#i just think it's really important for me to share this with you all

[fanfic-reading-challenge]

The 2025 Fanfic Reading Challenge

Welcome to another year of the Fanfic Reading Challenge (FRC)!

I won't bore you with the history of the challenge, this year, but I will welcome you to check out past posts that do explain some of it, as well as include a brief overview of what, exactly, this challenge is, though it does change year to year. (Essentially you read fics to complete goals and win bragging points and an artsy badge.)

This year is especially different, as I had the extreme pleasure of having @noxsoulmate as a partner in crime in keeping me hostage on track to completing this year's FRC. Another valued member of the mod team is @jandjsalmon and speaks for all of us if you need questions answered!

As for the challenge....

This is, indeed, a challenge. Of course.

First of all... you must obviously read fanfiction. As if you don't already!

You also need to download and make your own copy of the spreadsheet, which can be found here, as well as below in the important links section.

To participate in the challenge, you read fics that match the tasks in the challenge. An example of a task can be: "read a fic with a title containing the word purple in it." Should be easy! Of course, there are harder ones.

Which is why there are different modes of challenge to the FRC. These are as follows:

Participation (Complete 1 task)

Regular Mode (Complete 80 tasks)

Hard Mode (Complete 150 tasks)

Extreme Mode (Complete 220 tasks)

Complete (Complete 250 tasks)

The challenge lasts from January 1st, 2025, to December 31st, 2025.

There are badges that go with the modes completed, and even a secret 6th badge that will be fairly obvious if you look at the spreadsheet! Doesn't mean it'll be easy to complete though. *smirks* (Blame Noxy)

Most important of all: this challenge operates on the honour system. We don't check your work, or your reading logs (see below), so I mean, I guess if you want to be slippery with the rules, you do you, and that's on your conscience, but honestly it's so much fun to see how much you can get done by following the letter of the law/tasks! You can be slippery even with following the tasks fully. It's great fun. ;D

I think that's enough for an intro, really, maybe too much.

Important Links and Reading Logs/Trackers

As there is a component of the FRC that includes tracking numbers of words read, most of us use a reading log/tracker to keep count of how many fics we read, including data such as words, of course, chapters, month completed, ship, author, title, fandom, link to the fic, and such. It's a great place to mark what fics you want to read in the future as well!

This year we have FOUR trackers on offer, quite different from one another, so take a look, play around with them and check out their "intros", and choose according to what you think will work best for you!

Fic Tracking Sheets

Juulna's 2025 Reading Log

Noxy's 2025 Reading Log

2025 Jandy's Fic Tracker

Taru's Fic Tracker 2025

Discord

We have a blast on Discord. From general chatter to sharing pet pics to being there for each other during the tough times to forming lasting friendships and making friendships you’d never make in a ship- or fandom-specific Discord, to asking for help ‘rolling the dice’ (pick a number between 1-10!) to choose the next fic to read, to finding some of the really challenging task fills in fandoms people might not have ever read but are willing to try, or finding fandoms someone has never read and is very tentative about stepping out of their box, but they’re being 100% supported and know they don’t need to complete the fic for it to count for the task, stepping out of their comfort zone… we’ve formed a very odd group of, if not friends, then companions (but there are definite friendships that have formed!! Just ask the people who have started watching NHL and NFL together in our off topic channel!).

In any case, our Discord is not necessary, but it is a worthy and tactical element to completing many of the tasks of this challenge. 💙

And.... without further ado....!

The 2025 Fanfic Reading Challenge! (link)

There is an info/rules page as the first sheet on the spreadsheet that should fill in any further questions you have. It also has more contact info than just this page if you have any further questions and perhaps need a more immediate answer for your needs.

*Occasionally you will run into something that looks like an error, and it may in fact be one! Let us know if you see it. It's hard not to make a mistake on as large a spreadsheet as this.*

Please, first of all, have fun and just read fanfiction that you enjoy! I (Juulna) did that last year and didn't even come close to completing the entire challenge, and I still had a blast because I was enjoying what I was reading and rereading. Others took the challenge right to the completed end. Others forgot about it halfway through but still had fun, and some even went back and filled in the sheet for a really good showing! The challenge is what you make of it, what you want from it. So... just have fun. Read fic. Smile. Enjoy. :)

Second of all... well, we would love if you signal boost this post!!!!

Third of all, we do have our pinned post that includes a link to this page and that will include a link to our Discord and all our trackers as well, including past links for memento and informative purposes.

Thank you, and a blessed 2025 to all!

[sleepynoons]

AHHHH help i need someone to pick me off the floor and bring a mop over

hi it's me again sorry for existing in the same timeline as you

anyway sooooooo many wonderful perfect amazing show-stopping things about the finale

uh first of all, kudos for the perfect break between pt 1 and pt 2 - it's incredibly seamless, and it ties all the loose strings together, and really, the thing that stuck out to me about this whole story is simply how Cohesive it is. super hard to execute that as a writer, so really, really impressed by that.

onto more specifics.

first, i so appreciate the portrayal of reader as being very sexually active, and in my mind, hypersexual. i mentioned previously about how we don't really know the full story with suo, and that applies to reader as well. we don't really how reader grew up, what her likes/dislikes are (besides sex and bad sex, respectively), what family life was like before getting kicked out, etc. not sure what you had in mind, but there's a sense i have where i truly, truly believe reader is not actually a very reliable narrator!!! i think there's some avoidance!!! some dense and forgetful behavior that is meant to elucidate and confuse us as readers!!! and funnily enough, suo helps us gain clarity.

anyway, i think hypersexuality rep is important, in general. a big part of it isn't just feeling horny 24/7. there's some very real problems with low esteem/self-respect, feelings of disgust, internalized misogyny + objectification, and more. i think this fic also treads this balance very carefully, in that it recognizes that sex work is really just a means to get by, in the most neutral sense possible. it's not always glamorous, it's not always violent. as someone who's done a ton of research and activism in sex work, especially at the intersection of sex work + immigration, i really appreciated this rep.

in terms of reader and suo's relationship, this is really where i wanna dive into it. it's very clear i love them and i love them together, but it's not just their alikeness that makes them work. it's their shared history, their leniency + strict expectations for each other, and so much more.

the specific word choices and phrases really drive this through – "being gutted by suo" "mortified" "pavlovian response" and so many more

their banter is really the cherry on top as well.

also wanna emphasize this more - despite how romantic they are with each other (in their minds), they're also so sharp and judgmental – and i mean judgmental. lowkey kinda like asian parenting LOL like reader wants the best for suo, but now that suo's become a yakuza, that's a grudge she's keeping for the rest of her life. similarly, suo wants reader to stop fucking around and actually practice more self-control, but because she doesn't listen, he's gotta take matters into his own hands and edge the living shit out of her. sexual innuendos aside, literally asian love. like fine we'll deal with it if you don't listen but just know we're holding it over your head for the rest of your goddamn life LMFAO ik it's kinda toxic to other folks who may not have grown up in such an environment - and i'm not really gonna have an opinion on whether it's valid/justifiable or not -, but as someone who grew up with tiger parents + somehow managed to be somewhat emotionally close to them, this type of love is really smth i treasure a lot.

and i think that's the whole point of the fic, for me at least. reader and suo want to take care of each other. they want to cherish the time they have together. but at the same time, it's realistically impossible not to hurt your loved ones. i think it's so easy to say certain things are dealbreakers and to just walk away, but even irl, sometimes it's also just... hard to walk away. idk maybe i have a really convoluted sense of love and romanticism, but i am 100000% convinced love is difficult and honestly not really worth the payoff sometimes, yet reader and suo kinda don't even care if the payoff's worth it. like we'll hurt, we'll love, and we'll just see how it goes bc we just care that fucking much about each other. i wonder if they'd still choose to be tgt even if they knew they were making each other incredibly unhappy... bc they're each other's person ykwim.... anyway, some more food for thought for me... heheh

also,,, sex scene had me quaking,,, i totally read the tags and saw p*ssy inspection and wasn't shocked,,, totally was prepared,,, haha,,,, ha

anyway, sooo much love and thanks again, op. i may have gone off the rails, and thought or interpreted shit you didn't even think about or agree with. point is, haven't thought so much about a fic in so long, and i really was so enraptured with every word, every cadence, every paragraph. apologies for the brief spam in your inbox, but i really hope, no matter where you go, you keep writing. thank you so so so much, truly, for sharing this with us.

TOKYO VICE | part 2

“Do you remember,” Suo begins, voice light, “how our master always talked about how important it is to engage with each other’s feelings?” You tense. “No,” you blurt out, and Suo laughs. “Of course not,” he plays along. “You were always so terrible at it. But I've been doing a bad job too, lately. So”—he reaches beneath your dress, hooks your thong with his fingers and starts pulling the fabric down your sticky thighs—“I wanted to have an honest conversation with you.” (Or: Tired of your lies and self-deception, Suo takes matters into his own hands and forces the truth out of you.)

12.8k words. suo x fem reader. deeply unserious yakuza au ft. yandere suo. mostly unrepentant smut, comedy, angst. warnings: sex work. nsft tags: afab reader, emotional sex, fingering, dacryphilia, orgasm denial, pussyjob, just the tip, creampie. suo is mean and makes you cry but there's no degradation, he's just a bastard lol. he also manhandles you a lot and you sit in his lap. dividers by @/cafekitsune!

part 1 here

You're surprised at Suo’s indifference to your sex life.

A month has gone by, and he’s made no comment on your habit of sleeping with customers, nor on the hours during which you come home—which are now even later than usual, since you have express permission to sleep with people and have no need to rush back to the penthouse after your ‘appointments’. And it isn't as if he's ignoring the reality of your late nights either. In a stunning show of respect for your personal freedom, he now actively offers to arrange for someone to pick you up from whichever love hotel you'll end up at. (You always decline, of course—if you're going to pretend to be his wife, you'd rather pretend to be a faithful one.)

Ironically, you had initially thought that Suo’s approval wouldn't matter either way. You had found the sex with your clients to be so uninspiring that it made you miss celibacy, so you were planning on stopping. But it turned out that you were deeply affected by the experience of sitting in Suo’s lap as he talked about his expectation of deciding whose cocks you should be allowed to take. It did something horrible to your sex drive, and thus you turned to work as your only outlet.

You spent around three weeks desperately trying to find a customer to satisfy your urges—or at the very least, to fuck you in a way that could get you to stop thinking of Suo whenever you got even a little horny. You were faced with utter failure in this pursuit, and in the end, bleakly resigned yourself to the reality that your shameful attraction to your best friend is incurable. You’ve now given up on the love hotel visits and simply take care of your needs with a vibrator instead. At least this way, you can actually say Suo’s name while you cum, rather than constantly reminding yourself to say your customer’s name instead.

The freedom of letting yourself fantasise about Suo has been exhilarating, but terrible for your friendship. It’s just difficult to sit across from him at breakfast and act like you haven't touched yourself at the table while he was gone, fantasising about what it would be like if he bent you over it and fucked you dumb. But you are a decent actor—hostessing demands that of you—so you don't think Suo has caught onto your carnal desires for him. Hopefully, he never will.

Another couple of weeks pass like this. Things are so calm that you come to believe that Suo is genuinely fine with you having some degree of sexual freedom, at least at work. This, however, turns out to be nothing short of naïvete.

After all, Suo is never forceful when he's upset with your decisions—but he also never fails to redirect them.

One spring evening, you show up at the kyabakura and are told that you’re only to see one customer tonight, and that it will be a private session.

“But we don't do private sessions here,” you say, blissfully unaware of your imminent suffering, “and we don't even have private rooms at this establishment.”

To this, your mamasan responds that the club is making an exception for this one guest, and that this guest has rented out the rooftop bar just to see you. When you ask just who this person might be, a look of mild panic flashes through her eyes. She grabs you by the shoulders and tells you to be careful. Just keep him happy and go home after, okay? she says. Don't go out for drinks, and definitely don't go to any love hotels. Don’t tell him your real name at any cost. You don't want to involve yourself with a man like him.

A sense of dread fills you as you step into the elevator.

A cool breeze greets you when you step onto the rooftop patio. Normally bustling with a raucous crowd, it almost feels eerie in its emptiness. Aside from the glow of the red light district beneath you and the city skyline in the distance, the only light is coming from the candles lighting one of the booths.

Your anxiety intensifies as you approach it.

You aren't very surprised at the sight of Suo lounging on a leather couch, dressed in full criminal regalia—infamous eyepatch, tassel earrings, and all. Sakura once mentioned that this club is connected to some colour gang, so you figure that the manager likely recognized Gui Yanzhao on sight. He probably suffered a minor angina when he did. The mamasan herself has no criminal ties to your knowledge, but she was probably informed that one of her girls was to entertain a high-profile yakuza, and she was likely worried that you'd been maimed in the process. Gui Yanzhao has a bit of a reputation for being a sadist, after all.

While you appreciate her concern, it is not Suo’s history of violence that scares you, but his history of antagonising you. On good days, there's nothing that delights him more than seeing you flustered or off-kilter. On bad days, there’s nothing that consoles him like spiteful retaliation against whomever's managed to piss him off—and you have, without a doubt, managed to piss him off.

You groan as soon as you see him, fearing the worst for your mental health.

“What are you doing here,” you say, and Suo smiles.

“Oh? You're not happy to see me?”

“No,” you moan. “How are you even here right now? Aren't you worried about being assassinated or something? Who did you terrorise to get an entire rooftop bar to yourself?”

“I have a very cordial relationship with all the major organisations on Keisei Street and was promised immunity during my visit tonight,” Suo says neatly. “And I didn't terrorise anyone. I simply walked into this fine establishment and politely asked for a private space to enjoy with my preferred hostess.”

Neither of you need to mention that the sight of the tassel earrings alone would be enough to terrorise someone. The manager probably felt like he was being extorted just from being on the receiving end of Suo’s smile. Actually, you currently feel like you're being extorted too.

You spend a good few moments giving him a look of open distress, to which he smiles.

“You know,” he says, “for a top-ranking hostess, you're not showing much hospitality right now.”

“Oh, for the love of—”

You force yourself to stop, remembering that you are, in fact, at work. Despite your mixed feelings about your industry, at the end of the day, you pride yourself on your work ethic. You take your job very seriously, and your job right now is to entertain your customer—even if said customer is your fake yakuza husband who is toying with you as a cat would a mouse.

Resigning yourself to a night of probable humiliation (one of Suo's greatest passions in addition to lying for comedy), you walk over to sit yourself next to him. And just like in Red Dragon’s lounge, Suo overturns the decision by pulling you into his lap. Your eyes go wide as he settles you on top of him—because unlike the intimate space of that crime scene, this is expressly forbidden behaviour at your club.

Also, unlike that other night, you are currently wearing the shortest dress imaginable and the tiniest thong you own.

You find yourself shivering as Suo's hand settles on your lower back, which is fully exposed thanks to the cut of your dress. You try not to focus on the calloused press of his fingers against your bare skin, but this is an exceedingly difficult endeavour, as his touch has been featured in your sexual fantasies for the past several weeks. Worse yet—your dress is now riding up your ass, and your thong isn't doing much to cover you. Whatever material his pants are made of—light, delicate—feels incredibly good against your thighs too.

If this continues, you might cum on the spot.

“Wait,” you say, and Suo raises a brow.

“Oh?”

“You aren't supposed to touch the hostesses here.”

He smiles. “I'm sure this place might be able to make an exception for me. But only if you are personally willing to, of course.”

“...”

Making an exception for him, in your current situation, would be among the worst decisions you've ever made. But after two of the most sexually frustrating months of your life, you’re ready to make horrible decisions.

“Fine,” you say. “But you better not cheap out on the drinks. The mamasan will only overlook this if you make it worth our while.”

“Of course,” Suo says. “Though I think she’d overlook a lot of things for me regardless.”

Suo makes good on his promise and orders a great deal of alcohol. All top shelf, of course. He laughs that his goal is to bring you to the number 1 ranking with his patronage alone tonight. It’s a hideous display of wealth.

As you pour him an absurdly expensive drink (a Hibiki 30 year-old blended whiskey), you reminisce on how little money you both used to have as teens. He had to be so careful with his wallet whenever he felt like visiting you—or rather, checking in on you—at work. Especially after your master passed. The two of you were very good about staying financially independent, but there was something comforting about your master’s promise to support you if anything ever happened.

With him gone, you and Suo had only financial paranoia and each other.

You guess that might have affected Suo more than you thought. Perhaps he didn't join the yakuza to spite you, but to support you. Certainly, he seems to enjoy spoiling you right now—treating you to drinks that would easily clear a year of his salary as a teen, buying out an entire night of your time at a high end club, renting out a whole floor just so that he can have you to himself. When you point out that his tab must be getting catastrophic, he only laughs.

“I did always say that I wanted to spend money on you,” he recalls. It had been a running joke during your days at the girls’ bar, when you scolded him for paying 3000¥ per hour just to visit you. You hated that he was wasting money on the red light district; he always replied that it wasn't a waste, because it was money spent to see you.

You feel your stomach flutter at the comment. You didn't think he'd remember words from so long ago. As a teenager, you had a tendency of clinging onto small, inconsequential moments with him because they brought you so much joy. You’ve always assumed he would have forgotten them, writing them off as instances of shallow teasing—but if he remembers, then surely they meant something to him too?

This would all make you feel sentimental if you weren't outrageously horny.

Suo has kept you on his lap the whole evening, even as you pour him drinks. Every movement to serve him has you involuntarily rubbing on his thigh, and you're quite certain at this point that he's been lifting your skirt up inch by inch with every casual touch on your waist. You don't bother accusing him of it, though. He'd just give you an innocent look and say that it was an accident. What a horrible man.

Accident or not though, it doesn't change the fact that your nearly bare cunt is pressed right against him. You keep trying to shift positions to pull down your skirt or lift yourself off him, but each attempt only makes it worse—brings the soft fabric of his pants right against your pussy, or makes your clit drag against his thigh, with only your thong separating your bodies. You try to suppress your arousal, but to your overwhelming horror, you can't seem to control yourself. You feel yourself getting wet, folds quickly becoming slick as you’re forced to grind on him. Your body, already warm from all the cocktails and shots, grows even hotter as you squirm on his lap.

In a desperate move to regain some control, you fully get up to reach for another drink. But then you feel a pair of hands on your waist, and Suo pulls you back onto his leg—this time forcing you to straddle it. You can't help the whimper that leaves you as your dripping cunt is spread and pressed against him, your clit throbbing against his thigh.

You pray that he doesn't notice the noise, so of course he does.

“Hm? Is something wrong?” Suo’s hand drifts over your waist and down to your thigh, where it ghosts over your bare skin. He leans in, and his voice is silky as he speaks into your ear: “You're moving around a lot. Do you need to get up?”

He’s giving you an out. It's quite considerate of him, as staying like this would not be a good decision. But for better or worse, you have a tendency to make bad ones.

“...no, I'm fine.”

“Good,” he says. “Let me know if you’re uncomfortable at all. I'm happy to move if you'd like.”

As if demonstrating, Suo shifts the leg you're sitting on, directly rubbing it against your core. You try not to shudder, feeling yourself get even wetter, clenching around nothing.

Trying to ignore how empty you are, you grasp for other topics of conversation, something to distract you. A little scrambled from the alcohol and catastrophically aroused, you of course land on the one that's been making your sex drive unmanageable.

“Remember a month ago,” you say, “how you talked about choosing who gets to touch me?”

“Yes.” His palm is warm against your thigh. He isn't moving it, so there's plausible deniability, but the amused tone of his voice suggests that he knows what he's doing. “Does that bother you?”

Of course it should bother you. It's a level of control that's appalling even to your anxiously-attached ass. But it’s also making you wetter right now. You try not to cry—from misery or sexual frustration, you're not sure.

“Well, yeah. Come on, Suo—even you should know that's really weird of you.”

“I do,” he says, smiling like he isn't admitting to deranged behaviour. “But how else am I supposed to know you're safe? Or even aside from being safe—if your needs are being met.” His hand runs up and down your thigh before settling at the hem of your dress. “I wouldn't want you to go unsatisfied. Who knows what kind of people you'd seek out if that happened.”

You actively stop yourself from putting your face in your hands. The gall of him saying this after forcing you into extended celibacy is beyond words, especially as you're being forced to rub up on him, effectively ruining every attempt you've made not to think about him sexually for the past several years. There are many materially consequential reasons for your decision to not fuck Suo—you should not be soaked through your panties, your thighs sticky with need, as you sit on his lap.

“That's,” you say lamely, “not very normal of you.” Trying for a less sensual conversation, you go for the reliable topic Sakura’s romance radar: “Also, if satisfaction was your concern, why did you choose Sakura? I love that guy a lot, but he has literally no experience. And I think he'd blue-screen trying to keep a friend with benefits. You know he can't handle a fuckbuddy.”

You are not trying to be mean. What Sakura objectively needs for his first time is someone sweet and emotionally competent and, most importantly, not an absolute freak like you. This is a failure of your character, not his.

You can hear Suo’s smile in his reply: “I don't think you're giving him enough credit.”

“He has the social skills of a feral cat.”

Suo genuinely laughs. “Sure, when he first came to Makochi. But he's much better now. Plus, you have no room to talk. I mean”—his breath sweeps over your ear—“you used to be pretty wild yourself. I've just domesticated you is all… though you've been misbehaving lately.”

His words do something horrible to you. Trying to distract yourself from the mounting sexual tension, you turn to him to give him a biting retort, but you're abruptly stopped by the look in his eye. Distinctly hungry and unrepentant in its desire, his gaze roams openly and shamelessly along the curves of your body.

You feel like you're being eaten alive.

Plenty of customers have looked at you in such a way when you wear this outfit, but none have had this effect on you—which is to say, making you clench immediately.

You try not to cry. You actually will cum on the spot at this rate, and you don't think you could be subtle about it. You're barely keeping it together right now, with how your pussy keeps fluttering and dripping. Coupled with the way that the alcohol is melting the edges of your self-control, you're shocked you haven't at least moaned yet.

In a last ditch effort to save your friendship, as well as your rental (house arrest) situation, you slap a hand over his mouth.

“Stop that.”

Suo laughs. He grabs your wrist, lifts your palm away. “Why?”

Why? Because if you keep talking like that, I'll bend over and start begging you to fuck me! you think. But even in your inebriated, horny state, it feels like a poor idea to admit this aloud. You end up saying, “Hostesses aren't paid to flirt like this. Strictly speaking, we’re paid to be conversational partners.” You frown at him. “You're breaking a lot of club rules right now.”

This reprimand backfires on you, as you are suddenly filled with intrusive thoughts of breaking every single rule in this establishment with Suo, including the ones preventing you from climbing on top of him and riding him raw. You squirm at the thought, wishing you could close your legs rather than making a mess of your underwear (now a lost cause), but Suo’s grip stays firm on your waist.

He, himself, is unbothered by your scolding. “Okay,” he says simply. “Then I won't speak to you as a hostess. I want to speak to you, seriously, as a friend.”

His smile is so disarming, it makes you nervous. But he sounds earnest enough for you to be curious, and anyway, you're desperate for something to distract you from your wet cunt.

“Alright,” you acquiesce, “What do you have to say, as a friend?”

“I just have one question.”

“Sure. Shoot.”

His hand comes to rest in your thigh again. He leans in, breath so hot against your ear that your heart jumps.

“I can accept that you wanted to see customers just to satisfy your urges. But tell me why you didn't come to me first.”

You freeze up. Look at him, wide-eyed.

“Wh-what?”

Suo just smiles. Looks so fucking innocent you wonder if you misheard, but his voice is sharp when he replies: “Let me put it another way. Why have we never slept together?”

For some reason, you’ve never thought that he'd ask you this question point blank, even though you've asked it to yourself many times. It takes you several moments to piece together a response, during which Suo’s expression turns distinctly wicked. A sign that he smells blood.

“Why would you think we would have?” you ask carefully.

“Because we’ve both clearly thought about it. You especially.”

You try to keep a straight face. “No I haven't. I don't know what you're talking about.” You raise a brow. “How would you even know?”

“Because,” he says, hand inching up your thigh, “you’re so wet that I can feel it.”

You're mortified.

Shame floods your body, first because of the accusation, and then because you know it's true. You were tipsy enough not to think about this, but now—sobering up from sheer panic— you're acutely aware of how you've soaked through the fabric beneath you. Something that Suo had certainly known, and chose to encourage.

What a horrible man.

When you don't reply, he tilts his head. “Don't tell me you haven't noticed. Do you want me to show you?”

His hand is moving so slowly, you know he's giving you another out. You could easily get off his lap. You could even slap him and call him a sleazy drunk and grouse at him to go home. You could forgive him in the morning for coming onto you and say he'd obviously made an inebriated mistake, as opposed to a very calculated decision. Your friendship would stay mostly intact. His grip on you might tighten, but that would be fine. You would still get to stay with him.

And that's all you've ever wanted. Just to stay with him.

But you're so wet, so empty, so aching. You want to be touched. You want to be touched by Suo, and only by Suo. You want to be fucked by him, to be owned by him, to be ruined by him. You’ve wanted it so badly and so long that you can't even remember when it started—only that you want it to end.

So instead of moving away, you sit there and endure the humiliation of getting your cunt inspected by him.

Suo hums as he opens your legs. You suppress a whimper as a finger moves along your folds, at the noise it makes as it runs through your slick. “Look, you’re so wet,” he murmurs into your ear. He finds your clit—swollen, neglected, and you whimper as he starts to draw slow, lazy circles around it. “Poor thing.”

“It’s only because you had me grinding on you the whole night,” you say through gritted teeth. “It doesn't—ngh—doesn’t mean I’ve been wanting to fuck you.”

You sound pissed enough that you'd convince anyone else, but you know, even without seeing his face, that Suo can tell you're bullshitting.

“You’re not a good liar,” he remarks. A fine teacher even when humiliating people, Suo can't help but add, “If you have to tell a lie, at least come up with a believable one.”

“What makes it unbelievable?” you reply, words clipped off by a sharp inhale as he starts rubbing your pussy.

“Well,” he starts nonchalantly, as if he isn't toying with your cunt, “after you were targeted in that succession conflict, I put hidden cameras in the area, and also in our suite.”

Your eyes go wide. Even in your aroused state, the implications are making you panic. “You—you what?”

“It was for security purposes,” he dismisses casually, as if he's not admitting to a serious invasion of privacy. “Only near the front door and the common areas. I just wanted to catch intruders and any suspicious behaviour from my men. But imagine my surprise”—you feel his fingers start to press into your cunt—“when I instead caught you fucking yourself on the couch and moaning my name.”

You’re mortified. Humiliated. Mind racing with every instance you were horny and stupid enough to touch yourself in a common space. You think about yelling at him about the cameras, but then you feel two fingers sinking into you, and now you aren't thinking about much at all.

Your mind goes blank as you're stretched open by him. Your cunt is so wet, so empty, but the feeling still makes you whine. Your brow furrows, and you give him a pleading look. Slowly, please.

“Don't worry,” he says in a soothing tone, “I know you can handle this. I've seen you take much bigger. Though”—he shifts, pulls you so you're in between his legs, and now you can feel the length of him against you, hard and aching and huge, what the fuck—“maybe not big enough.”

You tighten around his fingers as he grinds against you. You want him inside you so badly, it hurts. Suo laughs when he feels your desperation, and he sounds so amused that you can't help but feel ashamed. But even more than shame, you feel aroused. You take the rest of his fingers easily, down to the knuckle.

“What the fuck, Suo,” you eventually manage through your panting, though not with much bite. “You weren't—ahh—meant to see any of that.”

“Sorry,” he says, sounding deeply unapologetic. “If it makes you feel any better, I didn't watch much, and I deleted all of it. I didn't need to see that to know you have feelings for me.”

You tense. “What feelings?” you ask, and Suo stops. He pulls his fingers out of you—you breathe sharply at the loss—and manhandles you until you're straddling his lap. Forces you to look at him, into his one eye. It's knife-sharp, brutal, but familiar. You don't struggle, nor do you feel uneasy.

But you do feel like prey.

“Do you remember,” he begins, voice light, “how our master always talked about how important it is to engage with each other’s feelings?”

Fuck.

“No,” you blurt out, and Suo laughs.

“Of course not,” he plays along. “You were always so terrible at it. But I've been doing a bad job too, lately. So”—he reaches beneath your dress, hooks your thong with his fingers—“I wanted to have an honest conversation with you.”

He smiles at you. Actually looks kind and even sounds earnest. What a fucking sociopath. You allow him to slide your underwear down your legs, kicking them off. Now your pussy is completely bare to him, and you can hear the way his breath stops as he touches it again. Three of his fingers push in this time, and you pant openly at the stretch, leaning against him as your body trembles from the stretch. He flexes his fingers experimentally, watching your reactions—your whimpers, your sighs, the way your eyelashes flutter when he brushes that one spot inside you.

“I’ve always had feelings for you,” he starts, using that nonchalant, delicate tone—the specific one that suggests danger, “and I know you’re too smart to have missed that. I’d be fine with it if you didn't return them, but you do.”

“I don't,” you protest, and then his fingers curl and press into your g-spot. You're cut off immediately, gasping at the sudden wave of heat in your belly.

A hand comes up to your chin. He forces you to look at him. “I said I wanted to have an honest conversation, remember.”

“I–I am being honest, I—” Your voice breaks as he starts pumping his fingers. It's slow, gentle, but precise. Tension builds in you at an alarming rate, your thighs getting as slick and messy as his hand. You bury your face into the crook of his shoulder, breathe in his cologne and gasp into his skin, and your mind goes hazy from the euphoria of his touch. Sure, you've hugged Suo before, been held by him before, and god knows you've been touched like this by a ton of other people before—but it feels different now. It feels different when it's Suo who's touching you, different when you’re this close to him while he's drawing all this pleasure out of you. When one hand feels so good inside you and the other one is holding you so intimately.

“Suo,” you whimper, overwhelmed by hot tension in your belly, “I-I’m close, I’m close, oh fuck—

He stops.

Before you can comprehend what's happening, he’s withdrawing his fingers, and all the heat in you is melting away. Your orgasm lost, you come down from your high—nerves frayed, emotions taut.

“Suo,” you say, “what the fuck?”

He gives you a smile. It almost looks nice. “I'm not letting you cum until you tell me the truth.”

You’re going to cry.

You're so wet, so empty, so desperate, and now you feel oddly afraid. You don't like the way he's staring you down. You don't like this line of questioning, this bullshit of engaging with other people's feelings. You’ve never liked it. But you need—need—him to fuck you. You need his fingers inside you and you need to cry into his neck while you finish.

You say, very quietly, “Please, Suo.”

“Please, what?”

It's funny. You've performed begging and crying and submission for countless clients, sometimes during annoyingly rough sessions. You've done it for years. But nothing has ever felt so humiliating as this moment, when you ask your best friend, in the smallest voice possible, “Please touch me.”

“No. Not until you start being honest with me.”

Suo's mouth curls at the devastated look you give him. You hardly even notice that he's adjusting you, having you straddle his thigh again—this time, facing him. You don't register it until your cunt is pressed into the wet spot you left earlier and he's saying, “You can move if you'd like. But I'm not touching you.”

“You’re fucking horrible,” you say with all your heart, but your pussy is throbbing and you're desperate for release. So you finally do what you were desperately trying to stop yourself from doing the whole night—you start grinding on him. Like a fucking animal in heat. It's embarrassing, especially because his leg feels so good against you. The friction on your pussy makes you pant, your eyes squeezing shut as your clit finally gets some pressure. It makes up for the way he’s looking at you, which is sly, handsome, and rage-inducing all at once.

“You really do need to be touched,” he remarks softly. “You said your customers satisfied you. Was that true? Did they properly fuck you?”

“N-no,” you gasp. Your mind feels so cottony now that you're getting some relief. You can barely think, and definitely not enough to lie. “It was—it was—fuck, I never came.”

He hums, satisfied. “There—see? Telling the truth isn't so hard. You can do it again.”

He sounds so condescending. You would ordinarily hate it, but for some reason, it's going straight to your pussy right now, making you drip so much you know you've ruined his pants. You’re getting close, too, just by rubbing yourself on his leg. It doesn't feel quite as good as when his fingers were in you, but it’s something. And it’s making it hard to focus on what he's saying.

“It’s fine if you can't be honest about your feelings,” Suo continues. “Let's assume you're telling the truth, and all you want to do is fuck me. Why haven't you?”

You try to answer him, but you can't. You're too focused on the roll of your hips against his leg. There's too much tension, too much heat. You melt against him again, breathing heavily into his shoulder as you tighten around nothing. His hands come to your waist, as if grounding you, and somehow this makes everything feel even better. You start panting, babbling, I'm close, I'm getting close, Suo, Suo—

His grip tightens, and he stops you in place. You cry in frustration—no tears, but the noise you make is broken.

“Answer my question,” he says. You feel a hand glide along your bare skin, stopping at your inner thigh. “Answer me and I'll touch you.”

“Okay,” you say, as desperate as you are distressed. “Okay, I'll do anything. Anything.”

“Good.” He sounds so pleased.

You put your arms around his neck, for no reason other than you want to. Lifting your hips, you part your legs for him, and you feel so relieved at just the touch of his hand that you sigh—even though all he's doing is running a finger along your slick folds.

You shudder as his fingers play with your sex. Lean your head on his shoulder as he starts to move. You’re so desperate that you start grinding against his hand, whining for him.

“Well, then,” he murmurs. “Tell me why you didn't come to me. This is all you wanted, isn't it?” He rolls your clit between two fingers, making you squirm. “Just to get off, right? I could have done that. You'd have enjoyed it more.”

“It”—your eyelids flutter shut—“it would have been too complicated. Y-you’re my boss, and I pay rent to y-you, and we’ve been friends for so long, I didn't want to make it weird—”

Suo delivers a sharp slap to your pussy.

The contact is so sudden that you yelp. It only stings a little, but it makes your clit ache. The noise it makes is so wet, so filthy, telling of your desperation. And to your shame—even though you have never once in your life enjoyed being handled roughly by your customers—your cunt starts leaking in response.

You whimper, about to burst from frustration. You need to be touched so bad. You need to be touched by him so bad, and you need to cum on his cock or else you'll lose your fucking mind.

“Suo,” you complain, or beg, and you don't even realise that you're tearing up until he swipes his thumb under your eye.

“Try again,” he says gently, but not kindly. “The truth this time, and then I'll make you cum. Why didn't you come to me first? These past few months, or any other time?”

You don't answer him. “Suo, please—” And he moves back so that you're no longer leaning against him. Your lip trembles at the loss of the warmth, which somehow feels worse than the loss of your orgasm. An actual tear rolls down your cheek, and he doesn't wipe this one away.

“Answer me,” he says firmly. Instead of replying, you try to reach for him—wanting to be pressed against his body again, wanting him to draw pleasure out of yours again—but he stills you with his hands.

You feel devastated.

Out of horny, emotional desperation, and an all-consuming need to be fucked, you admit, “I was just scared!”

This is the worst mistake you've ever made.

The minute the words dislodge from your throat, you feel yourself choke up. You don't know why. All you know is that you suddenly can't hold back your tears from your sexual frustration, which for some reason is starting to feel distinctly like a non-sexual kind of angst, which is also strangely painful for your chest.

Because now that you've said it out loud, you can't ignore it.

You want to hide. You want to crawl out of his lap and run out of the establishment. Surely, the mamasan will forgive you for leaving a shift with such a frightening and horrible man, who is currently trying to extort your feelings out of you. But Suo’s grip is solid and unforgiving on you, and all you can do is squirm.

“Scared of what?” Suo asks. His voice has gone soft. Actually soft—not in a way that suggests danger, but a way that suggests you're loved. It makes you tremble.

His arms circle you, and one rubs at your back. It makes you relax very slightly. Or at the very least, it makes you stop wanting to bolt.

“What were you scared of?” he prompts again.

A feeling of defeat washes over you. Suo will figure you out sooner or later. He always does. So you tell him, very quietly, “I was scared that—that you'd leave me.”

You realise that you just stuttered. You stuttered because you're crying. You're actually, genuinely crying. Not from sexual frustration, but because you're just frustrated in general. And miserable. You've been chronically miserable for most of your life, and that misery has had nowhere to go until now.

You press your face into Suo’s shoulder, and he lets you. You breathe deeply in an attempt to stop crying, his cologne washing over you. It's nice, but what feels most comforting is just the scent of him. You're used to it from the days before he'd ever thought about using a fragrance, let alone a fragrance that would bankrupt the average person. It's calming, even when overlayed with ambergris and vanilla. Familiar.

Your breathing evens out a little—but only a little.

“Why would I leave you?” His voice is so kind, patient. More tears bead on your lashes.

“Because you might not want me anymore.” You sound so fragile. Shit, you are fragile. You can't stop the splintering feeling in you, the same one that ate at you two months ago when you thought he was going to leave you. “You could get tired of me or resent me or get bored with me. You could—you could want to throw me away, for no reason. Or—” You breathe in sharply, clinging to him harder.

“Or?”

“Or you could die—you joined the yakuza, so you could die. Why did you do that?” An actual sob leaves you. His shirt is getting wet. You ruined so many of his silk changshan like this in the past, when your boyfriend cheated on you and when your parents kicked you out and when you slept with your fifth customer.

And when your master died.

“I'm still so fucking mad at you for it,” you bite out around your tears. “If you got fucking killed—oh my god, I can't even think about it. I can't—I couldn't take it if—if I kissed you, and we had sex, and then I didn't have you anymore.”

“Why not?”

“Because you’re the only thing I have.” You squeeze your eyes shut, a terrible realisation hitting you. “And…”

“And?”

“And,” you say, voice breaking, “I think because I love you?”

You know it as soon as you voice it. You do love him. Not just platonically, but in the way where you want to hold his hand and kiss him and marry him. In the way a miserable nineteen year old girl is so in love with her miserable best friend that she refuses to leave him despite how terrifying he’s becoming. You loved him in this way before you realised you wanted to have sex with him, and even after that, you loved him so much that it didn't matter that he wasn't having sex with you.

You love him so much it disgusts you.

You want to hide, but Suo forces you to look at him. He brushes away your tears, cups your face. The Pavlovian response takes over: your heart rate slows, and you calm down.

“There,” he says gently. “That wasn't so bad, was it?”

He’s wrong. You bet he knows he's wrong. That was objectively one of the worst experiences of your life. You feel wrung out, tenderised. You never thought you'd say any of that. You're not sure you knew most of that.

But in Suo’s arms, plied open with his words and his hands, you actually find yourself shaking your head. You lean into the touch of his palm.

“I love you,” he continues, his tone so authoritative and calm that it leaves no room for doubt, “probably to the point that it should scare you. Do you understand that?”

“Yes,” you say quietly.

“And we won't be separated. I won't allow anything to take you away from me. Do you understand that too?”

You make a noise, halfway between a relieved sigh and another sob. This declaration should not be a surprise from a man who’s effectively locked you up in his house. Still—your heart feels so light when you hear someone say, for the first time in your life, that they’ll stay with you no matter what. It's like Suo has just unearthed a weight that you didn't know you'd been carrying.

“I’ll try,” you reply, voice small.

“Good.” He strokes your cheek. “Do you want to keep going?”

It’s absurd. You just cried and confessed something terrifying. With anyone else, this would be an experience so horrifying that you'd leave right now and never come back. Your sexual desire should not just be gone, but permanently erased. At the very least, you shouldn't feel the slightest bit horny.

But somehow, being gutted by Suo hasn't left you feeling bad. It's left you feeling lighter. Kind of like you've been purged. You feel exhausted, but in a malleable way. Dazed and relieved to be in his lap. Your thighs are still embarrassingly sticky, heart still embarrassingly wobbly, and you just heard him say that he loves you.

Now you want to hear him say it while he's cumming inside you.

“Yeah,” you admit immediately, pathetically. You sniffle.

“You're sure?” Another stroke. “I want to hear you say it clearly. What do you want to do?”

Your dignity is gone. “I want you to fuck me.”

He smiles. A fond hum leaves him. “Good girl,” he murmurs, and you feel a flutter in your belly. “I'll take care of you now.”

He kisses you this time, before he touches you. On the neck, on your jaw. You bare your nape to him, shivering at the feeling of his lips on your jugular, at his nipping teeth on your skin. You realise he's leaving marks, and with each one, you shudder. It feels so intimate. You're on a rooftop bar, in a skanky hostessing dress, crying and strung out—but this is the closest thing you've ever gotten to one of your fantasies about him. Not the nasty ones that you think about when you're home by yourself, but the ones you think of when you're in bed with various salarymen. The ones where you get to lie with him in bed and press your lips to his.

“Suo,” you start.

“Hayato,” he corrects you. “You're my fiancée now, remember? We should be on a first name basis.”

Your stomach flips. “Hayato,” you try again, breathless. “Please.”

He takes a moment to reply, busy sucking another mark into your skin. “Please, what?”

You hesitate. Suo pulls back, looking at you. You whine, feeling shy all of a sudden. You flirt for a living and yet you feel embarrassed about your request. It's humiliating.

“Please, what?” he repeats. His mouth is curled in a smile, and you can't tell whether it's endeared or entertained. “Please let you cum? Please fuck you?”

“Please kiss me,” you say, in a small voice.

Suo pauses.

“What?”

“Please kiss me,” you beg. Close to tears again, for some reason you don't know. You think it surprises him as much as it does you.

It takes him a moment to recover, but when he does, he gives you a look that’s fucking ravenous.

His thumbs away the wetness from your eyes. “You're so cute sometimes. Did you know that?”

You flush. Plenty of customers have called you cute, but none have had you feeling so indignant nor shy.

“I’m not,” you reply, “and stop that.”

“But it's true. And I want you to know it.”

Suo presses his mouth to yours before you can respond. You're so eager for him that you part your lips immediately. Your instinct is to make your first kiss with him messy and desperate, but he’s in full control, and he’s taking his time. His tongue is careful and precise. Full of intention. His lips are slow, languid, and lazy, like he's savouring the taste of you. A hand plays with the strap of your dress. You feel him slide it off your shoulder—the other one quickly follows—but you’re so absorbed in his kiss, you hardly pay attention.

You're vaguely aware of the breeze against your bare chest. One of his hands moving up, feeling out your curves. He hums into your mouth when his fingers ghost over your nipples, and they harden under his touch.

“Suo,” you whine as he teases them, and he pinches one of them, watching as you squirm.

“Hayato,” he corrects you promptly, and you give him a worn, teary look.

“Hayato.”

“Yes?”

“I need more,” you say quietly.

He smiles, clearly enjoying your desperation. “Be patient,” he teases you. “I’m getting there.”

He kisses a line along your jaw, down your neck. Traces your collarbone with the path of his mouth, works his way down to your breasts. At the same time you feel the heat of his tongue on your nipple, his hand reaches between your legs. You're so wet already that he doesn't need to work you open again—just sinks his fingers inside you until you're sighing for him.

You discover that when he's not antagonising you, Suo is frighteningly efficient with pleasuring you. He learns quickly how you like your tits played with, and how to fuck you so well with his fingers until you're gushing around them and keening. He said he'd take care of you, but you think he's mostly forcing all this pleasure from your body for his own enjoyment. There's no other explanation for how he keeps bringing you to the edge and pulling you back, swallowing each of your whines and complaints with his mouth. The only time he isn't kissing you is when you're begging—and you don't miss the way his breathing deepens every time you do.

But no matter how much you beg, he isn’t letting you cum.

“Look at the mess you're making,” he murmurs as he plays with your cunt. You're sitting between his legs again, your back against his chest. You can feel the length of his cock against your ass, and you hear how his breath hitches every time you squirm against it. Except for that one tell, he sounds completely unaffected by what he's doing—forced you to open your legs wide for him, spread your glistening folds to tease you. The leather beneath your ass is wet, ruined by your need.

“Hayato,” you whine.

“Just a little longer,” he promises, “and then I'll let you cum.”

Your mind is so fogged with pleasure at this point that you can't focus on anything other than Suo’s touch. You’ve actually forgotten where you are—not a truly private space, but part of a club. The girls would normally only come up if you put in an order, but you haven't for a while now.

Long enough for someone to check on you without warning.

You tense as soon as you hear the door open. You recognize the server—she knows you well, by face, stage name, and real name. Your eyes go wide as she calls for you. You try to sit up, close your legs, but Suo grabs one of your thighs and forces it open.

“Suo, wait—”

You whimper, incapable of words when his fingers push into you again. He starts fucking you with them, and in earnest this time—curling his fingers until they're pushing into your g-spot, doing it over and over and over. Your eyes roll back and you stop struggling, and Suo takes the opportunity to touch you with his other hand too, playing with your clit. A strangled moan leaves you as the heat in your gut ratchets up. Pleasure swells in your belly; you feel like you're going to burst.

“Suo,” you cry, tears pricking your eyes, “wait, wait, my coworker—wait, I think—I think I'm gonna—”

“Go ahead,” he says into your ear, voice silky, and he pushes against your sweet spot in a way that gives you no choice but to obey him.

You cum so hard that you squirt all over the seat. Your whole body is wracked with intense pleasure—hips bucking violently, legs twitching, crying so loudly and shamelessly that your coworker naturally hears. She catches you spread wide open in Suo’s lap, his fingers deep in your messy, swollen cunt as you drench them.

Her tray clatters to the floor.

Fighting the mindless haze that your body is in, you glance at the other girl, whose hand is over her mouth. She looks appalled. She’s going to yell at you. But then you then watch, in real time, as her eyes travel to your customer’s face and she realises who he is. If she was red when she saw the two of you, she's now a pale white.

“Did you come to check on us?” Suo asks. He sounds amused. She flinches at his voice, and actually takes a step backward. “We’re fine for now. We’ll order something in a bit, and call you up here as usual.”

“O-okay,” she says, voice high and tense. “I—I’ll leave you two, then. Please—please enjoy yourself, sir. We'll be available in case you require any other services.” And she walks away briskly, almost in a run. She doesn't even bother to stop the expressly forbidden act that you're engaged in.

Once she’s gone, Suo allows you some dignity. He pulls his fingers out of you, lets you catch your breath.

“Oops,” he says. “It’s too bad they caught us. I suppose they won't want to keep you on as an employee, since you broke such an important rule.”

You stare at him, wide-eyed. Your emotional and sexual pliability quickly dissipates, replaced by disbelief.

“You—you did that on purpose,” you say between pants, too fucked out to be truly angry, but still appalled.

Suo raises a brow, gives you an innocent look. “Did I? I was just making you cum, like you've been begging all night. It was just unfortunate timing.” He then smiles, which makes him look incredibly kind despite the apparent sadism of his person. “But it's fine. They're going to fire you for this, but you know my club will always take you back.”

You close your eyes and groan. “You’re horrible.”

“I am, aren't I?” Suo puts his arms around you, kisses you on the shoulder, his voice getting low. “But this is a better arrangement, don't you think? You won't need to see customers this way. Every time you need relief, you can come upstairs and I'll give you my cock instead.” He grinds against you, letting you feel how hard he is, and you whimper. He laughs, probably entertained at how desperate you sound. “Or maybe I'll just make you take it whenever I feel like it. I think at the end of every shift makes sense, doesn't it? Since that's how often you've been touching yourself on the couch.”

“S-suo.”

“It’s Hayato now, remember. What is it, dear?”

He sounds so smug, mocking you. You should be furious. But in your fucked out state, all you can focus on is the idea of being forced to take Suo's cock every night. Despite already being ruined, your pussy starts throbbing again. You squirm and press your thighs together, trying to get it to stop—you’re so fucking tired—and you bleakly realise that you can't control your body’s reactions around him. You're getting wet again. It makes you want to cry.

“Hayato,” you whimper, on the verge of tears.

“Ah, you addressed me properly. Good.” He’s so satisfied. “What is it?”

“I…”

“You?”

“I”—your voice is so small and embarrassed, you can hardly believe it—“I want you to fuck me.”

He feigns shock, as if he wasn't actively provoking this. “Really? But you just came.” A hand prods between your legs. You obediently spread them for him, and he checks your pussy with two of his fingers. You moan a little at the intrusion, but there's no resistance at all.

Your cunt, still dripping, tightens around him, and he laughs softly.

“You really do need a cock in you. Who knew you had such a needy pussy.” He curls his fingers. Probably feeling the way it makes you gush, delighting in the gasp it draws out of you. “No wonder you have to use that toy every day.”

You're about to die of embarrassment. “Hayato. Please just fuck me.”

Suo turns you so that you can look at him. He’s wearing a kind, benevolent face when he says, “No.”

“...what?”

“I'm not going to give you my cock.” He hums, contemplative. “Not for a while, I think.”

“B-but,” you say, genuinely upset, “but you were just talking about doing that at work.”

“Sure—after we get married. It's only proper, don’t you think?”

“What?” Your eyes are wide in disbelief. “You—you just made me cum with your fingers. In a public space.”

“Yes. But that's different from letting you have my cock. It wouldn't be gentlemanly of me to do that before we’re wedded.” He can't keep the amusement out of his voice as he bullies you. “I'm sure you can wait until the summer, right? Since that's the season you chose for us. August, I think you told Nirei.”

“Hayato—”

“Actually,” he muses, easily sliding a third finger into you, making your voice clip off in a whimper, “I think you shouldn’t be allowed to have anything in you until then. Except for my fingers and tongue, of course. But no toys, and no other men either. That definitely wouldn't be proper.”

“I'm going to,” you say spitefully—and tearfully. “If you don't fuck me right now, I will sleep with other people.”

“I don't think you want to find out the consequences if you do.”

“How would you even—ngh—know?”

“Good question.” He starts pumping his fingers, and to your horror, your cunt needily swallows them with each motion, your body as desperate as he's been saying. “I guess I'll need to check your pussy every night. See if it's been stretched out by someone else’s cock. Maybe upstairs in the lounge at the end of each night, so I'll know that you haven't fucked a customer during a shift. Clearly, it's not impossible that you would.”

You try not to sob. Not only are his words utterly humiliating, they're making you wetter. After fucking so many people in so many ways, you didn't know it was possible for you to feel this much shame during sex—but then again, shaming people is one of Suo’s specialties.

You give him the teariest look possible, because by now you've figured out that he likes seeing you cry. Sadistic motherfucker. You're happy to use it to your advantage though.

He gets that hungry look in his eye again. “Please, Hayato,” you beg, voice trembling with need, “I want more. I thought I was your beautiful wife already.” You grind your ass against his cock, and he inhales sharply. “Don't you wanna cum in your wife’s pussy?”

Suo stops, deeply affected—just as you guessed he'd be. After making you his fake wife in both his criminal life and his civilian one, it's painfully obvious that the man is obsessed with marrying you. You'd make fun of him if you weren't so horny. Or humbled.

He only allows himself speechlessness for a second. He hums soon after, delicately wiping the tears out of your eyes. “You've been good enough that I guess I can reward you. I won't fuck you, but”—he shifts away, and you can hear his pants unzipping—“I’m sure you'll enjoy yourself anyway.”

Suo wasn't lying earlier. His cock is bigger than any toy you've ever used. It's pretty, too. Curved and long and flushed at the head. Glistening with prespend, which has pearled up at the tip. You think you might be salivating. For a minute, you contemplate asking if you can feel it in your throat, but then Suo’s lying down and moving you on top of him. When his cock nudges at your folds, you can’t help your excitement. You squirm, trying to sink onto his length.

His grip tightens on your waist, stopping you.

You’re about to whine at him about this, but he doesn't give you the chance. “If you try to ride me,” he says, in a voice so cold that you know he's not joking, “I'm not touching you until we’re married, and I'm not letting you touch yourself either.”

“...”

With anyone else you'd call bullshit, but you know that Suo is both crazy and petty enough to actually achieve this.

“Okay.” You sound and feel mollified. “I'll behave.”

He smiles. “Good,” he says cheerfully. “Just stay like that, then. I’ll take care of you.”

You listen to him, mostly because you're incredibly excited about getting pussy inspections and you'll be devastated if it doesn't happen. And you don't expect it to be a big deal, anyway. While your sex drive has been a constant source of grief for you throughout your life, you don't really have problems controlling any specific impulses in bed when you truly need to. You’re used to giving your customers whatever they want and, if you're lucky, getting off from it. You figure this will be the same.

You find out very quickly that it isn't.

You need to stay still. You can’t sink down on him. Two easy orders that are extraordinarily difficult when Suo is the one beneath you. You have to actively stop your hips from moving when you feel the silky head of his cock press into your folds, which are still dripping with your slick. Suo’s breath hitches when he runs the tip along your opening, drawing wet noises every time his cock head catches on your needy hole, smearing his precum all over it. All you want is to push back on him and let your pussy swallow his cock. You’re aching for it, and you know he is too. If you sank down on him now, he'd lose control and fuck you raw until he was cumming inside you. And then he'd probably keep going after that, not letting you move until you were stuffed full and dripping with his spend. Both of you know it.

But you don't do that. You're good for him. You sigh, just trying to enjoy the feeling of his length rubbing against you. How he's twitching and throbbing against you, how he wants as equally much to be inside you—but pulls back every time. Your mind goes a little fuzzy with the drawn out, low hum of pleasure, and you close your eyes.

Then he starts pushing into you.

“H-Hayato?” You whimper at the intrusion, at being made to take something so thick without warning. “I thought you weren't gonna—”

“I'm not,” he says. His breathing is heavier, his words strained, but his voice is still commanding when he says, “Don’t move.”

Suo doesn't give you the whole thing, just the tip. It is much harder to control yourself like this—when you can feel yourself getting stretched by the head of his cock, already so fat and heavy, but you don't get filled up by it. It makes you aware of how empty you are, and how wet you're getting. You bury your face into his neck and make a noise that's both tearful and pathetic.

It's not acting when you whine, in a watery, miserable way, “Please, Hayato. I need your cum in me.”

It's probably the crying that gets him. He inhales sharply, thrusting maybe a little deeper than intended. You groan at the extra inch of cock, eyes rolling back, and can't help the way your pussy tightens and drips, trying to suck him in.

“Fuck,” he says, and then he pulls out.

He lays you flat on your back. Before you can get so much as a word out, he's between your legs and pressing his cock against your entrance. For possibly the happiest moment of your life, you think Suo is going to fuck you—but instead he starts pushing the slick head of his cock right against your neglected clit.

You aren't going to complain.

You whimper as he starts rubbing against your sex, leaving his prespend all over your swollen bud. It makes you squirm, grinding yourself against it, and you press your legs together to get some more pressure for the both of you. Soon his cock is sliding between your thighs, getting them all sticky with his prespend. You can feel the length of him hot and slick against your folds, heavy and throbbing.

You've never cum like this before. It was never enough stimulation when your customers made you do this, which nearly all of them have. But the pressure on your clit and on your folds is shockingly intense as the two of you move, enough to make you whimper as a familiar tension builds. It's not as overwhelming as when his fingers were inside you, but it's enough for you to start panting at the tension in your belly. You can hear Suo’s breath picking up as you start to whine, and he watches you, almost predatorial, as another orgasm crashes over you. You moan his name as you cum, squeezing a few more tears out of your eyes.

He stares at your flustered, wet face as he pushes the head of his cock against your entrance again, fisting himself as it flutters and drips in the aftershock of your orgasm. Suo’s been hard for so long, for the whole time he's teased and bullied you—you aren't surprised at how close he already is. Especially not when you start talking about how much you need his cum in you, how empty your pussy feels without it, how badly you want your husband to fill you up. All with your mascara smeared and your lip trembling, a sight that makes him throb.

Suo groans as he finally cums. You can feel his cock twitching, warmth spurting out onto your folds, and then into your pussy as he thrusts shallowly into you. You pull him down needily as he fills you, and he indulges you with a sloppy, open-mouthed kiss.

When he pulls out, you can feel his cum drip out of you, all the way down to the couch. You make a happy noise at the mess he's made of your hole, giving him a lovestruck, dreamy expression.

“You should do that every night after you're done checking my pussy,” you sigh.

Suo’s mouth curls, and breathes out a kind of laugh. He holds your face, and one of his tassels brush against the shell of your ear as he presses his forehead to yours. “I’ll do it if you're good for me.”

“I’ll be on my best behaviour until our wedding night,” you promise, voice affectionate.

Suo gives you a fond look. His expression is so sentimental. You think he’s going to say something sweet.

“Alright,” he replies. “Then be good for me and keep the rest of that inside you, okay? Let’s not make a mess of these floors. I don't want to get blacklisted from this club.”

You open and close your mouth, completely speechless.

“You're fucking horrible,” you say with all your heart, and he laughs and kisses you, and kisses you, and kisses you. He doesn't stop until you're placated and horny again.

Suo takes his sweet time pushing his cum into you as deeply as possible, saying that it's to make sure you don't lose any of it, but really so he can draw another orgasm out of you. Knowing that the mamasan might take pity on you and think that you were coerced into degrading sexual acts by a terrifying yakuza client, he makes sure to order a drink beforehand, calling up a server. (I don't want to be a bad patron, he hums as he looks at the tablet, and I said I'd get you to the number 1 ranking, right?) It subsequently looks, sounds, and is completely consensual when you're found pulling at Suo’s hair, keening as he fingers his cum into you while sucking on your clit.

This leaves you with no hope of continued employment on all of Keisei Street.

To add insult to injury, you do make a mess of the floors, despite Suo’s conscientious efforts to avoid this—though it's not as bad as the one you left on the couch. You also can't find your thong anywhere, which you guess is something else that the mamasan won’t appreciate when she finds it. Still, for the rest of the night, everyone shows Suo nothing but the utmost respect and highest quality customer service. They even ask how he found your company and if he has any feedback for you. He praises your conversational skills, karaoke abilities, and how capable you were in catering to his many needs. He also lets them know that you'll be resigning.

Hanzo and Shuuhei are waiting to pick you up, bringing the Rolls Royce with the privacy suite. This time, Suo doesn't use it to interrogate you; he instead uses it to kiss you and tease you and discuss wedding plans. If it'll be indoors or outdoors. If you'll have a big reception or a small one. If it'll be a traditional wedding, or if you’ll want a Chinese one like the one your master would have maybe liked to see. You settle on having a Shinto ceremony and a Chinese-style reception. Having been raised Chinese, whenever Suo imagined marrying during his teenage years, you were always in a red qipao. His master even once told him that if he managed to win your heart, he'd organise a tea ceremony and act in the role of Suo’s father.

After disclosing these facts (the first of which makes your heart weak, and the second of which leaves it aching), he asks about any long-standing things you've always wanted to do with him as a couple. If you had any silly or indulgent daydreams about your future with him, and what they were like.

“I don't know,” you admit. “I guess after you applied to teacher’s college, I liked the idea of marrying you, and doing all the domestic things you talked about. Though you were just joking at the time.”

You don't really expect him to remember much about this particular line of teasing. Sure, the man is currently obsessed with marrying you, and maybe he daydreamed about it a little bit when he was younger—but he mostly treated the idea as a funny joke when he was a teenager. All of the teasing has probably blurred together for him over the years. Certainly, it has for you.

But you've never been able to forget this particular memory. It’s one of those small, inconsequential moments that you find yourself incapable of letting go to this day. You loved hearing him talk about getting married, even though it hurt immensely that it was probably just teasing. You loved it because you wanted it. You wanted Suo to teach people because you knew he was good at it and it would make him genuinely happy. You wanted to stop working in the red light district and make a nice and safe home for Suo, just as he'd made a nice and safe home for you. And you wanted to marry him and kiss him and have sex with him and only him for the rest of your life.

You wanted it so badly, it still makes you heart ache to think about it.

He was definitely just teasing you, though. Suo was a sane person at the time, and sane people do not actually plan a marriage and life with someone before dating them or even fucking them. Most importantly, a sane person wouldn't hold onto such a silly joke for so long. Oh, you expect him to say, laughing. You're right, I had nearly forgotten.

But all he does is give you a smile. It's one of his strange, enigmatic ones.

“No, I was quite serious about it,” Suo says, looking right at you.

You stare at him.

“Really?”

“Really.”

He's being so straightforward, so earnest. Your typical reaction would be to feel flustered, sentimental—but something about his expression and tone bothers you. But before you can suss out what it is, he continues, and the moment passes.

“Was there anything else you ever wanted to do?” he asks smoothly.

You're startled, off-guard. “Oh, um… not really. I never let myself think too much about it.”

“Come on,” he prods. “There must be something.”

“No, I really didn't think of any ideas on my own. Although…”

Your face gets hot as you trail off. Suo senses weakness, and goes in for the kill.

“Although?”

“It's too embarrassing,” you admit, looking away, and Suo looks a little too interested as he pesters you for an answer.

“Come on, it's fine.” His mouth curls in a way that tells you it's not fine. “I promise I won't judge you. I just want to know what I can do to make you happy as your husband.”

You give him an uncertain look, and say your only concrete fantasy about him so quickly and quietly that he misses it.

“Pardon?” he asks.

“...romantic, vanilla sex.”

Suo blinks. “What?”

Your face burns with humiliation.

“I used to think about having romantic, vanilla sex with you. When I was a teenager. A lot.” Said as if you weren't just thinking about it two months ago in a love hotel, and still don't want it now. You wouldn't even bring it up if you didn't think it was necessary. But unfortunately, you're professionally skilled at perceiving people’s sexual interests, and you've perceived that Suo is sexually a freak. He was definitely going easy on you tonight, and is probably actively planning to get worse. You'll never have normal sex with him unless you explicitly state a desire for it.

Suo gives you a surprised look. “That's… a very mundane fantasy.”

“It wouldn't have been mundane to me,” you reply, somewhat defensively. “I used to think about it when I slept with my customers, who weren't very romantic. Or vanilla. So I didn’t really have a good reference point or anything for that kind of sex, but sometimes I still thought about doing it with you after they had left.”

You look away after saying this, wondering why you disclosed all of that. It certainly wasn't necessary for your dream of someday taking Suo’s cock without being psychosexually tortured first. Now you feel like you need to hide. You even think about excuses for stopping the car, and ponder again how difficult it would be to live without proof of identity, if you chose to run away.

But Suo doesn't let you run. He pulls you close to him, wrapping you up in his warmth.

“It's okay,” he says gently, in a voice that reminds you of how he was in his old Furin days. “You'll be okay. I'll make sure of it.” It confuses you deeply, and you turn to ask him what the fuck he's going on about.

You don't even realise you're crying until he starts kissing away your tears.

You can’t understand why you’re weeping. Maybe something strange and hormonal happened while you were having sex, like Suo made you orgasm too hard and all the oxytocin is making you depressed now. Though you think that hormone is supposed to make you happy. You're not sure. You never finished school, so you wouldn't know.

Whatever the reason, you hastily wipe away your tears. A hand rubs at your back, and you let yourself press your face into his shoulder.

“Sorry,” you say quickly.

“Don't apologise. You don't have anything to be sorry for.”

You hesitate as you breathe against the silk threads of his shirt, thinking about how many of his shirts you've ruined with your tears. At least three changshan and one Versace summer piece, by your count. It’s not like he hurts over the money these days, but guilt tugs at your heart.

“I don't know about that,” you mumble into his shoulder. And it takes a while to work yourself up to saying it, but eventually you whisper, with full honesty, “I'm sorry for always worrying you.”

“I know,” Suo says. He sounds sincere when he says, “I’m sorry too.”

“I’ll try to be better from now on.”

“You will be. And even if you aren’t, that's fine.”

For some reason, that makes your heart squeeze.

You melt against Suo after that, listening to the steady roll of tires and passing traffic outside. There's a gentle pitter patter of rain against the car roof, tinny and rhythmic, that gradually crescendos into a proper storm. The windshield wipers squeak against the glass. All of the noise is lulling you into a kind of peace, or maybe you're just feeling that way because Suo is holding you.

Fatigue wears your consciousness, and you close your eyes. The hustle and bustle of the red light district grows distant, faint—partly from slipping in and out of your dreams, and partly from the quieting world outside. It's now completely silent other than the heavy rainfall. You think they must be taking the road through Makochi. Suo asks for it whenever he wants you to sleep well.

He probably thinks you're asleep when he says, “I’m sorry for being how I am now.”

You almost stop breathing. Almost.

“You didn't fall in love with me when I was like this, so you must not like it very much,” he continues. “I know that Master wouldn't like me much either, if he were alive. He always said that you should support your loved ones until they can stand on their own two feet. But lately, I feel like all I've been doing is breaking yours.”

He sighs. The sky groans with distant thunder.

“Sakura knows who I really am, you know,” he says quietly. “I think he's worried about what'll happen to you if we get married. Though he’s been worried about you for a while.” Suo almost sounds endeared when he adds, “Did you know he only texts me now to ask if you're okay? He really does love you.”

He’s more sombre when he continues, “But Nirei is just afraid of me. That’s why he’s never around. He’s going to call you in a week and tell you not to go through with the wedding. He’ll probably tell you to leave me too. It’s good advice.”

It's hard to keep your breathing slow, with how badly your heart hurts.

“I’ve tried to go back to how I was, to the kind of person that Master was trying to raise,” Suo confesses. “But I don't think I can get better.”

But even if you can't, you want to tell him, that’s fine. You wish you could hold him how he's always held you.

“It doesn't usually upset me nowadays,” he admits after some time, “how I am now. But to be honest, talking about our school days did make me feel bitter, because I can't give you the things I know you wanted.”

He kisses the top of your head. Gently, so as not to wake you from your dream.

“I'm sorry I never became a teacher. I'm sorry I joined the yakuza. I'm sorry I can't give you a normal life. And I'm sorry I can’t have an honest conversation with you.”

Silence. You feel his chest stop briefly, his breathing deepen.

“Maybe someday, I'll get better enough to say these things to you while you're awake. Maybe someday, I'll even get better enough to let you leave. It would be best for you.”

His voice gets even softer. Tender.

“But for now, I don't know how to let you go.”

You feel a hand shifting away, the soft noise of leather against skin. Then both arms around you again, even warmer, even tighter. He’s leaning his head against yours. You think Suo is falling asleep.

Allowing yourself a single, quick glance at the car, you peer at your reflections in the rearview mirror. You see sheets of rain sliding against the back window, his dark lashes pressed to his skin, and all the scar tissue he likes to keep hidden away.

And you can see, very clearly, tears beneath his missing eye.

END 'TOKYO VICE'

hi everyone thanks for reading this chapter!!!! i hope it didn't disappoint after all the shitposting i did about it this week lol

can i just say. this was straight up the weirdest sex scene I've ever written HASLKFJSDF and the mood whiplash throughout this was probably the craziest i've ever written within a single piece. unfortunately, this reader copes with her trauma via humour and sex and it really shows rip. i hope it wasn't too offputting!

thank you to everyone who left a comment on part 1!! please do let me know if you enjoyed part 2 as well. <333

tagging @kweenkatsuki-fics and @stuckindreamland06!

[what-even-is-thiss]

I’m gonna loosely rant without direction for a minute.

I’ve been thinking a lot about being trans and religious in the last few days. I’m not exactly sure why. It’s just that this one thing keeps coming back to haunt me.

I’ve been happier and closer to God than ever before since I started transitioning. Never once have I felt that God had a problem with me being trans. My soul feels cleaner, happier, more open to the Holy Spirit even with all the other problems and anxieties in my life taken into account because even in my darkest moments now I’m still being my full self.

The thing that’s been bothering me is all these people out there who think I’m doing religion wrong because I’m not being who God made me to be or something when I feel like I’m being more of who God made me to be every day I get further away from the closet. God made my spirit and my mind just as much as he made my body so why is my body supposed to be the only factor in that?

What really bothers me is that people want me to give up what makes me happy, what strengthened my faith even, and go back to being sad and disconnected. And for what? Believing their interpretation of God is more valid than mine? For their comfort that’s for some reason more important than my comfort?

I would really like to work in a church or a religious college. I really would. But jobs with accepting congregations are few and far between. I feel like I have to spend my life moving between safe islands. I need to find my safe pockets and keep other Christians at a distance. And I hate that I have to do that. It weighs so heavily on me sometimes that they don’t believe my faith story.

I used to be the sort of person who would jump up and share my faith story at every opportunity with other Christians because I’m a convert that has stuck with my faith even through hard times. People love that shit. But now that my gender is a part of my story I feel like I either need to keep my mouth shut or lie. And I don’t want to lie so I keep my mouth shut.

I don’t really have a point to this I guess. I just wish I didn’t need to play a balancing act in order to be a queer Christian. Act less religious in queer spaces, act less queer in Christian spaces. There’s such small pockets of life I can fully be both in happily and loudly with no friction from other people.

Because all the friction between my faith and my queerness has always always come from other people. Never from my beliefs, never from my gender, never from my God. Other people. Other people keep trying to insert themselves in between me and God and go hey that’s not right you should feel bad about that. But like. I don’t. I can’t. I won’t and you can’t make me. The thing making me feel bad is that other people want me to feel bad. Other people want me to be miserable for their convenience. I hate that. That’s the worst bit for me about being queer and Christian. Is learning just how little other people value the happiness of strangers.

[taegularities]

colour me in: photograph (teaser) | jjk (m)

Summary: With both your and Jungkook's careers seemingly peaking, the future feels promising and bright. Yet, amidst the glowing hope, one single phone call dims the light in the rooms of your shared home.

➳ pairing: Jungkook x reader ➳ rating: 18+ ➳ genre: fwb/f2l, fake dating; angst, fluff, smut ➳ warnings: [redacted spoiler that shall drop with the chapter], tears, sadness/grief, doubts, tender moments, talk of jk's future and his art, support, jk's dad, surprises, (talk of) a break up oop, mention of children (i guess that's a warning lol), explicit sexual content: let-out-some-steam-sex, dom!jk, big dick!jk, he's actually insane. more details shall be added on drop day; the ending.. <3 ➳ word count: around 760 for the teaser; 25-30k for the chapter ➳ a/n: get ready, it's gonna hurt for a whiiile now :') as always, come n talk to me about this 🤍 ➳ listen to: holo by leehi | full collaborative playlist 🤍

SERIES MASTERPOST | TAGLIST MASTERLIST | WIPs

“You do know that we’re supposed to meet up with them in like,” you drop your eyes to your wrist, pulling back the sweater to unveil your watch, “forty minutes, right?”

“And you think they’ll complain about some extra time alone?”

You deliver a blank stare, not a single blink as you watch him shrug a shoulder. He sports a smirk that you would’ve clenched your jaw to months ago, but today, even if you won’t admit it right this second, it amuses you.

He laughs when you stand there unmoving, like a stick figure silently reprimanding a lethargic boyfriend. You hate to break, but when the contagious chuckle infects you, too, you feel a light wave of relief and serotonin ripple through you violently.

Jungkook hasn’t left vacation mode just yet; while the work for the gallery is still ongoing and he diligent, you catch him slouching ever so often, doodling away at times. You’ll confess, the grey outside is tiring; different from the sunnier countryside you left behind.

There’s a sort of post-bliss blues that even you can hardly shake off.

“You can’t deny that, can you?” he utters amidst his melodious laugh, and you roll your eyes, taking two big steps towards him — much like two days ago.

“I don’t have to deny it to still teach you the importance of punctuality, right? Get up,” you say, smacking his hip — and he uses the opportunity to lift his arm from under his head, reaching for you, but… failing. “Uh-uh. Enough with your tricks. Get up.”

Last night still wasn’t enough — is it ever? You’re not surprised; neither by his thirst nor by your own inner, involuntary reactions. But no time. It’s rude to let people wait.

And you know exactly what Jimin would say — tease — if the two of you arrived at the double lunch date with him and Yoongi too late again.

Jungkook’s voice turns half into a yawn, half into a sigh, tired when he responds, “Yes, ma’am.”

This should do.

But since everything good comes in three, and just for good measure, you add another laser-glance, shooting at him in warning to lift his ass and meet you ready once you are, too. A playfully sigh breathed, you amble to the bathroom, make up awaiting on the sink from when you put it there this morning.

This shouldn’t take long; you’re opting for the minimalistic approach today.

As the hues colour your lips and fill your lashes, you hum a random melody you can’t quite identify. It’s quiet in the apartment until it isn’t — and when Jungkook’s voice chimes, your hand halts mid-mascara-stroke, assuming he’s calling for you.

He’s not; you understand this much when he greets the person on the other end in his liveliest tone at first, volume decreasing as the conversation continues. He’s soon hushed enough for you to not really make out proper words anymore. Hums here and there — Jungkook doesn’t seem to say much at all.

Perhaps it’s Yoongi, or Tae, telling a story. Narrating recent occurrences, the joys and pains that emerged and shrivelled on the vacation that you weren’t part of anymore.

You don’t ask just yet, decide not to disturb.

You finish up whatever is left of your routine, setting the make up and ruffling through your hair, adding volume. When the talk he’s indulging in still remains when you deem yourself ready, you let out a breather and step back into the bedroom.

Still in the same clothes and with the untamed hair as his crown, Jungkook’s gaze is lowered, fingers barely curled into the sheets. He’s sat up now; you see his Adam’s apple bob when you walk in. Instinctively and immediately, you blurt, “Now what did I tell you just a moment ago—”

But the jest dries in your throat and then fades, as dead as Jungkook’s eyes when he looks up at you. Or maybe… maybe they’re not dead.

More so — in disbelief. As if he hasn’t really fathomed what he’s just heard, mind sprinting in circles, attempting to understand.

His chest isn’t moving as it should, and just in general, his body emits inner trouble. Distress. When he lifts his pupils and shifts them towards you, it looks as if he’s hoping that your presence could reverse reality, as if you’re pulling him out of the inevitable quicksand.

But you can’t. You get it; see it right away.

Because the watery gaze and the gap between his lips, this expression, are new to you, no matter how many of his aches you’ve mended. And you guess it has something to do with what his conversation partner just said.

Something that certainly wasn’t part of today’s agenda at all.

the way i even had to change the banner bc it'd be such a spoiler lmaoooo but yeah anyways, what do we think? y'all's thought always help immensely, and life has been so busy that writing took a backseat – getting back into it is hard. but you guys offer so many theories as well as love and always motivate me, so come and let's talk <3

[sirhamburrger]

havin' deep and uncomfortable conversations around the christmas tree (rin itoshi x gn!reader)

(a continuation of this more ryusae-centric drabble) being unexpectedly vulnerable with you wasn't really on rin itoshi's christmas wishlist. but he does want to ask you something else, and it would really make his christmas if you said yes. you will get a sentimental feelin' when you hear voices singin', "let's be jolly, deck the halls with boughs of holly" || wc: 861 || tags/cw: hurt/comfort, background ryusae, itoshi brother drama (but they're working on it), rin is bad at telling people how he feels (he's working on that too) series m.list

you watch the video ryusei just sent you. it’s... of him slapping sae’s ass really hard, but after months of being stuck with them as your roommates, your humor is broken. you whip your head around, giggling, ready to show it to rin, but your smile fades when you see the crease between his eyebrows. that only happens when he realises he's forgotten to buy groceries, or…

or when sae texts him.

you set down the box of baubles tucked under your arm and take his hands in yours, brushing his hair out of his eyes so you can look at him properly. even so, he doesn't look you in the eye.

“everything okay?” you ask softly.

he blinks. you feel his hands clench into fists within yours. 

“yeah. everything's fine.”

“what did he say?”

"he wants to have lunch with me tomorrow.”

you furrow your brows slightly. “well, then you should go. i know we have plans, but we could always go another day.”

he nods, but he's got his brooding face on, still. there's something he's not telling you, and you're determined to get it out of him on this not-very-eventful saturday afternoon.

so you flop onto the ground by the christmas tree - the christmas tree the two of you are in the midst of decorating. wiggling your way into the shade of the lower leaves, you tug on his pant leg.

“well? join me!”

looking slightly bemused, he lays down on the floor and positions himself opposite you. admiring his beautiful eyelashes up close, you twirl a lock of his hair around your finger. he smiles at this, his breath fanning over your face.

you ask him point-blank, then, when he might least expect it.

“what are you afraid of?”

“nothing.”

“liar.”

you stare at him as seriously as you can, and he stares back with double the intensity. you’re locked in, you could say - it’s a shared tradition of yours that whenever you have a staring contest, winner takes all. the last cookie. choice of date location. or something you want to know.

seconds creep by. thirty. forty-five. a minute. a minute and fifteen. tears start to pool in your dehydrated eyes.

rin's gaze softens some.

"are we about to kiss?" you mutter weakly.

"give up, darling," he advises gently.

a tear runs down your cheek. "no."

he makes a tsking noise at your stubbornness, and slowly - very, very slowly - he closes his eyes.

"i'm scared that sae is going to treat me differently now that we're both grown up and he knows we can't ever go back to what we were before."

you blink.

damn, that's...

he opens his eyes. "happy?"

it’s like a punch to the gut when he says it like that.

"of course not," you mumble. "i'm sorry. i shouldn't have pressured you to say anything at all."

rin sighs heavily. "i think a part of me kind of wanted to tell you anyway, so."

"do you want to tell me more?"

he nods.

"when we were kids, it was all so easy. i looked up to him - i still do. we were together 24/7. we did everything together. and then he left for spain. came back a changed person. and okay, i get that he wants to reconcile and all, but it's just weird. he's really trying his best, and i am too. but we'll never be how we were in the past. it's too late for that."

"oh, honey..."

you want to reach over and hug him until he can't breathe, but then you remember you're lying on the floor. you scoot over to lie by his side.

"the important thing is that you're both trying really hard. you're talking to him more often, meeting him for meals - and sae really does want to make things right. i literally live with the man! he lets ryusei check his spelling in the texts he sends you."

"really?"

"yes, really. so you don't have to be worried. not at all."

“okay.”

you see the crease between his eyebrows has disappeared, and peck him on the nose. his lips twitch, and you see him open his mouth –

“move in with me.”

what?

“i want you in my life,” rin murmurs, abrupt, blunt, but that's how he does things, after all. “because i love you, and i want to be with you all the time.”

you're temporarily frozen in place, utterly surprised. but that quickly gives way to a rush of affection for your boyfriend, and you pepper his face with little kisses as he chuckles.

“i'll take that as a yes, then,” he says dryly, and you give him another kiss for his troubles.

you think of sae and ryusei, and pout. “i'm going to miss having them as roommates, though.”

“but would they make you breakfast pancakes every day?”

you pretend to collapse in his arms. “i’m going to wife you up one day, itoshi.”

he reaches for the switch on the christmas lights strung along the tree branches, and you look up, and your vision is filled with sparks of colour.

and in your little world, all is perfect.

this is what's happening btw (it probably wasn't very clear)

a/n: i never thought i would write for rin because for some weird reason i didn't like him when i watched his anime debut but like?? is he not so much like todoroki? (if todoroki was more edgy ig) but yeah i was prepared to write him as a sweetheart in this one

taglist: @anglefish3008, @standcom (open, leave a comment on any post in this series to be added!)

bllk masterlist || general masterlist

© sirhamburrger 2024

[stump-not-found]

i <3 creepy hallway

creepy hallway number one <3

alright time for more home life stuff . the bedroom scene came up as a way of trying to reintegrate the gold statue from earlier, since i just really love trying to find old elements and tie them in as plot relevant as time goes on . not usually planned, but it comes through during the editing stage, which is a fun game of deciding what scenes to keep, and which to get rid of . i wasn't so certain about this one, but i loved the idea of baby ford interacting with mabel, who's slightly older... i need to draw art of it, honestly . they're cute

it's really gratifying seeing people pick up on what i've been setting up as part of ford and the statue, the fact i was able to effectively communicate something going on means the world to me . the rest of the story is gonna dig into it more so i won't lay it all out here, but it really is so much fun . makes the whole writing process feel so communicative when people share thoughts and interpretations . especially when the scenes are meant to be read into !

we also get the closet yay . sure that's not gonna be important at all

writing the kids big blow up fight was a trip and a half . the original vision was a pretty shallow "we're stressed out and out grunkles should stop being mean to each other :(", just as a way to try and push forward the dynamics between ford and stan . that still exists, it's just a lot more focus being put onto the kids themselves . they're tertiary characters for sure, but i like thinking about their home life, and how that impacts them

one of the challenges is trying to have the fight feel fairly balanced between the two of them . shoutouts to my brother and wife for the full ass socratic seminar we had about threading that needle . how do you get a conversation where a young trans boy is trying to discuss his fears about his life and his body, and keeps getting shut down ? how do you balance that with a little girl who feels like it's her job to be the sweet, happy, emotionally intellegent adult in the room ? i'm happy with the end result but boy was it stressful

bill also wasn't gonna be here but i wanted more bill so . he got to come back . i really liked tying in nick with the spit to the little chats their having in the paradox dimension . love the lil hand pinch that was just a treat for meeeee, i get to be indulgent in my fics as much as i want . i also like the fact that ford is under some indescribable pain that entire time . they got a dynamic in this story that makes me laugh .

you know whats funny is i didn't even realize ship of theseus was a paradox writing a lot of the stuff about paradoxes . for some reason i just stumbled into that one . very funny . or, no wait -- i totally knew the entire time my brain is the size of three (3) whole apples

oh man and the entire lab scene i just loved writing . i love including bathroom breaks . i love dipper's poor hygiene . i love the fact the kids traded gold for soda, they're such perfect lil con men in training . and again the whole talk about star trek was so indulgent and fun

the brothers grew up queer in the 60's/70's and that's a major part of their arc . i hope to get across the ways they both hurt each other both as kids and adults . they still got so much to work on, and i just don't know if they've got the time

anyways creepy hallway bill time

favorite part:

“Clark.” Ford stiffens, stops. Looks up. “What?” “That, uh, captain guy. The one with the, he had the big, you know–” Stan gestures over his chest, puffing his pecs out a bit more. “Always had em out, shirt cut off or whatever. Got all hot and sweaty. Great hair.” “...Kirk?” Ford turns in his seat, slightly, to get a better look at his brother. Stan clicks his tongue, points his index finger in recollection. “ Kirk .” He repeats, and the image of the guy blooms in Stan’s head. Ford had a magazine with him on the cover, about as disheveled and beat up as a guy could look, shirt torn open. That particular mag went ‘missing’ into Stan’s stash, and he laughs at that old memory getting drudged up. “I, uh. Was a fan , back then.”

i just love how neither one of them can say what they're talking about out loud lol

Stan and Ford have a conversation, Mabel and Dipper get a bit absurd, and something gold is given meaning.

If you don't look, you won't see it fading.

[randomness-is-my-order]

something about wei wuxian and wen qing’s relationship is so profoundly heartening and i think it’s because, in that first life, they were each other’s confidants in the sense that they voluntarily allowed the other person to see them at their most vulnerable and trust the other to take care of them. wei wuxian trusted wen qing to carry out the golden core transfer and trusted her when he was helpless on that bed, his core cut out from him. and wen qing could think of no one else but wei wuxian to help her when she was in her most dire circumstances, trusting him to help her and her family out when no one else would.

“all that pride–all gone.”

at her lowest, wen qing went to wei wuxian and allowed him to see her that way. partly because her family was so much more important than a game of saving face and partly because if there was someone who would see her in such a state and not think ill of her and continue to respect her, it was wei wuxian. because he’s also been at his worst, circumstantially, and it was exactly in those days that their initial bond/friendship was forged.

there is alot of talk about debts when wwx and the wens are concerned but i think the way they helped each other transcends the obligation of debts. of course, you simply cannot overlook who was owed what, given the setting but it’s interesting that we have this passage to make us reflect on the true nature of wei wuxian and wen qing helping each other:

when wei wuxian had bid her farewell, carrying jiang cheng on his back, wen qing had told him this: “no matter how this war ends, we do not owe each other anything from now on. our debts are cleared.” her haughtiness was clear as day in his memory. but last night, she had clutched his hand in a death grip and almost dropped to her knees as she pleaded.

“wei wuxian…wei wuxian…wei-gongzi. please help me. i have no one else to turn to. you have to help me save a-ning! i really have no one else, i can only come to you!”

it’s the way that following wen qing’s refuge of wei wuxian and jiang cheng, there was a sentiment of: oh the wens did this to you and now we, also wens, have helped you just to compensate a little. let’s settle these debts and leave them behind. and this is despite wen qing clearly stating that the wen clan’s actions do NOT reflect her own and that she’s only ever saved lives, not taken any. and yet she declares “our” debts as cleared as if she had taken some accountability anyway. it’s part that and part her attempt to obscure what her actions towards wwx and jc truly were: an unconditional show of support and help. and wei wuxian knows this and it is only reasonable and honorable to still see the help as a debt owed later down the line.

and the same thing repeats itself when wen qing comes to wei wuxian and explicitly asks for help. there is a sense that this isn’t about some give-and-take or reciprocation of prior debts. it is simply a person reaching out to someone in their most desparate times, hoping their hand will be held. and wei wuxian does hold her hand and they remain each other’s staunch supporters through the rescue and the hellish survival in the burial mounds that follows.

wei wuxian trusts wen qing with his wounds and wen qing opens up her most loved ones to wei wuxian’s care. for two people who spent their lives looking after their loved ones, shouldering massive burdens and going through the destruction of their respective clans, their intrinsic understanding of each other makes their bond so special, so grounded. they both took massive risks to help each other out and they both did what was right over what was easy to extend that help to each other.

despite my fair share of problems with the cql, i appreciated that scene with wq and jc where wen qing made it clear that she couldn’t pursue anything with jiang cheng because he wouldn’t stand by her. he simply didn’t have the guts. and this is reflected in the novel canon, in the sense, that if debts owed are the metric to measure who could have helped wen qing, jiang cheng was also on the list and he was obligated to aid her as much as, if not more than wei wuxian (and i say this because the whole reason wwx ended up staying under wen qing’s extended care was because jc was injured. he would’ve left as soon as he was discovered had he been alone). and yet wen qing doesn’t ever approach jiang cheng. her only option is wei wuxian because she knows, deep down, that he would truly help her and go to greater lengths for her than any debts would warrant. that he would understand.

and thing is, despite being the outliers of their clans, they both (+wen ning) embodied their mottos. “attempt the impossible”/“knowingly do what you know you cannot do” for the jiangs and “every kindness should be returned” for the wens (very hilarious ik) and that is just one amongst the hundreds of commonalities they shared.

and all of this doesn’t even account for the fact that they basically died for each other. if this isn’t platonic love at its best, most brutal, most beautiful, then what is?

[scoriarose]

There's something important I've been wanting to share with fellow snake caretakers, and it's that if you have been sweet to your snake and love them, they have probably told you hundreds of times they love you- but because we speak different languages most won't understand. It makes me a little sad thinking how hard they try to tell us, and some folks just don't recognize that and they hope their serpentine friends love them but never know for sure- or even believe the lie snakes aren't even capable of love at all. They are, they have brain structures similar to birds and not only are physically capable of feeling love, they also regularly display traits associated with love including empathy and self sacrifice to protect others they care about both in captivity and the wild.

Snakes express love through touch. Through cuddling, and vibing (being near someone not touching just happy to be in their company). There's another outdated lie that snakes cannot and will never enjoy being pet - likely this comes from someone seeing cats and dogs lick their young and enjoying being pet because it feels similar to what is natural to them but since snakes do not lick their young it was believed they could not enjoy this sensation outside of their nature.

But that's wrong. It IS their nature! They just don't use their tongue, they use their whole body! Thing is, a lot of people who see them slither over another snake don't realize it's more than just them going somewhere, and they think they're carelessly going over another snake. Sometimes that may be the case, but touch is also how they bond. I read an article detailing how a mother snake was tolerant of her babies climbing all over her. Tolerant? It's like if a toddler hugged their mommy and said they loved her- tolerant would be such a strange word to use. They are telling their mommy they love her through their very limited means of communication.

Isn't it incredibly sweet that a creature who is so so limited in communication made sure to have a way to say, "I love you." I think that's just the best news ever.

If you doubt what I'm saying well, a number of snake keepers can vouch for me they've also accidentally discovered that touch can also be romantic if you touch the wrong place where most wouldn't expect it to be.

But the point I'm trying to make is, I bet there's tons of people with pet snakes who are telling them over and over they love them, hoping their human understands. If your snake doesn't do this action it doesn't need they don't love you- it would come from them not having figured it out. They learn not just from instinct, but from each other. Not having a parent snake to teach them (like some species including rattlesnakes) they have to figure out everything on their own for the most part.

Many fight out how to express, "I love you" through touch. Most snake caretakers I imagine don't recognize the attempt to communicate as anything more than the animal slithering around- but if you look for it you might see your pet telling you! If they are on you and start slithering around but not going anywhere in particular (sometimes back and forth) ESPECIALLY if you pet your snake and they relax/enjoy it- they are probably trying to pet you. And in doing so, show they care about you too, that they love you.

Scoria pets me with her chin, and I've never heard of anyone else's snake do this. She has, however, taught this to her sister who now pets me both ways.

It would be neat to hear if anyone sees their snake doing this and realizing what it really means. (Your snake might have even learned another way if you don't pet them and show them love another way- sometimes they learn by copying us too.)

Hope this helps someone- please share if your snake has a way they show they love you, I see very little on this from other caretakers and would be so happy to hear if others have similar experiences.

[bossuary]

Neve is painless. Rook is real.

Lucanis likes Neve because she represents what he is desperate to regain. He wants to feel normal, to work and cook and focus on the things he used to enjoy (such as they were) before the Ossuary. He wants capital R Romance, right out of a book.

Most importantly, he wants to get rid of Spite. He wants to pretend that he is the man he was...not this abomination.

Without truly knowing her, Lucanis believes Neve is a pathway to all of that. He's attracted to her, and she to him. Their flirting has an edge, but it's also friendly. She dislikes Spite, and her presence makes Spite disappear.

Neve will tell Lucanis that he's still himself, and that Spite doesn't change that. She will never be the one to reconcile Lucanis with Spite, to get them to accept each other. So, yeah, he gravitates to the charming, flirty, warm person who (through no fault of her own, really) feeds his desire to pretend he's not an abomination.

Even early on, I think he's smart enough to know that accepting Spite is his only option, but he...just... can't. With what tools? Nothing in his life has prepared him to deal with this. Rook does that. When denial tears Lucanis apart, Rook puts him back together with acceptance. Rook accepts the reality of Spite, and deals with it head-on every time.

Neve will remind Lucanis that she's not going anywhere. She'll tell him to open his eyes and look at facts, but she (probably) won't be the one to push him out of his own prison. Lucanis knows this, so Spite knows this, and therefore Spite will not look to Neve for help.

It's important for Lucanis to accept that Spite has changed him. But when it's Rook who says it--for whom Lucanis has developed real feelings, not idealized ones--well, it destroys the fantasy Lucanis clings to so vehemently, the one where he isn't this.

For me, the Lucanis/Rook romance feels the way it does NOT because the writers "preferred" that Lucanis and Neve get together, but because Neve is simply easier for Lucanis to accept. She's easier to talk to, unchallenging. Easy isn't bad! Comfort isn't bad! God knows they both deserve some comfort.

Loving Rook is a profoundly complex choice. There's not a lot of cute ways to work that profundity into sexy banter. It makes sense, then, that Lucanis doesn't have as much dialogue for a romanced Rook as he does with Neve. What he can do is cook, make small gestures. He can, heartbreakingly, tell Rook, over and over, that he doesn't have the words to express how he feels. That's such an awful state, knowing that the person you care about needs to hear words you simply cannot locate. As soon as he does have the words, he shares them.

Rook is real. And real is not easy.

To Lucanis, Rook represents a difficult path to recovery, a path he has to keep choosing to follow, every day. At a time in his life where he is incapable of seeing Spite (and his own PTSD ) as anything but a 'distraction' to shove aside, Rook shows genuine interest in helping Lucanis heal. Rook takes consistent action toward that goal, particularly when it's clear that Lucanis doesn't know how.

Lucanis also has to believe that he's worth the effort, his own and his love's. Neve is great, love her, but I don't see this struggling cynic, this chronic worrier, being very helpful in the self-worth department. No, people in a relationship do not have to perform therapeutic roles. But, partners do have to respect each others' boundaries and needs.

Of course Lucanis goes all-in for Neve, romantically, even while he and Rook are dancing around each other. Accepting how much he loves and cares for Rook means looking at himself the way Rook does. That is so much harder than whatever will happen with Neve.

The fact that Lucanis isn't afraid to pursue Neve, even if Treviso is blighted, tells me that Neve is an indulgence for him. Again, that's not a value judgement. If they treat each other with respect, then the merits of the relationship don't have to fall on whether Lucanis 'heals' as a result. Sometimes not hurting all the time is enough.

BUT. Contrast the ease he feels with Neve with his feelings about Rook:

"When I was afraid to want you..."

That is a powerful admission.

What was he afraid of? The annihilation of neglect, worthlessness, and shame. The awful but knowable pillars of his existence.

Wanting Rook means that Lucanis wants to dismantle everything he knows in pursuit of something he doesn't. To love Rook is to love and accept himself, exactly as he is.

Then...then...Lucanis finds real comfort.

[vaguely-concerned]

:) :) :) hey. hey I'm scrEAMING.

Rook: You know... I think I knew the truth. Deep down. But I couldn't face it. (Varric: Why not?) Because it would mean admitting that I let you die.

Bellara: Maybe when I do, I'll feel it. (Rook: Feel what?) That he forgives me. And that I deserve it.

while we're on the subject of 'stuff that's completely recontextualized once you've played the whole game and that's driving me absolutely bugnuts insane on the replay'... hhhhhow about this scene, huh. I reacted the first time around to just how emotional rook's voice gets in this part (listen to that 'you lost someone important') -- her story is very sad, don't get me wrong, but it's early on in their relationship and it seemed so intense of him out of nowhere. and uh. well now I get it. and it breaks my fucking heart. who do you think rook is really talking to here? just as much as they're talking to bellara? just as much as she is speaking to something in them they cannot face yet, negative space grief you see everywhere around rook in this game when you come back around and understand what you're looking at. they're talking to each other, but each of them is also talking to themselves. all the scenes where Rook is guiding their companions through grief and loss... and winding through, over, under, all those conversations, a separate conversation Rook cannot have yet. because they don't know. they can't bring themselves to know it yet. but it's still here the entire time, leaking into everything like blood or ink into water. it haunts them every step of the way, and no one, least of all them, can see it.

It's not your fault. You have to know that./Then why does it feel like it was? You could switch that dialogue around between them after the regret prison and it would work exactly the same way. Two people talking with one voice of grief, of guilt, of 'he's gone and it's all my fault, I wasn't good enough. I wasn't good enough when it really counted' and not knowing it. I'm kind of speechless at how elegantly it comes together now that I know to look for it, and how much meaning it suddenly adds. It really is so FUCKING good. this game is so good, when you pay attention and start to understand what it's actually doing.

But if you don't learn to get past it, you'll drown. well, rook. you'd know lmao. it really is all

I was much further out than you thought    And not waving but drowning.

up in here in this lighthouse tonight

This convinced me irrevocably that Rook truly did know the whole time, deep down. it's right below the surface of their mind that whole time, kept from them both deliberately by solas and helplessly by their own brain trying to shield them from the pain. that whole time!!! and you can actually track it through the conversations they're having and see all the signs along the way, once you realize it

And now he's gone. Because I wasn't good enough. So I try to make up for it. Honor him. Find the truth. and maybe shared grief doesn't always make for half the sorrow. but it's something. and it's so much more than nothing.

[transmechanicus]

look this is really probably unnecessary, but I've seen tons of posts about how everyone is mad about the page that's going to post unmasked pics of the st guys and how outrageously disrespectful it is to them and well... I gotta say that it's just not that deep.

it's been pointed out that they've only ever said that 'their identities aren't important to the music or the story'. and that's it in terms of the "extreme lengths" they go to hide their identities.

i'm a regular follower of the reddit page where their identities are openly discussed and there is a decent amount of evidence that one of them or someone from their team lurks there and plays around a little with that community. ie, a few of the recent "the summoning solo shenanigans" were suggested in that thread and then seen on stage the next show. but who knows.

some of the guys are actually still participating in other media to a small extent. one of them still streams with a friend on twitch often. one of them just put out some older official music project on Spotify. one of them gets his new tattoos posted unmasked on his tattoo artist's page.

look, I'm not saying that this person who plans to bring this stuff to Tumblr shouldn't be warned about and of course everyone should have the opportunity to block and avoid it to keep their experience of the band how they prefer. that's no question how it should be.

but like... everyone is saying that this person who's starting the unmasked blog is like, evil and so disrespectful to the band. and I think that's just not right. it's their right to start whatever kind of page they want. it's everyone else's right to avoid it.

like I said, this is not really going anywhere, and it's not personal, I just have seen so many people bashing that person on a personal level and I just gotta tell someone, it's not that deep. thank you for reading

To me it is that deep, from what i’ve heard there was a major panic on Instagram in 2023 bc freaks were using info on there to harass II and his family. Hell he still alters his voice in videos, which you only do if you’re concerned someone is dedicated enough to scrape the internet with audio of your vocal patterns. I’ve seen video footage of Vessel cussing out a guy at a festival for yelling real names in the audience. There is direct evidence that the band members dislike off-stage info being known and shared, and that a portion of Sleep Token’s fanbase cannot be trusted to respect the secrecy that allows the band members to live comfortable lives relatively peacefully and out of the public eye.

In my personal opinion, your examples of how they’re still on other social media, and that you know that info abt them are reinforcement of my dislike for unmasked data aggregates. Unless the tattoo artist’s posts or the twitch stream is tagged #SleepToken there is probably a reasonable expectation that they don’t want band related attention for those things. Even if somebody does recognize them as the band members, it would be a minority population if it weren’t for subreddits and archives directly connecting dots between those things and Sleep Token, which is presumably why you have that info yourself in the first place.

By aggregating and collecting unmasked info, a resource is being provided that essentially says “Hey i know these guys have almost entirely retreated from the internet for their own safety and comfort…but here’s their names and faces and loved ones and colleagues and past projects and every little activity they do in their spare time. All gathered together and directly tagged and marked in relation to the band they’ve purposefully tried to anonymize and distance their real lives from”.

It’s stalker behavior, it’s unhealthy, it could be genuinely dangerous for the members if the wrong person made use of it, and i reserve the right to passionately condemn it.

[genderqueerdykes]

hi um. i’d like to ask you for some advice, since it seems like a lot of people come to you when they need it. i’m a trans girl who’s been taking estrogen for 2.5 years but. i’m just so disappointed and unhappy with what hrt has done for me. i feel like i’ve been completely taken over by doomerism from me constantly comparing myself to other transfems both online and irl, and from spending too much time on trans reddit (i’m sending you this ask instead of writing another vent post on r/mtf). through this i’ve convinced myself that i will never be happy with my body, or that i’ll never have real boobs or a feminine body at all. i really really don’t want to give up hope, but it just seems so far out of reach, and i’m stuck down here in this inky abyss. what do you do in dark times when you need to regain hope, but you can’t do it yourself?

first of all, i wanted to say i'm sorry that you're feeling this way. medical transition is a very finicky thing. there is no way to predict what will happen and when, so it's okay to feel just. completely bummed the hell out when you're not seeing the changes you hoped for yet. i definitely see how it can be crushing, especially when you know your body needs to look a different way for you to be happy. it's important to consider people look a lot different irl than they do in photos and videos. camera lenses can only capture so much. pictures and videos can be edited. it's hard to compare yourself to something like that

& i did want to say that you're definitely not alone! there are a lot of girls in your exact situation. with everyone responding to HRT differently, you'll see girls who get changes right away, and girls where it takes a long time. changes with HRT generally happen very slowly, way slower than the eye can perceive, so it's okay if you feel like nothing is happening. your body just may need more time to adjust

have you ever increased your dose? if not, that is totally an option! you may also want to look into progesterone if you find that you're not happy with your breast growth after some time. it's best to look into progesterone first to make sure it's right for you, as it will affect more than just breast growth, but i wanted to throw it out there as an option! if you're not on an androgen blocker, this could also potentially help you

for both estrogen and testosterone HRT, it can take a minimum of 5 years for people to begin seeing the effects they were desiring. 5 years, minimum! that's a very long time, comparatively, you are very early on in your journey. the effects you want to see may just come along further on down the road. i know it's easy to fall into the trap of comparing yourself to others. it's good to remind yourself that they are not you, they do not share your genetics. they look like them. you look like you. it's okay that you don't look like those people- they're not you.

it doesn't make you any less of a woman just because you haven't seen these changes yet. there are plenty of women who look just like you, cis, intersex, trans, genderqueer, and otherwise. there are many cis and intersex women who don't "pass", and it doesn't make them any less of a woman: the same applies to you, and every trans girl. dysphoria can be a real pain in the ass and make things harder than it needs to be. it's okay to not be content with where you're at now. it's okay to be frustrated that you're not seeing the changes you want to right now. many, many trans people feel just the same way you do.

you may feel awkward and uncomfortable right now because you're literally in a transitional phase. think about when teenagers go through puberty, about how awkward they look and feel. cracking voices, bodies that are "in the middle" and not fully developed. that's what you're going through at the moment, and its okay. it just takes time for things to fully settle in.

what i would suggest is trying to find ways to do some self care that affirm your gender that don't involve your appearance. validating yourself in other ways is extremely important. building yourself up takes time. if you feel insecure about how you look, it's okay. you can start building your confidence in your identity and gender in other areas of yourself, first, then move on to your appearance. try to spend time with people who respect you for who you are, no matter how you look. try to surround yourself with people and things that affirm you

i hope you start seeing those changes you want to see soon. if you need more advice, feel free to ask! if any other trans girls on E have any advice for the asker, or relate to the experience, please feel free to chip in with some feedback on this ask, or by sending an ask! due to being intersex, i was taking estrogen and progesterone despite not wanting to, so i was not cataloguing what was changing or anything like that, so i can't speak from personal experience there despite having been on E HRT in the past.

take care of yourself for now. try to go easy on yourself, you're still in your coocoon. the day where you emerge as a butterfly is on its way, it just takes a little time. please feel free to come back any time. i hope we can get some good insight for you

[puckpocketed]

Trying to absorb everything there is to know about ice hockey within the shortest amount of time possible really does strange things to a person. You come up against questions such as what do defensemen even do aside from skate backwards and do tummy time to protect their goalie? (Broadcasts aren’t the most informative) What the hell makes defensemen effective? What do the casters mean when they say “gap”? What are defensive details?

I love watching games back, I love trying to understand the game. I love hockey <3 But sometimes it’s nice to have help, and sometimes my favourite writers/podcasters collaborate!!

Here is part 1/3 of a podcast mini-series about defending, putting it here so I can have a copy of it in case it ever gets taken down + wanted to share with everyone some of my findings! (All episodes are available if anyone just wants to listen to them!) Transcript + edits done by me, all mistakes are mine.

Published 6th November 2024, Hockey IQ Podcast: Modern Defensemen (with Will Scouch) Ep #1 - by Hockey's Arsenal, hosted by Greg Revak (apple / spotify / youtube / bonus substack link)

part 2

[START Transcript]

Greg Revak: On the Hockey IQ Podcast today, we open up a new segment: we’re bringing back our favourite Will Scouch. If you’re on the Hockey IQ Newsletter you know his work by now.

Will, good morning. Earlier than most of us probably normally get up, but it’s a good day.

Will Scouch: Yeah, Greg, thanks for having me, it’s a lot of fun. Me and Greg go way back. We’re boys from years ago and I’m excited to hop on the show. I’m a keen listener, keen reader. 

[They exchange pleasantries]

GR: Beautiful. Well, today we’re gonna talk about three concepts. We’re gonna break it into three spots though, so everyone’s gotta come back next week and the week after that.

We’re gonna talk about defensemen, because everyone knows they’re important but how do we actually play the position well?

WS: Yeah, I mean, it’s a position that’s still, to me, being explored; both by, I’d say youth and junior coaches and pro coaches alike. There’s a lot of different ways that you can do it.

I mean, I watch a lot of hockey from around the world, all kinds of different levels. I’ve watched guys develop from 15 to 24 at this point, and just seeing how their games evolve and everything, and how effective various versions of this position is. And I think it’s a very interesting area that’s still being explored in a lot of really interesting ways, for sure.

GR: Yeah, I think back to David Savard; he comes out of the [QMJHL] as this high-flying offensive defenseman, and if we just forgot about the rest of his career and you just saw him today as this great shutdown, defense-first player, you’d be absolutely shocked.

I mean, you think about Rasmus Dahlin — kid didn’t even play full time defenseman until his actual draft year, he was still playing forward a ton. There’s so much to be explored here.

I feel like [to get a lot of] — for you NHL fans — to get a lot of value in the later rounds out of your defensemen, take those offensive players first, and we can find a lot of hidden gems later.

WS: Well, yeah. I mean, actually, I’ve said this a few times but your listeners probably don’t know, but I did a presentation during the pandemic at the Ottawa Hockey Analytics Conference about this topic exactly; how, when you look at the numbers and the defensive value of players in the NHL, I found that there were just as many in the top 50 defensive value of players in the NHL, there were just as many undrafted players as there were second round picks, second and third round picks combined.

So the draft isn’t really a great historical gauge on defensive ability. Offense is a different story from defensive players, which we could probably get into a little bit.

But I find, personally, that evaluating defensemen and projecting defense to the NHL is still really spotty and questionable. And I don’t know, in my line of work, watching a lot of defensemen, a lot of the ones who I think are some of the better defenders kind of go a little unheralded, because a lot of the time you don’t need to be particularly noticeable to be a good defenseman, but scouts are always looking for the noticeable guys.

So it’s a very interesting world and it’s a very interesting thing to pick through, but there’s definitely a lot of case studies you could dig into, and a lot of players you could look at as cases of, “Oh yeah, nobody was really paying a whole lot of attention to them!” or maybe people were thinking about them the wrong way. But if you think about things a little bit outside the box, you might be able to see something really interesting there.

GR: Yeah, so let's dive into why that may be. Classic example would be Lane Hutson, so maybe we'll pick on him a little bit, but I definitely want to talk about Rasmus Ristolainen, because he is an interesting case study that we wrote about on the newsletter.

So where I want to start with this is just modern day defending. How are defensemen defending today versus old times? A lot of times it was the big hit, separate the head from body. The puck’s somewhere, but let's separate the head from the body, and we’ll worry about the puck later — that is going bye-bye.

Every coach I talk to now, they prefer having the puck rather than having a head on a stake. So for me, it comes back to this old saying of, “position before possession.” We're gaining body positioning, we're not so much separating head from body, but puck from player.

All right, so we've got position before possession. It's super valuable in gaining the space that you need to have first whack in a puck or put the puck where you want it, or just push it to a teammate. Just having the idea of owning space and there's no better league at this and no league that values it more than the NHL. If you don't do this well in the NHL, sooner or later, you're going to find yourself out of a job making a heck of a lot less money in a league that probably no one really cares that much about. You want to be in the show, the big lights: you have to value this more than anything.

And this is actually the one thing that I noticed about Hunter McDonald. He's in the Flyers’ system now — he was an overager, but I was like, “This guy is unbelievable!” He’s a huge frame, you can’t miss him out there. He would just get the positioning before possession, and I was like, “Okay, that’s interesting, let me watch him further.”

And I feel like he’s going to be one of those bottom of the lineup guys who, unlikely, made it out of being an overager in the [United States Hockey League], going to college for a few years, but has those little details of a defenseman that you see in modern day play, which is positioning overall, which is an NHL trait to the nth degree.

WS: No, I know. I think I would definitely agree. Those are the players that are always really, really fascinating to me because you look at a guy like Hunter McDonald and the production just isn't amazing. But it doesn't — to me, when you look at defensemen, it almost doesn't really matter. That's kind of a very secondary-slash-bonus style of thing that comes with a player.

I see a lot of defenders every year and it seems like a thing where a lot of them, maybe at the lower levels, there is a little bit more of that “separate the head from the body”-type of player. And I think there are NHL scouts who still gravitate towards those guys but, at the end of the day when it all comes out in the wash, it's a lot of the time the guys that are kind of, I hate to say ”boring”, but just very effective, and just they're always in a good position.

The guy I always reference as a young defenseman who, I think, is just a really, really high-end defensive guy is Kaiden Guhle in Montreal. We're going to talk a little bit about Lane Hutson in a second, but Kaiden Guhle is a guy who, when he was in the junior level, just played such a great, balanced style of defense.

He was a good skater, but he had really good length. He was a guy who didn't just lay the body every single time, but he certainly could if he needed to. It was about his lateral mobility, it was about tracking rushes, keeping inside the dot lines, and preventing chances from inside and leading with his stick, but then finishing with the body if he had the opportunity or the need to do so. And he seemed to have a really good read of just how to do his job really, really well.

And so that's been a lesson for me for sure. He was a really interesting case study a few years ago, and he's become a pretty solid NHL defenseman. I mean, on a team this year that’s kind of struggling defensively I think he’s been one of the brighter spots on that defense group there, [he’s] doing a pretty good job at least suppressing chances against.

GR: I don’t watch as much as you do, prospects, but Guhle I did catch. For me, the play style wasn’t very good. He had elements of it, you could see the flashes, but he was just really brash. His decision making and his reads were quite poor. But the tools were there, and it was like, “Can he adjust?” Which I think he’s done a phenomenal job [of], and I think Montreal is probably the perfect place for him to develop a lot of that.

So I think you're spot on like, “Okay, how does he actually apply?“ Having assets is one thing, having the tools is one thing, but how do we properly apply those assets, those tools that you have in a good way? So I think another piece, for me, is if you do have the speed, is just making sure that you're controlling speed and then you're also keeping small gaps.

And just knowing with my high school team that no one knows what a gap is, let's define that real quick, which is: the difference in space between the forwards and the defensemen. So the space in between, “How much space are you [allowing]?” in hockey term slang. It's underneath you versus on the other side, which is above you or behind you. So, “How much space, what's that gap between D and O?”

(Editor’s note: He says O instead of F here, I assume because the person attacking isn’t always a forward. As in, “How much space between the defenseman and offenceman?”)

So you got the speed, shrink that gap as much as possible. Don't give them the space to operate or work in, or, I even call it the space to think, which [it often becomes] for forwards, especially unsophisticated ones.

WS: Yeah, I mean, that's really the bread and butter of a lot of the position. It's so much of this, like you said, gap control. I actually just did a bit of video work for a really high end player, [an] NHL draft pick playing in Sweden this year, who is producing really well.

But in terms of the defending side of the game, he's not the most incredible skater you've ever seen, he's not the biggest guy in the world. And a big thing that I noticed, that even at the professional level that was kind of a bit of a work in progress, was that gap management. Especially because the footwork wasn't amazing, [he was] keeping his feet a little too stationary, gliding backwards and sort of allowing that gap.

And when you watch the NHL that's the point of the whole exercise, watching the NHL and how they play. Forwards are fast and they're smart, largely. The guys who can score are the guys who know how to get through soft defensive pressure, the guys who know how to find lanes and cross up defensemen, and if you don't have the footwork or the mobility or the reach or all of it — all of the above — to track all that and manage it, then it's going to be a lot tougher to do your job.

But the interesting thing, though, is that there's a lot of different ways that you can get defensive jobs done. That's always been very interesting to me; seeing how different players approach the position in different ways and seeing the efficacy of that come out in the wash, and how their offense balances with their defensive ability. It's a very interesting world to dig into, for sure.

GR: Yeah, I think you've got a rabbit hole there. You just kind of opened up around defensive skating. What do clean feet look like? What does defensive posture look like, that actually allows you to have that kind of mobility?

So we'll leave that for another day. If anyone wants to go check it out on the Hockey IQ Newsletter, they can do so. Just look up defenseman skating development. We've got two good pieces there talking about building and maintaining defensive posture and keeping clean feet, which — actually massive base for anyone.

It allows you to have the proper gap that allows you to kill plays early, and ultimately, it's a lot about just controlling speed. You don't want McDavid building up to full speed. You don't want MacKinnon building up to full speed. You don't want anyone coming up to you at full speed. It's very hard to maintain that kind of speed going backwards [that we] even generate in the first place. 

How do you kill it early? How do you get a hand on someone? Or, my favorite example is just proper pivoting. A guy dumps a puck on you, how are you going back? What does that pivot look like?

I'll let you open that up because at the NHL it's almost too good, where you can't see what a bad example looks like, but you can see it's everywhere.

WS: Yeah, I mean, it's a make or break skill in the NHL. It's where a lot of defensemen die. I mean, it's a cliche at this point to talk about pucks in deep, to talk about [getting] pucks deep in the offensive zone, get below the goal line, dump and chase. People make fun of dump-and-chase kind of stuff. But if your team is built to do it, you can do it.

You can take advantage of defensemen in the NHL who just don't have the speed or the agility or the skating ability that some of your forwards might have. It is a lot easier to skate forwards than it is to skate backwards. That's just, you know, anecdotal, but also pretty factual — you're naturally going forwards.

I think an interesting trend that you're seeing a little bit more of [is] what they would call ‘scooting’. You're the coach; I don't know if that's exactly what the terminology would be, but [it’s getting] your defensemen in the neutral zone, kind of pinching a little bit more and having them skate forwards, tracking play towards the boards.

So it's not necessarily that they're doing their backwards crossovers, it's not necessarily that they're entirely skating backwards, but you see guys who are really talented skaters or do have a lot of quickness driving play to the boards in a more aggressive way than having the play in front of them. It's about them sort of tracking that play laterally, which is an interesting thing I think you're seeing more of now.

I think there are definitely coaches and systems that love to play their defensemen more that way, and the weak side defense can sort of fill between the dot lines for them and sort of leave the weaker side of the ice a little bit more open. That's kind of what I mean. There's a lot of different ways to achieve these kinds of goals, and I think you're seeing a lot of different things popping up to adapt to this. 

In situations where you have a dump and chase or something like that, or just getting pucks in deep or whatever you say, when you have a defenseman who has trouble with their footwork and turning around… Trust me, I'm a defenseman, when I play hockey, I strap on the skates — I play defense myself and that's where I fall apart, when I do fall apart. Which is often. But definitely, when play turns around and I’ve got to change directions or change my area of flow, it can be tricky. And in the NHL, I can only imagine how tricky it can be there. 

GR: Yeah. I mean, a good pivot you're looking at three steps total, like boom-boom-bam and you're there. You watch an amateur game and it could be like five, six, seven, eight chops before [they] finally get going and [it’s] looking like a proper forward stride again. [Or just] getting into a good defensive posture and positioning. It's total scramble mode.

A big one for me, too, is just the direction that you pivot. Do you wait for that offensive player to commit to their lane? It's just a great defensive habit in general, letting the offenceman make the first move. If you're making the first move, you're the one showing your cards. It's kind of like showing your cards first in Poker.

Let them make the decision and then you can pivot into them. Now you can get that position before possession, or at least get a chip on them, slow them down. You can either make it easier for yourself or your partner. So one, there's the clean footwork on the pivot, and two is making sure that we're controlling the speed and we're pivoting properly in the direction that we want to pivot.

There's a ton of times where I see, especially the lower levels, players coming up, they're in a bad spot, they're skating forward, defenseman skating backwards and they just chip it off the boards. And the defenseman is like a dog just following the puck and it ends up in the middle of the ice where the forward actually went. Again, the NHL is the best at this so it's really hard to see bad examples of pivoting into and controlling the space of the opponent.

WS: Yeah. I do a lot of work outside the NHL, and the biggest thing I notice is not necessarily the number of chops it takes, but the amount of time. You can see guys taking two seconds, maybe more, to get themselves turned around, tracking pucks below the goal line.

To me hockey is a game of milliseconds a lot of the time, right? I was working with someone years ago who really shared the idea with me that, in the NHL, generally goals are not scored if you have the puck on your stick for more than either half a second or a second.

I can't remember off the top of my head, but it's so fast in terms of; when you score goals in the NHL, it's when you touch the puck for a very short amount of time in the offensive zone and get a puck on net. And so, if you have guys who take too long — and “too long” might not be very long… If the difference is relatively short at the time you're making those pivots or those changes, but the [opponent has] got a lot more speed than you and you're [taking more] time to then start generating that speed to match the opponent, you're in trouble.

And in my opinion, I think that you want your defensemen to be more assertive. I always fall back on the strategy of; make them make a decision, make them commit. That might imply that you do the committing first, but that's where the importance of footwork and tactics come into question. 

You have to have strong support, whether it's from backchecking forwards or your partner. You want to be able to adapt to quick players who might fake one way, go another, and be able to use your stick or use your feet or both to be a factor regardless of what happens. 

It's very interesting to watch defensemen play. I find it really, really interesting to see the different approaches of different players and especially how they evolve and get into the NHL.

But yeah, I mean, [it’s so pivotal], the skating ability; defensemen who can skate, it unlocks so many doors for their career. If you're an elite level skating defenseman, it just unlocks so many doors that interest me. If you're not, and if that's not a strength of your game, then it can be a big struggle, especially against faster opponents. Even if you're big and physical and pretty good throwing the body or whatever, there's a lot more of the game in the NHL these days. Very, very interesting stuff. 

GR: I think that's actually the perfect segue into someone who, early in his career, threw the body too much and sold out too much on plays that he probably shouldn't: Rasmus Ristolainen.

Great case study, great case study from when [John Tortorella] started working with him to where he is now. Will, I'll send in the link here from the Hockey IQ newsletter so we can track a little bit better with each other. 

I found him to be a fascinating player. High draft pick, 8th overall in 2013. Really pretty, smooth skating, big body — has all of the tools that you would traditionally say, “Yep, that checks [out].” And then you looked at his stat profile and it was just abysmal. His micro stats were terrible. I think the only thing he was good at was D-Zone Retrievals, which, being able to take contact, it was kind of an easy thing for him.

WS: Yeah. I remember watching Ristolainen when he was in junior hockey, because that was the earliest years of me being kind of curious about that side of the game, and I did not really recall that being a premier area of his game.

I remember him being big, but pretty mobile, and has some skill to play around with. He did have a bit of a physical edge to him, but it feels like it was that tail end of an era in the NHL where those big, mean, physical guys were kind of in vogue, and people were kind of curious and needing guys like that. And I guess that's what Buffalo drafted him to be.

I remember being very surprised that he was in the NHL the year he was drafted. It just did not look like it was really working out there. And Buffalo just seems to have been not a great fit for him, they kind of turned him into something that he wasn't, but I do think that he's turned into some sort of serviceable defenseman.

But he, to me, is a great example of one that I always look back on and go, “Man, what if?” Like, what if things went a little bit differently for him? Because there was good stuff there, it's just I feel like the development was focused in the wrong areas.

To me, 65% of the work [is] scouting, and developing — the easy part is drafting good players, the hard part is developing them and bringing them along into being good NHL players.

So to me, if you can find the most amount of things that get in the way of that process being easy, then you're doing a really good job. And with Ristolainen, I feel like in his case they inserted more things to make that journey more difficult and sort of turned him into something that he wasn't, which is always a scary thing for me to think about doing to a player.

But it's not over for him, obviously. He figured it out. Obviously, Tortorella found something for him to do, and he has shown a little bit better. But yeah, he's always been a what-if guy for me.

GR: I always liked how Tortorella, after the 2022-2023 season, was doing his media stuff and he was like “Yeah, he's our most improved player.” You're a guy who's getting paid big bucks — I think he was making five million plus that year, still is, probably — and even him, he was like, “I was just bad the first half. And then around Christmas break, I started getting going. The second half was much better.”

Basically, the first half, they were just trying to rebuild his defensive game, and this is true for anything. Zach Benson's another good example of this. If you can't play defense in the NHL, you're going to be out quick. Benson can play defense despite being — I think they list them at five foot 10, but there's no way.

WS: Yeah, no, no. I know. He's a little guy, but he's another great example of a player where I, in my work, I do not care how big you are. I just care about how you play. Even in the NHL. And I feel like Benson's a really, really good example of that; a guy who, just forechecking alone is a really… The easiest way to defend is if he can cause turnovers in the opposing team's offensive zone, a guy like Zach Benson does that extremely well.

And if he needs to track guys through the neutral zone and backcheck, he'll do it, and he does it really well, and he does it at a speed that I found to be projectable to the NHL. And again, that's another one where I was a little surprised to see him in the NHL so fast, but he didn't really look out of place there.

He's had a bit of a slow start this season, but just a really, really talented player, and one where you kind of do look at and go, “Yeah, these smaller guys can definitely defend.” They just — the expectations are a little bit higher, and maybe for good reason, but he checks all the boxes for sure.

GR: Yeah. So for Rasmus (Ristolainen), there's two big things that, when I dug into this, that Torts was working at. At this point, I was so intrigued [that] I was tracking every single time Torts spoke and Rasmus spoke to the media. So I was like, “I wonder what they're actually doing?” Which, Torts can be tight-lipped, but he gives it away if you follow long enough.

The big one was just inside, like too much, he was finding himself, Rasmus was finding himself on the outside. So whether that be outside the dots, outside on bad ice, for whatever reason, or just finding yourself outside, like losing defensive side positioning to the offensive player.

If you finish contact, but now you're on the wall and your player's got to step to the net, that's trouble. There's a great, great clip the other night featuring, I think it was (Aliaksei) Protas [who] ended up scoring the goal and K’Andre Miller of the New York Islanders. So Caps — Rangers, not Islanders — Rangers… Where [Miller] went in soft, didn't really take positioning, got beat back to net, and Protas just put out a stick and just tapped it in, Igor Shesterkin never had a chance.

A similar idea of; okay, good, maybe you got some contact, you tried to make the stop, but you still need to maintain defensive side positioning. You still need to finish on the inside. So if you're doing contact, you can't overreach.

You just can't do that. You have to stay in good positioning.

And the second piece was just, finishing with contact to get stops, like stopping movement. Offensive play is a lot about movement, and defensive play is about stopping movement, AKA getting stops. So he would maybe make a play, or get a poke check, but the puck was still moving and could be easily on the other team's stick. 

So how do you make sure you're always staying in good positioning? Staying on the inside, as Torts put it. Or the other piece, which is getting stops, or finishing with contact — but smartly, not chasing the contact for contact’s sake? Being tactful in your play.

I feel like Risto really just learned how to play defense smartly. He was actually thinking and being intentional about what he was doing, rather than like, “I see a puck and a player, I'm going to go end that!” And then, boom, in the big scheme of things, it’s a net negative. Even though at the moment, it may have, especially to him — otherwise he wouldn't make the play — seemed like a positive, really it was a negative for the team.

WS: Well, that's the interesting thing too, going back to talking about junior players and the context in the draft and how defensive players might go a little bit underreported or undervalued in a sense.

I see this all the time, especially with North American defensemen, especially with Canadian ones, but there are definitely players who everybody talks about how good they are defensively, everybody talks about how solid they are. They're big, they're physical, they're mean, blah, blah, blah. But then when you watch things in detail, it's this sort of Ristolainen-style thing. You're talking about K’Andre Miller where it's like, they're along the boards, they're doing the thing along the boards, but they're losing.

They're allowing guys to get low on them, get through them, and even in the junior level, right? What good is it if you're trying to pin a guy against the boards and they give you a little shove, crouch down a little bit, chip the puck three feet out from you, you don't adapt to that, they get three feet of space on you, throw it out in front of the net, and boom, you got yourself a scoring chance, right? I see that all the time.

It's the focus on the body and not focus on the turnover, turning that possession back over, that really seems to be a tough lesson for a lot of defensemen to get over. I find that a lot of defensemen from the age of 18 to 23, in the grand scheme of things, their style of play doesn't drastically shift all that often.

And so, when I see things like that happening, I'm going, okay, I gotta either hope that this guy puts in the time in the gym and becomes, just, a strength nut, and pins that guy to the boards so they can't do anything, or they figure out a way to get into those situations, take a step back, chip at the puck. Really battle for the puck rather than focus on the guy.

Because I've seen it so many times with guys who are bigger and more physical, they apply it in a way where I feel like coaches will go, “Wow, look at you go, you're playing hard, you're playing the thing!” But then they escape, this opponent might escape, and create a little bit of space for themselves. And again, this is a game of inches, it's a game of a couple of feet, and every inch matters.

So in some cases, yeah, you get those situations where guys like Ristolainen, yeah, you're doing the thing, people clip the hits, people clip the physical play, but then five seconds later, someone's got some space on you and they generate a scoring chance. And so what do you really value, right? Personally, fewer scoring chances would be ideal.

GR: I love it. Last piece to wrap this up, because I think it'll go well into our next piece, which is point play. Shorting the zone.

I was able to find some phenomenal clips and do some photos of this for the newsletter. But the concept of; if you're watching a game in the NHL, if you can see all five of the people trying to break the puck out, low in the zone… A lot of it, you think about the NHL today, is like a swarm. We're going to do close support. I'm going to try to crowd the puck out.

A good way to respond to that is to short the zone, which basically means your defensemen, instead of hanging out at the blue line, are going to go into the offensive zone. And they're going to start with small gaps, they're going to be [at the] top of the circles, if not a little bit lower.

Tortorella is another big fan of this, so you can see it with the Flyers a lot, too. I would say [Sheldon] Keefe is another example of a coach who does this a ton. So you saw a lot in Toronto, now you'll see a lot more in New Jersey, which is  the perfect d-core to make all of this work. So I think Devils are going to be good for — that's going to be a great fit.

But just the idea of crowding in the space, setting small gaps, so when you do start defending, you can either cut a play off early — it's an easy pinch there if you don't have to go very far — you can cut it off. Or, 2; create a turnover in a much better spot than what is in your own zone. Why not make it in the o-zone? So from a positioning standpoint, phenomenal place to start, good way to kill plays early.

Before they can get going, before the team can build speed, and just being able to put yourself in a good spot to take advantage both from a defensive standpoint, but offensive standpoint.

WS: Yeah, I love when I see this being deployed. I think, again, I'm a geek, like I'm a math guy, and even just thinking about the numbers here, it makes such a difference if you think about it.

The offensive zone from blue line to goal line is 64 feet. So you're looking at the difference between a guy standing at the blue line being maybe 75 feet from the net or at the top of the face-off circle where you might be 20 feet closer, maybe 20, 25 feet closer. So you're cutting down the time at which you give the defense to adapt, the goaltender to adapt. You're cutting that time down by a third-ish, a quarter to a third. I'm ballparking here, but that automatically is just based on where you are on the ice.

If you can compress the offensive zone on your opponent, you're laughing. The second thing I wanted to mention here is this is, again, why skating ability and quickness and speed are so important to me. Because it is objectively a better position to be in when you're in that position — closer to the top of the face-off circles for your defensemen.

But if you do have a situation where the opponent has possession of the puck you have to get set up, you have to cover that gap, you have to cover for yourself, or you have to have some sort of system in place where a winger can cover for you if you're caught in the offensive zone. Ideally, you have your defensemen who can wheel up, get some speed going, get positioned well to counter that attack, and have a system that can swarm whoever has that puck in the offensive zone.

I think it's a really interesting trend for sure. It's a simple little thing, it's a concept that you see definitely a lot more now than you used to, but I'm all about it. It just makes sense mathematically, and it plays into exactly the styles of player that I always look for: guys who do pinch a little bit more aggressively, but have the mobility and the skating ability to cover for themselves.

I would rather have a player who tries something creative, or tries some sort of play that could lead to a high scoring chance, but may relinquish some space on the ice, but has the ability to cover for themselves.

And I can at least as a coach, rely on them — not that I'm a coach — but rely on them to cover for themselves. To go, okay, I can rely on them to try these things, because I know that if it doesn't maybe go their way, which happens in hockey all the time, I'm not going to be upset at this player, but I know that I want them to backcheck, cover for it, because I know they're capable of it.

I think that that's sort of the trade off that you have to live with, but I'm totally cool with it.

GR: All right, so we're going to call this end of the day on some modern day defending, and we'll pick up on point play in episode two.

[END Transcript.]

part 2 <- convenient link at the bottom <3

[sp00kymulderr]

Thank you for tagging me @kedsandtubesocks @schnarfer @almostfoxglove @guiltyasdave @chronically-ghosted & @arcanefox207 to post my favourites of my own work this year ❤️

FOR MY FAVOURITES FROM OTHER WRITERS/ARTISTS THIS YEAR CLICK HERE

I will be honest I wasn’t going to do this, but I suppose we can be nice to ourselves as a treat 😅 I think it’s a lovely idea and absolutely everyone should be allowed to feel proud of their creativity and expression. It’s not always easy, we really are our own worst critics aren’t we? But celebrating ourselves is important.

It’s been a very up and down year for me as a person and a creator. I want to write all the time, but most of the time my brain doesn’t allow that. I’ve thought about deleting. I’ve thought about giving up writing. But I haven’t, and I’m still here, and I thank my gorgeous friends and the absolutely incredible people in this fandom for that for being so loving and encouraging 💕

Anyway let me stop blathering on, here’s some of the things I’ve enjoyed making this year!

🩵The Dieter Bravo Brainrot club is without a doubt the best thing I’ve been involved in this year. Me and @chronically-ghosted launched our dedicated Dieter discord server in January and now I don’t know where I’d be without it. It was just a silly little idea me and Taylor both had separately at seemingly the same time, and now it’s a whole thing. I’ve run writing challenges, we’ve had numerous watch parties, silly games, and now a gift exchange! And it’s never felt like anything but joy. We are feral, we are fun, we are encouraging and we lift each other up. And did I mention feral? I love having a dedicated space to talk about That Man, I love the ideas that pop up in there, the art and thoughts that are shared. I love running that place and I love everyone who is part of that community - thank you all for making my year 🩷

🩵Lover boy - Joel Miller x transmasc reader - Lover boy is my pride and joy, and truly the thing I’ve written I think i personally connect with the most. I was scared of posting the first fic tbh, but I’m so glad I did. It’s a chance for me to explore things that mean a lot to me. And I just love how in love they are. It’s only a few short pieces for now, but I have so much more planned for these two.

🩵After - Dave York x Carol York x Reader - This little story came to me after rereading one of my favourite poems. I loved the ache of it, the sweetness of the melancholy and the warmth of the post-threesome glow. I really love this short piece, I find myself coming back to it a lot.

🩵lost, found - Dieter Bravo x reader - Dieter and angst just makes sense, and this was born of my own angst which I guess is why it’s stuck with me since writing it. I think Dieter is an easy character to project certain feelings on to, and I have a lot of headcanons about his early life and his queerness especially. Also this story features my favourite polycule and one day I’m gonna write all about them.

🩵inhale, exhale - Joel Miller x reader - I’ve written a lot of Joel this year, more than any other character. Can’t help it, he’s fantastic to write. This is a little angsty, a little smutty, with a slice of the horrors of the qz too. I remember it just flowing from me while I wrote it and I’m really happy with the finished piece.

🩵Closer to light - Javi P x reader - Idk I just think this is insanely hot if I do say so myself.

Tagging some others to share their own 2024 favourites and celebrate their work! @covetyou @seventeenpins @perotovar @qveerthe0ry @sin-djarin

@luxurychristmaspudding @for-a-longlongtime @strang3lov3 @missredherring @ozarkthedog (And if you’ve already done this, tag me in yours ❤️ I wanna see!)

[missedmilemarkers]

Hi again!! Figured that since you were technically open to any question, I want to hear your thoughts or views on this. I'm not sure if I could message you (because I'm very awkward and I can't exactly hold a conversation based on small topics) But, how do you feel about choosing something practically over passion? This question has always plagued me ever since it was brought up during class, and it provoked to me how practically was always chosen over passion as it would technically "help" them more than pursuing their passion.

Was choosing tech for you a more practical choice or were you passionate about it? I don't want to sound rude over this question, but it only occurred to me when you mentioned that you were working in a field that is quite more on the technical side. Do you see it as something similar to an art form as you develop products that could help improve lives tremendously? Or is it just a job that you expect to pay good?

(P.S Sharing these photos I took some time ago, I believe it was last year and it was submitted for a class. Hope you enjoy them as well! Not as much sun as the last one though)

First off. Before going into any of the content of this post. THAT GIANT SNAIL IS SOO COOL! I just recently found out that they exist and was just amazed by the size of them. GREAT PICTURE!!!

Alright lets unpack the content of this ask.

TLDR:

You got this I believe in you. Stand tall and proud and go for whatever your heart and head want. If they disagree pick one and evaluate later. Even if your heart and head dont know that is OK as the story of your life unfolds the path will become clear. If you are honest you can always move with confidence and never lose a moment of sleep.

I am choosing to dive deep into this again for a few different reasons. The reason I am doing this you are at a moment in time which you perceive to be important (final exams, deciding about life etc etc etc). The unfortunate thing is this moment is no more important then any other you will experience. All it is would nothing more then a "MileMarker" which you will use for evaluation later in life. That does not mean its not important. All that means is every decision you made every action you took got you to the moment you are in RIGHT NOW. So dont worry no matter your choice you will always make the right decision. Even if its wrong you will always gain insight and that insight will always lead to success if passion is applied.

how do you feel about choosing something practically over passion?

I am not sure if there is exactly a correct answer for this one. If there is I think the best one would be do whatever makes you happy, and the only way to find out what makes you happy is to try. One thing I have learned is sometimes money or love is not enough. One can have all the money in the world and be miserable. Same goes for love. One could be loved by the world and be empty inside. That answer is kind of B.S. for someone that is seeking input. With that being said I will go over some of my experiences. My very first job was at an auto mechanic shop. I used to love working on cars. I would spend my weekends doing it. I would hang out with my friends and all have a great time. So i figured it would be a good choice to work as a mechanic. So I went and got that job. I worked it for about 5 years. At the end of it I never wanted to work on cars again. To this day I will not even change my own oil because I hate it so much. Am I upset it turned out that way? Not at all. Life is all about the experience nothing more nothing less. That lesson for me was finding out what I did not like in life and was just as important in my journey as knowing what I liked. At the end of my mechanic experience I figured I should just go be a garbage man. I would get the same blue jump suit but instead of the trash coming to me I would go to the trash. Really all we can do is to try. There is no wrong answer. Even if one makes a choice and find out its wrong for you that is OK.

Was choosing tech for you a more practical choice or were you passionate about it? "Neither and both"

The reason I brought up the above being a mechanic. If i did not want the same thing to happen on my outlook of computers as it did for mechanics. It was because of this I did not get into tech. I loved it so much I did not want to risk ever hating it. So that is passion but born of practicality based on what is important to me and only me. This is was dictated by my previous experiences and not wanting to have any regret in life. More on this: I have always been interested in computers and tech. I grew up in a very poor household. We only ever had exactly what we needed and nothing more. My childhood was amazing. Yea at the time I wanted more but after I got older and realized how the world was I landed on the outlook of "I could not have asked for more and it was amazing even though it was viewed bad at the time". One of my best friends growing up his family was very rich. It was through him that I was able to get access to technology. From that my obsession was born. I loved tech so much I avoided it professionally because i did not want the same thing to happen as did with mechanics. Then one day just purely by happenstance a neighbor offered me a job. I decided at that moment you know what try it. Why not, I now knew the signs of when i might start to hate it. so why not. We can never have any form of regret. So at that first job I literally ran around a call center unplugging and plugging back in headsets. Was this something that made a difference in this world. No, was it something that I found great internal satisfaction. No. At this point did it provide me financial security. NO IT SURE DID NOT! It was until many years went by to get a chance to shine. When that moment came I was ready and I crushed it. From that moment it was all different. I gained both functional and passion in my career with huge paychecks. But you know what, none of that matters now. The only thing it provides is a story for others of my personal experience. None of it means anything right now and clearly I cannot seem to pay the bills. That is ok. I would not change my situation, the outcomes, my choices or or any aspect of how i got to this moment right now. As long as I continue to try, learn and adapt I will find my way. However none of that will happen if I never take steps on my own and try with every fiber of my being each day.

how practically was always chosen over passion as it would technically "help" them more than pursuing their passion.

Based on that statement I feel how you are looking at this in the wrong context. That statement is taken from the third person. You need to have it worded something more like this. how practically was always chosen over passion as it would technically "help" me more than pursuing my passion. The context of that change is huge. Lets take a moment and reflect on that. I bring special attention to this because 1. We can never know what is best for any other person. Its hard enough knowing what is best for ourselves. Its ok to use other peoples stories and experiences as guidance in our own actions and decisions. It should never be our place to dictate what is best for another. We can never know that persons experiences, thoughts, emotions or context. We can offer guidance and feel happy we had an opportunity to share. 2. This now forces an action from the third person to a first person. This logic dictates something must happen. Even non action is an action and should be evaluated later and potentially adjusted. Sometimes non action is the best action. Often times its not though. Its all about that re-evaluation. 3. Experience is the most important thing in life. If you are struck in any form of "I wish I could...", "I always wanted to...", "Why cant i just...", "I don't know what ...". The only way to fix that is to do anything different. If you are frozen in a conversation start with one single word "Hello". If you are struck with any form of indecision just make one that is easier and more open ended. Instead of "I will make a final decision by", change it to "I try to evaluate my choices on", then take some time do a proper evaluation. Ok i wanted to try but i was unable to do that. Its ok that happened what can I do differently to "try anything else" and step with confidence in whatever choice you make. Even if its wrong there is never any regret because you made the best decision for you at the moment. Changing the view from "Observer" to "Doer" is what this context change provides. When an honest action is taken you can always do it with confidence no matter what it is. to Your final question. Money is a sign of a job well done. If you enjoy what you do you never work a day in your life.

In final thoughts: Tomorrow will never come and yesterday is just a story that only you care about. People might want specific things for you but none of that matters. Anyone who truly cares will want your happiness above all else. If that person cant understand that then they are probably not the best person to spend your time with. If you are living in the past you are depressed. If you are living in the future you are anxious. Its all about right now nothing more nothing less. Just smile, be confident and just do what is best for you and no one else. No decisions are final, you are free to change your mind at any time. Its ok not to know. We can never know the story of life through any other way then just living it how we choose. If future you is worried (anxious). Then present you should do something to set that person which don't know but implicitly care about up for whatever that success is defined as such by you. If past you is upset (depressed) about something then future you (currently present) can do something about it and make a change. Even if that change is wrong you can tell past you (depressed) that you tried and ask that person for advise and make adjustments accordingly. As long as you try you will always get exactly what you need. Survival is a very strange thing like that. It always is right up until it is not. The moments of survival in most cases outnumber the moments of conclusion. So dont ever worry the statistics are on your side.

Time is the only thing we never get back. I choose to spend my time happy. My personal definition of happiness has changed many times throughout life (story). Money will come for me as a result of that. So far it has worked out for me. To date I have survived (lived) far more moments then i have concluded (died). The same thing can be said about anyone reading this.

Conclusion: Each time i chose based on passion, One time I lost a passion. The other time I did not. Each time I was able to survive. Each time i gained valuable experience and understanding of who I was. I always succeed because I will always try hard and hopefully learn from my mistakes just enough to be good. I want to be happy in life and If at any moment I am not that is my measuring stick to make some kind of change.

Much like the seasons change is forced.

But we will always find the beauty of tomorrow. Even though we might have suffered a broken arm.

[deeplyshalllow]

Hi,

I absolutely love your posts on Fiyeraba scenes in the Wicked movie! I wanted to ask and this is just a thought I had but do you think Fiyero heals Elphaba with his acceptance of her appearance and as a person, because her major trauma stems from her father's rejection at her birth cause you hear "take it away" at many points throughout pivotal moments. Now that I think about it, her friendship with Glinda could be represented as a version of Elphaba's dynamic with Nessa where the sisters love each other but Nessa never protects Elphaba the way she does.

What are your thoughts on this?

Keep up the great content!!! 😃

Firstly, I am so sorry it's taken me this long to reply! It's been on my to do list all week but Pre Christmas and work and the need to also write a 3500 word essay on the Lion Cub scene, has made it hard for me to find the time to write a proper answer.

Short answer: I agree.

Long answer: I think Elphaba is hugely damaged by the way her father treats her. I think she has been othered all her life, including by the people who should love her and she so desperately loves. And a lot of this presents itself both in doing anything for them, even when it personally hurts her, and almost deliberately making sure everyone else sees her as a person as "ugly" as her green skin. Because, if she does that, she doesn't end up finding other people whom she loves who don't love her back or betray her, as she says in the Lion Cub scene, she sees it as an issue that she "cares so much".

There's actually three people at Shiz who really challenge Elphaba's view of the world.

Firstly, Doctor Dillamond, who shows her kindness and also regards her as a friend. But it is important to note that he is also othered, Elphaba's fight for the Animals is to some degree because she sees herself in them, she wants them to be able to fit in in a way she never has had. She empathises and her bond with Doctor Dillamond is stronger because they both share similar problems.

Galinda and Fiyero are the first, I think, to get Elphaba out of her shell. They are the ones who love her for who she is, nothing to do with her green skin, and yes, I do think it's healing. She's let down her mask of defensiveness and discovered that people do like her for what's underneath! There is a moment in the movie, when everyone is cheering Elphaba off at the train station where I thought "ok, they could just end the story here and it's the most heartwarming, happy ending for Elphaba" and obviously it's tragic that this is never to be.

Interestingly, I think Elphaba initially regards Morrible and the Wizard as people who see her for who she is too. Morrible because she's very motherly and values Elphaba when she wants to use her for her power (especially in the movie), and the Wizard because Elphaba has grown up believing him in an almost God like way - being so sure he will understand and know best. So that it is ultimately them that betray her hits her very hard.

Which leads to Defying Gravity and Act 2. Where, unfortunately, a lot of this healing for Elphaba is reversed. She's betrayed by Morrible, the Wizard (and to an extent Glinda) when she's condemned as a Wicked Witch, people still judge her for the colour of her skin. She does fight to do what is right, but she does it while sacrificing herself, what she wants, who she loves, what will make her happy - what she had been doing her entire pre Shiz years for Nessa.

There are so many heartbreaking lines in act two where we see how hurt Elphaba is by losing people she trusted or cared about:

"Boq, it's just me, I'm not going to hurt you!"

"Nessa, I have done everything I could for you but it has never been enough and it never will be"

"Don't you think I wish I could? That I could go back to the time when I believed you really were wonderful? The Wonderful Wizard of Oz? Nobody believed in you more than I did."

"Fiyero, not you too," (though obviously this one gets very quickly resolved)

"I can't believe you would sink this low! To use my sister's death as a trap to capture me?!"

So, when we get to As Long As You're Mine, and the scene afterwards, I think Fiyero does attempt heal her, and I do think it does good, but there's also this line:

Elphaba: I wish I could be beautiful... for you. Fiyero: Elphaba... Elphaba: Don't tell me that I am, you don't need to lie to me.

Elphaba's wounds cut deep. And, if I'm honest, I'm not sure she's ever going to be fully healed.

I do think the end of the show, Elphaba passing the task of helping Oz onto Glinda, of being able to go with Fiyero and live a life for themselves is a way to heal. She's given so much of herself to her cause, because she doesn't really value herself as a person, Fiyero - who loves her for who she is and will do anything for her including laying down his life, lets her finally do something for herself that makes her happy. And likewise Glinda, though she doesn't necessarily know it, carrying on her legacy, means Elphaba no longer has to worry about leaving the fight - she knows Oz is in safe hands.

Through the two people she loved the most, by the finale Elphaba might finally be able to heal.

Also, as I have nowhere else to put it: I think her father's treatment of Nessa also fucks Nessa up. I know they're going to change it for the movie, as it's seen as ablest (and I don't want to say it's not as I have a friend who literally has a Doctorate in disability history who sees it as ablest too) but I've always seen the fact that Nessa thinks her chair as a curse as an attitude driven by her father. Her father, in blaming Elphaba for Nessa's disability and coddling Nessa because of it, has always made Nessa feel like it's her defining trait and it's something wrong with her. This has led Nessa to both treat Elphaba as if she owes her something, but also believe her life would be perfect if she could walk - a belief that is brutally smashed in Act 2 when she is given the ability to walk.