#i know it doesn't seem like this from this post but i'm actually the world's largest river ward apologist

[shaiprsly]

𝐂𝐚𝐠𝐞𝐝 𝐁𝐲 𝐇𝐢𝐬 𝐋𝐨𝐯𝐞

𝐏𝐚𝐢𝐫𝐢𝐧𝐠 : Elvis Presley x Fem!Reader

𝐒𝐮𝐦𝐦𝐚𝐫𝐲 : 1972. Fame, wealth, and the haunting allure of Elvis Presley—everything Y/N could ever want, except the one thing that really matters: a simple, normal life. Hired as the nanny for Lisa Marie Presley, Y/N is thrown into the heart of the Presley world, where she quickly becomes more than just a caretaker for Elvis's daughter. As Priscilla remains distant, Y/N steps in, offering Lisa Marie the affection and attention she craves. But it’s Elvis, cold and aloof at first, who soon becomes captivated by her. With 15 years between them, Elvis begins to blur the lines between professional and personal, showering Y/N with gifts and flirting dangerously. He may be married, but that doesn't stop him from wanting Y/N. Torn between duty and desire, Y/N must face the growing tension, knowing that giving in could shatter everything she’s worked for. Will she resist the King of Rock and Roll, or will his love prove impossible to escape?

𝐓𝐫𝐢𝐠𝐠𝐞𝐫𝐬/𝐖𝐚𝐫𝐧𝐢𝐧𝐠𝐬 : Cussing, cheating, age gap (Elvis is 37, reader is 22), virgin reader, emotional manipulation. I guess that all !!

𝐀/𝐍 : Hi so this is my first time writing and actually posting (and it's literally a whole fic), but I wanted to give it a try!! Let me know what you think and if I should keep writing, because I'm not sure lmao, I might change little thing in the story !! ALSO MY FIRST LANGUAGE ISN'T ENGLISH!! I'M FRENCH LOLLZ

February 15th, 1972

You stand at the base of the grand staircase, your heart pounding in your chest. The door in front of you looms like a barrier between the life you’ve always known and the unknown world that lies just beyond it. The house, a sprawling mansion with gleaming white columns and intricate ironwork, feels both overwhelming and intimidating. It’s everything you’ve read about in magazines and seen on TV—the kind of place people dream of living in but never actually do. But today, it’s not a dream. Today, it’s your reality.

You’ve always been practical, grounded by the simplicity of life. Growing up in the countryside, you never imagined you’d end up here, working for one of the most famous families in the world. But here you are, standing in front of the Presley estate, about to walk into a life so far removed from your own that it almost feels surreal.

Priscilla Presley had called you last Tuesday, saying she’d come across your nanny advertisement in a mall, and that she needed help with Lisa Marie since Elvis would be away for a month. You had never worked for anyone like them, and the idea of leaving your quiet, small-town life was intimidating. But when Priscilla’s calm, urgent voice came over the phone, you couldn’t refuse. After asking you a series of questions, she offered you the job, promising a paycheck at the end of the month of $3,700. It seemed too good to be true, but you couldn't turn it down. This was Elvis Presley’s daughter—how could you?

Still, that knot of nervousness twisted in your stomach. You'd been a nanny before, in your small town, but this was a whole different level.

You shift your weight, feeling the weight of the mansion’s presence. The world you’re about to step into feels much larger than you, and you’re unsure if you’ll ever truly fit in. But there’s no turning back now. You’ve been hired, and now you have to prove you can do the job. As you lift your hand to knock on the door, it opens slowly, and there he is.

Elvis Presley.

In person.

Standing before you.

You’ve seen him on TV, in movies, and on the covers of countless magazines, but nothing prepared you for the way he commands a room the moment he steps into it. His presence is magnetic—powerful, undeniable. He’s taller than you imagined, his broad shoulders filling the doorframe, his gaze steady and intense. There’s something about the way he looks at you—cold, assessing, as if he’s evaluating you in the span of a single heartbeat.

“Must be Y/N,” he says, his voice low, rough, and heavy with that familiar drawl. “Priscilla told me you’d be here, she's out for the day.”

You nod, throat tight. You’re not sure what to say. Elvis Presley doesn’t feel like a real person. He feels like an idea, a legend. And yet, here he is, standing right in front of you. “Yes, that’s me,” you manage, trying to sound confident, though your heart is racing. “I’m here to look after Lisa Marie.”

His eyes flicker for just a moment, a hint of something you can’t place passing through them, but then it’s gone, replaced by the same indifferent expression. “Come in,” he grunts, stepping aside to let you enter. His voice is dismissive, as if he’s done this countless times before.

You step inside, the cool air of the mansion washing over you. The grand foyer is decorated with dark wood furniture, vintage paintings on the walls, and thick, plush rugs that muffle your footsteps. The space feels like it’s frozen in time, a snapshot of another era. You feel like you’ve stepped into a different world, one where wealth and fame are the rules, not the exceptions.

“Hey, squirt,” Elvis calls out, his voice surprisingly soft for a moment. You turn, and Lisa Marie is standing there, staring up at you with big, innocent eyes.

“Are you the new lady?” Lisa Marie asks, her voice soft but clearly curious. She can barely form full sentences at her age, but you catch the excitement in her tone. She’s only four, after all.

You smile, kneeling to meet her at eye level. “Yes, I’m Y/N,” you reply gently. “I’m here to look after you.”

Lisa Marie grins widely and grabs your hand. “Yay! I like you,” she says, pulling you toward the living room. You can’t help but laugh, her enthusiasm melting some of your nerves.

As you follow her, Elvis lingers in the background, crossing his arms and watching you both with a detached interest. His gaze, however, is still sharp, as if he’s measuring you up, trying to figure you out.

“Don’t make a mess, kid,” Elvis mutters under his breath, not even glancing at Lisa Marie. It’s clear he’s trying to maintain some semblance of authority, but he doesn’t seem particularly engaged with his daughter. He’s just there, overseeing it all.

Lisa Marie pulls you down to the carpet, surrounded by her scattered toys. She starts showing you some of her favorites, her speech still childlike and a little jumbled. “This is my bear. He talks,” she says, holding up a stuffed animal that looks like it’s seen better days.

“Really?” you ask, playing along. “What does he say?”

“He says ‘I love you,’” she replies matter-of-factly, “but only when no one’s looking.” She giggles softly and looks over at her father.

You glance over, and Elvis is still watching, but now his gaze is a little different—colder, perhaps, but you can’t be sure. He’s standing against the doorframe, arms crossed, his jaw tight as he observes you.

“Do what you gotta do, but keep it quiet,” he grumbles. “Lisa’s gotta learn some focus.”

You try not to let his words bother you. It’s clear he’s not the warmest man, and his attitude toward you seems colder with every passing moment. But you’re not here to be distracted by him. You’re here for Lisa Marie, and that’s all that matters.

____

The afternoon sun hangs lazily in the sky, casting long shadows across Lisa's room. Lisa had finally fallen asleep around 3 PM, her small body curled into a peaceful ball on her hamburger bed, the gentle rise and fall of her chest the only sound in the otherwise still room. You smile at her for a moment, the warm feeling of accomplishment filling your chest. You had managed to calm her down after a long afternoon of playing, and now, for the first time in what felt like hours, you have a moment to yourself.

With soft steps, you turn and leave the bedroom, your fingers brushing against the cool walls of the hallway as you make your way toward the living room. You need a break, just a few minutes away from the constant responsibility of being Lisa Marie’s caretaker. But as you step into the living room, you freeze in place.

There, on the couch, is Elvis.

He’s sitting back with his legs spread out, a glass of whiskey in his hand. It’s barely 3:15 PM, and yet, there he is, drinking. You blink, confused by the sight. You glance at him, and his eyes flicker up from his glass, catching yours. But he doesn’t say anything, his gaze simply lingering over you, as if expecting you to say something.

You don’t. You don’t have the courage to. After all, you’re not here to challenge him or question his choices. You’re here to take care of Lisa. That's it.

As you take a hesitant step forward, your eyes can’t help but notice something strange. Elvis is taking more than just a drink. With the glass still in his hand, he reaches into his jacket pocket and pulls out a small bottle of pills. Your heart skips a beat as he pops a few into his mouth, tossing the bottle back into his pocket without a second thought.

Your mind races. You’re not sure what those pills are, but the way he’s handling them, so casually, it feels like something you shouldn’t be witnessing. You stand there, paralyzed by the scene in front of you, unsure of what to do. You don’t want to intrude, but the anxiety building in your chest makes it hard to ignore the obvious signs of something troubling happening.

You stand frozen, unsure if you should say something, or if you should just leave and pretend like you didn’t see anything. But before you can make up your mind, Elvis's voice cuts through the thick air.

“What the hell do you want?” he growls, his tone sharp, and full of irritation. His eyes narrow at you, anger flickering behind them.

You jump back in surprise. “I— I didn’t mean to interrupt,” you stammer, your hands instinctively clasping together. “I just thought I should check on you, maybe—”

“Check on me?” Elvis interrupts, his voice rising. He slams his glass down on the table with a loud thud, causing you to flinch. “You’ve got no damn business checking on me! You’re here for one thing, and one thing only— to take care of Lisa. And that’s it, understand?”

His words hit you like a slap. The sharpness in his voice cuts through you, and for a moment, you can’t breathe. Your mouth opens to respond, but nothing comes out. Your heart is pounding in your chest, your body trembling under the weight of his words.

“I— I just thought I could help, but I didn't mean to see you like—” you whisper, trying to make sense of the situation.

“Help?” he spits, his words venomous. “You think I need help from you? You’re not here to ‘help’ me, darlin'. You’re here to watch my kid, to make sure she’s taken care of. You’re nothing more than a stupid nanny. Nothing more!”

The insult stings like a slap in the face. You want to argue back, to stand your ground, but it’s hard when you’re this shaken. Your breath hitches in your throat as his words cut through you, each one sinking deeper and deeper. You had hoped, naively, that you could have a more personal connection with him, but now it feels like that’s never going to happen.

Elvis stands up, towering over you, his expression twisted in anger. He steps forward, closing the distance between you. The air around you feels thick and suffocating as he grabs your arm, pulling you harshly toward the door.

“You’re not welcome here, d'ya hear me? Get the hell out of my house!” he shouts, his grip tightening around your arm as he shoves you toward the door.

The force of his push sends a shock of fear through you. You stumble back, your eyes wide with shock. “Mr.Presley, please—” you begin, but he cuts you off.

“I don’t want t'hear it! I’ve got no goddamn time for your pity, or your whining! You’re just here to look after Lisa—nothin' else! Now get out, before I make you leave!” He’s shouting now, his voice seething with fury.

Tears sting at the corners of your eyes as you struggle to regain your balance, the sting of his words cutting deep. You can’t believe this is happening. The man you’d been trying so hard to please all day, is now throwing you out of his house like you’re nothing. His hands are still gripping your arm, pushing you toward the door with alarming force.

“Please, Mr.Presley…” you beg, your voice shaky, so afraid of loosing your job the first day you got it, but he’s having none of it.

“Didn’t y'hear me?” he snarls, his face twisted in disgust. “You’re just a damn servant to me! That’s all you are. So get out of my damn house before I call security to throw you out!”

Your chest is tight with emotion as he shoves you toward the front door. You don’t have the strength to fight him. The tears you’ve been holding back fall freely now, but there’s no use. He doesn’t care.

With one last, hard push, he opens the door and practically forces you outside, slamming it shut behind you with a finality that echoes through the empty hallway.

You stand there on the doorstep, your body trembling. Your hands are shaking as you wipe your tears away, but it does nothing to stop the flood of emotions pouring out of you. How did things get so bad? Why did Elvis, the person you tried so hard to help, turn on you so cruelly?

Your mind is a mess of confusion and hurt. You had only wanted to be kind, to make things easier for Lisa, but instead, you’re treated like garbage. You had hoped that maybe, just maybe, Elvis would see the real you, see that you were trying to help him, too. But now, all you are is a nuisance in his eyes.

Hesitating for a moment, you turn and walk down the front steps. Every part of you is screaming to go back inside, to make things right, but deep down, you know it’s not going to happen. Not today. Not after the way he treated you.

You have no idea what tomorrow will bring, but as you walk away from the house, you wonder if it’s worth coming back at all.

to be continued...

[hyog-blog]

Fangs of Fortune (ep. 06 - ep. 07)

Uh, not Li Lun, out of all people, making everyone finally question why Zhu Yan actually killed Yichen's brother and all those people years ago. We know he lost control over his malicious energy, but why didn't anyone ask him why it happened? Come on, people, you seem to be so smart))

Well, Wen Xiao seems to be accepting enough to not care about what our gorgeous Demon Lord has done in the past, which is quite refreshing. Ambiguous, morally grey characters need more unconditional love (especially when they're, uh, 34,000 years old? XD). But he doesn't even seem to be so 'grey' at this point - he's doing too many good things right now.

The whole thing with being a 'vessel for malicious energy' is quite intriguing. Was he born like that? Can he actually stop 'the cycle of rebirth'? Why did he 'lose control' after so many years of cultivation? I'm also trying to figure out the timeline - the killings must have happened after he dropped Wen Xiao off at what seemed to be the gates to the demon-hunting bureau. But she wasn't staying there when that stuff happened? Did his demonic self come back there just to wreak havoc or for some other reason? Was Li Lun involved? Mmmm, the plot is deliciously mysterious, I will have to wait to get those answers.

Also, I can't even be angry with Li Lun at this point, although he's playing the bad guy now - the poor baby was so visibly hurt when Zhu Yan called him a scumbag. And that painful look he had when our Demon Lord thought something along the lines 'screw you, I know how to wake this boy up from his nightmare' and pierced himself with Yichen's sword (which, uh, seems to be quite a recurring motif and the symbolism of it isn't escaping me, nope XD). In the world of jianghu, the next best thing you can do to show you CARE apart from cutting sleeves is to stab (or get stabbed by) the person you care about. Or get stabbed FOR the person you care about.

I also love how effortlessly Yichen is third-wheeling without creating a feeling that he's actually third-wheeling XD Wen Xiao is obviously biased towards Zhu Yan, now even more so that she knows he IS that Great Demon who accompanied her and the Bai Ze Goddess all those years ago. I would totally trust him, too, if I were her. I also love the messed-up dynamic of a former caretaker/child who's grown up because now Zhu Yan definitely doesn't give us those parental vibes, he's oozing sensuality wherever he goes (and him pretending to be all hurt so she stays with him, ahah, that whole sequence was cute and hilarious). And Zhu Yan saying something along the lines that they now get to 'meet all over again' - was it to build a new relationship with her from scratch? M-hmm, yummy, utterly delicious :D

And you can see how Yichen kinda sorta admits defeat in the way Wen Xiao no longer needs his protection against the 'big bad demon' (the man is using his big bad demonic energy to push her swing, for Christ's sake XD), but still can't let the other man go so easily because of REASONS and that 'you'll have to pay for your sins either way' thing still going on between them. Zhu Yan does know what buttons to push when it comes to Yichen, but the feeling seems to be quite mutual (they're cute together and their interactions are so yummy 😍). That scene at the temple is EVERYTHING. And then at Zhu Yan's mansion with the swing. Is he swinging both ways? Ahah XD For a 34,000-year-old being I don't see how that could be an issue)))

Okay, cutting and piercing still seem to be the show's love language and I APPROVE (never had a kink like that, but there's a first thing for everything, I guess XD). The undertones just make it all so yum))

The introduction of the new character, Yinglei, was hilarious))) We also find out that the Wilderness is crumbling down, which makes the whole Bai Ze token thing even more important.

/and I've finally reached the picture limit in one tumblr post, ahah XD/

[room-surprise]

PSA: Mithrun doesn't run a noodle shop after the end of the manga!

(WARNING FOR SPOILERS)

Awhile back I posted a PSA about how Mickbell and Kuro don't run a noodle shop in the canon, they run an "everything store." In this post I mentioned that "Mithrun running a noodle shop" was also not canon, and that I'd get around to talking about it later.

Both of these fanons are the result of some mistranslation and information getting passed through multiple people, resulting in a very popular fanon that some people think is canon, that Mithrun is running an Asian-style noodle shop in Merini, and that he's in competition with Mickbell and Kuro.

Please note, I'm not saying there's anything wrong with Mithrun (or Mickbell and Kuro) running a noodle shop! If you like the idea and want to write or draw things about that, it's fine! It's just not canon.

SO WHAT IS CANON?

Unfortunately a lot of the information we have about what happens to Mithrun after the end of the manga comes from the still untranslated second version of the Adventurer's Bible, a Chinese Q&A posted by Kui's Chinese publisher, and autograph sessions where Kui answered fan questions, and fans posted about it on Twitter and Reddit.

You can understand why the last one, fans self-reporting what Kui told them, is extremely unreliable and shouldn't be considered the same level of "canon" as something that Kui had printed and published, or that was recorded in an official capacity.

A fan at the Korean signing described it like this (paraphrasing for clarity):

A group of about 100 fans gathered in big room with a screen, where they were playing the anime. The publisher called us up one by one, and we were guided to a smaller room, where Kui was sitting with 5-6 people from the publisher and a translator. We were not allowed to use our phones to take pictures or video.

I don't know if all of the signing events were like this, but we know that Kui and many other manga artists want to preserve their personal privacy, so I'd assume most of these events are run this way.

This makes information from autograph sessions really unreliable, since anyone could post anything online and claim Kui said it, and even other fans who were at the event wouldn't be able to prove that it wasn't true.

I have heard that sometimes fans "overheard" answers that other fans got, which doesn't fit with the above description, so some signings may have not been that private... Or maybe after a fan got their autograph, they talked with other fans at the event and shared information that way? Or maybe they talked about it online afterwards? I can't say for certain.

Anyway, moving on!

IF HE'S NOT RUNNING A NOODLE SHOP, WHAT IS MITHRUN DOING?

Here's Mithrun's updated biography page from the World Guide:

"島の迷宮が消失した後は、女王の命を受けメリニに駐在する。"

"After the island labyrinth disappears, he is stationed in Merini under the orders of the Queen."

The confusing part here is that another comic says Mithrun is retiring, and that he'll no longer be part of the Canaries.

MITHRUN: 何の用だフレキ (What do you want, Fleki?) FLEKI: 実は隊長が隊をやめられると 耳にしまして･･…. (I actually heard that the captain is leaving the squad…) MITHRUN: 事実だ (It's true.) FLEKI: おおっ第二の人生を歩まれる (Oh, you're starting a second life.)

Cithis also confirms that Mithrun is leaving the Canaries:

"それで隊をやめたあと何をされるご予定で? (So what are you planning to do after you leave the corps?)"

This seems like it would be a contradiction with "he is stationed in Merini under the orders of the Queen." If he's retired, why is he still taking orders? Why is he stationed there, a term normally used for military duty?

I think what Kui is telling us is that even though Mithrun isn't a Canary anymore, he's still nobility, and as a noble he has to obey the elf queen, and even if he isn't actively a Canary, he's considered a military asset - one of the duties of nobility is to always be ready to perform military service for their monarch.

Since the elf queen is an absolute monarch, anything Mithrun does is "with the Queen's permission/under her orders," since she owns her subjects.

(This is fun because it hints at potential future conflict. Will the Queen ever command Mithrun to do something he doesn't want to do? What happens if he refuses? Will he defect, and swear allegiance to his new home in Merini instead?)

Ok, Mithrun's retired from the Canaries, but what is he going to do in Merini?

"メリニに残り悪魔の監視を続けるはびこ魔物の蔓延る場所を巡り活動を記録する魔物とは 迷宮とは なんだったのか 生涯をかけて 追い続ける (I'll remain in Merini, and continue to watch out for demons. I'll travel to places where monsters gather and record their activities. I'll spend the rest of my life seeking to understand monsters, and the labyrinth.)"

(Why does the translation call it a labyrinth, not a dungeon? PSA on this here.)

As you can see, there's no mention of noodles here. Mithrun has something he seriously, passionately wants to do, and he plans to do it for the rest of his life. Fleki's reaction, by the way, is complete and utter horror (she was hoping Mithrun would return to his family's wealthy estate and she could mooch off of him):

"残る･･･魔物のこんな未開拓地に? 蘇生術なし (Remaining here… in such a primitive country that's full of ​​monsters? Without resurrection magic?)"

This tells us that the elves probably consider the Eastern Continent an uncivilized and primitive place, where an elf wouldn't want to stay longer than necessary. Fleki seems to think living there would be worse than going back to prison in the elven lands.

Here is where some of the confusion probably starts:

CITHIS: 蕎麦打ち は? (What about making noodles?) MITHRUN: それもやる (I'll do that too.)

Note that Cithis does not say running a noodle shop, she just says "making noodles."

Obviously a person can make noodles for themselves, or for the people around them, without getting into the huge enterprise of opening a restaurant. It's illogical to assume "I'll make noodles" actually means "I'll open a restaurant that serves noodles."

Also, Mithrun is smirking when he answers Cithis, which implies that he's joking, or being sarcastic. This makes sense because "what about making noodles?" is part of a running joke in the manga about ramen noodles and how their presence in the primarily European-style setting of Dungeon Meshi doesn't make sense.

THE RUNNING GAG ABOUT RAMEN

The word Cithis uses, soba (蕎麦), literally means "buckwheat." The full name for buckwheat noodles is soba-kiri (蕎麦切り "buckwheat slices"), but soba is commonly used alone.

Historically, soba noodles were called Nihon-soba, Wa-soba, or Yamato-soba, all of which mean "Japanese noodle." This was meant to distinguish Japanese buckwheat noodles from wheat noodles of Chinese origin, such as ramen, sōmen, or udon.

In the modern era, soba is the word used to refer to noodles in general, regardless of origin or composition. So Italian noodles can be described as a type of soba.

The loan word パスタ (pasuta) is what is normally used to talk about Italian noodles, but the confusion between soba (Japanese buckwheat noodles) and soba (any other type of noodle) is the core of Kui's joke.

In Chapter 81, Laios and his party try to make food for Marcille that will remind her of her home and childhood (which is clearly supposed to be someplace like Italy) but they end up making Japanese-style pork ramen instead. The punchline is that Izutsumi, the only Japanese member of the party, can tell that they've made the wrong type of noodles, but the rest of the party doesn't understand what she's talking about to a comical and ridiculous extent.

In Chapter 94, when Kabru and the Canaries are trying to encourage Mithrun to keep on living, Fleki and Lycion go off on a comical tangent about making noodles:

The punchline of this joke is that Kui is depicting Mithrun servingJapanese-style noodles, which makes no sense because the elves aren't Japanese... Something we know for a fact because there are actual explicitly Japanese characters in Dungeon Meshi. Laios thinks "That's like Marcille's (local cuisine)..." in reference to the joke in Chapter 81.

The panel on the left shows Mithrun looking like a stereotypical ramen stand operator: gruff, covered in sweat, proudly presenting his finished work.

(Sorry for using your thumbnail, random furry youtuber.)

The headband, black tunic and white apron that Mithrun is wearing, and even the crossed arms in Laios' imagination is part of the look of your stereotypical Japanese chef.

So it's understandable that people look at all this, and think "Mithrun will run a Japanese-style ramen stand!" because it's a very cute, very funny idea.

But canonically it's an idea that only exists in Laios' imagination, as something that is meant to be comically outlandish, because the things Lycion and Fleki are saying are also presented as being pretty silly. A bit of levity in an otherwise very melancholy chapter.

I'll also note that when Lycion talks about Mithrun making soup bowls to serve his noodles in, he says "He could enjoy his handmade cuisine in his own bowls!"

There's no mention of serving the noodles to anyone else, just that Mithrun could enjoy the satisfaction of being self-sufficient, making his food and tableware from scratch. This is something which actually aligns very well with the themes of Dungeon Meshi.

DIDN'T KUI SAY MITHRUN IS MAKING NOODLES IN A Q&A?

During the post-manga publicity tour Kui went on, she did several signings where she answered short questions from fans while giving out autographs and drawings.

Remember, these questions and answers are being collected by fans from random tweets and other posts online, translated into English by amateurs, and there is no way to prove their veracity.

Q. Did Mithrun get to live a happy life after ending? A. He is doing work and hobby, living a happy and fulfilled life, although he is not that friendly so he will not be doing diplomat for a long time.

Taking this information at face value and assuming it's true, it sounds like Kui differentiated between "work" and "hobby" - So Mithrun has something he is doing seriously, like a job, and something he is doing for fun, as a hobby.

This makes sense with what we've seen in the official materials: monitoring the monsters and keeping watch for the return of the demon is Mithrun's "job", and making noodles (and doing other things, probably, since the noodles were a joke) are Mithrun's hobbies.

WHAT ABOUT THE WRITTEN WEIBO Q&A?

These Chinese fan questions were answered by Kui in written form, and posted online by her Chinese publisher in both Chinese and Japanese, so in my opinion, these answers should be taken more seriously than things that were solely reported by fans.

However, the question and answer about noodles here is clearly a light-hearted joke:

Q: 米斯伦会做出什么样的荞麦面？(What kind of soba will Mithrun make?) A: おいしい蕎麦だといいですね��(I hope they're delicious soba.)

As with many other answers, you can see that Kui answers in a vague, polite, and gently joking way. "What kind of noodles will Mithrun make?" "Tasty ones, hopefully!"

It's similar to how she answered questions about if Falin's lifespan is longer because she's a chimera or if Thistle is still alive with "That would be nice!" or "I hope so!"

This is clearly a sort of non-answer, but even if you take it to mean "Mithrun is 100% for sure making noodles," there is still zero indication that Mithrun is canonically running a restaurant.

In closing: if you want him to run a noodle restaurant in your heart, in your fanfics, in your fanart, that is perfectly fine! Japanese fans love this idea (they use pasta emojis to represent Mithrun!) and there's tons of artwork about Mithrun being a ramen chef. I think that would be a lovely thing for him to do! I bet he'd have a lot of fun!

But it's not canon.

What is canon is that he's living in Merini, going to group therapy, learning to appreciate the people around him, enjoying himself, and both his work and his hobbies are going well 💕

[ir-abelas-vhenan]

Something Something Yeah It's Still Solavellan Hours (Mythal is kind of here, too)

I've seen a few very beautifully articulated posts talking about the conflicted responses players are finding themselves having in regards to the decision by writers* to have Solas' atonement route possible because of his conversation with one of the remaining fragments of Mythal.

(*honestly I hesitate to put the weight of bigger game events on their shoulders because of how much I know bigger players in the company were involved, so when you read 'writers' know I just mean whoever had final say on plot)

I love reading where people are at on this, and having now breathed, re-played the scene, cried, read some more theories, and then played the scene again enough times I think I'm now able to figure out where I'm at.

TLDR: in my humble opinion, the conversation Solas has with Mythal doesn't bring him any actual closure at all. It is only the version of the atonement ending that has Lavellan in which he is actually set upon a road to redemption.

This, like everything else where I lose my mind, will be long. I tried to restrain myself and here we are, unhinged as ever.

I was unhappy at first that Mythal's incredibly brief conversation with Solas where she releases him from her service seemed to be what finally allowed him to make a decision based on his wants and not hers. My concern stemmed mostly from the fact that a lot of us are trying to be active participants in a society that recognizes patterns of abuse and seeks to establish channels through which individuals can pursue healing without the approval, consent, or demise of their abuser.

But the more I look at the scene, the more I wonder what would have happened in a world where Veilguard got just a little more time in development. Could we have gotten a scene that more elegantly conveys the theme that we cannot heal every part of our loved ones, much as we might like to?

In an imperfect world it isn't always up to us how someone finds closure, which really sucks when you'd like to ensure a loved one finds it in a way that preserves their dignity and limits exposure to the individuals who have harmed them.

And while it could be left there, I'd like to actually push back on the idea that Mythal is in any way responsible for "healing" Solas in this moment.

I went on a different tirade a few days ago about how at the end of Inquisition, Mythal says words to Solas that on their surface seem well-intentioned or placating, but they actually just serve to further bind him in guilt and a position of servitude. In Veilguard's finale, she still does not take accountability for exactly how much of a role she played in the pain that Solas, a man others have revered and feared as a god, has gone through as he cowers, actually cowers before her.

Mythal's interaction with Solas conveys exactly two things to him as far as I am concerned (I'm going to botch these quotes but my laptop is dying so please accept some paraphrase as I rush to finish this before I go cry about this analysis to my uncaring dog):

"The terrible things we did, we did together." You are forever tied to me.

"I release you from my service." But what am I releasing you to?

Because up until Lavellan joins the fray here, all I take away from the physical and unwilling emotional cues Solas gives in this scene (he is a master in trickery, for goodness' sake, the thought of so many witnesses seeing him unable to hide behind a mask has to leave him feeling anguished on top of everything else) is that Mythal has once again reminded him of everything he did in her name and telling him that all that's left for him is to go back to the fade prison and, as he as always done, endure the crushing weight of his failures alone.

To me, in my interpretation, the Solas that hears this from Mythal with no Lavellan intervention may choose to willingly step down from his original plan (and yeah, that's gonna do some damage) but he is certainly not free of his past. He's going to be reminded of it every time he turns a corner and finds more blight to try and soothe, and even the moments that he rests will be filled with more manifestations of his regret. He says it himself: where he's going? It's terrible.

Enter Lavellan. Yeah, he couldn't bring himself to listen to her at her first plea (but like damn how many times are we going to have to watch her give a heartfelt speech only for him to be like 'something something beautiful elven rejection'). But I know that you know that our clever icon knows better than to take what Solas says at face value. She tells Rook plainly that he's absolute dogshit at lies of the heart, and she says it with her whole chest.

Lavellan sees the way his shoulders slump (in resignation yes, but you can't convince me there's not a little bit of relief there, too), she hears the agony in the "vhenan" that escapes his lips (which, don't even get me started on the fact that it's been like nine years and he has no hesitation at all calling her his heart, it just spills out of him). It is not the sound of a man delighting in the steps he's about to take. They're certainly not steps he does not dislike that lead to a destination he enjoys.

And then she watches Mythal (who I can't imagine she feels any sort of fondness or respect for) pull some weird nonsense on her love one final time, and she knows it's her moment to shine.

Mythal, I would argue, pushes Solas down one more time, shames him into seeking atonement, into once again being alone.

It is the romanced Lavellan that kneels so that he cannot fail to meet her eyes. It is she who invokes their connection, not to remind him of his failures but to reaffirm his greatest strength: their love and their love alone is inevitable. Not the consequences of his past, not the regret he thinks will consume him as he seeks to mend what has been broken. It has only ever been them.

"There is no fate but the love we share". We are forever tied together.

"There is no fate but the love we share." *I* am releasing you from everything else save for this love.

Put colloquially: get absolutely fucking wrecked, Mythal.

Body language comparison to chase up the dialogue one, anyone? The way Solas shrinks before Mythal as opposed to him walking off into the fade with Lavellan at his side and standing tall, and he does not flinch when she lifts a hand to his shoulder?

Ultimately, Mythal is a part of the atonement endings no matter what. But it is only Lavellan that refuses to let him walk alone. It is only Lavellan that guarantees that his dinan'shiral ends not in a prison of regret, but a place of promise.

Mythal bends Solas until he breaks one last time. Lavellan takes each piece, claims it as hers, and uses them to build the beginnings of a future.

[toasthaste]

ok here are some In Stars and Time thoughts: (wow! that's a lot of thoughts actually! long post warning! also warning for like every possible spoiler, don't read this if you haven't engaged with the game to your satisfaction)

I'm obsessed with the fact that the loop that ends up being the final one is the one where EVERYTHING goes wrong. I spent the whole game subconsciously building up my Perfect Final Loop in my mind, how I'd get every item to make sure I didn't miss an opportunity to use em, do all the friendquests and such... I didn't even realize I'd been building up that ideal scenario until after credits rolled! Really really cool. The timeline where Siffrin does the worst stuff he does in any loop is the one that stays. And it's still a happy ending! it's a better ending because of that! His friends saw him at his worst and still loved him! He didn't have to do everything perfect to keep them around actually! Something about that feels so right, to me.

I keep using "ludonarrative resonance" to describe this game and yeah ok I'm huffing my own farts here whipping that out but whatever, it's REAL. The player and Siffrin are on the EXACT same emotional journey as each other, we're getting tired of seeing the exact same lines over and over again right alongside them, we're taking shortcuts because we've seen it all before and just want to grab key open door grab crest etc etc make the progress go. We're starting to find these previously-charming characters grating because we've just seem them repeat the SAME lines over and over and over and OVER again until they start feeling like caricatures of themselves who we can barely feel any real compassion for any more.... It's just so.... clean, it's so perfect, to me. It helps that Siffrin is also one of the more relatable characters I've encountered in, like, media. I don't usually relate to fictional characters much, but, man, the emotional constipation, the building scorn, the depression, the Being Weird About Touch... I mentioned in another post that it's really just Siffrin and Murderbot who I've ever found viscerally relatable, of all the characters ever in media. So like, it's a pretty rare position. (I do not relate to the pun-love though. I'm funny I'm good at goofs but bad puns are extremely tedious to me. Which perhaps goes to show how well-realized Siffrin is, given that I'm able to look the other way....)

I think they could have stood to make Loop's Whole Deal a bit more obvious. I had no clue what their fucking deal was at any point. I totally missed the interaction that lets you learn about The Incident and thus get more Loop info at the end, and... it's valid to have different endings in a game of course, but... I felt like I really missed out tbh! And I had no way of knowing I had to keep interacting with the silver coin.... idk. It felt a bit like a gotcha I suppose. And Loop's deal is really cool! Holy hell! I'm doing a quick replay of the game to see more convos with them with this context, and to get the ending with them, and like--!!! There's so much here! Loop tellins Sif to use the royal We, they even tell Siffrin, like-- Loop asks Siffrin why he doesn't just tell his friends about the loops, maybe they can help, why keep it a secret? Meanwhile... Loop!Siffrin is stuck in their own helpless timefuckery world and refusing to let Siffrin know about it! The Siffrin from the Start Again timeline never learned those lessons, they're still trying to help someone else while refusing to ask for help themselves, refusing to even let on that there's a problem! And getting more and more emotionally fucked up about it! Man it's good. I guess it does make a replay more rewarding, not knowing this until the end, the first time, but so much of the game is already a replay that, idk, it does feel weird to replay it. I've already done so many repetitions y'all.... But I guess that's pretty meta, also...

Oh I'm under the impression this is not terribly uncommon but I absolutely did get got by the ?diary? that had the story of the person making a duplicate of themselves so they had someone to talk to. Like I fully thought that was describing the King and Siffrin, I spent a long time under the mistaken impression that Siffrin was a copy of the King in some capacity. Oops.... I might try to gently lead Beloved Roomie away from this interpretation when she plays it. Planning on being pretty hands-off overall but this is one area where I feel it might be justified to violate the prime directive.... But we'll see!

I wish I liked the music more..... This is a game that I think really begs for some real heartwrenching tunes to enhance all of the everything but instead none of it does it for me at all. I think that's a real shame, it's by far my biggest complaint. I'm not asking for Undertale-tier, but, at least something I'd want to put on my playlist for the emotional resonance, y'know?

THEY ACTUALLY KILLED THE KID !!!! LIKE!!!! I guess I have some biases I might should think about but I was not expecting a game that begins with so many explicit pronouns introductions (rather than just giving us context clues) and that has no real cursing to be willing to kill the kid, even impermanently? Let alone so gruesomely? I think I was expecting a much greater level of.... idk, tweeness, fanglessness, than we actually got. In spite of being a fan of insertdisc5's comics for YEARS and years! And like! Damn! Props to them!

God. God. So, like. All the ending fakeouts were fucking great. I genuinely thought the All Friendship Quests ending might be the Real One, I was prepared to be disappointed because it felt too soon and just not.... quite.... right? But I did think that was probably where it was heading! But it wasn't! I got got and it's so heartwrenching and also so satisfying, the mood whiplash from loop to loop is fucking sublime.

And-- AND! The real ending! So like. Some of the stuff I missed was just me not pursuing specific content correctly. But some of it is genuinely just, like, stuff that has no actual purpose besides flavor. Flavor, and.... The locked passphrase door in Dormont. The four-pointed leaf you can get (but not in the final loop!), the bell chime, etc etc. You can't actually really do anything with any of this stuff. But you don't know that! It feels like there's still all these loose ends! And!!! Those loose ends do their job SO WELL! The dev knows Gamer Instincts, knows people are gonna have that mental tally of boxes-yet-to-be-checked. Left some forever unchecked on purpose, which-- At the end, the real end, when Siffrin is about to talk to the Head Housemaiden and find out, for real, if this is the final loop or if it's all going to happen again, again, again. He's scared. He's traumatized! He's thought he Had It so many times! SO many times!!! Hope is terrifying! Hope is a poison! And the game has left these loose threads, and at least for me I really was not sure it was going to work. Like it seemed likely but the same metaknowledge of story structure that made me think it was likely also told me "but wait, there's all these loose threads, and the only way for them to trick us again WOULD BE to make the ending SO elaborate and epilogue-y....." I was nervous right along with Siffrin! I was uncertain! Fucking fantastic work, using my own gamer's instincts against me. Thrilled about it.

All the characters are so well realized. They all have specific relationships with each other, not just with Siffrin (Important!!!!! Huge complaint I had with BG3, they didn't put their whole pussies into this!!!!). And, and, I love how they all have different feelings about the time loops. I love that Mirabelle doesn't want "spoilers," and meanwhile Bonnie doesn't mind them and thinks of their alt-selves as like... them-but-not-them in a very cool way.

There's something about-- the way the game starts as a regular degular videogame and then graaaadually becomes, essentially, a visual novel as the actual gameplay becomes trivialized. Which itself is like, really really cool with the themes! And also, just.... I never would have picked up a straight up visual novel, I just, don't get into them, I'd rather read a book, but! I was already invested! It got its hooks into me when there was gameplay mixing things up and those hooks weren't about to let go just because the gameplay didn't super matter any more!

Straight up when we first see Red I didn't at all process that it was a Color in a game with No Colors, Canonically. They had to spell it out for me. It didn't occur to me to be surprised. I'm just too used to colors existing I guess idk. I think I wish the colors thing had gone somewhere a bit more...? I'm GUESSING it mostly originated as just a cute little explanation for why the game is all grayscale and then fit in with enough stuff to be given elevated importance (?) But it felt... hm. Underdeveloped, maybe. I think I really want more stories in this.... "Setting" and "Universe" and "Series" are not quite the right words but hopefully you get the idea. I want more so there can be one that develops that more. Not that leaving stones unturned is, like, illegal ofc. I just find the idea very compelling....

What is it with time loop stories and themes of loss that cannot be outsmarted. Man. I wondered, for so long, if Siffrin's country was going to be restored in people's minds, if that was one of the main big Plot Things we'd see. And it just didn't! Their memory is going to keep being bad, they're going to keep having all these huge tragic gaps and it's just. What can you do. At some point you have to either be permanently paralyzed by the horrific injustice you've suffered-- or you have to try to live a life. And. Man. I don't think I've actually ever encountered a story that was so much about that exact specific form of loss, the loss of one's culture, history, language! All of it. Gone from everywhere. It made me think of the obvious things and just. Man. What a howling void. The contrast with Odile's deal made it a lot more effective too I think. More of an expanded meditation upon these themes than just one toe dipping in, I guess? Hm.

Odile's battle profile pic when she's at low health is so fucking hot this cartoon character is so hot goddammit.

Game good. You're only reading this if you've already played it, I hope, so I can't use this space to recommend it in a meaningful way but. Heck. Game good.

[tumbleweedsthesecond]

Tophvan post yayy... I wanna explain why I ship it or whatever. Why its silly to me or like how I view their dynamic or whatever. This is gonna cringe so probably ignore this if you don't like tophvan I'm not trying to say its like the best ship in the world or they have a great dynamic or whatever I just wanna explain how I view them. This will probably sound delusional but yk whatever. Cringe and free I guess. Here's some old art

Basically me going on their interactions sorta kinda plus my own headcanons.

Okay so hc wise I've always kind of imagined they wouldn't get along in some way. For obvious reasons, Topher tries too hard and Ivan doesn't try at all. So obviously Topher would at least try to seem like he didn't know him s1 and I don't think he does really know him s1 I feel like they would've followed each other on Flipflop(gah I hate saying that) and Topher just didn't care to block him because he only has two followers and doesn't want to lose one. Anyway I think with s3 I imagine the bleacher creatures met during summer school mayhaps because they all failed gym or math or something? That's my hc on it. I think they do seem close? At least good friends I think that jackée Ivan and Topher are the three main(vlad and lizzie I still loveee but its harder to get a read on them they don't talk much) anyway I don't think that Ivan and Topher would immediately get along obviously Topher let loose more because he's happier with his friends but still I don't think its perfect obv. so going to actually get into the analysis now I yap so much

Cringe part

I think that based off lines of dialogue like "its a fuck no from me" "a simple no would've been fine Ivan" that Topher kinda keeps him grounded at least a little bit???? Ivan doesnt seem to retaliate I think he does sort of view Topher as the leader in a way. Because Topher talks the most and tbh he does seem a little bit bossy. There's also that one time that I immediately think of when I think tophvan the part where he looks over at Topher as if to see if its approved or not before he agrees with jackée.

Like hes like 'is this funny? ' though it could be because he doesn't listen to jackée because female and he's a dumb teenage boy(throws tomatoes at him) I still think that its funny cause he doesn't even look at all the guys in the group to approve it first he just looks at Topher. you can tell by the animation

Anyway before that I think these two do talk more off screen Ivan looks at him when the others don't (even in other scenes though I don't really think that's a big deal imo) okay full headcanon time I think Ivan knows about tophers supposed crush on joan. I don't think Ivan likes Joan but I think he was like "give it a shot because Topher or whatever 🙄😒' but I also feel like he had a bet that she wouldn't be any help. Don't get me wrong I do think ivans dumb obviously but I also do think he just doesn't like Joan. He doesn't full on hate her or anything just don't think he completely trusted her. He does trust her in the vip room thing he thought that was coll but he is also the first to say she ditched us straight up. Ivans very blunt

We are standing in a closet!

Past that I think they do get closer or whatever afterwards. Kind of. We see them in the shower but I kind of ignore that episode and scene altogether so. That's not rlly a big thing I think abt so anyway

Dumb thing incoming I think its also like the way they look at each other or whatever. Like. whatever dude. I think they'd be kind of sweet or whatever. I don't know. Idiots who caresbro.

Overall I think Topher is a complete idiot too like obviously that one scene where he gets bitten by the snake and jackée says to suck the poison out and Ivan sucks the snake because he's a stupid stupid idiot. Dumb. Tophers stupid too very stupid but that's why I think they're fun together.

Forgot abt that scene where they highfive Topher laughs at ivans dumb jokes. They highfive. (I think Topher laughs way too hard at it like we get it bro. You think its funny. I would say it kinda sounds like forced like haha you're so funnyyy but that's probably a bit of a stretch 😔😔😔💔💔)Edit: I think he genuinely finds that stuff funny cause he's so stupid like bone high is not that funny he just has dumb humor. Anyway another hc I have Topher does like his jokes alot and at first I van laughs along with him but then Topher laughs too much so Ivan just like stares at him

Akso the thing where he sees Topher as the leader of the group I don't think that's too serious or anything I think its just like okay ill listen to you sometimes they're still a dumb high school friend group.

ALSO THIS ISNT ME TRYING TO BE LIKE ITS BETTER THSN OTHER SHIPS OR THAT "OH THRY HAVE SO MUCH DYNAMIC" they're background characters basically I just want to point out some canon stuff! Its fine if you don't ship them who cares anyway if anyone has any tophvan hcs please comment them I love seeing tophvan stuff!!!

Also I love all the bleacher creatures I'm ocifying them too.....sorry to single out the ship I just wanted to explain stuff

Also is this reaching? Probably but they're two characters with low screen time so. Shrugs

[doctor-yoshi-soul]

I'm gonna have to put a disclaimer at the start of this post that says "I understand what happened to these characters is just fridging and it does suck that that happens to two of the characters who are most prominent to the deeper narrative" because I don't want to get accused of ignoring that altogether

Ok now with that out of the way, I think there is something worth looking into in how it's specifically Alma and FianSissel that this happens to.

I'll ask you this, dear reader: how many characters in the game, other than Yomiel, know about his fiancée? How many of them know she died? That she specifically killed herself? It's one of those questions that the game doesn't really acknowledge (which. Kinda comes back to the fridging thing) but I'd be willing to bet the answer is Very Small. I mean really, who would have known enough to care outside of Cabanela, Jowd, and the Pigeon Guy? And do you think any of them at that point in their lives actually cared about the well-being of a suspect's family? Pigeon Guy is a slim maybe and that's about it. He probably had other shit to care about.

In the end, she didn't matter. She didn't matter to anyone other than Yomiel (from the player's biased perspective) and she's gone and no one (again, from the player perspective) notices. One might say it's just like a certain ghost who can't seem to leave a prominent mark on the world anymore, no?

And then Alma? Here's where it gets interesting. Yomiel didn't just kill Alma to get back at Jowd. He killed Alma to make Jowd understand the pain he went through of losing the woman he loved. They're mirrors, in that way.

So, if given the choice, why the hell would Yomiel bother to learn anything more about the woman he intended to kill? Why wouldn't he offer the exact same amount of compassion given to Sissel? Which of course, is none at all.

And since player Sissel is, in a sense, following Yomiel's trail, whether he realizes it or not, he doesn't get to learn more about Alma either. Forgotten and worthless (and yet still carrying the story on their back).

Like I said I'm well aware this is just fridging and it sucks but I think the fact that both of these women end up scorned by the narrative is fun to consider within that narrative sense too.

[papaya-inspiration]

This is really interesting! I hope you don't mind if I do a bit of analyzing of your loglines, because this is also something I struggle with and I'm interested in seeing what I can learn by breaking down the ones you've posted.

Some quick context first: I haven't read any of your longform fiction. I know from my sister (she's a fan) that they would probably be right up my alley (and I fully intend to read WtC, it's just long and I haven't quite gotten to it yet.) So I can't how accurately these capture the actual stories, but I can analyze them from the perspective of someone in the target audience who might pick up one of these books on the strength of the logline.

The thing that stands out to me most is that nearly all your loglines break up nicely into two parts: the first clause sets up the context of the story and the second clause provides the main thrust of the plot. In your stronger loglines, it is immediately apparent how those two things play off each other. In the weaker ones, the two parts feel disjointed or don't have an immediately obvious connection, and thus are missing the "twist" or "hook" that draws potential readers in.

Let me explain through some examples. I think your strongest logline here is the one for Shadows of the Limelight. The set up is both clear and snappy ("In a world where fame gives you power") and the plot hook immediately sets up several dramatic questions (what is protagonist going to do with all this sudden and unexpected power? what expectations come with it? how does the hero he saved feel about this? how does the protagonist's status as a "fanboy" affect with that?) The relationship between the set up and the plot is immediately obvious and it comes with the "twist" built in.

On the other side of things, I think several of your other loglines suffer from the same issue, particularly The Dark Wizard of Donkerk and Millenial Scarlet. Both have a set up and a plot hook, but the relationship between the two isn't clear. For Dark Wizard, how does "being raised by dark wizards" affect going on an adventure? Does it hinder the protagonist, or prepare them to approach their quest in a particularly unique way? Does it make them a particularly unlikely duo with the wayward princess? Are adventures a normal thing for this world? I think a stronger logline would tie the protagonist's unique background to how their quest will go down, which also has the added benefit of preparing the reader for what the tone of the story will be.

Similarly for Millenal Scarlet, the logline would be stronger if we got some sense of how the dead mother's plans came into conflict with the protagonist's job. I love the set up--"gig-economy demon hunter" is an inherently interesting premise (at least to me) and it sure seems like the kind of job that could bring you into conflict with a loved one's last wishes. But the logline doesn't actually tell us enough about the nebulous "plans" to show that there is a conflict, or what it is going to be.

So yeah! I hope something in there is helpful to you, or at least minimally annoying to receive. It was fun to look over your examples and think about why some of them jumped out as more appealing to me than others (and hot damn I really do need to read WtC one of these days.)

Also, in the spirit of practicing and improving I'll tack on attempts at loglines for two of my own stories (though they are currently not available to read publicly anywhere, alas):

Zivanka at Baytown - In a harbor town ravaged by unpredictable storms and unfriendly to outsiders, an orphan girl discovers the lengths she will go to secure a place for herself.

Death and the Doctor - Accompanied by the personification of Death itself, a plague doctor must free a village from a strange malady with otherwordly origins.

Save the Cat is a snappy read, and only 8 chapters, so I'm just doing a liveblog of them unless I get bored or distracted.

Chapter one is about the pitch, the logline, the title, what you put on a poster and how you sell it. It doesn't necessarily come first, but I get the sense that for Snyder this would be his preferred way of doing it. (A logline is just the one-sentence "what is it about" that you use to sell people on the idea.)

Snyder says that writing loglines is awful, soul-crushing work, and I agree there. I'm awful at it. But Snyder also says that if you don't have a good logline, maybe there's something wrong with your movie, and that I don't agree with.

I think there's a fairly wide set of stories that have good, snappy, easy loglines, and are also good stories. But I think there are other stories that are good stories and don't have a great way to pitch them. The lack of a good pitch can exist for a lot of reasons, and sometimes it's just that it's more complex than can be summed up in a single sentence, or even a handful of sentences. I think in practice writers will often dumb down the story for the logline, lying about what's contained within, just to make sure that it will sell, that people will want to know what's inside.

One of the other main points of the chapter is that a good logline has irony to it, a twist inherent in the title, some kind of thematic tension, and I disagree with that too, maybe not from the standpoint of selling a script, but from the standpoint of storytelling.

Why does everything have to have an irony to it? Why does everything have to have a twist? Why can't we have stories that are just well-told explorations of conflict and character? It's like at some point people decided that they only wanted Distinct Pieces of Media, so if you wanted to tell a story that's been told before, something with its own unique texture, you're just shit out of luck.

I find this all the more irritating because often the twist/irony/idea/pitch is good, and then the execution is shit, and then people don't want that idea again. It's not like you can say "like that thing that flopped, but good".

Blake Snyder is trying to tell good stories, but he's also trying to sell stories, and this is a good thing for authors to know how to do. I accept this. I just don't like it.

So as a writing exercise, here are some loglines for things I've written, without the amount of care and polish and revision that a good logline needs:

Worth the Candle - A teenaged dungeonmaster gets thrust into the worlds he's created, where his recently deceased friend is a historical figure. (This is bad, not short and snappy enough.)

This Used to be About Dungeons - Five young adults team up to delve dungeons and bake pies. (I don't know man, I said I was bad at this.)

Thresholder - A man travels through portals to different worlds and genres, gathering powers and skills as he fights other people just like him.

Shadows of the Limelight - In a world where fame gives you power, a fanboy saves the life of the world's greatest hero in full view of the public.

The Dark Wizard of Donkerk - An orphan raised by two dark wizards adventures north with a wayward princess.

Millennial Scarlet - A gig-economy demon hunter grapples with the death of his mother and the plans she set up before she passed.

Alright, I found that less soul-sucking than usual, but I don't think that these are the oiled, muscular, perfectly toned and smiling loglines that are necessary to sell, just to be clear. The marketing unit of written fiction is not really the logline, though that helps, it's the blurb, and I am equally awful at writing those. I just don't agree with Blake Snyder that a blurb or logline coming poorly is a sign that you don't know the story.

[lilmissnatcat24]

it's so interesting to see the differences in how the LIs in cyberpunk 2077 treat male v vs female v, because in other videos games if you choose not to romance someone their character for the most part stays exactly the same. but in cyberpunk when you choose to romance any one of these people it's just such a vastly different experience.

judy

male v: hey, that's really cool of you for not seeking active revenge against me and my friend for playing a role in your very imminent death. best of luck, maybe we'll hang out soon.

female v: marry me oh my god marry me right now here's the key to my apartment my ring size is a 7 you know that joke about lesbians and uhauls? well i'm not fucking kidding.

river

male v: thank you for all of your help with my family. man, i haven't had a friend in a really long time. let's toast to that, buddy.

female v: i am insatiably horny at your very existence. i had the hardest raging boner when you saved my nephew's life. it's so hot how you're actually a criminal. and that i'm a cop. i mean... that's illegal, right? let's fuck next to a room with children sleeping inside.

panam

female v: i'm so thankful i met you, you showed me that i can find a friend outside of the group i self-imploded inside of. i'll do anything in my power to help you try to save your life. when all this is done, do you want to join my gang?

male v: i don't even like you that much. don't touch me. ((if you leave i'm killing everyone in the aldecados and then myself))

kerry

female v: hey, is johnny watching this? yes? good. let's commit acts of terrorism.

male v: hey, is johnny watching this? yes? good. let's commit acts of terrorism (this is how i do foreplay)

[coolspacequips]

Have been reading this sci-fi romance and like UGH u ever really wish a book was just at least a little better??? There's stuff in this that's interesting but also a lot about it that's so... Juvenile and kinda undercooked lol...... But it's so hard finding good romance bc for a lot of romance readers this is enough, except even then not really since they prolly didn't fuck nasty enough in this book for the ppl that just need the merest pretense to read smut (which is fine if that's what u like there's just an oversaturation of this, esp when you can have a light plot/heavy smut story with slightly better writing and internal world building without having to explain and describe the 'boring' parts 😅)

[seafoam-taide]

Weird having an actual favorite band and knowing it. I don't really have many favorites it is hard to understand my feelings and even harder to pinpoint a 'better and more' feeling about one specific thing. But I know all of their songs, I listen to them all in a big playlist and never get bored, I am always happy to hear any song by them, I have every song's lyrics memorized, like ... they are my unequivocal favorite. There is nothing like it. Yes, I can get really into other songs, there are probably singular songs I can say I like more than any one song by this band. But I guess having a favorite is like what people say about getting married. I'm not explaining myself on that one actually I do have a point there that's an actual metaphor but I've decided explaining it is a bad use of my time. It's one of those artists that are popular enough and artsy enough that they can crop up as fic titles occasionally and no matter the lyric or song it comes from I can always tell immediately. I don't remember what the point of this post was I'm deep in my panic phase and it's 4 am and I was just sitting there singing I Have Made Mistakes to myself bc I can just do that, the whole song, and because it is very funny to go I have made mistakes I have made mistakes and I will continue to make them while in the middle of freaking the fuck out about existing or something. Bc you know yeah im one spoon away from setting the ends of my hair in fire because if I'm kindling for a little while at least I'll feel of use ????????? Yeah this post for sure had a point and it's devolved.

[crowroboros]

I went Carl first. My initial impressions from his route were:

TJ/Flynn/Leo did not have much given that they weren't in Carl's route much. TJ seemed traumatized about "what happened at the lake" and was very much the "goody two shoes" Christian kid; Leo didn't seem to be able to let go of the “perfect get-together” idea; and Flynn seemed kind of like a dick but because he knew something was up about the Lake incident.

Carl's situation was both frustrating but also really understandable. I completely get how debilitating anxiety can be and him being born into a rich family doesn't change the trauma and struggles he experienced. Though it is frustrating cause he is born into a rich family who coddle him and only back up his inaction; Carl needed to get help with his anxiety and his parents didn't even make much of an effort to try to assist him in that journey. Debilitating anxiety and self-esteem issues aren't a “just get your shit together” sort of issue, you don't just wake up one day and go “I'm better now”. It takes work and a support system Carl didn't have a drive to do that work, nor did he have that support system (minus Flynn) prior to his route.

I did not (and still do not) see his parents as being anything more than superficially supportive. They clearly care about him and his well-being, but not in a way that's truly beneficial to him or his growth. His parents are definitely a massive step up from Jenna's, but I don't see them as particularly spectacular or anything. They're just rich. A big part of Carl's self-esteem issues is that his parents never actually supported his interests. They didn't outright show hatred like Jenna's, just complete indifference. They showed him that while they do care about him, they couldn't give much of a shit about what he actually likes and wants to do in life. Whether they meant it or not, they gave him the impression that his art career and personal interests were "lesser" things not worth taking seriously.

I doubt they actually wanted to make him feel that way, but with how Carl talks about his own art; his initial desire to major in art, which was vetoed by his parents in favor of business; and his story arc over his route, it's my own interpretation that Carl's issues stem from being treated as his family's successor and heir to the business rather than his own person. And part of his route is overcoming that (something I also talk more about in this ask).

And so on a similar note, Jenna's frustration with Carl is completely understandable cause she was born into the exact opposite circumstances and managed to progress in life in the exact opposite way than Carl. She grew up poor with a very abusive family life with parents who didn't give a shit about her. She's right in a lot of what she says, but fails to fully grasp the extent of Carl's mental health struggles, seeing it more as a moral failing and laziness on his part.

It makes sense why she thinks that, as with the information she's presented, that's how she interprets the situation. It isn't like Carl is the most open about how he's feeling and about how things are for him, so why would she know? It's like what you said in the Jenna character analysis post you made; It’s obvious to her that the town breaks people and if they were smarter they would know they should leave; if they were stronger or just tried harder they could leave because that's what she did.

Beyond that though, I saw Jenna as really independent and steadfast in her own interpretation of the world. She's a fascinating character.

First Route

I'm curious; what Route of Echo did you first play and what were your impressions of each of the main characters, just from that route?

I did Flynn's route first.

Chase: Despite the reveals and some of his behavior, I actually liked him. Super flawed, but still relatable and somewhat tragic.

Carl: Had a big part in Flynn's Route; I thought he was a bit of a goof, but well meaning. Felt pretty bad for him when the interview went south. Was definitely weird seeing him in other routes without Daxton to bounce off of.

Leo: I ended up picking all of the Daxton option, so Leo was muy loco here. Still didn't tip me off to how his route was going to go though. Mostly I just felt bad for him (if a little scared) because it was very clear choosing not to talk things out led to this.

Jenna: Jenna came off as overprotective, but even though she was overly harsh with Flynn, I did get where she was coming from and couldn't judge her too hard. She also redeemed herself (and her relationship with Flynn) when he trusted her to use a gun, and she shot the monster on the road (and the ending with little Jenna left me loving her and her relationship with Flynn).

TJ: I kind of feel like this is TJ's strongest route; he tells Leo and Jenna to shut up and stop babying him and willingly tells Flynn what happened. While he spends the rest of the route scared out of his mind (understandable), he's still less comatose than he is in Leo and Jenna's routes. I'd say he left a pretty good impression.

Syd the Kid: I think I'm slowly coming around to the idea that kid Sydney is my favorite character, and I've replayed his scenes more than any other part of the game. They're just so good and they give you such a good sense of who this child was. I know he bullied TJ (and the tragic backstory doesn't excuse that), but I still love him (and what he could have been).

Flynn: Man of the hour. One of the, if not the most tragic character in the game. Chase wanted to know what his deal was, and this route sure did tell us his deal. None of this excuses how he treated TJ (or the others), but knowing his motivations (and what he's done) makes his actions in the other routes, particularly Jenna's, much more meaningful. Came out of this really admiring the complexity of his writing and how he never stops being an asshole, but is an asshole you root for. (Disclaimer, Flynn is the character I most relate to, so I might be a little biased.)

[starscreamingg]

Looking back on Detroit become human in the wake of the ai craze is like. The most morbidly funny thing to me One of these days I have to write something on how the story of that game just gets HORRIFYING when you view it through a (more) modern lens. Man

[writersdrug]

I need, need need neeeeed to know who you would picture bar owner price with 😩 picturing bar owner price has me week in the knees. I need more, how would he be around the bar when he was there? Supporting, bossy,silly? The possibilities are endless. 🥰

I'm loving how people are requesting things for the rest of the 141!!

Bar Owner!Price isn't there every day, and most often not during the actual shift. He's there some mornings, already at his desk on the floor above the pub, setting up the next inventory order and dealing out everyone's tips before Simon climbs down from his flat on the third floor. They both grunt at each other, tired and in need of a hot breakfast and some tea.

He helps set up for the shift - he likes being in the kitchen with Soap. He feels bad the man is back there all by himself, even though he says he doesn't mind it. "I get to cuss 'n bitch all I want back 'ere, sir." Still, Price spends a majority of his time back there with him, prepping burger patties and making sure everything is stocked and ready. Gets on his case about updating the menu, but Soap insists the customers like it the way it is.

Price makes an appearance on the floor every now and then, opting to help run food or bartend on the busier nights. He checks in with the regulars, leaning his forearms on the bar with his sleeves rolled to his elbows, laughing and chatting with them and occasionally offering to refill their drinks. Simon grumbles quietly about him being in the way, but Price doesn't take it to heart.

He doesn't stay late. John isn't that old, but he likes to be back at home by a decent hour. One ruined sleep schedule and he's a shot for the rest of the week. He likes to get back to his flat, make himself a sandwich and pour himself some whiskey, and be on on his sofa and reading his book no later than ten in the evening. Routines have always been a part of his military career, and what can he say? Old habits really fo die hard.

Then you came along.

You didn't just rock Simon's world - you'd gotten Price, too. Though introductions could have been smoother (you nearly beat him with a keg when he came in through the back door and scared you), he's grown fond of you. First, as a hard worker and go-getter; then, as a pretty little waitress with a dazzling smile that likes to keep him on his toes. You love poking fun at him, calling him "bossman" or "barmaster" (doesn't make sense to him, since he's hardly behind the bar - but he finds it cute). You tease him for the way he runs your food, then gets stuck at the table for five minutes just chatting up the customers. You ask him things like, "Who do you prefer, Cardi B or Nicki Minaj?" And laugh when he just stares at you with a furrowed brow. He'll happily let you tease him for being an "old" man just to hear your laughter.

Then Simon sent that photo in the group chat, and Price felt something stir in his chest: looking at you, posing all prettily for your picture, working to push your little idea out there and bring in a crowd. He's impressed, but he's also intrigued. He's got his sights on you, and he's dying to figure out more about his waitress.

"'S the post making any headway?" He asks one night, leaning on the bar next to where you sit. Your tips are finished, money waded into the pocket of your apron as you scroll on your phone, sipping on a screwdriver.

"Kinda..." You mumble, a pout on your face, creasing the skin between your eyebrows. "People are seeing it, and there are a few likes, but no one's really engaging. Not sure if this will do well."

Price hums thoughtfully, looking at your lips while you stare at your screen. He's holding back the urge to lean in and take a whiff of your perfume, afraid it might seem just a bit too strange. "Have you tried promoting it?"

You look at him, laying your phone on the bar top. "Well... I could, but..." You wanted to finish with 'it would cost money'. But then, you'd be insinuating that you expected him to pay you. You could boost the post yourself, but you'd rather not spend money on something that might flop.

"'S there a problem?" Price asked, leaning in closer to you.

"I mean... promoting a post costs some money. Like, for it to be advertised to five hundred people, you'd pay around one fifty. And I think, depending on how far you wanted the post to reach - like, literally, how big of a geographic area - that would cost even more."

Price chuckles. "You do realize how much business you've brought in since you've joined the team, hmm?"

That makes your cheeks warm, pressing your lips into a line to avoid grinning like an idiot at the compliment. "I mean... sure..."

"Go upstairs to the office and get my wallet." he says, standing up from his seat at the bar.

You watch with a stupefied expression as he walks to the POS and prints some blank receipt paper. "You- you mean it? Are you sure?"

He sits on a barstool near the kitchen door. "Wouldn't have said it if I didn't mean it. Hurry up- before I change my mind."

You don't need to be told twice. You drop your phone onto the bar and bolt towards the stairs - you stop yourself, running back to where Price sits and hugging him from behind. He lets out a surprise grunt as you do your best to smother him.

"You're the best boss ever!" you squeal. Then, just like that - you're off to the office upstairs. He preens over the compliment as he hears you leaping two steps at a time.

"Be careful." he calls over his shoulder. He sits there a moment, staring at the paper in front of him. He's surprised he hadn't accidentally thrown you off of him purely out of instinct, but he can't say he isn't absolutely delighted by the hug. It lingers in his mind, his chest still remembering your arms around him. He shakes his head, reaching forward to grab a pen from behind the bar.

His eyes meet Simon's - the man is glaring daggers, his head framed by the window in the kitchen door, mask hanging from his ear. His lips are pulled down into quite possibly the angriest frown Price has ever seen. His nostrils flare as he exhales - Price wonders what sort of insults are flying through the bartender's head right now.

He glares right back. If Simon wants something, he'll give it to him. But he'll make him ask for it, like any normal human being. John isn't going to surrender just because Ghost is huffing and puffing, expecting his boss to back away from you just because he's stomping his foot and looking menacing. But how can he be sure that Simon really wants you, more than he thinks Price deserves you, if the lad won't say anything? It's only reasonable, right?

"If you want something, Simon, say something." Price calls out, never backing down from Simon's jealous gaze.

He huffs again and disappears from the kitchen window. Price can hear shuffling and banging, followed by Soap's irritated voice: "Oi, I got it! Get yourself outta my kitchen n' go your own shite, 'fore you break my stuff."

Price sighs, scribbling down some numbers on the paper in front of him. He'll cave, eventually.

[mythicalcoolkid]

I love the "glasses are disability" thing because it applies to basically every complaint abled people have about disability

"You're not even that bad, why would you get that?" Have you ever used a magnifying glass for small details or zoomed in on a picture

"Why do you have that accommodation TODAY?" Why do you wear reading glasses when you're reading

"It seems like your 'needs' are inconsistent." Yeah and you wear sunglasses when it's sunny and not all the time

"But you can technically walk without that." Yeah and if I put the page really close to your face you could read it, it would just hurt and be hugely impractical, inconvenient, and limiting

"But you COULD go without it all the time, you don't NEED it to live." And maybe you could technically see without your glasses, doesn't mean it's comfortable or practical day to day

"If you REALLY had a hard time seeing you would have glasses." Have you ever known someone who couldn't afford a new pair of glasses? Or eye appointments? Someone who needed vision therapy or special prism glasses? Someone whose vision only gets bad during migraines or seizures? Someone with astigmatism that glasses can't help? Someone who didn't qualify for LASIK?

"You only use it when you're out in public." Have you ever gotten up to use the bathroom at night without putting on your glasses

"Decorating it is just trying to get attention, and it's a medical device so stop glamorizing it." Do you hate any patterned or colorful glasses frames too? Art with characters who wear glasses? People who make OCs with glasses? Glasses chains, prescription sunglasses, aesthetic fake glasses with tinted lenses?

"There are secretly lots of people just using aids for fun and attention." There are secretly lots of people wearing fake glasses or colored contacts for fun and attention, it does not affect you

"We need to find fakers, they're stealing disabled resources!" Someone pretending to need glasses is "taking" a seat in the front from someone who might need it more. That sucks and they shouldn't do that. But I'm not going to scrutinize every person who wears glasses to see if I think they really need that seat. You personally are not the arbiter of who is (based on the random times you've seen them) secretly not disabled

"My friend has that and doesn't act like that." Does every pair of glasses in production, or even every pair close to your prescription, work for you? Is your vision identical to every other nearsighted person?

"If you can do X why can't you do Y? Some people with that can do Y."/"But if you have that how can you do X? People with that can't usually do X." Some people are nearsighted and some people are farsighted and some people are both. Some farsighted people can read some without glasses and some can't. And good distance vision doesn't mean you don't ever need glasses, it's just an entirely different reason you'd need glasses

"You're too young to need that." And there are young people who need bifocal lenses

"Why don't you use this DIFFERENT aid though, it would look like you didn't even have an aid." Why doesn't everyone in the world wear contacts

"Why can't I/my friend/my kid play with it?" Do you let random strangers and children try on your glasses at the grocery store

"I was just trying to help, I thought you'd need a push/you were in the way." Are you cool with me suddenly pulling your glasses off your face to clean them, or because the glare was distracting me

"You'll eventually stop using it though right?" Are you planning on no longer needing glasses someday

Disabled people are free to add

I am aware this is not a 1-to-1 perfectly accurate post. Do not come into the notes trying to "um actually this isn't a perfect comparison." I know. Just don't

[il-miele-che-scrive]

Lando reminds Max how he said he'll let Lando marry Y/n once he wins his first race

yn_verstappen My boy got his first win ❤️❤️so proud of you my love

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landonorris I think I fulfill the criteria for you know what @/maxverstappen1 do you remember what you said?

↳maxverstappen1 I refuse to remember

landonorris cmon I'd do it anyway

maxverstappen1 It was a JOKE

landonorris well I'm very serious about this

username1 What is Lando talking about?

↳username2 I think under some previous post Max said he'll let Lando marry his sister if he wins because it seemed so unrealistic but now oh well 💀

carlossainz55 As a friend of the both of you I can't wait

↳yn_verstappen Wait for what exactly? 👀

landonorris you know what 👀

yn_verstappen Nahhhh I know it was just a joke

landonorris yeah yeah, a joke, totally

username3 I AM CONFUSED

username2 I think Y/n thinks it wasn't for real😭

username4 Y/n blessing our eyes with the video on third slide 😏

↳yn_verstappen As a fangirl myself, I know what a fangirl desires 😌

username5 But fr fr Y/n would be so lucky if Lando actually proposed now

↳username6 I don't think he is being serious, they're still young and all

username7 And why would he try to outshine his first win with a proposal??

username8 So is the wedding happening or not?!

↳username9 It MUST happen now

josverstappen7 Impressive 👏

↳yn_verstappen Ik dacht dat ik je geblokkeerd had lol

username3 "I THOUGHT I BLOCKED YOU" LMAO

↳username10 Hey Jos, is Max on his way to the gas station yet?

username11 He's still walking from the circuit back to the hotel lmao

landonorris It's a win-win situation

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yn_verstappen Max still can't believe you did it lmao

↳landonorris he was the one who gave me the idea!

maxverstappen1 IT WAS A JOKE

landonorris doesn't change the fact that it gave me the idea

username1 Max gonna hate himself for the rest of his life lol he trapped himself with Lando as brother in law

↳username2 Poor Maxie 🤣

yn_verstappen Poor Maxie indeed lmao

carlossainz55 Did Y/n take these photos?

↳landonorris of course she did

↳yn_verstappen Yessir I did

georgerussell63 Why's the ring so small? 🤣

↳yn_verstappen Well I love it regardless

georgerussell63 He's just won a race, should try a bit harder, not sure if that impresses Max

maxverstappen1 Remind me, where's your ring for Carmen? 🤔

username3 Max casually shutting George up lmao

↳yn_verstappen He loves his brother in law after all🥹

username4 I love how Max pretends to not like Lando, but when George try to say something he's defending

↳username5 That's real sibling energy

carlossainz55 Congrats to the both of you! 💪

↳landonorris during one weekend I did two things no one expected me to do

username6 No but that's a valid point Max got, cuz how long have Y/n and Lando been together? A YEAR AND HE ALREADY PROPOSED

↳username7 meanwhile Carmen still waiting for her ring after years

username8 Max ain't getting rid of Lando after this

↳yn_verstappen I think he doesn't mind it 😅

username9 Jos getting another son to train

↳username10 Jos pls turn Lando into a world champion

username9 Possibly without the abuse part?

yn_verstappen Not possible I think lol

josverstappen7 Take good care of her

↳yn_verstappen Better than you did 😐

↳username11 Jos tryna make a comeback into Y/n's life lmao

username12 Suddenly he even follows Lando?

username11 Thankfully Lando doesn't follow him back

maxverstappen1 To clear up the accusations - I will not hate myself for giving him the idea, I enjoy having Lando in the family

↳yn_verstappen They know, Maxie 😭 they're just joking around

username13 Imagine Max, Lando and Y/n together in the same room with Jos 💀

↳username2 I meannn Y/n does a pretty good job avoiding her father, I don't think she wants Lando to meet him

username1 Man's extremely rich, are we surprised?

username2 Trying to impress Max lmao first the win, now this

username3 Well it's understandable that they want privacy on such day

username4 I NEED TO KNOW IF JOS WILL BE THERE

↳username2 Knowing Y/n she won't invite him

username4 As 👏 she 👏 should 👏

username5 Little Lando Norris is the last person from the grid that I expected to get married now

↳username1 Or ever lol

username6 I hope after they are married and have kids Jos will stay away from them

↳username7 Yeah I don't think Y/n would want Jos to be involved in the kids' life after how abusive he was towards Max

username8 Abusive 💀 if it wasn't for Jos Max wouldn't be a world champion

username7 What about Lewis who didn't have an abusive parent?

username9 I'm really hoping to see Y/n keep her last name so their kids can have the last name of a world champion

↳username2 Lando still has a chance 😭 if not this season, then he still has a lot of time

↳username10 Maybe "no kids before Lando's first championship" is their second rule lmao

yn_norstappen Better than I've ever dreamed of 💓 thank you everyone for being there for us and celebrating our love together 💓 and thank you to my amazing husband for making me his wife

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username1 norstappen in the username 😭 I love her she's iconic

landonorris thank you to my beautiful wife for existing

↳username2 I think we know who he can thank for this 💀

maxverstappen1 It was better than I expected

↳landonorris supportive as always❤️

↳yn_norstappen Chill Maxie we all know you're happy for us

georgerussell63 It was such a beautiful wedding

↳yn_norstappen You should take notes, maybe you'll need it one day

carlossainz55 I cried and I'm proud of it

↳yn_norstappen I had no idea you'd be so touched!

carlossainz55 I guess it was just very heartwarming to see Lando get married, especially when you're the one he's getting married to

yn_norstappen Thank you 🥹🫶 I also cried a lot and I'm crying again reading all these kind comments

↳username3 Lando also cried! It was funny to see that after he said he's just not the kinda guy to cry during touching moments like this

username4 Yeahhhh I was surprised he didn't cry after his first win like 🥹aren't u happy pookie⁉️

yn_norstappen If you like to see Lando crying, wait for a video of our wedding day!!

↳landonorris that was kinda cute!

charles_leclerc Your first win, your first wife, what's next?😂

↳yn_norstappen FIRST and LAST wife

landonorris obviously baby

username3 New gossip alert, he said "obviously baby" without a comma ("obviously, baby") so what if he's actually replying to Charles' question saying next is their first baby? 😭

oscarpiastri So happy to have been with you on such important day

↳landonorris cheesy osc

↳yn_norstappen Thank you Oscar

mclaren Cheers to the newlyweds 🥂 (and to many more wins of Lando's)

↳oscarpiastri But tbh such a shame there was no orange theme

landonorris the baby shower will be black and orange

oscarpiastri You're already planning I see

landonorris it's a bit obvious innit

yn_norstappen LANDO

yn_norstappen We're NOT having a baby YET

landonorris after the first world champion title✍️got it baby

josverstappen7 Shame I couldn't be there with you, but happy regardless

↳yn_norstappen You COULDN'T? I didn't invite you

↳username2 nahhh Jos is tryna make it seem like he couldn't make it but we all know he just wasn't invited lmao