#i have so many thoughts about katara...

[zukomysweetbabyboy]

Katara and Sokka have one of the most important and fundamental bonds in the entire show. Their loyalty to each other and dedication to keep each other safe is what allows the adventure to start and their banter/dynamic and love for each other is what shapes how the gaang interacts with each other. The relationships and friendships they make through the course of the show are SO important, but you could not convince me that they aren’t each other’s number one the entire time. Sokka would choose Katara and her safety over anything else, no matter the cost, and Katara would do the same.

[justa-smalltown-gargoyle]

I found myself watching the new live action ATLA and I was like omg this is such great set up for Zutara and their future dynamic !!!!!

And I got so caught up in the euphoria of my own Zutara thoughts that for like a minute I fully gaslit myself into believing that Zutara actually did happen and the live action was sowing the seeds for that relationship

[bookdragonideas]

Here's the thing. I'm a girl, and as a girl, I really like it when girls are portrayed in fiction. Especially fantasy.

But so much fiction/fantasy mixes up 'girls' with 'unstoppable forces of female badass' and there's not necessarily anything wrong with having a character who is an 'unstoppable forces of female badass'. But it gets old real quick. And it is not the same as portraying normal girls, or having good female characters.

And that's one of the many reasons I love Avatar the Last Airbender.

Because all the girl characters have flaws and weaknesses and sometimes act like idiots or jerks. They get emotional and make mistakes. They lose fights or arguments or are just wrong sometimes. Some of them are amazing warriors, and some aren't. Some are powerful or special and some are normal, with nothing special about them.

And I Love that.

I was around the same age as Katara when I first watched Atla. And I instantly connected with her as a character. I loved her optimistic attitude and her fighting spirit. And I could relate with her anger, and with her maternal instinct. I admired her fighting skills of course, but I loved how the show portrayed her compassion and kindness, the way she could both beat up a bunch of bullies AND enjoy a relaxing day at the spa. She was a baddass warrior that should never be crossed. But she was also a normal teenage girl who had a lot of the same internal struggles and problems that I did.

(I never connected to Toph on the same level, but I did relate to her on a few things. She's an adorable trash gremlin who would commit any crime for fun and I love that. But she struggles with being both independent and letting people help her, and I still struggle with that sometimes. I've learned that sometimes, you can help others by letting them help you.)

Yue is, in my opinion, a perfect example of a type of hero that seems to be disappearing. She is not a warrior. She is not a fighter. She's not even a bender.

Yue is a perfect princess, a perfect daughter. She is extremely feminine in a rather older sense.

And she was the only one who could save the world. She gave up everything for her people. She saved everything, everyone, the entire world. Without ever becoming a fighter.

Yue is a perfect example of a girl who was never more than a girl, and how that's okay. Not every girl has to be rough and tumble and fight for her rights in order to change everything. Sometimes it's okay to just be a quiet obedient girly girl. Sometimes that's all it takes to be a hero.

And I love that. Yue is strong in her own way. She is unique and interesting. She appears in only a few episodes and yet manages to be one of my favorite characters.

Song is another great example of this. Song is a healer in a small town. We don't see much of her but we see her compassion and empathy. She is gentle and generous. A healer not a fighter.

She watches Zuko steal her ostrich horse and does nothing.

Is that because she's kind and generous and knows he needs it more? Or is it because she's a healer girl who knows she can't actually stop those two from taking the horse? Maybe neither, maybe both. I have always thought that the scene where Zuko steals the horse and only the audience knows she saw it is one of the most thought-provoking in the series.

Suki is a badass warrior woman who is an awesome fighter and good leader. She is one of the best non bender fighter we see in the entire show. She was one of the smartest, most efficient, and powerful characters we ever saw.

She kissed a boy she had just met because she thought he was cute.

Now don't get me wrong I love SokkaxSuki. Its one of the best couples in the show.

But Suki totally did the old 'love at first sight' thing. And that is awesome. Because when she kisses him she delivers one of the best lines, not only from her, but, I think, in the entire show.

"I AM a warrior, but I'm a girl too."

Being a warrior doesn't mean that she isn't also a teenage girl. She might be a fighter, but she still gets crushes and likes to flirt with cute boys. And hey, she picked a good one. Not every boy is going to come break you out of prison.

Anyways, let's have more realistic girls in fiction. And please enjoy the next 24 hours.

[blacknailsandheartbreak]

Part 2 to how the group cannot fathom how you and Zuko are so close with your angel of a self and Zuko being... well, Zuko

AN: OKAY! Look at me go, coming out with a part two. I think I might do a part two to some previous pieces of mine but we will see.

SO this is a part two, so you can read the first one here, it will give some context clues into this second part of the story (but can probably be read solo) : Part 1

Any who, ~2300 word count, enjoy :)

KIDDIE FREE ZONE

Good Friends

That's all you guys were. Good Friends. Zuko kept telling himself he had no reason to be so bothered by that statement, but he was. He didn't want to be just good friends, but you had given a better answer then he would have in your position. But now the Gaang has been flying for the past couple days and has given him lots of time for thinking. Especially having you for the majority of the time sitting with him leaning against his arm, grazing legs, as you were not shy to the general touch. You always seemed to start up the conversations with him, your way of speech held him in interest, but as already known, he never said much back, but always was happy to listen.

But ever since that last night of camp a few days ago he cannot let the thought go. Good Friends. He knew that the talks you two have, the moments you both cherish, and the secrets you two shared was enough of a connection to be more than just good friends, or at least in his mind it was. You two were absolutely glued to the hip, and seemed to be together, just without the title. Zuko was fine with no title, he would rather the group didn't know but for you two to have that clarity is what he was craving. He knew there were other things that were more important at the moment but it couldn't calm down in his mind. He had to know, he wanted to be together. Even if that became another secret you both shared he would gladly add it to the pile.

As the afternoon began to fall fast on the fourth day of travel, the Gaang was running low on rations and decided to hit the next market in the upcoming town. Upon arrival, Aang and Sokka grabbed Zuko to tackle their list as Katara and Toph grabbed you to get the remaining items. Zuko was hoping to buddy up with you but it would have to wait. As the group divided and conquered, Sokka was getting very nosy with Zuko about a certain someone. Zuko ignored all of his questions or what felt like more accusations. Meanwhile the girls had finished with their tasks and Toph had somehow gotten into a gambling match with the remaining money they had and won every time. You stood back leaning against a nearby wall smiling, not wanting anything to do with the situation but you weren't going to interfere either. You feel a brush against your shoulder and look up to see Zuko, you smile and greet Aang and Sokka. You ask how their huntings went and they all agreed it had gone well. Zuko looked at you and asked if Toph and Katara were seriously gambling the little money they had left. You laughed and were about to answer but before you could Toph came over with a large bag and tossed it at Zuko. He caught it effortlessly, and it jingled heavily. All of the boys eyes widened, and Toph said "We will be sleeping well tonight thanks to yours truly."

The Gaang walked around the town as the night grew darker and the many street lamps glowed near and far, Zuko's mind still buzzing with the taunting thought of good friends. Maybe he was over thinking it and there was already an unspoken agreement you two were together? Or was he being weird and obsessive? Or maybe you had a completely different view on all of it? Or maybe-

His thoughts were cut off by you linking your arm through his and pointing out the beautiful lights, from the shops, to concessions, to the fountains, to the groups of lively people. He looked down at you and for the first time, he wasn't really listening to you. He just looked at you, looked at your smile as if you knew this moment was made just for you. He would forever be in awe at how effortlessly you spoke as if you had already rehearsed it one hundred times. He feels your genuine happiness and spirit in your eyes as you look up at him and he wonders how you hold such grace through everything. All his thoughts left his mind as he looked at you and thought, yeah, that is my girl.

Once the Gaang decided to call it a night, you all looked for an Inn to stay at for the night. There was not much of an option in the small town, so you all entered the closest place and the lady at the front desk greeted you all with a warm smile. Aang went to talk with the lady and brought back a handful of keys. Everyone was confused as he handed everyone their own key and explained that they only had single rooms left for the night. Nobody really complained as everyone seemed they could use some time to themselves. Everyone shuffled into their rooms with quick goodnights, but before Zuko walked through his door, he looked over his shoulder at your direction, and there you were. Walking into your room and almost as if you felt his eyes you looked over your shoulder and stopped for a moment, you smiled at Zuko and gave a small wave of goodnight before stepping into your room and closing the door. Zuko's eyes stayed on your room for a moment longer, before a small tap on his shoulder made him spin around. It was Katara. Zuko was lost for words. Katara smiled and whispered "I won't tell, not that is isn't already so obvious, but you should really talk to her." Before Zuko could respond to her she waved goodnight and walked into her room. He stood in the hallway like a man who was shot and was too afraid to move. He looked back at your door, he felt the longing in every part of his being to just go and knock on your door and say everything he has been thinking just like you do. How you so effortlessly say exactly what you're thinking, that is what he wanted to do. He wanted to tell you what it meant to him to have someone like you become so close to someone like him. He wanted to tell you that the secrets you both shared with each other meant the world to him and he would take them to his very grave if you wished so. He wanted to tell you that every time you smiled it felt like it was for him and him only. But he didn't. He walked back into his room and shut the door.

Zuko got ready for bed and laid down for a few minutes, he tossed and turned and his chest felt so heavy. He let out a sigh as he laid on his back and placed a hand on his chest with the other one behind his head. He stared up at the ceiling. Zuko let out a small grunt of frustration when he got up, deciding to go get some water. He grabbed the bucket from the small table in the room and walked towards the door. Zuko grabbed the bridge of his nose in exasperation and pulled his hand down his face, he went and opened the door and to his complete shock, there you stood. You looked almost as surprised as he did. You both stood in silence for a moment, and for the first time, Zuko spoke first. He asked if you were alright, because the last thing he expected was for you to be standing at his door in the middle of the night. You replied softly, saying you were ok, just had a lot on your mind. You noticed Zuko holding the bucket for water and offered to go with him to fetch some, he agreed. This time you both walked in silence to retrieve the water and walked in silence back to the rooms. You both came to stand outside Zuko's room and he asked if you were sure you were ok, and you replied that you were, probably just over tired. Zuko looked at you and asked you if you wanted to come into his room. You smiled softly and insisted you didn't want to intrude. He didn't respond and just motioned you inside, you accepted and walked in, Zuko shut the door behind you.

Zuko grabbed the ladle and poured you some water while you sat on the bed, he handed you the cup. You smiled and thanked him as you grabbed the cup and took a sip. Zuko sits next to you and rests his elbows on his thighs and looks down between his knees to the floor, he's not sure how he wants to go about tonight. He has no idea where to start, no idea how to talk or truly express his thoughts. He worries about sounding like a bumbling fool compared to your angelic soft spoken way of words. But before he could think further, the bed shifted and you were now directly beside Zuko with your head leaning on his shoulder. He looked up and he knew he wanted this, he wanted to be the one to call you his. He wanted to be by your side every step of the way and watch you regain the pride of being a fire bender. He wanted to have you by his side helping him with the path of change after the comet, and he didn't want to do it as good friends, he wanted to do it together. Zuko took in a deep breath, and asked "Do you really think we are just good friends?" and without a breath missed you replied "I knew your ears were on fire that night." you sat up with that comment, Zuko smirked and chuckled, you two were very close now, mere inches from each other's faces. "But no..." you replied, "I don't think we are just good friends, do you?" Zuko looked into your eyes, they seemed to shimmer the most beautiful shade of amber even with the liminal lighting in the room. "I don't think so either." He replied. Zuko saw your eyes dart to his lips and back to his eyes but the second your gaze connected back with his, he was already pulling you into a kiss. He put his hand just under your ear, along your jaw, pulling you in gently, as if giving you an option to back out. But you didn't, you leaned in and placed your hand on his arm and you kissed deep. Zuko lavished in this moment and if there was any way he could pull you in even closer he would. You pulled away first and looked at Zuko, he looked at you with so many emotions, "We are together." he stated. You smiled so wide and nodded, for the first time you were speechless and practically tackled Zuko to the bed, kissing him so deeply while he gladly reciprocated with the same action. You were straddling Zuko as he effortlessly flipped you over on the bed so he was now on top, you placed both your hands on his jaw and leaned up to give him a small kiss and then laid back down. "Would you stay with me tonight?" Zuko asked, you smiled, "Of course I will, I thought you'd never ask." Zuko rolls his eyes and leans down for a kiss but you halt his actions by asking, "What about the others, they will see me leaving your-" Zuko cuts you off with a soft kiss and after responds "I don't care, they can make their own assumptions." You smile so happily and nod your head, "But, they are going to ask questions-" you started but again Zuko cut you off before you can overthink, "So answer them however you want to, however you feel is right." He leans down and kisses you so romantically, and moves to your cheek, and down to your jaw, and making his way to your neck, you let out the smallest gasp. You could feel tingles all throughout your body, from your fingertips to your toes. This was the moment you were both waiting for, Zuko knew this is what he wanted, he wanted you now, tomorrow, the day after that, the months that follow and the years to come. You were his as much he was yours. He gave himself to you that night as you gave yourself to him. Both vulnerable to one another, savouring each movement, each touch, every breath you both shared. The night was exactly what you both wanted, it was what you both needed.

The next morning Zuko woke up with you laying on his chest and his arms wrapped around you. Both of you spent the morning getting ready and just smiling at each other, no lingering feeling or questions of what ifs. You could both just be together.

It was time to check out and continue the journey, so you both gathered all your belongings and walked to the door. You both stopped and you looked at Zuko, "They are going to ask." you stated, and Zuko looked right back at you, "Then answer." he replied. He opened the door and the Gaang was waiting in the hall. Katara was the first to see you both exit and she tried to hide her smile with a polite hand, the others turned to look and were caught a blank. Zuko shut the door with you standing by his side. You greeted everyone and you both walked towards the group, "What are you all staring at, let's head out." Zuko said so nonchalantly, everyone stood in silence for a second longer and proceeded on like nothing happened.

[ecoterrorist-katara]

Zutara, romance novels, and the female gaze

Okay so I’ve been thinking about the female gaze a LOT so I checked out a subreddit about romance novels, despite never having read one. I came across this meme (which was initially a Tumblr post and then got posted to Instagram and then to Reddit and I’m now bringing back to Tumblr — Internet telephone, pls never change):

And…what is The Southern Raiders, if not a platonic grovel? Katara’s pain is central to the episode. It’s central to Zuko. Zuko asks Katara what he can do to make up for his betrayal; she demands the impossible. He reads between the lines, cockblocks her brother to get the necessary information, and then waits outside her door overnight (which he also did for Iroh, the one person we know for sure he loves). He basically makes himself a receptacle for her rage, and he holds space for her by coming with her on her revenge quest and carrying their bags and not saying a damn thing about what she should and should not do beyond like…asking her to rest. And obviously the grovel works! She forgives him and then they’re thick as thieves, bantering and fighting and saving each other’s lives, etc.

On a different note, I’ve been told that enemies to lovers is one of the biggest tropes in romance novels, similar to YA lit and fanfic. Here’s something else I found in the romance novel discourse:

And…yeah. In TSR, Katara really does show Zuko her worst self, because she doesn’t feel the need to perform for him. She doesn’t feel the need to perform moral perfection OR cold blooded vengeance. She bloodbends in front of him and he just goes with it. She doesn’t kill Yon Rha and he just goes with it. He doesn’t treat her any differently afterwards. Maybe they talk about it off screen, but I kind of like the idea that they don’t, because Katara doesn’t need to explain anything. And it’s so interesting, because some people in the ATLA fandom have a totally different read on TSR. They think Zuko was encouraging Katara to get revenge (by what, keeping his mouth shut?), and that Aang is the one who acts as her moral compass. I believe that either Bryan or Mike said in the DVD commentary that Aang is the angel on her shoulder the entire time. And this interpretation does make sense if you see it from the male gaze, where Katara as an object of affection is acting in an angry, irrational, threatening way. But if you see it from the female gaze, you recognize that actually it’s probably the most emotionally taxing experience Katara has to go through, and she doesn’t owe it to be nice or perfect to anybody. Katara’s formative trauma literally comes to a head, and she has to make a decision — no, a discovery — about who she is in relation to the tragedy that defines her life and even her identity (as a waterbender, as a parentified child who becomes the mom friend, as a genocide victim), and she’s accompanied by someone who trusts her judgement and validates her feelings.

I’m not saying TSR is explicitly romantically coded, but when it conforms so well to romance novel tropes…is it any wonder that so many people thought “yes this is her man?” And then he takes lightning in the heart for her and reaches for her when he’s literally dying, I will never be normal about that either

[animentality]

I don't believe the people who say the atla live action show is good.

the most they seem to say is "just turn your brain off and you'll enjoy it-" and "it's for kids! it's supposed to be braindead."

the reason atla has endured as long as it has, is because people are still finding intelligent discourse to have about its mature themes and its thoughtful story and expansive world building. it's a timeless classic because it found a balance between being light hearted and humorous, when appropriate, and completely serious when exploring its darker material. There are no fucking jokes about katara's mom dying or the genocide of the air nomads. but they are a cast of kids/pre teens and they definitely feel like kids. they grow and mature, and they joke around and have a good time, but the fucking show never felt the need to dumb itself down because it thought kids were too fucking stupid to appreciate character growth or a nuanced story.

it's actually embarrassing to be here and say well atla is supposed to be for kids, so having the emotional depth of paw patrol is fine-

I'm so sorry that kids these days can't handle a story about redemption and genocide and imperialism.

I'm so sorry that kids are being fed slop under the guise that they're too stupid to have anything else, because God knows those of us who grew up with avatar sure didn't appreciate how smart it was.

that's why WE STILL TALK ABOUT IT YEARS LATER ACKNOWLEDGING HOW MANY LITTLE THINGS WE BOTH OBSERVED AND MISSED IN THE SERIES WHEN WE ORIGINALLY WATCHED IT.

go ahead, write paw patrol the last airbender.

kids definitely don't need to know what genocide and imperialism are. they're definitely not very fucking relevant topics of the modern day!! god knows American kids in particular shouldn't know how genocides and propaganda and the total annihilation of oppressed cultures work!!

[skyahri]

Arranged Marriage |Zuko X Reader| HC

Summary: Caught up in his personal conflict, Zuko completely neglects his marriage.

Warnings: Arranged marriage, forced marriage, whatever. Mentions of violence. Angsty Zuko and reader. Fem pronouns.

Masterlist Ko-fi

- - - - -

You'd married Zuko a little over a year into his reign as Fire Lord. You're the oldest daughter from a noble family, and the council decided it was best if Zuko married someone well liked by the community.

He didn't take it well. He was still hoping Mai would come back to him, and you being there completely obliterated those chances.

Not that there was a shot to begin with. Mai had made it abundantly clear that she wanted nothing to do with Zuko, even if she admitted to still having feelings for him.

Your relationship was staged to be perfect in the eyes of the people. Young love against all odds sort of thing.

The marriage ceremony was beautiful. Your robes were elegant, the flowers were perfect, and even your soon-to-be husband was handsome.

Zuko was charming towards the guests, really selling the story and gaining a lot of trust with his people. He was awkward but personable, something everyone ate up.

But he wasn't like that with you.

As soon as the two of you were away from public eyes, he didn't so much as look your way.

You slept in different rooms and ate at opposite ends of the table. He excluded you from as many duties as he could, stating something about him not wanting to concern you.

Life in a palace was pretty isolating. The only people you could talk to were servants, and even then, your topics were extremely limited.

You'd taken to the gardens as much as possible. It felt nice to be outside and even better to see the plants and animals.

Tending to the flowers was one of the few things you were allowed to do without constant eyes on you. The lonely atmosphere felt intentional instead of forced.

But after a year of this, not even the newly budding flowers could heal your disdain. Your once bubbly exterior had been chipped away by the dread and disappointment that lingered in your heart.

You were truly just a shell of your former self by this point.

There was no change with Zuko. He'd made no effort to get to know you or even just not hate you. Any attempt you'd made in the beginning to soften the relationship had been put out the moment it left your lips. It seemed like public pleasantries would be the extent of your marriage.

You'd long given up on trying to befriend the older women who waited on you. They had no desire to be anything more than the people who got you through the day.

You'd given up on trying to sneak away with the kitchen staff to the market. They feared being held responsible for you, even if you claimed to be plenty capable of taking care of yourself.

All that was really left to do was to just stay quiet and look pretty. The sad fate of the Fire Lord's wife.

You'd been laying in bed all morning. It was one of the few days where nothing was planned. No meetings, no guests, no events- nothing.

Well, at least you thought.

"Miss Y/N, Lord Zuko has requested your presence. We must get you ready immediately."

They'd dragged you out of bed and stuffed you into a pair of your nicest robes. They're doing your hair up and rushing to cover your face in makeup.

"Why am I being summoned?"

"The Avatar and his friends have arrived. They were the ones to request you."

"I see."

It made sense. You had met the Gaang at your wedding, and they were everything you'd expected; kind, loud, and passionate. Just like Zuko was said to be.

At the time, they'd promised to come by often, but you hadn't seen them since. You'd heard something about the rebuilding of the air temple and having some unexpected issues arise, so they just hadn't had time until now.

You met Zuko at the front gates. His friends arrived just after, allowing the servants to take their things to their rooms. Without a word, Katara grabbed your arm and dragged you away with the other girls. You turned back to see the same happening with Zuko and the boys.

They pulled you all around the surrounding area. For the first time in a long time, the dread started to fade away.

You'd bought some new incense, hair pins, and seeds for the flower beds. They were small purchases in comparison to the others, who had gone all out with new clothes, trinkets, and a heap of spicy snacks for Sokka.

You'd suggested several times over the last few hours that it was time to head back to the palace, but only now that it was growing dark did the trio actually listen.

Just as you had begun packing up, a string of explosions started on the next block and made its way towards the plaza you were in.

Toph was quick to make a stone barrier, but that didn't stop the cloud of soot from staining your skin and clothes.

A group of men had emerged from the smoke and revealed themselves to be Ozai supporters. Not everyone was pleased with the fundamentals Zuko was running the country on, so rebels had started causing a bit of an uproar.

Katara, Toph, and Suki did their best to take the men down swiftly, but that didn't stop you from getting injured in the process.

Your forearms had been severely burned when you'd covered your face from an attack. Katara offered to heal you, but it'd have to wait until you got back to the palace where her spirit water was.

The trip back was uneventful. Some of the local guards stationed in the city had insisted on escorting you guys back, which at this point you couldn't deny.

Apparently, word had already gotten back to Fire Lord Zuko, who was waiting at the front doors of the palace for your arrival.

He immediately stepped forward and picked up your hand, letting the scorched fabric fall and reveal your burn. He did the same with the other and sighed.

"Please give us the room."

You watched as everyone filed out of the room, the guards towards the exit and your friends towards the south wing.

"These are severe,"

He cupped your face in his hands and tilted your head so he could get a good look. His thumb swiped over some of the soot on your face.

You were confused by his actions, but the pain from your burns created a bit of a blur in your mind, keeping you from thinking too hard about it.

"The others couldn't protect you?"

"They did what they could. I apologize for the hassle-"

"Why are you apologizing? None of this is your fault."

You opted to stay silent. You weren't sure what to say. This is the longest conversation you'd had in private since you'd met, and you were finding it hard to navigate.

It was silent for a minute. The vibe was awkward, and you desperately wanted to hide away from all of it.

His face contorted slightly, like he wanted to say something but couldn't. You didn't pry. It didn't feel like your place to ask.

"Why don't you head to your room for a bath, and I'll have Katara meet you in there once you're done."

You nodded and made your way down the corridor. You stripped down and opted to just toss your clothes in the trash. Between the ash and scorch marks, there was no saving anything.

The second the water touched your wounds, you winced. Tears pricked your eyes as you watched small bits of charred skin go down the drain. The pain quickly went from a sharp sting to almost mind-numbing. You sat down and let the water just run down your body while you waited for the brunt of the discomfort to pass.

In your hazy state of mind, you hadn't heard the knock on the door, so you were surprised when Zuko entered in much more casual clothing.

When he saw you hunched over on the shower floor, he didn't say anything. He moved to the side of the tub and went to touch you, but you weakly swatted his hands away.

"I'm not comfortable with you being in here whole I'm naked."

"I'm your husband-"

"You're a stranger."

Ouch. Harsh but fair, and he knew it.

"Look, I know I haven't been good to you over the past year, and I'm sorry. We can talk about it more when you're feeling better, but for now just let me take care of you."

Satisfied with his response, you stopped resisting his help. You let him wash your hair and scrub your skin. His touch was gentle despite how rough his hands were.

He never once made you feel uncomfortable. He was thourough but never lingered. It was almost as if this was a normal occurrence.

When he was done, he offered you a towel and left you alone in the bathroom to get dressed. When you entered your bedroom, Katara was on your bed, but Zuko was nowhere in sight.

"Just me. Sorry to disappoint."

"No, no. I'm glad you're here."

You sat in front of her on the bed and let her examine your burns. She positioned your arms for easy access and opened her canister. You watched the water glow and the skin slowly heal itself. It was amazing, nothing like anything youd seem before.

"So," she broke the silence, "Has he warmed up to you at all?"

You were surprised by her words. You weren't sure how much they knew or what all you should say. Last thing you wanted to do was incriminate him.

Sensing your hesitation to respond, Katara clarified her question.

"I know everything, at least, from his side. You can be honest with me."

"Honest?"

"Honest."

A small smile crept onto your face.

"I think you're friend is an ass."

"I couldn't agree more."

You told her everything; the loneliness, the isolation, the lack of, well, everything in your relationship and life. She listened, something you're eternally grateful for. It felt nice just to get it off your chest instead of suffering silently.

"Today was the greatest day I've had in a long time. I got to leave the palace and talk to people and for once it felt like my husband didn't hate me."

"Zuko doesn't hate you."

"Could've fooled me."

"He doesn't hate you. Just talk to him. I know he has a lot to say, and it seems you do as well."

Once your arms were healed good as new, Katara left your quarters and returned to her own. You'd crawled under the covers and passed out, completely exhausted from the day.

The next day, you took Katara's advice and decided to speak with Zuko. You woke up early, before the sun had risen and made your way to his room.

He was surprised to see you, much less in your nightwear at such an hour. He invited you in nonetheless, where you then entered and decided to sit on his bed. You patted the spot in front of you, and he hesitantly sat.

"Katara said we should talk."

"Okay."

Sensing that he wasn't going to be the one to initiate anything, you decided to get the ball rolling.

It was a long conversation. Zuko confessed a lot of things, mostly about bitter feelings towards life and guilt over his actions. He apologized for everything and listened to everything you had to say. He made a lot of promises to be better.

He stuck to his word. He began including you in anything you were welcome to. Dinners became more personal, and eventually, you started sleeping in his room like a proper married couple.

By the time team Avatar had visited again, things had visibly changed. You were both happier, and your once fake marriage had become real. You meshed into the group just fine, making the pseudo family that much bigger.

All thanks to a simple conversation.

[rifari2037]

They talked about cultural differences?? Really??? I laughed so hard 🤣

Do they realised that air and water are different too?? That their cultural are completely opposite???

Water tribe people killed animals for food, furniture, clothes, etc. That's their culture! Air nomads don't killed animals, even a fly, for any reasons, they're vegetarian. That's their culture!!

There's nothing wrong with both cultures, but if we think about it with sense, can two people with extreme cultural differences marry and accept each other's cultures easily?

No, it won't be easy. Katara and Aang got married without any problems about cultural differences because Bryke were the writers!

Do they know that Aang/Kataang stand was aware about it and wrote this???

Do they even realise that in canon Aang doesn't really like Water Tribe culture?? Yes, that's CANON!!

Katara : Bato, it looks like home! [Bato, Katara, Sokka, and Aang file inside.] Sokka : Everything's here, even the pelts! Aang : [Sarcastically.] Yeah, nothing's cozier than dead animal skins.

Katara : [Surprised and delighted.] No way! Stewed sea prunes! Bato : Help yourself! Sokka : Dad could eat a whole barrel of these things! Aang takes a bowl of stewed sea prunes and sniffs it, but looks away in disgust and sets it to the side.

Aang : Hey everyone! Sorry I was gone so long. Katara : [Turns to face him.] Hey, Aang, I didn't notice you left. Aang : Yup, but now I'm back. [Sitting down.] Sure could go for some delicious sea prunes! Aang quickly takes some bites of sea prunes, but chokes them back up, yet he pretends to enjoy them. Katara, Bato, and Sokka look at him strangely.

Hama : I wanted to surprise you! I bought all this food today so I could fix you a big Water Tribe dinner. Of course, I can't get all the ingredients I need here, but ocean kumquats are a lot like sea prunes if you stew them long enough. Aang : [Sticking his tongue out in disgust.] Great!

Aang : [Whispering to Toph.] I'd steer clear of the sea prunes. Toph : I thought they were ocean kumquats. Aang : Close enough.

Oh, btw, An ocean kumquat is a small, round fruit often consumed in the Fire Nation. That's close enough with sea prunes, water tribe cuisine.

When Aang doesn't like water tribe cuisine, I can imagine Zuko and Katara having dinner, sharing water tribe and fire nation dishes and they enjoying it because it taste similar. 😂

Fire and water are the opposite elements, that's why they are compliment each other.

Yin and Yang shows a balance between two opposites with a portion of the opposite element in each section.

Remember what Iroh said about the elements? Let's see if fire and water don't mix together, especially for Zuko and Katara.

"Fire is the element of power..."

"...The people of the Fire Nation have desire and will, and the energy and drive to achieve what they want."

"Water is the element of change..."

"...The people of the Water Tribe are capable of adapting to many things..."

"...They have a deep sense of community and love that holds them together through anything."

Young Zuko : [Zuko is shown standing up.] You can't sacrifice an entire division like that! Those soldiers love and defend our nation! How can you betray them?

Zuko and Katara would bicker and not get along well, they said?? Really??

Every time Katara is mad, Zuko just silent and listen to her. Even when they're still enemies!!

Oh, btw, Katara not 'always' threatened Zuko to kill him if he hurt Aang. It happened once. She is still mad at him not because of Aang, but because he betrayed her.

That's personal to her, she is mad not because he hurt someone else but he hurt her. I mean, if she really mad at him because of Aang, why is she connected her anger at Zuko to her mom, not Aang (again)?

And after this moment, after Katara by her own choice, forgives Zuko, do Zuko and Katara always bickering and not get along at all??? No, they're not!!

Zuko gives Katara advice, Katara listens. Katara gives Zuko advice, Zuko listens.

They reassure each other at a very important moment.

Lastly, I don't understand how Zuko and Katara, who they said would never get along, always save each other lives, even Zuko sacrifice his life to her?

[bloodbenderz]

there was a lot of mistakes made in the live action but the worst one without reservation was that the creators did not understand patriarchy and they did not understand women's liberation outside of an american context ( or any context if we're being honest )

it's easy to see on a surface level how that fucked up katara's whole character how she wasn't allowed to have her character defining moments how she wasn't allowed to be angry or even excited or impulsive but i think it doesn't really become clear how deeply wrong the show's conception of gender & patriarchy is (and the implications for the political landscape of the show) until you get into how they destroyed sokka's character too

sokka's whole Complex is born of patriarchy. i'm not trying to do men's rights advocacy here but in my experience when a people is under constant threat, constant assault, constant violence (much of which is gendered) and the traditional "protectors" or "providers" of that people are men, the masculine role becomes protecting women and children. i am not saying this is a good thing or a bad thing but it is true the narrative of violent resistance is overwhelmingly about men. to be a man in a time & place like this means fighting to protect your women, & to die for them is honorable. that is where sokka gets this idea that he has to be a warrior & he has to fight & if necessary die for katara & the rest of the tribe. it's about duty. everyone has a part to play, a role to fill

everyone including women! which is the other half of this. the duty of women is to keep up the home, to maintain a country worth fighting & dying for, to raise children so that the community can have a future. it becomes especially obvious in the context of the show when you see how the nwt lives & in specific how yue lives and dies.

many women participate in patriarchy. many colonized women participate in patriarchy. most of my family comes from or still lives in a country completely devastated by colonialism & its aftereffects & many women in my family believe wholeheartedly in the idea that everyone in the house has a role to play. it's not because these women are stupid or they hate themselves. but when you grow up believing that men & women are fundamentally different, and seeing that women are in specific danger because of their gender, it actually makes a lot of sense to expect the men in your family to protect you, and to raise your sons that way.

in practice that means that men aren't really expected to do anything around the house, especially when there's no actual danger. my aunt literally 2 days ago told me this lol like she doesn't make her sons do anything bc she wants to let their lives be easy before they have to go out into the world & take care of their wives & children.

what does women's liberation look like when an entire community is under threat? colonized women have been dealing with this question as long as colonialism has existed. the writers of this show don't even pretend to understand the question, much less to formulate a thoughtful response to it. they just say oh, well, katara, yue, & suki are all the exact same type of liberated girlboss for whom patriarchy is no significant obstacle.

which brings us back to sokka lol. sokka, at the beginning of the show, has completely subscribed to patriarchy, has integrated it into his sense of self. he has a lot of flaws, but he also has a lot of really good traits. his bravery, sense of honor, loyalty, work ethic, selflessness, all of this came from him striving to be a good man. he would die to protect katara, because she's his sister. he also has her wash his socks & mend his clothes, because she's his sister. even after he meets suki, humbles himself, & expands his view of the role a woman can play, he doesn't completely disengage from patriarchy. at the end of the day he believes in his soul that a good man's duty is to fight & if necessary die for his people, & that's exactly his plan. this is a very real psychic burden. pre-aang, it's also largely fictional & completely ridiculous. we're SUPPOSED to think it's ridiculous. he's spending his time training babies & working on his little watchtower. the swt hasn't been attacked since their mother was killed because it has been completely stripped of all value or danger it once held for the fire nation, & everybody knows this. there is very little "men's work" left, aside from hunting & fishing, which is so damaging to sokka's self image he resorts to toddler bootcamp to feel useful. the contradiction here is comical. it's also completely devastating. that's supposed to be the fucking POINTTTT like colonialism & patriarchy convinces this young boy he needs to be a soldier & die for his family. & you know what he does? He acts like a young boy about it. they didn't just leave this unexplored in the remake they completely changed the circumstances to 1. make sokka incompetent for some reason 2. make his "preparations" seem less ridiculous. Which ruins the whole character. Possibly the whole show.

all this makes the writing of katara & the other women infinitely more offensive to me. katara is a good character because she believes in revolution. she wants to liberate her people from imperialism, & she wants to liberate women from colonial gendered violence, traditional patriarchy in her own culture, & the complicated ways those things interact. it is LITERALLY the first thing you're supposed to learn about her. she's the PERFECT vehicle to address the question of women's liberation under colonialism. one of the things i was most looking forward to seeing in this show was how labor is distributed in a place where almost everything that needs to get done is "women's work" & how it affects katara & sokka's day to day relationship when their lives weren't at risk constantly. what actually are her responsibilities every day, & how do they compare to sokka's? how does her grandmother enforce these traditions with katara & sokka, & how is that informed by her own experiences in the nwt? what does patriarchy look like in a tribe made up of mostly women & children? it's so important to who katara is & what she believes! but why bother exploring any of that when u could instead make her a shein model who has nothing in common with the source material except her hairstyle lol.

yue is actually even worse to me bc yue is supposed to be sokka's counterpart. she's supposed to show you how destructive it is for women specifically to internalize this gendered duty so completely. it sucks for sokka, but he is a man & thus his prescribed role gives him some agency. yue's role affords her no agency whatsoever, & this is the POINT. to make her someone who's allowed to break things off with her fiance if she likes, who sneaks off to do what she wants when she's feeling stressed, whose will is respected as a monarch, like what is even the point of yue anymore? in the original the whole reason she was even allowed to spend time with sokka was because her father knew she was with a trustworthy boy. her story completely loses all significance when the dimension of patriarchy is removed from it. the crux of her whole story is that she is not just a princess but the literal & spiritual representation of the motherland. that's what women are supposed to represent during wartime, at the cost of their own sense of self. in order to fulfill her duty to her people she gives her life to them in every single way that matters.

it's just so unbelievably frustrating (and WRONG) that the only types of characters for these writers are "soulless misogynistic fuck" and "liberated american-style feminist." there's no nuance at all! they don't bother exploring how real love manifests in patriarchal communities, & how patriarchy defines the limits of that love. or how for so many of these people their idea of goodness, morality, & honor is gendered. or how imperialism affects not just individuals but entire cultures & their conceptions of gender. but why do any actual work when you could completely change sokka & katara's general demeanors, their entire personalities, & their roles in the tribe so you can dodge any & all nuance

Anyways. in conclusion. it was bad

[blluespirit]

Overall NATLA Thoughts

Okay, now that I've watched the series, I can give my thoughts.

Overall, I thought it was good!!! I had fun watching it! I'd rate it a solid 6.5/10. It's nowhere as good as the original, but it was definitely enjoyable and made some nice changes here and there that I liked. There were also some things I was also Not a fan of too.

I said in another post that it's best to treat this like an AU of the original. There will things that are great and things that are bad. That's the nature of adapting something.

Having said that, I need to get my initial thoughts off my chest... here we go.

Things I thought were good:

Sokka's characterisation - I really enjoyed him! I thought Ian did a good job! He played the funny moments well and retained the underlying seriousness/cautiousness. It wasn't perfect, but I enjoyed the changes a lot and think it was overall a solid performance.

Zuko's characterisation - Like Sokka, I do think I was most satisfied with their performances. A lot of Zuko's moments from the cartoon are sometimes... well, cartoonish and definitely wouldn't translate to live action, but I think Dallas did a nice job at balancing Zuko's desperate anger and that occasional sassiness well.

Zuko and Iroh moments were great. Had me on the floor crying. As it should have.

The bending looks a trillion times better than the movie - I understand it would not have been easy for the actors but, overall, I was very happy about it.

The scenery was stunning. It just looked so beautiful. I loved it so much.

Absolutely ADORE that they made Zuko a good calligrapher and artist. I read a fic about a million years ago where Zuko is a fantastic calligrapher and I thought it was perfect and made so much sense, and now I can say it's canon. This is perfect for me.

S U K I

The Freedom Fighters were ✨ perfect

They were so real for making Oma and Shu lesbians

Koh, Wan Shi Tong and Hei Bai looked fantastic, but I have more to say about all of them below, unfortunately.

I actually like the change they made that Katara is Aang's sole waterbending teacher.

Aang is not perfect, and needed more goofy scenes HOWEVER, I did like how they've had Aang's guilt more prominent in the story. The original didn't do a very good job with that, imo.

Zuko entering is breaking and entering era by breaking into an impenetrable Earth Kingdom prison is just perfect.

In Masks, I like how Aang and Zuko got a longer conversation - that was pretty cute.

I liked how they changed Yue a bit and got her out of the arranged marriage... how Yue saw Sokka in the Spirit World before meeting him in the real world.

Things I didn't like:

Far too much info-dumping/exposition. So much spelling things out. It was not as egregious as the movie, and I get there's a lot of information that needs to be conveyed well and quickly... but sometimes it really took me out of the show.

Why are Mai and Ty Lee here.... I was hoping the live action would give them a bit more depth (and they might as it goes forward!), but why put them in season 1 at all if they're just going to stand around???

Some odd changes - putting this as one point, but there are some bizarre changes that didn't make sense to me, as they did not benefit the story or deepen the characters. I have two main examples: a) making it so Aang didn't run away from home, and b) making it so Zuko actually fights Ozai in the Agni Kai.

Characterisation of Katara was Not Great. I don't think I got many hints of the reckless, compassionate, badass Katara until the end when she fights Pakku and rallies all the women together to fight (which happens off-screen). She was sweet and kind, but she just lacked the fire that OG Katara has.

Azula's characterisation - Azula is desperate to impress Ozai and so her character is just…. brewing with anger, frustration, desperation. I was SO excited to see the Azula we are introduced too… perpetually and irritatingly calm, calculating and ruthless. She's perfect, she's terrifying! She's literally the character of all time. But this Azula had more Zuko vibes? I don't think there's anything wrong with giving Azula more concrete motivation by wanting to impress Ozai and establishing that Ozai is abusive to both his kids, but I do think trying to do that right off the bat is a mistake.

WHY is Wan Shi Tong here. I love Wan Shi Tong, but like I said: Why Is He Here? Why could we not have his iconic, ominous as fuck introduction from The Library, and instead he's introduced in a random season 1 episode giving Aang Information(tm) about the Spirit World.

When Aang gave Koh the statue, and then he just takes it and immediately lets all the villages go, and neither of them even say anything, I actually laughed out loud. Like, I am so sorry, but what in the jesus fuck was that.

Speaking of Koh - I think Koh is better the less we know about him. Roku saying ~all Koh wants is a family like the rest of us~ just pissed me off?? I like my Koh the Face Stealer Terrifying and Unknowable, thank you.

NOTHING EVER REALLY HAPPENS WITH HEI BAI!!?? where's my precious spirit bear?? Like Aang never really does anything with him and the replacement Koh story is boring and it sucks.

Bumi.... sorry I just didn't vibe with him at all.

Things I can't decide on:

Fancy spirit knife to kill the moon spirit annoyed me a bit, but I guess they wanted to Kuruk something to work with and a little bit more interaction with Aang which I get but idk. I really flip/flop on this one.

I've been very on the fence about having Azula (and Ozai) being in the show in season 1 in general. I'm not sure if it benefited either of their characters.

Azula & Ozai's dynamic - Okay, so, I think they're trying to give Azula more depth, right? They're trying to establish what it was like for Azula to live with Ozai and that she's also (like Zuko) trying to desperately prove herself to him, but Ozai using Zuko's... achievements to do that just felt so weird. I get he's doing it to manipulate her, but that just felt so wrong when in canon it's very obvious that Ozai just didn't give a single fuck about Zuko. Ozai pits Azula against Zuko by saying he's a failure, he's a bad bender etc. Azula is born lucky, Zuko is lucky to be born - like, Ozai says that to Zuko's face. I don't know if I am communicating this point very well, but it just didn't seem right to me??

Zuko vs Zhao in the Siege of the North... I genuinely do not know how to feel about it! I didn't love it, I didn't hate it. I don't know how to feel about Zhao telling Zuko that his mission is a sham and that Azula is the prized one... It feels like it's saying the quiet part out loud? In the OG we all know that Ozai sending Zuko on that mission was an excuse to get rid of him, but we can work that out, no one actually says it. And then Iroh just fucking killing him/mortally wounding him instead of the Iconic scene where Zuko reaches out to save him despite everything Zhao has done to him, but Zhao's own pride gets in the way from letting him accept help from Zuko.

Zuko’s crew being the 41st is not necessarily a bad thing at all!!! But I do just want to say that in the original, the attack goes ahead, and presumably, those soldiers die. It’s horrible. Zuko’s sacrifice is in vain, and it was always going to be in vain because the Fire Nation as it stands would not allow Zuko's compassion to win. Ozai would not allow it. While not necessarily a bad choice (all the soldiers bowing to Zuko on the boat was so sweet I loved it!) but I think it does take away some of the horror of Zuko’s story (same as it does with making Zuko fight back in my opinion) because the whole point is that Zuko did the right thing - and he was punished for it, and those soldiers died anyway.

anyway...

Okay!! got that off my chest. I know I just had a big whine here, but I still had a lot of fun watching this show. I think some of the backlash is a bit over the top and unwarranted. It was never going to stand up to the original - and that's okay.

Enjoy it for what it is!

[rightwheretheyleftme]

I’m watching Korra book 2 and I have so many emotions about Aang’s neglect of his kids

After watching ATLA earlier this year, I started following a bunch of fan accounts and saw the same discourse regurgitated over and over again; One of the main points of discourse is whether Aang was bad father.

The discussions that I saw would always play out the same way. Aang’s detractors would say: “Aang didn’t take 2/3 of his kids on vacations. That’s neglect” and Aang’s defenders would reply “Aang is not a bad father! The places that he took Tenzin to were built for airbenders so Kya and Bumi wouldn’t have anything to do there!” And you know what? When I was reading those arguments, I thought that both sides had valid points and that this was a complex discussion.

Oh boy.

Now that I’m watching the episode, I realized that the people in this fandom are lying through their teeth. Aang only taking 1 out of his 3 kids on vacations is true, but the claim that that happened because Aang only visited places made for airbenders is completely false. Let’s recap the places that Aang and Tenzin went to:

- Kyoshi Island; to ride the elephant koi

- Ember Island; to build sandcastles on the beach

Now explain to me, why on earth does the majority of the fandom say that Aang went to airbender-only places? Kyoshi and Ember islands have 0 historical significance to the airbenders. These are just fun vacation spots, we know this because we saw the Gaang vacation at these places multiple times.

Moreover, according to Bumi, Aang was busy due to his job as the Avatar but he made time for Tenzin, only Tenzin. Kya agrees with this.

I’m so disgusted by this information. There is no way that a grown man in his 40s wouldn’t realize that taking only 1 of your kids on fun vacations and leaving the others behind is hurtful, the only possible conclusion that you can reach here is that Aang was intentionally trying to hurt his kids’ feelings.

And that breaks my heart.

This is not the Aang that I know and love. Aang is a fun, caring, accepting, and loving person. The behavior that I’ve described above is not only emotional neglect, it borders on abuse.

At first, I thought that maybe this storyline was meant to deconstrue the “The hero can do no wrong” cliché. Except that it ends with Kya and Bumi looking at a family picture and reminiscing about how happy they were. So no, there is no deconstruction; Aang is portrayed as a flawed but otherwise good father. Apparently, not loving 2/3 of your children enough to want to spend leisure time with them is a common flaw and not parental neglect, according to TLOK.

I feel so betrayed not only by the writers and the story that I love, but also by the fandom who silences victims of parental abuse when they are rightfully pissed off by Aang’s actions. I never wanted for Aang to be a neglectful father, but he is. Harassing people who are mad about his actions and calling them bitter Zutaras is a disgusting way to try to silence conversations about parental abuse.

Side note: Where tf was Katara while this was happening? Did she not take offense that her husband was neglecting 2/3 of her kids? Why didn’t Aang respect Katara enough to not play favorites with the kids she gave him?

[firelordslove]

I have so many thoughts about Sokka and Kya. I feel like Sokka is never given the chance to grieve, when in reality he’s the oldest and probably has much clearer memories of her than Katara does. Every time I say that, someone always says “but he said himself he doesn’t remember her face!” but that doesn’t mean that he doesn’t remember her.

He remembers her holding him close on nights when it was so cold even the animal furs couldn’t keep him warm, curled up against her chest. He remembers her placing him on her lap, a baby Katara in his arms as she nuzzled into his hair and told him what a good big brother he would grow up to be. He remembers her taking him out in the canoe to cheer him up after his dad insisted he was too young to go hunting. He remembers her forehead kisses.

But the pain proves to be too much and he doesn’t deal with his grief the way Katara does. He isn’t open about it, he doesn’t get a chance to process on his own terms. He shuts it down, he has a responsibility to his sister, his tribe and later, the world. and because of these feelings he’s repressed, because he never gets to talk about her, cry over her, because he has to appear to be the strongest person, the big brother, the protector, his fear of forgetting her manifest into him forgetting her face. a common trauma response that kids have when they’ve lost a parent, and it’s so tragic because Sokka looks just like her.

That doesn’t mean he doesn’t feel the loss of his mother, it doesn’t mean he doesn’t remember her and it sure as hell doesn’t mean he doesn’t love her as much as Katara does, it means they deal with things differently. When Katara said “you didn’t love her the way I did” it might have hurt, but I don’t think she meant she loved her more, I think it means they loved her differently. they both saw different things in Kya and enact their love for her in various ways.

But Sokka should get to process his grief, should get to cry and be comforted. He should be able to let his memories of her flow, and enter his mind without guilt and be able think about them when he needs some respite.

[warriorled]

okay, but imagine little boy sokka one day accidentally finds out he can waterbend and him not wanting to learn it because 1) it's katara's thing, 2) he honestly doesn't really care all that much because it's not as practical as becoming a good warrior, hunter, and leader, and 3) ho boy, imagine if anyone found out there were two waterbender left at the southern water tribe and not just one. they'd all be in more danger than they are in already. he'd try to keep it to himself for as long as he can, not wanting to get anyone in trouble so he never actually practices it unless he's alone and has nothing else to do. but then he and katara are out alone one day, and katara notices he's actually using waterbending to steer their boat, and she gets excited because now there's someone to practice with, even if it's her annoying brother. sokka still refuses to learn, though; there are more important things to care about ― protecting katara, the tribe's safety, them getting enough food, and all the other responsibilities hakoda put on him when he left. it isn't until they travel the world that sokka first begins to actually tap into his abilities and learn to use them ― and here's where i could see it going two ways. either he's taking it all way too seriously and is becoming pretty good at it at a strangely high speed, or he still thinks it's not important to put actual effort into learning it, and so he only manages to do the bare bones of it. there's no in between. eventually, he would become at least adequate with it, although he will probably prefer his weapons ( and find fun ways to incorporate bending with weaponry ... or just some fun ways to use bending in general )

imagine if sokka had been a (water)bender

[theofficialpresidentofmars]

zuko and katara have genuinely SUCH an interesting dynamic and relationship to explore when you don’t have a bitch in your ear trying to tell you they should kiss.

like there’s nothing objectively wrong with shipping zut4ra but i CANNOT find any proper duo content of them that isn’t romantic or romantically implied and it annoys me. no i don’t think they would work. no i don’t think Katara would give up her man for that guy of all people. no I don’t think Zuko would be romantically interested in Katara. yes i do think that reducing all of their feelings towards each other into ‘romance’ oversimplifies and undermines the depth of the platonic relationship that they actually do have in established canon. yes whatever I’m sure there’s something sweet about a boy trying to get a girl to forgive him by helping her get revenge on the guy that killed her mom but don’t you think that it’s actually much more profound if there are no romantic ulterior motives whatsoever and it’s actually just a demonstration of the lengths Zuko will go to because he cares deeply about his friends and their feelings and what they think about him and he wants Katara to like him and he’s genuinely sorry that he broke her trust by warming up to her slightly before betraying them and to make sure she knows that he was being sincere and he actually was touched by what she said he tries to find a way for her to heal a wound that he knows tears her apart and it’s a wound he wishes he could heal in himself. and he does it because he’s trying to earn her forgiveness, not her love. he’s trying to earn himself the right to look her in the eye, not to hold her hand. he’s trying to amend for the mistakes of his people for nothing but the better of others.

and when Katara offers to heal him in the cave, it’s not because she’s fallen head over heels at all, or even in the slightest. she’s the first to see the light in him, and she sees a boy who’s been hurt by the fire nation in a similar way to her. she recognises that if she can convince him to come with her now, the gaang is up by a firebending teacher and a friend at best, and down an enemy at least at worst. for a moment she sees him for who he is and what he’s been through and it’s not because she likes him. the thought doesn’t even cross her mind, it’s just in her nature as a person to be caring and understanding and she has the help she can tell he needs, so she extends a hand.

and when they face Azula together? Katara was the first to reach out when it was almost the right time, and she’s the one who’ll be there to help him see it through. When he takes a bolt for her, isn’t it more profound that he jumps in front of the bolt not out of romantic love, but because Zuko is the kind of person who would put himself in mortal danger for anyone he cared about? Because his heart’s too big and because he’s seen those he love get hurt too many times to stand there and let them take it?

anyway I’ve spent too much of this post refuting romance but not actually expressing what it is i do like about their platonic dynamic but it’s late and i don’t have the words. so i’ll just say it’s such in that it would be really funny if Zuko instead dated Katara’s brother. and they yap together and she gives him a list of interests and he tells her embarrassing date stories. they also yap a lot about Aang because like. Zuko’s bff and Katara’s bf he’d probably come up a lot. also Maiko’s platonic shit-talking exes/close friends dynamic solos their romantic dynamic but that’s a discussion for another day ^-^

ship name censored because I don’t intend for any negativity to actually intrude upon certain shipping spaces lmao. i’m rarely opinionated but i don’t really care tbh i just wish there was more platonic stuff out there or i saw less romantic stuff el oh el

[starlight-bread-blog]

How The Bond of Zuko and Katara Enhances the Themes of A:TLA

When a subplot is intertwined with a story’s core themes, it creates a more cohesive experience, resonating more profoundly with viewers. For this reason, a good writer must always aspire for a coherent narrative in all of its aspects. So, what are the themes of A:TLA, and how do Zuko and Katara fit into them? To answer that, I’m going to break down each theme and discuss how it relates to the pair.

On Destiny

Your destiny might be unexpected, controversial, but it’s yours. No one can take it away from you. In Lake Laogai, Zuko and Iroh shared the following exchange:

Even if people try, even if it isn’t acceptable to other people. Your identity will always be there, and you must make the choices that reflect your identity will always be there, because it’s your destiny. Near the series finale, in Sozin’s Comet Part 2, Iroh said:

“Sozin's Comet is arriving, and our destinies are upon us. Aang will face the Fire Lord.When I was a boy, I had a vision that I would one day take Ba Sing Se. Only now do I see that my destiny is to take it back from the Fire Nation,so the Earth Kingdom can be free again”.

In the end, everyone goes to their destinies. The destinies that they’re forging. Aang will spare the fire lord, Toph will use her metalbending to take down the airship, and Zuko and Katara will stand side by side against Azula. Who would have thought? Your destiny might be really surprising. No one could have guessed that Toph would invent metalbending, or that Aang would meet a lion turtle, or that Katara would stand by her former enemy’s side - by Zuko’s side.

Katara and Zuko’s closeness fulfill the show’s themes of destiny by being subversive and unexpected. They are fire and water, the daughter of the chief and the fire lord. Their friendship is rather odd, but it’s their destiny - not what was forced upon them. Moreover, their bond is subversive because it didn’t start as lovingly as it ended. Zuko and Katara were enemies, no one could have anticipated that they’ll grow close, but as I said, and the show said, destiny can come from an unexpected place.

On Diversity

Separation is an illusion as well as the four nations.

Zuko and Katara were not only enemies, from opposite sides of the war, but they were polar opposites – the Prince of the Fire Nation and the last waterbender of the small Southern Water Tribe, fire and water. However, all of these differences didn't matter for them to form a beautiful friendship. Because they're not actually separate, they're both kind empathetic people. They have much in common. The superficial predetermined differences aren't separation. They're one in the same.

Additionally, one will gain from learning about the other nations, or as Iroh put it:

Zuko and Katara leaning into their opposites ties into the theme. In fact, Zuko himself learned to redirect lightning from a waterbending technique.

On Redemption

Many characters in A:TLA were given a chance to redeem themselves. From Mai and Ty Lee redeeming themselves by betraying Azula near the end of the show to Iroh whose redemption has long ended before the story starts. A:tla firmly tells us that while the path to redemption can be long and hard, it’s a path worth paving and it’s yours to carve. Zuko’s redemption arc specifically is praised as one of the best redemption arcs in tv history.

A part of Zuko’s journey towards redemption is his interactions with Katara. Earning her forgiveness is his final step into integrating into the Gaang, and his final act of redemption is to jump in front of a lightning bolt for her. It’s significant that it’s Katara who represents these milestones in his arc. He redeems himself to everyone, but not in the same way as Katara. The path to redemption through Katara’s eyes is longer and ends with a bang.

On Morality

Black and white notions of the world are incomplete. The Fire Nation isn’t all evil, as seen in The Headband, their citizens are simply indoctrinated. And there can be band people on the other side of the war, such as Jet. Fire isn’t just destruction, it’s also healing and life. And the opposite of fire can be just as destructive, as seen in The Puppetmaster when Hama showcases her bloodbending. In 06×03 A\ang concludes the following:

“Anyone’s capable of great good and great evil.Everyone, even the Fire Lord and the Fire Nation have to be treated like they're worth giving a chance.”

When Zuko and Katara first met each other, they thought of each other as enemies and nothing more. Katara saw Zuko as his worst self and the manifestation of her hatred of the Fire Nation. In the Crystal Catacombs Katara described him as "the face of the enemy". She saw him as all black and no white, but then he opened up. They discover they actually have shared experiences despite being on opposing sides. When he betrayed her, it seemed to confirm that they're not similar, that everything Katara thought of Zuko was correct. Of course, he came back, but Katara can only forgive him once she lets go of some of her hatred of the Fire Nation. His connection to Katara proves that they’re both seeing the world as shades of gray.

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In conclusion, the profound connection between Zuko and Katara enhances the themes of the show and their connection is a perfect example of the messages it’s trying to put out. Rather it’s about destiny, morality, diversity or redemption, Zuko and Katara’s relationship is remains one of the most relevant examples of these themes in the show.

[hadesisqueer]

zutara makes more sense than kataang though. zuko and katara are character foils. theyre the opposite and the same at the same time. they represent yin and yang

I'll say it a lot of times: I personally do not ship Zuko and Katara, but I actually have nothing against those who do. People can ship and dislike ships and that's okay, as long as they express their opinion with respect. Which is what I'm about to do, by the way.

1) Two characters being foils of each other doesn't necessarily mean they're meant to be connected in a romantic way. A big example: Adam Taurus and Yang Xiao Long, from RWBY. If you watch that show, you quickly realize those two are obvious character foils, very different but very similar at the same time, to the point they have practically the same super-power. However-- are they meant to be connected romantically? Um, no. In fact, one of the things that makes them foils of each other is that they're actually romantic rivals, with Adam being Blake Belladonna's ex-boyfriend and Yang being Blake's new love interest and girlfriend, and their relationships with her being parallels and the complete opposite. So, again: character foils ≠ romantic. Another example are Daenerys Targaryen and Cersei Lannister.

2) This is not about shipping on my behalf, but about me disagreeing about Zuko and Katara being yin and yang. While I agree that Katara and Zuko have many things in common and can be considered foils, I'd argue that if you're looking for someone who is completely different and yet the same as Katara down to the fact that they're both the same age, both second daughters with older brothers, both prodigies by their own right with very rare and dangerous abilities —lightning and bloodbending—, both deeply affected by their relationships with their mothers and their losses in complete different ways, both with character arcs that also parallel each other-- that is not Zuko. That is Azula. To me, Azula is Katara's actual, biggest character foil, down to their relationships with their brothers also being parallels of the other. Azula is also one of Zuko's character foils, too, obviously.

3) Zuko's biggest character foil in the show is Aang. The Avatar and the Fire Prince who later becomes Fire Lord, a direct parallel to Roku and Sozin who started as friends and ended as enemies while they started as enemies and ended up friends. The boy who fights with positive jing, and the boy who prefers negative jing. The boy who was scared of his destiny and ran away, and the boy who was desperate to find his destiny and wanted to run towards it, wrongly believing it was capturing Aang. The Avatar whose destiny is redeeming Roku as the Avatar and stop the war, and the Fire Prince whose destiny is helping the Avatar and redeem himself and the Fire Nation. Aang, who thought he had to choose between being the Avatar and his beliefs as an Air Nomad and realizing he could actually have both, and Zuko who thought he had to capture the Avatar to achieve his destiny as the Fire Lord and later realizing his destiny was actually helping the Avatar and also being the Fire Lord. The cinematography of the show itself shows their parallelisms MANY times, the most obvious one being Aang being represented by the red dragon and Zuko by the blue dragon-- which are a reference to yin and yang. Because ships aside and all, it's not Zuko and Katara, but Zuko and Aang who are the representation of yin and yang in Avatar the Last Airbender.