#i just. really want to start drawing comics. i have a lot of ideas.

[thestarfishface]

I actually kinda have two questions! If you hadn’t decided on Castoff as the idea you wanted to make a comic about, was there any others you considered? Also, whats your favorite part about the main cast? Yk something like related to drawing them or perhaps writing their scripts

Castoff was really the only story on my mind at the time, because I had been kicking the ideas around in my brain for so long at that point. It started as me just coming up with characters, liking them, and building a world/story they could coexist in. I have more story ideas NOW, but none of them are things I'm actively pursuing at the moment.

And I really like getting to write characters going through complex emotional stuff~ We're gonna get a LOT of that in the coming chapters and it's very hard to write, but also a lot of fun. I like to write little dudes figuring out their feelings.

[moe-broey]

Another one (also exploding it with my mind)

Honestly I would Not be surprised if the clothes change Again there are like. Some constants, and some evil-constants (unconstants) (always changing)

Core point though is the angel/demon imagery!

[narsh-poptarts]

NARSH YOU LU ART IS SO TASTY!!!!!!!!!!!!!!!!!! I have copies saved on my computer to look at and use as inspo and AAAAAAAAAAHHHHH! THEY ARE ALL SO GOOD!!!!!!!!!

YOU!!!!!!!!!! Aaaaaaaaaaaa I LOVE THAT IM SO FLATTERED!!!!!!!! man I was out all day today and did not have service for most of it so then coming home and seeing all the love in the tags was a WONDERFUL surprise aaawwww thanks!!!!!!!!! Saved on your computer,,,, used as inspo,,,,,,, I'll sob and cry forever (LOVINGLY!!!) QuQ

I've been really kind of wanting to go back and redraw an lu thing or two because I have definitely grown SO MUCH as an artist since I made all those (like 4 years ago for some of them!!! CRAZY)

All y'all liking and sharing my stuff is a lot of fun, I see my notifications just tick up and up as one person just goes through liking my entire tag hahahah it's so fun I love it!!!! (Genuinely!!)

[mildcicada]

[prongsx]

who are your boyfriend?

Even though you talk a lot about your sweet boyfriend, people don't understand the sign.

Warnins: English is not my first language, there will probably be mistakes, I'm more grammatically correct in my language I swear lol, f!reader, just a silly idea I had.

You're a person who talks a lot about your boyfriend, not that it's your intention to show him off or look like you're obsessed with him (maybe a little), but still, it seems inevitable to quote Jason Todd in your social circles, especially in the work.

It's a good work environment, your colleagues are nice, and you like to be communicative. However, the new co-worker, Adam, seems to be a little too friendly, your colleagues have already noticed this, but you dont notice this, lost in your own thoughts about your boyfriend.

The thing is, Adam has concluded that your boyfriend is an idiot, he listens to you talking about him, and the only conclusion he can draw is that you're dating a stupid nerd who lives in his mother's basement. It started weeks ago when you arrived with a jar of colorful cookies, offering it to your colleagues with a silly smile and saying.

"Jaybean did, does anyone want it? It's his grandfather's recipe"

Adam laughed internally at that. It wasn't right, you were too pretty to date such a weird guy who was definitely supposed to be short, skinny and silly, what kind of man cooked colored cookies? Or even worse, let yourself be called a "jaybean"?

The next day, he overheard you talking to your friend, in a worried tone, about how your boyfriend was about having physically fought with his younger brother, which only added to the comical image Adam had of his boyfriend. Definitely the guy was a banana. What kind of guy would let his little brother hit him?

Around the football season, Adam decided to show you what a real man was and ask you out, showing you the tickets he got. He called you a doll, which you registered with a slight frown.

"um, thanks Adam, but my boyfriend doesn't like football very much. And this week we're going to an arts fair in New York."

Adam let out a stilted giggle that you didn't seem to notice, the thoughts of him again calling your boyfriend stupid. Seriously, art fair? Didn't like sports?

There were other, clearer signs of how pathetic your boyfriend was, according to Adam, like when you commented that he had sewn a blouse of yours. (you didn't say that Jaosn's talent with sewing came from the fact that he sewed his battle wounds himself). Or when you called him cute nicknames.

Adam wanted to show you what he really wanted to date a guy, a real man, who had muscuslos and knew how to beat someone to protect you.

The fuse for Adam was when he approached your desk and saw a book by Jane Austen and asked, avoiding making a face at such a syrupy book.

"Do you like classics, doll?"

You looked up from the computer where you typed, a slight smile on your lips as you stared at the book brevmenete.

"A little. My boyfriend likes it, so I promised I'd try to read it. I prefer fiction books"

Adam's face drooped, you were really dating a stupid guy, you deserved to meet a real man. He rested his hands on your desk and puffed out his chest.

"You know, doll, you can get more."

You blinked your eyes limply, confused.

"Excuse me?"

"There are men… for real."

There was an arrogant smile on Adam, which you didn't like, not at all. Your posture became tense, prepared to reject him, by hook or by crook. But a voice, hoarse and thick, woke you both from the uncomfortable exchange of looks.

"Am I getting in the way?"

Adam turned, his eyes narrowing at the sight. There was a tall guy, much taller than himself, who even in a leather jacket could see his muscles. The guy had messy black hair and scars that gave him a tough look, even his blue eyes seemed like a warning, a warning to stay away. Adam was about to ask what he was doing there when your voice came out loud and contented.

"Jaybird!"

Adam stood still, his mouth wide open as that intimidating man gave you a soft smile and squeezed your waist, a chaste kiss on the forehead. By no means was that guy stupid of your boyfriend.

"That's adam," you said, a half-annoyed expression on my face, which softened when she turned her eyes to Jason.

Jason just gave Adam a suspicious look, not bothering to spend time with him before grabbing your bag and giving you another kiss on the cheek, whispering.

"Ready to go, honey?"

You nodded, smiling. Saying goodbye with a slight nod to Adam, as you told for your sweet, gentle boyfriend about your day, whose acts were what really drew you in.

Just a silly thing I thought about while analyzing the things that betrayed me about Jason. Adam is just one of those guys who think women are attracted to things that – they – think should attract them. Jason is just a grandpa's little boy who has learned how to be a gentleman right under that rough surface.

[neil-gaiman]

Hello Neil,i know you have 120k asks, so you will never see this, but genuinely, how do i start writing? I know it probably sounds silly to you, but I am 15 and already feel behind. I want to be a writer, I have loved reading ever since I read Coraline at 9 and have always wanted to do something creative with my life and to be an author just feels so fitting for me,I just don't know how to do it I guess. I keep trying but it always turns out bad,I don't even know where to beigin and how to pace the story or do anything really.I write short fanfics sometimes and when i go back to read them they are just objectively bad. I know what I do and dont like in stories,I just can't seem to accomplish what I want when I try to write it. And I do have so many ideas, but it never goes anywhere, and I can't put the words on the page. I know improving takes time but I just wish I had some guidance on how to improve(English is my third language so I probably made mistakes, I apologize )

You sound a lot l would have done at the age of 15, had I been articulate enough to say anything like that. At the age of 15 all I knew was that I really wanted to be a writer and that I wanted to write and draw comics one day. I had some ideas that would turn out to be good ideas 15 years later or 25 years later but at that time they were just ideas and I didn't know how to make them into stories.

The most important thing you can do is to keep writing. The second most important thing you can do is to live and learn and experience the world and accumulate a store of things that you have to say and things that you need to write about.

[comicaurora]

Hey, sorry if you’ve been asked this before, but I have ADHD and I’ve been following your comic for years and just now have started to write my own comic (partially because you really inspired me). But I’m really struggling with staying on the project even when it’s boring and getting myself to work on it in the first place. Do you have any tips on how to keep your brain invested or just to make yourself do the work at all?

I have excellent news, I literally just figured out something really important about this.

So when you're an ADHD kiddo or otherwise have difficulty staying on task in a structured environment where Task is the Priority, the main way people try to MAKE you stay on task is by removing your access to anything that is not The Task. No phone, no TV, no doodling, no going outside, etc. In practice, this just makes us miserable because it takes the boredom that's always simmering around a 2 or 3 and cranks it all the way up to 11. In the same way that you would have difficulty staying on task if you were in physical pain, this crushing existential monotony makes it very difficult to work. The work might get done simply because you have no other options, but it will not be done quickly or well, and it will take a while to recover from how much it hurt.

What I realized earlier this week is I caught myself doing this to myself. I had 42 pages of background colors to do, and I thought to myself "this sounds really tedious, but I suppose I have nothing better I can do." And I realized what I'd just thought, and got very alarmed.

Because back when I was an ADHD kiddo imprisoned by school scheduling and a million little factors that keep children immobile and restrained, I couldn't stop thinking about how big and exciting the world was, and how much I wanted to be anywhere but here. When I was feeling really crushed in I'd pick a random spot on the maps on my wall and just imagine being there instead of my bedroom. This was the impetus behind almost all of my creative energy. I've said it before - anything is a prison if you can't leave, and being in a prison makes it easy to imagine how amazing things could be outside of it. Aurora's initial worldbuilding was forged in the crucible of fifth grade misery. My enthusiasm for art and my creative drive are inextricable from my sense of wonder and yearning for excitement in the real world. Not escapism, but appreciation. Wonders unimaginable are out there, and I gain just as much joy seeking them out as I do conjuring them up in my head and sharing them with all of you.

So now that I'm a grown-up with actual freedom in every way I've been able to get, the idea that I was staying on task by making myself believe the world was small and not worth seeing was extremely alarming. It could keep me on task for an afternoon, but at the cost of slowly extinguishing the thing that made me want to make art in the first place - the hunger to experience and draw inspiration from all the myriad complexities in the world.

So what I've been doing is I've been purposefully and intentionally taking excursions whenever I catch myself thinking "I could take a break but it wouldn't be worth it, it's the same outdoors as always, I'll be uncomfy and unproductive and tired." Because that is never true. Every time I've put down the stylus and gone out, I've been renewed in one way or another, and when I come back to comfort fully recharged I get a lot of shit done. Because it is easier to work on anything if you remember why you wanted to make it in the first place, and it is self-defeating misery to just lock yourself in with it and tell yourself you're a bad person if you can't get it done.

I honestly don't know how widely applicable this is. I have worse wanderlust than anyone I know, so for me this has always been modeled as imprisonment vs freedom. I've also been extremely lucky to find myself in a profession that lets me set my own pace on literally everything I do. But I genuinely believe that when it comes to making art with ADHD, you need to give yourself freedom to move laterally, not just in the direction of obvious forward progress. We don't think linearly in any other part of our lives - art is no different.

[factual-fantasy]

So yesterday I finished drawing the Ingo and Emmet reunion comic and I was just about to post it..

But I changed my mind at the last second. Looking back it was much lower in quality when compared to Ingo's disappearance comic..

Now don't worry! I still plan to post their reunion! But I want to go back and draw it again. This time fixing all the things I found wrong with the first pass and really take my time on the expressions.

One of the things that needed fixing in that comic was Elesa's house/ranch. <XDD The interior was lackluster, the background behind Emmet was super lame, and I had no idea of the houses layout!

So I took a step back and tried to work out some concept sketches for Elesa's property and home interior.

For starters, Elesa lives in the Dry Reef and has a lot of extractors and solar panels all over the place. She's big on the unique ores of this planet and has a HUGE lab that is half way buried into the side of a cliff! :00

The interior of her house is suppose to be super homey and cozy. In stark contrast to all the cold metal and machinery that are all over her ranch. I didn't draw it here but there's intended to be a space where Ingo, Emmet and Skyla can all sleep over.

In order for me to draw the reunion comic I really need to nail Elesa's interior, so that's what I plan to work on mostly. This all needs some more refining I think.. but its a good start! I have higher hopes for the reunion remake :))

[notherpuppet]

Hey, man. How are you?

Any updates on the upcoming comics and what can we expect?

Hey, man. I'm good!

I guess I've got updates for anyone who is looking for some! I'm starting grad school next week and with the start of the school year, I will be working again. Two different jobs wahhhh. So you can probably expect me to not post as much as I have for these past months. (I just have no idea how much time I'll be able to allot to this hobby! But I really hope I can play in the universe as much as possible).

Even if I end up posting less, I have totally accepted that I'm in a long-term relationship with Hazbin Hotel, especially given that we're getting so many seasons and animation takes A LOT OF TIME. So I plan to be here with y'all the whole time hahaha.

I have SO MANY WIPs, so whenever I get the chance to draw them, I'll be working on those and posting them :) Just as usual, the schedule for comics or fanart is whenever I post it lol. Some comics/fanart that's all cooking right now includes: 🍳 -Hazbin Hotel filler 🏨: Comics and fanart that focuses on Alpha Universe's characters and/or things that I think could have possibly happened in congruence with canon. I like drawing demons. -My Deer Nanny AU 👨🏽👱🏻‍♂️👧🏼👪: More chapters, but nothing as long as Let's Dance so far. Mostly day-to-day insights into Alastor, Lucifer, and Charlie's lives in that universe. Lots of moments to see how Alastor and Lucifer's relationship continues to develop as they continue living together. Even though the chapters are much shorter, there's A LOT more of them. Like, I think I've already drafted 50 more pages oof. -Guardian Angel AU 👼🏼🩸: This AU is a Radioapple and Chaggie AU, where I want to focus on both of those relationships simultaneously in the story. So, expect more comics in this AU! -Devil Lucifer/Human Alastor AU (Title: Deux Démons) 😈👿: I just started making ideas for this AU, but more keep coming, so I think I may have some more radioapple dynamics in this sense. This one is a much more ludicrous shipping scenario than the others I think haha. -Vaggie Fanfic🎀🪽 : I did write a Vaggie focused fanfic when I was slacking off at work the other day. But it's PROSE, which is so crazy to me. I'm not much of a writer in that medium, so it's not very long. I just have one artwork that I'm pairing with that fanfiction and I will probably post it this week. Thanks for following me! Always excited to share the fanart I make for this show I'm deeply obsessed with :)

[yamujiburo]

With enough perseverance and passion, do you think I, too, can push my rarepair into the world? I realized that 2-3 years ago, I had thought of it, and only recently have I decided to actually write it down. At the moment, I have school to also worry about, so with time, could I possibly get it out there?

Absolutely! I had the fortune of an already existing, big following so that really helped but I think most of it is right place, right time and a lot of work haha.

I began drawing hanamusa back in like 2017 and it never really caught on. It was just a funny idea. But after Ash's anime ended in 2022, I think people were feeling really nostalgic and were already missing Ash and Team Rocket, wanting to see more closure for them. So when I started doing my comics in early 2023, they hit just right and took off from there. I think comics in particular work great. Cute drawings/illustrations are nice but actually putting characters in certain scenarios and showing people how they could interact is generally much more compelling. I found that to be the case when I was just drawing cute hanamusa drawings vs. when I started doing comics about them

[rambrandt-the-painter]

A lot of people say that when it comes to art, you need 80% dessert and 20% veggies. That's to say that you need to have fun/be creative 80% of the time, and 20% of the time, you need to study.

As someone who struggles with executive dysfunction, I'll add this to the metaphor: season your vegetables.

Studies in art don't have to be boring! Relate what you're doing to your interests. Want to draw fabric? Do 30 minutes of fabric studies, then draw your favorite character in long flowing clothes. Gesture studies? Do 30 minutes of those and then draw a little scene where characters are interacting or a short comic. In these examples, you're learning something and then applying them to creative work. Ideally, this motivates you to study and then reinforces that knowledge through the creative application.

It becomes easier to season your veggies when the subject doesn't matter. When I'm doing value studies from a photo, I choose to paint my favorite animal. When I study color, I reference my favorite artists and apply the studies to my characters. When speed painting, I paint my characters' houses, objects they would have, and their favorite foods.

Sometimes studies are still going to be a little boring (sometimes you genuinely just have to draw something that doesn't relate to you creatively or to your interests to get bettet), but these are just some ideas to gey yourself through them if your struggling to start. It's just like how i hated English class until my professor let me write about artists and write personal essays. Sometimes, the best way to start is to make sure you're going to have a good time.

Addendum: As always, there's no correct path in art. Do what works for you, but if you take yourself seriously as a creative, you should also examine yourself and ask if your process is really helping you work towards your goals or if you need to restructure.

Second addendum: Don't let this prevent you from trying new subjects just because you don't think it'll interest you. I always feel like character art is my favorite thing, but recently, I have learned that I enjoy drawing interiors. Sometimes you learn to enjoy subjects

[idolomantises]

What inspired you to create your monsters and girls and bugtopia comics? They’re really cool and I love the characters and your art style!!

With Bugtopia it was mainly just a side hobby I did for fun because I just really liked bugs but there was a lot of stigma around it. God forbid you draw some bug with tits, people will harass you endlessly for it. but when i saw the positive reception of my moth girlfriends Dahlia and Zinnia, I was like "suck it up and draw what you want dummy"

WIth Monsters and Girls... originally it was actually going to be an adult comic series (and by adult i mean ADULT. like porn. it was going to be porn) about a fallen angel seducing a succubus virgin, but scrapped it because I wasn't feeling the concept and I couldnt get a creative idea out of it. So I shifted into an Angel who falls for Succubus but has no idea how to handle her feelings. Originally it was going to be more of a slow burn hence the early comics having Sera outright insult Lili.

But then I was like "eh fuck it. this isnt a tv show, let them date!" so it became a series of comics. but over time I started thinking about their world and their relationship to it and it just kept developing and expanding.

[rupeenotruby]

@isasan347 made a post about Fable doing her ssbu stuff in front of Legend and I thought the idea was quite humorous and so I made a comic!

I chose to go with her lightning kick because her three main special moves are just the great fairy spells for OOT which would then belong to Time and her down b isn't very iconic since it is a more recent addition. Lightning kick has been there since the beginning and is the first thing I think of when I think of Zelda in ssb.

I started working on this comic a few weeks ago but had to put it on hold because of my finals. But now they are over and I have finished this! There is a lot I dislike about this comic (namely the dialogue, I didn't really script this out like I should)(If you have a better final punchline you are welcome to edit the panels with it (2nd to last), I changed it so many times and am still not the biggest fan of it). But there is also a lot I like! I actually finished it for one! Yipppe! I'm still figuring out how to draw everyone and wouf! It was a challenge (shoutout to four though he's a real one). I'm probably going to study their clothes a bit more before making another comic though. I'm also still figuring out how to write all these guys so they might be ooc, sorry about that too. Also here's the rough draft if you want to see it(if you zoom in you can see the original ending (maybe)):

Anyways, if you have read this far, I have a favor to ask: You see it has been a while since I have made a comic for human consumption, and I would like some feedback. Is the text big enough? Do you understand what is happening? Anything really bothering you about it? Anything you really like? Etc. Etc. I am open to constructive criticism.

I will take this time to complain about Zelda's horrible heeled-sandal-boots. They are evil and awful and horrible and every other negative thing you can think of. That is all.

[meo-eiru]

*cracks knuckles* here I am again. this time with Micah as my victim

so at first,

you definitely should add some more story to him. so far, if I'm being honest, he feels a bit too plain to me. but oh boy, what a potential I see here!

alright lets begin

omg look at him! such a hypocrite! how smart it is, to put all blame on MC while being just as (actually even more) sinful. and he sure hides well; it's your fault, isn't it? oh you and your sinful mind.

buut despite him not really being my cup of tea, I still do like a good old concept of ugly insides, hidden behind a beautiful shell (if that's the vibe you were going for).

Micah seems so pure, so holy, almost like an angel (you played smart by adding a lot of white in his design) – but behind that pristine facade? he's ugly. and that shell eventually starts to crack, because no matter how pure he may seem, Micah is just as human as we are, and definitely not a good one. and what are we, if not a bunch of cruel, egotistical animals? and deep inside he's exactly that, sickeningly human. with that in mind the very first comic you did abt him is actually pretty hilarious to me. your desires? what about his desires, which are strong enough to ruin your whole life?

I kinda feel like he's also a little pathetic in his own way; if he can't make you fall for him, he will break you. isn't it like a very cowardly move? he wants you badly enough to use whatever method it may require to have you, but will never admit it.

but let's talk about that strange desire to destroy MC's purity. why? to make you just as dirty as he is? cute, but doesn't seem like a full explanation to me. he's a priest, right? and even despite those dark insides of his, I feel like Micah still kept at least some of the priest mindset. I mean, they're raised and taught with a very strict discipline. so I feel like deep down, he feels bad (not ashamed, but in a "how dare they" way) for his attraction to you, and punishes you for that attraction. it's not your fault, of course, but who cares? you managed to destroy his perfect, clean facade, which he was methodically building for his whole life with simply your existence. isn't that unfair? so now you must fall into the depths of hell with him.

I like how we can't justify him. Micah is perfectly aware of what he is doing. and of twisted nature of his feelings too, I think, yet still chooses to indulge in his desires, even if it hurts you, the person he was supposed to love and cherish. he makes me feel an absolute, poetic rage, and I love a character I can hate. (don't get me wrong, it meant to be a praise)

and I absolutely adore his design. also if I was on point with the idea you meant for him, that is wonderful too. if a character makes me feel something, I like that character. but girl, you really should add more details about him. because everything I've written here is, basically, just my own brainstorming and bare theories. Micah needs to have more meat on him for a full character analysis >_>

but anyway, I actually have a question.

what if MC wasn't in any way pure? what if they're a complete opposite of that word? count it on my love for hunchback of notre dame

unlike the nun MC, I suggest a MC who fully embraces their sins. like an evil succubus, they enjoy the joys of being tainted. they know what influence they have on their dear Father Micah, and isn't ashamed of that. I feel like that would make a pretty interesting story

(cough cough draw him blushing and moaning and my life is yours darling)

Another absolutely incredible ask I'll have a field day answering.

I do agree with him being a bit under developed at the moment. Micah was a bit unfortunate as in he was never meant to be an actual character. He was just a momentary creation who existed for me to study color theory. A beautiful man of flowers who didn't have an identity.

Then he joined the cast when I was busy with working on commissions and the 5k celebration comic so I didn't have the time to draw his introduction comic with the things I had planned for him, though I've been trying my best to explore him a bit more thru asks like this one. The fact that I don't want to spoil the stuff I'll draw in his comic is also holding me back a little.

I think Micah is evil, but not completely bad. A man who was born twisted, who was raised into goodness, and even with all the love he received never truly got rid of his inner darkness, but just once, just for one moment, I think he had good in his heart. And that is when he first saw you.

With all his twistedness, all his evilness, all his darkness, I think that love he felt for you was truly pure. Because in his eyes you appeared truly beautiful, like a pure lily.

But Micah isn't a pure man, neither does he want to be. So he prefers to pull you down to his level, so that you two can be sinful together. A truly impure way of feeling that pure and innocent love.

I have gotten asks about him with a more rowdy darling, one who isn't a nun or one who is more sinful. I've been really brainstorming about it but I don't think it would work. Not because I personally can't force the story into being like that but because I think it was just not meant to be like that.

You see I do come up with the characters, but I don't control their actions. If the character is unwilling I can't shape the story to my will. Because that story is their life and they control it. The best I can do is to try to fill the gaps I can.

I might prefer submissive yanderes, I might want Micah to have a more sinful darling instead but it wouldn't be Micah's story anymore. That's one of the reasons why he's so different from the rest of the boys. I'm not super into very dominant guys, I could probably count the ones I have with one hand, it wasn't my intention for Micah to be the way he is, but I don't think he could've been any other way.

Micah was just meant to be manipulative, a gaslighter, a dirty man who'll pull anything to push you below him.

I guess me looking at my stories from an actual novel or manga perspective also contributes to this. Father Micah exists to shine with a darling who he can soil.

Now the darling can maybe go against him in the future, she might rebel or give in to his sinful ways, but that's a different story.

[meanbossart]

Hi RJ, I deeply deeply love your art, your style is amazing and your Astarion is one of my favourite renditions. Thank you so much.

I would like to ask you a rather specific question about your process, if you’re alright with that.

What thought process goes behind choosing a color for your lights and shadows? How do you do it?

I think you’re a master in creating a mood with light and the colors you choose really make DU Drow look like himself (true drow skin, just like i imagined it before ever picking up non-table top version of anything d&d!!) and gives your astarion this gremlin-like soft ugliness lol

Anyway, take care and thank you for any tips xx

Thank you so much! Colorful art is kind of a "new" thing for me, I used to do mostly black & white for comics and such. When I got into BG3 and decided to wanted to draw all these silly ideas out, I realized I was gonna have to venture back into it - It's far too colorful a world to get away with grays and inks alone.

What I'm saying is that I'm still very much learning! I'm glad you guys like my art but I definitely feel like my grasp on color isn't all it could be. I just do what I think looks good and makes sense with the setting!

First of all I think it's important to note that I usually have several different layers of shadow and light. FOR EXAMPLE:

AND THEN FOR LIGHTS... Each text color is a different layer, and that's not even all of them 😂

And the reason for keeping them separate is this: when first painting them on, I make a rough guess on the color, AND THEN-

Yup. I just fuck around with this until I'm happy.

Usually this lands me on (very muted) blueish or purple-y tones for shadows on a multiply layer, with the "base" shadow and for the lights it can be all matter of colors depending on necessity. You can also select your flats and individually change these colors per-surface. You learn what you like as you go! This isn't even a rock solid formula, I still experiment a lot and depending on the piece, the process can be both a lot simpler or a lot more complex than this.

A rule of thumb to start with is that natural light will usually constitute of gray shadows and very, very soft-yellow light - if there is even a need for any depending on your base colors/style. Night settings usually necessitate a slight blue hue on both shadows and light... However, this is art baby, do whatever makes you go "oh that's sick" when you look at it.

As for DU drow's skin, it is nothing but a mix of a grayish/brown base, shadow, and a reflective light! That's what sets him apart from the way I color light-skinned characters; light, when bouncing off his skin, usually (but not always) has a gem-like blue color. You can have all kinds of variations of this combo to give the skin on darker characters more depth.

[tesscourtes]

saw you had asks open, not a drawing request but wanted to know if there was any more story to your human bill’s punishment-for-weirdmageddon-is-to-turn-weak-human au, I really like it (sorry if you explained this a while back, I only just watched gravity falls😭I’m a late-comer to the fandom)

it’s just superepiccool to me, how are dipper and mabel about him being human now? Soos n Wendy, Stan and Ford? What was it like for them (especially Ford) when he just turned human? What was it like for Bill?

oh hey don't worry, I haven't really talked much about the details of the AU like ... ever. I just started reviving it because I got my partner into the show (they are also a new fan! yay, new fans! Funny enough I had no idea TBOB was coming out so the timing was mad exquisite.) and they have just been an amazing help shaping my messy thoughts and coming up with new, fun plots! It's also nice to know there's someone out there interested in it, so thank's for asking! Now that I read TBOB I want to change the premise a bit, but the core is still the same.

Let me tell you this AU is silly. I'm aware Billford is toxic and there are many corners to dive into to picture their messy relationship. But I kinda wanna keep the spirit of the show here and make it equally as fun as it is disturbing. Given that Bill canonically is trapped in endless Therapy gives me even more food to work with, he just out there being toxic and people repeatedly telling him to cut it out.

I'm not gonna go into too much detail because I'm actually working on the first comic chapter for this AU, but regarding the characters: Each of the Pines, as well as Wendy and Soos, are not happy seeing him, but individually grow more accustomed to him and with him. I guess going from "most accepting" to "least accepting", Mabel took it the best. I wouldn't say she was quick to forgive, but quick enough to give the guy a chance. And I honestly have to say that, although this is 100% a Billford AU, there's so many plot ideas for just Mabel and Bill and their amazing, chaotic shenanigans. Put these two together and the stories basically write themselves. Wendy is pretty similar, and the most chill in actually helping Bill figure out human stuff.

Naturally, Ford took it the hardest. I'm aiming for slowburn here, haha. They got to figure out some stuff that I'm so ready to put onto pages... Ford is a lot of emotions. Confused, angered, curious... Meanwhile Stan is Bills biggest hater. (There is a lot of bullying in this AU) He just keeps up with it because his Family makes him. He's very protective and tries to kick Bill out several times. Soos sticks with Stan, but he's also Soos and has a big heart, so in Bills eye, he's very gullible and a target he can mess with easily.

Dipper is not a fan either, he has a hard time adjusting to the triangle just getting to ... be there. He's suspicious for the most part and Bill has to try hard to get on his good side. But honestly he might be more upset with Mabel (and later on Wendy) for making friends with Bill so easily, even though he knows that's just their nature. I just recently started thinking about Gideon and how I'd like to include him, but nothing worth mentioning so far yet.

With Bill himself, one my favorite parts trying to portray so far is how he's dealing with his new mortality. He adjusts to the body fine, he knows how to navigate flesh, but he has a hard time accepting that it's his body. His new prison, essentially. If it's gone, he's gone. If he treat's it like shit, he feels like shit. Then we add the psychological aspect of things. And more importantly, we add Ford to the equation. When I tell you, that demon is experiencing psychological damage here, and it's fully his fault. TBOB really pointed out to me that I need to dive into his obsession with Ford. How do you even get a man you fumbled so bad, to even acknowledge you again?

I love yapping about this AU, thanks again for giving me the grounds to do so anon! I'm an insecure writer so it'll probably take another hot minute to choose which script feels best to draw out, haha. But I'm glad you seem to be up for the ride!!