#i just love writing beckett so much

[dance-in-the-morning-glow]

I started working on a new thing.

a sailor and a nightingale - ch. 1

“Governor Swann seems preoccupied tonight, wouldn’t you say?” Beckett’s tone was light, almost conversational. “No doubt his thoughts wander to matters of family. A father’s concern can be such a burden... when one’s only child is missing.”

Why did it feel like the temperature had dropped a couple of degrees all of a sudden? James could feel the calculating gaze upon him, watching him like a hawk, ready to pounce at any sign of weakness. His skin itched under the weight of his uniform. He resisted the urge to down the remainder of his wine in one gulp. Instead, he kept perfectly still and raised his chin just a bit.

Beckett continued, “It must be troubling, not knowing where she is... or what trouble she might be finding herself in. Perhaps you could ease his fatherly concerns?”

There it was again, that feeling like ice crawling up his spine. It was almost as if Beckett had read his thoughts. So it hadn’t been a coincidence that James had never found the chance to speak to Swann in private so far. Beckett wanted to witness how he would act in this situation – what he would say, what he would do. If he slipped up in front of his old friend.

***

James Norrington x OFC, fake dating (-courting lol), crack treated seriously, drama, angst

Summary: When James Norrington returns to Port Royal and gets promoted by Lord Beckett, he faces a stark ultimatum – any sign of misplaced loyalties, and he’s out. The natural thing to do in this position is pretending to court someone to keep Beckett convinced he’s in Port Royal to stay. At least, that’s what Beatrice Nightingale, an aspiring composer stifled by the rigid social norms, suggests. And who would be a more suitable candidate than Beatrice herself? Their ruse might not only benefit James in maintaining his post, but also help Beatrice with her own reasons for playing the game. Problem is, James and Bee aren’t the only ones with secrets – and sometimes, things aren’t as they seem.

Or: The author thought it a great idea to combine the fake dating trope and her very own PotC-version of a Hellfire Club. It’s a lot, I know.

[feeder86]

Feeder 86: The Top Ten

Can you believe that the Feeder86 ‘Orginal Gainer Stories’ blog will soon be posting the two hundredth story? I thought of many ways to celebrate. But then I stopped and realised that I would probably be best using the time to address one of the questions I get asked about most frequently. Which of the stories do I personally like the most?

This was not an easy list to make as I very rarely go back to re-read my own work after I have finished editing and posting them. This is not because I do not like them, but because I always see bits that I want to change. Nevertheless, this project was the perfect opportunity to revisit a few oldies that I remember being very proud of at the time. 

Hopefully you will see this list for what it is: a glimpse into how I write, my motivations and drive; rather than just a self indulgent pat on the back for myself. Yuck!

So, with that being said, let us begin...

#10 The Feeders’ Formula: This tale certainly had to be placed into the list. After all, it is the one that kicked off ‘Original Gainer Stories’ all those years ago. There are many amazing examples of instant body weight transformation stories out there. I felt that I needed to write this one as my contribution to the genre. It went down well at the time. I swiftly wrote a Part Two, then followed it up with others (The Feeders’ Formation, The Feeders’ Formalities, The Feeders’ Foreclosure, The Feeders’ Forecast, The Feeders’ Former Years), becoming something of an ongoing saga in recent years; focusing on the different Feeders from that very first meeting. As a writer who sometimes struggles to find the ending, these are wonderful to write as they all have the same inevitable conclusion. There is also so much freedom to be had when you’re working with characters who are pretty much pure evil. I know so much more about the Feeders than I’ve ever written down, so it is great to tease out those little details with each new installment. The newest of these tales (The Feeders’ Foreplay) was the darkest yet, but seems to have provoked a very favourable reaction from many. Who knows what the Feeders may get up to next? I do! And you can find out too, once we start a whole new sweeps season of stories this April! Come with me into The Feeders' Fortress!

#9 Only One: Where do I start? Only One has my absolute favourite type of feeder. Ben is big, sexy and very in control. He’s one of those rare types of guys who always stays on top and is a step ahead of absoultely everyone he meets. Who wouldn’t fall for him? I certainly did! In fact, I loved him so much that I wrote an entire prequel for him (and none of you even noticed!) Check out Rewire if you want to see how Ben became the man we know and love.

#8 The Wright Boys: The idea of a weight gain that cannot be stopped or controlled is a tempting one for many. How much easier would it be if you didn’t have to second guess your choices or face the pressure to lose weight? This was the first tale of what I see as ‘The Curses’ saga that eventually bled into many other stories (including another one on this list!) and culminated in Wright vs Beckett. However, this story remains my personal favourite of these. If you’re a fan of looking for crossovers between my stories, these are some of the most explicitly linked. I followed it up with a spin-off tale (The Wright Boys: DNA), but continue to have ideas about how I could go back to these boys in the future. Watch this space.

#7 Making Monsters: The title of this story really does give away how I felt about it at the time. This is quite the saga, spread over into not just two, but three parts! It began as a story that was very similar to Blackmailed; a tale that I had written previously about a guy voyeristically enjoying seeing his friend fatten up her boyfriend. However, this story evolved even further for me, with Tommy’s love of eating and gaining weight being both his greatest love, and his biggest shame. His denial only heightened the tension for me, and, when he does eventually give in, the gains feel all the more satisfying as a result.

#6 The Pig Feed: It’s not easy to write a gainer story where there isn’t another character spurring the events along and encouraging things. In this tale however, that role is given to a very tasty and surprisingly addictive pig feed mixture that Steve gets himself hooked on. It’s a story that I really enjoyed writing and still feel very happy with. I have considered writing more stories around this interesting feed. However, I am yet to do so; deciding (for now at least) that things are perhaps best left as they are. But, feel free to let me know your thoughts on this.

#5 Farm Boy: Whether you grew up in a big city, or a small rural community, like Hayden in this story, we can all relate to having desires and attractions that those around us don’t understand. And, thanks to how well connected we are these days, we now know what it’s like to realise that you’re not actually alone, and the whirlwind of excited emotions that follow. I enjoyed writing this story because I, quite simply, fell completely in love with Hayden. As kinky as he was, he still retained that fresh faced innocence throughout. If any of my characters were destined to be together forever, I imagine that these two would be my top choice.

#4 Keeping a Crush: This is one of those stories that I wrote in a matter of hours, and I was so pleased with it when I was done. Getting the train to go to work is not necessarily something that many Americans have to do, and so the location had to be switched to the UK (quite refreshing, I thought!). For me, it’s one of those really rare instances where placing very solid restrictions on the structure of a story (In this case, having it all take place during the commute to and from work) and finding that it actually elevates the sexual tension and mood. All scenes take place in public settings. All conversations could, in theory, be overheard. These days, so many people meet online and flirt for weeks by messaging back and forth, before they even see each other for the first time. Nowadays, for better or for worse, the actual, real fantasy is finding a connection with someone you just see in the real world; perhaps with a person you literally just met on the way to work...

If you’ve not read this one, I really would highly recommend it.

#3 To the Max: Stories with a magical element to them are either loved or hated. However, I find that this tale walks that line very successfully. Ned gets his hands on a love potion and makes straight guy, Max, fall for him. I’m sure we’ve all been there with that fantasy! However, it is in the consequences of inviting someone into your life, someone that you actually know very little about, that the entire eroticism of this story is based. I won’t spoil it for those who have not read it, but believe me when I say that things soon start getting very interesting indeed…

#2 Tommy’s Two Hundred. Don’t recognise this one? Well, that's because none of you have read it yet. 

Now, I’m not just saying this because I want you all to come back for the two hundreth story, but this is genuinely one of my absolute favourites. For my big milestone stories in the past, I have written something specifically for that event (Wright vs Beckett, The Seven Feeders of Finn). However, this is just a tale that I adored writing and decided to hold back for you all, especially for this occasion. It’s a story of domination and submission within a fairly open, but very kinky, relationship. Strapping Hunter plays the part of a very controlling feeder, making me break many of my own rules and stretching my boundaries to the absolute limits. You’ll either love him, or you’ll hate him. That’s all I’m going to say…

Also, this story is going to be the first Feeder86 story that will be fully illustrated. It’s all thanks to the amazing talents of Spellwell9 who was given an advanced copy and asked to imagine the characters in four different scenes. I cannot wait for you to see this!

Put it in your diary. All will be revealed from Friday 5th April…

#1 F80 Control: This is perhaps a controvercial choice (especially as my #1). I have previously admitted that this story strays a little from its purpose of being a gainer story. In other words, I get very caught up in the background story that is being told. However, I feel that the science fiction genre is surprisingly underused in tales of weight gain. Yet, the combination of Aritificial Intelligence and submission seemed, to me, to be the perfect blend. It really is a beast of a story if you can follow it all the way through to its conclusion. 

With the advent of improved artificial intelligence software in recent years, I felt the time was right to develop the world further, with the addition of F80 Ctrl Alt Del; a spin-off tale set slightly before the main story. Then, unable to help myself, I followed this up again with another companion story, F80: Kidnap and Control. 

The reason I chose this universe as my favourite is because this is where I am happiest writing. With AI, I don’t need to consider the morality or motivations - I know exactly what their aims are and I can see multiple ways in which it will cause conflict with humanity (and their waistlines!) I would also love to write more for this world one day, and I even left a little unused subplot in the last story that I think would provide the perfect starting-off point for another chapter. Will I ever write it? Well, we’ll have to wait and see…

So, there you have it! The the complete list!

This was a much harder exercise than I expected when I first embarked upon it. Stories like: Jiggle the Jock, Meticulous, Rule Number One, Freaks, Leftovers I and II, Ethan: The Secret Feeder and, not fogetting The Consequences I, II and III all crept in and out of the list, unfortunatley missing out on the final cut. There are many, many others, of course. But this list cannot go on forever...

So, why not tell me which ones were your favourites? Feel free to write in the comments and post a link to any other stories that you have enjoyed from myself, or from other authors. Hopefully, if we all work together, this could become a great resource for people in the future, filled with signposts and reccommendations.  

Also, don’t forget the Feeder86 Contents page where you can find links and descriptions of all the 200 stories posted so far (as well as plot outlines for upcoming tales as well). Please continue to enjoy the vast catalogue of stories, and even have a go yourself! I love supporting the many new gainer fiction writers who contact me. So please do get in touch if you need advice, or to talk through your ideas. Let’s all encourage a whole new generation of people to get typing away! I’m sure you will cheer them on just as much as I will.

Thank you to everyone who supports the stories blog here on Tumblr. Keep checking in every Friday througout April for a whole new sweeps season to celebrate this milestone. Stories will include: Tommy's Two Hundred, Train for a Gain, The Feeders' Fortress and The 1% (a companion story to The 5%). For now, I thank you all for taking time out to sit and read the very bizarre tales that sprout from my mind. You are all wonderful.

Happy 200 stories!

Feeder86

[homestylehughes]

don't you ever grow up

pairing(s) beckett sennecke x fem!reader

summary: beckett and yn throughout the years falling in love with each other.

warning(s): none. just some pure teeth rotting fluff :)

wc: 2.3k

an: hi loves!! new fic about a new pookie!! Beckett!! ughhhh I love this fic so much. I was inspired by a Taylor swift song..no surprise here!! i loved writing this so much, its so sweet and cute. I wasn't too sure how to write Beckett, so I just kinda went with it LOL. also I love the header I made, its just so?? cute LOL! anyways! I hope you enjoy, like and reblog if you do! more coming very soon! let me know if you have ideas for me! much love as always.

happy reading <3

12 years old 

“Yn!! Put your bike up, it's time for dinner!” I hear my mom shouting from the front yard of our house. Letting out a deep sigh, I sadly slowly turned myself around. I was just getting to a good part of my ride mom, I thought to myself as I made my way back to our house. 

Pink and purple clouds litter the sky, summer nights in Canada were always so beautiful, the clouds kinda look like cotton candy? I wonder what flavors they taste like, I think to myself as I continue to ride down the street. My mind is so captured by the cotton candy colored clouds and the way the ground feels beneath my bike, that I forget that I'm riding a bike, before I feel myself crashing into something. 

As soon as I know it, I'm laying straight on my back in the middle of the sidewalk. I turn my head to the side to see my pink sparkly bike turned upside down on its side. I lean myself up slightly to see something I ran into, happens to be a boy? 

“Oh my gosh” the boy says, scrabbling to his feet, his helmet on his head crooked from the crash.

“Are you hurt, do you need 911?” he asks me, dropping his knees beside me.

“Im okay, i don't need 911” i giggle

“Good, i thought i killed you” he says, offering me a hand pulling me to my feet

“Thank you '' I say, dusting myself off from the crash, fully taking in the boy in front of me, his short brown hair sticking out from his helmet, his blue eyes softly shining in the evening sun.

“Do you have a concussion? You're looking at me kinda weird” he asks, waving his hand in front of my face.

“Im okay, im okay” i say quickly, embarrassed that he caught me looking at him

“Okay, I'm very sorry for running into you, I was looking at the clouds..” he trails off, as he pushes my bike towards me from the grass. 

“Do you think they look like cotton candy?” i ask smiling 

“I WAS THINKING THAT” he laughs 

“ME TOO” I say laughing back at him, as I get on my bike, the nameless boy doing the same. 

“So what's your name” i ask as we start to slowly pettle our way down the sidewalk

“Beckett” he says,

 “you?” he asks turning to me 

“Yn”

“So yn” he says looking forward, “What do you think the cotton candy clouds taste like?”

14 years old. 

“FIRST DAY OF HIGHSCHOOL HOW ARE WE FEELING?” Beckett yells beside me from the backseat of his moms car.

“I'd feel much better if you were not yelling in my ear at 8 in the morning” sending him a tight lipped smile.

“Sorry sorry… im just excited and nervous” he says 

“Why are you nervous?” i ask confused by his statement

“What if no one likes me? Or or i hate the classes i have” he rambles 

“Beckett, you're probably already the most popular boy in our grade and you haven't even stepped foot into the school, you're going to be just fine '' I say, resting my hand on his leg in an attempt to calm him down.

“You always know how to make everything better. What would I do without you?” he says, smiling at me. 

“You'd go crazy probably” i laugh, “don't ever think about replacing me” i say teasingly 

“I could never, no one could replace my best girl” 

Best girl?? Oh gosh, is this car getting hot or is it me? 

“Come one, thing one and thing two” Beckett's mom says from the front seat, before she opens her door. We quickly grab our bags, getting out of the car. 

“Okay come on you two! Picture time!” she says smiling, holding her phone out in front of her, ready for the picture 

“Mom. Are you serious?” Beckett whines from beside me, a quick elbow jab to his side quickly shuts him up. 

“Ow!” he yelps 

“Shut up and take the picture you big baby” 

“Yes ma’am” he says rubbing his side dramatically 

“Okay get closer! Act like you two love each other” she says 

Beckett and I huddle in closer together upon his moms request, feeling his arm wrap around my waist, my heart rate picking up at the feeling. Snap out of it yn get it together. It's just your 14 year old hormones. 

“OKAY 1 2 3!” his moms shouts from us, snapping out of my daydream, i cast a big smile on my lips for the picture. 

“Awwwww!! You two look so cute. Ugh please don't ever grow up you guys!!” she says before pulling us into a hug with each of her arms. 

“Okay” she says pulling back, “have the best first day ever! I love you both, beckett please watch out for yn” 

“Always mom, always gotta look after my best girl” he says, slinging an arm around my shoulder, as we walk up the stairs of the school, with a smile on my face that can be seen across the world. 

Not knowing how the first day of highschool would go for the next four years, but what I did know was that I was in love with my best friend. 

16 years old.

Today is the day of the sophomore formal. My hands couldn't help but shake as I touched and fixed my hair for the 300th time in the last 5 minutes. Staring at myself in the mirror as I run my hands along my dress, in an attempt to smooth out the non existent wrinkles. 

“Yn honey how's it going in there?” i hear my mom call out from the other side of the door

“Good..just looking over everything!” I say, taking a deep breath and one last look at myself before I open the door.

Slowly walking out, seeing my mom standing in the doorway, her hand moving to cover her mouth as she stares at me. 

“How do I look?” I nervously ask my hands running to lay with the fabric of my dress.

“Oh baby, you look stunning. Beckett won't be able to keep his eyes off of you the whole night.” she says to me, her voicing cracking with emotion 

“Really?” 

“Yes really, you look beautiful” running a hand across my cheek, as she looks at me

“Gosh i didnt think id get this emotional” she rasps out

“Okay let's go downstairs, and get some pictures! Beckett should be here any-” the noise of the doorbell cuts her off

“Speak of the devil, there he is!” she turns to me with a smile, “okay you wait up here and then i'll tell you when to come down, okay?”

Nodding my head in agreement, as she begins to make sure way downstairs. My voice feels like it's caught in my throat as I stand there. My nerves start to rise again at the thought of Beckett seeing me all dressed up. Oh gosh what if he thinks i look bad, and doesn't want to go with me anymore?? 

“Yn, honey are you ready?” my mom calls from the bottom of the stairs

“Yeah, coming!”I shout, now or never I think to myself, taking one last deep breath before heading down the stairs. 

My slow steps only add to the building nerves that I already have in my body. My head remains low as I walk down the stairs, scared to look up and see everyones eyes on me. Reaching the bottom of the stairs, slowly bringing my head up, locking eyes with a suited up, wide eyed beckett. 

“Hi” i whisper softly

“You look so beautiful” he says instantly 

“Thank you, you look handsome” I say, a nervous smile spreading across my face. 

“Here these flowers are for you '' Beckett says, holding out the most beautiful bouquet of flowers i've ever seen in front of me. 

“These are so beautiful, thank you” 

“You're welcome, always gotta do the best for my best girl” he says with a smile

Best girl. Best girl. Best girl. 

“Okay, come on love birds, picture time!” my mom says from beside us, beckett quickly moving to grab my hand and part of my dress as i walk out the door. Flashing him a smile as we head outside

“Okay, act like you two love each other!” becketts mom says from beside mine, standing in front of us, as they hold their phones out.

Becketts arm finds my waist, as mine finds his, looking at each other with soft smiles before turning back towards the camera. 

“1 2 3!” my mom says

“Oh! They look so darling!! How cute!” our moms say, as they look at the pictures

“Okay another one!”

Quickly moving back into picture formation, putting a smile on my face ready for the picture, just as my mom is counting down I feel becketts lips pressing against the side of my head, right as the picture is taken. 

Heat flows through my body once he pulls away, a smile dancing across his lips as he looks down at me. 

“You look beautiful” he says once again to me

“When you look at me like that, i feel like i am” i say 

“Good, my best girl should always feel like that” 

Not knowing what his best girl means as he pulls me towards his car, but I do know that I'm falling more and more in love with him each day. 

18 years old. 

It's the day of becketts draft. My hands are shaking as I sit next to his mom. I couldn't be more proud of him, all of the hard work and dedication he's put in to get to this point, I could be more proud. As much as I am proud of him, I can't help but feel waves of nervousness and selfishness flow through my body.

 Where will Beckett be drafted at, how far will he be from his friends, family and me? What team will he go to, what number will he pick? All those thoughts are flowing through my head as I sit silently next to his mom, who's talking to his father. 

I see Beckett lean forward to get my attention, matching his movements I lean forward looking at him. 

“Are you okay?” he mouths to me

I send him a quick smile and thumbs up before settling back into my seat, just as I do the lights start to dim, signaling that the draft is starting. Taking a deep breath before directing my attention to the stage, it's now or nothing. 

Beckett was projected to be the 10th or 12th draft pick, so hearing his name being called as the 3rd overall draft pick from the Anaheim Ducks sounded like a fever dream to everyone in the crowd, especially beckett. Who rises from his seat, with a shocked look on his face. His jaw dropped as he turned to his dad, who pulled him into a hug. Making his way down the aisle to his mom, doing the same with her. 

My hands are shaking as I stand up, I can't help but start to cry, as Beckett wraps his arms around me, pulling me into the tightest hug ever. pulling back quickly before I even have a chance to speak, he's making his way down the aisle towards the stage. His mom brings me into her arms as we lean into each other crying at the sight of our boy walking across the stage. 

I didn't see Beckett for the rest of the draft, he seemed to be whisked away by reporters and the media for pictures or questions. At the end of the draft, his family and I are led into the back of the arena into a room, with ducks reporters, and right in the middle of the crowd stands beckett. Dressed in a ducks jersey and hat, stands the smiling boy. 

As soon as he sees his parents, he makes a beeline straight towards them, pulling them back into tight hugs as they whisper sweet things to him. I stand back witnessing the sweet moment between him and his family, with a smile on my face. Pulling away from his mom, his eyes catch mine, making his way towards me, pulling me off my feet into a hug. 

“ im so proud of you” i say to him as he settles me back on my feet

“I can't believe this, this is so crazy” he says 

“I know, i'm so so proud of you my little duck” i say tugging on his new found jersey 

“I couldn't have done it without my best girl” he says looking down at me, our eyes locked together with so much force and love? 

Before I even know what's happening, becketts face is moving closer and closer to mine, and before I know it his lips are meeting mine in a sweet kiss. My hands grab his face, pulling myself into his lips. A smile spreads across his face when he pulls away, my hands still resting on his face, as I look at him in shock.

“I've wanted to do that since I was 12 years old, I don't know what took me so long,” he says to me.

“But what I do know” he continues “is that i never want to go another year or day or week without it” before connecting our lips back together once again. 

[cupcakeshakesnake]

HELLO UM-

Your little Harbour PotC AU gives me absolute life, just for the record. Even tho i am very very late, thank you for making it :D

There is a headcanon I got that wouldn't leave my brain after looking at your art, originating from that one conversation between Beckett and Jack where there were some implications about canon being everyone’s previous lives. Whether this is actually a part of your au or not, it got me thinking eheheh

Theoretically, (perhaps in an au of an au, if this headcanon contradicts your lore,) what if your au and canon were the same 'verse, just several hundred years later? And what if not everybody were on their second life?

We obviously have a sprinkling of supernatural stuff, so what if the secretly-a-goddess Calypso and immortally-cursed Davy Jones were the OGs that they were in the films? Like, Davy Jones maybe came back somehow (as per movie 5's end-credit scene lol) and took back the role of the Dutchman's Captian after Will went back to Shipwreck Cove. All is good.

He learned his lesson now and actually does his job of ferrying souls. As times changed, so did his ship, in some magical way. She's no longer a sailing ship, and he'll always miss that, but he doesn't mind all that much. His crew usually only stay for that 100 yr contract, so he's seen plenty of sailors come and go. Eventually, he even hires living mortals. Less people die at sea, so by the 20th century, Jones takes a mortal job as a fisherman (or whatever his job is in your au) as well.

Whether or not he knows about the whole reincarnation thing doesn't really matter; the day he employs a familiar man by the name of Bill Turner, he chalks it up to coincidence. Even if Bill has a son named William, well- it's been 200 years, perhaps it's just a really really big coincidence. Either way, it doesn't matter to him.

It's not until he's docked in a small, out-of-the-way harbour, and three troublemaking kids sneak onto the Dutchman that he finally realises. Bill's boy, on his own, is just a matter of coincidence. Those three, together? It's unmistakable. And as bothersome those three pirates were, so long ago, I'd like to think that he looks back on that age, on those people, with some kind of fondness.

(Until he discovers they can be the most INFURIATING little gremlins he's ever met in all his centuries. But he'll find that out later.)

Anyway I drew it :D Have my humble, scribbly offerings.

(I feel bad about running away with this, even as just a headcanon-of-an-au, please don't take this as a 'you should do this' lmao, it's just me adoring all of your content it makes my brain go brrr you are amazing thankyou!!!)

This is so lovely 😭😭😭

The idea of Calypso and Jones being the same ones from canon but just... having had a lot of time to chill down and have a second chance is so??? Imagine what Jones must be thinking looking at those kids... this is so bittersweet (but mostly sweet)

I'm sorry it took so long to respond, I wanted to write a proper reply expressing just how much I love this but couldn't get around to it. Hope you don't mind me posting this publicly; I need everyone else to see this as well.

[brucebocchi]

Summer 2024 anime roundup: ALL IN ONE

hey! i also post these reviews on my ko-fi. this is a labor of love so if you like the stuff i write, i'd really appreciate it if you'd throw a few bucks my way. thanks!

Well, I'm much busier now than I was in the first half of the year, so that means less time for anime and less time for writing about it. I managed to watch only (ONLY?) nine shows this season, so might as well put it all in one post.

As always, each show's OP is linked in the title.

Let's jump in.

Returning anime

NieR: Automata Ver. 1.1a, part 2

After a COVID-plagued production delayed the last few episodes of its first half last year, A-1 Pictures’ adaptation of Yoko Taro’s landmark action-RPG returns to deliver the real meat of the story. And as with the game, the first half of NieR: Automata Ver. 1.1a was something I’d classify as “pretty good!,” while the remainder is what makes the entire endeavor worthwhile.

I’m happy to report that not only did the studio not lose a step, but they improved on the presentation of Ver. 1.1a immensely. The action sequences are superb and expressive throughout, and the CGI integration is actually, y’know, integrated this time out. The score, both original and borrowed from Keiichi Okabe’s contributions to the NieR duology, remains as evocative as ever. They also ramped up the cheesecake more than a little bit, and let’s be real, that was the draw for a lot of people in the first place.

If there’s any one thing Ver. 1.1a can claim as an advantage over the game’s narrative, it’s that the former does a lot more work in building on A2 as a character. There’s just enough to chew on in the game, but having more of her backstory from the YoRHa stage play and manga adaptation integrated into the narrative makes for more of a meal. Having A2’s history and real personality pinned up as a backdrop as she struggles to suppress both really fleshes out her journey and eventual resolve as shit continues to hit the fan. She’s also just a big ol’ tsundere sometimes. And not for nothing, but they gave her an absolute DUMPY for no reason, but I can’t really pin that as a negative.

9S’ whole thing happens too. I really don’t have much to add to that.

When I reviewed this show’s first half at the end of 2023, I mentioned that the initial concern with the anime’s very existence is that it’s adapting a narrative that is functionally being told through the very fact that it’s a video game. The delivery of the game’s true ending, especially, is so innately A Video Game that it’s functionally impossible to adapt directly into a television show. I’m happy to say that although that function is lost, Ver. 1.1a’s ending is still plenty satisfying (and I’m told especially so for Drakengard fans, without giving too much away). Something is still very much lost in the transition, though. In his review of the penultimate episode, Anime News Network’s James Beckett wrote:

What the anime of NieR:Automata has not been able to capture in these critical final moments is the way that the game makes its players complicit in the tragedy in a way that they could never be if they simply sat down and passively watched these events unfold from behind the safe veil of the fourth wall. It would be like if we were each individually guided on stage to place our hands on Hamlet's shoulder and push him gently onwards to his final destination. It doesn't change anything about what happens in the story, but it changes everything about what it means to us.

These acts of “ludonarrative culpability,” as Beckett called it, are the reason why Yoko Taro is considered an auteur in the gaming sphere. Both NieR games are tragedies writ large, and Yoko’s genius lies in making you, the player, carry out the tragedy, often well before you realize what you’ve wrought. And to Beckett’s point from his review, NieR: Automata is a perfectly fine sci-fi story in its own right, but the game puts the blood squarely on the player’s hands and inserts them into the narrative in a way that simply watching cannot. The connection I felt to the story was only there because I’d already played the game myself; I can only imagine how it would feel if this was your introduction to NieR.

So to return to a question I suggested at the end of last year: Do I recommend this to people who haven’t played the game? Eh, not particularly. It’s a well-made show, to be sure, but there’s enough missing from what makes Automata such an exceptional game that I’m not sure I can recommend it wholeheartedly if you’re not already familiar. Then again, I wouldn’t really know how it reads from the other side. To those who know and love the game, Ver. 1.1a isn’t quite the “Rebuild of NieR” some were hoping it to be, but it’s an interesting companion piece that takes surprising strides to tie it even closer to the preceding franchise. If you’re a newcomer? YMMV. Either way, play the game.

Oshi no Ko, season 2

I spent far more time than was necessary in the Discourse Mines following Oshi no Ko’s thunderous debut last year and a controversial (but fortunately inconsequential) turn of events in the manga shortly after the season finale. Though I remain one of the series’ foremost glazers, I’ve had my moments where I worried that maybe I overrated it a bit in my head, that I carried too much water for writer Aka Akasaka, and that I’m still riding the high of the series’ premiere.

Oshi no Ko’s second season completely erased any lingering worry almost immediately and reminded me and the world that yes, it Really Is That Good. The “It’s So Over” switch flipped to “We Are So Back” as soon as best girl Kana Arima and co-lead Taiki Himekawa dazzled their co-stars and one another with literally colorful displays of their acting prowesses. My expectations continued to rise as an active reader of the source material, and studio Doga Kobo continued to surpass them. This adaptation is just that good.

Aqua’s quest for revenge and Akasaka’s continuing examination of Japan’s entertainment industry both lead us into the world of stage acting, specifically 2.5D adaptations of famous manga and anime. Aqua is cast alongside Kana and his sham girlfriend and former reality show co-star Akane in an adaptation of the fictional smash hit shonen manga Tokyo Blade, along with several members of a theater company to which Ai once belonged. While Aqua is more concerned with getting dirt on Ai’s background than he is with acting, Kana and Akane have much more personal stakes as they try to show one another up and still put on the best play they can. Kana can’t stand Akane’s absolutist, matter-of-fact approach to acting (nor the fact that she’s fake-dating the guy for whom Kana’s down abysmal), while Akane, who idolized Kana as a child and is disappointed to see her take a step back as an actress, is trying her damnedest to rekindle the spark that convinced her to pick up acting in the first place. On the fringes, rookie actor Melt Narushima is trying to make up for a heinous performance in the first season that earned him the scorn of his more experienced castmates as well as a mangaka’s permanent ire.

A good amount of this arc does feel like Akasaka was still sorting through his feelings about the Kaguya-sama live adaptation when he wrote it, but he also gave himself some room for reflection on his own side of the equation as a mangaka. Tokyo Blade’s creator, Abiko Samejima, holds her creation very dear and is not impressed with the script. Her friend and former boss, Yoriko Kichijouji, is entirely too familiar with how badly the process can go; her own manga, Sweet Today, was horribly botched in this show’s first season, and she wants to help Abiko-sensei keep a level head. Kichijouji-sensei is the voice of reason this time out as she points out all of the concessions creators may need to take in order to get their work adapted and the unimpeachable truth that mangaka are basically crazy people (and you can practically hear Akasaka screaming through her lines; four months after Kichijouji said this in the manga, Kaguya-sama published its final chapter, marking Akasaka’s retirement from illustrating serialized manga). At her urging, in addition to an all-nighter helping Abiko-sensei make a deadline, the play goes off without any more hitches.

I didn’t much care for the Tokyo Blade arc in the manga but I knew full well that it would translate well to anime just as well as the acting sequences in the first season had. Akasaka’s decision to have the actors treat the stage as a battleground felt a little silly on the page, but experiencing everything again in sound and motion reminded me that this was the same genre of psychological competition that made Kaguya-sama one of my all-time favorites. Doga Kobo is just stupidly good at adapting manga. God, the animation is incredible. Character animation is as deliberate and mesmerizing as always, and emotional moments are punctuated by interpretive splashes of watercolors. Melt’s breakout on stage was a standout moment in the manga, but the abstract, expressionistic depiction of his redemption was so perfectly conceived on screen that life imitated art: Kichijouji-sensei cried in the anime, and manga artist Mengo Yokoyari cried in real life.

I could go on and on and on, but if you’re already this deep into Oshi no Ko I really don’t need to tell you anything else. This season, for all its gorgeous visuals and onstage glory, does not hesitate to remind you at the worst possible moments that this is still ultimately a revenge story and pulls the rug from you just as gleefully as it dazzles. The first season was already exceptional, but the second cements Oshi no Ko as an all-time great adaptation. As a fan of the manga, this is as good of an anime as I could ask for, and then some.

Mixed Bags

My Deer Friend Nokotan

I’m just exhausted.

I’ll admit, I bit a little too hard on the marketing. The preview trailers promised madcap, nonsensical fun on the level of Nichijou or Asobi Asobase, the cast was exceptional, and the OP’s refrain was a total earworm (Shikanoko Nokonoko Koshitantan! Shikanoko Nokonoko Koshitantan! Shikanoko Nokonoko Koshitantan!). It even has the cast jumping in the air! And we all know the Ryo Yamada rule! This was going to set the bar for gag anime!

Oh, how little I knew. Y’know how sometimes you see a trailer for a middling comedy movie and you can tell they already gave away all of the movie’s best jokes? Turns out My Deer Friend Nokotan did just that. I did temper my expectations; it’s not like I thought this was going to be the second coming of Nichijou or anything, but I guess I was still expecting something, I dunno, funnier?

The premise seemed to lend itself to a good comedy either way: Torako Koshi, a former delinquent, has successfully expunged her prior reputation and worked her way up to becoming her school’s student council president. All of that is nearly thrown away when a bizarre new student, Noko Shikanoko, immediately clocks her and almost spills the beans. Also, Shikanoko (who prefers to be addressed as Nokotan) has antlers and can commune with deer. She may even be a deer herself. She hoodwinks Koshi into starting a Deer Club at school, where they recruit Koshi’s upsetting younger sister Anko and the languid, rice-obsessed Bashame. Allegedly, shenanigans ensue.

Take this with a grain of salt, as humor is very subjective, but this show just plain isn’t very funny. Nokotan’s gags hit at least as often as they miss, and a lot of them just feel unforgivably dull. One bad segment can feel like an entire episode. The only reliable gags are gross-out humor, outsized slow-motion violence, or Nausicaä references. Everything else is just Koshi barging into the lower third of the screen to shout about how wacky the joke was just then.

Look, I know that humor doesn’t always translate across cultures. The things I don’t understand about Japanese humor could fill several libraries. I do, at the very least, get the basics of the boke/tsukkomi dynamic (fool and straight-man, basically) and how the reaction to a silly thing is usually the real punchline. I’ve absorbed enough Japanese media to adapt to that momentum. That nearly goes out the window here, because Koshi’s role as the tsukkomi is a straight-up momentum killer. It’s rarely just a “wait, what?!” or a “yeah, that’s rich coming from you;” it’s usually more like “wait, that is so ridiculous! You couldn’t possibly have pulled that off! And what’s that you’re wearing all of a sudden?” The rhythm is just gone. Comic timing? Don’t know her. Even if I thought the joke was funny at first, you could probably see any semblance of a smirk fading off my face by the time she was done. And hey, maybe some of this stuff doesn’t translate. Maybe it’s not that funny in Japan either.

The other characters outside of our main two really don’t help. Anko’s whole “yandere siscon” act isn’t very funny to start with, and she brings nothing to the table otherwise. Bashame is such a nothing character that even Koshi was sick of her by the end of the season. And while I feel like a good narrator can add a good level of je ne sais quoi to a comedy anime (see: Kaguya-sama), an overly intrusive one can actively take away from the humor (see: the Kaguya-sama dub). Nokotan’s narrator comes at it with a sort of winking, nudging “HEY, WE���RE A GAG ANIME” energy that gets too grating, too quickly. What doesn’t help is that he eventually affects a fake-desperate “please watch this show and tell your friends!” bent that called to mind Ron Howard’s narration in Arrested Development’s third season as it was approaching cancellation. Meta humor, as in the latter, can absolutely elevate the level of comedy; 100 Girlfriends in particular wielded it like a machete. In Nokotan, on the other hand, it betrays a clear lack of confidence in the writing, and there’s nothing less funny than comedy that doesn’t even believe in itself.

It’s not all awful, I swear. There are genuinely some very good gags; Nokotan’s cat-and-mouse game with an anachronistic matagi was a blast from beginning to end, and the skin-suit gag got a bigger laugh out of me than almost anything else I saw this season. Any good anime, especially a comedy, lives and dies by its voice cast, and Megumi Han’s performance as the titular Nokotan is this show’s whirring, beeping life support. She makes the absolute most of her considerable range as the jokes call for it, while somehow never stepping on her own toes by dipping into her Kana Arima voice from Oshi no Ko. Koshi shares a VA with Hatsune goddamn Miku. Bashame is pretty much only tolerable thanks to the languid performance of relative newcomer Fuuka Izumi, whom I’m very glad to hear in something that isn’t Gushing Over Magical Girls.

And aside from the music (the OP, to be fair, is infectious), that’s about all there is to like about the production. Did Studio WIT really make this? It looks like it could’ve been made by anybody, and that’s not a compliment. The uncanny CGI deer were the only real visual standout, and even those lost their shine before long. Something attempting to be this audacious needs to have a look to match, and Nokotan falls flat. Again, maybe that’s on me for trying to hold it to the standard Nichijou set.

I’d honestly be surprised if this gets picked up for another season. I’d be hard-pressed to come back for more.

No Longer Allowed in Another World

(CONTENT WARNING for discussion of suicide)

Osamu Dazai was one of the most complex and fascinating figures in Japan’s modern literary canon, right up there with his ideological opposite and real-life rival, Yukio Mishima. Dazai was, frankly, a disaster. He was a serial womanizer, terrible with money, repeatedly disowned by his family, unemployable, a deadbeat dad, and hopelessly addicted to drugs and booze. His magnum opus, Ningen Shikkaku, or No Longer Human, is a stark semi-autobiography, just barely fictionalizing his repeated failures of dignity and self-preservation, including his several failed attempts at double-suicide with his many illicit lovers. The same year it was published, however, Dazai was successful in his final attempt, drowning himself alongside his mistress in 1948.

But like, what if he got hit by the isekai truck instead?

Isekai Shikkaku, or No Longer Allowed in Another World, fully Goes There. The series begins with the legally distinct, unnamed Sensei and his lover Sacchan blindsided by an anachronistic truck along the riverbed. Sensei comes to, alone, in a monastery inspired by the JRPGs from well after his time. He doesn’t know what’s going on and he doesn’t care. All that matters is that he’s still alive, and that sucks for him. Sensei is greeted by Annette, an elf priestess in a virgin killer sweater, who is shocked to discover that not only has he not gained a single stat boost by coming to this world, but he’d also rather kill himself than take her up on the standard offer of an OP cheat skill (and he’d also just rather kill himself in general). So he bounces to go find Sacchan. His refreshing outlook on the new world, as opposed to the other excitable losers who got isekai’d before him, completely melts Annette’s brain to the point of falling in love with him on the spot, so she dons her sluttiest Persona 3 battle armor to chase after him.

Sensei hates this shit. Contemporary western fantasy hadn’t made its way to Japan yet in his time, so he has zero point of reference in this world, and he sure as shit has no clue what a JRPG is. The level-up jingles give him migraines. He has no self-preservation instincts and the only solace he has in this strange new world is a jar of toxic sleeping pills that he munches like M&Ms. He has no interest in or aptitude for fighting, so when he encounters a big-tiddy catgirl being squeezed half to death by a walking tree’s branches, Sensei sees the perfect opportunity to get himself killed. Unfortunately, his blood has become so toxic from said pills that piercing his skin instantly kills the tree, saving the young lady he incorrectly names Tama. Much to Annette’s consternation, she joins the party, and they set out on Sensei’s quest to find his lover and finally die in peace.

As you can guess, that’s not what happens. For some time, we see Sensei throwing himself in harm’s way, floridly imploring various fantasy monsters to kill him in one shot with their big bats, to the point where they get creeped out. His vaguely-threatening exhortations for death make for a fine formula, but one that can wear thin quickly. Before it gets that chance, though, the seed planted in Annette’s introduction bears fruit: The visitors to this world from our own aren’t here in isolation, and they have succeeded in completing the usual isekai goal of overthrowing the demon king. There’s now a massive power vacuum, and nature abhors that shit, so a cabal of erstwhile isekai protags dub themselves the Fallen Angels and decide to take over.

This turn was, to put it bluntly, the main thing that kept me watching. There’s a fine bit of commentary inherent to this framing that the type of wet-noodle, borderline faceless self-insert isekai protags tend to appeal to antisocial losers who would rather give into their basest impulses than see an opportunity to actually better themselves. This is not at all lost on Sensei; his keen eye for the human condition leads him to interrogate the Fallen Angels his party encounters so that he can write about their own failures as humans, as well as the gaping voids in their previous lives that led to them acting like petty tyrants as soon as they gained a bit of power and treating a brand new world like their own personal playground. Sensei’s writings reveal that he did indeed gain a power when he came over to this world; if he sees fit, a finished book will surround its subject and reanimate them back in their original world and afford them a second chance to right their wrongs or, in one particularly moving case, start over on the right foot.

For as audacious as No Longer Allowed’s premise is and as impeccable its comic timing and voice cast (you will find some absolute heaters completely buried on the call list), I just didn’t find it all that compelling. Isekai as a genre is so oversaturated that it was old hat to call it oversaturated even five years ago, so while I do try to pan for gold, sometimes I just come up with a neat-looking river stone. Hell, I can’t even say this one’s all that neat-looking; there’s nothing that looks all that great about it to begin with. The character designs and backdrops are pretty standard JRPG-style stuff that you’re just as likely to find in the likes of Helck, with lackluster animation to match. Didn’t care too much for most of the characters either. Even for its commentary on the isekai genre and the type of person it caters to, No Longer Allowed just ends up shaking out like another isekai series. 

There’s clearly more at play here, and I might just go ahead and read the manga because I didn’t really find myself looking forward to watching the anime. Maybe it just didn’t translate well. No Longer Allowed in Another World does clearly have something to say under its silly premise, but its method of getting that message across is, ironically, buried underneath the usual trappings of the genre it’s trying to say something about. 

Wistoria: Wand and Sword

I’m gonna preface this by saying that Wistoria is probably the best anime I watched this year that I’ve classified as a “Mixed Bag,” save for Jellyfish Can’t Swim in the Night. I’m generally of the mind that excellent production can make up for a middling story (my enjoyment of the likes of Solo Leveling and Wind Breaker this year was pretty emblematic of that), and that is the case here for the most part. Wistoria, story-wise, is nothing special; it’s your standard power fantasy set in a magical school, but the entire presentation is just almost fascinating enough to overcome that hurdle.

Hell, it’s almost not even worth going over the plot. Unassuming boy named Will goes to a magic academy, he doesn’t have any magical aptitude, so he makes up for it by honing his hand-to-hand combat prowess in the school’s designated dungeon. It’s Mashle meets Solo Leveling. Will gets picked on (like, a LOT), but he doesn’t care, because he made a promise long ago to reach the pinnacle of magical society to reach his childhood friend, who happens to be a genius mage. There are duels, there’s a tournament, there’s monsters, you know how this goes.

Will has allies in the school, namely a female friend who’s madly in love with him as well as a professor who covers for his shortcomings in magic-related subjects, but remember that this is a self-insert fantasy: There are also increasingly menacing bullies for him to put in their place. Will is challenged by a Snape-like instructor, a classmate who just hates him so much for not having magic aptitude, and a top performer at the school who’s just flat-out evil (and racist to boot!). And of course the latter two also have goon squads of snickering hangers-on. Will always succeeds, of course, because despite his shortcomings, he’s the strongest and most specialest boy. It’s almost like an isekai without the isekai. Too bad we find out that Will is hilariously shredded, which kinda blows a hole in the self-insert aspect.

Goofy shonen-isms aside, there’s still plenty to enjoy here. Varying types of magic, artifacts, and fantasy races abound, and lore is sprinkled throughout the show in character biographies in the commercial break eyecatches. The story does get gradually less stupid as the season goes on and characters are better fleshed out. And hey, there’s nothing wrong with watching a really strong dude beat the shit out of monsters and assholes.

The only thing that really kept me coming back to Wistoria was that, plainly, it looks and sounds fucking awesome. It’s not the best-looking anime I watched this season (that would either be Oshi no Ko or one of the next two anime on this list), but Wistoria takes such a surprisingly cinematic approach to such an uninspiring story that I couldn’t help but keep watching. The lighting effects are lush, combat animation is bonkers in its best moments, and the score is pretty darn good too. It definitely takes some big swings at simulating camera movements and perspective shots that don’t always accomplish what they set out to do, but I can appreciate the ambition bleeding through. I can see the vision, and that’s what counts.

The actual content is pretty paint-by-numbers, but Wistoria is well-made enough that it’s worth a shaky recommendation. Maybe just turn your brain off until the action picks up. I've heard the manga gets pretty good from here on out, so I'll probably stick it out for another season.

The Gems

The Elusive Samurai

If you’re not already familiar with this series, do me a favor and watch the OP linked right above. Pretty good character animation, right? Expressive, weighty, plenty of personality. The colors pop like crazy too! A lot of the time, an anime series will heavily stylize its OP to attract eyeballs and YouTube metrics, oftentimes bringing in outside animators and directors for a unique feel. In the case of The Elusive Samurai, I cannot stress enough that all that animation is the standard.

Yes, this show looks exceptional. Even putting aside the fact that it’s historical fiction, this show has a truly timeless look to it that I still struggle to put into words. The Elusive Samurai is clearly a modern production but bears all of the hallmarks of what great animation has always looked like when a studio is willing to invest in it: Colors are so bold and saturated that I want to take a damn bite out of them, backgrounds are painstakingly hand-painted even for brief cuts, and there even seems to be a film grain overlay to really sell the classic feel. It’s not perfect (I’ll get into that later), but holy shit is it a feast for the eyes.

Adapted from the pages of Weekly Shonen Jump, The Elusive Samurai is a heavily fictionalized retelling of the fallout of the Siege of Kamakura in the 14th Century. Tokiyuki Hojo, left without a family in a bloody coup of the shogunate, is prevented from committing suicide by enigmatic priest Yorishige Suwa and then thrown right back into the fire of the battlefield. Yorishige, who has prophetic visions of the future, foresaw Tokiyuki’s ascent to leadership and wants to see how he fares in battle. Tokiyuki didn’t bother with his training as a young master, instead playing elaborate games of hide-and-seek with the Hojo clan’s advisors, so in the face of certain danger, he’s left with no choice but to do what he does best and run the fuck away. And as with evading his training, Tokiyuki realizes that it’s way more fun than actual combat, and the future is suddenly even more clear to Yorishige: Evasion, not bloodthirst, will guide Tokiyuki’s path to revenge.

At Yorishige’s increasingly unnerving behest, Tokiyuki goes into hiding at Suwa Shrine and begins building a squad to take down the usurper, Takauji Ashikaga. Along with Yorishige’s daughter, Shizuku, he teams up with young warriors Kojiro and Ayako, and in their travels pick up the crass, kitsune-masked thief Genba and the food-obsessed swordsboy Fubuki. It’s fine as extended casts go, though we don’t get much from a few of them past their introductory arcs. Tokiyuki is an absolute delight, though. He’s a sweet and joyful kid despite his circumstances; real shonen protag material. And most importantly, he’s completely over Yorishige’s shit.

I’m a sucker for magical realism, and The Elusive Samurai delivers. Yorishige really does appear to be a prophet, to the point where he can even predict Dragon Ball Z (yes, really), and he and Shizuku are capable of pulling off acts that any actual person would consider a literal miracle. Mythical beasts roam the land and those that were slain appear to reside on a different realm accessible to the Suwas. All of Takauji’s top soldiers have senses and abilities far beyond anything human or animal, and Takauji himself seems to have borrowed some of his prowess from the devil himself. With this show’s commitment to top-tier visuals and animation, the sky's the limit for what we can see, and it kept me glued to my TV every episode. It almost made me want to watch Demon Slayer. Almost.

The cast has some solid performances from familiar names and voices: Yuichi Nakamura is his usual blusteringly silly self as Yorishige, Aoi Yuuki is a riot as Genba, and Katsuyuki Konishi (Kamina himself!) infuses Takauji with appropriate menace. There’s some Chainsaw Man and Bocchi sprinkled into Tokiyuki’s clan of rookie warriors as well. Good stuff, but what really caught my attention was a surprisingly familiar voice giving life to the bug-eyed villain Sadamune Ogasawara: None other than Yutaka Aoyama, the narrator of Kaguya-sama: Love is War. Nobody could have more perfectly infused Sadamune with the appropriate level of self-serious goofiness than the guy who narrated Kaguya-sama’s balloon game like it was an NFL Film. Perfect casting.

As incredible as this show looks most of the time, the remainder does have a critical issue: CloverWorks didn’t seem too invested in hand-animating horses or any of the show’s characters riding them, so it opted instead for CGI. Very poorly-implemented CGI. I really try to take stuff like this as it comes, but the modeling looks way too video-gamey for the style the rest of the show is going for, to the point where I’m taken out of it. There’s really no excuse for something this uncanny with the high bar The Elusive Samurai set for itself early on (and yes, Uzumaki is airing as I write this, and I’ll talk about the similar problem that show has at the end of the year).

I know I just said this about Wind Breaker last year, but this may be CloverWorks’ other Big Shonen Hit. It certainly has the juice, between the wacky gags and shockingly brutal violence, and CGI issues aside, the studio has clearly invested in it. A second season is already on the way, and I’d say it’s paid off. If the studio can iron out the kinks, this could end up becoming an all-timer.

Makeine: Too Many Losing Heroines!

If I haven’t made it clear enough, my anime journey has turned me into a bit of a romcom guy. Couldn’t tell you why. Maybe it’s because Tenchi Muyo was a formative anime for me, or maybe it’s because I got on Kaguya-sama relatively early in my return-to-weebdom trek and I’ve been chasing that high ever since. I could go on and on about the ones I’ve watched and which particularly stood out, but we’d be here all day. At the same time, though, a burgeoning market for the genre, particularly among the shonen demographic, means that there’s gonna be some real slop out there. Plenty of anime, manga, and especially light novels are targeted at the “lonely boy who wishes cute girls would attach themselves to him just because he’s A Nice Guy” type, and while there are some genuinely excellent series that cater plenty to that kind, there’s a well-defined line between the good and the trash.

Makeine is well aware of that line and elects to skip rope with it. Genre subversion is at its best when the work in question shows a genuine care for the milieu it’s satirizing, and Too Many Losing Heroines is to trashy light novel romcoms what The Eminence in Shadow is to edgy isekai and Bang Brave Bang Bravern is to vaguely homoerotic mech warfare. It’ll slap you in the face with every dumb threadbare cliche you’ve come to expect from the genre, and it’ll do so with a smile.

These stories are usually fronted by a total wet noodle and Kazuhiko Nukumizu is the soggiest soba you’ve ever seen. His main interests are water fountains and hey, wouldn’t you know it, light novel romcoms. As far as he’s concerned, he’s a background character with the personality to match. He’s thrust to the forefront, though, when he’s caught staring at his classmate, Anna Yanami, embarrassingly picking up the pieces from being brutally rejected at a cafe. She forces herself into Nukumizu’s booth and helps herself to several courses’ worth of stress-eating on his dime, which he never agreed to. As recompense, Anna decides to cook him lunch until her debt is more or less repaid, and would you look at that, Nukumizu just made a friend!

As the title would suggest, Anna’s not the only lovelorn maiden finding her way into Nukumizu’s school life. He’s exhorted into joining the school’s literature club, where he meets the track runner, Lemon Yakishio, and the lit club’s stammering stalwart, Chika Komari. He also has to bear witness to each of their own crushes backfiring and deal with the fallout. And amidst this chaos, there’s plenty of botched confessions, getting locked in storage closets, boob faceplants, and all the other nonsense you’d expect from the genre. And it’s terrific! And in the midst of all this, even as Nukumizu seems to be a passenger in this journey, you see him ever-so-slowly realize that he has some agency and grow closer to these girls. Makeine is plenty silly and more than a little stupid, but there’s plenty of heart in here as well.

The offbeat character dynamics and clever dialogue are what really make this. Everyone is just refreshingly weird in their own ways. Anna is a complete menace and totally convinced she’s the protagonist of life, and she may not even be wrong. I almost don’t care whether she and Nukumizu get together or not; they’re such a fun “serious guy/goblin mode girl” pairing that I’m not that interested in their dynamic changing. Komari and the lit club VP Koto are a dynamic fujoshi duo, ensuring that the club’s shenanigans aren’t too shonen-centric (and funny enough, Koto has her own idea for an Osamu Dazai isekai). Everyone in the student council has something demonstrably Wrong With Them, the homeroom teacher is a disaster, and the school nurse probably belongs in prison. I love every single one of them. I could’ve done without Nukumizu’s offputtingly-clingy little sister (and learning about her analogue in this season’s other romcom LN adaptation, Alya Sometimes Hides Her Feelings in Russian, was enough to put me off of watching it), but it looks like one of her own female classmates is in love with her, so that could be gold in later seasons.

A-1 Pictures, to borrow an industry term, put its entire pussy into this production. As with last year’s Heavenly Delusion, there was so much love put into the lighting effects, background art, and character animation that I felt like I was watching a Makoto Shinkai film at times. All of those elements working in tandem massaged my brain in such a way that when every episode ended, I was left confused because hey, where the hell is the rest of the movie? Makeine is also loaded with killer visual gags, and I give A-1 a ton of credit for letting those jokes land without calling too much attention to them, unlike a certain other show I watched this season. The opening and endings were real treats, with three different EDs as the season progressed, each depicting one of the titular heroines’ personal journeys (and performed by each respective girl’s VA, no less). This is some real investment on the studio’s part and it absolutely paid off.

I promise that every time I compare a romcom to Kaguya-sama, it comes at a great inner struggle to prevent myself from doing so, but if that anime is truly over and this is where A-1 is focusing its resources, Makeine may very well be a worthy successor. I really can’t say for sure whether this or The Elusive Samurai was the best new anime of the summer season, and it doesn’t help that they aired on the same day and I’d always watch them back-to-back. Just know that they’re easily two of the better anime I’ve seen this year.

Mayonaka Punch

If “mega-cancelled YouTuber starts up a new channel with a bunch of disaster lesbian vampires” isn’t enough of a hook for you, I really don’t know what else to tell you.

Masaki got kicked off her popular NewTube channel after punching one of her co-hosts, and the internet is letting her hear it. Maybe barging in on the “we’re firing Masaki” live stream and tackling one of them didn’t help either. Rather than film the bog-standard apology video, she figures she can just wing it and start up a solo channel. Masaki decides to start by playing the hits and drunkenly recreate her first channel’s breakout video in a spooky abandoned hospital, and finds more than she bargained for in a vampire named Live (pronounced like it’d be short for Olivia) who really, really wants to drink her blood in particular. Masaki nearly falls to her death in a panic, only for Live to save her and reveal that she has the very filmable ability to fly, so Masaki cuts a deal: If Live can help her get a new channel off the ground, Masaki will let her drink her blood.

This is tremendous content, so Masaki moves in with Live at Banpai Manor along with her vampire roomies to produce a new channel, co-starring the eternal 10-year-old day trader (night trader?) Ichiko, the soft-spoken fujoshi musician Fu, and the heavy-vaping gambling addict Tokage. They name the channel Mayonaka Punch (because mayonaka means “midnight” and because Masaki punched the shit out of her former co-host) and quickly get to work trying to beat Masaki’s former channel to their goal of a million subscribers (and a delicious lunch for Live). Even though they try to pass off their vampire shenanigans as Very Good CGI, they run afoul of a vampiric authority figure for exposing their identities, so they have to get internet famous the old fashioned way: Cute Girls Doing Cute Things.

I can’t quite put into words what a blast this show is. Mayonaka Punch frequently barrels along at a madcap pace, often punctuated by an electro-swing score, as its cast of loud idiots (and Fu) carom off of one another to chaotic effect. The voice cast really sells it, too: Ikumi Hasegawa (Kita in Bocchi the Rock!, Vladilena in 86, Übel in Frieren) owns every ounce of Masaki’s mounting exasperation as she deals with all the vampire nonsense while continuing to avoid the consequences of her own actions. Fairouz Ai continues her MVP-caliber resume for 2024 in style as Live, infusing her with a kind of desperate manic energy as she scratches and claws for Masaki’s approval. This was easily my favorite of her many roles so far this year, and two years removed from Chainsaw Man’s debut, it’s been a treat to hear her once again voicing a feral, bloodsucking loser.

As silly as Mayonaka Punch gets, though, it delivers some serious emotional blows when you least expect them. The fourth episode, centering on Fu’s history, is one of the best of any anime I watched this season. There’s also some very interesting history between Live and the head vampire’s go-between, Yuki, that was told through (though partially buried by) a series of video game facsimiles, and I hope there’s more there someday. And, of course, there’s Masaki’s evolving relationship with Live, with romantic undertones so tantalizing they might as well be overtones. I really thought there wasn’t enough time left in the season to reach a satisfying conclusion, and though it might not have fully reeled in the yuri bait, I was pleasantly surprised at how well everything tied together.

Mayonaka Punch’s ending is open enough that I can only hope it gets a second season, but I’m not about to hold my breath. That’s a tall order for original anime that don’t set the world on fire, but this one has all the right pieces for a future cult classic. Liked and subscribed. 

Suicide Squad Isekai

When this was announced, the only reaction it really got out of me was “Sure dude, why not.” As far as what this show is, it does what it says on the tin. It’s an isekai featuring a motley crew of anti-heroes plucked directly from the David Ayers and James Gunn Suicide Squad films. You already know what you’re in for.

Sure enough, this is a straight up Suicide Squad story from the jump: Harley Quinn and the Joker (the latter sporting yet another heinous makeover) try to pull off a heist, it goes sideways, Harley gets arrested and forced into Amanda Waller’s scheme to mine rare resources in another world alongside Deadshot, Clayface, Peacemaker, and King Shark. It’s your standard JRPG-style isekai fantasy world, except the previous Suicide Squad of Enchantress, the Thinker, Ratcatcher, and Killer Croc seem to have run roughshod over tensions between races and kingdoms, leaving Rick Flag alone to pick up the pieces.

And what ensues is pretty much what you’d expect. Everyone looks appropriately anime; Psycho-Pass character designer Akira Amano did especially good work with Harley, to the point where I’m shocked that a billion-yen idea like “anime Harley Quinn” was slept on for so long. All of this makes it even funnier that Peacemaker is still very much just John Cena. Character designs aside, Suicide Squad Isekai only seems to look good when it wants to; most of the moment-to-moment stuff looks a bit muted but absolutely pops off when business picks up. There’s even a flashback sequence of Deadshot and Ratcatcher that has a sort of loose, crumbly Masaaki Yuasa look to it. Despite the genericism of the setting and inconsistency of the aesthetic, though, Suicide Squad Isekai still carries plenty of style with it. The intro and outro are both blasts; I didn’t realize until the season ended that the “Tank!”-style OP was by Tomoyasu Hotei, the composer of the most iconic piece of music from Kill Bill. The ED (content warning: Mori Calliope) heavily features Amanda Waller getting down in ways I can only hope to one day see Viola Davis recreate. 

The fusion of American and Japanese styles is definitely awkward at times; the occasional references to other Warner Bros properties like Lord of the Rings and Tom and Jerry feel particularly shoehorned in considering this is a Japanese production, but the voice cast makes up for a lot of faults. Anna Nagase captures Harley’s freewheeling energy perfectly, and her penchant for nicknames is extra cute in Japanese when she’s calling the Joker “Purin-chan” or King Shark “Nana-chan.” Jun Fukuyama is a real standout as Clayface, channeling the flashy spirit of Joker (not this one, the Persona 5 one) to animate Basil Karlo’s irritating showmanship. Takehito Koyasu as Peacemaker doesn’t quite have the self-serious goofy energy we’ve come to expect from the live action version, but it’s such funny casting on its face that I don’t really mind. Can this tradeoff go both ways? I want John Cena as DIO yesterday.

For a Studio WIT production and a story by Re:Zero’s writers, Suicide Squad Isekai may occasionally feel like less than the sum of its parts (par for the course for the property’s recent adaptations, unfortunately, save for the Gunn film), but if you don’t come at it expecting too much you’ll have a good time. Far from my favorite this year, but it’s a crowd pleaser, and those, I like.

[bravevulnerability]

I’m not sure if you still take prompts but tbh, I don’t even care, can you write anything you want? Doesn’t have to be long! Just craving some good caskett 😭

A/N: I was either reading a book or watching a tv show, I can't recall, but the simple words of "I'll leave early" got stuck in my brain and shot this idea into my head. Set during 4x19, ‘47 Seconds’, initially before any confessions unknowingly occur on the other side of an interrogation room window. 

-

The knock on the door startles him, has him jerking out of his chair and bumping his hip on the edge of the desk. 

Castle curses under his breath, winces, but carries on into the living room, to the front door. 

It’s late, after midnight, and he hasn’t been able to calm his mind. All he can think about is the victims of the bombing, their loss of life, of opportunity, and how it has selfishly caused him to reflect on those areas of his own life. On Kate. 

He’s going to tell her tomorrow. He has to. What if - god forbid - the world were to end for him the way it did for all of those people today, and it would do so without Kate Beckett knowing he loved her? What if the time they had was so much shorter than they could imagine? What if-

Castle feels the color drain from his face, all of the bravado leaving him, as he swings the door open.

“Beckett,” he greets softly, self-consciously smoothing down the tortured strands of hair that have flown this way and that from the restless push of his fingers. 

She’s in his hallway with her hair falling in those gentle waves around her shoulders, her face devoid of makeup and an NYPD sweatshirt engulfing her slim frame. Kate offers him a weak twitch of her mouth.

“Hey, Castle.” Her voice is soft but gruff, as if it hasn’t been used in hours. “Did I wake you?”

“No, no,” he assures her, stepping back and gesturing for her to come in. Her eyes flicker around the darkened space, as if ensuring his daughter isn’t at the counter, or his mother on the couch. “I was up, trying to write, but after today… I just couldn’t get out of my head.”

The door clicks quietly behind them and he steps up to her side, catches the haunted glimpse of her eyes gravitating back to him. The warm glow of his office beckons them forward, offering privacy and familiarity. She's never said as much, but he thinks she favors his office, the comforting walls of books and the sofa she often curls up on when she stays late to theorize over cases or plot points for his novels.

“Yeah.” She nods, twisting her fingers together in front of her as she follows him inside. He eases the office door closed. Just in case. The last thing he needs is Alexis's scrutinizing gaze peering in. His daughter means well, he knows, but on the topic of Kate, he hopes to maintain some distance. “I know the feeling.”

“Couldn’t sleep?” he tries, sensing there is more to her visit than she is letting on. 

“No,” she admits. “I just - it’s this case. I kept seeing their faces, the crime scene, the senselessness of it. I keep thinking of the victims’ loved ones, what it’s going to do to them.” 

Castle tilts his head, understanding but still curious. Her eyes fall to her feet, the worn toes of her sneakers peeking out from her jeans. 

“It’s selfish, but it - it made me think of what my shooting did to the people I care about, that I love.” She purses her lips and exhales a breath that quivers. “I don’t think I ever apologized to you. Well, beyond the first time I saw you again after your book signing in the fall,” she murmurs, tentatively lifting her gaze to meet his. “For what I put you through.”

“Kate,” he huffs, but she catches the hand he tries to use to wave her off. He stares down at the slim curl of her fingers around his, the kiss of her thumb to the heart of his palm. “You didn’t put me through anything, you were shot. Besides, I’m one of the lucky ones. You’re here.”

“You know what I mean.” Her eyes harden, a fierce hazel, emboldened. “The summer, and… this. The missed opportunities and lost time. The waiting.”

His brow hitches, surprise rippling through his senses. Sure, they’ve talked around his unspoken vow to wait for her, their conversations always edging on everything shy of committing to one another without saying any actual truths. He’s not used to blatant honesty between them.

His hand relaxes within the grasp of hers, their loosely knotted fingers dangling in the space between them.

“I just - I know it’s not necessarily what you signed up for-”

“Beckett, it’s exactly what I signed up for,” he chuckles, tugging gently on their hands and drawing her a step closer. She has to lift her eyes to him without her heels, her vulnerability alive and shimmering in her gaze just a few inches below. “From the first day we met, I signed up for you.”

“We were different then,” she huffs, shaking her head, but he squeezes her hand.

“Yeah, but maybe we’ve been changing for the better.” He shrugs, watching a sliver of hope slice through her pupils. “Maybe the last four years were necessary, to prove we were capable of growing together. Seems worth waiting for to me.”

Kate’s lips quirk, white teeth appearing to contain the smile. 

“You always know how to say something reassuring,” she sighs, but her eyes are dancing with light for him. 

“Plus, you’re only the hottest detective in existence, so I’d be stupid to give up so easily-”

She smacks him with her free hand, her laughter quiet and mingling with his. He catches the other hand at his chest, coats her knuckles with his palm, and feels hers come to a cool rest over his heart. Kate’s laugh gentles into a sigh, her body swaying towards his, and then she’s releasing the hand that was holding his. Her arm snakes around his waist instead, her embrace tentative.

Rick's arms automatically wind around her, the movement as natural as breathing. He feels the sink of her body into his, the exhale of tension against his collarbone as she tucks her forehead against his neck. 

“I love you, Kate,” he whispers, feeling the terror and exhilaration commingling within his chest as the words escape. He expects her to tense, to draw away, but she remains against him. Still, unspeaking, and possibly not breathing, but in his arms with her fingers curled into the t-shirt at his back. “I don’t need you to be ready to say it back, but I don’t want you to forget, to doubt. I’m here.”

Her arm tightens around him, her fingers curling at his chest, as if she could hold fast to the heart beneath her hand. They remain like that for a long moment and he takes the time to appreciate the shape of her in his arms, the scent of her shampoo in his nose, and her nuzzled cheek against his clavicle.

"I don't want you to doubt either," she murmurs, the heat of her breath rushing over the flesh of his throat.

Kate gingerly lifts her head, dark lashes rising and eyes finding his. Her hand splays at the small of back, her fingertips brushing his spine. He swallows hard, begging his heart to steady before she feels the gallop of it between their bodies.

"You're not alone in this, Rick." A tender smile graces her lips, encouraging yet shy. Her eyes fall to his mouth, linger for a moment too long before fluttering back to his gaze. "And I don't think the wait is for much longer."

"N-no?" He clears his throat, watches her smile grow, and he can't help it. He touches a hand to her jaw, unfurling fingers along her cheek, and watches in amazement as she leans into the cup of his palm.

"No," she confirms, covering the back of his hand with one of hers, holding it there as she turns her head and brushes a kiss to his palm that sends a jolt of electricity up his arm.

"Kate," he sighs, giving into the compromise of pressing his forehead to hers.

"Sorry," she mumbles, abandoning his hand to dust her fingers to his chin. He feels the tips of her fingers trail along his jaw, his eyes fluttering closed as her thumb skims his cheek. "I think I should go."

"It's late," he argues, eyes flickering open to find hers watching closely, bottom lip pinned beneath her teeth again. "Just stay. The guest room-"

"Castle, Alexis and your mom-"

"Something tells me Alexis won't even notice since she leaves for classes at the crack of dawn and my mother won't be up until the clock is flashing double digits."

She's considering it, he can tell.

"Stay," he murmurs, forcing himself to draw back and stealing the hand from his face.

"Castle," she huffs when he begins to drag her towards his bedroom.

"Here," he tells her, letting her go to dig through his dresser, retrieving a pair of sweatpants and a t-shirt. "These should be comfortable, but you're welcome to raid my closet and drawers for other options if-"

She swipes the clothes from him and glowers as she brushes past, heading for his bathroom.

He nervously rearranges his pillows while he waits for her, trying not to pay attention to the sound of running water or the click of the doorknob.

She still looks uncertain when she drops her clothes in the chair beside his bed, her sweater landing on top of his robe, making him stupidly delighted.

"Come on," he says, climbing onto his side of the bed and cutting the lamp lights. He feels the darkness will seal the deal, allow her the courage to crawl under the covers to innocently lie beside him.

He doesn't know when they decided on his room instead of the guest room, but she makes no move to leave now.

He looks anywhere but at her while he slides his legs beneath the comforter, the sheets, and settles onto his back. But his body, his senses, are attuned to her, and he can hear the quiet rustling of her doing the same. When he risks a glance, he can make out the dark mass of her body curled beneath the blankets a few inches away.

"I'll leave early," she breathes into the shadows between them, as if making a promise to them both.

"Kate."

A moment of silence passes and then the mattress is shifting, her body warm and lithe and nestling beside him. He eases his arm around her, feels the welcome weight of her head on his shoulder, the contented sigh of her breath against his neck.

"I'll leave early," she repeats, adamant but soft.

"Go to sleep, Kate," he whispers, resting his cheek against her hair and feeling the restlessness of her quieting.

Her arms curl between them, her cold hands against his ribs, her knees against his thighs. He drifts to sleep savoring the points of contact.

-

When he wakes, Kate is gone. Later, he finds that the shirt he lent her the night before is as well.

-

The next night, when he receives a late knock on his door, he's aware of who will be on the other side and he opens it with anger roiling through his insides.

"You stormed out before I had the chance to explain," she begins immediately, coming into his loft as if she were a storm herself. "I know why you're upset with me, but-"

"Kate, I really think you've said enough today," he cuts her off, keeping his voice low.

It's late, hours since he knows her shift ended. He knows she planned this purposely to avoid his family, to corner him while he was alone.

"What I said to Bobby-"

"Yeah, I already heard it once. I'll pass on a second time," he mutters, locking his front door and leaving her in the entryway.

"Rick." But she follows, of course, chasing him with soft steps to the sanctuary of his office. "It was an interrogation tactic. You're just assuming I was being honest with a suspect," she hisses, easing the office door shut behind her.

Castle crosses his arms and leans back against his desk.

"Fine," he concedes, bitterly. He already knows the answer to his next question, he feels it in his gut, his bones. The horrible truth he's always known. "Do you remember every second of that day? Of being shot?"

Her throat ripples with a swallow, but she exhales steadily, steels herself before she says a word.

"Yes," she confesses, holding his gaze. "I've always remembered."

"Every. Second," he clarifies. Not a question.

Her lips part, the bottom one threatening to quiver ever so slightly. She squares her jaw to stop it.

"Every second," she confirms, her fingers in fists at her sides. "I remember you tackling me, trying to stop the blood, to - to save me."

He casts his eyes away from her, not wanting to remember it, not wanting to recall the feeling of hot blood on his hands, the wide surprise of her eyes, the panicked sound of her gasping for breath beneath him.

"I remember you telling me you love me," she whispers, the words soft but measured. "That was the last thing."

"All this time," he manages, blinking away the horror of those images. "You lied."

"I know," she whispers, exhaling a shaking breath into the silence between them. "I didn't - I didn't know how to face it then. How to be - how to be what I wanted to be for myself, for you. I just... god, Castle. I panicked and if I hadn't been in therapy for the last few months, I'd probably still be lying to you."

He spares a look at her then, the crescents of purple beneath her eyes, the glimmer of moisture making them sparkle in the darkness of the room.

"When I woke up in that hospital room, I didn't feel like a person anymore. The only purpose I've ever felt I had was solving my mother's murder and after the shooting, I didn't think I could survive making room for anything else," she attempts to explain, but he can hear the hitch threatening her throat, the choked sound of her trying not to cry. "I didn't feel worth much else."

Argument bubbles unbidden on his tongue at that, but she speaks first.

"I - I wanted you," she declares, meeting his eyes with a desperation he's never seen in hers. Not for him. "But I didn't feel like I could give what you deserve. I needed to be better first, to heal, to make the room. To acknowledge how important you are to me."

The unshed tears spill over, creating rivulets down her cheeks.

"I love you," she says, but her voice has changed, strengthening with resolve. "I love you, but I wasn't going to screw it up, so I was trying to put in the work. To be more."

Castle doesn't stop her when she takes a step toward him, another.

"I'm sorry." She doesn't touch him, but stands before him, palms up and bare, as if begging. "I should have gone about it all differently, but I - god, I never wanted to hurt you, Rick."

Without thinking, he touches the tear stains on her cheeks, brushing them away with his thumb.

"You don't have to forgive me tonight," she adds softly, staring up at him with tired eyes. "You can stay angry for a while. Just don't - don't give up on me yet."

Shit, she was breaking his heart, siphoning all his resolve.

His fingers slide into her hair, cradling the back of her skull.

"I would never." Her eyes flutter in what looks like relief. "I get it, I do. I just..."

"Hate it," she mumbles, the corner of her mouth twitching ever so slightly.

He shrugs. "I wish we could have done it a little differently, yeah. But I'm not going to hold it against you, Kate, I just need time to process it all."

She nods, her lips pursing resolutely. "Of course."

Her head turns toward the door, but he snags her fingers. She looks to him in askance.

"Will you stay?"

She hesitates. "What about time and space?"

"I didn't say anything about space."

She is not nearly as anxious to crawl into bed with him this time, her body settling beside him without preamble and her arms twining around his torso.

"We're okay, Kate," he promises her, burying the words in her hair as her nose touches his throat and one of her ankles hooks around his.

He rubs her back, tracing the line of her spine through another one of his t-shirts. Eventually, the taut arrangement of bones begins to relax beneath his ministrations and her breathing evens out, her body slack in his arms.

He tries to sleep, but despite all she said, all that has happened over the course of the last few hours, he can't tear his thoughts away from the fact that she loves him. And she said it out loud.

-

Most of the following nights are spent with her appearing on his doorstep or his on hers, the hour often late, but her smile is always worth it. The first time she opened her door to him, after a night of being dressed up for a stint with Colin Hunt - he hated that guy - she was beaming.

"I thought you'd be at home brooding," she'd chuckled, locking the door behind him, pleasing him with her intent to keep him there. "I was about to come to you."

"No, I couldn't wait that long," he admitted, hanging his coat on one of the empty hooks. "I was kinda hoping you'd still be in that dress."

Kate had huffed a laugh, already dressed down in one of the t-shirts she had stolen from him. He had yet to call her out on it because he didn't want to give her a reason to stop.

"Don't worry, Castle," she teased, lifting her hand to his cheek. "I'll save it for another time."

His brow arced at that. "That statement is heavy with implication."

"It was intended to be," she grinned, sauntering to her bedroom.

He had to bring up the case to keep himself occupied after that, but the way she looked at him every time he insulted Mr. Scotland Yard almost made it worse.

Oh yeah, Kate Beckett definitely wanted him. But until she made the next move, he would wait. He wasn't taking any risk of moving too fast when it came to her. Not when he knew this time would be for keeps.

-

The evening they solve the zombie case, she vows to appear at his loft, teasing him that he'll never get that makeup off without her help. He has a laser tag game planned with Alexis that turns into the icing on the cake of his day, with his daughter announcing she will be attending Columbia for college.

Most of his makeup has been scrubbed off, the costume gone, when Kate knocks on the front door.

Alexis glances up from washing the dishes, her brow furrowed. "Were we expecting anyone this late?"

"Just Kate." He tries for nonchalance, but Alexis eyes him with both intrigue and wariness as he starts for the door.

When Castle opens it, she's on the other side as promised. She's changed from her leather jacket and jeans to a soft sweater and yoga pants, looking warm and inviting at his doorstep.

"Oh look, you did a pretty good job," she chuckles, reaching for his nearly cleansed cheek, stroking the bone there.

"I don't know if you'll have better luck," he admits. "Prosthetics and stage makeup leave quite the mark."

"Well," she grins, tapping the bag on her arm. "I brought an extra strength cleanser, so we'll give it a shot."

The water from the kitchen sink is still running, catching her attention. Alexis's presence is likely visible from the doorway, the clinking of dishes going into the dishwasher pointedly loud. He feels nervous but hopeful as he watches Kate determine what to do next.

She lowers her hand from his cheek and bites her bottom lip. "Am I too early?"

"No, not at all." He extends his hand for hers and she slips her fingers into the cove of his, allowing him to guide her inside.

-

"I think she hates me a little less," Kate murmurs, her eyes following the work of the cotton pad she swipes along his skin.

She and Alexis spoke briefly before his daughter went up to bed. Kate had lingered before following him to his en suite bathroom, watching the stairs his daughter had disappeared up with worry lining her face.

"She never hated you," he grunts, wincing when she has to scrub at a spot on his forehead with a little too much vigor. She's been wiping makeup from his skin for the last twenty minutes, standing in front of him while he perched on the edge of his bathtub in his pajamas. "She was upset with me."

"And she's a protective daughter. Trust me, I get it," she assures him gently. Her thumb skims the curve of his eyebrow and he opens his eyes to find her studying him. "I think I should go home tonight, Rick."

He eases his hands onto her hips, watching her brow arch in response.

"I don't want to rush things with Alexis," she elaborates, tossing the cotton pad into the trash and reaching for a clean hand towel.

She dries his face with tender brushes.

"She is unaware you've stayed here at all," he reasons. "I doubt tonight would be any different. Besides, it's late."

"Castle, it's ten," she chuckles, but she hasn't shoved his hands from the resting place of her hipbones. "There's no reason for me to stay."

"No?" He rises slowly from the edge of the tub, holding her gaze the entire time. "What if I need you?"

Her nostrils flare ever so subtly, a tell he's picked up on. She's struggling to ignore him.

"Cuddling is part of our healing journey, Beckett."

She rolls her eyes and shoves on his chest, but doesn't fight the tug of his hand on her arm, the offering of his clothes, his bed.

-

Castle's eyes flutter open. It's barely light out and it's early, he can tell that much upon waking. But something has woken him, the featherlight dance of a touch to his cheek.

As his vision focuses, he sees Kate lying beside him, her fingers migrating from his face to comb through his hair.

He hums and shifts closer to her, burrowing into the warmth of her body.

Her arms wrap around his neck while his band around her spine. Their legs are tangled and her lips are moving against his ear.

"I gotta go," she whispers, turning her head to graze a kiss to his temple.

He sighs and loosens his grip on her, allows her to untangle their limbs.

"See you in a few hours?" she murmurs, one of her hands still reluctant to leave him, draped along his jaw.

"Of course," he yawns, gazing up at her from his pillow.

She bites her bottom lip for a second before leaning forward, lingering there before tilting her head, dusting her mouth to his. Instantly, his senses come alive under the electricity of her lips.

Castle's arms stall in their retreat from her body, reclaiming their hold on her again.

A smile blooms on her mouth before she's kissing him with more confidence, fitting the curve of her lips to his. He hums in response, kisses her back, and feels her body canting into his.

"Mm, Beckett, you make it hard to let you go," he grumbles, feeling more than hearing the rumble of her laughter.

She stains another kiss to his mouth, mumbling a last farewell against the corner of his mouth before regretfully pulling her body from the bed.

-

The storm batters against his windows, lightning illuminating his office as he deletes the murder board on his screen, Kate's face disappearing with the tap of his fingers.

They fought last night in her apartment, his love for her used like a bargaining chip for her life, and it wasn't enough.

He's done. He loves her with a fierce strength and softness, in ways he's never loved anyone else, but he can't watch her throw her life away.

It'll just hurt more.

No, he would rather try and gain as much distance as he can before he gets the call that Kate has become the latest to fall victim to the Dragon's wrath.

The knocking on his door begins with vigor.

He pauses, unsure. His first thought is that it must be Kate and the last thing he wants is another argument. But, it could also be Alexis. He turned his phone off after the third consistent ring with Kate's number flashing across the screen. What if his daughter needed him?

Shit.

He curses himself for his ignorance, vowing to turn the phone back on as soon as he checks the door.

Rick composes his expression, ensuring he doesn't look as hassled as he feels, not wanting to alarm his daughter on her special night if it is her.

He unlocks the door, tugs it open, and feels all of that hard work immediately fall, frown returning instantly at the sight of Kate Beckett.

She's soaked to the skin, dripping rain all over the carpeted hall of the building and the entryway to his loft.

"Beckett," he sighs, his fingers already clenching around the door's edge. "What do you want?"

"You," she whispers, breaching the slim space the door allows and reaching for him.

His body betrays him, moving too slowly to block the ascent of her hands to his face, the rise of her body into his, the adamant press of her mouth.

"You had that," he grunts into her kiss before prying her hands from his cheeks. But he doesn't let her go, he can't. So he holds her captured wrists to his chest, studies the desperate features lining her face, the trembling form of her body. "What happened?"

"He got away," she rasps, eyes shimmering with unshed tears. "And I didn't care."

Traitorous hope seeps through the cracks of his heart.

"I almost died and all I could think about was you," she breathes, her head shaking as her gaze roams his face, taking him in as if seeing for the first time. Seeing him clearly. "I'm so sorry, Castle. You were right and I'm - I'm sorry."

Her wrists rotate in his loosened grasp, fingers climbing to bridge at the back of his neck. Her toes arch, lifting her body to meet his, allowing her lips to ghost over his.

"I love you." The words sound sacred falling from her mouth onto his. "I'm sorry I didn't treat you like it."

He suffers only a split moment of indecision - he loves her back, he always will, even though she scares the shit out of him.

Castle layers his mouth over hers, swallows the moan she exhales at the bruise of his kiss, the surge of his body using hers to shut the door. Kate cradles his head in her hands as he kisses her, the tenderness of all the nights before, of the last kiss she graced him with, gone in favor of the brutal fall of his mouth upon hers, the needful crush of his bones into hers.

She doesn't seem to mind, every scrape of his teeth, press of his palm, and grip of his fingers being returned with fervor.

His hands tangle in her hair, wet and dripping down his bare forearms, tilting her face upwards. She gasps when his tongue slides past her parted lips, swiping along hers and exploring the cove of her mouth like he's always wanted to. They've kissed like this before, frenzied and frantic in a darkened parking lot under the ruse of saving Ryan and Esposito, but there was still an ounce of restraint alive then. She had a boyfriend and he was desperate to show her how good they could be together, but they were allowed so little time, so much uncertainty.

Not tonight.

Her head drops back against the door as he skates lips and teeth along her jaw, down her neck. Her arms are clinging to him, her hips clashing with his, as if she can't keep him close enough.

He slows, though, when he reaches the bared flesh of her chest, the scarred skin between her breasts. His thumb skims the spot with reverence, his lips dust there next, feeling her shudder beneath him.

She whimpers as he travels his mouth up her skin, teeth nipping at her collarbone, tongue slicking along the rain coated flesh of her exposed shoulder, her throat.

"Rick," she breathes, the fingers of one hand fisting in his hair, the other slipping between them to yank at the buttons of his shirt.

Castle slides his hands down her sides, her hips, and curls them around her thighs. She's ready when he lifts her, using her toes to hop into his arms.

He chuckles as her arms wrap around his neck and she flips her hair to one side, angling her head to kiss him again.

"Eager, Beckett?" he smirks into her mouth, digging his fingers into her ass as she takes his bottom lip between her teeth.

"Yes," she admits without hesitation, letting him go for a split second to shrug the sopping leather jacket from her shoulders.

It hits the floor with a wet slap, but he can't be bothered to care. She smiles into the next kiss she lays upon his mouth, her happiness tasting like champagne bubbles on his tongue.

"You really love cuddling with me, huh?"

She laughs, tightening her thighs around his waist as they start for his bedroom.

"I plan to do more than cuddle with you tonight, Castle." Her thumb traces the bone of his cheek. "Think you can handle it?"

Her eyes are sparkling, gold flashing excitement rippling through her irises.

Castle kicks the door of his office shut with his foot and carries her into the bedroom.

"The real question is, can you? If you're planning to be up with the sun-"

"No," she cuts him off, kissing him quickly before he can lower them to the bed. He bends to lay her across the mattress, the bracket of her thighs drawing down him into the cradle of her hips. "I don't plan to leave early."

"Oh?" he muses, brushing back the damp strands of hair from her cheeks.

Her fingers thread through his hair, trickle down his neck, and trail along his spine, sending a shiver through him. Her eyes wander across his face, as if studying every feature, lips settling into a soft smile.

"I want to stay," she whispers, like it's a secret.

"Then please," he murmurs, resting his forehead to hers for a moment, breathing into the thin space between them. "Stay."

[runephoenix6769]

Vulcan as a Muthafucker!

Some folks have been saying that they find her lack of inclusion in the last 3 episodes really jarring, and 'bad writing'. I argue against that. (I really like T'Lyn, but then again I'm a sucker for the whole vulcan's accusing outwardly appearing stoic characters of 'losing composure' n being 'emotional' because of an eyebrow twitch. I find it highly comedic.)

There's been plenty to discern about T'Lyn this season:

Mariner goes out of her way to invite her and doesn't take T'Lyn's disinclination as a slight/insult suggesting this is a common occurrence.

T'Lyn doesn't drink, and doesn't seem to be a big fan of the perceived 'drink' culture on the Cerritos - which the season has estb the core4 participate in quite a bit - knowing this, its easy to extrapolate that she might avoid this as much as she could.

She's a great friend, who is encouraging/supportive.

From this, we can extrapolate that she's been around them enough off screen for them to listen to her and respect her opinion/ trust her judgement.

She listens and takes into consideration the feelings of those around her, putting friends before her career and potential advancement.

She respects Mariner's opinion enough/ trusts her judgement, to take comfort from her support even when Beckett might not be entirely in her right mind. (Vulcan as a Muthaf*cker) and we've been given insight into her insecurities.

She has a wicked sense of humor.

I genuinely believe that she's just messing with Tendi, when she said her hug quota for the day/week was reached.)

She's similar to Beckett, in the way she can be reckless/gungho n think she is always right w/o considering the consequences. (Turning everyone into a Tuvix meatball, n then finding out she messed up n she can't reverse it.) Like Beckett, shes a doer and takes a direct approach to problems, including nerve pinching anyone who becomes a problem.

She can more than appreciate a hunk of man meat. (Not speculating on her sexual preference, just pointing out her agreement with Mariner on Orion.)

She there's a chance that she likes chocolate -- occurring off screen -- showing it in a Vulcan way that Mariner has noticed. (S4E5 Mariner: I know you don't drink....there's going to be a chocolate fountain, if you want to get wild. T'Lyn: I do not understand what you mean, but thankyou for the invitation.)

She's sassy (i know its from season 3, but still)

She initially viewed her posting to the Cerritos as a punishment - nay i'd even go so far as to say a demotion.

I'd actually love them to expand on this and have her come to the realisation that its not a punishment, but rather a better fit for her, where she can grow, be appreciated, better fulfilled and dare i say happy? But we'll see if that's her arc.

I think that's an insane amount of character establishment squeezed into a handful of episodes.

I'm confident that we'll see more of her in the next two rollercoaster episodes, and she'll be instrumental, or why else include her in this season? Unless they really do intend for her to be just a foil for the warpcore 4?

[gldrushh]

SUGAR AND SIN | JK

🧁✧ ˚. TITLE: Sugar and Sin.

🧁✧ ˚. PAIRING: Mafia boss! Jungkook x female oc

🧁✧ ˚. BLURB: Aurora Beckett had simple plans for the night: clean up the counter, finish boxing up the last batch of strawberry cupcakes, and maybe catch up on her favorite drama. Until the click of a gun spoiled the tiles of her bakery and her plans.

🧁✧ ˚. GENRE: Mafia au, grumpy x sunshine, forced proximity, slow burn, dark romance, crime/thriller.

🧁✧ ˚. WARNINGS: This chapter contains a violent scene involving murder, as well as mentions of nausea and a character passing out.

🧁✧ ˚. TAGS: oc is traumatized and on the verge of throwing up but she's also a little weird, jk is having fun cosplaying as a satanic entity for the night

🧁✧ ˚. A/N: This chapter's a lot shorter than the average word count I write but I hope it's intriguing enough for people to keep reading. Also please don't hesitate to type out your comments and opinions. I love to read them and stay informed with what clicks for you and for doesn't.

🧁✧ ˚. TAG LIST: @scuzmunkie ... (Please do let me know if any of you want to be added too.)

CHAPTER 1: AURORA

Aurora had two problems tonight.

Her frayed nerves that showed no sign of settling down any time soon, and the blood on the once-pristine white tiles of her bakery floor, which were sometimes grazed with flour and all that.

The latter and former both caused by a group of tall and dark figures of men that barged inside the dim lighted interior of her bakery that she was just about to pack up like they were out to hunt. From what she could see from the corner of the counter she was hiding behind and trying to squeeze herself further away into the darkness, the prey in question was another stumbling man who fell his way before them, backing on his palms as he slid on the floor, a messy trail of blood following right after him as the group of men loomed forward with a errie calmness. She visibly winced at that before taking advantage of the soft darkness and lifting her gaze up and instantly retreating back.

Gods, she had never regretted turning down Lia's offer to drop her home more than she did now. But no, she wanted to finish baking one last batch, just to get ahead for tomorrow.

Now she was hiding from men who looked like they made up the gateway of hell.

 

Clad up in all black with their forms blended into the shadows, save for the luminosity of moon light spilling through the window. They could’ve been anyone, anyone except the customers who regularly graced her small bakery. Definitely not the kind who ordered pastries.

She should have been afraid for her life. She was, in part. But another part of her was horrified at the blood—so much blood—coating the clean floor where she spent her days baking treats. A morbid thought crossed her mind: it was going to take forever to scrub that out.

She tried to shake off the absurdity of the thought and focused on the bigger issue that screamed that she was going to be the next one on their hit list. She doubted her capability to hide here, to hide her frantic heartbeat from all of them because it was all she could hear, until that changed too like her mundane nights.

"Done running?" A deep gravelly voice echoed louder than her heartbeat in the small space that was her bakery, followed with clear thumps of footsteps against the floor. And that's when her eyes took in the sight of a man who was probably what waited you inside that gateway.

He was wearing black too, of course, but somehow he stood out, and when he walked further, the other men looked nothing but mere shadows surrounding this larger unexplainable force.

"It was getting really fun." He drawled as if murder was a game, and the man cowering on the floor was just another player who had lost. It took all her might not to dig a hole somewhere here and hide further. It seemed to have the same effect on the cowering and trembling man on the floor as well that whimpered pleads for mercy which were unheard by lucifer himself and her as well because the sound of conflict in her head was louder.

She felt guilty and all kinds of words related to it because she was a present presence here, watching a man on the verge of getting killed in her property, doing nothing. She tried to fumble for her phone in the pocket of her apron as quietly as she could, but to her unfortune, it was on the far end of the countertop - a distance that felt like a mile now. She didn’t dare move, and the moral lecture she had rehearsed in her head earlier evaporated when she heard the sound of a gun clicking as well as her will scattering.

Her wide eyes that were going anywhere but the scene unfolding in front of her stopped at two inky voids like black ink splashed across a page, who found her before she could and was staring straight at her, penetrating through her very being as he too was crouching down on the floor, making a surge of panic run through her as the idea of her being seen settled in.

He saw her.

Her heart stopped.

Yet when she saw him stay blank and unamused as ever, even when he caught on an unexpected presence, she chose to second thought her plan to scream and run. Or she was forced to do so because his eyes had her frozen and stiff, unable to breathe.

Her heartbeat even came to a pause if that was possible, and then before she knew it was resuming that violent pace when she saw his lips moving. 

"Close your eyes."

Despite the pounding in her heart, she caught the words.

Yet she didn't obey, and that was the second time she felt regret flooding in the night when a quick click of the bullet leaving his cocked gun echoed around. The relief she felt for one moment when she wasn't on the receiving end of his chilling gaze washed away the moment the prey of a guy's brain spilled on the floor.

Blood. Blood. Blood. That was all in her line of sight as the man collapsed dead on the floor. Blood. Pooling around him. Blood. Everywhere. 

Aurora felt her throat work, her stomach twisted, a nauseous feeling overtaking her before she gathered whatever self preservation was left in her and forced her palm tightly against her mouth to not let out the sound of horror that was bubbling. She wanted to scream. She wanted to run. But all she could do was press her back harder against the counter, eyes glued to the body now lying lifeless on the bakery floor.

Her eyes, unblinking, slid up to the man who had penetrated the life out of a once alive being. The man stood over the corpse, expression unreadable. The gun hung loosely in his gloved hand, as though the life he had just taken was of no consequence to him. As if this was routine.

It didn't suprise her but horrified her further.

Would she be the next on the floor with life draining out of her as well as her blood, begging for his non existing mercy?

Her answer was his eyes stopping at her quivering and crouched figure again from the corner.  Her vision had blurred over the time he was turned toward her after barking orders at his men—orders she couldn’t hear over the deafening roar of her heartbeat. She barely registered the sound of footsteps until they were close—too close.

And then, darkness.

With a last prayer to gods above, her body shut out with the last thing she saw before her eyes blacked out, being the devil coming for her.

To be continued...

[jimblejamblewritings]

love letters and second sons | part 6.

Summary: The princess is finally ready to debut in society. But before she does, she decides to disguise herself and see the true faces of the ton.

Warnings for the Series: light sexism in line with the times, light classism in line with the times, mental health stigma, shitty doctor care, smut, suicide attempt (will get it's own warning when the time comes),

Pairing: Benedict Bridgerton x princess!reader

Warnings for this part: none

Word Count: 1.2k

A/N: Sorry this is more of a blurb than full chapter.

Previous Part | Series Masterlist

Dear Sophie, 

What can I say about Mister Bridgerton? Colin is kind and smart and seems to have a love of adventure that I cannot help but to admire. I do wish he was ready to propose. Whether smart or not, I will continue my correspondence with him until the inevitable. On a brighter matter, I think I’ve scared off that foul old man for good. I will tell you more later. 

Best regards, 

Marina 

Dear Sophie, 

Our license has been revoked. I don’t know what we are to do. I have let Friedrich go for my sake and hos but it seems the Queen is not satisfied nor convinced. Lady Danbury insisted we take counsel with the Queen and convince her to allow the license. But Simon and I do not know how to prove we are in love. It is just something one knows, is it not? I know there is nothing you can do. I just thought I would write and inform you of the situation. 

Best regards, 

Daphne 

You found whatever cloak was clean and put it on in a haste. Reynolds and Pandora barely got to ask you a question before you were in the carriage and requesting the driver stop at the Bridgertons. Admittedly, you were a bit confused. You could have sworn just a few days ago Daphne and Friedrich were about to be engaged. But you also believed in true love so you would help your friend. 

Your eyes went wide as you entered the Bridgerton house, coming face to face with Lady Danbury. A string of curses ran through your head. It was only a matter of time before someone saw you but you were hoping for a guard. Or at least anybody easier to bribe. Lady Danbury began to open her mouth when Daphne ran towards you, embracing you. 

“Oh, Sophie, I’m so glad you came… Oh, have you met Lady Danbury?” 

The older woman approached you. “I don’t believe we have Miss…” 

“Beckett.” 

“Hmm. Miss Beckett.” 

You took her hand in yours, giving it a nice shake. Agatha made a face but didn’t say anything further. Daphne explained to you the situation as she took you, Lady Danbury, and Simon into a spare office. You sat on top of the desk, letting Agatha take the last chair in the room. 

“Ok, hold hands… Your grip isn’t even nice.” 

“This is comfortable,” Simon insisted. 

“You two are hopeless.” 

Lady Danbury sat back, laughing, as she watched you try to help the couple all morning. For two people who insisted they were in love, they were very awkward looking. A sigh escaped you as you thanked the maid for bringing in lemonade. Your mother loved love. She needed a story to praise root for. A love of epic proportions. You set down the glass. 

“There is nothing I can do.” 

“Sophie.” 

“Miss Beckett, please.” 

You smiled. “Simon, you may call me Sophie. And it isn’t that I won’t help or don’t want to but there is nothing I can do. The Queen wants to believe in love. She wants to feel that you two care for each other. That is something I cannot teach and that is something that you two can’t fake. So you must speak from the heart. What I can do is request counsel for you. It won’t be denied.” 

“Thank you so much.” 

While you were upset that you couldn’t attend the wedding or reception, you did hope to hear about it from all your friends. Currently, you were listening to two of them tell it. You and Penelope sat on Marina’s bed, watching her pace back and forth as she told you about Colin and her. She looked like she was keeping a particular secret but you assumed it was a surprise. 

“Have you seen him with the smaller Bridgertons? The perfect father. He could be the perfect father.” 

“Surely he is a bit young for marriage?” Penelope asked. 

She wasn’t as thrilled as you. Now, you couldn’t lie. Tricking Colin or anyone wasn’t exactly something you liked. But Marina truly seemed to care about him. Because they were both in love, you’d allow it. Marina shook her head at Pen’s thought.

“He’s perfect. Very kind and funny and surprisingly a good dancer.” 

That made you giggle. It was nice to see Marina move on from George. You were shocked that the letter hadn’t been sent to you before reaching your friend. From what Marina and Pen wrote, she was absolutely devastated at him pretending to not know her. 

Marina sat on the bed, taking both of your hands. “Colin isn’t like the other young men in the ton. He’s serious and mature.” 

Penelope yawned rather loudly. You and Marina stood up. The last thing you meant to do was keep her up too late, especially because the Bridgertons were hosting a picnic tomorrow. It’s very important to get proper sleep. 

“Pen, if I’m not back in ten minutes, go to bed, my carriage has come. Alright?” 

She nodded. 

“I’m so sorry for keeping you up.” 

“It is no bother. We’ll see you tomorrow?” 

“The princess has given me the day off. I assure you, I will be here.” 

You bid them a final goodnight, all three of you with wide smiles. Putting your cloak back on, you took the back stairs that Penelope had pointed out. Just in case you ran into Varley anyway, you put your hood up. No one was on the street when you reached outside. Quickly, you scurried around the corner. It was nice to not have to climb the back gate of the Bridgerton house. 

Benedict smiled as you approached, opening the door for you. He backed up a little when you pointed an accusatory finger at him. 

“We are not staying up late. I would like to attend the picnic tomorrow bright-eyed.” 

“Understood.” 

You felt like a kid sneaking through the palace halls as you followed Benedict to his room. The other servants seeing you wasn’t a problem, nor most of the Bridgertons. You were a palace girl as far as they were concerned. You could do anything with anyone and it wouldn’t bring scandal or ruin as long as you didn’t try to publicize it. Being with a known rake wasn’t exactly strange. But you didn’t want Anthony to find you. Surely, he’d make Benedict marry you right then and there because he cared for your honor. A sweet gesture but one you couldn’t afford. 

Benedict barely let the door close before kissing you. You laughed as he didn’t stop even as you walked to the washroom. He only stopped to look at you through the mirror. 

“I thought I said we aren’t staying up late.” 

“We aren’t.” He lifted up your skirts. “You are getting ready for bed. I am merely assisting.” 

You felt your underdrawers get pulled down and breath fanned across your body. It was very hard to concentrate on washing your face, let alone the rest of your body, as Benedict went to town on you. He made good on his promise. After giving you a rest to wash his body and change, he made you come undone two times before changing into his own sleepwear. 

“Which side?” 

“The window.” 

“That’s not a side.” 

“Shut up.” 

You both took your respective sides. It took all of two minutes before embracing each other. Benedict bended his body around yours, one hand above your head and one over your body. He took your hand in his and kissed your cheek. 

“Sleep well.” Benedict looked down, laughing. You were already asleep. 

(part 7)....

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[ari-the-arotistic]

So I was thinking about pirates of the Caribbean, and each characters unique moral code and way of approaching life, as one does, when I remembered a particular scene about our beloved James Norrington... the very first scene in which Jack and James meet. Now, as a long time Sparrington shipper, I adore the Sparrington fandoms adopted head canon of Jack's compass pointing directly at Jack when James is holding it as having a romantic connotation too it, but this is Disney we're talking about, and a Disney from 20 years ago at that, so it is of course just a head canon. And while it is a beloved head canon, I will always be a writer before a shipper, and what that scene says about Norrington from a writer's perspective is far too juicy not to share... So buckle up for a very long meta post about who James Norrington is as a person, and how it was set up in this scene(and later reinforced in the second and third movie). This is my first real meta post, and I'm very excited for it, so let's jump right in.

First of all, the compass scene.

As we can clearly see in the image above, since the red line that points to the object of the holder's desires is no where to be seen, its relatively easy to conclude that it's hidden from our view by the sun dial in the middle, and thusly is pointing directly at Jack. Elizabeth is off to James's right, and no one is standing behind Jack, so unless the compass was pointing at something in the far off distance that just so happened to be in Jack's general direction(unlikely) its pretty clear what(or who) the compass is pointing at. For most potc fans, this is fairly standard knowledge. But it's what this fact says about Norrington's character that I'd like to focus on. After all, what does it say about a man that a compass that shows you what you desire most is pointing at a pirate, and the very face of piracy at that, instead of your canonical love interest, when you're a Commodore of the Navy? As stated above, Sparrington shippers often point at this scene as proof that James has a bit of a pash on the ruggedly handsome pirate, or at the very least, a thing for men. But from a writer's perspective, this just simply isn't the case, and not because the writer's in this instance are the notoriously homophobic corporation we call Disney. The reason why this is so unlikely from a writing perspective is because given the context clues, we as an audience are meant to draw the conclusion that this is the first time that they meet(I have heard rumors of them meeting as children in the books, but having never read them, and focusing only on the movies, I'm not including that in this post). And since this is the first time they've met, it's highly unlikely that the compass is pointing at Jack because James has a bit of a thing for him. Even if James has heard of Jack's many exploits, he does not truly know the man behind the legend, so having romantic feelings for the pirate at this point in time just isn't believable. And even if James was a closeted gay/bi man, it's still unlikely that the compass would be pointing at Jack of all the men around the Commodore(of which there is a lot, some of whom he is incredibly close with) seeing as Jack is the poster boy of piracy, and at this point in the movie it's made abundantly clear that James vehemently detests the notion and all who practice it. If James were to be holding the compass in Jack's vicinity in later movies and it still pointed at the pirate, an argument could definitely be made that it was because he had developed feelings for Jack, but for their first meeting, it's just not realistic. So it's much more likely that the reason the compass is pointing at Jack is because of James's desire to send every pirate he meets to "a quick drop and a sudden stop" as he so eloquently put it to a young Elizabeth. This is further reinforced in the third movie when it is revealed that Beckett's desire to have Jack dead at his feet would prevent him from using the compass to find Shipwreck Cove if the pirate was not already at the aforementioned location, or, well, dead. This is again, relatively common knowledge. But like I said before, it's what this fact says about James that is the whole point of this post... and that is that James cares more about his career than anything else, even the woman he claims to love. Now for some, that statement alone might seem like a pretty obvious conclusion, but it's how this scene subtlety sets up this core aspect of Norrington's character before we even truly get to know who he is, and how it's brought to it's full height in the second movie, and the core aspect of his redemption and subsequent death in the third that I'd really like to talk about. Which brings us to the next segment of this post...

How James lost his commission to the navy...

And how he got it back

So let's start off with how James lost his commission... it's a story we all know pretty well, and one he tells to Gibbs in the scene shown above, when he plans to either join Jack's crew or get revenge on the man that(he believes) ruined his life. After Jack's escape in the first movie, James grew obsessed with capturing the pirate, so much so that he foolishly followed the Black Pearl into a hurricane, resulting in the sinking of the Dauntless, and the loss of countless lives that had been aboard the vessel. It's unclear aside from James himself who had been on the ship at the time, and who did or did not survive, but the death toll was heavy, with most, if not everyone who wasn't James, having perished in the storm. While it is not the most extreme example(which we'll get too in just a bit), this is a pretty clear example of James prioritizing his career above everything else, even reason and logic. And all just to capture a singular pirate, even at the cost of his own ship and crew, and rather ironically, the very career that he had been so desperately trying to hold onto in the first place. Which brings us to the next scene I'd like to discuss... James stealing the heart of Davy Jones. This moment is the absolute peak of this part of James's character. This is the moment where James takes his obsessive need for his career to the max. This is the moment where James truly prioritizes his career above everything else, even the woman he claims to love(and for Sparrington shippers, above the man he's reluctantly come to care about). At this point in time, when James decides to take the heart for himself to regain his old station, he's been on the Black Pearl long enough to know the full situation. That Jack is in some kind of trouble with Davy Jones, and that if Jack doesn't use the heart to bargain for his freedom, then the Kraken will hunt Jack, and subsequently the Black Pearl, down until he and everyone aboard are dead. And that includes Elizabeth. And yet, despite knowing that stealing the heart would basically mean sealing Elizabeth's death, he still decided to do so. Sure, the argument could be made that he thought Elizabeth would be able to escape somehow, but the chances of her dying at sea, or some other terrible fate befalling her before she could safely make it back to civilization would have been highly likely. Of course we as an audience know that this isn't the case, but James does not. So essentially, James was so obsessed with his career, and maintaining the image of the honorable Commodore that he didn't even truly register that he was putting Elizabeth, the woman he loves and has been trying so desperately to woo for the past two movies, in danger. And he won't fully realize the consequences of his actions until the third movie, in a deleted scene no less(I swear when I find whoever decided to delete some of the most important scenes to James's character...), when Davy Jones informs Governor Swann of his daughters untimely demise on the Black Pearl. Of course, almost immediately afterwards, Beckett retcons that statement by informing the Governor that Elizabeth was recently seen in Singapore, but for a few minutes, James has to sit with the fact that Elizabeth was dead, and it was his fault. And even after learning that she was in fact still alive, James has now finally come to the realization that if she had still been on the Black Pearl when it sank with its Captain, he would've been the one to send her to her death. And for Sparrington shippers, James has to sit with the unavoidable fact that he was the reason Jack had died(even if the pirate does come back), despite the fact that it was Elizabeth's betrayal that was the final nail in Jack's coffin, since she wouldn't have had to do that if the Kraken wasn't after them in the first place. Which brings us to the final scene I'd like to discuss...

James choosing a side, and paying the price

Now, before we fully delve into this scene, I'd like to take a moment to talk about James's own perception of himself, and his relationship with honor and integrity. From the very first scene in which we meet James Norrington, we are made aware that he has a strong moral compass. He firmly believes piracy is evil, and that all who partake in piracy deserve a swift end. He perceives his Commodore persona as being the paragon of honor and integrity, and the sole arbiter of justice. We can infer from the line "By remembering that I serve others, Sparrow, not just myself" that James does have honorable intentions when ridding the world of pirates, that being protecting the innocent citizens under his care, but as seen once again in the first time James and Jack meet, wherein James adamantly tries to arrest Jack despite the fact the fact that pirate had just saved Elizabeth's life, his actions to achieve that goal are not always quite as honorable as his intentions are. This is especially highlighted once again when James gave Beckett the heart of Davy Jones. James's intentions here were once again rooted in honor and integrity - he believes that the only way to keep people safe from pirates is too return to his old station, to the image of honor and integrity he had built around the title of Commodore, and the only way to return to his old station is to give Beckett the heart. But the action itself was far from honorable, seeing as James had to betray the woman he loved just to obtain the heart, and that he was now putting it into the hands of a dangerously unstable individual who planned on using it to commit mass genocide.

And now, we finally get to the scene above... Of course, it's made clear throughout his scenes in the third movie leading up to this one that James is already starting to regret giving Beckett the heart after seeing the damage being caused, but since Beckett is targeting pirates specifically(although we as an audience know that Beckett's definition of pirate is very loose) James figures that the ends justify the means, as he often does in situations regarding piracy. It is not until his reunion with Elizabeth, where he learns that Governor Swann is dead, and that Beckett lied to him about the Governor's whereabouts, that James truly realizes the enormity of his mistake. It is in this moment that James has a sudden realization that fundamentally shakes him to his core, and is the reason behind his change of heart later on. He realizes that the honorable Commodore persona that he had tried to cultivate and keep a hold of for so long had never been truly honorable at all, and that by giving Beckett the heart of Davy Jones, he had effectively tied the noose around the neck of his own honor and integrity, as well as the necks of hundreds, if not thousands of innocent people, with his own hands. And as that one vine goes, this was the moment James knew, he fucked up. Which leads to his decision to change sides in an attempt to redeem himself, and his subsequent death in the process. Of course, part of James's reason for helping Elizabeth escape was that he does care for her, but given everything I've detailed about him so far, I think it's safe to say the main reason that James decided to help Elizabeth and her crew was because he wanted to undo the damage he had done, and he had faith that Elizabeth, Will, and Jack would have some sort of plan to defeat Beckett, and stop any further damage to come from his mistake. And now, for his death scene itself... As much as I love the idea of James surviving and joining the pirates(whether at Elizabeth's side or Jack's is unimportant), I firmly believe that his death was a necessary end of this part of his character arc, and that if he were to survive he would still have to go through a major ego death for this part of his character arc to end properly. Because as Bill turner drives that wooden pike into James's gut, it's not just the physical death of his body, but also the metaphorical death of Admiral James Norrington, and the ideals that James had used to build the persona out of. So even if James survived, the Admiral would still have to meet his metaphorical end, thusly causing James to lose a core part of himself that had been guiding most his decisions so far, in the process, which would start the next part of his character arc, where he would have to deal with the loss of a key part of his personality, and rebuild himself from the ground up to finally, truly become the image of honor and integrity he had envisioned from the beginning.

And that concludes this very long post. I could probably wax enough poetics about this aspect of James's character to write a short novel, but I've said everything important to this post, and if I go on any longer, I'm likely to start repeating myself lol. Thank you for reading, and feel free to share your thoughts in the comments or a reblog! I will always love hearing more about our polished peacock <3

[thecoleopterawithana]

Even though John is under-powered in this period we still see what made him so magnetic to Paul and to others around him. There is a scene early in Part Two that I find riveting. It takes place a couple of days after George has left. The status of everything - the project, the band - remains uncertain, but they are ploughing on for now. John, Yoko, Ringo, Paul and some of the crew are sitting in a semi-circle. Paul looks pensive. Ringo looks tired. John is speaking only in deadpan comic riffs, to which Paul responds now and again. Peter Sellers comes in and sits down, looks ill-at-ease, and leaves having barely said a word, unable to penetrate the Beatle bubble. At some point they’re joined by Lindsay-Hogg, and the conversation dribbles on. John mentions that he had to leave an interview that morning in order to throw up (he and Yoko had taken heroin the night before). Paul, looking into space rather than addressing anyone in particular, attempts to turn the conversation towards what they’re meant to be doing:

Paul: See, what we need is a serious program of work. Not an endless rambling among the canyons of your mind.

John: Take me on that trip upon that golden ship of shores… We’re all together, boy.

Paul: To wander aimlessly is very unswinging. Unhip.

John: And when I touch you, I feel happy inside. I can’t hide, I can’t hide. [pause] Ask me why, I’ll say I love you.

Paul: What we need is a schedule.

John: A garden schedule.

I mean first of all, who is writing this incredible dialogue? Samuel Beckett?

Let’s break it down a little. The first thing to note is that John and Paul are talking to each other without talking to each other. This is partly because they’re aware of the cameras and also because they’re just not sure how to communicate with each other at the moment. John’s contributions are oblique, gnomic, riddling, comprised only of songs and jokes, like the Fool in King Lear. Take me on that trip upon that golden ship of shores sounds like a Lennonised version of a line from Dylan’s Tambourine Man (“take me on a trip upon your magic swirling ship”). “We’re altogether, boy”? I have no idea. Does Paul? I think John expects Paul to understand him because he has such faith in what they used to call their “heightened awareness”, a dreamlike, automatic connection to each other’s minds. But right now, Paul is not much in the mood for it. His speech is more direct, though he too adopts a quasi-poetic mode (“canyons of your mind” is borrowed from a song by the Bonzo Dog Doo Dah Band) and he can’t bring himself to make eye contact. “To wander aimlessly is very unswinging,” he says (another great line, I will pin it above my writing desk). Then John does something amazing: he starts talking in Beatle, dropping in lyrics from the early years of the band, I Want To Hold Your Hand and Ask Me Why. (To appreciate John’s response to Paul’s mention of a schedule, American readers may need reminding that English people pronounce it “shed - dule”.)

What’s going on throughout this exchange? Maybe Lennon is just filling dead air, or playing to the gallery, but I think he is (also) attempting to communicate to Paul in their shared code - something like he loves him, he loves The Beatles, they’re still in this together. Of course, we can’t know. I can’t hide, John says, hiding behind his wordplay.

— Ian Leslie, "The Banality of Genius: Notes on Peter Jackson's Get Back" (January 26, 2022).

[I was curious to read more of Ian Leslie's approach to the Beatles in general and Lennon-McCartney in particular, since he's currently writing a book about John and Paul's relationship: “John and Paul: A Love Story in Songs". He's also the author of that New York Times opinion piece that came out today.]

[connorsnothereeither]

in a hyperthetical modern au, what tv shows or music you think your characters would like?

hmmmmm I’ve been cooking on this question since you sent it-

Ulysses: I feel like Ulysses is very folk music and blues, leaning into jazz maybe, when it comes to what he listens to. Maybe some classic rock in there, and I sometimes picture him listening to big band music from like,,, early 20th century, for some reason. I honestly really think,,, that Ulysses loves sitcoms and soap operas. I think he likes things like Friends, How I Met Your Mother, maybe even leaning into things like the Office. I think he fucking ADORES Grey’s Anatomy. If it’s not his favourite it’s close. Ulysses would find them comforting: long running shows with endless episodes. Something he could put on as a safety blanket because they’re like familiar friends. A season by season chronology of these characters lives; learning, growing, falling in love, discovering themselves. It’s the find of thing he writes about, after all. The history of peoples lives.

Virgil: Music wise, I think he listens to classical music a lot of the time honestly? I think he just likes it as background noise. The obvious answer feels like it would be true crime… but I don’t think so. I think Virgil knows true crime would be harmful for him to watch because it would feed his paranoia. But I think he LOVES quirky procedural dramas and monster of the week shows. Psych, Bones, Elementary, veering into the realms of Twin Peaks, X-Files, Buffy and Supernatural, even Gravity Falls. Things where there’s enough meat for him to sink his problem solving conspiracy brain into the lore, and the magic systems, and the week by week whodunnits, but fictional enough that he can, if he needs to, pull himself away.

Daniel Thorns: I think Dan in a modern AU would dig folk music a lot. I also think he’s a big fan of… whatever kind of horny yearning modern alt rock shit the can Dan & Neph playlist has going on lmao- but he probably has a soft spot for 2000s pop rock. In terms of TV… I don’t know honestly. I don’t think he’s the kind of guy to watch TV much. I think he likes,,, cooking shows. Great British Bake-off type beat. I think he puts them on in the background while he crafts and does leather working :)

Leopold: points at this 1920s bitch. That’s a Jazz Man. He likes Jazz. Even in modern day. In terms of TV shows, I think Leopold has a guilty pleasure for cosy mystery shows. Agatha Christie’s Poirot, Murder She Wrote, maybe even something like Only Murders in the Building. He just thinks they’re fun and cosy and he curls up with a hot drink and blankets on his big couch to watch them at night before he goes to bed. I think Daisy and Owen say they hate them and it’s cringey but will also get super engrossed walking by halfway through an episode, and up falling asleep on the couch with him while he watches them, and when he’s finished Leo carries them each to their room, despite the fact they’re like, fully 18 and 16.

C.W. Hare: This is gonna sound like a bad rabbit joke. But genuinely… I think he’d really like hip hop. Hip hop, R&B, potentially rap. I don’t know, there’s an energy to him that just screams it to me. TV show wise is complicated… I’m not sure honestly. I don’t think he watches a ton of TV by himself, but I think he will watch anything his friends put on because he wants to spend time with them and engage with the things they like. He’d watch anything J. Amp, or even Beckett, Artisan, or potentially even Jay puts on. He doesn’t watch the show for the show, he watches it to spend time with people.

[f1tales]

i was enchanted to meet you - cs55

i was enchanted to meet you || prologue

next part

pairing: carlos sainz x singer!ofc

summary: carlos and lennon meet in baku. everything changes after that.

author's note: i'm quite nervous to be posting this because it's the same trope as that's that me espresso. but i actually wrote this waaaaay before and i want to share it! it's part of a series, in my head at least. i haven't come anywhere near finishing but the vision is there in my head. this part is just the introduction to my ofc, hope you like it!!

faceclaim: none

Lennon Sage Abbott was eighteen years old when she released her first album, she named it Fearless. Not because she wasn’t scared of anything; she was. She was scared of many things. Like, telling her best friend she has a massive crush on him; telling her mother that she broke the expensive vase that her grandmother had gifted years ago; saying ‘no’ in general scares the hell out of her. We can go on and on; the list is endless.

She named the album Fearless cause for once in her life, she was saying everything she was afraid to say before. Except maybe about the vase; Lennon doesn’t think she’ll ever come clean to her mother about it. She confessed to her best friend that she thinks he’s better off with her and that she thinks his girlfriend is bad for him; although he will never ever know it’s about him. And if anyone asks, she’ll lie. She tells her mum about the best days of her life; tells her younger self that it’s not a shame to not have found true love at age fifteen and tells her red-headed friend Emma the same. She writes a song for her two best friends; Mason and Declan. She tells them about how proud she is of them; no matter how many setbacks they will face in their careers: because the walls that they put up to hold us back will fall down and the time will come for us to finally win.

She lashes out at her ex-boyfriend, the one she was with from age fifteen to sixteen. The one who promised her “forever & always”, but that never came. Who promised her he was her prince on the white horse (he wasn’t).  

To her parents, who strongly disapproved of Luke Hemmings. Yes, the Luke Hemmings from 5 Seconds of Summer. Lennon thought he was the one. She thought he was the love story she was looking for (he wasn’t). She just didn’t know that at the time.

So yes, for once in her life she feels fearless.

She feels like a new girl- no, a new woman when she comes off her Fearless tour. She’s working on her new album, Luke is long forgotten and for the first time in quite some time she has some time off. Her father had started his new job; his dream job. To work in Formula 1 was something Harry Abbott had dreamed about for as long as Lennon could remember. He wasn’t unhappy as physiotherapist for Chelsea FC, not at all. But Formula 1 is where he hoped to be one day.

So when Toro Rosso approached him for a job, the question was not if he’ll take it but when can he start?

Lennon was proud of him; he was following his dreams. Lennon herself didn’t care much for Formula 1. She’d much rather go and watch one of Mason’s matches; or Declan’s. Her brother Beckett however, was quite the opposite. Couldn’t care less about football and would much rather go watch cars go around in circles for about ninety minutes every Sunday.

However, Lennon is more than happy to accept her father’s invitation to come to a Grand Prix weekend. She hasn’t seen him in ages and would love to see him at work again. When Lennon was a little girl he used to take her to the training grounds in Cobham and just sit in a corner of his office as he worked. The players all loved her; sneaking in treats left, right and centre if they knew she was present. That’s how she met Mason and Declan. They played for Chelsea FC’s Youth Academy. To be honest, the two boys weren’t impressed with Lennon when they first met, but Lennon kept sneaking out of her father’s office to go and annoy the two boys. So much so that one day during the school holidays and Lennon couldn’t go with her father because she was home ill, the two boys couldn’t stop looking for her. Harry had to reassure them she was home with a nose cold but would be back to annoy them soon. Her words, not her father’s.

Anyway, we’re getting a bit sidetracked here.

It’s late April 2019 when Lennon’s life completely changes. When she is finally able to visit her father at his new job. In Baku. She hadn’t really heard of the city before, but she was happy to be there. Sorry, getting sidetracked again.

She watched the race; it was okay. She didn’t understand much of it. No, her life changes later that day. In the evening, to be more precise. She meets him in some nightclub in Baku. 

And everything changes. And nothing would ever be the same from that moment.

next part coming soon.

the divider is by @/enchanthings || original post

[autistic-danieljackson]

So here's what Stargate Atlantis: The Official Companion Season 3 has to say about Sunday:

"It's more complicated than anyone will ever know," says writer Martin Gero of why the decision was taken to kill off Carson Beckett. "It wasn't like, 'Hey, let's kill somebody!' It was for numerous, incredibly complex reasons, having to do with the show overall."

*cough* Ratings *cough*

For a long time, Gero had wanted to see the characters of Stargate: Atlantis in a situation very different from the perils they usually face. He wanted to see them during 'down time'; relaxing, enjoying each other's company and generally having a life not plagued by danger.

Martin Gero, the writer we deserve.

"For a couple of years Martin had wanted to do an episode about a day off," recalls executive producer Brad Wright, "a non-urgent mission. And I said 'Well, I love that as the backdrop...and then something incredibly dramatic happens!' Because I don't think the audience wants to watch anyone sleeping. A day off that is un-dramatic and does not have a huge event centered around it is not going to be that good."

Listen. I don't know about anyone else but I know this is mine and many fan-fic writers' dream. I want to see every bit of a characters life. I would've watched 15 episodes about the characters having lunch and playing board games and hanging out. There is literally nothing more I want to see than my favorite characters having a good time. Just say it's for the ratings, don't try and put this on the audience. Alright, enough of my interjection back to the book.

"I had been pitching this day off episode forever," says Gero. "Brad said, 'This is a dangerous place. There are no days off in Atlantis.'"

Again, bullshit but I'll hold my tongue.

Then there's a bit about how they decided to write things and film things and the different processes they went through. Then more from Martin Gero at the end:

"Usually when we show the director's cut of shows up here [in the production office], it goes through the gauntlet of people making fun of it. That's harsh, but it's an important part of the process because you need to know what doesn't work. And the more vocal your audience, the better, so that when the producers go down to do the final cut, we can try to make the episode better. That started, and then for the last three acts there was really complete silence. When the lights came up, I turned around and Brad was crying. Everyone was just very somber. It was awful that we had to do it, but Brad thinks it's the best episode of Atlantis, period."

No one made you do this!! In fact, we all would've liked very much if you hadn't done it!

After the breakdown of each episode, there's a little report on each main cast character and a blurb about the recurring cast as well as sections about the making of the show. Here's some from Carson's report:

McGillion reveals that whatever shock the audience felt when they learned of Beckett's demise, it was nothing to his own. "It was absolutely not my decision to leave the show," he says plainly, remembering how he heard the news. "We shot 'Phantoms' on location. We came back for one day to finish the episode on the stage, and one of the ADs asked me to go up to the office because [executive producer N.] John Smith wanted to talk to me. I thought, okay, maybe they saw the dailies for 'Phantoms' and they're really happy with my work. Maybe they want to say, 'You did a good job,'" he recalls. "I did not see it coming at all. We went to Brad's office and it was myself, John, Brad, and Robert. I have to have respect for what they did - they called me to the office and told me in person that they wanted to shake things up with the show and unfortunately they had to kill a character off. It had to be somebody of significance so that the fans would have a reaction to it. And my number came up. I was shocked, to be honest with you, and I was disappointed because I love working on the show and I've had some great relationships with the cast and crew."

Wanted. to. Shake. Things. Up.

For McGillion, filming Beckett's final episode after three years of working with the same cast and crew was, understandably, not easy. "It was very difficult to shoot, especially that last scene with David."

Stop I'm crying again 😭

Then it's talking for a bit about how Paul had to come back to film a bit after 'Sunday' and that the last things he filmed were for 'The Ark.'

"I forget exactly what the scene was. I was kind of blurred that day because I knew it was my last day and no one else did," the actor recalls. "I didn't want anyone else to know because I'm somewhat like Beckett, I wear my heart on my sleeve and I didn't want to get emotional. Martin [Wood] shot 'The Ark', and [he and] Alex Pappas, who is the greatest AD that we have, were going to make a little announcement: 'This is a wrap on Paul for the show.' I asked Alex not to do that, because I just couldn't deal with that at that point in time. I didn't even tell the cast. We shoot so much out of sequence that no one knows when it's someone's last day. So I left and I saw Rachel [Luttrell] and told her. David had left [so] I called him to let him know. The next night all the cast went out for dinner, so that was nice. It's tough, but I'd rather just go out quietly."

Real life Carson Beckett, I love him so much 🥺

But that's about what it says on the episode. I know people have been saying this forever but I like to get it from the source as well. I am even angrier now than I was before which I truly did not think was possible.

If you like behind the scenes stuff, I think this is a great book! I'm going to follow along when I do my Atlantis watch-through, there's a lot of great stuff in here. Would recommend if you can get your hands on it, even if it does make you extremely angry at times. 😂

[aviradasa]

Welcome to my masterlist

REQUESTS ARE OPEN

{Picture from Pinterest}

Shows:

The umbrella Academy

Supernatural

The walking dead

Miraculous ladybug

How to train your dragon (all spin-off shows)

The dragon Prince mysterys of Aaravos

Once upon a time

Anime:

Tokyo ghoul

Death note

My hero academia

Movies

Van helsing 2004

Hellboy 1 and 2

Labyrinth 1986

The MCU as a whole (Marvel cinematic universe)

Same with the DC universe

Avatar 1 and 2

Pirates of the Caribbean (all movies)

Games

Lord of the rings (lotr)

The lost boys (trilogy)

Sally face

Call of duty

Skyrim

Legend of Zelda breath of the wild/ tears of the kingdom

Assassins creed 2

Stardew valley

Books

Creepypasta

(Work in progress I’m reading a lot more recently so give it time any book suggestions are welcome.I’m a huge fantasy fan!!!)

Bands:

Ghost

David Bowie

Mcr

(I’ll add more here once my will to live dies again.)

Characters I will write for:

The umbrella academy:

Luther

Diego

Allison

Five

Klaus

Ben

Viktor

Lila

Marcus

Fei

Alphonso

Sloane

Jayme

Supernatural:

Sam

Different characters react to you stoned/couch logged

Dean

Different characters react to you stoned/couch logged

Castiel

Different characters react to you stoned/couch logged

Lucifer

Different characters react to you stoned/couch logged

(I'm only on season 5 so if you want more characters let me know and I'll do my best!)

The walking dead:

Rick

Daryl

Different characters react to you stoned/couch logged

Glenn

Maggie

Michonne

Negan

Carl

Rosita

Abraham

Ezekiel

Carol

Miraculous ladybug:

Marinette

Adrian

Luka

Julika

Nino

Alya

Chloé

Kim

Sabrina

Jagged stone

Meeting the kids jagged stone x fem!reader HC

Rose

Nathalie

How to train your dragon:

Hiccup

Astrid

Ruffnut

Tuffnut

Snotlout

Fishlegs

Heather

Eret

Dagur

The dragon Prince, mystery of Aaravos:

Aaravos

Love long lost Aaravos x Fem!reader pt 1

Love long lost Aaravos x Fem!reader pt 2

Love long lost Aaravos x Fem!reader pt3

Love long lost Aaravos x Fem!reader pt4

The sight of two stars Aaravos x Startouched elf! Reader

Aaravos introducing you to his daughter pt 1

Aaravos getting ready to propose to you with the help of leola Pt 2

Teenage!leolas first partner is human! How do you and Aaravos react?

You and Teenage!leola sync up during that time of month. Aaravos is done

Callum

Rayla

Claudia

Viren

Soren

Janai

Nyx

Ibis

Amaya

Corvus

Gren

Terry

Once upon a time:

Mr.Gold ( Rumpelstiltskin )

Captain Killian ‘Hook’ Jones ( Captain hook)

Emma Swan

Regina Mills (the ‘Evil’ queen)

Mary Margaret Blanchard (Snow white)

David Nolan (Prince charming)

(work in progress)

Tokyo ghoul:

Ken kaneki

Touka kirishima

Nishiki

Uta

Yomo

Juuzou

My first juuzou x reader hcs

(Lemmi know who else yall want)

Death note:

L

Light

Misa

Ryuk

Rem

Mha:

Deku

Ochaco

Ida

Asui

Todoroki

Shinsou

Toru

Yaoyorozu

Bakugou

Kirishima

Denki

Mina

Jiro

Sero

Tokoyami

Shoji

Koda

Sato

Ojiro

Aizawa

Mic

Hawks

Midnight

Mt. Lady

Shigaraki

Dabi

Mr. Compress.

Toga

(Pretty much anyone 😭 just use common sense and shit.)

Van Helsing (2004):

Dracula

Aleera

Marishka

Verona

Gabriel Van helsing

Anna valerious

Velkan valerious

Carl

Hellboy 1 and 2 (live action 2004-2008 movies)

Hellboy

Different characters react to you stoned/couch logged

Abe

Liz

John

Prince Nuada

Different characters react to you stoned/couch logged

Princess nuala

Labrynth 1986

Jareth the goblin king

Marvel:

Peter Parker

Thor

Loki

Tony Stark

Dr, Stephan strange

Wanda

Bucky

Natasha

Nick Fury

Bruce banner

Steven Rodger

DC:

Bruce Wayne

Barry allen

Oliver Queen

Clark kent

Robin

Starfire

Raven

Cyborg

Beastboy

Joker

Harley

Poison Ivy

Catwoman

Avatar 1 and 2

Jake sulley

Naytiri

Neteyam

Lo’ak

Kiri

Miles Quaritch

Javier “spider”

Aonung

Grace

Pirates of the Caribbean:

Captain jack sparrow

Captain Hector Barbossa

Will Turner

Elizabeth Swan

James Norrington

Bootstrap bill turner

Davey jones

Lord Cutler Beckett

Calypso ( Tia Dalma)

Lord of the rings/the hobbit (lotr)

Legolas

Aragorn

Sam

Frodo

Pippin

Merry

Boromir

Faramir

Arwen

Gimli

Éowyn

Sally face:

Elrond

The lost boys

Michael

David

Dwayne

Paul

Marko

Star

Max

sal fisher

Sal,Larry,ash (separately) x reader Makeout hc

Larry and sal (separately) x Chubby!fem!Reader Hcs

Sal x fluttershy like reader hcs

Larry johnson

Sal,Larry,ash (separately) x reader Makeout hc

Larry Johnson general hcs

Larry and sal (separately) x Chubby!fem!reader hcs

Ash

Sal,Larry,ash (separately) x reader Makeout hc

Call of duty:

Ghost Mw2 and 2009

König

Soap

Price

Graves

Skyrim:

Cicero

Astrid

Arnbjorn

Farkus

Vilkas

Aela

Balgruuf the greater

Legend of Zelda Botw/totk:

Link

Zelda

Mipha

Daruk

Revali

Sidon

Urbosa

Kass

ganon

Assassins creed 2:

Ezio

Stardew valley (Sdv):

Alex

Elliot

Harvey

Sam

Sebastian

Shane

Abigail

Emily

Haley

Leah

Maru

Penny

The wizard

Caroline

Dwarf

Jodi

Kent

Krobus

Robin

Pierre

Sandy

Ghost:

Papa Emeritus 1 (primo)

Papa Emeritus 2 (secondo

Papa emeritus 3 (terzo)

Papa emeritus 4/cardinal copia

Swiss

Aether

Mountin

Phantom

Aurora (we have the same name irl lol)

Rain

Cirrus

Sunshine

Cumulus

Sodo

Dewdrop

David bowie(going by era current stage persona):

Ziggy stardust

Aladdin sane

The thin white duke

Major tom

David bowie

My chemical romance

Gerard way

Party poison

Mikey way

Kobra kid

Frank iero

Fun ghoul

Ray toro

Jet star

I will add Other characters to any of these lists if you would like to request a character go on ahead!

What I will write/Rules:

Rules:

No bullying or harrassment to anyone or groups of people in the comments. BE NICE TO OTHERS

No homophobia

No racism

No hatred

What I will write:

Fluff

Angst

No self harm. I've struggled with it in the past and still sometimes do so I won't write for it

Smut

(FOR SMUT I WILL NEVER EVER ERITE ANYTHING LISTED BELOW)

No Pe*o*hili* (this includes age play)

No R@pe

No Necro

No poop or pee shit

If there is anything else I find out exists that I don't like I will add to this list.

IF YOU REQUEST THESE THINGS YOU WILL BE BLOCKED AND REPORTED.

Lemon

Anything you want I will add

I don't write for Male readers anymore. Due to some uncomfortable and unnessasary comments and requests. I apologize for this. I will write for trans folks though

PS. When requesting please be specific to what fandom/character you want(I will do crossovers.) just so I can make sure to get everything right for ya!

[junkdrawerfics]

the flustered detective

Kevin Ryan X Reader

Listen, I know this isn't Twilight, and I know this is like, a super random character that probably has such a small following, but I love him sooooo much, and had to write for him. So sue me, I'll probably write more for him.

Summary: You make Detective Ryan very nervous and everyone knows it. Even you. So yah, that's it, just a cute little fic about flustered Ryan.

Word Count: 1001

---

“Just go talk to her, man.”

Ryan jumps, jolted from his thoughts as his partner slaps him on the back. He casts Esposito a scowl, straightening his ruffled vest.

“I can’t just…talk to her,” he sighs out, defeat burning behind his tone, “I can barely get a word out when she’s around me!”

“I know,” Esposito snickers, “it’s pretty pathetic, actually.”

The glare leveled at him is deadly. Esposito holds his hands up defensively, inching away with a smirk still glued to his face.

“Sorry. Just saying. You need to man up and grow a-“

“What does Ryan need to do?” 

The sound of high heels clicking along the precinct floor makes both men go stock still. Beckett rounds the corner of her desk, fine brow raised as she lets her gaze drift between the two detectives. Castle pops up behind her, smiling ear to ear, which is never a good thing.

“I believe Espo here was trying to give our friend, Ryan, a little advice on his women troubles,” he hums, eyes crinkling at the corners. “Don’t worry, Ryan, I’m sure we can-“

“No, no no,” Ryan jumps to his feet before Castle can come up with another wild concoction of a plan. “I do not need advice from you-“ He points a finger at Javier and then spins to Castle. “And I definitely don’t need help from you, mister three divorces.” 

“It was two actually…” the writer mutters, looking at his shoes like a kicked puppy. 

Ryan gives him a pointed look, as if what he said sounds any better, “My point exactly. Listen, guys, I’m fine! I am perfectly capable of talking to (Y/n) myself.”

“Talking to me about what?”

The group freezes. Except Kate, who watches over the rim of her coffee cup, eyes dancing with amusement as Ryan goes beet red. You glance between the four, eyes wide with confusion as the men pass each other “looks”. They’re always so secretive, like they’re kids trying to carry out an awful plan. It’s more endearing than it is insulting, though. Esposito makes a show of shoving Ryan’s shoulder, making him face you before he saunters off to the break room.

“What’s going on, Ryan?” You ask as Beckett drags Castle off by the ear, against his dramatic protests.

“Oh, uh, with, with us? Nothing, we just um,” he coughs, blush spreading all the way to the tips of his ears. How cute. You fight back a smile, settling with a look of amusement that only seems to fluster him more. “We were just talking about a case! Yah a case. And I was going to…ask for your help?”

“Really?” You hum, head tilting ever so slightly. Ryan’s jaw clenches and he nods, lips pressed together tightly. You almost want to tease him a little more, see how far the blush goes, but you’re afraid his poor heart might give out. “Okay. I can help with your case! As long as Kate’s onboard.”

“Yah, yah, she, um, she’s totally onboard.” Ryan cringes at the lie. Hopefully Beckett won’t mind. 

“Great!” You smile, sticking out your hand. “I look forward to working with you, Detective Ryan.”

He nods again, rushing to take your outstretched hand. You giggle as he fumbles. Heat creeps up Ryan’s neck, and man, he wishes he could just say something smooth like Javier, or witty like Castle, but all he can do is laugh awkwardly, heart racing a mile a minute. Just because he’s holding your hand.

He’s a grown man, he chastises himself, a detective for the NYPD. He can break down doors and take on criminals, hell, even face torture, but the feeling of your hand in his? That’s what makes him crumble.

The man looks to be seconds from passing out, you realize, chest aching with something fond. You give his hand a gentle, reassuring squeeze.

“Hey,” you whisper, and those gorgeous blue eyes snap up to yours, wide and uncertain in a way you’ve never seen. It makes your chest ache even worse and your smile turns uncharacteristically soft for just a moment. “Easy tiger. You're doing great.”

That seems to help. Ryan forces his muscles to relax, taking a deep breath and nodding slowly. You give his hand one final squeeze. Your hands are so small compared to his, and not covered in calluses or scars, a thought he tries not to linger on as you slip away back to your desk. Just in time for his team to make a reappearance.

“Sooo?” Javier leans in front of him, eyebrows wagging, “What did you say, mister ‘I can talk to her myself’?”

“I um.” Ryan passes a hand over his neck, trying to get rid of the tingling sensation in his palm. Or maybe trying to lock it in his memory. “I may have…invited her onto the case?”

His partner's face falls. Esposito shakes his head, muttering disappointment under his breath, “Are you serious, man?”

“Yah, are you serious?” Kate presses, faking a frown. It’s impossible to be mad after watching that…ordeal play out. But she’s not one to miss an opportunity to mess with them. Just a little payback.

“It just-“ Ryan slumps back into his desk, shrugging his shoulders in defeat. “-happened. I didn’t know what else to say, okay? I just- I have the words in my head, and then she’s in front of me, and it’s like-“ He purses his lips, blowing out a sigh of frustration.

“It’s like everything gets scrambled and nothing fits together anymore,” Castle murmurs (casting a knowing glance towards Beckett, who returns it with a warning glare).

“Exactly. I just…I like her so much, you know?”

“Nope.”

Ryan just about socks Esposito in the face, glowering up at him, “Very helpful, Javi.”

“I understand, Ryan,” Kate offers.

“You do?” He perks up hopefully.

“Yah. I remember I had a hard time talking to this one guy I really liked…you know, back in middle school.”

Ryan groans, “I have no sanctuary.”

---

When I tell you I would die for this man-