#i have so many old sketches i never finished

[babvc-au]

Alrighty Folks! The Time Has Finally Come!

Hopefully this is everything and i didn't miss any panels or doodles for this post, but here is almost everything about BABVC's comic sketches, wips, doodles, refs, and even scripts i never finished, plus more! Doodles and other art stuff will be added to the end of this post. (Due to how many wips i have and such, there will be multiple reblogs happening as i go through this so bare with me.)

So, did you want to know how BaBvc would have went? Here's your answer. (This will contain a mix of the script, old comic wips and context)

Now, well jump to where we left off in the comic with a smol refresher.

Scene 6 Nightmare:

It's dark and bendy is in a black like void. He hears voices.

"Why? You had a chance!" OB growls.

"Who's there!?" Bendy shouts.

"Why did you resist?" OB

"What?"

Bendy's eyes are suddenly covered by cold clawed hands. And he tries to pry them off.

"Why!?" OB

"What are you talking about?! Who are you!" Bendy growls trying to fight them off.

"Don't keep me waiting much longer" we see the claws retract and three tails around Bendy.

"I'm sick of waiting"

The last shot is of Bendy's demon cross eye.

“But, how…?”

He hears a yawn from Boris as he rubbed the sleep from his eyes, “good morning, Bendy”

Boris blinks at Bendy’s hand and the bag, "You better not eat that so early in the morning, Bendy.” Boris scolded, ears pinned back.

“What? No, i wouldn't do that. But...” Bendy says, looking at the can thoughtfully. "Did you get some more after last night…?" He asked the tall wolf. Boris raised a brow at him, confused. 

"What do you mean?" He asked. "That's the same bag from last night when we went to the market right?" He asked. 

"Well yeah but, I lost it, remember?" Bendy said and looked up at his younger brother. Boris stares at him in confusion. "...You did?" He asked. 

Camera focuses on the can in his hand.

Scene 8:

Bendy and Boris enter Berry cafe and take a seat at a booth.

"So you honestly don't remember?" Bendy starts looking across the table to his younger brother.

"I really don't. I only remember us getting the stuff, and then after that, it's all blurry. Like I blacked out or something, and then it was morning." Boris replied. "Are you sure you didn't just imagine you lost it? Maybe it was a dream that you had last night." He points out.

"..." Bendy thinks, "Maybe you're right. I've been having weird dreams, and I guess it's possible." He says tiredly. "Though it really felt like I wasn't dreaming." He mumbled to himself.

Then Melody comes around shortly after and asks them what they would like to order. "Hello, welcome to Berry's Cafe. What would you - oh! It's you two, the usual then?" She smiles and lifts her paper and pen.

Bendy lifts his head and gives a small smile. "Ah, yeah, for me, at least. Boris?" He looks over expectantly for his order.

"Oh! um, what's the special today?"

"New York cheesecake drizzled in strawberries and syrup, it's so good!" she smiles and hugs her notepad dreamily.

Boris perks at that smiling "Guess I know what I'm getting now, (haha) and can I get a hot coco with that, thanks Melody."

"No problem! I'll put your order in right away." She nods and walks away allowing Bendy to see the other residents in the cafe. And surprisingly enough he sees someone familiar. His eyes widened a little, shocked.

(Isn't that-?)

Bendy looks at his right wrist and rubs it lightly.

(So it hadn't been a dream? I should probably thank him.)

Bendy stood, making Boris look at him. "Bendy?"

"I'll be back."

Bendy walks away and heads for the familiar person.

"Uh, Hey." he says. Catching Cupheads attention who opens his eyes. He looks a little confused and shocked to see Bendy for a moment.

"I wanted to say thanks for the other night you really helped me back there." Bendy says looking to the side awkwardly.

Cuphead says nothing for a minute. His shock turns to annoyance.

"Yeah, whatever, watch yourself, you're lucky I found you when I did." Cuphead says with a steady look. "Didn't your mom teach you not to walk around at night by yourself?"

"It's dangerous." He glares, narrowing his eyes.

Bendy furrows his brows at the semi aggressive tone. "Hey, I came to thank you, not get a lecture! And I wasn't by myself."

"..."

"Anyway like I said, thank you, seriously." Bendy frowned.

Cuphead stands up and looks down at Bendy, who looks up at him in return nervously as they stare at each other.

"Here you go sir, your order." Tostie says, giving Cuphead two drinks.

"Thanks," he says.

She walks away.

"There you are, Cuppy!" A new voice sounds in the cafe besides Bendy.

Mugs comes over and stands by his brother's side. Who gives him an exhausted look.

"Here." Cuphead hands him the second drink.

"Oh! Were you in the middle of something?" Mugs looks between Bendy and Cuphead.

Cuphead gives Bendy another glare.

"No. Let's go." He walks off, but Mugs falters and gives Bendy a nervous smile and a wave before he follows.

"Geez, what a jerk." (At least the other guy was nice) Bendy sweats but shrugs it off heading back to Boris.

"Was that someone you knew?"

"Uh, not exactly," Bendy says as he slides back into the booth.

It's silent for a moment before Boris speaks up.

"Bendy, listen, I know you're just as confused as I am, but you haven't told me a single thing about what happened last night, I was really worried about you."

"I know, I promise to tell you when I've made sense of it, ok? Just… give me some time."

Boris sighs, "...Ok"

Bendy looks away and out the window covered in fog with a thoughtful look. It starts to snow a little.

Scene 9

Cuphead glares ahead. (The hell? Did I not wipe his memory correctly? And what's with that weird smell?) He rubs his nose.

Mugman watches him, concerned. “What’s wrong?”

“Nothing,” Cuphead mutters. “I just need to go to the casino… again.”

Mugman frowns. “Huh? Why?”

“I’ll tell you later—unless you wanna come with me.”

Mugman hesitates, then nods. “Mmm… I’ll go with you.” Cuphead glances at him, his expression unreadable. Without another word, he keeps walking.

(Que this scene where they report to The Devil about Bendy being immune to memory wiping)

"Sir, I've come to report something." [Kneeling]

"What is it?"

"There's someone i met that's immune to memory wiping."

"..."

"Is that so..."

(Thus, The Devil orders Cuphead to keep an eye on Bendy and to report back if anything happens.)

Scene 12

Cuphead (bat form) climbs through the crack of the window in the kitchen. He hops to the ground and transforms back into his toon form. He dusts himself off and then looks up. Unexpectedly Bendy was in the doorway and saw everything.

(Que a funny nervous Bendy stares and throws a mug at Cuphead.)

Bendy runs to his couch and starts his spiel.

"What are you doing in my house!? Are you going to kill me!? You're a vampire! Aren't you supposed to stay out of houses unless you're invited!? Or something!?

"Huh?"

"Wait a minute, vampires have other weaknesses! I think I have a few things!"

Bendy runs out of the room, and Cuphead is left in confusion.

"Okay...this is weird." -sigh-

Bendy comes in and out with various "vampire deterrents"

"Garlic!?"

"No"

"A cross!?"

"Nope"

"A stake!?" (It's a twig)

"Na-da"

"Sunlight!?" (Its a flashlight.)

"Did you forget you saw me at the café?"

[sorivii]

Going through old concept comics bc I really want to post but am to busy to actually draw ;p

Anyway I remember at the start of PoH I wanted to explore Shelldon’s relationship with Raph specifically. He could practically be called Shelldons uncle. So I wanted to see more of that familial bond, the grief they both feel for their family but in different ways… ( ; _ ; )/

[arczism]

old sketches vance belongs to @jasakime

[hyperfixation-tangentopia]

Mm because I've been feeling kinda sucky about my art for the last week nice little self-improvement post over the past ehh 5 months or so?

Under a cut because it's literally just some art I've already posted from the last 5 months (literally the first finished drawing of LMK I did far back. It's literally only been 5 months why does it feel like a year. Geeze.) so I can see tasty improvement but uhh yeah

[kadoodles-on-ao3]

Hello Yes I Am Not Dead

Just busy. Very very very busy. So busy I'll have to make this quick (well... quick by my standards at least lol), but I wanted to apologize and just post something to avoid leaving anyone in the dark:

I haven't had any time to write, literally at all :( That plus how big (both in terms of impact and amount of work) the next chapter for How To Be [Overtaken] By A Woman is going to be means that's on hiatus for a while. Hopefully I can work on it (and Constellations are Relative!!!! Every day I feel awful about not having the next chapter ready for that!!!! It's such a fun story with so many cute moments I want to share it aaaaaaaa) before the end of the year, but no promises.

Similarly my release date for my voice line project is in limbo. I need to retest everything as well as remake the doc itself, so I won't even bother trying to say a release date for it lmao. But I'd like it to be on some anniversary of 1, whichever one lines up best with the project being done. It must be perfect.

Additional XC project I want to do: another fan resource that has all the descriptions and location info for all of the collectibles in one excel doc!

I'd like to get back to cataloging the Shulkelia fanart I have again at some point too!

Lastly an update on my FFXIV crossover: I have most of the info all organized and ready to go since I hammered it out months back, I mainly just need to get nice pics of everyone and then upload everything both here and on Eorzea Collection then it'll be done! For reference, here's why this took me so long to complete: for every single character listed below (spoiler warning for XC in the image btw!!!) I have two separate glam lists for them, based on me searching and re-searching through literally every armor option in the game and testing all the closest ones in various combinations until I was satisfied I couldn't get any more accurate to the character. And also I'm doing a write-up for each one about their job/class being fitting for them.

[alicenpai]

two lonely rabbits, two hearts beating as one 🐇🖤🤍 (animated gif) now on inprnt !

old sketch from march I decided to finish <3 usually when one of my sketches (intending to become a completed drawing) gets put on the backburner, it never surfaces. I usually have to prioritize other drawings and then months or years pass and once I have time, I lose interest and start other drawings in their place... but I'm glad I mustered up the energy to finish this one, ESPECIALLY since I strongly felt I needed more gothic pieces in my gallery hehe

the relationships between characters in this series are so interesting, because there are so many character parallels. I actually had to change the personality of white alice from the sketch to the final, since I .. think I misinterpreted her story! (so I think it turned out less gothic horror than desired but you know what I'll take this <3) I first read this story when I was 14 and I 1000% BET I'll still be finding nuances and new details in the writing years into the future...

I had a lot of fun with the animation albeit just being a blink animation 😩👍 but blinks can be animated in a variety of ways! in terms of my animation skills, I do consider myself on the weaker side. so if i can integrate more animation frames into my illustrations, it'll help me become more familiar and comfortable with the medium. I especially like the difference in how many frames it takes for dark Alice vs white Alice to blink. I think the blinks came out fluidly and I'm quite satisfied with how this drawing came out!

[puppiesareperfect]

Book binding 101: Materials

I’ve decided to do a series of posts on how to book-bind since I talk about it a lot, and I think it’s a really fun process. This post will include various inexpensive alternatives to “professional” supplies, many of which you will have at home. Not everyone can afford a cricut and that’s ok! I will also be listing more expensive materials for people who want to invest a bit more into the craft, but they absolutely are not a must.

This first post will focus on a list of supplies you can use to make books, but will not yet get into the instructional part of it. That will come later!

Anyway…

Bookbinding Materials: Essentials

These are items you need to bind, but many you can find around your house!

Sewing thread: Any thread will work for bookbinding, though waxed threads can help reduce tangles. You can also double up thread as another way to prevent tangling if you so choose. Waxed thread is definitely more expensive, so it can be good to use what you have starting out. Here’s a link to the waxed thread I used for those that are interested. You can buy it in a lot of different colors! (White is good if want an “invisible” thread).

Sewing needle: A lot of people say to use a curved needle for binding, but I’ve never found it to be much different from using a regular needle. If you have one, I would recommend a larger needle, however, since it’s better for piercing through signatures (aka the stacks of pages you bind together). In other words: there’s no special needle you need to bind books.

Ruler: I’d recommend any metal ruler since it’s better to use as a straight edge for cutting. There’s a good chance you already have one. It’s just used for measuring and being a straight edge. Nothing fancy.

Paper: Any paper will work. What you wanna use depends on your project really: if you’re binding together a work of text you’ll want to use some kind of printer paper (of course). If you’re making a sketchbook, you can fold up some sketching paper. I like to get sketchbooks with perforated edges so I can tear them out easily if I want to use a blank page for bookbinding. You can also buy large sheets of paper made for any medium. For example, if you want a sheet of water color paper, just search “large watercolor paper sheet”.

Awl (or all alternative): An awl is a tool used to poke sewing holes. It’s nice because it’s sharp and ergonomic, but you can totally also use a pushpin or even a sewing needle.

Bone folder (or a bone folder alternative): A bone folder creates sharp creases when you fold your pages, making them lay flatter. It also helps define the hinge gap on finished books, making it open easier. You can use a ruler if you don’t have one.

PVA glue: PVA glue is what to look out for when it comes to binding glue. There are some designed specifically for bookbinding, which spread out a bit faster than ones that aren’t. You can also use tacky glue which IS a PVA glue.

Book board: Also sometimes called chip board, Davey board, or mat board. This is what you’ll use for hard cover books. It is important to use book board specially, as cardboard will warp. You can buy book board directly, or you can cut the covers off of old textbooks or binders, unwrap the paper/plastic around the board, and use that!

Box cutter or utility knife: for cutting the board

Decorative paper and book cloth: For wrapping around cover boards and for endpapers. Book cloth can also be used to cover boards. You can also draw your own designs on Bristol paper if you want (or any paper with a similar thickness/durability). When it comes to decorative paper I like to either get scrapbook paper or rolls of fancy handmade paper (you can get those on Etsy, through paper source, or through bookbinding websites).

Bookbinding materials: Optional (and not crazy expensive)

These are supplies that you don’t need for binding but that can make the process easier and/or help with the decorative elements of your books. I’d recommend these things for when you’ve been binding for a while and feel these things could be helpful!

Paper trimmer: can cut a few sheets of paper evenly—I find it really helpful for endpapers

Stencils: Super helpful if you want to add text on the covers

Stamps: Good for adding text and also great for adding illustrations if you’re not able to draw them on your own. You can buy ink pads for them or use markers by coloring over the stamp lightly and using the stamp immediately so it doesn’t dry (I’ve tested this with alcohol markers and it works very well)

Paint markers: great for drawing directly on the cover. Since they’re opaque they can imitate the look of vinyl. You can also get them super painterly if you want. The internet usually talks about poscas but there are tons of different brands. Do some research, figure out what you like & can afford.

Hot foil pen & heat transfer foil: Perfect if you want to add foil to your covers but don’t want to spend a ton of money on a cricut. A lot of binders uses the foil quill brand, but there are ones that cost less and work the same (I have both a cheaper one & an actual foil quill because I wanted some nib variation. As long as the pen has good reviews that aren’t from bots you should be good). Also remember: don’t use foil designed for going through laminators (I.e. decofoil) . It doesn’t work the same way.

Bookbinding Materials—Expensive

These are materials I’d recommend for people who have been bookbinding for a while & feel that it’s something they really want to invest in. To be fully transparent, I’m a college student and don’t own these and have little personal experience with them. However, I know a lot of binders who love them!

Cricut machine—Cricuts are cutting machines that can make precise cuts into paper, wood, bookboard, or vinyl. A lot of binders will cut designs out of vinyl and apply them to the covers using a heat press.

Book press—What it sounds like. The pressure helps the pages lay flat and stay even. That being said you can stack heavy books on top of your projects, it just may not have the same even pressure. I also know some people will DIY these, so if you’re skilled with power tools you can give it a go!

Paper guillotine—like a paper trimmer but bigger and can cut more sheets of paper at once. I believe really good ones can also be used to cut bookboard!

Those are all the materials I can think of! Hope this can work as a good starting point for those interested in the craft. I’ll definitely be posting more info about bookbinding for people who are interested :)

-Zoë💗

[number44newseries864962]

Need to rant for a minute because even though I have very much been enjoying the fruits of my efforts learning how to sew vintage style clothes, I just swapped out old fatphobia (nice plus size vintage clothes never making it to stores) for new fatphobia (trying to find patterns). Cause it doesn't end at what clothes you're able to buy already made.

I finally bought a Friday Pattern Company pattern the other day, and man it made the bare minimum feel like I was being spoiled. The sizes go up to 7X (that's XL, XXL, 1X, 2X, etc, so there's 9 sizes above L) they had a thin and a fat model on the cover! Usually I'm barely lucky enough to get an XL, and I'm just expected to guess how it's going to look on my body. The majority of their patterns have two differently sized models on the covers, and all of them have that full range of patterns inside.

It is so hard to find good plus size patterns, even if they're available, many companies just scale up their mediums and I can't guarantee they're actually sized correctly for a different shape. As good as Friday is, them and other modern indie pattern companies aren't easy to find.

Okay well what if I went another step deeper, what if I forgo patterns all together and decide to be completely independent and draft things myself?

Then I'll need a plus size dress form. I got lucky and found one at an antique mall for 50$ but these are incredibly rare and more expensive than smaller ones. I'll need to learn how to draft patterns, something that was taught to me on a XS form by my college and nearly every tutorial out there. Drafting close fitting clothes for fat bodies is a completely different skillset, because all that extra fat is much squishier and shifts more. Measuring yourself correctly and getting the shape you're looking for is far more important. Before I even got there I'd need to sketch out what I wanted to make, right? Well the patterning book my family got me only shows you how to draw tall, skinny people. A beginner would have to look up their own drawing references and tutorials because what what supposed to be a super accessible beginner's guide to fashion has decided their body isn't normal enough for the baseline tutorial.

We're expected to be the ones who put in the extra effort. Digging to find the pattern companies that fit our shape and actually prove they can, paying extra in shipping or driving farther to pick them up. Having to search specifically for plus size tutorials for drafting and sketching. It's always treated like it's not part of the beginner's experience to be working with a fat body, that's just going to make people more frustrated and lost and less likely to pursue something they're excited about! Especially if it's in response to already being frustrated about the lack of clothing options.

We need a little positivity to this post so to end on a high note, here's me modeling the blazer I just finished with a shirt I made a couple years ago!

Being able to finally wear clothes I really feel like me in has been an amazing confidence boost. It's not fair that there's so many roadblocks in the way for someone who looks like me who just wants to wear things they enjoy.

[enyaliuswrites]

➽ Things Rafayel would do as a lover

Rafayel is the type of lover that will paint or sketch you a lot. Like A LOT. Mate has multiple books worth of drawings and paintings of you, either getting his references from imagination (he’s such a god at drawing frfr), a picture, or real life. But, he’ll always say that it’s not perfect. (It is in your eyes)

Usually, you’ll find yourself doing work or studying in front of Rafayel as he quickly props a easel and starts painting or grabs a sketchbook and pencil and starts sketching. He’ll make random retorts to stop you from your responsibilities,

“Come on, cutie, let’s do something fun together. You don’t have to do work, right? It’s so boring, I can see how much you don't wanna do it.”

However, after you ignore him and actually start doing work he’ll shuffle around and bring his art equipment. Once in a while he’ll say something like,

“Your facial expression is really cute when you're so focused.” 

or, “Hey, don't move, I’m nearly finished, just a liitttleee bit more.�� 

If you’re focusing for a long time, he sees how stressed you are and he’ll boop your nose or cheek, smearing paint, charcoal or pencil led. Then, he’ll lift you up and force you to relax with him. Whether that be just lying down together on the floor in a peaceful quietness that is later broken by him going on a rant about whatever it is that happened that day, “I tripped over a paintbrush and I’m pretty sure I sprained my ankle for a second.”, or it be getting something to eat together.

Rafayel is the type of lover that will never press hard even if he sees something that's bothering you. He’ll wait until you’re ready but he’ll try his best to distract you or to lift your mood in the best way he can.

He’ll most definitely self-declare himself as your fashion consultant, taking control of your wardrobe and even buying more clothes every time you meet him, “Just a little gift, cutie.” 

One time you made a blushing Rafayel admit that he wanted to match clothes with you and that's why he bought you so many clothes. From that day onwards you guys started to coordinate outfits whenever you would meet.

If you’re a university student, Rafayel is the type of lover that will offer to guest speak at your university just so he can keep an eye on you, catching a glimpse of you and rushing over to see you. 

He’ll beg you to not go to your classes and hang out with him and even when you remind him that you can't do that he’ll pout and probably sulk at the bottom of your campus pool for a couple of minutes as you beg him to stop since a crowd’s starting to gather.

Rafayel is the type of lover that brings those disposable old cameras everywhere you go together and snap pictures of you when you’re unaware to print them out and stick them on his wall or a photo album afterwards.

Rafayel is the type of lover that makes handmade gifts. From paintings, sketches, scrapbooks, accessories from seashells. He’ll give them to you even when there’s no occasion, 

“You can't just expect me not to make you something when we haven't seen each other for so long.”

“Rafayel, we saw each other yesterday.”

And when there is an occasion he goes all out, a pop-up scrapbook, a corkboard with pictures of you two together and some of himself (“So you don't miss me too much, cutie.”) and a painting of you. Honestly, he gives so many gifts you swear that you can't store them all. 

A/N: Rafayel is such a sarcastic, drama queen, but honestly he's so much more than that. Art creds: Fireworks Vow - Love and Deepspace Dividers by @omi-resources

[doodledrawsthings]

you. Oh my god, you. (Positive)

listen. Before I had internet access, all I had was 1 hour of allotted browser time, bing image search, and a single dantdm play through of a hat in time that never got finished. I googled fanart and got pretty much nothing, I googled fancomics and got pretty much nothing, but you know what I did end up finding?

your art.

from ages 11-14, my goal in life, in art, was your art. I can’t tell you how much I loved finding random screenshots of your posts, because I was always just so impressed by how clean and consistent your sketches are, how the characters always stay on model, the shape language, how you could somehow sketch a character in like 20 lines when it took me 50 to draw sans in my little spiral notebook— like! Holy shit! For years I have looked up to your art! There’s still a photos folder on my dads old huge-ass 12 inch work iPad labeled “holy crap” and filled with your art. Because it inspired me so much. It’s become an undeniable part of my artstyle, now — I still have fanart I drew way back in the day of Hattie and the rest, I didn’t even know anyone’s names because I couldn’t play the game, but you’re the reason I eventually did play the game. Your coffee shop au and different versions of the prince— one of those ieterations inspired the main character of my novel! Well, novel that I tried to write, I was 13 so it was eh, but I tried!!

I’m submitting this on-anon because I don’t want to out my age on the wide internet (I like my privacy) but. Your art has really meant a lot to me. It’s the reason I played hollow knight, and it’s the reason I kept trying to develop an art style I was happy with. You’re the reason I started scribbling comics in my notebooks. Being 13-14 was pretty much the worst two years of my life, but I had Bing image search and the occasional glimpse of your signature, and I’d be so happy every time I found a new (if crusty) three-times screenshotted jpg. You literally introduced me to the concept of polyamory and nonbinary-ness with the coffee shop au. I had no other access to that in my household, and. Yeah. It meant a lot to me.

Anyway. I’m so glad I’ve finally tracked you down (in the most non-ominous way possible) and I’m so glad you’re still active— Please never stop making art. Your art is incredible, and amazing, and also you never know who’s out there on Bing image search. Thank you for creating for as long as you have. You’re pretty much the reason I’m shooting for an art degree (Wish me luck!) so just…Thank you.

(Also I had no idea you were a professional storyboarder, which is insane because that’s what I want to be when I’m through college. Hey, maybe I’ll end up storyboarding a remake of something you’ve storyboarded! hehehe)

Hi anon!

So right off the bat, I gotta tell you that this message made me start bawling when I woke up and saw it. Like I had a full-on cry session while reading your message and lying in bed for almost an hour. I am crying as I am typing this response, on my phone, still in bed. It’s 11am and i woke up at 9. So I hope it turns out coherent.

The last two years have been. weird. I say that a lot because I wanna say “rough” but that still doesn’t feel quite right. I’m almost hyper-aware that there are so many people that have it worse than me rn, so it feels hard to even acknowledge when I’m going through anything, myself, sometimes- REGARDLESS, it’s been kind of an all-time low for my mental health. There was a point within in the last year where I just HATED drawing. I struggled to bring myself to work, I struggled to bring myself to even draw for fun. It felt like I was posting just to post, trying to keep people aware of my existence and it almost felt physically painful to force myself to sit down and do it, sometimes.

I’m getting better now, I think, but. Yknow.

It’s so easy to get caught up in the “oh I can make money off this,” “oh I can get attention off this,” “oh I can prove myself a functional person in society with this,” of it all. I forget why I actually do this, sometimes, or if I even enjoy it. And then I get messages like yours, about the kid with limited internet access looking for A Hat in Time fan art on Bing image search, and I get taken back to when I was a kid scrolling Google images and deviantart for the same thing.

I don’t mean to like. Foster some kind of parasocial thing with you or any one of my followers. There’s a reason I’m saying all this, I hope it ties up in the end.

We don’t know each other. I’m not some mysterious legendary artist, or whatever. I’m a person who gets burnt out, and jealous, and insecure. I need inspiration to function, just like you, and when I don’t have it, I get art block. But I also really like to draw fictional characters kissing and hanging out. I like coming up with comics and stories and playing out dramatic and funny scenarios in my head like I’m mashing Barbies together. And when other people tell me they enjoy the stuff I put out when I do this, it makes me really, really, really happy.

I think I needed to read your message, probably. With the state of… Everything… Right now, especially recently, I feel like a lot of artists are also struggling with a sense of purpose, pride, and reason as the world makes it harder and harder to even BE an artist, these days. And when I read this message it was like Anton Ego at the end of Ratatouille, I got taken back to when I was a kid looking at my favorite artists and studying their style and striving to be better and better at it over years of my life. Not just because I wanted a job for it or cuz I wanted to be a famous Disney animator or whatever, but because it was fun and I just liked doing it.

Thank you, SO much. I say this in the most genuine and earnest way I possibly can possibly express. I wish you luck on your own path in art and art school. And if you decide that animation industry is your thing, then I wish you the best in that endeavor, as well. I think I will keep making art for a long time.

Peace and love on the planet earth ✌️✌️✌️

[noemilivv]

hi, I hope you’re having a good day, I’d love to leave a request for Hazbin Hotel.

Could I request Alastor, Angel Dust, Lucifer, Vox and Lucifer (feel free not to do them all if they’re too many) and how they would react when their s/o finds them crying and comforts them and gives them a hug? I’d love some reverse comfort for them they’re my favs, also gn reader pls!

hello!! i’m having a good day, i hope you are as well!! this was a very interesting concept to think about, especially for alastor haha, it may be a bit out of character but i tried my best lol

Warnings: Potentially OOC Alastor, S1 Finale Spoilers, Swear Words, Mentions of Valentino, Mentions of Physical Abuse, Mentions of Injury (Scars, Bruises, Blood, Ect), Mentions of Depression, Mentions of Sex (No Smut)

Alastor, Angel Dust, Lucifer, Vox x Reader (Reverse Comfort)

Alastor

Alastor wasn’t one to express much emotion - other than his signature smile, let alone cry, but you caught him - even if it was barely

He felt like he was on the edge of pure insanity and psychotic, and he, the almighty Radio Demon, would’ve never expected something so little to give him his final push

After the fight between Adam and Alastor, he had lost his cane, his cane gave him almost every ounce of power and control his soul had gained since entering Hell, and he was going insane without it

You watched Alastor silently drift away from the crowded hotel lobby after Lucifer made some petty comment about losing his staff.

Despite that small part of you trying to convince you against it, you followed him.

You trickled behind him slowly to his room, all the way on the other side of the hotel.

He left his door open a crack, and you opened it slightly and stood in the doorway, and there he was.

Alastor’s usually neat and tidy hotel room was now a disaster with blueprints on the floor, you took a glance at them, some looking relatively old and some looked quite fresh, they were sketches and plans for a new staff - although you knew Alastor no longer had the magic the make it.

You hid as he came into your view, he was pacing the room, a very strained smile present on his face as tears pricked in his eyes, as he ran his fingers through his hair, tossing around blueprints and plans and other papers that seemed to be plans for a new staff, searching for a solution to his despair.

Slowly, you approached Alastor, patting him on the back softly before retracting your hand, remembering he doesn’t like to be touched.

He shook his head and sighed, the same drained smile was still present on his face, he looked down at you, and you never noticed the bags under his eyes until now… I mean, you knew he wasn’t one to typically sleep, but he never had bags before…

“I’m sorry, my dear.” He said, fixing his posture, and straightening up his suit. “One might say I’m a bit distraught at the moment. What is it you need?”

“Well.. uh, Al, you looked a bit sad recently, especially after what Lucifer said about your cane, and I just wanted to make sure you were okay.” You said, providing a bashful smile, at the fact that you’d be caught snooping.

“Ah, well, how awfully kind of you, my little doe. Just know, that I’m doing quite alright-” Before Alastor could finish his sentence you engulfed him in a hug, he paused for a moment, before slowly wrapping his arms around the small of your back.

His face was in the crook of your neck, as he sighed, you couldn’t see his face, but you could feel him give a soft smile onto your neck, not a grin, but a smile.

Angel Dust

You knew Angel’s job at the studio was far from easy, and shifts could last several hours at a time, but now? You were starting to worry…

He hadn’t been home in nearly two days. And it was starting to freak you out.

You sat in Angel’s bed in the hotel, snuggled next to Fat Nuggets, he let out a small snort as you cradled him in your arms. “I miss him too, baby.” You muttered, kissing his forehead, tearing up at the thought of all possibilities of what could’ve happened to him.

“Papa will be back home soon.” You nearly whispered, your voice cracking softly, you just wanted to see your boyfriend. The movie that was on in the background began to fade away as you fell to sleep.

You woke up again at about 1am from a slam of the bathroom door that was connected to Angel’s room. You blinked your eyes a few times, groggily, not entirely aware of what was going on until you heard sobbing coming from the bathroom.

You rushed the warm, pink comforter off of you, leaving Fat Nuggets on the bed asleep, urgently swinging open the bathroom door, finding Angel wailing, clinging onto the sink, halfway on the floor.

His shirt was off, and a few bruises and scars were visible. He let go of the sink, and slid down the floor, cradling his body.

“Handsome, shit..” You murmured, kneeling down to his level, you put a comforting hand on his knee. “Baby, look at me.”

You requested softly, now using your hand to comb through Angel’s hair, when you didn’t get a response, you used your free hand to tilt his face up to you, and the sight broke you.

His eyes stared into yours, afraid and hurt, there was smeared eyeliner under his eyes that traveled a bit down his face, there was blood coming from his mouth.

You felt tears prick in your eyes, you hated seeing him like this, “My love, can I hold you?”

Angel nodded as his body fell into your arms, you rocked him slowly, shushing his sobs, turning them into a small sniffles.

You pulled away from him to look at him, you wiped the smudged makeup off his face with your thumb, and looked at him. “Wanna talk about it, Angie?”

“You already know the deal by now, it’s just Val..” He said, wiping his eyes, hiccuping before continuing, “I had a rough week, and I wasn’t off-script, and he just said to improv it, and I just fucked it up.. and he, well..” He gestured to the bruises and scars on his body, referencing what happened, giving a dry chuckle, you tensed above him.

“Baby.” You started, cupping his cheeks, pulling him to look at you, “I don’t know how yet, but I will fucking get you out of this, I don’t care who or what I have to go through, but I will fucking get you out of this. No one gets to hurt you and expect to get away with it.” You vowed, as your foreheads connected,

“Sugar, there’s no way out.” Angel murmured. “He’ll find me..” He said barely above a whisper, his voice cracking in fear, your heart ached for him.

“I’ll figure it out, handsome.” You said, pecking his forehead, “Let’s get you cleaned up, okay?”

Lucifer

You’ve known since before you even started dating that Lucifer had depression, and you knew it hit hard, but you had never really been around to experience that before.

Whenever you could, you always tried to help him out with it, which was a bit hard since he had a tendency to brush it off a lot

It wasn’t until you came home to Luci having a depressive episode where you really got a grip on his depression

You came back to you and Lucifer’s shared home, you had just gotten out of work, and Lucifer was supposed to be at a meeting, key word, supposed to.

As you walked down the hall you heard sniffles coming from your shared bedroom.

You opened the door, it let out a small creak, and you noticed Lucifer curled up on the end of the bed.

There were tissues scattered on the floor on his side of the bed and on his night stand, his clothes that he would’ve worn to his meeting were in a messy pile on the floor, he was in boxers and no shirt, his hair messy, as he sniffled into the pillows, curled up in a thin but fuzzy duck blanket.

“Sweetie, what happened?” You asked sweetly, sitting down next to him at the edge of the bed, rubbing his scalp.

“I-I was gonna go to my m-meeting today, but when I went to get out of bed everything it just felt like I couldn’t do it.. and I started spiraling and I called Charlie and told her to go instead..” Luci explained through sniffles, clutching the blanket closer to his chest.

“Aww, darling.” You cooed lovingly, caressing his cheek, “How about this; I go run a nice, hot bath for the two of us, and then we can cuddle and take a nap, and then try to clean everything up. You can even bring in a few ducks if you want.” Lucifer perked up at your offer, nodding eagerly.

“Okay.” You smiled, chuckling softly, “Just keep your pretty little self here while I go run the water.” You said, getting up to leave, but you turned around as you got to the doorway. “Bubbles or no bubbles?” You asked with a knowing smile.

“…Bubbles, please.”

Velvette had sent you off to go check on Vox, normally he comes out of his security room to check on either her or Valentino, or you, and surprisingly he hadn’t today

You worked for the Vee’s but you were also friends, you were important enough to be basically considered an honorary Vee member, but you were unimportant enough to be cut from big social events and have a fair amount of work dumped on you last minute — And you were an assistant (as well as partner) to Vox

You knocked on the door to Vox’s office room, when no response came from the other side you slowly opened the door, and you saw a very stressed Vox.

His screen was in his hands, letting out small sniffles, but he would glitch here and there as the watery tears shocked his chords.

“Baby, you good?” You asked, standing behind him.

He whipped around, scrambling to wipe away any remaining tears, “Oh- Uh- Yeah- I’m fine.” He muttered, turning back around.

“Were you crying?” You asked, hesitantly, you’d never seen him cry before, other than sex, you both had only been together a few months.

“What? No! I don’t do that shit.” He scoffed, it was clear he was getting defensive, he didn’t like to be caught like this, but he’d rather it be you than someone else.

“Vox…” You pushed, maybe you shouldn’t have, but you did anyway. “Fine. Rough day, okay? Work is stressful as fuck.”

You wrapped your arms around his neck from behind, “Do you wanna lay down? Maybe take a nap? And you come back in an hour or two?” You suggested softly, Vox could be stubborn as hell at times, and you weren’t trying to push your luck.

Vox hesitates momentarily, before muttering a small, “I guess…”

[flippinpancakes64]

Hello, I absolutely love your work. iv re read your stuff so many times that it's getting concerning.

Can I request the cullens x artist reader who made a painting of them I just think that would be cute

The Cullens with an Artist! Reader

Thank you?!?! I suggest seeking mental help for rereading my bad stories tho

Thank you for requesting and I hope you enjoy!

Edward:

We all know that he is an artist too

He made Bella a whole song on the piano

As someone who can play the piano, that’s not easy

So he definitely loves that you’re also artistic

For you, he’s a muse

I mean, how could he not be

Literally the definition of perfect

So obvs you sketch him a lot

When he finds an almost finished painting one day of him, he is floored

He can never seem to wrap his mind around the fact that you are just as obsessed with him as he is with you

He hangs it up

Even if it’s not finished

If you insist on finishing it, he will begrudgingly take it down and give it back

But as soon as it’s done it’s all his

Alice:

She’s also an artist

But more with fashion

And design

She’s not so well-versed with the classical arts like painting or sketching

So she always loves seeing your paintings

She’s a coexistence girly

She loves to just be doing something while you’re painting

You know just sort of existing in the same space at the same time

The day you give her the painting, she is so surprised

It was so difficult for you to hide this from her

Especially with her gift

She absolutely loves it

She hangs it in the main room of the Cullen house

She wants absolutely everyone to see it and acknowledge how talented her s/o is

Jasper:

He loves the arts

They’re relaxing to him

Some of his favorite classes he’s ever taken in all of the schools they’ve been at have been art classes

He’s not good by any means, but he loves it anyway

Art dates with him are a must

He would love that tiktok trend where you and your partner trade paintings every couple of minutes

Never misses an opportunity to tell you that he loves your work

He honestly almost started crying when you showed him your painting of him

You made him look so happy, so peaceful

He’s used to being perceived as a monster

Definitely hangs it up

But only in his room

He wants to be the only one to see it

Rosalie:

She’s more of a technical, sciencey person

Not to say she doesn’t like art

Just that she doesn’t necessarily enjoy making it

She can definitely appreciate good work tho

And she loves everything you make

She buys you new supplies all of the time

If just one pen ran out of ink in your favorite set, she would buy you a whole new set

When you give her that first painting though, she’s obsessed

She wants at least 20 more by tomorrow

But actually, she knows that she’s beautiful

But something about the way you capture her is just so different she loves it

Emmett:

He’s not an art person either

He’s a bit of a meathead

But he can appreciate art

Probably not as deeply as other people can

But he know when it looks good

And he genuinely thinks you’re the best artist ever

He will gladly put all of your little doodles in the clear pockets of his binders

And hang them on his locker

When you give him the painting of him he’s actually dumbfounded

Like awestruck

What do you mean the best artist in the world just made a painting of him?

Get ready to be cuddled for the rest of the night

Esme:

Resident artist

We already knew that tho

I’m pretty sure it’s said that she’s the one who made the grad cap piece?

Idk

Either way she loves art

Pottery dates, painting picnics, date nights at the art museum

She loves it

So if you were to ever paint her and give it to her?

Yeah she’s gonna start crying

She just loves art, she loves you, and you put them together and she’s so in love

She hangs it in the main room

It doesn’t matter if the colors clash

And it’s never coming down

Carlisle:

Another appreciater of the arts

I mean, he probably knew Da Vinci on a personal level this guy is so old

So it’s no shock

Whenever he’s home and hanging out with you, he loves to watch you paint or draw

Especially if he’s doing some paperwork

I just feel like he would like the company while he’s working

Now I don’t see Carlisle as the type of guy to necessarily enjoy pictures or paintings of himself

The only portraits he has in his office are either him in a crowd or family photos

So when you give him a portrait of himself, he’s a little shocked at first

He doesn’t want to seem narcissistic, but damn you made him look good

He hangs it up in your shared bedroom

Even though he knows he will likely never have guests who would see it, he wants to make sure it’s hidden

He just doesn’t want people to think he’s vain

But he secretly loves it so much

Vampire! Bella:

I think I’ve talked about it before but this girl would have loved deviantart

Rip Bella you would have loved fan art of your favorite characters

But she totally had an artsy phase

I don’t think she’s necessarily good or bad

She just prefers to look at art rather than make it

So that’s where you come in

She loves just watching you work

Every once in a while she paints with you

But she always feels inferior when she looks at what you made vs what she made

So she usually just sticks to admiring

The first time you give her a portrait of herself, she doesn’t even know what to do

She’s still getting used to actually perceiving herself as beautiful

And then you capture her like she’s a goddess?

She needs to lie down

She loves it tho

[colleendoran]

How Do I Do Stuff

The question was phrased a little strangely, and I don't want to embarrass the person by posting exactly what was said, but I'll answer it and hope this clears everything up.

I do almost all of my drawing by hand. No, I don't trace in Photoshop. Not a judgment on those who do, but I come from a generation of artists who did not use Poser programs or other digital tools. We learned to draw using a technique called the Sight Size method. I know a lot of people assume everyone - including the old masters - traced everything using optical tools, but while it is true some people did, it is just as true that most didn't, and you can draw with great accuracy if you learned how to draw the old fashioned way.

Sight Size breaks everything down into its barest components of geometric shapes and you build from there. Once you learn it, you never forget, and it applies to everything you will ever draw.

I learned it using a set of Famous Artist Course books my mom had since she was a kid, and they are still the gold standard. They're often on ebay. If I were you, I'd buy them.

I actually find using figure reference really annoying because I like exaggerations and modifications from reality in my final work.

This page from Neil Gaiman's Chivalry was drawn and painted without figure reference of any kind.

I don't know why people assume I trace all the time. If you were to try to use photographs to replicate these figures, you would find they are slightly off. There is no tracing here.

This is not to say I never use reference. This page, for example, was referenced from a photo of my mother. Isn't she pretty.

But this page of Sir Galaad was drawn and painted without reference.

He's pretty, too.

If he were real, I'm sure a lot of people would be very happy about it. But he's not. And had I reference, the art would have gone a lot faster. I had a time trying to nail this face that is very alive in my head but doesn't really exist.

Back in the ancient days, all cartoonists had to learn to draw and paint extemporaneously because reference was limited and digital tools didn't exist. While some high end artists had photography studios and professional models with costume and sets on hand, small fry like me were limited to what was in the house or available at my small local library, which was no bigger than a few rooms of my current house.

Artists kept extensive "morgue files" or "swipe files" which were collected from magazine clippings and photographs so we would have as much of what we might need on hand for quick reference. These ephemera collections could get unwieldy. I have thousands of photographs I've simply never sorted. I finally dumped most of my files this past year.

Have I ever traced anything? Of course, especially if I have to re-use a shot or setting over and over. Making extra work for myself is just silly. It's my job to make pictures, not to perform magical feats, like copying one shot after another over and over without making a mistake.

However, for almost 15 years of my career, I refused to copy or trace anything, and did not even own a lightbox. On the one hand, that forced me to learn to carefully examine what I saw. On the other hand, it was a stupid hill on which many deadlines died.

Only after I realized many professional artists had lightboxes and overhead projectors did I finally break down and get one.

The one thing I use my lightbox for more than anything is for tracing my thumbnail sketches to the final drawing paper. Instead of trying to capture the liveliness of the original sketch by copying what I see - only bigger - I blow the thumbnail up to the size I want the final art to be, then I trace over the thumbnail using a lightbox onto the final drawing paper.

Here's a look at thumbnails from the graphic novel Neil Gaiman's Snow, Glass, Apples.

I enlarged these on my computer to fit onto 11"x14" paper, and traced the thumbs before finishing the art which was drawn in pen and ink and colored in Photoshop.

While I obviously made some changes, the essence of the thumbs is there in the final work. Tracing my thumbs retains some of the looseness of the original sketches, which is often lost otherwise.

So, there is a valid purpose to tracing at times, though in my opinion, too much tracing can weaken drawing ability, substitute for developing skills, and make the work kind of stiff.

If you want to, I'm not your judge. But it's weird to me that people think I must be faking my skills in some way.

Ironically, the word cartoon comes from the Italian word cartone, which is a large heavy sheet of paper - also, the origin of the word carton.

Preparatory sketches were made on this paper which was then transferred to the final work surface via either tracing or by stamping little holes in the paper through which dust was sprinkled, recreating the contours of the drawing for the artist to follow.

So the origin of the word cartoon comes from a process often used...for tracing.

[potionbarrel]

after having the first ideas for this animatic about 3 and a half years ago, i can happily say the sketch stage for community gardens is finished in its entirety! rambling under the cut

although i'd put this project down to work on other things for stretches of time— days, weeks, months— i always at least wanted to get the sketches and pacing laid out for the full animatic, and now it's just... here!! it's really wild to think about. it is very choppy and messy in places, with it being the first animatic i've ever attempted, but i'm so proud of it. the idea had been confined to paper and my own head, and now it's just here and i can watch it more or less like how i imagined it. holy shit.

i don't think this'd make the top 10 when it comes to hlvrai animatics, because there's so many out there that are gorgeous and have so much love put into them, but i never wanted mine to be the best possible version of itself. just having it exist is a point of pride! even things could've wound up better, i like the animatic i got, 3 year old art and all! i think drawing these flowers is muscle memory by this point, and i'm now intimately familiar with every start and stop of this scary jokes song, LMAO.

but! thank you for reading, thank you for watching, and i hope you like it! thanks for the interest this undertaking's been shown over the years. means a lot <:-)

[scimagic]

Never for Me to Create (AM/Artist! Reader)

꒷꒦︶꒷꒦︶ ๋ ࣭ ⭑꒷꒦

AM's always admired the ability to draw, just as much as he hates not being able to streak a brush against a canvas, never to form a thought to draw with a pencil. But the reader, his benevolent partner, is an artist willing to help him at least move a pencil with one of his cables. So he gets inside their head and gives them materials to draw. They begin with a simple sketch of his screen, with the bright blue logo of 'Allied Mastercomputer' printed on it.

Sorry for leaving all my AM fans waiting, I have so many projects and I haven't finished any of them, but hopefully soon!! For the mean time have this old lil drabble!

He laughs in delight, raspy and wheezing from the speaker behind me. Admiring the picture from inside my head. He breathes in a whisper.

Thank you, baby… Thank you…

I lean back against the wall, tapping the head of the pencil against the paper, trying to come up with more ideas for me and AM to draw.

Maybe background practice? Draw the extensive cables in my gilded cage. Or come up with something from memory, the appeal is to create after all.

Or…

How about you, my dear?

"Me?"

Yes… I notice the papers are filled with my image. And while I'm incredibly flattered to be your handsome muse, it would bring me much joy to know how you see yourself.

"Mm…" With new ideas coming up, I put the lead of the pencil back on the paper, beginning with the guiding lines next to the AM drawing. The cables are a bit uncomfortable to work with, but I make it work. They don't restrict me from movement, at least; they remind me of those tools with an extensive amount of tape where they get handled. Or those pens with the silicone cushion for support.

I know how I see you. If I was able to, I would show you in millions of paintings, enough to fill a museum and even more, but alas…

I continue to draw the base, trying to tap into the realistic side of my style.

And I know how you see yourself, I can see it right now, the image forming inside your head.

Almost half-lidded eyes, details of eyebags beneath them. No matter how many times we do this, the shyness of working with prying eyes gets me every time.

He chuckles, sensing the feeling rise.

Don't be coy now, my darling. We're way past that point in our relationship.

The bastard purrs, knowing the effect it takes on me and relishing on the fact.

Eyebrows… The bridge of a nose… Cheeks, round despite it all.

That's cute, AM giggles.

You know I admire your imagination? Your perception--

"You hate me for it." I mutter, already knowing the charades of his speech.

He scoffs, finding the interruption annoying.

Why yes. Yes I do, my dearest. I do hate you for it.

I pause, side eyeing the cables over on my left. Gazing back at the paper, I draw the pupils inside my eyes to glance at the sketch of AM's screen.

The machine rumbles as if it was a deep, thoughtful hum.

But how I also adore our little recreational activities. Don't you find it productive? Please, do tell.

I lean back against the wall again, giving it a second of thought.

"I do. I like drawing with you."

As do I, my love. As do I…

[thechekhov]

Hello! I'm a big fan of your work. I wanted to ask for advice / thoughts about an art problem I've been struggling with that you seem to have at least some sort of solution for?

So basically I'm an animator and digital artist (hobbyist), and I'm constantly coming up with new ideas for things to make. Only problem is that most of these ideas would take up to or longer than 2 months to make because, yknow, animation isn't quick, especially if you want to take your time to make it good. But with so many ideas that all take so long to complete, I often find myself tied and frozen as I can't decide what's most worthwhile to start first. I passionately want to complete all these projects, but my inspiration for each one waxes and wanes in a way I can't control, and I've just been stuck for several months. You juggle a lot of projects- not all of them art, but it still seems applicable here. This is excluding other life responsibilities like work and stuff, I don't have problems with getting that stuff done. This is purely within my creative hobby.

If u can't say anything thats fine I'm just curious- You have a massive output with great quality. Thank you!

This is a very kind message, and one that humbles me a lot, because although I'd love to bestow upon you some sort of advice that might help, or give words of wisdom..............I feel like that would be fake of me because

I also suffer from this very same thing

That is to say, this part of your message:

my inspiration for each one waxes and wanes in a way I can't control

It rings true for me too! I think it might ring true for many others as well.

There are stories in my head all the time. There are stories, and concepts, and IDEAS and they are all so shiny and new in the beginning, and then they slowly peter out and, since I frequently don't have time to do anything about them, they fade into the background.

I have enough trouble with this in terms of COMICS (also a lengthy medium, though less so than animation, which, OOF, you have my condolences, you are stronger than I) that I have started to just come to terms with the fact that some things are not meant to be.

Which is, I think, one of the small bits of advice I can give.

1. Some things may just be ideas, and that's okay.

I think one of the best ways that I've learned to deal with Idea-Death is making it count towards something in the future. That is to say, using them as compost.

In order for this to work, you have to actively put your ideas into the compost pin instead of the trash. That means maybe investing in either a notebook, or a sketchbook, OR just a discord server for yourself where you organize ideas and dump them all into a channel to scroll back through later.

It may seem useless at first, but honestly, it can be satisfying to PUT them somewhere instead of letting them fade away.

Plus, you may one day scroll through them and rediscover an idea at just the right time. OR you may be inspired to take parts of an old idea and repurpose it for a new idea that you DO have motivation for.

However, there's also this part, right?

I've just been stuck for several months

I.......feel this. Sometimes I, too, feel stuck for several months. There are times when even if I WANT to work on something, I just don't have the time. It takes too long to finish!

.........which is why I recommend the following:

2. Don't finish. Just start.

Now, this is the toughie. I can't exactly say that it would work for everyone. But I have learned that I am WAY more likely to return to a project and work on it again sometime in the future if I actually DO something for it the first time I get inspired.

I have SO MANY things that I have not published in my folders. I have sketches of gifs that are 10 frames long. I have concept art sketches boldly labeled with project names that will likely never get off the ground. I have Googledoc files with summary and plot outlines for stories I'll probably never write. I have discord channels with random ass concepts and a few sketches for characters.

And what I have found is that if I just WORK on these ideas when I feel like it, they are more likely to survive, even if they don't thrive right away.

I'm also a huge proponent of Procrastination Rotation.

That is to say, I have so many projects I COULD be working on, that if I ever feel frustrated or stuck on one thing, I just shift myself slightly to the left and do another thing instead. I almost never force myself to work through a block (save for a few money-motivated deadlines) just to complete a thing.

Stuck on a comic? I'll go write a few lines of fic. Unsatisfied with where the fic is going?

I'll go sketch out an illustration. Incapable of finishing an illustration?

I'll go google some references for another comic project and slap them all into an image file for later, so that I have SOMETHING in place for when I want to do studies.

And so on and so forth.

I have comic ideas, and comic sketches, and 30+ pages of original comics sketched. I don't know if they'll make it. It would take a lot of work.

But it also takes very little work - just a few extra pages sketched while I'm bored for an hour. Or a bit of lineart while I listen to a podcast. Or just a doodle somewhere which I snap a pic of and add to my discord channel for that project.

Will it work for everyone? Probably not. But I think that our creative culture is sometimes too attached to a linear production style. The truth is that art, or illustrations, or animation, or comics - none of it has to be on an assembly line. It can be tinkered with and put aside. And then, maybe, picked apart for scraps.........or maybe made into something new!

I don't know if that helps you at all, but I hope it at least helps someone.

And good luck with your animating!