#i just happen to really love those three!!

[intimidating-fettuccine]

Can I get yandere toby, jeff and ej separately coming home and seeing their s/o hurt? They got hurt bc of someone else or they had an accident it's up to you!

I do think it's a lil amusing to me that the three creeps you chose are the three in my Yan AU that intentionally hurt their Darlings the most :p

CW for direct mentions of previous physical abuse from the boys.

Toby:

You're surprised, really, at how upset he is that you got hurt. The same man who has broken your ankles more times than you can count, who takes intimate pleasure in biting you, forcing you to bleed and scream from the force of his teeth, the man who thrives on bringing you pain because, at the very least, if you're in pain it means you're feeling something because of him, even if it's not love. Despite that, he stands before you, choked up on sobs as you stare at him in confusion, your hand on your head where blood seeps freely. You'd fallen, as it's hard to navigate on damaged ankles, and slammed your head onto the corner of the counter. You luckily didn't suffer a concussion, and were just unable to get to the bathroom to clean up, before Toby stumbled in and started screaming and sobbing, falling to his knees in front of you with his hands constantly wiping his tears. He pulls you into his arms with a gentleness you're not used to, and lifts you, carrying you to the bathroom. He never stops crying, not when he's cleaning the wound, not when he's bandaging you, not when he's locking you back inside the very room he'd just finally permitted you some freedom from. He yells at you it's for your protection, that he can't allow you to get hurt anymore, that he could have lost you. It's hard to take him seriously with the dramatics of his tears and his history of pain, but the sight of you being harmed by something natural, something unintentional, is one of the scariest things he can feel. He'll just have to keep you chained up again, that way he knows you'll be kept completely safe for him, so he can take even better care of you. He cuddles you close to his chest as you lay there, staring off into space, peace, and serenity finding him as you are overwhelmed by the fear that one day, if you fall again, he might get the idea to permanently take away your ability to walk, so it can never happen again.

Jeff:

For once, Jeff doesn't know what to feel. He's always feeling something around you, whether it be from his anger issues, his obsessive "love" for you, or his desire to claim you and make you only his, but as he stands before you, taking deep breaths, staring down at you where you sit before him, new bruises all over one side of your body. Bruises he doesn't recall leaving, as he always remembers the ones he gives you, bruises that are clearly fresh. You can't even look at him, terrified of him either screaming at you and giving you a few more of those bruises, or waiting for him to just simply leave you there and walk away, but he doesn't. He just stands, his twisted mind unsure of what conclusion to come to. He eventually asks you, in a gruffly choked up voice, what the hell happened. Your body is always so weak, so tired in this home, and you'd slipped going down the stairs, your body slamming into it and leaving a trail of bruises from your face to your legs. They were raw and sore, and he could tell that from just looking at them. His eyebrows quirked in pity instead of rage, and you swallowed to yourself, willing to barter if you could take advantage of that, and so you weakly held up your arms with less energy than you actually have, and begged him to hold you, to comfort you. Tugging at his heartstrings, pressing the button in his mind that softened him, could often work in your favor in this hell you live in, and today it worked. He picked you up gently, laying on the couch and holding you close, pressing kisses to your face as he apologized, and promised to take care of you. You didn't know how long this would last until the next bruises that would come from him would end up on your body, so you planned to take advantage of this while it lasted, curling up on top of him and finally getting some sleep. He holds you gently, affectionately nuzzling into you, content in his delusion that you must finally be falling for and trusting in him.

EJ:

The second he enters the house where he keeps you, the first thing he notices is the overwhelming smell of blood, blood he's quite familiar with tasting, and should be the only one causing. He tracks you down easily in the house, finding you huddled in one of the bathrooms as you attempt to clean yourself up. The second you hear him coming, the scent of blood becomes mingled with the smell of fear, fear from you that he's going to be angry, that he's going to be extremely upset with you. Contrary to that belief, he bends down and gently grasps your hand that's still bleeding, where you were attempting fast and shoddy work at bandaging it. Your hand trembles in his grasp and he sighs, only asking you what happened, and he warns that you should tell the truth, and so you do. You were simply trying to put up the dishes, and you'd dropped a glass plate, shattering it and cutting your hand quite badly on it trying to clean up. He sighs again, pinching the bridge of his nose and shaking his head, and he tells you to be more careful next time and use a broom instead of your hands. He's eerily calm, usually getting more fired up when you hurt yourself, but as he disinfects and bandages your cuts (in the same methodical way he does after causing bites and cuts to you himself) he's completely quiet. He just doesn't want you to know his calmness is because he's so panicked on the inside, scared that you had been so injured he might have lost you. One might find that sentiment romantic, but it's not as romantic when someone is just scared they've lost their dinner. His dinner and his eternal prisoner to what he claims is his "affection" and "love", the twisted, painful affection he forces on you by biting into your flesh, by devouring your body and soul with every day you were made to spend trapped in here with him. You barely noticed when he lifted you into his arms, carrying you to bed and tucking you in, your mind wondering just what it was that made you deserve this eternal hell.

[rainbowolfe]

Why Aym and Baal?

They were, according to Shamura, supposed to be Narinder's replacement family/companions. Narinder never really got that memo, but like, what did Shamura expect? Relationships don't work that way. You can't just throw two strangers at someone and have them fill the void of a millennia-long relationship.

But the question of the hour is, why Aym and Baal? I don't think it's because they're cats.

It's implied Narinder had his own family (made up of cats or whatever he is) and chose the Bishops, a goofy assortment of non-mammals over those blood relations. So he's not exactly inclined towards members of his own species. So that doesn't feel like the reason why Shamura chose them. And it doesn't feel like the reason Narinder kept them.

I noticed that this photo from Jalala's journal had to have been of pre-servitude Aym and Baal, cause they're much younger. Baal's hair is shorter, they're both just wearing basic tunics instead of their signature robes, and Forneus isn't wearing her hat. So Aym's always looked a bit scuffed, and it wasn't the result of his time spent with TOWW in the Realm Beyond.

Which means Shamura saw him and went "wow that's literally Kallamar". Scar over one eye? Check. Messed up ears? Check. It would also loosely confirm that the boys were sent after they sealed Narinder, since Kallamar's ears wouldn't be scuffed before then.

It would be really funny if what Aym's looking at is Shamura, and this picture was taken 5 seconds before disaster.

Now, my first instinct was that Baal would be Narinder, and what Shamura hoped to recreate was Narinder's relationship with them and Kallamar. But that doesn't quite make sense. The new "family unit" already has a Narinder, so why would Shamura give him another?

Baal can't be filling Shamura's role for two reasons. One, as the head of the family, Shamura would be more likely to be Forneus (the role they are now placing Narinder in). If not Forneus, then the unseen father presumably taking this picture. Two, Shamura does not believe that Narinder loves them. That's. Kind of why they're doing all of this. So they wouldn't give him a replacement-Shamura either, unless they were feeling really really egotistical.

Which leaves us with two options.

And the correct one is Leshy. Leshy, whose core item is the red camellia. And whose symbol becomes a black heart when he's cleansed.

While we don't get to hear much from Baal, Heket's core traits are that she's a shit-talker and likes to eat. Leshy's core traits are that he's chaotic, but has an appreciation for/focus on the world around him. Smells, sights (when he could see), and sounds.

Baal is actually the politer of the two and, based on his recruitment dialogue ("So much color... so many creatures") he too is the worldly type. Also, Baal thanks Lamb for helping them. Leshy and Narinder are the only Bishops who thank Lamb in the end.

And, you know, if you take the order Shamura lists the family in into account, Leshy and Kallamar are the first and second sons respectively.

...

Of course, this can be taken one step further in another direction :3c I can't just leave Heket out of this.

Although Shamura only gave him Aym and Baal, theoretically what they saw was a four-person family unit that reflected their own... before Narinder entered the picture. I mentioned before that if Shamura isn't a reflection of Forneus, then they're a reflection of the unnamed father. (Who I suspect to be Paean)

Which means they saw Heket in Forneus.

Do you see the vision??

Cause this is a found family, age order doesn't necessarily matter to the familial hierarchy. Even if Shamura wasn't the eldest, they would still be the head (whether matriarch or patriarch) because their role is as the leader of the other three. Heket would be below Shamura, but above Kallamar and Leshy, because she serves as caretaker. She's even the one who takes charge upon Lamb's return, as the matriarch would do if something were to happen to the patriarch.

((Traditionally, while the father is seen as the protector and provider, his purpose is specifically to rule/lead the family. It is the mother whose sole purpose is to protect. Primarily the children, as their (often only) caretaker. But in traditional circles, it's commonly felt that the mother should sacrifice everything for the father as well.))

It would be particularly fitting because a lot of Heket's side of things revolves around sacrifice. How she's burdened by it, and seemingly how much she tried to do to find a better/different outcome. She's characterized as particularly family-inclined.

...

This would suggest that who Narinder valued the most in the family were Leshy and Kallamar. At least, it would suggest that's how Shamura saw it. But I'm liking this line of thought, so let's say their read is accurate.

Shamura saw that Narinder. Could also be Forneus. And Shamura loved Narinder the most, so...

Narinder and Heket's disdain for each other stems from them competing for the same role in their family: The matriarch. Shamura's second in command, and the boys' caretaker.

Not in a "raise them" type of way, at least not in Kallamar's case. But to guide and influence them. To be the one they trust and rely on. Heket has been that. And, intentionally or not, Narinder intrudes on that.

Narinder's the 'other woman' lmao

As a bonus:

Baal is aligned with his father (you get Tears of the Vengeful Father in exchange for him). Aym is aligned with his mother (ditto for Tears of the Merciful Mother).

If Aym = Kallamar; Baal = Leshy; Forneus = Heket; and The Father = Shamura

Then that dynamic is actually reflected in this Tarot Card. It pairs Kallamar with Heket, and Leshy with Shamura. :3

[lamentationsofalonelypotato]

You Call It Madness But I Call It Love

Chapter 27: Take Me Back To The Beginning

Pairing: Soldier Boy x f!reader, Reader POV

Summary: When the reader left Payback 40 years ago after a falling out with her childhood best friend she never looked back, but when two men show up to her apartment and start asking her questions about the past, the reader begins to think those things can’t stay hidden and starts to question what’s real and what’s fantasy.  This is a re-telling of The Boys Season 3, where the reader is a supe who's known Soldier Boy since 1927. The chapters will fluctuate between past and present. This is chapter twenty seven of my "You Call It Madness But I Call It Love" series. (I'm so bad at summaries please forgive me!)

Word Count: 13.3K (I tried to cut it down I promise 😭)

Warnings:  I'm gonna label this one 18+ because it's Soldier Boy. Homelander is a freak AGAIN,  A little bit of Oedipal Complex (It's Homelander the man is a walking Greek Tragedy), Graphic depiction of death, Dark thoughts, References to Past Trauma,  Angst, Cursing, Sexual References, Family Problems- A LOT of family problems, Homophobic comment (It's Soldier Boy), Past Trauma, Death Mentioned, Blood mentioned. Soldier Boy might be, is, really, absolutely, completely a little OOC. Soldier Boy is really all you need as a warning.

Note: This is told from the Reader's perspective. Any references to the reader is made using you or your. There is minimal use of y/n. I tried my best to proofread, but nobody's perfect. Reader is described as "curvy" occasionally. If you don’t like, don’t read, but if you do like, you’re my favorite!

Internal Monologue is in first person and is in italics

Series Masterlist

Main Masterlist

A/n: It's that time y'all! The final battle is finally here! This chapter was a doozy to write, there were so many things that needed to be wrapped up, but I really have loved writing this series and I really like how everything came together.

*********************************************

READER POV

The building is just as cold as you remember it, the hallways are silent and empty as if they'd been cleared for this exact moment as the three of you make your way into the depths of Vought Tower.

I wonder if Homelander was the one who did it, or if someone else realized what was coming.

There was an electricity in the air like the coming storm, rolling in front of Ben, Butcher, and you like a dark omen.

Homelander is going to get what is coming to him.

Any remorse you had for him left the moment that he took Lou. There was nothing human to save, nothing left to redeem, the only thing left was the sharpened, cruel creature that Vought created from your own flesh and blood.

And if you were his beginning, you might as well be his end.

Ben was walking beside you, any softness that you'd seen outside the building replaced by the cold calculating mask of Soldier Boy, you knew all too well, but this time you didn't fear his descent into the blaze, you reveled in it. For the first time in years, you were happy to see Soldier Boy again, and this time you knew that Ben was becoming this for you, for Lou, and for Rosemary.

You hoped that this time he wouldn't hold you back from doing what you needed to do as he had earlier. Though he did seem sorry for what happened while the two of you were outside, you weren't sure how eager he was to put it into practice.

Butcher seems to know where he is going, so you fall into step behind him, not concerned as to how Butcher knows exactly where he is headed. He stops outside a massive gilded door across from a rather exhaustive statue of the Seven craved from black marble.

The double doors that lead into the main conference room at Vought Tower are made to look intimidating, but you didn't feel anything but anger and fear. Not fear for yourself, but fear of what Homelander had done to Lou and to Rosemary.

Butcher pushes open the doors with one hand revealing a large room that lacks warmth. The last rays of the setting sun send honeyed light onto the black marble floors, dramatizing Homelander's stoic figure where he stands at the large floor to ceiling wall of windows at the opposite side of the room. His gaze is focused on the city below, like a proud emperor observing his kingdom and everything he owns.

He probably believes he does.

You think to yourself, eyes skating around the edges of the room looking for possible threats, but you don't see any. The wall to your left is lined with monitors and the wall to your right also has some, but instead holds a smaller pair of black double doors.

You didn’t know what kind of tricks Homelander had up his sleeve, but you were preparing yourself for the worst. Of the Seven teammates remaining he was the most formidable. You doubted that the Deep could do anything to you on dry land and you were more than happy to turn him into a tuna roll. You were a little worried about A-Train. He was fast enough to cause a problem, but you didn't know how much. Butcher had told you not to be worried about Hughie's girlfriend Starlight, mentioned that she wouldn’t side with Homelander and that she probably wouldn't be anywhere near Vought Tower. You figured that she'd probably gone to pick up Hughie from the gas station that Butcher had left him at, but you didn't know if she would come take down Homelander.

Honestly you were more worried that she would come for Ben. You'd seen her posts on social media proclaiming Soldier Boy as a terrorist and a villain, which meant that she probably wasn't your biggest fan either. You hoped that she was far away, you didn't want to kill someone who didn't deserve it or rather someone who lashed out against Ben or you because they didn't understand the whole situation.

Butcher also seemed unsure about who would be at Vought, mentioned something in passing about his old team that included the man you'd seen back at Herogasm, but you hadn't seen anyone in the building or sensed that anything unusual was about to happen other than your plan to rip out Homelander's spine and wear it around your neck like a fur boa.

"I remember the first time I stood here." Homelander says without turning around. You could see his pristine reflection in the glass, blonde hair perfectly styled and glowing in the last few wisps of sunlight. "I hadn't seen anything like New York City before, hadn't been around so many people in my entire life." His arms are crossed behind his back, the epitome of control. "They told me it was mine. That this was what I had been bred for my entire life." He glances over his shoulder at you. "I would have been willing to share it with you and dad."

"Where are Lou and Rosemary?" You keep your voice under control.

He ignores you and turns, eyes flicking from Butcher, to Ben, to you. "You are so beautiful. When I imagined what my mother would look like I never imagined someone like you. Maybe I imagined you looking a little more motherly." The feeling of his eyes tracing your figure makes your skin crawl. "But I can see why dad loves you so much. And of course why Noir was obsessed with you."

The mention of Noir makes your blood run cold. How did he know about that? Did Noir tell him?

That was another side of this whole situation that you had considered, you had no idea where Noir was. If he had stayed at the Tower or if he had cut and run when he heard that the rest of his team was being killed one by one. You hoped that it was the first option, trying to hunt him down and find him seemed inconvenient and you'd much rather just settle this now.

"Answer her question." Ben growls, the air around the two of you heating from Ben's newfound powers and the smell of ozone begins to float under your nose. He was trying to hold himself back from stepping in front of you and hiding you behind his body, that much was obvious. You could tell how much he hated how Homelander kept staring at you.

You did too. The guy is creepy enough, does he have to turn this into a Greek Tragedy? Did he see how things ended up for Oedipus?

Homelander only smiles, the same one he had back at Legend's, wide and with too much teeth. The smile of a predator before it catches it's prey, pretty until its teeth latch onto your throat.

He's very confident for someone who has no chance of taking down both of us. Then again, maybe he feels that way because he has the two people in the world who mean everything to me.

You strain your hearing to find Lou and Rosemary, but you can't hear them. There's a low buzz being projected through the building that makes it impossible for you to hear anything else.

Interesting that he's willing to handicap us even if it handicaps him as well.

"Hello William, still standing in my way and feeding them lies about me I see." Homelander tsks his finger as if Butcher is a child.

"Jealous that your dear old dad gets along better with me? Or maybe that your mother doesn't think that I'm as big a twat as you?" Butcher breezes with an easy smile.

Homelander's right eye twitches with Butcher's taunt.

"Sorry mate, does that make you angry? That your parents see me as the son they never had?" Butcher's smile grows.

You take this moment to skate your eyes around the room looking for any evidence of your granddaughter and daughter but you don't see any. Butcher was buying you time, but you didn't know how long it would take for Homelander to be done talking and you were ready to beat the location of your daughter and granddaughter out of him.

"Where are Lou and Rosemary?" Ben shouts again interrupting Butcher. "If you've hurt either of them I swear-"

"Why would I hurt my niece? I'm not a monster. She's fucking four years old." Homelander scoffs.

But hidden in his answer is the possibility that he hurt Rosemary, and it makes your blood run cold.

"We both know that you're capable of that." You respond coldly. "You thought nothing of using her as a human shield earlier."

Homelander presses a hand to his chest as if you've hurt him. "Why mother dearest, how could you say that about your only son?"

"Tell me where they are, and I will consider letting you live." You say without emotion.

Lie.

"There she is." Homelander smirks. "There's the woman I know and love. The one I met at Herogasm had so much ferocity, such rage, and pride. I think you try to hide her behind this. When you act pathetic and human." He gestures to you as if that explains things. "Because you're afraid to embrace it."

"You don't know me-"

"Well. The saying is, like father like son, but-" Homelander's smile doesn't reach his eyes. "The woman I met at Herogasm, she's something special, and exactly like me. Not to mention the woman who killed Stan is just as ferocious, and I'd like to talk to her."

"Keep pissing me off and you're gonna do a little more than talk to her."

Homelander chuckles. "Don't tease me." He has the audacity to wink.

"Don't you fucking look at her that way you sick fuck." Ben growls.

"Why? Aren't pretty things made to be worshipped?" His smirk grows. "And if I had someone like her I sure would worship her."

Ben lunges forward, to wipe the smirk off his face, but when you reach out and grab his arm, he stops. When he turns to look at you he looks like he's ready to snap Homelander in half, a fire blazing behind his eyes that you're not sure if it's because you held him back or because he's upset over what Homelander said.

With your eyes you try to say:

"You can rip him apart after he tells us where Lou and Rosemary are."

You're not sure Ben gets it, but he doesn't advance so you assume he got some form of that.

Deep down you were worried that Homelander had already handed them over to Vought or to the government for some kind of deal. It was an all consuming fear, because yes you would fight tooth and nail to get them back, but it wouldn't be easy if you had to fight the United States government to do it.

"Ashley." Homelander says, but when no one appears he roars the name again, with so much ferocity that it echoes off the walls of the round room, vibrating against the monitors, and into the hallway behind you.

A red-haired woman appears at the black double doors on the right side of the room, looking frazzled and pale. There are pieces of her hair stuck to her fashionable black pantsuit in clumps and she's wearing a pair of crimson heels that clack loudly against the marble floors. She's got a death grip on her phone so tight that you can hear the tension of her tendons in her hand.

You remember seeing her before in the background of an interview on t.v., but never paid much attention to her. Ben looks as confused as you do at her appearance, no doubt waiting for her to start lobbing fireballs or make heads explode, but instead she drags Lou through the doors behind her.

Lou looks the same as she did when Homelander took her, still wearing the same pink polka dot pajamas, except now she's holding the hand of a boy who looks maybe twelve years old with blondish-brown hair that hangs into his eyes that you're assuming is Ryan.

The woman, identified as Ashley disappears as suddenly as she appeared and slams the doors behind her.

Probably had the right idea. This entire room is about to become ground zero. Which is horrifying because now Lou is here.

The amount of relief you feel at the appearance of your granddaughter is overwhelming, fear of her being locked away somewhere evaporating as her eyes fall on you, wide and green.

"Lou." You breathe and cross the room to get to her, ignoring Homelander's gaze that follows your every move. You drop to your knees to give her a hug, but for the first time since you met her, she doesn't hug you back. "Are you alright? Are you hurt?” She's not smiling at you, she's frowning.

"Are you my grandma?"

The question makes you freeze for a moment. Obviously Homelander had told her the truth about everything and you didn't want to lie to her again. You knew this day would come, but you didn't think that she would find out this way. If anything Rosemary and you were going to tell her when she was old enough to understand that it wasn't something she should say in public.

You didn't look like a grandmother, nor did you think that anyone would believe Lou if she said it in public, but it would reveal that you were in fact Indigo.

Then again, we're probably past that. You frown at the thought, but it was true. There was no going back. You'd walked into Vought with no disguise in front of all the cameras and you certainly were going to leave your mark here tonight. You'd be lucky if Vought didn't run the story in the morning:

"Payback Strikes Back Against the Celebrated Seven"

Of course in that story everyone would conveniently forget that Ben and you were also beloved heroes, were also worshipped and elevated in society. Funny how things like that seem to be lost in translation.

"Yes." You reach up to push back her hair and she moves her head away, her dark hair slipping through your fingertips.

"Why did you lie? Lying is mean." She whispers, hurt flashing in her eyes. "Did you not want to be my grandma?" Lou looks down at her feet clad in a pair of teddy bear slippers.

"Oh sweetie." You sigh, tilting her chin up to look at you. "I did. I am. It was just easier this way-"

"Mommy says that lying is bad." Her green eyes are watery, voice quiet.

"I know. It is. But you have to understand it was a grown-up decision and we didn't want you to find out like this." This time she lets you brush her hair back from her face. "And it doesn't mean we love you any less."

Her eyes flick to Ben. Ben had followed you over, to make sure that Homelander didn't attack you when your back was turned.

"You're my grandpa?" Lou sniffles.

"Yeah." Ben forces a tight smile for Lou's sake, but you know that he's thinking that this isn't the place for this.

It isn't.

You could still feel Homelander's eyes against your back and you were trying to fight the shudder of disgust.

"Ryan say hello to your grandparents." Homelander calls from his position by the window, his voice proud and filled with  humor.

"Hello." Ryan smiles, but its hesitant and you’re happy that he’s at least able to read the room. A skill that his father didn't seem to have.

"Hi." You smile back tightly, the same smile that Ben had moments ago.

Meeting Ryan made all of this worse. You hear Homelander's footsteps as he gets closer to you and Ben mirrors his movement to block Homelander narrowing his eyes. You weren't here for a family reunion, you were here to kill Homelander and get your family back, but the thought of killing Ryan's father in front of him made you hesitate. That was something that seemed too cruel to consider, unless if Ryan was somehow shown how monstrous his father was.

Homelander holds his hands up in mock surrender. "I just want to talk this out."

You stand and push Lou behind you, refusing to let Homelander get anywhere near her again. "I thought you didn't want to talk to us anymore." You spit the words.

"I changed my mind." He forces his expression into something that looks like shame. "Maybe I got a little carried away before. But you have to understand I have been waiting to be apart of a family for such a long time and now that I have Ryan I’ve realized how important it is to have one. I'd never felt that kind of love for someone else, the kind of love that drives you to sacrifice whatever you have to save them.” He glances down at Lou who is peeking out from behind your leg at Homelander. "The kind of love you have for Lou."

He speaks like a practiced actor, his hand movements simple, rehearsed, the expressions on his face calm and collected, but you don't believe it for a minute.

"I know you said that I wasn’t your son, but I am." He says, eyes flicking from Ben to you. "I am your blood that's all that matters and now we can be a family. A real family."

"Where is Rosemary?" You ask. Lou hasn't moved from behind you.

"Please. All I'm asking is for a chance-" Homelander says ignoring your question.

"Why should we give you a fucking chance? You kidnapped Lou, you've probably hurt Rosemary or worse!" You could feel the room beginning to shake with the force of your anger, eyes shifting to purple.

"You kidnapped her, Dad?" Ryan asks in surprise.

You look back at where he was standing. Lou was still holding on to his hand and when you'd pushed her behind you, you'd also inadvertently pushed Ryan behind you too.

"I thought you said that Lou wanted to come live with us." Ryan continues looking confused. "And who's Rosemary?"

"He lied." Ben snarls, eyes not leaving Homelander.

"My guess is he does that a lot." You sigh looking at Ryan. "She's Lou's mother, your aunt. She flew after him when he took Lou. You haven't seen her?"

Ryan shakes his head.

Fuck.

Homelander ignores the question again and changes tactics, his blue eyes turning on Ben. "I understand what it's like for your team to betray you, to stab you in the back, to act like you didn't fight together, bleed together and to act like you weren't willing to die for one another. We could be unstoppable together, all of us. A family. Isn't that what you always wanted dad?" Homelander says the last part softly, enticing Ben to make that choice. "I read your file. Everything about what happened to your mother and it wasn't hard to figure out what happened with your father."

Ben's jaw clenches together and you watch his entire body tighten at the mention of his dad.

It was true. Ben had always wanted a family, always wanted someone in his life that cared for him, that he could love and be loved by, and you had made sure in all the years you'd known him that it was you. You were his family just as Ben had become your family and cared for you. It was hard to not be family to one another after all the years you'd spent together, to not care about him the way you did. It wasn't a burden to you to love Ben and wasn’t a burden for you to take up the title of family, because it was simply true.

You reach out and touch Ben's back to let him know that you’re there, feeling his muscles twitch for just a moment beneath your hand, before he glances over his shoulder at you. For just a fraction of a second you see the Soldier Boy façade drop and you see your Ben again, before something hardens in his eyes. The conversation that passes through the glance you share is absolute and quick, but he understands.

Ben takes a step towards Homelander letting your hand fall as he forces a tired sigh. "I'm sorry." He places his hand on Homelander's right shoulder.

You watch Homelander relax under the contact, the expression on his face hurts you. You didn't think it would, but Homelander looks happy and comforted that Ben was here with him. Content that Ben finally gave in.

In some ways you wished that it could be this way, that Homelander was redeemable, and that you could all be a family the way he wanted. But you couldn’t. The blood on his hands was too great and you had to stop him before anyone else got hurt.

"I'm sorry that I wasn't there, sorry that I wasn't able to teach you what I should have father to son." Ben sighs. "I think it would have helped you. I think your mother could have helped you."

"You're here now." Homelander says, looking over Ben shoulder at you, his eyes misty. You force yourself to send him an encouraging smile. "Both of you are." Homelander's voice sticks a little as he says it.

Something deep down breaks when he says that, because it’s the same thing that Ben and you had said to each other outside. As much as you wanted to hate Homelander, to push him away, another part of you was beginning to unravel, the part of you that wanted to accept him as your son. But you couldn’t because he didn't deserve that. Homelander was the monster that Vogelbaum created, there wasn’t a shred of human decency left and that meant Ben and you had to make a hard decision.

You wonder if Ben really did feel that way or if he was just doing this because he knew you wanted him to.

Ben continues to smile at him. "It would have helped you not to become a sniveling weak pussy starved for attention."

Homelander's smile falters. "Weak? But I'm your blood. Your son-"

"I know." You try to ignore the emotion that bleeds into Ben's voice when he says it. "And you're a fucking disappointment."

"What-" Homelander doesn't get the word out before Ben tackles him back away from you and Butcher leaps over the table to help him.

Ryan stiffens behind you as they do this and you look at him. "Dad?" Ryan whispers.

Lou gasps and touches the end of your shirt in fear, watching Homelander fight Butcher and Ben back, his eyes glowing an ominous red.

You open your mouth to say something to her and Ryan, but you feel a sharp pressure on the back of your neck and hear a high pitched snap.  You turn your head to look to your right and see Black Noir standing there, a broken syringe that holds a clear liquid in his right hand. The tip snapped when he had tried to press it into your body, unaware that your newfound power meant that nothing could break your skin.

"Ryan, please take Lou out of here. I don't want her to see this." You say calmly, not looking away from Noir, who lowers the syringe slowly in shock.

"But-" Ryan begins to say.

"Do it now." You order turning your body to face Noir. "Hello Earving. Long time no see."

Noir takes a small step backward realizing his mistake as Ryan pulls Lou to the doors on the other side of the room.

You hear Noir try to form a word, nothing more than an awkward click and a wheezing sound. "Sorry I can't hear you." You smile cruelly at him.

"I’d say you look good but, Ben really fucked you up pretty good didn't he?" You look through the mask with your x-ray vision, seeing just how messed up Noir is underneath. "It's a miracle that you're alive. That any of you got out of there alive."

Noir drops the syringe and pulls a knife, the blade shining in the fluorescent lights.

"You know, if the syringe didn't work, I don't think the knife will either." You begin to say, but he's undeterred.

He lunges forward sweeping the blade in a deadly arch aiming for your neck, but you catch his wrist. “If I had been there you all would have suffered.” You turn his wrist at an awkward angle, listening to the sharp cracking of bone as it snaps and Noir’s wheeze of pain.

Behind you, you could hear the telltale sound of punching and crashing, but you don’t look away from Noir, trusting that Ben and Butcher have it under control.

"Before I killed Countess I had to listen to her go on and on about how proud she was about that day, how proud she was that you all stabbed Ben in the fucking back, and honestly I didn’t mean to kill her. Though I will admit I regret not making it last a little longer. The Twins begged for mercy, tried to tell me that it was a big mistake, that Ben lied to me." You shrug advancing on him. "But Ben doesn't lie to me."

Noir tries again, kicking his foot up to hit your abdomen, but your hand closes on his ankle keeping his leg extended between the two of you.

 "He told me exactly what happened that day." You snarl, shoving Noir back from you so harshly that he lands on the ground. "You all turned on him. And honestly, you got off easy. You're lucky I wasn't there. Do you have any idea what I would have done to you if I had been there?" You smile and let out a low laugh. "Well I guess that doesn't matter, because you’re about to find out."

He scuffles back still on the ground, trying to crawl back, and reaches into his pocket for something. You were expecting a gun or a throwing knife, but instead he pulls out a notepad and a pen and you stop.

"What are you-" You begin to say, but Noir starts frantically writing with his only good hand.

He curls his ruined arm under the notepad to hold it steady as he forms the words on the page, and holds it up for you to see.

Did it for you.

"What?"

Noir drops the pad to write again.

Using you.

"Who?"

Him.

"Ben?"

Noir nods frantically.

Only way.

Wow he is so much worse off than I thought.

Then again, when Ben broke your heart you did think that too for a little bit. That all the years spent together had been a lie and that he was manipulating you and using you because he didn’t want to face the silence alone. It reminded you of the thing your mother shouted at you when you gave Howard back the ring and left home:

“You really think that disappointment will ever love you? Care about you? You are nothing to him, just another plaything. And the day he finally tosses you away, don’t bother coming back here.”

It makes you hesitate again and Noir sees it as an opportunity to write more on his piece of paper.

Set you free.

"You thought that the only way to free me was to send Ben to fucking Russia?"

Noir nods.

"I wasn't some fucking damsel in distress. I wasn't locked up in a tower by some dragon. I wasn't trapped-

You were.

"No I wasn't I chose to be there-"

Not happy.

"I was happy Earving."

I am better for you.

Your jaw snaps together, looking past the mask and into his scarred face. The expression in his eyes has shifted now, to something softer, something vulnerable and earnest. You remember what Stan said about Noir going through your apartment when you weren't there, stealing pieces of your clothing, and stealing your jewelry.

I did everything for you.

Noir reaches into his pocket and pulls out something that glimmers in the light. It takes you a moment to recognize it, but it's your pearl necklace, the one your father gave you when you spent your first birthday away from home. He holds it out to you and you take it from his hand. The beads are just as you remember, maybe a little yellowed with age, but still in good condition. Soft and supple against your fingertips, warmed from where they were in Noir's pocket.

Said I could have you.

"Who?"

Stan.

The name of the man you killed makes your blood run cold and for a minute you feel bad for Noir, feel bad that he believed what Stan said. Stan who told Noir whatever he could into manipulating him to do his bidding.

Stan knew that he was obsessed with me, knew exactly what to say to make sure that Noir would do what he wished. And Noir believed that I was something that Stan could give away. I didn't belong to Stan, didn't belong to anyone but me.

That was the problem with Stan after all, that he thought you were a commodity to be sold. That everyone else in the entire world believed that you were nothing more than a puppet to be used and disposed of whenever they saw fit. It was the same attitude that drove Stan and Vogelbaum to take your genetic material.

But then you left. Tried to find you. Couldn't find you. Why did you hide?

You watched Noir's shoulders slump as if it was painful for him to go through the past forty years not knowing where you were.

Could have helped you.

 A chill of disgust traces its hand down your back. You wondered how long he had been stalking you and wondered how many things he still had from forty years ago. The pearls were quickly icing in your hands, a symbol of the girl you used to be, the one who walked around Philadelphia and saw the world in color, saw the good in people. You knew that she was gone, long gone. Not after everything that you'd been through in the past week, finding out about what Vogelbaum did to you changed you, finding out what happened to Rosemary with Charlie changed you into someone different.

But you didn’t hate who you had become. You glance behind you at where Ben is fighting Homelander, ducking beneath the blows that Homelander tries to land, dancing around him.

I love you.

When your eyes trace over the familiar words and see the earnestness in Noir's eyes behind the mask. A part of you breaks for Noir, understanding that his obsession with you maybe did stem from good intentions but the descent into madness that drove him to do the things he did was dark and consumed him quickly.

"Did you know about Homelander?"

Noir was still sitting on the ground looking up at you and when you ask the question you watch him drop his head to his chest in shame.

Yes.

You move the pearls to your front pocket, considering your next move. "I saved your life before from Ben, not because I loved you but because I didn’t think it was right for him to hurt you. I didn't think that you deserved to lose your life over a film role.” You murmur with a sigh “But maybe if you'd gone about this the right way I would have given you a chance."

Do it now.

"No." You shake your head.

But I love you. I'm here-

The next word is just a scribble now as you fling your hand out and Noir's body flies back into the concrete wall. It cracks around him as you increase the pressure and he begins to fold in on himself.

"If you really loved me Earving, you wouldn't have let them do that to me." Your voice sounds hollow, but you know that it's the truth. “You would have tried harder to find me every day, to tell me what they fucking did.”

“Did try-“ He wheezes in a broken voice, barely audible.

“Should have tried harder.”

"Please-" The word is only a shadow of what it should be, his injuries making it difficult to form it, and through the mask you see a single tear tracing the side of his scared face.

"Ben would have ripped them all apart if he knew what they did. But you didn't, you sat at Stan's table for forty years and did absolutely nothing. You don't get the privilege to beg for mercy. Not after the things you did to Ben, and after the things you kept from me." There’s a purple outline glowing all around him, weaving around his torso. Your hand closes, the subtle glow of purple around his body tightening more and more, his screams sounding more like muffled wheezes, different than the shrieks of pain that Stan released in his final moments. And you continue to close your hand until there's nothing left, but a ball of flesh, tissue, and bone sitting on the ground where Noir used to be. Blood flecks the floor, forming rivulets that run like rivers over the pristine black marble like the roots of a tree.

You take in a breath, trying not to go into the darkness again that surges up with Noir’s death, the same darkness that dragged you under when everything happened with Stan, but you right yourself and turn to look at where Ben is fighting Homelander.

Ben is shaking his head and rising from a pile of debris, while Homelander floats in the air holding Butcher by the throat, looking down at him with a sickening smile.

"Goodbye William." Homelander turns and throws him against the window. It shatters with the force of Butcher's body being thrown against it and his body disappears from view into the air outside of the building.

Homelander turns to look at Ben and you. Ben has a cut on his cheek from Homelander's laser vision and takes a shaky step forward, but he stands proudly, putting himself between Homelander and you.

“Dad why did you do that?" Ryan asks. "Butcher was my friend."

Your gaze flicks to where Ryan and Lou are peeking around the door way that leads to another part of the tower and you're suddenly afraid that Lou saw what you did to Noir, but she's only looking out the shattered window in horror, tears in her little eyes. She liked Butcher, thought that he was funny.

"He was standing in my way son. And we don't let anyone stand in our way do we? Even our friends." Homelander's hair is hanging in his face from the fight, suit ripped away from his chest to reveal the black bodysuit underneath, one of his golden eagle shoulder pads is missing, and he has a prominent bruise on his cheek.  "See isn’t that better. No more Butcher to spread lies about me. Now we can all talk like a family.”

"Wouldn’t be too sure of that you narcissistic cunt." You hear Butcher’s voice say.

Rosemary floats into the room, supporting Butcher with one of his arms wrapped around her shoulders. She's still wearing the exact same thing she was when she followed Homelander, but now the dark sweatpants and t-shirt are ripped and riddled with what look like bullet holes. Rosemary's hair is wild around her face the hair tie that held it long gone, and she has blood flecked on her arms that you’re sure isn’t hers.

But she's there and she's alive.

You weren’t going to ask her what happened, but the wave of relief you have with her appearance obliterates the weight on your shoulders.

“We aren’t a fucking family.” Rosemary grits her teeth together, spitting the words back at Homelander.

"Mommy!" Lou says happily pulling away from Ryan to go towards her mother, who is closer to Homelander than you wanted her to be.

"How did you-" Homelander sputters.

"Get out of that pathetic excuse for a trap?" She snarls, green eyes flashing, looking more like Ben as she touches down in the room, helping Butcher to his feet. "It was easy. But you and I aren't done."

"I think we are." Homelander's eyes glow bright red, letting lose a bolt, it glances off her arm, but Rosemary crashes into him, grabbing him around the wrist to bring him down against the ground so hard that it rattles the other windows in the room.

But as she tries to bring his body against the marble floor again, Homelander breaks free and rises from the ground to fasten his hand around her throat, his eyes still glowing a sharp red that cuts through the room.

"You’re really pathetic." Homelander sighs. "I expected more, but I suppose you have no training or no practice controlling your powers."

She spits in Homelander's face and his gaze turns murderous.

"Let her go." Ben snarls, his chest beginning to glow, and this time you know that he won't stop, that he won't hold back from hitting Homelander full blast.

Homelander ignores Ben, focusing on Rosemary. "You think that you’re more powerful than me? You're not. I am the oldest after all." Homelander's voice is eerily calm. “You are nothing. Insignificant. You waste your life caring for other people and it makes you weak.”

“Leave my mommy alone!” Lou shouts and kicks Homelander in the shin.

Homelander looks down at her, his eyes still glowing.

Oh shit.

“You know, I thought you were cute at first, but you’re really just annoying.” He sighs kicks out with his foot and before you can do anything Lou goes flying out the opening in the window with a blood curdling scream.

“No!” You shout as her body vanishes just as Butcher’s had only seconds ago. You feel your body take off the ground to chase after her, but before you make it out the window, Lou comes soaring back in her little fists clenched tightly at her sides.

“That was mean.” She states indignantly.

Your eyes widen in shock, feet touching back down on the ground. She can FLY?

“Wow. I kinda expected more than you only being able to fly seeing as you’re supposed to be so powerful but I guess-" Homelander begins to say.

Lou waves her hand a purple glow coming from around her fingertips and the large table in the middle of the room jerks off the floor and slams into Homelander like a freight train. A loud “ooof” comes out of his mouth as he drops Rosemary and flies back against the wall of monitors.

“Mommy are you okay?” Lou says hugging her mom tight.

“Yes sweetie.” Rosemary says hugging her back, but even she seems as stunned by this turn of events as you do.

Yes Rosemary had said that Lou was going to develop powers, but you didn’t think it was going to happen like this or this soon. Then again you weren’t well versed in how long it took for supe children to develop them. Rosemary had developed hers when she was one year old, but you were hoping that maybe you had a few years before Lou developed hers.

“How did she do that?” Ben murmurs to you.

“I have no idea. It’s not a power I was born with or Rosemary was born with. Same with the flying-“ You whisper back. “She didn’t touch Rosemary before she did it, but-“ A horrible thought comes flitting into your mind.

The truth was you’d never used your powers around Lou, neither had Rosemary. Lou didn't know that either of you were supes. She’d never had exposure to super powers before today, hadn't watched them on t.v or been around any other supes which meant that she was experiencing all of this for the first time.

And that’s why they’re manifesting right now.

“But what?”

“She saw me use telekinesis to fight Noir. She saw Homelander fly." You murmur.

I receive powers through death, Rosemary through touch, and Lou through sight.

Holy.

Fucking.

Shit.

She could have limitless power, more than any of us, more than any supe that ever lived. No wonder Charlie was obsessed with her power. All she has to do is see a supe use their powers and-

The fear of Vought and the government comes crashing over you all over again, because you knew that they wouldn't let Lou go free, not when her ability was something like that, something that made her indestructible and unstoppable.

They'd run experiments on her, do whatever it took to try and gain that power for themselves, because who needed an army of supes when there was just one who was able to do anything?

“Are you saying what I think you’re saying?” Ben leans towards you.

“Yeah.”

“Fuck.” Ben mutters.

“You can say that again.”

Homelander rises from the ground brushing off his clothes with a snarl on his face eyeing Lou and Rosemary before he finally turns himself towards Ben and you. "I don’t understand why you're doing this."

"Us?" You scoff trying to shake off the shiver of fear that came with the revelation of Lou’s gift. "You’re the one who kidnapped an innocent child and just tried to throw her out a fucking window."

"You should thank me!" He snaps, eyes gleaming darkly in the light. "I unlocked her abilities. Something that neither of you had been able to do. And now she really is growing into her potential." His eyes flick to where Ryan is standing by Butcher. Butcher's hand is on his shoulder. "You really turned into a disappointment too. I tried to do all of that with you and all you did was kill your fucking mother!"

Ryan inhales sharply, and Butcher's hand tightens on his shoulder. "The only disappointment here is you." Butcher's eyes narrow as he stares at Homelander. "Ryan is not a disappointment to me and he wasn't a disappointment to Becca! And it's not his fault what happened to her."

"Oh right Becca." Homelander rolls his eyes. "You've really got to get over her. She wasn't anything special. Practically brainwashed Ryan into believing he wasn't special. When he comes from a practically god-like bloodline. Judging by Lou's powers I'd say that Ryan got the short end of the stick."

"We are not gods." You spit. "Can't you fucking see that? We are what Vought created. We live, we bleed, we die, that's it. Nothing more, nothing less."

"It wasn't supposed to be like this." Homelander looks furious. "You were supposed to be my family, supposed to love me!" He looks from Ryan to Lou to Rosemary and then finally back at Ben and you. "Somebody has to like me best! Someone has to love me! I'm your blood! Your son! Your first born!"

"She's said it before and I'll say it again." Ben states from where he's standing next to you. "You might be our blood, but you're not our son."

The manic look on Homelander's face makes you anxious. He was like a feral animal backed into a corner. He knew that he had lost and you knew that there was no way to tell how he would react to this.

“Do you have any idea what I could do to you?” Homelander’s voice is more of a growl now as he begins to advance on Ben. “I am the most powerful super who ever lived. I am a god. And you are nothing compared to me.”

You step up beside Ben preparing for what comes next. “You’re nothing Homelander. You’re just a sad little boy who never grew up and became a hollow shell of a person that Vought filled with macho bullshit until you turned into a monster.” You say cooly. You were ready to fight him again, to kill him, because you knew he would never stop, that he wouldn’t leave any of you alone unless he was dead.

“I am not a monster!” His eyes are dark. “You think you’re so high and mighty? You’ve killed more people than me and at least I do it quickly. Did you enjoy it?” He smiles wide. “To watch the light fade from their eyes? To crush them into nothing while you sat back and craved their deaths?”

“The people I have killed I have killed to protect my family. I don’t do it for sport.”

“I don’t understand why you won’t just accept me! I’m your son! I’m not some fuck up disappointment! I’m Homelander! The greatest supe who ever lived. You should be proud of me! Proud to be my parents.” His eyes narrow. “Do you have any idea what I could give you? I have built an empire from nothing. Dad, you could be on top again, a household name, respect, power, money, women, anything you wanted and you’re really going to throw all of that away? For her? For them?”

Ben's eyes skate over Lou and Rosemary, and flick to you before he levels his gaze on Homelander once more.

“I have everything I need.” Ben’s voice is low and gruff squeezing your hand tighter in his as he speaks.

You feel your heartbeat stutter for a second, because Ben had said and done the one thing that you never believed that Soldier Boy ever could. After eighty years, Ben had chosen you just as you’d chosen him the night he asked you to give up everything you knew and dive into the unknown with him. And you felt the last shred of apprehension about him staying in your life crumple up and burn, because you knew that he wasn't going anywhere and that he was going to love you and stay with you for the rest of your life. If you weren’t in this situation you were sure that you would be crying.

“Fine. If you don’t wish to be apart of it, then you’ll burn with the others.” His eyes begin to glow bright red as he prepares to charge Ben and you.

You brace your body for the coming fight, dropping Ben's hand.

Everything slows down. Homelander's feet leave the ground as he starts to fly forward to kill you, the heat from Ben's chest burning the air around you, and the beating of your own heart thunderous in your ears as you feel your eyes shift to red.

But the attack never comes.

A blinding flash of golden-orange light hits Homelander in his left side, there's an unmistakable smell of burning flesh and hair, and Homelander's body is knocked off course through the wall full of monitors. There's a scream somewhere and you turn to see Rosemary, kneeling over Lou's body that lies on the ground.

And you understand. The attack didn’t come from Ben, it came from Lou. Lou who saw Ben use his powers, Lou who had the ability to replicate abilities through sight, and Lou who was so little that you were unsure what something like that would do to her.

"Lou." You gasp racing over to where Rosemary is cradling her little body to her chest.

She looks okay, paler than normal, her breathing is uneven, and you can hear the frantic beat of her little heart, but she does not open her eyes.

"Louisa?" Rosemary says, stroking the back of her head, looking into the face of her daughter, using her full name for the first time in years.

She doesn't move, stays limp in her mother's arms.

No. I can't lose Lou. I've lost so much over the years.

Tears spring to your eyes as you fall to your knees, reaching out to touch her arm. Her skin is so warm it almost burns the palm of your hand, but you don't remove it.

"Lou please. Wake up sweetie." You say, voice thick with emotion.

Lou stays as she is.

Ben's hand comes down on your shoulder and you lean into his leg, shuddering as tears begin to trickle down your cheeks.

Rosemary is beside herself, sobs shaking her shoulders, cradling Lou to her chest. "Please don't leave me." You hear Rosemary whisper.

You suddenly flash back to the day on the beach that you took the bullet for Ben, when your blood turned the sand to mud and Ben held you so tight to his chest that it almost hurt, and you thought you heard him say the same words as you felt yourself began to drift off into nothing.

Ben pulls you up against his chest, tucking your head into the hollow of his throat, his arms wrapped tightly around your waist as he looks down at his daughter and granddaughter. You shudder into his chest, choking back a sob, arms gripping the front of his suit.

"Mommy?" You hear Lou's little voice murmur.

You pull away from Ben's chest to see where Lou is still lying, her eyes blinking open, but it seems like too much effort.

"Yes sweetie?"

"Can we go home now?" Lou says. "I'm tired."

"Whatever you want honey." Rosemary sighs in relief, hugging Lou closer to her.

"I want grandpa to come with us." She breathes into Rosemary's shirt, wrapping her little arms around her mother's neck. "And grandma and Ryan." Lou says the last too so quietly that you don't think that you heard correctly, but she quickly falls asleep.

"Okay." Rosemary's eyes are closed, and she's petting the back of Lou's back.

You exhale, slowing down your breathing, still holding tight to Ben's supe suit. Ben's eyes aren't on you though, they are focused on the giant hole in the side of the building that Homelander disappeared into.

Homelander comes stumbling through holding his head. His supe suit hangs in burned tatters on his shoulders, but his skin looks unscathed. There's a large lump on the side of his temple, and he squints at Ben and you as if he can't recognize you.

"Hello." Homelander says it hesitantly. "Um. I'm sorry I don't know where I am. Do you live here?"

Holy fucking shit.

"Um." You stutter.

"Do you know who I am?" Homelander continues taking a shaky step towards where you're all standing.

"Dad are you okay?" Ryan asks.

Homelander's blue eyes flick to his son. "I'm your dad?"

Butcher is on Homelander before you can stop him, tackling him to the ground and landing a punch against Homelander's nose.

There's a sickening crunching noise and a high pitched wail from Homelander, as the nose breaks beneath Butcher's fist and blood floods down Homelander's face.

He's human now, but he doesn't know who he is. Your eyes skate across where Homelander lays under Butcher until your eyes catch on the lump on his right temple. He has brain damage from when he landed, he hit his head, doesn't remember any of this, any of us, any of who he is.

And before Butcher can land another blow you grab him by the back of the coat and throw him across the room. He checks himself mid-air and lands in a crouch, his coat billowing out behind him like a cape.

"Just hold on for a minute." You say.

"What the fuck are you doing?" He shouts, fist still covered in blood.

What am I doing? The thought was also going around in your head. You had come here to kill Homelander, to make him pay, but seeing him like this, unable to tell who he was or where he was, made this feel wrong. You couldn't put your finger on it, but it felt evil to kill someone who didn't know the reason why they were going to be executed.

"Don't touch him." You say, standing between Butcher and Homelander. Ben and Rosemary are watching you like you're crazy, but you don't let Butcher get close to Homelander.

"Why did you do that?" Homelander cries, holding his gloved hand to his nose to stop the bleeding. Tears are slipping down his cheeks from the pain.

"Ryan give me your jacket please." You hold out your hand for Ryan's red jacket who is looking at his father in total disbelief. "Here." You give it to Homelander. "Tilt your head back and press this to your face."

He does what you say, but he's still watching you like he doesn't completely trust you.

The feeling is mutual.

"You're kidding right? He's still a psychopathic maniac-" Butcher snarls advancing on you. Ben steps forward to stop him.

"I'm not going to let you kill him in front of his child and it-" You glance back at Homelander. "It's different now. He doesn't know who he is, doesn't know why he's here-"

"You don’t think he's fucking faking?" Ben shouts, glaring back at where Homelander is still standing, and for the first time you see genuine fear on Homelander's face.

I mean he is a good actor, but I don’t think that he's acting.

"I don't think he is."

Ben pinches the bridge of his nose. "Look sweetheart I know that he might be having a little bit of memory loss, but he's still Homelander. And I know that he is technically our son but this isn't like starting over. You can't redeem him this way."

"You're my parents?" Homelander asks looking at Ben and you suddenly confused. "But you're so young?"

You ignore him. "I'm not trying to redeem him and I'm not saying that he doesn't deserve to die or that we shouldn't kill him. I just think that we shouldn't kill him now when he's like this."

Ben narrows his eyes at the man who used to be Homelander. You can see the gears working inside of his head as he mulls over your logic, but you knew it meant that you had a shot of convincing him.

"Ben he's human now, you saw Butcher break his nose. He can't fake that-"

"That doesn't matter he's still the same person!" Ben sighs as if you're annoying him. "The same person that hurt Rosemary, the same person who kidnapped Lou."

"I know he's the same person, but it feels wrong to do this, to execute him for something that he can't remember. It's like killing a little kid."

"Fuck." Ben mutters it more to himself than to you as he tries again to see your logic.

Honestly, it hard to see it yourself. You had killed a few people over the years, didn't feel remorse when it came to the safety of your family, but this was different. Homelander had killed people, threatened, and tortured others but he didn't remember it. You hated that it made you guilty when if anyone deserved to die it was him.

"Fine." Ben holds up a hand. "Fine. We help him jog his memory then we kill him."

"Okay, yes that's all I'm asking." You agree.

"Wait a minute, I'm not going to agree to any of that bullshi-" Butcher begins to say, but the large doors at the back of the room open and a group of people walk in.

You recognize Hughie right off the bat, one girl as Starlight from her livestreams, the man from Herogasm who tried to gas Ben that Butcher identified as MM, but the other two are unfamiliar. One is a supe, her black hair straight and hanging around her face, but the other is a man holding a canister of some kind in his right hand with cropped black hair who smells like how Ben used to when he would shoot up and smoke whatever he could get his hands on in the 70's.

Well this is either going to go badly or go badly.

"Who are they?" Homelander says, his voice nasally from where he's holding the jacket to his face.

"What the fuck happened?" Hughie asks, looking around the room at the destruction.

"Well-" Butcher begins to say.

"I turned him human with whatever the fuck is in my chest. You're welcome." Ben lies.

You swallow the lump in the back of your throat. The last thing you wanted was for them to know what Lou was capable of. Rosemary is standing now behind you, holding Lou in her arms who sleeps quietly, curled into her mother.

"But how did you-" Starlight asks.

"I held him down telekinetically." You shrug. "Wasn't that hard."

"Huh." She frowns. "But you didn't kill him?"

"He hit his head." Butcher explains coming to stand beside you. "Can't remember a bloody thing."

"And you believe that?" MM sputters. His eyes haven't left Ben and you know exactly what he's thinking about, the night his grandfather died.

"She does." Butcher nods his head in your direction. "And she doesn't want to kill him if he can't remember why he's a fucking cunt."

MM's eyes flick to you. "Who are you?"

"You're Indigo right? The supe from the 80's who vanished?" Starlight asks.

"Mhmm." You hoped that they weren't here to fight you, but the shiny silver cannister in the shorter man's hand says otherwise. "But all of that doesn't matter now. It was a long time ago. The only thing that matters here is that Homelander is human and that no one died."

Her eyes flick to the ball of flesh in the corner that was Noir then back at you. "No one?"

"No one who didn't deserve it." Ben clarifies gruffly.

You could feel the tension in the air between the group of people standing in front of you. Ben was mirroring your protective stance in front of Rosemary, Lou, and Ryan. You weren't sure what was going to happen, but you didn't want to put them in the line of fire.

"We don't want any trouble, we're just going to take Homelander and leave." You say diplomatically.

"Who's Homelander?" Homelander says still obviously confused. "Is that me?"

Everyone ignores him.

"Wait where are you going to take him?" Hughie asks.

"I have a friend. She knows how to handle supes. She'll find a place for him." Your gaze flicks to the other female supe who hasn't said anything since she walked into the room. You didn't like that you didn't know what her powers are and did not know what to expect if she chose to fight you.

You also hadn't spoken to your would-be friend in over forty years, but you figured that she still was able to pull the same strings she had done in the past for you.

"A friend?" Butcher sounds skeptical.

"Yeah. So if you wouldn't mind letting us through-" You take a step forward preparing to push through the group of people.

MM pulls his gun. "We can't let you do that."

"Why?"

"Well for one Soldier Boy is a terrorist. He's killed people." Starlight's eyes narrow when she looks at Ben. "He's a nuclear bomb with a short fuse, who knows who else will get hurt. Not to mention he's murdered people."

"The only people I murdered are the people from our old team, everyone else was an accident." Ben replies gruffly, looking down the barrel of the gun, unfazed.

"Doesn't matter. It's still murder." The man with the gun states, his eyes narrowing at Ben.

This is not going to go well.

You sigh. You didn't want to kill them, but it was quickly becoming apparent that they weren't going to back down.

"We can do this the easy way or the hard way." The other man says in a faintly French accent, the dark haired supe beside him tensing as if preparing to spring.

"And you don't want to fight us." MM narrows his eyes at you.

Ben chuckles under his breath. "Trust me kid, it won't be much of a fight."

He's really not helping his case.

"Oh really?" Starlight's eyes begin to glow a dangerous gold, challenging you to get in her way.

You snort before you can stop yourself. "Your eyes glow, that's cute." You smirk at her, feeling yours shift to bright purple. "Mine do too."

"Annie wait." Hughie says, placing his hand on her arm. "Just let her talk for a minute."

"Really? You want me to listen to this psychopath? You see what she did to Noir-" Starlight, now Annie, gestures back to the blood stained wall and what's left of your old friend.

"If it's any of your business, you would know that he deserved it. And he started it." You say simply. "But it’s not."

"So what? You're telling us to just let you take Homelander?" She spits, eyes still glowing. "And let you leave with Soldier Boy?"

"You really think you can stop us?" Ben takes a step towards Annie, but you hold up your arm to stop him.

"I've honestly had a really bad week and we don't want to fight." You emphasize. "But we will if we have to. And trust me you really don't want that to happen."

"Then come willingly." MM says without lowering his gun.

"You know we can't do that. The last thing I’m going to do is let you lock Soldier Boy up again in some fucking lab. He's been in there long enough.” You reply.

"I'm not going to let you walk away with a ticking time bomb. He's killed people." Annie looks at where Ben is standing slightly to your left.

Like hell you're gonna take him and lock him in a cage.

"He's in control now. And I'll keep him in check."

"You expect us to trust you?" She scoffs. "You, who also have killed who knows how many people over the years."

"Could be worse." You shrug. "But the truth is none of you can stop us, sure maybe you can slow us down for a few minutes, but it won't end well for any of you. And I'd rather not kill any more people today in front of my grandchildren." You raise an eyebrow.

Annie's eyes shift back to where Rosemary is watching her warily, still cuddling Lou to her chest, and you can feel Starlight hesitate for just a second.

"Look Annie, can I call you Annie?" You let your eyes return to their natural color and wave your hand in what you think might be a friendly gesture, but your patience was wearing thin.

"No."

"Annie." You clear your throat. "The things I've done, I've done for my family. I think that maybe you can sympathize with that a little bit. And Soldier Boy well-" You glance at Ben, who is still staring down the barrel of the pistol with a stoic expression. Honestly you knew he was waiting for you to say the word to take down the group of people in front of you. "He's trying to be better and I'm going to help him, but I can't let you put him in a prison cell somewhere or in a cage or a lab."

“I can’t just let you disappear with him.” Starlight’s gaze is firm, unyielding.

You were willing to kill her if that’s what it took, but honestly you were exhausted. Emotionally. Not to mention you didn’t want to have to use the one favor you had but you were going to have to, to make your friend deal with Homelander. You hated owing her favors, they never ended well.

“We won’t disappear.”

“Why should I believe that?”

"You don't have to, but I don’t owe you anything Annie. No explanations, no nothing. Please just be thankful that this is all there is." You look at the faces of the people around her and stop on Hughie, before shifting back to her. "Do you want their blood on your hands? Because I don't. So please let us go and I promise that we won't be a problem."

"You're so sure that it's going to go your way. That you're going to kill all of us. You might be a supe but you don't know that you're going to-" MM begins to say and you finally snap.

Your eyes shift back to bright purple, energy pulsing out from your body as you unlock the anger, rage, betrayal, and hurt you felt the night you almost destroyed Legend's backyard. The bodies of the people standing in front of you lock up as your powers take control, weaving across their limbs, and shrouding them in the warm purple glow from your abilities, forcing them to their knees with their hands behind their backs. The only one you didn’t do this to was Hughie who is looking at you like you're some kind of monster.

And maybe the old you would have thought that too, but the new you wasn't phased.

Annie's body is glowing now, trying to fight the compulsion of your telekinetic abilities, but you know that she can't break it.

"That's how she knows." Ben says with a smirk. You can almost hear pride in his voice.

"Please let them go." Hughie asks you.

"I will. But first we're going to leave. Rosemary, you, Lou, and Ryan go first."

She walks around the people with Ryan in tow who looks back at Butcher for a moment, before he vanishes through the doors. "Ben take Homelander."

"Like fuck I'm going to leave you-" You turn your glowing eyes on him.

"I will be right behind you, now go."

Ben grits his teeth together, waiting another minute, but finally grabs Homelander around the arm and tugs him from the room glaring at you the whole time and muttering something under his breath.

You glance at MM. "I'm sorry for your loss, I am. I know that nothing can make up for what he did and I know that none of you want to believe me when I say this but, he's changed and he's trying to be better." You sigh. "I didn't want it to be like this."

"Wait you're not going to-" Hughie's eyes are wide and you feel Butcher take a step towards you as if he's going to stop you.

"No. Y'all don't deserve that. And I like to think that I'm still a good person. But-" You let out a breath. "I swear on my life that we won't disappear. I swear that I will do my upmost to help him and make sure that no one else gets hurt. And I'm sorry that it turned into this, but I hope that you believe me." Your expression hardens. "Because the next time you come and threaten my family or me again, I won't be forgiving and you won't walk away."

You drop the hold you have on their bodies when you make it to the elevator where your family and Homelander waits for you and you hope that they've chosen not to follow.

**************************************

"So, what do I owe you for this one?" You ask Grace Mallory, as you stand on the dirt road, surveying the Upstate New York countryside. The fields on either side of the roads were filled with waist high grass that rustled in the wind blowing from the East, wicking the sweat on the back of your neck.

The sun was rising on the horizon and it had taken most of the night to get out of the city to meet her there. It had been a long drive, but the car you'd stolen was working, for now. Rosemary, Lou, and Ryan, were asleep in the back seat and Ben were standing at your side. When Mallory had received your call she didn't sound surprised. You knew that she probably figured you would need her especially with the revelation of Soldier Boy's reappearance. She knew that you had unfinished business with him and that he'd try to find you.

She looks different than she did the last time you saw her years ago. Her hair is now more gray than blonde, pulling free from the severe bun at the back of her head. Her dark colored suit is sharp, pristene, and freshly ironed.

You'd met her in the weeks that followed Ben's supposed death, when Legend and you were planning your disappearance. You didn't know why she helped you make a fake ID and smuggle you out of the city, but she had. The favor you owed her had been collected when Rosemary went off to college, a little supe problem that Mallory's team couldn't handle. Off the books of course. You hadn’t been recognizable and you knew that no one would be able to find you.

"I'll send you my bill." Her smile is tight-lipped, but it's still there. You knew she hated supes, and sometimes you think that she tried to hate you, but you were too much alike.

"The same I'm guessing."

"Maybe." She shrugs watching the other officers escort Homelander into the vehicle.

His nose didn't look much better, it was swollen and purple because no one had set it, and he was wearing a pair of gym shorts and an oversized t-shirt that said "Ask Me About My Cats" on it. It was all you could find at the gas station Ben had stopped at in the middle of nowhere. Technically all of you had to change, especially Rosemary who's clothes were still riddled with holes and with blood splatter. You had a few splashes of blood from Noir, but not nearly as much as her. You knew that the two of you would talk about what happened to her soon, but not right now.

A bird soars overhead and joins another on the power lines hanging above the street, squawking as it settles down.

"Figures. Can't we just call this a favor for an old friend?"

"I guess I should be thanking you. Taking down Homelander, that's pretty impressive. Can't believe Butcher let you walk away with him like that." Mallory says, pressing her lips into a tight line.

Her eyes flick to where Ben is standing beside you. He hadn't said much since he pulled up, still trying to take in everything that had happened last night. You knew she wasn't ecstatic about seeing him again, the last time she saw him she'd told you about after you'd helped her out with her little supe problem and she'd asked you to join her for a beer. You didn't drink it, but you'd sat with her anyway.

When she'd gotten out of the car as you pulled up you'd heard him mutter "is that captain lesbo?" under his breath and it was the first time you'd genuinely laughed since everything happened at Vought tower.

Honestly, you felt kinda heavy on your feet. The stale gas station coffee had done little to boost your energy level and neither had the protein bar that Ben forced you to eat because he said you needed to eat something.

I better get a long vacation after this.

"He wasn't on board, but I convinced him. His team also took some convincing." You frown remembering exactly what you'd had to do to let you walk away, but you didn't feel bad about it. You knew that it was the way things had to be to keep your family safe. "You're not going to tell him about this are you?"

"Maybe. Not for a while though. I'll give him some time to cool down, have a cup of tea, let things settle." Mallory taps a text message on her phone. "It definitely changes things though."

"What does?"

"A cure for being a supe." She eyes Ben for a second. "Word gets out that's not going to be good."

"Believe me I know." You sigh.

You were trying not to think about the revelation of Lou's powers. You hadn't told Mallory that Lou was the one that took down Homelander, nor would you ever. You'd take that to your grave and if Butcher knew what was good for him so would he. You'd destroyed all video evidence on your way out of the Tower, but you were still afraid that someone, somewhere knew something that they shouldn't. Lou had woken up for a little bit on the drive and seemed more like herself after she drank some chocolate milk and ate some dry cereal, than she had when she used her powers earlier.

She just needs to get used to it. We all went through that when we got our powers. But things are never going to be the same though.

Ben nudges your arm with his shoulder as if he's trying to reassure you that he's there and you're not going through this alone. When you glance up at him, you see the corner of his lips twitch into a smile for just a half-second before going back to his stoic expression.

They really aren't going to be the same.

"Don't worry. I'll try to keep it on the down low as long as I can." She shrugs.

Homelander waves once at Ben and you as he is placed into the black Tahoe. The entire trip upstate he had tried to ask more and more questions while Ben drove, but you didn't want to answer him, didn't want to form a bond with him, not when he was acting completely different. You didn't want to get attached, because one day when he remembered who he was and what he had done you were going to kill him.

Ryan hadn't tried to answer his father's questions. You honestly were surprised that he had come with you willingly, he didn't know any of you, but he didn't complain. Plus you'd bought him a pack of state capitals and abbreviations flashcards at the gas station and he'd busied himself with running through the flashcards as fast as he could.

"Do you think he's really forgotten?" Mallory asks you.

"I don't know." You reply honestly. "I think so. But he was backed into a corner, and this may have been his only way out. He didn't like that we weren't accepting him."

"Hmm." Mallory exhales out a breath. "Just makes all of this more difficult I guess."

"It's always difficult." You sigh just as heavily.

"Yeah. Seems like it."

"At least the fucker doesn’t have any powers." Ben adds. "What are you going to do with him anyway?"

"Lock him up, see if they can jog his memory." Mallory examines Homelander as he looks through the darkened windows of the Tahoe at the three of you, still smiling. "I'll let you know if it comes back."

"Thank you Grace."

"Sure. You owe me though."

"I know." You pull absentmindedly on the end of the bright pink shirt that you had to change in to at the gas station, because your other one had Noir's blood on it. "Try to give me a little time first okay?"

"Of course." She reaches out to shake your hand and then shakes Ben's. Mallory turns to walk towards her car, before she stops and turns around. "What about Ryan? You want me to take him off your hands too?"

Ben glances back at the car where Ryan is fast asleep, his head leaning against the window, hair fanning out against the glass. "No. I think he'd be better with us."

"With Homelander the way he is, Ryan should be safe now." You look back at Grace. "Rosemary has an extra bedroom in her apartment, she can take him."

"You sure your cousin can handle a supe with his kind of powers?" Mallory raises an eyebrow referring to Rosemary as your cousin as she always does. Though you believed she knew better and just never said anything.

"Yeah. I think she's got it. Plus Ben and I live in the city too. I have an extra room in my apartment, but I just need to clean it out before he can stay with us. Ryan will be safe and maybe he'll be able to have a normal life." The thought was comforting. You didn't know too much about Ryan's background, but thought that maybe he would benefit from having a normal schedule in his life and have a normal life away from being a supe. Of course you were already thinking about ways Butcher could be in his life. It was obvious how much Butcher cared about him and how much Ryan looked up to Butcher.

You were going to call him when you got back into the city. You also supposed that you could have told him about Mallory, but when you and Mallory started working together you had both decided to keep it to yourself, saw that it was better this way.

"Alright." Mallory turns back to walk towards the car. "See you in ten years." She jokes.

When the car pulls away and drives down the street, Homelander waves at Ben and you again as you stand there leaning against the hood of the SUV you stole to get out of the city. It was easy to steal cars when all you needed to do was telekinetically turn it on.

"You didn't tell me you knew Captain Lesbo." Ben says.

"Don't call her that." You snort. "I owe a lot to her, she helped me get away from Vought."

"Why?"

"No idea." You lean your head against Ben's shoulder, listening to the cawing of the birds and feeling the wind pull and tug at your hair as if trying to ask you to play. It was a nice day, warm, but not too hot.

"Tired?"

"Mhmm."

Ben presses a kiss to the top of your head, holding you closer to him for a few precious seconds, his arm squeezing around your shoulders. "Come on Sweetheart. Let's go home." He murmurs into the top of your head.

"Home?" You murmur looking up into his green eyes, cupping his bearded cheek.

Ben's eyes are bright in the sunshine, the same color they were the day you painted him at the park all those years ago with paint splattered fingers and skirts. But it doesn't feel like any time has passed. It still feels like him and you walking the streets of Philadelphia together with warm pretzels, him crawling through your window to escape the rest of the world, him and you soaking up the sunshine along the bank of a pond, him and you drinking sour beer in a bar and singing all the way home, him and you dancing in a ballroom with the lights twinkling above, and him and you and falling asleep in the same bed bodies entwined. He's still your Ben even after all these years. You knew every smile line, every frown line, every freckle, every dimple, every dip and curve of his handsome face. His arm is still heavy around your shoulders, comforting and familiar.

"I'm already there Ben."

Ben brings his hand up to hold your cheek, the rough pad of his thumb tracing along the curve of your cheekbone. You were more beautiful than he remembered, leaving him breathless each time you smiled at him. His eyes trace the frown lines, the smile lines, the scrunch between your eyebrows, the smile on your face, and down to the parts of you that you believe are imperfections. Someone so familiar to him that he was sure he would never forget, and yet looking at you always felt like the first time, like he was a drowning man and you were the first breath of fresh air. He still saw the pieces of you he knew growing up, the girl whose hair caught fire in the sun when you painted him by a pond that was probably dry and gone, the girl who smiled at him every time he crawled through her window to escape the rest of the world, the girl who refused to let him be alone, the girl who protected him and defended him, the girl who saw all the parts of him he tried to hide from the world, and the girl who made him feel loved for the first time in his life. "Good, because I'm not going anywhere sweetheart, for as long as I live, I promise to be here."

"I'll hold you to that Benjamin."

"Forever?"

"Forever."

**************************************************************

A/N: Whew! Big chapter. Lots to take in I know!! But also really fun last moments that I just loved writing. I'm not gonna lie I was tearing up a little bit in that final scene. These characters have just meant so much to me to write. There is one more chapter coming! I know this one kinda felt a little bit like a wrap up, but the Epilogue is coming next. Stay tuned!

As always, thank you so much for reading and for all the love and support! If you'd like to be added to the taglist for this series let me know! I know that there's only one chapter of the series left, but I will transfer it to the One-shot fics I have planned for them. 😊

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[ghouldtime]

Neighbor! König Part 2

Part One

Part Three

After you expressed interest in his miniature collection, he actually actively OFFICIALLY invited you over one evening (and inside!)

It may not sound like much to most to be invited into someone's house but for him, it's the ultimate trust. His house is his private space, his sanctuary, where he goes to be without other people

He doesn't ever invite anyone inside unless necessary or they've truly gained his trust and being invited INTO his house, and actually into a shared space of one of the hobbies that matter the most to him?? Yeah, that's how he says he likes you

He's been working on his models and dioramas for so so long he's incredibly proud and can't help but to want to actually show them off to someone who wants to see

Usually most people don't care :( or think it's weird

But you've embraced it! You're so excited and he's over the moon, he's having the best day ever, if you do research and bring him gifts or show him some new ideas

He has exquisite attention to detail and INSISTS on everything being exactly the way he envisions it. And you notice! You actually notice. Which means you care about his hobbies, the work he puts in, and therefore him

It might be a bit early to say the L word but he's feeling certain ways

He may be a big dude but that doesn't mean he lacks fine motor skills. He's laying those tiny pieces of moss onto the cobble stones like a PRO

Miniatures allow him control over the environment, even if it's on a smaller scale, and offer a way to keep his hands and mind busy so he often throws himself into it

It also helps him relive happier memories. He's afraid of forgetting them and when he's stressing, it's his happy place because he can look at them and simply remember the things in life that matter

He'll ask you about a story you like or a favorite show or book or movie. That's his next miniature planned (in secret. Can't ruin the surprise, he needs to have it all perfect. He will either read the book, watch the movie, will study EVERY detail)

He will start to invite you over when he's having a painting night or is working on them. You don't have to follow his rules or do what he wants! He's just happy you're there and appreciating it

He will always have your favorite snacks and drinks in stock too. Need to make it fun and can't have you going hungry

If you want, he'll put on background noise! He's happy to make it immersive and to light a candle or put something in a diffuser to really set the scene you're going for. But he's perfectly happy to hangout with you as is

You'll finally get to hear him laugh and hear his really, really bad jokes. He has a dry sense of humor and most of what he says isn't even close to funny, he's awkward like that

But if you laugh? That's it, he's sold.

Time flies so fast when you're over, you don't even realize it's 3am

You don't need to go home! I know it's right across the street but he has a guest room and it saves you the trip in the morning. You have a whole nother round of characters to paint :)

Okay maybe it was an excuse so you could see the curtains he'd made and the pillows and he decorated the guest room with! Like actually tried decorating. They're made with love, that's what counts right?

Did he spray the pillows with his cologne before you came over? Maybe, but he won't ever admit to it

You can't complain. Not when he insists it's no trouble at all, you should stay over, and he does everything he can to make you comfortable.

And you're certainly not complaining when you wake up to breakfast in bed

He's so happy to finally have someone to share his life with, even if it's nothing official. He might not say it because words are hard, but he'll always show it in every way that he can 💚

If you look closely at the replica he made of his childhood home, you'll notice two figures in the kitchen who just so happen to look like you and him

Proud believer of König being just a guy! A guy with hobbies! A guy with a calm domestic life! Just because he's a private military contractor doesn't mean he's a constantly violent dude or a guy who lacks an immense amount of respect for boundaries. Sure, he gets really into his job when he does it, but that's his realm! That's his zone. That's why he's confident and having fun, he knows he's good

Outside of work, he's just a guy with a troubled childhood making the best of life and trying to find his own sense of belonging, happiness, and peace

Justice for König, he's not an insane perv or some freakytron or some stalker :(

[vrystalius]

Hi there <3 I was wondering if I could request a fic with Kyojuro? Perhaps about him who is now older and had survived mugen train and the whole muzan ordeal. He gets surprised when he notices his wife has grey hairs, wrinkles, typical signs of growing older and gets a little sappy about it. Just the two of them, retired hashiras enjoying growing older with each other :) I hope this isn’t too much of an ask 🩷

As the years go by

Kyojuro is now properly admiring all your beautiful aging features in the morning light.

Pairing: Kyojuro Rengoku x fem!reader

Note: Before you read this fic, please go check out @erexart ! She really makes amazing art and made the banner of this fic, I’m so so honoured to receive something like this :,) I hope you enjoy this, I really tried to make your request and art justice.

Every morning before you wake up, Kyojuro takes his time to take in your sleeping face. These not your most graceful moments. Sometimes you drool onto the pillow below, sometimes your face gets all squished up by resting all your weight on it. You’d be embarrassed if he would described all the faces he’d seen you do before, but to him, you’re beautiful in every way and sleeping position. But this morning was different. Kyojuro was silently watching you breathe in and out and how your chest is rising and falling, his fingers carefully brushing through your hair. He leaned forward and held your hair up to his nose, taking a deep breath. His eyes silently wandered over your face and hair. The morning sun perfectly illuminated all your best features.

His eyes widened slightly as your husband noticed a few grey hairs in your hair. Yes, Kyojuro has been taking some time out of his morning just to stare at you like a lovesick teenager, but he never actually noticed any of the aging that happened over the years. He carefully ran his fingers through your hair, making sure to take time to admire your silver strands up close. Those fee grey hairs may not mean a lot to you, but to him, they are proof of your many years of marriage. Truthfully, he’s probably the reason you got them in the first place. Lately, his old injuries have been flaming up again and you got incredibly worried and fuzzy over him. Your smile disappears every time Kyojuro groans when he stands up, worrying that he’s in pain. Worry doesn’t suit your feature at all.

Your features, your face… they also changed over the years. He continued to brush his fingers through your soft hair, his focus shifting towards your gorgeous face. Although his vision worsened in his left eye ever since his fight against Upper Moon Three, but oh, your laugh lines that surround your lips and how they crinkle everytime you smile are a sight for sore eyes. Your smile is the most beautiful thing in the whole entire world and he’ll gladly endure a little pain to stare a while longer, even if you scold him to oblivion when he does. Once the edges of your lips start to lift and those laugh lines become even more visible, Kyojuro’s pain washed away, his whole body feeling floaty and warm. He was grinning to himself while replaying the sound of your laugh inside his mind over and over. That was the sound he fell in love with all these years ago during his younger years as a hashira. You just were sworn into the corps as a brand new hashira and Kyojuro was the first to talk to you. The conversation almost took hours as you two talked about everying but the duties of a hashira, the reason your husband wanted to talk to you in the first place. Your smile, your laugh, gods. He really fell head over heels for you all that time ago and it never went away, did it?

You were starting to shift in your sleep, stretching your arms above your head. Kyojuro smiled softly at your sleepy murmurs. You were seemingly complaining about the sun shining directly at your face and at the audacity of your husband to not shield you from it. He leaned in and pressed you a couple of warm kiss onto your cheek.

“You look absolutely beautiful. Aging suits you perfectly, my flame.”

His voice was still raspy from the sleep. You finally opened your eyes and wrapped your arms around his now a little softer torso. Over the years of not training (and not really needing it anymore), your husband’s muscles slowly started to soften up more and more. Now, they’re perfect pillows. You shifted closer and gently cupped his cheek.

“You stalker. You’re always staring at me when I’m asleep.”

You grinned tiredly while caressing his soft skin. Kyojuro laughed quietly and nuzzled into your hand, placing kisses all over your palm. His expression shifted from pure love to sombreness. He silently stared at your gorgeous face.

“We have changed, haven’t we, love?”

His voice grew a little quieter. Your sleepy smile shifted into one of worry, your hand unmoving and still holding his cheek.

“Do you.. mean it in a good way?”

Your husband’s expression softened and his smile was reaching all the way to the corner of his eyes. He nodded quietly and grabber your hand, intertwining his fingers with yours.

“Yes. Thank you for staying by my side for so long.”

You grinned and pulled yourself closer to him and placed a soft kiss onto his jaw, making him blush just a little. Yes, he’s forever grateful for staying by his side for all this time and is honoured to be able to watch you age so gracefully.

“I love you. So, so much…”

Sometimes Kyojuro wonders what you think about his softening of muscle, appearance of grey streaks in his usually bright hair and wrinkles on his face…

[bedsyandco]

♡ 𝆬 𝐖𝐄 𝐆𝐎𝐓 𝐘𝐎𝐔

𝓹airing , quinn hughes x leilani tocchet

quinn doesn’t know what he’d do without his brothers and he hopes he never has to find out. him and jack have a habit of meeting at the lake house kitchen when quinn feels like the ground is about to swallow him whole. (wc ; 1.2K )

꒰ 𝓷ote , this is the first piece of my new au (sweet nothing). It’s a prologue of sorts. I am already completely in love with this universe, dad!quinn and everything that’s coming. this takes place before the ‘23-‘24 season. please feel free to drop by the inbox and tell me all your thoughts about quinn, lani and ro ꒱

quinn doesn’t know how long he’s been sitting at the kitchen counter, counting the drops that are falling into the sink from the leaking faucet. considering he’s counted to 600 something each time, 4 different times before losing count again, one might say a little too long.

drop , drop , drop . . .

the longer quinn stares at the sink, the more annoyed he gets. what a perfect analogy for what his life has been looking like the past few years. problem after problem dropping into his lap, like those drops in the sink, and he’s just supposed to figure out a way to solve them all.

except, much like the leaking faucet he still hasn’t fixed, quinn can’t seem to get a moment to catch his breath before another thing gets added to the long list of problems and responsibilities he has.

the latest wrench thrown in his plans showing up as a 6’2, green eyed Australian whisking his child’s nanny away down under. quinn lets an amused sigh escape, rubbing a hand down his face, and taking a long sip of the warm beer from the can he took out of the fridge hours earlier.

it’s not like this was totally out of the blue. the nanny and the Australian have been dating nearly three years and got engaged last summer. surely quinn should’ve anticipated this move. but for some reason, probably all the other things clouding his brain on a daily basis, he didn’t.

and despite the 2 month head start she gave him on replacing her, quinn still hasn’t found a suitable replacement that meets his standards.

a shadow moving on his left catches quinn's attention but before he can even give a reaction a fist is flying towards his face and hits him square in the jaw, sending his head rearing to the other side.

"what the fuck?!" jack yells, laying a palm flat on his chest, right over his erratic heart, looking at quinn like he was the one who threw the punch, and wasn’t on the receiving end of it.

"jesus jack. the fuck are you doing?" quinn grumles, rubbing his palm over his jaw, the rough hair against his fingers reminding him that he needs to shave.

"what am I doing? what are you doing? sitting here in the dark like you’re contemplating all your life choices,” jack half-jokes, sending his older brother one of his signature grins, but when quinn only releases a sigh as a response jack’s demeanour immediately changes and he pulls out the chair next to quinn’s at the breakfast bar, letting them both bask in the silence for a few seconds.

“last time we had a little bro-to-bro meeting in this kitchen at 4A.M. was when you told me about Rowan. And look, Ro is the best thing that ever happened to this family, but if you’re about to tell me you got someone pregnant again I’m really gonna freak out. I love being an uncle but you gotta learn how to wrap it up—“

“I’m not having another kid Jack. I can barely cope with the one I do have as it is,” quinn mutters, sending his brother an annoyed look that his mind would even jump to that conclusion. Not that he could blame him.

“Thank God. Besides my bet is on Luke and Vi having a kid next. Those two go at it like rabbits, at least now that Luke’s gonna be in Jersey it’ll lower the chances you know?” Jack says and Quinn lets out a soft laugh at his little brother’s disgusted tone.

“Let’s not put that out into the universe,” quinn jokes and jack hums in agreement.

“so if there’s not another little quinn on the way, what’s keeping you up this time of night Quinny?” jack asks softly, bumping his shoulder into his brother’s and Quinn lets out a shaky breath as he meets jack’s worried, blue eyes.

Maybe it’s because those blue eyes remind him so much of his mom’s that Quinn’s resolve melts away immediately as he tells his brother about the latest predicament he found himself in.

“well just start start up interviews again when you get back to Van. Ask some of the guys on the team who has kids, maybe they can recommend you someone they trust,” jack suggests as if quinn hadn’t already thought of and done that himself. jack must have seen the expression on quinn’s face because he doesn’t even let him get a word out before he speaks again.

“I don’t remember you being this selective when we were younger,” jack mutters and quinn scoffs

“yeah well I’m not choosing what toy to play with or who share my snacks with on the playground jack. this is my child’s happiness and safety on the line, I’ll be as selective as I damn well please,” quinn snaps, and jack puts a hand on his brother’s shoulder, squeezing reassuringly.

“it’s gonna be okay. I’m sure you’ll find someone before the season starts. and if you don’t, and it comes to that, i’m sure mom and dad will fly out and be there as long as you need them,” jack suggests and quinn can’t help it as the feeling of panic settles in his chest and wraps around his throat at the idea of his parents rearranging their lives because he can’t get his own together.

he’s the oldest brother. he’s the captain. he’s the dad. he’s supposed to be the one looking after people; helping them figure things out and supporting them, not the other way around.

the thought of burdening others with his problems, physically made him ill. or maybe it was the thought about why he needed a nanny at all. the fear that he wasn’t present enough in his own son’s life. that he was an absent father.

with a mother that couldn’t get rid of him fast enough and a father that couldn’t even put him to bed every night. quinn was bound to screw his kid up for life.

jack’s face comes into view as he twists quinn’s chair, forcing him out of his deprecating thoughts.

“hey , no matter what happens. we got you, okay? someone’s gonna be there. mom, dad, me, luke, someone will be there if you need us quinn. I don’t care if I need to take a leave of absence from the team for a few weeks and be babysitter while you figure some stuff out. If that’s what we need to do, we’ll do it. And we’ll cross that bridge if and when we get there. I don’t say it nearly as often as you deserve to hear it but you’re a good brother Quinny, and you’re a great dad, and you’re about to be the best leader in the league,” jack says and quinn struggles to swallow past the lump in his throat

“crosby’s not retired yet you know,” quinn replies to the “best leader” comment and jack sends him a grin

“I know. My big brother’s always gonna be the best at everything in my eyes tho,” the words slip past jack’s lips and he laughs as quinn shoves him away slightly

“now you’re just trying to make a grown man cry and it’s mean,” quinn says and jack squeezes his shoulder one more time before going to grab a glass out of the cabinet. the original task he was coming down here to do…

“go to bed. i’m sure Ro is gonna wake up any minute and be looking for you,” jack says

“he’s passed out between luke and vi actually,” quinn says, grinning cheekily as jack laughs

“well that’s one way to keep them quiet.”

[chemblrish]

The atomic radius, shielding, and the lanthanide contraction

As you hopefully already know, there are several trends of the elements' properties that you can squeeze out of the periodic table. The one I want to focus on in this post is the atomic radius.

The shorter and simpler explanation is as follows: if you move from the top to the bottom, the radius increases, which is simply the result of more electron shells (“layers”) being added to the atom. Moving left to right, the radius decreases and that is caused by the growing positive charge of the nucleus attracting the valence electrons more strongly like the swole doge and therefore shrinking the atom.

But chemistry is a science, and the sciences are beautifully complex, so let me tell you about this one intricacy affecting the radius. We’re going to need some knowledge of the electronic structure of an atom, but I'll try to fit all that you really need to know inside a single paragraph.

The compact version is this: inside the atom, there are little pockets of space where electrons can be, so to say. Those pockets are called orbitals and they have all sorts of funky shapes. The s orbitals, for example, are ball-shaped, while the p orbitals look roughly like balloons attached to the nucleus. (They're sometimes described as dumbbell-shaped. What sort of dumbbell looks like that. They're balloons.)

[source]

Back to the radii! I'm going to use the second period as an example here, but there's nothing special about it. It just happens to be quite a simple case. Lithium and beryllium only have s orbitals, so that's not very interesting, but the rest of the period has both s and p orbitals.

As we move from lithium, across the whole period, and to fluorine (there's no need to engage the noble freaks), three important things happen: the radius decreases, each next element has one more proton in the nucleus than the previous one, and also each next element has one extra valence electron. Duh. The number of electrons "inside" doesn't change, it's only the outermost shell that gains electrons.

But remember, an electron is not a marble sitting in one point at all times. When it comes to electrons in atoms, it's better to imagine them as lil clouds of negative charge in the shape of their respective orbitals. As a result, the core electrons obscure the nucleus from the valence electrons. Not entirely! But the attractive force felt by the valence electrons isn't just equal to whatever Coulomb's law would give us - it's a bit smaller. This is called the shielding effect and the charge that valence electrons actually "feel" from the protons in the nucleus is called effective nuclear charge. The atomic radius is therefore a tad bigger than we could assume without acknowledging shielding (but the trend of a decreasing atomic radius across the periodic table still stands, of course).

So, what about the lanthanides, those poor, misunderstood outcasts thrown under the periodic table?

God I love pubchem's periodic table it's so pretty!

There's no plot twist here, they don't break the trend. Cerium is the biggest one, lutetium the smallest. So what gives? See, lanthanides begin filling up their f orbitals, whose shapes are so absurd even I am afraid of them.

[source]

Because they're so ridiculous, they are supremely bad at shielding the positive charge of the nucleus, which in turn makes the lanthanides significantly smaller than they would be if this effect didn't take place - so much so that we call this phenomenon the lanthanide contraction. Actually, the f orbitals suck at shielding so bad that the radii of the (d-block) metals of the sixth period are very similar to the radii of the elements in the period above them - even though they should be much larger!

[source]

Really. Chemistry is like psychology for electrons. Everything that happens here is caused by these guys' weird behavior.

[buddie911abc]

Reaction Post Season 8 Episode 1

Here we go. - It looks like we're getting a middle-of-the-action start, which means it will have to flash back to pick up how this happened. - Honestly, that bee encounter was cool and scary. - Gerrard really is just an ass. The first few scenes are the clips we saw as trailers. Gerrard puts them in a lineup, and Athena learns that she has to escort her dead fiancée's killer back to LA. He's getting out of jail for evidence against his cellmate. - My 118 group gets a private moment to talk about their Gerrard situation. It's not that he is worse with Buck. He is going after Buck more because he can tell he is getting to him. Everyone else is not giving him the satisfaction. He knows that he's under Buck's skin and since he's a Bully, he continues to target him. - Ok. The original bee accident was terrifying. I truly felt anxiety. I wasn't expecting that. - OMG. These bees. Jesus Christ. - Smart Buck with a suggestion for calming the bees. I love you. - Buck does coin the phrase bee-nado. As cheesy as the concept sounded, a huge swarm of anything that flies does move in a pattern so it feels plausible to me. I'm sure there will be someone to argue. Bite me haters. This ep has been awesome so far. - House hunting Bathena before she leaves to do the prisoner transfer. There is talk about Emmett and his killer. There is deffo a parallel with Bobby, but that hasn't been acknowledged yet. - LOL News report. I thought it was another commercial at first, but it's a news report on the bees. - Good Henren and Madney scene. Very good scene. - Tommy warning for those who are susceptible. Tripple date? Is cone a metaphor for something? It's Chris' birthday. No change in three months in Chris' anger. I'm blaming Eddie's Mom. They need to be helping him work through his feelings and toward reconciliation. You can't convince me that is happening. Cries. - My heart is breaking. That was both fun and distressing. - Next bee emergency coming in… Bees are attracted to perfume. - I hate Gerrard. - LOL Poor Eddie. He's the fastest runner. Bahahahhahahhahaha This shouldn't be funny, but OMG. Run baby! Run! Buck probably thinks you're doing great. - The title of the episode dropped in dialogue. I know that was on someone's Bingo card. lol - Athena is such a bada$$. Love her. - Nash and Hotshots Captain convo. LOL. I could barely understand him, but oh this is going to be funny. I want Bobby back at the 118, but I want a lot more scenes of him on set too. Bahahahaha - I hate Gerrard. Broody little pout is one of Buck's best features. I would kiss that pout. It's coming. It's coming. Wow. That did not go as I expected. Wow. I'll leave that open and leave some mystery. - I think we all knew this next part was happening. The small plane hit the plane Athena was on. - Preview - there is a hole in the plane, and ATHENA is flying the plane. I can go ahead and mark that off my bingo card. LOL

Updated Bingo card.

[twopoppies]

In my opinion, I really doubt that they haven't gotten married - even just a small ceremony (maybe just family). Whether it happened September 28th or not, they both - especially harry - just seem like the type to not want to wait. Those videos from the 1d days when Harry would fiddle with his rings and smile when interviewers talked about marriage makes me think that maybe it did happen around then, but definitely not like 2011 when people would show that video of Louis replying to a fan about already being engaged to harry (I view that as a joke). They definitely knew they were it for each other since the beginning, but they might have wanted to wait because it might complicate things even more than things already were. In my head I hope they did when Jay, Fizzy, and Robin were still around to be there, but regardless of the timeline, looking at their lyrics, how they talk about love in interviews (harry talking about feeling like a team once you have been together so long, and louis calling his partner his "other half"), there is no way they aren't married.

I always hoped they'd done something while the three of them were alive, as well. Maybe it was just some informal commitment ceremony because I don't think they were married as of 2017.

For years, I assumed they weren't married because marriage records are public documents. But this morning I was talking to @apparentlybychance about it and looked this fact up, and apparently (correct me if I'm wrong), in France, marriage documents are kept private for 75 years. In Italy, they're public, but you have to know the date and the city where it was performed and request a copy from there.

So... who knows? Maybe they've gotten married in France. Or Italy. LOL! It's fun to consider.

[azrielgreen]

random question, but why Nebraska? I live in the US and often forget Nebraska even exists, but you happen to have two stories set there. Do you have a connection to Nebraska, or did you just choose a state at random in the middle of the country? Or do you find something poetic about the expansive nothingness of the Cornhusker state?

just curious.

So, it's really strange but Nebraska holds a deep emotional meaning in my heart that involves Ethel Cain, Billy Hargrove and 'Rooms'. Apologies for the little ramble ahead, but for those who enjoy such things, gather round.

When I first started writing Rooms, I was experiencing a lot of burnout, very much questioning myself as a writer and also recovering still from a near death experience. I had made a new friend who became such an important and beautiful part of my life, and it was in this time of loss, self-doubt and awakening that I felt comfortable enough to share with my new friend that I loved the character Billy Hargrove. This sounds so stupid even as I'm writing it now, but I had been made to feel that liking him was this extremely taboo thing and that I should be ashamed of it. Even a former friend I thought I was close with often made me feel terrible for liking him. My new friend was not like that. We talked for hours and hours about the things we liked, and I felt brave enough to admit that of all the characters, every single one, in ST, Billy is my favourite. My friend was kind and open and supportive and it was here, around this time that we started writing a story together that would later become Prism and coming up with all these incredible ideas and perspectives I had never considered. Although people credit me with much of Prism Eddie's creation and expansion, always remember it is @thorniest-rose who invented him.

This is when I wrote Rooms.

This is also the time I discovered Ethel fucking Cain.

A House in Nebraska and Sun Bleached Flies altered my DNA and I listened to them both back to back on a loop while writing Rooms. It became something so meaningful and personal and beautiful, and all three are tangled up together. Inextricable connections between these things I love so much and at the heart of it all, is Nebraska. I've never been to Nebraska, but I imagine it to be exactly as you said. The great, vast nothingness, the absence of any significant pull to visit or tour there. It's sort of branded into me, the line about 'I'm still praying for that house in Nebraska, by the highway on the edge of town,' and it's all tangled up with Billy Hargrove and the possibilities of an abused kid making good, coming through the other side, learning and growing. Longing for this quiet, no man's land of blue skies and endless horizon. I would often dream of such things myself. Just a house. Somewhere I was safe. And I wrote all this at a time when I met someone I came to love and care about so much in mutual support and kindness, and it's why Rooms is gifted to her.

Opening yourself up to new things is such a beautiful and important phenomenon, especially when you're grieving or recovering. Rooms to me is a touchstone of reassurance that I can write whatever the fuck I want and anyone who tries to tell me different is not my friend. Nebraska has become an almost nebulous place in my mind and heart, to the point I get excited when I hear anyone even mention it in passing. I think we put meaning where we need to, anthropomorphising and humanising and telling stories to get through the hard parts of life. Nebraska is the core of that for me. Synonymous with self-acceptance, growth, positive change, releasing what doesn't serve, embracing who you are, saying fuck you to those who would police your joy and creating whatever the fuck you want without needing it to be liked, but also this deeply sad part of myself that acknowledges what I went through as a child and what I experienced at the hands of people who were supposed to take care of me. I have at this point in my life lost a huge amount of my childhood memories all the way up to my late twenties. Nebraska is the long distance friend I never had, the moon watching over me, the place I go to in my mind to make it all go quiet and calm. I feel like I've written this huge story around a place I've never been to and for some reason, it just stuck hard.

Like many British kids growing up watching America on our screens, I always wanted to live there and although I'm now glad I don't, I'll always be in love with the country and all her patchwork quilt states, these weird little lands sewn together that are so different, almost like a world unto itself. I never choose a state randomly, but Nebraska is laden with meaning and woven with feeling, all of which I'm sure seems massively unearned as I'm just another person who grew up in a rainy country, longing for blue skies, with a tendency to love abandoned things.

Thank you for asking.

All my love, Az

💜💜💜

[lorneytunes]

Beginner Mindset

Recently while doing a tarot reading for myself about my shifting journey, I drew a card that said I needed to "embrace a beginner mindset". I've been thinking a lot about what that means, and as a results I've begun the process of starting my shifting journey from scratch. Coincidentally, I’ve also seen a lot of posts from others about going back to that baby shifter feeling, when it's all about being IN your DR not GETTING TO your DR; thinking about the end result, not the way of getting there.

In that vein, today I saw a YouTube video about training your brain to lucid dream after years of failure, and re-capturing the feeling of excitement around it. I’ve decided I'm going to apply the techniques outlined there to shifting.

These were the main points:

List out all the things you're excited to do in a lucid dream and highlight your top three

Think throughout the day, “This is a dream” and then imagine if this was a dream, what you would do to take control and achieve one of your top three things.

Keep lucid dreaming at the forefront of your mind throughout the day

There were other points too, but these are the ones I think are most applicable to shifting. So from now on I'm going to focus on one DR, and start keeping that at the front of my mind and think about all the things I'm excited to do while shifting there.

I’ve already started by writing the list of 20 things and highlighted my top three (let me know if you want to see a follow-up post with my list). From here, throughout the day, rather than tell myself I’m dreaming, I’m going to go, “Oh, I’ve shifted!” and then imagine that instead of being wherever I am, that I’m currently experiencing something from that list. Preferably the top three, but it was very hard to pick just three things so I don’t see why I can’t expand it to more. The idea was to increase my desire to go to/excitement over that DR anyway, and that has definitely happened.

I’ve been thinking for a while that the reason some people might be having more success than me, is that for a very long time now I’ve found it really hard to daydream. I don’t know why, given I used to do it every night to help me sleep, but for years now it’s like I keep stopping myself, like it's silly or something. Being a writer I often get too caught up in what’s realistic or a good plot/scene rather than just enjoying the process, so I can absolutely see how I could get in my own way like that.

My hope is that giving myself these parameters like, “Imagine you’re actually having lunch in [x] right now!” or “Imagine what it would be like to learn [y]!” will help make daydreaming more achievable. Rather than imagining bigger stories, I’m just living through those tiny everyday moments. And from what I’ve heard from some of the bigger experienced shifters, imagining those everyday moments can really help your subconscious start to see your DR as a real place rather than a fantasy.

At the very least I’m going to try and do it every day for a week. Given I find it really hard to build habits, I’m not expecting to remember to do this very often in the first few days, so I’ll definitely be extending the experiment to up to three weeks if necessary.

Anyway, thanks for reading my first post and another Big Brave Step for me into the shifting community after two years of mostly lurking. Please send love and encouragement so I can do more of these. I'd definitely be down to blog how the experiment goes from day to day, or answer asks about my DRs (I have so many 😅).

[rafaelsilvasource]

You and co-showrunner Tim Minear originally wanted Carlos (Rafael L. Silva) to become an APD detective, but you've now chosen to make him a Texas Ranger — which, it must be said, is an interesting choice, given that Carlos had been so insistent in the past on not wanting to follow in his father's footsteps. How would you respond to the criticism that being a Ranger goes against what Carlos initially set out to do?

Raisani: I think the Texas Rangers became an embodiment of Gabriel Reyes, Carlos' father. What I mean by that is … Carlos had grown up with a perception of his father, which is: "My dad is homophobic, or certainly uncomfortable with who I am. He made me feel shut out. He made me feel unloved, unvalued." Carlos' arc in Season 4 with his father was to realize, "My dad is a more complex and beautiful man than I realized, and even though it took him a minute to get there, he did get there, and we became ultimately best friends. I love and revere my father, and just in time for me to realize that, he gets killed and taken away."

I would encourage people to go back and look at that Texas Ranger episode [in Season 4] where Carlos talked about the massacre [where] the Rangers killed all those innocent people in the early 20th century. What [Carlos'] mother teaches him in that [episode] is, "Look, the Rangers, like any organization that's older than 20 years, have some blood on their hands, but they've also done a lot of good. And nobody represents the good that they have done like your father." She talks about how the diversity of the Rangers has increased, which is real. They went from being all-white to now 33% or 40% [people] of color and women. "Your father embodied that change, and now you can take that legacy and take it to the future."

To me, Carlos' arc was to realize Rangers are not just inherently evil. "Yes, they have a bad history, but just like my father who I had a bad history with, they're more complex than I was giving them credit for. And rather than just spit them out and reject them, I can be the change in that organization." So that's what Carlos is going to do, and that's the symbolic relationship that he has with the Rangers.

But in a purely plot relationship, there's no better way to solve [the mystery of] "Who killed my dad?" than to be inside that organization, because Carlos believes — and I think rightly so — that some of the cases that his father worked on may end up having something to say about who killed him. So that's what I would say to people who maybe have some doubts about that.

Carlos bumps heads with Ranger Sam Campbell (Parker Young) on a big case in the premiere, but they seem to have formed a new partnership by the end of the hour. How would you describe the evolution of their relationship this season?

Raisani: I feel like they're two brothers vying for daddy's love. The dad is the chief, the older brother is Campbell, and Carlos is this pipsqueak young brother who just got to the front of the line and now he's a Ranger. And in Campbell's mind, some of it is because, "OK, this is some nepo baby stuff. Your dad was a legend, and you just get to waltz to the front of the line." We built this little family of brothers and a father, so the first episode is really about Carlos and Campbell in a foot race with each other. And then what they realize by the end of [the premiere] is, "Boy, we're a lot more effective when we work together. And in fact, we make a pretty amazing partnership."

Moving forward into the season, we get to play just how complementary these two pieces are together. One of the things I personally love about the Rangers, which we can't do from simple 9-1-1 calls, is they can go into some much more complex, deeper investigations against much darker bad guys and much more real-world problems that are happening in Texas — cartels and with drug smuggling and stuff like that. So we'll do some cases that I think people can't believe are real. But we'd never had the opportunity [to do those stories in the past], because we didn't have that vehicle to get into these stories like we do now that Carlos is a Texas Ranger who gets to investigate the darkest, most dangerous crimes that are happening in Texas.

Carlos' investigation into Gabriel's death will certainly drive a wedge between him and T.K. (Ronen Rubinstein) this season. How has Carlos and T.K.'s relationship evolved now that they've been married for almost a year?

Raisani: What I wanted to show with their relationship this season is that people can love each other with everything they've got — and everybody has challenges in their relationship. To love someone completely doesn't mean you're not going to fight all the time, and yet you can use [that conflict] to make the relationship deeper and more meaningful. We didn't want it to be happily ever after. For me, in real life, the wedding is the beginning of the story — not the end — and there are so many more deeper stories you can tell once people have that level of commitment towards each other.

We really wanted to put some pressure on that relationship. For T.K. especially, it's like, "You love Carlos. You want him to get that closure, that peace, that can come from finding out his dad's killer." But also, T.K. is a former addict who knows he's seeing signs of addiction, and Carlos is addicted to this thing, and it's clouding over and suffocating other elements of their future together because Carlos is so focused on what happened in the past. T.K., because he loves Carlos, will be patient and graceful about it, but at some point, he's going to have to put his foot down — and it's going to be very uncomfortable when he does.

[the-travelling-witch]

i’ve seen @mellosdrawings’s headcanons for azul’s cane usage recently and it reminded me that i love this concept!! it just makes so much sense and it would be such an azul thing to do!!

so naturally i couldn’t help but think about it when i stumbled over this piece of dialogue in the stitch event :]

i know there’s a number of different explanations as to why he would say that, ranging from not being used to dancing to sand being unstable terrain even for humans to him being a merman, but i choose to add not having his cane to the pile

it’s also super important (to me) to add that azul looks ridiculously good with and without the sunglasses!! if you know me you know that i love coloured shades but he’s just so pretty, it’s not fair ㅠㅠ

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[cluescorner]

I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

[daylighteclipsed]

ive been replaying kh1 (going thru the whole series on steam since i never got the chance to play all the games) and i was struck by something a bit odd. i have been dyinggg to talk about it

it's about kairi and her past.

i don't think she's a replica or construct necessarily

but in kh2 there's a parallel drawn between her and sally in halloween town; and the same i think could be true in kh1.

sally is a Frankenstein monster/doll made by the doctor. the entire plot of Halloween town centers around the need for the dr to make a "heart" which requires memories from Sally (the scene of her picking the forget me nots looks a lot like kairi holding a flower for aqua too)

sora takes interest in the project to restore a heart to the heartless too because of his desire to restore Kairi's heart.

i havent really come up with a coherent thought about what this means.

but given that we know kairi was experimented on in a way that involved her heart, it just seems suspicious that this parallel was made twice to her and a doll that was stitched together and animated by a mad scientist.

shes also compared to chirithy in kh3, which from my understanding were created by MoM for keyblade weilders; and to Pooh, who is a toy/story book character that came to life

given too that Kairi already has a weird thing going on with her heart, it just seems possible that theres something..more to it that i have yet to piece together. and its driving me crazy

NO, WAIT… ANON YOU’RE COOKING. Idk what it all means either, but those parallels are so good and so true. Cause there definitely is something artificial about Kairi’s heart, even if just partially. It was experimented on, like you said, and it looks completely different than the organic hearts we see, and I suspect that’s why we’ve never seen Kairi’s heart station. Because it’s (at least partially) artificial. It would look totally different than all the other heart stations and would probably give away what’s going on.