#i just had some fun poses in my brain and wanted to draw them

[orpheussmelody]

these two are NOT beating the homoerotic friendship allegations

[choochooboss]

Submas Sketchdump Vol. 4 July 2022 Part 2!!

I knew that particular month beat my all time record for productivity multifold but I had forgotten SO MANY PIECES from the original collection!! I think I finally got them all?? More stuff under the cut!!

BREAKMAS!! WIP of the first piece I posted of them, here's the link to the final version! I tried coloring this first but the black & white had ultimately more impact so I went with that!

TRAINS!! I like this base color version too! Link to the final version!

The top sketch is a direct reference to Cluedo! A spinoff game, "Missingo", starring certain familiar characters trying to figure out what happened to Ingo/trying to prove their innocence in the case! Also WIP sketches for these two Breakmas comic pages!

As you may know I adore butlermas! For the classy and stylish look which appeals to me in general, and coincidentally I had played PLA & got hit by submas train only one week before butler Ingo's banner rolled out! The pure bliss of finally meeting both twins in a game I felt was incomparable!! This moment in the Curious Tea Party event was really entertaining to me! We got to see submas get serious and stand up against this selfish collector thief! Two towering train twinks with commanding voices looming over the unfortunate guy was enough to make him change his mind ahah! They truly are the protectors

1-hour submas challenge prompt "Descend"! This is the actual one hour result before I continued rendering this!

Mmmmm not my first attempt at drawing them hug and definitely not my best OR last. I want to make that moment something very special when I finally go all out on it!!

Comic cover vibing~

The scrapped last page for this silly comic! Sorry the dialogue is all over the place on the first piece, might be hard to read! I wasn't happy with how I presented Elesa, I wasn't familiar enough with her character back then so I thought of her carrying a toy taser to threat her friend even as a joke was too much and I couldn't come up with anything else for it. This held me back from posting the other three pages for another 5 months! In the last panel

I prefer to not mess up the twins too much but my brain is still very curious and conjures some peculiar stuff like this sometimes.. I think I may have broken his arms there looking at the anatomy, ooops! I hope you don't mind the photo quality or the two weird guys in the corner, they escaped containment!

Idea of warden Ingo, being projected to modern era by his Alakazam, walking through crowd on a train platform & Emmet standing inside a passing train. Their eyes meet for just a few seconds...

Pokemas Ingo practise!

Another WIP of a piece I posted! I started this piece like this but then later I decided to flip the whole thing.

YET another WIP of something I already posted! No idea why I went and mixed up his suits but I like this sketch! They rarely end up looking this clean haha

Sketch version of the self-defense practise piece! I love getting creative with action stuff! I barely ever think of how difficult they are to draw, I just get so excited and fixated on visualising the scenes in my mind I just keep at it, pull out refs and pose in front of mirrors until it looks good to me! I want to draw more action scenes but besides being challenging to draw my brain comes up with more silly and cute ideas than cool ones unfortunately ahah

One more WIP, here's the link to the final results!! I really like how genuine their expressions look here even if the faces are a little off. I recall spending a long time figuring out this perspective. I thought it would be fun to you to see how all these pieces started and... looking at the sketch above and the stuff before that, you can compare some range of my style!

RANDOM SUBMAS MISSILES GO

OHHH looks like some nasty passengers got the best of them!! If I recall correctly there was no fight because they managed to paralyse the two before they could act. Fully awake yet completely helpless... how convenient unfortunate. Thank you so much for checking these out!! Not every sketch is that exciting but I'm always happy to hear your thoughts on these!

Previous posts: Sketch dump Vol. 1: April-June 2022 Sketch dump Vol. 2: July 2022 Sketch dump Vol. 3: August 2022

[dizzybizz]

hai here is a sketch dump with too many fandoms :) sorry about the ungodly amount of men here i have been going through it and by it i mean gay

ok wait i ran out of tags??? it wont let me tag them all😭😭😭 im gonna have to be sparing with them uhh i guess i will have to ramble under the cut then cus i like rambling in my tags but i cant with this one 😭

(ok im back from the ramble: it is way too long.... proceed forward if you want to see some guy just absolutely talk nonsense for entirely too long)

no cus i swear i have tried tagging more stuff than this before and never hit the limit but whatever

hello i really use this like a fkn blog huh

i just wanted to provide some thoughts on the harper and rosé one first bc its important to me 😌 cus i was thinking abt harper and how in my head and heart of hearts she would be the kid who thought you get pregnant from kissing and i dont think she ever really grew out of that belief. <- this ended up spawning the idea of harper being a sex-repulsed ace and i will die on this hill actually. fight me or die, you die either way actually nvm

this is just a buncha blorbos i dont know what to tell you really. sketch pages like these always end up so weird for me bc for some reason my brain always wants the characters in them to interact in some way. whether that be talking or just reacting to what the other is doing... its something i cant stop with, its so stupid and silly and i hate it and i love it. where else would i see kabru slowly losing his mind with how loud phoenix wright is in court????

I THOUGHT I HAD GOTTEN OFF THE RAILS WITH THAT BUT THEN THE NEXT PAGE HAPPENED. and all i could do was laugh and ask "what the fuck am i drawing??? HOW DID WE GET HERE? WHY IS THISTLE HERE WITH LEOPIKA HELP" LIKE that page started with the big leopika and then i was like "man i miss thistle lemme draw him real quick" but the curse struck and now hes being homophobic so </3

i rlly like how the nic(k) page turned out ... i just have a lot of nicks i like drawing idk.. the lil guy is an oc,,, one day his ref sheet will be finished and itll be awesome but not for now, sorry baby, no can do. im weirdly happy with how the hands turned out for all of them tho?? so thats a W

yotasuke, murai, nick (youll never know which one im referring to. .. jkjk its hoult i love the pose there ehehhe), nic and the entire last page r my favs. i like em all but those rlly get me yknow- the olly too ofc but ive already posted him, dont mind him being here, hes part of the set. AND OVER ALL IVE BEEN HAVING SO FUN WITH SHADING BLACK AND JUST LEAVING SPOTS BLANK ITS SO ?`????

WHY IS THIS SO LONG PLS DONT READ ALL THIS THIS IS STRAIGHT UP EMBARRASSING AGHSDFGSDHJSGD im all like "yeah i dont like talking about myself or whatever" but as soon as i get to my process or blorbos or smth the floodgates fucking break open, not even burst man.

also dont mind how i havent even acknowledged pingas twink pokemon counterpart. hes just here for shits and giggles i dont know the guy like at all, i watched a handful of eps of horizons and that was it RIP

[inzuinzudesu]

Please zoom in to see small Kakashi! 😭 He kinda disappeared 😭😭😭

Text translation: "Infinite Tsukuyomi" (無限月読)

Drew these in mid-July - when I started doing digital again actually 🤔

Took inspo from the Balut - a street food in my country; I hear a lot of people are grossed out by it?? Don't know if this is controversial, but I personally love the dish. Essentially grew up with it after all!

Wanted to draw something that feels a bit creepy but still has a sense of mysticality to it???

Meh, don't know if the feeling got across or not

I thought since Halloween is coming up, might as well post this haha

About the process of drawing these!

These were very fun to draw! I messed around a lot with photoshop to achieve this glowy dusty effect?? From the brushes to the blending options, and maaan the filter gallery 😭😭 Such fun tools to play with.

The main brush I used to achieve the dusty effect is called "KYLE Bonus Chunky Charcoal", in the Kyle Dry Media brush set. If you can, I recommend checking it out! There are definitely other ways to achieve this sort of effect, though. You can probably just use some sort of scatter texture brush and it'd work just fine. Studying is all about trying things out, right? This is like my first experiment with this type of effect, and I was happy at the time. Now looking back, these could most definitely turn out better, no? I really went overboard with just the effect and forgot everything else. The blood and the plate looks horrible man. If you look closely, you can see the sketch lines haha! I got lazy!

Also, for Obito's pose, I relied heavily on a reference I found on pinterest 😭 I wish I'd changed the pose more tbh, it looks really boring.

And I gotta say, these just look underwhelming in this smaller size. Like reaaaaaally underwhelming. Would love to show you the big version, but oh well! 😭😭😭

Brain vomit time!

I love the prospect (??? is that the right word) of Obito being all god-like and powerful after Tsukuyomi, having control over everybody's dream worlds?? And like he jumps from dream to dream, but stops at Kakashi's and picks it apart???? Observing and tormenting Kakashi with his childhood form that has both sharingan???????

Kakashi would probably be confused with Obito's appearance at first, asking questions like "What are you up to this time, Obito?", but then wouldn't receive any answers??? Like little man would just stare at him creepily, and Kakashi would push this to the back of his mind for a while???

Umm below is the technical stuff, I guess??

My headcanon is that the time span in the dream world is the same as the real world. Meaning, 30 years in the dream world feel incredibly real, with no gap of memories. It's essentially a different timeline. Whether this makes sense or not, who knows haha!

Let's talk about the dream events and how they affect Kakashi! Due to Sakumo and team Minato still living, this Kakashi probably wouldn't be as lax nor sad as in canon?? The relationships and personalities would be different huh???? I'm having a headache thinking about this, so let's just say that: 1. Sakumo lived because the villagers weren't as harsh, but the animosity still remained. Kakashi still developed this obsession with rules, but he doesn't blame his dad as much. 2. Kannabi happened, Kakashi was given the sharingan, along with Obito's ninja way. Team Minato thought that Obito died for a while, but Obito is 'rescued' by Madara, same as canon. 3. Rin would still be targeted by Madara, but Obito came in time to help with the situation, blocking Kakashi's chidori from connecting with Rin's chest, but also knocking Kakashi away. Then, a Mist enemy took advantage of the situation to attack Kakashi, injuring him gravely, to the point where everybody thought he died. With this, Obito activated his Mangekyou and exploded on the Mist enemies, killing them all. Meanwhile, Rin tried to heal Kakashi, just barely saving him. As Obito had dealt with the enemies, there was no need to rush back to the village, and the Sanbi wouldn't be released till then. And so, they waited for Minato to come and help with Rin's seal. (About Obito's Mangekyou activating with Kakashi's death - would that be too far-fetched? My reasoning is that Obito would think that it was his fault Kakashi died, because it was Obito who knocked Kakashi away into the enemy, no?) 4. Because there's no one to become 'Madara' now that Obito came back to the village, Naruto is born, Minato and Kushina live.

5. The Uchiha massacre doesn't happen.

(Everything is incredibly convenient, because I don't have the brain power to make it otherwise, please help 😭😭) -> In conclusion, this Kakashi resembles the Kakashi of the real world, but less depressed and self-destructive??? He loves his living comrades. My man still has a massive obsession (more like crush lol) with Obito by the way, just like in canon. He just doesn't show it.

-> About Obito of the dream world (I'mma call him Dreambito), he is all sunshine and brightness, but he exhibits some dark thoughts and deep rage from time to time due to the residual effects of Madara's seal on his heart. The seal has been removed though. And he has this obsession with Kakashi's safety, as he almost pushed him to his death once, albeit accidentally.

-> I was debating whether to just start this dream world at the point where Obito got crushed, or to start it at the beginning of Kakashi's life. In the end, I went with the latter, cuz ya know, I like the idea of Kakashi living through a whole life all over again, just to finally come to the realization that it's all a dream. Does that make any sense at all??

Obito (child form - 13) first appears in front of Kakashi at the start of the Naruto series, when Kakashi has officially become the teacher of team 7. (Let's not change this okay, my brain would fry haha I'm not gonna deny that the idea of Obito and Kakashi becoming co-teachers of team 7 isn't incredibly fun though)

After the first encounter with this child Obito, Kakashi begins to have flashes of memories from the real world, and he hallucinates about people's deaths - mostly about the members of team Minato. This young Obito is always in the corner of his vision, most of the time silent, sometimes saying things like "You trash" to Kakashi whenever he encounters Rin, who is whole and grown up in this world.

Kakashi exhibits more destructive behaviors as this goes on, the line between the dream events and the real events slowly blurring. He takes more dangerous solo missions out of the village, and shows strong signs of PTSD, just like in canon.

The two Obitos would contrast each other?? Like Dreambito would be all concerned with Kakashi's decline in health (both mental and physical) and goes to confront and comfort him, many times over because that's how it is with them??? Dreambito might even move in with Kakashi, being the obsessive and protective Uchiha that he is. Meanwhile young Obito would be an absolute asshole, saying all these horrible things to poison Kakashi's mind haha

At this point, Dreambito'd be in the last stage on the journey of becoming Hokage, gaining the all the trust from the Uchiha clan, the village elders and the villagers as a whole. I don't know about Rin, though? Should she be romantically involved with Dreambito or no? Would Kakashi dream that??

I think Kakashi's dream would somewhat focus more on Dreambito being happy and satisfied, to be honest. I know there's Sakumo and team Minato as a whole, but as a degenerate shipper, I love the obsession between them🥺

I don't think Obito would directly interfere with what Kakashi is dreaming about, i.e. changing Dreambito's behavior, or like the political situation of the villages (?). But he would most definitely insert himself in Kakashi's psyche, no? Mess it up real good.

Kakashi would slowly realize that he is living a dream world, after all the flashes of memories that Obito generates in his mind. He would most definitely deny it at first though, I think? And then it would reach a point where Kakashi remembers everything from the real world, but he has also lived through 30 something years of the dream world, meaning he'd be in his 60s?? Does that make sense or no?

And so, while Kakashi now knows that everything is a dream, his feelings for everybody in the dream are real. If that's the case, is it really that important anymore that he escapes the Tsukuyomi? Can this dream world really be called fake at this point? Is there even anything in the real world for him to return to?

What's to say 'the real world' isn't a dream at this point?

-> Kakashi would completely close in on himself after this. He still does things that he would normally do, but it'd be all an act. He would feel completely isolated.

-> Dreambito would notice and confront him again, now that they live in the same house??? Kakashi would like say everything is fine and try to act more convincingly, but Dreambito would still know something's wrong????

-> Obito is observing from afar, who knows what his motivation is at this point.

Because this is Kakashi's dream world, I suppose he would have the power to change this world to his will, now that he's aware? This is like a lucid dream situation???

The people in the dream have their own will up until this point, but Kakashi can somewhat change their behavior if he really wants to, whether it's subconsciously or not??? Example: He can probably will Dreambito to kiss him or something lol

So on and so forth!

Man, I'm having waaay too much fun imagining the pain. There are probably like a thousand things that doesn't make sense haha! I do wonder how this sort of storyline should end though, does anybody have any ideas? Personally, I prefer slow burn with a (sort of) happy ending, but ya know, angst all the way is good too! I can't write, but I love thinking about all the things that could happen 😭😭 English isn't my first language, so this might have felt weird to read at some point haha

If anybody wants to develop this, please feel free to do so! And if you've read this far, thank you for reading this absolute brain vomit of mine! I love to yap, as you can tell haha Have a good day!

[duckdodger]

this may be too much to ask but do you have a tut on how to draw turtles in the mm style?? (or just at all my ass is suffering. i need to draw tmnt but my brain doesnt know how :c)

Sure ! I’ll try my best to explain (I made one after the first tottmnt trailer came out it’s outdated so I’m remaking it)

If you’re talking abt mm movie style , I don’t think I’m skillful on them enough to make an art tutorial 😭💔they’re hard for me to draw too

Info on keep reading :D !!

- I take hundreds of screenshots + download promo art and a create collage of it , use it as a ref sheet. I study on the shapes , proportions , and style of each character.

- Then I pick an image from the pile to see if it’s a good pose (if not, I find poses from other resources to draw) or expression I want to use as reference for my drawing

- then I start sketching , adding the sharp details . Clean up on lineart and color later

Other Notes :

- Tales of the TMNT artstyle uses sharp sketchy lines to give it that sketchbook artstyle

- In some frames from the show, Their eyes are pentagon shaped & pupils are not fully colored in. Mask tails have different styles too

- Each turtle not only have different headshapes , they have different plastron shapes too (these are fugly examples I accidentally deleted the OG layer of this and had to redo it LMAO)

- Looking at Tales crew art also rlly helps! (There’s a lot of them on the #/talesofthetmnt tag on insta & twitter)

the Tales of the TMNT artstyle is easy to nail imo , it’s like more of a simpler version of the rise of the TMNT artstyle if that make sense ?? That’s how I personally feel lololol

If you never drawn TMNT before , just go slow on your art process , look at references, & take your time . Draw the characters in your own style first if you want :] just to feel more comfortable and less stress trying to replicate the iteration’s style . overall , have fun <3

I usually suckkk at these art tutorial stuff but hope this helps :D !!

[mibkid]

Can i just say as both an artist and cosplayer i am so greatful and amazed over Jojo's amazing linked universe comic and just how much time and effort she puts into it.

i mean i am floored over 10 pages a month fully colored with detailed backgrounds and good story, believe me it's crazy amount of work. ...and speech bubbles. eurgh typography...(u can guess which part of comic making i enjoy the least)

Not only that but i am eternally greatfull for just how many angles we get to see the characters in the comic, the varied poses and expressions are not only amazing to look at and great way to show personalities, but also just such great reference points when either drawing the characters or trying to figure out how the hell a costume is built up.

AND jojo has drawn them in various stages of their clothes on during the comic, so you KNOW HOW THE LAYERING WORKS.

How is Time's armor built up? Boom right there in multiple angles and sometimes off.

Ah how does Hyrule's layering work? BOOM right there with an interesting maybe leather based under-armor??

How large is Twilight's chainmail and how is it built up? BAM right there.

Jojo literally drew a whole page of how Sky's clothes are built up, layer by layer.

It's truly a blessing!

AND IT IS CRAZY that jojo added so much beautiful embroidery to the characters' clothes.

(my brain is like "oh but me like to know every detail of the embroidery of every character", and i end up looking at the pictures and say "sush brain don't be a spoilsport they're already detailed just use your imagination of what jojo has drawn and what could fit the specifics", because that is fun too! like Sky's embroidery on his over-undershirt could very much be berries of some sort on twig together with some sort of classic skyloftian forms, like lingon berries though it isn't,( i know that lingon berries don't exist in hyrule...) but it would be a fun idea!)

As you can see by my... detailed oriented nature i am very interested in their designs. But again the whole comic is a true wonder, i mean, so many angles not just the characters but the surroundings. So many different zoom-outs and zoom-ins utilized, the comic knows when to change from one character to another to more than one. So it's great on a technical standpoint too. And it's SO cool to see how Jojo's art has changed through time. (that is not a pun)

Anyway, i felt like i had a lot to say, and this was me saying it. I guess it's a Appreciation post for jojo, for showing other artists and creatives so much different and amazing artwork. (and giving us amazing references)

But also it's that i want other people to see(though i think they do already) how much time and effort and love has been put into it, not that it matters much coming from me as a random person who happens to enjoy her work.

But i think it's fun to show appreciation for artists and writers anyway.

[ryanseslow]

How to Create Paper Cut-Out Reliefs: Tips and Techniques for Beginners

Back again with another lil' series of 2D wall relief paper cut-out forms. Both of the pieces below follow the same process and technique. Im really happy with the process and outcomes. Im working on animating them as we speak. I'll add them to this post later. My paintings inspire my drawings, and my drawings are inspired by those same forms found in my paintings. It makes sense that every so often I want to make those forms "pop out" and off the surface of a flat plane. Alas, it all starts with a quick sketch. See below, just a series of light loose free flowing lines take the lead, forward ->

Here we have a dude posing for a profile style portrait. Most likely, this is inspired by the NYC B-Boys from the years 1983 - 87ish. Either way, it's nostalgia for me. Once the sketch feels good, I'll break out the paper and x-acto knife. I keep telling myself that one day Ill work with another material other than paper for these works, perhaps wood or metal.. It will happen, I can foresee it for sure, hang in there. Im using a white bristol paper for the cut outs, I believe it is the vellum type and not the glossy, but either or will work just fine. I love to cut paper and the whole medium of paper art in general.

Paper cut-outs, also known as paper cutting or Kirigami, is a traditional art form that involves cutting shapes and designs out of paper. The history of paper cutting can be traced back to ancient China and Japan, where it was practiced as a folk art. The Chinese and Japanese would create intricate designs, often featuring animals, plants, and mythical creatures, and use them as decorations for festivals and special occasions. I always loved it and have felt inspired by these pieces.

Using the sketch above, I apply the "map" of the shapes and forms that I see. Sometimes I redraw those forms on the paper that I will cut out, and sometimes I just "draw" with the x-acto knife to recreate the forms. Sometimes, it's a combination of both of those techniques. There is also a series of "out-take / byproduct" cut outs that do not make the final piece, those can be saved and used for the next piece, obviously!

I layer the forms on top of each other to compose the arrangement as a whole, its fun to watch it all come together, in the next phase, you will need some kind of durable tape or you can make little paper forms that can be pasted to both sides of the forms as they stack, this will create the gauge and depth of the piece once it is placed onto the wall.

This is the final composition above, I love it! I used a roll of duct tape to make small cylinder forms that connect the pieces together, the piece as a whole comes "off of the surface of the wall" by about 1.5 - 2" inches - you can play with this a bit but keep in mind, the tape makes the piece heavier and it will want to comply with gravity :)

I hung the piece (also temporarily adhered via the same duct tape) for the photoshoot and to also get a good look at how it will function on the wall. I have an old painted fire place in my studio that is a great surface for hanging things, I love the contrast of textures between the bricks and the paper, as you know, the shadows will be super cool to see too.

Once I had the whole piece constructed I took a few pictures of it. I immediately wanted a clean vector line drawing of the whole character. I brought the photo into adobe Fresco and used a vector brush to draw this lovely variation. This is how my brain works, I switch paths because I know they are really pipelines to the "next thing" that I will push this to, so forward we go.

Then, it was light source and photo shoot time. Im not really happy with these picture as traditional "photographs" as I know I can do a much better job, but, as a series of "sketches" for a planned photo shoot, these will really help to make those plans a reality. I love neon colored lights. I have a bunch of them from various places and spaces that I found on the internet. Amazon has a great selection of flashlights with various colored light options. Get a few and play around with how the light can effect your work and the shadows that it creates. This is where the depth and gauge of your pieces play a role. The photos below are also a part of the same session, which all took place over a few days.

Here is another variation with a different character.. What do you think? Shall I make more?

[awwfur]

WoF x TWST. Yuu, Grim, and the great seven.

Master post More WoF x twst AU! More info and rambles past here

(And size chart at the bottom cause I know WoF sizes are wack)

Makes the most sense to start with Yuu first, yea?

Yuu: They get to be human still! Yay them! In this AU I wanted scavengers/humans to be extinct. Why? To make Yuu even more outta place. There’s a bit more to them as a character, but I’ll save that for the writing of the AU.

Grim: I played with the idea of making him into some kinda cat-like fantribe. But settled on making him still very cat like but with more dragon like qualities. Also bigger. And I’m still playing with the idea of him having a smaller form closer in stature to him cannon size. (So he can still ride on Yuu and have something unique to him) He was really fun and really hard to figure out, cause I almost made him more wild cat looking, but I didn’t end up liking it.

(I don’t plan on giving the ramshackle ghost their own full fledged refs, or even just head shot/bust refs. Apologies to all.)

and now onto the seven! Who I’ve turned from Disney Villains into WoF villains/antagonists (they are in order of left to right too to bottom)

Queen Scarlet: “The Scarlet queen” I know that an icewing might have been more fitting, with all the rules they have. But! I went for color pallet. I’m also heavily bias. So Scarlet gets to be queen of hearts

Queen Wasp: “The Queen of Tribes” a big reason for picking Wasp over Blister in place of scar is the fact that, well, she did rule over the silkwings for a good 50 years give or take. And I have this head cannon that she’s fair more clever than she’s depicted in the books.

Albatross: “The great seawing animus” I REALLY wanted Ursula’s WoF substitute to be a seawing. And there was NO WAY I was using whirlpool. (If you know you know) also I have him holding the drawing for the summer palace

Blister: “The sister of Brilliance” If this clever villain wasn’t getting to be the Scar stand in, she was going to be the Jafar stand in. (And yes I drew her holding the eye of onyx. If you know. You know.)

Chameleon: “The beautiful shapeshifter” okay. Scarlet would have gotten to be the Evil queen stand in if I wasn’t dead set on making her the stand in for the queen of hearts. So I had to pick the next best character. That being Chameleon. I don’t have any big reason for him being the Evil Queen besides the fact he has those scraps of scroll to turn into a few other tribes (I can’t remember if there were more than the Icewing, Nightwing and skywing. Because I wanna say he had four tribes he turned into) and also I have him holding Darkstalker’s scroll

Queen Diamond: “The queen of Ice” another one who I just kinda picked the “oh ugh-this’ll do”. I mostly picked her cause of the spell she cast on foeslayer to keep her trapped. So I guess she gets to be the Hades stand in.

Darkstalker: “The Darkstalker” that title is subject to change. But since he already had one in the books may as well use it! Anyway, it only made since to make the most clever and powerful Wings of Fire villain be the Maleficent stand in. Drew him when he escaped from under the mountain because that pose felt like the most powerful one for him. (Although like scarlet I’m very bias)

welp that’s the WoF seven (shockingly hard to pick who would be who. Besides Darkstalker he was easy)

Size chart time!

The dragon examples are Skywings, and I’m of the belief that mudwings and nightwings are larger than skywings but I picked skywings to be the chart comparisons because not meany characters will be much taller or shorter than an average adult skywing. Well, besides the staff but that’s besides the point.

it also has Grim and Yuu because I feel it’s very important to know how tall these two are. (And if I give them exact measurements my brain won’t remember) I was also tempted to add in some kinda animal in here because we’re going largely with mega fauna and flora. But it made the chart crowded. But know I intend for even chickens to be larger than Yuu. (Or about the same hight not sure yet)

[wasyago]

Your art is such a huge inspiration for me , i was wondering if you had any tips on anatomy ? Your way of doing it is so fluid and fun to look at and i struggle a lot with stiffness .

welp, long post incoming, sorry i really didn't want to write all of this on the canvas, so most of it will be in text + pictures

(also please keep in mind that this is not a 100% correct way to do this, but this is how i do it)

first, a little secret you need to know. none of my drawings are actually anatomically correct-- its more about proportions and lines of motion than it is about anatomy (since you said you struggle with stiffnes). now, of course anatomy is important, especially if you're going for something more realistic, but i'd say its not the first thing you should focus on. for me, anatomy is something i learn slowly and gradually as i go and as i need (and forget soon after).

i think proportions are in a way a lot more helpful than anatomy, because you can easily change them according to the character's needs and it'll still look believable. so like.

arms from wrist to elbow and from elbow to shoulder are roughly the same size, same with legs.

character's open palm is the same size as their face from chin to hairline.

the thickness of the neck depends not on the size of the head but the size of shoulders. so, if the shoulders are broad and muscular the neck will be too. if the shoulders are small then the neck will be thinner, etc.

when hands are pressed to the body, elbows are in line with the waist and the palm is roughly below the hips.

length of legs in relation to the body is directly responsible for how tall the character looks. if they're the same size - character looks average, if the legs are shorter than the body the character looks shorter, and if the legs are longer then the character looks taller.

and then for the face.... i literally forgot everything about face proportions uhhhh. well. the ears sit in the middle of the head and are in the same dimensions as the nose. the spaces from hairline to eyebrows to tip of the nose to chin are all the same size. mouth sits on 2/3 between the nose and the chin, leaving more space for the chin. eyes are the same size and the space between them is equal to the size of one eye. (this is much easier to explain in a drawing)

and then to make your character stand out and look unique you change some of the proportions. make their eyes bigger, ears smaller, arms longer or legs shorter. the difference between knowing the proportions and breaking them on purpose vs not following the proportions at all, is that when you know what you're breaking it looks intentional and it has a meaning and it makes sense to the viewer, instead of you breaking all the rules without knowing what they are. just remember to emphasize it enough for your style, because if you overdo or don't do enough it might look out of place. again, its all about balance.

and now for the lines of motion... i dont exactly know how to explain them, because there's not really a correct way to do them? but basically its a line that follows and sets the motion. yeah. its what makes the characters look less stiff. and its not exactly imaginary lines, but they're not simply visible either. its the lines that the silhouette of the character follows, the direction their limbs or elements of clothing create. you're basically creating those patterns that the pose follows, and you know us humans we sure love our patterns, so the brain subconsciously recognizes that there's a pattern and the image then feels more structured, more real in a sense?

i have no damn idea how to put it into words, but. um. diagonal lines are dynamic, straight lines (in relation to the canvas) are stiff. its like a square looks stiff but a rombos looks flowy even if they're basically the same thing. so to make your characters look more dynamic you need to build the pose on diagonals and not straight lines. and if you want the pose to look stable then you need to balance it out with lines of motion that go in an opposite direction. sort of like you put two rocks on the ends of a plank to balance it out instead of putting no rocks at all because the plank will balance on its own. it creates flavor and weight and intention, sort of like "this plank balances because of the rocks" instead of "the plank balances because there's nothing". sorry i get carried away with the metaphors--

you can use the stiff/dynamic thing however you want for whatever purpose you need. for example making the bottom of the character who is standing still be parallel to the canvas, but keeping their body diagonal and dynamic, helps to make the character feel stable and set in the drawing, like they're standing on firm ground. keeping a background or some element of the drawing stiff but making the character dynamic emphasizes the movement and focuses attention on the character. but making both the background and the character dynamic creates a fully dynamic composition and the feeling like everything is in motion. its an interesting balance but the more you draw the more you understand it.

hope this helps :D

[megalo224]

How would you suggest to learn art? I currently am only able to draw heads not very well but I try and I'm very inspired by your art, do you have any suggestions or tips?

look at ur favs and try to draw like them! when i wanted to start taking art more seriously i was copying frames off cuphead and the sonic mania intro by eye and eventually i made some art friends who i wanted to draw JUST like. and i basically tried to adopt the artstyles that inspired me during whatever era of my life at the time but naturally my own swag shined through and after many years and inspo from so many different things, i draw the way i do now, and am still striving to get better! so what im saying is legit to just look at ur favorite artists and try to do what theyre doing, study ppls styles copy art by eye for practice, try to push yourself to try new stuff. pushing yourself sucks a lot because it can be quite a demotivator when you try to do something cool but you dont see what you quite hoped but thats experience!

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wear ur inspirations on ur sleeve! some of my fav artists that have inspired me a lot in the past 2 years are bobobazarra, marcoggers on twitter, vintdoo, dakidavekat, evilsk8r, deppa, mettaflix. and those are only just a few! i could literally go on naming people for hours. dont be afraid to proudly shout abt what or who who inspires ur stuff!

when it comes to hard practice and studies, if youre willing to get into certain techniques u can try looking into ways to break down the body, like boxing out stuff like the torso and pelvis and stuff like that to use as construction. to me when the mood would strike me when i was starting out, doing figure studies and copying poses i found on google was smth id do for like 30 mins to an hour, even if they were terrible it was just fun to draw them and move on to the next. and it was experience! even if it didnt feel like it at the time. like, doing something like copying a buncha hands for fun creates a mental library for ur brain to pick from to help make whatever unique hand youre trying to make for your art. its all experience! so do it when you feel up to it!

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and overall just try to have fun, if you find yourself frustrated enough to feel hopeless about art then just try to take a step back and come back later or draw whatever makes you happy. but when youre able to take on challenge and pushing yourself always try to, and try to have fun and keep in mind that what youre doing is gonna shoot your stuff to the stars and that u just gotta keep going. and get pinterest! that shit helps out a fuckton both with creative inspiration and art studies and practicing and tips.

------------------------------------------ also keep in mind everything ive said here is just my personal experience and whats worked for me. everybody works differently with art. something that changed my perspective a lot was meeting one of my favorite artists last year, and asking for advice because i was going through horrible art block and self worth issues. i was going crazy copying peoples art in my sketchbooks trying to figure out what others understood that it felt i couldnt, trying to figure out what was missing. i was super desperate for improvement and it felt like i was improving so slowly compared to others with the same amount of years spent drawing as

i. so when i asked this artist what they did to study stuff, they told me they barely even did studies on anatomy and whatever. which was crazy to me because it felt like they had such a grasp on that kinda thing and stylized it so well. that didnt make me stop studying though but it made me worry about everything way less, because it made me realize you just gotta do what you feel is right and what you feel is truly pushing you, but most importantly have fun doing it. it made me realize art wasnt this rigid ass process where i was breaking rules or not eating enough art veggies. so with that, i accepted myself and i moved forward continuing to push myself but not worrying as much about improvement right away, just have fun and do studies and shit as i went when i wanted to, and give myself a little push to strive for stuff just a bit crazier than what i felt i was capable of.

everyone is different, theres some artists that start from the feet up or start drawing a body from the shoulder its crazy. but its not because its objectively better to do that, its just how they draw. some artists do full sketch constructions for bodies, some artists do everything from eye. im sure theres some that switched from doing everything from eye to wanting to do construction for bodies and stuff, and vice versa. they did what worked for them, but what makes ppl rly improve is simply that they have fun in the process and strive to push themselves, thats the most important thing, or at least thats my perspective on it at this current point in my life.

so do what you feel is right, have fun, try different techniques out, try different stuff that you feel will help you, keep being inspired.

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best of luck to u, sorry for yapping kinda a lot and thank u a ton for the kind words!

[9haharharley1]

Will you accept a question and a prompt?

What are some things that help get your creative juices flowing? (Because the stuff you write is just phenomenal.)

And mayhaps a bit of Pitch being creepy with a sleepy Jack?

Of course! And thank you, that's so sweet!!

Things that get my creative juices flowing 🤔

It really depends, I think? Getting the ideas can be pretty easy sometimes. Its writing them that can be the problem. I get inspirations from movies - oh this character reminds me of Blorbo A, he would be fun to put in this situation, how would he react? Or sometimes just the basic premise or trope - ie Mermaid au, coffee shop au. I want to write these things but they're so vague that getting the details down in writing, or even just trying to hash out a plot can be a chore.

Sometimes it's music- this song screams Blorbo B, or maybe it fits the ship dynamic really well, ooh here's a situation! Let's throw it all in a blender and see what happens!

Other times it's art - obviously with me, I know, but I have that type of memory where I actually can't picture details in my head. It's why I don't focus on improving my own art, but seeing a situation actually already set up, for me, can act as a reference like an artist would a figure when sketching a pose or something. I see the image or situation, and suddenly it's much easier to figure out how they got into that situation. Who instigated it? What are they feeling? What happens after?

And sometimes it's as easy and simple as finding the right prompt! I see the prompt (ie. Character A is wearing this and B reacts to it) and it's just the right combination of words to instantly trigger a scenario in my brain! Especially if it's one that's been incubating in my head for a long time already.

---

(A Stay entry mayhap? A prologue of some kind?!)

Jack had long made a habit of sleeping in trees. And Pitch had long made the habit of watching him.

He had taken notice roughly fifty years after Jack Frost's resurrection that the weather patterns during winter had started to change, becoming more erratic and volatile as the years went on, as Jack became more and more isolated from the humans and the spirits around him. Pitch languished in his fear, amplifying the effects Jack's blizzards had on human settlements and driving them further indoors, away from the boy who tried so desperately to get them to notice him. It was cruel, but Pitch didn't exactly care, more concerned with building up his stores of power in preparation for his next big fight with the Guardians.

He followed after Jack most days during the cold seasons to chase after this easy fear.

As winter waned and Bunnymund began ushering in spring and life, Jack would begin to settle. And he generally, he settled in some remote and freezing location, taking some time to rest and recuperate his natural cold before moving on to the next hemisphere. This usually meant he'd stake out a tree, settling in on a branch with his arms curled around his staff and little regard for anything else. He'd drift off into a dreamless sleep, and Pitch would watch.

He never spoke to the boy. He never tried to even approach him, weary of drawing the young thing in and growing attached. Because he would. He knew himself well enough after countless eons with nothing but shadows to keep him company that he would latch onto Jack's bright smile and easy conversation. The boy would cling to him in return, desperate for companionship as he was, and when he realized what kind of monster Pitch was, he would attempt to leave.

And Pitch would not let him go.

He would keep Jack for himself, cage him and break him, tarnish that wonderful brightness Jack radiated like fresh snowfall. Winter had been Pitch's domain for millenia before Jack. And if he let Jack close, he would make it his all over again.

It was best to leave him alone for now. Some day, maybe.

But Pitch couldn't stay away, attracted to the gleam of light on fresh snow like a moth to a flame, his shadow growing larger the closer he got. The temptation was ever present in his mind; to reach out, to touch, to take. He wanted this lonely little spirit for himself.

Pitch shook his head, settling down to sit on the branch Jack rested on. The sprite was fast asleep, shoulders and neck propped against the trunk of the tree, his brown cape pillowing his head. His staff was clutched close in his arms, little flakes of frost sparking from the curved tip with every soft snore.

Even in sleep, Jack's power was almost too much to contain. What the Nightmare King could do to use that power for himself...

Legs swinging idly from the branch, he looked away from the sleeping spirit, out to the winter wonderland beyond. Thick pine tree grew tall and vast all around, a veritable sea of green and brown, blanket in snow. The ground was completely covered in fresh powder, unblemished save for the few brave animals venturing out into the cold. Icicles hung from branches and ferns, sparkling in the starlight without the moon's overwhelming presence drowning them out.

It was beautiful.

The world felt far away and empty here, muffled and silent save for Jack's quiet snores and Pitch's own steady breathing. It was peaceful, and he felt himself relax as he simply watched the world turn, enjoying the cold and recalling a time when cold was his every day. His lips pulled up in a soft smile. He glanced at Jack.

The boy hadn't moved, laying surprisingly still for someone with so much restless energy during the day. He looked so young in his sleep, so content, and Pitch wondered if he would ever be able to have such a peace for himself.

He shook his head. Best not to think about it.

Jack shifted, drawing Pitch's attention back to him. His toes twitched, one foot kicking a little, just enough to brush Pitch's thigh for how close he sat. A noise slipped from Jack's mouth with the contact, and he shifted again, edging down the tree in his unconscious state as though seeking out the source, desperate for contact. Pitch watched, unblinking.

When Jack's toes found his leg, he sighed, the smallest of smiles tugging his lips. A hand came up to push the offending appendage away, but as Pitch gazed at that happy little grin, pale cheeks flushed the lightest shade of purple, and he hesitated. He should push him away. He knew he should; he couldn't risk getting attached to even the idea of friendship, let the boy desperate for it.

But he was weak, as the shadows often liked to remind him, and instead of shoving Jack's foot away and starting the sprite awake to get a quick dose of fright, he placed his hand gently on freezing toes. He swallowed, shifting closer and lifting both feet into his lap, where he covered them with both hands. Another sigh of contentment left Jack's parted lips, the younger spirit settling quickly despite Pitch's heat sinking into his skin. He rubbed gently at calloused skin, massaging the bare feet in his lap, watching Jack's peaceful face the whole time, looking for any sign of discomfort or alertness.

None could be found.

He didn't move for a long time, simply touching and watching, thinking of all the could haves and what ifs, the snow muffling the whispers of shadows.

When the sun finally peeked its first rays of light over the horizon and Jack stirred from his rest, Pitch was gone, melted into the shadow of a nearby tree. He was treated to the sight of Jack sitting up, blinking groggy eyes and wiggling his toes, staring at his feet for a long time with the kind of look on his face Pitch could only describe as wonder. He may need to go terrorize North a little for the thought, but he settled for watching the content little smile that lit up Jack's face.

[whiteboardartstudios]

Goodbye, Gendaen

fan art for @mtqcomic

Thoughts and LONG ramble under the cut! (includes spoilers!!!)

A while ago (like last week maybe?) I realized that I've been following this comic for almost a year, and I still haven't drawn Mysta yet! I figured that with the recent end of Chapter 3 and that *huge* lore drop (I was NOT expecting that oh my goodness the theory wheels are turning in the void that is my brain) now would be a pretty good time to draw her! So that's where this came from! :D

I thought that it would be fun to draw Mysta looking sort of like a knight? Partially because it makes for cool posing and composition but also because I think that if she was in D&D she would be a paladin due to the whole "Hero sent by Destiny" thing (I considered sorcerer or warlock as well, but her moveset is mostly melee at the moment so I thought that paladin fits better. Plus this opens up the possibility of Gendaen being an Oathbreaker paladin, depending on how that whole situation with the Crimson went. (also now I kind of want to put the main cast of mtq in D&D even though I don't actually know a lot about D&D ToT. I think Eth would be a ranger maybe multiclassed into something magic-related, because rangers have a favored enemy mechanic that gives them advantages on fighting a certain type of enemy, which could be Crimson enemies for D&D Eth. Yele is (kind of obviously) a druid because of the whole dryad thing, and Zaïl is definitely giving rogue energy to me.)) Anyways, D&D-related sidetrack aside – hello??? End-of-chapter-3 lore drop? (/positive) I have SO many questions. First of all, what happened to convince Gendaen to switch sides? For someone who allegedly spent his entire life trying to cleanse the Crimson, it would've taken one heck of a worldview-upending revelation to get him to join it. With the information we currently have, it seems pretty clear that Gendaen isn't mind-controlled or corrupted or anything – not just because of the reasons Eth gave in page #169, but also because from all the interactions we've had with Nelun Soma'o/Gendaen, he seemed to be pretty chill? I pointed out in my first fan art post that it doesn't seem as if Nelun Soma'o is being built up to be a villain character and is instead more of an antagonist with a slight mentor role, and I think that still kind of holds up now. Gendaen definitely wants Mysta to help him and/or the Crimson with something, and as Yele said in that recent comic, things aren't really adding up. I'm still slightly suspicious of the Order of Learning as well (insert person pointing at conspiracy theory board meme here lol), since you would think that if Gendaen and Eth are really close then Gendaen might have told Eth about the whole Crimson situation, right? On Page #250 (which is marked as 150??? probably a typo but idk) Gendaen says that he didn't want Eth to be roped into this whole situation, which could be a reason for keeping him in the dark – though if he knew Eth really well then he might have suspected that Eth wouldn't just let him disappear and would go searching for him. Another possible reason (in my theory) if the Order is evil or something and Gendaen learned something that he shouldn't have learned, maybe he knew that Eth wouldn't believe him because of his loyalty to the Order? I may just be connecting random dots and calling it a picture here but *something* is going on and until we get more clues on what that may be, I'm sticking with this theory lol :P EDIT, I was rereading Gendaen's character sheet and it says there that he has a strong code of honor and fights for the underdogs (not the exact phrasing but it's close). 👀 does that mean the Crimson is in some sort of underdog position? 👀

Anyways back to the drawing a little, I gave both Gendaen and Mysta a sort of braid-like element in their designs to sort of tie them together a bit visually (Mysta's is on the sides of her head, which is kind of hard to see so I added a little ribbon to show that parts of her hair is tied back, and Gendaen's is in his golden hair accessory thingy). I think that there's definitely some sort of correlation between Gendaen's disappearance/switching to the Crimson and Mysta being sent to Sol Ybberia, and I also think that both of them are going to play an important role in whatever happens in the future, hence the braids (to show that their destinies are kind of intertwined, as the two Heroes of Sol Ybberia). I also thought that it would be fun to put Gendaen in a stained glass window instead of actually physically being present, because up until the Nelun Soma'o reveal, all the things we know about Gendaen are basically all from Eth's recollections of him, which for me definitely paints a bit of a "Character haunting the narrative" kind of vibe. I also think that with the Nelun Soma'o reveal, the somewhat glorified (for a lack of a better word – I think Eth might be a little biased when it comes to Gendaen, considering that Gendaen has been missing for about 5 years, if my math is correct? 5 years feels like a long time to me and I think that if a person important to me has been missing for that long then my impression of them would definitely start warping to how I want to remember them/who I wanted them to be and I might start unintentionally ignoring the things that doesn't quite match that image in my head. Speaking of/case in point, Eth's reaction to the Nelun Soma'o reveal!) image of Gendaen that we had got thrown in a metaphorical blender with our idea of the Crimson at the time, and it just makes things a whole lot more complicated in a very interesting way. (If you look at the bottom right of the image you can see Nelun Soma'o's cloak coming out of stained-glass Gendaen's cloak, which I thought would be a fun little detail to include). Hence, the stained glass is kind of the "perfect Hero who disappeared to advance the plot" Gendaen and we can see Mysta kind of splitting the glass with her Rotted Fork from a composition point of view, referencing that huge lore bomb she dropped a couple of pages ago and how that changes our (or at least my) perception of Gendaen as a character entirely. I really do like the plot twist, as I think it makes Gendaen a more 3-dimensional character with more complicated motivations and narrative significance, as before I mainly knew him as "predecessor to Mysta" and "one of Eth's sources of motivation", but now he my understanding of Gendaen also extends to things about Gendaen himself and not just about his role in relation to other characters (for example, "Gendaen is helping the Crimson for reasons currently unknown" or "Gendaen is planning something that involves Mysta??? and he's in the Void??? And apparently Mysta is supposed to jailbreak him out at some point in the future?" He definitely has something planned behind the scenes, I don't know what it is and I want to find out).

MORE THINGS about Gendaen (can you tell that he's my favorite character at the moment ToT), what's up with those last words? If I'm correct (and I think I am, I scrolled all the way back to the page where the gods were introduced just to check this ToT), Nomù is Compassion? How is compassion related to Gendaen's alliance with the Crimson? I mean, when you think of the Crimson, compassion definitely is NOT the first value that comes to mind. Right now it seems that to me, Gendaen's plan with Mysta and the Crimson and the Void is connected to Nomù somehow? (the "I won't disappoint you" is definitely interesting). I don't have a lot of thoughts or theories on where this might be going, I just thought that it was something interesting to metaphorically chew on for the next while. It definitely seems like it has some sort of narrative significance, at least.

There might be more things that I wanted to talk about, but I can't really think of them off the top of my head right now (it might be due to the fact that it's currently quite late in my time zone ToT I am sleepy) so that's all from me for now :D (Also dropping the version of the drawing with just the lineart here because I think it looks really cool)

I hope you have a really nice day and/or night! :D

*a starry rift in space opens up in front of me and I faceplant into it like it is a mattress* (gotta make that dramatic exit!) [Image ID: The first image is a colored and rendered image of Mysta from the Mysta's Terrarian Quest webcomic standing in front of a stained glass window of Gendaen. She is holding the Rotted Fork spear from Terraria, and she has a determined expression on her face. The stained glass shows Gendaen with his back turned to the audience, and one closed eye is visible. His cloak is flowing to the right of the image, where it emerges out of the stained glass as it fades from green to dark grey. Crimson vines, green trees, and white clouds surrounds Gendaen in the stained glass. Outside of the glass portrait, real crimson vines are creeping along the stone walls that the portrait is on, framing the portrait and Mysta in the middle. A red light source is shining down from the upper right corner of the drawing. End ID.] [Image ID: The second image is a work-in-progress version of the first image without any color and only some minimal shading, with all shades being in monochrome. Mysta's lineart is noticeably darker compared to the line art of the background. End ID.]

EDIT: Forgot to add image ids, they're here now TwT

[dopecollectorbarbarian]

Beldaruit

Nsfw?

Size: small

Note: I have noticed there are two or one works about Beldaruit and it broke my heart. So shamelessly I wrote about him.

Mix~

Our great teacher is definitely smart, definitely creative, definitely hot imposant man.

But he becomes even more impressive when he is using his armchair, it’s true. First of all, it has features of an deer, second… it makes his actual eyes level really high. Children and even some adults need to raise their heads to be able to see his face.

And maybe, just maybe… when he likes to imagine himself from other’s perspective. How is it? Does he fix himself in others’ mind? How does he look? And… during these little wondering experiments, his ears used to turn little pink.

He knows that he has quite a personality. But when he was younger, his thoughts drew away with such enthusiasm, that he immediately used to check his hat hiding his pinky ears. Especially when he saw a person that he liked and he tried to put object of sympathy’s shoes… oh oh-oh! He felt bashful.

Sometimes his thoughts get another way. He has a great imagination, an unique way of thinking. What if the object of love picked him out of chair? Bed? Stole him? Like the princess are stolen by dragons/knights in these books…?

Actually I don’t mind being picked up now too…

He can’t help giggling, stealing looks around to check if someone hears him and his thoughts.

~~<>~~><><><~~<>~~><><><~~<>~~><><><~~

His mind is always restless.

Huge imagination can be a bless and a curse. Huge potential in weak body - a torture.

Especially when he reads spicy books.

He “ran” into one of such books for very first time when he was somewhat sixteen. The windows can hide a lot and his curiosity is bottomless, when he noticed a thin, maybe too thin journal hidden under a windowsill. Actually even he slipped out of the chair, his fault - he tried to take a little too better look to see it and take that. It took time…

He opened it without second thought and saw very… actually very unprofessional drawing of two lovers having fun under a silverwood tree.

But it was the start.

Addiction, that fed his imagination in new, unexplored way.

He knew the general conception of sex, he had read some medical books but… in that way?! Pose 69?

Ho-ho-ho!

Maybe the only thing that prevented him from active efforts to have real experience is his passion to magic. It’s stable, sustained. As his trust to it. Also… Not all people are into people like him.

Less people think if he ever can feel something.

So his very first time to play… some scenes from the books ended quickly but he felt content.

By now he has got the big collection of the genre. Sorted by the way. He doesn’t read much of them, he prefers more romantic books.

<><><><>…<><><><>

He knows children and teenagers too well. The first ones may ask him about reproduction, how babies appear and what these things are:

For toddlers:

You see, my dear, babies appear when a man and a woman love each other so deeply that they want to shape their love into someone else… they do very special adult ritual - only adults can do so! And then babies appear in mommy’s belly.

For children:

There are different parts of body as you could have noticed already! Boys have their feature lower the waist, girls too. It’s very private parts so darling no one shall touch you there… so men have seeds, women have earth…

(If to think about that, Beldaruit is the social worker within hat world)

But teenagers?

So sometimes he hides horny/smut books there and here the books for teenagers to find without problem but difficult for adults. Some books are in the book club library, some are in different parts of the castle and town.

Why?

As it was already said his collection is sorted mercilessly by his own expertise - no low quality books that misshape young brains about sex and this whole process. It’s better when there are proven copies. He knows that teenagers may not think of going to talk with him about that topic (sometimes some of them actually do so after book club meetings and he appreciates that they overcome shyness) and he wants to make sure that others satisfy their curiosity without problems.

He remembers himself when he was young.

(Who has already thought about Beldaruit calming girls when their first menstrual period comes? His heart stings when he sees them so terrified!)

By the way…

Someone doesn’t appreciate that kind of “mischief” and some mature hats who find these copies destroy them. Gods how it makes Beldaruir feel frustrated! He needs to make a copy once more…

~~<>~~><><><~~<>~~><><><~~<>~~><><><~~

About stealing looks… because of health he uses illusions for going outside, we know about that. And when he feels more mischievous and needy than usual, he sends an illusion - a cat or a fish, he is under sea after all - to find his favorite person. Or simply - love interest.

But be sure! Nothing disgusting - he would never cross personal space and peek at them changing clothes… ew!

He just checks on her/him, if they are fine.

And if he is lucky enough, his illusion will petted! It is his favorite moment. To be petted, getting compliments and praise! Aww…

Who is a good kitten? Aww? Who is…?

Me…!

…?

…ow?

I suppose soon or later they will realize that. Till then he enjoyes belly rubs without shame. Or his illusion… was ever he jealous?

~~<>~~><><><~~<>~~><><><~~<>~~><><><~~

Now he is shameless, tranquil, upbeat old hat whose ears don’t turn pink anymore. It’s difficult to make him blush since his sexual need doesn’t demand a lot.

[akai-anna]

Rambling post about The Art TM

Firstly, a special thank you to @livmadart who fuelled my motivation with her lovely tags on my art to finish making this post as soon as I could (life just likes to get in my way). You are such an amazing person and artist (by the way, everyone should totally check out Liv's BDay piece for our favourite little menace BECAUSE IT'S GORGEOUS), and your words always mean a lot to me (even if I'm not the best at communication, for which I apologize, still love and adore you, despite the awkwardness and sporadic talks).

The Idea

My art was inspired by the amazing @detshin's piece. Ever since I've seen it, I felt the urge to make a companion piece for it; I adore the composition and the symbolism in it to bits.

The Concept

I also wanted to take my own spin on the piece. From the start I wanted:

Conan's eyes not being covered (because he can see)

Conan looking at the viewer like he is looking straight into your soul. No thoughts, head empty why, it just felt right.

His mouth to be the one that is covered in some way. The sheer symbolism of his mouth being obstructed (but cannot speak) just made my heart ache so badly.

Changing the outfit based on this musing of mine.

As for the rest, it came about when sketching around, and waiting for that CLICK in my brain. And the forget-me-nots covering his mouth was that CLICK: SYMBOLISM IS MY LIFEBLOOD.

The Materials

I had 2 techniques in mind: watercolours and soft pastels. Ultimately I decided on soft pastels because

I haven't worked with pastels in YEARS, yet I adore the technique

I haven't used these pastels since I got them from an attic cleaning that we did for an old lady last year-ish (they would have been thrown away, after YEARS OF DISUSE and my heart couldn't take it, SUCH BEAUTIFUL MATERIALS TO WASTE AWAY)

I felt that what the material has to offer suited this particular piece: the vibrant colours offering a certain contrast to the original piece, and a certain feel (especially on the right paper) to the texture.

After some testing, I decided that going with a dark background works better: it made the colours more vibrant, and the slight texture of the paper did its magic. + Dark VS Light background colour was another nice contrast between the two pieces.

The Making

At first I didn't know what to use to sketch with, so I tested a couple things, and ultimately went with a white pencil: easy enough to erase if needed but also visible enough to see on this particular paper I had.

Looking up and studying tons of reference pictures for various things (sometimes with more, sometimes with less luck): the pose, facial features, the flowers... I have a whole folder of 'em LMAO

Actually drawing that sketch LOL

Then came the colours, which I tested on a separate piece of paper, to see which ones I want to use... After that I added the main blocks of colours.

And when I liked it, proceeding with the actual colouring: mixing all the different colours and layering them. In some places I used 4-6 colours (or more, depending how you look at it), while I used only 2, but mostly 3 in others.

Lastly: I used hairspray as a fixative, which slightly changed the quality and texture of the pastels and colours. (See below.)

The Feelings

As mentioned above, it has been years (I think around a decade actually, what the fck) since I used soft pastels, so it was a bit of a challenge to get back into using the material (and I'm not as experimental and confident I want to be yet, and likely fried my brain a little in the process). Also tons of fun, though! I forgot how much fun is there in the process of creation, and this piece brought that back into my life.

[randomyuu]

(A)void - A fanart

OH MY GOOOOOD

This fic, (A)void by tafih ignites my love for Yuuji to a whole new level.

A platonic reader insert??? Focusing on Reader’s love for Yuuji while adopting every kid as time goes? Sign. Me. The. Fuck. Up.

Chapter 1 had me floored. The way Mirei (the reader) is introduced to the class, how Mirei noticed Yuuji, and slowly realising she really, really loves Yuuji is just—fuck. I love all these moments.

And after Yuuji ate Sukuna, the pain she felt knowing the distance that grew between them, I felt that too. My goodness, Mirei mirrored my feelings for Yuuji a bit too well it’s kinda scary.

Always contemplating whether I should adopt him or be his best friend instead. Or both.

Gosh, the things I would do for this boy.

Okay, now my thoughts during drawing :D

Reader-insert is always a tricky thing to draw. I always pictured them as either an OC or a grey androgynous character with “Y/N” on their face. So to draw this character, that can be relatable to any reader, is really tricky. I never really inserted myself into a reader-insert fic, always saw them as their own entity, so it’s hard to decide on their appearance.

Even with all the descriptions present in the fic, I still struggle. Also I have to look up Japanese teacher summer outfits with appropriate hairstyles, etc etc because I can’t fully trust anime as my point of reference lmao

(I also rarely watch slice-of-life animes so I don’t have much stored reference in my brain to begin with lol)

Also, short sleeves are so hard to draw, wtf? I don’t understand  _:(´ཀ`」 ∠):_

It took me multiple tries to decide on poses and appearances, but I think the end result is alright! Could be better, but I’m satisfied for now.

And then Yuuji. Man, I honestly don’t know if this boy is ambidextrous, right-handed or left-handed. I tried looking into some images and he has used both so honestly Idk. I just want to say forgive me for any inaccuracies in this drawing, both from JJK's standpoint and Japanese culture in general orz

It’s hard to research only in the English language. I shouldn’t have stopped my Duolingo lessons years ago ∠( ᐛ 」∠)＿

On another note, Ozawa is really cute! I didn’t expect I would have fun drawing her character. I thought it’d be Yuuji but no, it’s Ozawa! And also Wasuke. Currently I’m studying middle-aged male characters, so drawing him is just part of the practice!

On another, another, note, all of the drawn moments are my favourite ones in the first chapter. That chapter is my favourite so far, I honestly could read multiple chapters only with Mirei teaching in Yuuji’s school and interacting with the Itadoris. I love reading how Mirei slowly gets closer and closer to Yuuji and Wasuke so much.

I just—I could cry gushing about Yuuji and Mirei’s platonic relationship, it’s so cute, so heartwarming, got my soul buzzing in delight, just AAAAHHHHHH—

Aight, that’s it for now. I have reached a speechless state and no longer know what to say except incoherent screaming noises. See you next time!

[itsguysnightitsironic]

Some human skin and bone

The yassification button glitched, so sorry for your loss.

Did this take years of my life? Yes.

Did it take making at less three before realising I used their identifying colours to render them? Also yes.

Drawings without the dramatic light under the cut with some very long ramblings.

(I'm pretty sleep-deprived right now, excuse my weird grammar and ramblings.)

They are in order of making.

HOOTSIE

-She was the first I drew of the bunch, and I based her mostly on a baby I saw in a hair salon. She had these big un-blink-able eyes and these adorable chubby cheeks that just made sense that Hootsie had.

-To try to union the owl and bear parts of an owlbear, I gave her this very puffy ENORMOUS fur coat with a feather jacket under it. To define where in her original design the fur and feather separate.

-Also the claws, since Hootsie has claws, it's your decision to decide if they are REAL or if Gricko made them for her in wood.

-Her makeup it's designed to scream "OWL" and her original markings, from the big eyes, and eyebrows as owls horns, to the line to symbolise her beak.

She was very fun to draw, brain empty, just owlbear.

GIDEON

-You know the whole "re-inventing the wheel"? Well, this was a "drawing Mace by accident over and over again"

-Credits to Beth Mello for inspiration for the splash blood makeup, which it's just so pretty

-I don't know where the metallic horns came from, I know it's inspired by something but it is so locked in my mind and I can't pull the strings to know where it comes from.

I showed this one to one of my old art teachers and he said "It looks like me when I was younger" and now I can't unsee it.

Your genishi is my retired art teacher now, so sorry for your loss.

GRICKO

-Did I ask my father to pose to draw his old hands? Yes. Yes, I did. And I had to make them more rough and hairy because he has "selling wristwatches on tv" hands? Absolutely.

-I based his hair on a member of Metalica, Kirk Hammett. Now that he's older, he has this very pretty long curly greyish hair that just felt very Gricko.

-I cut his fingers. Well, only the right hand, he has the other one but it didn't grow correctly so it's more like little little finger without nail. So he has four fingers, in his original goblin design he has four fingers and so does the human version now, we don't know what happened, Gricko probably doesn't know either.

-The makeup had to have the most eccentric in-your-face eyeliner ever. With some green highlighter to remain of goblin skin, blue and white dots for his magic and to link him with Hootsie's little blue gems, and body paint inspired by Britons war paint. (Which are drawn after two of his totems.)

Lighting for this one was weirdly easy... The ocarina wasn't.

FROST

-As someone who is pretty young and it's starting to grow white hair already, I can say, that whatever it's happening to him it's more from stress than genes. What ghost scared you, sir?

-I fought with his face so much, I had his body ready for days but not the face. I wanted to keep the expression that Frost has in the original, mostly the smug smile he has.

-Credits to Freja Bermann for inspiration for his makeup which it's inspired by multiple of her looks inspired by the solar system.

-I just realised that by giving him "horns" and two dots to symbolize his tiger ears it looks like the froggy chair of Animal Crossing.

I'm not changing it. This is our little secret.

KREMY

-How do you draw an alligator as a human? How??? DRAW??

-You know what, drawing hands it's only fun if it's old people's hands. They have more texture and can be a bit rougher. They can define a character's life so well... For example, here Kremy has four fingers, you can decide if he got it cut off by fucking around, bitten off, or if he gifted it as a sign of faith to his patron, you decide.

-You hear about "Give Gideon a cowboy hat" get ready for "Give Kremy opera binoculars"

-His makeup was inspired by cabaret, just dramatic eyeshadow and eyeliner. There are markings as gator skin around his eyes and nose. And a fake beauty mark because why not?

Drawing Kremy it's always fun, even if I get tortured first by trying to structure his face.

I can't bring myself to do Torbek, Twig and Petunia, sorry, I'm very tired.

AHHHHHHHHHH.... Have a cupcake 🧁.