#i have the game on story mode like always so combat Has been super easy. but starting exactly after the gera fight now suddenly it's gotte | Explore Tumblr Posts and Blogs

allykakamatsu · 3 years

Text

Hypothetical P5A

Okay, gonna make this clear right up front, I wanted to make this post for a while but the main reason I decided to do it now is because the Atlus announcement thing is almost here, and also cause I saw a video on this topic by Thorgi’s Arcade (go watch it btw it’s good) and while I agree with a lot of what he said, there’s also some things I’d change, not just cause I disagree, but also cause I think it would be fun. Anyway enough beating around the bush, let’s do this

Gameplay

I’m a firm believer in the phrase, if it ain’t broke, don’t fix it, and the Arena games are already really good so not much to change. That being said, I still wanna change some things. First off though, we are keeping this 1 vs 1, no tag team matches. The arena games already have a lot of Mechanics going on and trying to keep everything as well as some new stuff WHILE adding a tag team button, yeah no let’s not outside of maybe a bonus mode.

This means I can’t add Batton Pass in as a new mechanic to represent P5, but I have a solution, that being Technicals. Status ailments already exist in this game, so how about when you inflict one and do a specific combo you do more damage, also providing risk vs reward as the player with the status will have a better idea of what the opponent will do making them more predictable. Also as for Persona’s, mostly everyone’s will be fully evolved, minus Yu cause him getting a final boss persona normally is a tad to OP, meanwhile the P5 characters will have their starting Persona’s, but they will evolve for big moves, like awakened mode supers and instant kills

I’m also borrowing Thorgi’s Arcade idea of having supports giving a slight buff in battle, like if you pick Fuuka your meter can build faster for a bit, meanwhile if you pick Futaba you’ll get an attack and defence buff. It’s the fairest way to include them without having to make them playable. I know Rise is already playable but this roster is going to have to be small as it is, and being a support doesn’t mean you can’t be DLC later.

Also, we’re not bringing back the Shadow Characters, just, we are not dealing with the likes of Shadow Naoto again.

:readmore:

Story

I am about to cop out a bit here, but Thorgi’s Arcade video had a really good idea for the story so I’ll just link it here https://youtu.be/yyB5rEM9UVU

youtube

To summarise for people who don’t want to watch, Nyarlathotep, the main villain from the Persona 2 games, has been gaining strength from all the suffering humanity has gone through due to 3, 4 and 5, and has gained enough strength to create a new Joker to try finish what he started and destroy the world. Mitsuru might think the Phantom Thieves are behind it cause this is clearly persona related and the fact that the leader of the PT’s is also named Joker is public knowledge, Naoto gets largely the same idea, Katsuya and Maya decide to have their own investigation, meanwhile the Phantom Thieves are trying to prove their innocence and help save the world. Nice excuse to bring everyone together, but who will the everyone be?

Base Roster

Okay, I know the dream is getting everyone from Ultimax back plus the new P5 characters, but given Arc System’s standard for small base rosters, I’m not holding my breath. The ideal would be everyone plus who I’m about to say for P2 and P5, but I’m keeping it… somewhat realistic. Anyway onto the actual size, 16 seems fair enough. One more than the most recent Guilty Gear game for a series that had pretty big success so that sound fair enough. Let’s get the obvious out of the way though, all the base 8 Phantom Thieves besides Futaba are making the cut

Okay so that’s obvious but how will they play? Starting off with Ren/Joker, Smash Bros already laid a great foundation with him being very fast on the ground and in the air plus being great at combos, so I see no reason to change that. Also no need for him to be a Jack of all trades either cause spoilers, Yu is coming back and he already fills that role.

As for the others, Ryuji I can see being a slugger charge hybrid. Basically starting out he hits pretty hard but is a bit on the slow side to compensate, but just like any good athlete, give him a chance to warm up, ie do a charge input, and he becomes a lot faster and has better combo potential. Or we could make him a toned down version of Little Mac where he’s great on the ground but he’s in trouble the second aerial combat is involved. Then there’s Morgana who with his ability to turn into cars and the fact he introduces thief tools like smoke bombs, I can see him being a faster but frailer successor to Teddie.

Then there’s Ann who, no doubt, she’s a Zoner, and with her fire she’ll be Yukiko’s sort of successor. However instead of healing, I’d implement the fact that she learns concentrate and have it so the more she charges it up, the stronger her attacks get, but the Meter will gradually go down over the match. Yusuke, as tempting as it is to cop out and say ‘have him play like Vergil in Marvel vs Capcom’, I have a different idea. Namely, take advantage of the fact that Yusuke can learn counter by having him be the defensive specialist, set up ice traps to freeze the opponent, and if they get close, he can either counter or go for some combos.

Then there’s Makoto who would definitely be a grappler. I mean, she practices Aikido and is really strong, she can 100% pull it off. Finally Haru…… TANK! I mean come on, Haru wields an axe, has a grenade launcher, and Melady is literally a dancing tank in a pink dress, it just makes too much sense. I’d also give her a bit of armor cause if she’s slow she at least needs a chance to get her attacks in.

Okay so that’s 7 out of our 16 slots down, and given that one slot will have to be saved for the Evil Joker who would be the villain, we’re halfway done with 3 games to go, lord help me.

Okay, starting this off with P4, I’m gonna give them more than the others purely because they were the focus of the originals and there’s less realistic cuts I can make compared to 2 and 3. To make things simple, every returning character would play the same, and as for the ones I’d bring back for the base roster, we’ve got Yu, Yosuke, Chie and Naoto. Why them specifically? Well Yu is the main character, Naoto being a detective would basically mean she’d be the one getting everyone involved in the first place, Chie is currently training to be a cop as confirmed in P5 so her getting called in makes sense, and Yosuke is the best investigator after Yu and Naoto, he’s always up for a mystery and the second he learns Yu is involved he’s joining in. I just couldn’t cut him.

Now before the really painful cuts, Persona 2 is really easy. Out of Innocent Sin party members, by the end of the series Maya is the only one left with a Persona, and Katsuya is not only older brother of Innocent Sin’s protag Tatsuya, but he’s also pretty important and a detective so he’s definetly the one Maya’s dragging into this. As for how they play, they both use guns like Naoto, but how I’d mix them up is with Katsuya, I’d let him attack while moving (unlike Naoto who has so stay still to fire) at the cost of less combo potential, meanwhile Maya dual wields her guns so she’ll probably play like Noel Vermillion from BlazBlue where she’d more or less just use the guns to get longer reach melee attacks instead of shooting.

Now, for the hard part. There’s only 2 slots left, one of them basically has to go to Mitsuru (not that I’m complaining I’d probably add her anyway) meaning now I have to choose between the rest of the Shadow Operatives/SEES for the last slot. I narrowed it down to the 3 that were in the original Arena cause they’re the most plot relevant, but that still meant I had to choose between Akihiko and Aigis. I ended up deciding on Aigis though cause A, with Labrys not making the base roster someone has to represent the robots of the series, and B, with Akihiko currently pulling a Ryu by travelling to get stronger, it makes more sense that Aigis would be closer and easier for Mitsuru to call up. Honestly I was tempted to bump the roster up to 17 so I could have both of them on the base roster, but this is ArcSystems, 16 is already kinda pushing it.

DLC

Given that this is a modern fighting game, DLC is inevitable. However since this DLC will likely be like Ultimax where the story acts to wrap up loose ends and have a new story, it’s going yo be big, especially since there’s going to be a fight with Nyaraloptep, so go big or go home in this case. Okay so first order of business, anyone who was in the previous arena games who wasn’t in the base roster is getting added back in, it’s only fair. That out of the way, the new faces I’d add are Futaba actually being playable now and the big 4 P5 characters I skipped, Akechi, Yoshizawa, and Sophie. Before anyone asks though, Sophie was added into a Dragalia Lost collab with Koei Techmo not being credited so she’s likely Atlus’s copyright so she's safe to add.

With that out of the way, how would they play? Starting with Futaba, I’d think she’d be the resident puppet fighter, sitting on top of Necinomicon and only occasionally adding in some of her own attacks like a projectile. Also she'd also probably act as a bit of a grappler cause her Persona has tentacles (no hentai jokes please) which have long reach so that'll be perfect for it. Next up is Akechi who I can see as semi being two characters in one. My basic idea is that at first Akechi will be fighting with Robin Hood and he'll be a solid jack of all trades with a slight focus on rush down. However once he goes into his awakened mode he'll gain Loki, which will increase his speed and attack strength, at the cost of his defence, turning him into a glass cannon.

Next is Yoshizawa, or 'Sumi as I like to call her, and her thing will be she's the mobility focused fighter, namely constantly moving around the stage and poking at her opponent while doing it, at the cost of being frail. Finally there’s Sophie who would be a combo focused zoner, as in her standard projectiles (the yo-yo’s) wouldn’t hurt that much on their own, but she can string them together into the fancy yo-yo tricks to potentially do big damage. As for how much this DLC would cost, it’s going to be very big, so €25 to €30 sounds fair

I think that more or less covers my thoughts. I could keep going on about this for a while, but I think this is a good place to stop. Hope you like my idea!

#Youtube #persona 5 #persona 3 #persona 4 #persona 2 #persona arena #phantom thieves #investigation team #SEES #shadow operatives #happy 25th anniversary Persona!

18 notes · View notes

twinvictim · 3 years

Note

your opinions on each of the post team silent games and a rating out of 10. hand 'em over

YEAHHHHHH FINALLY CATERING TO ME!!!

Uh really long post oops. for reference, my rating for the first 4 sh's are as follows

Sh1: 9/10 Sh2: 7/10 Sh3: 9/10 Sh4: 9.5/10

Silent Hill 0/Origins

overall score: 7/10

Alot of the games issues can of course be attributed to it being a psp game, and while i won't excuse everything bc of that, j have to be honest and say I think it had so much potential as a (very) late ps2 game. Not to mention, the game ON THE PSP functions as it should. (The ps2 port does fucking not tho..oops) ans you'll see that this is...a rarity post team silent.

The story has alot of potential, Travis as a character is interesting and sympathetic and j think his dynamic with alessa js super fascinating to dig into, both of them being abused children and there was alot of intrigue regarding his powers, the game feels like a smaller more watered down she, and for that I can't fault it too much. The weapons system isn't my favorite but the combat itself is reminiscent of 1 and 2 and I really like a good chunk of the monster design, there was clearly thought and care put into it, nurses and strughtjackets/lying figures be dammed. The unlockables are pretty cool though and alot of the environments look pretty cool for a psp game, hell i LOVE the theater level its super unique, I would love to see it in (actually functional) better graphics. I also think the puzzles are pretty solid, not hair pulling like sh1 even if they're not quite as clever as say sh3.

My biggest criticisms come from the reuse of sh1 characters (just alessa and Travis would've been fine, maybe dahlia and some more org characters would've been better) the bad ending being straight up bad writing. Not to mention they did the sh3 thing of "kill too many monsters and get the bad ending" which is...stupid. The foreshadowing of the butcher being? He's just kinda there, I like the lead up but it would be more interesting if the butcher represented something from those years between Travis' father dying and him being an adult. And while there's more replayability imo than sh2, it doesn't have difficulty sliders and that makes it kinda hard to come back to quite as often. Not to mention unlike sh1, 3or sh4 there's not as much horror focus and random events.

Overall, solid game its fun to play, very silent Hill and if you're willing to look past a few continuity errors and accept its a little different and slightly derrivitive at the same time, I like to say I had alot of fun with it and still do. (Maybe I just like Travis alot...idk)

Silent Hill: Homecoming

Overall score: 6/10

Once again most of the issues here are gonna be corporate fuck ups, but I'm also not gonna beat around the bush, this game isn't like...good. its bad actually. "But you gave it a 6/10?" Yeah bc its not NEARLY as bad as some other games I've.. experienced.

The negatives here are, many and vast, so let's run them down. Firstly the games performance is janky on console (ps3 at least) and abysmal/unplayable on PC, what with framerate issues that are detrimental to game play on pc and make the third boss impossible. That said on console it is completable and not even too terrible...usually. Scarletts boss fight however is terribly unbalanced and broken on all skews so :/. The combat is...functional but not anyone's favorite, it's difficult to use any actually strong weapon and you can pretty much strong arm ur ways through shit with just the knife (except scarletts first form..don't try it, it won't work) for some people this will be borening (not my opinion but w/e). Most of The puzzles...leave alot to be desired. I hate sliding block puzzles. Also no run button? At all?? No easy mode? Ok... also what is this.. wheel design for the inventory...im accidentally using my serum..what is serum also? And why is the item pickup noise like...bass boosted.

The character models look awful most of the time, and comically unfinished other times, some human models are just grotesque, (judge halloway, Adam shepherd, mayor Bartlett. .you get it) and yes...there are sexy nurses. Bc of course there are. (Whole ass out???) They did straight up have some terrible endings for this game (ph ending for one, the way you get the ufo? Hell the ufo ending is kinda boring. I like the in water ending here too but. Yeah.) the story has some, problems. To say the least.

However, while the performance is bad its not the worst I've played (on the ps3 once again..unplayable on pc) and I hardly noticed the framerate when I was just running around, I personally found the combat kinda fun, between trying to dodge accurately and still attack and not use all my health items (bc those and ammo are actually rare! Unlike some games...) it is kind of a challenge and reminds me of a much worse sh4. And hey, the health items both heal an understandable amount of health that i can easily read with a bar (unlike 1-3) and they're not a complete joke (unlike sh4...) i find the exploration really fun and sure the characters look shit but the environments are Fucking great. The church is one of my fav sections, short as jt might be and yes it stole the confessional scene but its pretty well written and acted I think. The monster design is pretty fucking rad too honestly, I like the schism, siam, I like the DESIGN of the needlers even if they make me so mad to fight, and hey the nurses and ph don't show up that much to be too aggregious. The boss monsters are also fantastic design wise, very unsettling and the boss rooms are interesting as well.

The story has problems but it also has alot of potential, the concept of people sacrificing ther children for silent Hill and being overcome by their own pain and guilt is pretty fucking cool, and alex is a good character they did a good job of giving him personality, ppl bitch about him being a soldier but a) he's not and b) soldiers are people too, and a sh game that could tackle toxic masculinity, be critical of the military, and also tackle abusive religeious parents is pretty intriguing, not to mentions themes of brotherly love that's complicated bc of how they clearly favored Josh . Sure, it misses the mark, but I like taking the potential and thinking about it bc its compelling to me. And like I said, i like alex alot.

Overall, bad game yes, but not the worst as it has enough good for me to honestly really enjoy it, besides it is pretty funny when it is bad. Don't play the pc port tho

Silent Hill Shattered Memories

Overall Score: 8/10

Unpopular opinion im sure but honestly? I find this game ALMOST on par with the team silent games. Its really that good, yes its a wii game, so this is my score taking into account the motion controls BTW.

For the good, man where do i start. Its BEAUTIFUL for a wii game and esp for a post team silent game, the graphics are nice and Constsitent, the environments are pretty and it has a pretty nice cold color pallet to contrast the warmer tones the series tends to skew towards. The acting and intrgrige are all on point and the WRITING is fantastic, its one of those games you play the first time not knowing the twist and play the second time picking up more and more clues and things that strengthen that twist so much more. Like sh2 its a simple story told in such a clever and interesting way that you'll probably be too invested to put it down, I beat it in one sitting in 6 hours bc i was so engrossed in the narrative. And the Puzzles man! The puzzles are phenomenal and fun to accomplish and there's even a little bit of variety in a few places on repeat playthroughs. The level of detail in this game is insane really, the things that change with the different psychology answers are pretty cool too and tho it all plays out relatively the same its still fun to see the different things you can get to happen. The gimmicks like the phone as an object, taking pictures, sneaking and zooming in, they're not too intrusive as to take away from the exploration or other game play but not completely useless and have some pretty fun Easter eggs too. The game plays sort of like a worse outlast with good puzzles and for that I do have to commend it. Oh and the fucking MUSIC is INCREDIBLE idk something ab this soundtrack has alot of heart put into it clearly.

Now, it's not perfect. The thing is, it is a WORSE outlast type game, in the running and hiding sense but well, the hiding is completely useless, its a run away game, which is ok, but I understand that people aren't gonna be a big fan of that when silent Hill has always balanced combat ad puzzles and exploration. The running segments are..aggravating, mostly bc its hard to figure out where to go, not to mention using motion controls that don't like to work half the time to fight the monsters off of you. Also, the monsters are not scarey in the slightest and the raw shock scream is actually enragaging if you've died one to many times, there's also...not really any penalty for dying. And once you're out for these running segments,there's no danger, no monsters, nothing to hide from despite having a hiding mechanic. Its not really a horror game more of a psycological thriller and I understand that the fact that its not horror can be disappointing. The psychology things might be a bit overhyped And yeah fine, the wii foreplay scene...well yeah its weird but it IS also funny as fuck.

That said, there's still alot thats good and alot thas unfair criticism lobbed at this game. Harry didn't have much of a personality in sh1 bc he's a ps1 character and sm really fleshed him out well, not to mention giving cybil some nice characterization, and they did some interesting things with dahlia and kaufmann. And Lisa.. well I'm gonna be honest I never found Lisa all that interesting in sh1..so it doesn't bother me that she's the way she is in this game. I know people hate the "horny" aspect of it but to be completely fair, YOU choose to make the game that way, don't answer in a sexual manner or look at boobs or anything else and you won't have an overly sexual game, its...literally that easy. Its given as an option for the play id they want to go for what is arguably another joke ending. (You cannot tell me sleeze and sirens is meant to be a real serious ending to the game. Cmon) and you can complain about the innacuuracies if you want but its a spin off, a retelling of the original game. Its not canon, and it didn't change the original game. It just took the ideas presented there and made them more human and lest fantastical, there's some supernatural elements but it takes a backseat to the human moments. And its honestly really cool.

Overall, great game, i reccomend it if you don't mind some slight jank with the motion controls and honestly? Look up directions on where to go for the running segments and you'll have a pretty good time overall.

Silent Hill Downpour

Overall score (so far): 7.5/10 *to be noted i haven't finished actually playing it yet but I know the basic plot and some of the details so I doubt it'll change

And so for the final silent Hill Game, I have to say, i don't think it deserves NEARLY the hatred it gets, there's alot about it that i find really cool and even fun and I think its a solid entry, a little better than origins in some parts and its downsides are both unfortunate and once again, mostly Konami's fault . That said, I'm also not gonna kid and say its a good game, just that I like it alot and we should be nicer to the last silent Hill game were probably ever gonna get.

Downpour has a pretty good, original story overall, there's alot to it, alot of intricacies and intrigue to it that honestly make it a pretty sold silent Hill game. Its different enough from the others to stand out but not super far removed from its themes and messages. I like that it doesn't try and lean into the cult aspect and tries to do something else with it, it doesn't try to explain silent Hill, but just use it to torment the characters, as it should be. There's tragedy ad human feelings here and some of them aren't the most...sensitive but they are pretty reasonable reactions id say. Playing as someone who's odds are stacked against him from the beginning as he's a prisoner is a cool way to open the game, someone convicted and you must discover if he is a good person or not. Themes of revenge explored more than in sh3 which is pretty cool. The environments look pretty nice, and i like the look of the otherworld, once again being unique with its cooler color pallet, but without the ice so it really feels like its own thing. The EXPLORATION is awesome with an actual open world which I think works well, there's alot to do in town (unlike sh1 and 0 on limiting hardware and 2 which just pretends you can explore to town but you cant) there's alot for cool little stories and sidequests to do, my favorite so far being the cinema (which has a section of ACTUAL fixed cameras like old Resident evils which is smth SH has never done and its super fucking cool!) And all the sidequess help strengthen murphy as a cheacter and argue for his innocence or complexites. The weapons system is pretty cool, picking up items and attacking with whatever you might find, finding cool Easter eggs with exploration and having fun noticing things. And it does honestly have the strongest side characters outside of SM. The puzzles are pretty solid and fun to figure out with some cool mechanics and the seperate difficulties is a great thing to bring back (actually done well like sh3) I also kind of like the method of triggering the night world/rain/monsters, and silent Hill really feels likes its constantly punishing Murphy, as it should. The music might not be Akira but its still pretty damn good, and fuck yall I like the Korn song, and you CAN press start and skip it yknow. (Thx tomm hewlit)

The negtitives tho, well they are there. For one it has the worst performance of any sh game outside of pc homecoming and like...the hd collection, the framerate like to shit itself alot lmao, its not usually detrimental bc I've played re2r with similar framerates but, yeah its not great. Not to mention while the models look better than hc they don't animate well or often at all, and the game has trouble loading in the models as fast as they should. The sound mixing could use...some work too, poor murph sounds like he's eating the mic. While I find the games exploration really fun, murphy also has the issue of not running very fast so it can be a little annoying to get back to a place you want to be when you can't run that fast, not to mention the loading times. The monster design is def the worst in the series, maybe on par w SM. Which is disappointing bc there's some pretty good moments here and there, but not nearly enough to make it scary and there's so much you can do with monsters with this premise. Also, the running sections in the otherworld are better than SM ad even more engaging than the brief ones in 2 and 3, but still, I'd prefer to do puzzles or fight a boss or smth. I will also say, the endings are, iffy while the main 2 endings are really good and Anne's bad ending as well as the joke ending are great, murphys bad endings are weird and ooc for the muphy you come to know in the game (even more so than Origins) plus, idk that the writers knew all that much about prison andbprison culture, nobody in a real prison would be mad ab Murphy killing a pedo (there's some racist implications here and there too which is. Unfortunate and disappointing. I like Howard and Robbie but they are a bit tropey, esp Howard) that said Anne is a compelling albeit unlikable character and thas pretty cool to see pulled off.

Overall, while it has downsides, I don't think Downpour is worthy of all the scorn it gets, this can have problems and you can point them out without disregarding the good parts and while it is unfortunate it doesn't run better and have some extras and didn't handle some things great, I still think its worth a playthrough, esp if you go out of your way to do the sidequests.

Bonus round

Book of memories is not a game I intend to play bc I don't wanna get a vita and can't imagine I'm missing much. It doesn't look bad pwr say but I'm not interested tbh

Fuck PT. :)

#entries #silent hill #long post #thank u thank you #ill try tk put a cut in here at some poitn hold on srry

12 notes · View notes

electricea-archive · 3 years

Text

@gohanscn sent - Recommend us 5 video games. [ aside the persona series :p ] ( More Munday Asks - Accepting! )

18. Recommend us 5 video games.

Ooh, this is going to be fun.

1. Tales of the Abyss for 3DS / Playstation 2 - Honestly, my favorite title on the 3DS - even though I’m aware that it wasn’t originally released on the system. I think it’s a great action RPG which has a really compelling story and universe. The main character is unique in the sense that he’s meant to be unlikable - he’s meant to be arrogant and full of himself and someone you’re sort of rooting for to be knocked down a peg or two and it’s meant that way to show his later character development in the game - if you find yourself at any point disliking or hating the main character, that means that the writers have done their job and done what they’re supposed to and it makes his eventual turnaround and character development as a person that much more impactful and beautiful - if you really want a game that employs character development and a hero who truly evolves and changes over the course of his journey, check this game out.

2. Pokemon Conquest for the DS - normally I would even ask why I need to list Pokemon, it’s a series that is on everyone’s radar and everyone is aware of to some degree - but this is one of those Pokemon titles that always seems to slip through the cracks and I rarely, if ever, hear this game being brought up or mentioned at all and I think that’s a damn shame. Pokemon Conquest is a strategy RPG which is set in Feudal Japan, in which you play as a Warlord of your kingdom - and the goal of the game is to conquer other kingdoms and recruit more Warlords to your cause. Each Warlord is partnered with a Pokemon - so types definitely play into it, because a lot of the enemy kingdoms are based around one particular type - for example, there’s a Psychic type kingdom. There’s a little bit of kingdom management and the typical trappings of a Pokemon game such as strengthening and evolving your Pokemon - the game offers more challenging story modes to check out when you’re done the main story and yeah, it’s just super fun and underrated tbh.

3. Lunar Silver Star Harmony - PSP (Can also play older versions of it on a Sega CD/PS1/GBA) - Lunar is definitely one of those games that has been remade and revamped a lot of times and I think at its heart, its a very simple and yet also touching game - the relationship between the two main character really takes center focus and you really feel the strength of their bond and care for each other. The combat is pretty easy to understand I think it’s an easy enough game to pick up and play - I think it’s got everything that a simple fantasy RPG needs - dragons, a great adventure, a badass villain, some mages - its simplicity is what makes it so enjoyable, I think.

4. Miitopia - 3DS / Switch - Miitopia is definitely an RPG that doesn’t take itself too seriously, it’s a game that is full of cliches and it knows it and has a lot of fun with the idea and the premise. The fact that all of the playable characters, the NPC’s and even the villain can be ‘cast’ by whichever Mii’s you want (Or chosen randomly which might make for even funnier results) makes for a really customizable and hilarious journey. I wish there were more RPG’s like Miitopia out there.

5. Mass Effect - PS3/Xbox 360/PS4/Xbox One/PC - Doesn’t really matter which system you play it on and this is in reference to the trilogy, not Andromeda. I think Mass Effect is really impressive in the sense that a lot of care went into its universe - there’s many different alien species with their own cultures and personalities, there’s many different planets for you to explore and many different party members/squad mates who you can form unique relationships with. Mass Effect is one of those games where it really does feel like you get to form your character to your liking - from their physical appearance to their personality - like maybe they’re a nice person, really snarky, or just an asshole - and a lot of these aren’t just dialogue choices, there’s a lot of points where you have to make choices that affect future games - one decision made on a mission in the first game might have catastrophic consequences by the time that the third game rolls around. In general, it’s a really thought provoking and interesting experience.

#( ooc. )#gohanscn

4 notes · View notes

networksload185 · 3 years

Text

Download Red Ace Squadron

Red Ace Squadron

Type of Program: Game Supported Platforms:Windows 95b/98/ME/2000/XP Company Name: SmallRockets Version: Price: $19.99 Installed Size: 64.7 Mb

Red Ace Squadron is the follow-up to the best-selling Master Of The Skies: The Red Ace. You won't need to learn complex key commands or read a huge manual to play - your plane is controlled solely by the mouse and a few other keys. Red Ace Squadron 'Pro' version updates the original title. PC Game Reviews, News, Mods & Videos. Download Red Ace Squadron Pro Demo 1.09. Red ace squadron windows 8 Honestly talking, you will not find any such system which change the Red Ace Squadron Free Software total apartment edge of this traditional game. The Suncoast is another off the Red Ace Squadron Free Software strip property which has a broad variety of poker machines we can play. Red Ace Squadron download free. full Game Speed-New. Red Ace Squadron - kurzweilige Ballerei in der Luft. Ist zwar keine 'echte' Flugsimulation, weckt mit seiner kurzweiligen 3D-Action aber schnell. Metacritic Game Reviews, Red Ace Squadron for PC, This World War I flight combat game lets players fly one of eight different planes.

Download/Homepage

During the installation you can pick where you want the program to be placed and if you want you can also place a shortcut on the desktop. In this game you are in World War I and you are in the air force. The difference between Master of the Skies The Red Ace and Red Ace Squadron is that the aircraft are a little bit better. The machine guns are more effective than they are in Master of the Skies The Red Ace. In training level 3 you get to take down a few buildings, aircraft and some anti-aircraft guns with the help of your friends. The only bad part of the game is that there are only 3 training levels in the demo and the training levels are easy so I suggest you buy the real game. Full version features (from their website): Play two new single-player campaigns, or multiplayer via LAN or Internet Multiplayer allows up to 8 pilots to compete simultaneously Follow Allied or Central Powers campaigns in single player, with 14 new missions New power-up stations allow players to re-arm and repair Pilot two new twin-engined bombers - the Handley Page and the Gotha G IV Complete campaigns to access special super-hard Master Mode, and a secret mission!

Performance: User Friendly: Cost: Ease of Installation: Support: Reviewed by Patrik

A note to Tucows Downloads visitors:

All good things…

We have made the difficult decision to retire the Tucows Downloads site. We’re pleased to say that much of the software and other assets that made up the Tucows Downloads library have been transferred to our friends at the Internet Archive for posterity.

The shareware downloads bulletin board system (BBS) that would become Tucows Downloads was founded back in 1993 on a library computer in Flint, MI. What started as a place for people in the know to download software became the place to download software on the burgeoning Internet. Far more quickly than anyone could have imagined.

A lot has changed since those early years. Tucows has grown and evolved as a business. It’s been a long time since Tucows has been TUCOWS, which stood for The Ultimate Collection of Winsock Software.

Today, Tucows is the second-largest domain name registrar in the world behind Go Daddy and the largest wholesaler of domain names in the world with customers like Shopify and other global website builder platforms. Hover offers domain names and email at retail to help people brand their life online. OpenSRS (and along the way our acquisitions of Enom, Ascio and EPAG) are the SaaS platforms upon which tens of thousands of customers have built their own domain registration businesses, registering tens of millions of domains on behalf of their customers. Ting Internet is building fiber-optic networks all over the U.S. At the same time, we’re building the Mobile Services Enabler SaaS platform that is powering DISH’s entry into the US mobile market.

Point is, we’re keeping busy.

Red Ace Squadron is a challenging shooter that features colorful graphics, diverse sound effects and march music. Graphics is quite well done; jets, AA guns, tanks and structures look decent though they lack details in order to be called realistic.

Download Free Red Ace Squadron

For the past several years, history, well sentimentality, has been the only reason to keep Tucows Downloads around. We talked about shutting the site down before. Most seriously in 2016 when instead, we decided to go ad-free, keeping the site up as a public service.

Today is different. Tucows Downloads is old. Old sites are a maintenance challenge and therefore a risk. Maintaining the Tucows Downloads site pulls people away from the work that moves our businesses forward.

Tucows Downloads has had an incredible run. Retiring it is the right move but that doesn’t alter the fact that it will always hold a special place in hearts and our story. We’re thankful to the thousands of software developers who used Tucows Downloads to get their software in front of millions of people, driving billions of downloads over more than 25 years.

Thank you. Sincerely, Elliot Noss CEO, Tucows

A note to Tucows Downloads Authors/Developers

If you’re a developer who used the Tucows Author Resource Center (ARC) as part of your software dissemination, to buy code signing or other services, we’re happy to help with the transition.

Red Ace Squadron 2 free. download full Version

Any certificates purchased through ARC remain valid. If you’re looking to buy or renew code signing certificates, we invite you to go straight to the source; Sectigo was our supplier and will be happy to be yours too. Feel free to reach out to us at [email protected] if we can help with anything at all.

1 note · View note

satoshi-mochida · 4 years

Text

Some thoughts on my last Gamefly rental, Devil May Cry HD Collection.

Devil May Cry 1

DMC1 was changed in production from Resident Evil 4, and I can see some of the more classic RE mechanics still here: some fixed-camera angles that tend to change at awkward points(which was kind of disorienting when it changed angles in the middle of hallways or in some boss fights, like Nelo Angelo, but has been improved in the later games), the transition for going through doors(not the ‘slowly opening the door’ one, the ‘zoom in’ one), and a horror atmosphere(even more so later on).

Though I never got super good at it, I think I picked up on the gameplay in this one and others pretty easily, though they don’t really give you any tutorials until 3. That was only a real pain for me when you NEED to use High Time to deflect shots back at a statue, and I didn’t know this until I looked it up. It IS in the moves menu, so it is slightly on me as well for not checking through those.

The location for the game, Mallet Island, was a stage in Project X Zone 2, so it was cool seeing it in full.

Devil May Cry 2

I kept hearing the game was bad, but based on everything I’ve seen and heard, I was expecting a LOT worse. It felt like it had improved in some ways(like more open areas so the camera isn’t as much of a pain), but was weaker in others. It feels like the weakest of these three, though.

Dante starts with some abilities he had to learn in the first game, like the Air Hike and Stinger, which is nice; I hate not being able to double jump.

Some issues I had with it: no indicator of your location on the map screen aside from the room you’re in flashing(DMC3 is like this too, but it’s not as much of a pain to navigate since it’s not as dark), not too challenging(on the starting difficulty, at least), and when locked onto an enemy, you ALWAYS attack in their direction(lock-on was improved in 3). Also, the combat feels...more loose, maybe(?), compared to the other two.

Stage 14 for Dante was the worst for me; the stage is very dark and it was hard to see a wall you needed to jump over(hint). The stages afterwards and endgame made up for it, though.

I liked Lucia; she’s better at aerial fighting than Dante, and I liked her story. Hope she is able to come back again.

Devil May Cry 3

“People said DMC 2 was too easy, so we should probably make the next one more challenging.

DMC 3 Developers: Hold my beer.”

To be fair, they made the Japanese Hard difficulty Normal Mode for us, for some reason. I switched over to ‘Easy’ mode after getting frustrated for a while.

It was cool being able to play through the game as Vergil, but I wish that, aside from ONE new cutscene, and all the others being MIA, you weren’t just playing through Dante’s story as Vergil. He does have several differences from Dante, though: he can’t use Air Hike(double jump), has all of his weapons from the start and doesn’t need to choose between two melee weapons at once, letting you freely switch between all 3, and only has one Style to level up.

Combat feels the best in this one compared to 1 and 2, imo, and the VA work is much improved. The several different Styles are a nice way to change up Dante’s moves(though I wish this version had the anytime-Style-switch that the Switch version had so I didn’t need to wait to change it out), though I usually stuck with Trickster.

One thing from this game compared to the first two I also like? MUCH more talking. There are many stages in those two where there isn’t much talking at all(aside from battle grunting). Might have been for atmosphere though, and that’s fine. This seems to also be when Dante full-on became the wise-cracker we know him as(he had his moments in 1, I think, though).

It’s too bad you can’t play as Lady in this game; she’s pretty cool. I think she is playable in DMC 5, though.

I’m sure many other people can go into more detail about game mechanics and such between the three, but I’m not too good at that sort of thing. ^^;

I’ll get to renting DMC 4/5 down the line; I had played a VERY small bit of the former way back when(back when we actually had a Blockbuster), but 1, the disc was kind of scratched, I think, and 2, my 360 was dying, so I only was able to beat the first stage. Gamefly has the PS3 version, though not the PS4 version, unfortunately.

In contrast, I don’t think I’ll try DMC: Devil May Cry. I’ve heard plenty about it, and not good things(mostly story-wise). ^^;

Next game being sent is: Little Town Hero.

#Devil May Cry HD Collection #Devil May Cry #Thoughts on my rentals

4 notes · View notes

aion-rsa · 4 years

Text

Ghost of Tsushima Review: A Beautiful Homage to Akira Kurosawa

https://ift.tt/eA8V8J

Ghost of Tsushima is a daring departure for Sucker Punch, who since 2009 has worked solely on the Playstation-exclusive Infamous series. While those games were steeped in modernity, offering sprawling cityscapes players could explore from top to bottom via superpowered “conduits” Cole MacGrath and Delsin Rowe, Ghost of Tsushima’s open world is set in feudal Japan. It’s here that we meet young samurai Jin Sakai, who must defend his homeland, the titular island of Tsushima, from an invading Mongol army.

Right off the bat, the shift in time period and milieu to 13th century Japan is notable because Sucker Punch handles it so brilliantly, especially for the team’s first foray into the samurai genre. Japanese history and culture are woven into every single facet of the game so elegantly and organically that you’d think the team had been developing games set in feudal Japan for the past decade, not sci-fi superhero romps. More than anything, Ghost of Tsushima is a moving homage to Japan, its history, and its people.

The story opens with a massacre. A massive Mongol army, led by the cunning Khotun Khan, storms the beaches of Tsushima and is met by the island’s woefully outnumbered samurai contingent. When the leader of the samurai challenges Khotun to a one-on-one, fair fight, the Khan renounces the honorable gesture in gruesome fashion, literally setting the courageous samurai on fire in front of both armies. The rest of the samurai are obliterated on the beach, while Jin’s uncle, Lord Shimura, is taken prisoner by the Khan. Jin is also fatally wounded but is miraculously nursed back to health by a new ally, a thief named Yuna who needs his help in return.

These opening moments set the tone for the rest of the game. The philosophical conflict between honor and deception is the beating heart of the story and permeates the gameplay in riveting ways. As you fight to take back Tsushima from the Mongols, you can approach enemy encounters in two ways. You can choose to fight honorably, like a true samurai, and challenge enemies to a “standoff,” a quick-reflex mini-game of sorts in which you and one of the baddies face off one-on-one and see who flinches first before one of you slashes his blade through the other. You’ll then have to take on the rest of the enemies all at once, which is no easy task.

The other option is to fight like a “Ghost,” sneaking into enemy camps, killing the bad guys in their sleep, poisoning them, using intimidation tactics to scare them into fleeing battle. It’s an effective way of evening the odds between you and your foes, but it rails against everything the samurai stand for.

Countless games offer the player the option to approach combat either stealthily or head-on. This is far from a novel concept, and in this respect, the combat in Ghost of Tsushima offers little innovation. But what is innovative here is how Sucker Punch has taken the classic device of stealth vs. frontal assault and given it new life by expertly integrating it with the themes of the story.

Jin meets a handful of allies on his journey, each with their own multi-chapter story arcs that delve into their respective backstories. There’s sensei Ishikawa, a master archer whose protege has gone rogue and joined the Mongols. Lady Masako is a warrior and grandmother whose entire family was murdered by the Mongols, though she suspects they may have died after someone close to the family conspired with the enemy.

Each of the characters explores the honor vs. dishonor theme in unique and surprising ways. The dichotomy is most starkly represented in the clash of ideals between Lord Shimura, who is unshakably honorable and would rather die than gain an unfair advantage in battle, and Yuna, who understands that, to beat an enemy who fights dirty, you may have to put honor to the side for the sake of saving your people. Of course, Jin is caught in the middle and struggles to decide what kind of man he wants to be.

Aside from the ties to the story, the gameplay is fun and engaging. The swordplay combines parries and dodging with a more strategic approach to melee, as you try to find ways to build up your enemy’s stagger gauge. You can also use “ghost weapons” to give you an edge in battle, like kunai (throwing knives), smoke bombs, arrows, and more. There are also four stances to master, with each being effective against a different enemy type. Switching between stances is integral to combat and becomes second nature over time. There’s also an insanely cool fifth stance that I won’t spoil here, but it’s spectacularly badass.

Stealthing is strikingly similar to what you’d see in an Assassin’s Creed title (this is a compliment), and the game gives you myriad ways to kill enemies without raising alarms, like throwable wind chimes and firecrackers that allow you to manipulate their positioning or hallucinogenic darts that turn them against each other. Again, this is all stuff we’ve seen before, but it’s pulled off well here.

Release Date: July 17, 2020 Platform: PS4 Developer: Sucker Punch Productions Publisher: Sony Interactive Entertainment Genre: Action-adventure

Unfortunately, there are little gameplay flaws that needled at me, especially in the later hours of my playthrough (it took me around 45 hours to finish the game). The swordplay requires quick reflexes, and mastering parries and dodging is absolutely pivotal to your survival. The problem with the swordplay is subtle, and a little difficult to explain, but I’ll say it like this: in most games that are particularly challenging, when I die, I feel like it was my fault because I made a mistake, I just wasn’t fast enough, I hadn’t mastered certain skills. But on many occasions in Ghost of Tsushima, I felt like I died because the game didn’t give me a fair shot, like it was the game’s fault that I failed, not mine. It’s possible that I just wasn’t very good at the game, but it felt at times like I wasn’t given a choice in the matter. Your mileage will vary with the game’s difficulty level.

There are other things that bugged me, too, like the unreliable climbing mechanics (I swear, sometimes hopping onto a rope or branch that’s literally right in front of you is way, WAY too difficult). But overall, I had a great time playing the game and felt super powerful by the time I’d filled out my skill trees, which is no surprise considering the game was made by the same folks who made Infamous.

On a nuts and bolts gameplay level, Ghost of Tsushima doesn’t feel all that unique — there is some very familiar open-world stuff here. But on a presentation and storytelling level, the game is out-of-this-world amazing. Visually, the game looks stunning. The late-stage PlayStation 4 graphics really deliver, and coupled with the strength of the art design, Ghost of Tsushima is a true head-turner. The character models look fantastic and can emote on a level that supports the drama of the story. And while the different suits of armor that Jin acquires offer unique gameplay perks, I honestly just collected and upgraded them almost exclusively as an aesthetic indulgence. They look so freaking cool.

But the real stars of the show are the environments, which look picturesque from every conceivable angle. The wind-swept, verdant hills of Tsushima are intoxicatingly pretty, to the point where I’d get caught up ogling for minutes on end at the smallest of details, like the way the moonlight bounces off blades of grass or the way Jin kicks up crimson-red leaves that have blanketed the ground over time. I could go on forever about the dynamic day/night cycle, the beautiful rendering of different fabrics and materials, the horse animations. But instead, I’ll just say that this is the most breathtaking game, visually, that I’ve seen in recent memory.

A lot of love also went into infusing the game with Japanese cultural references, particularly in how the developers pay homage to the samurai genre. Each mission, for example, is bookended by cinematic intertitles that evoke old samurai cinema, Japanese characters, and all. But without a doubt, the most obvious/most amazing homage is “Kurosawa Mode,” which presents the game in black and white, with one of the best film grain filters I’ve ever seen in a game, resulting in an experience that looks almost exactly like a film from the iconic Japanese auteur’s oeuvre, right next to Sanjuro and Seven Samurai. If you’re a long-time fan of Kurosawa, turning the mode on may even elicit an “I’m not crying…you’re crying!” response — it’s that pretty.

I initially intended on playing the entire game in Kurosawa mode but quickly realized that it would be problematic to do so for a few reasons. Some missions require you to “follow the (insert color) flowers,” which is obviously impossible in black and white. And in combat, blockable enemy heavy attacks are signaled by a blue glint, while unblockable ones have a red glint. Combat is tough enough as it is, so…yeah. I only turned the mode on when I was riding on my horse through the countryside and I felt like treating myself to some eye candy.

Taking time to smell the cherry blossoms and have a respite from the game’s many missions and side missions is crucial because Ghost of Tsushima is a long, long game. The missions aren’t overly repetitive — most of them feel really special actually, like when you climb a mountain in freezing cold weather and must race from campfire to campfire on your ascent, or one armor quest comprised of several one-on-one duels with straw hat swordsmen scattered about the map, each with a distinct personality. But 40-plus hours is 40-plus hours, and while the main tasks of infiltrating enemy camps, liberating farms, and searching for special gear can lead to questing fatigue at the tail end of the game, the nice thing is is that you can always slow things down and just enjoy the scenery to break things up. There’s even a nifty photo mode to play with, and if any game warrants a photo mode, it’s this one.

Jin’s story isn’t just a means to an end, or a lazy excuse to drag the player from gameplay scenario to gameplay scenario. The story is incredibly well written and profound in its messaging and imagery, so much so that I believe it’s one of the best modern entries in the samurai genre, regardless of medium. All of the characters you meet and the little tales that unfold across Tsushima are filtered through Jin’s inner struggle with what honor really means and whether or not it’s worth dying for, which gives the story an incredibly strong narrative backbone. Despite the game’s epic scope, Jin’s journey actually feels quite intimate and personal. The same could be said of Kurosawa’s best work, and that’s just about the highest compliment I can give.

The post Ghost of Tsushima Review: A Beautiful Homage to Akira Kurosawa appeared first on Den of Geek.

from Den of Geek https://ift.tt/2OotV4C

#aion-rsa #Den of Geek

3 notes · View notes

biscuitreviews · 4 years

Text

Biscuit Reviews Final Fantasy VII Remake

For many people Final Fantasy VII was a gateway to the JRPG genre and the Final Fantasy series. Final Fantasy VII was actually the second game in the series I played and I loved this just as much as Final Fantasy VIII. In fact, I used to have a Spring Break tradition when I was in high school where I would play Final Fantasy VII from start to finish. The original Final Fantasy VII hasn’t aged well in the visual department, but the gameplay is still really solid. The Materia system is still regarded as one of the best advancement systems in any RPG, and its influence is still felt today in many titles. I still remember 15 years ago when the PS3 tech demo came out showing the newly remade intro to Final Fantasy VII and like many, I too wondered if this was the beginning of a remake of the game.

Square Enix would deny this saying it was just a demo of the PS3 capabilities and rather than remake the game, they decided to expand on Final Fantasy VII, with a movie (Final Fantasy VII: Advent Children), a mobile game (Before Crisis: Final Fantasy VII), a PS2 third person shooter (Final Fantasy VII: Dirge of Cerberus), and a PSP Prequel (Final Fantasy VII: Crisis Core). All these entries were not great, with the exception of Crisis Core, which followed SOLDIER Zack Fair and how he kickstarted the events that occured in Final Fantasy VII.

Like many fans, I too entered the Final Fantasy VII Remake with extreme caution. My main worry wasn’t if content would change, but rather if everyone’s personality would mirror Advent Children. That was my biggest concern because Advent Children really brought down the cast quite a bit. Needless to say, they more or less kept in line with how they were originally portrayed in the original game with some extra moments where they all shine.

I want to first mention that as you probably know that the Remake only covers the Midgar section of the original story, which consisted of five in-game hours of the original. I do also want to mention that there will be some spoilers, but I won’t be spoiling the new things in the Remake, but rather spoiling the instances that the Remake shares with the original. I will have a spoiler discussion at the end which will be marked by the “Keep Reading” cut. Final Fantasy VII Remake will follow a episodic release and I have to say, Square missed the opportunity to call this Final Fantasy VII Remake: Disc 1. Then again, maybe that could have potentially caused confusion towards potential new fans.

You are Cloud Strife, an EX-SOLDIER and mercenary hired by AVALANCHE to assist them in their mission to take down the Shinra Corporation. Cloud will meet various allies to help on his journey that include: Barret, the leader of AVALANCHE, Tifa, a bar owner and member of AVALANCHE, and Aerith, a flower girl from the Sector 5 Slums.

Many classic characters get expanded upon as well. Biggs, Wedge, and Jessie get backstories and more personality. Biggs is just a big softie, Wedge’s personality is food, and Jessie’s personality is sexual harassment. I tried reporting her to AVALANCHE’s HR, but there wasn’t one and Barret wouldn’t listen to me, so Cloud just had to deal I guess.

For fans of the original, all the classic moments are still here. The Sector 1 attack, the Airbuster fight, Cloud in drag, all those moments are still present in this Remake. All of those moments are also really beautiful looking and even expanded upon in great ways that honor the original. They will definitely make fans of the original Final Fantasy VII just pause and admire the upgraded look of everything.

There were some places that got expanded upon for the sake of padding, but honestly it didn’t really much bother me, but to me it meant fighting in the newly upgraded ATB battle system.

The combat is the perfect evolution of the ATB battle system. You can attack and defend at will, but if you want to use special attacks, magic, or items, you have to let the ATB meter charge and fill up to use those commands. When you open the command menu, time slows down to give you a moment to find the command you want. You can even switch characters in the middle of battle to give them their own commands or even play as them during the fight.

I also love how some fights you have to really strategize how you’re going to handle the encounter. Staying as just one character isn’t going to cut it in some fights and there are some moments where you will have to take control of another character because they're better suited for that battle. You’ll also have to make sure go in with the proper Materia to expose weaknesses to gain the upper hand. Some of these fights are really hard and you’ll get pulverized for going in them ill-prepared and that’s just on the Normal difficulty.

The Materia system still works the same as it did with the original. You upgrade your materia by completing battles. However, now you can upgrade your weapons for additional stat boosts. Each weapon also has a weapon ability that you can learn. Once the ability is known, you can use that ability even if you have a different weapon equipped. You know how I mentioned earlier that having the proper Materia will help in a fight. Even though it’s not so much the case for weapons, there are 1 or 2 boss fight that you might want to consider switching weapons around for your characters.

Now, what about the other mode that Square advertised, Classic Mode, is that closer to the turn-based style from the original? No it’s not, in fact it’s Super Easy mode where attacking and defending happens automatically and you only worry about the commands, but even then you don’t have to bother much with commands as the game plays itself mostly. Don’t take this as me shaming anyone for playing this mode, if you want to play it on Classic, more power to you, but I also don’t want someone seeing it and thinking that the mode is something that it’s not.

Even though this game is a Remake, it doesn’t in any way erase the original game. The original Final Fantasy VII will always be there and it’s still worth giving it a look today if you’re curious about the rest of the story.

Now, I’m about to enter spoiler territory as there are moments that I do want to further discuss, so if you don’t want spoilers, I’ll give my score here and have the spoilers in the cut. Only go to the cut if you’ve played the game or don’t mind spoilers at all.

Final Fantasy VII Remake gets a 5 out of 5

Ok, Story Spoiler Discussion Time!

I have to say, I’m actually a big fan of the ending. I’ll admit when Sephiroth was introduced in Chapter 2, I was concerned that Square sped it up for the sake of the fans. When Barret was saved by Fate, I was concerned that it was just going to be a stupid plot device to make sure certain characters lived.

Then the final chapter happened and everything made sense in a weird way.

The fact that this is the same Sephiroth we’ve known since the original game, the fact that the Remake is actually a Sequel and what we experienced in the Remake was actually an alternative universe is something that I have to admit was a very risky gamble and I think it paid off. What happens next is unknown and now that anything can happen since this is actually a continuation of Sephiroth’s story occurring in an alternative universe, it opens a lot of possibilities and I’m excited to see what happens next!

I’m excited to learn more about how he got to this universe. Will the Prime Universe try to find ways to the alternate universe to continue to fight Sephiroth? Did fighting Fate alter the timeline of the alternate universe we’re experiencing. If anything, I think this was the best way to preserve the original, do a retelling of original events, alter them a little and then reveal that it’s an alternative universe that the original game has influences on. It also still makes the original important as it lets you see and experience how Sephiroth got to this point. It’s like the 2009 Star Trek movie and I have to say, I thought that was handled well.

Also, this hasn’t been confirmed by anyone in Square but I think Fate was a representation of the fans. Think about it, Fate was doing everything it could to make sure certain events played out exactly the same as they did before. Which is what the fans wanted in a Final Fantasy VII Remake, the same game, just prettier and modernized. With you fighting and killing Fate, I think it was Square’s way of showing what their thoughts on this was. They didn’t want to rehash the same story, they wanted to tell a new story. So by having Fate die, it showed that Square is going to do something new, but the fact that certain events still played out the same, also shows that Square will keep some of them, but at the end of the day, this is a new story.

However, with that said, I still have concerns about the upcoming sequels to this game. Particularly, Tetsuya Nomura’s very recent quote that the team doesn’t know how many more sequels there will be and is in favor of doing smaller chunks of the original story. This concerns me that the continuation of this new arc of Final Fantasy VII’s story will go in the route of Kingdom Hearts. The first couple games will be great and amazing, and then it will start going downhill because Nomura will get bored, stop caring, and will start doing things because he thinks it’s cool.

There is some great potential and I hope that what happens next continues to pay off.

#Final Fantasy VII Remake #FF7R #Final Fantasy VII #Final Fantasy #Cloud Strife #AVALANCHE #Square Enix #Biscuit Reviews #game review #video game review #gaming revie #Sephiroth

4 notes · View notes

irrevocably-delicious · 5 years

Text

Cultivating an enjoyable video games experience with non gamers aka How do I get my non-gamer significant other to play games with me?

Video games.

Once a niche hobby of adult programmers in the 70s, before targeting 10 year old boys in the 80s and 90s, video games are now a mainstream hobby and entertainment product that has shown tremendous growth in the past 30 years. While films and serialized shows have shown some developments, with new technologies and the invent of streaming, the gaming industry has undergone a complete transformation in only a few short decades. Entire genres have been created, along with improved graphics, mechanics, and storytelling.

But with more people getting into video games now more than ever, the age-old question continuously resurfaces:

“How do I get my significant other to play video games with me?”

And it’s an understandable question! Games are an important hobby to some, and it’s nice to be able to share in that passion and joy with the person you love most. I completely understand this. I’m a cosplayer and I’ve definitely conned my boyfriend into pressing seams for me or sitting in hour long panels about EVA foam. It’s not exactly his number 1 priority, but we have fun together doing it, and he’s able to appreciate my craft a little more because of it.

Similarly, he’s not an artist, but he always helps me table in Artist Alley, gives advice on new prints to make (“If you’re going to make a niche DnD print, at least display it near the DnD stuff to be a conversation starter”) and stays up til 2am cutting stickers with me. It’s exhausting, but we have a lot of good memories from doing it together.

It’s nice to include your significant others in activities that bring you joy.

So how the hell do you convince your partner to engage with video games… if they never have before? And what kinds of games are going to give you the best experience?

Hi. Welcome. This is where I come in.

I’m not a gamer. At all. I’m awful at video games. Whilst my boyfriend was growing up and devouring every console he could convince his parents to buy, I was being a horse girl. No Halo for me today, sir, I have a showjumping class to attend. The only video game I would willingly participate in was Singstar during sleep overs, and that was because I was a musical theatre kid and knew this would be the only video game that I could completely decimate my peers with. Street fighter? No thank you. But I will wreck your shit with Stacy’s Mom by Fountains of Wayne.

But somehow, even though this is my upbringing, I have to acknowledge the fact that over the past 10 years I’ve actually played… a lot of video games. I think I’ve figured out the key. I think I’ve distilled the answer. Now obviously this is purely based on my experience, and everyone will have slightly different results, but I will now present you with my scientific anthropological findings of how you may be able to repeat this process.

“How do I get my significant other to play video games with me?”

Now I think there are two ways to go about this.

1. Play a video game together where both of you are holding a controller and in charge of some aspect of the game. Ie. Character, assistant, the right foot, etc.

Now I realize this seems obvious.

“You mean I can play a video game with my significant other by actually playing a game with my significant other??? Uhhhh yeah…. I WOULD THINK SO”

But hear me out. Out of the two ways you can go about this, I actually think this is the hardest way (I’ll explain why soon). My partner and I do not often play games together like this. What we usually do, and what I would be more likely to recommend is:

2. Play a game where you (the gamer) have the controller, and your SO participates or watches from the couch.

This is what my boyfriend and I usually do, and it’s the less likely of the two options to cause arguments, fights, and tears.

But let’s first look at option 1.

Playing a game together

Do you remember when you were in high school and you had to do a film study for a semester? And your teacher would explain all the different camera shots and angles and what they meant? A low angle shot where a character towers above makes them seem intimidating. A character cloaked in shadow indicates that the character is sneaky.

Your teacher told you all this, but in reality, all of these meanings were probably pretty obvious to you. You intuitively knew what they meant because you had been raised on watching movies. You were already familiar with this language of film because it had always been present in your life.

Well guess what? Video games have a language too.

And just like film, if you have played video games your whole life, you might be surprised at just how much of this language you have absorbed, and how much of this literacy is REQUIRED to play a modern video game.

The fact that triangle is always jump, x to interact, L2 to aim, R2 to shoot, circle to crouch, square to reload… all of that is assumed knowledge that you would probably have ingested over time, so it comes completely natural to you now.

Your SO doesn’t know any of this. They probably don’t even know that the L and R buttons exist. I didn’t. I still forget.

This is why choosing a game to play together is so difficult. When you finally do choose one? You have to be patient. You cannot get annoyed when your SO has to ask every five minutes what jump is again. They may have difficulty navigating around menus and UI. They may have difficulty moving around in game. Side scrollers are pretty intuitive, but games that require you to position a camera? Ie. Most third person or first person anything? Oof. That’s hard. They might fall off a lot of bridges or stare at the ground a lot. This is a skill you have to build up. You have it already. They don’t. It’s important to remember that saying anything like “You can do it, it’s easy!” or “Why are you having so much trouble with this?” is NOT HELPFUL. It’s only going to make your SO feel stupid/bad. Remember, they don’t give a shit about video games. Their life has been just fine without them until now, and it will continue to be just fine without games. They are only doing this FOR YOU. So why would you want to make someone feel stupid for just trying to make you happy?

Treat them like a baby deer. Gently. Tentatively. You are slowly drawing them into the clearing. Any harsh comment will send them running.

Based on all this, here are some recommendations on games that work well to play with your SO.

1. Games you are SUPPOSED to be bad at.

You know how I just talked about how there are general conventions over controls? And that it can be frustrating for your SO to learn these whilst they come intuitively for you?

Well what if you eliminated that disparity by playing games where the controls intentionally make no goddamn sense? By playing a game with whacky controls, it evens the playing field. Your SO is learning and struggling with controls, but so are you! This way your stupidity is not humiliating, it creates a sense of comradery. There’s no shame, just silliness and fun. The game I played with my partner that made me first realise the genius of this was… Octodad.

Octodad is collaborative. It’s an absolute nightmare to control, but for once my boyfriend’s muscle memory was actually a detriment. He would instinctively go to move like he would in other games, but that’s not how Octodad works. So he was rewiring his muscle memory whilst I was just a blank slate.

“Trigger to grab things? Yeah sure. Why not? I don’t know any better.”

It also hits that sweet spot of being short enough that the silliness doesn’t grow stale, and has a sincere enough story that you do become invested in the fate of the octopus in your hands.

10/10 Octodad. Highly recommend.

Other games in this genre that I feel would be worth a look:

- Man Fall Flat

- QWOP

- Surgeon Simulator

- Super Bunny Man

2. Hey! It’s Nintendo!

Ah Nintendo. It’s where most children start, so it seems like a logical place for a burgeoning gamer to begin. But specifically, what I want to recommend are the range of excellent Nintendo party games that are simple to navigate, fun, and often cooperative. I can’t play an FPS, but Mario Kart comes very easy to me…. Or as easy as it does to anyone. Similarly, Mario Party requires almost no video game literacy, and you can introduce it to your SO as “It’s just a board game that happens to be a video game”.

Although we do joke about Mario Kart and Mario Party being “friendship killers” because of their competitive nature and how easy it is to sabotage other players. If you are worried about these games maybe causing to much distress, I would also recommend the tried and true Wii Sports or the more modern 1-2-Switch. It has a cow milking game! It’s fun! And you can laugh at one another as you make terrible dick jokes.

I DO NOT RECOMMEND SUPER SMASH BROS. THAT IS NOT AN INTRODUCTORY GAME.

If you really want, play it on co-op team mode.

In summary, when picking a game to play with your SO my general recommendations are:

- make sure the game has very simple controls and linear movement (if any at all)

- or have a game with bonkers controls so you can learn them together

- avoid competitive games to start. Or play competitive games that require no video game literacy. The best FPS or Tekken player is NOT going to win Mario Party. It’s just luck.

Playing games this way with my partner is fun, but not how we usually play games. This is because if I want to play a AAA title, or maybe a great JRPG I’ve heard about, I have to move on to the second method.

Playing games where the gamer has the control and the non-gamer watches/participates via other means.

This is how my partner and I generally play games. Because my partner is the one holding the controller, navigating the game, combat and menus, I am not required to have any of that assumed knowledge I mentioned earlier.

But how can you make watching a video game compelling?

It’s actually not as difficult as you might imagine, but you’re right in that it does rule out a chunk of games. If you have grand dreams of your non-gamer girlfriend fawning over your sweet League of Legends skills… then I think you need a bit of a wake-up call. Competitive online games, FPS and sports games (such as FIFA) are generally not fun to watch. This isn’t a blanket statement! Some non-gamers could find these fun. But generally, if you don’t know the skill it requires to perform certain moves or strategies, or are unfamiliar with even the basic rules… these games just look like a mess.

Me watching someone play Overwatch: “Wow… I suddenly have motion sickness”

I find the most compelling games to watch are: Narrative driven

Think of all the games that are basically movies with some gameplay thrown in. Uncharted and the Tomb Raider reboot are just long form Indiana Jones movies. The Last of Us is a survival, drama, horror movie that makes you question your morals and how far you are willing to go to help humanity. The Witcher captures a rich narrative and lore comparable only to the Lord of the Rings films. The Yakuza series might be the best mob movie I’ve ever seen. All of these games are great and as engrossing to watch as they are to play. Lovable characters, compelling obstacles, and a good dose of spectacle keep them entertaining. Narrative driven games are my favorite to just sit and watch whilst my partner plays.

However, “narrative driven games” encapsulates thousands of titles, with some being more suited to watching than others. To help narrow down games that are enjoyable without a controller, I’ve narrowed it down into 3.5 sub categories.

1. Games with a looser/more predictable narrative, but the visuals are just so damn appealing

2. Choice based games – with the sub category of puzzle games

3. Mediocre games, but they’re fun

Each of these categories creates a uniquely different gaming experience, ranging from a cinematic “sit and watch” style, to a higher participation, more co-operative team based style. Let’s start with the first as it’s the easiest to define.

1. Games with a looser narrative, but engrossing visuals

Sometimes games will have a good story, but you’re just not sure if it’s good enough to sustain someone’s attention for 20+ hours. Maybe it’s a little predictable. Maybe you know the hero is destined to save the day. Will this be enough to hold my SOs attention?

And I think you are really the only one to answer that.

But let me first tell you about one of my favorite games, and probably only the second game I ever played with my partner.

DMC.

I fucking adore this game.

Eat my ass. It’s great.

But is the story that great? I mean it’s cool. Half angel, half demon boys. Long lost twin brothers. An evil demon who killed your father and has now essentially become a mob boss and corrupted your city. It’s cool. It’s interesting enough, but at the end of the day, you know Vergil is going to betray you. You know your cardboard cut out girlfriend(?) is going to be a liability. You know you’re going to defeat that demon boss with your big sword.

But god damn, if it isn’t a riot to watch. Devil May Cry has some of the most stylish and slick combat, that it’s really entertaining to just witness. You can cheer on your SO on as they climb up to a SSS ranking and maintain their combo over 5 whole minutes. The soundtrack is blasting. The level design and art direction are stunning. Watching Dante get dragged into Limbo is always an experience, and you’re never quite sure what you’re going to walk into this time. DMC still has one of the most inventive boss fights I’ve ever seen and I’m honestly waiting for another game to top it.

So, I think if your visuals are captivating enough… that can definitely save a game with maybe just a good to average story. It’s just a treat for the senses.

Other games I would put in this category would be:

- The Arkham games, particularly Arkham City and Arkham Knight. God the combat is just great to watch, with each punch really feeling brutal and heavy. The spookiness of Gotham is eerily beautiful, and finding all the easter eggs in the world is a real treat.

- The latest Spider-man game from Insomniac games

- Breath of the Wild – I just like… being in this game

-Nier Automata – this one is a bit weird. I wasn’t sure which category to put it in, but felt because of the interesting mechanics and gimmick of playing over and over again to reveal more of the world and story, I decided to put it here.

2. Choice based games

This is definitely my favorite type of game to play, and the one that I think is the easiest to engage with, despite the lack of controller in my hand.

The whole reason I started playing games with my partner is because he was playing a game and after a while I just… sat down… and started watching.

The game was Mass Effect 3, and I just became really involved in the story and the choices my partner was making. We have since gone back and played the entire Mass Effect series multiple times, and I feel it really exemplifies what is so fantastic about playing a choice-based game with a non-gamer.

Choice based games still allow your SO to be heavily involved. If you are letting your SO make choices, then they are still playing the game. Just because I wasn’t the one actively shooting Collectors does not mean I had no impact on our game experience. It was my choice to cure the genophage. My choice to spare the Rachni queen, and you can be damn sure that it was my choice to romance Garrus across the series. Choice based games are fantastic for keeping your SO engaged and the two of you can cultivate your own story and endure consequences together.

Obviously I love Mass Effect, but some similar games in this style would be:

- Until Dawn

- The Witcher

- The Persona series – but be careful! These games are long so may not be great as an introductory game

Visual Novels! – Visual novels are excellent for this! They’re purely choice based, and it doesn’t matter who is clicking the next button. For an added amount of goofiness, take on roles and do stupid voices. Do it. It’s great. Nothing makes me laugh harder than romancing an anime schoolgirl with an old man voice.

They’re short, but can be replayed for a different ending if you wish. My partner and I played Dream Daddy together multiple times and were avid about who our favorite dads were. I liked Robert and Craig. My partner liked Damian and Brian.

My partner and I have actually just started playing a new visual novel, but along with it being choice based, I would also classify it as a puzzle/problem solving game.

2.5 Puzzle/problem solving games

Puzzle games are great for a similar reason as choice-based games, as they keep your SO involved. Only this time they are helping to problem solve. Many times I’ve been able to figure something out before my boyfriend, so I can go “ohhhh take that, drop it here, then move that here” and it’ll work!

Currently we’re making our way through the Danganronpa series, which is a bit of a hybrid between a visual novel and puzzle game. It’s not a difficult game to control or navigate at all, so I could play it on my own, but I like playing it with my partner as we bounce theories off of one another and work together to solve a crime. I’ll remember certain pieces of evidence he doesn’t, or he’ll remember one throw away line from the opening 3 minutes of the game that is now an alibi. During free time, we’ll each pick a character to talk to, so we both get to learn more about our favorite characters.

“I wanna talk to Sakura because she seems sweet and I want her to have friends”

“Ok, then I’ll talk to Mondo because he seems funky.”

And so on. The process is collaborative.

Some games of a similar genre that might be fun:

- Catherine from Atlus

- Portal 1 and 2

- The Phoenix Wright series

- Resident evil 2 – this one is a bit odd, but resident evil 2 is almost a memory game as you work to remember all the things you’ve picked up, the pieces you need to unlock doors, and prioritize the weapons you’ll take with you. “No take the grenade rounds. If we’re going in the offices, we left that face hugger there, remember?”

Finally this brings us to our third category, and also the most difficult to explain. So I’ve just called it:

3. Average Games, but there’s just something enjoyable about them

Sometimes games are just… fun. Sometimes the story is alright, the gameplay is repetitive, but the characters and writing are just so inherently likeable or interesting that you can keep watching. For me, this whole category was created as a way for me to justify my fondness for the Saints Row series.

Saints Row is, on paper, pretty unremarkable. It’s a ridiculous series of games about a street gang coming into fame and eventually political power, and the outlandish things they have to do to climb that ladder. Often cited as a “GTA clone” the gameplay is repetitive and almost boring at times, with most of the missions falling into the “Go here, kill people” category. The world isn’t particularly pretty or interesting. It’s just a city. One that you’ve seen a million times if you’ve played any city-based open world game.

So why do I love this unremarkable series? Why am I oddly attached to these characters?

Ultimately, I think it comes down to the characters being written with a certain amount of honesty, and the interactions between them feel genuine and oddly heartfelt. I don’t really care about rival gangs or accumulating money, but if it lets me ride in the car and have another sing along with Pierce, then I’m going to do it.

I like the weird sexual tension between the Boss and Shaundi, which only seems to become more prominent if you play as the female Boss. I love Matt Miller and him ranting about his Nyte blayde fan fiction. I like finding out the Boss has read Jane Austen.

It’s just silly and fun, with a good amount of ridiculous spectacle. It’s definitely not a series that I could recommend. It just kind of appealed to something in me. I think there are lots of games that could fit this category. Most people will say that the Borderlands series is “Alright” but it has a lot of fun dialogue and characters who keep it entertaining. Similarly, despite lack luster reviews, I know a lot of people really enjoyed the 2013 Deadpool game because Deadpool was written just like he is in the comics.

This category is the hardest to nail, and you may go through several games that you think are “hilarious” or “crazy fun” that just don’t gel with your SO. That’s ok. As you play more, you’ll eventually be able to develop a sense of each other’s tastes and what will appeal to you.

General Advice in closing

TL;DR, here are some good parameters to stick to until you reach a consensus of what games your SO might enjoy.

- Games with a good story and compelling characters will always be entertaining

- If the combat is long and takes up a good proportion of the game, it should be visually interesting to look at. If the combat is repetitive or boring to watch, it should clip along at a good pace and only come in short bursts. Bonus points if there’s party banter!

- Start with shorter games, then build up. It’s a big demand on someone to sit through a 60+ hour game for your first few attempts. Maybe put that Tales game on the shelf for now.

I’ve tried to keep this advice general, but obviously you and your SO will have different interests, and you should appeal to those. I love anime. I love hot boys. Due to these factors, I am more than willing to sit through a long form JRPG about two rival noble boys, as it appeals to my weeb sensibilities. This is not something I would expect others to be able to do.

I generally don’t like films about heists or organized crime. It’s just not a genre that appeals to me, so asking me to sit through Grand Theft Auto is probably not the wisest choice. I have played GTA5 for those that are curious, and it’s not my favorite. It’s definitely not bad, and I do expect other non-gamers would be entertained playing through the story of it. There’s definitely a good story there! It’s just not one that satisfies all of my needs. Just like how I don’t expect every person to love sitting through God of War or Jak and Daxter.

Getting to learn each other’s likes and dislikes takes time. Favorite movies can be a bit of an indicator, but transferring to a different medium complicates things. The most important thing is to listen to each other and be respectful. If your SO doesn’t like your favorite game of all time, that’s not a personal insult. You are likely just experiencing the game in a different way than they are, and they can’t relate to that.

Along with being respectful, obviously don’t pressure your SO into anything. Sometimes you’ll find that your SO might not want to play games with you because they had such an awful experience trying to play with their exes or other friends previously. I know I was really hesitant to ever pick up a controller again after an incident where I couldn’t navigate my character over a log, because I was not used to controlling a camera, and was made to feel really stupid and useless. I threw up my hands and said “Fuck this shit” for a long time. Your SO might be hesitant to play games with you because they worry that you’ll just get frustrated with how bad they are. You can reassure them that this won’t happen, but it’s still their choice to say no.

At the end of the day, it’s ok to have different hobbies. You don’t have to share everything. If you are lucky enough that your non-gamer SO might want to try playing games with you, then be kind, and be patient. When picking games to play together, try to pick something you can both enjoy. Go on a journey together. Have fun!

It’s a game after all.

#video games #gamers #storytelling #how do I tag this?#essay #advice #review #i write stuff #opinion #blog

176 notes · View notes

xb-squaredx · 5 years

Text

B-Squared’s Top 10 Games of 2019!

2019 was a year full to the brim of GREAT games, and as is the custom at the end of the year, people love to rank their favorites, so…I’d like to do the same! Of course my own tastes might be different from yours so if you don’t see a thing on here that you liked, chances are I didn’t like it…or more likely, there’s just too many great games out this year, and I couldn’t get to everything. I’d like to stress to that the rankings don’t really matter all that much, especially the farther down we go. Everything on here is an easy recommendation. Without any further ado…let’s take a look at my Top 10 Games of 2019~

#10 - River City Girls

I love action games, but 2D beat-em-ups never really clicked for me. They were largely before my time and I was thinking that it’d be impossible to get me into one in the current era of gaming. And then I saw Marian’s redesign for River City Girls and bought the game. What can I say? Abs are a great sales pitch. But seriously, getting Wayforward on the helm of a beloved classic franchise is already a great way to pique my interest, and while there’s SOME aspects of this game that I don’t quite gel with, it’s a fun, colorful romp through a ridiculous universe that I’d LOVE to see more of down the line. Featuring a role-reversal, with the girlfriends saving the boyfriends this time, River City Girls has gorgeous pixel art, an AMAZING pop-synth soundtrack that’s worth the price alone, and it’s a game that clearly had fun with the concept and that fun rubs off on you. From the stylish animated boss intros, to the co-op fun that can be had with a friend, everything in this game is brimming with charm. Basic NPCs have great designs in their own right, being able to recruit enemies as assists is a neat idea, and it all adds up to a fun, bite-sized adventure with a bit of depth under the hood if you’re willing to give it a look. Can the character designers get a raise for this game, please? And let Megan McDuffie just do all the songs from now on. ALL OF THEM.

#9 - Astral Chain

Most people assumed if we were going to get a Switch exclusive game by Platinum this year, it’d be Bayonetta 3 but instead Nintendo surprised us with Astral Chain, the anime cop action game we didn’t know we wanted. The game boasts great visuals and is probably the most content-rich Platinum game ever made for starters, but for me the true draw is in the combat. Playing as your police officer in tandem with an alien creature known as a Legion, this tag-team action game is unlike pretty much anything else on the market. While the game starts off very simplistic, the Legion itself moving and attacking with no input from the player, over time more and more options unlock and things get considerably more complicated. By game’s end, you’re drowning in options, and once things clicked, combat was always a treat. With plenty of enemies to practice with, Legions to master and a gigantic post-game filled with challenging encounters, I had more fun with the combat in this game than I did with a lot of other games this year. That said, I do feel that Astral Chain could have benefitted from trimming some fat or rethinking its overall structure. For being a new IP with some bold ideas, I’m willing to accept these as kinks that can hopefully be ironed out in a sequel. Oh, and add Lappy to Smash already. You know you want to, Sakurai.

#8 - BABA IS YOU

Puzzle games are hard sells for me, since I don’t like the frustration that often comes from being stuck. You feel dumb, you get embarrassed and turn the game off in shame, or at least that’s my experience. But then sometimes you get a game so clever, so…weird, that you can’t help but be sucked into it. BABA IS YOU is a block-pushing puzzle game, with the twist being that the “rules” of a particular stage are often physically present in levels and are in fact blocks that can be pushed and manipulated by the player. ROCK is PUSH, WALL is STOP, FLAG is WIN and BABA is YOU. But what if you can’t touch the flag because the wall is in the way? Well, make it so WALL is PUSH to move it aside, or maybe make it so that BABA is WIN and you become the win condition itself. As the game goes on, more modifiers and rules are slowly introduced and absorbed into your own internal logic of the game, logic that increasingly has to be broken and remade to suit your needs. It’s a very empowering experience when the solution clicks and the results can often be hilarious and surprising. This game also GOES PLACES the further you go in, and I’d rather not ruin that surprise for anyone who might be looking into the game. Definitely one of the most innovated titles I’ve played in a LONG time. BABA is GOOD.

#7 - Power Rangers: Battle for the Grid

OK, so…hear me out. Power Rangers was a franchise I was obsessed with as a kid, and while I don’t follow it anymore, there’s still some love for it flowing in my veins. So when a small, no-name studio puts out a Power Ranger fighting game that takes the simplified controls of Smash Bros. and the tag-team craziness of Marvel vs. Capcom and slaps it all together for a cool twenty bucks or so? Well you got yourself a purchase and it ended up being WAY more fun than I expected. Power Rangers: Battle for the Grid is far from the best looking fighter on the market, it’s single-player content is lacking, and it’s roster, while interesting, isn’t as big as a lot of the competition, but damn if it isn’t fun to play. With characters taken from across the franchise’s long history, from the live-action movie reboot to the comic books, each choice has been inspired and resulted in an incredibly varied cast. With no crazy inputs for special moves, combined with a tagging system that lets you cycle through your three-Ranger team quickly, the game is the best kind of chaotic fun, but true masters can command that chaos and channel it into cool combos that make you want to say “Morphinominal!” Considering it’s a budget title, it’s also received a fair amount of updates throughout the year to pad out the roster with both free and paid DLC fighters, a full story mode and improvements to the netcode and overall presentation., so if you passed on it at launch, it’s much improved now. It’s not gonna be a fighting game on everyone’s radar, but I’d rather support it than the grind-heavy slog Mortal Kombat has become…Now just hurry up and add that monster that baked the Rangers into a pizza!

#6 - New Super Lucky’s Tale

If your name isn’t Mario or Sonic, 3D platformers are effectively dead. That said, there’s been a few up-and-comers in recent years that are trying to revive the genre. Hat Kid from A Hat in Time, the duo of Yooka-Laylee, and now Lucky from the folks at Playful Studios. The cute fox has quite the history, starting from the Oculus Rift title, Lucky’s Tale, to a full-fledged platformer on the Xbox One X, Super Lucky’s Tale and now the enhanced port/reimagining New Super Lucky’s Tale on Switch. Halfway between a full-blown sequel, and enhanced edition, the game takes assets from the Xbox original game, tweaking and refining everything from visuals to controls to level layouts. The result is a game that is incredibly well-polished. It looks great, Lucky is a treat to control as he moves from jumping, burrowing and sliding around fluidly, and the variety on display keeps things interesting. We’ve got full 3D levels, 2D levels, auto-runners, and even some marble maze levels and puzzles thrown in for good measure. It’s not a hard game, but it IS incredibly fun, and well made. We don’t get many 3D platformers these days, so cherish what little comes of the genre. I hope Playful and Nintendo continue to collaborate, as they really seem more at home here. Just…maybe don’t add more words to the title of the next game, guys.

#5 - Katana Zero

There’s no nice way to say it: there’s too many pixel-based, side-scrolling indie games out there, so the ones that DO stand out deserve to be celebrated. Katana Zero has a real ‘80s flair for starters, using bright neon, TV and VCR visual effects, and a synth soundtrack to give it some real style. When a game kicks off with you slowing down time and reflecting a bullet back at an enemy with your katana, you make a good first impression! Add in the trial-and-error that is planning the perfect route through a stage, the satisfying slicing and dicing of enemies, the unique, challenging boss encounters, and you have a game that was on my radar for a while, before I finally got into it at the end of the year. Its storyline is pretty interesting too, with some slight variances in how events unfold depending on your words and actions, though it ending on a bit of a cliffhanger is a bummer. That said, when a game leaves you wanting more, there’s worse problems to have. At the very least, there’s some DLC hinted at that might be interesting, as well as the implications that this is the merely the first in a trilogy, and at this point I’m game for whatever developer Askiisoft has in store.

#4 - Luigi’s Mansion 3

The GameCube was an odd era for Nintendo, as they attempted to innovate and try new ideas rather than rely purely on their old standbys. Case-in-point, rather than launch the console with a new Mario platformer, his second-banana brother Luigi got his first starring role in what would become the Luigi’s Mansion series. While not making QUITE as big of a splash as maybe Nintendo hoped, it’s garnered a decent fanbase, and when a sequel was announced for 3DS, people ate it up. Considering the gap between the first and second games, I think many people were surprised at the relatively quick turn-around for the third installment. I was also surprised at the overall quality and how much I enjoyed digging into it. For starters, Luigi’s Mansion 3 is easily one of the better-looking Switch titles, boasting some great lighting and particle effects, with some fun physics implemented for just about everything in the massive mansion. Luigi and company are animated with a lot of expressiveness that never gets old, and the music sets the tone perfectly too. From a gameplay standpoint, the toolset Luigi gains gives him ample options to poke at every nook and cranny, with the slimy doppelganger Gooigi being the clear stand-out. Some of the floors of the Last Resort hotel that Luigi must ascend are particularly massive and intricate too, some floors feeling like Legend of Zelda-style dungeons. While not a particularly challenging game, it’s still really satisfying to poke and prod at everything in sight, sucking in all the coins, gold bars and stacks of paper bills you can handle, not to mention slamming the ghosts around like the Hulk does to Loki. There’s also multiplayer! That I…haven’t really touched but…hey! More bang for your buck, surely!

#3 – Dragon Quest XI S

I don’t consider myself a huge fan of JRPGs. Or at least that’s what I thought before I tried out the Dragon Quest XI demo on Switch. I ended up falling for the game hard and bought the full release, carrying my demo data over and not stopping until I hit credits. Despite having never touched a Dragon Quest game before, outside of an hour or so of VIII, I was overcome with this feeling of nostalgia when it came to this game. That’s because Dragon Quest is THE quintessential JRPG game, the originator of all that we take for granted today. It was nice to feel right at home with a simple, effective combat system, rather than having to watch games re-invent the wheel in an attempt to stand out from the pack (sorry Xenoblade), and the story itself, while predictable and a little basic at times, was told well and told earnestly. It really nailed the feeling of going on a grand adventure, with enough twists on the formula to keep things interesting. The turn-based combat was elementary, but always presented me with fair challenges and lots of ways to solve the encounters laid before me, with enough quality-of-life features added in to minimize grind and make things more convenient. The Switch version of Dragon Quest XI featured a bunch of new content on top of a game that had more than enough going for it, and it’s clear a lot of work was done to make this port as faithful as could be, and it stands out not just as a great port on a system known for some shoddy ones, but as a title that’s brimming with as much polish and quality to rival first-party Switch titles. Don’t ban Hero in Smash and don’t miss out on this game if you haven’t taken the plunge already!

#2 – Devil May Cry 5

The Devil May Cry franchise has had its share of ups and downs over the years. For every game that’s considered a success, you have another game that doesn’t quite measure up. For years many thought the franchise was dead in the water after the attempted reboot, DMC: Devil May Cry failed to grow its audience, but when Microsoft’s E3 2018 show revealed to us a new installment, fans were ecstatic. Devil May Cry 5 boasts crisp visuals, deep combat and trims the fat, removing the wonky platforming and puzzles of earlier games to create a high-octane action experience that ultimately exceeded fan expectations. Its storyline firmly plants Devil May Cry 4’s Nero as a main character in his own right, wraps up the story of the Sparda brothers neatly, and if this ended up being the last title in the series, I think it’s that rare ending that ends up being totally satisfying. Combat is the real draw here though, the game giving players three distinct characters to learn and master. Nero’s robotic Devil Breaker arms allow him a decent amount of variety, while having a balanced, beginner-friendly combat style for new players. Dante remains the king of variety, having more weapons than ever before combined with his signature style switching, though the game is actually designed with all these options in mind so he doesn’t end up breaking the game like he did in 4. Newcomer V ends up being a breath of fresh air, controlling up to three demonic summons at once, forcing players to really think more strategically. The music is incredible too; Nero’s own theme, Devil Trigger, has been stuck in my head since last year and I don’t see it leaving any time soon. All things considered, Devil May Cry 5 might be the best game in the franchise, and a worthy contender for game of the year personally. Now if only we had a special edition with Vergil and the ladies playable…

#1 - Fire Emblem: Three Houses

I got into the Fire Emblem series with Awakening and really liked it a lot, however Fates, the next installment, left a bad taste in my mouth. I couldn’t really get into Echoes, itself a remake of the second game in the series, and I began to wonder if this franchise was really for me. I was willing to give Three Houses a shot, but I was not prepared for the game to blow past all my expectations. Fire Emblem: Three Houses isn’t just a good game, it’s a game that’s redeemed a franchise that’s stumbled a bit in recent years, and it likely cements Fire Emblem as a core Nintendo franchise for years to come. It has class, depth and real heart...with only minor creepy or pervy elements! Making a grand return to home consoles after more than a decade on handhelds, it goes big and it ultimately paid off, on track to become the best-selling entry in the series. The school setting might seem weird at first, and I wondered how well I’d adjust to it, but being able to instruct your units and influence their growth in battle was worth the learning curve. Things are introduced slowly enough that the flow of the game becomes relatively easy to manage, if a bit time-consuming overall. With four distinct storylines you can explore, TONS of character interactions and some interesting tweaks to the strategic gameplay the series is known for, I’m confident in saying that Three Houses is well-worth a purchase for newcomers to the franchise. Divine Pulse is a great quality-of-life addition that lets you undo mistakes, rather than force you to start over from scratch, and overall the UI and layout of the game gives you enough information to make informed decisions without overwhelming you. Makes me wonder how we survived before the games showed us who enemies would target on their turns before now. Admittedly, some aspects of the progression have some issues, especially at endgame, and visually the game really is not up to par most of the time, but these end up being tiny blemishes in the long run for me. They certainly weren’t bad enough to prevent me from starting a new path the instant I finished my first route. If I have one request…just make Claude a gay option. Give the people what they want, Nintendo!

Honorable Mentions

I’d like to add on some honorable mentions here before we close things out, though most of these are things I didn’t even get a chance to play, but they certainly might have made this list. For one, Resident Evil 2 Remake seems like a high-quality reinterpretation of the survival-horror classic, but I can’t do horror so I’ll likely pass it up. It’s also for that reason that I might not get to Control but I might try jumping out of my comfort zone for that one. The confusion surrounding both The Other Worlds AND The Outer Wilds is funny, but they’re both space-based games I’d be keen on getting to at some point down the line; the former is a great Western RPG by the folks who made the GOOD Fallout games, while the latter is an interesting space-faring puzzler with some interesting mechanics I’d rather not spoil for those not more in-the-know. Indie titles Sayonara Wild Hearts and GRIS definitely caught my attention with their great visuals, and in the case of the former, its soundtrack, even if the gameplay wasn’t quite there for me, and the weird fighting-game-but-kinda-RPG that is Indivisible demands my attention sooner or later. Bloodstained is the Castlevania follow-up I keep forgetting is out, and I hear great things about Yooka-Laylee and the Impossible Lair. The team behind the Yakuza series recently made a spin-off of sorts, Judgment that hit the West this year and while I like the Yakuza series for its quirky tone and fun combat, there’s still six other games I’d have to sift through, so going with Judgment, which is set to possibly begin a new franchise, seems like a good alternative. And how could I forget the likes of Shovel Knight as we finally receive the last expansion that’s been years in the making? I haven’t touched the King of Cards expansion yet, but I have the upmost faith in anything Yacht Club makes, so that’s surely a game of the year contender. 2019 was crazy good! Glad to close the year out with so much quality, and tons of great stuff to add to the ever-growing backlog.

Hope you had some good gaming memories made this year!

-B

#gameoftheyear #GOTY #GOTY2019 #astral chain #lucky's tale #baba is you #river city girls #devil may cry #luigi's mansion 3 #katana zero #power rangers #fire emblem three house #dragon quest 11 #xb-squaredx

1 note · View note

notajinn · 5 years

Text

Top 10 Games I Played in 2019

IMPORTANT NOTE: I am finishing this at nearly 2 AM in the morning, so I did not proofread. Excuse any typos.

With 2019 closing out the decade, I want to make a "Top 10 Games of the Decade" list, but first I have to point out my favourites of the year. I actually played over 10 games this year (which is very unusual), so I chose my top 10. As usual, these are not all games that came out in 2019, but I played them for the first time this year. I'm not ranking carried over mobile games this time, although at this point the only mobile I play is Dragalia Lost.

Let's go.

10. Untitled Goose Game (Switch)

There's a lot to love about this game concept alone even though I ignored it for the longest time pre-release.

Pros

The entire goal of the game is just that you are a goose and also an asshole. I've talked many times about how I think being unique is overblown in place of being high-quality, but this is a unique take that really works.

With a vaguely open-world that you're thrown into with no real purpose, you really capture the feeling of just setting out that day to be a jerk. I appreciate that there is a progression system with a list of mischievous tasks you have to do to reach the next area, but it's still presented in a very free way. You'll do some of them accidentally just trying to be a jerk, and others you'll really have to think about. Eventually there will come a clear end goal, which I was pleasantly surprised by.

Controlling the goose is also perfect in how unwieldy and overconfident you feel. You don't exactly move quickly, and there's no attacking, but you still feel better than the humans around you.

The minimalist art design helps sell the really low-stakes nature of the goose's quest. Sound effects are also pronounced thanks to this, and sound is very important for the goose. I also like the slight stealth gameplay that's not at all punishing, as someone who enjoys but is bad at stealth.

Cons

Even for a budget game, it's quite short to reach the "end goal". It's very much a game you can continue to mess around in, and there's a "New Game+" set of tasks you receive, but as far my "have to reach the end" mindset...I was expecting it to take a little longer. I'd say it was maybe 3 hours max, including lots of goofing around.

I also found that I VERY much don't enjoy being a jerk to children (see screenshot), and very begrudgingly did the minimum mean things to get past the kid. Luckily there is only one kid.

Final Thoughts

Honestly the lower ranking is not so much because of negatives, but because I played so many good things this year combined with this being mostly a fun little novelty. I feel like people who are interested would have already played it (if they have the console). Really you can go with your gut instinct of whether or not being an asshole goose sounds fun for you.

9. Kingdom Hearts III (PS4)

If you told me Kingdom Hearts III wouldn't even make my top 5 in the year it was released, I'd think you were crazy. But here we are with the long-awaited game.

Pros

So much of this game is fanservice for the series, and I had fortunately caught up on the spinoffs enough to enjoy it. Seeing the 358 crew and the BBS crew, all the Organization members...there's a lot of love here.

KH3 also has some of my favourite worlds in the series in Toy Story and Pirates of the Caribbean. Pirates in particular managed to scratch that Wind Waker sailing itch just enough. Meanwhile Toy Story going for a unique plot really helped pull me in, and there's that now infamous Woody scene that I love. Even other worlds like Monsters Inc get some great scenes (like Vanitas and the doors). Tangled is also one of my favourite Disney movies, so while the world itself was pretty average, I was happy to be in it.

Combat-wise, I appreciate getting so many options like dodge roll and blocking right off the bat regardless of your initial choices; previously I always forced myself to take the Shield so I could start with the super-useful dodge roll.

The music is as stellar as ever, although they loop far too quickly given how much time you'll spend in a single area sometimes (looking at you, Toy Story). I especially love Don't Think Twice, which had the bonus of being a complete surprise.

Cons

KH1 was the first Aladdin. KH2 was Return of Jafar. So logically KH3 should have been King of Thieves. Instead we get no Aladdin at all! Just the Genie as a summon I think?

For all the character fanservice, it still feels like only the main trio, Riku, and Mickey are really useful. I can't believe how poorly Aqua does as a Keyblade Master. I can't believe Kairi and Axel's training basically amounts to nothing. I know it's Sora's game, but it's still so frustrating.

And the final fight with everyone is very much so "good idea, bad execution". It just feels so messy. The entire climax is just not paced very well.

The Frozen world is one of my least favourites in the series. Nearly nothing interesting happens (outside of one good Larxene scene), you don't get Elsa as a boss or a party member, and the progression is just "got to get to Elsa's castle, oh no we fell" repeated three times. Also did they really need to put the full Let It Go song in there? I say this as someone who likes the song. This whole world is just a mess, and I think we'd be better off it was cut. And replaced with ALADDIN 3!

Where is the Wreck-It Ralph world? You know, the Disney movie about video games?

The combat somehow feels less smooth than KH2, possibly because of so many things constantly going off. The Park Attraction skills are fun at first, but later they take so long and often aren't worth bothering with. But I think HP of the enemies assumes you'll use it, because some enemies get really spongy later on.

There was also literally no reason not to end Sora's plot with this game; they had a very easy chance. But they also had an easy chance to end at KH2 and they didn't. I don't know why they're so afraid to use a different protagonist. Even if they don't want to make one, there's so many other potential-protagonists in the game already. Some of whom are also technically Sora!

Also the stupid Toy Story music loop is like 10 seconds long. Stop it.

I was actually originally going to put this at 8, but after typing out these Cons I moved the ranking back.

Final Thoughts

For as many pros and cons as I wrote out, the biggest thing about this game is that it's somehow incredibly forgettable. Kingdom Hearts 3, the game we waited over a decade for, is forgettable. And that really hurts.

The ReMind DLC has some real potential to help with this, but it also costs $40 CAD. If you're on the fence for KH3 as a whole, maybe wait and see what people say about the DLC fixing stuff.

8. Cadence of Hyrule (Switch)

It really hurts to put Cadence of Hyrule this low, because there's so much I love about it. And I want to see more third-parties work on Nintendo IPs.

Pros

You can finally play as Zelda in a proper Legend of Zelda game! Yes there's the rhythm mechanic and roguelike nature, but you're ultimately still going around a 2D LoZ overhead map in the same way you would a mainline game. But now you can have Zelda go around and play a little differently. For example, you have no regular shield but you have the Nayru's Love barrier which can work defensively in a different way. I appreciate that the characters all play differently when the developers could easily have easily given you three different sprites with one moveset.

The rhythm mechanic of moving on the beat works very well with the LoZ map style. Being able to see the bar speed at the bottom also helps a lot to learn in the first place. Most importantly, you have the option to completely turn it off to play this like a classic LoZ. Obviously the soundtrack itself is full of great LoZ remixes.

The difficulty is just right without being too rough or too easy with only occasional exceptions, and the game is fairly forgiving about respawing when you do die; it usually doesn't feel like a BIG deal. There's tons of LoZ equipment to use, which I really appreciate after how barebones Breath of the Wild was in that regard.

As with any roguelike, you also have a lot of replayability with the map changes and different characters and equipment to try out.

Incorporating classic bosses with musical instruments is also really fun.

Cons

It's as short as you would expect a budget game to be, but it's more expensive than your average budget game. I'm going to chalk that up to using a first-party Nintendo IP, but the price fools you into thinking the game will be longer.

I also personally don't really care for roguelikes, so the selling point of replayability isn't for me. It's a bit unfair to judge the game for something the genre is supposed to do, but I don't think it's a bad game for being like this. I just think it's a game I like less because of that emphasis.

There's also one boss in particular that was super frustrating, and I think it's because I didn't understand the "trick" to beating it.

Final Thoughts

I do honestly recommend this if you like classic LoZ, but just know what you're getting into; something that emphasizes multiple playthroughs and won't take too long on a single run, but which executes the LoZ formula itself really well.

7. XCOM: Enemy Unknown (PC)

I can't believe how long it took me to play XCOM: Enemy Unknown given that Fire Emblem is my favourite series. I also owned it for years on Steam, but it was just this year I finally booted up this strategy RPG.

Pros

You want a challenging SRPG? Here you goddam go. This game is punishing as hell, but as long as you don't play Iron Man mode it's still reasonable to deal with. I don't usually care for games that sell on difficulty, but I've played enough SRPGs that I don't mind more difficulty in the genre that's not cheap. XCOM very closely skirts the line of difficult and cheap, again if you are not playing Iron Man (which prevents you from restarting missions).

There's so much dumb RPG numbers to gloss over and spec, and I love it. Things to research, order to research, facilities to build, equipment to craft, skills per each character to learn. If you like pouring over resources like me but don't like the real time nature of an RTS, this is perfect.

I also like the idea that you start off so overwhelmed against an absurdly powerful alien force, and everything you're doing is basically just trying to survive while looking for a way to hold your ground. There's a real desperation in the gameplay that captures the feeling of war in a way that Fire Emblem struggles with.

Cons

I haven't seen RNG that hates me this much since Fire Emblem: Sealed Sword. And it seems to be a universal experience that the RNG is more stacked against you than it leads you to believe.

I've also seen many people online suggest Iron Man for a person's first run, but that is AWFUL advice. It's why I almost quit the game twice, but ultimately just made a new file without Iron Man. It sounds fun for a second or later playthrough, but there's so many unknowns happening constantly in your first run that it just feels unfair to go Iron Man.

The aesthetic is sci-fi apocalypse; two designs I generally hate. Everything is so gloomy and blue and tech. It's all very forgettable to look at.

Healing options are so limited, at least in the relatively early sections I'm in (I did not beat this). Actually this is one of the very few games I started but did NOT beat before playing something else, which in itself means there's something that I really disliked. At this point I can't remember what that is.

Final Thoughts

If you like Fire Emblem gameplay but want it to be even more resource management based, and can deal with a drab aesthetic, absolutely grab this. Especially since it gets really cheap on Steam. Just do NOT start on Iron Man mode.

6. Telltale's Batman: The Enemy Within (PC)

There was a Joker live-action movie this year; an entire movie dedicated to him. And yet Telltale managed a better Joker.

Pros

I am one of those weirdo people who considers Joker one of his favourite comic characters. I'm a sucker for a good villain, and it was probably Joker in Batman: The Animated Series that is responsible for that. So I love seeing a good fresh take on the character, and Telltale delivers. This is season two of Telltale Batman, and we briefly got to see "John Doe" in the first season as a proto-Joker who's definitely a violent jerk, but not necessarily a villain just yet. While there are many plot threads in Enemy Within, the main one is about how John grows among the mess that is Gotham. Depending on how you play, you can actually push him to become a vigilante and ally of Batman instead of the villain. This is itself not only a fun take on the character, but also the most uniquely any Telltale game has branched.

I remember explaining once that Telltale is not so much "choose how the story ends", but more "choose how your character's relationships with others changes". But there, you get a wildly different final chapter depending on whether John is a vigilante or villain. I really appreciate the effort it took, but it's also bittersweet since this was one of the last games the studio worked on before being closed.

Telltale gives us other character portrayals that range from standard to occasionally good. They have Harley play the big mob boss who has John wrapped around her finger this time, and they do a good job selling it.

You'll get some great dialogue options, and it seems almost impossible to please everyone. Being forced to make hard choices that will inevitably make someone mad at you is what this genre is about, and it's often not exactly clear cut what the consequences will be.

Cons

Like other Telltale games, action sequences are done with QTEs. These are relics in this day and age, so I really didn't care for them. It's a good way to get around a probably costly combat engine, but it's ultimately filler to me to get back to the plot. Since this is a Batman game, it has more action sequences than the average Telltatle game.

Other sequences like searching for clues are less annoying, but still not really fun. I did not grow up on point-and-clicks, but it seems the developers did.

You also can't easily restart sequences if you selected an option by mistake; you have to restart that entire chapter. And a chapter is multiple hours. I get the implication of "you have to live with your choices", but when it's an actual mistake because I'm using a PS3 controller on my PC mapped to Xbox buttons...I get a little annoyed.

Final Thoughts

It's a little weird to start at Enemy Within if you didn't play the first season, and it will retroactively spoil things, but you honestly could. It is more fun than the original (which is also good). Easily the big selling point is being able to shape John the proto-Joker; if that doesn't appeal to you, this may not be for you.

5. Super Metroid (SNES Classic)

Not only is 2019 the first time I played (and completed) Super Metroid; it's also the first time I completed a Metroid game at all! I had played a decent amount of Fusion and the first Prime before, but fell off both of them. This time, I absolutely saw Samus reach her goal.

Pros

How do you talk about such a beloved game? First of all, the SNES era is still visually my favourite in video games. This has a lot to do with nostalgia since I grew with the SNES, but also because it was the height of sprites before the industry turned to 3D models. And as amazing as N64 and PS1 graphics looked back then, they did not age well. The SNES, however, still holds up so well visually.

For a game with a sci-fi aesthetic that heavily takes place underground, I loved the variety and colours Super Metroid offered outside my expectations. This is definitely up there as one of the most beautiful games of the console.

Where I think the game excels the most is Samus' controls. The level of precision they built into her abilities is nuts. Obviously there are games where characters have larger movesets (such as fighters), but for a platformer I love how well you can maneuver Samus. For example, when you do a moving jump. If you hit the D-Pad and then jump, you do the Spin Jump. If you jump and then hit the D-Pad, you do a more standard jump. It may not seem like much now, but I feel like for the time it's very impressive.

There's so many fun abilities you get, and the majority of them can be used simultaneously for some really fun platforming.

You also learn very quickly even without text based on the way power-ups and obstacles are laid out. Even storytelling is done well simply through gameplay; no cinema scenes or text explanations needed.

The bosses feel stressful but almost never too cheap; you always feel like they're possible to deal with. Occasionally you may need more missiles or energy, but it's usually learning and countering patterns.

Music can effectively be atmospheric or lively depending on where you are, and I retroactively wish we had a few more Metroid tracks in Super Smash Brothers.

Also even though I'm not a 100% completion-ist type of person, I appreciate when I do find some secret missile tank by really examining the area.

Cons

When you're not used to the controls early on, it can be tricky to handle Samus. Mostly those spin jumps. The wall jump also never really got easier.

Weapon switching is a weird situation. I appreciate you can do it on the fly with the Select button, but the fact it always goes in a certain order means it can often take a while to get to what you want.

Personally I also thought Ridley was a hell of a difficulty spike, and the game actually calmed back down in difficulty afterwards? Maybe I'm just bad at fighting such an aggressive and fast boss.

Phantoon was also a tough boss made tougher by the fact the closest working Save Point was a good 5+ minutes of platforming away for me. I like that the nearest Save Point doesn't work because the electricity is off, and it builds on the haunted ship atmosphere, but boy was that frustrating to jump all the way back nearly four times to fight that boss.

Final Thoughts

If like me you've somehow not played Super Metroid, you really should. It still holds up, and it's relatively short (my time was about 6 hours). It may be a little weird at the start with the limited abilities and getting used to the precise controls, but if you stick with it you're in for a good time.

The reason it's number 5 and not higher is not due to any particular negatives, but simply because the next few games left me with more positives.

4. Persona 3: Dancing in Moonlight (PS4)

The fact that this game exists is incredibly stupid, and I love it.

Pros

Persona 3 is not a happy game in a traditional sense. There are happy moments, but most are bittersweet. It's a game about dealing with and overcoming tragedy, and has a dark visual atmosphere to match.

So the fact we get to see that cast dancing around with bright colours is nuts. But not at all in a bad way. These characters go through so many difficulties; they absolutely deserve to have a fun dance party where they don't have to think about anything else. This isn't the happy kids deciding to dance; this is a bunch of stressed out people who need a break. And as someone who loves Persona 3, it makes me so happy to...well, see them happy.

The majority of the original voice actors were brought back (the main exception being Elizabeth), and they do just as good a job as in the old days.

We get mostly great remixes of the P3 songs, and the original versions of others. Each song has a particular character assigned to it so they can more effectively match their dancing style. The models look amazing.

There's also minor Social Link elements which are used in place of a story, and their personalities are mostly intact. There's certainly some Flanderization, but it's not as bad as Persona Q.

You also get a decent progression system of unlocking songs in batches, and needing to beat them to get the next songs. The Social Link requirements help make repeating the songs fun while giving you something to work towards.

The rhythm game itself is hard to judge since I play very few rhythm games. I found it fun once I got the hang of it on normal difficulty. There's tons of modification options to make it easier or harder depending on your preferences.

Cons

As with every modern Persona game, the DLC is awful. Tons of Day One DLC, and they even locked Shinji to DLC! Does he not also deserve to have fun without paying extra? There's also a few songs I would have liked, but not at those prices. Otherwise DLC is mostly costumes and accessories which I both don't care about, and which are overpriced.

I also hate that we had an EASY chance to get the FeMC Minako in this fun low-stakes plot game, but didn't. It's not like Atlus forgot about her either; she was in Persona Q2 which came out a little later. If anything, SHE should have been DLC and Shinji should have been in the base game.

The jump in difficulty between Hard and All-Night is absurd. I can beat most songs on Hard with good ratings, but I can't beat the first song on All-Night at all.

Koromaru is not in the game, which inherently prevents it from being perfect. He could have jumped in during Fever Time at least!

Final Thoughts

This game is only for Persona 3 fans, but boy is it some great fanservice for us. If you're a Persona 3 fan that at least slightly enjoys rhythm games, this is for you.

3. Indivisible (PS4)

As of writing this, I have not actually beaten Indivisible. If I had to guess, I'm at the 2/3 mark? A big plot thing just happened, but it's clearly not the final plot thing.

Since this game is less known, it's a platformer/fighter/RPG hybrid with a heavy South Asian influence.

Pros

It's a platformer/fighter/RPG hybrid with a heavy South Asian influence.

Look at that sentence! These are all things I love!

I grew up on platformers and RPGs, and I have a lot of fun when I get into a fighter. And as someone who always desperately tries to find even one brown character in most video games, I'm all about a cast that is mostly South Asian!

The combat system is really fun. It utilizes something similar the classic Final Fantasy ATB style system, but at a very quick refresh rate and tons of fighting game elements thrown in. For example, a key is doing combos with your various party members. Each character has 3 standard moves, and knowing when to use what depending on the enemy's position is where the strategy comes in. There's also one party-wide meter that everyone dips into to use Supers. It's a very aggressive and offense-oriented battle system, but they manager to incorporate healers and support units comfortably. But yes, everyone is basically a fighting game character in an RPG battle system.

The platforming starts off very basic, but you get access to so many moves and can use them all fluidly together. There's some really fun platforming segments that really force you to use everything Ajna can do.

The character designs are top-notch, even removed from how ecstatic I am about the diversity. Again, they are designed as fighting game characters who have to be distinct and high-quality. Everyone also feels extremely unique in combat.

I wouldn't say the overall story and writing is amazing, but there's some good moments here and there. It also follows a somewhat less traditional path for Ajna so far, even though I'm expecting a fairly traditional climax.

Cons

Okay, so this is in some ways a fighting game. Which means you should have a move list you can look up. While you get a brief explanation of each character's gimmick when you recruit them, there's NO MOVE LIST!

That sucks, but you can go into Training and figure out the moves for yourself, right? Yes, except you don't unlock Training until almost 10 hours into the game! Which means for the early part of the game when you're still learning the mechanics of the system as a whole, you also have more trouble learning what each character can do. Combined with a very high rate of recruiting new characters early on, this can be overwhelming. If they didn't want to make a move list, they should at least have made Training available from the beginning.

Backtracking can be a bit of a pain; there's minimal fast travel points. Ajna doesn't cover as much space as Samus relatively to the game world, so it really takes some time to go around. Enough that it sometimes discourages exploration, which is not good in a platformer.

The sense of progression is also pretty slow once you get past the 1/3 mark. You don't get new characters quite as quickly, and it's not as though your characters learn new moves (they shouldn't, based on how the battle system works). You also only have levels for Ajna, which in my experience don't make a huge difference. And there's no equipment or items give you that sense of growth. What you have are the Ringels; collect enough of them and you can get a major defense upgrade, or add an additional attack slot per turn to every character. They're great upgrades, and fun to explore and find, but it's a long time between upgrades.

I also feel like healers and support are tough to use well in such an aggressive battle system, which is unfortunate because I traditionally love support-type characters.

Final Thoughts

Despite liking it more than most of the games on this list, it's a tough recommend. It's very specific to what it is, and there's nothing to really compare it to. However I really like it, and I especially love the South Asian influence.

2. Celeste (Switch)

If you showed me a 10-second clip of Celeste gameplay, I'd dismiss it as some easier Super Meat Boy clone.

I'm so glad I didn't.

Pros:

In many ways, Celeste can be called a long series of platforming challenge rooms. Basically once you clear a distinct "screen" and die, you move forward. You die, you restart on the same screen in seconds. There's infinite lives and no timer. You take as long as you need, and you keep pushing forward. It's a compromise of making a classically difficult platformer that removes all elements that make the classics feel cheap. And it's also a great representation of the story Madeline is going through.

Having a young-life crisis, non-mountain-climber Madeline sets out to climb the famously difficult mountain Celeste. There's a few other characters to deal with, but the majority of the game is spent with Madeline and the reflection that represents another side of her. A side of her that's always bringing her down and trying to force her to turn backIt's a short and well-written story, and absolutely worth experiencing. I love the weaving of the "keep trying" gameplay and story, and the fact an Assist Mode to make the gameplay easier is available from the start is important.

The music also nails that Super Metroid feeling of atmospheric or lively depending on what's happening.

Controls are similarly precise but reasonable, and the incredibly low stakes of failure make even the cheaper platforming segments doable. Some of the platforming is legitimately annoying, but being able to try again in literal seconds makes it less frustrating than easier platformers.

Cons

I don't care for the character sprites. They are small and faceless. You understand what they're going for, and I know they have to be small in relation to the area of the game. But it's just not visually appealing.

...I can't really think of any other cons.

Final Thoughts

I feel like Celeste is an important game that will stay with me, far beyond just a good game I played in 2019. It's short, it doesn't cost much, and it's absolutely worth your time if you have any sort of anxiety or self-esteem issues.

1. Fire Emblem: Three Houses (Switch)

My favourite series finally returns to a home console after nearly a decade. And boy does it deliver.

Pros

There's two critical things I look for when judging a Fire Emblem game; the cast, and the core gameplay.

The cast in Three Houses is nearly fully presented to you from the start of the game. You have your three separate houses with their individual students, and you choose one to lead. Fortunately you can recruit most students from other houses with some work, so you don't have to worry too much about mutually exclusive units. You will see a few new faces over the course of the game join your team as well, so there's still some surprises. At first glance, many of the characters can be relegated to anime tropes. Claude is the charismatic schemer, Marianne is the quiet girl who likes animals, Hilda is the lazy high-confidence girl, etc. But as you progress through the story and the Support conversations, you'll find that nearly every character has a lot of writing effort put into them. I do not want to give any examples because it's better to get to them yourself throughout the game, but don't take the characters at face-value. Don't expect a full 180 personality shift, but do expect lots of depth to explain both currently personalities, and being able to see the growth of these characters. There's some very relatable issues some of the characters face.

Honestly, it's not a stretch to say Three Houses has some of my favourite characters in the series. It's a big plus that one of the main Lords is dark-skinned for the first time in series history.

Then we have the gameplay. Off the bat we're into some very non-traditional Fire Emblem stuff with the academy system; you use things like lectures to build the weapon levels of your students. Also Cavalry, Heavy Armor, and Flying have their own weapon levels now? Also you don't buy spells, you learn them with weapon levels? There is a LOT that's different.

But what remains the same is the core formula of the strategy-RPG battles. Your process to build your units may be different in many ways, but you're still using the tactics you would expect in an FE game. There's just a few other things to consider now.

Basically I feel that Three Houses' new systems are a good compliment to the classic system as opposed to being a full replacement. Which is why even as an old FE elitist, I absolutely loves playing out the fights. Also they brought back Fog of War!

I really love the incorporation of visible agro lines. Basically when you move your character within enemy range, you actually see direct lines from the enemies so you see who will attack you. Combined with ability to go back to a previous turn, this helps make bad RNG feel less frustrating.

The story is also hands-down the best of the modern Fire Emblem era (everything from Awakening and beyond). It may start off as anime high-school, but having a cast of characters from entirely different countries attend school together as teenagers and then skipping forward to when they are leading their respective countries to war against each other...it's a lot to take in. And you have four different ways to experience the game, all of which are fairly distinct.

New gameplay elements like the lectures and academy activities are actually pretty fun, and dip into a bit of that Persona itch. You also get a better feel for the cast as you see them going about more normal activities. And it's all done in voice acting. Even every generic NPC dialogue in all four routes. Honestly the level of voice acting is incredible for a first-party Nintendo game. Voices also help the game feel so much more alive.

As always, the music is wonderful. The main theme Edge of Dawn is up there with Kingdom Hearts songs among my favourite video game vocal tracks.

Seriously, listen to it:

youtube

The option to freely change class so long as you can pass certification is weird, but feels far less busted than Awakening and Fates due to skills taking longer to learn, and mostly being less overpowered. It's also great aesthetically. Being able to use any weapon with any class was also an interesting change.

Also we have gauntlets as a weapon in Fire Emblem now. Which means you can run up to a goddam Wyvern Rider and punch them in the face. This is amazing.

Another plus is that despite incorporating a time skip, there is no child system. Which means Support is not longer a means to getting a perfect gene child unit, but instead to see how characters grow together while also getting a slight stat boost.

Cons

I kind of miss the Weapon Triangle. I know it's not even the most important thing in the old game, but I have nostalgia for it? You can sort of get the Weapon Triangle abilities once you raise your respective weapon levels enough.

As for more of a real problem...gender locked classes. It's very frustrating that there is only one class that focuses on Gauntlets, and it's locked to males. Like, have you seen Leonie? She's made to be a puncher! And I made her one, but I had to make her a Warrior.

Similarly, the only Master class that focuses on magic is locked to females. It didn't present a problem for me in the Golden Deer route, but I'm sure at one point during the other 3 routes I'll want to make a male magic user. Oh, the Dark Mage line is also locked to males, but doesn't have a Master class.

Master classes in general are a problem. Nearly all of them are Cavalry or Flying, and it's visually annoying. Also because most of my Advanced classes were infantry, so my characters didn't really learn Cavalry or Flying with certain exceptions.

I wish there were no gender-locked classes, and more infantry Master classes.

Also I know it doesn't make sense story-wise, but I wish I could recruit Claude to Blue Lions or Black Eagles because I really don't want to hurt him when I play those routes.

Final Thoughts

I mean, it's number one on my list. Obviously I love it. But it's important to note this is my favourite Fire Emblem game in a long time. I feel like I need more distance from it (and to play the other routes) to really compare it to my favourites, but for now it's at least my favourite game of 2019, and my favourite Switch game.

#games of the year #games of 2019

1 note · View note

recentanimenews · 5 years

Text

What Makes A Good Anime Tournament?

I, much like you and your parents and your parents' parents, love a good anime tournament. The minute I see a few pairs of brackets or hear an overzealous announcer talk about "elimination style rules" or whatever, my blood gets pumping. Even before I was an anime fan and just enjoyed the most anime-esque non-anime out there (professional wrestling), my favorite event was the King of the Ring, a tournament that always promised rare match-ups and photos of a bodybuilder pretending to enjoy wearing a big, red crown. But why do tournaments always make me so excited? And more importantly, what goes into making a good anime tournament?

Well, after the most recent arc of Dr. STONE, in which members of the village compete in the Grand Bout, I decided to look into this. And I've come to realize that every awesome anime tournament has a few things in common, with the first being that they take into account which characters need the tournament the most.

Obviously, it's really cool for a tournament to have a sense of inevitability. Yusuke and Toguro's fight in the Dark Tournament of Yu Yu Hakusho hangs over every preceding match-up. It becomes destiny, and even when combat is going on with other characters, it always driving the show in the background. And when it happens, the excitement is equal parts a satisfying sigh of relief and an explosive climax.

The same goes for the Heavens Arena arc in Hunter x Hunter. Gon facing off against Hisoka, even when not being directly showcased, is still constantly looming. And it takes a lot of talent to build this kind of tension and have it last, which the creator of Yu Yu Hakusho and Hunter x Hunter, Yoshihiro Togashi, has in spades. But despite how cool it is to see this, not every tournament needs this kind of be-all, end-all final match. Instead, a good tournament is usually made through match-ups that feel unique and give us a chance to see characters in a light that's been previously hidden.

Take the aforementioned Dr. STONE tournament. Obviously, the most dynamic, hard hitting match possible is Kohaku vs Magma. She's the only one who's a physical match for him, and if this was 2004, it would no doubt have led to a thousand AMV's set to Linkin Park's "Faint." Instead, though, Magma faces Chrome and Kinro. Rather than "Strongest vs. Strongest," you get "Strongest vs. Character That Needs The Development." Kinro needs to learn to trust in science and Chrome needs to prove himself, something that their fights with Magma provide.

Another great example is Naruto's Chunin exams. Obviously, the show is built around Naruto and Sasuke's burgeoning friendship/rivalry, and them fighting multiple times is bound to happen. So why not have it at the Chunin exams? Why not build the Chunin exams around one of the main dramatic conflicts of the show? That would've been a super easy way to ratchet up the intensity of the feud. Well, Naruto's creator Masashi Kishimoto knew that it didn't need the Chunin exams. Instead, the exams were a necessary showcase for characters like Rock Lee and Hinata. Thanks to the emotional weight (and dropping of actual weight) in the Chunin exams, these side characters are now big deals. They've been solidified as a must-watch part of the story.

Another aspect of a good tournament is that even the non-tournament parts must be worth watching. So what can a tournament do to maintain interest while no one is getting beaten up? Well, look at the fantastic Cell Games from Dragon Ball Z. Obviously, you come into that to see characters like Gohan and Trunks take on the nefarious super android, but this isn't just a Cell-brand World Martial Arts Tournament. Instead of warriors battling solely out of a sense of pride or obligation, this tourney reeks of desperation. Good guys fail and are sometimes killed, so even when people aren't battling, they're dealing with their grief.

Both the non-fighting tournaments in shows like Food Wars! Shokugeki no Soma and Haikyu!! do a great job with this as well, as they're both just as interested in the mental preparation as they are in the exertion of the contestants. Haikyu!! nails character interaction and team-building so well that you can't help but be just as engaged when they're off the court or just practicing.

Finally, a good tournament doesn't always provide the obvious conclusions. Look at the tournament to win the Mera Mera no Mi Devil Fruit in the Dressrosa arc of One Piece. One Piece creator Eiichiro Oda used this tournament not only as a way to easily introduce the tidal wave of characters that play big roles in the arc, but also as a way to nudge Sabo back into the story, and immediately give him a starring place in the current One Piece universe. Obviously, his cool goggle/hat/pipe combo should've been enough, but it doesn't hurt that he can now chuck flames at people.

In the Battle City tournament of Yu-Gi-Oh!, Joey Wheeler makes it to the final four. But instead of getting beaten in the traditional sense and having his life points go to zero, he succumbs to the special rules of the Shadow Game. This keeps our boy Joey looking like a strong, competent duelist while also not redoing the Yugi vs Joey duel that we saw in the previous Duelist Kingdom arc. Though I'm always down to here Joey's dub voice shouting "I AINT GOIN' EASY ON YA, YOOG. I PLAY BABY DRAH'GIN IN DEFENSE MODE."

Overall, rad tournaments are a staple of shonen anime and they've given me indescribable amounts of joy during the time that I've been a fan. And with any luck, organized punching (with brackets) is a trend that is here to stay. Huzzah, brackets! Huzzah, anime tournaments!

What is your favorite anime tournament? Which series do you think is especially good at handling them? Let us know in the comments below!

----------------------

Daniel Dockery is a writer and editor for Crunchyroll. You should follow him on Twitter!

Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!

By: [email protected]

#Anime #News #Latest in Anime News by Crunchyroll!

3 notes · View notes

nyxabird · 5 years

Text

What I want from Pokemon Sword/Shield

What I hope for in Pokemon Sword/Shield. I thought about making this a video, and I might still, but it’s so long that I thought a list here would be better to start with at least.

I know a lot of people are doing videos like this, where they're saying "this is what I'd love to see or not see in Pokemon Sword/Shield", but I'd honestly like to throw my opinion out there, too. There's so much we're hoping from in these games, and some of the points I think of I haven't seen other people address at all. And of course, I just have my own things that would make the games more fun for me, so. In no real order, here's what I hope for in Pokemon Sword and Shield.

1. No Fire/Fighting Starter.

Don't make Scorbunny fighting. Don't make Scorbunny fighting. For the love of god, DON'T MAKE SCORBUNNY FIGHTING.

Look. I like most of the starters overall, and both Chimchar and Torchic are some I think are really good, personally. But unlike the other two, Fire has just gotten this habit of dropping into fighting as its sub-type, and quite frankly that's just boring at this point. Blaziken, Infernape, and Emboar, all one after another, were just too much. They did REALLY good subverting this with the Fire/Psychic starter of Delphox, and while I don't personally care for it, I like the fact that Incineroar was Fire/Dark, even though its theme could have so easily been dropped into fighting.

Make it anything else. Literally anything else. No one cares what its other type is, or if it'll even have another type, as long as it ISN'T. FIGHTING. The little bandage on its face is making us worried, but with Inceniroar you proved you could have a fighting-styled theme without actually being fighting type. Please, do that again.

I, too, will accept literally any type match but Fire/Fighting. Though if I could personally choose, I'd ask for Fairy or Dark again. It'd be nice to have a Fire/Dark I actually really like.

2. No shiny locking.

Nintendo has picked up this habit of making legendaries, especially the cover Pokemon, impossible to roll as shiny. Basically, they're hard-coded so that when you encounter them, they cannot be shiny. That needs to stop. Just... yeah. Don't do that. Stop doing that. That's really all there is to it. It's a bad thing you're doing and you need to quit. It's literally MORE work to do for no reason. Just stop it.

3. Keep easier ways to find shinies.

Easy is a bit of a misnomer, because there's no way to easily get a shiny, no matter what anyone says. But there are ways to make it easIER, and I think that needs to be kept. Whether it's chain-catching like in Pokemon Let's Go or something else, give us a way that's actually possible to do to get shinies. Do not bring back that stupid "pick the right shaking grass when all of them are two pixels different" minigame. That's a BAD WAY to do it. Give us a way, and give us a way that actually can work, not make us lose our progress because we don't have eyes like eagles.

4. No motion controls.

Now, I don't think Pokemon Let's Go had a bad catching mechanic... IF the game was in handheld mode. The idea of being able to catch Pokemon without wearing down my team was actually really good, and it was something I liked a lot. I did miss being able to battle wild Pokemon and make them easier to catch, but if the Let's Go catching mechanic comes back I won't mind...

IF it works like it does in handheld mode. Docked mode was AWFUL. There's no ifs, ands, or buts, it was just badly. Programmed. No one liked it. No one enjoyed it. It was never consistent and often times was completely opposite to whatever you wanted to do.

5. Pokemon that follow you.

Like in the Johto remakes or Pokemon Let's Go, let your Pokemon follow you. We know you can do it. You actually DID do it in the Alola games, because there's data of every single Pokemon model with walk and run cycles on the cartritage that you just never actually let us access, so don't try to claim this isn't something you can't do. On top of that, the Switch is way bigger than the 3DS' carts. You have room. You have the skill. Give it to us.

6. New Eeveelutions.

Please, please, PLEASE. Give us new 'eons. It's been way too long without getting new Eevee forms, and you have so many types you can still make it from. Give us SOMETHING. ANYTHING. You're creative, you can come up with various ways to do stuff. What about a Steel-type that evolves when you level it up holding a Metal Coat? Or a Fighting-type that evolves if you get it to a certain level? Just give us SOMETHING.

Me, personally, I'd love to see a Dragon-type, Poison-type, or Ground-type Eeveelution, because I'm always short on those types and I think they'd be awesome.

7. Bring back Mega Evolutions and Z-Moves.

They're cool, they're fun, and they make things more interesting. I've heard people complain about how it ruins competitive battling because it's unpredictable, to which I say "Why is your competitive battling completely predictable? That sounds boring and not actually competitive if you can plug in a formula and have it work." Some people say that it makes the game too easy, to which I say "Then stop using them." It's the same as people complaining there's difficulty levels in games; you think the easy mode is too easy for you, then just don't play on the easy mode. If you think Z-Moves or Mega Evolution make the game too easy for you, then just don't use them. No one's forcing you to, and taking away something other people enjoy because you have no self-control over not using them is just really rude. I mean, no one says the magic system in Dark Souls makes the game too easy, so that needs to be removed!

...actually, there probably are people who say that, depressingly enough.

Anyway. For me, I love that I can make my Pokemon feel super powerful for a moment, or just use Z-Move to skip over a specific trainer or specific Pokemon that I just don't want to deal with. It gives you options on how to handle your own game and lets you balance your own difficulty for it, which is what all the best games do. And let's not forget the core, most basic reason: they're just FUN.

8. Skippable cutscenes.

It's 2019. How do you not have this yet? Some people want to replay the game. Some people don't care about the story. Some people just want to get to a certain part. It doesn't matter. What matters is that every single cutscene in your game that doesn't require a vital decision -- and don't try to be dishonest, nothing but the opening cutscene has any actual decisions, they're all fake ones to make you feel like you're actually having an effect -- should be skippable. Straight out, out of the box. No ifs, ands, or buts.

9. No forced tutorial.

I've played Pokemon since Red and Blue. I know how Pokemon works. I know how to catch Pokemon. You're trying to teach a fish to swim.

I'm not against these tutorials. There are plenty of new people getting into Pokemon games every release, and they need it. No one doubts that. But there is absolutely no reason that these tutorials are MANDATORY. If the new people skip the tutorials, that's their own fault, not yours, and they can't complain about the bed they made for themselves. So please, for the love of god, don't torture the rest of us because some idiot might skip the tutorial and then get mad.

10. The Regional Pokedex is what matters.

Sun and Moon did this fantastically. Basically, this means that for things that require you to complete the Pokedex, like the Shiny Charm? Only the Pokemon that can be caught in the actual region count. You can still catch and register Pokemon that aren't in your Regional Pokedex, but you aren't required to in order to "complete" the Pokedex. That was something that was amazing in Sun/Moon and made the game NOT a painful, daunting slog to actually get things like the Shiny Charm in. Please do that again.

11. No HMs.

I sincerely doubt this'll be a problem, since none of the latest generation games had HMs, but this is still something that bears repeating. HMs are not fun. No one likes HMs. They're just irritating, pointless moves that get in your way and force you to either devote a slot or two in your party to a Pokemon you don't care for or trash the combat ability of the Pokemon you actually have. Whether it's Ride Pokemon or Secret Techniques or whatever... make it happen.

I, and I'm sure many other people, literally do not care if you just put a piece of plastic tape over a plot hole. If it means that we don't have to use HMs, every single one of us will ignore the giant gaping hole in space with nary a single comment.

12. Wild Pokemon that walk in the overworld.

This was, to me, the absolute best part of Pokemon Let's Go. Being able to see the Pokemon in the overworld not only makes it feel far more alive, but it makes actually hunting around a lot more enjoyable, too. This mechanic made caves FUN AGAIN. I literally HAD FUN in Mt. Moon and Rock Tunnel because of this. Those weren't fun when they were first released and every other cave after that has never been fun unless you packed hundreds of repels. Now? Caves are enjoyable because you can fight or dodge however you want, because you can SEE where things are.

13. Human Rivals.

Now I know this is a very controversial opinion, and if you don’t like that’s perfectly fine, but don’t try to insult me over it.

I hate rivals with nasty personalities that treat you like shit.

I want a rival that is actually tolerable and acts like a real person, not some entitled whiny manbaby bitch who's high on his own ego.

I will never understand how people seriously enjoyed people like Blue, who were just complete insufferable pricks. They often made me roll my eyes and ruined the experience because they were just so unrepentantly rude and assholeish, no matter what you did, and they never changed. Some people "love to hate" insufferable, intolerable assholes, I guess, and love to beat them down over and over. And if you do? Awesome! I’m glad to hear it.

But for me, they just detract from a game because they constantly have to go "Oh hey, you're that useless shitwad no one likes, hahaha let me treat you like piss on my shoe". Beating them gives you satisfaction, sure, but no matter what you do or how you win, all your interactions with them are negative. That satisfaction comes from "Hah hah, I beat up the dude who's rude to me", and that's just... to me, that doesn't stay satisfying. Eventually I just start getting angry that this shitheel won’t go away and leave me alone, because them being around isn’t fun anymore.

I don't necessarily want the rival to be your best friend or the nicest person in the world. I really liked people like Silver and Gladion, but that was because while they were assholes at the start, you saw them grow and change and become better and happier people as the game went on. Was Silver ever super chummy with you? Pft, hell no! Not even close! But that was okay, because you still saw him change into a dude who was actually tolerable and not stay as the prick with his head so far up his ass he was tasting breakfast. And that was awesome!

My favorite rivals, honestly? Are ones like Hau, who were your rivals but also your friends, so your interactions with them were positive and fun. My mood always skyrocketing whenever I talked to Hau because he was just so friendly and cute, and that’s what I found far, far more satisfying than some prick who’d come around to call me a worthless shithead.

Pokemon Rivals aren't like the big bad in games like Final Fantasy. You're stuck with them, you can't get away from them, and you're not solving some big super evil by getting rid of them and making yourself feel satisfied. You’re just having this asshole who’s being rude to you for literally no reason stalk you and refuse to let you get away.

That’s insanely creepy and nasty. You're just being BULLIED with rivals like that, and I genuinely cannot understand why people seem to love being bullied in their own game by an insufferable prick who's so drunk on their own ego they think they're Arceus' gift to the world. The satisfaction of beating them feels outweighed by the negative feelings you have of them constantly berating and putting you down.

Maybe it's just because I'm from a home life where I was constantly bullied and ridiculed by all of my cousins, but I just can't find that sort of thing enjoyable. It's part of why I don't replay the Kanto games anywhere near as much as I replay the other ones, despite Kanto being my home region. (I honestly thought PLG was better than the original because Blue wasn’t there to be an insufferable, entitled manbaby egotist)

If it were up to me, honestly, I'd let you pick your rival like you could pick your gender. One rival's the Hau-type, one rival's the Blue-type, and the one you don't pick doesn't show up in game. That way, everyone could have what they want. Barring that, I really, really don't want to see another rival that's completely inhuman because all they are is an entitled prick there to bully you. I don't care if it's like Silver or Gladion, where they're rude at first but become genuinely likeable later, or if it's like Hau where they're always nice. Just... give me an actual rival, not some guy's fragile and inflated ego wrapped in a human suit.

I genuinely have no idea how so many people think having a person who doesn’t treat you like you’re a piece of shit unworthy of life is so bad it can be considered a plague and something that needs rectifying.

14. Side games! But make them optional.

Give us more side stuff to do! Pokemon Contests, Pokeathelon, the Festival Plaza... The Battle Tower. These were all fun things to do. When they were OPTIONAL. I think we need stuff like the casino and Voltorb Flip, or an area like the Festival Plaza we can design, because those are actually fun things to do. But I also think they need to be completely skippable for people who don't want them. Forcing people into doing side-games is a sure-fire way to get that side-game hated, but making it available gives us so much more we can do. It'd sure make the post game more fun.

15. Character Customization.

Hair, eyes, skin. These should all be default customization options, either able to change very early on or able to pick at the start. Alola was pretty good at this. Do it again.

16. CLOTHES.

Clothes, clothes, clothes. For the love of god, give us clothes again. Not your shitty Pokemon Let's Go no-effort recolors your artist did while on his way home from work. Not the "two shirt models, two skirt models, and a pants model with recolors" thing you did Alola. Actual clothing. Dresses, different skirts, different pants. What about that big black coat-dress I got from Kalos? Or the boots? The hose? We know you can make these designs. Actually make them.

17. Pokeball Conversion.

Let us put caught Pokemon in a Pokeball different from what we caught in it. If we want to put our starter in a Luxury Ball, just let us spend one Luxury Ball and bam, do it! Overwrite the ball it's in now. It shouldn't really be that hard since you can outright edit IVs.

18. Secret Bases or the Underground!

Give us Secret Bases back! They were amazing and fun, and being able to make your own base -- especially a base your friend could download so they could fight you on your own time! Being able to buy and decorate, or place it randomly, was also amazing. Failing Secret Bases, give us back the Underground from Sinnoh where we could dig and find items and... well, yeah, make a base down there too.

Just give us some way to make our mark on the game world. Even better if we can set a fly-point there and put our own heal station in. That way, if there's a place we want to grind, well. We can just grind there, or if we needed a break because our Pokemon were getting battered. You don't have the make the furniture easy to get, but give us some way to make our own little spot we can get cozy in, rather than the house we'll never revisit because there's no reason to ever go back there.

19. A final area where the game doesn't cheat.

I breed Pokemon competitively. I breed until a Pokemon has the extact right IVs, the exact right nature, the exact right ability. I breed Egg Moves and everything else that would cover their types. And still, things like the Battle Tree are just an unfun, messy slogy for me. The main issue I have with it is that so many times, it seems like the game outright cheats. I can't tell you how many different teams I went in, only to find that a trainer early on had hard counters for every single member of my team. Once is circumstance, twice is happenstance, but three times is a pattern... and I had no less than ten. Different Pokemon, different team comps, different days, and still, I very regularly got hard-countered.

I don't care that these options are hard. By all means, keep them hard! They're meant to be. But stop cheating and making the AI pick out a hard-counter team to yours just because you're "doing too well". I've seen it in so many post-game Pokemons, and it really needs to stop.

#pokemon sword and shield #what I want from pokemon sword and shield #rivals #I don't care if you like the egotistical rude rivals #more power to you if you do #but I do not and will not like them no matter what #and I will never accept they're better #because characters like that just RUIN my experience #so you can keep your asshole rivals #hau best rival #forever and ever

9 notes · View notes

tamgerines · 6 years

Text

KH3 First Impression and Complete Thoughts

BACKGROUND: i've played kh1, com, kh2, bbs, 2.8, and a bit of khux. i've watched coded and 3d on yt, so i know the story relatively well. this is an impression of my first playthrough. i did my run on standard mode and watched the secret ending on yt. i mostly did this for story, so this will have my initial impressions based on my run that will not cover extra content like the phone mini games and cooking. my opinions are subjected to change if i ever do any later playthroughs. pls, feel free to disagree w/ me.

!!! WARNING: THERE WILL BE A LOT OF STORY SPOILERS!!!

AUDIO:

Music: utada is queen!!! that opening song!!! also i kept noticing how lit the songs are in each world esp frozen??? and aqua's. worth a replay just for the soundtrack alone.

Voice Acting: everyone sounded great for the most part. sora’s va have certainly improved and sounds less strained. his vanitas voice has suffered significantly though lolololol. i think i read that someone called it a wannabe dark knight voice? the organization sounded incredible, w/ my fav being xemnas, marluxia, and larxene. the disney and pixar va’s are incredible w/ my fav probably being randall in monster’s inc.

some ppl did not get vas like xaldin and laxeaus. and phil in hercules. which were all very disappointing bc in the scenes that they were in, they would just stand around woodenly, and it’s very noticeable.

VISUALS:

mostly a+. environments are beautiful. water and frost textures are amazing!!! you can really feel that waterga and blizzaga. fur textures in monster's inc. could use some work. little details like the sails moving in potc rly make the worlds come alive. this could be a me prob, but environments in certain worlds make it very hard to see map markers, treasure chests, and disney emblems (which are supposed to be hard to find, but still). mostly in tangled.

strangely enough, this is the only game where i prefer in game graphics to cgi. it's already highly expressive and there's something creepy and uncanny about the cgi esp in the final fight. and it's mostly bc sora's thin chapped lips throughout the entire game suddenly becomes full.

DESIGNS:

i don't love everyone's outfit or sora's outfit changes in this game besides toy story. this is something i alrdy knew going in, but i've always felt like the outfits in kh1 and 2 rly suited each of the character's personalities. and this is not just destiny trio but even chars like roxas, the twilight town kids and the hollow bastion crew. the move towards a uniformed look makes no sense to me like is it to unify the key bearers as one force against the organization? i could understand why destiny trio was wearing plaid but why the twilight town kids also? by the end of the game, almost everyone was wearing black and it's just boring to me. like there's a right way to do uniform while retaining characters' individual looks, and that's the wayfinder trio in bbs. in this game, not so much.

an aside, but i'm sort of disappointed in the hud moving to 3d too. the 2d portraits have always been part of kh so it's kinda a bum to see it go away.

i don't love the lvl designs but it might also be due to a narrative and pacing issue that i'll expand on. any case, vertical maps are a challenge to figure out. i don't consider myself bad at directions but there are so many moments, esp in hercules and tangled where i would be like where the heck do i go next (and i have the map) only for me to look up and find a shotlock teleport point (and this isn't so much a thing that heightens the difficulty but a time waster).

lvls and bosses in previous kh games have always been known for their gimmicks and mechanics, but in this game particularly i found it to be more tedious? and this mostly applies to frozen: who the fuck designed frozen? who the fuck thought it's a good lvl design to have sora climb a mountain, get kick off it twice, and climb it again as good lvl design? who?

all the disney bosses started blending together for me bc they're literally all giant monsters and rly easy. i think the mistake here is the fact that the disney worlds are put back to back whereas in kh1/2/bbs you have the interruption of original worlds and an actually playable important parts to the main story, in this game all the important storyline in radiant garden are locked in cutscenes interspersed throughout the game between finishing disney worlds.

a lot of ppl might disagree w this, but i miss the cinematic reaction commands and limit attacks. we still have them but i find them to be on a much smaller scale in the form of drive finishers and situation commands, but i find them to be less imaginative in kh3 in order to be less """"disruptive""" to the gameplay. i've always found cinematics charming in previous games as a way to show sora interacting with his party members during combat. little things like beast putting a hand on sora's shoulder, aladdin leaning on him, or riku bumping his fist have a way of making the friendships he forms feel organic. outside of link commands/ summons, in this game, he........just throws a lot of ppl around or is thrown around?

GAMEPLAY:

already sort of went through parts of it in the previous section, but overall combat was smooth. i love how mobile sora is in this game. the improvement to his running speed and addition of all the mobile skills like dodge roll, super slide, flow motion, blizzard skating, etc. makes combat feel fast paced and juking so easy.

magic is super improved on ever since 2.8 and feels satisfying to use esp bc i feel like ur given a lot more mp now and with the ability to save the last of your mana for cure, it feels like you're not always budgeting your magic.

underwater combat was smoother than i expected.

it's a mistake putting almost all the commands on the triangle button. there's so much options you can do in combat and you'd mean to activate one thing, but then an attraction flow comes out and you just want to die. it gets a bit easier as i went on and got more used to the controls, but in general, i still think it's a mistake to not to have an ability or something to disable certain features like in kh2 fm.

gummy ships continue to be a thing. why. i don’t like how i have to turn the camera myself now ;;;.

i'm not a speedrunner or anything, so i can't say too much else about fighting. the physical combos to me did feel like he was spinning a bit too much tho.

STORY: oh, fucking boy.

i'm not mad, i'm not disappointed, and i'm not even surprised. i already knew that post bbs, kh has already departed far from the franchise i loved as a kid and still today, at least story wise. but let's walk through it.

Disney Worlds: the disney worlds was literally a retelling of their movies. and unlike in kh2 and bbs, where visits to disney worlds were split into two parts, with the first part following the disney story and the second part being heavily tied to the main kh story and thus having original content, the disney worlds in kh3 only get one long visit. and the integration of kh into disney was just done so poorly. remember how kh villains used to kidnap princesses? remember how they used to actually conspire to take disney characters' hearts and turn them dark? remember, you know, when they were still evil and actually interfered with the worlds? in almost every world in kh3, an org member just comes says vague menacing things to sora, calls him stupid, and then leaves. yeah. and oh, maleficent and pete looks for a black box only to not find it, and leaves. AND THEY DON'T DO ANYTHING ELSE FOR THE REST OF THE GAME.

the pixar worlds + bh6 were the only ones with any actual new content and they feel so fresh. i esp loveeeeeeeed toy story omg. the script was so good, funny, and heartwarming. the pixar consultants should have helped kh all the way tbh.

like previous games, there's an attempt for each disney world to thematically tie into the main kh story. in this game, it was as heavy handed as ever, probably even more so.

Original Worlds: onto the meat of kh, the main story was rushed up until the end. you have a slew of disney worlds, then bam, they slam you with all the human bosses and the important story stuff.

the ‘awakening’ of roxas, xion, and ventus were very rushed. you literally have one moment they’re no there then two seconds of white screen and all of a sudden they’re there.

there’s a shit ton of shoehorned character redemption arcs: vexen, demyx, saix, eraqus, xehanort, xemnas, ansem. all were done either offscreen or by some miracle, they reached an epiphany after sora beat his keyblade into their heads.

the only death scene that i actually liked, that a lot of ppl complained about, was vanitas bc yes, although i thought his character had so much potential, it was at least a consistent and sympathetic death. bless him, born a villain die a villain. same with xemnas bc i loved his last speech.

xehanort was a shitty villain through and through. no one understood his motivation; it’s like nomura took a page from thanos’ guide of how to write villains, gave him some stupid ass goal to have a keyblade war to restart the world, and then just have him...get everything he wanted? his estranged friend comes back in ghost form for whatever reason and is just like ok we’re cool man even tho u took my student and indirectly murdered me and then gets taken up to heart heaven, like O K. and like what’s the most frustrating is that it’s implied they’re keeping him as a villain??? bc fucking ymx is like ooohh imma just go back to my own time via time travel. it’s too late for u sora hurdur.

and the younger members of the organization, the ones that we do know were in khux. we don’t get to know how they became nobodies and they don’t get a redemption??? really???

you can tell they tried, TRIED, hard to give everyone closure. and they miserably failed to close plot points. they actually opened more. who the fuck is the unnamed girl in lea and isa’s storyline? why the fuck did you mention her if you were going to play the pronoun game and not name her??? what the fuck was in the black box??? why are they looking for it when no one know what’s in it??? why the fuck was repliku inside of riku the whole fucking time??? why have org members be norted if they can still have agency and choose to betray xehanort??? why the fuck was BOTH sora and riku in different worlds in the secret ending????? ? ? ?

and tho i’m very glad that wayfinder and sea salt trios get their happy ending, the destiny trio had their characters assassinated. kairi was teased to become an independent character of her own and fight alongside sora, only to get shafted to become a damsel in distress, again, literally replaced by xion in one of the last battles, AND referred to as ‘motivation’ for sora by xehanort lol. sora, the guy who’s always going my friends are my power, ONLY grieves about losing kairi, accrediting all of his strength ONLY TO HER. riku, who spent the first game desperately trying to get kairi’s heart back, and who protected her from saix in the second, suddenly doesn’t give a shit about her and is just there as sora’s moral support. it’s so frustrating that nomura has the audacity to say that this series is primarily about friendship and then pull this shit lol. it’s transparent.

CONCLUSION:

i think for me, the quintessential kh trilogy has always been kh1, com, and kh2. as far as i’m concerned, the story should have ended there for destiny trio. and it’s like nomura said, how he feels more sympathetic towards villains now, i think nomura’s ideas have outgrown his main character.

sora’s journey worked in 1, com, and 2 because he had an overarching goal to find kairi and riku and return home. not everyone has to understand heartless vs. nobodies or dark vs. light but at least, anyone can understand the desperation of saving your friends. when that framework is taken away, sora’s goals and motivations become unclear; he’s a kid and has little reason to be caught up in xehanort’s plans, the keyblade war, or the organization’s agendas. and his failure to grow with the increasing complexity of the plot, to investigate for himself the bigger picture or even come into a similar realization of his own darkness/ balance like riku, makes him unfit; he’s a reactionary character instead of an active one. that’s why this game, being experienced from his point of view, felt mostly like a catch up to speed for sora and a set up to nomura’s next big thing instead of a genuine ending. i honestly don’t think nomura knows what to do with him and with kingdom hearts anymore.

kh3 is a game wrapped in nostalgia and promised something bigger than it could fulfill. and aside from better graphics and improved gameplay, the story wasn’t worth the wait.

#kh3 spoilers #my thoughts #i didnt mean for my ramblings to get so long but #yeah im im sad

9 notes · View notes

solidandsound · 6 years

Text

I have a whole essay of thoughts on KH3. Let’s see if I can be remotely coherent.

Gameplay is fun. Movement feels good, and so does combat. Keyblade switching is neat, although it would be better if there were some cooler keyblades to use. I’d take Oblivion, Oathkeeper, etc over some of the silly stuff we got. Grand magic is cool. The only new mechanic I don’t like is the attractions. They aren’t fun to use, they don’t feel good, they’re just flashy. But you can mostly ignore them, so overall combat is fun. The real problem is that it’s too easy, even on Proud mode. There were a couple of tricky spots for me early on while Sora’s HP was low, but they really throw those HP upgrades at you and enemy damage doesn’t scale fast enough to continue to be a threat. Even the last boss was basically doing chip damage to me while I took out half a bar of health per fire spell. There was nothing like the Riku fight in KH1 or the final boss sequences for 1 or 2. Other KH games have fights leaving me pumped with adrenaline because they’re so good at keeping you on your toes, but KH3 never got me that worked up. Some folks cite all the powerful finishers, attractions, etc, but I think it could have still been challenging with those things if the damage scaling was better.

Exploration is fun, and I like the different approaches each world took to it, with some being large open spaces and others being more linear. It does make searching for treasure and emblems more difficult, though, and some sort of tool to help with that late game would have been nice.

The worlds themselves and how they play out have their ups and downs. You never really fight any big bads in them, so none of them feel like they have the stakes of KH2 worlds, but they don’t all need to. Olympus was a very solid world, and a pretty good setup for what Sora’s trying to do in KH3 (which unfortunately falls flat later, but in Olympus it feels good). It also sets up some intrigue with Maleficent looking for the box (which goes even more poorly later, but again, here it feels good). It’s a big, pretty playground to experiment with all the new stuff in the game. My only real gripe is Phil’s awkward silence. If you want him to show up, Square, give him at least one line. If you can’t give him any lines, don’t have him show up! This was awkward later with Aeleus and Dilan later as well. They make for such clear time/budget cuts, it breaks immersion something terrible.

Twilight Town was a huge disappointment. While it’s nice that it’s so populated (and that goes for many other worlds as well), only having a small part of what we know to exist available to explore is pretty sad. The story there sets things up so that Pence has to do some research which takes time, so I figured we could come back and go up the hill later, but of course that never happens.

Toy Box was fun. It was nice to have a world where almost all of it is just one big open area with lots of vertical space. The Gigases here were some of the only enemies in the game to pose a threat, but only because you need to also use the Gigases, which makes them and the whole world easy. The idea that the organization is doing research on inanimate objects acquiring hearts is interesting, but never amounts to anything, and the main conflict here goes unresolved until the end credits where it’s maybe kinda resolved without our input.

The Tangled world was interesting. It’s probably the most faithful adaptation of a Disney movie’s plot in a KH world in the series, down to specific scene setups, lines, framing, etc. I thought it was bizarre at first, but exploring the world with Rapunzel, which she’s seeing for the first time, and seeing her reactions to it made me feel like I was playing the game of the movie, in a good way. And of course this world had some gorgeous greenery. It also introduces the New Seven Hearts, which is interesting in theory but ends up being irrelevant and underutilized, especially since it could have fixed a problem that’s present for the entire game.

The bad guys want Sora and co to gather the seven lights. By rescuing Aqua, etc, they are playing into Xehanort’s plan. There should be some conflict about this. As it stands, there’s no tension. We’re not really doing anything to stop their plan. Of course Sora wants to save everyone, but maybe they could wonder if they can just not fight, or hide some people away, or something. But, it’s mentioned that if Sora fails to gather the seven lights, the new princesses can be used instead. That makes them leverage: if Sora and his allies fail to show up to the final battle, then these innocent princesses will be used, which of course forces Sora to move forward with the original plan. There’s conflict and tension there, where currently, in the game, there is none.

Monstropolis is interesting because it serves as a sequel to Monsters Inc, developing the lore of the Disney property in an interesting way. The factory’s a little bland but it has some fun sequences. Boo gets some cute moments. What’s annoying is that a Vanitas fight is teased here, and then ripped away from us. By this point I was dying for a good old classic KH person v. person hardcore showdown, because those are always the best fights, but alas. And of course nothing here ends up being super relevant to the main plot.

The Frozen world was fairly faithful to the movie, similar to the Tangled world, except with Sora mostly doing his own thing while the plot of the movie happened elsewhere. I actually thought this world set up an interesting theme that could have been explored more, which is Sora’s hero complex. He sees Elsa hurting and wants to help her, but it’s not something he can help with, so he has to learn to let her work through it on her own instead of coming to the rescue. Unfortunately they don’t do much with it, but it’s an interesting angle. And the New Seven Hearts come up again, which continues to be a waste of potential. The one thing that stood out as a peculiar choice to me was reanimating the entirety of the Let It Go scene. It was so bizarre I was laughing the whole time. I like the song, but what point did that serve? I actually heard a streamer mention that Elsa sings all of Let It Go when I watched some prerelease streams, but I assumed he was joking.

The Pirates world is the only one in this game based on a movie I haven’t seen, so I was a little lost as to the larger plot, but it gave some good characterization for Luxord. It’s nice that he seems to come to this world just because he likes it. I enjoyed the ship exploration and island setup, but I always do (see also: Wind Waker, Suikoden IV). Underwater movement and combat feel much better in this game than Atlantica worlds in earlier games. Ship battles got a little repetitive after a while.

San Fransokyo was one of my favourite worlds. The GTA-esque open city setup is fun, although a little small, and I love that we can see it during the day and at night, although having some chests and emblems only appear at certain times was a bit annoying. The music is excellent here. I like Big Hero 6 a lot, and the story of the world was a very interesting way to build off of the movie. I would love to watch a full BH6 sequel that’s basically the KH3 plot. It’s also a cool and interesting way to reintroduce Dark Riku as a member of the organization. Even though none of the Disney worlds really advance the plot directly, I’m okay with it because they serve another purpose, which is to slowly reveal organization members, keeping us guessing as to who the full 13 will be. Of course, it would be better if we didn’t see almost everyone in trailers, but it was fun to guess at the ones we didn’t know. What is disappointing about the Disney worlds is that Sora is supposed to be learning how to use the power of waking, but it’s obvious early on that it’s going to work when it needs to and he’s not going to figure it out before then, so that entire quest feels pointless.

In between these we get cutscenes of other plot points, and briefly play Riku in the world of darkness. I don’t like that so much of the cool plot stuff happens elsewhere. To me, that’s all the interesting stuff, the stuff I’m playing KH3 for, and I wanted to be involved in it instead of it happening elsewhere or hearing about it over the gummiphone. I did like that we get to play as Riku, as one of the things I’ve come to love about the series is seeing the different keyblade wielders’ combat styles. I also liked that, after we save Aqua, we get a fight as her. I was pumped to see my favourite keyblade master and the most badass character in the series in action again, but after the fight she gets inexplicably knocked out so that she can be rescued, which was both disappointing and out of character.

And then we go to the Keyblade Graveyard, which is where things really fall apart. First of all, the KG is a disappointing final world. It’s somewhere we’ve been before, and it’s nothing like the big, mysterious final worlds of previous games. The End of the World and the World That Never Was are two of my favourite worlds in the series, and the KG here fails to stack up. The labyrinth is a cool concept, but sorely underutilized. But before we even get there we get a very poorly explained time loop thing, and another moment where Aqua doesn’t seem nearly as capable as we know her to be, not to mention all the other great keyblade wielders with them at that point. We get some sort of afterlife, which complicates the life and death mythos of Kingdom Hearts even further, and we get an optional scene there that really should have been mandatory.

Then we go into the final showdown stuff. What was most exciting leading up to KH3 to me was this promised showdown, the 7 lights vs the 13 darknesses, all the keyblade wielders fighting together against overwhelming odds and kicking butt because they’re all great. Instead, what we get is Sora going through and systematically rescuing every one of his allies. It’s not the 7 lights vs the 13 darknesses, it’s Sora vs the 13 darknesses. What’s the point of having everyone there if Sora does everything in the end anyway? It’s especially grating to have extremely capable people like Aqua have to be rescued again. There’s also the matter of Kairi and Axel, who I was most excited to see finally fight with their keyblades. Instead they get trounced immediately and we don’t get any Kairi action at all, and then she gets fucking kidnapped. I’d understand her being less skilled than the others, but what was all that training for? And Axel may be new to the keyblade, but he’s a great fighter, much better than we see here. It’s all so disappointing. The entire section completely fails to live up to the promise of the big group showdown. We have Riku and Aqua programmed as playable characters, so even if they had been playable for their fights that would have made things feel a lot better, although it doesn’t fix everything. The Kairi issue is the biggest bummer for me.

This is where a lot of the important character stuff is resolved, too, and it’s all done quickly and sloppily. The ‘fight, stop for a cutscene, continue the fight, get another cutscene’ format is lazy and immersion breaking. Xion shows up with very little explanation. The whole struggle with her is that no one remembers her, and yet that’s brushed aside without ever really being addressed. And no one really gets the time they need to live in these moments of being reunited with the people they care about. I wanted to see more of them interacting, and more characters interacting who never have before but have clear links to each other. The way everything was quickly resolved, and the way things are set up for the future, makes me think Nomura was getting bored of these characters and wanted to get them out of the way as quickly as possible to move on to his current infatuation, which is the mobile game garbage.

It’s not as if I dislike everything the mobile game has to offer in terms of story and lore additions, but too much of that stuff bled into KH3. The thing where Sora summons the power of all the past keyblade wielders was fine, although I don’t like the 4th wall breaking of including everyone’s usernames. Still, it’s innocent enough. Making the epilogue all about the mobile game, tying the motivations of characters from earlier games to stuff from the mobile game, and introducing new mysteries that are clearly tied to the mobile game but never get resolved here lessened the quality of KH3. I expect some new mysteries and elements to be introduced each game to tease sequels. But in most games, those aspects were relegated to the secret endings and secret reports. That way you get a full game, leaving you feeling satisfied as you watch the ending, and then getting a teaser for another satisfying experience to come. For KH3, as I watched the ending I wasn’t satisfied. There was still too much left unresolved, or poorly resolved, things I needed from the game that I didn’t get. I was still looking for those things when I got to the secret ending, and of course it offered no closure. It made this entire game feel like sequel bait, when this is the game the previous games were supposed to be sequel bait for. I feel like I’m being strung along by the developers and taken advantage of.

There are some things I like about the ending. Although I don’t like the way it was shown so briefly and vaguely, I like the idea that Sora sacrificed himself to save Kairi. In multiple worlds in this game, we see characters try to sacrifice themselves for their loved ones, so when Sora does it, it makes for an interesting thematic link between the Disney content and main story content. I also like that the game seems to imply a switching of roles for Sora and Kairi, in the way the shots are framed so that Kairi is where Sora normally would be. This is the one thing that made me excited for future games: the thought that maybe Kairi could be the protagonist and go on her own journey to save Sora, that she could finally fucking do something other than be the damsel and love interest. Both KH2 and DDD suggested that she would have a more active role as well, though, and look how that turned out. So, I don’t trust it, especially with the secret ending showing Sora and Riku.

Speaking of which… Yozora. He’s clearly a Versus XIII reference, and I thought it was rightfully petty and hilarious when I saw the Toy Box scene, like Nomura was showing off how much cooler his game would have been than FFXV. Seeing Yozora in the secret ending makes me worry, though. Is he so petty that he would use a future KH game as a vehicle for the characters and ideas that didn’t come to fruition with Versus? With this and all the mobile game stuff, not to mention the general quality of KH3, I’m seriously worried about future games. For over a decade I’ve been thrilled every time a new KH game was announced. Now, though, I feel I’m going to have to be more cautious. It’s not a good feeling to have. Kingdom Hearts has never been perfect, but KH3 makes me feel like Nomura has forgotten what it is that made Kingdom Hearts great in the first place.

#here's almost 3000 words of kh rambling if you're interested #i just needed to organize my thoughts somehow #Kingdom Hearts #kh spoilers #tldr is that it's fun but doesn't live up to the legacy of the series

3 notes · View notes