#i haven't posted about the story here

[jessiarts]

starting to wonder if the universe is giving me a sign that I should give up writing

[coquelicoq]

it's about...longevity? stability? it's about natsume believing he'll be somewhere long enough to plant flowers and see them bloom. it's about him taking touko seriously when she asks him to tell her what flowers he wants to plant. it's about making something with his own hands, building a future with the fujiwaras. it's about him repairing a rundown home for someone else, restoring it because it's beloved to them, because it's the home of someone they love. it's about him seeing touko's joy and thinking about the youkai saying we'd like to look upon her happy face forever. it's about the box garden making him think of the fujiwaras' garden and his parents' garden, about the flowers being both the memory of flowers that bloomed there before, and the flowers that he and the youkai planted earlier that day. it's about him waking up in both worlds with sensei. it's about touko finding the petal in his hair. it's about him feeling how he falls short and the youkai saying, but you have such gentle hands...

[the-cooler-kizy-art]

I am very normal about the anime centered around the Autistic™ who loves monsters a LITTLE too much, the elf girlfailure and the short middle aged guy, truly the greatest anime of all time <333

[averlym]

ghost story premiere day! check @melliotwrites for more info

[chaosxcrushed]

There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.

That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.

However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.

“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:

The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).

Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”

1.) The side of you that suffers; Heart. He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.

2.) The side of you that so desperately wants you to get over it; Mind. Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.

3.) This album is about inner compromise and acceptance; About being whole. Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.

What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.

This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.

Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.

[accirax]

Nene’s Role in Wonderlands x Showtime

The release of The Miniature Garden’s Coral seems to have confirmed some things I’ve recently speculated might transpire in future Wonderlands x Showtime events-- namely regarding Nene and how she may actually be the most important member of the troupe-- so, let’s talk about them! I’ll be using zui’s lyrics video for my translations, so hopefully they’re accurate.

With the past couple of WxS events in mind, it’s easy to see that this 3DMV is also about endings. While the MV begins in a sunny blue afternoon light...

...the characters and set eventually bask in a beautiful sunset orange, signaling the end of the day. The lyrics even mention being “between the end of the blue sky and the beginning of the night sky,” further emphasizing that we’re in the middle of the story. When the sky is blue, the troupe expresses uncertainty: Rui mentions that he feels lost, and Tsukasa, scared. But eventually, Nene admits that, in this beginning period, she was “spoiled by the sound of the waves,” AKA that the commotion surrounding WxS’s formation led to a troupe that became a source of comfort for all of them.

Once the sun sets, there are a lot of “even ifs.” Nene sings about how she’ll continue to sing this song, even if things are starting to look unsteady and she’s not sure if she should proceed. However, by the end of the song, she resolves to "still sing this song�� while keeping up a smile.

I think that the fact that Nene says she will sing this song is incredibly important, because, as established, this song is about endings. Meanwhile, back in Mr. Showtime, Tsukasa firmly didn’t want WxS to end, and was holding out until closing time. Rui’s What Sort of Ending Are You Wishing For? and Emu’s Starry Sky Orchestra seemingly both acknowledge an ending as well, but it’s not at all easy. Rui seems to fall into a resigned depression at the thought, keeping a whimsical facade up when the very thought of separating kills him inside. The thought haunts him, MV riddled with hourglasses that he can’t get out of his head. Emu can only tolerate taking the first step towards a breakup with tooth-rottingly sugarcoated promises of eternal togetherness and literally holding hands as they go (I love her btw this is not Emu slander). She never even says the word “end,” only “tomorrow.”

Rui, Emu, and Tsukasa are basically Denialx3. Rui tries to deny his emotions regarding disbanding, Emu tries to deny that the ending is coming at all, and Tsukasa tries to deny that there’s nothing he can do to keep them from inevitably drifting apart. And that’s where Nene comes in again.

Rui’s dream is to perform technically complex shows that will resonate with an audience. He can do that from Phoenix Wonderland. Emu’s dream is to keep the Wonder Stage up and operating forever. She has to do that from Phoenix Wonderland. Tsukasa’s dream is to become the number one world star and make everyone smile. While this would likely take him away from the park, in another story, I could see it being possible that, in the end, Tsukasa decides that making the people in his local community happy is more important than trying to change the entire world. Thus, he could also follow his dream from Phoenix Wonderland, even if it’s not ideal.

But then there’s Nene. Her dream is, and always has been, to perform in Broadway musicals. Broadway is a live performance in New York City. There is no possible way for Nene to get what she wants while staying in Phoenix Wonderland. And that is possibly why Wonderlands x Showtime’s ending is the easiest for her to process.

Now, I’m not trying to say that Nene doesn’t love her friends. She adores them. Her three previous commissions have proven that. It’s the amount of love she has for them that will propel her to make what is actually the best choice for their dreams. Nene is the little mermaid, both when swimming freely the oceans with a beautiful, unstoppable song, and when enduring pain herself to stand with and for the ones she loves. Her friends, in this situation... are coral.

Remember that coral, “blurred” and uncertain in the water and “stained orange by the setting sun”? The miniature garden is Phoenix Wonderland; the coral is Emu, Rui, and Tsukasa; and that coral is stained orange by its desperation to keep rereading the final chapter instead of closing the book for now and putting it away to revisit in the future. Coral, while a beautiful living organism, is also completely static.

Static like stone statues which, at least by my interpretation, is what the rest of WxS turns into at the end of the 3DMV. The three of them (and Kaito) are paralyzed with the fear of the suffering an ending would bring. Only Nene is alive and human to be the one to show the group the benefits it can bring as well.

There are a lot of aspects of this song and Nene’s entire personality that lead me to believe that she will be the one to bring about change in WxS. First, she most often “has the braincell,” so to speak. I don’t think it’s a coincidence that she performs this song with Kaito, the most mature of the WxS vocaloids, either. During April Fool’s 2023, she was put into the Solid Heart class. One might think that troupe leader Tsukasa should be the Solid Heart, and that shy Nene should be the Cautious Heart, but they (accurately) sorted it the other way.

Nene is a very strong-willed person. In other stories, it might be seen as a negative that Nene is always the most hesitant one to get into shenanigans, or that she would even dare to be the one to suggest a WxS split in the first place. What an ungrateful wet blanket Nene is, willing to throw away her friends for the sake of her own selfish dream. But in this story, staying at Phoenix Wonderland isn’t really what will make Rui or Tsukasa happy, and even Emu may have to graduate to focusing on the entire company instead of just one stage someday.

Nene’s friends brought her out of the darkness and into the light of day, and she is so grateful for that. She knows how amazing they are, which is how she knows that they can make more friends and continue to do even more amazing things in the future if they can bear to leave their high school part-time jobs behind and enter the real world, just like her.

So, Nene’s role is to be Wonderlands x Showtime’s guiding light. She’ll tell Rui what sort of ending she’s wishing for, and then console him when he can’t repress his tears. She’ll be the one to hold Emu’s hand while they take that next step into tomorrow. Her three best friends helped her to grow from the loner who operated a robot from the theme park bushes, and she’ll help them step out of that theme park and be who they truly want to be.

There is one other thing I wanted to mention, though...

Tsukasa.

As I mentioned previously, while all three of Rui, Emu, and Tsukasa are in denial, Tsukasa is the most actively in opposition to an ending. He’s also the troupe leader, and the sole creator of the Wonderland Sekai. If someone is going to actively try to stop Nene from suggesting separation, it’s definitely going to at least start with him. But as Nene has already stated in The Miniature Garden’s Coral, despite any opposition that makes her question whether or not she should proceed, she already plans to continue singing her beliefs about a bittersweet yet timely goodbye.

And, their conflict is something that’s basically been foreshadowed from the beginning too, right? Nene has always roasted Tsukasa, giving a counterpoint to his blindingly bright worldview. In upcoming chapters, however, I believe that may start to transform from simple fun banter into a genuine conflict with clear sides drawn...

And THAT’S why ColoPale gave them Childish War.

Nenekasa nation get ready, ‘cause I don’t think this is the last Nene and Tsukasa fight we’re going to see.

[bungobble-my-balls]

Oh yeah Nikolai, you remember your younger sibling right?

The one that's VERY attached to dolls?

The one who got taken in at a young age by a powerful criminal organisation, in which their sadistic tendencies in regards to their ability were encouraged and grew?

The one with who likes to play games with their victims?

The one who still acts childish and likes childish things even as they got older?

The one who now lives in Yokohama?

The one who's many years younger than you?

The one who's ability manifested at a young age thanks to your father's meddling?

The one your father experimented on because of his obsessive fascination over abilities?

The one who can barely remember their mother's face?

The one who has no idea that you are in fact their older brother, or that they even have any family left?

The one with an attachment to a member of the ADA?

The one whose ability is more powerful than most, and it allows them to trap and have control over people in some way?

The one with a ring in their eye?

The transgender one?

Yeah, that one.

[carlyraejepsans]

you've made posts before about shipping charisk, but toriel is frisk's mom pretty much and chara was considered a member of the dreemurr family (frisk can call them mom, she calls frisk "my child", and she adopts them on the surface in some playthroughs) (it's said that chara and asriel were "like siblings" and it's implied that the "mr. dad guy" sweater that asgore owns was made by chara)

i am feeling like "oh no, if this person realizes that the characters they are shipping together are pretty much siblings and is doing it anyway, i will be disappointed and will have to stop liking their cool art" so i am really hoping you just do not realize

begging you people to go outside

[vorestarr]

thoughts on vampirism as a symbol of trauma

i've been thinking about this in relation to Astarion's story arc for a while and started writing this post a couple times, only to have it become much longer than expected, so for now this post is just going to be about the different paths of ascension vs spawn from the end of his personal quest. (i think there are multiple ways to read his story, and this is just the way i've been reading and thinking about it.)

the basic idea of this post is that Astarion's vampirism is a physical manifestation or symbol of his trauma, and therefore the two different ending paths for him are distinguished by how he addresses his vampirism (and therefore trauma).

it's pretty clear that the vampirism itself is a traumatic experience for Astarion, from how he describes almost dying, then actually dying, and then everything that comes afterwards at Cazador's hands. but i think of this a step further, in that the actual symptoms of vampirism are also part of this. there's an idea that there are physical manifestations of traumatic experiences held in the body, even if the trauma itself was psychological in nature (i.e., the body keeps the score). this is how i read vampirism for Astarion, specifically.

to start, he's turned into a vampire after a traumatic experience (almost being killed by a group of people one night). he's "saved" from this by Cazador turning him into a vampire, but still his body literally dies when he turns into a vampire, which is another separate traumatic event where he feels himself die and then has to climb out of his own grave. (also noted, i believe it's hinted that Cazador orchestrated the attack on Astarion that almost killed him in the first place, so Cazador is the cause of all of this trauma in one event that is Astarion becoming a vampire.)

his body is physically changed by the experience. he loses things because of it, maybe things that were not particularly important to him but now seem incredibly important once they're gone (like walking in the sun) or things that were previously important to him and now he can no longer enjoy (living indulgences and pleasures like food, or his own reflection). also critically, he cannot get those things back. his life is changed (literally ended) and there's no fixing it.

he learns coping strategies during the subsequent 200 years, which i will not get into in this post, but suffice to say that he learned things that he believed would protect him in the moment.

after the tadpole when he experiences freedom from Cazador's influence for the first time, there are some critical shifts that happen to start him on a path to address these things, or not. the recent interview where the devs mention that the ascended path is one of fear, i really agreed with and have said similar things in previous posts, because to me, i think the main difference between how Astarion acts in those paths is that for ascension, he relies on the methods he learned in those 200 years to survive in the moment, while in the spawn path, he learns new ways to cope.

to elaborate on that, i think the ascension path specifically is about avoidance.

in trauma, avoidance is what it sounds like: avoiding any triggers or negative emotions related to the traumatic experience. the avoidance can manifest in different ways, but a key idea is that by avoiding those negative feelings, they are never actually addressed.

i think there are two big ways this manifests in Astarion's story, related to vampirism:

ascended Astarion is avoiding those negative feelings of fear of Cazador (or someone else doing what Cazador did) by focusing on seizing power and control. if he's more powerful, in control of a situation, then nothing bad can happen to him again. the way this ties back to vampirism as a symbol of trauma is that this is literally described to us in the game as the natural course of life for vampires: they live in fear of other vampires, fear of their own spawn seizing their power, etc. this is the story of Vellioth and Cazador, and then later Cazador and Astarion (regardless of the choice he makes to ascend or not). we even get a list of vampires where ALL their life spans/eras of power are timed so that we can infer that each subsequent vampire has killed the previous vampire to dethrone them. so, vampirism itself is trauma and the known course of vampirism is this same cycle we see repeated with multiple vampires and histories in game. by taking a different path and not becoming a full vampire, spawn Astarion has started to learn a new way of dealing with his vampirism/trauma, rather than avoiding it.

the OTHER major way i see this manifest in the game is how ascension and spawn paths deal with the literal symptoms of vampirism: walking in the sun, Astarion's reflection, food versus drinking blood, the vampiric state of undeath, etc. these are all things that changed about Astarion when he became a vampire, and things that (in the normal course of events) cannot be changed back. he died, he's dead, there's no curing his vampirism. in other words, there's no going back to who he was before the traumatic experiences. that by itself is a neutral statement, the same way that there's no going back to who a person is before any major event (be it meeting someone important, choosing to take a certain job, etc etc), because we are all constantly changing and growing. HOWEVER, i think the places with Astarion where this stops being neutral is how he addresses that fact: with acceptance or avoidance.

to elaborate on the second point, which is my main reason for making this post:

on the spawn path, Astarion learns new ways to be and to live with his vampirism. in his epilogue, he can mention that he's not bothered by losing the sun again, he can describe finding a sense of belonging with others who share his vampirism, and he can define himself in new ways that he's picked for himself rather than stay in the definition of vampire that Cazador held.

in the ascension path, Astarion avoids all of those difficult realizations and choices. he falls back on the same strategies that helped him survive in the moment for those 200 years, but which can and do hurt him after escaping that environment. he's working hard to keep from addressing those negative feelings -- and on the surface, this works! he can walk in the sun without the tadpole! he has new vampire powers and he can do all the things he lost when he died! he can see his own reflection again! but, he's still a vampire, still has his fangs, still has his red eyes.

this is why i think the route is characterized by fear and why i found that interview with the devs interesting: by focusing on all those avoidance behaviors, Astarion ends up being stuck in a state of mind that's all about fear because it's all about avoiding that feeling. he feels great in the moment because he has been able to claim back some of what was taken from him, but this is not a solution because he's still a vampire.

personally, i do not read the ascension path as continuing a cycle of abuse, but as the continuation of avoiding the painful process of healing from trauma.

ascended Astarion is elated after killing Cazador because he feels the power flowing through him and it makes him feel safe in the moment, and because he is avoiding addressing any lingering feelings of pain or negativity, including avoiding addressing that he just killed 7000 people.

spawn Astarion meanwhile looks absolutely miserable immediately after killing Cazador when he cries and breaks down, and then he feels numb later because he's so overwhelmed. this i think resembles something that can happen in trauma therapy, where a person feels worse when they initially start addressing and working through their trauma, because it means actually feeling all of those negative emotions they've been avoiding.

in the end, ascended Astarion has not changed how he addresses his trauma or vampirism, and the ascension has actually given him more tools to continue avoidance. spawn Astarion meanwhile is exploring other ways of living with his vampirism, and can be experiencing success with that by the time the epilogue rolls around (even if there are some bumps and regressions along the way, like losing his ability to walk in the sun again).

because this is my main reading, i also don't think this makes ascended Astarion evil or irredeemable -- i think he shows that he does still have all the emotions that he's displayed through the game and therefore he still has the potential to follow the same path that spawn Astarion did in healing. but, the critical thing with the ascension path is that he does not have the clear motivation or triggering event to start him down that path. he's further away from that, and it will take more work to get there. everything he did after all comes back to the ways he learned to survive under Cazador, so those behaviors helped him at one point. the issue is that he's past the point of those things helping him, but he can't let them go.

tl;dr: i like looking at vampirism itself as a physical symbol of trauma and as a way to read Astarion's potential storylines, because it provides a context for me to view how the ascension and spawn paths treat his vampiric symptoms -- avoiding them in the ascension path by giving him an "out" of sorts to avoid addressing how those symptoms impact his life because of the extra abilities granted to him by the ritual, versus being forced to grapple with them and figure out a way to life with them and even enjoy them on his own terms in the spawn ending.

if you read this whole post, thanks for sticking with me and feel free to share your thoughts too. :)

[sisterdivinium]

Now is the time to place your bets on whether or not this hyper self-indulgent doctor superion Vampire the Masquerade AU fic will or won't get to 100 handwritten pages...

[arklay]

a lesson in temperance.

pairing: diana afanasyeva x alex wesker words: 6.5k warnings: nsfw, mild degradation [read on ao3]

Vanilla and orange blossom. So heady, so sweet, as it swam out of the bathroom and filled the air surrounding Alex. She couldn’t help but breathe it in, wishing to be closer to the cause, to really smell all that lived on her partner’s skin; where jasmine thrived on her neck, down her chest and to her wrists, laced with gardenia and sandalwood.

Alex hummed to herself, directing her mind back on task when the loud whir of the hairdryer ripped her from her thoughts. She leaned down and plucked a small box from the back of her bedside drawer.

Wrapped in a pale blue silk ribbon, the little black box contained a surprise for only one other set of eyes to see, and that made her shiver in anticipation. She could already imagine the look she would receive. An amused laugh, or a pointed glare. Perhaps both. And that only served to encourage her plan for the day.

In only a few strides she stood before the bathroom, eyes landing on Diana clad only in a towel with the cause of that incessant noise in one hand and a comically large round brush in the other. So focused she was in tackling the thick, dark strands, it was as if Alex didn’t exist. Only when the blonde chuckled, low and velvety, did her eyes dart over to the doorway, and not a second later, the press of a button granted them silence.

Diana lowered the hairdryer and brush, discarding them on the counter as her eyes roamed over Alex. From the smug smirk painted on red lips, to the small box cradled in adorned fingers, she could only wonder what her partner was up to this time.

“Do I want to know what that is?” she asked, the jest hardly hiding the curiosity that clung to it.

Alex let out another rich, breathy sound, rounding the apples of her cheeks. The raised brow and inquisitive stare was already a reward in and of itself for her. But not enough.

She walked into the stifling room – no matter how many times she told Diana to turn on the fan, she never would – and closed the distance between them. Then, her forefinger began a slow, methodical trace of the top edge of the box, drawing Diana’s gaze for but a moment.

“You didn’t really think I would forget about last night, did you?” That earned a dramatic roll of blue eyes, followed by an amused grin. One that deepened the indents on her cheeks so deliciously. But she didn’t speak, only locking her eyes onto Alex’s and letting her continue. “Punishment is in order.”

“Can’t win your forgiveness through your stomach anymore, can I?”

Alex pursed her lips, drawing her brows inward in a look of mock sympathy. Then she lazily shook her head. “No.”

The breakfast she had made her was quite sweet, but it didn’t make up for the fact that Diana had come last night before Alex had given her permission to. She had been far too lenient in the past it seemed, because this behaviour only appeared to continue. Although, it did bring about a warm glow beneath Alex’s breast at how much Diana got off on pleasing her.

With her partner’s attention drawn so close, hanging on in anticipation, Alex closed two fingers around the ribbon to direct her gaze. A gentle pull and it came free. Yet she lingered, grasping the lid and doing no more, and Diana’s eyes raised to meet hers. It was almost desperate, the look in them. How much she wished to know exactly what was in store for her.

She finally opened the box. Letting the lid sit back on her palm, she plucked a bullet-shaped toy from pale blue satin. Diana wet her lips as she stared at the silver between her pinched fingers, and Alex turned it slightly. As if to show her more. As if Diana wasn’t already well aware of what it was.

“You, my sweet,” Alex drawled in velvet, smooth enough to make Diana almost drop to her knees right then and there, “are going to wear this all day for me.” At the flutter of dark lashes over half-lidded eyes, she leaned in closer and lowered her voice even more. “And… you are not allowed to come.”

The sharp inhale told Alex all she needed to know.

When Diana leaned back on one hip and crossed her arms, it did little to hide the effect she had on her. Even with the teasing smile pulling at her lips, the promise of challenge, arousal warmed porcelain cheeks and reduced blue to barely a thin line around blown pupils.

And yet Diana still raised a brow in defiance. “And if I do?”

Alex let out a heavy sigh. “I asked myself that many times. What should I do if you were to once again disobey me?” She tilted her head slightly to the side, clicking her tongue. “Would I procure a chastity belt, of all things? Would I confiscate all of your toys until further notice?” Diana shifted, opening her mouth as if to protest, but Alex only went on. “Would I have you scrub the place top to bottom? But no. None of that would suffice.” She closed her eyes and took a deep inhale, before releasing. “For a whole month, you will not be permitted to touch me. In any form.”

A loud laugh of disbelief left Diana as she threw her head back. Thinking it a joke was her first mistake; Alex’s eyes narrowed and her jaw set, emphasising the sincerity in her claim. That seemed to do it.

Diana lifted one of her crossed arms and scratched above her lip, looking down her nose as she seemed to be processing the severity of such a punishment. Then, she abruptly extended said arm and held out her hand in acceptance, meeting Alex’s gaze once more. “A month is absurd.”

Never one to back down, her Diana.

Alex let a soft smile pull on her lips, not quite an apology for the past harshness of her tone, and she placed the bullet in her partner’s palm. Her lashes fluttered again at the brush of Alex’s fingertips against her soft skin, but she regained herself just as quickly.

“Well then, you should start being more grateful and less greedy.”

“Yeah, yeah,” Diana replied while rolling the bullet up to the tips of her fingers.

One hand brought the silver to her lips, while the other parted her towel, and Alex found herself rather conflicted in where to direct her attention. Ultimately, her gaze settled on Diana’s face when the hand at her hip did no more than rest at the opening she created. Wet, rosy lips parted then ever so slowly closed around the toy. She still held onto the end with her fingertips. Alex watched as her cheeks hollowed while her tongue swirled, and she couldn’t prevent the warmth blooming at her hips even if she tried.

Her gaze wandered from her lips to her jaw, then down the elegant column of her throat. A droplet sat in the dip between her collarbones. Countless others littered her chest, but one took Alex’s attention more than the rest. It rolled down damp skin at a tantalisingly slow pace, until its journey was interrupted by the towel at her breast.

The movement of Diana’s arm brought her back to her senses, though she did find herself wishing to lean in and kiss over the peak that bobbed as Diana swallowed. Or lick the droplets from her skin. But all that followed was her lover’s hand lowering to the part in her towel before she slipped the toy easily inside herself.

Their eyes met again, and Alex offered a pleased smile her way. She all but purred, “Good girl.”

Her own hand disappeared into her pocket, and she pulled out a device not too dissimilar to her phone. One of Diana’s brows quirked at that. It wasn’t the typical remote control she was used to seeing in her past, and little did she know Alex had far more freedom with one such as this.

“I’ll be able to monitor your pleasure at all times with this,” she said, barely flashing the screen her way so Diana could take a look while she ensured the toy was connected. Satisfied, a rather wicked curl pulled at the corner of crimson lips. “Do remember, I will know if you’ve taken it out. And that will warrant further consequences.”

Diana gave her a slow nod, long past accepting what was to come, and opened her mouth to speak, but Alex had already turned on her heel, pocketed the device and left the bathroom. She could only laugh to herself at that, the notion that anything she had to say, or do, was all but irrelevant.

Not even a kiss this morning.

It was already past lunch and Diana had been at the edge of her seat all morning, wondering – waiting for – when Alex would turn the vibrator on. The possibility that she had forgotten about it altogether, swept up in her work, or by some new problem one of the researchers had brought to her attention, was entirely out of the question.

Diana knew the only explanation was that Alex wanted this.

She wanted her to sweat a little. To grow restless. To wait for the other shoe to drop and wish to be free of such suspense. That, in itself, was as much a punishment as what was truly in store for her.

And it worked.

For the third time in this report alone, Diana crossed out what she was in the middle of writing. More like violently scribbled over, in this instance; her pent-up frustration pressed the pen harder and carried the strike over innocent sentences, free of mistakes. Whether it was her cadence, a misspelt word, or merely a letter looking wrong, Diana was finding it increasingly difficult to keep her head.

With a heavy sigh, she freed the paper from her clipboard and crumbled it up into a ball, merely discarding it beside herself. It was ridiculous she was letting this get under her skin so much. Maybe she had been too eager for the challenge, holding herself to such high standards in wanting to prove Alex wrong – that she wouldn’t break from a little toy. But she had not accounted for this.

Diana brought a new sheet before her and slotted it into position. All of a sudden, the toy came to life. Her fingers fell free of the clip, letting it snap, and her mouth hung open of its own accord. The slow, rhythmic pulse was actually relieving.

Her eyes fluttered shut as she sank into her chair, pressing her thighs together on instinct. She would get back to their little game in a moment, but for now… For now, she needed to feel it.

It wasn’t one of her wisest decisions. Her mind wandered back to that morning, to the feeling of Alex’s hot breath on her skin when she whispered in her ear; the way she had purred praise sent a shiver down Diana’s spine, tingling across every nerve and stoking the warmth at its base. A hand lifted, found its way to her chest and simply lay there, fingertips either side of her neck, ghosting over the spot her lover had teased.

The pulse between her legs switched to a soft continuous vibration, pulling her back to the present. A slow exhale escaped parted lips.

If she truly wanted to get through this, she had to find some semblance of focus. There were actual stakes this time around. If that lack of a kiss before work was a taste of what she was in for, for an entire month, she might just lose her mind.

They may have spent long stretches of time away from one another in the past, on opposite ends of the globe, but that would be nothing compared to this. To live with Alex, to see her, and smell her, day in, day out, and not be able to do so much as press against her… To have to sleep beside her and stop their legs from brushing, pass her in the bathroom or the kitchen and not catch her hand or lean in for a kiss. That was torture.

She could get through this stupid little test. Or else a pillow wall may have to be built. Even worse, she would sleep on the couch and avoid her partner until one of them cracked.

Deep breaths, Diana. Slow, deep breaths.

It was much easier to try and ignore the toy nestled inside her with this setting. Diana was determined to show Alex that not only could she control herself, but she would excel in her work while at it. The discarded report was rewritten and completed, with not a flaw in sight. Not even the couple of times Alex had switched back to the gentle pulsing could put an end to that. She proofread it, not once, but twice, and analysed her next set of data from another experiment. It was, in all honesty, a rather remarkable motivator. Maybe it wouldn’t be so hard to keep her composure.

Or so she thought.

Diana swivelled around in her chair to reach for the stack of papers on the bench behind her when the toy doubled in speed, causing her to jolt in her seat. A breathy little chuckle escaped her, a result of such surprise. Then she blew out a long exhale, longing for composure. Warmth bloomed deep within her core, and she had to fight the urge to let her eyes fall shut. Doing so would only sabotage herself, and amuse Alex in the process.

And she really wasn’t about to let that happen. Diana glanced up at the camera in the corner of the room, knowing full well that Alex was watching her every move. She picked up the stack of papers, turned right around, and dumped them on her desk rather unceremoniously.

In direct response, the toy picked up speed again. Her thighs clenched together as she shifted in her seat, and that only made it worse; the bullet pressed right up against that sweet spot within her. No longer a benign teasing, the buzzing was insistent. Relentless. Diana meant to reach for the edge of her desk to steady herself, but shaky hands fumbled and found knees instead. It felt as if someone had lit a fire under her skin, making her flush head to toe. Somehow, she forgot how easily these things could send her into such a state.

She needed to do something, anything, to distract herself from the feeling. Focusing her leaden gaze on her hands, she shifted them slightly higher, settling firmly on her thighs for better leverage. Then she sunk her nails into nylon-clad flesh.

Mistake. That was a mistake.

Sparks shot up her thighs and to her hips, joining the vibrations, and she almost doubled over. What in the world possessed her to do such an idiotic thing? Of course the sting of her nails would only fuel her pleasure, not offer the distracting sensation she’d intended; she was better off stubbing a toe.

Her heart had only quickened, pounding at its cage as if begging her to let the pleasure wash over her. But she wasn’t going to give in. To do so would grant Alex the satisfaction she was looking for. In Diana’s mind, the consequence of her succumbing to her desires wouldn’t benefit Alex in any way either. A whole month without being loved on? What a miserable rule to set for oneself. But Diana knew it was merely a slight against her; she was tactile with lovers, it wasn’t her fault. A hand on a hip when she passed by, on an arm when she spoke. It was the little things Alex knew she could catch her on.

Diana dropped her hands to her sides and let her head fall back against the headrest of her chair. It was time for a different approach. She stared up at the ceiling and tried to focus on counting the number of metal bars making up the ventilation panels. It shouldn’t have been difficult, it was a simple task, yet she lost count and had to start over multiple times; the buzz of the fluorescent lights behind her kept stealing her attention, telling her to pay mind to the one between her legs.

She may have underestimated her capacity for restraint.

As though taking pity on her plight, the toy changed patterns once more. Back to that soft, sweet pulsing. It was so jarring compared to the torment she just endured, Diana couldn’t help the grin that stretched across her face as she buried her head in her hands.

Then the phone started to ring.

Could she not catch even one moment of peace today? Diana raised her head enough to catch sight of the phone on her desk, simply staring at the offending device and watching the light blink as someone tried to reach her. She let it ring.

The pulse between her legs sped up, informing her who was on the line, and she rolled her eyes much too dramatically. Reaching forward at the last possible moment, she lifted the receiver off the hook and brought it to her ear. “This is Diana speaking.”

A low chuckle sounded on the other end, stoking embers. “What’s the matter, darling? You sound quite frustrated.”

“Oh, shut up,” Diana replied indignantly. She secured the handset on her shoulder, holding it with her cheek, and gathered the papers still sitting on her desk. Needing to keep her hands occupied, lest they wander elsewhere with that voice in her ear. “I’m busy. Is there something you wanted?”

Alex sighed, and Diana heard a loud bang from somewhere behind her, followed by an unsteady rattle, like metal-on-metal. A trolley being wheeled off, most likely. Alex cleared her throat once it was almost out of earshot. “You’re needed in the Upper Spire.”

For what possible reason? The highest point of the Monument was still under construction; there was nothing of value up there that would require her assistance. Unless Alex was going to turn around and demand she pick up a toolbox and get to work. They both knew that was never going to happen.

Diana took hold of the phone again, then switched it over to the other ear. “Did I not just tell you that I am in the middle of something?”

“It wasn’t a request,” Alex bit back. Her voice slipped into one that radiated sheer power; it could so easily bring someone to their knees. It had, many times for Diana, as well-acquainted as she was with such a tone in their bedroom. The hairs on her arms and the back of her neck bristled with the shiver that coursed through her, all while the toy still pulsed within. “Now, hurry along. You can finish sorting your paperwork later.”

The little mocking remark she threw in there managed to break Diana free of her spell. She thought it only fair to respond in kind. “Yes, ma’am.”

Without waiting for any further comment, she lowered the phone from her ear and moved to hang up. But again, she was stopped in her tracks.

“Diana,” Alex called, beckoning her to crawl right back to her. And she did, bringing the handset up to its former position in a rather lazy fashion. “Watch your tone.”

With not even a second to possibly respond, Diana was met with a click then nothing more. Dead air. It was at times like this she was convinced she had fallen madly in love with the Devil herself. Though she was not without mercy it would seem; the vibrator lowered back down to that soft, persistent hum and brought with it relief.

The journey to the Upper Spire wasn’t necessarily a long one from where she worked – if she discounted the elevator ride, that is. But Diana would still need to brave a rather lengthy flight of stairs. In frustration, she threw her head back against her headrest a couple of times, then abruptly stood. The papers remained on her desk, a filing cabinet drawer was left ajar, only her handbag was forcibly removed and the door locked behind her.

Once she was but a few steps down the hall, the toy sped up again. It wasn’t unbearable, no, but it did challenge her to keep her balance as she walked. One wrong shift of her hips and she might just send the bullet pressing against a spot that would not hold back from making her legs tremble. That didn’t change the fact that she could already feel a bead of sweat threatening to roll down her back. 

Diana let her feet carry her towards her destination, the world around her fading away in a blur of bright lights and dull greys as she passed through winding walkways and platforms, not even registering how many turns she’d made. All her focus was on putting one foot in front of the other and hoping she’d end up where she needed to be. And trying desperately to ignore the constant vibration in her hips.

It felt so much louder now and she wasn’t sure that was possible. The hissing of doors sliding open for her, the humming and beeping of machinery, the clicking of her heels with each stride was all but amplified by the pounding in her ears, resounding from the toy in her core. Was it always this noisy? Every time there was a new sound thrown into the mix, it sent her heart racing, so fast she could feel it in her fingertips. She truly thought walking was going to be much easier to deal with than sitting in her lab, but this was a new type of hell.

Then there was the case of the stairs.

Deep breaths, Diana reminded herself from where she stood on the landing. She could do this. The effort of her journey left her flushed and weary, but not any less determined to reach her goal. The elevator was so close she could see it, sitting in the centre of the open room; her only obstacle was but a flight of stairs.

She reached out and laid a hand on the railing, fumbling as the cool metal sent another shock through her system. Diana clenched her teeth and held it firmer, steadying herself before she could topple over. Then she began her descent.

One step at a time. That’s all there was to it, no different than any other day. She just had to get out of her head, focus on where her feet landed, and not on that dogged assault on her nerves. With another shaky breath, Diana lowered her eyes to make sure she didn’t miss a step with how unsteady she was, how heavy her legs felt with each footfall. The last thing she needed was to slip and make a fool of herself.

If she did fall, she hoped it would bring about a swift end and let her escape this torment.

Halfway down the stairs, a flicker of movement danced at the corner of Diana’s eye. Her gaze darted over to follow the blur over the railing only to see Stuart, Alex’s loyal little servant, rounding the side of the staircase.

Don’t come this way, she pleaded, voiceless, hoping he wouldn’t notice her and simply carry on with his day. The last thing she needed was to speak to anyone in this state.

But Stuart, the ever so irritating Stuart, sporting his finely-tailored suit and rectangular rimless glasses, seemed to be heading right where she had come from. Luckily, he seemed to be in a hurry, taking two steps at a time, so he shouldn’t bother her for long. But she knew him well enough. The man could talk up a storm if you let him. Just keep going.

“Oh! I didn’t see you there,” he exclaimed, followed by a slight bow of his head. The toy ramped up in intensity and stole the breath from Diana’s lungs. To try and stifle a whimper, she bit down on her lip hard enough she thought she might draw blood, and Stuart paused. He let his eyes scan over her, from her face down to her white-knuckled grip on the railing. “Are you alright, Dr. Afa—”

“Fine,” Diana snapped. She wasn’t even able to take a full breath, her words coming out rushed. “I’m fine. Thank you, Stewart.”

She left him standing there, bewildered, as her need to get as far away from him as possible carried her down the rest of the dreadful staircase unharmed. She didn’t know if he’d heard the buzzing of the toy, she hadn’t bothered to take in his expression at all, really. Maybe she was just imagining the vibrator louder than it actually was, or maybe the thrumming of machinery echoing off the endlessly tall walls of the tower saved her an awkward conversation.

The walk to the elevator wasn’t far once she hopped off that final step. The doors opened automatically for her upon her approach and she practically fell into the safe haven of steel.

With a slam of a fist against a button, she was off. Diana let herself sink against the wall, dropping her bag from her shoulder and resting trembling hands on her knees. She couldn’t even get a moment of reprieve; the insistent teasing between her legs wouldn’t subside any time soon.

The way warmth built in her core, radiating across her hips and threatening to rush down her legs to curl her toes, had her biting back a moan. She took slow, deep breaths, trying to focus on calming her heart as opposed to how blissful the waves of pleasure felt. She couldn’t let herself unravel. Not here, not now.

Diana gripped the handrail beside her and turned, resting the side of her head against the wall. The coil in her belly only wound tighter, and she cursed Alex. Cursed her for playing with her like this, for watching her struggle on every camera she passed, for pressing all those stupid little buttons that left her shaking and longing for air. But truly, she cursed herself; she was the only one to blame. Why did she ever agree to this?

She needed to breathe.

With each slow inhale, and exhale, the twist in her belly began to recede, pulling her from the haze. It did nothing, however, for the shake of her hands, the heavy feeling in her limbs, or how aware she was of her blouse brushing against her chest with each rise and fall.

It was the elevator’s turn to catch her cursing. Just as she was about to question how long it was taking to reach the Upper Spire, the lift jerked and shuddered, before coming to a halt.

“Oh, fuck,” Diana whispered under her breath. The rumble that sent through her did nothing to help the state she was in.

She aimlessly reached around for her bag, not wanting to look down in fear she might lose her balance. Finding leather under her palm, she hoisted it up and onto her shoulder. She would be fine. Her hips ached as she lifted herself to stand up straight, using the handrail as leverage. One last rest against the wall, one last moment, then she would be on her way. Then she would face Alex and try not to fall apart at her feet.

Just beyond another walkway, then she could hopefully sit again. Somehow that was much easier to handle.

The clicking of her heels was a welcome sound, distracting her from the heat simmering in her belly. She didn’t dare look over the edge of the railing along the walkway either – another thing she wished to push to the back of her mind; she was so high up, one wrong step and that was the end of her.

A foolish thing to think about given what she was dealing with right now.

After a short walk, the hiss of a door granted her access to the area Alex had been fussing over for months. Wanting to get it perfect, she said.

Odd, considering the large room Diana entered was completely bare. And dark. The only thing she could make out was maybe some type of stand near the far end of the room. Alex hadn’t exactly divulged what she was planning to do up here, other than having her own personal laboratory.

Off to the side, cool white light emanated from an open door. The only clue she had to go on as to Alex’s whereabouts. She ventured forth, then, as another set of stairs came into view, audibly groaned.

After today she might just develop a personal vendetta against staircases.

The stairwell was interesting, to say the least. The overhead light did not offer much in way of brightening the room, but rather, it was the individual strips set into each step, along with the columns in the corners of the room. Not four, as expected, but rather six. What really caught her attention though was the latticework in the centre of the stairs, much like that of the supports surrounding the elevator.

Diana steeled herself and, once again, focused on putting one foot in front of the other, watching her feet the entire way up the two flights of stairs. It wasn’t any easier than her trip to the lift, but she couldn’t allow herself a moment to falter. Even as the toy shifted with each step, the railing remained her lifeline.

Once she reached the landing, the door slid open for her before she even had a chance to catch her breath. This time, revealing a sparsely furnished bedroom. But Diana did not care much to look around; her eyes settled on the source of her anguish. Sitting on a black leather couch was Alex, dressed in white and gold, with wine red at her feet. Her attention was on the wall opposite her, and Diana glanced over to see a large screen, filled with camera feeds. That didn’t surprise her in the slightest.

Alex looked toward the door, and a smirk threatened to pull at the corner of her lips. She stood, turning the monitor off with a remote in the process, before tossing it aside. “Ah, there you are.”

As if a puppet on a string, not quite in control of her own limbs, Diana made her way over to Alex. Whenever she was near, there was a certain pull to her, always drawing Diana in. The need to hold her, to touch her in some way and breathe her in, was a constant. That is why she couldn’t afford to misbehave this time around; the stakes were too high. Or else, she would’ve chased her release just to spite her lover and get a rise.

Her handbag was taken from her by cold, gentle hands, discarded on the coffee table at her side, while Alex’s eyes were busy slowly scanning over her form. She hummed. “Stuart just called. He was quite concerned, honestly. Said you looked rather unwell.”

Diana glared up at her. She wasn’t that much taller than her, and yet she felt larger than life itself. The way she spoke only added to that; there was no denying the smug air that clung to each of her words. She was so proud of herself for humiliating Diana in such a way, making her look a fool in front of her staff when she was only ever composed.

“Yes, well, I wonder why,” she said through clenched teeth.

A melodic little laugh spilled from her partner’s lips and tugged at her heart. “Look at you… So cute when you’re all riled up.”

Diana held her gaze, wanting so desperately to remain annoyed with her. To show her she wasn’t amused with her antics. But her body betrayed her, unable to focus on such trivial things with a more pressing matter between her legs. Lips pulled in a warm smile, one she tried and failed to hide, and the heat in her hips rushed up to her chest.

Alex never took her eyes off of hers, not helping in the slightest. There was so much warmth in those icy blues of hers it almost made Diana dizzy. She had to be the first to look away.

Letting her gaze wander around the clearly unfinished room, she cleared her throat. Well aware of the fact that Alex was still staring at her. “What was it you needed me for?”

“Oh, it’s not ready yet,” she said, sounding almost disinterested, and Diana’s head snapped to look back at her. Alex gestured vaguely at her side with a sigh. “It won’t be for many months yet. I still need all of my equipment brought up here, and well… It is looking rather drab, as you can see.”

“You’re telling me I walked all of those stairs, and took the longest elevator ride of my life, for nothing?!”

“Nothing?” Alex brought a hand to her chest in mock outrage, drawing her brows in a frown. “Did you not wish to see me?”

Of course she wished to see her. She always wished to see her. One of the many side effects of having found your match. But in Diana’s current state, that had been the least of her concerns. It was near impossible to stave off the longing in her core with her so near.

Pent-up frustration trickled over and dripped from every word. “I cannot believe you.”

Diana brought her hands up to cover her face, the tips of her fingers carving along the curve of her brow bone. Her skin was so hot, she wouldn’t be surprised if she was flushed pink up to her ears. The toy sitting pretty inside her hummed away, more of an annoyance than anything at this point. Or maybe she was just annoyed, full stop. But she was so high-strung, she couldn’t deal with these little games anymore.

A shaky breath left parted lips, then a soft tsk reached her ears.

The intoxicating smell of Alex’s perfume swept over her senses before touch even registered. Woody, spiced, rich with amber and musk – a hint of plum lingering. Diana couldn’t help herself but lean into her lover’s touch, to drink in all that flowed from her wrist. Fingertips danced across her temple, causing her hands to fall from her face as she looked up at Alex again. Her head was tilted ever so slightly as her eyes followed the path she traced along Diana’s hairline.

“I’m impressed,” Alex admitted, then tucked a strand behind Diana’s ear. “I thought for certain, in the lift, away from all but my eyes to see, you would”—her fingers trailed down the side of her neck—“take care of yourself.”

Her touch was exhilarating, addicting even, sending a pleasant shiver down Diana’s spine to reignite the pleasure. When her fingers reversed the motion, letting nails scrape along her skin, her legs almost buckled beneath her.

Then Alex cupped her cheek. She leaned in and whispered against Diana’s lips, “You’ve done so well. But can you keep it up?”

Too entranced, Diana had missed when Alex pulled the remote from her pocket with her other hand. A quick tap and the toy sped up even more, knocking the air from her lungs. This had to be the highest setting; there was no way it could get any worse than this. Warmth rushed from deep within her core, over her hips and up into her chest. It was stifling.

There was nowhere she could grasp onto for support now, save for the woman before her. Her hands found Alex’s sides, gripping her blazer before she could even think about what she’d done. But Alex didn’t seem to mind. It was when she hung her head that Alex suddenly gripped her chin, tilting it back with force to look into her eyes.

“Do you think you can last?” She all but purred, her breath hot on parted lips. Diana was well and truly at her mercy now; waves of pleasure rolled over her, pulling her from her surroundings in a lust-addled haze. Yet she still managed to lazily nod in her grip.

Alex hummed then slotted a thigh between trembling legs, causing a soft whimper to spill from Diana’s lips. Though it offered support, it pressed too sweet, too deliciously. She didn’t know how long she could fight off her oncoming climax at this rate.

“Really? The greedy little slut you are…” She applied more pressure with her thigh, drawing a choked sob. “You’re not going to come?”

“No,” Diana said with firmness she didn’t even know she could muster, even if it wavered in the end.

The chuckle that followed barely registered. Her heart was beating so loud she could hear it in her ears, feel it throughout her entire body. It drowned out every other noise. The grin that pulled on crimson lips as Alex gripped her chin even harder sent molten sparks across her skin. The coil in her belly wound impossibly tight, begging for release, and it hurt. Oh, it hurt.

Diana shuddered in her lover’s arms, eyes fluttering shut. The toy continued its relentless pace against that sweet spot within her, a low whine built in her throat. She didn’t know how much longer she could handle of this. She blew out a long exhale, trying to halt her panting, but her breaths only came faster.

Stars began to form behind her eyes, signalling her impending release, and she couldn’t even fight it anymore.

Then it stopped. The buzzing stopped altogether. So abrupt, it drew a loud gasp and she fell against Alex. Tears pricked at the corners of her eyes, clouding her vision even further, and she had no idea whether she was crying from relief or frustration. She was so close, teetering right on the edge, only to have it ripped away from her.

“Shh,” Alex shushed her, then wrapped her arms around Diana. She carefully lowered her onto the couch, pressed up against her side. Then she smoothed back her hair. “Very good, my sweet girl. Have a rest.”

Diana buried her face in the crook of Alex’s neck, trying desperately to calm her breathing. Despite the toy no longer teasing, the throbbing between her legs persisted. Longing for more.

She had no doubt Alex knew how close she had gotten to failing, to suffering the consequences. But the absence of any scolding let her melt against her partner, wrapping her arm around her waist and taking in that sweet scent of hers once more. If this was the last time she was to hold her for a month, she wished to savour every second of it.

A soft kiss was pressed to the top of her head, yet the words that followed held no semblance of such tenderness.

“Do not think this means you’re forgiven. You still have the rest of the day ahead of you.”

[arikitari-josei-osaka-naru]

Late submission for @smvillainsweek 2024 Day 5: Revenge / Regret. Content warning: blood, violence, harm to Zoisite

Princess Osakaite's attempts to revive Nephrite aren't going well.

[sojourner-between-worlds]

I normally don't vague post about other people (and I'm not really here, even) but someone in the tag suggested that Jack would make a better Team Leader than Yusei and it made me realize something, in part, about why people think that Yusei is boring.

tl;dr: Yusei isn't boring; he was written as the MC in the wrong genre.

See, Shonen protagonists typically have the following personality traits: loud, brash, hot-headed, sometimes abrasive. Yusei is none of those things, and Jack is ALL of them. Which, I'm sure, is what led that person to say that Jack would make the better leader and what leads so many people (who are mostly only fans of Shonen anime) to say that Yusei is boring. He doesn't fit their expectations of what a Shonen protag is supposed to look like, therefore he's boring.

But the thing is, if you popped him into, say, a Slice of Life, he'd be perfectly at home (well...except for the Trademark YGO Hair anyway) and well-loved by the fan base. I can say this with fair certainty because I've at least never seen anyone say that Natsume Takashi (Natsume's Book of Friends) is boring in any way, and honestly the two of them have very similar temperaments. The difference is, obviously, the genre of their respective stories.

Slice of Life allows for its protags to be softer-spoken, more reserved; Shonen often does not.

It's time people stopped saying that Yusei is boring and just admit that they like loud, brash characters as opposed to quiet ones, and that Yusei just doesn't fit what they expect from a Shonen protagonist.

He's not boring; he was just written for the wrong genre.

[razzle-zazzle]

you have a sandstorm au?

I have a wholeass playlist for it, too 💪😌

I've summarized it before but it's been a while and some things have been updated so here's another quick summary, under the cut because of allusions to suicide:

Cole kills himself prior to canon by way of train, and ends up in the Cursed Realm. He meets Morro, and initially the two of them don't interact all that much until Morro figures out Cole's supposed to be the master of earth. Morro teaches Cole how to fight, Cole teaches Morro ballet because he doesn't want to owe anything to Morro, and they bond and it's nice and sweet and the Preeminent is looming over everything!

When the Cursed Realm is opened up and Morro and Cole slip out, Morro possesses Lloyd as per usual. Where things change is that Cole comes in separately and pretends to be enemies with Morro, allowing him to get in good graces with the ninja. He sticks around, helping them in their attempts to get the Realm Crystal before Morro can, and finds that it's actually... not that bad, hanging out with these guys.

But Cole knows where his loyalties lie. When the ninja get their hands on the Realm Crystal, Cole steals it to bring to Morro, who uses it to free the Preeminent as they planned. But Cole's time with the ninja had an effect on him, and he really cares a lot about Morro. Like, a lot. And while before that saw him being willing to follow Morro wherever, now (with some nudging from Wu) it's got him moving to work with the ninja to stop the Preeminent. There's a brief fight between him and Morro that doesn't do anything but affirm that they both really care about each other.

When the Preeminent's defeated and the ninja are victorious, where does that leave Cole and Morro? Wu offers to house the two, but Morro needs time and space after everything, so he and Cole set off to parts unknown. They don't return until Day of the Departed, and even once they have bodies again they're still not certain about their future. But they're here, and they're together, and there's a whole wide world and a whole wide life for them to live. So why not try?

[lordgrimwing]

Babysitting #01

Maglor didn't flinch when his office door swung open, hitting the doorstop on the wall with a bang. At the law firm of Fëanoro & Associates, slamming doors and raised voices were no uncommon thing. He considered it the natural consequence of working with his father and all six of his brothers (Amrod and Amras were just paralegals at this point, but there was no question that they would join the firm after graduating) in a single building. He continued typing on his chunky keyboard until he reached the end of the paragraph of the settlement document he was redrafting before looking up.

"I need you," Maedros said without preamble, the customary mildly annoyed expression he wore anytime he wasn't talking to clients or judges replaced by actual frustration. "To do something for me."

"I'm kind of in the middle of something," Maglor said, already knowing that he'd do whatever his brother asked and just end up staying even later at the office—it wasn't as if anything was waiting for him back at his apartment.

"She brought her children," The hand not gripping the edge of the door curled into a fist at his side.

“Who did?” One of the first changes Maglor made when he came on as an attorney was to hire some good secretaries. He did not pay that much attention to any of his brothers’ schedules these days.

“That Elwing woman, the pro bono case Celegorm talked me into.”

“Oh,” He was quite familiar with the details of this particular divorce if for no other reason than Maedhros complained about it at least once a day for the past month. The woman in question, a young peredhel from down south, was apparently prone to worrying over every detail and calling her attorney in a panic when she needed reassurance that everything would get worked out. 

“I cannot work with children touching everything in my office.” His brother continued, shoulders tense. 

He thought he knew where this was going. “And you need me to…”

“Just occupy them with something. If they aren’t around to interrupt and distract her from what we’re doing, I’ll be done in an hour, two at most if this girl keeps asking inane questions and insisting on accounting for every possible mishap in the formal papers.”

Maglor signed out of his computer and pushed his chair back from the desk. “I can do that.”

“Good,” Though the tone didn’t suggest it, he could see his brother’s gratitude in the faint softening of his frown before he turned away. “Come on.”

They walked quickly down the hall to Maedhros’s corner office. At the large wooden desk inside sat a woman with bleach-blond hair styled in a vaguely windswept way. She looked up anxiously when the door swished open, her bottom lip slipping out from between her teeth as she quickly tried to compose herself. She looked even younger than Maglor expected: less like the 23-year-old mother of twin 6-year-old boys and more like a child herself. The boys in question had their faces and hands pressed against one of the windows, staring out at the city below them.

“This is Maglor,” Maedhros said briskly to Elwing. “He will keep an eye on your children until we finish.”

Maglor smiled at her to smooth over his brother’s tone. “We’ll be just down the hall.”

“Thank you,” She said, still looking like a nervous wreck, and turned to her children. “Elros, Elrond.”

They turned from the window to look at the adults. Maglor was surprised to see they were identical and couldn’t help but recall how Amrod and Amras looked as children too. Even 20, most people outside the family had a hard time telling his brothers apart, though Amrod’s hair was getting slowly darker as the years passed. These twins did not bear any resemblance to his brothers, of course, beyond the fact that they were both identical sets. Their features bore such a mix of races as to make it impossible to guess at their heritage other than some combination of elf and human.

Elwing continued. “This nice man is going to take you to do something much more fun than listening to Mommy and Mr. Marillion talk.”

Maedhros’ upper lip curled back slightly in disgust at the use of his legal last name and probably at the reference to his brother as a man. Fëanor’s family held to the traditional values of the Noldor elves and preferred using more elvan terms. Personally, Maglor did not care much one way or the other if he were called an ‘ellon’ or a ‘man’, but everyone argued less when they all went along with tradition. He ignored his brother’s reaction and turned to the boys as they approached him.

“Yes,” He grinned at them, crouching slightly so he was not looming so far above them. “We can find something much more fun.” 

“Do you have toy boats?” The first boy asked, holding hands with his brother who looked much more reluctant to talk with the stranger. “I love boats.”

His father kept a model of the boats the Noldor used to sail across the sea thousands of years ago in his office, but Maglor doubted Fëanor would appreciate them interrupting him to see it. “Let’s go see what we can find,” He said instead. At the very least, he could use one of the secretary’s computers to look up boat images or videos. If that was all it took to keep these children occupied, he would count himself lucky. He recalled Amrod and Amras being quite the handful at this age.

The first boy tugged the second along as they left the office. “I’m Elros,” He said and then pointed back at his brother. “He’s Elrond. It’s okay if you don’t remember, no one ever does.”

“I’ll do my best.” Given Elros was wearing a green t-shirt and Elrond a blue, he would have no trouble telling them apart. “What do you like most about boats?” He asked.

“You can go anywhere on a boat!” Elros exclaimed with obvious glee. “You can sail all over the world and visit all the countries and go on adventures. Who doesn’t like boats?”

“I’ve met a few hobbits who don’t.”

Elros rolled his eyes. “Our dad’s met all kinds of people on the sea, even hobbits!”

“Our dad’s a sailor.” Elrond piped up in a tiny voice. 

By which, Maglor knew he meant their father was in the navy. He’s apparently been involved in some heroics a couple years ago which was somehow making the divorce more complicated than it should have been when two peredhil got married far too young and finally realized they shouldn’t stay together. According to his father, most people got married far too young these days, especially the elves. Fëanor spoke quite freely about the vices of marrying young when Curufin was going through his own quiet divorce five years ago. The then 23-year-old law student dutifully murmured his agreement with everything said as his now ex-wife took their child and drove away. Sometimes, it was better for everyone if couples didn’t stay together.

He wondered if these boys knew their parents were getting divorced. “That sounds very exciting,” He said instead and left it at that until they reached the front desk and he told the secretary that he’d be commandeering the unused computer so Elros could show him his favorite kinds of boats.

He did not particularly care for sailing himself. He’s gone out on the ocean a few times: their father insisted they all have at least an appreciation for the type of boats the Noldor used. He found the constant movement made him nauseated. Despite that, the next hour and a half passed surprisingly quickly as Elros, with a little support from Elrond, talked his way through picture after picture of various ships.

He looked up with surprise when he heard Maedhros’s voice. “Yes, yes I am sure that is everything we need to put in writing. Yes, Eärendil will be on leave next week and we’ll get everything signed and put away and it will all be official, and you do not need to worry.” 

His tall brother guided Elwing through the doorway and into the front lobby. From his tone and expression, he was on his last thread of civility.

“All finished?” Maglor asked, standing up quickly and giving the children a gentle push toward their mother to distract her from whatever she was worrying about and his brother’s bruskness.

“Yes,” Maedhros said with conviction. 

“Yes,” Elwing said with relief. “Mr. Marillion you’ve been so helpful, thank you. I feel so much better with adding those last couple things. I really do.” She turned to Maglor. “And thank you for looking after Elros and Elrond. I hope they weren’t too much trouble.” 

“None at all,” He assured, thinking about the documents waiting in his office.

“Thank you again, Mr…” She trailed off, clearly fishing for his last name.

“It’s Marillion too, but please just call me Maglor. There are far too many of us in this firm to use our last name.”

With that, Maedhros ushered her and the two boys out through the glass entry doors. 

“Is she getting custody?” Maglor asked when his brother turned around.

“Yes,” He answered, sounding entirely done with it all. “Full custody, the father didn’t even push very hard for visitation rights.”

“She doesn’t really seem like the kind of girl who should be raising kids on her own.” Maglor mused, watching through the glass as Elwing fumbled and dropped her car keys. When she bent over to retrieve them, her phone fell out of her purse to join the keys on the asphalt.

Maedhros snorted. “She’s done it for the last six years. The father will still pay child support, so a divorce isn’t going to change that much.”

“I suppose she loves them, at least.” Love did not play heavily in any of his siblings’ childhoods. Their father approved of results far more than people. Their mother appreciated that he and Maedhros were old enough to help when their siblings came along but was quite ready to continue with her career in the intervening years. People always talked about the importance of parents loving their children, though, so it seemed like an appropriate thing to say.

His brother shrugged, unconcerned. “She certainly worries.”

“How so?”

He turned back toward his office and Maglor followed by his side. “She wanted an addition to the agreement stating who should take the kids if she suddenly died or disappeared or was kidnapped and held for ransom by some eco-terrorist group, or if the police couldn’t definitively prove her ex wasn’t involved. I had to sit there for the last 40 minutes while she called every contact on her phone and asked if they would take them.” He threw his hands up with frustration.

“And did she find someone?” Maglor asked, curious.

“No! They all had the good sense not to answer or else say those were ridiculous things to worry about and told her to calm down and they’d talk later.” Maedhros looked as though he’d wanted to tell her a good deal more than that.

“She just gave up?”

“No,” He repeated, turning suddenly into Maglor’s office and flopping into one of the cushioned chairs for clients to sit in for more relaxed discussions. He sighed and closed his eyes for a moment.  

Maglor sat next to him. “You could get some nicer seats in your own office, you know, rather than using mine.” He chastised without any real intent. He liked when his brother stopped by to unwind a bit during the day.

Maedhros chuckled but didn’t answer. His office hardly changed in the ten years since he claimed the space after passing the bar.

“So what happened?” Maglor pushed.

“It’s past 6:30, I just wanted her to get out.” He said without opening his eyes.

“And?”

“I said I’d take them.”

Maglor laughed at the thought of his brother volunteering to look after children again. “Really?”

“Signed it and everything. Legally binding now.” Maedhros said, looking utterly unconcerned.

“Russ,” He switched to one of the names that he only used when lightly teasing his older brother. “That means you’ll have to raise two more boys if she suddenly and mysteriously dies.”

Maedhros inhaled sharply, a mockery of surprise, and said, “Pray that she doesn’t, Laurë. Pray that she doesn’t.”

[blazingblorbos]

oh god. oh god. oh.. oh gosh. I didn't expect this so soon. I didn't expect this today, I've been busy with life related things so the HYV calendar is really unbeknownst to me, is this update really next week already?? where can I rant about this- whERe can I rant about this-

oh. I made a blog for that exact purpose ! OKAY—!

fuck. fuck me, dude holy-

FUCK.

the slightly worried look on Arle's face as Snezhevna is reaching out her hand, only for her face to seemingly revert back to cold and neutral once the camera actually focuses in on her. Her tone is cold but her words are reassuring,,,,,,,,

ALSO GOD FUCKING DAMN IT. HOW GENTLY SHE HOLDS HER HAND.

the d o o r. the DOOR. THE FUCKING DOOR, CHAT. the slow opening at first, and once you can make out that it's certainly Arle's silhouette she shoves it fully open - both doors, both hands. incredibly attractive—. the FEAR in that man's eyes.

The crossed hands. We can't see her face but you know what expression she's making (it's not really an expression. it's neutral but you can feel it). THE FUCKING F E A R ON THAT MAN'S FACE.

Oh- she literally just grabbed him by the throat. Just like that- ! There's the expression. Oh, you feel it, alright. If you go frame by frame, you'll notice her eyes narrow in the slightest right before ->

POV: you're getting chocked out by Arlecchino, and that's actually the least of your worries. (my god she is beautiful).

I did not expect him to simply be thrown down to the ground and I ... d i d not expect her to step on his FACE. [insert gay masochistic joke here. you know the one]. Did not expect her to smile (this is the ONLY scene wherein we see her smile even slightly... huh...) *And the reason I say "I did not expect her to smile", is because with the momentum we were getting I thought she was straight up going to crush his throat, or stab him (hand, weapon or otherwise). It looked like she was digging the forefoot of her shoe into the guys head and not the... .. y'know deadly fucking heel, so that.. confused me. (and the sound when she supposedly stomped his head in did NOT sound all that impactful) but ANYWAYS I digress-

I'm of course assuming more happened after the cut to black because . madam where did you get that bloodstain on you—

BLOODSTAIN ON HER FACE!?!?!? (more on this in a second)

Freminet??? Freminet feature ! (not Lyney or Lynette.. interesting). :(((( the poor boy sounds so,, desensitized. His father

holy shit quick intermission. After the mental chronological fuckfest that was "The Song Burning in the Embers" I don't think I can look at Arle and the HotH the same anymore because she's.. she's like not even 10 years older than them (?) it's insane this doesn't make any sense- ANYWAYS.

HIS FATHER comes back with what we later see to be real blood on her face. Tells him "I've acquired new funds". We know what that means... HE knows what that means!!, and the way WE - THE AUDIENCE - know that Freminet knows what it means is because the boy replies "Oh.. Okay.."

LIKE-! chat omg this is truly just routine for them,,,, Like out of the 3 siblings, Freminet always gave off the biggest child assassin vibe, but wow. To see that routine and desensitized nature of the HotH's line of work just,, splayed out in a Character Trailer is . wow. and the look in his eyes as he says it is- wow.

YEAH UHH BLOODSTAIN ON HER FACE??/ The lighting in this scene now is evidently less saturated. And it's just- oh my FUCKING GOD it does so many things:

the blood on Arle's face looks... dry. it doesn't look as fresh as you may expect which could mean many things. It could mean she spent,,, hella long in there with that guy doing what needed to be done. It could mean she took care of something else immediately after dealing with that guy (perhaps smth related to the children Snezhevna wanted to save). But regardless, it means she didn't put in the effort to clean her face and hide what happened. OBVIOUSLY !!! that is so . obviously her style but to S E E IT IN MY GENSHIN IMPACT CHARACTER TRAILER it's- oh my god

it serves to highlight the really, truly, bleak nature of the scene now that we know plain and simple Arlecchino just killed a man. There's no subtext, there's no reading between the lines. The only thing that didn't happen is that we didn't see contact nor see a body. But, no sugarcoating, Arlecchino killed a man. No one is hiding it. You are not surprised. No one should be but damn.

and ofc it acts as a representation of Snezhevna dying...

because it seems like the saturation is back once the camera switches to looking at Snezhevna laying in bed.

And is it me, or does it look like Arle's allowing herself to actually display a tinge of worry in her expression this time? And also, EVER so slightly in her tone as well. You can feel it, it's gentler.

"Once I'm better I'll start my next mission.."

THIS. THIS!! IN SO MANY WAYS THIS!

OKAY. so bear with me. I haven't actually read any of the sibling's character stories yet, so there could be a LOT of info I'm missing but:

There's still a pretty thought-provoking conversation going on (in MY mind, at least) about just how intensely these children are being trained to be soldiers for the Fatui. They're obviously in an environment that indoctrinates them into being soldiers of SOME kind, but I still don't know what kind of soldier that's supposed to be. Are they all ALWAYS extensions of the Fatui? Or are they more-so extensions of Arlecchino specifically..? Snezhevna was obviously trying to help those children she came across, and I'm assuming that happened on her latest mission, so was the mission for a charitable cause?? What was her next mission supposed to be?? Same line of work? Saving people? Or would it switch up and was she going to be sent to "take care of" (kill .) someone???

So I don't know whether to interpret that line as a hint of them being overworked and 1) feeling like they need to continue their work out of pure fear that they'll be deemed ineffective and useless... or 2) feeling like they need to continue their work out of a sense of loyalty and duty to the place that took them in and raised them. Or both..

and ofc the funeral scene. I can't say much more than what's already shown right on the screen.

and am I bugging? Or is the location of the grave....