#i just associate him with will wood tbh
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yellow-computer-mouse · 3 months ago
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...And If I Did, You Deserved It by Will Wood is such a Nightmare-coded song honestly.
"But I'm deserving every word they could begin to apply, at least they know now..."
"I'm poisonous, not toxic; I'll admit when I'm wrong, but only to be right,"
"Don't meet your idols... hey, fuck you, I'm your idol!"
"I'm a Cancer, I'm malignant, yeah, you wanna stay away! My heart's FUCKING empty and I'm trying to fill it up!! But it's not big enough for the both of us!"
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wisteriagoesvroom · 2 months ago
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LOL I can imagine for vampire au Lando starting to third wheel Carcar and so even though turning Franco is a complete accident he can’t feel too guilty bc he uses it as an excuse to hang around someone else, and somehow he learns more about vampirism lore through a human grad student than he’s learned in his whole life (he’s lived a long time, lots of info to absorb). Then also, if you don’t mind my ask, what do they all do for jobs/how do they get money and would Franco keep studying ?
HELP this is so cute. ok. norpinto-frando vampire au for those who aren't up to speed...
Lando starting to third wheel Carcar and so even though turning Franco is a complete accident, [Lando] can’t feel too guilty bc he uses it as an excuse to hang around someone else -> screaming cus, absolutely. random associated headcanons for this... i'll rewind a bit:
carlos is the oldest vampire, like, moorish/medieval era. he met lando while they were both at a masquerade ball in the early 1600s and smelled each other right away (carlos like wood and ink, lando like gas lamps and wet stone).
lando is an tudor era vampire. like he actually knew shakespeare and said he was one of the best viral marketers of the era
oscar was turned in the early days of the australian penal colony, he's like first or second generation white australian but he refuses to be called british. he moved in to the house because the rent was cheap and he doesn't feel the need to live extravagantly -- even though he, too, is $$ loaded $$
oscar didn't move in until about two decades ago - very short by vampire standards, to them it feels like yesterday - but carlos and oscar are basically They Were Roommates atp even though they squabble con-stant-ly
their neighbours think they are a new age-y polyam group but because the people who live opposite them are students, nobody ever hangs around longer than a year to remember them or dig deeper
so franco definitely brings a fun funky fresh dynamic
he learns more about vampirism lore through a human grad student than he’s learned in his whole life (he’s lived a long time, lots of info to absorb) -> things that baby vamp!franco teaches lando include
tiktok trends, like how to make ur teeth comically large in photos. lando finds this hilarious
how to use venmo
creating a roster on google docs for who needs to do what house chores
jailbreaking an apple watch so it doesn't read their pulses (they don't have any), but it will remind them of the moon phases and when they might be extra hungry to feed
at one point franco actually puts his academic skills to use and helps lando hunt down some of his family tree, because since lando was turned and it's been so long, he doesn't remember much about them : ( so one of franco's little gifts to lando is helping him trace his heritage
what do they all do for jobs/how do they get money and would Franco keep studying ? -> i love how practical-minded you are. um well let's say this fictional supernatural creatures' market mostly runs on barter trades and goodwill agreements. the entire house sometimes just gets lazy tbh so lando or carlos will just dig into one of the old chests of random shit and pull out an antique and go: "do we think this is worth anything?" then they take it to an antiques dealer who is also a mage (alex albon) and there is a 1 in 25 chance that the antique is actually is worth something, so that bankrolls them for another half a year or whatever.
carlos makes a lot of noise about being "an art dealer" just because he sold a goya painting to a museum once.
oscar is a man of industry, of the "newer" world (australia) etc etc so he spent the 80s and 90s learning C++ and Java and Python so he legit just codes for a living. or when he feels like it. oscar has helped launch at least a dozen startups under various pseudonyms and one of them is even a blue chip company by now. he doesn't do it for money tho. he just does it cus he likes a challenge, and otherwise fights with carlos too much. when he isn't coding he likes to tinker and fix things just for fun. like, he legit knows how to fix a boiler and stuff. his familiar is definitely a grumpy orange neighbourhood cat.
franco keeps studying!! he is such a nerd that he's like "i can totally learn everything about anything now, and i could in theory do like 20 masters degrees, and nobody can stop me"!! then lando is like, "well you might get bored of it after a while or burn out". but franco insists he will not. in fact with his enhanced neurological abilities he goes on an academic bender trying to fast forward through an entire harvard's undergrad degree's worth of material in a week, and he ends up faceplanting on his desk. and then poor lando has to go and find a fresh chicken or something to kill and revive franco 'cus franco wore himself out too fast being a bb vampire with accelerated mind powers.
franco promises never to do that again (but of course he will continue to do it once in a while, and everyone still looks after him in his lil study hangovers because he is so very nice. also he taught them how to use venmo.)
and. one time. franco is like. "i can't find this rare sonnet do you know what library i could maybe locate it in" and lando is like "wait i know that one" and pulls out an honest to god original copy that he at some point got laminated in the early 80s. and franco is like. "um i think this should be in a museum??" and lando is like "yeah but i gave them a copy of this, cus i spilled ink on the corner of this in 1603 after a really good night out" and franco is like "???? ok ????"
then lando swans off to moodily stare at the moon or some shit.
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slutforsilverfoxes · 2 years ago
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He's a God, He's a Man
[A/N: This… is filth. Absolutely shameless PWP (there’s a hint of plot for context of their relationship if you squint). Thomas Shelby could literally step on me and I would apologize for being in the path of his foot tbh.]
—————
Thomas Shelby is many things- ever intelligent, inexplicably cunning, unfathomably brave, sinfully wicked, and the luckiest son of a bitch in the Peaky Blinders to walk around with a spitfire of a woman on his arm every day and take her to bed every night.
“That’s enough outta you now!” Your sharp reprimand carries over the din of the tavern, piquing Tommy’s interest. Casually enjoying his first love, aged Irish whiskey, as the hopeful business associate before him prattles on about his prize-winning horse, Tommy subtly knocks twice on the wooden doors to the window hiding the private room from the remainder of the Garrison.
One of the barmaids eases the doors open so Tommy can get a view of what’s going on, ducking her head in deference when he waves her away, his use for her satisfied. A sleazy looking man with an even sleazier-looking shock of hair above his upper lip trails his fingers along your arm as you place a pint in front of him, and your raven-haired lover’s mouth sets into a hard line as he watches the scene unfold. You deflect yet another advance with a swipe of your hand and exaggerated eye roll, and Tommy returns his attention to the man before him, secure in the knowledge that you can handle yourself against the likes of that scum. 
Until he hears lousy fuck and useless whore.
Excusing himself from his meeting, Tommy drains the remainder of his tumbler with an eerie calm and rises from the table, opening the door to the main room of the Garrison with the full intention of sending this man to meet his maker.
Your lover watches with rapt fascination as you emit a playful, two-toned whistle before a glint of metal flies from your hand, landing between two of the man’s splayed fingers on the bar top, a trickle of red oozing down the side of his middle finger where the knife Tommy gifted you for your anniversary has just grazed skin. “There’s only one man in this world who talks to me like that and you sure ain’t him, eh?”
He lewdly sucks on the bleeding finger before firing back, “Oh yeah? And who’s that, lovey?”
Leaning against the doorframe, Tommy loudly clears his throat to announce his presence as he lazily strikes a match, lighting the cigarette dangling between his lips and cocking his head in a silent challenge. His icy eyes are trained on the nuisance who won’t take no for an answer and you smirk to yourself, relishing in the power that radiates off of his lithe body. “Why, that would be one Mister Shelby,” you simper, “and he once killed a man for looking at his horse the wrong way. Imagine what he’d do to the likes of you.”
“Shelby? As in Thomas?”
“Ay, lovey,” you spit the term back in his face. “Don’t tell me you don’t know whose pub you’re in.” He swallows audibly and you carry on with a wicked grin. “If you want to walk out of here on your own two legs, I’d suggest leaving right about now.” As the alcohol-induced rose of his cheeks fades into a pallor of fear, you lean in and drop your voice. Tommy can’t hear your final comment, but his lips quirk into a smile at the sound of your warm laugh ringing out across the Garrison as the man topples off his stool in his haste to escape from your presence.
Flicking the match he was playing with to the floor, Tommy makes his way over to right the fallen seat before taking up the vacated spot, easing the knife out of the wood and tucking it back into your skirt pocket. “You enjoyed that a bit too much.”
“It would seem I’ve got a little Shelby in me now, eh?” You place two fingers of amber liquor before him, leaning against the bar top on your elbows and coyly glancing down at his lap. “I suppose little isn’t quite the right word, though.”
Tommy swipes a thumb over your bottom lip turned up in a wolfish smile, icy blue eyes crackling to life. “Careful, pet, or you’ll bring Arthur’s temper out.”
Leaning closer and letting your eyes drift closed as the heady scent of Tommy mixed with his signature smoke and whiskey envelops you, you ask, “How so?”
“Because,” your eyes snap open when you feel the rough pads of his fingertips against your skin, the pressure of his grip on your chin gentle yet possessive, “he’ll lose money if I kick everyone out of the pub to fuck you on this bar.”
Snagging the cigarette from between his lips, you take a long drag before sighing contentedly and replacing it in his mouth, his sharp gaze tracking your every move. “I’ll meet you in your office, Mister Shelby.”
______
You hear the telltale sounds of the office door creaking open then closing, followed by the familiar padding of Tommy’s footsteps leading him to his desk, fourteen unhurried paces. You don’t dare raise your head or disturb your position, on your knees, palms resting on your thighs, eyes cast downward. Tommy lets out a quiet hum as he cards his fingers through your hair when he walks by- a simple motion, but one that has your blood singing in your veins nonetheless. He shuffles some files around on the desk before settling into the leather chair with a soft groan, casually flipping through the morning paper as he lights another cigarette and the smell of smoke permeates the room.
You try to calm your breathing, to quell the excitement growing in your body at the thought of what’s to come. Out there in the real world, you’re all sharp edges and fiery comments; in here, in the sanctity of Tommy’s presence and his presence alone, you love to give yourself up completely. To let him think for you, to command you, to own your very mind, body, and soul. You live and love to serve him- he’s not just your man, he’s your god, and oh do you love to worship at his feet, to prostrate yourself before him, to pray to his visage.
He merely pats his thigh twice and your body comes alive, fueled by a primal urge to bask in the aura that is Thomas Shelby. You’re by his side in an instant, cheek pressed against the deliciously rigid muscle of his thigh as his fingers knead your scalp.
“Such a good little pet,” he murmurs softly, and your eyes close in contentment as you let out a happy sigh. His fingers suddenly tighten in your hair, yanking on the dark strands until you’re forced to meet his eyes, a hungry wolf gazing down upon his lamb, a reverent parishioner looking up to her deity. “Mine. And only mine.”
“Yes, sir,” you gasp out, but not from fear. You could never be afraid of him. “I belong to you, Tommy.”
He’s caressing your face now, the rough pads of his fingertips causing goosebumps to erupt all over your skin that’s already humming from his touch. “Mm. And yet other men have the fucking audacity to touch what’s mine.”
“Maybe they don’t know I’m yours.”
His eyes flash with rage moments before you register his hand around the column of your throat, pulling you up to stand before him. “And just what the fuck does that mean, pet?”
“I only- mean-” You feel your legs growing weak from the lack of oxygen, and Tommy shifts his grip higher, thumb pressing into your cheek to pull you even closer. His breath fans across your face as he growls, “Spit it out, love.”
“I mean that you should mark me,” you whimper pathetically, what was once a dull ache between your thighs now an insistent throbbing. “Leave your fingerprints on my neck. Bite me hard enough to draw blood. Brand your fucking initials into my skin, Tommy.” You hurriedly unbutton your blouse and bare your unadulterated skin to him in offering. “I want everyone to know I’m yours.”
“Now you’ve gone and done it,” he smirks with a slight shake of his head, in awe of your complete and utter devotion to him.
And then he’s on you, pouncing like a hungry predator upon his prey, forcing his tongue past your lips as he undoes the fastenings on your skirt. You help him shimmy the fabric down your legs and rid yourself of your undergarments as well, desperate to feel his masterful hands roving your naked body. His fingers dance along your throat creating a roadmap that his lips follow. You let your head fall back with a whine, granting him access to nip at the soft flesh as you fumble with the buttons of his vest and then his shirt. Tommy pulls away from you to shrug his upper layers off, and you take advantage of the momentary reprieve from his sensual assault to trace the sun rays on his pectoral muscle with your tongue as the ink is revealed to you.
He releases a breathless chuckle when you moan at the taste of his skin and asks, “Ready to put that quick-witted mouth of yours to good use, my girl?”
Pressing a final kiss to his chest, you pull back and nod with a smile, legs parting instinctively when he eases you backwards to sit in his worn leather chair. You let your hand fall between your thighs to spread the wetness growing there with every passing moment in Tommy’s dominating presence, coupling a pout with an indignant whine when he takes his cock out and strokes it languidly just out of your reach. “Come closer,” you beg, saliva pooling in your mouth at the mere sight of him.
“Stop touching what’s mine, brat,” he orders, eyebrow cocked and gaze trained on your fingers as they slide between your glistening folds. You emit a huff before dropping your hands obediently to your sides, lips parted and tongue out in anticipation of your reward. Tommy praises you softly, then guides his cock inside your eagerly waiting mouth, placing his hand around your throat and pushing deeper until he can feel the substantial bulge against his palm. You moan and inadvertently swallow several times around him, the twin sensations causing Tommy to release a low groan that sets your nerves alight with unabashed lust.
Placing your hand over his, you tighten your grip suggestively and look up at Tommy from under your lashes. You earn yourself a sinister smile in response, and you shift your hands to the arms of his chair, an open invitation for him to do with you as he desires.
Tommy doesn’t miss a beat, his fingers on your throat expertly placing pressure on the points that have you seeing stars as his left hand tangles in your hair to guide your mouth along his cock. You moan with abandon as he mercilessly fucks your mouth, tears spilling over your waterline to match the drool slipping down your chin. The chair shifts back sharply, protesting Tommy’s frenzied pace, and you hook your fingers into his belt loops to try and steady your body. Looking up, you find the absolute picture of ecstasy, sweat-slicked strands of the brunette’s hair dancing across his forehead in time with the rocking of his hips, his supple bottom lip captured between his teeth just barely muffling his feral grunts. The distinct taste of his precum pervades your senses and a whimper escapes your lips that are stretched comically around his thick cock.
Tommy pulls back abruptly, and you whine his name in protest at the loss despite the stinging sensation in your lips. He admonishes you with a click of his teeth for the bratty sound, tightening his fingers around the column of your throat in a grip that’s sure to leave bruises, just as you requested. Using his free hand to uncurl your fingers from his belt loop, Tommy guides your hand to his throbbing cock. You immediately know what he wants, and a strangled curse falls past your lips. Applying pressure, you twist your hand along the length of him, feeling his cock twitch against your skin and closing your eyes seconds before his cum is coating your face. He releases your throat from his grasp and you fall back in the chair, darting your tongue out to wet your chapped lips and moaning at the taste of his release.
“Thank you, sir,” you offer in an utterly cock drunk haze with a demure smile. Tommy feels himself already growing hard again at the sight of your delicate fingers drawing his cum into your greedy mouth, your chest heaving, face flushed, and legs parted in invitation. He kneels to get on your level and you surge forward for a heated kiss, raking your nails along the shaved sides of his head before tangling your fingers in his hair and tugging sharply. He laughs at your eagerness, a low and dark sound that sends yet another wave of arousal shooting to your core.
“I’m sure you’ve left your mark now,” you speak between desperate kisses, moaning as he breaks away from your mouth to drag his nose along your burning skin. You cry out sharply when his teeth follow the same path, nipping and sucking down the hollow of your throat to the curve where your neck and shoulder meet.
“I’m not through with you yet,” he murmurs against your flushed skin before sinking his teeth into the sensitive spot. You throw your head back with a low groan at the prickling sensation followed by the soothing of his velvet tongue, wrapping your legs around his lower back and trapping him against your body. Tommy can feel the heat emanating from your center, and he mercifully slides his middle finger between your folds as he shifts to mark the blank canvas on the other side of your neck.
“Tommy!” You rock your hips against him, the heel of his hand pressing against your clit, absolutely desperate for release. He adds a second finger, expertly curling them in time with your movements and grinning wickedly at the sinful sounds he’s able to draw from you.
“Who do you belong to, love?”
“You,” you’re panting now, climbing higher by the second. “Only you. You own me.”
The pressure against your sensitive bundle of nerves and the languid pace of his fingers is driving you wild in the most sensational of ways. He licks a stripe up your neck, collecting the sweat beading there before pressing his lips to the shell of your ear. His voice is deathly low when he growls, “Say my name. Who do you belong to, love?”
“Thomas,” you gasp as your orgasm washes over you in waves, your nails digging into his broad shoulders and legs shaking against his muscular back, using his body as an anchor to try and tether yourself to this world. “I belong to you, Thomas.”
“Good little whore,” he praises softly, making sure to hold eye contact with you while he licks his fingers clean. “Now,” he smirks as he tugs on your bottom lip and you dart your tongue out to brush against the pad of his thumb, “we’ll revisit this idea of branding another day, hm?”
You nod bashfully, and Tommy presses a tender kiss to the corner of your mouth before untangling your limbs from around his body. “Bend over the desk facing the door with your legs spread.”
Blinking hazily at him in your post-orgasm stupor, you shake your head, not comprehending his words. “What?”
He leans against the mantel, crossing one ankle over the other as he slides a cigarette out of the box from his pocket. Lifting one eyebrow at you as he casually strikes a match, he speaks around the stick between his lips. “You’re not going to like what happens if I have to repeat myself.”
You scramble to stand on your jellied legs, grateful for Tommy’s foresight to have the desk hold your body up. You tuck your fingertips over the smooth edge of the front of his desk, inhaling sharply as your bare breasts meet the cool wood when you fold in half. You hear Tommy groan softly as he sinks into his now vacated leather seat, and he easily kicks your feet apart to bare your body completely to him. You can feel his hungry gaze on you and the wisps of smoke wafting over your body with each controlled exhale from between his beautiful lips. Closing your eyes, you envision the way he balances the cigarette between lithe fingers, how the tip of his tongue meets the end of the stick before each drag, how his lips curl to clear the smoke from his lungs. Craning your neck to look at Tommy because the image in your brain pales in comparison to the man himself, you all but purr at the sight of him casually leaning back in his chair, one hand cradling a cigarette, the other lazily stroking his rock hard length. Saliva pools in your mouth, and you swear you can taste him on your tongue, feel the stretch of him filling you where you need him most.
His cigarette gradually dwindles until he’s forced to put it out. Still, he remains seated and silent, the very picture of dominance and self-control.
“Tommy,” you finally break the silence, the ache between your thighs having grown into an insistent throbbing, “I’m ready for that little bit of Shelby in me now.”
Instead of the heavy weight of his cock filling you as you’d hoped, you feel the sharp sting of the flat of Tommy’s hand against your pussy, the thick ring on his finger sending a jolt through your sensitive clit. You let out an indignant cry and try to rub your thighs together to alleviate the twinge of pain, growling in annoyance when you’re blocked by Tommy’s leg between yours.
“Little bit?” he mocks from his spot behind you, smoothing his hand threateningly over the globe of your ass. “Shall I get one of my brothers to fuck you, love?”
“My sincerest apologies, Mister Shelby,” you hiss over your shoulder. “I need your long, thick, perfect cock inside me. Please,” you’re quick to tack on.
“Better.” He presses a kiss to your delicate lips before cracking his hand against your flesh. You whimper at the duality of the sensations, desperate to feel his mouth on you again and excited to see the bright red imprint of his hand on your cheek tomorrow morning. The wooden legs of the chair squeak against the floor as Tommy stands abruptly, and you feel the head of his cock press against your entrance. “But next time without the attitude.”
You nod dumbly, overwhelmed by your need for him and ready to vocalize this very thought when a knock sounds at the office door.
“Enter,” Tommy calls, sheathing himself inside you with one sharp thrust as Arthur’s broad frame fills the doorway. Your jaw falls slack and your eyes roll back at the exquisite stretch, a strangled moan catching in your throat.
“You bastard,” the eldest Shelby laughs, “you’ve stolen everyone’s favorite barmaid during the rush of the afternoon.”
“She’s serving me quite well, Arthur,” Tommy cracks easily in response. With the way your man brags about you, you’re sure the three oldest Shelby brothers possess more knowledge about your most intimate bits than even you do, but still you feel your skin grow hot at Arthur having found you in such a compromising position. You try to tuck your face into your shoulder for even a modicum of modesty, but Tommy yanks on your hair and forces your head up as he maintains a steady rocking of his hips, pathetic mewls falling past your lips every time he bottoms out and your knuckles turning white from your tight grip on the desk.
“You realize,” Arthur starts with a wicked grin, “the door says Shelby Company Limited, don’t you, Tommy? And Johnny and I are very much part of this company.”
Tommy barks out a laugh that holds no humor. “You boys so much as lay a finger on my girl and you’ll be in the Cut before your next breath.” The low growl of his voice and his overt possessiveness has your walls fluttering around him, and Tommy folds over you to speak directly in your ear. “Tell him who you belong to.”
You lift your gaze to meet Arthur’s with a gleam in your eye as Tommy picks up his pace, forcing you to raise your voice over the lewd sound of his skin slapping against yours. “I belong to Tommy.”
He gathers your hair into a ponytail, using it as leverage to pound into you even harder and commands, “Louder.”
You barely register the door slamming shut as you clench around Tommy’s cock, his warm release painting your walls as your own juices flow down your thighs and you come undone with the declaration, “I belong to Thomas Shelby!”
He presses a line of gentle kisses along your spine while your body writhes beneath him in the aftershocks of your afternoon tryst. “That’s my girl,” he praises, tenderly stroking your hair. “That’s my good little girl.”
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verecunda · 1 year ago
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"Radagast is, of course, a worthy Wizard, a master of shapes and changes of hue..."
I'm mildly obsessed with this throwaway remark from Gandalf. Like his fellow Istari, Radagast is a Maia in origin, and the only other Maia who is singled out for their shapeshifting ability is Sauron. Radagast is potentially a shapeshifter on a par with bloody Sauron, and this is just never. mentioned. again. Amazing.
(tbh I'm not entirely sure what makes their ability stand out, since all the Ainur seem capable of changing their forms, unless, like Melkor, their power is depleted in a big way. Even Olórin/Gandalf is mentioned as changing his shape in the Silmarillion. But that's another musing for another time...)
But to return to Radagast and Sauron: I wonder if there's any difference in their approach to shapeshifting. On a headcanon level, I tend to associate Sauron's ability with his smithing - he's crafting himself a new form. Maybe for Radagast, as a Maia of Yavanna, his ability is closer to examples from the natural world, like animal camouflage and call mimicry.
And is there maybe a link to the Beornings, too? Beorn seems to know him - "Not a bad fellow, as wizards go". What if it was Radagast who first showed his people how to change their shape - whether that was teaching Men how to turn into bears, or teaching bears how to turn into Men?
Just frankly obsessed with the idea that Radagast has these powers that could potentially make him a match for the Dark Lord himself, but he'd rather just be chilling in the woods, chatting to the birds.
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thisisnotthenerd · 2 months ago
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got inspired by a conversation with a friend
bells hells as instrumentalists. this ranges from old to new, acoustic to electronic, across the world.
we have two in the group already, with dorian playing the mandolin & flute, and fearne playing the pan flute and dulcimer iirc.
for dorian: the mandolin is present in both classical and folk music. it's something he'd have learned in childhood, but picked up different stylings in his time as a bard. the flute is the classic wind instrument, sometimes ethereal, sometimes piercing, not always heard but present all the same.
fearne: pan flute is another folk instrument, old, known for its association with satyrs (pan flute). simple to play, difficult to play well. dulcimer? that depends on the type. hammered dulcimer is percussive, while a standard dulcimer is stringed and a member of the zither family. also an old instrument. speaks to being out of time. neither are jazz instruments per se, but i'd love to see what she could do with it.
for the others?
orym: oboe. cuts through the chaos with timbre, brings the group in tune, associated with melancholy tone. wind instrument that takes a lot of air and practice to play effectively. can be obstinate if he wants to. not everyone likes it and that's okay.
fcg: it's so funny to me to imagine them as a synthesizer, but in truth? bells. simple instrument made of metal, but making and understanding them in truth takes a lot more work. there's a lot of variation in the types of bells that exist, and playing one softly sounds very different than a violent strike. also associated with prayer, the passage of time, calm and restoration.
laudna: pipe organ. an old instrument, associated with the supernatural and death, deeply tied to the places that they are built into. it fits right into her whole aesthetic. carries the history of the many who lived to play it before.
chetney: he has the harp of valor right now, but tbh i'd see him playing the fiddle or a diff folk instrument. not "classical", but having a long history with the common people. also? wood. alternatively? concertina. i could see him as a multi-instrumentalist, as long as they're all wood. like only a wood flute or something.
ashton: the most annoying percussionist you'll ever meet. i don't think i need to justify this anymore, but loud at inappropriate times, waves around a big hammer / mallet, chronic pain, probably some hearing issues. the person carrying around the most equipment via the hole. sometimes the backbone, sometimes an accent over top of everything. i think they would like to go bang bang on a bass drum. things breaking in your hands is a hazard of the job.
imogen: honestly she's difficult for me to place, but just for the vibes of it? theremin. an instrument you play without contact. telekinesis, anyone? often associated with the eerie and the alien, much like imogen. on the other end of the horror movie instrument spectrum from the pipe organ.
braius: cowbell.
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bernardellinewsagency · 2 months ago
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i had ideas for an entire galladay roleswap au that i just. completely forgot about. oh my fucking god. and when i say roleswap i mean *everything* gets swapped.
penacony is a land of elation, the most wonderous entertainment one could ever experience; if you can afford it, that is. it's a land blessed by aha, where you can forget your struggles and even become someone else entirely, if that's what you want. people think the joy associated with it is unceasing, but it's truly only temporary, and aha is fond of violent and chaotic ends for THEIR own amusement, and so gallagher knows people shouldn't rely on THEIR benevolence.
he is who people believe is closest to the elation in penacony. he's not a masked fool, and he hardly acts like how people would expect him to. he's not grandiose or over the top. he's simple, down to earth, but he makes sure everyone's stay is as best it can be, he creates miracles within the dreamscapes, and people view him as someone perhaps specifically chosen to spread joy and happiness to those who visit penacony.
in truth, though, he works for the enigmata, taking on mythus' duty of undoing all that's been set in stone by the likes of the erudition and finality. some people who come to penacony deserve no sympathy, but there are many who come out of desperation, trying to find some hint of a better life, a different life, where they can be happy. it will never last, the elation will always have to fade away eventually, but can't he try to give them a better ending once it does? if he can erase and obfuscate and rewrite enough, can't he change enough circumstances in their lives for the better?
sunday, on the other hand, is now the security officer plotting behind the scenes. halovians are a natural choice for security; the effects of elation can have some negative consequences, and it already has a reputation for inspiring criminals and terrorists across the universe. should someone find themselves straying from the joy they should be feeling and threatening to turn a sweet dream into a nightmare, they can be psychically nudged back into compliance and docility. plus, it's said that this psychic gift also makes halovians themselves immune to elation, or at least better able to ignore its effects, though that's neither confirmed nor denied.
he's still the adoptive son of the "dreammaster", but in a roleswap, gopher wood and mikhail would also be switching roles. the watchmaker would be the more well renowned leader of penacony, with gallagher or micah set to inherit his role if they haven't already. so sunday, still a follower of the order/harmony, is the one who's upset with how penacony is run, how the ideals it was founded upon have been twisted. how someone he looked up to has been forgotten, cast aside, treated like a traitor to penacony.
he may also be a memetic entity or smth. don't worry about it. also yes, this does mean siobhan and robin swap roles. i haven't thought too much about them, but sunday would be the one to "kill" siobhan and robin would unfortunately be relegated to the role of minor character which sucks bc i love her. but i also love siobhan and she deserves to have her time to shine tbh. i think robin and siobhan should be lesbians <3
anyways. dialogue snippet time!!
"people like to say that penacony's head of security is like a dove cause of your appearance, but it turns out you're more of a magpie, isn't that right? a damn thief of a bird, fitting since you're always taking things that aren't yours." "i've never stolen anything from penacony, much less from its leaders. out of the two of us, you're the one who'd know a thing or two about stealing." "me? you'd better watch your tongue, birdie." "you stole my father's legacy, you clipped my wings, you forced me to play this part, now you wish to silence me? how could you not be the one here who knows the most about taking what isn't theirs?" "your father was nothing but a vulture, stealing the scraps from those who actually put in the work and wanting to claim that he helped build penacony from the ground up, and when that didn't work, he didn't hesitate to switch sides. and you're turning out just like him." "impossible. you're impossible, you know that?" "oh, i'm impossible? no, no, i'll tell you what's really impossible. actually being able to spread the order's influence on penacony, that's what's impossible. do you really think that anything could bring penacony and its guests away from the clutches of elation?" "you seem to think so, working ever so diligently as a minion for the enigmata. following in mythus' footsteps as you try to erase the past; your attempts to overturn truth are futile, it's incredible how shortsighted you must be to never once grasp the fact that all your efforts will only ever be in vain." "you seem awfully confident there, little birdie. you think your precious order could do much better? these people, the fools who willingly come here to stake their whole lives on mere entertainment, will never know what order is like- and that's not even touching on the fact your aeon is dead and gone. unless you want to end up just like THEM, i'd suggest you leave now. go, before i have to force you out." "no. no, no, you won't, gallagher. you know why? because the order has just as much a chance of succeeding as the enigmata does. everything that we see here; everything from ourselves to penacony itself, it doesn't actually mean anything at all. because in the grand scheme of things... all that this is is just fate playing a cruel joke on us."
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bestworstcase · 6 months ago
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Any headcanons on what zodiacs people on Remnant might use? I can definitely see there being a Grimm or dust based zodiac tbh
well......
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...there's twelve stories in fairytales of remnant, and ozpin WOULD be the type of person who included one story he associated with each zodiac sign to symbolize unity, or whatever, because THE MAN LOVES HIS SYMBOLS... so for time does this!remnant i just picked an image for each 30° division that seemed like ozpin would go "that reminds me of this story" about, in order:
#1: the warrior in the woods - the sickle. in the story, the warrior carries a billhook, which is also a curved agricultural tool.
#2: the man who stared at the sun - the rose. a rose symbolically suggests both beauty (the flower) and adversity (the thorns), which seems apropos for a fable about a farmer sacrificing his eyesight to win the sun's blessing.
#3: the shallow sea - the shell. there's a neat illustration of a shell in the story, shells also suggest the sea, and the narrative is symbolically about people "coming out of their shells," so to speak, to find their true selves.
#4: the hunter's children - the hunter. needs no explanation.
#5: the indecisive king - monarch. the actual constellation looks like a crown, and i imagine it's sometimes named "the crown" instead, but i think oz would prefer "the monarch" because talking about crowns makes him nervous. anyway, this one also needs no explanation.
#6: the grimm child - the witch. ozpin like "don't ask me about this one."
#7: the judgment of faunus - the chimera. i imagine the constellation is also sometimes called "the lion" or "the scorpion," because it resembles both depending on how you look at it, but most split the difference to call it "the chimera." this association would probably get ozpin side-eyed by fauni in the room.
#8: the infinite man - the knight. like the monarch, the constellation is also called "the sword" pretty commonly, but oz prefers "the knight." whether he's relating the infinite man or the enemy leader to the knight is perhaps unclear even to him.
#9: the two brothers - the serpent. the punchline is that people who worship the god of darkness with any seriousness stress ozpin out.
#10: the story of the seasons - the hermit. i like to think there's a version of this fairytale where the four maidens lift their old friend's soul into the sky after he passes away, so the constellation is actually for real associated with the story, but ozpin doesn't like That version because it strikes just a little too close to home with the eternal guardian thing.
#11: the girl in the tower - the tower. i think it would be funny if this were ozpin's birth sign.
#12: the gift of the moon - the sparrow. because mar (the large original moon) has, you know, a gigantic crater in it i like to think that there are a lot of myths around the world to the tune of it either being a HUGE MOUTH or a GATE TO THE AFTERLIFE or a NEST, PERHAPS OF A COSMIC BIRD and that got me to "there's a version of this story where the sun is a sparrow and the moon is its sparrow-pot" because, why not.
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highvern · 1 year ago
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omg hey saw that your reqs are open hehe if ure free or if ure thinking abt taking a break from your wips would u consider writing something abt jeonghan x monster!reader from the recent one you wrote :0 of course you don't have to write a whole fic abt it but i'd like to know how they ended up together! i'm so curious ... and also i think i'm just a little insane abt that fic . well. hehe.
I too am a little insane over that fic tbh it was so fun to write!
So basically when monster!reader left the lake she essentially becomes human. Naiads/sirens aren't really known for their complex emotions in mythology lol so most of what she's experienced sans loneliness has been heavily muted because she was immortal and had been in that lake for who knows how long. did y'all watch aquamarine and how she's kinda childish about emotions? think that
But she knows she's drawn to Jeonghan, she has the insatiable urge to be around him all the time, and that's the reason she left her lake because he couldn't stay there forever but she could join him in his world.
More under the cut! this ended up so much longer than I thought but slay.
Jeonghan would show her everything, and she is wide eyed the entire time because all of this existed and she didn't know about it? It makes her feel a little ashamed for believing humans were nothing more than playthings for so long. But I digress.
He takes her to the bookshop he likes to frequent, discovers she can't read obviously (not that she cares), and promises to teach her if she wants. It's fall so the fruit orchards on the outskirts of the village are full of autumn fruit that he picks for her, watching her intently as she tries them with enthusiasm. Jeonghan even takes her through the woods, walking the secluded trails he knows like the back of his hand as she watches the animals scurry in the underbrush with wonder.
And all of these positive feelings she associates with him. Even on days where she can hear the lake screaming for her to comeback, she remembers all the things she missed that Jeonghan has shared with her. And so she stays.
Winter is horrible in her opinion. Cold and dry, she feels like her skin is going to peel off from the heat of the fire she remains in front of all day, attempting to read the books Jeonghan's collected over the years. In the lake, she'd lay down at the bottom, slumbering as the ice crystalized the surface of her home this time of year. And then, when warmer days came, she'd rise to play again. But her now human body won't let her do that anymore. So she has to suffer the biting air.
It's refreshing.
One night, wind is howling and snow is piling against the glass of the windows and she just can't keep herself warm enough under the layers of wool to find rest. So she does what she always does when she runs into a problem in this strange new world. She goes to Jeonghan.
He's shocked to see her in nothing but her nightgown at the foot of his bed, half of her face illuminated in candle light. Jeonghan's seen her in far more compromising states of dress but she always looks so beautiful it makes it hard to breath. And when she complains of the cold, he offers to let her share his bed. Respectfully.
She isn't sure how that'll help but she agrees since Jeonghan hasn't led her astray yet, diving under his blankets to be shocked by the pleasant toastiness underneath. She sighs as her shivering body slowly heats up, eyes slipping shut drowsily as Jeonghan lays a few inches away, watching her.
They wake up the next morning, tangled in one another's arms. Her cheek against his chest, legs wrapped around his to soak in the early morning. After that, she comes to his bed every night under the guise of staying warm.
And then spring comes around and she practically burst from her excitement. She'll get to see the flowers and all the new life emerge as the world wakes up. The town has acclimated to her presence now, unaware of who or what she was before this life, but hypnotized by her sweet smiles and childish laughter all the same. Each morning she practically runs to the town square to look for the garland Jeonghan mentioned, pouting when it's nowhere to be seen as she goes about her errands.
"It's still too cold." Jeonghan explains, snickering at her scowl when she accuses him of lying.
So she waits. And she waits. And she never knew time could feel like this, slow in a painful way. Time had been her friend before but now she resents him.
Then one morning, Jeonghan is acting odd. Not the odd paleness he has when he falls ill or the strange quietness when he argues with his father. But a new sort of oddness she has yet to witness. He keeps glancing at a cabinet in the kitchen over her head as they eat breakfast. When she turns to look herself, his face stretches and his eyes round; like the fish in her lake.
He isn't working in the mill today so they're meant to go explore now that the ground is soft and the sun is closer. Even the wind has turned his sharp claws into gentle hands this morning.
Just as they're about to step outside to leave, Jeonghan pulls her back by her wrist.
"I got you a gift" He whispers.
Her head tips to the side, "A gift?"
Instead of answering, he crosses back to the cabinet. There's a strange rope coiled on one of the shelves, pink and red and white. And when he aproaches her with it, spreading the length from arm to arm to display it properly, she realizes he wasn't lying about the flowers.
"It's beautiful!" She exhales, enamored by the tight twine of blossoming buds. Even in her new form, she loves beautiful things.
She gentle caresses the velvety petals, completely hypnotized.
"I made it for you." He glows in that way that he does so often under her gaze. The way most people do under her approving stare but she thinks his red cheeks are the prettiest.
Together, they hang the garland over the front door. It's meant to welcome a prosperous spring and good luck for the year. Jeonghan doesn't mention it's also a tradition for newly betrothed couples to signify their devotion to one another.
Passing through the town, she examines each new decoration eagerly, Jeonghan smiling behind her as he watches.
"Look at this one!" she squeals, a braid of three lines, crisscrossing yellow, white, and lilac.
She's ecstatic the world isn't gray anymore, bursts of color dripping from every surface possible. Even the sky has returned to a cheery blue, dimpled with gossamer clouds sporadically.
And in her excitement, she does what she's seen the humans do when they celebrate. When taverns are rowdy with drunk patrons, or when a couple gets married in the small chapel at the center of town. When the women welcome their husbands back from long journeys.
She throws her arms around Jeonghan's neck and kisses him.
After he swallows the initial shock, he kisses her back.
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mushangaa · 11 months ago
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silence is gold
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discourse is silver, silence is gold
I drew a gold bg with copics for something on non-tmnt acc and that got me in a mood. I went "huh, neat, liquid gold would be so nice" and then got hit with inspo and here we are. More input under the cut.
So, stay with me for a hot minute, this is not little Present Day Leon, this is Future Leonardo, but in baby, sorta. I just went with the notion of dripping gold and drew Leo and he became progressively more unsettled and then I was like "yeah no that is the Leo who had to go through live without his older self being there to pick up the pieces." Also F!Leo is, in my story, canonically deeply unsettled and lowkey terrified by larger bodies of water - so rule of the thumb could be that if I draw a Leo not having a good time with H2O it is probably F!Leo in his youth. Which will make sense once I get around to explain it organically in like.. what.. Chapter 2 maybe. (they say, having not even fully drafted Chapter 1, while already dreaming of Chapter 3) But while we are on that topic, one thing I could ramble about is that all the kids mystic powers are more rooted in elements, and here I had to play a bit fast 'n loose with both the 4 element and 5 element systems because I have six kids to account for so I hope I can be forgiven that Wood and Air exist both in this one. But yeah so Leo's mystic powers are related to water, the element fits him and in my head it makes the most sense to link his powers up to water, especially the portals when I think about how still waters and mirroring water surfaces are linked to doorways to other worlds, the afterlife, and so on. Imagine Leo just pulling the humidity right out of the air to manifest his portals or something like that. Manifesting swords outta thin air due to water. Also idk okay I just think, with water being so versatile, being wild and calm capable of changing on a dime, treacherous, nurturing, dangerous but without it we could not even exist. I always just linked Leo in general to water but that association runs all the way back to the 2003 series (I need to rewatch the 1987 series to see if the association hits me there too tbh)
But yeah, in general, I have a lot of concepts and little things that pop up while I focus on the core story and the element thing will come up here 'n there, but it ain't the main focus. I just think it is funny to mention how Leo's powers are absolutely based in the element water and F!Leo is terrified of water. (which will come up and become a rather important at some point both the why and what that meant for him and his powers or the lack thereof) I also have another picture in the works of Leo in the water, but it is little Leo who has no water based trauma so he is having a better time in the drawing than his counterpart.
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saturniere · 11 months ago
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m6 as greek gods
(or other important figures in greek mythology)
note: this is more of a ramble than a proper headcanon/au post. and i must say that i am not that sure about all the comparisons — for some of the m6, it was harder to find characters of greek mythology that would resemble them well, and for others i found several characters that are comparable to them in some ways. and i just wanted to indulge in both these interests of mine so here it is
lucio:
ares, the god of violence in war and courage. besides lucio having a violent mindset by default ('kill or be killed', yknow) and most of the time trying to show bravado, which clearly ties to ares' main traits, there is another similarity which lies in how other people perceive lucio and ares: the fact that ares represented all the horrors of war didn't do well for his popularity among the greeks. majority of people didn't like him at all, and he had little respect as a god, often ending up humiliated in myths. it reminds me of how lucio wasn't actually liked nor respected among the people of vesuvia
cronos, the god of time. tbh i myself think this comparison isn't very fitting, but i like the fact that they have some specific parallels in their stories: 1) patricide :); 2) acting selfish and committing atrocities simply out of extreme fear of death; 3) being locked in one place after being defeated (cronos was defeated in war, lucio was.. metaphorically defeated by death. or you can see it as him being defeated by asra when they sabotaged the ritual) without an ability to escape the imprisonment (yes, lucio is again metaphorically imprisoned in the palace as a ghost before receiving external help) (i know the last point is forced but i'll keep it anyways :p)
another character that could resemble lucio is narcissus, but i think the parallels between them are a bit superficial
nadia: athena, the goddess of wisdom, strategy in war, craft. i don't think there's any other more suitable option for her, since they both possess and represent very similar traits. for nadia, war strategy could represent her rational approach to being a leader of vesuvia and her skill for battle and war tactics that are shown in the confrontation with the devil. besides, one of the main symbols of athena is an owl, much like in nadia's case
//about lucio and nadia being ares and athena: ares and athena's contrast in what they're representing in war is, i think, very similar to differences in lucio and nadia's view of leadership, what kind of rulers they wanted to be, and how they used their power to achieve their goals. lucio wanted to affirm his power by brute force and domination above all, punishing even those who help him (e.g. asra's parents), without thinking of long-term consequences. nadia sees that true power comes from strategy, maintaining balance, and a way of thinking that equally considers everyone's well-being.
muriel:
hades, the god of the dead. honestly my first reason for associating muriel with hades is hades' helm of invisibility, which instantly reminded me of muriel's gift-curse. another thing about hades that reminds me of muriel is how hades isn't often depicted in ancient greek art bc of people's fear of him, making his overall image very hazy, much like muriel doesn't leave any tangible memories of himself bc of his curse. they also resemble each other in how they are disconnected from the rest of the 'cast': in hades' case, it's how he's obliged to stay in the underworld to carry out his duty as the god of the dead, making it difficult for him to interact with other gods (besides, he himself doesn't show much interest in the affairs of the overworld); in muriel's case, it's how he also willingly chooses a solitary life in the woods, staying isolated from others
artemis, the goddess of wilderness, healing, purity. (she's also the goddess of hunt but that doesn't connect well with muriel so ignore that). she, like hades, is also a much more reserved goddess who prefers to stay in the forests surrounded only by animals and her nymphs (who are basically personified nature) than to participate in the olympians' drama. i would say that this comparison relies more on the importance of wild nature in relation to both artemis and muriel than on their character traits, since artemis doesn't hesitate to show her wrath and cruelty when punishing someone, unlike muriel
asra:
orpheus. i don't think it's really necessary to explain this choice if you're familiar with the myth
among the olympians, i would say that he resembles hermes the most — the god of roads, travelers, wit, humor, and too many other things to list them all. he has a unique role of a soul guide, who helps souls travel to the afterlife (well let's say that asra would be a soul guide for one particular soul and that he helped them travel back to life than vice versa). i'd say that hermes is a bit too mischevious and trickster-ish for asra, but i like how hermes' function of a traveler between realms fits to asra's magical abilities and frequent travels outside vesuvia.
ok i just realised that there's also hecate, the goddess of magic (!), crossroads, necromancy (!!) and ghosts — all things that asra is connected with, in some way. she, too, is a goddess who travels between realms. besides, people were placing shrines to hecate at the entrance of homes/temples to keep the dead spirits away, which reminds me of asra's protective spells against lucio's ghost. one of hecate's many symbols is a serpent, and, well... asra has faust, so...
julian: it was difficult to find a resembling enough figure for him, but here's what i decided:
dionysus, the god of wine, fertility, festivity, theatre. he's also referred to as a god of resurrection (!), and sometimes is said to be a foreigner (and i think the motif of being a foreigner is mostly present in julian's image, even though most of the m6 aren't native to vesuvia). despite dionysus being a popular god, there's a lot of uncertainty surrounding his origins and true identity, which could be tied to how julian likes to keep a mysterious external image of himself (imo) (and regarding dionysus' identity: he's sometimes said to be hades or zagreus, hades' son, both of which have death motifs, and, well, julian does have some deathly symbolism too)
note: i also thought of some similarities between julian and eros, but ultimately i didn't find this comparison fitting enough
portia:
hestia, the goddess of hearth, sacred fire, family. she is the youngest among children of cronus (after they were freed by zeus). she doesn't have much representation in mythology, being a non-confrontational and kind goddess who couldn't leave her duty of keeping the olympian hearth (therefore not taking part in any godly drama). still, she was very important to the greeks due to her being a keeper of the home and sacred fire: "among all mortals, she was chief of the goddesses." to say shortly, i think all these traits resemble portia very well, with her greatest assets being her caring, considerate and dutiful nature (she's literally responsible for the entire palace!!). and, like hestia, portia carries great importance in lives of the others without causing any drama or creating some aggrandized persona for herself: her sincere friendliness and attentiveness to others are enough for her to be greatly valued.
persephone, the goddess of spring, vegetation, nature (and the underworld but that's not really relevant in portia's case (afaik)). tbh this association is the least supported by facts, i just think portia and persephone have similar vibes
note: i must say that the arcana character whom i haven't gotten to know in much depth is portia, so i'm sorry if her description wasn't accurate enough
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that's all for my rambling today. thank you for reading! honestly this is the first time i'm writing smth like this, sorry if it's a bit all over the place (which it probably is). just wanted to finally write down these associations that have been plaguing my brain for some time now. (and i would be happy to read your thoughts on this too!)
last note: i definitely wouldn't call myself an expert on greek mythology, i mostly relied on my not-that-deep knowledge of it which i got from a bunch of different sources over the years + fact-checked some things while writing this. overall, don't take this too seriously
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gellavonhamster · 8 months ago
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assigning each straw hat pirate a knight of the round table
because I am currently obsessed both with One Piece and Arthuriana; not any kind of serious AU material, just silliness; I Wrote This for Me but You Can Read If You Like
Luffy: Arthur, not due to any similarities in characterization but purely on the functional level - the boy king, the inspirational leader and, as Sun God Nika, a mythical figure believed to return when people need him the most
Zoro: Lancelot, the perfect warrior who embodies that post that's like "it's not my fault that my love language is acts of service and all I know how to do is kill". There is no Queen Guinevere here, so all the undying devotion is aimed at the king instead. Canonically has massive tits. Mihawk is thus implied to be the Lady of the Lake, and I think that's hilarious
Nami: hear me out: Kay. Sharp-tongued, rather cynical, but loyal to a fault to his king/adopted little brother. Nami as part of the Coward Trio vs. Kay being unlucky on quests and generally the butt of the joke. Isn't known to be a great warrior but occupies an important position (navigator vs. seneschal) that keeps the ship/court going. Besides, looking from the opposite direction, I just think Kay deserves to be the hot girl
Usopp: Usopp, sweetie, I'm so sorry, but I gotta say Tristan. Because Tristan is constantly lying about his identity in the most ridiculous manner possible and it somehow works. That part in Le Morte d'Arthur when he's asked what his name is and goes "Tramtrist" and no one suspects a thing even though "Tramtrist" is just "Tristram" with syllables switched around has big Sniper King energy. Also, can't forget the beautiful blonde healer girlfriend
Sanji: oh, that's the easiest one. Gawain. The Maidens' Knight, the ladies' man, a great warrior and one of the king's closest and most trusted men. If you put together Gawain's characterizations from different texts, from SGATGK to Le Morte to the Vulgate & Post-Vulgate to Chrétien de Troyes to everything, you end up with a contradictory character who is simultaneously the best and the worst guy you'll ever meet, which is how I often feel about Sanji, tbh. Would totally fight at a tournament on behalf of a little girl. Has some kind of an epic gay thing with Lancelot
Chopper: Yvain. Son of a sorceress - ah, pardon, a woman of science; associated with animals; known to be nice and kind (the Vulgate Cycle describes him as the one "whose heart will be filled with every kindness"). Occasionally goes insane in the woods (Monster Point), but, like, who doesn't
Robin: try as I might, I can't pull any direct parallels out of my ass, but I do think that narratively she can be seen as kind of a quasi-Mordred. Since her very childhood she was proclaimed to be bad news and expected to eventually cause a catastrophe, but where Mordred, whom no one tries to persuade the prophecy doesn't define him, ends up becoming exactly what he's expected to become, Robin has people who support her and trust her even after witnessing her be the bad guy in the past, so she never becomes the evil others expect her to turn into
Franky: Sagramore the Desirous (or the Unruly, depending on the text/translation) is a big, strong, good-natured knight who probably has low blood sugar needs to have a snack after fighting because otherwise he'll pass out, much like a certain cyborg needs his cola. In the Post-Vulgate, he and Mordred were raised together, which can be linked to Frobin's fates being intertwined since childhood, because I've Connected the Dots (you didn't connect shit)
Brook: I wanted to pick a character of the older generation who nevertheless isn't a mentor figure to Arthur, and I struggle to think of a better option than Pellinore - not the predatory piece of shit in the medieval texts, but the eccentric but loveable old man in Camelot (1967). Brook is also on a quest focused on an extraordinary beast! Only he's not hunting it, he's trying to get back to it because that beast is his friend 🥺
Jinbei: I honestly don't remember if he counts as the Knight of the Round Table, but I am hereby appointing him Ector - Arthur's adoptive father and one of the nicest parental figures in Arthuriana (and probably one of the nicest people in Arthuriana, period). I've also considered Galehaut for the "(partially) non-human ruler who allies himself with Arthur" angle, but that would imply Jinbei/Zoro and I'm not ready to deal with that.
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efingart · 6 months ago
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Hi You're very open to the Black Ops series and I wanted to know, by curiosity, if there's anything canon in the series that you wish didn't happen (not taking BO4 into account, it never happened), like a detail about a character, relationships, events, etc...
Oh my gosh! Great question! I think most of what I'd like to change about canon would be what I wish they had added. But I still have a few moments I'd like removed.
My big canon-changing one is:
Bowman's death. I realize he's very dead. There was a part of me for a while that just wanted to say fuck canon, maybe he was just injured, they got him out somehow. I really liked Bowman and I just think he deserved an "I lived bitch" moment.
Also there are things I'd like removed that I think fanon took too far.
One would be Woods' infamous Cold War onion line. A simple search would reveal that "knowing your onions" was a common turn of phrase for someone of that generation. But also in a room that at least had to have a couple Millenials in it, the Shrek association ALONE should have killed that line. And I didn't even GET that line the first time I played through. So the fact that it's random out of three or four things he could say makes it more aggravating. It's so stupid and it's so extra aggravating that people use it to portray Woods as a goofball idiot.
Another would be the tree-climbing scene in Black Ops 2. I hate how ONE SCENE has completely painted Mason as a bad dad. And no I don't think you should yell at your children. But there are so many factors in play there. I legit have had to stop myself from writing essays about it because I really could. It's one scene of a grieving father and son trying to get used to each other. Their relationship is tense because Alex was on the road a lot. Alex is trying to make sure that his kid is able to take care of himself (because people keep dying around him, HELLO). Oh my god here I go again. I'm not doing this 😂 So yeah I'd rather have it nixed than have to look at surface level takes about it. (tbh I'd rather have more father son scenes to balance it out but it's CoD and that's as about as domestic as it's gonna get).
Also Bell's legends line. Jesus Christ. That's not canon. If there's one thing in Black Ops that's not canon it's that stupid line. And the onion one. (As far as JWIN goes it's Bell teasing Frank because well... if you know anything about Chapter 7 well then you know)
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theboombutton · 10 months ago
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Spoilers Ahead
OK let's talk about the lore implications of The Magnus Protocol episode 4's statement.
Timeframe
The Mannheim School was founded in 1741-1742; and the Royal Court of the Palatinate left Mannheim in 1778. This gives us a roughly 35-year timeframe within which which our violinist could have made his initial carriage journey to Germany - barring timeline differences.
This absolutely destroys my theory that the Fears arrived here from the TMA universe, found a universe without Fear, and broke through in East Germany during the Cold War. This episode firmly establishes that there were Fears in the Protocolverse in the late 18th century, and that they were well-established at the time - established enough to have a guy giving out cursed artifacts in the woods of Baden.
Were they the Archiverse Fears, that just happened to arrive earlier than I thought? Were they Protocolverse Fears? Were they Fears from yet another universe, escaped from their own Fearpocalypse?
The Fears
So this is a really fascinating statement because it seems to marry our old friend TMA Slaughter Classic, with whatever the fuck Ink5oul was doing in TMAGP episode 2, with just a mention of the Archivist-associated power to elicit an unintended confession.
The Slaughter connection I'm sure I won't have to argue - it's straight out of TMA. In fact, it's so straight-out-of-TMA that to me it suggests that this is almost certainly the Archiverse's The Slaughter. If we were dealing with an artifact of a different universe's Fear of violence, I wouldn't expect it to be so connected to music. There's nothing about music that inherently connects it to horrific violence, and yet Bardwell jumps out of a carriage and dashes his skull on the rocks because of what seems an awful lot like the Piper's Song. Violin Audrey Two goes full Grifter's Bone when it's unable to get blood.
The interesting part though is that these incidents are the exception to the rule of the violin's favor. At first it seems happy to make small, flesh wound mutilations of its player, which doesn't sound like the Slaughter at all. Yes, he moves on to serial killing, but it's a very methodical, planned kind of violence - not at all what I'd expect from the Archiverse Slaughter. And the theme of an artist mutilating themselves in service of their art seems very similar to Daria in Protocol episode 2.
Of course, the art connection might just be a coincidence. There is a disproportionate amount of art about art and artists, just because it's high on the list of things artists tend to think about. It's the same reason there's not a whole lot of art about septic tank maintenance*.
I doubt it, though.
Here's my working theory: I think there are at least two universes' Fears at work here, and there wasn't enough room in the Fear-Space for two full sets of entities to represent and feed on essentially the same fears. So they got smooshed together.
The Archiverse Slaughter got smooshed with a close equivalent - a fear that included Archiverse-style violence, yes, but also included a significant element of self-harm, and was culturally wrapped up with artistic performance in the same way that the Archiverse Slaughter was wrapped up with the sound, but not always the performance, of music. The Smooshed Slaughter teeters between its aspects, showing one face or the other depending upon the situation.
OK but what was with the Archivist powers?
idk tbh. I can think of two theories, neither of which I find particularly compelling:
The guy in the woods wasn't actually an avatar. Instead, he was a Salesa type, a distributor of supernatural trinkets. He had some kind of artifact of the Eye on him that gave him archivist compulsion powers.
All of the Archiverse Entities were changed by their time under the rule of the Eye, so being strongly-enough touched by an Archiverse Fear gives you mild Eye Powers for free.
Augustus
Yes I know everyone thinks this is Jonah, and I admit there is a good chance it is Jonah. But I don't like it, and I hold out hope that it isn't.
Personally, I like the idea that the Fears were specifically attached to the voices that told the stories in TMA, in which case Jonah wouldn't have been dragged along; but, if it was based purely on the physical presence of the people in the top room of the Panopticon, then yes, Jonah could have been brought along. To our knowledge nobody ever went after Jonah's body down in the labyrinth, so his eyes would presumably have been left alive in Elias's head for like, the whole episode.
I still hold out hope that Augustus is an Archivist-equivalent from another universe that also went Fearpocalypse and also released its Fears to the multiverse. While I'm pretty certain we're dealing with two sets of Fears here, possibly combined into one set of Smooshed Fears, I'm not at all certain that the non-Archiverse Fears are originally from the Protocolverse.
Conclusion
It's 3 AM and I have to go to bed. I think I've properly scheduled this to post an hour after the episode drops; if I'm wrong about the episode timing and accidentally spoil someone, I'm very sorry.
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* yes I know there's septic tank dive fetish photos, I said "not a whole lot" not "none whatsoever."
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wackpedion · 3 months ago
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i know you're gonna get like 10 million seth asks for the ask game so i'm gonna send in dipper pines instead!!!
DIPPERRRRR ouhhhh I love him so much. ok so from this ask game:
favorite thing about them
Can I just say everything??? Idk he's just. such a silly. just a boy. He loves his sister, is anxiety riddled and insecure, very trans and autistic, a bright and curious kid, he's just amazing overall. He does has his flaws but that just adds to his lovable charm, like he's just a kid!!! ofc he'll be selfish and get up to trouble, and I wholly support it !
least favorite thing about them
Nothing. His crush on Wendy does make me cringe a bit but its ok I forgive him.
favorite line
CAN I SAY THE LAST LINE OF THE SERIES I think it was the last I don't remember. It's so good pulls at my heart. "If you've ever taken a road trip through the Pacific Northwest, you've probably seen a bumper sticker for a place called Gravity Falls. It's not on any maps and most people have never heard of it. Some people think it's a myth. But if you're curious, don't wait. Take a trip. Find it. It's out there, somewhere in the woods... waiting."
also one of the Funny Lines that come to mind is "Pacific is the worst! And I'm not just saying that out of the jealousy, I would say it to her face." [Cue Dipper opening the door to Pacifica] "You're the worst." [Slams door]
brOTP
FORD well it's more familial but I think it counts. Their relationship as uncle and nephew is sososoo important to me... Them both being nerds, how Dipper looks up to Ford and want's to be like him, the obvious parallels drawn between the sets of twins in general. Ughhhh. If we're going for a more strictly defined Friend relationship tho ermmm idk .the thing with Gravity Falls is that there's a lack of characters around Mabels and Dippers age, and the ones that exist tend to serve as antagonists
OTP
DIPCIFICAAAA not like there's many other options, as stated above. but still ughhhh they're so cute Northwest Manor Mystery ☹☹☹☹ The episode of all time. It was so cute and nice to see Pacifica show a softer side and prove herself as more than just a rich girl stereotype
nOTP
None really, theres nothing I'm particularly averse to. I suppose Candy and Dipper? Although I haven't seen many if any people actually ship that. Oh actually Wendipper I Can't with LMAO. First of all Dipper is too cringefail, second of all not fond of the age gap, third of all I just can't see Wendy being into him like Please. oh also not a big fan of Pinecest. ok seems like I Was able to turn up nOTPs lmfao
random headcanon
gonna make one up rn He's what I call conditionally ambidextrous, like me! Basically he naturally uses his left hand for certain things, and his right for others. Also that he'll need/get glasses as he grows up :3
unpopular opinion
I am wholly indifferent to billdip and IDC if people ship it, It's not my business what other people do with their pixels. and tbh the themes of manipulation and a power dynamic can be interesting when explored a certain way
song i associate with them
Oh I haven't thought about this.... gimme a moment... ermm Puppet Boy by DEVO? Cuz of that one episode lmao
favorite picture of them
I am not in a place to go through episodes and take screenshots (I am in class) so I am just going off of what turns up on google
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This is SUCH a cool shot, the whole sequence of Bill coming into scene in general was so creative and amazing. And it comes from my favourite episode <3
Also idk if this counts but, Bipper <3 what a silly guy
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childotkw · 11 months ago
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after rereading ybtm!harry getting a new wand @ ollivander's (because the brainworm has been renewed),
“This wand is made of ebony, with a dragon heartstring. Thirteen and a half inches, unyielding.” The wandmaker reclaimed the chosen wand and slipped it into its box. “So at odds with your original wand, Mr. Ciro.”
Harry nodded, fingers tracing the box with interest. He tried to dredge up what little he knew of wandlore. He knew dragon heartstring was typically the most powerful core, and he was pretty sure ebony wood had something to do with combative magic.
what is nathan's original wand, if you have thought up of one for him? i bet unicorn hair core.
I can't remember if I have written it down anywhere, tbh.
Unicorn hair core definitely sounds on brand for what we know of Nathan, but I'm not set on the type of wood, length etc. just yet.
Maybe elm? Since that apparently has associations with death and Natey boy be dead...or even acacia, since that's got a lot of intrigue behind how it works and bonds with a wizard that gives a bit more to Nathan as a character.
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ladysomething · 3 months ago
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I confess that I sometimes struggle to visualize Max in fics as a overly "manly man" (or alphy alpha ? ) like not to be dismissive at all of his gender but more like I dont see him caring about the the typical 'male stuff', that men need to 'do and show' in order to prove that they are, in fact, a man. Maybe because I reject exaggerated masculinity (and the concept of 'boys will be boys' that many times is used to justify masculine stupidity and is many times represented alongside macho attiudes) and therefore I dont like projecting that onto characters I like. Or maybe is just because I'm a lesbian, who knows
THAT BEING SAID, that chopping wood scene ? Oh, I see it now, I see the vision, is so clear, as daylight. The narration there was exceptional, and maybe there was more than just visuals?. He was being an alpha there, a 'man', in every positive aspect that can be associated to that concept. And not because only men (or alphas in this context) are able to chop wood (I'm a fucking girly girl and I chop wood almost daily. Though I admit I buy it already chopped, just chop the ones that came too big for my tiny salamander).
And yeah, I know Jean Luc and Alecsy are not alpha, but they do still represent the "big bad wolve" archetype, popularly associated with alphas/manly man
Maybe I'm over analyzing like a high school english teacher, and you just wanted to gift us the visual of a hot alpha Maxie chopping wood for his girls. Still, I feel like, intentional or not, there was something a little meta about that scene.
Whatever it was, that scene was a masterclass. Chef kiss 💋
tbh irl Max is such an interesting dichotomy because on the one hand you could argue that his racing displays stereotypical male attributes ("aggressive" "confident" "takes what he wants" etc), but then his off track personality is very ... sweet. he's laid back, always down for a laugh, constantly wants to chill with a kebab and his cats.
so it doesn't surprise me that you often struggle to visualise Max as this hardcore "manly man"!
now, as for why I did it. my aim wasn't to be meta, but it WAS for him to make himself feel useful. productive. like he's taking care of people. so I guess in a sense, it was to fit him into an "alpha role"? but not to prove he's a "man", more to make him feel like he's ... helpful. a value add.
does that make sense?
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