#i just wanted a new bg for my tablet :3
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einschlunz · 7 months ago
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something something lesbian jesus something something sacrifice you know how it is
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foosybit · 2 months ago
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Ok im probably not the best person to ask this because ive been using krita for YEARSSS. like. last time I used firealpaca was 2018 which is... 6 years ago TT_TT but i did a brief pass-over of what firealpaca looks like now and it seems like the things i personally didn't like about it from 2018 are still present. and also the only computer drawing programs ive used are firealpaca, krita, and a really old pirated version of paint tool sai that was so bad it didn't even have a circle tool. absolutely abysmal for my eddsworld phase. but ya i do really like krita a lot tho. explanation under cut cuz its long
First one's pretty minor, but firealpaca does give you a popup immediately lol. i know it's easy to get used to, but its one of those small things where i'd rather not be asked to buy something or update my fully updated software every time i open the program. Firealpaca also just opens you up to the drawing ui, and krita opens you up to a specific launch ui that i really like
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it shows all your recently opened files with a thumbnail too so you don't really have to go rummaging through your files every time you wanna draw which is super convenient. and as you can see i literally just never enabled news LOL which would probably tell me about any new krita updates idfk i never enabled it.
Another one that's more major to me is that the firealpaca animation system is actually ass omfg. they say like "wowww you can do onion skin !!!" but thats literally it. and i like to animate from time to time so that's a no-go for me. firealpacas animation system is manged through YOUR LAYERS???? AND MAYBE A FOLDER???? jail. awful. and you have to wait for firealpaca to render a preview. if you ever decide to animate, krita is way better. it actually has a proper timeline and hold frames and real-time previews. it might not be the super best professional animation software cuz it does fight with me a little bit, but for someone who just makes small gifs every once in a while, it's wayyy more useful than firealpaca without being overwhelming which i like. heres what the animation workspace looks like:
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the final real qualm i remember having is that the blending on firealpaca was just..... not great. I downloaded it again breifly to check how it's looking and it's still not looking too hot. For the examples I just used my mouse with no pressure sensitivity mostly because i was too lazy to set up my drawing tablet, but also it shows what one consistent opacity/pressure sensitivity looks like
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the transparent bg one is firealpaca and the tan bg one is krita. it seems like the difference in opacity of the brush doesn't affect the blending strength of the brush at all in firealpaca. 1 and 2 are the flat watercolor brush and the blending on that one just looks ugly 2 me sorry. 1 is at 50% opacity and 2 is at 100%. 3 is the fluffy watercolor brush at 50% opacity and 4 is the same brush at 100% opacity. it blends to the same amount regardless of opacity, so it seems like the same brush calculations are happening, just literally at a lower opacity. For the krita one, i used the wet paint brush and 5 is 100% opacity and 6 is 50% opacity. It gives you a lot of variety and control for the amount of blending you want based on pressure sensitivity which is super handy to me; i would not have been able to do those crazy digital paintings i used to do years ago without it (pre-mysn days cuz my style has since changed, but u can find it in my pixiv).
Also idk if im stupid or what but i can't find any method to change the blending mode of your brush in firealpaca. it's a neat feature that lets you just do a few brushstrokes with a multiply blending mode (or whatever blending mode) without having to make a new layer and merge it.
But yeah I'm sure firealpaca has its pros. I saw a bunch of cool pattern brushes on their site which seem like they'd be super cool to use, it's just that for my personal tastes i remember thinking that moving to krita was a huge improvement. the only thing that takes a bit of getting used to is that krita doesn't have a clipping function, you just have to alpha-lock a layer within a folder, but you get used to it (theres a "create clipping group" option that does this for you).
Bonus for if u ever get krita:
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this is my favorite drawing brush in the entire world i can't draw without it. just a basic toothy brush but it's my life blood. and you should totally download the ballpoint pen brush. just search up krita ballpoint pen brush. its not like i use it all the time or anything but it's super fun and i like it and if u use krita i think u should mess around with it at least once X3
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bbeelzemon · 4 years ago
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this will be the ONLY wip you get of this (because theres a chance i will get distracted and work on other stuff before i finish this so who knows when that’d end up being), but anyway: Street.
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meruz · 4 years ago
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i was gonna draw tonight but i dropped my tablet pen and the barrel of the pen broke off and flew somewhere underneath (??) my bed (?) and now i cant find it so I’m just gonna answer asks before bed instead. just some art asks and more mentions of infinity train LOL
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What program and brushes do you use when making your art?
@ravki hi! part of this is in my FAQ but i’ll say it again anyways LOL: I use photoshop CC and have used photoshop for pretty much....my whole art career. I’ve dabbled in clip and paint tool sai in the past but photoshop is my true wife, we eloped away from her awful father adobe many years ago and are very happy together. 
as for brushes... I should prob put this info in my FAQ too lol,... my default brush set is actually free to download here! Tho I will say I also use steve ahn’s storyboarding brush sometimes and lately i’ve been using shiyoon kim’s brushes A TON. Shiyoon’s cost a couple bucks but they’re super worth it imo
How do you choose colors?
This is kind of a difficult one to describe from scratch but hmm.... I’ll put it this way. Generally when I go into coloring or painting something I already have some colors in mind. Like for a certain piece I know I want a bright green, or a magenta, or a dark blue in certain areas. A lot of the time I know a mood I want. So I’ll start with that core color tone and build around it. I’ll use an example from a recent piece
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So you can see here that the first color I accessed was that bright cyan. So I start with that bright cyan and then bring in its “friends” in the form of analogous colors (shown below on the far left)
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greens greys etc. THEN I know I want the characters to stand out against all the blue so I start laying down warm contrasting colors for them (middle group). the mat under them is orange, skin tones are warm, ryans flannel is red etc. then to get them to work together I work more cool colors into the shadows and slightly warmer (not too warm because its a cool img overall so in this case, greener LOL) colors into highlights. 
hope that makes sense? for me choosing colors is a lot about story and composition. If you know what you want to say, the mood you want to create, where you want to go, the path to get there becomes a lot clearer imo.
Have you ever considered making an art book?
I have! But I don’t think I currently have enough...original illustrations for one LOL? Not that an art book has to be all original work but if I were putting fanart in an art book...at that point I’d just make a fanzine. I’m making more original work lately though so maybe this year....? Who knows. For now, I do have a sketchbook up on gumroad. Hoping to do one of those next year too.
Any tips for keeping background drawings from getting super stiff, especially since things like interiors have a lot of straight lines?
This is a really interesting ask. Really great question that I don’t think gets asked enough - forgive me if I get a bit art school here but I drew up some examples.
First I think we have to investigate the assumption that straight lines make things stiff. That seems true on an instinctual level and certainly proves to be true very often But I don’t think its actually the straight lines themselves but the sort of arrangements and compositions they tend to dictate. Take this for instance.
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pretty big difference, right? there’s a couple things that make a composition feel stiff and one of the most significant is lines that are perpendicular and parallel to the frame. it feels locked in and solid, like bricks. but the moment you shift these angles even a little the composition instantly becomes more dynamic because our innate senses of weight, gravity, and directionality can sense movement.
But it’s not just diagonals let’s take this one step further
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when lines meet and terminate together those tangents can flatten and lock space so the best way to solve this is with overlap and complete intersection, forms continuing past or behind each other feel more layered and less like a flat mosaic... again, even in the simplest line drawings. So how do we apply this to a background?
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ok I drew this really fast so its potentially not the best example but I think the idea is there. This space isn’t even particularly deep, it’s basically a room, a doorway, and a hallway behind it, and we’re not seeing that much of any of those things LOL. but when you draw an environmental object like a doorway in a way that lines up with the perpendicular and parallel lines of the canvas you’re automatically flattening it and making it look rigid.
and when you create tangents with objects and characters you flatten the space around them and make it difficult to tell what is actually in front or behind or if they’re on the same plane.
GOD I HOPE THIS MAKES SENSE. Anyways. avoid those things and you’ll instantly have less stiff bgs no matter what kind of bg you’re depicting.
I wanna mention however that this isn’t to say a stiff bg with flat space doesn’t have its purposes.
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sometimes you want to create parallels and tangents. it can make characters feel closed in, trapped, regimented, part of a routine, etc. it’s also great for making a composition look ornamental (especially combined with symmetry).
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directors like wes anderson can even use these compositional elements to make images feel uncanny or harrowing! its very versatile. I think the important thing is to just be aware of when you are making something rigid and when that’s the last thing you want to do. conscious choices.
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Can you speak Tagalog?
@lemuelzero101​ I can! BUT NOT VERY WELL LOL ;;; both my parents are from Visayas! but they met and had me in the states lol so I’m pretty American born and raised. We go back to visit family on occasion but not regularly. My tagalog is mostly absorbed from listening to relatives at parties lol and my parents speak bisaya at home so I’m marginally better at that. Sorry to any filipinos out there hoping I’d be better educated, I’m like a little baby...
I do love meeting and talking to other filipinos online though, I grew up in an area that was relatively diverse but the asian population was small and the filipino population basically non-existent. I was like one of maybe 2 filipino kids in my highschool of 2000.
Apart from infinity train what shows are you watching now? Have you seen jujitsu kaisen?
Man this is gonna sound so boring but I haven’t watched a lot of tv lately.  It’s not really part of my daily routine. Let’s see... I was sort of watching Amphibia, Craig of the Creek, and the new Digimon Adventure 2020 but I keep falling off watching those for one reason or another. Also there’s a lot of episodes, it doesn’t feel like something I can just binge and be done with.
The last thing I binged was Succession. I want that show and Euphoria back so bad, when I’m done forcing all my friends to watch Infinity Train im cancelling my HBO subscription until Succession and Euphoria return so they know exactly what I’m on their list for LOL. 
I have not watched jujitsu kaisen but I’ve kept up with some of the sakuga news (I keep up with anime industry news and production info like x5 the amt i keep up with actual anime) for it and their compositing/editing looks dope. I’ve read the manga actually LOL or at least part of the beginning. I wasn’t super keen on the whole finger eating thing. Also to be honest I kinda feel like its the new Bleach and I never particularly cared about Bleach. Characters look nice enough tho. I wholeheartedly support jjk fans.
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Thank you! Thank you @keznodzieja​! <3
And thank you anons who don’t watch infinity train LOL...it’s always nice to hear when people enjoy my fanart despite not knowing the source material because it lifts a little bit of the “oh god am I being annoying???” fear off my chest. But also I think you should watch infinity train because it’s really good I have no reservations recommending it.
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riisinaakka-draws · 4 years ago
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part 2/6
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2nd part of my old Black Sails scraps and doodles from 2016–2021. Not in any particular order.
This time the drawings are short comics that were abandoned for a reason or another, mostly because I lost the interest or felt like there was too much to redraw compared to the satisfaction of finishing something else more interesting. There’s also some talk about rigid mindset and how overthinking can lead to stagnation.
Contains early silverflint moments, specks of dust, rackham's glasses are found, jealous-Billy spying, desk-Flint gets caught, "squint-squint", a quiet moment and its bird dilemma etc.
And please do not steal and repost elsewhere. But if you do get inspired, feel free to make your own interpretations!
Long-ish post under the cut!
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“What are you thinking about?”
“Specks of dust.”
“Liar.”
The idea was to show how much they and their relationship had changed. This was around 2016 when the season 3 began and I was still re-learning to draw with a tablet. Another art from the same time period (and idea) is this art: The Dynamic Duet. 
And for some reason I was really stuck up thinking that I’d have to first do the sketch, then the clean line art, then planes underneath, then shadows etc. and I have always struggled with that kind of approach! Mainly because I hate doing clean line work, lol. And I was a fool for trying to start with a white canvas! It’s so much harder to find values and plan things, or at least in my opinion..
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“Rackham’s glasses are found”
To celebrate their new pirate alliance, they share the four lenses of Rackham’s sunglasses as they were also found at the time (because I wanted it to resurface and they could be made into jewellery you know...). This was right after the episode where Anne fights and hurts her hands (here wearing protecting mittens from Max even though she’s not trusted at the moment). Uh, this doesn’t spark joy interest me much and it’s quite stiff and would recuire a lot of redrawing faces, so - discarded!  
I somewhat like the idea still (them having something to share, although it’s on Jack’s detriment). I tried to find a stylished comical easier doodlier? way to draw them and draw clean lines etc, but it just wasn’t for me. Also here too, the background is blank and too bright. Later I started to think things as scenes and draw everything at the same time instead of adding the bg later or trying to show everything (and everyone) at the same time.
Here’s also Billy in the same story:
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He’s spying on them and since it’s so bright he’s wearing his diy “sunglasses” and being envious to the others. *cough* uhhh...Idk? Also people were shipping Ben Gunn (and cheese) with Billy, so that bled into this too... Charles’ spirit is riding the “big white bird” that was mentioned in Teach’ story and in this case it’s a pelican.
As you can see, I also wasn’t using the brushes that I use nowadays. A hard (or soft) round brushes with no change in opacity just aren’t for me. For example, in traditional art, I struggle with markers and copics, but really enjoy charcoals and watercolours. I prefer ragged edges, layering and thus blending things into each other (and leaving the viewer to fill in the gaps) instead of having stark or definite things. I also struggle with vector drawings, although I have decided to finally start learning to use them...somedayyyy.
Also, I wasn’t paying attention to anatomy, like, at all LMAO. I was just so happy to be able to put something on the canvas.
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This is one of my first ink drawings, but I cannot find the original anymore. Again, I like the idea, but not how things look art-wise. And I was so adamant, that I have to get everything right in the traditional drawing and not fix anything later on on photoshop because then it would be cheating. And thus, I was never able to move on or finish this properly the way I liked it (idiot).
BUT! It was a good practise to just draw and test things on paper and gain confidense on drawing things in overall (as I was still getting back into art). To get over the fear of blank paper you know, and try to find my style whatever it would start to form into.
Oh, yeah, Desk Flint.
Desk Flint was a thing for a while (still is, lol). Another drawing from that time is this Slingshot Pirate (2016). And Desk Flint keeps repeating in many later works too. The point is mainly “Flint sitting behind his desk and people interrupt him and I don’t have to draw him fully”
Well, anyway... moving on.
Here’s a plan that has been stuck for years. It’s name is “Squint-squint.” Left is the sketch (with another sketch underneath because the expressions were clearer in the old one). On the right is the continued piece with colour scheme but I cropped the eyes panel and faces out (it was so ugly for some reason) but if I ever continue/finish this, it will be redrawn there in the middle.)
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Left. “On that moment their eyes were literally open(ed).”
Right. “After squinting on the shore for days, they had actually forgotten how pretty the other idiot’s eyes were.”
I still like it, quite a lot, but my perfectionist ass only sees too much “boring” things to draw and get right, so it hasn’t been a priority for a long time and other works have kept me occupied and more interested in them.
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“Quiet Moment.” 2018 (a wordless comic happening after the events of Charles Town)
I’m going to explain after these pictures, but see how big the difference is when you start to look at references and plan things together (the space, “camera” movement, background etc). I also started to colour with coarser brushes:
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I drew this around early 2018. A lot of improvement! Still quite a lot of negative space (empty white backgrounds), but it fits this work. A few things tell where we are (the ship’s cabin and the balcony). Changing distances and how things are cropped/framed make things more moving and focused (and less to draw, lol). Colours and brush strokes are softer, more layered and so on.
But guess why it’s still a wip!
I couldn’t decide what bird is flying over there.
Yeap! At first it was an albatross (doesn’t go to Bahamas?). Then a seagull (but which seagull? there’s so many subspecies! Is the ship at sea or at the harbour? what birds are there on the open water/ close to the shore?? oh noo...) So, yeah, wayyyy too much over-thinking.
At some point I ended up with white-tailed-tropic-bird which was a plus! because it sounds like the bosun’s whistle, but at that point I was so tangled and frustrated and still had so much to finish with this that I left it be. Also Flint’s face looks different in every frame so I would’ve had to change some parts, lol. And then I forgot it for a couple of years! And then I had learned to draw a bit differently and again saw too much things to do, so it’s quite hard to take on this again, especially when there are so many other interesting wips waiting...
But I still really like the feeling of it! And the colour scheme. So I might just limit the things I’m allowed to fix and then post it as it own someday. I mean, it’s 90% finished, but the last reach just feels like miles.
And that’s what usually happens with my wips. They reach a certain point and it suddenly becomes really hard to finish or get back into.
But every time I learn things and then use the information in another work! :D
Final note for this post (altough this has been said hundreds of times): use references and look how things go and try to see the structure and form beneath things. And think where it is happening and how the light and surroundings affects the characters and/or spaces. And maybe think what you’re trying to convey with the art, what idea? what emotions? what purpose? or like, what are you trying to learn with the piece? and so on...
Thanks for checking this out, I hope you had fun <3
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phoenotopia · 5 years ago
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2020 May Update
I hope you're all staying safe and healthy during this time of Coronavirus!
We continue towards the finish line, slowly, but surely. Coronavirus did throw a few wrenches in our plans. Our talks with a publisher about a possible sponsored appearance at an upcoming event stalled.
But that was always just a possibility. We have a backup plan. If we didn't win a sponsor, we were just going to pay our own way to a convention. That's what most indies do! Anyway, that's canceled too. It doesn't seem like there'll be any conventions to showcase in the near future...
Nevertheless, we did move forward in other areas. We've got the press materials ready as well as the game's official launch site up. You can view it in its prelaunch state at this link. NOTE, It is in a "prelaunch" state, so some media links are being withheld until reveal time. But there are a bunch of new pictures and artwork you can look at.
You might notice the link reads "phoenotopia.wordpress.com". The plan is to direct "phoenotopia.com" to it in the near future. That means if you wanted to reach this tumblr specifically, you'll have to visit it at its tumblr link, "phoenotopia.tumblr.com" (which, I just noticed doesn't work... huh). Anyway, since this is a dev blog, I'll talk a little bit about the journey of creating the website.
SQUARESPACE vs WIX vs WORDPRESS
I actually tried 3 different services (in the above order), before I settled on wordpress. I did a bunch of researching, and most reviews seemed to point at WIX >= SQUARESPACE >>> WORDPRESS.
I went with Squarespace first, since it was recommended a bunch on some youtube videos I saw (guess marketing works). Even though it didn't win outright in the reviews, my impression of it was "less quantity, but more quality." I tried it and found it serviceable. It was kinda sluggish, with some not so intuitive areas. I had to ask for help a few times for some things that would seem simple ("how do I change the BG and font color and of the music player?", etc).
That was last year, when I *thought* I was near launch and would need a press site soon. One year later (present day), it was time to create a press site again, and since my website with Squarespace expired (I had only signed up for a trial period), it was a good opportunity to try Wix, especially since Pirate had lots of praise for Wix.
My impression of Wix was that it was... too distracting. After I chose a theme, in the editor view I felt bombarded by menus. Everywhere you move the mouse, things kept lighting and popping up. And it was slow. So I guess it was sorta like Squarespace, but maybe even a little worse?
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(Easy ways to preview the website from phones and tablets was one of wordpress’s neat features)
What prompted me to try Wordpress was one of their slogans "35% of the web uses WordPress". If it's good enough for 35% of websites, it's good enough for me! I ended up liking it most of all. It's definitely less featured, which suited me, since I'm not trying to create something too fancy either. Unlike the other website builders which emphasize free-form, wordpress was more rigid. I couldn't drag and drop an element just anywhere - I found that comforting in a "I can't screw this up" sorta way. The most important thing was that it was fast. Loading the editor view to Wix took 11 seconds vs 4 seconds with Wordpress. And the speed advantage of wordpress extends across every action. Similarly, when Chrome launched 10+ years ago, it was also less featured vs Firefox, but it became my choice browser. I guess speed is something I value highly.
Anyway, my experience is from a drag/drop perspective with minimal coding. This is also NOT a paid advertisement. However, if wordpress would like to send some money my way, I would not be opposed... (call me!)
Achievements, Bugfixes, and Cleanup
Lots of small tasks and polish was done over the past 2 months. I finally fixed the time tracking bug - important because the Speed Run achievement depended on it. I also finally finished implementing all the technical stuff for the achievements. There was a bug where some enemies would stack up too many light sources, causing them to appear too bright and drain system resources. That's now also fixed. Lots of other small ones that don't bear mentioning.
A neat trivia about the game is that there's a final super hard achievement for those seeking to prove their mastery over the game. The player has to beat the game having never picked up a heart or energy upgrade. When playing under this constraint, some enemies can even kill the player in one hit! In the game's most current iteration, even I failed to achieve it, so I'm definitely going to have to go in and tweak things a little more.
Age Ratings
I went and got the game's age rating. I did a little research on this - it's quite fascinating. ESRB would be the age ratings board for the United States (where I'm based). But if you were in Europe, you'd get a PEGI rating. Then there's ACB for Australia and so forth. So if you wanted to launch a game globally, you'd have to deal with this process over and over, and each country rates things a little differently... that's a lot of work!
Enter IARC (International Age Rating Coalition), which aimed to simplify the process by being the one standard that you apply to, and from which you could then get the equivalent rating for all participating countries. IARC is an entirely automated process - probably necessary due to the boom of digital titles across all platforms, particularly mobile.
IARC is great for me, because they relaxed the standards for getting a rating. From my understanding, the process used to be more difficult. And you'd have to pay ESRB a hefty chunk to get a rating, but with IARC, it's totally free! So long as it's for digital and it's used only on licensed sites and store fronts. If I wanted to launch the game physically, I'd have to deal with ESRB on an individual basis again.
Without further ado, here's Phoenotopia's IARC ratings:
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Fascinating... Phoenotopia is rated "Mature" in Australia... but for "Horror". Which seems suspect. The horror elements are rare (remember Dreadlands?). But when I was answering their questionnaire, they provided a video example of what they considered "horror", and it was pretty mild. About as mild as my game, so I checked that box. It is what it is...
We also got a "Teen" rating for ESRB for reasons of Fantasy Violence and "Mild Blood". This one is kinda iffy. In the game, if you hit a giant bug, it spits out a few drops of green blood. Does that really count as blood? Ocarina of time skirted by with an E rating 2 decades ago, and it let a dude spit out green blood. However, since IIARC is an automated process, I didn't see any place to dispute. But also, I wouldn't have disputed it anyway. A "T" rating is cooler than an "E" rating!
I'd like to mention this is not a paid advertisement for IARC. However, if IARC would like to send some money my way, I would not be opposed... (call me!)
Submission
I expect to polish the game for about 2 (maybe 3) more weeks. After which, I'll be submitting the game to the console "authority". From my understanding, I'll then have to wait a month while they "inspect" the title. After which, I'm then cleared to have an official launch date - which I'll probably set to be 1 month after getting approval.
So the plan is to have a very short marketing campaign. The reveal trailer will basically drop 1 month before release. And we're going to sprint to the finish line. Some marketing campaigns are 6 months to a couple years. Ours will be one month... Let's hope it works.
Wrench
That's what the plan looks like right now, but there is a possible upcoming wrench in this whole thing. I recently learned that my version of Unity is too old. Games running on old Unity versions are not automatically accepted - so I'll have to apply for an exemption. If the exemption gets rejected, we can't launch without upgrading, which will require *significant* work...
This came as a surprise to me. When I started dabbling in games development a decade ago, the most common advice I found online was "Make Games, not Game Engines." I interpreted this to mean lock in your technologies. There's always going to be a new and shinier bell or whistle, but if you keep chasing it, you're not going to work on the actual content of the game. That's probably what kept me to releasing the original game on Flash. That was a game I was making as a hobby while working a full-time job. By the time I quit my job to go full-time indie dev, Flash had long been a dead technology. But I remembered "do you want to build game engines or games?" And so I pressed forward.
So that mindset could potentially backfire here. If PC was the lead SKU, we wouldn't have these issues since PC is more relaxed as a platform. Consoles, as I'm now learning, have an ever forward shifting window of technologies. If we get rejected for the exemption, there's a couple ways we can play it. One, we go through the pain of upgrading which will take months... Two, we pivot and make PC the lead SKU again, but have to handle porting that plus its specific features, which will also take months...
So why is updating such a big issue? Unity has changed drastically over the years. When I started, it was a lot less 2D friendly. They didn't have an official 2D tilemap solution, so you had to build your own or buy a 3rd party library from their asset store. I used 2DTK for tilemaps - 2DTK is now entirely deprecated. Similarly, I had to search for and purchase a good asset to display crisp text - since you couldn't even do that in Unity back then (heh). That's the story for a lot of old Unity stuff. Think of it as a first mover's "disadvantage".
Hopefully it won't come to that, since I'm pretty spent as a developer. I've been ready for this to be over, and I know many of you feel the same. Hopefully soon! As usual, I'll update in 2 months at the latest (end of June). An update might come earlier if we have some good news to share sooner. Until then!
Fanart and Cosplay
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This first picture comes from roccy_chair and shows Gail basked in light. I like how her pose and equipment together form an "X". That's a neat hidden symmetry. The way she floats also kinda reminds me of Crono's "Shining" spell. Perhaps Gail should have the ability to cast spells? Hmmm...
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Cody G returns with a new art depicting the 2 Moonstone enthusiasts. I like Fran's starry-eyed expression here. That's true love on display. I also like how the Moonstones are depicted as flat and coin-shaped. Very unique! Also note Gail makes an appearance in the back :D
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Thanks to M1shaaa for this cosplay of Gail! There's a lot to like here! The vibrant pink hair. The costume with 3 stitches across the vest. The pose with slingshot, accurate to Gail's depiction in the box art. Amazingly, this might also be the very *first* cosplay of Gail! Will and Pirate both alerted me about it excitedly since they were pretty stoked. We joked that we crossed the final milestone in terms of fandom.
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unofficialkfamtranscripts · 5 years ago
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King Falls AM - Episode 9: Jack in the Box Jesus
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Summary: September 1, 2015 - An alleged sighting of the Lord & Savior at a downtown fast food restaurant has the residents of King Falls ready for deliverance, meanwhile Sammy & Ben try to navigate the flood waters of this revelation.
[podcast intro music]
Mayor Grisham Ladies and gentlemen, I promise you that while it is a terrible inconvenience that our modern electronics are out— this is not the end of the world. It could be a refreshing change of pace! Instead of reading, on your tablet, go down to the King Falls library, and check out the real thing! Instead of texting your BFF, go enjoy some pancake puppies at Rose’s! and have a face-to-face chat. This isn’t as bad as it seems— and it could be a blessing in disguise.
[KFAM intro music]
Sammy Good morning guys and dolls, you’re listening to King Falls AM—
Ben —That’s 660 on the radio dial.
Sammy And this is day 13 of what has been dubbed the King Falls Electrolocaust.
Ben This has easily been the hardest two weeks of my professional career.
Sammy It has been tough, but Ben and I want to thank you, and everyone out there listening, for the continuing support of the show.
Ben We got another doozy of a show for you tonight, King Falls. During hour two, we’ll be interviewing Maria Chandler, manager of the King Falls Apple store, and speaking about the effects the shut down has had on business.
Sammy As well as fielding your calls and talking about whatever’s clever this evening.
Ben I miss computers, Sammy. I miss the schedule. Our automated systems, my alarm clock. I’ve went through three the legal pads in two weeks!
Sammy [sympathetic] I know, buddy.
Ben I would literally watch Channel 13 if given the chance.
Sammy Wow. That’s saying a lot.
Ben [softly] I need my life back.
Sammy King Falls, how are you taking the modern electronic shut down of 2015? Are you refreshed? Reliving the mid-90s? Or— are you falling apart like our dear Ben Arnold?
Ben I’d listen to boy bands, to have a working smartphone. I’d wear, puka shell necklaces and sell my pog collection,[1] if you give me five minutes with my email.
Sammy Look on the bright side, Ben. You’re spending all your free time down at the library, and I haven’t called you out on it!
Ben That’s calling me out on it.
Sammy Eh-Well- and you know it’s nice hearing the birds tweeting instead of @kingfallsam. I’m not saying I don’t miss it but, I’m enjoying this a little bit.
Ben ♫It’s tearing up my heart when I’m with yoouu♫[2]
Sammy The references are not gonna bring back your goods.
Ben [hurt] Dammit Sammy, let’s just take a call from our jury-rigged phone system.
[bg music being provided by Chet’s record player]
Sammy You’re live with Sammy and Ben.
Cynthia Yeeaah, I wanna talk about the outages.
Sammy Cynthia Higgenbaum, ladies and gents. How are you doing during this electronic crisis?
Cynthia [blissful] I feel the warm embrace of the chastity belt that’s been placed on society. I’m relieved, de-stressed, marvelous!
Ben *chuckling* Whoa, heh, that’s- that’s a heck of a change!
Cynthia [suddenly aggressive] What are you trying to say, Ben?
Sammy It’s just you’re usually- you’ve been a little… pessimistic in the past.
Cynthia [mostly calm again] Ohhh, I still have problems; I’m full up with issues. But right now, I don’t have to worry about what websites my husband is perusing, what brain-dead TV my kids are watching— I’m at peace! It’s just me and my harlequin novels. Plus, with Jesus back and all—
Ben [jokingly suggestive] 50 Shades of Cynthia
Cynthia [angrily] Don’t be filthy Ben Arnold! I Know Your Mother!
Sammy I-I’m sorry, Cynthia— did you just say that Jesus is back?
Cynthia [gossipy tone] Have you guys not heard the news?
Ben Is she talking about Jesus Jesus?
Cynthia There’s only one.
Sammy Wellll, I think Mexico would disagree, but please tell us why you think Jesus—
Cynthia [snappy] I don’t think Sammy, I know! [softer] Earlier this evening, he was spotted glowing and speaking in tongues at Jack in the Box.[3]
Ben The one off Main Street or Red Oak Avenue?
Cynthia Ew, nobody does to Red Oak.
Sammy [softly] Jack-in-the-Box-Jesus.
Cynthia Oh, Hell no! I will not participate in that blasphemy. You’re gonna get smited—
Sammy Oh, I- I mean- I wasn’t- I’m sorry, I’m not meaning to, uh—
Cynthia Tell it to Satan! In Hell, Sammy! [hangs up forcefully]
[dial tone]
Ben This is big.
Sammy [slightly reluctant] If you or someone you know has had a sighting of *clears throat, Ben laughs* Jack in the Box Jesus please give us a call. Uh, 424-279-3858
Ben You’re on King Falls AM.
Deputy Troy Now I know what you’re thinking: how could the second coming of God’s only son happen and ol’ Troy here didn’t clue you in.
Ben Not what I was thinking.
Sammy What do you know Troy?
Deputy Troy Well I got a suspicious persons call out at ol’ Yack[sic] in the Box around 9. So, I hit the lights and cruised over to see what the fuss was about. And lo and behold, back by the dumpster with a mess of people looking on— there he was.
Sammy Now, are you really telling us that— [still reluctant] you saw, or, you believe you saw the son of God and the King of Kings bangin around outside the Jack In The Box?
Deputy Troy Well, he was a man. Somebody’s son, no doubt. Bearded. Good lookin’, if-if you’re into that sort of thing. He had a robe on—
Ben [cutting in]We can solve this right now. Was he white or was he black?
Deputy Troy He was more of a greenish color. Like a glow really.
Sammy The man had an aura around him.
Deputy Troy It was shinier than a damn Fukushima foxhound, fellas. Like, I felt a need to put on the old aviators, but I- I didn’t want to be cliché.
Sammy Alright, Troy. So, work with us here; you’re in the back of the Jack in the Box, there’s a uh, a Jesus-type guy—
Deputy Troy Just-a-ramblin’ on.
Ben Speaking in— tongues?
Deputy Troy Speaking in somethin. The last time I heard gibberish like that was comin’ from the back of my Chevy with Shell Snyder’s daughter.
Sammy So what happened next?
Deputy Troy Well a group of looky-loos had descended, as I said, and since it was only me, there was no perimeter set up yet. So I start ta approach this glowing Christ and somebody— Roy Higgins if you gotta know/— hollered out “It’s Jesus!” and the whole parking lot just went bonkers!
Ben Well, di-did you speak to the guy?
Deputy Troy Damn skippy. I told Roy that this was official police biz. And he shouldn’t be squawling around like a little baby.
Ben No, Jack in the Box Jesus.
Deputy Troy Oh, well no. I- I turned around and he was gone. Split right off into the woods, I suspect.
Sammy Did you follow him?
Deputy Troy Sammy. So you’re tellin me that you’d follow a 6-foot-tall and glowing perp into the woods??
Sammy [muttered] Point taken.
Ben So any other sightings?
Deputy Troy Well, not as of yet. But there were so many people they could’a had a revival in that parkin’ lot. So I’m guessin’ that’s how word spread so quickly. And without internet, too? That’s pretty damn impressive.
Sammy Is there an APB out or anything?
Deputy Troy For what, dilly-dallying around with a jumbo jack? He wasn’t doin nothin bad. Just acting a fool— Lord forgive me— where he shouldn’t’a been.
Ben And glowing.
Deputy Troy That’s right.
Sammy Well, please let us know if get any more info on this, Troy. We’d appreciate it.
Deputy Troy You bet. I’ll be sure to keep you boys and the listenin’ public informed. But if you should happen to stumble upon Jesus? Do not approach, bother or pester. You just call up Ol’ Deputy Troy.
[hangs up]
Ben …or your local church. [dial tone]
Sammy Deputy Troy, ladies and gents. Now we’re just going to take a quick break and hear from one of our new sponsors: Carl’s Candy!
Ben Yeah I don- I don’t think we should play this
Sammy What? Ads pay the bills remember?
Ben Folks, as a workaround with all the tech issues, uh, I went out and recorded a few spots of some of our sponsors- uh, new and old. Emphasis on Old, after this one.
Sammy Okay, so the audio is bad.
Ben *sucks in breath* You could say that.
Sammy This company’s paid up! They’re scheduled in one of your many notebooks. Let’s do this. We’ll be right back folks.
[slow, creepy xylophone music]
Carl [voice is soft and creepy, like you expect from a guy who offers kids candy from the back of a van] Do you know why they call it a blow pop? I sure do. And if you come on down to Creepy Carl’s Candy, I’ll fill ya up! I mean in. [whispering] It’ll be our little secret.- A sweet tooth is a terrible thing to waste. Come find a new sugar daddy to butter your fingers at Creepy Carl’s! Come in and grab a sack of Carl’s Boston baked beans while you’re at it. Oops, one fell in my pocket. Free if you can find it! *Ben groaning “oh no”* Every child’s welcome at Creepy Carl’s, big mouths, small mouths, white mouths and brown mouths. We’re equal opportunity! And just cause they shut down the ol’ brick and mortar doe’n’t mean you can’t buy it from my van. Be sure to ask your parents’ permission first, kids. Creepy Carl’s Candy, where the suckers don’t suck themselves. [Police sirens]
Deputy Troy [through megaphone] Carl, turn off your ignition. You are too close to the school zone.
Carl I gotta go! Catch ya later [tires squealing]
Ben [desperate, in bg] The mic!
[sirens fade out]
Sammy … Never again.
Ben I tried to tell you.
Sammy I know. Let’s never speak about this.
Ben [whispering] I need a shower.
Sammy *sigh* …Moving forward, we were just talking about a sighting that happened a few hours ago around the 9 o’clock hour, just off Main Street. It seems quite a few people believe that we may be experiencing a religious phenomenon. Perhaps the second coming of–
Ben [slightly gruff impression] “Don’t call it a comeback, I’ve been here for years!”[4]
Sammy *chuckles* Right, let’s go to the phone lines.
Ben [happily] That was good though right?
Sammy It was good. Good evening, you’re live on King Falls AM.
Reverend Hawthorne Ask and ye shall receive! King Falls-uh. It is the gooD Reverend Xavier “Right. With. Gaawwd-uh” Hawthorne.
Ben Reverend Hawthorne? Are you back in town?
Reverend Hawthorne [speaking over Ben] The One and Only, and we are turnin’ the wagons arounD as we speaK-uh. And we’re headin’ back to my flocK-uh. How’re y’all feelin’ tonighT, King Falls- I said How are you, Feelin’!
Sammy [softly] We’re feeling alright.
Reverend Hawthorne Praise GoD-uh! Hallelujah! Now a little birdie, uh-just chirp’n on my shoulder, told me there was a SighTing. A Vision. Dare I say it, eyeballs were laid on our Lord and Saviour at a burger joint in our fair city.
Sammy Yeah, about 9 o’clock here.
Reverend Hawthorne Could it Be-uh! that our 5-week-revival worked. Could it Be-uh! that our prayers have been brought forth the lamb of God-uh. Can I get an amen!
Ben Reverend Hawthorne we—
Reverend Hawthorne Amen! This miracle-uh, this sight from our God-uh, perched on a Mountain of Sanctity, says that he is ready to lead-uh, his most Highly Favored, Congregation bacK to the promised land. Gimme some organ, Deacon Reggie [organ music begins playing in bg]
Sammy [aside] Do you think Reggie has to wheel that thing around just in case?
Ben This is getting good.
Reverend Hawthorne Play it dirty, brother. We are going Home-uh. Take us back to Calvary, take us BACK-uh! … Samuel, Benjamin may I ask you gentlemen if you have a relationship-uh with the Author of the E-ternal Sal-vation; [organ goes silent] [softly] are ya saved?
Sammy I’m—
Reverend Hawthorne Then let me tell y’all, [organ starts again] because if you aren’t-uh, I’m coming back to town. One weekend only, the Xavier “Right with GoD-uh” Hawthorne Experience will be wheelin’ bacK into King Falls Fairgrounds this very night-uh. We are hoping to get One- On- One with the Risen Christ and start preparin’ for Kingdom Come. But just like old Xavier, you gotta come on down-uh so we can get you TurnT uP With GoD-uh. [click, dial tone]
Sammy Xavier? Hello?
Ben He’s, gone. Sammy.
Sammy Well, you heard it here first folks. Xavier Hawthorn’s Travelling Roadshow is coming back to town. Will Jack in the Box Jesus make his stage debut?
Ben [muttering] Tch- Jesus.
Sammy Literally.
Ben Do you think we could get an interview? Would it be Mr. Christ? Or-
Sammy Something tells me that there is something more to the story than what we’ve heard so far, Ben.
Ben Tsk. I get that, but this is King Falls, Sammy.
Sammy What a perfect place to make a return: a rinky-dink town with no internet.
Ben Line- [muttered] dammit, there’s only one line. Uh, you’re on with Sammy and Ben.
Archie Good evenin’ fellas!
[small dogs barking in bg]
Sammy Is thi-
Archie It’s Archie Simmons!
Ben He-ey Archie, how’s Princess Von Barktooth?
Archie Well, I do have news concernin’ the princess, and I just want to possibly recant some info from our previous call a few weeks back.
Sammy About the werewolves?
Archie Correct.
Sammy Wow. I mean, you sounded pretty convinced that you saw a werewolf.
Archie And now I’m saying that maybe I was misinformed.
Sammy I think you should probably tell Troy and the Sheriff’s Office, Archie.
Archie *giggles* You silly Sally, Troy’s on his way over now
Ben Why the change of heart, Archie?
Archie Well, new information has come to light boys, I mean with the Divine One making his triumphant, and let’s be honest, dramatic return to King Falls.
Sammy You’re talking about the glowing man at the Jack in the Box?
Archie [softly] Let’s be real here, it’s the J-Man, of course a heavenly carpenter would pick King Falls. So many projects to keep busy with.
Sammy [dryly] Uh-huh.
Archie Plus, with the princess and this new information, we have to believe this.
Ben You keep saying that, what’s going on with the princess Archie?
Archie She’s in a delicate condition.
Sammy Oh, of course. I mean she’s been through a lot.
Archie *giggles* No Sammy, I mean she’s with child. Ch-children. Puppies? There’s a bun in my $2400 oven boys!
Sammy Wait. She’s pregnant? From the werewolf attack?!
Archie [softly again] Well, that’s the thing. While I believed in my heart of hearts that the hillbilly beast from the trailer park had gotten to the princess, I think…
Ben What. What do you think Archie?
Archie I mean it was dark, I know it was a full moon but I was scared and recently awakened, sleep in my eyes etc. and so on.
Sammy You don’t think it was the werewolves.
Archie I’m thinking with this new evidence and the fact that I saw a long-haired, bearded man in a Biblical Act— Yeah I-I- I think- there’s a chance it could have been [whispering] the man upstairs.
Ben [stern] Upstairs from whom?
Archie Mankind! Come on Ben, get with the picture!
Sammy He’s saying that because there’s been a holy sighting tonight- which we should all be a little bit doubtful of- then maybe it wasn’t the werewolves, but the Alpha and the Omega.
Ben No! NO WA- That’s too much, Archie. You saw the werewolf. He looked you in the eye and howled at the moon.
Archie I don’t know what kind of weird things Jesus is into.
Ben No way. This is ludicrous.
Archie You just wait and see Ben! The princess may have lost her Westminster dreams, but it was all part of God’s plan.
Ben We’ve got to go Archie *laughs* you’re crossing a line that we cannot cross at King Falls AM.
Archie Judge Not, lest ye be judged boys. Kardashians[sic] 3:16 or a Psalm or something. I think Troy’s coming around the bend anyways boys, laters!
[click, dial tone]
Sammy You know? When I walk in the door every night I say to myself, “Nothing’s gonna surprise me tonight” And more times than not, I am just Dead Wrong.
Ben Let’s give the phone a rest for a moment, Sammy, the record player is just begging to be used.
Sammy *chuckles* Not a bad idea Ben.
[phone pings]
Ben What? *gasps* My phone! [several pings] OHH it’s back baby!
Sammy Me too! What’s going on?
[pinging continues]
Ben What’s up! Oh my God, I could literally kiss the apparition of Steve Jobs.
Sammy Hey, I’ve got a text here, Unknown Number.
Ben Okay, what does it say?
Sammy “I- I know why this happened. I know how to stop it. We need to talk“
Ben What?
Sammy No, that’s what the text said.
Ben You don’t think this has anything to do with… Thank You, Jesus.
[KFAM outro]
[CREDITS]
References:
[1] Pogs - Pogs, generically called milk caps, is a game that was popular among children during the early-mid 1990s. The name pog originates from POG, a brand of juice made from passionfruit, orange, and guava; the use of POG bottle caps to play the game preceded the game's commercialization.
[2] “It’s tearin’ up my heart when I’m with you” - Lyrics to the song “Tearin’ Up My Heart” by NSYNC, an American boy band from the mid-90s
[3] Jack in the Box - American fast food chain, primarily along the west coast and southern states.
[4] “Don’t call it a comeback, I’ve been here for years” - lyrics to the song “Mama Said Don’t Knock You Out” by LL COOL J (also came out in the 90s)
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toxicsquad · 4 years ago
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There is no better way to get to know someone than through a good question tag. In this case we have decided to make an Indie game dev question tag with the responses of our four developers. We hope that it will reveal many unknowns, but if you are left with any questions, do not hesitate to use our ask.
What part of game development are you responsible for?
Athe: I write and write, I melt in my seat, I correct, I cry and then I program. It’s an endless cycle. Occasionally I laugh like crazy while I eat Pringles.
Sam: I draw and color without leaving the lines (almost always) the sprites, the illustrations and the ravings that usually occur to us past 3 in the morning.
Illy: English translations.
Sher: I draw BGs
What tools do you use (hardware / software)?
Athe: Recently my desktop PC has passed away, so I’ve had to rescue my old PC from the garage. I also have a laptop that saves my life more times than I would like to admit. As for the software, I need, above all, drive documents, video editing programs, image etc (I have an Adobe package) and of course Renpy and Atom.
Sam: My main friend and companion is my tablet, a wacom intuos S (pistachio color, so cute). As programs I mainly use the Paint Tool Sai, because there is nothing in this life like its stabilizer. And less frequently than I would like (for details, texture brushes, effects ...) I also use Clip Studio Paint, which I only know how to use at about 2% of its capacity ... If someday I have time I would love to stop and learn seriously what can be done with it.
Illy: During the school year I live in a residence, so I use an old laptop, and when I return home I use a desktop computer that never has memory space. I translate the chapters in the same Atom where the complete script is and I keep them in google drive files where I share them with our beta reader. I also use editing programs like photoshop when I have to translate comics or procreate for when my artistic skills are required.
Sher: ipad+procreate+some final tweak in photoshop, I don't need much more
What is your favorite part of the job?
Athe: Would it be wrong if I say that is when we released the episode? During the whole production time everything is very stressful, there are times when it’s really uphill, but when we release a new chapter it feels soooo good. It's like saying to yourself, yeah, dammit, I can do it. Look at everything you've climbed by yourself. You're doing it right.
Sam: In general, my favorite parts are when the first scenes start to be programmed, and I can see the sprites with the backgrounds, the texts, and how the illustrations look. Everything always looks so much better when viewed in-game… I also really like being able to check out the script as it is written. And from the artistic part that concerns me, when I see that my hands capture the idea that I had in my head ... Especially in character designs.
Illy: Having to find a way to translate very spanish expressions into English, research vocabulary that I have never had to use and commenting on some translations with our beta reader (which we adore) to make it understandable without losing the original meaning.
Sher: I like to do the lineart when the sketch is complete, if I no longer have to think about anything else and it's just going through it, I find it very fun and relaxing
What is the most difficult part for you?
Athe: Offf, yes, I admit it, sometimes writing is the WORST. Other times I love it, especially when I can expand on the descriptions or stop at a part that is intimate or that I find interesting (for example, Hasiel's conversation from 6.3, small spoiler: P). But, I HATE having to paste scenes, often the protagonist moves between scenes and you always have to add lines to those transitions that really do not interest anyone, but that otherwise the text would be confusing. Anyway... It is a very wide world, with a lot of history, I have to deal with what I need readers to know to understand the facts, although sometimes it gets a bit boring.
Sam: What part does not... Rather who e.e Zihel and Ariel are a thorn in my side. Especially Zihel. I know it has to do with the fact that it has never been my strength to draw boys, and much less if they are more masculine in appearance... That's why I also suffer a lot from drawing muscles. Another thing that brings me a headache is the perspective of the illustrations. Every time I try to get out of the typical shot or poses a little... It doesn't work out.
Illy: Doughy’s  stuttering ¬.¬
Sher: chairs, sofas, tables... anything with four legs is my enemy
Anything to help or encourage you while you are working?
Athe: I need music, no, seriously, I NEED IT. I’m unable to focus without it. If, on top of that, I can get what I hear to act as a sounding board for what I write, the text is a thousand times better... But the muse is a pretty bad person.
Sam: Having a show/movie in the background that entertains me. The longer the better, so I don't have to stop to think what I want to put on next.
Illy: Eating sunflower seeds to trick my brain and not be tempted to do something else that distracts me.
Sher: I try to see other artists to motivate and inspire me before I start drawing, what I find most difficult is that initial push and that is where I need the motivation, then I usually have something in the background but it is not necessary
Something that’s a pet peeve or discouraging?
Athe: Some narrative climax moments. Generally, they are not important plot moments (that is almost entirely decided), they are often small decisions to go from scene A to scene B, but I can spend a LOT of time deciding which is the fastest and best way to tie those two ends. I'm the worst.
Sam: Many times when starting, I can't get the poses to fit the way I want, for example.
Illy: Finding many parts in a row that I find especially difficult to solve and that make me believe that I have forgotten how to English properly. And looking at how many lines I still have left.
Sher: When I don't know how to fill in some area, if I see something very empty but I don't know how to solve it, I can spend days looking at the screen without being able to advance, even if I have other areas that I could do in the meantime
What is required on your table or work surface?
Athe: Notebooks, sticky notes, pens… I’m a person who writes everything down, especially the tasks, but I also order the story by color schemes. The stack of sticky notes have 9 different colors, each one represents a character and I play a lot with them for a lot of nonsense. Besides, even though I have been writing on the computer for many more years than I wrote by hand, I still have a preference for the analogical.
Sam: Coffee, sweets, chocolate, cereals... And cats.
Illy: My phone, the sunflower seeds, a Capital America: Civil War 1L water cup, sticky notes that remind me of tasks.
Sher: I have nothing really lol all my things are for decoration
Your most productive hours?
Athe: Owl. Totally nocturnal. Although I have several crises a month to force myself to work at other times that always end... Wrong.
Sam: Also at night for the most part, although I can no longer stay awake as long as I endured before having a job (the good old days...) However, in the middle of the afternoon, when the zoo that I have at home is still taking a nap, I also manage to go a long way.
Illy: From when I finish eating until 7 or 8 in the afternoon, when I don't have to cook, clean, run errands...
Sher: I take over for Illy apparently, from 7 or 8 is when I start to get into the mood until bedtime
Do working hours make you forget to eat or make you eat twice as much?
Athe: It depends, in the past I ate a lot, now if I have stress I don't eat anything. If I'm in a normal productive phase and I'm not on my nerves, I'm probably eating by inertia.
Sam: They make me eat more, but especially junk food e.e And they make me forget healthy meals, especially dinner at night.
Illy: It depends on my mood, but I usually eat twice as much.
Sher: I'm generally a VERY distracted person so I don't usually get to focus on a task to get to either of those two modes but I guess when I am sooooooo much on the task, I forget. But that happens like a couple of times a year and "forgetting" is "I delay an hour."
What part of your set up would you improve / change (in aesthetics or functionality) if you had no money limit?
Athe: I'm trying to match some of my peripherals with the rest. They are all a damn different color, apparently I'm cursed... Now seriously, I wish I had a better graphic card that would allow me to make video captures, some speakers and a quality printer.
Sam: Actually, I don't think I need anything more complex than what I already have… But if I had to improve something, I'm curious about the most professional tablets, the big ones with the included screen and all that stuff.
Illy: A new laptop that lets me open 4 chrome tabs, Atom and photoshop at the same time without dying.
Sher: A pc screen that will not change the colors I use on the iPad would be nice, really
Which character are you most like? And why?
Athe: Phew I think the easy answer would be to say Akane ... But, Akane is a better person. : P
Sam: This is very difficult... They are all very different, but still I do not think I look much like any of them. If I have to say something, I could identify with Maske's tendency to avoid problems, and his more homey and calm side. And well… Since Akane has been an OC of mine for many years, surely I have something of her too.
Illy: I think I partly have Maske's instinct to stay out of trouble, and on the other hand Joe's shallowness, although tbh I wish I really did look like any of our awesome babies.
Sher: surprised because (unpopular opinion around here) is one of those who I "least care" about really but I would say that Pin because he is a little dumb, happy and probably has a Satanic room and proud of it
Favorite CG/art.
Athe: AT THE MOMENT. Maske chapter 1. It couldn't be more predictable. I know.
Sam: I quite agree with Maske in chapter 1. But I would also put Pin in chapter 5 and Akane in chapter 6.2 on the top.
Illy: Kyeran in Coco's tank ?? Is he even real? Being basic is my brand.
Sher: surprised again and disappointed but I would say that of angel Hasiel because I like pretty dresses, pretty hairs and pretty wings
Favorite BG/scene.
Athe: The Red Light District amazes me. I already liked the life of that place, its history, but the way of expressing it... Uggg Sher took it to another level. The dirt on the street, the night, the constricted buildings...
Sam: I think I’ll say Raziel’s square, I like it a lot from the first day.
Illy: I don't know if I can choose just one T__T but I would say that the Red Light District and Valefar's pub are at the top.
Sher: for not repeating the red light district that I also like very much, I really like the areas of Coco's laboratory, including the “main” area although the perspective is horrible and makes the characters look tiny, but I like how it looks :(
Your favorite chapter to date?
Athe: Ufff... The first and second one I assure you no, hahaha. I will say that the third one, but also for things that are not necessarily from the chapter, but of the production. It was a good moment. I felt that everything was flowing with ease. We all assumed a clear role, they were times that made us feel comfortable and capable of assuming what came next, I think it was a qualitative leap also, both in texts and in art.
Sam: Oh. Well let's see... Chapter 5 is amazing for me, for everything that happens but also because there are many personalized interactions and choices. I can't say I have a definitive favorite, but it could come close… Also from the last ones I really like the 6.2.
Illy: Chapter 5 has so many details, so many things happen, it's hard not to be my favorite. But the last ones with the specific routes are so great that if I stay with the 5 it’s with the  pain of my heart to have to choose one.
Sher: I would say 5 also because in the end when a lot of things happen is when you remember the most
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No hay mejor forma de conocer a alguien que a través de un buen tag de preguntas. En este caso hemos decidido hacer un Indie game dev question tag con las respuestas de las cuatro desarrolladoras. Esperamos que os aclare muchas incógnitas, pero si os quedáis con alguna no dudéis en usar nuestro ask.
¿Qué parte del desarrollo del juego llevas a cabo?
Athe: Escribo, escribo, me derrito sobre mi asiento, corrijo, lloro y después programo. Es un ciclo sin fin. Ocasionalmente me río como una demente mientras como Pringles.
Sam: Dibujo y coloreo sin salirme de las líneas (casi siempre) los sprites, las ilustraciones y los desvaríos que suelen surgir a partir de las 3 de la mañana. 
Illy: Las traducciones a inglés.
Sher: Hago fonditos
¿Qué herramientas utilizas (hardware/software)?
Athe: Recientemente mi PC de sobremesa ha fallecido, así que he tenido que rescatar mi viejo PC del trastero, también tengo un portatil que me salva la vida más veces de las que me gustaría admitir. En cuanto al software, necesito, sobre todo, documentos de drive, programas de edición de video, imagen etc (tengo un paquete de Adobe) y por supuesto Renpy y Atom.
Sam: Mi principal amiga y compañera es mi tableta, una wacom intuos S (color pistacho, muy cuqui.) Como programas uso sobretodo el Paint Tool Sai, porque no hay nada en esta vida como su estabilizador. Y con menos frecuencia de lo que querría (para detalles, pinceles de texturas, efectos…) también utilizo el Clip Studio Paint, el cual sólo se usar como a un 2% de su capacidad… Si algún día tengo tiempo me encantaría pararme a aprender seriamente todo lo que se puede hacer con él. 
Illy: Durante el curso vivo en una residencia, así que uso un portatil del año que reinó carolo, y cuando vuelvo a mi casa un ordenador de sobremesa que nunca tiene espacio en la memoria. Los capítulos los traduzco en el mismo Atom en el que está el guión completo y los guardo en drive donde los comparto con nuestra beta reader. También uso programas de edición como photoshop cuando tengo que traducir viñetas o procreate para cuando mis habilidades artísticas son requeridas.
Sher: ipad+procreate+algún retoquito final en photoshop no necesito mucho más
¿Cuál es tu parte de favorita del trabajo?
Athe: ¿Estaría mal si digo que es cuando sacamos el episodio? Durante toda la producción todo es muy estresante, hay veces, que se hace realmente cuesta arriba, pero cuando liberamos un nuevo capítulo sienta taaaan bien. Es como decirte a ti misma, sí, joder, puedo hacerlo. Mira todo lo que has escalado tú solita. Lo estás haciendo bien.
Sam: En general, mis partes favoritas son cuando se empiezan a programar las primeras escenas, y puedo ver los sprites con los fondos, los textos, y cómo se ven las ilustraciones. Todo queda siempre mucho mejor cuando se ve dentro del juego… También me gusta mucho poder cotillear el guión conforme se va escribiendo. Y de la parte artística que me toca, cuando veo que mis manos plasman la idea que tenía en mi cabeza… Sobretodo en diseños de personajes. 
Illy: Tener que buscar la forma de traducir a inglés expresiones muy nuestras, investigar vocabulario que no he tenido que usar jamás y comentar algunas traducciones con nuestra beta reader (a la que adoramos) para conseguir que se entienda sin perder el significado original.
Sher: me gusta hacer el lineart cuando el sketch está completo, si ya no tengo que pensar nada más y es solo ir repasando me parece muy divertido y relajante
¿Cuál es la parte que más te cuesta?
Athe: Ufff, sí, lo admito, escribir a veces es lo PEOR. Otras me encanta, sobre todo, cuando puedo explayarme con las descripciones o detenerme en una parte íntima o que a mí me parece interesante (por ejemplo, la conversación de Hasiel del 6.3, pequeño spoiler :P). Pero, ODIO tener que empastar escenas, a menudo el protagonista se mueve de escenarios y hay que agregar siempre líneas a esas transiciones que realmente no interesan a nadie, pero que de lo contrario el texto quedaría mal montado. En fin… Es un mundo muy amplio, con mucha historia, tengo que lidiar con lo que necesito que los lectores sepan para entender los hechos, aunque a veces se haga un pelín peñazo.
Sam: Qué parte no… Quiénes, más bien e.e Zihel y Ariel son mi espinita. Especialmente Zihel. Sé que tiene que ver con el hecho de que nunca ha sido mi punto fuerte dibujar chicos, y menos si son de aspecto más masculino… Por eso también sufro mucho dibujando músculos. Otra cosa que me trae de cabeza es la perspectiva de las ilustraciones. Cada vez que intento salirme un poco del típico plano o poses… No sale bien. 
Illy: El tartamudeo de Doughy ¬.¬ 
Sher: sillas, sofás, mesas… cualquier cosa con cuatro patas son mis enemigos
¿Algo que te ayude o anime mientras estás trabajando?
Athe: Necesito música, no, en serio, LA NECESITO. Soy incapaz de concentrarme sin ella. Si ya consigo que lo que escucho haga de caja de resonancia de lo que escribo, el texto es mil veces mejor… Pero la musa es bastante mala gente.
Sam: Tener alguna serie/peli de fondo que me entretenga. Cuanto más larga mejor, así no me toca pararme a ver qué es lo que quiero poner después. 
Illy: Comer pipas para engañar a mi cerebro y no tener la tentación de ponerme a hacer otra cosa que me distraiga.
Sher: intento ver otros artistas para motivarme e inspirarme antes de empezar a dibujar, lo que más me cuesta es ese empujón inicial y es donde necesito la motivación, luego ya suelo tener algo de fondo pero no es necesario
¿Algo que te corte el rollo o te desmotive?
Athe: Los nudos narrativos. Generalmente, no son nudos gordos de la trama (eso está decidido casi en su totalidad), a menudo son decisiones pequeñas para pasar de la escena A a la escena B, pero puedo tirarme MUCHO tiempo decidiendo cuál es la forma más rápida y mejor planteada para atar esos dos cabos. Soy lo peor.
Sam: Muchas veces a la hora de empezar, no conseguir encajar las poses como quiero, por ejemplo. 
Illy: Encontrar muchas partes seguidas que me cueste especialmente resolver y que me hacen creer que no tengo ni idea de hablar inglés. Y mirar cuantas líneas me quedan todavía.
Sher: cuando no se como rellenar alguna zona, si veo algo muy vacío pero no se como solucionarlo puedo tirarme días mirando la pantalla sin ser capaz de avanzar, incluso aunque tenga otras zonas que pudiera ir haciendo mientras
¿Qué no puede faltar en tu mesa o superficie de trabajo?
Athe: Libretas, post-its, bolígrafos… Soy una persona que lo anota todo, sobre todo, las tareas, pero también ordeno la historia por esquemas de colores. La pila de post-its tienen 9 colores diferentes, cada uno representa un personaje y juego mucho con ellos para miles de idioteces. A parte, a pesar de que llevo muchos más años escribiendo a ordenador de los que escribí a mano, sigo teniendo querencia a lo físico.
Sam: Café, chucherías, chocolate, cereales… Y gatos. 
Illy: El móvil, las pipas, un vaso de 1L de agua de Capital America: Civil War, post-its que me recuerdan las tareas.
Sher: no tengo nada realmente lol todas mis cosas son de adorno 
¿Tus horas más productivas?
Athe: Búho. Nocturna totalmente. A pesar de que tengo varias crisis al mes para forzarme a trabajar a otras horas que acaban siempre… Mal.
Sam: También por la noche en su mayoría, aunque ya no aguanto trasnochando tanto como antes de trabajar (qué tiempos aquellos…) Aunque a media tarde cuando el zoo que tengo en casa aún está echando la siesta también consigo dar un buen empujón. 
Illy: Desde que acabo de comer hasta las 7 o las 8 de la tarde, cuando no tengo que cocinar, limpiar, hacer recados...
Sher: le tomo el testigo a Illy aparentemente, a partir de las 7 u 8 es cuando empiezo a entrar en el mood hasta que llega la hora de dormir
¿Las horas de trabajo hacen que te olvides de comer o te hacen comer el doble?
Athe: Depende, antes comía mucho, ahora, si tengo estrés no como nada. Si me encuentro en un rango productivo normal y no estoy de los nervios, probablemente, esté comiendo por inercia.
Sam: Me hacen comer más, pero sobretodo porquerías e.e Y hacen que me olvide de las comidas sanas, sobretodo de cenar por la noche. 
Illy: Depende de mi estado de ánimo, pero normalmente comer el doble.
Sher: en general soy una persona MUY distraída así que no suelo conseguir centrarme en una tarea para llegar a ninguno de esos dos modos pero supongo que cuando estoy muuuuuuy dentro de la tarea, me olvido. Pero eso pasa como un par de veces al año y “olvido” es “lo retraso una hora”.
¿Qué parte de tu set up mejorarías/cambiarías (en estética o funcionalidad) si no tuvieses límite de dinero?
Athe: Estoy tratando de que alguno de mis periféricos peguen con el resto. Todos son de un maldito color diferente, al parecer estoy maldita… Ahora en serio, desearía tener una mejor gráfica que me permitiese hacer videocapturas, unos altavoces y una impresora de calidad.
Sam: En realidad, no creo que necesitara nada más complejo de lo que ya tengo… Pero por mejorar, me llaman la atención las tabletas más profesionales, las grandes con la pantalla incluida y eso. 
Illy: Un portátil nuevo que me deje abrir 4 pestañas de chrome, el Atom y photoshop al mismo tiempo sin quedarse tieso.
Sher: Una pantalla de pc que no me cambiara los colores que uso en el ipad seria bonito la verdad 
¿A qué personaje te pareces más? ¿Y por qué?
Athe: Ufff Creo que la respuesta fácil sería decir Akane… Pero, Akane es mejor persona. :P
Sam: Esto es muy complicado… Son todos muy distintos, pero aún así no creo que me parezca mucho a ninguno. Por decir algo, me podría identificar con la tendencia a evitar problemas de Maske, y su lado más casero y tranquilo. Y bueno… Dado que Akane es OC mío de hace muchos años, seguramente tenga algo de ella también. 
Illy: Creo que en parte tengo el instinto de alejarme de las movidas de Maske, y por otro la superficialidad de Joe, aunque tbh ojalá parecerme realmente a nuestros bebés geniales.
Sher: sorprendida porque (unpopular opinión por aquí) es de los que “menos me importan” realmente pero diría que Pin porque es tontito, feliz y probablemente tenga una habitación satánica y orgulloso de ello
Tu CG/arte favorito.
Athe: DE MOMENTO. Maske capítulo 1. No podría ser más predecible. Lo sé.
Sam: Coincido bastante en la de Maske del capítulo 1. Pero también metería en el top la de Pin del capítulo 5 y la de Akane del capítulo 6.2. 
Illy: ¿¿Kyeran en el tanque de Coco?? ¿Es siquiera real? Ser básica es mi marca.
Sher: sorprendida de nuevo y decepcionada pero diría que la de Hasiel de ángel porque me gustan los vestidos bonitos, los pelos bonitos y las alas bonitas
Tu BG/escenario favorito.
Athe: Me flipa el Barrio Rojo. Me gusta la vida de ese sitio, su historia, pero la forma de plasmarlo… Uggg Sher lo llevó a otro nivel. La suciedad de la calle, la nocturnidad, los edificios constreñidos...
Sam: Creo que me quedo con el de la plaza de Raziel, me gusta mucho desde el primer día. 
Illy: No sé si puedo elegir solo uno T__T pero diría que el Barrio Rojo y el bar de Valefar están en el top.
Sher: por no repetir el barrio rojo que también me gusta mucho, me gustan mucho las zonas del laboratorio de Coco, incluida la zona “principal” aunque la perspectiva sea horrible y haga a los pj parecer diminutos, pero me gusto como quedo :( 
¿Tu capítulo favorito hasta las fecha?
Athe: Ufff… El uno y el dos os aseguro que no, jajaja. Diré que el tres, pero también por cosas que no son necesariamente del capítulo, sino de la producción. Fue un buen momento. Sentí que todo estaba fluyendo con facilidad. Todas asumimos un rol claro, unos tiempos que nos hacían sentir cómodas y capaces de asumir lo que venía después, creo que fue un salto cualitativo también, tanto en los textos, como en el arte.
Sam: Ay. Pues a ver… El capítulo 5 es una pasada para mi, por todo lo que pasa pero también porque hay muchas interacciones personalizadas y elecciones. No puedo decir que tenga un favorito definitivo, pero podría acercarse… También me gusta mucho de los últimos el 6.2. 
Illy: El capítulo 5 tiene tantos detalles, pasan tantas cosas, que es difícil que no sea mi favorito, pero los ultimos de rutas específicas son tan geniales que si me quedo con el 5 es con un poco de dolor de tener que elegir uno.
Sher: Diría el 5 también porque al final cuando pasan muchas cosas es cuando mas se te queda grabado
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vinku-iikku · 6 years ago
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Yay I finally finished 2018 inktober! If you want to just scroll through them all please go here, and if you want to see some comments on each please look under the cut.
Day 01 Flowey and Overgrown Ruins This prompt I picked as is because as far as I remember Flowey stayed behind when the monsters left. If you can’t find him, he’s near the big root on the left. All other days the second prompt got randomised by a die (except when I reached the last two).
Day 02 Grillby and Exotic Flora Grillby’s on a journey to look at all the flowers that aren’t living in a wet environment. Maybe he’ll make some wine from the non-poisonous ones.
Day 03 Chara and Cave Entrance They are still curious about morbid things and places that could be portentially dangerous, practically running at danger.
Day 04 Undyne and Astral Plains/Dreamland Welp I’d rather have had her with some other prompt, but now she has an anime showdown/faceoff with a mean monster that harasses a moldsmal.
Day 05 Asgore and Rocky Ruins Asgore had a trip down memory lane and visited the place where their castle used to be, before the war. Not much is left any more.
Day 06 Frisk and Ancient Tree They are still precariously looking for adventure. I saw this article about a 800 year-old Finnish tree, as soon as I saw that top I wanted to climb that, looks like a perfect spot to see everything around you and chill for a bit.
Day 07 Temmie and Nature Untouched I did some research in a nearby forest for this one, the sales-Temmie has made a nest in a tree that has fallen down in a storm. The soil is shallow before solid rock so trees have their roots mostly close to the surface, when they fall the roots go up as well. Temmie on the left is sitting on an ant nest lol. There are seven Temmies in total.
Day 08 Muffet and Crystal Coves Crystal Coves is either a place where crystal business is the main employer, a cove that has crystals, or a cove with crystal clear water, I think. I tried to implement them all just to make sure. Muffet has now made a business in making spider-products with glass expertise.
Day 09 Fuku Fire and Freezing Fjord Finally back to the ‘monsters travelling’ theme, Fuku is taking a longer trip and is currently on a boat by Norway.
Day 10 Gaster Blasters and Townsquare The blasters are on their own for whatever convenient reason, Pap’s one is figuring how things work by destroying them, Sans’ is... playing with local children. :D The fountain is loosely based on Havis Amanda.
Day 11 Nice Cream Guy & Shanty Town He’s travelling the world and selling nice cream! Definitely inspired by Beadle in BotW.
Day 12 Mettaton EX & Cemetery This combination took me a moment, Mettaton is a bit loud and showy for a cemetery. Then I remembered that Napstablook said they’re already dead when you try to kill them, so here Mettaton’s visiting haunted places and telling everyone about this wonderful body he got and where to get one if you’re interested in becoming physical again. I worked in a cemetery for one summer years ago, felt weird pulling those visual memories to this...
Day 13 Toriel & Hall of Deities In order to become a teacher I’d imagine she’d have to brush up her knowledge on lots of things that’ve happened on the surface, and here she’s in a secret underground place with some sacred scriptures or something, she reads them and writes down notes and then returns the scrolls.
Day 14 Annoying Dog & Volcanic Terrain Another weird combination, but eh, it’s the dog. It’s feeding bones to the vulkins and admiring danger up close.
Day 15 Monster Kid & Path Along the Water I made a huge area with different textures so I could try learn something new by scribbling around, and I’m really happy how the boulders on top of the waterfall and the water itself look like.
Day 16 Doggo & Ancient Altar Room Took a moment to come up with an idea, then I read Doggo likes squirrels. So now he’s travelling the world too, and he always has time and seeds for any squirrel population he discovers.
Day 17 Alphys & Summoning Altar I thought I’d not be drawing Mew Mew, but here was a perfect opportunity for that! Alphys isn’t travelling, but discovering new things in her home, humans have such interesting books! All of the Japanese text mean something; the bowl has the kanji for ’love’, books under it are Mew Mew manga, there’s two yury books, a reference to Free!, Digimon, Pokémon, Rose of Versailles, Natsume Book of Friends... and it’s fine if you don’t get the one that says ‘corn’.
Day 18 Photoshop Flowey & Windmills and Grasslands I think the modern wind generators look super cool. I tried to make Flowey as cute as possible so he’d be more fun to draw there, this is some dream stuff or alternate universe since Flowey did stay behind.
Day 19 Papyrus & Desserted Drylands I’m pretty sure that’s an accidental typo, but since it was Papyrus I wanted to roll with the new pun meaning. First thought was Papyrus somehow being in the drylands and dropping a huge cake, thus ’desserting’ it, but that would’ve been a bit mean. This cake is made with 100% organic sand (some of which he ground himself when grooming Rocky), the tiny cow ornaments are modified mouse skeletons. :) The chef hat would be straight but there wasn’t enough room on the page of the notebook I draw these on... I remembered he had a triangle on the battle armor, but didn’t remember what way it points so avoided it by replacing it with a heart. :D
Day 20 Sans & By the Beach Sans is getting some more sand for Papyrus with his shortcut, then he took a nap unfortunately close to the tide..? The shore felt a bit bare so I added some animals to keep him company. I h/c that animals don’t mind having monsters around unlike how they usually try to run away when a human is near.
Day 21 Shyren & Buried Statue(s) She’s doing that Disney princess thing where you sit down and start singing and all small animals within hearing range come to listen.
Day 22 Asriel & Underwater Temple Another dream thing since Flowey stayed behind, this is how he imagines the oceans look like outside.
Day 23 Lesser Dog & Market Place Some people have to learn the hard way to not trust a dog that has opposable thumbs.
Day 24 Box Mettaton & Merchant’s Store Any website run by a popular monster must get an insane amount of curious folk, which leads to ad revenue being a good way to fund the next tour. There’s some.. insider jokes there if you’re in any kind of website business.
Day 25 Rocky the pet rock & Eldritch Forest I don’t actually know what the latter means, looking at Google images it’s probably just a forest that’s very dark or something. Wanted to try a different perspective for a change. Rocky has a bowl of food there but I can’t really think of any non-sad reason for why it’s in this forest.
Day 26 Froggit & Inn in th Middle of Nowhere Had to take a break for one day, regardless I’m proud of myself on being consistent this far despite everything going on. I first only had the top Froggit and the bg in the sketch, and didn’t like how it looked. Somehow adding more Froggits made it look a lot better to me...
Day 27 Burgerpants & By the Docs Birsd with human arms and birds sitting like humans will never not be hilarious to me.
Day 28 Bratty and Catty & Deep in the Woods Tried to play with perspective with this one, it’s kind of the opposite of the Rocky drawing.
Day 29 God of Hyperdeath & Idle Portal I had a hard time coming up with anything for this, so now poor goat is somewhere in a completely white dimention and the only way out is not active, though he’s quite chill about it.
Day 30 Amalgamate & Abnormal Formations This and last one’s world I didn’t leave for the die to decide, I really wanted to do Tetris with Napstablook and out of the two still left this prompt suits Endogeny more anyway. There’s a forest in Poland where several of the trees bend to north like this.
Day 31 Napstablook & Puzzling Platforms Only one I did during morning, my hands shake more then so all the lines are more or less wobbly. Every Tetris piece has it’s own signature design except the L-shape which is just blank to keep it interesting. Napstablook is enjoying game music while inside the game, maybe ghosts can possess videogames..? This also shows the notebook I drew all of these in and the tools I used most of the time.
It’s hard to tell if I’ve improved at all when comparing these to 2017 inktober, I haven’t draw regularly through the year and the main focus point this time was on backgrounds and not so much on lines and characters. I did learn new things and that’s always exiting, I think my trees, glass and rocks look way better than before I started, and I did some progress in shading metal too. All of these took 3 hours or less to finish, some only took an hour. I didn’t need to erase pencils like last year because I used a trick where I placed the sketch under the notebook page and my tablet with 100% brightness and a white bg under them, and traced that with ink. The notebook paper is pretty thin, you can see the Amalgamate drawing’s clouds showing through in the Napstablook photo. Anyway, this was fun, and I think I’ll try do it next year too!
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beyourstar · 7 years ago
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just wanted to say that your birthday's gifs were really pretty! i was wondering how did you make them?
hi!! thank you for your lovely compliment! also sorry for responding so late D:.
so, just fyi im using photoshop and a drawing tablet (here is the one i have–its dinky but its the first one ive ever had and it gets the job done so hey).
here you can find the tutorial i wrote after i made moonbins bday post. I would check out this one first since it covers some technical stuff like working with new layers and such (since im not sure how familiar you are with photoshop). it also goes over the techniques(??) i use in pretty much all of my doodle gifs.
however, i did figure out how to do some new stuff so im gonna show you what i learned!! :D
(continuing from the previous tutorial) STEP 5: overusing the “free transform” tool!
basically this changed my life lol
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so in the rocky gif above i made the clouds move by just copying the drawing layer and shifting the doodles incrementally with each frame instead of drawing the clouds by hand over and over again
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(^^ i made a gif explaining how to do this so this post isnt ten miles long. below are the steps written out in case its hard to read my handwriting)
have your doodles drawn and ready on a new layer. make sure the layer is placed over the layer that corresponds with the first frame
click on the next frame. make a copy of the previous doodle layer and move it so its placed over the layer that corresponds with the second frame.
select the marquee tool and make a box over your doodles. make sure the current drawing layer is highlighted.
the shortcut “ctrl t” activates the free transform tool (u can also find it under “edit”). using my arrow keys i shifted the doodles to the right four times and kept this consistent throughout so their movement was steady when played back)
click enter when you’ve finished making your transformations (i just shifted the clouds sideways, you can do other things like rotate, flip, angle, or change the size of your drawings)
when you click on the next frame, the marquee outline remains. make a duplicate drawing layer from the previous drawing layer, not the original one.***
make sure your drawing layer is in the right place and the visibility is turned on.
bc the marquee selection is already outlining the doodles, you can activate the free transform tool and then make your transformations.
click enter when you’ve finished with the transformations and then repeat!
*** if you go from frame 3 to frame 4, you would then make a copy of layer 3 not layer 2 or 1. this just makes it easier for you to create gradual movement. 
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heres what it looks like. once i was satisfied with the clouds i would then go back and erase the areas where the clouds overlap rockys face so it would look like they were moving in the bg. 
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in this gif, on the halo thingy i used the transform tool to gradually deepen the angle of the halo and the planets so they move with his head. doing this can be kinda irksome and you kinda have to pay attention to how much movement there is between frames to be able to follow the natural movement of the head.
basically i played around with what i could do with the transform tool. i used it in variations like with the rocket in this gif
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(^^ just shifting the rocket to the left and up in increments and then eventually changing the angle)
and mjs wings and arrow in this gif
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(i did a whole lot of stuff in this one and tbh it would need its own tutorial, so if anyone wants know how i did this one let me know!)
CONCLUSION: this was really hard to explain and tbh i couldve done it better but i didnt want to overload, if anyone has questions dont hesitate to ask. just remember the layer copying thing!! also, like i said in the last tutorial, im still learning myself, so there might be a ton of shortcuts i dont even know about. let me know if you discover any! and send me your creations, id love to see them and learn from you. if you wanna know how i do something specific in a gif i’d be happy to explain it.
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alicenpai · 7 years ago
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Hello ^^ Ur art is amazing! I was wondering if u can give me some tips on establishing an online presence? Things like networking and getting my art to be known
Ah hello!! thank you so much ;o; I’m not sure if I’m really qualified to answer this, IT TOOK ME REALLY LONG. AND TBH I DON’T EVEN THINK I FOLLOW MY OWN ADVICE, but *mario voice* HERE WE GOOOOOO –
Just a disclaimer before we start: some (all?) of these tips are specific to my personal experiences, and they may or may not work for you. I have been posting art online for a little over 10 years, and my experiences may not be the same as yours/other artists (I grew pretty slowly!!). Please keep that in mind. I think I kept this tutorial pretty fair, however. If they did help you I would honestly love to hear your story! ^^
1. First off, consider: what are you passionate about? What do you want others to see when they stumble on your page? 
For me I love games, so I’ll try to draw a lot of that (despite being slow at drawing), and I’d like to focus more on my OCs in the near future. I’m not saying you should limit yourself to labels, but, know where your passions lie! If you like cartoons, draw a lot of cartoons! If you like bgs, draw bgs! You like originals? Go wild! My message is that everyone has a thing or two that they really like! Show what you’re passionate about! There is always a community for your interests.
About fandoms: just remember that if you switch fandoms due to changing interests, lack of time etc. - some people may unfollow or express negative feelings, that’s normal. For me, when I completely stopped posting shounen anime content, my engagement went -WET FART WHOOPIE CUSHION SOUND- down. But hell you can’t please everyone! so just do whatever makes you happy (as long as it’s not harmful to others obviously)
2. HAVE A CONSISTENT SCHEDULE. REMEMBER THAT YOUR HEALTH ALWAYS COMES FIRST. 
“Algorithms” (I dislike that word sometimes, it gets thrown around more often than the first slice of bread, you know?) will never cater to creators, so don’t beat yourself up if you can’t make 9000 shitty instagram reels a week just because the CEO says so. YOU DO NOT HAVE TO POST 1 DRAWING EVERY WEEK.* And remember that we are in a global pandemic (AT THE TIME OF WRITING) so it’s okay to take breaks, long breaks are cool too.
 Being consistent means maintaining a schedule - uploading every other day, 1x a week, 1-3x a month, etc. - however many times as you want. It doesn’t necessarily mean be “active”, but I think people appreciate knowing how often they can expect work from you! Because they love to see your content and they’re excited for it!
For me personally - I find that uploading 1 piece of artwork per month is usually a pretty good schedule (for a full time post-secondary student/working adult). And I know that may be shocking HAHA. but time really does fly and 1 month can go by in the blink of an eye! Many artists I know abide by that, and so do I - I don’t find that my audience dips too much, and if 5-10 people leave, it doesn’t really matter. In high school with a lighter workload, I might’ve posted 1 drawing a week (or like 3-4x a month) but as my workload grew, I had less time for personal artwork, so 1x a month is already quite good IMO! If you think 1x a month isn’t enough to grow an audience - in the meantime you can join communities and hang out with other artists, or just chat with a close group of artist friends ^^ (see #4)
* You don’t have to post 1 drawing every week, but I know other artists recommend posting text posts in between art so that people know you’re still online! Shitposts are cool (just don’t like.. spam so much that twitter bans you?)! You can talk about that new game you played during your downtime! You don’t have to do this if you don’t want. Some people don’t really like to type at all. Some artists prefer to just post, and that’s okay too.
In a previous version of this post, I said being “active” is important. Trying to adhere to other people’s advice destroyed my sense of self-esteem and productivity. Bad 2017 Alice! Bad! I’ve always struggled a lot with “being active”, because I draw slow, I often felt like I had to “catch up” to my peers, and that’s a toxic attitude to have for myself. I’d occasionally crank out shitty doodles that no one really reacted to, so it made me feel worse. I burn out, I delete posts, I produce nothing. Feel awful about myself as both a person and artist. A vicious cycle. 
In regards to being concerned over people unfollowing: my honest opinion is that people follow so many creators nowadays, that they can always look at another creator in the meantime while you’re busy (even if you’re someone’s favourite creator… most people are decent human beings and understand you need time off). It’s normal to get unfollows when you’re not posting every other day, or if you switch fandoms. Heck even for me I’ve lost like more than 100 followers in an inactive period. It’s normal. Your productivity and follower count have nothing to do with your worth as an artist.
3. Join communities and be nice to others! Twitter is best for networking because of the nature of the platform (i.e.: more conversational), but obviously don’t be a pushy salesman or constantly follow and unfollow to get someone’s attention and stuff like that - use your judgement. Join art discord groups, even a LOT of fandom discord servers have an art channel too! (join one of your favourite anime or etc, a lot of them have the links posted publicly on reddit), join dA groups, drawing/theme challenges (e.g. you wanna try traditional art? get inking! your favourite ship is doing a themed week? sink with them! people love ships!) Look out for redraw memes, 60/69 min challenges, current topics, etc etc.
I think nowadays it’s easier to join communities as a young artist than when I first started posting art online ^^; (LOL I just had dA) You guys should take advantage of that!
TRY OUT NEW DRAWING SITES! Artfol, Pillowfort (NSFW?), and Sheezyart are some new sites that I’ve seen floating around. Getting involved helps attract eyes to your work. Art platforms may not get you as much attention as tumblr, twitter, or instagram, since they will likely be used by more artists and less non-artists, but art sites cannot grow ant thrive unless people sign up right? I’ve tested Artfol (briefly...) and I think it’s definitely worth trying out!
This is a given, but always tag your work according to the platform. Know what tags work depending on the platform (e.g. 4378548754875 tags on 1 tweet tend to be abused by spam bots, so the more tags on twit the more suspicious the post looks IMO). Very different culture depending on the platform. On instagram and tumblr go crazy. Twitter is good with just 1 with the series, e.g. “#persona5″, or you can just mention it in the post caption, e.g. “Haru is my favourite character! (persona 5)”, because content is still searchable that way as well.
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4. Be patient - don’t worry if you don’t get noticed overnight, or in a couple months… or years even. Don’t panic. Sometimes your work is just not ready for a larger audience. EVERYONE’S EXPERIENCE IS DIFFERENT, no one’s experiences should be discounted - look at each artist’s experience/art growth individually. And this isn’t meant to be discouraging or insulting, sometimes it really is just luck that will get you noticed. 
For me personally, I’ve been posting art online since late middle school. I think it took me about SIX whole years before my art started to go somewhere (conventions helped me too), but even then it took me another TWO years AFTER to break my first 1000 followers (at least on twitter, tumblr I kept no records of as far as I know). So yes, it took me almost EIGHT years online to go somewhere. But I did start posting art when I was quite young, and I would NOT even say that my art was good until the last few years. In fact, let’s roast my old art now:
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My friends gifted me a tablet for my birthday and I took to that shit like how kids inhale sugar. I’m really grateful for them. As a teen I was frustrated as to why my work wasn’t getting eyes, I considered myself “pretty good” because of the insane improvement I made in just 2 years’ time. But I think this work just wasn’t technically very strong, or appealing to others yet.
Some people are more lucky than others, but honestly don’t worry if you struggle with your online presence. A lot of other artists are in the same boat, even if they don’t post about it publicly! Even I struggle to find the right time & content to post. Sometimes you can just blame the “alg*r*thm” (derogatory). And remember, large follow counts don’t mean the artist is rich……
5. Closing thoughts: don’t forget to have fun! (No this is not a threat). Your personal art is all about self exploration and fun (art for work is different). You should draw what you like, but it’s... not... a horrible thing to try and draw popular stuff either. I draw fanart for series that I like, because it makes me happy, but it’s also awesome to bring a smile to others’ faces too, right? I think it’s important to maintain a balance and not go overboard/sell out, you know? Don’t forget to explore your boundaries as well! Hope you can find this useful! And if any of these tips helped I’d love to hear it!
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theotherwesley · 7 years ago
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x2 Eleven Questions Combo!
Tagged by the delicious @imindhowwelayinjune​ and my lucky star @crocordile​
( ˘ ³˘)❤ 
The rules: answer your set of questions, add 11 of your own, tag 11 ppl.
Firstly I shall distract June from important writing projects! :D
1. If I gave you $20 and told you you had to spend it right now, what would you spend it on?
Well, I’m always a slut for food! 
2. If you waved your foot in the air to the immediate left of you what would you kick?
There’s a 25% chance I’d collide with my wacom tablet, 25% chance I’d destroy all my foot bones on the corner of the side table, and a 50% chance I’d knock over the little electric fan that keeps my whole computer station at a livable temperature. 
3. There’s a new spider in my sink. Name it.
The USS Española. I wish your sink-spider well on her maiden voyage.
4. Describe one thing you’d like to create (eg a specific story, art, type of pancake, etc)
A webcomic. 
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But also, eventually, maybe, a major-leagues script of some kind (movie, tv, game, podcast, etc. I’m not picky). 
5. Describe one thing you’d like to consume that someone else created (eg a specific story, art, type of pancake, etc)
A L L. SLURPSLURPSLURPSLURP POUR IT INTO MY DEVOURING MAW (except fanfic-- then feed it daintily to me word by word with a small spoon; my tolerance levels plummeted after college and it is necessary for me to consume them carefully, to avoid overload.) 
6. If you were a cartoon character, what outfit would you always be drawn in/what features would make you identifiable?
Ideally, a trim, hunter green dress coat with grey silk shirt and gloves, a crisp cravat, and copper embroidery. 
Realistically, this damn stripy knit dress that I always wear because donning it requires the least amount of effort to meet the bare minimum requirements for public decency and it does not restrict my slouching. 
-- Bonus: Draw yourself as a cartoon character - take no more than five minutes, and include the sketch here.
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7. Tell me some gossip about someone I definitely don’t know
So like, get this: ...................she...............did..... nope, I got nothing. I got no hot takes. I’ve failed the gossip portion of this survey. 
8. Without checking to see if it’s correct, type something you have memorized (a line of poetry, a lyric, an equation)
You’d have me embarrass myself in my own home, I see how it is: 
The very deep did rot, O Christ!
That ever a thing should be!
And slimy things with slimy legs 
Crawled upon the sea
---Compare: 
The very deep did rot: O Christ! That ever this should be! Yea, slimy things did crawl with legs Upon the slimy sea.  WHOOPS WELP I GOT THE SLIME IN THERE ANYWAY
9. Go to the elf name generator, generate a name, and tell us what the parts of it mean
“Lothpen”-- Flower person   (✿◕‿◕) 
10. Bonus: Describe who this name belongs to
A deeply traumatized orc-fucker who makes everyone just a little uncomfortable.
11. What’s something that made you laugh out loud recently?
Standing with my boyfriend in the kitchen, just... staring at the dishwasher in silence, waiting for the timer to go off so we could finally put cereal in a goddamn bowl instead of eating out of tupperware like animals until we both cracked up. ADULTHOOD.
12. What trope do you secretly love that people like to say you shouldn’t? (eg self-insert characters, purple prose, chat fic, pumpkin lattes - you know, whatever the latest fun is that we’re not supposed to be having)
I’m a dirty, problematic villain hoarder and I love me some captive-to-lover / nemesis-to-lover tropes. 
And now time for Juliana ⚈̤꒫⚈̤
1. What was the last picture you took with your phone/camera that you liked? Can you post it?
HEHEHEHEE I WAS PHOTOGRAPHING M’ WEE BUNS 
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2. What’s the last meme you enjoyed, and a meme you can’t stand?
I’m a big fan of the posts that cut off at the end and people just assume they died and/or were assassinated before they could finish :’D
Meme I can’t stand: Nut. >:| 
3. Give me a song and what it makes you think of, or what you like about it
Breaking the Yearlings by Shearwater gets me a montage of the War of Wrath featuring lots of epic last stands and vengeful staring. 
4. The last time you were pleasantly surprised
Please don’t hate me but I’m actually enjoying the last season of Game of Thrones. :’>  THE CRAP BITS ARE STILL CRAP but it’s kind of refreshing to see the plot actually... progressing? XD idk. I still like the actors involved and most the characters, despite some very OoC writing. Also i’m shallow and it’s pretty. 
5. A physical book you have and love as an item
Oh so many! I love most of my books carnally. 
6. Your phone’s bg and/or lockscreen?
MY LOCKSCREEN IS A BUN, SURPRISE her name is Mallow. <3
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My background is...... i-it’s Vladimir Mccrary because he looks like Sauron  >\\\>
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7. I know I always ask this one, but is there a gif or reaction image you like but that you haven’t been able to use yet? If not, just give me your current favorite gif.
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this motherfucker makes me laugh so hard every tim i see it goddamn
8. One thing you would change in your favorite media thing (book, movie, show, video game, etc)
I would be the one writing it, and/or they’d get a proper goddamn editor. 
9. A non-American movie you like
SO MANY?? AUGH. Um, I really like all of Park Chan-Wook’s movies?
10. You’re transported to the setting of the last fic you read. How screwed are you?
@imindhowwelayinjune​‘s death fic drabble WELL, MY CHANCES OF SURVIVAL AREN’T SO GREAT??? Maybe I’m just abandoned in the woods to become a First Age cryptid.  Pray for me.
11. stealing this from VV but it’s a great question: what’s the nearest art thing to you rn?
I am surrounded by art at all times, we have no wall space. XD  The closest thing is probably the pinboard behind my computer? It is covered in little art post cards and dolls and stickers and things, INCLUDING A BUNCH OF YOURS EEYYYY :D
12.(bonus question: what’s a fandom I have that you hate/blacklist/don’t get?)
Rick and Morty e___e to me it just seems like fake-deep nihilism masquerading as wisdom, shock-fodder, and humor that’s indistinguishable from South Park except that it’s left-leaning. I know people who like it say it’s got good moments and redeeming moments of compassion, but I just don’t see the point of wading through gross humor and easily-punctured cynicism to get to it.  
THAT’S IT! OKAY UMMM ...I DON’T KNOW WHO HASN’T BEEN TAGGED YET? I am slow at memes. :’D I really enjoyed reading everyone’s answers though because you’re all so very lovely and it feels like sharing at a sleep over. <3
Instead of tagging ppl, anyone who wants to can choose questions they like and answer them in the comments or with a reblog!  
1. What’s a song you associate strongly with a specific character or scene?
2. Name your favorite mushroom, or favorite pollinator. 
3. What is your favorite pre-post-modern art movement?
4. Find a perfume description on BPAL that you think describes or personifies you in some way.
5. A line from a poem, play, or novel that makes you shiver.  
6. What’s a trait / talent / look / habit you find particularly attractive in another person? 
7. How do you imagine things? Do you have cinematic pictures play in your head, or is it like a stage play taking place on a blank stage, or something less visual and more abstract?
8. Last thing you googled as reference for a fic/drawing/writing project?
9. Link me a music video, AMV, or animation that really lights your fire.
10. Favorite epoch in fashion (western, non-western, ancient, modern, whatever), particularly one you think you’d look good in. 
11. Did you have a fictional character or imaginary friend in your youth that “lived” in your head, or was present in your consciousness somehow? If so, who/what were they?
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neotechs · 8 years ago
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Hi!! Sorry if this is a dumb question, but how do you photoshop around the members' hair so well? I feel like I've tried every possibly way but it still ends up looking rough/choppy, especially around the loose strands of hair :(
hi~ i actually do it in multiple ways depending on what background the initial picture had(or on my mood lol)~ … i think i have like 3(or more) different ways to do it, so i’m gonna explain it roughly under the cut:
1) [this is for simple (one color) backgrounds] for these graphics here i mostly didn’t cut them out from the background but simply just used                “selective color” –> Blacks to change the background color (bec most of these images had a black background initially … other bg colors should work too i guess) and then add a mask on that selective layer color to exclude the person   … for fine (hair) details i think i used my drawing tablet to draw the fine details into the mask, a mouse would work too but it’s just easier and faster with the tablet’s pen ;)
2) [other backgrounds] this method mostly works well with pics when there’s enough contrast/difference between hair and background~  i used it for these graphics here (taeyong and doyoung only) i used the “quick selection tool” to select taeyong’s and doyoung’s outline 
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and then i would go to “select and mask” to play around with the settings, 
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they’re really different for every image but i usually just tick and adjust the smart radius first and try to find the best value for it, and then i would adjust the sliders: smooth, feather, contrast (and shift edge) just a little bit and that’s it~
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3) for this method there’s not really much to explain since i just use a mask on the image and use my tablet to draw in the area i want to have
this is just my preference but… whenever i can i won’t separate the person from the background just bec some smaller details will always get lost (and bec it’s more work ofc) i prefer to just change the background’s color with a “selective color” layer … i haven’t posted this graphic yet but i have a new (4th) way to photoshop the hair (idk how to explain this since i’m still new to it but i’ll try to give you a rough idea): i used masks (roughly as you can see below) and changed the blending of the copied layer on top, to “darker color” in this case (bottom layer is the original image) to get all those hair details (without the white background in this case)
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as you can see there are plenty ways of doing it~ the last (new) method might be confusing so i’m sry~ but you can always come back and ask if something is unclear~ hope this helps a bit;;
-caroline (suhocean)
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laurengrne · 6 years ago
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The 4 Secret Ingredients To Slimming Down That No-One Will Inform You Around
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For years I had been browsing for the 'genuine tricks' to losing weight. I understood they had to be out there ... magic pills, potions, creams and pixie dust ... I bought them all, hoping that each new gimmick would be the one that would finally assist me shed all the weight I wanted as well as more importantly, keep it off permanently. I invested 33 years looking for the tricks that would lastly release me from my torment of being obese. So I had browsed a bit closer to house I may have released myself from the problem of yo-yo weight loss, Fitospray Reviews BG and also left the diet programs merry-go-round years ago. I am lastly at tranquility currently because I HAVE discovered the 'actual secrets' to slimming down as well as I promise you, they have nothing to do with magic tablets, remedies, creams and pixie dust. Actually there are only 4 Secret Active ingredients to losing all the weight you want and keeping it off for life. If you have given up on weight loss and the imagine ever slimming down, I desire you to take a leap of confidence with me. So numerous women are already adjusting right into the secrets I have actually uncovered regarding exactly how to shed weight and also they are beginning to live the life of their dreams. Would you such as that as well? To live a life without the hold that food has over you? Free to start living life out in the open rather of on the fringes? Would you such as to cope with carefree abandon, slim and also vibrant rather than living your life head down, hiding in the darkness? If you have tried every diet and also one method pony available, as well as you STILL do not have the outcomes you are looking for ... then I urge you to give it ONE LAST SHOT. Let me ask you this question: If I could reveal you a way out of the situation you are currently in ... would you be intrigued in attempting something different? If the response is YES then kept reading. Here are the 4 Secret Active ingredients to reducing weight as well as maintaining it off for life. 1) Belief A lot of people have actually stopped working at our repeated efforts to reduce weight that we have an idea system that determines that we will certainly never drop weight. So the primary step to shedding all the weight you desire is THINKING that this time without an action of a doubt, you will! 2) An Engaging Inspiration To Shed Weight You wish to reduce weight ... yet just how severely do you want it? Are you truly prepared to do all that it requires to achieve your objectives? Do you have a reason NOT to give up??? Which's what I call an engaging Inspiration To Reduce weight. You have a reason to do this that can not be neglected, that is so invincible that each time the going gets a little challenging, all you have to do is think regarding your Inspiration To Shed Weight and a smile of conviction spreads across your face and also you do what requires to be done, come what may. Do you have that yet? 3) Affirmations I personally believe, that without powerful day-to-day affirmations of exactly how you want your life to be, you are significantly disadvantaged. Composed affirmations, when done correctly, invoke change in your world. They develop energy and aid you to see the life you want, as if it were real currently. Which 'authenticity' experienced in today tense is amazing. You will certainly move hills with the best affirmations in position. 4) Liability I have a concept concerning this that I share in my publication. I believe we will certainly do more for those we like than we will certainly ever provide for ourselves. My weight management trip had to do with unlocking the keys to slimming down, not just for myself, but also for the countless women across the world that fight with this concern on an everyday, once a week, regular monthly also annual basis. I recognize the pain of failing at every diet and weight-loss trick that strikes the market. I recognize the disappointment of failing at doing something that rationally is so simple. I swore that if I can work this full blast, after that I would spend the remainder of my days working with females to aid them attain the very same. And that is currently my life's job. To encourage ladies across the globe to give up diet programs when and also for all. To get rid of their scales, as well as determining tapes, as well as calorie counters as well as get this point done FINALLY! You do not need to live such as this ... diet regimen to diet regimen, trick to gimmick. There is a lot easier means to drop weight and also it has nothing to do with diet programs.
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resbang-bookclub · 8 years ago
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AMA Transcript: In The Silence I Hear You
Recently, @skadventuretime, @eerna (JoKay on Discord) and @amberlehcar stopped by to chat about their 2016 Resbang, In The Silence I Hear You! Here’s some of what went down:
Q: Okay, first of all thanks for single handedly getting me to finally watch YLIA lol! My question to madi is, what was the inspiration behind soul's nightmares? Because that was something I noticed was different from the source material! I mean, they were there but yours were way more nightmarish and horrifying lol! (That is absolutely a compliment by the way.) What made you go that route?
madi: ahahaha 1) You're very welcome, that anime Ruined me and one of the first things I did after watching it and Soul Eater around the same time was look for the AU, because surely it had to be a thing. When it wasn't, I was like welp, I know what I must do. As for the nightmare inspiration, it was part Soul having them in canon and part just what sort of came out of me as I wrote. It wasn't planned per se. I tended to sort of let what happened happen at those parts and just intuited nightmares there, though I did sort of intentionally have them stop as he began to open up to Maka more.
Q: I would like to know how Jo determines how many sparkles to put in an art piece for maximum heartbreak.
JoKay: Simply. I just really love sparkles and let them do whatever they want in my work.~~ BD
madi: OkAY. CAN I JUST FIRST SAY MY FAV THING ABOUT JO'S ART. Because the way she did the mirroring is incredible. Like, this is my desktop background. They go together so well:
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Q: Favourite moment in the fic or about the art?
madi: I think my favorite moment was writing Soul beginning to get through his block. I ended up having a lot of fun with the over-the-top synesthetic music bits and that part was very heartfelt for me.
JoKay: Favourite moment in the fic: the hospital visiting. I wanted to illustrate it really badly and ranted to Madi like. For days. About all the ideas I've had. It was heartbreaking but colorful and vivid, and the way Madi writes the two is just.... ahhhhhIhhhHHHH
madi: And like, Jo paid attention to the little details?? ? ?? Like, his tie isnt tied there. I just threw in some little bit about how he thought his tie would be crooked since Maka wasnt there to help him and ladjglkdsfg. I forgot about it tho til I saw her art.
JoKay: You threw in so many little details that struck me and I thought "YES I WANNA MAKE THIS A PART OF THE PICTURE SOMEHOW"
Q: Care to talk a little about your process? What program do you use?
JoKay: Sure! I start off with rereading the text I want to illustrate about ten times. I die a bit and try to remember the feeling to capture it. I make a traditional pencil sketch. For the Maka picture I had to take some references of myself with a violin, which... took a long time to get right haha. Next I take a picture of the sketch and do lineart in an app called MediBang Paint on my Samsung. I choose a color palette, pick the bg color, and put down basic colors. I shade, then add multiply and overlay layers to add lighting, and this is where the final palette and overall feeling gets formed. And then, best for last, the sparkles! Which usually take 3-4 layers, depending on opacity I want.
Q: This was a difficult read (in the best way); what scene/scenes did you find most difficult to write?
madi: I ended up going back and rewriting a good chunk of the beginning third of the fic around November/December because it just wasnt getting at what I wanted, tone or writing quality-wise. I have a ~12k doc of dumped/scrapped stuff from this. /cries. But specific scene wise, hm. I agonized a bit over the hospital scene with Spirit a little, because I wanted that to hit a certain kind of helpless sadness where there is nothing you can do to fix anything.
Q: This had such emotional depth to it and lots of moving pieces of grief and accurate descriptions of guilt/grief that hit me hard. Was it hard to write something so emotional and was it as much of an emotional journey writing as it was reading?
madi: I guess, well. writing for me, and I think a lot of people, can be a very intimate look at who a person is, and I think that's where the guilt/grief came from. I tend to internalize a lot of that stuff, especially with the grief/regret/wistfulness, so I think that's where all that came from. And it's funny, it wasnt hard to write in the moment, as I was listening to a bunch of ridiculous music and yelling at/with Bones about her Resbang at the same time, but looking back I can definitely see a journey and it was as much because of the friends I made during this process as much as the act of writing. [For example], around the part where maka dusts off the piano, Bones came in with some Real Piano Experience and helped me understand what actually goes into that and how long it'd take for things to actually lose tone, etc. and I was like, heck, i didnt think about that, having not played a classical piano. Moral of the story is this is why betas are gr9. It's fucking sappy as shit, but it's true. I learned sO much about not just writing, but also life and irl shit from my betababes. Part of my Process turned out to be letting Bones throw me all sorts of cognitive dissonance shit and terrorize me with very emotional music, and then I'd mix a drink and get to it. I stg it felt like I was tripping balls when I wrote most of the music scenes, tipsy and listening to BT. (https://www.youtube.com/watch?v=HyGf2mTP2_Y).
Q: That golden swoop in her dress on the right side is what really kills me. That exiting feeling.
madi: So fun story: Jo sent me her second piece a few days before posting and I legit teared up.
JoKay: Handkerchiefs all over the place.
madi: All. Over. I also tried to sort of avoid the awkward love triangle in the anime bc i didnt feel like it really fit SoMa. Also, this is what me and Jo's convos looked like a lot towards the end:
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Q: Adverb gate time?
madi: To explain adverbgate, basically, Bones came in and 1) made me realize I overused adverbs 2) this led to me realizing oH by not using them and applying better characterization things, all is better than the first time. I told all my betas, and part of the reason I asked who I asked, [was for them] to not hold back and if they saw something they thought was off or whatever, to tell me and not worry about hurting my feelings because i was in this to improve and learn. I'd much rather have it done like this, because now I really feel like I learned a lot and got better. Bones went from the 98 edits in chap 1 or 2, to 4 [edits] in the last one. And one of them was this: http://imgur.com/R3L4S9b
Q: I wanna know Amber, what made you decide to do a VA project? It turned out so freakin well and you guys were so good T.T
JoKay: The VA was so perfect, I teared up a bit. Beautifully done.
AmberLehcar: I was an amateur voice actor on YouTube prior to joining tumblr (good luck finding anything I was in though. /cries) And I'm a competitve asshole so I was like "I'm gonna be different."
Q: Anything in particular that made you choose that specific scene to do?
AmberLehcar: I asked Madi right away what she wanted. And it wasn't even written yet when I asked lol.
madi: Like, okay, when she sent me the first clips, I was blown away because they sounded better than over half the English dubs I've seen. Yeahhh I uh, I could have been more on top of things. But I knew that scene was gonna be in there and it sounded like the kinda emotional moment that would be good for her project, so I wrote that scene out of order.
AmberLehcar: I love it, it's so good. Madi was there while Brian was recording. She's a director now :3 She heard all the ridiculousness.
madi: You guys were soooo gooood! And your puppy, ahhhh. I still have that laugh track, too.
AmberLehcar: My pup wanted to be a star. I was so nervous [that] the piano bit was so bad people would hate it. It dragged so long. In writing it works so well. Listening, though...
madi: Man, you captured the transition well tho, of him slowly finding his sound and no longer needing to hear it through her.
AmberLehcar: Playing badly and repeating playing badly is tough, dude, so I'm glad it worked nicely.
Q: Did you make a public playlist of the stuff you listened to?
madi: OhH yes, yes i did /slinks off. Not fully included on there is the copious amounts of BT and Stuntin Like Mufasa I chainsmoked: https://www.youtube.com/playlist?list=PLhw3nWRXdsh-jPe7SXHPy-NOT4-PtY1yt. I also feel obligated to note that Bones did play a p important role not only as beta, but as general conspirator/friend and writing mentor, and being free with her music trenchcoat.
Q: Jo, do you have any art/style/artist inspirations?
JoKay: Yeah! Artists that make my inspiration wander could be found on tumblr as viria, lukrecious, loish, mormoc, also IG mizymiyajima and cyarine. IRL I live for Alphonse Mucha's work.
Q: I feel like we should put an honorable mention for amanda's and zxanthe's contribution.
madi: YES, ZXANTHMANDA'S COVER OF HALLELUJAH WOUNDED ME SO PLS LET IT WOUND YOU: http://zxanthe.tumblr.com/post/157041732943/so-in-honor-of-skadventuretimes-resbang-in-the.
Q: How often do you draw, outta curiosity jo? I remember it being A Lot, but...
JoKay: Depends? If I'm not too busy with school I can make pages worth of sketches a day.
madi: Dark Jo, your sketch books are amazing.
JoKay: Madi, if you saw them, you'd change your mind. They're a hellhole of faint traces of suffering teens and stupid decisions.
Q: Are you working on anything else now Jo? What is on the Horizon?
JoKay: SfTF is the only fic in my opus! Idk I just don't feel confident to write anything else...
madi: (It is a Noragami MMA AU type deal >:))
JoKay: As for paintings... boy does The Lunar Chronicles' fandom have some stuff in store for them once I find the time. I will save up for a proper tablet soon, so that will be a new beginning for me.
madi: Man, the world isnt ready.
madi: I would also attribute this Resbang to teaching me that I apparently can't listen to tone-appropriate music while doing a scene, so that was a learning curve. I ended up with a bunch of upbeart mashups/disney rap during the sad scenes. Like this: https://www.youtube.com/watch?v=YdSo1oY_GB4
JoKay: It was fun talking to all of you and listening to more behind-the-scenes discoveries of this great fic~
madi: I also wanna take a sec to be sappy again about everything I learned throughout this process from my partners and betas. Y'all are super swell.
Thanks to the creators for stopping by! That ends our AMA Transcripts for the Resbang season - thanks for reading and congrats to all of this year's Resbang participants :) We'll see you all in 2018!
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docjamie · 8 years ago
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I was tagged by @kotyonoksnz, I feel so welcome, lol
Rules:
1. Always post the rules. 2. Answer the questions given by the person who tagged you. 3. Write 11 questions of your own. 4. Tag 11 people.
Kotyo question time:
1. Favourite song
-Oh my...that’s hard. I guess my current jammy jam is RUDE by Eternal Youth
2. right-handed or left-handed?
-Right handed!
3. What is your hobby?
- Drawing, reading, the usual tumblr user
4. if you had to eat one thing for the rest of your life what would it be?
-Totally cheating but, a salad. Anything can be a salad. Chicken salad. Macaroni salad. Fruit salad.
5. What is the thing you want most right now?
-The Yuri!!! on Ice blu-ray DVD. (and a new drawing tablet ;w;)
6. do you prefer cold or hot weather?
-I love winter, I hate living in the south, we die of heatstroke 
7. What helps you relax when you feel stressed?
-Listening to my ambiance playlist, or just music in general. 
8. If you could have any kind of super power what would it be?
-Oh boooyyy....hm....maybe telekinesis. 
9. Do you prefer to multi-task or focus on one thing at a time?
-I physically cannot multitask. It can’t happen. I have A.D.D and I have it bad. Send help. And adderall.
10. choose a colour palette
-I like “I’m not alone (yet)”
11. What is your current phone bg?
-This!
My questions!
What’s your favorite TV show?
Are you happily single or happily taken?
If you ever had a chance to change an event in the past, what would it be?
What’s the funniest youtube video you’ve ever seen?
What was your last google search?
What’s your favorite food?
What kind of phone do you have?
Do you have a favorite music genre?
Doggos or kitty cats?
Do you have a favorite tea flavor?
Tell me the stupidest conversation you most recently overheard.
I may have to break the rules, I’m kinda new here...uh...I tag whoever sees this and wants to answer?
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