funny way They asked me what I meant So I described the time I spent Avoiding all the puddles Though I still got wet

They said that morning had been a sunny day I asked the folks around us and they all said the same I sat confused, in my wet socks and shoes I shrugged and said "That's right! The sky wasn't gray, it was blue!"

But doctor doctor It's been so very long Since I've last seen the sun It seems they must just all be wrong Unless it's me who's been confused Then why've my blue skies been refused? And hidden from me by my rainy days?

So... what does it mean????????????????????????

Hey, Doctor Doctor is a simple metaphor about depression. People have also interpreted it as being about the neurodivergent experience and a bunch of other things, and those fit too. But I intended it to be about depression. It's about finding out the things you're struggling with aren't just something everyone deals with. The protagonist (I'll call 'em Pot) has to actively dodge puddles to get anywhere and lives in soggy clothes. When Pot goes "man, that rain's insane right?" to their friend, the friend has no clue what they're talking about. To everyone else, it's sunny outside. They don't have to think twice about where they step. At this point, Pot looks insane to everyone else, like they're hallucinating rain. So, even though their clothes are still dripping wet, they go "yeah haha my bad. you're right, it's sunny outside". In the end, Pot goes to see Doctor Doctor about it. You know in cartoons or that one Ronald McDonald ad where the sad person has the little rain cloud over them? That's the idea. It was raining outside one day and I thought "lmao what if only I could see this, that would be insane". Then I wrote a song about it. I totally see the neurodivergent spin on it, because the part where everyone looks at Pot weird definitely accidentally came from my experiences with diagnosed autism. Sometimes my relatable comedy landed: me: "you ever wake up and your brain feels like sludge?" friend: "yeah bro, all the time"

But sometimes my relatable comedy didn't land: me: "you ever walk across the street without looking when you're having a bad day, like gambling?" friend: "...no???" me: "you don't???" friend: "no?? are you okay??" me: friend: me: "I mean I haven't done that in a long time-" (literally did it last week) Ah, the joys of being neurodivergent. Never knowing what's appropriate to say. "Horrified looks from everyone in the room". If this explanation seems too detailed, I really thought this song was a simple metaphor, so I'm REALLY trying to be clear. Most people get it, but there's still hundreds that have been taking it literally. If you read this far, I'm shocked. Nobody ever uses comments on tumblr, but I'd love it if you commented "umbrella" and let me know you read down here. Thank u immensely for reading this far. So, even though I have literally never talked about it on Tumblr before, and don't expect anyone to see this, that's what my song "Hey, Doctor Doctor" means.