#i just hope it goes well | Explore Tumblr posts and blogs

stellewriites · 3 months ago

Text

PART ONE

summary: by chance you and your emotionally unavailable husband meet a friendly couple that invite you stay at their farmhouse in scotland. however the time spent there with johnny & kyle has you questioning if there's a dark side to them you didn't see before.

a speak no evil au - masterlist

notes: manipulative johnny & kyle, piv, noncon, somno, never explicitly acknowledged abusive relationship between reader and her husband (financial, physical, emotional, coercive control), drinking, murder, it's dead dove horror people!! heed the warnings

you picked at the buttery croissant on the plate in front of you, trying your best to block out the sound of your husband’s voice as it grew more frustrated by the minute. you pitied the poor soul he was berating on the other end of the line, but you couldn’t bring yourself to feel bad enough to try and stop him, to turn his ire against you instead.

he wouldn’t listen to you anyway, hadn’t the first few times you’d asked when you’d first arrived on your honeymoon.

you scoffed quietly and shoved a bite into your mouth, chewing obstinately. two years late, but sure. your honeymoon.

elliot sighed heavily, and threw his phone down onto the table, rattling your coffee and gaining the attention of nearby hotel staff. “i work with fucking idiots, christ. how hard is it to follow instructions?”

“it’s why they keep you around, smartest one on your team,” you said appeasingly, the same rote answer you always gave him when he got in his moods.

“smartest one at the whole fucking firm more like,” he scoffed. you cringed at the scornful looks sent your way from the other couples on the retreat. “useless. the lot of them.”

the french riviera had been a dream destination for you for years, one elliot had known about from early in your dating days. the holiday he’d booked was all inclusive; tailored to honeymooners specifically with romantic activities on and off site and transport easily accessible in order to explore the area.

you felt as though you should’ve been having the time of your life as you sat eating breakfast looking over the beautiful beach view, but you’d never felt emptier. the sight of happy couples around you day after day had only highlighted your husband’s distance.

elliot had promised this trip would change things for you both, for your relationship, but the last six days had proven the opposite. if he wasn’t busy and distracted on his phone, elliot was complaining about the quality of the food, the amenities, even the bloody people.

it was too much and just the morning before you’d been tempted to ask him to cut the fortnight away short when he’d gotten an urgent email and then a frantic call from his boss.

you’d sighed in relief when he’d left you to wander the local area by yourself for the day; happy to escape his negativity for an hour even as you felt guilty for thinking so. you knew he worked hard, you knew his job was important, and his work meant you could afford your luxury apartment in London and be able to take trips like this one without stressing over the cost.

you’d taken the time to go to the market you’d read about on the plane, the place des lices, and tried every free sample of cheese that had been waved your way once you’d gotten there. but you hadn’t been the only one from your hotel to take advantage of the famous food stalls as you recognised the deep scottish brogue of one half of the couple that were staying in the room next to yours; it rose even above the busy hum of french chatter easily.

you’d turned your head and smiled when you caught his pretty husband’s eyes before turning back to the stall merchant and buying a chunk of fresh camembert for elliot to try. you’d been eyeing up the fruit stall further down and were debating the brie too if you spotted some good cranberry jam.

“you’re from the hotel, right?” you suddenly heard from your left. you turned to find the couple a lot closer than before, apparently taking your polite smile as invitation to join you. “i’ve seen you at the pool before. I’m kyle, this is my husband, johnny.”

“nice t’meet ye.”

you’d introduced yourself and shook their hands once your cheese was carefully packed into your tote bag.

“where’s yer chatty husband?” johnny asked, eyes scanning the crowd.

you flushed, a creeping sense of embarrassment rising as you thought of elliot back at the hotel shooing you off before you’d even sat for breakfast.

“oh he had some emergency at work he had to deal with,” you excused. “didn’t need me hanging around distracting him, so i went for a walk.”

“you’re on your own?” kyle asked with a concerned frown.

“yeah, but i don’t mind. i travelled alone a lot before we were together. i’m used to my own company,” you said with a soft laugh.

the pair swapped a silent look before focusing back on you. “well, we’d be happy to have ye if you’re feeling lonely, bonnie,” johnny offered. “we were thinkin’ of goin’ wine tasting after this now that we’ve got our snacks, if you’d like to join.”

you chuckled as johnny raised their bag and wiggled his eyebrows.

“i wouldn’t want to intrude.” you shook your head.

“it beats heading back to the hotel,” kyle cajoled. “unless you had other plans?”

you pursed your lips before letting a small, shy smile grow. “ok. wine tasting sounds fun.”

you had spent the afternoon laughing and eating the cheese, bread and fruits you’d bought at the market over glasses of wine with johnny and kyle, a wide smile never leaving your lips even as the three of you stumbled back up the steps to the hotel.

your phone had stayed silent the entire day and it wasn’t until you were waving goodbye to your new friends and opening the door to your hotel room that you wondered if elliot would be annoyed at you for staying out so long without contacting him.

you smiled a little shakily as you caught him leaving the bathroom with a towel slung around his hips. “good day?”

“fixed their mess if that’s what you mean,” elliot huffed, but he turned to you with a satisfied smile and nodded. he dipped his head down and kissed you sweetly. “what about you? good day?”

“mhm,” you hummed, your smile settling more firmly on your face at his easy mood. “i went wine tasting.”

“oh?” elliot grinned, looking at you a little closer and taking in the signs of your slight inebriation, the way you swayed slightly on your feet and the almost sleepy glaze over your eyes.

“met a few new friends,” you said. “johnny and kyle.”

elliot stiffened for a moment before smiling again, less genuine and with a sharper edge this time. “oh? that’s nice. i’ll be free to spend the day doing whatever you’d like tomorrow, darling. no need for friends on our honeymoon.”

“you will?” you asked as you started to undress, surprised he wasn’t asking for an extra day to check everything with work had settled. you didn’t look the gift horse in the mouth however. “there’s a great market i saw today we could go to. i wouldn’t mind going twice, the cheese is amazing—“

“sure, sure. fine. let’s just sleep now, yeah? i’m exhausted after today,” elliot interrupted as he dried himself off before climbing into bed.

“of course, yeah. we can figure it out over breakfast.”

which brought you back to now, with your croissant and your husband and your beach view and the ever growing pit of disappointment.

you skimmed your eyes over the other couples sat on the veranda with you and felt jealousy bubble and spit in your stomach. it was the small things you longed for, the easy affection you craved; legs hooked together under the table, feeding each other, shy smiles shared behind mugs, little jokes whispered on the breeze.

you felt tears prickle at your eyes unexpectedly and wiped at them hastily before elliot could notice.

“bonnie?” your head whipped up at the familiar voice and you smiled automatically at johnny and kyle as they made their way over. johnny was in a pair of shorts, and you saw a knee brace peek out from the hem.

“mind if we join you?” kyle asked, already pulling out a chair at your eager nod, ignoring the deep frown on elliot’s face.

“and you are?” elliot asked rudely, looking between the two men.

“this is johnny and kyle, the couple i told you about last night.” you laid a gentle hand on elliot’s forearm.

“oh, the wine tasters. right.”

“heard you were busy saving yer boss’ arse yesterday,” johnny said with a pinched smile. “yer bonnie wife didnae mention what ye did though?”

“i work for a powerful man looking after his money,” elliot explained vaguely, with an air of condescension.

you noticed kyle wave over a waitress and quietly order for both him and johnny, his palm settled firmly on johnny’s thigh beneath the table.

“oh aye? tha’s a lotta responsibility then. no wonder yer always looking so stressed on yer phone,” johnny laughed.

“oi, be nice, john,” kyle scolded, but the smile teasing the corner of his lips took away any bite the reprimand held.

“sorry, uh, emmet, was it?”

“elliot,” you corrected quickly.

johnny snapped his fingers and nodded. “right, right. sorry, my memory’s not what it used to be.” he waved at a rough scar at the side of his head.

“so how long have you two been together?” kyle asked as their drinks arrived. you saw elliot sniff at the vast amount of sugar kyle poured into his tea.

“five years,” you answered at the same time elliot answered, four years. you turned to him with a frown. “we’ve been married for two. we met before your promotion, remember?”

“are you sure, darling?” elliot asked.

“yes, elliot. i’m sure.”

kyle and johnny watched silently, eyebrows raised until you turned back to your croissant with a tense jaw.

“time flies ‘n all that,” johnny said, hoping to ease your tension.

“right.” you nodded. “what about you guys? been together long?”

“been stuck with him for a decade now,” kyle huffed, patting his hand on johnny’s leg.

“been blessed by me, more like, cheeky sod,” johnny muttered.

you laughed as kyle leant in to kiss his cheek obnoxiously. “met in the forces, just clicked.”

“been together ever since i caught him starin’ in the showers,” johnny boasted with a grin.

elliot shifted uncomfortably in his chair and johnny’s grin dropped minisculely and his eyes hardened.

“what’re yer plans today then, bonnie?”

“oh, uhm, we’re not quite sure yet,” you said looking to elliot. “maybe the market since elliot missed it yesterday?”

“you should join us on our cruise along the coast,” kyle said. “just us and the captain, and a fair bit of booze; views are meant to be unmissable.”

“sounds better than a market,” elliot chuffed before shrugging. “sure, why not?”

“really?” you were more than surprised elliot was willingly agreeing to spend more time with kyle and johnny given how on edge he’d been just sat with them the last ten minutes.

“what d’ye say, bon?” johnny leant over the small table with a smile, taking up enough space for you to feel surprisingly cornered.

“pretty hard to say no to ‘unmissable’,” you said and forced a laugh.

“great,” kyle said and johnny slumped back into his seat, throwing an arm around the back of kyle chair. “we’ve got an hour before we’re meant to be there so eat up, love.”

elliot bristled at their familiarity with you and wrapped his own arm around the back of your chair, his hand curling around your shoulder and squeezing just a tad too tight. “she’s already eaten.”

“what, that little pastry?” johnny laughed. “you’ll need yer energy for what we’ve got planned, hen.” johnny winked.

you felt yourself flush involuntarily, your heart thumped and your eyes widened at the accidental insinuation and you knew elliot had heard it the same way going by the agitated tap of his leg beneath the table.

“i’ll probably just have another coffee,” you said placating, and smiled thinly when elliot kissed your temple. “i can grab something for on the boat or afterwards maybe.”

“that’s my girl,” elliot spoke into your hair.

---

while kyle and johnny finished up their breakfast, you nipped back into your room to change into your swimwear underneath your dress and met them along with elliot at the steps leading down to the beach.

once you’d left the dock and were deep enough in the water that it became a mesmerising dark blue, it didn’t take much convincing to have you jump in the water with johnny as the boat idled in place. elliot had waved you off with a dismissive glance at his phone when you asked if he’d join and kyle had promised to have the towels ready when you’d both ran out of energy.

“not joining them?” elliot asked, sparing a quick glance at kyle as he sat down next to your husband.

“figured i’d keep you company ‘til johnny climbs back on board. we’re temporary neighbours after all, yeah?” kyle said. he looked over the side of the boat and shook his head at his husband splashing you despite your giggly squeals of outrage. “married for two years?” he asked out of the blue and waited for elliot to hum his agreement. “what you doing on a honeymoon trip then, if you don’t mind me asking?”

elliot sighed frustratedly as he locked his phone and put it down beside him, knowing he was going to get nothing done with kyle yammering by his side. “we’re busy people, only just found the time together to go.”

kyle raised his eyebrows in shock. “busy indeed.” he looked to elliot’s phone. “got any photos of the wedding?”

elliot nodded once, and not enthusiastically enough for kyle’s liking, as he pulled up the photo folder you’d made on his phone titled ‘happily ever after 🩷’ before handing it to kyle to flip through.

the younger man whistled lowly, eyes glued to the screen as he pinched and moved the photos to zoom in. elliot noticed how he paused on the photos of you, but flicked through the others quickly, not bothering to stop quick enough to take in your bridesmaids’ dresses or the expensive tiered cake or elliot’s flash suit.

he snatched his phone back when kyle licked his lips at a photo of you dancing with your friends.

“lovely gown,” kyle said with a smirk as he watched elliot seethe. “you really got lucky, eh? punching up like that.”

elliot’s eyes squinted in a glare. “excuse me?”

“come on, mate. you can be honest, it’s why you worry about the job, right? you want to keep that going for you so she doesn’t leave you in the dust,” kyle continued to goad him.

“it’s not me that needs to worry about being left behind,” elliot spat. he rubbed his hand over his mouth and jaw to hide his burgeoning smug look, but kyle saw it in his eyes, the self-satisfaction. “i’ve got options. plenty at that.”

kyle stared at him with a blank face. “oh yeah?”

elliot laughed meanly and dropped his hand. “oh yeah.” he tapped his phone against his palm for a moment, seemingly debating something before freezing as he heard you and johnny climb the short ladder back up to the deck, laughing all the while.

“done in already?” kyle asked, his mood already lighter.

“johnny’s knee is aching, thought he could rest it and we’d get a quick drink,” you answered with a wide smile, reaching for one of the beers stored in the boats built-in cooler and handing one to johnny.

“bonnie was jus’ telling me how she used to live in a much smaller area when she was younger,” johnny said as you both sat down opposite to your partners. “but you live in london now?”

“what is it with you two? always asking bloody questions,” elliot complained, hiding his unease behind a laugh.

“just making conversation, mate,” kyle said tersely.

you felt the air grow awkward and jumped in before your husband could make it worse.

“we moved to london for elliot’s work,” you said.

“and you like it?” kyle’s inquisitive, dark eyes had you willing to be more truthful than you would usually be, especially with near strangers.

“i have to admit… i’d always thought we’d be somewhere further from the city; its what i’d always wanted and elliot said he’d liked the idea of somewhere quieter. we met in my home town after all.” you caught elliot’s scornful eye and ducked your head. “but it just didn’t go that way in the end. and london is lovely, the apartment is— lovely.”

“you ever been to scotland?” johnny asked. “the countryside is like nothin’ you’ve ever seen up there.”

kyle nodded. “we’ve lived on the edge of falkland for a few years now; feels like the middle of nowhere sometimes. doesn’t get much better, i haven’t missed the city for years.”

“one of the best decisions we ever made,” johnny agreed, leaning over to kiss gaz softly.

you sighed wistfully.

“don’t think the hills would agree with my dear wife, but maybe we’ll take a trip up there some time,” elliot said unconvincingly. you swallowed thickly at his thinly veiled dig.

“when you’re not so busy, yeah?” kyle said staring your husband down.

elliot’s lips thinned. “yeah.”

“so how’re you finding france so far?” johnny asked. “enjoying yer stay?”

elliot sniffed. “could be better. from how this one went on about the place i was expecting a hell of a lot more,” he said snidely, gesturing to you flippantly. “i’d have picked bali personally.”

your shoulders hunched even as you felt indignation and anger burn the back of your throat. it wasn’t your fault elliot wasn’t taking advantage of the holiday, the lush area and the activities that promised to be unforgettable if given the chance. you knew you’d remember going in the sea with johnny for years to come, but you doubted you’d remember the boring dinners you’d been having with elliot in a month’s time, or at least not so fondly.

“think i’d have put the trip off for longer if i knew what this place was going to be like,” elliot laughed. “in fact—“

“why don’t you shut the fuck up fer once and let yer pretty wife speak, eh?” johnny cut him off with a sarcastic smile.

elliot was shocked into silence and you found yourself stuttering as kyle and johnny focused on you.

“what do you do when you’re not on a late honeymoon, love?” kyle asked.

“uhm, i don’t actually work currently,” you admitted sheepishly, your eyes darted to your husband as he grew redder in the face. “elliot makes enough to cover us financially and finding something in london was harder than expected after i had to suddenly quit my previous job when we moved.”

kyle and johnny cooed sympathetically.

“i’ve picked up painting recently though, which has been different. not necessarily any good at it, but i like it,” you said.

“an artist? yer after my heart, hen. i sketch a little myself,” johnny said. “now ye’ll have to come visit us just so you can paint the views.”

kyle was quick to pull out his phone to share some photos. he stopped on one of johnny on the top of a steep, grassy hill; his arms thrown up the air, backpack on the ground next to him and a wide grin stretched across his face, his mohawk a little longer than it was now and a mess in the wind.

“wow, it’s gorgeous there,” you gushed, trying not to focus on johnny’s strong stance highlighted by the rising sun behind him.

“that’s the view just behind our house,” kyle grinned. “forty minute hike to get there, at most.”

you gawped. “no way.”

johnny nodded.

“think you’re maybe overestimating her painting skills there, boys,” elliot snickered as he looked at the photo. “if you saw what she’s done so far you’d realise it’s definitely just a new hobby.”

“show us,” kyle suggested kindly, not bothering to look at elliot.

you hesitated before reaching for your bag and pulling out your phone. you handed it over with a shy smile.

“oi, these are good, bonnie,” johnny said immediately, stood looking over kyle’s shoulder. his brow was pulled into a frown as he concentrated.

“i’d buy ‘em,” kyle added, looking up at you to smile.

“ha! right, yeah,” you laughed, thinking he was teasing. you put down your beer and took your phone back, dropping it into your bag. you leant in to kiss elliot’s cheek and stood. “who’s going to join me in the water? elliot?”

“i don’t think so, darling. maybe another time,” he said.

“i will.” kyle stood. “did johnny show you how to dive off the front?”

your eyes widened in excitement as you shook your head and followed him, waving at the captain sat at the helm of the small boat as you passed.

johnny watched the pair of you go before turning to glare at elliot silently, not breaking eye contact even as your husband frowned and shifted uneasily, eventually looking down at his phone to avoid johnny’s unwavering, cold gaze.

---

“i don’t like them,” elliot said once you were back in your hotel that evening.

“who? johnny and kyle?”

“who else?” elliot scoffed. “they’re too familiar with you, they— they fawn over you. flirt relentlessly, in front of me—“

“oh come on,” you laughed, unable to stop yourself even as elliot grew angrier at your casual dismissal. “they’re married, don’t be bloody daft.”

“don’t call me stupid.” elliot warned.

“i’m not, i just—“

“whether they’re actually interested in you or not isn’t the point,” elliot seethed. “they’re doing it to wind me up. to get away with humiliating me and you encourage them.”

“i— what? we were just having fun,” you said.

“oh i know, i saw how you clung to them in the water when you thought i wasn’t looking. fucking slut.”

you gaped at elliot, taken aback by his harsh words and sharp tone. you took in a deep breath and tried to level your own voice.

“they’re just friendly.” you bit your cheek. “if anything, you’re just jealous i’m getting more attention than you for once.”

“what was that?” elliot whipped around to face you and you felt your blood run cold even before he took a step towards you. he gripped you roughly by the back of your neck and tugged you forward so his lips rested at your temple and you followed limply, keeping your hands by your sides. “you better not play up tomorrow, darling. whatever they offer, we’re busy. this our honeymoon, not a fucking jolly for you to try and meet other men.”

you seethed in his hold, furious at his accusations and the irony of his ill-placed jealousy. but all the same you nodded gently. “ok, elliot.”

“good.” he kissed your round cheek with a loud, sarcastic smack before turning towards the bathroom. he shed his clothes as he walked, leaving them in a trail you knew he expected you to pick up and closed the door behind him, leaving you stood motionless in the centre of the hotel room.

---

you dodged johnny’s bright grin and kyle’s sweet invites to hang out over the last week of your holiday with a pained grimace.

after the first few mornings of suddenly stilted conversation over breakfast, they stopped joining you and elliot and you were happy they were able to continue enjoying their honeymoon even if you weren’t.

elliot didn’t say in so many words, but he didn’t trust you not to gallivant off if left alone like before, so you were stuck waiting in the admittedly lavish hotel room on the days elliot got pulled back into work over the phone and on his laptop. too important to leave until later, he’d said. but he’d promised each time to take you out for a dinner that had continued to be forgotten about.

with only a few days left you were stuck waiting by the road, the little moped you’d rented for the day parked and so far unused while elliot nipped back up to the hotel to grab his sunglasses. it’d been twenty minutes already and part of you wondered if he’d gotten lost. you wished he’d left the keys with you instead of pocketing them so you could keep yourself entertained with a quick ride around the block, get used to the feel of the bike before joining onto the main road.

a squeaky horn, two beeps in quick succession, had you flinching from your moody thoughts and looking up as kyle and johnny pulled to a stop in front of you.

“long time no see, love,” kyle said. he nodded down at the bike with a grin. “where you off to?”

“and can we join?” johnny asked with a waggle of his eyebrows.

you snorted. “nowhere. not until elliot comes back at least.” you shrugged. “he’s got the keys,” you explained.

“how about we take you for a quick ride then,” johnny offered and kyle immediately started getting off from behind him.

“no, no i couldn’t. thank you. elliot will be back any second, im sure,” you said quickly, worried elliot would grow mad if he saw you sat behind johnny on the bike.

“ok, love,” kyle placated. “how about we swap numbers then, in case we don’t get to see you before your trip is up? i want to see more of your paintings.”

“we’re off home in about two days or so, figured yours would be about the same,” johnny said.

“what about email?” you suggested instead. your couples therapist had suggested regularly reading each others texts to try and gain back trust between the pair of you. the irony that it was now you trying to hide a conversation in your phone wasn’t lost on you, but you knew elliot wouldn’t want you talking to them after this trip. “i can get pretty chatty in a text, so email might be better,” you lied flimsily.

“sure,” johnny nodded along, clearly not believing you. “whatever you’d like.”

“you can have john’s email,” kyle said with a smirk, the expression growing when the scot sighed and swatted at kyle’s thigh behind him.

you watched them with confused amusement until johnny read out his email.

[email protected]

“wow. that’s very myspace of you,” you laughed even as johnny rolled his eyes.

“soap’s an old nickname, you’ll probably hear me call him gaz sometimes too. old habits,” johnny explained.

“from the military?” you confirmed and they nodded.

“i say it when i want him to listen. gets him standing to attention when i call him soap,” kyle said teased.

“anything you do gets me standing to attention, handsome,” johnny said, sultry and playful.

“oh piss off,” kyle laughed as he pushed johnny’s face away, pretending to groan in disgust when johnny caught his wrist and messily kissed his palm. you felt your stomach clench at the brief sight of his tongue poking between kyle’s fingers, lapping at the webbing before he let him go.

his tongue there and gone again in a second. you’d almost think you’d imagined it if you didn’t see the spit glisten in the sun before kyle wiped it on his shorts.

you blinked to clear your head and turned away even as the thought of johnny’s mouth around kyle’s fingers replayed over and over in your head.

turning away meant you caught sight of elliot making his way back. it had your thoughts sobering and you looked back to the couple with an apologetic smile. “i’ll see you guys later hopefully, but if not i hope you enjoy the rest of your honeymoon guys.”

“ye trying to get rid o’ us?” johnny pouted, mischief clear in his eyes.

“no, but I know elliot will want to set off straight away so—“

“we know when we’re not wanted, love,” kyle sighed, winking at you to soften the words and let you know they weren’t offended, just pulling your pigtails. “take a hint, johnny, let’s go check out the beach.”

“aye aye, sir,” johnny saluted lazily before revving the moped back to life and waving at you over his shoulder.

“ready to go?” you jumped slightly at elliot’s voice behind you, you hadn’t realised he was so close already and when you turned around you could see he was tense.

“ready when you are,” you said and moved out of the way of the bike.

elliot didn’t mention johnny or kyle and you were thankful; the day had barely begun, you didn’t need an argument to ruin it already.

you swung your leg over the bike behind him and cuddled close, smiling when elliot rubbed a warm palm over your bare knee next to his thigh. today could be good if you just let it, you reminded yourself as elliot set off clumsily.

you lifted your head from his back once he’d managed to get the hang of controlling the moped a little better, becoming confident on the roads after a few minutes, but you wished you hadn’t.

his collar was rustling in the wind and had slipped loose around his shoulder, revealing a smudged lipstick mark previously hidden by his button up overshirt. you felt your breath hitch, unable to look away even as your eyes started to burn.

your gut clenched and rolled unpleasantly, like you could throw up any moment but your jaw was firmly clenched closed. your hands shook where they were holding elliot at the waist and you finally clenched your eyes closed.

with trembling lips, you held back a sob.

today could be good if you let it, you repeated. so let it.

---

you didn’t see kyle or johnny before you left and you didn’t mention what you saw to elliot either.

instead you went back to london, to the dreary rain and the empty flat and the weekly couples’ appointments.

you lied when your therapist asked how your honeymoon went. you grinned and turned to elliot with wide sparkling eyes and reach for his hand to hold between yours as you simpered, “simply perfect.”

but it wasn’t and elliot new it.

the breaking point was when johnny sent your throw-away email account a message one afternoon with a photo attached at the bottom. you grinned when it loaded on your laptop and you zoomed in to see your smiling face, then kyle’s, then johnnys.

it had been taken on the boat on your way back to the dock after a long day swimming and drinking and laughing. elliot had kept to himself for most of the trip unless spoken to, but after an hour you’d managed to ignore him well enough. it wasn’t until kyle pulled him up on your way back, slapped his phone into elliot’s hand and asked him to take a photo of the three of you with the water and island in the background that you remembered he was there.

“elliot, be a good lad and take the photo for us won’t ya?”

“why not ask the captain—“

“he’s done enough dealing with us fer the day, aye? oh— wait, did ye want tae be in it with us?”

“no. thank you.”

they’d thrown their arms around you, pushing and pulling you to their liking until you were stood by the edge of the boat, and smiled. your shoulders were sensitive where johnny’s arm laid over the top - sunburnt you thought at the time - and your hair was still wet from your last dip, but your smile was wide and glowing even as elliot had gritted his teeth.

despite his grumbles he’d done as asked and you’d been dying to see the photo ever since when johnny cooed, “aw, lovely photo to remember ya by.”

now you felt your cheeks heat as you saw how your swim shorts had rucked up high on your thighs, damp and clinging, showing off more skin than you’d realised. your swimsuit at least covered your stomach and cleavage well enough, though johnny’s hand on your shoulder held one of the thick strings of your suit where it had tied at the back of your neck. he was in the middle of playing with it, tugging it so it was taut but not enough to loosen the bow. you don’t remember feeling him pull at the string holding your suit up over your breasts, though you were distracted by the tight hold gaz had on your waist, the handful he’d grabbed as he knocked your hips together.

god no wonder elliot had gotten mad that evening. if you hadn’t known the two were married, you’d have assumed they were trying to get between your legs by this photo alone.

you read the message johnny had sent along with it.

missin you and yer sweet laugh, bonnie!

forgot to send the photo earlier, i think the three of us look well fit, we’ll have to go swimming gain sometime. gaz suggested leucate plage if yer still in love wih france, but im sure there’s a few different au naturel beaches we could try ;)

you sputtered a laugh at that, scoffing at the idea of going to a nude beach especially with those two. bloody hell, elliot would have a fit, you thought gleefully.

but for now we thought you could come visit us like we’d said before? the countryside could be good for you and the ol’ ball n chain. we’d be happy t have ye both for the week, we’ve got the room. just let us know, yeah?

yer handsome pal,

johnny

you shook your head at his theatrics. emailing johnny felt like having a slightly unhinged penpal and reading his emails never failed to brighten up your day, you could hear him in the way he typed. you also loved when you assumed gaz would steal the phone to use his account to talk to you, the lack of scots and shorthand was always a dead giveaway between the two.

you bit your lip and found some of the photos he’d sent previously of their home and garden. it was gorgeous simply put and although the anxiety of admitting to elliot that you’d kept in contact with them had your palms sweating, the deep urge to go visit them ultimately won out.

you bit the bullet over dinner that same night. steak, specially made to soften elliot’s mood.

not that it helped much.

“what?” he dropped his cutlery and pushed back from his seat, needing distance from you as he processed you’d been lying to him. “why would you do that?”

you didn’t have an answer. or not one that elliot would like, so you felt yourself begin to shrug before you thought back to your last session.

“our therapist said it could be good for the relationship if i made some friends separate to yours,” you said.

“she also said you needed to focus trying more with my friends,” elliot reminded.

“but your friends aren’t offering to stay with us for a week in the highlands, elliot. if they were then i’d be all for it!”

“so if i tell my friends that we’ll spend christmas at the ski lodge with them this year, you won’t whine about wanting to be at home together, this time,” he challenged.

you swallowed. he knew you hated skiing and his bitchy judgmental rich friends. it wasn’t even as though it was his easy going friends that liked to go, it was the worst of the bunch that purposely left you out or talked down to you, made it impossible to try without embarrassing yourself.

but fine. you could deal with that this year if it meant your friendship with kyle and johnny was allowed to grow.

“sure,” you said with an obviously fake casual shrug. “so we can go?”

elliot huffed. you sprung out your next argument.

“our therapist also said it was important to let me take the lead a few times. in order to let me regai—“

“regain some power in the relationship, yeah, i know. i was there.” elliot nodded. he seemed to think it over. “this will help you trust me again?”

you reached across the table and held his hand, smiling at him hopefully when he looked back at you. you tried not to think of the lipstick stain in france, tried not to let the hurt cloud you eyes. “yes.” you stood and walked to stand by his chair, chest warming when he wrapped an arm around your waist. “the honeymoon felt forced,” you admitted, making sure to keep eye contact even as he stiffened. “we both felt it, you can admit it, i’m not mad. but this would be new and an adventure. like old times, elliot.”

he nodded a little less resignedly. “sure, old times. ok.”

you smiled, dipped down to kiss him deeply, rubbing his clean shaven cheek with your thumb.

“thank you. this will be fun, i promise. we’ll get to relax and just spend some time together, yeah? no pressure of what we should be doing as a couple or at work or— or—“

elliot softened as he looked at you stutter to find another reason. “yes, darling. it’ll be good.”

you stepped out of his grasp.

“i’ll let them know we can go, what date do you think would be best?”

---

“fucking hell, you had one job. look out for the stupid carved owl in the tree and that’s when we know to turn left,” elliot seethed as he drove, the sun growing dimmer by the minute. you’d spent the entire day driving up north using the directions, had set off that saturday morning in hopes that the traffic wouldn’t be as busy as midweek. “so where are we now? you insisted on following their directions instead of using the satnav, so where the hell does it mention this endless fucking shitty, unpaved road? eh?”

you hunched down in your seat next to him and reread the instructions from soap, hoping to find a clue as to where you were on the, admittedly adorable yet detailed, map he’d drawn. you’d found it endearing when you’d first saw it but now you were thinking it was more of a necessity.

elliot snatched your phone from your hand and split his focus between the dark road and your phone, scrolling erratically to find the directions in the email he wanted. your hand hovered between you, eager to take your phone back but hesitant to foul his mood further.

your eyes caught on movement on the road and you quickly gripped the wheel to swerve and avoid hitting a deer that had wandered out from the trees. “fuck, elliot, watch out!”

he slammed on the breaks and dropped your phone into your footwell as he automatically gripped the wheel to take over from you.

you both sat still, panting; anxiety and adrenaline pumping through your body as you tried to tell it and brain that you were fine, it could calm down, you were ok. you rubbed at your shoulder where your seatbelt had dug in.

elliot started up the car again, silent, and went slower down the road until the headlights caught on a misshapen tree. you squinted before pointing it out. “here, look. i think that’s the owl, go left.”

it only took a few minutes before you could see the lights from kyle and johnny’s farmhouse. the shape of their barn and surrounding smaller outbuildings stark against the natural curves of the hills and trees they were settled amongst.

“we’re here,” you said excitedly. “they said to pull around the side of the barn to the garage they have at the side. their house should be riiight there.” you grinned as you parked directly in front of it on the gravel next to their truck.

“great,” elliot said sarcastically. you didn’t mention his tone knowing that having to drive all day, several hours longer than you’d both expected, would have rankled anyone’s mood.

you climbed out without a word and got your bags out of the back of the car. when you rounded back to the front you found johnny and kyle walking to meet you already, their front door left open behind them.

“bonnie! ye made it,” johnny said as he jogged over to you excitedly. you let go of your suitcase as he pulled you into a hug as soon as you were close enough, scuffing his stubble against your neck in his excitement.

“down, boy,” kyle laughed, nudging johnny out of the way to give you his own hug. once he pulled back he nodded to elliot and smirked. “thought you’d maybe gotten lost, we were ready to start a search party.”

elliot bristled but johnny spoke up before he could defend himself.

“aye, but tea is still warm and ready to be served, an’ ahm fucking starving so let’s get inside yeah?” johnny slapped elliot’s shoulder before leading you all to the house. “done a big roasty fer the pair a’ye, so i hope yer hungry.”

the heat encompassed you as soon as you stepped inside, led through to the kitchen-stroke-dining room. the food smelled divine and the warmth accumulated from the oven and the fireplace had your shoulders relaxing instantly.

the house was far from modern with its mismatched old wooden chairs around the handmade table and the well-loved couch you could spot through in the next room, nothing like your lifeless flat in london. but the farmhouse was still stylish in its own way, in the colour of the cabinets, the throw on couch, the wallpaper leading up the stairs. though more importantly, it was homely. lived in.

“i can imagine the drive wasnae easy for first timers, so sit yerselves down and i’ll plate the food, gaz’ll get the wine,” johnny said.

you pulled out the chair next to elliot, leaving the two opposite you empty.

johnny clapped his hands as if to say voilà when he put down your heaped plates a minute later.

“this looks amazing, johnny, you cooked this?” you asked, eyes round and barely stopping yourself from digging in to be polite.

“have a great sous chef,” he said and patted kyle’s arse when he passed by with the wine. kyle smirked.

“how did you find the drive up, seriously?” kyle asked as he poured your drinks. he took a seat with johnny and gestured for you to start eating; now with permission, you didn’t hesitate.

“it was fine. might’ve been easier if we were given an address instead, satnav might’ve made it quicker,” elliot said as he pushed around some of the steamed vegetables on his plate.

“the views made taking our time worth it though, the valleys we passed were gorgeous,” you gushed. “i didn’t realise there were so many small lakes too.”

elliot sniffed irritably, but you didn’t notice. in fact you’d barely noticed how he played with his food more than ate it as you were too busy chatting and eating. you were going crazy for the hearty roast dinner, you could see in the colour and in the bursting taste of the veg just how fresh it all was; nothing like the store bought stuff you usually got at home.

you hadn’t had anything home cooked in so long that you hadn’t made yourself, and when you told kyle and johnny so they both reared back as though slapped.

“oh love, you’re missing out, that’s not right. don’t worry we’ll take care of you while you’re here,” kyle promised.

elliot cleared his throat. “got any salt?”

johnny’s eyes flickered tersely from elliot to the roast beef he was poking on his plate and back up again. “sure. let me just grab it for ye.”

“cheers,” elliot smiled thinly.

“top up?” kyle asked and gestured to your wine glass. you nodded before turning to elliot, but he wasn’t looking your way so you held your glass out.

“thanks. god, after this and the long drive i think i’ll be ready for bed; sorry excuse for company on the first night,” you apologised.

“we’re just happy to have you here,” kyle assured you as johnny sat back down. your husband doused his food in salt before making a better dent in it, downing his wine quickly afterwards with a wince.

“yeah, i think it’ll be an early one for us tonight, won’t it, darling?” elliot said and started to stand, rudely pushing his unfinished plate away. “in fact, i think i’m pretty tired now.”

you looked down at the last few bites of your meal and the full glass of wine forlornly but stood alongside elliot.

“it really was a fantastic meal, thank you so much, johnny,” you said.

“anytime for you, hen,” he said. “here, let us show you to your room.”

“i’ll grab the dishes while you take them up, johnny. you cooked so i’ll clean,” kyle said, hooking a finger in johnny’s jeans to catch his attention when he stood up. you felt a sharp pang at their easy domesticity. sure they’d said they’d known each other, been together, for a decade, but it still ached that you and elliot where struggling so obviously in comparison despite your sixth anniversary nearing on the horizon.

you gave kyle a fragile smile as you followed johnny upstairs with your bags to your room for the week.

“i’ll leave you to it, see ye in the morning,” johnny said as you settled into your room.

“this is amazing,” you said with a small laugh, disbelief and joy mixing into something like hope as you started to get undressed. the view out of your bedroom looked over the front garden and you felt giddy at the idea of staying with your new friends for the next few days and exploring the area further.

“it’s… quaint,” elliot said.

you turned to him, your mouth pulled tight. “please don’t start.”

“what? it’s just… smaller than what we’re used to,” he said with a shrug, starting to laugh as he gestured at the room. “i mean look at this place, and the bed.”

“keep your voice down at least, elliot,” you hissed, eyes sharp on the closed door of your bedroom.

“darling, you know i get overheated easily, and by the looks of it we’re going to be pressed side by side all night. and i doubt they have a/c,” elliot huffed. he sat down on the bed and rolled his eyes when it squeaked. “oh, come on.”

“we could open the window,” you said stubbornly, ignoring elliot as he shifted to make the bed squeak again.

“and let in the smell of sheep shit? not your brightest idea,” he scoffed. “christ and never mind the bloody noise on top of that. good thing i brought my ear plugs or i’d never get any sleep.”

you bit your tongue when you thought of the constant traffic noises that flooded into your apartment at all times of the day and night, the light pollution that did its best to creep past your blackout curtains.

“i’m sure you’ll get used to it after the first couple of nights,” you said instead and moved to join him in bed. you reached for his hand and squeezed it, leaning in for a kiss, teasing your tongue at his lips for a split second before pulling back. “just… please be nice?”

he sighed.

“fine,” he conceded. “i was just expecting something a little nicer considering the price of the trip we met them on.”

you scowled at him and let go of his hand. “you’re being rude.”

you leant over to turn off your lamp and laid down facing away from him. neither of you noticed the shadows shift under your door, the light footsteps heading away from your room.

---

you woke up the next morning to find elliot already in the shower, you could hear the pipes from the bathroom next door and noticed his suitcase had been half unpacked.

you were grateful he’d let you sleep, you’d gone to bed frustrated and you didn’t want to carry it on this morning. it was a new day and you were eager to have fun.

you walked over to the window and pulled back the curtains. as you gazed out your eyes naturally drifted to johnny, stood near the barn you’d passed on your way in. he was small given the distance but you couldn’t help but stare as he rhythmically chopped logs into smaller, more manageable pieces.

he was sweating, the repetitive action of driving the axe up and then through the thick wood obviously tiring, and you felt water pool in your mouth as you looked on gormlessly.

the sleeves of his thick checked shirt were rolled up his forearms and part of you wished he’d decided to chop the wood in the driveway so you’d have a clearer view of his muscles at work. he wiped his face on his bicep and suddenly turned to the house, to your window.

you ducked away before he could catch you and started to get dressed out of the line of sight the windows may provide. with your face aflame and anxious butterflies rampant in your stomach, you needed to get your head on straight and decidedly not ogle your new friends.

with one last stern word to yourself you headed downstairs back to the kitchen and found gaz pottering around.

“ah morning, love. coffee?” he offered, holding out a cup. you took it gratefully with a small thank you and sat at the table again. there was a plate of toast in the middle, enough slices freshly made made for the four of you, and you reached forward for one. “i was thinking me and soap could show you a hiking trail nearby, make a day of it.”

“the one you showed me on your phone?” you asked, nodding enthusiastically regardless of his answer.

“this one’s even better,” gaz said, smiling fondly. “just might take longer.”

“coffee? thank you, darling,” elliot mumbled as he swiped your coffee from your hands without asking and distracting you from answering gaz. you’d barely had a sip before elliot was finishing the drink off in one go. “mm, bit too milky for my liking,” he told you and sucked his teeth.

“probably because it wasn’t for you,” kyle said flatly. “we’re going on a hike today, care to join or has work called you in already?”

“i’d love a hike,” elliot said brightly. johnny walked in through the front door as elliot continued to talk about the hikes he’d been on before, heading to the sink to wash his hands and leaning up to kiss kyle as he passed. “work can wait for the great outdoors. my wife here knows how much i love going on— on uh, on hikes and finding new trails and mapping them out.” elliot stumbled over his words for a second, taken back by the kiss.

johnny’s shoulders shook with a silent laugh and he turned and winked at you as he opened up a cupboard door that hid his face from your husband.

“oh, so you two go together?” kyle asked.

“no, no,” elliot laughed like the thought was ridiculous. “i go with my mates. not really her thing.”

you pursed your lips; you hated it when elliot answered for you, especially when he was wrong. which was often. instead of fussing though, you focused your ire on another slice of toast from the centre of the table.

“right.” kyle stood from his chair and went to lean next to johnny on one of the kitchen counters. “we’ll pack a bag full of snacks and drinks and then we can be off. give us fifteen minutes?”

you nodded, thankful for the excuse to leave elliot at the table, and went to grab your walking boots before coming back to wait with elliot near the door.

“quicker to get there from the back,” johnny said and led you through the rest of the downstairs out into the back garden.

it looked like it could spread for acres if not for the looming trees of the forest fencing it in.

to the left was their chicken coop and a small locked shed. if you turned around you’d see your cars parked, the garage and then the barn further up.

the chicken coop was on solid muddy ground, closer to the gravel front, whereas the shed was further up on the flat grassy area that began to rise into a small hill further back and closer to the trees; there was a small iron table sat with four chairs closer to the house and you couldn’t wait to use it, imagining sitting out there for lunch or breakfast.

to your right you took in their allotment, the large raised beds full of blooming vegetables; tall beans climbing the trellis arches from one side to another. you saw noticed the glint of a greenhouse hidden behind it all. everything was encouraged to grow to its fullest and you bet the food they’d served the night before had been grown by their very own hands.

“we’ve got strawberries if ye’d like tae pick some over the next few days,” johnny said as he walked you down to the end of the garden, catching the way your eyes were glued to the allotment.

“i’d love that, i haven’t been strawberry picking since i was little,” you said.

johnny nodded. “settled then.”

---

the hike wasn’t difficult, but living down south in a very flat city hadn’t built up your cardio for the steep hills and climbs at all.

“this is a good place to stop for lunch,” johnny said, apropos to nothing.

he squeezed your arm as he wandered off the path towards the edge of the hill. you were halfway there to the top, but already you were loving the views.

“knee bothering you, johnny?” kyle asked as he pulled out a rainproof sheet from his bag and started placing the food out in the tupperware boxes.

“something like that,” he said.

you laughed when you saw johnny pull out a bottle of wine from his.

“just tryin’ tae make use of all the wine we bought on holiday, hen,” he snickered.

you sat down and helped them spread the food out while your husband paced from the ledge to the path and then to the blanket, only to start again.

“have a seat elliot,” you said encouragingly, patting the space you’d left purposely empty next to you.

he slumped down with a huff and kyle side-eyed him.

“how was your night? sleep well?”

“hope the room wasnae too small,” johnny added, biting into a cheese cracker as he looked to your husband.

you felt your stomach drop and your face heat up. “no, not at all—“

“i think i’m just used to the finer things,” elliot said, picking up one of the packed travel cups pointedly and pouring himself some wine.

“we slept fine,” you said firmly as you frowned at elliot. “it’s perfect.”

“ah, we’re just joking around, hen, no need to fash,” johnny teased. “you pack yer paints?”

“shit.” your face dropped as you looked at him. “i completely forgot when i was packing, i was too excited.”

johnny grinned. “you can borrow mine, it’s alright.”

“if they’re not dried up that is,” kyle said with a laugh. “i’ve not seen you touch paints in years, johnny.”

“they’re water paints, gaz, they’re meant tae be dry,” johnny said with a roll of his eyes. he looked to you and covered the side of his mouth. “yer a breath o’fresh air, ye have no idea. i love him but he doesnae have the eye fer it, you know?”

“im right bloody here,” kyle said exasperatedly, making you laugh.

“fucking hell,” your husband muttered under his breath before standing. “i think i’m gonna go ahead and have a look at the trail, get a lay of the land. i’ll turn around in ten and meet you back here.”

“are you sure?” you asked at the same time johnny warned him, “don’t go off the path.”

“why not?” elliot asked, taking it as a challenge despite johnny’s grave tone.

“go straight so you don’t get lost,” johnny repeated seriously. “it’s a tricky place, these woods. one wrong turn and you’ll ne’er be found.”

elliot stayed silent for a moment, left off kilter by johnny’s intense eyes, before laughing, waving him of with a scoff. “sure thing, johnny.”

you watch your husband walk off with an uneasy feeling before kyle and johnny’s easy going nature distracted you once more.

before you knew it it’d been twenty minutes, but you were too busy talking about how they’d ended up moving out so far away from their original shared home, that you hadn’t noticed elliot wasn’t back yet.

“it’s great here, but it can feel… lonely sometimes, just the two of us,” johnny admitted as he looked to kyle. the handsome man nodded and knocked their knees together.

“i know how that feels,” you said, three cups of wine having loosened your lips.

“yeah?” kyle asked softly, tilting his head to meet your downcast eyes.

you opened and closed your mouth a few times before taking a deep breath.

“i want a baby,” you said weakly, sadly. you were quiet as though hoping not to be overheard. “elliot doesn’t think it’s the right time, but im starting to doubt it’d ever be the right time if it were up to him.”

you blink at the anger that had seeped into your last words and gasped as you realised that you’d actually finally said them out loud. not even your therapist had gotten you to admit this.

“oh god, please forget i said that,” you begged them suddenly, wide eyed and pleading. “please. don’t say anything to elliot about it. i— i think i’ve just drank a little too much,” you tried to excuse yourself.

“hey, it’s ok,” johnny said with a concerned frown.

“i didn’t mean it,” you rushed out.

kyle moved to elliot’s previous spot and pulled you in for a warm hug, calming you down.

“it’s normal to want things and to be disappointed when the person that promised you them can’t deliver,” he whispered. you sniffled and slowly wrapped your arms back around him with a nod, tears building behind yojr closed eyelids. you slumped into his hold further when johnny’s large hand rubbed soothingly across your back below kyle’s arms.

it was nice. simply being between them and being comforted by them was nice.

you leaned back and wiped at your eyes with a sniffly laugh.

“thank you, guys, i— thank you.”

gaz squeezed your shoulder for a moment before finally letting you go.

you felt fidgety, needing to do something with your hands and to keep them from staring at your red rimmed eyed, so you reached for a handful of grapes when it suddenly occurred to you that elliot wasn’t back. you looked at your watch and swore.

“elliot’s not here yet, shit what if he’s lost?”

“he won’t be,” johnny reassured you, standing alongside you and grabbing your shoulders. “he’s an experienced hiker, right? he probably lost track a’time like we did.”

“let’s get this packed away and we’ll go catch up to him,” kyle suggested. you nodded, easily calmed once given easy orders to occupy your busy mind

---

“elliot?” you called out as you walked, johnny and kyle on either side of you, looking out into the trees in case he’d gone off track. “you there? elliot?”

“stop shouting, christ, i’m here,” elliot complained further up the trail. he was slouched against a tree. “took you all long enough.”

“oh my god, what happened,” you said as you crouched next to him, looking at the sorry swollen state of his ankle.

“twisted it looks like, worst-case it could be a sprain,” kyle said from over your shoulder. “should be fine, we can get home with him leaning on our shoulders, right, soap?”

johnny tutted in disappointment as he stared down the path instead of at your injured husband.

“the waterfall was only five minutes away as well,” johnny said to no one in particular. he crouched next to elliot. “c’mon then, let’s get you back.”

your husband bristled. he looked longingly down the trail johnny had gestured to just a moment before.

“we should still go, i’ll be fine,” he insisted. “we should go to the waterfall.”

gaz raised his eyebrows incredulously as he helped elliot stand, but he stayed silent.

“you want to lean on me or johnny?” he asked.

“whoever gets us there quicker,” elliot said, face pinched.

kyle rolled his eyes and set off walking, leaving elliot to wince until he matched kyle’s stride. luckily the walk wasn’t long before the four of you cut off the trail and found yourselves stood at the bottom of the waterfall, a light mist of water splashing at your bare skin from where you stood.

“holy shit.”

johnny nudged your shoulders together with a laugh.

“impressive, right?”

“to say the least,” you huffed.

kyle had helped elliot sit down by the edge of the plunge pool with his leg stretched out as you’d taken in the view with johnny, though you soon took a seat next to elliot when you noticed he was situated as comfortable as could be. you pulled off your shoes and socks and shuffled forwards a little to dip your feet in the water, kicking lightly and grinning even with how the cold bit at your toes.

elliot stayed stern faced even as he looked at the impressive feature, but kyle and johnny took no notice.

they started to undress, throwing their clothes down haphazardly by their bags.

“you coming in?” kyle asked you cheekily.

“we go in every time we’re here, tradition now,” johnny explained once he was stood in his underwear.

“i don’t have my swimsuit,” you said hesitantly.

“jus’ go in yer kegs like us,” johnny dismissed the worry.

“it’s probably for the best she’s said no,” elliot said meanly, one eyebrow raised as he looked over your relaxed form, your stomach rolls obvious and plush under the afternoon sun and your thighs spread thick where they pressed against the edge of the natural pool. you suddenly felt the need to layer up in your baggiest clothes. “she’s happy enough sat with me. isn’t that right, darling?”

you felt embarrassment, hot and sharp, flood from your face to your toes as you stared at him. this was your husband. a man that took delight in belittling you.

“oi,” johnny warned from where he stood waist deep in the water.

you ignored them both and stood suddenly, shucking off your clothes with tight angry movements, a smile only eventually pulling at your lips when kyle wolf whistled playfully.

johnny joined in jeering and clapped as you stepped carefully closer to the edge before jumping in. once you resurfaced, you resolutely faced away from the scowl you knew would be on your husband’s face. you were past caring.

the cold of the water had you sucking in thinner breaths until you acclimatised, and you were grateful it was deep enough to brush your collarbones as you could tell your nipples were babbling from the chill.

“be careful, love, there are fish in here,” gaz said as he drifted closer to your front. his smile was bordering on mischievous but it eased your slight reservations of being in the water. “but don’t worry they don’t bite.”

you felt a sudden pinch on your buttcheek and you squealed before johnny’s laugh and warm chest at your back registered. you flushed hot and dug your elbow back into his ribs as they laughed, both barely giving you space to float alone.

they guided you closer to the waterfall with easy going smiles and it wasn’t until you felt their capable hands on your hips and tummy to keep you from being dragged under as you held your hands under the heavy pour that you looked back guiltily at your husband. you pushed off and away from them but continued to swim a little while longer until elliot kicked up a fuss, bored.

“are we done now? it’s getting dark, we should be heading back,” he spoke up when it looked like the three of you weren’t tiring any time soon. “and then there’s dinner to think of.”

“you offering to cook, elliot?” kyle said as he climbed out of the water.

elliot scoffed. “not likely. with the ankle and all,” he said patronisingly.

gaz smiled thinly. “of course.”

the three of you dried off as best you could before dressing and heading back to the farmhouse with elliot leant between johnny and kyle.

even as your clothes chafed against your damp skin, you couldn’t bring yourself to regret swimming. thought the cold was biting even through your coat, and a warm shower was calling for you back at the farmhouse.

---

once you were back you showered quickly and then ran a bath for elliot. you helped ease him in so he didn’t slip and further injure himself.

“put on a real fucking show today,” he grumbled once he was laid back. you cupped the water over his hair carefully.

“what do you mean?” you grabbed the shampoo and began lathering it.

“don’t play dumb,” he hissed. “acting like that, like a whore, with them. again.”

“i wasn’t—“

“you’re a fucking hypocrite,” he said harshly. “punishing me for one little mistake but now you get to act like this with other men?”

you let your hands hang over the edge of the tub in shock. “you cheated on me. more than once, elliot. that’s not a little mistake.”

“we’re past this,” he said tiredly with a shake of his head, rubbing his hand over his forehead to wipe away the dripping shampoo.

“then why did you bring it up?”

he turned to look at you, disgust clear on his face.

“you’re ugly when you get like this,” he said simply. “leave me to it, i’ll call you in when i need a hand getting out.”

your lip trembled as you stood and went back to your room. as you closed the door behind you, you heard elliot mutter to himself, “he’s an absolute idiot thinking this was only a twisted ankle, clearly not a doctor. the swelling has hardly gone down.”

you didn’t react, heading to the room next door with watery eyes. as you were tidying up your clothes, sniffling back angry and hurt tears, there was a knock on the doorframe. your turned to see johnny with a plate in his hand.

“thought i’d make things easier and bring his tea up fer him,” he said and put it on the bedside table. “do you want me to bring up yours too or will you be joining us?”

“oh, i’m not hungry, thank you johnny,” you said with a watery smile. the food looked delicious but elliot’s words had soured your appetite. “i think i’m just going to go to bed as soon as elliot’s alright.”

“ye sure?”

“mhm.” you nodded.

johnny nodded, said a soft, “let me know if ye change your mind.” he pulled out a pack of pain tablets from his pocket with a little wave and dropped them on the bed and then left.

you waited for elliot’s shout before you went to help him out of the bath and back through to your room. you left him to dry and dress himself and once he was sat on the bed with his food, you turned your back to him and willed yourself to fall asleep quickly.

part two

want to email johnny? click here!

#it’s here!! and posted correctly hopefully!!#face claim for elliot of oliver jackson cohen bc he’s hot but he plays an arshole really well #i’ve had a lot of fun writing this over the last month #took me forever but it turned out a hell of a lot longer than i’d anticipated too #hoping the email idea doesn’t flop and goes well!!#thank u kai for helping me with my ocs and thank you birdy for helping me pic the fic title!!#ily guys :’)#full disclosure idk if the area i chose is all that solitary Imao i've never been to scotland never mind falkland or the reservoir #i just looked at google maps lol #soapgaz x reader #soapgaz #soap x reader x gaz #johnny soap mactavish x reader #kyle gaz garrick x reader #johnny mactavish x reader #kyle garrick x reader #cw noncon #tw noncon #cw abusive relationship #tw abusive relationship #let me know if more tags are wanted or needed #fat reader #johnny soap mactavish #kyle gaz garrick #johnny soap mactavish x reader x kyle gaz garrick #johnny mactavish x reader x kyle garrick #soap x reader #gaz x reader

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lucabyte · 5 months ago

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i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"