#i know in the scene it's about laura

[rearranging-deck-chairs]

okay i was curious where that quote that laura reads in s2e12 from carmilla's book was from ("those who prefer their principles over their happiness refuse to be happy outside the conditions they seem to have attached to their happiness") and unsurprisingly it was camus so i downloaded the book it's from and ctrl+f'd through to find the quote and havent found it yet but did find this one:

[aeoris4lovers]

matt mercer as essek thelyss & laura bailey as jester lavorre + the last days of judas iscariot

[yeeclaw]

As much as I enjoyed seeing Laura in Deadpool & Wolverine, one thing has been bothering me since opening night, and I can’t shake it:

Why did Marvel design her a shirt that says “Savage”?

It’s a fictional band t-shirt. I spent hours reverse image searching and browsing album covers and tour posters of bands with related names, album titles, and song titles, and while it’s clearly inspired by real rock bands and tours, it was nevertheless made up. They actively chose to make up a shirt with a derogatory racial term for a group Laura and the actress who plays her is not a part of for her to wear. Someone was paid by Marvel to design it. Why?

Now companies are selling copies of the shirt, so more people will be out in the world wearing a shirt with a term that, whether you want to call it a slur or just a “derogatory racial term,” has a dark, violent history and makes many Native Americans uncomfortable. It is a word that was used to justify cultural genocide within my parent’s lifetime, that has been used as a justification for racist discrimination and hatred within our lifetimes, not just Logan’s lifetime.

Logan had band logos, too. They used Awaken the Dreamers by All Shall Perish. The title track is about fighting for human rights and ending oppression, the design features the Statue of Liberty holding a gun, not a torch, surrounded by the silhouettes of swarming military planes. Now in Deadpool & Wolverine, we’re casually using the word savage, sticking it on a “feral” character with a reputation for violence. It could be powerful if Laura were Native. She escaped from a government run institution systematically abusing and dehumanizing children based on their heritage. Logan cast primarily people of color to play the X23 children. Gabriela Lopez died at the Liberty Motel and Logan died at what was described at “the last stop on the mutant underground to Canada”. They utilized the mutant metaphor very deliberately, and I feel that Deadpool & Wolverine’s choice of costuming for Laura did that a disservice.

(Yes, I’m aware of Savage Wolverine. Its potential as an Easter egg for a racist comic book title doesn’t make it not racist)

[fictionadventurer]

I didn't realize just how much Little Town on the Prairie meant to me as a book. I've barely started and every bit feels iconic. This one and Little House on the Prairie feel more like home than most of the other books do.

[localfanbaselurker]

re-watched the pilot and not believing how many awesome one liners I missed in my first watch

[itspileofgoodthings]

I also never stop thinking about one of the earlier Rose books where she sees herself in the mirror after church one Sunday, HATES what she sees and breaks down sobbing and then Laura comes in and asks her what’s wrong and she says something like “do you think I’m plain” and Laura kisses her forehead and says “you’re just young and changing fast. and you’re anything but plain now” and then later helps Rose buy a new outfit that makes her feel beautiful again

[gideonisms]

I also think that hs/the hs fandom was responding to the way the internet was in the early 2010s. it's probably a cycle of influence but I will say that with books like htn whose authors originally wrote like. complex gothic sff angst fic, that type of writing isn't limited to the hs fandom at all. There was a whole time period where if your fandom was even a little sff oriented you would have people writing these epic fics with fantasy elements where two characters would have a wildly complex and fraught relationship destroying everything else in their path for the same amount of words as the holy bible. It's so hard to describe this vibe but I'd say like, gothic sff melodrama with unreliable narrators really had a moment in fandom in the hs time period. Some of that stuff influences the way I think about fiction to this day and like. I do believe muir a little when she says she didn't take anything in particular from hs because even though there are some similar choices she makes in her writing, that was kinda just the vibe back then too

[robobee]

the solo introductory music for sarchengsey is edge of seventeen stevie nicks; Venus by bananarama & hungry like the wolf by duran duran respectively

[onlineproblems]

hey you should tell me about the characters and themes and motifs and plots and moments you love that make you emo and crazy

[rearranging-deck-chairs]

obsessed with their different reactions to being called starcrossed lovers

[gossippool]

hi welcome back to leanne rewatches deadpool & wolverine and goes insane about every single detail in this movie. in this edition: how logan's clothes reflect the trajectory of his character

1. the suit—inside

so we start off with the scene in the bar where logan appears to be wearing what we're used to seeing him wear. flannels, leather jackets. his outfit and even the setting is not at all unfamiliar for him. but, as we later find out, he was wearing the suit underneath all those layers the whole time.

during his talk with laura, he reveals that he wears the suit to remember those he'd lost, and as a reminder of what he'd done. he's had the suit on permanently for god knows how long, hidden under his clothes. at this point he bears the suit like a cross, suffering in silence under the guise of normalcy, yet sacrificing what's left of his identity by reducing himself to what the suit represents; by taking all the jabs and nasty looks people throw at him that he thinks he's too deserving of to combat.

2. the suit—outside

after wade pulls him out, he has the suit on display for quite a while. on one hand, it shows the fight that's in him now as a contrast to his passivity in his own world. on the other hand, it's also a sort of vulnerability: what that suit stands for and by extension what he himself is is now laid bare to the world. out in the open for people to question. maybe that fight that's in him now stems precisely from this vulnerability.

this vulnerability is both good and bad for him: it causes him to lash out at the questions from wade that he's not ready to answer. it also leads him to open up to laura and finally speak about what happened—who knows if he's ever said any of it out loud before. fun! even with just the suit, we're already seeing some development.

and THIS is where it gets interesting.

3. the white shirt—his mind

the first time we truly see him without the suit is when cassandra nova looks into his mind. i've been going back and forth on whether this is logan's own manifestation of himself or if it's cassandra's, and i still don't know. i think the distinction does matter, but in the end what it conveys is the same.

firstly, another layer of vulnerability again. he's already on his knees for cassandra, submissive—now in his mind he's also stripped as bare as he can be (i think we all know white shirts can sometimes leave little to the imagination). cassandra looks at him and says "you're hiding ... from all the ones you let down." how interesting is that?? if we go all the way back to the first scene, he hides his suit under normal clothes. and he hides this version of him in his mind even further underneath all of that.

secondly and as an extension of that point, white symbolises purity. cleanliness. even a promise of new beginnings. let's tackle this from the two possible perspectives.

if this is logan's manifestation of himself, it would be so intriguing that this is how he appears. maybe it means that despite it all, there's some good in him. maybe it means that deep, deep down, past all the shame and the guilt and the grief, there's still a part of his mind where he can just be.

on the other hand, the white could also symbolise a second chance—like i said, a promise of new beginnings. i made a post about this scene here, but the basic point is that cassandra is offering him something that no one else may ever be able to offer him. a chance to fully be himself, to silence the voices. the white is such a stunning visual representation of what she is saying logan could be if he stays with her. which makes it even more poignant that he doesn't.

4. the time ripper

after this scene, he's in the suit again, necessarily. but then! BUT THEN!!!!! the time ripper!!! y'all need to understand the significance of this scene in all its nuances FR! here you can look at his abs again:

but the thing is we know by now what the suit represents. all his failures, all his guilt, his inability to let go of his past. it represents him. isn't it just so fitting that it's at this point where he saves the fucking world that the suit breaks away. it breaks away from him. he's free. this not the same as him just taking it off, because with it breaking into pieces he literally cannot wear it anymore. this is not just a hugh jackman body appreciation, this is logan finally moving on. this is him realising that he is not a failure, that he is not his failures, that he has something else to live for.

5. him

and oh my god, we finally make it to the extremely satisfying ending. after all of that, we finally come full circle. he's in his normal clothes again, the wife beater and the flannel, except this time without anything underneath. he's no longer defined by that one incident, defined by his mistakes and the people he let down. he is just him.

[fictionadventurer]

By the Shores of Silver Lake was my least favorite Little House book as a kid, and upon starting the reread, I could see why. Earlier books had Laura as a child observer--not engaging in or totally understanding the wider world of the adults, but still engrossed in the simple joys of childhood. In this book, Laura is neither child nor adult--she's too old to play like a child, but she's too young to take an active part in adult life, so she's stuck in this awkward middle ground.

Yet as the book went on, I started to see that that was the point. This book is about growing up, about being on the brink of adulthood and trying to hold onto childhood while also becoming someone new. Laura's growing-up is paralleled with the "growing up" of the country around her. Both the old and the new ways of life have their benefits and their downsides, and Laura has to figure out how to hold onto the best of both.

The prairie is beautiful, wondrous, free. Laura would love to just roam forever, always traveling west, always seeing new places. She doesn't want to marry, doesn't want to teach school, doesn't want anything to change about her way of life. But one can't stay a child forever. Eventually, the infinite possibility of childhood has to turn into the definite identity of adulthood. She has to take responsibility and settle down. The arrival of the town brings that adult life to the prairie, and in doing so, it destroys the innocent wonders of nature--the majestic wolves lose their home, the buffalo are gone, and the ducks no longer land at Silver Lake. Laura has to wrestle with this--is childhood, for herself and the prairie, gone forever? Does she have to let go of childlike wonder and embrace the mundane responsibility of adult life?

This theme is resolved when Laura finds Grace in the buffalo wallow. It's a place of impossible magic and beauty, a carpet of fragrant violets hidden away from the world with butterflies flying overhead, so perfect it seems like a fairyland. Of course Grace, the innocent child, is the one who was able to find it. When Laura asks Pa about it later, he explains that the "fairies" that made this magical ring were buffalo. There's a mundane explanation for the phenomenon, but that doesn't destroy the wonder and beauty of the place--adult knowledge enhances, rather than destroys childlike wonder. The buffalo might be gone, but there's still beauty left behind. Laura can move forward into the future and know that there are still wonders to find. She can be an adult and still maintain a childlike wonder, can take responsibility and still find comfort in the safety of home and family.

This thematic resonance made so much about the book so much deeper. It's the message of the entire series distilled into story form. Remember the past, children, but go forth boldly into the future. It's a message much easier to see with an adult's eyes, so I'm so glad I gave this book another chance.

[gay-dorito-dust]

Reader being a nonfilter dumbass to sentient Logan w/ wade joining in

Reader: *sees the scene of Logan's costume becomes shreds due to the high electric voltage*

Reader: *looks at wade*

Wade: *looks at Reader*

Wade: no lube no protection, all day all night

Reader: from the kitchen floor to the bathroom sink

Logan: leave me the fuck alone

*Logan and Laura (x-23) having a heart to heart conversation*

Reader: I just know damn well he’s good with kids.

Wade: so good with kids.

Reader: Like really good with kids despite saying he doesn’t want any of his own but secretly does.

Reader: I’m ovulating so hard rn just thinking about it.

Wade: same here compadre. Same here.

Logan: WILL YOU TWO PACK IT IN!

Laura: ???

Logan: *does literally anything*

Reader: I’m hard. This fine specimen of a man shouldn’t legally be this fine.

Wade: hope I don’t get blue balls from how hard I am right now.

Reader: you literally had a boner this entire time, that suit of yours does little to hide it.

Wade: you’ve been looking at my boner? Does it make my ass look fat?

Reader: you’ve got a fat enough ass as it is, your dick just emphasise it.

Wade: *wipes a tear* you truly know how to make a man feel special.

Logan: ??? What the fuck-

Logan: *bends down*

Wade and reader: *tilts their heads in order to get a better view of Logan’s ass before looking at one another* nice.

Logan: *growls in Wolverine*

Logan: *walks past*

Reader: nice ass

Wade: *gasp* do not lust in your heart *catches a glimpse of Logan’s ass* Jesus you’re right.

[zepskies]

Maybe More Than Enough

Pairing: Dean Winchester x F. Reader

Summary: You’ve been a friend and ally to the Winchester brothers for years, but you and Dean break new ground while on a stakeout to catch a witch.

AN: Here’s another entry for @jacklesversebingo! It’s also based on a request from one of my lovely Patreon members: @lacilou. 💜

Prompt: Window—Letter Opener—Binoculars

Request: I'd love to read about Dean and the reader who's his age or even a little older.

Song Inspo: “Over the Hills and Far Away” by Led Zeppelin

Word Count: 2.9K

Tags/Warnings: A bit of angst, bit of hurt/comfort, bit of spice.~

💜 Jacklesverse Bingo Masterlist

Discreetly from the passenger side of the car, you peered through the binoculars again. Your target was in view through the unusual circular window: an average looking white man in his fifties, peeling a tangerine from the comfort of his kitchen.

According to his driver’s license, his name was Martin Reynolds. Sam was investigating the sudden death of his wife, Laura, and the wives of two other men in the small town of Whitebury, Mississippi. Laura was the first victim, so you and Dean were watching Martin for any suspicious activity.

Your companion shifted in his seat. You could hear the give of the well-worn leather against denim. The Impala wasn’t exactly inconspicuous for a stakeout, but he refused to be trapped in your “tiny-ass” Toyota Camry all afternoon. You preferred the term compact.

“What’s our he-witch up to?” Dean asked.

Your lips twitched at a smile.

“We don’t know if he’s a witch,” you said, but you passed him the binoculars.

Dean’s mouth quirked to one side before he took a look. “Well, he probably isn’t a shifter.”

“What makes you say that?”

He gestured back at the window and gave you back the binoculars. You peered over and saw that Martin had half the tangerine in his mouth while he opened his mail with a letter opener. It flashed like silver in the afternoon light.

“If that is silver, it would rule out a lot of things,” you agreed, “but it still wouldn’t tell us why he killed his wife.”

Dean looked over as a white Porsche pulled into Martin’s driveway.

“Hmm, well, I’d say motive is comin’ in hot. Literally,” he said, watching intently when a young woman stepped out of the car. Her dress was as tight as the ponytail tied high on her head, a coil of blonde bouncing down her back.

You sighed, with a roll of your eyes. “Typical.”

You noticed the way Dean’s smirk wiped the boredom away from his eyes. It was annoyingly handsome, along with the neatly trimmed stubble across his cheeks, framing a strong jaw and the enticing bow of his lips. You had to resolve to ignore all of it, heaving a small sigh.

You wedged the binoculars between you both and toyed with the silver rings on your fingers—both a fashion statement and a safety precaution.

“Could be a demon deal,” you said. “Three men sporting Touch of Gray, three wives over 40.”

“Damn. That’s cold,” Dean shook his head, crossing his arms from the driver’s seat. Always from the driver’s seat. “That’d be pretty cut and dry though. Downright stereotypical.”

You gave him a smile. “Since when do you like it complicated?”

“Like it?” he scoffed. “What I like and what I get are on two different fucking hemispheres.”

You sensed bitterness there, underneath the dry remark. You looked away from the scene in the kitchen where Martin was pouring Barbie, his presumed girlfriend, a glass of white wine. Just like you thought, Dean’s brief good humor faded, falling into his resting state. It was a harder look than you were used to seeing on him over the years. His lighter, devil-may-care attitude in his younger days seemed to gain a little bit of edge every time you saw him next.

A few decades of bullshit, blood, and loss will do that to you.

But every time he called, you answered.

“You okay?” you asked. You tried to hide the depths of your concern, but maybe you just weren’t good enough. Dean glanced at you and forced his crunched brows to relax, as if he’d caught himself opening the hatch a little too much. Letting his true depths come to light a little too long.   

“Yeah. Yeah, I’m good,” he replied.

Sure. Always good.

You met him with a long look, your head rolling onto your shoulder.

“Hey. You can be honest with me, you know,” you reminded him. “What, you think I’m gonna tell Sam all your secrets?”

Dean smiled a little, but he shook his head, remaining stubborn.

“Look, I’m fine. Just the usual bullshit,” he said. “Nothing you gotta be dragged into.”

You frowned. “What, aside from this hunt? Aside from the last ten years of bailing your ass out?”

That last part was more joking. The truth was, Sam and Dean had helped you just as often as you’d tried to help them.

Now, Dean just shook his head. The fact that he didn’t levy back a smartass response further let you know that something was off with him. 

You bumped his arm lightly over his jacket.

“Come on, tell me all about your man feelings,” you teased. It had its intended effect, bringing a reluctant smile to Dean’s lips. He shot you a look, and you couldn’t help but admire how the dimming sun caught in his eyes, that pale green.

“Whatever. Like I said, I’m good,” he said, deflecting further by turning up his music. Yet another Led Zeppelin song was playing, but at least this one was more mellow. The guitar riff filled the car at a moderate volume. You guys were still on a stakeout, after all.

You shook your head, despite your smile. “You sound like a grumpy old man.”

His brows popped up. “Old?”

You shrugged impishly.

“‘Cause if I’m not mistaken, you’ve got a bit more mileage than I do,” he retorted.

You laughed, shoving his shoulder.   

“Well, that’s just rude,” you said. “You’re not even a year behind me. Matter of fact, you’re just a few steps shy of Touch of Gray in there. I can even help you find your shade. I’m thinking, what, medium brown with a hint of silver fox? Could be very George Clooney.”     

The disgruntled look on Dean’s face had you dying.

“Now that’s just uncalled for,” he said, even though his lips were curving upward at the sound of your laughter. Without you knowing, he took in the infectious sound, and the way you pressed the back of your hand against his arm while you tried to get ahold of yourself. It was everything he’d ever liked about you.

Easy. That was what it was, being with you.

The hard part always came afterward, watching you leave.

Letting you leave.

“It’s just…I don’t know,” you said, biting into your lower lip. You smudged your lipstick there, a dark, juicy red. It was distracting enough that Dean almost missed what you said next.

“You seem weighed down.” Your eyes were more serious then, beautiful and warm in their honesty. “Every time I see you, it’s like you’ve got fifty more pounds on your shoulders.”

Dean didn’t have an answer for you, even as he held your gaze.

His cell phone ringing cut through the guitar melody slowly fading into the next song. Dean fished it out of his pocket and answered Sam’s call.

“Hey, what’cha got?”

Your hunch proved correct. Sam tracked down the demon that made soul-claiming deals with a handful of men from the same golf club. All of them bored of their wives, and all of them with too much money on their hands—enough that they refused to lose any of it in a messy divorce.

It was like the opposite of the First Wives Club, and you were sickened.

When you and Dean questioned Martin, he felt just guilty enough to spill his guts.

Sam managed to gank the demon on his own, which left you and Dean with a conundrum: what to do with the marked men who sold their souls. No matter how much justice you thought they deserved, their souls were still damned to Hell either way. As Dean pointed out, that would be price enough to pay.

You were sour about it, but you let Martin and the rest of his scheming bastard friends go…after leaving him with a well-placed knee to the nads. At the very least, he wouldn’t be making any more scheming bastards anytime soon.

Dean was still smirking when you two piled into the Impala. Sam was waiting to be picked up at the bar across town, where he’d found the demon.

“Shut up already,” you laughed.

Dean shook his head, still grinning as he put the car in Drive.

“I didn’t say anything.”

Your smile remained, but not for long as you stared out the window. You liked the evening time, where there was still light enough to see, but the world was winding down in shades of orange-gold and violet. The streetlamps were slowly coming on, lighting the way along the road.

The car pulled to a stop at the red light, there at a busy intersection.

“Hey.”

Dean’s voice, deep and a little tired, caught your attention.

“You okay over there?” he asked. He was side-eying you again, this time in concern. You could see it behind the usual gruffness.

“Yeah, I’m good,” you said. “Just makes me glad I never got married. Else I might’ve gotten shivved just so he could get out of paying alimony.”

Dean sucked his teeth. “Apparently it’s a bitch.”

You gave him a dry, withering look. He chuckled and briefly reached over to squeeze your arm.

“Hey, come on. That shit’s not happening to you,” he said. “He’d have to be dumb, deaf, and blind.”

You tilted your head at him, a small smile lighting up your face again. You couldn’t help the way your face warmed in a blush, especially with the way he was looking at you, all smirky and charming and unequivocally Dean.  

“Green light,” you reminded him.

He returned his attention to the road. His right hand was molded onto the steering wheel casually. His left rested on his thigh, while his fingers bounced to the beat of a song off his second favorite Zeppelin album. And you knew that, because he’d been playing it on repeat all day.

Many have I loved, and many times been bitten. Many times I've gazed along the open road…

You watched his profile, for a moment spellbound. The sky dimmed over his shoulder, casting him in both light and shadow, gold and dark.

“Have you ever…” You didn’t even know where you were going with this, but you’d already opened your mouth, and Dean was already glancing your way, with half his gaze on the road ahead.

“You ever gotten close to having something real? Someone who's not gonna shiv you when you’re fifty,” you said.

A laugh caught in his throat. “Hell, I never thought I’d see my forties, but here we are. Apparently I’m old.”

He shot you a wry look. You smiled.

“That’s one hell of a way to avoid the question,” you said.

Dean shook his head, this time with a sigh under his breath. For a second, you didn’t think he would answer you. You almost didn’t blame him.

The music filled the silence in between.

Mellow is the man who knows what he's been missing. Many, many men can't see the open road…

“Once,” Dean admitted. “I thought I had it, but uh…didn’t take.”

“Was she a hunter?” you asked.

Dean shook his head, his eyes staying on what lied ahead.

“Just wasn’t my life,” he said. “Couldn’t keep dragging her into mine.”

There was a lot there, buried deep. You couldn’t even begin to find a shovel, so you let it be. Though you should’ve predicted the way he turned it back on you.

“And you?” he said, brows raised. “Never had a douchebag in a sport coat, playing Caddyshack at the club every weekend?” 

You shook your head as you laughed. If nothing else, Dean could paint a picture.

“Definitely fucking not.” You rested your chin in your palm, your elbow finding purchase above the door handle. “You know me. I’m either too much or not enough.”

You didn’t notice it then, but Dean looked over at you with a frown tugging at his lips. He didn’t like the melancholy in your voice, or the way you turned to look out the window, like you were trying to hide from him.

Instead of putting voice to any of the thoughts rolling through his head, he kept driving.

The Impala rumbled to a stop in the parking lot in front of the bar. You were ready to meet Sam for a couple of beers inside. You grabbed your bag resting on the floor between your feet, but Dean’s stayed your hand, his own wrapping warmly around your arm.

You looked over at him with blinking, expectant eyes. He met you with sincerity.

“Anybody who says you ain’t enough, doesn’t know you,” he said. And then, his smile was back, quirking up at the corner. “At least, not like I do.”

Slowly, you smiled back. Your blush fairly radiated down your neck as well as your face, but you crossed your arms.

“So I’m too much. Is that what you’re saying?” you said.

He chuckled. “I plead the Fifth on that one.”

You fell into a fit of laughter along with him, and you both climbed out of the car feeling a little bit lighter. The blaring red neon sign above the bar blinded you for a moment. You turned to see Dean fiddling with his keys, trying to pick out the right one to lock up the car.

Some deep-seated feeling compelled you to go to him. You made your way around the hood and stopped just behind him. You called his name softly.

Dean turned to look at you over his shoulder. He was surprised to find you there so close. It led him to turn around all the way.

You didn’t give him, or even yourself time to think.

You grabbed the edges of his jacket and pulled yourself up to press your lips to his. It was more or less a gentle kiss. Just a sweet, slow meeting of lips. You pulled away just as slowly, the heels of your boots lowering back down to the ground.

Dean blinked his eyes open. When he came back to himself, he looked down at you in surprise and with a hint of a smile. He had the imprint of your lipstick smudged across his plush mouth.

“What was that for?” he asked.

You smoothed your hands over his jacket. It was a bit too hard to meet his eyes, so yours landed somewhere around his chest. It was also too hard to say what you really wanted to say, so you settled on half of the truth.

“A thank you, I guess,” you said. “And maybe the next time I see you, you’ll have a little less weight on your shoulders.”

His calloused hand cupped your cheek, and he earned your gaze, blinking up at him through your lashes. You couldn’t name everything you saw in his eyes, but it was more than just surprise or lust. In fact, he seemed to be debating with himself, fighting something deep inside.

You saw the exact moment he made his decision.

“Maybe we should make it count then,” he said, his thumb brushing over your lower lip.

You didn’t even trust your voice, but your gaze drifted down from his eyes, to his mouth. Your shallow nod in agreement was like releasing him from his chains.

Dean framed your face with both hands and drew you into his kiss, like he was breathing life into you. You certainly felt alive.

You clung to the back of his shirt, to his arms, while he gathered you flush against his chest. His strong hands glided their way down the small of your back, eliciting tingles down your spine. All the while, he drew you in deeper and deeper with each new sensuous glide of his lips against yours.

You yelped in surprise when he turned with you in his arms, just to press you into the side of his car. Dean pulled open the door to the backseat, and you climbed in willingly. He followed after you, at the same time you dragged him over by the front of his shirt. Soon his jacket was wrenched off his shoulders along with yours, both tossed somewhere in the front seats along with his shirt.

While you explored the new expanse of tanned skin, roaming your hands over his strong, broad shoulders and dipping down his back, his lips had fastened to your neck, teasing and grazing with his teeth along your pulse point.

You were already moaning and panting in his ear, your body arching to meet his as you slung a leg across his lap. He grabbed onto your thigh and squeezed, pulling you even tighter against him.

Still, you couldn’t help but smile in amusement.

“Aren’t we a little old to be making out in the backseat?” you said.

“You can be a little old for a lotta things, sweetheart,” said Dean, his voice gravel and deep as sin. “But this ain’t one of ‘em.” 

AN: Some spicy flangst there for ya! It was honestly refreshing to write some Dean after working on so much Soldier Boy. I love that guy, but he gives me stress sometimes. 😂 Trying to cure Dean's angst is a fun break! 💜

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[icarusredwings]

Thinking about Gabby becoming Wade's. As in, Everyone knows that Laura is a copy and paste of Logan. Meanwhile, Gabby lowkey takes after her stepdad.

He's such a girl dad. Their family consits of 3 little girls and all three of them yell "Yay!" When Wade asks "Who wants to commit a murder?!"

Logan not only has Gabby but also Ellie now, and you know damn well he's being forced to paint his nails and play WWE in the same hour with these two, sometimes by oppisite girls. And he doesn't mind at all.

I HC she's from a hook up during the time Vanessa and Wade were broken up. He honestly didn't think there would be any consequences, and now he has the best daughter ever. (Who's favorite hero is CANONICALLY The Wolverine and owns a shit ton of Spiderman merch) If you know the lore, you know what happens with Carmelita Camacho, if not, look up Eleanor Camacho, Deadpool's Biological daughter.

Wade with Ellie:

You can not tell me that these three wouldn't have been the bestest sisters ever!! Technically, Ellies is the youngest, being like 9. Gabbys 13 and Lauras upwards of 22 by now.

Wade with Gabby:

I just know that these two are a NIGHTMARE at parent teacher conferences.

Wade: *grabs him by the tie and threatens his life* Okay bye Scott! And don't you ever give my daughter detention ever again!!

Scott: *blinks* But she keeps stabbing people...

Wade: And that's her god-given right! Isn't it Gabs?

Gabby: YEAH!

Meanwhile, Logan with Ororo-

Ororo: It seems that Miss Ellie is very..... Creative...

Logan: *raises eyebrow*

Ororo: *gestures to Ellie happily colouring on the wall a massive fight scene with her dads, spiderman, and a bunch of other heros*

Logan: Oh, so thats what happened to their bedroom wall... *is secretly proud*

[jorongbak]

*** NO SPOILERS ***

So I just watched Deadpool & Wolverine. Here's a short jumbled review

1. I think this might be my favorite Deadpool movie. ..and I'm definitely going to be broke by the end of August

2. I was a little worried when the final trailer revealed Laura- but NO THERE'S SO MUCH MORE THEY'RE HIDING. IT WAS INSANE BECAUSE I REALLY HONEST TO GOD DIDN'T EXPECT THEM???????? PREPARE TO BE SO PLEASANTLY SURPRISED

3. This movie feels like a tribute to 20th Century Fox's Marvel and 2000s Marvel movies. As a 2000's kid who grew up watching and loving Fox's Marvel movies, it's a nice feeling of nostalgia and surprises

3-1. Love the amount of appreciation and respect they show to 20th Century Fox

4. The balance between the comedy and the serious emotional scenes are done very well. Made me laugh hard as well as made me feel for Logan and Wade. There are more serious moments than they let on from the trailers.

5. All of the fight scenes are also great. R-ratings giving Wolverine and Deadpool the permission to go all out, put Maximum Effort into all the gory, bloody, violent, satisfactory action sequences. We all know it's a sin if DP and W don't get to fight in a R-rated style, and this movie do them justice (especially Wolvie)

They are so chaotic together you'll love every time when their combined chaotic insanity intensifies.

5-1. Yes. He wears the cowl, and I goddamn loved every second Wolverine's cowl was on the screen. He wears it much longer than I expected

6. "Like a Prayer" is a perfect choice. It's beautiful

7. If you're a Wolverine fan, like me, please don't miss this movie. Hugh Jackman is of course amazing as ever as Wolverine. And with R-rated blessings, we get to see Logan being the angry grumpy cranky unsociable foul-mouthed violent no hesitation quick to stab self in his iconic yellow suit. (That was already a Hugh-ge win for me)

And the way he fights. YES. YES. YES. That's the Wolverine I love.

+) Also there's the way he moves for a very short amount of seconds in his fight with Deadpool that I want to talk so much about... but I'll hold my tongue until more of you watch the movie. It was the first time I saw him do that. It's a new move and I freakin' loved it. Wish we'd get to see him do that again later

8. I f**kin' love the ending so much. It's perfect for me. It's the very best ending I could have asked for. The ending made me love the movie so much more

9. Can they save MCU? I dunno and TBH I don't care about the whole MCU, I just care about them. I'm willing to stick around for more of Wolverine and Deadpool stuffs, and hopefully some good X-men stuffs from the Mutant saga.

10. While I can't say this movie is a masterpiece like Logan, it is definitely entertaining and a good fun watch. That is enough for me. They give what the audience came for and I absolutely love it for that.