#i know he has a canon name in the comics but i have not read all of them yet

[autistickaitovocaloid]

Could you imagine being Rookie GhostbustersTheVideoGame and having all your uni buddies do internships for like offices or shit meanwhile you get to babysit manhattan's 5th strangest polycule.

[4ce-of-2pades]

My headcanons:

[starlooove]

Fanon when they realize that making cass the silent asian whos a bit snarky sometimes is still racist even tho they hate Morrison 😨😨😰😰😰🫣🫣🫣🫣

[barbieaemond]

A curse for a curse

Pairings: Aemond Targaryen x wife!Reader

Warnings: angst, sub!Aemond, smut, oral sex (f and m receiving), overstimulation, orgasm denial, p in v, chains kink (idk if that’s even a thing but it’s there)

Word count: 8.5K

Author’s note: PLEASE READ THIS ->There's a little canon divergenge as in Rook's Rest is not happened yet, so Aegon is King and Aemond went to Harrenhal. Based on a request I got for sub!Aemond.

Taglist: @zae5 @multyfangirl @ashovertheriver

Harrenhal tastes like curse and smoke when she enters the blackened and ruined walls.

She is sure, as she is sure that dragons are real, that this place has been cursed over and over since Balerion and Aegon the Conqueror proved that not even stone was safe against dragonfire.

The air is heavy in her lungs, as breathing through a thick layer of wool and her steps echo down the corridors in a strange way; it seems like a never ending sound, echoing through the walls and many lost ages.

But her stride is steady, her eyes fixed on the doors of the Hall of One Hundred Hearths where she is sure to find him, where she will end this thing for which she has no name, and yet it is draining her, wearing her out like a starved leech.

“When is Aemond coming back?” the Queen Mother asks, and then little Jaehaera asks the same question, even Helaena, in those rare moments of clarity, wonders about her brother. And each time, she doesn’t know what to say. Her lip grows stiff, her jaw clenches and she wonders obsessively from dawn till dusk. What is he doing there?

Why has he not returned now that Harrenhal has been taken?

What is he doing with that bastard woman? 

“They say she’s a witch.” King Aegon says with his glassy eyes, putting down his cup as he looks around to choose a target on which to pour his anger. Wine seems to not work anymore, it is not enough to quench his thirst for revenge, and unfortunately, she happens to be the easiest mark.

“He killed everyone in that gods-forsaken place. Everyone except the witch.” He leans forward, watching her with amused anticipation just like a child who waits for his favorite toy to break. “Why did he not do it, sweet good-sister?”

He wants her to snap, and surely something does snap inside her, but she refuses to be humiliated like this.

“I do not know, your Grace. Perhaps my husband learned the Gods’ mercy and decided to spare a woman.”

His chest shakes violently as he laughs, and there’s nothing more humiliating than his laugh, not even the whispers traveling all the way from the Riverlands.

He’s taken her as his prisoner, keeps her in his chambers.

She has utterly bewitched him.

Every word is a stab to her heart and every time his word reaches her through a raven, the wound splits more open and festers.

He does not mention the bastard witch. He says nothing on the matter. He informs her of the war progressing, tells her he will come back soon.

Soon.

Soon was two moons ago and he’s still there.

It doesn’t matter anymore, she thinks as she reaches the doors of Harrenhal. Soon is now.

The look on Ser Criston Cole is almost comical as two soldiers open the doors of the Hall of the Hundred Hearths. “Princess?”

She immediately looks around, but there’s no silver in that huge black hall.

“What are you doing here?” the Hand asks, walking to her “It is not safe for you—”

“Where is the Prince?” she cuts him off, her tongue hitting her teeth like a blade cleaving the air.

Ser Criston looks puzzled for a moment, and even if she doesn’t show it, anguish twists her gut. But then he says “The Prince is not here, your Grace. He’s out, on the battle camp.”

She looks at the soldiers in the room, watching her like some kind of weird creature—a lamb in a den of wolves. That is no place for a princess, no place for a woman. And yet, it is precisely her place.

She belongs to his side. As he belongs to hers. It’s what she’s been telling herself for two moons of sleepless nights.

She should have come here with him in the first place, war be damned.

“Leave, please.” She orders the men “All of you. I need a word with the Hand.”

They may not be used to taking orders from a woman, but they immediately leave the Hall like a pack of unruly children.

The thud of the doors is like some kind of curtain falling and she is finally free of this act, free to snap.

“What is going on here, Ser Criston?”

He shifts on his feet, looking down, looking utterly incapable to answer her question. “The situation in the Riverlands is quite delicate at the moment—”

“I don’t give a shit about the war, Ser Criston.” She almost hisses “You are perfectly aware of what I’m asking.”

His mouth shuts and she resists the urge to use her hands as talons to part his lips and grab the truth from his throat.

“What is going on between Aemond and the witch.” she states, she is not asking.

The Hand sighs deeply and takes a step closer. His whole demeanor changes, becomes confidential, almost fatherly. “My Princess, you must not believe the foul whispers that have been spread.”

She feels a glimmer of relief blooming in her heart, but not strong enough to relinquish the leeches sucking at her bones. “What should I believe then?”

“It’s true. The Prince spared her life.”

“Does he keep her in his chambers?”

“What? Seven Hells, no. She has her own chamber. A little room in the wing intended for servants.”

“Did she ever visit his rooms? Alone?”

Ser Criston looks down for a moment, his lips contracting. “You must understand, my Princess. There are no servants here.”

The wound between her ribs cracks open.

There are no servants here. Did she help him dress? Did she help him bathe? Did she do all the things she used to do? All the things only she was entitled to do?

“I want to see her.”

“Princess, it is not wise.”

“I believe it is very much wise, Ser Criston, since my marriage is at stake here.”

 Ser Cole sighs again. “She’s…dangerous, my Princess. She’s eerily persuasive.”

“So, you think it’s true? That she’s a witch?”

“I’m not sure about her powers, my Princess. All I know is that…one of our soldiers spat in her face when she was still a captive by order of the Rogue Prince and she just…murmured something to this man.” He swallows lowering his gaze and takes a deep breath. “The next day he ripped out his own tongue with his bare hands, bleeding to death.”

Disturbing as these words can be, she keeps a steady and cold face.  

“She claims she can read the flames. That they speak to her, that she saw all of this happening—the Prince coming here. She claims she saw the fate of the war.”

A long silence stretches between them, but however right the Hand’s reasoning may be, she is not keen to let magic and superstitions take what she has come here to retrieve. “Take me to her.”

Ser Cole stalls for a moment, trying to make her give up by merely looking at her. But at last, he caves. “As you wish, my Princess.”

Her room is completely bare, save for a hearth and a bundle of dirty covers and a pillow thrown on the ground.

She enters and the air feels even heavier, more cursed. She feels it like something weighing on her shoulders, drying her throat.

There’s a woman sitting before the fire, clad in rags with long black hair falling down her back. She seems to register the door opening and closing only minutes later, as if she was too focused on her fire staring. But then she turns her head and looks at the woman before her with a strange smile.

“Alas, you have come.”

The Princess blinks quickly, watching the woman stand up and walk closely to her, chains on her feet and hands. She feels something unsettling under her skin, behind her eyes, as if she can’t stop looking straight into the green eyes of the witch, not even if she wanted to.

“You must be Alys.” She says, quickly scanning the witch before returning, inevitably, like a magnet, into her bright green eyes.

The woman, whose age is impossible to determine, keeps her smile as she looks at the Princess from head to toe. “You are exactly as I saw you in the flames.”

“That will save us some time, then. No need for introductions.”

“No. I know who you are.” The witch says, curling her cracked lips some more “I can see his mark on you.”

“His mark?”

“Yes.” She says, unnaturally widening her eyes. “He leaves a mark on everything. Things, places, people. Much like me, I’d say.” From her throat gushes a high-pitched laugh, jarring and spiteful. “We have much in common, the Kinslayer and I.”

The way she utters the last words makes the Princess grind her teeth, as if they were…what? Friends? Allies?

Lovers?

“Have you been in his chambers all this time?” she finally asks and the witch has the boldness to roll her eyes. “Is that the only reason you’re here? To know if he cheated on you?”

“Answer my question.” The Princess orders.

“Darling, If I wanted to fuck him, I would’ve done it ages ago.” She starts laughing again, grinning mischievously and then she sighs. “You left your mark on him as well. I can feel you in his head. And you are so heavy.”

She doesn't know what to make of that. There is not a single reason why she should trust her word. And it's not just the alleged powers this woman may possess. It's her whole demeanor. Haughty, even though she is a bastard. Mocking, as if she looks at the young woman before her, and sees much, much more.

“Just as you, I’d say, since he’s forsaken his family and his wife to do whatever you’re making him do it with your witchcraft.”

She bursts out laughing, so loud that the Princess flinches and takes a step back.

“I’m not making him doing anything. I can’t play with his head. He’s too stubborn. I did not curse him, sweetheart. Your beloved prince is already accursed.”

“Then what do you want? Gold? Lands?”

“I do what the flames command. I serve no God, no King, no Lord. And neither does your husband. It was his choice to see.”

“To see what?”

“What the flames choose to show. I know how this war will end. I know which color will stain the other for good. I know who will sit on the Iron Throne.”

The Princess furrows her brow, confused and puzzled, apparently pleasing the witch who smiles again and nods. “Oh yes, he will make a sight to behold wearing the Conqueror’s Crown.”

Who? Aemond? On the Iron Throne?

“So that’s how you’re keeping him here. With visions and fantasies.”

“He asked me to. At the moment I’m more valuable to him than all his generals and soldiers put together. Besides, I know how to deal with him.”

The Princess almost laughs at this. “I see. You think you can handle him, don’t you? A wild dragon for you to tame, is that what he is for you?”

“Well, I’m not denying he’s handsome enough to please my eyes.”

“And once you have tamed him, what will you do? How will you handle him when you scratch the surface, and you see the neglected son? Lonely, misunderstood, maimed. The boy no one cared for.”

It is the first time the witch does not have a quick biting answer. It makes the Princess rejoice.

“All your witchcraft won’t be enough to handle him.”

The witch falls silent. There is a distant look in her eyes as she observes the Princess and the more she stares, the more the younger woman feels dreadfully uncomfortable. She starts to feel something in the back of her mind, like a gentle abstract push.

“Ser Criston." she says suddenly, swallowing but keeping a collected mask. "The keys, please."

“Your Grace, Prince Aemond will not be ha—”

“I’ll deal with Prince Aemond.” She says, looking straight at the witch and the ghost of a superb smile hovers on her lips “I know how to handle him.”

The Knight slides the keys from his armor and hands them to the Princess. She is ready to free the witch’s wrists, but she stops, locking her eyes on Alys. “There is a carriage outside. And some guards who will do whatever Ser Criston will order them. Take it and go wherever you want, there’s even gold in the—"

“I told you, I don’t want—��

“I don’t care of what you want!” The Princess snaps, raising her voice, and the pushing dissolves. “You live to serve the flames? Fine. Do it elsewhere, far away from us.”

Alys shuts her parched mouth, and simply nods. “As you wish, Princess.”

She removes the shackles from her feet, and then from her hands, holding the chains between her fingers. Alys touches her hurting wrists, before tilting her head down in some kind of bow, or maybe a mocking gesture. The Princess cannot bring herself to care.

The witch makes her way past the younger woman but at last, she stops for a moment, leaning back her head of dark curls to say “I did touch him, just once. He put a knife to my throat.”

Vhagar likes to nestle on the burned blackened towers of Harrenhal, like some kind of dreadful reminder of the legacy of ruins and ashes Balerion the Dread has unleashed on this cursed land.

Aemond enters the castle walls with his circle of counselors and generals. They crowd on him like bees with honey and he knows why. He knows that most of the time they don’t have a clue what they’re talking about. They hang on his lips and jump like little good soldiers, jostling with one another in the hope of gaining something more when the war ends. A land, a title, one of them had even had the guts to offer a daughter to marry.

“I am not sure of what you are implying, my Lord.” He had said to the Lord with a dangerous black glint in his eye, as the fool thought it was wise to remind the Kinslayer that he and his wife had had no children yet. “Whether you are insulting me or my wife. I am sure of one thing, though. You will shut your hole before I take your tongue and feed it to my dragon.”

There were no more talks of unwed daughters between those walls.

“My Prince, if you allow me—” one of them says as they enter the Hall of the Hundred Hearths “We should give the lords who pledged for the Blacks more time to consider—”

“I gave them enough.” He says turning with a glare, looking even taller than he is, with his silver armor streaked with gold and the long green cloak. “They will pledge to my brother before dawn or I will bring dragonfire to their lands. Then we shall see where their loyalty lies while they burn to the crisp.”

They all shush and Aemond almost thanks the Gods for this brief blessed moment of peace. He ponders for a moment and then looks at a young soldier behind him.

“Summon the witch.” He orders “Bring her to me.”

He looks down to remove his riding gloves but out of the corner of his eye, he sees that the boy is still there.

“Uhm, my Prince, the witch is not here anymore.”

“What do you mean she’s not here?”

“S-she left, your Grace.”

The last word does not even leave his mouth the poor soldier feels a hand around his neck and the Prince is easily lifting him from the ground as if made of feathers. “You let her flee?!” he rages with his eye blown wide.

“I-I did—not your Grace!” the boy manages to croak while he’s choking, legs kicking like a chicken in the butcher’s hands.

“He’s right. I did.” Her voice cuts through the air and Aemond turns his head in a blink, looking positively stunned to hear his wife, to see her there.

He lets the soldier boy go and stares at her on the threshold of the huge Hall. He blinks with disbelief, as if he’s finally able to see after days and nights spent in a cloud of fog. Something shifts inside him him—something that has been wandering ceaselessly day and night, lifting the weight from his shoulders, from his black heart. Not Harrenhal’s weight, not Alys’. A weight far darker, a curse far more dangerous.

“Out.” he orders the Lords “All of you.”

They obey at once, scattering down the Hall only to stop for a moment before the Princess, to pay their respect.

The doors close but she stays on the threshold. His eye roams on her figure, once and then twice. He has never seen her wearing such a simple dress, easy to disguise her noble roots, her royal ones. And even though the mere sight stokes almost three moons of ugly and burning desire, it only makes him angry. It only makes him ashamed.

“What in the name of the Seven are you doing here?”

She walks to him and without uttering a single word or even sparing a glance to him, she begins removing the heavy armor plates from his body.

“What are you doing?” he asks with deep wrinkles on his forehead.

“My duty as wife.” She replies sternly, holding his arm “Or did you forget you had one?” she looks at him and sees rage blazing behind his eye—rage and maybe a tinge of hurt.  

“Am I doing it right?” she asks removing the armor plate from his forearm “Was your witch friend better than me?”

The metal clatters on the ground as he grabs her arm, hard, pulling her close. “I asked you a question. We’re at war and you go strolling around the continent? Have you lost your mind?”

She tries to wriggle herself out of his iron grip, unsuccessfully as always. “How strange, that is a question I should ask you.”

“Enough.” He says grinding his teeth, digging his fingertips into her skin until her mouth twists with pain.

“Enough was two moons ago, Aemond. When you were supposed to come home, to your family, to me.”

“In case you didn’t notice, we’re at war, my dear wife. Things in war don’t go exactly as you planned them—”

“Oh spare me!” she cuts him off, freeing herself “Spare me the war talk, that’s all I’ve been hearing from you.”

“What did you expect exactly? Love letters?”

“I expected what I deserved. To know the truth. You have not mentioned her. Ever, not even once. Do you have the faintest idea of what I’ve been through all this time? Of all the dirt they have been spreading behind my back?”

“I don’t want to hear about it.” He says turning his back on her, as if he had not done that enough.

“No, you will.” She promises, circling him to look straight at him again. “They said you were so besotted with her to deny her leaving your chambers.”

“I don’t want to hear about it.” He says again, closing his eye for a moment.

“They said, and this was from the wretched mouth of your beloved brother, that you put a child in her womb since I was not able to give you an heir.”

“I don’t want to hear about it!” he shouts, and she knows she hit a nerve there, because he never shouts.

“Why? Does it make you ashamed? It should. I had to hear all of it. I had to endure it while you stayed here playing fortune teller with your witch whore.”

His nostrils flare as he takes a deep breath and raises his gaze to look at her, dead serious. “You know nothing about her powers. She saw many things, happened precisely as she predicted. I needed her. I needed her powers and you had no right to send her away.”

“You needed her?” she repeats, pale with utter disbelief. “You needed her for what? For her to tell you how good you’ll look wearing the Conqueror’s Crown? To feed you with fairy tales while we risk our lives staying in the capital, unprotected because Dreamfyre can’t fight and Tessarion is still in Oldtown. What if the Blacks decide to attack us now? They have a dozen of dragons, we have only Sunfyre.”

“The Blacks will not attack.”

“Did she tell you this? Did she see this in the flames?” she can’t fight back the contempt curling her lips “Are you listening to yourself? Flames and visions to win a war? You poor fool.”

“Watch your mouth, woman.” he seethes “You don’t talk to me like this.”

“Or what? Are you going to chain me up? I kept her chains, you know? I thought you’d like a token of your time with the witch.”

“Did you come here for this? To make a scene like some common girl who feels threatened by another woman?” his lips turn upwards, curling and twisting with ugly deprecation “What do you think you know about the war? What is your contribution while you lie around in a lavish castle waiting for me to come back and fuck you? I’ll tell you. None. You can’t even perform your duty to give me an heir. And you come here to lecture me?”

The wound is rotting from the inside and he’s pouring salt on it.

“I came here for my dignity. As a woman, I have nothing else. I came here for your mother, who I fear will go mad with worry just as your sister. And lastly, to tell you that I’m with child.”

Aemond stills completely, so much that she thinks the witch’s curse is hitting him right now, no matter how far she is, turning him into stone.

“But it seems utterly irrelevant to me right now. So, go. Hurry! You might still find her.”

She moves to leave the room and he does it at the same time, trying to reach her, to stop her, but she flinches as he tries to touch her, battling his hands away.

Aemond utters her name, softly, and it makes her stomach turn.

“I will leave at dawn.” She informs him with a blank face “I won’t disturb you and your precious war any further. Fret not, husband. I will stay in my lavish castle like the good soldier I am, waiting for you to come back and fuck me.”

This is place is not only cursed, but it is also so freezing cold that she wishes for one of those direwolf furs the Northerners use to wear as she sits before the hearth in what she assumed to be Aemond’s chambers. The room is large, even larger than the ones they share in the Red Keep, but it’s completely bare and almost ominous with its black walls that stink of ash and smoke.

A cursed place, fitting for a cursed woman.

She has been for quite some time. Because she chose to stay by his side, because she chose to love him.

“We could turn to a Septon. Annulments are rare but possible. You cannot remain married to a Kinslayer, it is the highest of sins.” Her father had said in a letter, in the aftermath of Lucerys’ death.

As if she could leave him, as if she could turn her back on him and marry another man.

As if he hadn’t left his mark on her.

She thought the Gods had cursed her for good, that was why, however much they tried, she couldn’t bear his child.

“A child is the highest of the blessings from the Gods.” Her mother had said during one of her last visits to the capital “How can they bless your union with a man so accursed?”

And yet.

She is impatiently waiting for the sun to set. Even if her limbs have never been so heavy, as much as her heart, she finds no reason to stay here, not when she can’t stand even the sight of him. But of course, how can there be peace in such a cursed place?

She hears the door opening. She knows his gait. She wished to hear it for two moons as she lied alone in their bed.

She hears him approach until he is beside her, but she does not look at him. She only sees his arm holding out a small tray.

“Eat.” An order, not an invitation.

She doesn’t even bother to look at the food, keeping her cold gaze on the fire. “I’m afraid I lost my appetite, dear husband. You can thank yourself for that.”

She can feel his eye piercing, burning her skin, the air coming from his nose short and harsh.

“Eat or I’ll feed you myself.”

She doesn’t bother to even answer this time.

Aemond stares at her, waits for her to look at him, he needs for her to look at him. “Is it true?”

“What?”

“That you’re with child.”

“In my husband’s lovely words, I lie around all day so I guess I’m capable enough to notice if I miss my moonblood.”

He leaves the tray on the stone mantelpiece, noticing a pair of chains lying there, and then looks down at her.  “You will stay here with me.” Another order.

Another rejection. “I will not.”

“Yes, you will. You are not going anywhere, not in your condition.”

“I see. Now I’m worth something to you, am I not?” and finally she looks up “My duty is fulfilled, my womb is finally swollen. It’s a shame your witch left, we could have asked her to look in the flames and tell us if it’s a boy or a girl.”

Aemond lowers his shoulders and grabs her chin with the same cruelty he is used to brandish his sword, tightening her cheeks to prevent her from uttering another word. “I said enough.”

He watches as she tries to escape his grip, pushing his shoulders as her eyes grow more and more scornful, and he knows he deserves it. But that ugly thing breaks, snaps like a thin rope pulled too tight.

His mouth is on hers, fingers squeezing her cheeks to force her to take his kiss, which is not really a kiss, but more of an act of war, a relentless and rather quick siege, because she was already starving. She opens his mouth and this alone makes him whine with relief as his tongue slides between her teeth. Her hands grab his doublet collar, knuckles turning white and she angles her head, only to bite his lip hard enough to draw blood.

He winces as he pulls his head back and sees her licking her lips, a dead distant look in her eyes. But her hands move, gently, through his silver strands. "My words are but blunt knives on you. I must hurt you in the only way I can."

“I did not touch her.” He says like an oath “Ever.”

“I know you didn’t.” she reassures him, but her eyes stay distant, as if even being this close now, they are also miles and miles apart. “Maybe it would’ve been better if you had.”

“Did you want me to fuck her now?”

“I wanted you to need me, not her.”

His eye is on flame, rage and shame dancing together, but it’s not aimed at her. He finds that the only person on the receiving end is none other than himself.

Something dies in his eye, his shoulders slump and his head falls forward, hiding what no one would dare even think of seeing on the stern, cruel face of Aemond One Eye.

He kneels before her and lays his head on her belly, catching her off guard. She can't see his face, and yet she has it before her eyes, clear and indisputable as something carved into stone.

The surface has never been so frail. She doesn’t even need to scratch it, she only has to lift it.

No man is so accursed as the Kinslayer.

She had thought it true enough, but what about Aemond’s curse?

“I know you feel guilty.” She says, or rather whispers, as if she’s being blasphemous by accosting such a word to such a man. “I know you feel guilty for Jaehaerys. For Helaena.”

His answer is mute, but it’s the loudest confession she could get.

He fists the fabric of her gown between his hands, knuckles turning white on the verge of breaking. She feels him nestling further inside her, like a child, and she closes her eyes for a moment, placing a hand on her wound to stop the bleeding, and leans over him, sliding her hands on his back, softly but firmly, as if helping him to stay whole, as if preventing him from breaking into pieces.

Aemond didn’t believe in curses.

He did not regret, not even for a moment, the murder of Lucerys. He did not care that the Gods had turned their backs on him. They had done it a long time before. He did not care of how people called him, of how they would baptize him in the annals of his lineage.

He had started to care, to feel guilt, after he actually killed his kin.

For he had killed Jaehaerys, he had killed Helaena.

Kinslayer. Kinslayer. Kinslayer.

In his head, he heard that word with his mother’s voice, with Aegon’s, Helaena’s.

He found some kind of peace, of solace, only in his wife. But then the war was calling and he fled to Harrenhal. It was his duty, it was his way to try to make things better, to get revenge. 

He had taken Harrehanl back and he knew he should have come home. But then the witch, the very same who had forced a man to rip out his own tongue, had spoken to him, talking about visions and flames, of predictions that happened to be alarmingly accurate, of him sitting on the Iron Throne with the Conqueror’s Crown on his silver head.

And he saw an opportunity, however blurry, to set things right, as they should have been in the beginning. He saw a way to get the upper hand in this war. And furthermore, as much as he did not realize it, he had found a way to stay away from the Keep. He would rather dare with witchcraft than return home and hear Helaena's wails cutting through doors and walls, and through his heart.

But next to the guilt had come the shame, for he had turned his back on his wife, for he could imagine the filth their enemies and non would spread, like shit flowing in the sewers.

He had tried to confine her to the back of his mind, but she became heavier and heavier as the days passed, along with the scarce letters in which he never mentioned the Rivers bastard.

She, of course, had sensed it immediately.

“You can’t win this war if your mind is elsewhere.” She had said one night, on one of his visits to her room.

He always stayed on the threshold, arms laced behind and poorly disguised distrust stretching his features.

“I told you to stay out of my fucking head.”

“You need not worry, my Prince.” She retorted with a chilling smile “I can’t play with your head. It’s too heavy…and ugly. And this woman…oh, she’s eating you alive.”

The witch is gone now, and yet she is still there.

She lingers on the walls of his chambers like a ghost, she imposes a wall between him and his wife and perhaps neither of them is strong enough to climb it. So, for days they just circle one another like wounded animals.

The Princess is staying with him of course. He has forbidden her to leave his side and she has caved, on one condition though. She has given him three days to deal with the Riverlands and then they will go home, together, where they are needed, where the mighty dreadful Vhagar is needed.

The day before their departure, Aemond returns victorious from the Riverlands. He has gained the allegiance of the lords in a way Visenya Targaryen would be proud of.

He will never forget the Lords' faces draining of color, probably pissing themselves, as Vhagar roared a war chant in the sky, and tongues of fire brushed the lands as warning.

He enters the chambers quietly and sees her crouched on the floor as her hands dig into a drawer, pulling out papers that she carelessly drops to the ground. Aemond closes the door firmly, announcing his presence, and she looks at him for a single moment before sighing in defeat, closing the drawer.

“Looking for my love letters?” he teases, for the first time after days of loud silence.

“I was looking for ink, actually.” she says looking below a paper left on the table. “Besides…love letters from you? Ghastly.” 

He can’t fight back the smirk curling his mouth as she walks close to him and begins removing the armor. He looks at her face and she’s stern, almost rigid in her gestures, in the way she touches him, as if she despises doing it and yet she can’t help herself.

He doesn’t have a clue.

He doesn’t know that her stiffness has nothing to do with contempt. He doesn’t have a clue of how much she aches for him. Of how much she wants for him to take her, fast and rough, as he often used to do, because she can’t stand to be treated like some porcelain doll to be cocooned thanks to his child growing inside her belly. She wants to be more than that, she demands to be his wife again.

“Have you eaten?” he asks her, gently, and she wants to break something.

She can’t stand it anymore. She can’t stand all the questions.

Did you eat? Did you rest? Did you sleep?

“Is this how is going to be from now on?” she asks looking up “You acting as if you are my maid?”

He clenches his jaw and his face turns stern just like hers.

“First you accuse me to have forsaken you and now you don’t want my attention. Make peace with your mind, wife.”

“I want you to be my husband.” She says getting close to him until she smells dragon and ashes.

She wants to bathe in it. “I want to be your wife.”

Aemond’s eye lingers down on her throat, on her constricted chest, and his lips part. “You are.” He vows, locking his eye on her.

“Prove it.” She whispers tilting her head with a challenge dancing on her parted lips, hovering against his.

He is one breath away from swallowing her whole but he stops, melding their breaths in one, and he grins. “Are you going to bite me again?”

“As if you didn’t like that.”

A moment later his teeth sink into the soft flesh of her lip, her neck. His hands are everywhere, frantic and needy. She can feel he’s restraining from holding her too tight, but she wants, no, she needs more. She wants him in her bones.

They move without logic, clinging to each other, trying to assert dominance on one another. He grabs her wrists and forces her down on the chaise beside the hearth. He is looking at her in the same old way, as if he’s blind to anything else. She aches so much for him that she’s breathing hard, the word please climbs her throat, slides on her tongue, but she will not beg for him.

In all truth, she doesn’t have to.

He kneels on the ground like a pious man at the altar, and she hikes up her skirts, spreading her legs to place them on his shoulders, heels pressing on his back to bring him close.

“You know what you want, don’t you?” He teases with a feral grin.

“Curse you and your hideous smirk.” She says sliding on the chair to bring her apex close to his overly talkative mouth.

“You love my smirk.” He says grabbing her thighs to secure them around his face. “Besides, I’m already cursed.” He leaves a red mark biting on the soft skin of her thigh, looking straight at her and how she startles, whining in half pain half pleasure.

She catches a glimpse of the sapphire glinting between her thighs before her eyes fall shut and she moans unnaturally loud as he licks a stripe along her wet folds and up to her apex.

She is trembling with anticipation, with arousal that pools from her, glistening his mouth and nose. Her hips begin bucking against him and he moans contentedly as he buries his tongue inside her, lapping and tasting like a starved beast.

Her breath grows shorter and shorter for how close she is already, so much that he stops to look at her with a spiteful grin. “Already? Gods, you must have missed me terribly.”

“Shut up.” She whispers hoarsely and pulls herself up just enough to grab his head, pulling his hair to force him to take where he left off. Her hips are rocking on their own against his face, nails scratching his scalp harder and harder as she comes undone in his mouth, while he hums with pleasure, drinking of all her. Eye fixed on her as he watches her throw her head back, spasming and trembling with a loud moan.

Her back hits the back of the chaise as she catches her breath and looks at the black ceiling in a moment of pure bliss. Two moons of anguish are but a distant memory, her mind is foggy, she doesn’t even remember the face of the witch.

He dismantles her legs from his neck and she looks down at him, cheeks red, watching as he climbs on her, unbuckling his belt.

“No.” she says, and she stops his hands. “Do you think I would make it so easy for you?”

Aemond looks at her, half puzzled half curious, and then she pushes him down, overturning their positions so now she’s sitting on his lap, feeling all of his hard length against her.

“It’s my turn to prove it.” She says raising an arm that goes on the mantelpiece behind them.

“Prove what?”

“That you’re my mine.” She promises, and Aemond hears the distinct sound of metal clinking.

She lowers her arm and he sees a pair of chains between her fingers. He is bold enough to smirk at her. “I thought you were the one who wished to be chained.”

“I’m not the one in need of a lesson.”

She grabs his wrist but he easily pulls away. “What if I don’t want to?” but there’s an intriguing glint in his eye, on the edges of his arched mouth.

“Then who will take care of you?” she asks with fake innocence, grinding on his cock, and she smiles as the air comes out of his mouth in a hiss. “Are you sure your hand will suffice?”

He looks at her with challenge, breathing slowly through his mouth, and he caves.

“Chain me.”

She smiles darkly and grabs his wrists, fastening the chains and then locking them to the sides of the chair. She stands and grabs his legs, sliding his back further down.

She notices his eyebrow rising and she looks at him. "I want you to be comfortable. I'm afraid this will not end so soon."

He swallows with anticipation and watches her as she slowly climbs back on top of him and begins to unbutton his doublet., pushing the fabric aside to reveal his diaphanous pale chest and her hand slides over it, over his ribs, stomach, and navel, halting his breath.

Her lips hover against his, swallowing his shallow breath, but suddenly her head dips down, leaving a trail of little heated kisses on his neck, on the planes of his chest.

He watches as she does that, feeling her lips like burning embers marking his skin. Her eyes lock on him and she opens her mouth engulfing one of his nipples, circling her tongue around it. He tilts his head back, lips parting to let a puff of scorching air out, and then she's grazing her teeth over the soft pink skin.

The chains metal clink as he winces.

She grins pulling herself up and slides a bit down his legs with her bottom, so she has open room to his belt. She begins unbuckling it, looking at him, watching the glare he’s giving her.

“I can’t tell whether you want to kill me or fuck me.”

“I need you to fucking do something.”

“Like what?” she asks, palming his cock through the fabric “Tell me, husband. I may grant your wish.”

He rocks his hips in one slow movement, trying to feel every inch of her hand, but it’s a faint touch that only makes him ache for more. “Move, grind on me.” His voice is imperative as always, but his tone is different—all heated and husky.

She frees him of the constricting belt and breeches and lays on him, releasing a blissful sigh when she feels the hot hard flesh colliding perfectly against her core. The chains clink again as he tries to move and she smiles, caging his snatched waist between her legs.

Aemond is panting quietly, trying to get a grip on his own body but he finds it’s a useless fight when he’s so hard it’s starting to hurt.

But then his wife seems in favour of granting him some mercy. She starts grinding on him and his lips part some more, panting loudly this time, as he feels, and hears, the beautiful obscene sounds her wet flesh is making rubbing on him.

“Lift up your skirts. Let me see.”

She stops grinding and he almost whines with annoyance, moving his chained wrists in a useless attempt to grab her waist and force her to move again.

“I don’t like that tone, husband.” She says, and her voice is husky as well, her breath labored “Ask nicely.”

Aemond is silently starting to regret this whole thing. Patience was never one of his virtues, if he even has virtues. He’s completely at her mercy and cannot do anything but comply.

“Please. Lift your fucking skirts and let me see.”

“Hmm.” She hums smiling. “Better.”

Her skirts turn into a bundle of fabric around her waist and he dips his chin, looking straight at their flesh as she resumes her torture.

“Fuck” he utters, his eye growing heavy but he keeps looking, and he doesn’t have a clue whether it’s the rubbing or the mere sight of her coating his cock that draws a moan out of his throat.

“Do you see how I much I’ve missed you?” she asks hoarsely, grinding more and more firmly.

His head hits the back of the chair as he keeps panting and rocking his hips against her, lifting his waist as if desperately trying to slide inside her.

“I touched myself every morning. I woke up all wet and aching for you. And where were you? Here, plotting with your witch.”

“Enough of that fucking witch.” he croaks, a sheen of sweat is ghosting on his forehead. “Faster.”

She does the opposite. She stops altogether. And this time, he can’t do nothing to muffle the whimper gushing out of his trembling mouth.

The Princess tilts her head, savoring each moment, and soon his piercing glare comes back even sharper. “Once I’m free of these fucking chains, I’m going to fuck you senseless till morning.”

“Unless you are still chained to this chair in the morning.”

He watches as her hands hover on his thighs, a feather touch that drives him mad, that makes his hips buck uselessly. His lips twist, swallowing a plead his pride won’t allow him to let go.

But she hears it nonetheless, in the way his fingers flex and twist, in his chest raising fastly. It may suffice, but it doesn’t.

“Stubborn, are we?” she teases, just like her hands, barely touching down his navel. “Your witch got it right. She said you are too stubborn, that’s why she couldn’t play with your head. She couldn’t handle you.” her fingertips finally dip down and she can see the silent plead in his eye.

“I can, though.” her palm brushes the tip and he whimpers, again.

“Please…” he whispers impossibly low, too low for her liking.

“Louder, my love.”

His mouth twists again but the need, the ache is so heavy that it burns out all the pride numbing his tongue. 

“Please…” he begs freely “Please, touch me.”

A groan rolls out of him as she finally grabs it, squeezing softly before starting a slow rhythm up and down. He pants loudly, hips moving on their own as he tries to fuck her hand with a steadier pace. “Don’t rush it.” she scolds him, placing a firm hand on his waist to stop his frantic movements.

“I can’t take it…let me come…”

“Already? Gods, you must have missed me terribly.”

“You’re cursed, woman.”

“Takes one to know one. A curse for a curse.”

She looks at him, hair all ruffled and sweaty on his forehead, a painful pleading expression twisting his sharp features and she smiles victorious. “I have half a mind to leave you like this.” She says and for a moment, he dreads she’s being serious.

“Luckily for you, I’m just as greedy as you are.”

In a swift moment she nestles between his legs and he’s moaning loudly before he even has time to register anything, except her lips locking around his tip, sucking so harshly he thinks she’s going to utterly drain him.

She starts a steady pace, just as he likes it, taking all of him, down to the base untili it hits the back of her throat. The chains clink and clink against the chair as he twists his wrists, bucking his hips harshly to fuck her mouth as deeper as he can, enthralled by the lewd sounds she’s making.

“Gods, yes…” he moans watching carefully as he slips in and out of her “Yes…just like that, just a little more…”

She feels him tense inside her mouth, she feels him tense all over and she knows he’s dangerously close. She stops for a moment, licking her lips and looks at him. “Don’t tell me you’re going to break the rule.”

Aemond groans with frustration, not having the faintest idea of what she’s talking about. He isn’t even sure he remembers his own name. He is just blood boiling and bones so tense they’re close to snap.

“What was it again?” she asks “Ah, yes. My seed belongs in your cunt.” She leaves a trail of soft kisses on his hard flesh and he whimpers once more. “My ever-romantic husband.”

“Fuck the rule, you’re driving me mad. Let me come.”

“Ask nicely.”

“Please.” He begs “Please let me come in your mouth.”

The Princess is merciful enough to grant his wish. She engulfs him once more and he moans loudly for how sensitive he is. She picks up the pace and pride washes over her, pooling between her legs, as she sees him writhing beneath her, moaning with his mouth open, eye closed shut and the chains clink like a frantic bell while he twists his scratched red wrists.

He curses and mumbles nonsense under his breath until he stills completely letting out a long and loud grunt, spilling abundantly inside her mouth. She swallows to the last drop, gently sucking the pulsing tip.

The chains are finally still and silent. He’s breathing hard and short with his head thrown back, staring at the ceiling without seeing anything.

That is until he winces, feeling her hand on his sensitive skin. He raises his head to look at her, almost puzzled. She smiles slyly, moving her hand up and down. “Did you think it was over?”

If he did not feel so spent, he would be utterly thrilled and definitely flattered.

“Seven Hells, woman, give me a bre—” words die on his tongue wiped out by a hoarse gasp as she takes him in her mouth again. But this time, she sucks so slowly that Aemond actually whines in pain. And she looks straight at him, while her head bobs, relishing every moment, watching as he comes undone beneath her, babbling pleads, begging her to stop and a moment later to keep going. His voice is breaking, cracking as he whines and whimpers, poised between pain and pleasure.

Soon though, she hears more whines of pleasure than pain, as gets harder and harder in the hot haven of her mouth.

Suddenly she stops, and just stares, savoring the sight before her. The cruel Aemond One Eye, chained to a chair in a mess of sweat and sobs.

“Untie me…” he says, trying to make it sound like an order, but it’s a pale imitation of his usual tone. His words are slow, sluggish.

“You are not in charge here, my love.”

“Then quit the act and fuck me.”

Perhaps, if she wasn’t so equally desperate for him, if she wasn’t leaking between her thighs, she would have prolonged this torture, this excruciatingly sweet punishment. But she can’t take it anymore.

She climbs on him, and it takes her the least effort to let him slide inside her. He slips his back further down that chaise so that his hips are angled just enough to thrust into her, fast and steady.

“Oh Gods—yes!” she moans throwing her head back, frantically bouncing on him.

“D’you miss this?” he rasps, with a tinge of his usual infuriating confidence “Did you think of this when you touched yourself? Missed my cock inside you, hmm?”

She clamps a hand on his mouth to shush him and he bites her palm, thrusting even harder, making her whine loudly until her throat goes dry and her sight go white. They fall in a wild frenzy, utterly intoxicated with each other, leaving bites and marks all over, sealing one inside the other with a curse much more dangerous than any kind of witchcraft.  

They come together, as she clutches his head to her chest so tight that he can barely breathe. He rests his head on the chair, slowly catching his breath, and she nestles against him, still sank on him.

He moves his hands to touch her, wincing for his aching wrists.

“Untie me now, would you?” he asks softly on the crown of her head.

“I’m not sure.” She muses against his chest. “I’ve quite enjoyed having you at my mercy.”

“Who said I didn’t?”

She moves her head to look at him, a little smile starting to light up her face and he looks down at her lips, mirroring her.

“Besides, it’s your turn.”

She raises her eyebrows fighting back a smile. “Now?”

“Haven’t you heard? No man is so accursed as me.”  

PART III

[where-does-the-heart-lie]

Water is Thicker Than Blood Chapter 33

So neither deuce nor Yamato, im sorry to say :) but now i know NONE of you were expecting this guy (he is a canon character btw)

{Start} {Prev Next}

“Ass?” Is one of my fav gags that ive had saved up for a while, im glad its finally free!!!!

Everyone please read the keep reading :) 👇

I rigged it~

i bet you guys werent expecting i pull out one of the least known characters in all of One Piece for this silly little comic!

But~! ☝️

i do my research~~~

---

At the time of posting this, the results could not be closer, which has been a very thrilling ride for me to watch with Overseer Knowledge.

I'd say that those who voted 'Another Canon Character' get half credit, since no one guessed the character correctly. Who ever voted 'OC' also gets half credit, cuz i meann... This guy doesn't have a canon design. He doesn't even have a canon name! So even though he is a canon character, i am going to count him as a KOC (kinda Original Character)

---

Yamato Girlies, thank you for showing up [i hand you a bouquet of flowers, each] if it makes you feel any better, i already have Yamato content with design and headcanons galore in this post!

---

As for Deuce Girlies...

[i hand you guys bouquets as well]

im so sorry... but... I've never read the Ace Novels :D

I'm sure if i had, i would have put him in here somewhere as a major character, but I didnt, and i couldnt

it is very evident by the reactions i got on the post that yall are Starved For Deuce Content!

i designed a modern au look for him here just for you guys :)

---

I've put a lot of foreshadowing on who this guy is in the comic! I would love to point it all out, but i wanna see if you guys get it with hind sight :D

i will point it all out eventually though 👍 perhaps at the next SBS :)

---

Thank you all so much for being so invested in my silly little comic! it makes me really happy to see everyone get passionate about something I've been working really hard on!!!

This was all so much light hearted fun :) thanks again!

bonus unshaded/ less shaded Emmanuel design:

so you can see his colors~

[ofmermaidstories]

SUMMARY: The call to be a Pro Hero has never been a question—not for Katsuki Bakugou, explosive and guarded, nor for Izuku Midoriya, protective and determined, and certainly not for Shouto Todoroki, who’s family legacy hangs over him like a shadow. Years after the War that upended Hero Society, these three men have helped rebuild a path to Pro Heroism for the next generation, tentatively heralding a new era of hope. But there’s danger lurking in this rebuilt world, danger that has the power to rekindle old fears and usher in new resentments, and as the trio branch out to find and end these threats, they each encounter a new challenge along the way—colliding with someone unexpected, and falling in love.

(A Pro Hero x Reader Trilogy; in which falling in love is a random chance all at once chaotic and exhilarating and incredible, for each of the Big Three)

The premise is simple: three heroes, three fics, and three different lives to live. Named for the Katy Perry song, The One That Got Away, the In Another Life trilogy was originally intended to be a series of five stand-alone fics that evolved, fairly quickly, into what we have today: three interconnected stories that let our Reader-inserts move throughout the My Hero Academia world, and eventually find where—and who with—they belong.

Started in 2020 when the manga was still on-going, the fics have diverged from the canon Horikoshi’s given us both in small and large ways. Despite where they separate (and where the fics have to stay faithful to their own canon, now), it’s always been my hope that they read like the love letters they are—to My Hero, to the boys, and to x reader fic at large.

i’m running to your side—flying my white flag

1. surrender (whenever you’re ready) [Explicit] — ao3

93k+

Bakugou Katsuki x Reader

COMPLETED ✔️

SUMMARY: You first meet Ground Zero when he's thrown, unceremoniously, through the glass window of your florist shop.

(In which Bakugou cannot stand flowers but finds himself coming back, anyway)

i’ve been reading books of old—the legends and the myths

2. something (just like this) [Explicit] — ao3

203k+

Izuku Midoriya x Reader

COMPLETED ✔️

SUMMARY: It probably says a lot about you that your first thought on meeting Deku, international Symbol of Peace, isn't something like "Oh, wow," or, "Oh he's so nice," but is instead the un-Plus Ultra thought of, "I definitely would've bullied him, in high school."

At least until those muscles came in.

(In which Midoriya is an absolute nerd for the release of his own hero-inspired comic book series—and the artist responsible for it)

all your flaws and scars are mine

3. still (falling for you) [Explicit] — ao3

TDB

Shouto Todoroki x Reader

WIP 🕙

SUMMARY: The first time you and Shouto cross paths, he nearly drowns you.

(In which Todoroki meets a jeweller by the sea, and learns the difference between the value of the lessons he's been given—and the precious things he chooses to keep)

🚧 UNDER CONSTRUCTION 🚧

i am actively adding to and editing this section, still. if you think something is missing, or you have something you’d like included, please let me know!!! i am going through all the posts and links i do have, manually, so i may still miss something and would love a gentle reminder. 🌷

🚧 🏗️ 🧱🔨🔧🪛 🚧

[ASK/DRABBLE 📖] [SWYR] do u think bakugou ever gets so angry his mouth misses [Readers] when they’re making out?

Katsuki’s home for once, sleeping off the last few days in the darkness of his room, cocooned.

[ASK/DRABBLE 📖] [SWYR] what type of jewellery would Bakugou gift [Reader], if any at all?

The first gift Katsuki gives you after Christmas is a pocket knife.

[ASK/DRABBLE 📖] [SWYR] how are weeds and katsuki?

It’s a Wednesday, a normal day, and they are figuring it out.

[ASK/DRABBLE 📖] [SWYR] petition for you to write [Reader sending] bakugou horny tweets

light it up like an ELECTRIC STRIKE ⚡️: please please PLEASE Kacchan has blocked me and muted the groupchat PLEASE, I need him to see this, please just send him this ONE THING, PLEASE!!!!!

[ASK/DRABBLE 📖] [SWYR] would [it] be important to bakugou for [his parents and weeds] to meet?

Masaru will just scratch the side of his nose under his glasses and think about a younger Mitsuki, who literally would not take no for an answer from him—and a younger Katsuki, who had the same laser-focus when it came to the things he wanted in his life.

[ASK/DRABBLE 📖] [SWYR] i am asking for royal au + florist au for [weeds/bakugou]

In his armour still, his forest-green cape, Ser Bakugou is dressed for war—solid and imposing as he stands on your threshold.

[ASK/DRABBLE 📖] [SJLT] what does [Reader] post [to instagram]? + [SWYR] things weeds would post

The one consistent has been art, good, bad and middling.

[ASK/DRABBLE 📖] [IAL] it’s so cute that SWYR’s reader is a fan of SJLT’s comic

Kacchan has never asked for anything from Izuku—beyond that he doesn’t look down on him (beyond that Izuku live).

[DRABBLE 📖] [SWYR] katsuki keeps a pot of strawberries for you in his kitchen;

When they finally fruit he’s disgruntled.

[DRABBLE 📖] [SWYR] katsuki’s quieter than usual

So you wait. You let him have his silence, and you fill the space around it with your own presence.

[DRABBLE 📖] [SWYR] he tells me he’s gentle when he wants to be—

The bed dipping under Katsuki’s weight wakes you.

[DRABBLE 📖] [SWYR] you and bakugou walk home in the rain

“Y’re meant to go home, dipshit,” he says, disapproving

[DRABBLE 📖] [SJLT] bad touch (you and me)

Minoru’s skeleton nearly fists itself out of his asshole when a voice behind him says, “That was a kindness you just did, for Midoriya.”

[ASK ❔] [SWYR] if you were to write surrender today, do you think anything would change?

[ASK ❔] [SWYR] what would have been the moment bakugou knew he had it bad for surrender's reader?

[ASK ❔] [SWYR] have you ever written/imagined Kirishima’s POV [throughout the fic]?

[ASK ❔] [SWYR] idk if you meant her to come off in this way, but [Reader] strikes me as [lonely]

[ASK ❔] [SWYR] i’m literally going to throw up from excitement if you actually make a bakuweeds oneshot collection

[ASK ❔] [SWYR] i am vibrating in my boots with excitement about the [SWYR] one-shot series!

[ASK ❔] [SJLT] did you have any inspiration for the kimono Reader is wearing in SJLT?

[ASK ❔] [SJLT] looking forward to our [gala] wear

[ASK ❔] [SJLT] could we have visuals of Reader’s outfits during the gala?

[ASK ❔] [IAL] double dates

[ASK ❔] [IAL] what city/prefecture does [the series] take place in?

[ASK ❔] [IAL] how [would] the Y/Ns react to fanfic about their heroes?

[PODFIC 🎙️] [SWYR] surrender (whenever you’re ready) — narrated by Chthonianqueen

[PLAYLIST 🎧] [SWYR] surrender (whenever you’re ready) [plays on spotify]

[PLAYLIST 🎧] [SWYR] and i’d give up forever to touch you: a suggested-songs playlist [plays on spotify]

[PLAYLIST 🎧] [SJLT] something (just like this) [plays on spotify]

[PLAYLIST 🎧] [SJLT] like lightning: a suggested-songs playlist [plays on spotify]

[ART ✏️] [IAL] bakugou & weeds, deku and & scribbles & bakugou/weeds, deku/scribbles, monoma/reader — by @groshia

[ART ✏️] [SJLT] you get to witness, in real time, as [Deku] leaps from the now open door — by @getstarried

[ART ✏️] [SJLT] izuku, just izuku. just as he is — by @handlethegbread

[ART ✏️] [SWYR] when you’re bakugou katsuki, — by @okeydokiescribbles

[ART ✏️] [SWYR] haru + the flower shop signs

[MOODBOARD 🖼️] [SJLT] the moodboard trend inspired me to make this little thing

[MOODBOARD 🖼️] [SJLT] SJLT is my all-time favourite fanfic,

[MOODBOARD 🖼️] [SJLT] this is just […] a collection of things that reminded me of this story

[BINDING 📚] surrender & the widening sky — @ladybirdk

[PODCAST 🎙️] Canonically Incorrect, episode 75, season 2: Surrender (Whenever You’re Ready) — 10 December, 2022

[ spotify | apple ]

[PERMISSION STATEMENT:] You are more than welcome to print out any of the fics and bind yourself a copy for personal use, or otherwise record a [non-AI] reading of them, or translate into another language—as long as my ao3 username, OfMermaids, is credited somewhere as having written it. 🥹📚 I also love, love seeing and hearing about the work that goes into the pieces you create for yourselves, so if you’re comfortable with it, I’d love to see a picture of (or get a link to!) your efforts!!

final note:

This series is the result of several years worth of love and work, and most importantly, encouragement from the people who have come along and read the stories in it. Whether this is your first time discovering the trilogy, or you’re otherwise revisiting the boys, this is a note to say thank-you for being here. Thank-you for reading, and for being apart of something that has been so much fun to create. Fandom and fanfiction has always been about sharing the excitement with other people—so thank-you for letting me share mine with you. 🌷📖

[palskippah]

Hi! There are role swap AUs of them already and I love them so much, so I tried making my own too! You should know that this is entirely self-indulgent like anything else I draw askdaslds

There is Mareach and Bowuigi bc yes alskdklasd and a tiny bit of one-sided Luaisy that leads to nothing because Luigi's a married man 😔

I had other drawings of them, but they're not colored yet and I wanted to share the idea already sjsjs

Here's some ideas for this AU!

-Mario's the Mushroom Kingdom Princess and his parents are the King and Queen. Luigi used to be the other princess, green princess or green princess Mario (as in, his bro Mario, not his last name Mario 😔), but he married Bowser and became the Queen of the Darklands :y Everyone in there respects and remembers his name, he's built a really good reputation for himself by simply being himself, in this house we believe in the 'Luigi is the Darklands' hero' hc too. Their aunt and uncles (and cousin) rule Sarasaland.

-(King boo's a Darklands ally but still hates Queen Luigi from that one time he wiped clean his mansion when the king kidnapped Mario. Luigi's scared of ghosts still too, but Junior always reassures him he's gonna beat them up if they try scaring his mama (I drew it actually, I'm gonna color it too!))

-When the bros were 20 Bowser at first tried kidnapping Princess Mario, and Mario was ready to beat his ass but they ended up talking about ally-making and ruling a kingdom as Bowser just got crowned king. Mario advised him to listen to his advisor and other stuff and by the time Luigi caught the koopa ship, ready to bonk Bowser in the head with his comically large hammer, the princess and king made plans of starting a treaty.

>Anyways, they met often after that when Bowser went to plan the treat with the Mario King and Queen. Luigi fell for Bowser and Bowser fell harder and Mario regretted talking to Bowser and should have instead just beat him up. He's happy for his bro though. When they married and had Junior and adopted the koopalings he decided that he was very happy that he talked to Bowser. He loves how happy Luigi is.

-Princess Mario accomplishes many things and excels at almost anything he tries, and all the toads treat him as a hero as well as a princess and all, so his dad doesn't think he's a failure, but still bothers him by urging him to get married ever since he turned thirty. He often compares him to Luigi, who got married at 23 and in the present had eight kids with his husband. Mario doesn't give a shit about marrying soon, but wished his dad would stop being annoying. His mamma is a sweetheart as always and often tells her husband to leave him alone. King Mario is stubborn as hell though (his two boys got that from him), so he doesn't.

-Peach and Daisy are cousins and they were trying to start a business together, though they weren't still sure about what (you know as Princess Peach and Daisy have many businesses together in canon aksdla), but before they could settle anything they somehow fell in the pipe and Peach landed in the Mushroom Kingdom and Daisy in the Darklands.

-Bowser still steals the Super Star, but in hopes of giving Luigi the coolest anniversary gift ever, as it's their seventh and all that. He very often gives him all sort of things, like great statues, many many dresses and all the stuff that he knows Luigi loves. Being the himbo he is, he's genuinely concerned that Luigi wouldn't like something unless it is completely new and has never been gifted to him at all. Of course, Luigi would love anything he'd give him, because Bowser's gifts are always made with love. By the end of the things, Luigi tells Bowser so and calls him an idiot affectionally, and also makes him return the Super Star. (movie-like, you know, since this is somehow a retelling alksdlasd)

-Based on what I read at discord, if you're who wrote it, pls know that i love your ideas jsjs- Bowser has set up many statues of Luigi that are of a nice stone color and has gems in its eyes to glow under the lava and the sun when it's out. Imagine that one Luigi render where he's got an arm raised and the other nicely by his side and he's smiling, that's the main statue of Queen Luigi sjjds. They contrast greatly against Bowser's, that were made to make his fierceness stand out, unlike Luigi's that highlight his kindness.

-In the piano scene, Bowser is playing and singing and Luigi's laying on his stomach over the piano's surface (no idea if that's possible but humor me alkdalsd) and listens with the most besotted expression ever, resting his face on his palms. When Kamek interrupts them Luigi's not mad or anything, but Bowser really glares at the magikoopa.

-Junior finds Daisy and brings her to the castle, in hopes that his mama and papa will help her, because they're the greatest people in the whole world and they can do anything.

-Daisy and Luigi quickly become friends, making Bowser jealous of the other human, especially because Daisy from time to time looks at Luigi as if she like-liked him. Not that he thought Luigi had eyes for anyone else beside him, but it was still annoying. And Diasy, for all she annoyed him, seemed to fully respect that Luigi was happily married.

-Daisy teases Bowser mercilessly too, at first clueless that she's supposed to be terrified and respect this guy like everyone else does (maybe Junior takes her to him first, and completely forgetting Junior's initial rambling about his family, she doesn't realize Bowser's the king, but when she meets Luigi, she sees his crown and fancy clothes and immediately knows she gotta be respectful to this guy. She doesn't know how royals are in this lava world, after all), but she keeps doing it, knowing the koopa king may look terrifying but he's mostly bark and no bite.

-DK and Mario are friends and they often meet up to beat the shit out of the other, or sparring as it's called, I think. The first time they did it, Mario got the cat power up and destroyed DK in front of the kong king and other kongs, and since then Cranky doesn't dislike Mario so much, and the others respect him greatly too.

-Mareach,,, they look at eachother and sparkles are in there too. Peach doesn't brutally throw Mario to the ground or anything, but he loses his breath anyways because of her beauty. Also, Mario's type is beautiful tall women (and tall idiot men, maybe his dad suggests DK as a husband and Mario's like ew dad, we're just friends. Or maybe... Donkareach... I like the fics that has them, but idk for this).

-Toad as a wingman, he doesn't care how obvious he is, he's gonna make Princess Mario and his new friend Peach be together, because they clearly like-like the other.

That's all I got for now askdalsd thanks if you read my ramblings, sorry if there's mistakes in writing.

I'm gonna color the stuff I got left and maybe draw more, but knowing myself I dunno if I will anytime soon 😔 Also I go back to college the next week sadly sjsjd

Got any thoughts on the AU? Tell cuz I'd love to know c:< but only if it's nice thoughts, I'm sensitive akdalsd

[iamumbra195]

Not really in the DC fandom and I don't really read many comics but I've been seeing some videos and posts making headcanons about the Al-Ghul family being Muslim and it pisses me off so much.

This interpretation is deeply rooted in Islamophobia and the ignorant notion that every Arab is a Muslim and therefore a "terrorist". The Al-Ghuls are not and have never been Muslims and any parts of the religion found in their characters are likely due to the fact that Arab culture has a lot of aspects of Islam mixed into it and because again, people think that being Arab and being Muslim are the same thing and a lot of the comic writers are white Americans who commonly have this misconception about Arabs.

I'm not going to go into the specifics of everything because 1) I don't know all that much about canon and 2) this is a little hard to explain but I will give several examples that pretty much disprove that headcannon because The Al-Ghuls do things that are considered major sins in Islam on the daily.

Ra's runs an assassin league/cult and despite what many people think killing people is a major sin in Islam except in very specific scenarios where it may be excused like in self-defence or in war. And what the Al-Ghuls do? That isn't excusable in any way.

Ra's' name in and of itself is proof. His name means the Demon Head and I promise you a proper practicing Muslim would not call themself that or commit the atrocities he has on innocent people. I don't know if this is true but I saw on the wiki that apparently a character named Gerhardt asked him if he was a man or a fiend from hell and Ra's, said that he was both and neither and that he was "Ra's al-Ghul". A Muslim would not associate themself with Hell, a place where evildoers are punished in the afterlife.

Talia committed zina (fornication), yet another major sin, and wears extremely revealing clothing despite the fact that modesty is an integral part of the religion.

The Al-Ghuls drink wine, eat pork and apparently Damian was often fed ox blood soup as a child despite the fact that all these things are explicitly forbidden for Muslims to consume in verses of the Quran. (To clarify a bit, in case you're confused about the ox blood soup, Muslims are forbidden from consuming animal blood because it is considered filthy and harmful, much like pork and wine.)

Not to mention the whole thing about Ra's nearly being 500 years old and the Lazarus Pits apparently reviving him every time he dies... but that's a whole can of worms I don't know enough about to open

So yeah, the headcanon that the Al-Ghuls are Muslims perpetuates harmful stereotypes about Islam as a whole. There probably is more to be said about this topic but unfortunately, I haven't read many comics and have only watched a few of the DC animated movies so I can't say much more.

Feel free to correct me if I've said something incorrect or missed something important.

[ckret2]

Long time lurker, first time asker!

How do you keep different voices/characters in your fics so distinct? I'm writing my first longer than 2k word fic and it's... a time.

First, I'm going to link you the best essay I've ever read about How To Write Canon Character Voices—what's too much accent, what's too little, how to pay attention to word choice and the way they phrase things, etc. It's about Transformers but the skills are transferrable to other fandoms (or original writing). The original essay is down so all I can offer is the archive.org version, but it's worth it.

Second, I'm going to link you this post I wrote about how I study character voices. It's about Hazbin but it shows you the kinds of things I pay attention to when I'm learning a character voice.

Third, I'm going to offer you some extra general advice that isn't in the above posts:

Some people try to make characters sound like themselves by basically parroting their catch phrases or most common quotes. Do that and you're just gonna make your version of the character sound like a robot. (Note: if you're writing a character who only knows how to say a few quotes, that's okay lmao.) The readers already know what the characters said in canon, they're reading a fic to hear them say something new. Example: if you have Bill Cipher arrive on the scene and say "Did you miss me? Admit it, you missed me!" word-for-word, you don't sound like you're writing Bill, you sound like you're quoting Bill from That One Scene where He Said That Thing.

But... directly borrowing characters' quotes is kind of a stepping stone on the way toward figuring out how they speak. Think about things they've already said, but use those quotes as a guide for how to write them.

Example: from that quote above, we get that when Bill shows up around people who definitely did NOT miss him, he just... decides that they did and tells them so. This shows you a bit of his sense of humor (he makes jokes to annoy someone who hates him—it's not even a mean joke, just annoying), a bit of his ego (he knows he's clowning around, but even when he's clowning he's going to say something that makes himself sound popular rather than hated), his casual & familiar attitude with someone he barely knows, his tendency to just request people do what he wants (saying "admit it, you missed me" instead of something like "I know you missed me")... etc.

And I kinda already said this in the Hazbin post, but the most important thing you can do when you're struggling with a character voice is just rewatch their episodes and pay close attention to how they speak (or rewatch their movie scenes, or reread their chapters/comic issues—whatever you're writing about). If they're from a visual/audio medium (TV, movie, podcast, etc), then if need be, read transcripts to see how their voices look when written down. Type down the transcripts yourself if there aren't any—and that's also a good physical exercise to make you slow down and pay attention to how they speak. (You notice where they tend to pause in sentences when you're the one who has to decide where to put commas; you notice their accent when you're the one who has to decide whether that word sounds more like walking or walkin'.)

Pay attention to cadence, accent, interjections, sentence length, active voice, passive voice, preferred vocabulary, preferred slang, word choice, sentence length, sentence complexity, any phrases they're fond of (but again—don't overuse a phrase unless they overuse a phrase), how they tend to refer to the people around them (by first name, last name, any titles, any nicknames—and do they change in different contexts?)... Pay attention to anything you can think of. You want to be able to hear the character's voice clearly in your head—read everything you write in their voice, and if it doesn't sound like their voice in your head, change it.

[fuckmymunson]

eddie munson loves when his girl rides his face i will stand by that forever!!!

HE ABSOLUTELY DOES, HE IS THE BEST PUSSY EATER AND YOU CAN'T TELL ME OTHERWISE! It's canon I already sat on his face 🙄👍🏻.

18+ as usual! So minors stay away or ill bite your knees... This is longer than intended but… idgaf imma eat my crepes rn bye lol I'm a whore.

︵‿︵‿‿︵‿︵‿︵‿︵‿︵‿ʚ♡ɞ‿︵‿︵‿︵‿︵‿︵‿︵‿︵‿

This man was made to eat pussy, like it's that one secret talent everyone apparently has; cooking? Not his gig, writing? If designing campaigns counts sure, but probably it doesn't, fishing? He can't catch shit, dude… but professional pussy eating? That's right under his belt.

Had a rough day at work/school? Don't worry, just hop on and take a ride.

Feel stressed after a long week? Hold on, boyfriend Eddie it's on his way!

But, he will always prioritize your feelings before going straight to business. Eddie will hold your hand as he listens to you, he will nod every now and then to let you know you still have his complete attention, and even will rub your back soothingly if your ranting becomes too heated.

He will run a shower for you, wait for you patiently reading a comic or boiling some water for your tea, or coffee if that's what you prefer.

He will even dress you if you allow him. This man is on his entirety devoted to you.

Once he sees you are all relaxed, smiling and giggling, he will without any questions drag you to his room (or yours, or even his van, or an empty classroom, anywhere!), he will kiss you as if his life depends on it and shower you with affection.

Eddie's kisses are loving and passionate. Yes, he will kiss you with his soul every time but when he's a man with a mission (and that mission it's you using his face as a chair), he is a true gentleman. He kisses your lips, your nose, your cheeks, your neck, down to your shoulders as he undresses you.

He will settle between your legs, his thumbs tracing your thighs and pulling down your bottoms along with your underwear. Eddie kisses your neck and bites it softly, rubbing your clit in circles with his thumb and using his other hand to pinch your nipple lightly. He's been hard since he met you but this isn't about him at the moment, he wants to make you feel good.

"I know just the thing to cheer you up" He whispers against your neck, tracing his tongue over a purplish hickey.

"Yeah?" You ask breathlessly and his cock twitches at the sound of your sweet, worked up voice. He nods and slides a finger inside you, biting his lip to prevent a moan at the wonderful sensation of your pussy engulfing his digit.

"Sit on my face, gorgeous. Ride me" He practically begs, whiny and needy. His requests makes you moan and clench around him.

Eddie sometimes (always) thinks he definitely won the lottery with you.

"Let me treat you, my lady" He teases as you straddle his face, he squeezes your ass and basically roams anywhere his rough hands can reach.

"Shut up" You laugh and do your best to find a proper leverage.

"Make me" Eddie bites back, making you quirk an eyebrow at his challenge.

"Okay"

And with that, you lower under him, successfully shutting him up by rubbing your wet pussy against his face.

Eddie dives in, eating you like a starved bastard. He moans at the very first taste, holding on your thighs for dear life as he flicks your clit with his tongue. He will pant and whine when your hand comes down to yank and pull his curls, promptly riding his face.

His half-lidded, chocolates brown, pretty doe eyes will look you from underneath as if you were a goddess, and honestly? To him you are. And he is a blessed man for eating this heavenly pussy.

Eddie will fuck you with his tongue as his nose touches your clit. His eyes will roll to the back of his head every time you moan his name and ask him for more— To which, come on; Eddie is a pleaser, that boy is a real pussy pleaser. He will lap you and he will make the most obscene and sinful sounds when he eats you out. His favorite head? Sloppy, with long tongue slides and when his face ends up all drenched and slippery with your slick and his saliva.

So by the time you cum all over his face, he will be pussydrunk, he will be a whining mess, his pijama shorts have a wet stain and he is so hard it literally hurts.

He will nods eagerly when you cum, basically sobbing your name back as he presses you even closer to his face, because he will be damned if he misses a single drop of you.

Eddie could die between your thighs <3.

[damianbugs]

DEBUNKING SOME COMMON COMIC COMPLAINTS:

the funniest shit ever is when i say "oh hey friend you should give batman comics a try i think you'll like them!" and the response is "no thanks he's a bad dad in those i'll stick to fics." because like... i swear to you on my life Bruce Wayne Ao3 has done worse shit in fics than he ever has in canon.

"oh but you can just filter those tags/ignore those stories—" you can. do the same with comics... this man has been around for decades. do you think every story was exactly the same? not even the SAME writers write him the same way twice. (EXAMPLE: Frank Millers 'Batman Year One' has bruce jump off a bridge to save a baby. Frank Millers 'Batman and Robin All Stars' has bruce feed dick rats.)

"oh but fics are free—" so are comics 🏴‍☠️... unless ur a coward. whoever told you that you have to buy comics to read them or enjoy them is a liar and you should explode them. spending money and collecting is a completely personal (and life altering) decision.

"it's so hard to find specific comics/dynamics/tropes etc" the internet is truly a fantastic place. you can find a reading list or blog for the most niche of characters, so you will have absolutely no problem finding one for the bastard man who appears in every single comic ever published by dc. if not, ask your comic friends and not friends, comic blogs, tiktok comment sections etc. there will be one hyperfixated enthusiast eagerly awaiting the opportunity to give you their extensive guide.

"i just want to read/create my own story with them" you and me both buddy. reading comics doesn't mean you are not allowed to let yourself indulge in completely impossible fanon scenarios that heal or ruin your life. in fact, do you know the inexplicable euphoria that comes with stumbling upon a fic that rewrote a canon event? continued a badly finished comic story? it's life changing. fun to write too!

if you don't want to read comics for whatever reason, fine, literally whatever — but if you want to and certain things are holding you back from doing do, this is for you! who gaf about fandom discourse and "name me three batman comics"-ism, just don't hold yourself back from exploring this media even further! if anything, having a couple comics under your belt makes analysis and discussion far more genuine, and not like your chatting shit from out your ass.

[yetanotherlesbianonthiswebsite]

An overly complicated analysis of everything we know about Neve Gallus in canon, as well as some additional thoughts of mine on the themes surrounding her (because I am so gay for her already)

1. Canon information

- Her age is, as of yet, unknown. In the Tevinter Nights story The Streets of Minrathous, narrated in the first-person perspective by Neve, we read “He greeted me with a dismissive ‘young lady’ that made me think he’d forgotten my name” (216). However, this is a description by an older man, whose nephew is alive long enough that his “parents had disowned him years ago” (213). In another passage of the story, the following can be read: “The man was a con artist I’d turned in the year before. To be fair, he’d nearly gotten me killed the year before that, so we were even” (221). We can therefore be certain that she has engaged successfully in detective work for at least two years, and has likely been doing so for a while. We do not know when the story is set, neither do we know anything about the parallel stories of “The Wigmaker Job” and “Luck in the Gardens”. We get the information that a Venatori cultist was wearing clothes that are fading (220), and that the cult had long since lost much standing in society; it has likely been quite a number of years since 9:42. At the same time, we know of a Qunari invasion in the eastern part of the Tevinter Empire from 9:44/45 onward, with several major cities falling to the invaders. Neve describes the catacombs as “a place to hold a year’s worth of food and supplies, securing the city’s survival in case of blight or Qunari invasion” (232). A woman as observant and politically savvy as her would likely not frame an invasion as that much of a hypothetical in case of an ongoing war. It is reasonable to assume that the story takes place sometime around the middle of the forties. Which means that by the events of Veilguard, in the middle of the fifties, we should expect Neve to have had at least twelve years of experience as a private investigator, which places her likely age at minimum in the early thirties. (Not that I am hoping for anything 40 or upward, no, there is no MILF agenda here)

- She describes the manor of a rich man as “a residence nowhere near the third-rate bookseller where I rent a room” (216), locating her residence both outside of the rich parts of town, and informing us that she does not have the greatest of means.

- Likewise, we learn that her “family has more templars than mages. I’m sure that says a lot about me. The point is, I’m not from an old family and I felt as at home in Lady Varantus’s house as Jahvis looked” (218). Within the rigid social hierarchies of Tevinter, she is privileged by magehood, but not by blood. To the degree that Tevene social classes can be broken down so neatly into stratified categories, she seems to be somewhere in the lower ranks of the middle class.

- She is canonically disabled; an amputee wearing a prosthetic leg made of dwarven metal (215). In the comic The Missing #4, we see her prosthetic, it is designed as a cobra standing up in intimidation of an attacker, and the metal seems to be predominantly a bronze or gold with blue or silver accents (6). On her foot on the other leg, she is wearing a boot which has a bronze or gold tip symmetrical to the tail of the cobra, and a high plattformed heel (ibid). Combining that with the fact that she fights and runs with a prosthetic and a heeled boot (TSoM 215, TM4 16), we learn that she expresses immense control over her body.

- Likewise, she approaches all her actions, her appearance, and her communication verbal and physical with a high degree of precision and deliberation. Her outfit is perfectly composed, with white and dark leather as primary colours, the same blue-gold metal that her prosthetic is made out of for accents as well as her belt (which is a coiling snake, TM4 6), a dark turquiose for some of the cloth (such as pants and cravat), a light turquiose for such accents as her fingernails and her meticulously applied eyeliner, and some manner of cap akin to a graduation cap at the right side of her head, in an almost black brown, with gold details. The shape of the cap has the exact same angles as a rhombus as her earrings (TM4 9). The detail on the cap forms a snake. It has been posited by tumblr user @cleric4vampire that even her movement in the trailer reinforces the cobra/snake motive (https://www.tumblr.com/cleric4vampire/752850000700194816). Despite sometimes excrutiatingly long workdays (223), Neve puts an extreme amount of emphasis on her appearance. Even in the comic, while the style does feature very dynamic character movements while talking, her gestures stick out as particularly deliberate; she talks with her hands a lot, and with deliberation (see the appendix of this post for more). This speaks to a plethora of willpower, control, and a desire to maintain a controlled barrier between the self and the larger world.

- While writing this, I have come up with the theory that the blue accents of her apparell might partially be lyrium. If she is literally wearing lyrium makeup, I will marry her.

- The only two offensive types of magic that we see her use are ice magic (e.g. TSoM 226, 227, 235, TM4 16, 17), and a manner of magic that lets her freeze the moisture in the air around a person to stagger them (e.g. TSoM 214, TM4 17). Through cooling the air around herself a bit less, she manages to hide herself in mist (e.g. TSoM 214). She is capable of some healing magic (227).

- She has a network of contacts, acquaintances, and informants all over Minrathous, particularly in its underground.

- She loves salty fried fish (221). This is not only in line with Minrathous being a coastal capital, which has a distinct influence on the caloric inflow into the city and cuisine at large, but also, once again, stresses that she does not have much money at her disposal, by emphasizing that she eats fried fish from a cheap street food stall very regularly (221), which she calls her “fish dinners” (228).

- She canonically has straight dark brown hair, meticulously kept at the left side of her face to keep space for the cap on the right, brown eyes, and brown skin. It is furthermore canon that anyone who has a problem with that or wishes to change that with mods will be exploded via elemental magic. It is furthermore canon that I will not buy Veilguard if the game whitewashes her.

- She is involved with the Shadow Dragons in helping fugitive slaves (TM4 9, 20). She expressly approves of the use of armed violence against the institution of slavery. At one point, she comments: “The cult’s dead god wanted to bring Tevinter back to what it was—to its “glory.” It was nonsense, of course. It always was. The old empire was even more corrupt and heartless than what it is now, no matter how pretty the picture Corypheus painted” (TSoM 221). In her vocal resistance to the empire, she sees it as a good usage of her time to track down Venatori (214). In spite of her resistance against the empire, she considers the city her home and would like it to be better than it is (214, 221).

2. Themes: The noir detective and the empire

It goes without saying that the formational archetype behind the character of Neve Gallus is that of the noir detective. A solipsistic cynic with little means, a private investigator, called to investigate a crime scene in dance with and against the police, depending on the point of the story. The noir detective of the movies of the first half of the 20th century, the formational corpus from which stems the archetype, is distinctly tied to the metropolis; a story that needs the urban context, the urban scenery. While of course featuring a plentitude of settings and configurations, at the root of the archetype rest particularly a white, male, US-American figure. To bring Minrathous in parallel with New York particularly is in so far a welcome change as it means a partial departure from the orientalism underlying a lot of early descriptions of Tevinter in Dragon Age canon. But, to me at least, it raises the question of how well Dragon Age is equipped to tackle the arising thematic implications. Just like the Tevinter Empire, the United States of America is a slave society fueled by the deprivation of Indigenous communities and the physical exploitation of a racialized, disenfanchised class. The metropolis is the core of the imperial core; and Minrathous is, as the largest city of Thedas and the capital of Tevinter, certainly that. The Streets of Minrathous manages but a partial critique of the society of the imperial-colonial metropolis. While Neve remains critical of the templars, the undeniable cop stand-in, the critique remains bound to corruption the higher one goes in the chain of command, as well as the bureaucracy (231). The story, in particular, follows the very dangerous trope commonly found in copaganda that the base-level officers should be allowed to disobey the chain of command and act on their own, particularly when it comes to the deployment of heavy weaponry (234). That the base-level officer is as much an agent of imperial violence as the top of the hierarchy, turning the systemic and depersonal violence of the system into concrete interpersonal violence, cannot be formulated by the text.

Furthermore, the Venatori, in their supremacist-fascistic death cult, remain cast in ableistic terms that deprive their ideology of systemic connectedness: “that didn’t stop remaining loyalists from acting delusional and stirring up trouble when the mood struck. That’s fanatics for you” (213). That fascism is but the logical conclusion of empire, particularly a weakened and collapsing empire, remains just as unacknowledged. And yet, what haunts the story is a profound sense of loneliness and alienation. A rich man estranged and alienated from his nephew because of his fear of social repercussions for the nephews behavior, said nephew dying while grasping to any semblance of connection he can (“He knew what came next. He was searching for whatever company he had left” 215), Neve facing the cultists in their hideout alone because the templar Rana does not want to breach protocoll, hell, even the Venatori preacher making a ridiculous figure, alone and ignored on his soapbox while the masses rush by him and shut him out of their attention; everyone is lonely, seperated by the dividing and isolating forces of the empire. The imperial metropolis condenses people, yet they are emotionally distanced from one another. Neve’s final action in the story is to return to the rich old man, explaining to him that his nephew was trying to be good after all; a post-mortem attempt to mend but one severed connection between humans. Her entire character is defined by the trajectory that comes from wandering almost aimlessly in a desperate attempt to escape the solipsistic nature of the empire. Her defining emotional conflict is with the reality of empire, as much as her status as a brown, disabled, bisexual woman clashes with the roots of the figure of the noir detective. We see by the time of The Missing #4 that she finds a sense of fulfillment in working with the Shadow Dragons for the slaves and against the slavers, which hints at a character arc from TSoM to TM4. As Varric correctly observes, she has a heart of gold (TM4 20), one which she hides behind a particularly controlled facade, as stern as beautiful. How well her character plays out in Veilguard hinges entirely on the stories limited ability to discuss empire in meaningful terms, and the story’s willingness to further explore her emotional arc suggested between TSoM and TM4. I am furthermore worried about how well a series known for its overt centrism can handle the nuances that make her character so great, as well as fearing the reaction by gamers[TM] to having a brown, female, disabled, bisexual detective.

3. Appendix: I am gay for the way she talks with her hands and body

TM4 9

TM4 9

TM4 5

TM4 10

TM4 14

TM4 19

[fbfh]

So I might have watched the Crow.... and I might have read the comics... and I might have made a 3 hour playlist... and I cannot stop thinking about Eric Draven. Just can't. Look at him

This man is a feminist. This man blew up a pawn shop to get an engagement ring back. This man is a metal guitarist which means you KNOW he's good with his hands. This man is canonically SO horny and SO sad. He aches. He laid down on his fiancée's grave and never intended on moving ever again. He has a cat named Gabriel because Shelley wanted a cat. This man is a protector of children who believes that recovery is possible. This man kills abusers violent criminals. He just fuckin. Recites contextually applicable poetry before murdering bad guys.

Eric Draven does not ever let anyone feel unsafe, especially not you. You're not afraid to go out at night or walk home anymore. You see crows and you know you're safe. You hear metal guitar coming from some rooftop in the distance and you know he's got you. He never lets you think anything is meaningless or trivial, he cares about details, your details. Your little thoughts and ideas and dreams. He is not ever going to let you feel pain again. Your safety, the safety of innocent people, of women and children and victims is not something he fucks around with. He is something you can count on.

[soleminisanction]

I got a bee in my bonnet and spent last night crunching these numbers to confirm a long-held suspicion of mine, and now I'm going to do something with them even if it's only interesting to me. So.

I went through and tallied up all of the fics AO3 currently (as of 3/27/24) has under the tags "Trans Tim Drake," "Nonbinary Tim Drake," "Genderfluid Tim Drake" and "Genderqueer Tim Drake," since I figured that cast a wide enough net without committing myself to reading every fic vaguely tagged Trans Character to figure out which character they were talking about.

I then did the same for Dick, Jason, Damian and Bruce and, after comparing those numbers against each other and against the total number of fics each character has under their general tag, followed up with Duke, Babs, Cass, Steph and Kate, and then Kon, Cassie, and Bart for good measure.

The results confirm the suspicions I was going into check and are really interesting, to me at least:

Despite having far fewer stories overall than Jason, Bruce or Dick, Tim has by far the most stories tagging him under the trans umbrella (653 out of 58,395) and is the only member of the Bats for whom at least one full percent of his stories fall under that category (1.12% to be exact.) He actually has more total trans stories than Jason and Damian combined (308 out of 71,120 and 255 out of 42,607, equaling 0.43% and 0.59%, respectively) and outstretches the 2nd place ranker, Dick, by over a hundred (who clocks in at 438 out of 79,057 -- 0.55%). Bruce amusingly has by far the most stories overall (90,305) but the fewest trans stories (185) for the lowest percentage among the boys (0.2%).

The only one who comes anywhere close to matching Tim percentage-wise is Bart, who has far fewer stories to his name but a ratio of 62 out of 5,717 for 1.08%. I was thinking maybe Young Justice might have a higher percentage than the Bats due to their strong queer fandom but that only really proved true for Bart, with both Cassie and Kon coming in at only 0.2% and 0.28% trans umbrella percentage respectively (actual count 6 out of 2,874 and 39 out of 13,746).

Cassie's numbers correspond with the fact that women just, do not get a lot of these stories, at all, even compared to the general lack of attention they're paid by fanfiction spheres in general. Steph and Kate both clocked in at falling 0.17% under the trans umbrella (29 out of 16,638 for Steph, 5 out of 2,897 for Kate); Cass got 0.13% (21 out of 15,769) and Babs only 0.07%, the lowest percentage out of anyone I calculated for (11 out of 15,785). Duke's showing was a respectable 0.55% (34 out of 6,166) which puts him about even with the rest of the boys.

All of which I just went through to confirm a gut instinct I've had for a while: even in light of the noticeable trend in fandom towards increased visibility for trans and other queer-gendered people over the last decade and a half or so, it's a notable Thing for the DC comics fandom to explore with Tim Drake in specific.

And that doesn't even take into account things like the over 200 "Tim Drake is Catlad | Stray" fics, which almost always have some element of queered gender or at least femme'd sexuality to them, far outstripping any of the other Robin boys' spins in that AU (those counts stand at, respectively: Damian - 11, Dick - 33, Jason - 79, Tim - 242). Or the 11 fics logged under the "Tim Drake is Batgirl" tag, a category that doesn't even exist for any of the other male Robins.

(What makes that last one extra hilarious to me that most people don't know one canonical version of Tim has been a member of the Batgirls.) Part of me wants to use that parenthetic detail as a segway to ramble about the various canon snippets I think probably contributed to this, from Tim being presented as "the pretty one" who most often gets the "looks like his mother" comments to the fact that he is the only male Robin who's ever cross-dressed for an undercover mission and even though it only happened once the Internet will never forget Caroline Hill.

But this post is long enough as it is and I don't really have a point beyond I think this is interesting and cool so I'm going to leave off here for now and put my numbers under a cut so people have the raw data to look at if they'd like to.

TL;DR - Based on the numbers, the internet believes Tim Drake is more likely to be trans than any other member of the Bat-family or Young Justice, and I think that has interesting implications about his character and fandom. It's neat.

Data Taken: 3/27/24

Tim Drake: 58,395 Trans Tim Drake: 513 Nonbinary Tim Drake: 46 Genderfluid Tim Drake: 89 Genderqueer Tim Drake: 5

Dick Grayson: 79,057 Trans Dick Grayson: 399 Nonbinary Dick Grayson: 15 Genderfluid Dick Grayson: 23 Genderqueer Dick Grayson: 1

Jason Todd: 71,120 Trans Jason Todd: 286 Nonbinary Jason Todd: 17 Genderqueer/Genderfluid Jason Todd: 5 (4 have both tags and are the only ones tagged Genderqueer Jason Todd)

Damian Wayne: 42,607 Trans Damian Wayne: 215  Nonbinary Damian Wayne: 37 Genderfluid Damian Wayne: 3 Genderqueer Damian Wayne: 0

Bruce Wayne: 90,305 Trans Bruce Wayne: 180 Nonbinary Bruce Wayne: 5 (2 also tagged Trans Bruce Wayne) Genderfluid Bruce Wayne: 1 Genderqueer Bruce Wayne: 1

-

Total Trans Umbrella Tim Drake: 653 Total Trans Umbrella Dick Grayson: 438 Total Trans Umbrella Jason Todd: 308 (313 if you count the GQ tag separately) Total Trans Umbrella Damian Wayne: 255 Total Trans Umbrella Bruce Wayne: 185 (187)

Percentage Trans Umbrella Tim Drake: 1.12% (1.11825) Percentage Trans Umbrella Dick Grayson: 0.55% (0.55403) Percentage Trans Umbrella Jason Todd: 0.43% (0.43307 or 0.44010) Percentage Trans Umbrella Damian Wayne: 0.59% (0.59849) Percentage Trans Umbrella Bruce Wayne: 0.2% (0.20466)

----

Duke Thomas: 6,166 Trans Duke Thomas: 20 Nonbinary Duke Thomas: 14 Genderfluid Duke Thomas: 0 Genderqueer Duke Thomas: 0

Barbara Gordon: 15,785 Trans Barbara Gordon: 11 Nonbinary Barbara Gordon: 0 Genderfluid Barbara Gordon: 0 Genderqueer Barbara Gordon: 0

Cassandra Cain: 15,769 Trans Cassandra Cain: 15 Nonbinary Cassandra Cain: 6 Genderfluid Cassandra Cain: 0 Genderqueer Cassandra Cain: 0

Stephanie Brown: 16,638 Trans Stephanie Brown: 27 Nonbinary Stephanie Brown: 2 Genderfluid Stephanie Brown: 0 Genderqueer Stephanie Brown: 0

Kate Kane (DCU): 2,897 Trans Kate Kane: 4 Nonbinary Kate Kane: 0 Genderfluid Kate Kane: 1 Genderqueer Kate Kane: 0

-

Total Trans Umbrella Duke Thomas: 34 Total Trans Umbrella Barbara Gordon: 11 Total Trans Umbrella Cassandra Cain: 21 Total Trans Umbrella Stephanie Brown: 29 Total Trans Umbrella Kate Kane: 5

Percentage Trans Umbrella Duke Thomas: 0.55% (0.55141) Percentage Trans Umbrella Barbara Gordon: 0.07% (0.06968) Percentage Trans Umbrella Cassandra Cain: 0.13% (0.13317) Percentage Trans Umbrella Stephanie Brown: 0.17% (0.17429) Percentage Trans Umbrella Kate Kane: 0.17% (0.17259)

----

Kon-El | Conner Kent: 13,746 Trans Kon-El | Conner Kent: 19 Nonbinary Kon-El | Conner Kent: 19 Genderfluid Kon-El | Conner Kent: 1 Genderqueer Kon-El | Conner Kent: 0

Bart Allen: 5,717 Trans Bart Allen: 40 Nonbinary Bart Allen: 20 Genderfluid Bart Allen: 1 Genderqueer Bart Allen: 1

Cassie Sandsmark: 2,874 Trans Cassie Sandsmark: 4 Nonbinary Cassie Sandsmark: 2 Genderfluid Cassie Sandsmark: 0 Genderqueer Cassie Sandsmark: 0

-

Total Trans Umbrella Kon-El: 39 Total Trans Umbrella Bart Allen: 62 Total Trans Umbrella Cassie Sandsmark: 6

Percentage Trans Umbrella Kon-El: 0.28% (0.28371)  Percentage Trans Umbrella Bart Allen: 1.08% (1.08448) Percentage Trans Umbrella Cassie Sandsmark: 0.2% (0.20876)

[ghostflowerhotpotch]

Spider-Woman, NOT Ghost-Spider

This is a tip for people who want to go as canon as possible WITH THE MOVIES, since I feel a lot of people do this mistake because they look into the comics and mix things up.

If you want to call Gwen, Ghost-Spider in your fanfic/fanart/etc because you think is cool, go ahead! Go nuts! I'm not the canon police.

BUT-

In the movies, Gwen still calls herself Spider-Woman.

An explanation as to why this is important in the read more.

(Spoilers about the Spider-Gwen comics, I guess because I am not spoiling anything that came after 2019.)

When I say "important," I mean it in the stick-it-to-the-details type of deal; if you care about technicalities you care about this, but I know that's not the majority.

However, I do want to bring it up because the reason why Gwen switched in the comics, or rather, why chose Ghost-Spider of all things- is really neat and interesting story line that I feel a lot of people skip over when they 'chose' to call her that without knowing why she chose that name.

If you think Gwen has it rough in the movies, don't read the comics because they put this girl through the wringer.

Let's go a little bit before she chose that name.

As you can see, Gwen feels that she has always been marked by death, some way or another.

First her mother, then Peter, and is now hitting pretty hard after losing Spider-UK (is not Hobie, or Malala, I don't think he has appeared in the movies,) Noir and Karn, though arguably Billy was the one who hit her the hardest.

She went to other dimensions to tell their love ones that Billy and Noir passed away; it is implied how this is her way to try to make amends to what happened, make peace with herself.

But is not really enough, the topic doesn't leave her mind,

Death and pain certainly follow her often; she almost lost her dad for good, and she was definitely shaken after Harry got gravely injured precisely because he was always there for her.

That last panel never stops hitting hard for me.

There is just some quietness to it, about how no matter what she does, how hard she tried, Death continues to follow, one way or another. Even when she tries to be a hero, to do the right thing, death follows her.

In the comics, Gwen switches her name because she is studying in Earth-616 rather than her own dimension, so she switches names in order to avoid stepping in any toes.

So, in the movies, is kind of hard to think the switch would happen. Sure, Gwen is interacting with Jessica and other spiders, but believe me, the multiple spider-man haven't changed their names, so having Jessica in the spider society doesn't change much.

However, I do bring all of this because I think implementing this story line in the movies not only is feasible, it would be *amazing.*

The phrase "Death loves Gwen Stacy," not only hits hard for the Spider-Gwen in the comics, but for the movie counterpart too.

Think about it for a second; in the movies, Gwen feels she can't have friends because otherwise, they may lose them like Peter, she has convinced herself it can't work. And then. she goes to the Spider-Society.

And now she feels Gwen Stacy and Death always go hand in hand.

She learns how in so many universes, Peter is the one bitten, he is the one who lives, while Gwen Stacy dies, over, and over again. It almost seems like she is the outlier out of spite, how because she gets to live, everyone else pays the price.

Because Death loves Gwen Stacy, powers or not, that's not changing.

But at the end of the day-

And that's why, no matter what, she will continue fighting to protect her people.

[kyri45]

✨ISAT Sky: Cotl!AU Q&A (22-09)✨

Welcome to the Q&A! A space where I can answer related or similar question about the ISAT Sky: Cotl!AU! If you submitted your ask anonimously, then you’ll have to check the whole post if it’s answered here, if it’s not, worry not! Your asks might have been used for a future comic or just in the queue~

Anonimo ha chiesto:Hey your ISAT Sky: COTL crossover comic is what got me to try out sky, it's pretty fun even if players approaching me is a bit intimidating for my socially anxious self. The comic itself is pretty nice too and thank you for getting me into such a cute looking game :3

Thank you so much!!!♥️♥️♥️ sky is wonderful, it became my personal happy place!

@lunarmoff ha chiesto: Hello!! Hi, you probably have a lot of asks in your box but I wanted to thank you for getting me into isat! I first read your Isat sky au when I was in the sky fandom and I loved it even though I didn't know the characters at all! Now that I've gotten into the fandom and gotten to know the characters, I understand your au a lot more now. I love your art style and how you added a bunch of peoples sky kids into your story! I myself would have given you my sky kid but I found your comic a little to late to give them to you. Just know that I love your comic, and I can't wait to see how it ends!!!

AAAAAhhhhh that's awesome!!!So gad that you like ISAT! It's an emotional rollercoaster but it's soooo good!

@a-tired-human-draws-junk ha chiesto: I've been reading ur sky cotl x isat au and its driving me NUTS isat is a newer brainrot for me and sky is an OLD one like I havent played sky properly in over a year and you dragged me back into the game w ur comics DURING THE SEASON OF DUETS and I've been playing daily so I can get stuff AND I CANT BELIEVE AN ISAT AU IS WHAT DRAGGED ME BACK TO CANDLERUNNING HELL /lhj Anyways love the sky cotl x isat comics I see siffrin is still an idiot (Also I cant stop imagine siffrin honking at his family like a goddamn excited moth while running around them goofily as per average sky kid interaction and the mental image is so funny)

ASDFGHJKL YOU CAN'T UNDERSTAND HOW MUCH I NEED SIFFRIN TO JUST- ACT LIKE A GOOFY EXCITED AND INNOCENT SKY KID AGAIN. HE'S JUST A LITTLE GUY!!!! HE DESERVE ALL THE HAPPYNESS AND FLUFF IN THE WORLD AND I'M HERE TO GIVE IT TO HIM (after I made him suffer hell of course)

@o-rainknight-o ha chiesto:I just want you to know that I love your art! It's so beautiful!Your LMK AU is amazing. I haven't played Sky in a while and I've never played ISAT but my sister has, so I know a little about it. It's also very pretty the way you draw it.Make sure not to overwork yourself too! We are all strangers here but a lot of us care :)

Ty!!!! I hope you get the chance to play sky as well!

@scarftale-bryan ha chiesto: Why did the lads skip the plains and wasteland?

cause I don't have the time or will to draw all 6 the realms. And also cause geographically, I don't know where the wastelands could be placed in Guadeloupe

Anonimo ha chiesto:

crying wailing throwing up over isat cotl i love it so much

AAAHH TY!!!

@puppetxtheatre ha chiesto: I don't even like sky but your comic was so good it convinced me to play ISAT and now I'm in love with the game thank you

WELCOME TO YOUR NEW HELL/pos

Anonimo ha chiesto: is it bad that i keep tricking myself into believing your isat comics are canon?

omg I myself have to do it otherwise I would just go insane over the fact we will never have comfirmation to what happened to the forgotten island

Anonimo ha chiesto:I don't know anything about children of the sky (is that the name???) but I really like ISAT and I ADORE your comic. I'm so pumped to see all them colors and pretty stuff in your awesome style

Thank you! Me as well omg you have no idea (even though then panels will take double the time to color

@kestrel-bee ha chiesto: Hihi!

I’m loving your Shadowpeach AU, loving the current angst :]

but when going through your profile I saw your ISAT x COTL AU, which reminded me of the fact that I’d been intending to buy ISAT for a long while, so I finally did.

That was yesterday and I am now 6hrs in. Thank you for the new hyperfixation material 🙏

LMAO THAT WAS ME. THE FUCK (I finished the game in 3 days.)

Anonimo ha chiesto:I would just like to say I am in LOVE with the way you draw the sky kids! This is making me inspired to draw my sky kid!!

Thank you!!!

@sunsetcannon ha chiesto: Considering I am both an ISAT fan and a Sky fan I'm going to be permanently rotating this AU in my head like it's a microwave so thank you for that

And I need you to know that unfortunately you'll remain in said microwave for a lot more/pos

@selfdestructivecat ha chiesto: Hello! I have a question about your ISAT: COTL AU comic! So Nesting guide was there! Does that mean that Season of Nesting had already happened in this universe? Presumably Season of Revival will be happening once the dust has settled on this comic and everyone works on restoring Aviary Village, so does that mean that Revival happens after Nesting in this timeline? And will Duets, the most recent season, also have happened before Revival? (I’m just very happy because now my skid, a nesting moth, canonically can exist in this au! XD)

You can find the timeline of the AU here!