#i have zero idea what to tag with

[whatimdoing-here]

...what just happened?

BONUS

[lipstickontheglass1985]

college student wrapped:

you skipped 40 lectures!

you spent 12 weekends alone in your room!

you handed in 7 assignments overdue! your most delayed assignment took you 2 weeks after the deadline!

you missed your bus 42 times!

you've consumed a total of 100000 mg of caffeine!

your most common sunday evening moods were: scared, desperate and depressed!

on average, you considered dropping out 1,5 times a week!

[krysmcscience]

Don't mind me, just slacking on a big Billford comic by making other far more ridiculous Billford comics and also some AU art (please excuse my slapdash human!Bill thank you please, also before anyone asks the art style is messy and all over the place because idgaf LOL)

This started out as an excuse to design a Bill Cipher-inspired "wedding" dress, but then spiraled wildly out of control. Various rambles and a bunch more human!Bill arts under the cut, including another silly little comic at the end! (Feel free to skip the rambles, I won't be offended. I know I'm bad at shutting up. XD)

I may or may not write some comedy stuff for this AU, which I'm calling 'For Better Or Worse (But Mostly Worse)'. While Ford DOES remember getting sloshed enough for one thing to lead to making out with another after karaoke, neither he nor Bill remember this wedding, At All. The Love God did nothing to dissuade them from going hog wild on their marriage spending, either, so it got...uh. Exorbitantly Expensive. As in, the grand total could probably buy the entire fucking MOON sort of expensive. (It's fine, don't worry, Bill's good enough at crime to be able to afford it.) Also, because the logic of this AU is mostly dictated by Rule of Funny, the Love God's powers are close to unlimited when it comes to matters of romance, but ONLY when it comes to matters of romance. (Like weddings!)

Want an empty human vessel to smash the soul of a triangle into for date nights or when it's convenient, or perhaps even when it's NOT convenient? Easy peasy! Want the marriage to be recognized in every corner of the multiverse from now until the end of time, thus making any potential future divorce nigh-on impossible? Can do! Want to buy an entire beach for the ceremony and honeymoon and in general, and totally not at all because it would be Super Hilarious to prevent any specific movies from being made on that very same beach in the future? Fine, whatever, it's not his finances he's ruining!

Does the Love God also provide special rings that just so happen to turn incorporeal as long as the "happy couple" doesn't remember that they barged into his dreams to bully him into presiding over their marriage? ...No comment!

He spends the next thirty years trying and failing to get in touch with either of them for payment. This is why you should always demand half the money up front, my guy!

Also it's absolutely a traditional Jewish wedding, because I like the idea of Bill demanding all the keepsakes from the marriage that he paid for, and being completely confused when one of the things he's handed is a fancy container full of broken glass. He gets it later, but in the moment, he thinks the Love God is just fucking with him some more.

Ramble over! Here's the full dress that caused the comic to happen, along with what Ford wound up wearing at the wedding (and begrudgingly agreeing to put on again later for Reasons), aaaaand also a close-up of Bill's ring:

I may have forgotten to draw Bill's hair floofier when drawing the back of the dress, lmao

Since double ring ceremonies have been leaking over into Jewish wedding customs for a while now, Ford also has a ring, but his is the much more traditional plain gold band. There's definitely a message engraved on the inside - embarrassing, cringe, or incriminating somehow - but I haven't decided what it is yet, so use your imagination for now. XD Bill, on the other hand, saw the phrase 'traditional plain gold band' and said "No Thank You" before proceeding to embellish his ring to his liking. And because he's a secret sap who adores Ford's extra fingers, the triangle points add up to twelve, as do the engraved stars. Yes, they're stars, not dots, I just got lazy. There's also six lashes on the eye gem, and probably an eye engraving on the inside with another six lashes. (Bill's got it BAD, okay? We all know this.)

Here are the initial scribbles of Bill's custom vessel in more casual attire, please ignore the wonky anatomy and the fact that I flat out refuse to ever draw him with a proper top hat:

He does actually need a cane in this vessel; since Bill tends to possess men and especially Ford more often than not, he's used to having a higher center of gravity when in a human body, so his ability to balance is pretty garbage. (He may or may not topple over with concerning regularity.) As for his empty eye socket, his bangs don't do much to hide it since he's so high-energy (dude is constantly on the move), and he also refuses to wear a patch over it, because 1.) why bother, and 2.) it's more fun to freak people out.

To better align with Ford's attraction towards the strange, the vessel was designed with super minor shapeshifting ability - Bill can look like a perfectly normal human, but he can also make the teeth and fingers sharper whenever he likes (which is mostly just when he's angry or being more of a menace than usual), as well as slit down the pupils or outright ditch the irises altogether. He can also have whatever he wants in the downstairs department, just because I'm an indecisive bitch on that front, lmao. Maybe he can have boobs if he wants them, too, but I ain't drawin' tits on no triangle, nuh-uh, no sir. His powers are otherwise limited down to what humans can do, because for some reason, the Love God doesn't trust Bill to not snap into Immediate Apocalypse Mode if he's given a physical form that's actually all his and no one else's.

Due to the body being all his and no one else's, it's also not really a standard possession so much as it is just...Bill being temporarily human. He's a lot more aware of and in tune with his human body's senses than he ever was with his "puppets", which makes things like pain a lot more intense. (He is mostly fine with this, because he's a fukken masochist.)

A bit more fashion stuff, including beach and party attire~

The beach outfit was mostly me trying and failing to nail down his body shape, which is still not bottom-heavy enough. I then decided to slap a bikini on it, before making it supremely unsexy with a pair of fugly shorts, because Bill's fashion choices are not allowed to be conventionally attractive. Meanwhile, the party outfit was mostly me looking at the casual attire I designed, asking 'how would Bill make this Worse', and then drawing the result. The mismatched thigh-highs are killing me inside! :D

No, his vessel can't actually summon fire, I just drew it for funzies before I decided on said vessel's limitations. Yes, the gold brick tattoos are absolutely a reference to the fic 'Knowing Me, Knowing You' - I simply could not resist.

I also HAD to draw Bill in one of his canonical(?) shirts, just made tank-top'd:

He is absolutely about to over-correct and fall backwards after this. USE YOUR CANE, GOOFBALL!!! (I meant to draw Bill closer to this degree of bottom-heavy in the other images, but. Alas. I am bad at anatomy, LOL)

And, last but not least before More Comic Time, I attempted to draw him closer to Gravity Falls style:

Jury's out on whether or not I succeeded, but - hey. I tried. Now have some Handyman Bill AU, but with my goofy human design, instead:

Hey, it's a 'mystery snack', and the guy wanted A BITE to eat - the joke was right there, guys!!! (Based on this post, because it just screamed BILL CIPHER to me.)

whoops i forgor bills ring and cracks ahaha too late now

I WILL SHUT UP AND STOP RAMBLING NOW K THX BYYYYYE

[immortalking]

miku trend but oh my god its slovenian miku and finnish miku kissing in the backstage of mikuvision

[dawnthefluffyduck]

tell me what you want from me

[art-is-kayos]

What is a head without its eyes to see or mouth to speak

Ears to hear or hands to reach

Legs to move or havoc to wreak?

To what fate would it fall, an aspect bereft

Of all its subjects

And what then in turn, would happen then

To hollow parts left alone and broken.

[ishgard]

Final Fantasy XIV Top 5 Asks!

Questions that have been asked plenty, but always nice to breath new life into them. “WoL” could also just be your XIV OC, and ‘top 5′ don’t have to be in any specific order if you don’t want. 

(Writing top 5 over and over felt redundant, but if it lands in an ask box I figured it’d be more helpful.)

Top 5 NPCs

Top 5 Jobs (ICly and/or what you prefer to play)

Top 5 Dungeons or Raids

Top 5 Locations

Top 5 Relationships (romantic, familial, canon, HC, whatever!)

Top 5 Minions

Top 5 Primals or Bosses

Top 5 Songs (good luck)

Top 5 Mounts

Top 5 Memories (from MSQ, raiding, with your FC, anything!)

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[blade-that-was-broken]

“Hey Clay?” 

“Yeah?” 

“I know you don’t really like to talk about your older bro-...” 

“Did he call again? Ignore it, he’ll stop. Honestly, he should know better by now,” Clay grumbled, not looking up from his project. Last week, Bruce had called him, out of the blue. It had been a weird phone call, acting as if the last several years didn’t happen. As if Bruce didn’t just pick up and move across the country the moment he could, leaving the rest of them to their mother.

He knew he was holding a ridiculous grudge. It had been years. And Clay might have gotten over it eventually, if Bruce hadn’t replaced them with his perfect family. He barely stayed in contact - even with the brothers who weren’t as mad at him. Branch had been young when Bruce left, barely six years old. Clay wasn’t a whole ton better but at least Branch knew him to an extent. Branch at least knew his favorite color. Clay doubted Branch knew the first thing about Bruce. 

“He… he’s here.” 

Bruce wouldn’t leave his resort and his wife and well, now his kids. It was like he expected everyone to pick up and go visit him just because he lived on an exotic island or whatever. As if Clay didn’t have responsibilities or Floyd wasn’t constantly traveling. As if it was so easy for Grandma to leave the house and fly across the country. Bruce barely called and he never, ever visited - much less out of the blue like this. 

Clay stopped and looked up, his head swiveling around to look back at his best friend. Her curly blonde hair was wrapped up in a messy ponytail, which was fairly normal, but the uncertain and awkward expression on her face was definitely not the norm for her. “What?” he asked, shocked. 

She nodded. “Yeah. There is a guy down in the courtyard. He said he’s your older brother.” 

Clay shook his head. Bruce would never leave his precious wife and resort to visit him, especially when he knew how much Clay was upset with him. Had been for years. Honestly, aside from one phone call a week or two ago, Clay hadn’t really heard from him in years. Clay could have chalked it up to Bruce just knowing that he was angry with him for abandoning him - them - with their mother the first moment he could, but he barely kept in contact with Floyd and Branch as well. And they didn’t hold the hard feelings that Clay did. Not that Clay was much better; he didn’t talk to any of his brothers much either. 

“There is no way,” he protested with a huff, rolling his eyes. She must be mistaken, there was no other option. “He’s never made a trip out here. He would never leave his resort. What is he doing out here?” Viva hesitated, glancing away, which was very strange for her. She was very straightforward and easily excitable. Clay felt his brow furrow a little. “Viva…” 

“He’s not… like how you said.” 

He just sighed and took a deep breath. Bruce definitely had a way with people; he always had. Granted, Clay probably painted him in mostly a crappy light, due to the fact that whenever the subject did come up - which was extremely rare - it was not often positive. Clay had a lot of anger and probably a lot of resentment. It was a work in progress. “Look, Viv. I know he’s easy to believe. He seems soooooo friendly and charming that you want to just swoon or whatever. He’s got that effect on people but…” 

“No.” 

“No?” Clay asked, confused. She said it so strong, so flat, so sure and Clay wasn’t sure what to make of that. 

“Clay… he’s not like that at all. He was actually really quiet and awkward and super uncertain but held him with some kind of…rigidness? At least as much as he could,” Viva looked uncomfortable, like she had seen something she really didn’t like. He wasn’t sure what that was about. At the moment, he was more hung up on the description which did not sound like Bruce at all. 

He scoffed. “Bruce?” 

“He didn’t say that was his name,” Viva continued, still uncertain, glancing towards the window. “But you only have one older brother right?” 

Clay blinked and his whole world came to a standstill. “I….” 

“Clay?”

Older brothers. 

There was no way, though. He hadn’t heard anything from him since their parent’s divorce and when he was practically dragged away almost kicking and screaming. Clay barely remembered it; he tried not to. Everyone had been crying but Branch’s screaming, going along with everyone else's tears kind of drowned everything out. It hadn’t been a pretty memory and Clay avoided thinking about it. Coupling that with his mother’s systematic way of erasing anything that evoked him or their father from their house and their lives, it only took a few years for everyone to stop considering them entirely. 

His eyes widened. There was no way. There was no way it was possible. 

Clay didn’t even think. He bolted out the door, not even bothering to strip off his lab coat. There was no way. It had been at least fifteen years. What were the chances? After fifteen years? There was no way. 

He had to be sure. 

Making his way down to the courtyard, with Viva shouting after him, he scanned the area upon slamming the doors open. It had been a decade and a half. He had no idea what to look for anymore. They had all changed. 

“He’s by the fountain, sitting on the stone wall,” Viva supplied. 

That helped. He made his way over, still looking over the area until he spotted a more middle aged guy with short hair and bandages on his arm. When he looked, Viva nudged him, giving him the sign that who she had talked to was him. Definitely not Bruce. 

He looked over at Clay and recognized him, suddenly nervous. Clay just stared. That was all he could really muster up to do. “Uh… hi, Clay. I know you might not really remember me but…” 

Clay didn’t say a word at first, just launching himself at his big brother, knocking him into the grass behind in a hug. He clearly wasn’t expecting it but he took to the action pretty quickly, wrapping his arms around Clay’s back for support and to keep him from being tossed around. 

“John Dory.” 

Clay couldn’t remember the last time he thought of him, much less said his name out loud. He hated that. His eyes were squeezed shut, just soaking up the firm grasp his oldest - his oldest - brother had on him. He had so much to say and so many questions but only one happened to come out. It had been fifteen years and now John Dory just showed up out of the blue. 

“How did…how did you find me?”

It wasn’t exactly what he wanted to say. There was a lot he wanted to say and do but his mouth had run off with him, questioning so much that he really didn’t actually care the answers to. Because he was here. After fifteen years. 

“Bruce told me.” 

Clay shifted slightly. “B-Bruce?” He supposed it might have been easier to find a resort owner before some crazy older college student. Although Clay felt like he had his name out there more than his other older brother, as he had written papers and had been featured in several journals. Although it might not have been in things John might have looked through. They could be pretty niche. 

“I…” John tensed a little and hesitated. “He found me. The hospital found him, I guess? They found him and called him. I’ve been staying with him for my recovery.” 

Clay’s heart dropped as he pulled away, trying to assess. He scrambled off his brother, stepping back. “Your what?” 

John grimaced. 

Viva nudged his shoulder and spoke quietly. “Clay.” 

Clay’s eyes were drawn downward. Sure, there were bandages on his arm but John’s grip didn’t seem to be very weak so he doubted that would be so debilitating and honestly, his legs seemed fi-… where was his leg? 

“W-Where is your leg?” 

“Sudan… I think?” 

Clay just stared. 

“Right, sorry. Kinda dark humor there,” John muttered, sitting up a little more. “I was… I have been, I guess, in the military for a while. Over ten years I guess, uhm… it’s a long story. But some stuff happened, my arm got kinda burned up but it’ll be okay. Head got banged around a bit but that should be fine too. The biggest thing was my leg which… well, that ended my military career pretttyyyy quick. The hospital found Bruce and yeah, I’ve been staying with him but…. I wanted to see you. Needed to see you.” 

There was a pause. 

“Sorry, that was… that was a lot of words.” 

“When Bruce called…” Clay drifted off in realization. Bruce had called to tell Clay about John. 

“He didn’t want to freak you out.” 

“But I hung up.” 

John nodded. “Bruce didn’t really tell me anything about what happened with you guys or anything but I just… I bought a plane ticket and well, here I am.” 

Here he was. 

“Does Bruce even know you’re here?” Clay asked, uncertainly. With John’s state, it probably meant that Bruce was kind of taking care of him, which meant he was in charge of his welfare and health. John was still on leg crutches and probably couldn’t get around super well. It couldn’t have been that long since it happened. 

John snorted. “I am a grown man.” 

“Missing a leg!” 

“So?” John asked, his nose wrinkling. Clay almost felt like he had been slapped. Floyd and Branch did the same thing. “I knew a guy who lost both and guess what? He lives alone. Does just fine.” 

“He’s probably freaking out.”

“Bruce? Probably.”

“Then why are you here?” 

John tried not to look hurt. He would have done a great job too, if he hadn’t looked away. It was a telltale sign and Clay noticed. He didn’t even realize what he had said and how it came out until it was too late. He cursed himself; he didn’t want John to think he didn’t want him here. “I haven’t seen you in fifteen years, Clay. No matter how much time passes or what happens, I love you.” 

Shit. 

“Clay… he’s so cute,” Viva sniffled. “You never told me-” 

“That I existed?” John guessed, making Clay cringe. “That seems to be an ongoing theme.” 

“JD, I just…” he didn’t really know what to say. He didn’t have any excuse, really. He could blame a lot on his mother but that felt wrong to say to him. There wasn’t any real excuse that would make anyone feel better. 

“It’s alright,” John replied, although Clay could tell there was some struggle. Which made sense. No one wanted to feel forgotten by loved ones. Especially not the ones still alive. “Bruce didn’t tell his kids I existed either. I’m getting over it.” 

He shouldn’t have to get over it, Clay thought. He shouldn’t have had to do any of it. He should have spent the last fifteen years with them. He should have been there for birthdays, for their graduations, for their important moments. He should have been there when Bruce got married. For Floyd’s first show. For Clay’s best college awards. Bruce’s kids should have known their uncle their entire life, not just now and so forth. 

“She’s dead, our mother,” Clay said, blandly. He blamed her a lot, for pretty much everything. Not the divorce itself; that was both of them, but for cutting them off from his brother. For forcing his name to never be spoken. For erasing his memory. It was one thing to keep them away from their father, although Clay didn’t like that either, but to keep them away from their older brother was unforgivable for him. 

“So is dad. Over ten years.”

Ten years. Over even. John lost his family, became an adult and lost his father. No wonder he joined the military. 

“Six.” 

“I tried looking for you,” John promised, like it was something he had to convince Clay of. Like he didn’t want Clay to think that he didn’t try. It wasn’t meant to make Clay feel worse and Clay knew it but it did anyway. Because Clay hadn’t. He hadn’t looked. He hadn’t even considered it. “Before joining the military. After too, a little, I suppose. I’m no detective I guess.” 

Clay just stared at him. Did he think…?

“I know…” John frowned again. “I know you’re mad at Bruce but I can’t… I… Clay, I want to be…to have… to be in some part of your life and I just…” 

“I’m not mad at you.” 

Clay hated the almost hopeful look that John stared at him with. It was a expression that screamed he wasn’t expecting this reaction. “You… aren’t?”  

“No. Of course not. Our parents were petty and bitter and it is all their fault. JD, you never… you didn’t abandon anyone. Dad took you away and mom decided to try and erase that part of her life. Have you blamed yourself this whole time? For years?” 

“No, no, I just… I don’t want you to think I stayed away or something.” 

“I believe you,” Clay promised. “And I’m so glad you’re here.”

[carlyraejepsans]

Hey, if you don’t mind the question. What’s your opinion on Undertale Yellow?

8/10 game. pretty good at being a game, not so much at being an undertale story. the gameplay itself was fun, the area/puzzle designs too, the soundtrack was untouchable it literally gave me the same rush i felt hearing sburb initiation for the first time. minor NPCs designs were fun but the primary cast was too monotonous, tbh. (all the main characters have tall gangly very detailed designs save for like, axis). its attempts at landing Undertale's humor were quite often successful, but it held back on exaggeration and caricaturing its original characters which took away that oomph from the canon game. the character writing was... lacking. which is a pity.

i love fucked up women so i was really disappointed that every single one of ceroba's actions/ideas/influences on the story were nothing but an extension of her dead husband. when you take chujin away she's just... A Good Wife and Mother. or starlo's past love interest ig. i mean both dalv and martlet's backstory were tied to her family and we never see them interact at all. but they do have an established dynamic.... with the dead husband. again. UGH. she's just really wasted as a character (she and chujin should've BOTH been scientists and she should've continued the project AGAINST his wishes after he died. she's the main cast character, she should be the driving force in the narrative, not him—even if chujin sets the plot in montion by inventing the serum first).

I'm not a huge asgore fan—not that i dislike him, he's just not a character i care about all that much—so congrats to this game for making me say "he would NOT fucking say that". the "fuck the royals" subplot thing was really unnecessary. actually, that was a bit of a recurring thing in the game. suddenly introducing these Huge Social Dilemmas like labor exploitation, anti-monarchic sentiments, misogyny (bro who on earth "needs to take a wife" this is Undertale) everyone realizing that clover is a child, over exaggerating the violence at stake... while also attempting to maintain Undertale's careless, bouncy treatment of the situation. that's... not how things work. undertale is able to maintain its light tone BECAUSE it doesn't let you take those topics seriously, they're not meant to be. the fairytale-like king, the battles, the child protagonist, they're all set dressings for the REAL story and REAL power imbalance it wants to highlight: that between player and game characters. everything is in function of that. you take that layer of separation and make everyone aware that theyre violently attacking and killing a literal child... that's not. a good thing dude. if it's not gonna impact the tone of the story, why acknowledge it in the first place? it's just unnecessary

anyway flowey neutral run was really, really fun. his dialogue writing all throughout the game was very solid and i had a blast having him around. however, they shouldn't have tried to anticipate his character development. this game is a prequel, you can't do that without undermining his arc in the canon events. pacifist should've had him doubling down on his frustration from the neutral ending. i do all this work for you keeping you alive and you make the same mistake i did sacrifice yourself for them??? are you BRAINDEAD???? what I'm saying is he basically should've thrown the biggest tantrum of his LIFE. oh and in the NM run he should've been terrified when he lost control of the SAVE file. this is the first time it's ever happened to him and now he's gonna die for good. he wouldn't have gloated like he did.

if you want to hear more criticism along the lines of what i said then this post by the fantastic @andreabandrea covers a lot of what i also felt during the game. i know this might sound like a lot of negativity, but the fact remains that UTY was an absolutely phenomenal work of fan creativity the likes of which we have never seen before in the fandom. considering the quality and polish, i thought it only fair to approach it as the piece of art it is and give it my genuine thoughts on the matter.

overall, still a really fun way to spend the afternoon with a pal. so. thumbs up

[manybeary]

While I am here, I might as well post my works for the 2023 Katana ZERO zine, which was released back in April. The zine contains music, writing and illustrations so please do check it out.

Major thanks to Sushi for having me.

The workflow of the second illustration can be seen in the read more below.

[moonlightdancer26]

A list of things more relevant than James Potter’s existence:

Ron Weasley’s freckles

Snape’s sneeze

Pigwidgeon

Harry’s flannel

Lucius Malfoy’s shampoo

Frolicsome Feline plates

The Slug Club

Snape’s grey nightshirt

Regulus Black’s letter to Voldemort

Nargles

Rita Skeeter’s three golden teeth

Fred and George’s aging potion

Aragog

Voldemort’s nose- oh wait

Snape’s billowing cloak

The Vanishing Cabinet

Remus Lupin’s cardigan collection

The “Explain Why Muggles Need Electricity” essay assigned to Third Years

The Bat-Bogey hex

[microfeelings]

Yeah I'm sharing them now because if I decide to wait to pass them digitally I will ✨never do it✨

Spiderverse x One Piece AU!

A little something that started as an exercise in character design and then I got a little bit into it lmao

I did design the rest of the East Blue Crew but uh... they were kinda ugly/boring, I put more effort into these two because they're the 💕favs💕

Info, kinda. Honestly I don't have a lot thought out its mostly random ideas that mushed together sort of resemble a well put together au, just like everything I do <3

Nami:

- Spider-Woman of her universe, while her design isn't exactly original I really liked using her orange and blue colors. She has the spider logo on her back because she hates spiders and hates looking at them lmao

- In her universe, her best friend Usopp died when she failed to save him (kinda her "Gwen Stacy" but he was just a friend)

- Has electricity powers, her spidey senses are also really in tune with the climate for some reason

- She has a staff (not pictured) she fights with, and also uses the environment to her favor, not the biggest fan of fighting hand to hand because (compared to other Spider-people) shes not as physically strong

- Has a few enemies and nemesis that she fights, Arlong being the most important/strong one

- She's actually quite happy to know other Spider-people, tho she was kinda shocked when she saw Usopp... It was awkard for both of them...

Usopp:

- The first Spider-man in his world, there are some things of his design I would change (mainly the sweatband, I would change the colors), but I'm actually quite happy with his design. Where does his nose go with the mask on? The same place Hobbie's hair goes, idk..

- In his universe, his best friend Nami died, Usopp failing to protect her

- Uncanny precision with his webfluids, also figths using the environment

- Unfortunately isn't a well received Spider-man 😔, gets complaints about destruction of property or how he's "pretty coward for a superhero"

- Really would rather focus on saving civilians from natural disasters, as he's also not as physically strong (compared to other Spider-people), but it seems every weirdo on the block decided they really need to beat this teenager up, so he also has some enemies...

- Super excited about meeting other Spider-people and finally being able to share life experiences with them, and then met Nami, or Spider-Woman Nami and it was awkard and uncomfortable (but they became besties, bittersweet moment)

Extra stuff from the rest of the East Blue Crew:

- Luffy's spiderman name is Spider-King and the rest of the Spidermans where like "I can't decide if that's the best or the worst name I've ever heard...". Well Usopp thinks it's kinda cool, and wishes he had chosen a cooler name for himself, might be too late for a new signature 🤔, Nami and Sanji think it's stupid, Zoro is undecided

- Sanji does not have a spider logo, even tho his name is Spider-man because he hates spiders

- Zoro is the second Spider-man from his universe, the first one being Kuina, she died and he took her place

- Sanji has fire inmunity

- Zoro carries like 5 extra pockets of web fluids cause he takes "longer routes" (he gets lost a lot)

[mortellanarts]

Hmm... Akane witch design courtesy of Umineko brainrot anyone? 😳

[lengthy-artery]

ok im going to swing a bat at a hornest's nest right now. what the fuck is the locked tomb actually about. what is it about and why is everyone on my dash obsessed with it AND YOU CAN'T JUST SAY 'IT'S GOT LESBIAN NECROMANCERS IN SPACE'. I KNOW THAT. I WANT TO KNOW WHAT THE PLOT IS HERE

[juniperhillpatient]

Alright people have been recommending Repo!The Genetic Opera to me for years. I guess it’s finally time to check it out lol