#i just want to see more development in relationships and seeing and knowing you CAN HAVE STRONG FEELINGS FOR MANY PEOPLE

[abyssal-author-and-artist]

I'm still working out a lot of shit but I can say for sure that I'm aro. I do not experience romantic attraction. If anything, I sometimes develop crushes on fictional people (see my life ending desire to hold Siffrin's hand and give them little forehead kisses) and sometimes on people I know are unattainable, but I'm still aromantic. (My specific sublabel is cupioromantic because I like the idea of it but aromantic is good enough for my purposes here.)

I am not interested in having a romantic relationship. And that's fine! But I think part of the reason I'm not interested in it - even if I don't reciprocate the affection - is I don't want the expectation of having to do romantic things. If someone came to me and said "Hello, I love you romantically and I know you don't experience romantic affection back but if you're interested, I would like to ask you out on a date/to be in a romantic relationship where you are not obligated to do romantic things or reciprocate my romantic feelings" then I'd probably say yes to at least trying it out. And I might not stay in a romantic relationship even though I like the idea of it!

I'd like to make it clear - I like the idea of romance. I like the idea of getting married, of going on dates, of doing cute little romantic things. Does that mean I want to do them? Eh, not really? I can't think of a person I'd do them with. If I was dating a person I might not want to do it because it would feel performative and I don't want to do it performatively. So I could be in a relationship, I guess. But I wouldn't start feeling romantic attraction/wanting to do romantic things. Maybe I'd do it on my own terms? But like that means I initate it. That means I decide that I feel like holding hands or going on dates this once. It is not a blanket "I'm cool with romantic affection" because I'd still get stressed because I would feel like I'd be obligated to be romantic! It's just a "I feel cool with it at this second and that does not make me more romantic, it just means I feel like I am comfortable acting romantically right now".

"but aces and aros can be in relationships"

Yes, I know that, but do YOU know that aces and aros in relationships are still aces and aros? Do you internalize that? Are you aware that we don't just suddenly turn straight, or gay or anything else?

Yes, even demis

Are you aware that a sex repulsed asexual will still be sex repulsed even in a relationship, and so, might never fuck you?

Are you aware that a romance repulsed aro will still be romance repulsed even in a seemingly normative relationship and might not like doing typical romantic gestures and activities?

Are you aware that a sex neutral or positive asexual might not actually be sexually attracted to you at all even if they do fuck you?

Are you aware that a romance neutral or positive aro might not actually be romantically into you even if they are comfortable with typical romantic gestures?

Are you aware that our identities are just as permanent as yours?

[skyenish]

Mr. Loverman | Scarabia animatic 🐍☀️

——

Something something happy pride month

(Ramble under the cut)

Since I’m drawing Jamil and Kalim to like every romance song in existence, of course I had to draw them to mr. Lovernan; its only natural! And this song fits them so well too… the ways that Kalim talks to Jamil are so sickenly sweet and loving, they make Jamil wish he was gone. I think it’s so perfect to have that one voiceline where Kalim says Jamil’s name, but not with his usual trust or love or kindness, but rather with disbelief, fear, and confusion. That way the song can have a double meaning for them! Kalim’s sweet words make Jamil sick, but when Jamil’s plans fell apart and Kalim called out for him, confused and refusing to believe that his closest companion would betray him, it still makes Jamil’s stomach churn. I bet that sometimes Jamil wishes Kalim could just shut up.

But Jamil still cares about Kalim, still remembers when they were friends. Their relationship is complex, and though he hates it, I think he still does love and care deeply about Kalim, but all those feelings are just in a very weird and difficult place. I absolutely adore that double meaning! The ways in which Kalim talks to Jamil makes Jamil feel a lot of things, negative, positive, and he hates it. But “wishing i were gone” and “running on and on” can apply to both his negative feelings of desperation, hatred, loathing and disgust, and also those feelings that deep inside make him wish their situations were different, that things didn’t end up like this. Jamil lies a lot, also to himself, and all his feelings are so tangled and stuck (dude is super emotionally constipated and needs therapy fr). I LOVE the character development Jamil and Kalim got in book 6 and 7, because they’re slowly making their way towards building a healthier, mutual relationship, and I’m so happy for them! I will be eagerly awaiting the day their relationship is fixed, and they’re happy with themselves, eachother, and life

As always, please remember that these are just MY interpretations of and takes on these characters! If you disagree or want to share your own interpretations, thats valid, and please do share! I love to read analysises and rambles! :)

——

Drawing has been really difficult again; im busy with school and I can’t get myself motivated to draw. Social Media has also been bumming me out. I’m really sensitive, and there’s been a lot of negativity on my fyps and timelines, which has just killed my mood. Good news also though- the twst anime finally got a release date??! I have been waiting for this for YEARS, and I can’t wait to see our boys animated and for the fandom to grow and for new merch! There’ll be so much more cool fanart, new character discussions and analysises, new people who get to experience twst for the first time!

Kalim is such a cutie, he’s so fun to draw! (Until suddenly my hands decide they don’t know how to draw him anymore).

(GUYS HAVE YOU SEEN THE UPCOMING CATER CARD??? IM NOT OKAY HE LOOKS SO GOOD AFHAGSGDHJ)

[maybanksmusings]

THE WALLS ; JJ MAYBANK

SYNOPSIS ; when an unknown face appears in the outer banks searching for a father she's never met, she's unaware of how her life is about to be completely turned upside down.

WARNINGS ; jjmaybank x routledge!oc, strong language, depictions of violence, afab!reader, sexual content, mentions of abuse, drug and alcohol consumption, strangers to lovers, fast burn to slow burn, canon adjacent, not proofread.

AUTHORS NOTE ; changes are being made! see this post to learn more. to me, this part seems a little like a filler, but i want to explore veronica as a character and develop each relationship with each character as something more than a side character, not just honing in on her relationship with jj, which of course is a huge part of the story also.

part one. part two. part three.

when veronica begins to stir, the sun had long set. there was no way of knowing how long the pair had been asleep, all she knew was the lights of the chateau were off and there was a bright pink post it note stuck to jj’s head.

‘gone fishin’. jb pissed.’

pope signed off on the note, a small smiley face drawn inside the o of his name. veronica knew the pouges hadn’t actually gone fishing, that is was some sort of code jj would decipher when he came to.

in this moment, veronica was content. wrapped in the arms of the most beautiful person she’d ever seen.

what could only be described as a war was ongoing in her head. she wasn’t exactly one to believe in love at first sight, she thought this entire ‘spark’ thing was something made up by male authors to keep women reading their shitty romance books to keep them hooked, waiting for it to happen to them.

but then she met jj, and he was like a magnet. every time veronica was in his presence she was mesmerised, whenever he was gone she felt like all the colour was drained from the world.

there was only two problems.

there was a maximum of forty eight hours that they knew each other, add to that he was her brothers best friend, then add to that said brother made it crystal clear that inter-group dating was not allowed.

oh, and then the whole ‘nobody knows i’m his sister but us’ thing.

“you’re staring, baby” jj mumbled, his voice low and tired as he stirred beneath her “can’t say i blame you”

with a sarcastic scoff, veronica sits upright in the hammock, her legs laid out across the blonds lap “just admiring the drool on your face”

“aren’t you funny.”

comfortable silence follows, jj crosses his arms behind his head and blinks the sleep out of his eyes. even though she was staring off into the water, veronica could feel jj’s eyes on her.

“can i help you?” veronica quipped, a teasing lilt to her words as she face the boy in question “use your words, you’ll get there.”

unexpectedly, jj sighs and lets his head fall back “what am i doing?”

veronica knows he didn’t intent for her to hear him, but she did. she would be lying if she said she wasn’t disappointed, but she was even more disappointed in herself at the pang of sadness that hit her.

before she can say, or do, anything, jj is sat up a little straighter and speaking again.

“listen, you’re a really cool girl,” he pauses, shaking his head and starting again “you’re hot as shit, damn it!”

barely, veronica manages to mask her giggle with a cough.

“don’t ask me how or why, but i gotta tell you i’m super into you.” he blurts out “yeah, makes no fuckin’ sense, we barely know each other, no pouge on pouge macking, you ain’t feeling me like that-“

her body is moving before her brain can even comprehend what she’s doing, chipped nail polish framing blond hair as she held his face in her hands and pressed their lips together.

then, her brain kicks in, and veronica jumps back like she’d just been burnt.

“fuck, jay i’m so sorry. i wasn’t thinking,”

seconds pass agonisingly slow and veronica can’t help but think about just how badly she had just fucked up.

but she doesn’t get to overthink for long.

a calloused hand tangled in long, brown hair. the other gripping her waist like it was a lifeline, helping her into his lap as his tongue makes its way into her mouth.

the kiss is messy, it’s desperate. like two people drowning, taking in the other like they were air. hands cling to whatever they can, afraid if they let go it would all be over.

any reservations veronica may have had about ‘the spark’ were discarded, undermined even, this wasn’t a spark, it was fireworks.

but fireworks don’t last forever, and when the sound of john b’s rickety van can be heard drawing closer. the newfound excitement being dulled by the shadow known as a protective older brother, a protective best friend.

by the time the missing pouges pour out of the twinkie, veronica and jj are in much less compromising positions, now sitting beside each other trading menial conversation about the earlier events of the day.

“welcome back to the land of the living,” kiara teases, a yellow vape coming up to her mouth as she took a hit “you two were out cold.”

instinctively, veronica’s hand shot out, wordlessly pleading for a hit of her vape. with a groan, kie handed it over.

veronica lets her head fall back against the hard oak of the tree behind her, relishing the feeling of her first hit of nicotine in two days. she had a vape when she left home, but it died before she even made it to the outer banks and being broke meant she couldn’t even go buy a replacement.

“you could’ve woke us up, y’know” jj defended, trying his hardest to act as if nothing happened, reminding himself to stop staring.

pope scoffs, not missing the longing stares sent the brunettes direction but purposefully ignoring them “we tried, it nearly cost us our lives.”

unamused, john b walks past the rest of the group in silence. when he gets to the door of the chateau he looks over his shoulder and nods for veronica to follow.

the girl is suddenly more attentive, climbing over the human embodiment of a golden retriever and padding her way into the house behind the older of the two.

“does the name redfield mean anything to you?” john b questions, passing a beer from the fridge and getting one for himself “like, the surname.”

veronica is quiet, her finger tracing the rim of the can as she goes through every crevice of her brain in search of any name even remotely close, there’s only one.

“chris redfield.” she answers with a nod, popping the tab of the can and taking a swig “but i don’t get how he’s involved.”

“why not? who is he!?”

“a video game character.”

with a huff of annoyance john b drags a chair across the kitchen to sit beside veronica, unscrewing his compass and placing it down on the table. the name ‘redfield’ is carved into the metal.

“we went back to the boat, found a motel key, whatever.” john b shrugs off the rest of their findings, more invested in whoever this redfield person was. “then i remembered when you showed me that note, the one in the compass. then i found this, figured you would know more than i do.”

veronica gently traced the carved metal, it was definitely their fathers scrawl, she’d memorised it from the note she read over and over and over.

it couldn’t be a coincidence, her fathers note asking her to meet, the matching compasses. now this?

“if i’m going to help you, i need to know..” she trailed off, biting at the edges of her nails as she wondered how to phrase her next question “does this have anything to do with dad dying?”

“he’s not dead.” john b’s voice is louder, stern. then his face softens and he tears his gaze away from the compass and to the floor “sorry, just, i know he’s out there. and this? this is proof.”

“john b, i get it.” the younger routledge speaks slowly, trying not to tread on any toes “you’re not the only one who wants him to be alive, that needs to see him. but i don’t see how this—”

“dad found the royal merchant. four hundred million dollars in gold, and he found it. he’s trying to tell us where to find it.”

veronica sighs, fingers rubbing at her tired eyes as she once again tried to think of any connection to any redfield. when it came to family, she only knew the bare minimum, her fathers name and her mothers maiden name.

what she did know, however, was the royal merchant. as a child her father sent her maps and books on birthdays and christmases without fail, until one day they stopped.

“you’ve got books and stuff, right?” she finally asked, not wanting to get either her or john b’s hopes up. a nagging feeling was telling her their dad was alive, but she knew he wouldn’t just up and abandon his son.

the walls of her fathers study feel like they’re closing in on her, john b let her inside and left her to it. veronicas hand ghosts over the framed maps and dusty books. blueprints of ships with her fathers messy scrawl written randomly around the paper.

there’s pictures of john b littered all over the office, all different life stages, a few feature jj and veronica can’t help but smile at the photo of two little boys holding a fish between them.

on the desk there’s a picture frame, immediately veronica recognises her mother, years younger and a gentle hand placed on her tummy. in the same frame, there’s an ultrasound that veronica almost bypassed as john b, but when she looked at the date it was a long time after he was born.

it was her ultrasound.

it was her in her moms tummy, framed and proudly placed right on her fathers desk.

everything comes back at once. finding the note, and in turn the years worth of letters her mother had hidden from her. the dateline special with john b pleading for information about his father, their father. the fight with her mother, packing a bag in the middle of the night and making her way to the address stored safely inside her compass.

the tears don’t register until they hit the glass of the frame, the last few weeks of pent up anger, sadness and hurt bubbling over from the flame that single photo sparked.

her dad loved her.

for years she’d heard about her absent father, then the absent father that passed when she was a baby. the father who didn’t want the responsibility of a child and ran away once he found out.

but the letters, the compass, this picture? john routledge loved the daughter he was forbidden from seeing, from the second he knew about her he loved her.

and now he was dead.

a sudden wave of anger rushes from her head to her toes, glass shattering when she throws the dusty old frame against the wall with a scream. papers fly and maps fall from the walls as she turns her fathers office into her own personal rage room.

the racket coming from the small room shakes the chateau, so it’s no surprise when the pouges come crashing through the door.

the pouges eyes briefly flash with fear when their eyes land on the destruction caused by the newest arrival, but it’s quickly replaced by a familiar sadness when veronica crumples to the ground, screaming as loud as her lungs would allow for them to get out.

they don’t know what’s wrong, but it doesn’t matter. veronica was now considered a friend, and they gathered that’s what she needed right about now.

jj is the first to enter, drawing closer slowly as if he were being cautious “it’s okay, ronnie.” he mutters softly, dodging shattered glass as he knelt beside her “we’re here, we got you.”

kiara, john b and pope are close behind, wrapping veronica in what could only be described as a group hug until her tears subsided.

taglist!

@ren-ni @marleymarleymarleymarley @miidollaasignnn @rainingcecilias @tanyaherondale @xspideyhollandx @sluterainterlude @loverofmarsss @xoxo-ada @gigistalked @genderlessmenance

[yeta-drewit]

I just KNOW the moment Wednesday season 2 is out, and they continue this gay vibes from the novelization of season 1, people are going to be screaming about how platonic relationships are dead in media.

I am surprised to learn that as of late people have been criticizing gay shipping for “erasing” platonic relationships, that by making every platonic relationship into a gay ship we are giving the idea that every interaction is inherently romantic and influencing the children into not understanding the difference between romantic and platonic relationships.

I want to start this by saying that I do believe that a lot of people don’t understand the difference between romantic and platonic relationships, but I don’t think it comes from gay shipping, I believe this development comes from many things. One example could be how society pressures people to find a relationship which leads to desperation and purposefully blurring the lines between romance and friendship because it’s better to have someone, even if you don’t really love them romantically and just enjoy their company, than to have no one. Another example could be how society used to have a heteronormative idea of relationships, if we all believed ourselves to be straight, than it was easy to just say “if I’m a woman all the women I get along with I only see as platonic, but if I get along with a man I must see it as romantic”, but now that we are expanding on the possibility that people of all genders can be both platonically or romantically involved with anyone of any gender, we are having to face the fact that romantic and platonic feelings are not solid concepts and we have to get philosophical with what is love and what constitutes love, and most people don’t like to think about that so they keep to their heteronormativity.

This are but only 2 reasons why I believe people don’t understand platonic and romantic relationships but I haven’t heard anyone say that because they be blaming gay shipping. I’m going to say that like with anything in life this has nuance and you can argue all you want but I’m going to say that I genuinely believe a good part of the people saying this argument are homophobes.

By stating gay shipping you are ultimately also adding gay relationships, gay shipping is just a step below from queer representation. So ultimately you are making the same homophobic argument that queer relationships shouldn’t be portrayed in media because it would confuse the masses and the children. We have fallen into the idea that complicated concepts as romantic and platonic relationships should be dumbify to appeal to a larger audience of straight people.

But I can hear someone argue “but shipping is a fandom thing not a show thing”. Well someone has been living under a rock because nowadays fandoms are an extension of the show, we are social media people, we thrive in social engagement in these online communities and fandom culture has been on the fucking rise. We can’t ignore that what happens within a fandom is how people ultimately portrayed the show, it’s the reason why a lot of people don’t watch things like mha because the fandom is weird and not because the show is bad. So by criticizing gay shipping within a fandom you are ultimately criticizing it as if it was part of the show.

Which leads me to Wenclair. I believed season 2 is truly going to be coming in a horrible time to be a minority, as people have been growing more homophobic and racist as time goes on. So people are going to extremely criticize the Wenclair ship, not because it’s a toxic or immorally wrong ship, but because it’s gay. People would criticize the show because they are going to go from friends to lovers. They would argue so much about the fact Wenclair is erasing a platonic relationship that they would forget that a foundation for many straight ships and real life relationships is friendship.

I don’t think friendship in media is dying. Within my example of Wenclair there are multiple moments of true friendships in the show. A big part of the Wednesday show was Wednesday learning to have allies and people she can trust to help her, but people would ignore does messages to jump about the fact the two main girls of the show are seen as more than platonic EVEN THOUGH BOTH OF THEM HAVE SOLID FRIENDSHIPS OUTSIDE OF THE SHIP. It’s almost like the only problem is that they are both girls, because let’s be honest NO ONE is saying the same thing about straight ships, they straight ships are always super romantic and completely fine, even though we could argue that does ships also can confused people as to what is romantic and what is platonic.

And before anyone comes for me arguing that I’m taking this too far and that I’m just a sad gay who doesn’t understand we NEED same gender platonic representation (like we haven’t had enough of that in hundreds of centuries of media 😀) and that I’m just mad people criticize my gay ship. I am going to hold your hand and say. I don’t care if you hate a ship. You can tell me all you want that Xavier or Tyler are better potential partners for Wednesday and I would let you because that’s your constitutional given right, BUT if you are criticizing the ship not by personal preference but from the eyes of homophobia I am going to be mad and I’m going to be annoyed by it, because queer representation has JUST been on the rise, you can’t already be mad at it WHEN IT JUST STARTED. WATCH ANY SHOW IN ANY GENRE AND YOU WOULD FIND SAME GENDER COMPLETELY PLATONIC RELATIONSHIPS, SO WHY MUST YOU BE MAD AT THE SLIGHT POSSIBILITY OF A SHOW DOING ONE, ONE!, CONTRADICTION TO THE NORM.

Shipping and canon gay relationships are not going to take away friendship, they are just helping people understand that there is not one way of being in love or one way of being involved with someone of the opposite gender, we are not stopping friendships. I would make the argument we are increasing it by making people analyze their interactions with people of even the opposite gender through the eyes of it being platonically. Because now gender is not a factor in friendships, you can be friends with anyone of any gender. Shipping shouldn’t be confusing you about it, you should think critically and analyze what you consider love.

[robolvrr]

I hope you’re having a good day/night! Can we have tfa starscream and tfp starscream with a female cybertronian that’s taller than them and got the hips?😼

Also just wanted to say I love your writing!! Happy to request my brainrot here and not feel embarrassed 😖💜

she's a brick house! ◜⁠✧*ﾟ⁠+

and if i said this freak helped cultivate my voice kink, then what?

warnings: nsfw under cut. i LOVE me a skinny twig x powerhouse ship real bad.

"don't be preposterous. i don't fear you, no matter what you hear otherwise."

tfp! starscream

him and that sass of his is often too frustrating for his associates to develop anything further than a common goal oriented relationship.

the closest? knockout. and that's simply because their snark and combined chaos doesn't edge to flat hatred or harm as his other dynamics tend to.

he's not interested in your arrival at first, until megatron mentions in passing that you were a personally selected recruit. now, his pace is measured as he mutters to himself — the last thing he needs is to be fighting for a spot at the table.

not with all the aft-kissing and manipulating he's done to establish his reputation.

your introduction is short. starscream pretends not to care.

however... you don't make it easy.

starscream had always found his frame perfection. he's slender, lithe and regardless of the many repercussions with his boss, it's no surprise his metal armor is just as opulent as the nemesis itself.

there is rarely a creature or mech he has to crane his neck for.

though when he does drink you in, his intake opens, then closes, then opens once more. those razor-sharp brows are as expressive as they are obvious.

not only do you tower over him, closer to megatron's shoulder, your paint is a deep maude and your general frame is.. well. he's not complaining.

you're not as polished.. though he can tell you take hot oil baths and your curves are well-melded. his frown blooms even more. he doesn't need to be thinking about that.

wide hips. wide legs. there's an arch of ruby metal nestled at your hips that crest similar to one of these planet's filthy paradise birds.

his sneer as he realizes of course you can't fly either is enough to prevent any concerning thoughts flooding his processor.

"i see. and just what can you do?"

"what is asked of me, starscream. i do hope there won't be issues with my presence on the bridge. we are to be working close from now on, after all."

"ah, yes, o— what?! b-but lord megatron!"

turns out that megatron has had enough of his scrap. you are within the same rank but as he quickly and scornfully realizes, perform as an overqualified sparkling-sitter.

it doesn't help that you're so painfully professional. he wants to despise you, but you firmly push him from his schemes and don't have a bucket of bolts in your helm.

he's clever. you read him and his lies. he tries and fails several assassination attempts that always end with him feeling foolish and riled.

his respect, as well as his attraction, is mournfully earned. sometimes he ponders if you know this, which makes the torture of his spark crackling in your wake worse.

"oho? but of course, my sweet!"

tfa! starscream

unlike prime starscream, he is overtly flashy and unabashed with his interest. after all, what good is rule if not with competition?

he does not fear you — he did manage with sabotaging his boss and avoiding execution while doing so. the decepitcon ranks were truly mech eat mech mentality.

let's hope you're not a gentle giant, because he's got a silver glossa and isn't afraid to use it to woo.

"is it just me, or is that chrome sparkling, darling? and here i thought you were just a brute."

alright. he's just as much of a brat.

he takes pride in reaction. not only is he a skilled strategist and fighter but he knows how to ruffle feathers.

and like the boastful seeker he is, he's going to find what makes you tick.

needles for your attention just short of pushy.

walks behind you with that crooked grin of his, even though he usually likes to glide in front of his subordinates associates. hmm, wonder why?

expect him on patrols to fly above you, flaunting off in his element. what was just a simple recon turns into a full on flight show.

no personal space. he enjoys almost, just almost, pressing up against your chassis. aren't you lucky? he's wrapped around your digit.

finds excuses to touch you. never lecherously, but in the sort of a manner a feline rubs between legs.

speaking of which... he adores yours. so strong. so shapely. just how were you forged? he wants to thank primus.

nsfw headcanons.

tfp! starscream

he desires to be in control. with how much he's realistically gotten knocked around he isn't interested in getting on his knees in the berthroom.

at least... not for now. it'll take time.

imagine his surprise when you lay on your back anyways, lips curved and valve throbbing.

it ends up with him nestled and secured deep, spike bursting with transfluid between messy, sharp thrusts.

his claws dig at your frame and leave jagged marks behind, which he doesn't apologize for because you keen so approvingly he wonders just how much you'd let him get away with.

"look at you. mewling like pleasureware. pathetic."

the praise you give is music he doesn't care to admit about. suddenly he's jackhammering and his fans and vents are blasting, metal and arousal schlicking through the darkness of your habsuite.

"and here.. the mighty.. fall."

garnet optics glare down at the slope of your neck, before he's caressing up and down and nipping near your audials.

he takes you like a conquest. his, all his. and no one is taking that from him.

"for you, lord starscream. i would fall a thousand times."

interfacing is fast, uncouth but tender. you are his prized possession.

tfa! starscream

slut. that's all i have to say.

he wants you to be rough, to break him, to make him see stars. he wants you to lose your cool and force him into submission. this within itself is a sign of his obsession, for he would rather die than ever admit defeat.

his e.m. field is constantly thrumming with want. half the time you have to wear him out so he doesn't project to the entire ship that he wants to be treated like shareware.

seductive, impish mech from pit. you question if he's been sent down to drive you to insanity.

which is why he's currently hoisted over your desk, knocking over datapads and slamming into panels with a shriek that borders pain and pleasure.

your spike is bigger than his. that doesn't mean he can't keep up with you.

he will have you work for it. even when his valve squeezes and you swear he's the tightest you've ever speared, he still manages to take it.

meanwhile, he's whispering the dirtiest commands, demanding you flip him over so he can feel you.

"ha haaaa.. so easy to wind you up, commander! d-do you always have to be so cruel?"

then he's yanking you down by the hips and feeling on your aft, dermas stretched to an wicked smile.

"harder. don't you want to make me overload?"

you can tell he's just finding excuses to grope you, especially as he uses the grip on your aft to speed up the pace. even with dimmed optics you can feel his gaze, appreciative.

thoughts and prayers to the poor vehicon that has to wipe down after you're through.

[kindaasrikal]

Cole and Nya’s relationship is very special to me, even despite the love triangle thing, which you could technically say helped develop their relationship. Especially with how it links to their mothers.

Cole and Nya are both familiar with loss, specifically in regard to their parents. They both lost a parent(s) at a young age, and quickly became independent because of it. They learnt how to survive on their own without depending too much on their only family left. They both care deeply for the ones they love and are sensitive to their emotions, and when they were left with only Lou/Kai as their only family, they didn’t want to rely on two people deep in grief and were deeply effected by that loss.

They both are stubborn and sure, protective and confident, but they are both also soft and kind underneath all their layers, Cole showing that more than Nya.

I like to think that while the whole love triangle thing and love machine fiasco was annoying, you could actually twist it to show how it developed their relationship. Jay is the one Nya loves, that is not something you can change or even disagree on, seeing as she was willing to lose everything that makes her her for him, but the perfect match machine doesn’t have time be explicitly based on romantic interest. The machine is essentially like a ‘soulmate finder’, so it’s easy to say that one of Nya’s soulmates are Cole.

Soulmates have been shown in many different ways, and in this case its not showing a soulmate in the sense of a ‘one true pair’ or someone who you are inexplicably tied too, but someone who understands and can click with you a whole lot easier than most.

That buddied up with the whole love triangle thing definitely helped Cole and Nya realise how similar they are to each other, and how they deeply care for each other as siblings. Almost like twin siblings if I’m being honest. They don’t give a younger and older sibling vibe thats for sure. More like two twins where one is an aggressive wild animal and the other is also a wild animal but they don’t have as much of a temper as the other weirdo.

My favourite scene of their relationship is in Dragons Rising where Nya hold her hands against Cole’s cheek after not seeing him for months upon months.

Now about their mothers….

Knowing all of this, connecting it to how they both see their mother in each other seems so much more special.

Cole and Maya have both said ‘Its how the cookie crumbles’, both in relation to Nya. After Nya was possessed by the overlord, Cole tries to comfort everyone by saying that line, implying how its just how things must be, the same way Maya has towards Nya specifically, telling her that life is difficult, no matter what we try. Nya doesn’t know they both have said this, but its still so important how its come in full circle towards her, from her beginning all the way to her supposed end.

And then you remember how both Nya and Lily have worn the same kimono. The same kimono Lily wore, and the one that Cole gave to Nya.

ITS THE EXACT SAME.

Cole willingly gave him dead mother’s kimono to Nya, his sister.

Nya and Cole were never supposed to be in a romantic relationship, they were both have such a strong platonic love for each other it hurts. They both have similar experiences and similar personalities yet still have their differences, but those differences aren’t as big as most people would’ve expected.

I love these two so much they so deeply care for each other im going to cry i hope they don’t die for Jay.

[joltiion14]

II episode 18 spoilers, BUT HERE'S A HUUUUUGE RAMBLE

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

PAYJAY IS CANON PAYJAY IS CANON I'M FLIPPING THE FUCK OUT YAOI WHEN CAN I HAVE WHAT THEY HAVE

ahem anyways

episode 18 had me and my sister at the edge of our seats HOLY SHIT I LOVED THIS EPISODE... KNIFE X MEPHONE4S GUYS GUYS WHO'S WITH ME... ALSO KNIFE'S SACRIFICE TO SAVE MARSHMALLOW CAME FROM SOME FUCKING PEAK CHARACTER DEVELOPMENT. THEY COULD NOT HAVE KILLED KNIFE OFF IN A BETTER WAY THAN THAT. SPEAKING OF SACRIFICES, my boy mepad... MY BOY MEPAD AHAHGSHSHAGHH rest in peace I LOVE YOU MEPAD....

I wanna quickly point out how emotional I got when cobs started threatening and beating mephone4, as a victim of child abuse this hit haaard. they did great writing the dynamic with those two, it felt realistic even in a fictional world. I FELT SO BAD FOR MEPHONE THAT ENTIRE TIME I JUST WANTED TO HUG HIM FUCK YOU COBS.

also I may or may not be a box kinnie now. I GOT SPOILED THANKS TO A THUMBNAIL I SAW OF A LEAKED II18 VIDEO, SO I KNEW BOX WAS GONNA BE IMPORTANT, but holy shit I did not expect them to be one of the most relatable characters the SECOND they came on screen and started explaining their story.

I might get blocked by multiple people for saying this, but since the last 2 episodes, I've been shipping tacophone. HEAR ME OUT. microphone and taco talked things out some, mic forgave taco and understood her and gave her a chance to improve, and so she did, thanks to microphone willingly giving her a chance even after everything. sure, a relationship between the two would be toxic in the previous episodes, and I fully agree. But toxic or unhealthy relationships CAN be fixed if both partners are willing to try and repair their relationship. AND PLUS, THOSE TWO ARE SO CUTE TOGETHER I JUST AAAGHHHH.... I can't get over the fact that soap pulled the "if you hurt her, I will hurt you" kinda thing on taco, once microphone introduced soap to her. I developed a headcanon that mic and soap are like sisters about a year ago and I guess that goes to show some more now

anyways, I CANNOT leave out the fact that SUITCASE FUCKING WON. I FULLY EXPECTED NEITHER OF THEM TO WIN, BUT OH MY GOD DID SHE DESERVE IT. Her and knife both deserved it actually. It's hard to truly decide LMAO

anyways, mephone4 in that episode... I love him your honor he's my new son FUCK YOU COBS. anyways, just like mic and taco, he tried to fix his mistakes with everybody. he apologized to... EVERYONE. Even toilet , who genuinely was someone mephone4 didn't deserve as an assistant considering how much of an ass he was towards him in the earlier season. Even then, toilet stayed with him to the bitter end, and stayed loyal to mephone. And in the end, he got to see mephone4 turn into a better person. Even bad people with the worst backgrounds or childhoods can become better, and that's what Mephone4 did. he apologized, then made the decision to stay away from everybody and give them space after what he did to all of them, and I think that was amazing on his part. He didn't tell them what to do next, and let them all know that they were free, they always were. AND THEN WE GOT THE MASHUP BETWEEN ALL OF THE SONGS IN THE SHOW YEAAAAAAAAA

overall, id rate this episode AND THE ENTIRE SEASON AS A 49/40 (reference heh). Inanimate insanity has been my favorite show for many, many years and I'm so glad it got an ending as good as this one. I will forever be grateful for the show Adam, Brian, Justin and all the rest of the cast managed to create for us. Thank you. PLUS ALL OF MY DREAMS CAME TRUE

except for the fact that lightbulb and paintbrush didn't kiss when can we have that

[lemotmo]

You can tell it's her job 😅. I love it! And yes please god give this to us. I love the idea with the Tommy question.

Q. I guess Ryan and Oliver just aren't going to do joint interviews anymore?

A. This shouldn't feel like a complaint but this kind of feels like a complaint and I have no idea why anyone would be complaining about this after two interviews. For me mixing up the interview teams is further proof that Buddie is indeed coming. There's no need to jointly push them to the foreground now when they're going to be the focal point once the Buddie stuff kicks off. There's no need to overuse them right now (I understand that there's no such thing as too much of them, but for some of the other fans there is ☺️). Once that happens there will be joint interviews and most likely a photoshoot, possibly more than one. You can see the fire puns coming already, lol -'Bringing the Heat: 911's Oliver Stark and Ryan Guzman and the Art of the Television Slow Burn', haha. Keeping those joint interviews for that point is the right call, and again, for me at least, it's another sign that Buddie is the plan. The problem with several of the current interviews is not the pairings. It's the people conducting the interview. Obviously they cannot control what writer within an organization will get the interview, but they can request one who actually watches the show. And they should start doing that because you can see Oliver mentally check out of these interviews the minute he realizes he's talking to someone who doesn't really know anything about the actual show. The difference between an Oliver interview when he's talking to someone who is obviously a fan and consistent viewer, think the Pink News interview, is night and day compared to the interviews when he realizes he's talking to someone who really couldn't care less. They're not going to put a stop to the Tommy question at this time because the Eddie/Buddie stuff will erase that from the narrative once it's official, but I would have Oliver, politely, and he can be very polite, turn that question back onto the interviewer. I would have him ask them what scene or scenes specifically made them feel that way about Tommy and his relationship with Buck. The Tommy questions would stop at that point because there are no canon scenes to justify him being their 'favorite' Buck relationship. They like him because he's a man and none of them will want to admit that. That's how I would instruct him to answer that question going forward. His polite, canned answer isn't enough for some of these people. He's allowed to put them on the spot a bit about it. He doesn't because he doesn't want to talk about it, and I absolutely understand that, but he has the right to push back a little against the made up narrative, and I would have him do that. It would put a stop to the question for the most part. It was obvious to anyone paying any attention at all to the show what was going to happen with Tommy. He was a clear plot device from day one. I would even allow Oliver to use that term. Yes, he will always have been Buck's first, but he was still a plot device. Anyway, anon, this response got away from me a bit, sorry about that. Basically though no joint interviews at this time is the right call because they will basically get their own PR campaign when the build up becomes official.

Thank you Nonny! Much appreciated!

We got a lot of joint interviews (with lots of Buddie mentions) at the beginning of season 7 and it was lovely, but I'd rather have no joint interviews for a while as they develop the Buddie storyline onscreen, than them doing interviews and spoiling half of the storyline. Because they would have such a hard time keeping it all to themselves. 🤣🤣🤣

Anyway, everyone should read Ali's answer and relax already. We're fine. We're right on track. Final Buddie destination is in sight. 🤗

IMPORTANT! Please don't repost this ask and/or a link that leads straight to my Tumblr account on Twitter or any other social media. Thank you!

Heads up! For anyone who is giving me the shifty eyes for reposting Ali's updates instead of reblogging. Read this.

Remember, no hate in comments, reblogs or inboxes. Let's keep it civil and respectful. Thank you.

If you are interested in more of Ali’s posts, you can find all of her posts so far under the tag: anonymous blog I love.

[lizzzybooo]

My take on Blitz's intimacy issues and why everything that's happening now with Stolas just plays into them even more (the essay):

Okay before you get mad at me, I love this development for Stolas, it makes perfect sense for his storyline to live as a regular demon and see the class system first hand, and understand how he was part of it. also the fact that basically everyone predicted this is an indicator for me that this is the right way to go, since it makes the most sense for the story. But this post is going to be about Blitz so there we go:

The one thing that bugged me for a while since realizing this is the direction the story is going to take is the fact that Blitz will not have the chance to get over his inferiority complex.

We see throughout the show that Blitz actually doesn't have a problem loving people who are equal or "beneath" him in status. He loves Moxxie and Millie, he loves Loona, he loves Fizz (i know Fizz is more successful but he's still an imp, and someone Blitz has known since he was young and vulnerable). The way I see it he's fine as long as he sees himself as useful to them, as the protector and provider. He employs the M&Ms and Loona, he even adopted Loona, putting himself in a position of superiority and responsibility, and them in a position of dependency on him.

He is also VERY protective with the ones he loves. I always see posts about how sweet it is, for example how he protected Fizz when they were kidnapped, how he put himself between him and any potential danger, and that kind of behavior is shown all the time in the show. And while sweet, it's also his comfort zone. As long as he can be the one protecting them, the one in charge, he's okay with their relationship.

One of the reasons he's so uncomfortable with his and Stolas's power dynamic is that he doesn't see where he can fit into his life. Stolas doesn't really need his protection, he knows Stolas is basically playing out a fantasy when he asks him to bodyguard. He's very dismissive when Stolas is in real trouble, since he's so powerful, so Blitz can't possibly be of any use. It makes him feel belittled to have his weaknesses in comparison to Stolas thrown in his face.

He is maybe impressed (and turned on) when Stolas saves him from DHORKS but he's also uncomfortable, because he doesn't like to be on that side of things.

We only see him warming up to Stolas when Stolas appears weak. When Stolas is very sad over Blitz, Blitz suddenly gets more invested. Because even if physically he's still so strong, maybe mentally Blitz can be his protector, and Stolas might be dependent on him, which is what Blitz seeks in relationships.

I think it's very natural but also a bit toxic (not in a "he's horrible" kind of way, but in an "interesting for the narrative" kind of way). Blitz needs this dependency to feel comfortable in a relationship, because then he's needed, and then he's not going to be left behind.

I think the same thing probably happened with Verosika. She's more successful, she has a higher status, she doesn't need him. But she wants him, and that's not enough, because wanting can change. He can screw up her wanting him, since he doesn't believe someone can love him genuinely, but someone less fortunate (like the M&M's, like Loona) will always need him. And even though Fizz for example is a lot more successful, Blitz can still somehow find his place with him as his protector, it's still a position he's comfortable enough with.

Now if we look at stolitz again, Blitz is suddenly very willing to be openly affectionate with Stolas. Yes, it probably also has to do with the fact that he had time to think about it, he came to the realization that he actually did like Stolas and all that, but still, I'm pretty sure Blitz's sudden willingness to take Stolas in, the sudden gentleness and adoration, has something to do with the fact that Blitz, deep down, is pretty happy with the turn of events. Taking care of a wounded bird that has nowhere else to turn to, that need Blitz to protect him and provide for him? Sign him right up.

Now Stolas is obviously weaker than him, hated, in need, it's very easy for Blitz to be his hero (doesn't help that Stolas basically shoved his own "knight in shining armor" fantasy down Blitz's throat their whole relationship). They are not forming a relationship now as equals, they just switched the roles, and Blitz is a lot more comfortable like this.

Now I don't actually have a problem with this since I think it's interesting, but I do hope it'll be addressed. Like if Stolas gets his power and status back, will Blitz be able to handle it? Will he put up walls again? Will he feel tossed aside since when Stolas is powerful, he doesn't need him, so how possibly can he want him?

Part of me wishes they didn't take the "easy" route for Blitz's character. That they let him learn how to be loved even when he's not necessarily needed for survival. But we still have 2 more seasons to go, so I'm optimistic!

Anyway this is my essay on this subject lol, I know it's super long but I would love to read more takes on this so tell me what you think!

[chokisnumber1fan]

reblogging this at 2 am so my thoughts are SUPER incoherent and very offtopic and tangential, sorry about that </3

this is such a good analysis of nagi's possible backstory! and while i haven't read past the BM v MC match yet, to me this gives a lot more depth to the relationship that nagi and reo have. i might be delusional since nagi is one of my favourites and also since i don't know much about the later chapters other than a really vague direction but i think this serves as a good reminder that neither nagi nor reo are inherently 'bad' or take up an antagonistic role— they are just two boys that got too codependent and need some space away from each other to develop on their own.

i see a lot of people jump to antagonising either nagi or reo, or judge their duo as a good/bad one, but imo it's more important to view them from a more neutral lens since this isn't just about football or just about their personal lives outside of it— we can see just how much their 'personal' affects their 'field relationship' and vice versa.

from here on out i'm probably straying from the main point that OP is trying to make, so you've been warned!!!

also, if we were to assume that nagi is indeed one of the neglected to some extent kids— then i believe that chris and agi could truly have done better with how they handled nagi. it's pretty obvious that nagi is heavily dependent on reo, but instead of cutting reo out entirely they could have trained the two of them together in a way that allows them to still play together but not be completely dependent on the other. but then again i can see why this would be a much harder task to pull off because of their respective goals and their feelings towards each other (more specifically, reo's feelings towards nagi) that would definitely get in the way. like, reo is entirely capable of scoring goals on his own but he chooses not to because his main objective has always been to assist nagi— and because of this, nagi's had everything handed to him on a silver platter by reo. their formation served them well in the initial stages of blue lock but it's falling apart now, in major part because it was mostly an emotionally driven formation, which makes it a lot easier to predict especially if you're someone like isagi who knows them and their relationship.

nagi and reo are somewhat unique in that their struggles are against their own inherent natures and pasts and not because of them lacking in some sort of skill or whatever. nagi doesn't have the drive to do anything unless he has a solid goal that he wants to reach— he just won't bother putting in effort it (just like OP mentioned).

reo is willing to give nagi the attention and validation he needs; and while this was fine in the beginning, you could say he's almost starting to smother nagi now— almost mirroring the relationship reo has with his own parents, ironically enough. it's gotten to the point where reo cannot be trusted as a narrator since he let his feelings distort the words that nagi really said to him at the start of the second selection. he projected his worst fears regarding nagi and made them true in his mind. i think that reo has a problem with idolising and devoting himself to people to the point of detriment, especially to himself.

lord help me i have rambled so much about this, honestly i don't think i'm even making any sense right now. i feel like that deranged connect the dots meme man right now. somehow this all links up and makes sense in my head so i hope my disorganised addition to OPs post will somehow telepathically make sense to anyone else reading this too 🙏🙏🙏👍👍

I have this foreboding feeling that while we are prepared for Sae's and Shidou's backstory, Nagi's backstory is going to sneak from behind and punch us in the gut.

No, I don't think it's going to be straight up depression like Kaiser's, but I do think that it'll hit close to home.

You see, Nagi got Laissez-faire parents which means they never really interfered with his life. Like, these type of parents—as I have read on some websites—will basically set their child free and let them do whatever they want with no or very few rules/restrictions. They will not tell you, "Oh! You should do this!" or "Oh! You shouldn't do this!" They will simply let you figure out your life all by yourself.

I'm not an expert on this and I'm not calling this type of parenting bad in any way. Every child is different with different needs, and I'm sure there are many who grew up in this kinda family and liked this parenting method. However, I do think that Nagi didn't like it that much, and I got two reasons to think this way:

1. "That's nice."

When Reo said that his family constantly meddles in his life, Nagi's immediate reaction was, "That's nice" instead of being surprised or disgruntled. If Nagi really liked his parents NOT meddling in his life, then he should've said something like, "Really!? Sucks to be you, Reo. I can't imagine living a life like that!"

You getting me?

Also, we all know how Nagi is—he definitely feels that telling someone to do or not to do something is a hassle, so he, probably, feels that if someone is doing all this for you, then you are important for them.

And before any one says, no, I don't think Nagi was tying up his tongue thinking, "They are his parents. They wouldn't want anything bad for their own child, right? I shouldn't say anything against them and should say good things about them just to be safe." I don't think he has this kind of filter in him.

2. "Don't die ."

So, why would you not want someone to die? Of course, because you care for them and want them to be with you.

"Want"

That's really what I'm tryna highlight.

It's a pretty common knowledge that some children are just naturally more independent while others are a bit more dependent and seek guidance from the elders. Considering Nagi's first reaction to knowing about Reo's parents' meddling, I think that Kiddo!Nagi falls into the latter category—someone who likes to be guided and helped by the adults. Now, place Kiddo!Nagi with his Laissez-faire parents... You are getting where I'm going with this one?

That's why I think that Kiddo!Nagi, probably, thought that his parents didn't love him/care for him. And what happens if someone doesn't love you or care for you? Yeah, they don't care if you die which, somewhat, explains why Older!Nagi was happy to hear, "Don't die [before us (probably)]" from his parents.

I have already talked about his potential backstory before too, so it was actually when I heard he had longer bangs as a child that made my head turn to him again—something felt odd.

I understand that having long bangs is not a big deal—Niko's bangs literally cover his eyes, but having it as a kid is way different, y'know. Once you are like 12-13, you somewhat become capable of doing your own hair and clothes by yourself, so you can manage whatever aesthetics you prefer. However, for a kid younger than that, it's the parents' responsibility to look after his/her hair and clothes, and we all know that long bangs are quite bothersome—blocks our vision, sometimes stabs the eyes, and even irritatingly itches the nose.

All in all, till his backstory drops, I'd firmly believe that he was, though unintentionally, a neglected kid—at least, emotionally.

Now I can't get this image out of my head where Kiddo!Nagi is longingly staring at other kids in a park where everyone is learning things like riding a bicycle or maybe playing baseball and stuff with their parents while he is just.. there, probably, all alone.

[dana-chan-the-control-brain]

What are your favourite TSAMS AUs?

I love @emhm It really takes advantage of the Multiverse in a way I haven't seen done in many tsams fics before. Mainly because it's not restricted by the limitations of VRchat. So they cane get really wild with dimensional travel.

Like... Cringe Moon is an Alicorn and Cringe Solar is a transformer car and they are dating? .....Sure! why not!

Solar's Moon dies and his body is repurposed as a factory default Moon and is given as a gift to the Lonely Sun who was built without a Moon?

Ruin in EMHM is an entirely different character then Tsams Ruin and he's just......... Insane? He just wants to put on a show and torture and harm everyone in the process for complete control... maybe due to the lack of control he felt in his home dimension when his control was taken from him? ......Sure, why not!

Servant Sun and Lord Eclipse in EMHM are an iconic duo. Realizing their feelings really recently and are in a committed relationship. But overall live in a utopia with little problems. The Lord struggling with his own mental health and slowly starting to realize the pull and help he can be for Suns and Eclipses that suffer in the multiverse. Also discovering that in Lord Eclipse's Dimension, the Original Sun and Moon were FAR more hostile to him then even the Prime Dimension... which is why Lord is the way he is.

It takes advantage of Dimensions not being One for one copies of eachother that I just really appreciate.

Just be sure of the ratings. Because there is one chapter that is very non-consensual oral, but every other nsfw parts are consensual. And the tag "poorly justified robot sex" is there for a reason lol.

I just like all the different takes on different Suns and Eclipses through the multiverse.

It has a very large ensemble cast and it never feels too big to me. It puts the focus on exactly what they want to, and when the plot points converge it's very satisfying.

I also really love @kuuchaos Backstage Au. It is definitely a "four main characters" fic, but it keeps it very condensed and focused on the inner thoughts of the characters.

Because it REALLY picks apart Nexus's trauma and the hypocrisy of the family in a way that is lacking for me in canon tsams. (Just due to the nature of VR and having things explained to you rather then them actually happening. NMoon was imprisoned, treated like a criminal, shocked and violated before he actually did anything wrong and I will never that that go. I still like tsams as it is, but this will be something I will scream and yell at clouds for years to come to anyone who listens lol)

Also I am damn weak for SolarMoon you know me.

While "SolarNexus" is nice. I often miss the softness that came with New Moon.

Chill says "Why not both" XD

Nexus has his trauma and his family definitely left their scars. As well as the NSP that got extracted from him. Nexus is a changed person, but he still has that venerable soft side that I loved about NMoon as a character so much. If anything, Nexus is far softer because of his trauma and experiences and the personality disorders that developed due to how everything happened.

I absolutely love their softer take on Nexus.

I also like their take on Sunset. (darksun. I swear I prefer the name Sunset and I wish it was the default, because that's what a Dark Sun IS... the Sun setting. It's perfect)

Sunset is written as a canonical sociopath, but you can tell he has a weird fondness for Nexus. As his plans around him keep changing. He used him and manipulated him, obviously. But he keeps Nexus around just as a curiosity. Nexus is like a Moon he let in his home. He almost sees having Nexus around the same novelty as being an Exotic Pet owner and it's fascinating to me and I can't wait to see how Sunset develops throughout this thing.

I also read other fics. But I'm way behind but those are like the main two I am the most confident about.

[undead-moth]

I know I've been on about this for a while now and I'm being a hater but you're telling me SydCarmy was "always meant to be platonic" even though there are two seasons of writing making use of tried-and-true explicitly romantic tropes, themes and writing signals, and SydLuca is going to be romantic because...he was nice to her on screen for a few minutes?

I don't even care if people ship SydLuca, or if they just prefer it, but you can't honestly tell me that you believe Carmy was always meant to be a friend but Luca is an obvious love interest.

Just because Syd and Carmy haven't kissed or confessed their love to each other doesn't mean that isn't very obviously the direction this show is going. The Bear has already shown you who is endgame. It has shown you every episode of the show so far.

Honestly I really don't think The Bear fanbase understands this show or cares about these characters or the story being told here, which is unfortunate because this show is shockingly well-written in comparison to most shows right now, and we should be so grateful for it but all we're doing is complaining that the writers led us on by not making a ship canon fast enough. It's just. Sad.

[xchronicles]

I am so tired of seeing arguments against J/C, saying that Kate never wanted them together on Voyager because it would blah blah blah. Guess what? We are in agreement and we understand why it was necessary, especially when you consider the context of the time when the show was made. We fully support why it had to be done that way back then.

But times change; narratives and characters evolve, and views and perceptions shift. If anything, Voyager's inability to ever have two adult characters discuss their feelings ended up falling into another trap - they had Chakotay go after the 'prettier and younger' girl. You know what kind of message that sent to girls and women? You can have the most profound relationship in the universe with someone, yet he will still pick the prettier girl over you, even if they have nothing in common.

Prodigy had the perfect opportunity to subvert expectations by making them canon because, in retrospect, the 'will they, won't they' dynamic was predictable.

It was stated multiple times that they were afraid it would completely take over the show, but I don’t see almost anyone mentioning that this is exactly what happened with Wesley. Every podcast I listen to spends 50% of the time talking about Wesley, while the main Protostar crew is hardly ever discussed. J/C is also mentioned in passing. It all became about Wesley. In trying so hard to avoid falling into the imaginary J/C trap, they ended up in a much worse one, where all any Trek fan wants to talk about isn’t the Protostar kids or J/C, but Wesley and Wil Wheaton.

 ¯\_(ツ)_/¯

[cburambles]

Speaking as someone who ships Ruiri but try to keep away the shipping glasses from my eyes here, I think it's more the case of said partner showing him a glimpse of what life could be for him & him deciding to explore that on his own as ultimately, he is still rather self-driven.

It would be someone who actually has influence on him but also he can relate with, which would push him to "lower his defences" & get him out of his isolation because of his curiosity while they also themselves remain assertive about themselves & vice-versa. ( see his attitude toward Ramza in Dissidia or the way he start to respect a bit more Evan when he shows some backbone). In short, more of a partnership where both partners benefits from it in term of development & safety but also provide some excitment in their lives while also being on a similar wavelenght.

In the novels, you get the sense he's still isolated but some attempt of the group try to get him out this state are made like for example Reno who tries to have him connect with his little brother but not understanding why Rufus doesn't feel like it. And that's because he can't really relate with Rufus on that domain. Rufus doesn't perceive his siblings the same way a normal person would. They are at best here to ask money from him & at worst, potential competition.

There's him & Elena who unintentionnally get to be better people when one take a decision with the other in mind or cooperate on a project together. There's also the fact they could relate on a lot of things (their love for customized fancy guns & fashion, coming from emotionnally neglectful families & competition with siblings, both are cunning & can be ruthless & like having some exctiment in their lives, show some interest in Shinra's buisness side, Elena who can't help liking the fact he's willing to lead alongside his men despite the danger etc...) But it's also confimed that in rebirth that she want to retain a sense of normalcy in her life while Rufus in TKAA start wondering & blank when he tries to imagine what a normal life is but also is implied to envy Evan for having the chance to get one (hence why I see their relationship being the one with the most narrative potential in term of character developpment in the group post-BC/ OG.)

Tseng...doesn't seem to bother. He most of the time defer to him, even when it make him feel bad, & you can feel there's some negative point of tension between him & the rest of the group that need to be resolved. Rude is here along the ride with Reno and likes his life as a Turks but doesn' try to get involved much with Rufus.

That's why it feels there's some wasted potential & that there's a lot missing. You get the feelings the like of Rufus or Elena are basically the little siblings in the group who needs to grow. Tseng need some resolution about his relationship with his job & maybe point of negativity with the other members of the group which would be an interesting arc for him. & Rude & Reno are a bit stagnant as characters.

It's like there are those entries & end points between various cliffes & what's lacking are the bridges between them so it's a bit frustrating, in particular knowing it would make a compelling story for them.

You get the idea that there's supposed to be some kind of found-family in their relationship who gets to become better together while retaining their edges but by the end of the novels/AC, it lacks the meat & journey to be called that way. It feels more like just camaraderie with Rude & Reno's being the most preominent relationship because it has already been established for years that they have the strongest bond in the group.

But maybe it's supposed to happen after AC. I don't think they gave much more thought to it tho as I remember reading the script of the movie where all the Turks are seemingly absent/ dead by the end of it, with Rufus laying on the pavement while his geostigma is getting healed bcos Tseng & Elena are not here to save him & Reno & Rude just left him there lmao (which could explain why they were just silent at the end of the movie. Maybe the 5 of them being wasn't the plan & was a last minute addition) ACC/COS & TKAA wasn't clearly not a concept yet at the time.

I was remembering discussing the missed opportunity of FF7 expanding on the faction of nobles/old money on Gaia with @cburambles and I had some rambly shower thoughts. I also may just be reading too many fantasy webtoons, but anyway...

I could absolutely see President Shinra feeling like he has to compete with and outdo the existing wealthy before, and while, Midgar was being built (unless he fucking lied about his background. I think it's possible). It would explain his awful and gaudy taste. The 70th floor office is something I am constantly horrified by. But the rest of the building is actually not that bad. It's like a combination of trying to be different than, better than, and the same as wealthy people with poor taste. His office is so high up, it's like he was trying to separate himself from everyone else. And perhaps, it was an effort to alleviate any insecurities when comparing himself to the established wealthy, because he doesn't have to be reminded of them.

I have considered the impact this may have had in Rufus growing up. That perhaps he tried to mould his son into something that's the same as, but also better than, these other people. An improved version, you could say. Another way to say "Shinras are better than these old snobs." By having him thoroughly educated (judging by how Rufus speaks), for example. Although, it's not clear how many of his current skills are because he was self-driven or not. It's possible that certain things were forced on him with no rational reason given (I can relate to this. Abusive parents don't explain, they just demand). But anyway, I think this would just further drive the two away from each other, because President Shinra wouldn't be able to relate to Rufus and whatever he's taken an interest in and exposed to. He seems to have an interest in fashion, judging by his clothes, for example. And it already seems like Rufus has quite a few different ideas than his father, judging by how he is in Before Crisis. It's hard to tell what is being rebellious and what is a result of being a different person.

I think President Shinra having a son he was constantly annoyed with is something he did to himself. Even if that wasn't true, these two were always going to clash. They are both driven and controlling individuals. I honestly think he felt somewhat threatened by Rufus. Why else would he bristle at Rufus questioning him during a meeting (again, in Before Crisis), while, in contrast, Reeve is thinking about what "a fine young man" Rufus grew to be. Unfortunately, Reeve is too young to be Rufus's father, even when Rufus was canonically 25 years old in FF7. :(

[lemongogo]

why do i love the conflict more than anything else . the misery . the incompatibility that spreads like oil slick . wanting so desperately for resolution that never comes . hmmm

[purpurussy]

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