#i keep drawing the same character over and over again and i don't know how to stop

[ckret2]

If you ever watched Hazbin Hotel..do you think Valentino has the same villainous characteristics as Aku (as they are both overlords and tall af cause Valentino is like 10 feet tall ) I'm planning to do a drawing of Aku in this mf's clothing and it just came to me in a vision

I haven't watched the TV show yet, but I have watched the pilot.

So, my understanding of Valentino as a character is severely hampered by the fact that, like... i haven't seen the show. My knowledge comes from the pilot, a music video, angel's comic, the non-canon instagram accounts, and a bunch of posts i've seen other people make about the show (and the people i follow are more likely to talk about whatever the fuck vox & alastor's have going on than about valentino lol).

So take this entire answer with a grain of salt, because I may very well be just,, completely wrong about Valentino lmfao.

But: nah, I don't really think Val & Aku are very similar re: their villainy. Mainly because of the kinds of evil they commit.

Val is a very realistic evil—as in like, we encounter guys just like him all the time. He's an exploitative boss, he's manipulative, he's an abuser, he's a rapist. He controls people.

I read a good book recently (Terror, Love, and Brainwashing by Alexandra Stein) about the psychology of cults—from a perspective where a "cult" can be any size from "a single abuser and their victim/spouse" to "a dictator and the entire nation"—that argued the way cult leaders get people trapped and too mentally fucked up to escape is by inspiring them to simultaneously both fear and love the cult leader. If the cult leader makes somebody fear the outside world and love the cult leader, that's not enough, because the victim has a solution to their fear ("stay in the safety of the cult") and can still think clearly.

But if the cult leader makes somebody love them and fear them, suddenly there's no good solution: when you're in a scary life situation, you want to pull closer to the person you trust & love, but if the person you trust & love is also what you're scared of, this normal human instinct backfires and keeps you trapped in a state of fear without resolution where you can't think clearly and can't realize that the safest thing you can do is let go of the "safe" anchor you're clinging to. And, again, this psychology works at any scale, from couples to nations.

And maybe the show changed directions and I don't know it yet, but from the material I have seen about him, that's the kind of evil Val is. Angel's under his thumb because he feels like he has to stay close to Val (for love, for financial security, for safety) and Val's the only one he can depend upon, but he also feels constantly threatened by Val. The psychological torment of keeping someone suspended between love/terror is how Val maintains control.

And that kind of evil is all but foreign to Aku. He maintains control because he's immortal, superpowered, and can beat up anyone who tries to stop him, and has amassed enough of a fortune to pay other evil people to help him beat up people. People don't obey Aku because they both love and fear him; they just fear him, but can't do anything to him.

And that shows in the ways that he loses control over victims, and how easy it is to lose control. From time to time he tries to get good people to help him by making them promises he won't keep; but rather than using that as an opportunity to psychologically ensnare them, he does nothing about the fact that they still loathe him even when they feel compelled to obey him. And when he gets what he wants, rather than stringing them along with further promises, he goes "lol PSYCH i was never gonna hold up my end of the bargain you idiot"—and makes it very easy for his victims to decide to turn against him.

When he manipulates people, it's very blunt manipulation. "I'll just lie about who I am! I'll pretend to be [a hot chick/a weird swamp hermit], and then drop the act once I have what I want." There's no elaborate mindfuckery. There's no gaslighting. He doesn't try to mentally tear down his victims (aside from, like, calling them fools).

The closest we ever see Aku get to attempting Val's style of love/terror control tactics is when he tries to convince a bunch of children he's a good guy through fairy tales. And he sucks so bad at that.

The Daughters of Aku (the cult) convince the daughters of Aku (the daughters) that Aku's actually the good guy; but like, Aku himself isn't actually involved in that process. He might have no idea what the priestess teaches her victims. We can't give him credit for her work.

While Val's evil like an abusive boyfriend, Aku's evil like an arsonist who sets strangers' houses on fire.

All that said though:

yeah you should totally draw him in Val's clothes. he'd rock that pimp coat.

[zeeengris]

A little Nightrift doodle that evolved into a finished piece.

[noirscript]

in the lion's keep

WARNING/S: DEAD DOVE: DO NOT EAT. Yandere. Noncon. Dubcon. Power Imbalance. Forced Pregnancy. Captivity. Manipulation. Psychological and Physical Control. Violence. Emotional Distress. Character/s: King Callixto x Servant!Reader Note/s: A commission for @violetvase. I hope you enjoy this one!

From this series: Silent Servitude [pt. 1] | The Lion's Shadow [pt. 3]

Tip Jar | Commissions

Your mother has always been your biggest supporter.

She never once stifled your dreams, no matter how small or ambitious they were. When you insisted on selling flowers in the town square on behalf of the old florist to earn your own keep, she worried, but she did not stop you. Your parents feared for your safety, but your older siblings watched over you, making sure no harm would come your way.

It lasted for months—until children your age began disappearing, vanishing one after another without a trace.

Your siblings stopped letting you leave the house after that. The warm sun, the scent of fresh bread in the marketplace, the laughter of the townsfolk—it all became distant, mere memories behind locked doors. You were forced to watch the world from behind wooden shutters, longing for the life you had barely begun to taste.

Years passed before they finally deemed it safe enough for you to step outside again. And when you did, you threw yourself into rebuilding.

With what little savings you had, you opened a food stall in the marketplace, selling treats that made both children and adults smile. Your business thrived. Customers returned with praises, telling you how much they enjoyed your cooking. It gave you a sense of purpose, a taste of the independence you had long craved.

Then, one night, your stall was stolen

Not just stolen—destroyed. Burned to ashes near the town's tavern.

No one saw anything. No one heard anything. No one even smelled the smoke.

The loss devastated you, snuffing out the fragile hope you had so desperately clung to. When you fell deeper into despair, your mother was the one who lifted you back up. She taught you the skills she had learned from years of working in the palace—how to clean, how to serve, how to navigate the world of nobility without drawing attention to yourself. You listened. You learned. And when she deemed you ready, you followed in her footsteps.

You had thought you were stepping toward a new beginning.

Instead, you walked straight into a gilded cage.

A warm calloused hand rubs slow circles over your bare stomach. Your body is sore, ruined, yet the touch is deceptively gentle—reverent even.

Callixto.

The King.

The man who had stolen you, body and soul, and refused to let go.

His breath is hot against your neck as he presses his lips there, inhaling you like a man intoxicated. He traces his fingers up your stomach, over your ribs, cupping your breast with possessive ease. You squeeze your eyes shut, bile rising in your throat as last night's memories resurface—the way he held you down, the way he filled you over and over until you were too weak to fight him.

“You're perfect,” he murmurs, rolling his hips against your back. “You'll be a wonderful mother to our children. The mother of my heirs… My queen.”

No.

Your breath shudders as you push weakly at his arm, but you might as well be trying to move stone. Your body betrays you—limp exhausted, drained of all strength.

How long has it been?

Days? Weeks?

You can't tell. The chamber windows are tinted, making it impossible to see the sun or the moon. And Callixto… Callixto never leaves your side for long. He lingers, watching you, touching you, whispering sweet, poisonous words into your ear.

The chambermaid is no help, either.

She either glares at you with thinly veiled disdain or ignores you completely, doing only what is required of her. You don't know why she hates you, but it doesn't matter. She's your warden all the same.

There's no one here for you. No mother, no siblings. No bustling marketplace or warm, flickering hearth waiting for you at home.

There's only this prison.

And him.

“Your Majesty,” the chambermaid's voice cuts through the heavy silence. “Lord Soleil awaits you at the gates.”

Callixto tenses, as if irritated by the reminder that the outside world still exists beyond these walls. His fingers dig into your hip as he thrusts forward once more, a sharp, punishing movement that sends a fresh wave of nausea rolling through you.

He finishes deep inside you, groaning against your skin. For a moment, he stays there, reveling in the feeling. Then, with agonizing care, he pulls out—only to press his fingers back inside, pushing his seed deeper.

A shiver wracks your body.

“I suppose I've stolen enough time for myself,” he murmurs, brushing damp hair away from your face.

You force yourself not to flinch.

Callixto cups your chin, tilting your face towards his. His golden eyes burn with something twisted, something sickeningly sweet. Then, he kisses you. A deep, lingering kiss that suffocates you more than any chain ever could.

“Stay here and be good,” he orders, his lips still brushing yours. “Let the chambermaid take care of you until I return.”

As if you have a choice.

As if you ever had a choice.

And when the doors finally close behind him, your body sags into the mattress, silent tears slipping down your cheeks. 

Not just for yourself.

But for the family you may never see again.

For the freedom that may never return.

And for the life that is no longer your own.

The towering walls of the chateau couldn't keep the rumors from reaching you. They were the only thing that kept you sane while you waited for him to return.

You heard whispers about a grand ball the Prime Minister held a few nights ago. It should've been a night of celebration, but instead, it ended in scandal. His wife, a noble woman and the daughter of a count, was caught in bed with a mere footman—nothing more than a commoner.

Lord Soleil, the Prime Minister, himself had walked in on them. The punishment was swift.

The footman was cast out with nothing, and the Prime Minister cut all ties with his wife and her family, erasing them from his life as if they had never existed.

A cruel fate. 

And yet you wondered…

Was it any crueler than yours?

“Perhaps this is why Lord Soleil was so determined to keep His Majesty away from the chateau—away from me. Not just to protect the royal bloodline, but to stop him from making the same mistake his wife did.” You sighed, your breath barely disturbing the still air.

“I can't even blame him. If I were in his position, I wouldn't want a common-born woman anywhere near the throne either. And yet, here I am—trapped in these gilded walls, reduced to nothing more than a vessel, waiting for the day my body finally serves its purpose.”

You leaned against the cool stone wall near the tinted windows, listening to the little birds outside as they carried rumors flitting between the flower beds. Their chatter was a fleeting distraction, a fragile moment of stolen peace—until it was shattered by the sound of heavy boots echoing through the halls.

The doors flew open, and there he stood. The King. Furious.

He called out your name—sharp, urgent, unrelenting—his voice slicing through the chateau hollow corridors like a blade. You didn't move. You barely even breathed. Instead, you pressed yourself against the cold stone wall, your fingers curling into your dress as his footsteps thundered across the marble floors.

He ran upstairs, frantic, taking the steps two at a time. He hadn't even noticed you standing near the windows, so close yet unseen. But you knew it wouldn't last. He always found you in the end.

Outside, the world had fallen eerily silent. The chattering birds had already fled the vicinity, as if sensing the storm brewing within these walls—taking their half-spun whispers with them. The rumor of the king's impending nuptials to a high-ranking noble still lingered in the air, unspoken yet suffocating.

And soon, he would come back down. And this time, he would see you.

Your name tore from his lips again—a furious, desperate plea. Before you could react, his hands found you, his grip ironclad around your arms.

“Where have you been?” His voice was raw, unsteady. His fingers dug in. “Didn't you hear me calling for you?”

“Y-Your Majesty…”

He shook his head. “No—my name.”

Bloodshot, unfocused eyes bore into you. Something was wrong. His gaze sent a slow, creeping dread up your spine.

“Say it.”

“C-Callixto…”

A slow nod. Then, his arms crushed you against him. “You're mine,” he murmured against your hair, his breath searing against your skin. “Forever mine. And I will be forever yours.”

The walls seemed to shrink around you.

“Callixto… Your Majesty… I can't breathe—” you rasped, struggling against his suffocating embrace. 

He didn't let go.

“Please…”

A beat of silence. Then, at last, he loosened his grip—but only slightly.

“Apologies, my queen,” he murmured, lifting your trembling hand to his lips.

Your pulse pounded in your ears. You had to calm him. You had to survive this.

You recalled your mother's old ways—how she soothed your father's anger, how she tamed your brothers’ tempers. Slowly, carefully, you reached for his cheek, brushing your fingers against his skin.

“Tell me your worries…”

“The royal court has been trying to push this woman onto me for as long as I can remember—something about securing the heir to the throne’s bloodline. The nerve of those fools,” he muttered, absently running his fingers through your hair as you lay atop him.

“If I wanted to, I could trace your family's lineage—alter it if necessary— and keep them out of our way.”

Listening to his monologue as you drift in and out of consciousness feels more exhausting than it should. You know you should try to persuade him to accept the will of his people, to yield to their demands—but deep down, you wonder if it would be easier if someone else had his full attention instead. If only he'd let you go.

“Perhaps we should secure an heir to the throne first… then we can look into your lineage…” he whispered, thrusting into you once more. His seed spilled from you as his movements grew more intense with every passing second.

Since then, it had become his ritual to fill you to the brim, keeping you in place—stuffed, trembling, and utterly his— until he was satisfied. Only then would he leave to rule his kingdom, but never without ensuring you remained exactly as he left you, his claim unmistakable. He controlled everything—the meals you ate, the tonics you drank—all carefully chosen to prepare your body for the sole purpose of carrying his heir.

You were his, and soon, you would bear proof of it.

It didn't take long for the signs to show.

The nausea. The exhaustion. The unbearable weight in your lower belly that told you something had taken root inside you.

And yet, luck has not abandoned you entirely.

Your chambermaid—a woman whose disdain for you was only rivaled by her loyalty to the royal court—had noticed. She must have. But instead of betraying your condition, she pressed a cold cloth to your forehead and muttered, “A commoner’s flu. Nothing more.”

A lie. A calculated one.

The King believed her.

But belief was fragile in a mind like his. It splintered easily.

His golden eyes flicked between the chambermaid and the royal physician, narrowed and gleaming, hungry for an answer that neither of them dared to give.

“Her color is pale,” Callixto murmured, pacing your chambers. His fingers twitched—fidgeting, trembling, curling into claws before stretching straight again. “She barely eats, barely moves. And yet you say it is nothing?”

The physician bowed his head. “It is a seasonal illness, Your Majesty. A touch of fever, some exhaustion—nothing that cannot be cured with rest.”

Callixto laughed—a dry, humorless sound. His nails dug into his palms, leaving little crescent moons of pain.

“Rest,” he echoed. His voice was a whisper of rage, of something darker crawling beneath his skin. “You think I have not noticed? She wilts before my very eyes, and you tell me to wait?”

The chambermaid stepped forward then, expression schooled into reluctant sympathy. “Your Majesty, she is weak. He kind does not fare well in the colder months. It is not surprising.”

Callixto stilled. His breathing slowed, deliberate, controlled—but his eyes never left her face.

“Weak?” The word came soft, almost thoughtful. “Is that what you believed?”

The chambermaid hesitated.

Something in the air shifted.

A warning.

Callixto's lips twitched—not in a smile, no. In something sharper. Something that showed his teeth.

“Fine,” he murmured. “If she must rest, then she will do so under your watchful eye. I want no one else near her.”

“As you wish, Your Majesty.”

But as the King turned away, the chambermaid gaze flicked down—her fingers twitching at the pouch hidden beneath her apron. The weight of the promised coin.

The chateau felt emptier than ever one evening. The halls echoed with the distant clatter of preparations from the palace—the banquet, the foreign dignitaries, the noble guests.

A distraction.

And when the chambermaid entered your chambers, her usual sneer was absent. Instead, she carried a bundle of clothing.

“You need to leave tonight.”

Your stomach twisted. “Why?”

“Because I tire of wiping your sweat.” She threw the bundle onto your bed. “Because I want you gone.”

You swallowed hard. “And that's all?”

The chambermaid exhaled sharply. Something in her posture—something tired and worn—hinted at an answer she would never give.

“The palace gates will be open for the banquet. No one will be watching the chateau. Take the back corridors, follow the outer gardens. You are not important enough to be noticed.”

“What do you gain from this?”

A smirk tugged at her lips. “What I was promised.”

You should've asked by whom. But you didn't.

The scream shattered the night.

“WHERE IS SHE?”

The chambermaid barely had time to compose herself before the doors to your chambers slammed open, cracking wood against stone.

Callixto stood in the doorway, his chest rising and falling with each uneven breath. His pupils had swallowed the gold of his irises, leaving only thin rings of amber around black pits. His fingers curled at his sides, nails digging into his own skin, but he did not seem to notice the blood welling beneath them.

His gaze snapped to the bed. Empty.

Something inside him snapped with it.

“Where is she?” he repeated, stepping forward, his voice no longer a demand but a plea.

The chambermaid bowed, but her voice was steady. “Resting, Your Majesty. The fever worsened—”

“Liar.”

The word cut through the room like a blade. The chambermaid flinched.

Callixto's hands trembled. “She would not leave her bed unless someone forced her to,” he whispered. His tongue darted out, wetting his dry lips. “Unless someone… took her from me.”

He turned, suddenly—too suddenly—and grabbed the chambermaid’s wrist.

“You would not betray me, would you?”

The chambermaid swallowed.

“Of course not, Your Majesty.”

His grip tightened. Bones creaked.

“No, of course not,” he echoed, smiling now—serpentine, sharp. His head tilted. “Because if you had…” he leaned closer, his breath warm against her ear. “I would tear this palace apart. Brick by brick. And when I found her—oh, when I found her—”

He released her.

“Find her,” he murmured. “Or I will find you instead.”

The chambermaid bowed, stepping backward toward the door. “As you command.”

But she didn't turn fast enough to see his lips curl into something… inhuman.

He turned back to the empty bed, trailing a hand over the sheets as if he could still feel you there. His fingers ghosted over where your head had once rested, then curled into the pillow, dragging it close. He inhaled—deeply, desperately—like a starving man before a feast.

His eyes fluttered shut.

“Oh, my love,” he whispered to no one. “You can run, but you cannot hide.”

The night air was crip—freezing against your cheeks, but blissfully free.

You ran. Through the outer gardens, past the dim lanterns, past the drunken guards too enamored with wine and revelry to notice a shadow slipping past them.

You ran until the scent of the palace faded into the trees. 

Home. You had to go home.

But when you reached the village outskirts, you stopped.

Guards. Stationed outside your family's home.

You shrank into the shadows, heart hammering against your ribs. From where you hid, you could see the single candle in the window—dim, unmoving.

Not flickering.

Not alive.

A silent warning: Do not return.

Tears burned your eyes, but you forced yourself to turn away.

Not toward another village. Not toward a stranger's mercy.

But deeper into the forest.

Through the twisting paths only you knew, past the moss-covered stones and the brook where you once dipped your toes in summer. Past the memories. Past the ghosts.

And there, hidden beneath the tangle of overgrown branches, the shack still stood.

You and your siblings built it once—when you were small, when the world was gentler. A childish hideaway, pieced together from stolen nails and planks too weathered to be missed. A place of whispered secrets and stolen sweets, of giggling beneath a roof that bare kept the rain out.

It was nothing.

But it was enough.

You pushed the warped door open and stepped inside, the scent of damp wood wrapping around you like an old embrace. The cold bit at your skin, but you knew how to survive here. You always had.

With shaking hands, you pressed your back against the wall and slid to the floor.

Outside, the trees whispered.

Somewhere beyond them, the King was hunting.

But you would not be an easy prey.

Not here. Not yet.

—

tbc.

noirscript © 2025

All rights reserved.

—

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[remlionheart]

MDNI. aged up characters. ✩࿐࿔

ᶻ 𝗓 𐰁₊˚⋆

you're half-asleep, snuggled into the safety of megumi's comforter as the weight of the day slowly starts to disappear, your worries and stress lost to the feeling of his touch. it's rare that sleep takes you this easily, but tonight, it's holding your hand so tightly you can't stop your body from softly twitching against his as your mind slips further into its dreamy abyss.

a small smile cuts across his face when he notices the way you ease into him. his fingers are featherlight, drifting along your skin with all the delicacy in the world as they create hazy patterns across your collarbone and along the back of your neck, his nails just barely grazing your scalp the higher up he goes. he's warm, he's always so warm and perfect when he's holding you like this, making the rest of the outside world melt away with his presence alone.

your thoughts are scattered, comfortable but blurred by how relaxed your body is when you feel his breath start to fan across the nape of your neck, his hand carefully sliding between your thighs as he presses the sleepiest kisses into the side of your neck. you shift again, your eyes struggling to stay shut as he lulls dizzy little nothings into your neck, "relax, okay? just let me take care of you."

you give him a small nod, letting yourself settle into his touch, the palm of his hand firm but gentle as he coaxes your legs apart. "i know you had a long day." he whispers, electricity suddenly flickering across your skin as his fingers tentatively spread you.

his voice feels like silk, low and entrancing with the way it wraps around you so effortlessly. "i want you to let all of that go and focus on me–," your back arches as he continues to leave light kisses scattered across the top of your shoulder, his words only pulling you further and further into his orbit. "focus on your breathing. focus on my touch. focus on this, the way this feels–"

you can't help the heady noise that escapes you when his fingers dip into you, instantly finding that spot that you can never quite reach yourself.

"right there, yeah?" you can hear the faint smile in his voice as he presses into it again with adoring precision. "it's always right there, isn't it?"

you don't have to say anything for him to know the answer, your walls clenching around him gives him all the confirmation he needs. there's never been anyone else who's known you this entirely– who's known exactly how and where to touch you the way that he does. it's almost overwhelming sometimes, how much pride he takes in making you feel this good.

"you make the prettiest noises, y'know that?" his praises only draw more of them out of you, his thumb drawing blissful circles around your clit as his fingers continue on with the same tantalizing pace. pumping in and out of you in a way that makes the edges of your vision start to blur.

"there it is." he groans, his teeth just barely sinking into your neck. "doin' so good for me, keep going."

"m– megumi," you whimper, your body grinding against his as he holds you steady.

"i know, baby." he soothes, "i know. you don't have to say it, just let me feel it okay?"

your breath catches in your throat, your thighs suddenly locking his hand in place as little tremors begin to ripple through them. your walls comply with his command, squeezing his fingers so snug that you're not even sure how he manages to keep his rhythm, but he never breaks it.

his voice is the only thing keeping you tethered to the room, the rest of your mind succumbing to the hazy bliss he's lead you to as your core begins to desperately unravel around him.

"such a perfect girl, cummin' all over me like this. how'd i get so lucky, huh?" his freehand finds the side of your face, turning your head towards his as he hovers above over you.

your lips meet his eagerly, your tongue swirling against his with fervor as he holds you, continuing to spill out pretty little reassurances in between breaths. your hands wrap around the collar of his shirt, pulling him in as close as you can while he helps you ride out the last few waves of your orgasm.

there are stars in your eyes by the time he finally pulls out, your chest heaving as your surroundings slowly come back into view. none of it matters though– not the day you had or the rest of what exists outside of the room. the only thing that matters is the way he smiles as he kisses you, the tender warmth of his hand under your chin. the way his midnight gaze lights up in even in a dimly lit space just from looking at you.

the only thing that matters, is him.

"you know i think you've got it wrong," you whisper, "i'm the lucky one."

ᶻ 𝗓 𐰁₊˚⋆

[shiny-jr]

damnation (peek VII?)

Warning: Yes, this is a yandere thing. Gender-neutral reader.

Characters: Sebek Zigvolt, Silver, Lilia Vanrouge, Malleus Draconia.

Summary: When you commit a crime, you receive a punishment. This is especially true in your society. No matter the crime, your punishment is the same: banishment. But to where you will be sent in exile and how miserable will it be? No one knows, because no one has ever returned.

Note: This is for y'all that supported me throughout the latest situation. NEVER EVER let it be said that I don't cherish my readers. Remember, this is NOT the full damnation Diasomnia chapter, just a fourth of it. A peek. Keep that in mind. Things are subject to change or rewrite. May not be completed in time for the milestone, but I wanted to give y'all this anyways. I sincerely hope you enjoy this slice.

I . . . II . . . III . . . IV . . . V . . . VI . . . VII

THE MASTER OF ALL EVIL

A mask. There was a mask of cold black metal settled on the upper half of your face. It was cold, smooth against your cheeks. This was new. It wasn’t some sort of blindfold, as you could see perfectly and last you heard, they never blinded their prisoners. Concealing an evil-doer’s vision during their banishment was considered a small mercy, something they wouldn’t do, and the judges wanted each sinner to see the fate that awaited them. 

A supposedly horrid fate, but what sort of cruel end required you to wear a plate of armor and a warm cloak? Over your chest, your hand traced the curves and swirls on a metallic chest plate, reaching the black fabric over your shoulders and extending down your back. Removing the mask over your face and turning it in your hands to examine it, the empty eye holes of a feathered fiend stared back at you. The accessory resembled a bird, dark feathers carefully forged into the mask as the end curved into a sharpened beak. It was slightly unsettling, somewhat resembling the type of mask a plague doctor would don during the middle ages in times of peril. 

On the ground, just past the mask you were staring down at, were shreds of paper which caught your attention. It looked as if something or someone had torn a sheet to shreds and disregarded them in the middle of this dark and dreary hallway. Upon kneeling down to pick up a few pieces, your eyebrows furrowed as you attempted to piece them back together like a puzzle. 

Piece after piece, you managed to somewhat make out the painted image despite the face of a crowned figure being burnt black beyond recognition, but the rest of the image could somewhat be salvaged at least enough to draw a conclusion. A taller faceless crowned figure in garbs, beside a queen, holding a bundled baby in their arms that had been torn straight through. Below, on the aged paper was written text reading: Announcing the birth of the princess. A holiday is to be proclaimed throughout the entire kingdom in honor of the princess. 

Why did this all seem so awfully familiar? 

Slowly standing, you jumped upon hearing the rumbling start of thunder. Outside, past the window, dark storm clouds gathered in a hurry above a dense forest and towering wall of thorns. Thorns! Thorns so tall that even from afar, they looked as big as a house! 

“Oh… my god.” You whisper in slight horror. 

The royal family and birth of a princess, a deep dark forest, a deadly wall of thorns–– these were all part of a story. These were points of a fictional story, and yet you were here. Here, somewhere, in a corridor where the walls were dark stone bricks and a long carpet ran along the floor. How did you play into this? The bird-like mask still in your hands and staring back at you, appeared to answer that. The only bird in the story was a black-feathered one, which served as the villain’s little pet.

This couldn’t be real, could it? Why was this your punishment, of all things? How did the story go again? 

A king and queen had a child, a princess, whose birth was celebrated throughout the entire kingdom. A glittering assemblage of folk from all walks of life, foreign and local, rich and poor, from royalty, nobility, gentry, and even the rabble, were invited to pay homage and revel in the festivities. However, the procession was disrupted by the arrival of an uninvited guest, the Mistress of All Evil, a malevolent fairy, which brought a curse upon the infant princess. A curse which promised death upon the princess. The princess goes into hiding with three good fairies for years, until the curse can pass, but eventually the malevolent fairy does capture both the princess and her betrothed prince. The princess falls into a death-like sleep, and the prince escapes to rescue her. In the process, the antagonist’s avian companion is turned to stone while the malevolent fairy turns into a dragon to face off against the hero in a grand battle, only to be defeated by a holy sword through the heart! 

It caused you to freeze, gulping as you imagined such an end. Stone… You were to be turned to stone! Would that mean instant death, or were to become a prisoner forced to be still and silent until the very end of time or at least until your stone body crumbled to dust? 

A pair of wooden doors flew open, the sudden sound as it slammed against the wall caused you to scream. That, and the appearance of an odd stranger in armor, was enough to make you believe that your end was now and sooner than expected. 

“YOU!” His booming voice nearly ruptured your eardrums as he pointed an accusatory finger. Directing a rather sharp nail, almost as equally sharp as his two front canine teeth which you caught sight of but sharper was the sword sheathed at his hip.

“Me???” You looked at the intimidating stranger, baffled and uneasy. 

The man clad in armor was certainly not a shining knight of goodness or a pure princess blessed by fairies. It became apparent by his pointed nails, sharp teeth, and unnaturally thin pupils that he wasn’t human. What sort of human had slicked back natural mint green hair? 

“Yes, you!! Do not be so dense, human! Who else do you see in this hall?” He stomped up to you, frowning deeply, almost snarling. As he got closer, you realized he was very tall and built like a soldier. At his hip, opposite to his blade, was a mask of dark metal, resembling yours. However, his mask was crafted to resemble a crocodile. “Do not think yourself superior for even a second! You are only valued for the intel you can provide, nothing more, nothing less. Here you are, milling about uselessly while the rest of us search tirelessly for the girl! I shouldn’t have expected anything less from a mortal!” 

Squinting a bit at him, it took a solid second for all those words he spoke to be processed in your mind. Another round of thunder rumbled outside, sounding closer than before. “But… I am stupid?” You smiled a bit awkwardly, watching how the stranger’s face fell with each following word. “Sorry, who are you? I think you have the––” He has the wrong person. Before you could complete that thought, thunder seemed to shake the very walls as its booming clap reverberated throughout the air. 

It was loud, loud enough to startle both yourself and the uncouth bright-eyed one. 

“Have you no decency? You cannot even recall your colleague’s name! It’s Sebek! Sebek! We spoke months ago before departing for the most recent search!” He replied, frustrated that you didn’t remember his name, despite not even meeting before. Was he mistaking you for someone? It’s as if you had been thrust into some sort of role, maybe that’s why he didn’t take you for an intruder. 

“Okay, okay, Sebek. Got it. You don’t need to say it a third time. Please, spare my poor ears.” Raising an eyebrow, you nearly flinched every time he spoke. It’s like he had a megaphone built into his voice box, because he talked in what sounded like shouts. “Also, why are you yelling? I can hear you perfectly fine, you don’t have to be so loud.” 

“Why am I…?” The weirdo, apparently called Sebek, parroted in disbelief as he ran a hand through his mint green hair. His fingers gripping his head, fingers tangled through his own locks. “Why are you still here?! General Vanrouge has requested I look for you because you were absent for an assembly called by the Master! Deliberately missing special councils called by him is deplorable on every level!” Reaching forward, he suddenly caught your arm in an iron grip as he practically dragged you through a maze of corridors until they approached the source of a commotion. 

Better to allow this Sebek character to escort you than refusing and risking him having an aneurysm, you figured. Something in your gut told you to go with it, and don’t immediately bring up the fact that you weren’t who they thought you were, especially now that you had arrived in a room chock full of armed soldiers dressed in a manner similar to Sebek. 

However, all these people had two striking features, slitted pupils and pointed ears. Pointed ears. Definitely not human. Yes, you were stupid, but not stupid enough to expose yourself when you were outnumbered a hundred-to-one. 

“What’s all this––?”

Before you could completely round the corner, you nearly fell back into Sebek as a cloaked figure appeared out of the shadows. They hung from the ceiling, their face in front of yours. A terrifying individual, with thin locks of pitch black and blood red, and a face of a terrifying gnarling beast. “Boo!” 

Wide-eyed, you stared at the figure as you leaned back into Sebek’s arms who didn’t seem as surprised as you. Was this a companion of his? The matching cloak, the similar armor, and… that face of the hanging stranger was metal. A mask. A mask that looked like some horrifying monstrous bat.

Placing a hand on your heart, you closed your eyes and fell back dramatically, playing the part. Your legs went limp, the only thing preventing your form from hitting the cold hard floor was the pair of strong arms holding you up from behind. 

A snicker was the only applause for your small performance, as Sebek jostled you from your act. For some particular reason, Sebek was impatient as he forced you to your feet, but he didn’t dare raise his voice at this surprisingly short figure that somehow floated down from the ceiling like a feather drifting to the ground. 

“This is an entirely serious matter! Lilia–– General, please.” Sebek pleaded, keeping you stuck in place by gripping your shoulders to keep you facing the General. What did Sebek call him earlier? Vanrouge? This was him? 

This Vanrouge character was on the petite side, he hardly looked like a general with his undersized stature and thin limbs. Yet his armor fit him just fine, and on his belt was a great big cleaver that sparkled like jade. Definitely not about to cross him when he had that on his person. 

Cleaver aside, it was really difficult to fear him when he removed his terrifying mask. While yes, his features were far less human than Sebek’s, he was somewhat adorable. When he laughed, you noticed small sharpened fangs while his big crimson red eyes and slitted pupils shined with mirth. Even one of his pale pointed ears appeared to twitch. “I know, I know, but can’t I enjoy one moment of laughter before everything goes to rack and ruin?” 

There was no need to even ask what exactly he meant by that, because again, there was that thundering rumble that shook the very palace walls. It sounded even closer this time, like it was in just the next room over! 

Vanrouge, or rather, Lilia, appeared a bit anxious, jittery as he brushed off his nerves with a quieter laugh. His own hands had gripped your shoulders as Sebek took a step back. “See, this is why you are one of my favorite humans! Mortals are so easygoing and you get my humor.” 

“Thank you? And you’re my favorite…” You paused. What even was he? What were they? In some renditions, there were fairies, but sometimes the creature that was the malevolent fairy and her goons were left a mystery. In one story the malevolent fairy had an army of creatures with animalistic features. Is that what they were supposed to be? It would explain the masks. What if you were wrong? “You’re my favorite little guy.” 

Sebek looked down at you incredulously as if you had insulted his own mother, and you realized far too late that you had quite literally called a General a little guy. However, instead of bringing his cleaver down upon you and splitting you in half or destroying you with some type of wild fantastical twinkly fairy magic, this General only giggled. He giggled, which made you grin like a fool. You had done something right, apparently! 

Deciding against saying the first thought that came to mind, Sebek instead blurted out, “This is the only human you actually talk to! They are the only one among us fae!” 

So that’s what they were. Fae. “Details, details. It still counts.” Lilia dismissed, leading you closer to the very end of the hall where it opened up to a space with more soldiers like him and Sebek. Faes. In a huge spacious room, gathered, listing reports on the results of their scouting missions. Missions likely with the goal of finding the princess. Once there, he placed an arm around your shoulder. Here, his voice was quieter to avoid being heard by the masses. “Come, we know the Master will be in need of some good news right about now, whether you can deliver it or fetch it. It will quell his… irritability. And it may take a human to catch a human. We cannot fully comprehend how your minds work, but perhaps you can understand a fellow mortal’s and finally make this search a success. Go now, courier.” 

Lilia had pushed you out in the open just as the last of the soldiers were wrapping up their report of failed searches. Your dark garbs and metal crow mask had allowed you to blend right in, but it felt like you were a rabbit in a den of ravenous wolves. No one stared at you, because they were far too transfixed on a towering figure not too far from where the General had pushed you. 

As soon as the figure entered your line of vision, you too became just as transfixed as everyone else. Master. This was their master, which could only be the malevolent fairy, fae, in this case. It should have never been possible for someone to have both the facets of a devil but the magnificence of an angel, but he did. Horns as black as night curved atop his head and inky black scales bordered the bases, making it look like a crown while shadows appeared to blend into his robes like fabric weaved of pure darkness devoid of any light. The only light that escaped him came from his eyes, like the common slitted pupils in this crowd yet his eyes glowed an enchanting green like no other. 

It was like a moth to a flame, destined to burn, but you found yourself drawing near behind his dark throne anyways. 

“It’s inconceivable!” He hissed, loud enough so that the entirety of the gathered could hear his voice echo in the space around them. The thunder outside seemed to crack with his every word. The fae, his loyal denizens, shirked back instinctively yet they continued to awe at the malevolent one. “Twenty years, and not a trace of the princess. How is it that this one human, a mortal, has miraculously escaped the vigilant watchful eyes of every one of my most diligent knights and soldiers who have searched all but endlessly, high and low, for two decades? Hm?” 

You kept glued to the wall, the uneven bricks against your back as you attempted to make yourself as small as possible. What were you supposed to do? What could a mortal do against him, the same fae that has the ability to transform into a dragon of immeasurable strength? This fae was the one who would eventually drag you down with him. 

“Humans are numerous, and they are a tricky sort, Your Majesty.” Lilia appeared at the forefront of the throng. Despite the obvious vexation of the horned-one, he continued merrily with an encouraging smile, despite the apprehension of his armored colleagues. “We can’t exactly venture into towns too long without the risk of being discovered or the presence of that pesky iron weakening us. But we make do, and during nights we’ve checked every strip of land from the moors’ borders, to the villages and towns, even the highest mountains. Haven’t we, boys?” 

A murmur of agreement washed over the crowd. For twenty years they had tirelessly searched, and they had no princess to show for their efforts. It wasn’t that the princess disappeared into thin air, this much you could remember. There was a reason they couldn’t find the princess as she dwelled in a cottage deep within the woods with her caretakers, the three good fairies, acting as poor mortal women. What was that reason again…? 

One hand shot up from the crowd, a voice louder than the rest, the familiar voice of Sebek. “Yes, Master Malleus we did! And we will gladly continue our search, comb through every region once more, and check every cradle again all for you to extract your revenge upon the despicable humans and their wicked king!” 

“Cradles…?” The dark fae, apparently named Malleus, directed his widening eyes towards them. His grip tightened on his long twisted wooden staff. You were given the answer as to why they never found the princess within the first years. The faes had forgotten that mortals aged, so the princess they were looking for was no longer a baby in a cradle. 

“Oh no.” Sensing the impending danger, you took cover behind the throne. From behind the throne you peeked out, using the royal seat as a shield. When the towering fae’s green-eyed gaze landed on you by a glance, you stilled like a frozen statue. The hair on the back of your neck raised as your gaze met his. Seeing his eyes become temporarily focused on you, feeling his unholy presence, sensing the incoming disaster he would wrought–– everything about this man, if he even was a man, made alarm bells ring on your head. 

Suddenly, a smile graced his features. It was the sort that masked his frustration simmering beneath the surface. He was close, close enough to reach a hand forward slowly so his fingertips grazed the underside of your chin. Lips curled upward into a menacing grin, but it wasn’t the crazed sort. He was scarily calm as he peered down at you. “Did you hear that, my courier?” 

There were over a hundred pairs of eyes on you at the moment. Watching intently as you leaned back a bit, a chill traveling up your spine as his sharp black nails traced your flesh. You’re sure you were beaming like a simpleton, whether out of instinct or out of some sort of response to your current nerves. Certainly this was how the sailors felt in times of old when confronted by enchanting sirens that lured them to certain doom in watery graves. What were the don’ts regarding fairies and faes of myths? Don’t give your name, don’t lie, and don’t enter the obvious fae traps designed to ensnare curious humans. This must’ve been some sort of fae trap, it had to when he had a face like that. 

Was Malleus addressing you directly because you were the only human in the room? “Yes… Loud and clear.” One corner of your mouth twitched into an awkward smile in return, but you found yourself unable to remove your eyes from his. A brief and quiet chuckle left your lips, “It’s… kinda funny.” 

“Isn’t it?” When he removed his fingers from your chin, you nearly tumbled forward, but you managed to successfully catch yourself before you could crash into him. The fae turned around, beginning to chuckle in his deep voice, a sound which echoed in the tense silence of the packed throne room. “For all these years I have been waiting, and they have been looking for a baby.” 

The General, Lilia, was perhaps the first to realize something was amiss when the Master of All Evil began to laugh. Vanrouge seemed like the type to enjoy a laugh, but this wasn’t just a moment to crow about their recent failings. A moment of clarity dawned on him while his colleagues unsurely joined in on the commotion. Your gaze met his and you frantically shook your head as Sebek rapidly clasped his hands over his mouth in shock and regret upon realizing their mistake and his blunder. You tried to signal them to flee while you yourself retreated further back behind the throne for cover. 

It was just in the nick of time too, as the air began to fizzle with static electricity, growing with every passing second as his laugh became less humorous and more diabolical. There was the same lightning from before but instead of being outside, it sounded as if it was inside these very walls. Crashing and striking every second, one, two, three, four, five, shaking the castle. You felt your eardrums vibrate as you continued to brace yourself behind the throne until it stopped. This was your first true taste of utter terror and helplessness. 

Here you were for a reason, to die, either by stone or before, whether it be by the clubs of the fae soldiers, at the sharp end of a holy sword, or between the maws of the Master of All Evil. It felt like an eternity, but it was likely under a minute, when the destruction ended. Trembling slightly, you peeked out to survey the damage. 

It was a harsh reminder of your current plight. There were no bodies laying motionless, as everyone either had the means to defend themselves or Malleus simply wasn’t aiming for any of them in his burst of anger. The throne room had been largely evacuated thanks to General Lilia and Sebek. Only shields and the occasional weapon were left behind in the hurry to avoid being struck by his wrath, dark spots were ingrained where the lightning struck the ground, a few stones tumbled loose from any walls that were hit as collateral damage. 

If you somehow survived this, it would be no less than a miracle.

[lustlovehart]

Hi hi hi I love your blog I love how you coordinate the characters you like it makes it way easy to see if we have any similar faves! For twst do you have any Yan!Rollo thoughts to spare? Any crumbs at all? 🎤

I'm happy the setup for my character list actually worked! I'm willing to write for a lot of characters, but I do have preferences (not to say I hate writing for characters that aren't my favs, sometimes you js get a spark of inspo and NEED to write) so I wanted people to easily know who I enjoyed to write/draw for more!

Warnings: [Yandere], Obsession, Idealization, Delusions, Kisses, He's a freak (Literally)

Yandere Rollo who's the type to not bask in your glory, but rather simply, linger, in it. Oh, but don't be fooled, if he had the opportunity to he would swallow you and your entirety like fine wine.

But he doesn't, because despite his wicked need to be your one and only, he knows the only way you'll ever be his, is to trap all your affections in a bottle and keep it close to his heart.

This doesn't mean he can't find someway to bypass his own rules. It may be a misdemeanor in his morals, but he isn't truly hurting you.

Rollo, who is the type to try and be realistic with his affections, yet a deeper part of him pushes past all rational thought and imagines you as his light. An even more suppressed part of him wishes for himself to be your light.

"Do you really only eat grapes and croissants? I'm not sure if that's a very nutritional meal..." Rollo's tired eyes glance up from his plate at you, poor table manners having you lean on the surface as you stab at a piece of cake.

"You speak like that and eat different variations of dessert at least once a week." his expression doesn't change, but his point of focus does, trained at the piece of frosting on the corner of your lip.

"Well i'm sorry for not wanting to eat the same thing over and over again." You point down at his plate, 14 grapes and half a croissant left on the dish. He's ready to say something, but then a hint of defiance glints in your eyes, your hand quickly taking the croissant from him. "Well, you can get something else or trek back to town for another one." You place the pastry on your lips, opening your mouth to engulf the rest of the bread, but before you have the chance to eat any of it, you blink at Rollo's face on the other end. With each bite of the other half letting him close in on you. "Rollo-"

In the last consumption, he steals your end from your lips. It has you tense at the proximity, and he's leaning in, and he's coming closer to your lips...

And his hand is quickly turning your chin to allow his thumb to swipe the piece of frosting away. You stare at him wide-eyed at the act, questioning what just occurred. But before you can ask him what the hell that was about, he leaves.

Because he knows, he would tell you if you ask.

Rollo who keeps this obsession compressed in public, but the moment he's alone, he smiles to himself, thoughts of you racing through his mind.

Throughout the day, Rollo avoids you lest he jump to his desires. But he will notice the way he sticks out his tongue to lick his lips, savoring you from your half of the croissant. Secretly, he wishes to have left the bread longer in your mouth so more of you would sog its flavor.

He even notices the way he bites his thumb, tongue peaking out to strip clean the flavor of icing. Even after its essence is wiped clean, he continues. He imagines himself indulging in sin. Rather than swiping the frosting he should've cleaned it with his own mouth.

Or maybe even, continued going after the entirety of the bread was gone, taste you rather than a pastry.

Oh, but you might be sweet, too sweet for even him. The thought though, has him clench his fist...

Rollo who keeps a secret journal filled to the brim of you.

Pictures you had taken, items you left in his room when you were sleeping over, even more personals no one other than you should have. It's truly horrific. There's an entire page sprayed with your perfume (That he personally hunted down himself.), that he lays next to him at night to imagine you're there.

There are also words scribbled in neat handwriting, detailing the love he wishes to spill for you.

Rollo who, despite how hard he wishes to keep you far from harm and the outside cruel influence, will wait until your heart is for him.

Because, you are his light, one that must continue to shine in order to light the horrible life he has lived. He will harbor you growth for as long as he can, until the moment your candle burns for him, and you're all his.

Once that happens, he will never have to worry about his delusions, being delusions any longer.

[doodlemcjazzhands]

Hi! My friend is a big fan of your art, and they asked me to ask you for tips on how you draw hair. I'm no artist, so I probably shouldn't be the one to ask these questions, but would you mind sharing a few suggestions? Any pointers about your character designs or your art style would be greatly appreciated. Thanks so much, and hope you're having a good day! <3

Hiya!! I tried to breakdown my approach to drawing hair here, but these are by no means hard and fast rules! Hope this helps :)

1: The Hairline

I usually start with the hairline. I like to break it down into 4 main sections, that I can play around with:

I like to try to line up the temple section with the ridge of the side plane of the head

Try to have the hairline follow the natural flow and planes of the head

There's a gap between the hairline and the ear (often it gets covered up by longer strands of hair, but if you're drawing a short cut or pulled back hair, you'll probably see it)

2: The Silhouette

I like to draw out the silhouette next. Sometimes I'll use the lasso and fill tool, so I don't get wrapped up in extraneous details.

Try focusing on finding an appealing shape for the hair, and how it will frame the face

Consider how thick you want the hair to be and it's texture

(I find this is also a good time to flip the canvas to make sure the weight feels balanced)

Try to avoid having tangents with facial features, if you're drawing bangs or face framing pieces

Keep in mind how outside factors may affect the hair (like if there's a breeze, or if the character is lying down, or if they've tucked a piece behind their ear, ect.)

Try to keep shape variation in mind. A small shape next to a big shape is often more appealing than 2 medium shapes side by side

I also like to play with a lot of straight/curved line variations to make the shapes look interesting

3: Flow & Volumes

(I usually just visualize this step, rather than drawing it out like this)

Basically try breaking down your silhouette into big volumes, and know where the hair pieces coming from and where they're going.

^For example, the hair on top, is brushed froward, with no defined part, so the chunks that we can see start at a cowlick at the back of the head and spiral out from there. The hair on the bottom however starts at the part, shwoops up, and then cascade down in 2 layers.

^Another note: more layers usually means more volume wherever the layers are placed, longer hair pieces will weigh the hair down, meaning less volume.

4: Details

Once I have an idea of what the hair is doing, I draw out the chunks of hair, following the volumes and flow I've mapped out. Sometimes I'll do a little bit of hatching to indicate volume or texture.

I often like to choose 1 or 2 shapes for my clumps, based on the hair texture, and then repeat those shapes throughout:

Vairy the size of your clumps

Beware of overworking it at this stage, sometimes less is more yk? And too much detail near the face can be distracting

Make lines on the silhouette and lines closer to the front thicker (especially if it's overlapping another line)

You don't have to draw every strand. Sometimes I'll break up big clumps with a thinner inner line, but I try not to go overboard with this. You can also indicate strands by adding little cutouts to the silhouette, like this:

5: Rendering

My process for rendering hair is pretty much the same as it is for anything else. Base colour layer>shadow layer>highlight layer.

I like to use the lasso/fill tool here again for shadows, and then soften them up a bit by going over some of the harsh lines with a pencil brush

For shadows, I usually just do a multiply layer with a lowered opacity, clipped to the base colour layer and then use a bright red or purple colour

Highlights and shadows can also be used to indicate more hair clumps that you haven't drawn in

Try to think of the shadows as big graphic shapes, that fall where the light won't hit, and wrap around the forms of the hair

I personally don't like to go crazy on the highlights, but when I do, it's usually for dark hair, since shadows don't show up as well on darker hair

Shiny glossy hair, usually has brighter highlights with harsher edges

Also black hair isn't usually pure black unless it's a stylization thing or the lighting is reeeally dark

Sometimes once I fill in the hair, I'll look at it and go "ew why's it look dumb now?" Sometimes the warp or liquify tool can help with refining the proportions to rectify this and sometimes you just have to cut your loses and redraw stuff :P

Then as a final touch a may add a few stray strands of hair that break off from the main shape

Ok that's all! Hope your friend has fun drawing hair! Have a great day <33

[etherealily]

​🇹​​🇭​​🇪​ ​🇱​​🇮​​🇳​​🇪​ // 𝘢𝘭𝘦𝘹𝘦𝘪 𝘷𝘳𝘰𝘯𝘴𝘬𝘺

Alexei Vronsky + fem!reader.

My other Vronsky fics. If you have the time.

Warnings : Cuss words.

You do NOT have permission to repost and/or translate any of my fics.

'Cross that line for me, sweetheart?'

Desc. : You are not a temptress, but he is tempted.

══════════════════ ⋆🍷⋆ ══════════════════

It was curious, to say the least, how land was divided. The conch next to you was half your property and half the Vronsky estate's property. It had remained that way for ages.

The waves lapped up the sand, like a heart reaching desperately for its other half as you sat watching the entire ordeal.

The Line - one drawn up every morning and marked by tiny flags as placeholders - had always pissed you off. Intrigued you. What would happen if you were to... just a finger? The hem of your dress. Would you immediately be shot at by concealed snipers? Perhaps you'd have to be tried in court.

You had never really noticed much about this Vronsky character before. Another handsome, manipulative bastard. Nothing much.

In turn, he'd also never noticed you. A face. One of many. Beautiful, of course, he was not blind, but never seen as worthy of his efforts. You were not rebellious. You were not adorably innocent. He could not entice you. He could not corrupt you.

In theory, your paths were never to cross. Different lives, same circles.

The key word : theory.

Because there are moments in life when you know that nothing will ever be the same again, when you know that your proverbial pathway is forever skewed and rerouted. These may appear to you embossed in calamities such as loss and grief, or these may be whispered in your ear by silent smiles, lovestruck looks across a ballroom, or the simple offer of champagne.

Or, in the case of you and Alexei Vronsky, all of the above.

And this was one of those torturous, life-altering moments.

"-And that's when I said, it was just a bloody goat !"

Booming, drunken laughter ensued from your left - the other side of the Line. Fuck. Keep drawing, shut up, keep drawing, shut up.

Your pencil made unintelligible sounds as it scratched out a somewhat passable depiction of the moonlit waves. The screams and guffaws grew louder, but the issue was that if you moved, he'd assume you did it because you were on his side. You were not, but it would look highly suspicious if you fled.

No. They'd quietened down. Meaning either they left - highly unlikely - or, they'd noticed you.

"Oi!"

Don't respond, don't respond.

"You! Pretty girl!"

Drunk men are terrifying. How could such kind words be said in a way that made your skin crawl?

"Mate, maybe she's a mute. Or deaf. Or both."

"I know for a fact she's not. She's got quite a mouth on her, as I can remember from last year- HEY! LADY WITH THE SKETCHBOOK!"

And that was Alexei Vronsky. His story with the goat had ended, apparently. Ugh.

You turned. "Uh, hello."

"ARE YOU A MUTE?" his companion yelled.

"Are you daft? She just answered! How could she be mute?"

Drunk men are also idiotic.

"WHY DON'T YOU COME ON OVER HERE, WE'LL GIVE YOU SOMETHING TO DRAW?"

Bellowing laughter followed.

For fuck's sake.

"I'm alright, THANKS!"

"OI, C'MON! WE DON'T BITE!"

From what you'd heard, he does.

"IS IT 'CAUSE OF THAT LINE?"

"Good night, Count Vronsky.", you called back, as you gathered up your things and stood, dusting the sand off your dress.

"HOLD ON! WAIT!"

"Let'r go, mate, c'mon, we've got a party to get back to."

"I WAS JUST BEING NEIGHBOURLY, YOU BITCH!"

FUCKING HELL.

"What did you just call me?!", you yelled, turning. He looked back at you in a swaying, inebriated haze, trying to focus those glaciers he called eyes on yours in the darkness.

"A witch. You've cast a spell on me, bewitched me, so to speak. You're magic."

Ugh. "Whatever."

"Just come over here, or I'll have to come there, and you wouldn't like that.", he slurred, his friends chortling and egging him on.

Buggering Christ.

"You can't. See?", you replied defiantly, pointing deliberately at the faint white outline of the line they renewed every morning with chalk powder. "That would be trespassing."

"I'm Alexei Vronsky."

What was that supposed to mean?

"So? It's still trespassing. My family's had it in for you for a long time - we'll take you to court."

"Then you come here.", he shrugged, taking an unstable stumble closer. "Cross that line for me, sweetheart? Yeah?"

"You're a creep. And you're drunk."

"You're a beauty. And you're technically trespassing, so I need to punish you."

"HOW am I-"

"Your pencil." Fuck. How is it he's sober enough to notice that, but not sober enough to know that his buddy said 'the coat storage' not 'the goat story'?

"It blew in the wind."

"Yes. To my estate."

"You can keep it."

"Are you sure? Isn't this your, uh, fabulous pencil from Paris you were talking of?"

"No." Yes.

"No?", he frowned, picking it up. NO! Not in his grimy, disgustingly delicate fingers. "Seems pretty French to me."

"Are you actually inebriated or do you simply enjoy pretending to be so that you can get away with things?"

He stopped swaying, pointing the pencil in your direction as he placed the other hand behind his back. "You're sharp."

"So you're sober?"

Drunk Vronsky could have been molded. Sober Vronsky was a cunt.

"More or less. My friends feel left out because they are unable to hold their liquor as well as I can, so I act for them.", he explained, with a small look behind him, at his comrades trying to jump over the waves as they came.

"You should be in theatre, then."

"Adding performer to my resume is just a smidge too over-accomplished.", he retorted, an amused glint in his eye.

Ugh.

"So you're going to hold on to my pencil, then, I'm guessing."

"What? No, I know how much this means to you."

Trap. You'd bet your entire estate it was a trap.

"I will give it back.", he continued as he paced, his hand still placed behind his back as though he were planning war strategies. "On one condition."

See? Trap.

"Dinner. With me. Tomorrow."

Did he think this was a smart way to secure an evening with a woman?

"I won't be here tomorrow." Bold-faced lie, and he could tell.

"Then tonight. Right now." You couldn't think of anything you were doing.

"And I'll get my pencil back."

"Yes."

"That can't be it. There's a catch."

"You are... remarkable. Yes. There is.", he whispered, softly, as though impressed that you caught on. "Champagne. I wish to see you drunk. Drunk, in denial and... ruined."

Lot of darkness for someone who'd just been talking about a goat.

"In denial?"

"Nothing. Just... join me for dinner and drink a little, and I promise you shall have your pencil back."

"I do not drink."

"Then I do not return fancy French pencils."

"I can always purchase another."

"You do not have sentimentality, then?"

"No." Yes.

"I see. Then you may be on your way."

"I don't have to go anywhere. I have every right to be here! This is still my side of The Line."

"Suit yourself, darling."

The silence that followed was torturous and unbearable. "I do not like steak."

"Then you shall have no steak."

══════════════════ ⋆🍷⋆ ══════════════════

His eyes focused on you from across the table, his spoon paused midway above his plate. Eyes like the ocean in a storm. Terrifying but alluring.

"Enjoying your not-steak?"

You hid a smile. "Yes, I am."

He nodded, bringing his spoon up to his lips as he watched you do the same.

"You've left your friends out there?"

"They know not to cross The Line. They will be alright."

"Why is it you wanted to have dinner with me? To trap me into trespassing?"

"I've wanted to speak with you since I first saw you." Lie.

"And I you." Lie.

"What was it you wished to say?"

"Simply a greeting. You?"

"The same."

He set down his spoon, scrunching up his napkin as he stood up and walked the short distance across the table to you, resting his hands on the back of your chair. "You promised you'd drink."

"I did?"

"You did.", he whispers, accepting the newly-uncorked bottle the servant handed him, and pouring it into the glass next to your plate, smoothly. "And you're a good girl who keeps promises, yes?"

You'd heard he loved using such degrading language, but this was the first time you'd seen it firsthand.

"What gave you that idea?"

"I just figured you were of proper breeding and were raised right."

Good answer.

"Well, the words 'I promise' never left my mouth."

"Well-bred women do not look for loopholes. And they most certainly do not argue."

Lord knows where he'd worked up the audacity to brush some hair off your shoulder, but perhaps he was born with it imbibed in his blood.

He narrowed his eyes at your unchanging expression. "Drink."

"I am not done with my food."

He breathes out loudly, taking your plate and thrusting it into the hands of the nearest servant. "Yes, you are."

"I still have dessert."

"No, you don't. Drink."

"This is not champagne. You said champagne."

"And you said you'd drink. We both have uttered falsities. Drink."

"I fear you may be trying to-"

"Poison you? I am not. I would not like to see you die."

Was that supposed to be some form of assurance? Romantic? Caring? That did not have the intended effect.

"Drink, lovely."

It irked you how invested he was to see you drunk.

You wrapped your fingers around the glass, bringing it to your lips. Tilting it upwards, you let the liquor cascade down your throat, and echoes of your sputtering filled the room - it burned.

He laughed heartily, shaking his head as he stroked your shoulder from behind you. "Do you know what that was?"

"No. But I do know I will not take another sip."

"It was vodka, my dear, and in a few moments, you will want more. Trust me."

"I'm not taking another sip of that ghastly liquid!"

"Not even for me? Not even if I begged?"

"You think your begging has any effect on me?"

"Doesn't it? I'm known to be quite persuasive, and- besides, aren't you supposed to be the empathetic one in the family?"

"And where did you hear that?"

"Just about everywhere, really.", he huffed, resting his elbow on the table as he knelt down by your side. "'The youngest is the nicest one. She cares the most. Empathetic.' Surely you are not telling me those are lies?"

"Not lies, but exaggerations, perhaps."

"I am quite literally on my knees, and you should realize how rare that is. Drink more or I will have to force you."

You frowned at him.

"I will do it. Force you. Don't think that because I have let you in my house so courteously that I will continue to be a gentleman with you."

"How could you be? You're nothing but a cad.", you scoffed, as you took another stingingly painful gulp.

He watched the glass, your tongue, your throat, almost mesmerized as he replied. "A cad?", he questioned softly, amused but still fascinated by your every movement.

"A cad.", you nodded, trying not to show how much you were gasping for breath. It hurt, satisfyingly.

"That's a first. No one has ever said 'oh, Alexei Vronsky, that cad'.", he murmured against his palm as he observed you meticulously.

"Then they have met a different person."

"You say this out of personal experience, do you?"

"I've met him. The Alexei Vronsky. He only thinks of one thing."

A lilt of his lips. "And that is?"

"Himself."

He concealed a grin.

"Or perhaps...", he mused, fingertips on the back of your neck as though he were playing your skin as one would a piano. "He is one who shows different versions of himself to different people."

"So he is deceitful."

"I'd say careful."

"Would you, now?"

"I think we put up far too many false pretences anyway. No point in fighting it - it is necessary, to be part of society."

"And what false pretences am I putting up, in your expert opinion?"

He smiled, one too pure to match the description you had so harshly delivered a moment before, but you knew more than most that it was a ruse. "Drink more."

"You're an incredibly demanding man, aren't you? Dine with me. Drink more. Not a single please, nor thank you.", you retorted, as though that could take away from the fact that you obeyed.

"When you are incredibly in demand, you learn to be incredibly demanding."

If ever a smoother talker existed, you'd wager he'd simply be Alexei Vronsky in disguise.

"So tell me, then. Are you a gentleman, a cad, or an opportunist, Count Vronsky?"

You had to steer the conversation back to him, because whatever this vilely beguiling liquor was, it was shooting through your veins at a rate too fast to risk talking about yourself, lest any family secrets spilled out.

"I am whatever you want me to be. And you? Are the rumours true? Are you a virgin, a temptress, or a genius?"

"I am whatever I want to be. For tonight."

"Come morning?", he murmured against your neck as he slipped a finger under a loose strand of hair, and twirled it with such dedication you would think that were his only purpose in life.

"A memory."

"Well, we can't have that.", he pouted, as he stood up, gently taking the glass away from you and finishing the last of it. "What does it take for a memory to stay in the present?"

"Vronsky-"

"A dance, perhaps, as they say you enjoy?"

If you weren't unsure of the functionality of your motor skills in your drunken haze, you'd have punched him right then and there.

"The rumours aren't true, you know?"

"What rumours?", he asked, feigning obliviousness.

He'd just spoken of them, but you were quite sure if you reminded him, he'd attribute it to the vodka. Tell you you were 'surely imagining things, dear one'.

"The ones that led you to come and have a go at me."

"Those? Oh, I didn't believe them for a second.", he grinned, his eyes examining the filthiest, most remote parts of your soul - ones that even you had never been privy to.

A moment washed over the both of you, tauntingly. You looked for any secrets in his eyes, and he looked for any in yours, albeit, more calmly than you.

"Come.", he mumbled, finally, offering his hand for you to get up out of his disgustingly well-crafted chair. "Let's get you back on your side of The Line."

══════════════════ ⋆🍷⋆ ══════════════════

"There. Oh, and here. I am of proper manners.", he added after you'd leapt over The Line, handing your pencil back over to you.

It felt oddly anticlimactic after the events of the evening.

His icy blue eyes - striking, so striking that they pierced you - fell onto your lips for just a moment before landing on the pencil in your hand. "You don't want it back."

"What? Of course I do."

He had you. He was onto you.

"Let me rephrase. You don't need it back."

"Sentimentality. Of course I do."

"You really don't want it to stay in my possession, instead?"

"No."

"Liar.", he smirked, his lips curving deliciously, and you just about lost it. "You know I'll take very good care of it, no? Like I took care of you, tonight. No complaints, yes?"

"Besides the aggressive persuasion to drink a fiery liquid that most probably burnt my throat off, no."

"You exaggerate. Tell me tonight was just another of your dull nights. Tell me I haven't been a source of reprieve from your tedious, mundane days of fakeness and gossip."

You scoffed, refusing to dignify that with a reply, although you already knew that any response- or lack thereof - would be all too telling.

"You cannot, can you?"

There was nothing you hated more than when men were right.

Especially men who were as captivating as Vronsky. It was unnecessary and dangerous.

He beamed, clearly so fucking proud of himself, as he looked out at the waves. "It is a lovely dress you are wearing."

No, it wasn't. It was the most commonplace of dresses one could wear. But he'd say it anyway. Because that was his play.

"Thank you."

"It is disgusting, though."

"In what way? A disgusting display of my wealth, or disgustingly lovely?"

He knelt down next to you from the other side, on the sand. "It is disgusting that such beauty and purity like yours can exist and people continue to slander its name."

Had you been a lesser woman, you'd have fallen for it.

It seemed, however, that he knew you wouldn't. It was confusing, to say the least, whether he was being genuine or being genuinely fake.

"It is how I live."

If you'd read him right, he should say something along the lines of...

"It shouldn't be."

There.

"However... the dress in itself is not disgusting?"

"No, it is spectacular- although, I must say, the woman wearing it is far more ravishing."

Games get boring when they are predictable.

"So. What is it you normally do after parties, since you cannot get drunk? Unless blackmailing women to dine with you and drink your vodka is your usual pastime."

He snickered, although a slight maliciousness infiltrated his gaze for a moment. "It isn't so much a pastime as... an unfortunately common occurence. Perhaps that's why you've got an opinion of me as a - how'd you put it?"

"A cad."

"Ah, yes, a cad. I wonder if your opinion has changed."

That was not hope in his eyes, no. That was a challenge. 'Go ahead, say no. If you dare.', his look said.

"I wonder that, too. Perhaps it will if you keep your promise."

"Promise?", he repeated, raising a brow. He knew. He knew all too well what you were saying.

"False pretences.", you reminded, watching him as he watched the waves distort the light of the moon. "You said you would tell me what false pretences you think I put up."

He was far too close. The incredibly fragile, entirely imaginary Line wouldn't be able to stop him from reaching over and touching your shoulder once more.

"I think... do you want to know what I think?"

"I might."

"I think that you're lying when you brush off the rumours."

"You think I am a slut? A temptress?" Now, suddenly, the monotonous nature of everyday seemed far more interesting than the thousandth iteration of the same conversation.

"No, I think you brushing them off is the lie. They affect you far too much." Alright. That was... progress.

"Do they, now?"

"Very much. And there is one more, as well, although I doubt you will like to hear it. You crave to prove them right."

Congratulations, Alexei Vronsky, you've caught my attention.

"That is an extremely, extremely bold suggestion."

"Yet you are not denying it."

"I do not wish to have my virtue questioned, Vronsky, and us having dinner does not change that."

"But it pokes at it, does it not? A slight scratch, an itch, asking if that is what you really want. It blurred the lines, did it not?"

Shut up, shut up, shut up.

"You're an incredibly delusional man, Count Vronsky."

"A delusional cad."

"Precisely."

You didn't miss the amusement in his tone, the laughter, the way he knew how perfectly right he was.

"Well, this delusional cad did not lie, earlier. You truly have bewitched me, my dear, and I do not think I shall ever turn you down."

He stood up, dusting the sand off his gloves and pants. You stood up too, not out of respect, but out of the desire to relish his face once more.

"Turn me down?"

"When you inevitably ask for me when your marriage is dry, lifeless and torturous."

Good lord. How long had he been- how far ahead was he thinking?

"I will be right here. On this side."

"Why are you so adamant that my marriage will be-"

"Because I'm the one you need. You've broken quite literally every rule tonight. Crossed the line, fraternized with the enemy, drank unfamiliar alcohol that could so easily have been poisoned or used against you."

"How does that make you the one I-"

"I'm taking you out of your comfort zone. Freeing you. What more would one want from a lover?"

So casual with that word. Lover. As though that was all you two had been, since the beginning.

"Have I mentioned that you're-"

"Delusional? Yes, you have. But you have also yet to mean it."

Who the hell allowed this man to be so confident?

His thumb rubbed against your cheek in pure tenderness that you are well-prepared for - you've learnt over the years he's unpredictable, and since his mercurial nature was the only predictable thing about him, it was easy for you to guess his next move.

Or at least, figure out that it would be the exact opposite of the tone of his words.

"I can help you, you see?", he said, words so faint they were almost whisked away in the sea breeze. "Honest."

"Was that the point of tonight?"

"No, the point of tonight was to get you so utterly inebriated that you would tell me your family's secrets, and hence, your own."

That was the only thing that had come out of his mouth all night that you could guarantee was the truth.

"And since that did not happen, you are doing this?"

"No, I couldn't let that happen. Unwrapping you, figuring you out, it is far too intriguing a task to complete with a glass of vodka and enticing words. I want to spend years, decades, the rest of my life, performing this task, revealing you slowly and addictively, until I have lost myself or driven myself crazy trying to reach the core of your soul."

The silence kissed you two over and over until you couldn't take it anymore. "You are terrifyingly good at this."

He almost looked like he was about to say 'at what', but it seemed his mood had turned too serious to coax a half-hearted insult out of you.

"And you are terrifying. You are like the eye of a storm, intricately, almost... sinisterly drawing me closer."

"I'm not sure what you want me to-"

His lips devoured your words, and you could not help but think that this night had progressed far too rapidly to your liking. He was a stranger, a random man who you shared nothing but a flimsy little line with, but here you were, letting him kiss you, letting him ruin you, letting him convince you with his words that this was a good idea.

"Come on, darling.", he murmured against your lips, his eyes still half-lidded in a triumphant haze. "Cross the line. I promise, I'll take care of you."

You surrendered, and all you could do was hope that his beauty was simply angelic in nature, and was not designed for the sole purpose of ruining you and every iota of self-respect you had.

Hard to tell, but perhaps he had meant it that way.

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[everythingspokenfor]

Mourning

All characters are aged up 18+. MDNI Pairing: Gojo Satoru x reader.

Tonight you intentionally dig your nails into Satoru's back, maybe to claw deep enough to keep him here, on top of you, inside of you, with you.

He giggles, breath-taking, blinding blue fucking eyes, looking down at you, lips quirked up in a smirk. "Wanna mark me yours, baby?"

He is teasing, running a hand up your waist, long fingers wrapping around your neck. He doesn't tighten his grip, aware you already can't breath, won't breath. You are holding your breath, he knows your throat feels tight, that your cheeks are aching, that you are hurting.

He leans down,"Haven't fucked ya' dumb yet, so why are you acting stupid?" He smushes your lips together, sloppily mashing lips, poor attempt at a kiss.

"Mi-mine." You let out a breath, chest finally opening up, the ache travels up behind your eyes and you are going to cry.

And you are crying, Satoru grabs your waist and rolls you both over, it's like a practised act maybe because it's a routine.

"Yours, all yours." He mutters and he means, it's his truth, he is yours, has been yours. It's his truth, you know it too.

And you are sobbing, smearing snot all over his chest, head pressed against his chest, his heartbeat slow and steady.

He is still hard, still inside you, still with you, fingers running through your hairs, drawing shapes on your back, he lets out a breath, moving to pull blankets over the both of you. Maybe for tonight he'll hold you tighter instead.

When you wake up, Satoru is fast asleep, milky white hairs drapped across his forehead, lashes resting on his cheeks, if you could you would spend eternities admiring him.

When he wakes up, he looks over to you, cheeks squished against pillow, lips slightly pouted, eyes still glossy with tears in them. He has to leave, Shibuya needs him, his kids need him, his friends need him, his duty demands him. Gojo Satoru, the honoured one afterall.

Your Satoru, your lover, he gets off the bed, getting dressed, hoping you call for him, pray that he doesn't leave today.

You don't, you don't say anything, silently getting up and helping him, you are demanded somewhere too. Your duties are fair, both see curses, both deal with them too. You pray your fates are fair too, you hope he doesn't get taken from you.

He moves to stand in front of you, lips pressing against your forehead,"I love you, you know." Satoru whispers, lips gliding down, to kiss both your eyelids, then your cheeks, then your chin, then the column of your throat.

"I would appreciate you saying it back, my kikufuku."

"Kiss me first, Satoru." His heart aches, at how you say his name, silently he presses his lips against yours, holding you close. "Love you, Satoru, always." You whisper against his lips, chest a little lighter.

Fate wasn't fair, because here you are standing in the middle of your house, and Satoru rested somewhere six feet deep. He didn't make it home that day, a part of you didn't either, it's buried with him, six feet deep.

You mourn Satoru before he dies, and you mourn him after too.

You drink with Shoko, reminiscing old times, you cry on her shoulder too then you vipe your tears and sniff out a "I am fine now" you think you are before you are back home, and he isn't here, you are all alone. And you cry against sitting against the entry door.

You mourn Satoru again when bedsheets stop smiling like him, when his pillows do too. When all his clothes have been washed or already worn by you. When every surface he touch is eventually cleaned, when you accidentally dropped his mug. When the kikufuku doesn't taste the same.

Some nights you wake up crying because you felt like you had forgotten his voice, forgotten his laughter...

[myladysapphire]

His Sapphire Princess (IX)

After the night in the brothel Rhaenyra is married to Laenor Velayron to protect the birth of her child. who in the years to follow is the only one of Rhaenyra's children that is believed to be his, she is loved by all in the red keep, even queen Alicent adores the girl, so when Rhaenyra proposes a marriage between Aemond and Rhaenyra's daughter Visenya, Alicent happily agrees.

The children having been best friends in their youths are more than happy to be wed but when the incident at drift mark occurs things change, will it be for better or worse?

word count: 2,455

CW: angst? some fluff (like they reunite and don't hate each other and decide to start over), tensions, refrences of past SA, not proofread!

Fem!oc x Aemond Targeryen

Masterlist | series masterlist | previous part | next part

disclaimer:  i do not own any of claim any of the A song of ice and  fire characters, all rights belong to GRR MARTIN, all characters are his except for my OC

a/n i hate this, but it's kind of a filler chapter anyway

Aemond

Aemond had been both eager and nervous for her return.

Though counting down the days, planning on how he would greet you, he also was scared.

He know she felt ignored by him, betrayed by how he had just stopped replying to her letters. Ignored her name days, ignored her completely.

But that was not entirely true.  He had wanted so badly to reply, writing letter upon letter, though some were just mindless scribbles. But not once did he find he wrote a letter worthy of her, worthy of the emotions he felt. He needed space and he had shown he needed it in the worse possible way.

He had hated how he knew some version of her, a guarded version. Her letters expressing less and less, over time just mere updates of her life before stopping altogether. And he hated that the version she knew of him was the scared little boy he had tried so hard to get ride of.

The version of Aemond he had gotten ride of, in all ways but with her. He wanted to be the old Aemond with her, but hated that he did. It was why he needed the space, the time to heal, the time to become the man he is today.

But as he stood in the training yard, staring at her as she talked to him, so ddiffernt, so cold.

He knew he made a mistake.

She was so different, she had changed, and not just her personality.

But her looks also. Gods she was the most stunning and beautiful woman he had ever seen, he had always thought it impossible for her to become more beautiful.

But her beauty was clouded by the look in her eyes, the anger, the hurt and the loneliness.

She looked so alone, even as she walked out the courtyard with her brothers, laughing. She same old melodic laugh that could capture a room. The loneliness ceased slightly when he looked into them, as if she was finally being seen.

He understood. There eyes always talked to each other, expressing their true emotions, it why he knew his eyes mirrored hers, but they also showed another emotion, regret.

Regret for reading your letters time and time again, annotating them as if they were quotes from his favourite novel. Regret from the stack of unsent letters he kept in his bedside draw.

Each filled with his thoughts. Most mindless scribbles, unfished letters ending with angry scribbled out words as words escaped him, as  fear filled him.

He had tried to write of the events in his life even detailing his fights with Ser Criston, his rides with Vaghar, the books he read. And yet he could never send them, fear of her seeing his liefe and not understanding why he needed the space, or fear that he would see the darkest parts of his mind grew as the years went on. The sweet kind boy she had once new fading, and a cruel, vengeful man taking his place.  

He had once longed to be a protector, her sworn sword, doing good in her name. now…now he revelled in fear. He loved how the woman would run at the sight of his sapphire eye, a sight he knew deep down she never would. He revelled in revenge, revenge by going to the brothel, the place of his hurt, and burning it.

It was ruthless, but the second he had done it, he felt free, healed.

And yet fear still gripped at him, fear of wheat you know thought of him.

Fear that she would not accept the new him, but as he had started at you he felt like the old sweet Aemond was still in there somewhere, but only for her, his Sapphire.

Watching her sway away he knew he had limited time, this week was the first week of their official courtship, but the week after they would begin the moon long celebrations for their wedding.

Celebrations were they would spend day after day, hour after hour together being the perfect couple.

And he didn’t want it to be an act.

He had returned to his rooms, opening his bedside draw, but instead of reaching for her letter he reached for his own, and realised what he wanted to do.

He waited, two days. Two days of agony.

He had somehow hoped those two days he would be able to approach her, talk to her. But now, all he could was watch her. Watch her spend day after day in someone else’s company

Whether it was one of the tens of ladies begging for her favour and chance at becoming her lady, or her brother Jace, or even Aegon.

Gods he had forgotten about Aegon’s obsession with her. He knew they wrote, Aegon often bragging about it. With Aegon telling him about her, their little jokes, their shared secrets.

Not that he was jealous, no. He was not jealous of how Aegon seemed to act as if they were betrothed to each other. For two days they seemed to walk everywhere together, sit with each other at dinners. Though her eyes were often searching for Aemond’s, Aegon’s eyes were always firmly planted on her. And whenever she wasn’t with him, he was like a lost pup, waiting for her to appear.

Those two days, though never alone they often found the other staring, their mouths would being to form words that they were never able to form. And so he finally built up the courage and sent her his letters.

Visenya

When she had received Aemond’s letters she did not know what to expect.

They had appeared on her dresser, all 112 of them. Though some were scrapes of paper with random thoughts scribbled across them. One just one word repeated, 110 times.

Her name written, again and again, in the same neat, perfect handwriting Aemond had always had.

She then realised what this was, an apology.

She found the first letter he wrote that was left unsent, and she felt her heart break.

Dearest Visenya,

I am so sorry, I can not say why it has taken so long for me to only now reply.

Prepahs it was the guilt.

I never should of come to Winterfell, You had been kind and sweet, but I fear your kindness is unwarranted. I do not desire pity, I regret coming that night, I regret allowing you to see me so weak and scared. My whole life I have sworn to be your protector, your sword. And that night as I cried in your arms I felt like a small child, I felt smaller than when I did when Lucerys tore out my eye. And I hated it.

I have tried to look past it, look at it in away where I do not come across a whiny little boy and I am nothing but ashamed.

I had hoped to write you, bragging of my successes and yet all I can do I wallow In self pity at how I acted that night.

It matters not that I bested ser Criston for the first time, or how often I ride Vaghar.

For all I can think about it the look of pity you gave me.I do not need nor want your pity, my sapphire.

You gave me a place to stay and a place to cry, but I shall make it clear to you that the Aemond you saw that night is long gone. And shall never return. He can never return, not for you not for anyone.

So sweet, I shall not answer your request to come to Winterfell, I need the space, the time and so do you.

I fear distance is what we need, though we may hate it, I need to become Prince Aemond, and not just scared little Aemond, the boy who lost is eye, the boy who cried in your arms.

Yours, whether I say it or not,

Aemond

Dearest Visneya,

It has been near six moons since I last wrote you, and you are writing less and less.

I have been cruel, I know. I have ignored you in the favour of bettering myself.

I do not deserve you, or your kindness even still.            

You seem to be doing well, a fact I envy not too see. But I myself am not.

I miss you more and more each day, I find myself looking for you ate very turn. And yet it has been over a year since you were at the red keep.

So much has changed, Aegon and Heleana are to wed soon, I have started training with a real sword.

I no longer wake in sweats from that night.

So much has changed and yet I have so little words to say, I hate it!

I used to have all the words in the world for you, never once fearing how you viewed me. For I knew how you viewed me then.

And now I fear you will judge me.

Hate me.

Resent me.

I fear I have become a stranger, and yet I have a dozen unsent letters all addressed to you, read and read time and time again your own.

I know you, and I fear you.

Fear your opinion of me, how you view me.

I fear-      

Most of his letters just ended, frustration finding him far to quickly, some were just mindless words and phrases.

Visenya,

I miss you I miss you I miss you I miss you I miss you I miss you I miss you I miss you I miss you I miss you I miss you I miss you I miss you I miss you I miss you I miss you I miss you I miss you I miss you I miss you I miss you I miss you I miss you I miss you  I miss you I miss you I miss you I miss you I miss you I miss you .

Some were hateful, words said in anger, at how she still cared.

Dear Visenya,

Stop writing me.

How long must I ignore you to realise I want not to know you as we once did.

How am I to become the man you desire we spend all our time writing each other, stuck in our silly little heads!

Then gossip filled the red keep, gossip that Cregan had asked for your hand.

Visneya,

please, my sapphire, I beg of you do not marry him!

Your mother bids it but I do not!

Please.

And then her letters had stopped and he left once last letter to her.

Visneya,

Please, don’t stop writing me!

I know I have not been a friend to you but a stranger but without your letters the world has stopped.

I now I am a hypocrite, a hypocrite who cannot find the words. Who never has been able to speak his feelings, but show them.

I know not of a gesture to prove I want you till, I crave you and I need you.

but please, I cannot live without you, knowing you, please.

Please!

forever your Aemond.

Gods, she thought, he had to been hurt. Though not by her, and she had resented him for it. Resented how he had opened up to her, and then abandoned her ignored her for so long.

She knew it was hard for, he was never one for words. Gestures yes, but words? They always frustrated him, he could never formulate his feelings and yet this, the scribbled erratic thoughts and letters, unedited and rushed. They showed so much but also so little.

She has spent the whole day reading those letters, seeing no one bar her maid delivering her meals. And had it not been for her mother coming to grab her for dinner, demanding her presence, she would have sat on her thoughts all day and night.

But as she was sat next to Aemond she realised she would have less time to think on what Aemond’s gesture meant and what it meant for them.

“Aemond” she greeted, flipping her hair to the side as she sat.

“Senya” he greeted in response, eyes firmly on her.

 She squirmed in her seat, unsure on where to start. “Senya” he said again, capturing her attention, as they made eye contact some tension left her body.

“why?” she asked, its all she could think of, why?

He coughed awkwardly, clearly not expecting this conversation now, “I was never one for words, Visneya. But gestures, have always been something I excel at.” He moved his head closer to her, their conversation too private for prying eyes. “ I never should have ignored you, I know realise, it hurt us both, more than I ever thought” he shifted in his seat “seeing the look in your eyes when you arrived and realising I had made a mistake”

She nodded, urging him on, as she began to plate up her food.

“I focused solely on myself, I was selfish, but I won’t lie to you, my sapphire”

My sapphire, she liked that.

“I have become selfish and cruel, I have become a man who craves fear, but not from you, never from you”

“then what do you want from me?” she asked softly, before nervously looking to make sure no one else was listening to their conversation. “you did not want companionship from me, you ignored me for years on end, and yet by the end of the moon we will be wed!” she took a breath “if you have truly become selfish, and cruel, how do I know that it is for your betterment? And how will I know that you wont ever make me fear you?”

“because I became that person, so that I never have to feel fear again, feel the fear I felt at Driftmark, at that… at that brothel” she sighed, taking her hand in his “ I want to be your protector, it is all I have ever wanted, and how could I become that if I remained that scared, naïve little boy?”

Everything he was saying was true, but it also made her realize she did not know him anymore.

She breathed in “perhaps we should start over? Get to know one another again?”

He nodded, “I would like that”

next part

Taglist

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to be added to Taglist

[ohnoitstbskyen]

I know it would probably bring a lot of hate comments but I am begging you to roast the hazbin character designs because I'd love to have someone properly articulate why they don't work so I could send it to people who won't believe me when I tell them. 🫠 Understandable if you don't want to get into it though.

I don't think there's that much there to roast, honestly?

Those designs are clearly an extremely specific stylistic choice, and because that style is consistent throughout the show, it ultimately feels coherent with itself.

There are trade-offs being made. Because Hazbin's design style is SO stylized and so heavy on decoration and detailing, because it puts a lot of emphasis on costuming, it isn't as good at communicating specific character storytelling as a more grounded style could be (it's kind of the same tradeoff that stuff like Genshin Impact makes).

Like, why does Sir Pentious' hat have an eye and a mouth on it that makes its own expressions? Apparently not for very much reason at all, except that Pentious has a bit of an eyes-motif going on in his design and it was one more place to put an extra eye. And that's a valid criticism of his design, but also the entire show is designed like that, so frankly it would be weirder and more out of place if his design alone didn't have that kind of overelaborate decoration going on.

It does create a situation where I have a hard time "reading" the character designs sometimes. For example, Vox, Alastor and Pentious all wear a similar style of suit with upwards-turned shoulders, butterflies and pinstripes. Now, am I meant to read that as Vox imitating Alastor due to his crippling need to replace and outdo him, and Pentious imitating the style of powerful Overlords because he thinks that possessing their level of power will finally give him relief from his paranoia and self-loathing?

Or is it just a design fixation of the creator who keeps putting their characters in suits because that's just what they like? I can't really be sure, because sometimes design elements are used to intentionally tell stories about how characters relate to themselves, their world and one another, but plenty of other times designs look the way they do Because Of Vibes.

But again, that lack of clarity is clearly an intentional trade-off - and the benefit of that trade-off is a design style that is extremely varied, wild, expressive and memorable. Hazbin Hotel seems like a very easy show to draw fanart of, and a very fun show to draw fanart of. Those designs (especially the hyper-expressive faces) are begging to be the subjects of traumatic headcanons, unbearably cotton-candy soft fluff fantasies and weird, taboo, homoerotic power dynamics. Slaps roof of character design, this bad boy can express so much vicarious emotional intensity.

It's very exuberant, very excited about itself and very self-indulgent, it's a style that prioritizes visual impact and visual interest over readability (something which the animators of the show navigate with real skill, props to them) and individual aesthetics over worldbuilding.

And I don't blame anyone for being turned off by that (I certainly was the first time I started seeing those designs going around), but I would struggle to call the show's designs "bad" when they are clearly achieving exactly what they want to achieve.

I have some criticisms, especially re: how the show treats skinny bodies as an unquestioned, desirable default, and employs fatness as a means of alienating and abjecting the audience. That sucks very badly, and is a serious disappointment, and one of the few places where the show feels like it is being cowardly in its design philosophy. But I don't have it in me to do some kind of Hazbin Hotel Sucks And Here's Why takedown, its problems are not unique or extreme enough to warrant it, at least not as I currently understand them.

[howtofightwrite]

For a character that virtually can’t die and regenerates in order to keep living, how do you make action interesting? Emphasize they still feel pain, why they’re doing it?

I'm actually going to step back a bit from this question first, and complement it. This is a very honest question, and something most writers who include violence in their work, should really think about. Even if you don't think you have characters like this, you do.

Now, I'm going to dunk on Ben “Yahtzee” Croshaw for a moment. Ages ago (I think it was in one of his Resistance reviews), Yahtzee described, “threatening to blow up the world,” as the laziest form of raising the stakes. Because, “hey, I live on a world.” He's mostly correct. Threatening your protagonist's life is even lazier. In the vast majority of cases, your audience knows you won't go through with it. That you won't kill off your protagonists.

With that in mind, when you decide your protagonist is completely immortal, that changes less about how you write them than you might expect. The biggest difference is simply that they're directly aware of their plot armor, rather than them engaging in faux indecision based on their perceived mortality. Again, this is something that every writer who uses violence should think about, at least a bit. It is natural for a character to fear for their life, and have reservations about risking their life, but making the part where your character's lives are on the line isn't automatically suspenseful. In a lot of cases (consciously or not), your audience will call your bluff, when you threaten to kill off a major character.

If you think back to major character deaths where something drops them without warning, part of what makes those scenes work is the lack of (apparent) setup. The writer didn't spend pages teasing you with the idea, they just went for the throat and ended that character on the spot. This is more respectful of your audience, because you're not telling them, “well, I might kill this character, or I might not.”

To be clear, I'm not saying that there's no place for teasing your audience with a character's impending demise, just pointing out that in a lot of cases, this won't generate the kind of suspense you'd hope for.

So, to get back on topic, how do you make it interesting? Remember that while this character can't die, the same is not true for the characters around them. Depending on the tone you're going for, you could create an absolutely brutal crucible effect, where everyone around your immortal gets burned off, sooner or later. Whether that's literal, or figurative, is up to you. Even if your character can't die, watching people they care about suffer and die is going to have an effect on them.

You probably don't need to draw special attention to the physical pain they experience, but you do want to be aware of it. Especially in the context of how pain affects the victim's behavior. Beyond that, there is probably an element of pain being far more annoying to the immortal than it would be to a normal person. They know it's not telling them anything meaningful, but it is distracting.

Long-term, both of these can easily result in personality shifts. And, legitimately, this is a scenario where a character may be immortal, but they would still experience significant changes over time, and with the growing emotional pain, could have very adverse effects on your personality. This does have some very real, “live long enough to see yourself become the villain,” potential. How many friends can you lose before you stop caring? How many funerals can you attend before you start taking the phrase, “you're either part of the solution or part of the problem,” a little too far? How many times can you pick yourself up off the pavement a blood-covered alleyway, surrounded by corpses, before you start to forget what made you human in the first place?

And, that's not the only option. The simplest answer for maintaining tension when one of your characters is immortal is keeping your eye on what they're trying to accomplish. Keep track of their objectives, because I guarantee they can fail those. Even just keeping their own nature concealed from the mortal world is probably fairly important, because of the idea that men in hazmat suits will drag them away to some research lab and poke them until they figure out how to replicate their immortality, is a classic (and potentially plausible) threat. (Bonus points, if you're wanting to loop in something like the medieval inquisitions, or some other secret societies that could pose this kind of a threat.)

So, what do you do? To dig out an old cliché threat, “there are fates worse than death,” and it's probably worth exploring them. This also opens up new possibilities for threats. Finally, it's worth remembering that immortality does not guarantee success. If your character is hoping for that, it might be time to give them a very harsh lesson.

-Starke

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[aihoshiino]

chapter 166 thoughts

As of chapter 166, Oshi no Ko has finished a roughly four-and-a-half year run started back in 2020. While there's some speculation about an epilogue or some extra content in volume 16 when it drops, this is where the main story ends. And you know what that means!!!

OSHI NO KO HAS OFFICIALLY ENDED WITHOUT ADDRESSING OR ACKNOWLEDGING THE FACT THAT RUBY KISSED HER BROTHER IN CHAPTER 143

please understand that this is FUCKING BOGUS

I'll probably do a longer post on this subject specifically, but my main critique of 143 when the chapter dropped was that while I liked the individual beats in it and I was really glad to see Akasaka finally addressing this tension bubbling underneath Aqua and Ruby's relationship, the immediate swerve away from showing us the aftermath of that kiss felt to me like an admission that the story was going to needlessly draw this out even more. Now that the story has ended and we can see that moment had literally no impact on the plot or even the character dynamics, I'd like to revise that statement - it feels like an admission of compromise. It feels like crumbs thrown to AquRuby fans to tempt them to keep reading and to stir up the waters of the ship wars, so people would keep reading and stay invested in the manga right to the very end. But most of all, it feels deeply disrespectful to both Aqua and Ruby as characters. Rather than exploring their feelings and giving both of them interiority and complexity in relation to incest or even just fucking acknowledging that the kiss had happened and letting their dynamic evolve, the series just memory holes the entire event and asks that you do too. Rather than letting Ruby have any development whatsoever as pertains to that relationship or, god forbid, let a female character move on romantically from the male lead, the series ends with her feelings so up in the air that I literally could not tell you what she thinks of Aqua by the time he dies.

ANYWAY… FINAL CHAPTER. BREATHES OUT VERY HARD.

I really can't believe it's taken us until the final chapter to actually deal with Ruby's grief over Aqua lol. We got a snippet of it last chapter but it was so brief that it really just felt like a tease. I also just think it's kind of bizarre that we're spending this little time on Ruby having feelings about Aqua's death to the extent that I have no idea how or when she found out about it.

It's also kind of hard to feel particularly strongly about Ruby's grief when the chapter doesn't really bother to explore it all that much. It's just a montage of Ruby quite literally Screaming, Crying and Throwing Up while Akane dispassionately narrates it all. The art also doesn't really help in terms of connecting with the emotions at play - I usually really like Mengo's expression work and the way she depicts extreme emotions but this all just felt like of… I don't know how else to put it. Goofy??? Is that an insane thing to say about Ruby grieving her brother???

Idk, something about both the panelling and just the extreme on-the-noseness of Ruby, again, literally Screaming, Crying Throwing Up while she's wearing a Burning cosplay Just In Case You, The Audience, Didn't Get It only for her to abruptly be done crying with no exploration or insight as to what's going on in her head that allows her to move forward.

Honestly, this is kind of the issue with everyone in the cast. The resolution is just sort of "Aqua died and we were sad about it but then we stopped being sad". I know what the story is trying to go for here - it's trying to express that even when you're in pain, life goes on and so you have to find a way to go on with it. But the result is that we spend all this time oogling at their pain without spending equivalent or even meaningful time on their recovery process.

It feels both excessive and undercooked at the same time and I'm left with the same icky, voyeuristic feeling I got from Aqua's funeral last chapter. This should be the point in the story at which we empathize with Ruby the most, but she remains a frustratingly distant figure right to the final pages. Part of this is an unfortunate consequence of Akane's narration directing these final chapters meaning that we're hearing about Ruby from an outsider's perspective and thus don't really see what's going on in her head… but if I can be frank, this has been an issue of Aka's with Ruby in particular basically nonstop since chapter 123.

As others & myself have noted, despite the absolutely catastrophic downward spiral Ruby is in at that point, Aqua revealing himself as Gorou basically flips it all off like a switch. There's some mild lipservice paid to the idea that Ruby is just using her dependency on Gorou to prop herself up and it's pointed out that the issues that contributed to her breakdown haven't actually been resolved - but none of these issues are ever even acknowledged again, let alone resolved. So, functionally, that reveal does fix all Ruby's problems in the space of a single chapter and the result is, again, that we spend multiple chapters gourging on depictions of Ruby's absolute rock bottom only for her to ping back to normal like a lightswitch. As such, the depictions of her pain feel less like explorations of Ruby's interiority and more like voyeuristic oogling at Ruby's misery and trauma and the effect is that the resolution to it all is both unsatisfying and a little gross. The result is that it feels like Akasaka is just indulgently mining the imagery of cute girls suffering because it causes simple thoughts neuron activation but doesn't respect these girls enough as characters to build them back up.

It doesn't help that this is basically the in-universe excuse for Ruby's career further skyrocketing. Instead of Ruby becoming a star on her own merits as the story keeps insisting she was supposed to, she's artificially buoyed by the public's morbid fascination with her tragedy. If I was feeling charitable towards the story right now, I would say this is an avenue of intentional critique but… well, I don't feel super charitable about the story right now lol

I WILL say that the one part of this chapter I did just uncomplicatedly like was the beat of Mem trying to suspend activities (presumably in the wake of her grief for Aqua) only for Kana to basically immediately explode into her room and help her get back on her feet. It's a beat that would've been much more effective if we'd, you know, seen it, but I otherwise enjoyed it and I thought it was sweet.

But. pbbbbtttt. I guess I can't talk around it any longer… let's get into the Dome concert.

To start things off on the immediately worst note possible, Akane describes Ruby performing at the Dome as being 'everyone's dream', including Aqua's. I'm reminded once again of the strange turn the story took in insisting that um, actually, performing at the Dome was totes Ai's dream all along (even though she literally didn't give a shit even a week before she was due to perform there herself) so Ruby performing there is fulfilling that dream for her!!! and I can't help but wonder if this abrupt shift in focus is an attempt to make readers forget what Ai's actual dream was - to see her beloved children grow up happy and healthy. Hell, it wasn't even really Aqua's dream, until the story suddenly had to try and convince us that his entire purpose for existence was to kill himself so Ruby could be an idol for slightly longer than she would've otherwise. The only people whose dreams she's textually fulfilling are Ichigo and Miyako and Ruby herself, but…

Honestly, is this really Ruby's dream anymore?

Who is Hoshino Ruby? What does she want? Why does she want it? These should be the very least of what we can concretely say about not only a protagonist but a character who has become a central figure of the entire story as Ruby has, but with the way Oshi no Ko has warped and distorted her, I find myself increasingly unsure of what the story wants her to be or how I should answer those questions.What does Ruby feel about Aqua? Was she still in love with him? Had she moved on, romantically? Was she still waiting for a response to her confession? Did she finally realize it was probably kind of shitty to respond to her brother going "lowkey wanna kms" by sticking her tongue down his throat? I Guess We'll Never Know.

This extends to whatever the fuck Ruby's relationship with idols and being an idol is. Almost the entirety of Ruby's time in the story has been spent reiterating over and over that Ruby cannot just be an idol who imitates Ai and that to truly shine, she needs to step out of her mom's shadow and shine in her own way. Ruby even literally tells Kana in no uncertain terms in 137 - "I'll be a star in my own way. I won't be like Mama."

While this has always been the text of the story, as I've pointed out before, the actual art with which Ruby's idolhood depicts her basically just as Ai 2.0. It relies so heavily on mining the imagery of Ai's charisma and personality as an idol and using them as the measure of Ruby's success as an idol that Ruby essentially has no visual or conceptual identity of her own as an idol. She's just Ai, But Arbitrarily Better, For Reasons The Narrative Fails To Actually Establish But Hopes That You Just Accept Anyway. This was always kind of annoying, but now that friction seems to have been resolved by… just making her Ai 2.0, But Arbitrarily Better (etc, etc) in the text as well. The fact that we're given no further insight as to Ruby's feelings and continue to just have Akane Explain Ruby's Character Arc to the camera also doesn't help.

All this combines to make the Dome concert and the final few pages feel exceptionally cold in a way I really don't think was intended by Akasaka. Yes, that splash page was nice and flashy but… I just felt nothing. I have no idea if or why Ruby cares about this. And even though the Dome concert has been hyped up through the entire story as the peak of Ruby's achievements as an idol, I feel no sense of accomplishment in her finally being there - not just because her journey to it was basically sneezed at us across two panels, but because it just feels hollow as a victory lap for Ruby. Again, she feels so distant and abstracted as a character that I can't bring myself to feel very strongly about her good or bad.

I think the perfect encapsulation of this are the final four pages of the story. Ruby's words here are very clearly intended to be a callback to Ai's words to Gorou in chapter one but as @all-of-her-light pointed out in our initial discussions of the chapter, Ruby very much does not have an equivalent to Ai's conclusion that she nevertheless wants and values the opportunity to find personal happiness and fulfillment outside of being an idol. Are we supposed to believe that simply being an idol is all that Ruby needs to achieve a similar degree of happiness and fulfillment? Is there no more to her than that?

I've seen a lot of people interpret this ending as exceptionally bleak and, as usual, gleefully predicting Ruby's immanent suicide because her beloved oniichansensei isn't around but this is indulging in, if you'll allow me to be frank, some pretty transparently ship-motivated flanderization. Despite what certain sections of the fandom would like to believe, Aqua and Ruby's lives, past and current, have never revolved around each other to the exclusion of every other relationship in their life. Ruby has a massive support network of people who love and care for her and actively want her to get back on her feet. I can one hundred percent believe that she does not need Aqua in her life to be happy and content.

The issue is that we don't see enough of Ruby to understand that ourselves. Again, she has become such a distant figure with so little insight into what she's thinking and why that this ending is basically a Rorschach test in which you can interpret basically whatever the hell you want or assume because we have so little canon basis to support or debunk our assumptions.

and yes. don't think i didn't see them. it IS both grimly hilarious and weirdly tonally appropriate for this ending that ruby has a bunch of oshi goods of ai and aqua including their fucking autographs set up to say goodbye to every day.

AND…… WE'RE DONE!!! THAT'S OSHI NO KO, BABY!!!! well, technically, there's going to be a 20 page extra chapter in volume 16 but I don't see it being big or substantive enough to meaningfully change my feelings about the ending so… I guess we're leaving it here. Damn. Feels crazy to be done with it.

I'll probably do a bigger post down the line about my thoughts on the ending as a whole but in terms of just How This Chapter Made Me feel, I guess the word is just… meh! It's definitely not an ending I like and I think the execution is sloppy and rushed but I also just don't really have the energy to feel angry about it. Maybe that's sad in its own way but tbh… I still really love Oshi no Ko! I still find it engaging and I find the characters I enjoy rewarding to talk about. I like the artistry of the anime adaptation. I don't blame anybody else for being so turned off by this ending that they're done with the series but for me, I like what I like about OnK too much that this ending could retroactively ruin it for me. Whatever else happens with the OnK franchise, whatever directions the anime and live-action take, this will always be the series that gave me Ai and the Hoshino family and. look at me. look at what she's done to my brain. could I really ask for anything more than that?

That being said, I'm definitely not done with discussing the series! I have fics to write (including a VERY exciting large scale project lined up with some friends), my Ai analysis post to finish and I also want to do a re-read of the series and finish my anime rewatch. I'll be here to discuss Oshi no Ko as long as I have things to say about it and as long as you guys will have me! Despite how the series ended, I've had a genuinely wonderful experience in the fandom and I really don't want to let go of the little community we've built together just because the series is done. I'm Ai's fan for all eternity!!!

[bunnwich]

It's Supposed to Be Fun

(a letter to my friends in the twst fandom)

I've been wanting to make this post for a while and these thoughts may seem scattered but I’m gonna try to express them. 

Lately, I have seen many friends and moots that either are leaving the fandom or feel guilty over not having posted in a while or losing interest in twst. On the other side, I also have friends being harassed.

This a reminder to remember why you joined this community to begin with. I know that keeping up with the fast-moving pace of fandom and comparing ourselves to others, can skew our perspective on these things.

It’s supposed to be fun. 

Why do we post art or write? Sure, partly for recognition, there's no denying that. But, why do we create, I mean really? For enjoyment. Not for others, not to be “popular” FOR JOY.

So, whether you’re dealing with people critiquing you or feeling guilty about not creating. My question is this: Why waste so much of your time on something that makes you miserable?

Did it stop being fun? Why? Haters? Loss of interest?

To my friends who feel guilty for not creating and not sure if they lost interest in twst: 

Don’t feel guilty. At one time, the creation of your twst content was natural. It's what you did for fun with friends or for yourself. Revisit that mindset and think - if creating twst content now will bring that same joy it did before.

If the answer is no, then maybe it’s time to pivot. It’s okay for interests to fade. It doesn’t mean that time, memories, or the friends you made are lost. Connect with your friends, we will understand! We still love you! It's not a race there's no time limit, just pick up were you want to. Draw fanart of old events or OCs.

To my friends who have been harassed: 

I say this with sincerity…. People who harass others over fictional characters are fucking losers.

Like… There’s no other eloquent way to encapsulate it. I’m starting to not care for the reason anymore - If you harass or be shady to others over a ship or fictional character. CONGRATS! YOU ARE A LOSER.

We all join fandoms as a hobby, for fun. We’re all just kids in the sandbox playing pretend again… and if you are the type of person to go up just to “kick the doll out of someone’s hand" or make commentary on how “their way of playing is wrong." You’re a loser. I have a life outside of twst, we all do. Someone saying my ship is wrong or cringe is just so laughable to me. We have to make fun of these people more for being so goddamn lame.

Imagine being so unhappy that when you see someone having fun you HAVE to comment on it. By all means, if it gets you through the day...talk shit to close friends or even post about it on your own blog. (THAT WAS ALWAYS ALLOWED.) Don't bother creators directly. Don't be a loser. I sure see tolerance leave people’s bodies when they see a fandom opinion they don't like. (And this is coming from someone who has lots of opinions on these things! But that's why I always put the disclaimers that, hey this is just MY opinion.)

Discussion is one thing, unhelpful comments are another. We shouldn’t give these people the time of day. Curate your online space. Yes, when you post things online you are subjecting yourself to scrutiny. But, we as creators need to stop letting these people have power over us. Period. We do this for free!! FOR FUN. The best thing you can do is create shamelessly.

Delete weird replies, block whoever you need to do to rid yourself of these people who have nothing better to do. Keep your peace. It’s supposed to be for fun. You don’t owe anyone a response.

The twst fandom is like a little family to me and I guess I feel protective over the people in it?  I have made many friends and memories because I joined it. And even dispite a handful of the negative experiences (AKA: A couple of “losers" that I’ve had to deal with.) I’ll always look fondly back on this time.

The key for me has always been to just…create for myself. I originally made bunnwich for me and one friend to make fun little arts about our Yuu’s and now I get to have lots of friends to share it with! I’ve transitioned from an OC blog to probably more of an Oc x Canon blog…but I don’t care tbh. I just…draw what I feel like. I know there are people who probably dislike me for that or feel strange about my content and that’s fine. I’m still gonna keep drawing it, loser.  

And I just want you guys to do the same, twst or not.

I can’t forget that all my followers and friends are a bonus, if I had never joined tumblr I’d still be drawing the silly shit I draw in peace. And while yes, I do want to grow as an artist and sell more merch and keep growing... I can’t forget my initial excitement for this silly little game. I like to talk about it. I like to write about it. It inspires me.

It’s supposed to be fun. Please remember that. I know it can be discouraging to have others being shitty to you. Or going through a creative drought. But, try not to let this stop you from creating what you love.

[ckret2]

Loved the comic above the chapter. It was glorious and this is now my headcanon XD. The art is great too! What's the new programs you got? Had to ask before I dive into this chapter!

-🥸

new program is Affinity Designer, for vector art. My hands are shaky as hell (it's amazing how many weird-ass symptoms ADHD has that you don't hear about until you dig deep) and that makes it a pain in the ass to get my lineart looking as smooth as it does—i'm hoping using vector art for lining will speed up my workflow.

Right now while I'm still getting the hang of it I think it's slowing me down lmao. Got to learn how to deal with entirely new problems from the ones I used to have, like, "why does this damn program keep randomly switching between clicking on the layer I want and clicking on some totally different object group, when i choose a layer in procreate it stays on that damn layer until I tell it otherwise" and "why does drawing a new line sometimes apply the line style I wanted and sometimes apply a line style I used like twenty layers ago for no reason"

But once I've worked out the bugs I'm hopeful it'll speed things up.

Like, this! Look at this. I made a Bill and saved it as an asset. Have a generic Bill.

And now I never need to draw Bill again in my life.* (*this is hyperbole.) I can just slap that asset down, bend some things, rotate some things, and turn it into...

... whatever pose I want.

His body and hat are always the right shape and it's easy to deform them however I want and then instantly un-deform them with one button; his bricks & tie & eye are already applied; his limbs are always the exact same thickness, his feet are always the same shape, it takes one click to put his joints into perfectly smooth swoopy curves at the joints, and even the glow effect is always already applied

and man, I know stuff like an automatic glow is no big deal to people with fancy-pants high-end art software like Adobe Whatever, but I don't have Adobe Whatever, I have Procreate and you have to manually make your glow layers and if you redraw the image you've gotta redo the glow from scratch. Never again!!

You wanna know what I had to actually hand-draw to change the first image into the second image?

That's it.

My two issues are—one—because I'm so new at this, it takes a lot of time twitching around individual nodes and figuring out clever little ways to layer objects to get the right effect that a pro wouldn't have to spend on it, and—two—because vector art is SO precise and smooth, it tends to drain some of the personality and "character" out of the art. Like,

the angry Scalene on the left "looks better" just in terms of having clean consistent lines and pixel-perfect gradients and no sketchy corners—but the one on the right has a better angry face, it's more visually appealing and more intense. There's a lot more rage in those scrawly uneven fists than there is in the smooth flawless fist. I spent a lot of time fussing over her expression on the left and still couldn't get it to look as good as the one I did months earlier with Procreate, because in procreate you can just draw the lines but with vector art you manipulate the curves in strange and esoteric ways.

So I've gotta work to bridge that gap.

and then by god I'll be unstoppable.