#i just! really enjoy this show!

[loisfreakinglane]

What are your top 5 Dollhouse characters and episodes and also just moments in general?

okay okay okay lettuce get into it! i must warn you ahead of time, i am about to ramble incoherently for entirely TOO LONG!!!!!!!!!!

top 5 dollhouse characters:

priya. always priya. my judgey dorky lil vagabond. she's an artist she's a world traveler she's a survivor. she confronts her problems head on, she is brutally honest. she doesn't give a fuck about money or prestige. she loves loudly, through acts of service. infiltrating a military compound to save tony. coming back to the dollhouse to save her friends. introducing baby tony to his father. i love her rage and her perseverance and her bitterness. i love her willingness to forgive and start anew. she's an all timer for me.

tony. priya's other half. i really want to crawl inside his brain to try and understand him. what is it that made him sign up for the dollhouse to recover from ptsd, only to immediately turn around on his release day and sign up to be a soldier again- only with no individual identity, part of a mass hive mind. he had no wants for himself, not until he met priya and she became the center of his world. he could be so cavalier, so lighthearted in the face of horror. making smalltalk with priya in the middle of a gun fight. joking that she should wound him if he was imprinted with someone evil, but to ~stay away from his junk~ did he only truly value his personhood when it came to protecting priya and their son? I DON'T KNOW BUT I KEEP FLIPPING HIM OVER IN MY BRAIN LOOKING FOR ANSWERS.

topher. on first blush- an amoral asshole, so focused on stroking his own ego with his giant genius brain, he never stopped to worry who was peering over his shoulder. i think he gets dismissed as a dick a bit too much, when on rewatch, his biggest flaw to ME was naivete and carelessness. he convinced himself he was a good person- he ~fixed~ priya, he ~cured~ a fuckton of soldiers' ptsd, he imprinted echo to reach out to abused children. and he never worried that the dollhouse couldn't be trusted- he trusted adelle, he trusted her ability to retain control. he's a goofy, dorky childish dumbass. and he ends the fucking world (or at least heavily speeds up humanitys downfall). but his arc from careless dick high on his own prowess to traumatized, guilty, grieving, desperate to actually be a good person for once. and that's not even taking the epitaph's into account! and whatever it was in that decade between the hollow men and the epitaphs that drove him entirely off the deep end. anyway topher makes me sad and i love him and i think his ~redemption arc~ is very engaging

boyd. STOP JUDGING ME. DON'T DO IT. I LOVE WHO I LOVE. okay like first off- obviously- THE WRITING IS A MESS. THE REVEAL IS A MESS. WHO KNOWS HOW MUCH IT ACTUALLY MAKES SENSE TAKEN AS A WHOLE. but right now, coming off this rewatch? i just??? love him???? i love my evil dad, a total wackadoodle mastermind, taking an entry level job at his own fucking company because he's fixated on a new innovation he discovered- caroline, her weird body quirks, her innate capacity for revolutionizing the dollhouse tech. he was so intent on guiding her progress while pretending to be some lowly ex-cop. and then he went and fell in love with his coworkers. much as he ruined their lives, he had genuine love for echo, adelle, topher. perhaps claire. (when did she become clyde? was it right after she left the house?) beyond them, i'm not entirely sure how far his adoration spread- i like to think he was fond of priya and tony too. he guides echo's development, he's genuinely upset when he is removed as her handler. he prods topher about his sense of morality for 2 seasons straight, pushing him to consider the consequences of his actions. helping topher and priya cover up nolan's (righteous, justified, absolutely self-defense) murder. he throws more and more opposition adelle's way until she takes charge. he wants them all to be their best selves- and he wants them all to save each other. AND BE A FAMILY. TOGETHER FOREVER DURING THE APOCALYPSE. and there's something very funny to me about him hating paul, while he spent two years arguably pretending to be a man very much like paul.

caroline. echo. i still struggle to grapple with the differences. is this like a holy trinity thing, is caroline just another facet of echo, alongside all her other imprints? is echo a facet of caroline? have echo and caroline turned into the same entity? did echo truly remain the porchlight, waiting for caroline to come home? YOU KNOW WHAT DOESN'T MATTER. tho carolecho should be considered nonbinary i am just saying. both alpha and echo should be enbys. sometimes i struggle with echo when her plot becomes very paul-centric, because while i very much love tahmoh and enjoy paul in his dynamics with other characters, the echo/paul relationship is not for me. but outside of that? i love her. i love that she's a warrior, before and after becoming an active. her fixation on rossum, her willingness to lie, manipulate to get to them. she found rossum first, and that got them interested. and her wacky health stats got them laser focused. she wanted so badly to save animals, save humans, save the world. having the weird bodily capacity to manufacture a vaccine was just a bizarre stroke of luck. but it was her choice, again and again and again, to do good things, to help people.

honorable mentions: adelle dewitt. laurence dominic!!!!!! ivy. alpha. margaret bashford.

TOP 5 EPISODES!

204 belonging. our priya-centric episode. the only priya-centric episode? which is very unfortunate, but hey, I'll take it. finally seeing her whole story. priya taking her power back, priya getting her revenge, priya making her own choices. priya/tony content. topher grappling with his complicity in horror. obviously he has always been complicit in horror but now he finally has to confront it head on, and it makes him second guess everything up to this point. and it makes him struggle with his relationships with both adelle- who he thought he could trust, who pushed him to do the wrong thing out of self preservation, and boyd- who he still believes he can trust, who protected him and priya, and helped topher do something fucking HORRIFYING for the right reasons. topher choosing to help priya, for real this time. after the bullshit help he was fooled into giving her. with a side of!!!!!! echo is still BECOMING herself, still exploring her mind, but this time it's boyd figuring her out, warning her of potential consequences from her actions, but helping her anyway. hiding her secrets, giving her the keycard for future use. god boyd in this episode..... warning echo of the consequences of her future actions, and helping topher deal with the consequences of HIS actions. helping cover up a murder. well. an act of self defense. righteous revenge. THE BITCH HAD IT COMING. which was soooooooo cathartic and beautiful and i LOVED IT.

209 stop-loss. OUR TONY-CENTRIC EPISODE! c'mon you knew i had to do it. another priya/tony episode. one of our only episodes featuring the crime fighting trio we could have had for multiple seasons in echo/priya/tony. echo getting to use her abilities to access her imprints. the journey we see tony take during this episode tho- being discharged from the dollhouse, given a pile of money and a new future. we got bits and pieces of this process through madeline, but it's given more time and depth here. seeing that although topher may have ~cured~ tonys ptsd, he is still isolated and traumatized by his experiences. and he knows something is missing- he sees priya in a club, only it's not her. and of course he's immediately swooped up by a rossum adjacent military outfit using active architecture to create a hivemind army. it was VERY dark angel x-7 series in a fascinating way. this should have been a multi-episode arc, but i'll take what i can get. echo and priya saving tony, tony having to overcome mind control to save priya. IMPECCABLE. but also! seeing our lil group of freedom fighters truly start to form! boyd, echo, topher, ivy, paul, priya, and tony. and our brief glimpse into adelle as THE BAD GUY. as well as! finally seeing adelle hit what we later find out was her breaking point. she got drunk, she got shot down by tony (in deleted scenes), she has that amazing moment where she goes down into the dollhouse, strips off her clothes and showers with the actives. this is the moment she chooses to join team TAKE DOWN ROSSUM. she had regained control over her house, but this is when she decides to take her power back. she's not playing rossum's game anymore.

108 needs. this episode!!!!!!!! our first time TRULY MEETING caroline, priya, tony and madeline. i mean i'll be upfront- i hate the beginning of this episode. i hate a dream depicting two women in a madonna whore dichotomy. angel devil shit. i hate it. BUT ONCE WE GET PAST THAT!!!!!!!!! 10/10. even the reveal that this ~awakening&escape~ was manufactured doesn't impact my enjoyment because the feelings are real, the experience is real. we get to see priya and tony be in love without understanding where that came from. madeline grieving a daughter she cannot remember. priya confronting the man who stole her life. tony protecting priya, the way he was unable to with joe hearn. and caroline- caroline gets to confront adelle and topher over the morality of their actions. and she gets to lead the dolls out into the light (which i do have to ask- they're 8 stories underground. did they take the elevators in shift? did echo ride up and down with the gun out every time? how did this go? you know what ignore me i don't need to pick this apart). which- what a goddamn moment. and to top it all off with the discovery that it was all claire's idea- and boyd takes issue with her over playing her own games with the dolls. she views it as necessary for their emotional states, but is he wrong? this was such an emotionally cathartic episode. and so so important for me and my connection to these people we usually only ever see as other fake people

109 a spy in the house of love. FLAWLESSSSS. first off, the framing device. following every active throughout their imprints day. missing bits and pieces every time. i loooove playing with perspective- everyone seeing different aspects, having different parts to pick over. priya and echo in parallel roles of a sort again, both hunting down a spy in very different ways. the revelation that dominic OF ALL PEOPLE was a fucking spy for the nsa. topher showing his soft side again when he suspected boyd and gave him the chance to run. in retrospect, while dominic was obviously... not a 10/10 person..... he tried to kill echo, he was prepared to torture and kill ivy, and kill topher and echo, to keep his cover....... he wasn't actually wrong about the dollhouse? the technology WAS too dangerous to let run rampant. adelle WAS naive to trust rossum. and echo WOULD be the one to bring this entire house of cards down. too late, but still. we also get to see the softer side of adelle here. she's not all boss bitch, she has vulnerabilities and dreams, she breaks down after dominics betrayal. she has no one to confide in but a person who is not real. oh my god not to mention! the reveal to paul that mellie is a doll!!!!!!!!! there are too many secret dolls this season probably, but the emotion with this reveal was so intense. it was so heavy and hurtful, so damaging. a great episode for topher, for dominic, for echo, for adelle. and at the end- adelle genuinely believing echo's progress is a GOOD THING because it protected the house. one of the best ENSEMBLE episodes.

212 the hollow men. not a choice i would have expected, but hey. i fucking loved that episode. much as it's hard to make sense of boyds secret evil mastermind identity, the reveal in context of this episode hits so hard and works so well for me. and the twist back around from 'boyd is evil' to- but also he still loves you guys a lot and wants to hang out forever while the world burns down around you! makes me feel so many feelings actually. clyde!whiskey is stupid hot. the mellie/paul teamup is fun until it's horribly depressing, and it makes me wistful for a timeline where these two actually did fall in love in some fashion. the chemistry is there, whether she's mellie or madeline. priya and tony coming back to save everyone- and the return of topher!tony. the hints toward tony's future with him already starting to be programmed with extra skills. the fakeout happy ending quickly followed up with an apocalyptic ten years later. everything here worked very well for me on an emotional level. echo and boyd still striking that beautiful balance of devotion, only now it is twisted and ugly. god truly just watching boyd navigate this episode, still basically acting the same way with the rest of the characters, but we see so much more in his face. there's an edge there, there's an eerie undertone. for however much this was sprung on us so suddenly, harry lennix was up to the task of selling it. he truly deserved more time to explore this aspect of the character.

#5 is more dubious and i wonder if it'll retain its top slot once i'm a little more removed from this rewatch but i'm rolling with it for now. it doesn't escape my notice that 4/5 of my top episodes heavily feature priya/tony lmao i am what i am. other top contenders- 110 haunted, 113 epitaph one, 210 the attic, 211 getting closer.

FAVORITE MOMENTS! i'm actually gonna use this slot here to talk about some of my favorite like...... ideas? things that keep bouncing around my brain? random shit!

priya/tony are the only ship that don't exist in a multiverse that perfectly fit that quote about how in every universe i will find you and i will choose you. also for years there, enver had appeared in the avengers as a young cop in modern day, and in agent carter as a war vet in the 40s. and in agents of shield dichen was an immortal inhuman we saw in both the 40s and modern day. so for literal years there i had a long running daydream about her the tragic immortal, and her love, the man constantly reincarnating. AND THEN AGENTS OF SHIELD WENT AND MADE ENVER A TIME TRAVELER WHO FELL IN LOVE WITH DICHENS DAUGHTER. I MUST LOL AT MYSELF. another impeccable ship, tho. has to be said. daisysousa5ever

the whole thread throughout 111 briar rose through 112 omega about sleeping beauty. echo telling susan to think of herself as the prince, who is fighting to save briar rose. she is both the prince and the princess. 111 making us think it is paul who is coming to save the sleeping beauty echo from the dollhouse- we even have him literally waking her up from her sleeping pod- the end of 111 revealing it was actually alpha who came to wake echo up from her doll-state and bring her back to life by making her MORE like he is- only for 112 omega to flip that entirely on its head and give us echo and caroline as two separate entities. echo given the chance to save caroline, first as a human girl trapped in the wrong body, and then on a hard drive. they kind of ruin it at the end by having paul catch the hard drive of caroline, but hey. whatever. I'M STILL SAYING ECHO AND CAROLINE ARE THE PRINCE AND PRINCESS OF THIS STORY.

i have little use for mag and zone as characters on their own merit, but that little moment in epitaph two where they ask what the other did before the apocalypse. it's something that always fascinates me in postapocalyptic content, who people were before they became an apocalypse survivor. kind of reminds me of lost in that way too.

topher v echo as progenitor of the apocalypse and the messiah respectively. adelle v boyd as parallel mentor figures. the initially villainous presenting character who eventually chooses good, ends the series trying to save humanity, and the character that initially presents as heroic, only to reveal he had evil, selfish motives all along. adelle and boyd have pretty equal parental/mentorship claims to echo and topher (tho adelle/caroline had a deeply sexual vibe i am just saying). it's just..... fascinating how they all four relate to each other. and the men both die, boyd in echo's efforts to stop the apocalypse, and topher in his own effort to END the apocalypse. echo ends her story underground, isolated and yet surrounded by (and filled with) people. adelle on the surface ready to shepherd a new flock into the light. there's just!!!!! a lot to pick apart and play with!

sort of thinking a lot about how the first time paul met topher in 111 he tased him and then alpha helped him carry topher into the office. then the second time the three of them were in that office together paul found topher on the floor, having been attacked by alpha, and lifted him onto his feet. there is SOMETHING THERE eating at my brain. and that being the like...... last act paul had as his actual original real self, pre-dollification. THINKING THOUGHTS.

multiple times characters call out how protective echo is of sierra. i want so so so much more of that. plz.

topher!tony. dominic!tony. TOPHER!TONY. GIVE ENVER AN OSCAR FOR THIS TV ROLE.

the TO REMEMBER wall of photographs. especially its appearance in epitaph one, it always makes me so weirdly emotional? that wall, the song, the pictures of cast and crew. 10/10

i'm gonna cut myself off here or i'll never shut my mouth

THANKS BABES <333

[poorly-drawn-mdzs]

You keep telling yourself that Namari.

[voylitscope]

Did you know that between 1939 and 1941 the NYC Tax Administration and the Works Progress Administration collaborated to take photographs of nearly every building in all 5 boroughs of New York City? And that you can see these photos today thanks to NYC Municipal archiving? This is, obviously, amazing for hundreds of reasons. For the purposes of this post, it's fantastic because this is a very real address:

And when I put that address into the photo locator map, I get this:

Going from there, we can walk around the surrounding blocks via photographs. And if we assume that Steve and Bucky's pre-war apartment was fairly close to the Barnes', then these photos from 1939 to 1941 are a historically accurate trip to their neighborhood.

So, let's explore some pre-war Brooklyn. For your fic inspiration needs, your feelings, the general Stucky vibes, or just because:

160 State Street, bigger and without the map.

(If you ever feel like making the details of a fic incredibly historically accurate, there are so many real businesses to choose from in these photos.)

Like I said, there are pictures of nearly every building. This is just a small collection of the images I grabbed from the immediate blocks around 160 State. You can walk around the neighborhood in more detail, or anywhere else in 1939-1941 New York you want on the map I used.  

[lilybug-02]

City of Tears. But Mini.

I wanted to make an atmospheric art piece with Dewi. And the City of Tears is one of the most sorrowing, beautiful, and grand places to do that. This is a lot of firsts for me regarding the architecture and lighting. The shadows cover a lot, and it may have been too much. I'm happy with how it turned out tho.

No idea how Dewi found his way into the City. Probably magic. Probably plot too :) But oh boy, he is experiencing childlike wonder in his raincoat!

This is a better show of the line detail I needlessly covered up in the final lol

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[goblins-riddles-or-frocks]

forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.

[egophiliac]

so excited for Kalim to save the day by swiper-no-swiping this dip. you can do it! I believe in you!

god I hope this reads properly

[thatthirstyweirdo]

Since I have nothing to post YET might as well show this sketch that I wanted to do in digital and just 😭 never did

[heph]

Wilson is constantly in a state of mild rage (because of House) in this show 🤔

[idolomantises]

I… don’t really see myself continuing with the Amazing Digital Circus anymore.

[otaku553]

New blorbo :)

Also a silly interaction with this piece

[casualavocados]

Chen Bowen as CHEN YI & Chiang Tien as AI DI KISEKI: DEAR TO ME (2023) behind the scenes

[sketchy-tour]

These were meant to be warmups. ANYWHO!

Went to a random palette site and picked ones that were reminiscent of Wally's colors but still very different that I liked and grabbed some outfits to do a sort of challenge for myself. Idk, thought it would help me out of my funk.

Suffice to say, I'm feeling a bit better now~ These were really fun to do!!!

[bunnieswithknives]

I feel bad for neglecting Hazel so much, I do have many thoughts about her.. and also a mermaid au that im probably not going to do anything with

[telestorm]

the dynamic between drolta and erzsebet is so fascinating to me because at first glance, you assume that the former is solely the top subordinate when, in actuality, it’s drolta who wields the power in the dynamic, not erzsebet. the entire plan to turn erzsebet into sekhmet hinges on drolta’s approval, not hers. every vessel is expendable in her eyes if their bodies fail to hold the goddess’ power, and we see that unfold countless times. what makes the whole relationship even more compelling is that there is an unrequited emotional connection that erzsebet has that she assumes is reciprocated. she is heartbroken over drolta’s death, rages at the abbot for even suggesting that she cannot be revived, and is very happy when she is. never once does it occur to her that drolta’s loyalty and love is conditional, nor does she stop to consider that not only does drolta’s loyalty to sekhmet supersede her loyalty to her, because that’s the only person drolta truly cares about and has genuine love and loyalty for.

[fake-married-my-dead-fiance]

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