#i have so many old sketches i never finished

[nerdanel01]

No. 8 - Substitutionary Satisfaction (NSFW/18+)

…Over the years she had only caught the tiniest peeks at Emmrich’s private rooms through his doorway, but the luxurious burgundy color of his bedsheets had pressed itself irrevocably into her memory. And it would smell so keenly of Emmrich, there, just as it had in the tent—like bergamot and pepper and dusty old tomes. Her imagination transfigured the chiming of Rolf’s belt into the clink of Emmrich’s bangles, the bracelets that adorned his arms, the many jeweled rings on his long fingers. 

When he entered her, Agnes was not thinking of Rolf at all.

She was thinking of all the things that she wanted but could never have. Of Emmrich’s hands on her body. The same elegant, well-manicured fingertips that would point out the most fascinating passages to her in whatever book or scroll he was reading; the same tanned, long-fingered hands that caressed her drawings with such reverent wonder (to be looked at once by him the way he looks at her sketches!); the same hands that now dug deeply into the meat of her hips, drawing Agnes’ body back towards his as he sheathed himself totally inside of her.

Agnes’ hand flew to her mouth, muffling the sob of pleasure and sheer relief that flooded through her, the warmth spiraling out from her stomach and flushing out into her limbs. The euphoria of fullness, the wanting in absence, and then the exhilarating rush of fullness again as Emmrich drew her back against him. The wet sound of their copulating, soft living flesh smacking against flesh and skin and meat each time Emmrich’s hips met the curve of her ass. The light rake of his nails down her bare back, his little huffs of breath as he thrust behind her. Giddying, mind-numbing joy as his fingers carefully unpinned the crown of hair around her head, sending black waves tumbling down her shoulders and around her face, running his fingers through it appreciatively.

In no time Agnes was writhing beneath him, arching her back to meet each of Emmrich’s thrusts, leaning into them to drive his cock deeper inside of her. So rapturous so gratifying so good one almost forgot to breathe, but then when one did—! Rockets of pleasure shooting through her body, coiling tight, driving her relentlessly towards her finish. 

Imagining the look on Emmrich’s face. His beautiful eyes, his mouth open and slack with pleasure. The drag of her name in his throat, what it might sound like spoken hoarsely around his satisfaction: “Agnes.”

Climax took her, white lightning of pleasure reducing her body to a trembling, sparkling, magnificent mess—all the tension she had carried in the Necropolis utterly unspooling into a warmth that carried her out of herself into a space of pure bliss, stifling her answering cry—“Emmrich!”—against the back of her hand.  [read full fic]

---

I’m really proud of all the writing I did this year! So for the last ten days of 2024 I’m going to be reblogging my 10 favorite pieces that I wrote.

This chapter from for no mere mortal can resist makes the list because 1) its the first Emmrook smut I wrote (if that counts, as Emmrich is not technically in it) and 2) ROLF. He's such a cad in this one, but for a character I made up for Agnes to basically bang and disdain, he's snuck into a bunch of subsequent fics, grown a lot, and now I kind of adore him. Himbo sleeper hit of 2024.

also @erikonil drew an incredible portrait of Emmrich's protective face that still makes me kick my heels and giggle when I think of it ❤️

[sorivii]

Going through old concept comics bc I really want to post but am to busy to actually draw ;p

Anyway I remember at the start of PoH I wanted to explore Shelldon’s relationship with Raph specifically. He could practically be called Shelldons uncle. So I wanted to see more of that familial bond, the grief they both feel for their family but in different ways… ( ; _ ; )/

[arczism]

old sketches vance belongs to @jasakime

[hyperfixation-tangentopia]

Mm because I've been feeling kinda sucky about my art for the last week nice little self-improvement post over the past ehh 5 months or so?

Under a cut because it's literally just some art I've already posted from the last 5 months (literally the first finished drawing of LMK I did far back. It's literally only been 5 months why does it feel like a year. Geeze.) so I can see tasty improvement but uhh yeah

[kadoodles-on-ao3]

Hello Yes I Am Not Dead

Just busy. Very very very busy. So busy I'll have to make this quick (well... quick by my standards at least lol), but I wanted to apologize and just post something to avoid leaving anyone in the dark:

I haven't had any time to write, literally at all :( That plus how big (both in terms of impact and amount of work) the next chapter for How To Be [Overtaken] By A Woman is going to be means that's on hiatus for a while. Hopefully I can work on it (and Constellations are Relative!!!! Every day I feel awful about not having the next chapter ready for that!!!! It's such a fun story with so many cute moments I want to share it aaaaaaaa) before the end of the year, but no promises.

Similarly my release date for my voice line project is in limbo. I need to retest everything as well as remake the doc itself, so I won't even bother trying to say a release date for it lmao. But I'd like it to be on some anniversary of 1, whichever one lines up best with the project being done. It must be perfect.

Additional XC project I want to do: another fan resource that has all the descriptions and location info for all of the collectibles in one excel doc!

I'd like to get back to cataloging the Shulkelia fanart I have again at some point too!

Lastly an update on my FFXIV crossover: I have most of the info all organized and ready to go since I hammered it out months back, I mainly just need to get nice pics of everyone and then upload everything both here and on Eorzea Collection then it'll be done! For reference, here's why this took me so long to complete: for every single character listed below (spoiler warning for XC in the image btw!!!) I have two separate glam lists for them, based on me searching and re-searching through literally every armor option in the game and testing all the closest ones in various combinations until I was satisfied I couldn't get any more accurate to the character. And also I'm doing a write-up for each one about their job/class being fitting for them.

[alicenpai]

two lonely rabbits, two hearts beating as one 🐇🖤🤍 (animated gif) now on inprnt !

old sketch from march I decided to finish <3 usually when one of my sketches (intending to become a completed drawing) gets put on the backburner, it never surfaces. I usually have to prioritize other drawings and then months or years pass and once I have time, I lose interest and start other drawings in their place... but I'm glad I mustered up the energy to finish this one, ESPECIALLY since I strongly felt I needed more gothic pieces in my gallery hehe

the relationships between characters in this series are so interesting, because there are so many character parallels. I actually had to change the personality of white alice from the sketch to the final, since I .. think I misinterpreted her story! (so I think it turned out less gothic horror than desired but you know what I'll take this <3) I first read this story when I was 14 and I 1000% BET I'll still be finding nuances and new details in the writing years into the future...

I had a lot of fun with the animation albeit just being a blink animation 😩👍 but blinks can be animated in a variety of ways! in terms of my animation skills, I do consider myself on the weaker side. so if i can integrate more animation frames into my illustrations, it'll help me become more familiar and comfortable with the medium. I especially like the difference in how many frames it takes for dark Alice vs white Alice to blink. I think the blinks came out fluidly and I'm quite satisfied with how this drawing came out!

[number44newseries864962]

Need to rant for a minute because even though I have very much been enjoying the fruits of my efforts learning how to sew vintage style clothes, I just swapped out old fatphobia (nice plus size vintage clothes never making it to stores) for new fatphobia (trying to find patterns). Cause it doesn't end at what clothes you're able to buy already made.

I finally bought a Friday Pattern Company pattern the other day, and man it made the bare minimum feel like I was being spoiled. The sizes go up to 7X (that's XL, XXL, 1X, 2X, etc, so there's 9 sizes above L) they had a thin and a fat model on the cover! Usually I'm barely lucky enough to get an XL, and I'm just expected to guess how it's going to look on my body. The majority of their patterns have two differently sized models on the covers, and all of them have that full range of patterns inside.

It is so hard to find good plus size patterns, even if they're available, many companies just scale up their mediums and I can't guarantee they're actually sized correctly for a different shape. As good as Friday is, them and other modern indie pattern companies aren't easy to find.

Okay well what if I went another step deeper, what if I forgo patterns all together and decide to be completely independent and draft things myself?

Then I'll need a plus size dress form. I got lucky and found one at an antique mall for 50$ but these are incredibly rare and more expensive than smaller ones. I'll need to learn how to draft patterns, something that was taught to me on a XS form by my college and nearly every tutorial out there. Drafting close fitting clothes for fat bodies is a completely different skillset, because all that extra fat is much squishier and shifts more. Measuring yourself correctly and getting the shape you're looking for is far more important. Before I even got there I'd need to sketch out what I wanted to make, right? Well the patterning book my family got me only shows you how to draw tall, skinny people. A beginner would have to look up their own drawing references and tutorials because what what supposed to be a super accessible beginner's guide to fashion has decided their body isn't normal enough for the baseline tutorial.

We're expected to be the ones who put in the extra effort. Digging to find the pattern companies that fit our shape and actually prove they can, paying extra in shipping or driving farther to pick them up. Having to search specifically for plus size tutorials for drafting and sketching. It's always treated like it's not part of the beginner's experience to be working with a fat body, that's just going to make people more frustrated and lost and less likely to pursue something they're excited about! Especially if it's in response to already being frustrated about the lack of clothing options.

We need a little positivity to this post so to end on a high note, here's me modeling the blazer I just finished with a shirt I made a couple years ago!

Being able to finally wear clothes I really feel like me in has been an amazing confidence boost. It's not fair that there's so many roadblocks in the way for someone who looks like me who just wants to wear things they enjoy.

[noemilivv]

hi, I hope you’re having a good day, I’d love to leave a request for Hazbin Hotel.

Could I request Alastor, Angel Dust, Lucifer, Vox and Lucifer (feel free not to do them all if they’re too many) and how they would react when their s/o finds them crying and comforts them and gives them a hug? I’d love some reverse comfort for them they’re my favs, also gn reader pls!

hello!! i’m having a good day, i hope you are as well!! this was a very interesting concept to think about, especially for alastor haha, it may be a bit out of character but i tried my best lol

Warnings: Potentially OOC Alastor, S1 Finale Spoilers, Swear Words, Mentions of Valentino, Mentions of Physical Abuse, Mentions of Injury (Scars, Bruises, Blood, Ect), Mentions of Depression, Mentions of Sex (No Smut)

Alastor, Angel Dust, Lucifer, Vox x Reader (Reverse Comfort)

Alastor

Alastor wasn’t one to express much emotion - other than his signature smile, let alone cry, but you caught him - even if it was barely

He felt like he was on the edge of pure insanity and psychotic, and he, the almighty Radio Demon, would’ve never expected something so little to give him his final push

After the fight between Adam and Alastor, he had lost his cane, his cane gave him almost every ounce of power and control his soul had gained since entering Hell, and he was going insane without it

You watched Alastor silently drift away from the crowded hotel lobby after Lucifer made some petty comment about losing his staff.

Despite that small part of you trying to convince you against it, you followed him.

You trickled behind him slowly to his room, all the way on the other side of the hotel.

He left his door open a crack, and you opened it slightly and stood in the doorway, and there he was.

Alastor’s usually neat and tidy hotel room was now a disaster with blueprints on the floor, you took a glance at them, some looking relatively old and some looked quite fresh, they were sketches and plans for a new staff - although you knew Alastor no longer had the magic the make it.

You hid as he came into your view, he was pacing the room, a very strained smile present on his face as tears pricked in his eyes, as he ran his fingers through his hair, tossing around blueprints and plans and other papers that seemed to be plans for a new staff, searching for a solution to his despair.

Slowly, you approached Alastor, patting him on the back softly before retracting your hand, remembering he doesn’t like to be touched.

He shook his head and sighed, the same drained smile was still present on his face, he looked down at you, and you never noticed the bags under his eyes until now… I mean, you knew he wasn’t one to typically sleep, but he never had bags before…

“I’m sorry, my dear.” He said, fixing his posture, and straightening up his suit. “One might say I’m a bit distraught at the moment. What is it you need?”

“Well.. uh, Al, you looked a bit sad recently, especially after what Lucifer said about your cane, and I just wanted to make sure you were okay.” You said, providing a bashful smile, at the fact that you’d be caught snooping.

“Ah, well, how awfully kind of you, my little doe. Just know, that I’m doing quite alright-” Before Alastor could finish his sentence you engulfed him in a hug, he paused for a moment, before slowly wrapping his arms around the small of your back.

His face was in the crook of your neck, as he sighed, you couldn’t see his face, but you could feel him give a soft smile onto your neck, not a grin, but a smile.

Angel Dust

You knew Angel’s job at the studio was far from easy, and shifts could last several hours at a time, but now? You were starting to worry…

He hadn’t been home in nearly two days. And it was starting to freak you out.

You sat in Angel’s bed in the hotel, snuggled next to Fat Nuggets, he let out a small snort as you cradled him in your arms. “I miss him too, baby.” You muttered, kissing his forehead, tearing up at the thought of all possibilities of what could’ve happened to him.

“Papa will be back home soon.” You nearly whispered, your voice cracking softly, you just wanted to see your boyfriend. The movie that was on in the background began to fade away as you fell to sleep.

You woke up again at about 1am from a slam of the bathroom door that was connected to Angel’s room. You blinked your eyes a few times, groggily, not entirely aware of what was going on until you heard sobbing coming from the bathroom.

You rushed the warm, pink comforter off of you, leaving Fat Nuggets on the bed asleep, urgently swinging open the bathroom door, finding Angel wailing, clinging onto the sink, halfway on the floor.

His shirt was off, and a few bruises and scars were visible. He let go of the sink, and slid down the floor, cradling his body.

“Handsome, shit..” You murmured, kneeling down to his level, you put a comforting hand on his knee. “Baby, look at me.”

You requested softly, now using your hand to comb through Angel’s hair, when you didn’t get a response, you used your free hand to tilt his face up to you, and the sight broke you.

His eyes stared into yours, afraid and hurt, there was smeared eyeliner under his eyes that traveled a bit down his face, there was blood coming from his mouth.

You felt tears prick in your eyes, you hated seeing him like this, “My love, can I hold you?”

Angel nodded as his body fell into your arms, you rocked him slowly, shushing his sobs, turning them into a small sniffles.

You pulled away from him to look at him, you wiped the smudged makeup off his face with your thumb, and looked at him. “Wanna talk about it, Angie?”

“You already know the deal by now, it’s just Val..” He said, wiping his eyes, hiccuping before continuing, “I had a rough week, and I wasn’t off-script, and he just said to improv it, and I just fucked it up.. and he, well..” He gestured to the bruises and scars on his body, referencing what happened, giving a dry chuckle, you tensed above him.

“Baby.” You started, cupping his cheeks, pulling him to look at you, “I don’t know how yet, but I will fucking get you out of this, I don’t care who or what I have to go through, but I will fucking get you out of this. No one gets to hurt you and expect to get away with it.” You vowed, as your foreheads connected,

“Sugar, there’s no way out.” Angel murmured. “He’ll find me..” He said barely above a whisper, his voice cracking in fear, your heart ached for him.

“I’ll figure it out, handsome.” You said, pecking his forehead, “Let’s get you cleaned up, okay?”

Lucifer

You’ve known since before you even started dating that Lucifer had depression, and you knew it hit hard, but you had never really been around to experience that before.

Whenever you could, you always tried to help him out with it, which was a bit hard since he had a tendency to brush it off a lot

It wasn’t until you came home to Luci having a depressive episode where you really got a grip on his depression

You came back to you and Lucifer’s shared home, you had just gotten out of work, and Lucifer was supposed to be at a meeting, key word, supposed to.

As you walked down the hall you heard sniffles coming from your shared bedroom.

You opened the door, it let out a small creak, and you noticed Lucifer curled up on the end of the bed.

There were tissues scattered on the floor on his side of the bed and on his night stand, his clothes that he would’ve worn to his meeting were in a messy pile on the floor, he was in boxers and no shirt, his hair messy, as he sniffled into the pillows, curled up in a thin but fuzzy duck blanket.

“Sweetie, what happened?” You asked sweetly, sitting down next to him at the edge of the bed, rubbing his scalp.

“I-I was gonna go to my m-meeting today, but when I went to get out of bed everything it just felt like I couldn’t do it.. and I started spiraling and I called Charlie and told her to go instead..” Luci explained through sniffles, clutching the blanket closer to his chest.

“Aww, darling.” You cooed lovingly, caressing his cheek, “How about this; I go run a nice, hot bath for the two of us, and then we can cuddle and take a nap, and then try to clean everything up. You can even bring in a few ducks if you want.” Lucifer perked up at your offer, nodding eagerly.

“Okay.” You smiled, chuckling softly, “Just keep your pretty little self here while I go run the water.” You said, getting up to leave, but you turned around as you got to the doorway. “Bubbles or no bubbles?” You asked with a knowing smile.

“…Bubbles, please.”

Velvette had sent you off to go check on Vox, normally he comes out of his security room to check on either her or Valentino, or you, and surprisingly he hadn’t today

You worked for the Vee’s but you were also friends, you were important enough to be basically considered an honorary Vee member, but you were unimportant enough to be cut from big social events and have a fair amount of work dumped on you last minute — And you were an assistant (as well as partner) to Vox

You knocked on the door to Vox’s office room, when no response came from the other side you slowly opened the door, and you saw a very stressed Vox.

His screen was in his hands, letting out small sniffles, but he would glitch here and there as the watery tears shocked his chords.

“Baby, you good?” You asked, standing behind him.

He whipped around, scrambling to wipe away any remaining tears, “Oh- Uh- Yeah- I’m fine.” He muttered, turning back around.

“Were you crying?” You asked, hesitantly, you’d never seen him cry before, other than sex, you both had only been together a few months.

“What? No! I don’t do that shit.” He scoffed, it was clear he was getting defensive, he didn’t like to be caught like this, but he’d rather it be you than someone else.

“Vox…” You pushed, maybe you shouldn’t have, but you did anyway. “Fine. Rough day, okay? Work is stressful as fuck.”

You wrapped your arms around his neck from behind, “Do you wanna lay down? Maybe take a nap? And you come back in an hour or two?” You suggested softly, Vox could be stubborn as hell at times, and you weren’t trying to push your luck.

Vox hesitates momentarily, before muttering a small, “I guess…”

[flippinpancakes64]

Hello, I absolutely love your work. iv re read your stuff so many times that it's getting concerning.

Can I request the cullens x artist reader who made a painting of them I just think that would be cute

The Cullens with an Artist! Reader

Thank you?!?! I suggest seeking mental help for rereading my bad stories tho

Thank you for requesting and I hope you enjoy!

Edward:

We all know that he is an artist too

He made Bella a whole song on the piano

As someone who can play the piano, that’s not easy

So he definitely loves that you’re also artistic

For you, he’s a muse

I mean, how could he not be

Literally the definition of perfect

So obvs you sketch him a lot

When he finds an almost finished painting one day of him, he is floored

He can never seem to wrap his mind around the fact that you are just as obsessed with him as he is with you

He hangs it up

Even if it’s not finished

If you insist on finishing it, he will begrudgingly take it down and give it back

But as soon as it’s done it’s all his

Alice:

She’s also an artist

But more with fashion

And design

She’s not so well-versed with the classical arts like painting or sketching

So she always loves seeing your paintings

She’s a coexistence girly

She loves to just be doing something while you’re painting

You know just sort of existing in the same space at the same time

The day you give her the painting, she is so surprised

It was so difficult for you to hide this from her

Especially with her gift

She absolutely loves it

She hangs it in the main room of the Cullen house

She wants absolutely everyone to see it and acknowledge how talented her s/o is

Jasper:

He loves the arts

They’re relaxing to him

Some of his favorite classes he’s ever taken in all of the schools they’ve been at have been art classes

He’s not good by any means, but he loves it anyway

Art dates with him are a must

He would love that tiktok trend where you and your partner trade paintings every couple of minutes

Never misses an opportunity to tell you that he loves your work

He honestly almost started crying when you showed him your painting of him

You made him look so happy, so peaceful

He’s used to being perceived as a monster

Definitely hangs it up

But only in his room

He wants to be the only one to see it

Rosalie:

She’s more of a technical, sciencey person

Not to say she doesn’t like art

Just that she doesn’t necessarily enjoy making it

She can definitely appreciate good work tho

And she loves everything you make

She buys you new supplies all of the time

If just one pen ran out of ink in your favorite set, she would buy you a whole new set

When you give her that first painting though, she’s obsessed

She wants at least 20 more by tomorrow

But actually, she knows that she’s beautiful

But something about the way you capture her is just so different she loves it

Emmett:

He’s not an art person either

He’s a bit of a meathead

But he can appreciate art

Probably not as deeply as other people can

But he know when it looks good

And he genuinely thinks you’re the best artist ever

He will gladly put all of your little doodles in the clear pockets of his binders

And hang them on his locker

When you give him the painting of him he’s actually dumbfounded

Like awestruck

What do you mean the best artist in the world just made a painting of him?

Get ready to be cuddled for the rest of the night

Esme:

Resident artist

We already knew that tho

I’m pretty sure it’s said that she’s the one who made the grad cap piece?

Idk

Either way she loves art

Pottery dates, painting picnics, date nights at the art museum

She loves it

So if you were to ever paint her and give it to her?

Yeah she’s gonna start crying

She just loves art, she loves you, and you put them together and she’s so in love

She hangs it in the main room

It doesn’t matter if the colors clash

And it’s never coming down

Carlisle:

Another appreciater of the arts

I mean, he probably knew Da Vinci on a personal level this guy is so old

So it’s no shock

Whenever he’s home and hanging out with you, he loves to watch you paint or draw

Especially if he’s doing some paperwork

I just feel like he would like the company while he’s working

Now I don’t see Carlisle as the type of guy to necessarily enjoy pictures or paintings of himself

The only portraits he has in his office are either him in a crowd or family photos

So when you give him a portrait of himself, he’s a little shocked at first

He doesn’t want to seem narcissistic, but damn you made him look good

He hangs it up in your shared bedroom

Even though he knows he will likely never have guests who would see it, he wants to make sure it’s hidden

He just doesn’t want people to think he’s vain

But he secretly loves it so much

Vampire! Bella:

I think I’ve talked about it before but this girl would have loved deviantart

Rip Bella you would have loved fan art of your favorite characters

But she totally had an artsy phase

I don’t think she’s necessarily good or bad

She just prefers to look at art rather than make it

So that’s where you come in

She loves just watching you work

Every once in a while she paints with you

But she always feels inferior when she looks at what you made vs what she made

So she usually just sticks to admiring

The first time you give her a portrait of herself, she doesn’t even know what to do

She’s still getting used to actually perceiving herself as beautiful

And then you capture her like she’s a goddess?

She needs to lie down

She loves it tho

[colleendoran]

How Do I Do Stuff

The question was phrased a little strangely, and I don't want to embarrass the person by posting exactly what was said, but I'll answer it and hope this clears everything up.

I do almost all of my drawing by hand. No, I don't trace in Photoshop. Not a judgment on those who do, but I come from a generation of artists who did not use Poser programs or other digital tools. We learned to draw using a technique called the Sight Size method. I know a lot of people assume everyone - including the old masters - traced everything using optical tools, but while it is true some people did, it is just as true that most didn't, and you can draw with great accuracy if you learned how to draw the old fashioned way.

Sight Size breaks everything down into its barest components of geometric shapes and you build from there. Once you learn it, you never forget, and it applies to everything you will ever draw.

I learned it using a set of Famous Artist Course books my mom had since she was a kid, and they are still the gold standard. They're often on ebay. If I were you, I'd buy them.

I actually find using figure reference really annoying because I like exaggerations and modifications from reality in my final work.

This page from Neil Gaiman's Chivalry was drawn and painted without figure reference of any kind.

I don't know why people assume I trace all the time. If you were to try to use photographs to replicate these figures, you would find they are slightly off. There is no tracing here.

This is not to say I never use reference. This page, for example, was referenced from a photo of my mother. Isn't she pretty.

But this page of Sir Galaad was drawn and painted without reference.

He's pretty, too.

If he were real, I'm sure a lot of people would be very happy about it. But he's not. And had I reference, the art would have gone a lot faster. I had a time trying to nail this face that is very alive in my head but doesn't really exist.

Back in the ancient days, all cartoonists had to learn to draw and paint extemporaneously because reference was limited and digital tools didn't exist. While some high end artists had photography studios and professional models with costume and sets on hand, small fry like me were limited to what was in the house or available at my small local library, which was no bigger than a few rooms of my current house.

Artists kept extensive "morgue files" or "swipe files" which were collected from magazine clippings and photographs so we would have as much of what we might need on hand for quick reference. These ephemera collections could get unwieldy. I have thousands of photographs I've simply never sorted. I finally dumped most of my files this past year.

Have I ever traced anything? Of course, especially if I have to re-use a shot or setting over and over. Making extra work for myself is just silly. It's my job to make pictures, not to perform magical feats, like copying one shot after another over and over without making a mistake.

However, for almost 15 years of my career, I refused to copy or trace anything, and did not even own a lightbox. On the one hand, that forced me to learn to carefully examine what I saw. On the other hand, it was a stupid hill on which many deadlines died.

Only after I realized many professional artists had lightboxes and overhead projectors did I finally break down and get one.

The one thing I use my lightbox for more than anything is for tracing my thumbnail sketches to the final drawing paper. Instead of trying to capture the liveliness of the original sketch by copying what I see - only bigger - I blow the thumbnail up to the size I want the final art to be, then I trace over the thumbnail using a lightbox onto the final drawing paper.

Here's a look at thumbnails from the graphic novel Neil Gaiman's Snow, Glass, Apples.

I enlarged these on my computer to fit onto 11"x14" paper, and traced the thumbs before finishing the art which was drawn in pen and ink and colored in Photoshop.

While I obviously made some changes, the essence of the thumbs is there in the final work. Tracing my thumbs retains some of the looseness of the original sketches, which is often lost otherwise.

So, there is a valid purpose to tracing at times, though in my opinion, too much tracing can weaken drawing ability, substitute for developing skills, and make the work kind of stiff.

If you want to, I'm not your judge. But it's weird to me that people think I must be faking my skills in some way.

Ironically, the word cartoon comes from the Italian word cartone, which is a large heavy sheet of paper - also, the origin of the word carton.

Preparatory sketches were made on this paper which was then transferred to the final work surface via either tracing or by stamping little holes in the paper through which dust was sprinkled, recreating the contours of the drawing for the artist to follow.

So the origin of the word cartoon comes from a process often used...for tracing.

[potionbarrel]

after having the first ideas for this animatic about 3 and a half years ago, i can happily say the sketch stage for community gardens is finished in its entirety! rambling under the cut

although i'd put this project down to work on other things for stretches of time— days, weeks, months— i always at least wanted to get the sketches and pacing laid out for the full animatic, and now it's just... here!! it's really wild to think about. it is very choppy and messy in places, with it being the first animatic i've ever attempted, but i'm so proud of it. the idea had been confined to paper and my own head, and now it's just here and i can watch it more or less like how i imagined it. holy shit.

i don't think this'd make the top 10 when it comes to hlvrai animatics, because there's so many out there that are gorgeous and have so much love put into them, but i never wanted mine to be the best possible version of itself. just having it exist is a point of pride! even things could've wound up better, i like the animatic i got, 3 year old art and all! i think drawing these flowers is muscle memory by this point, and i'm now intimately familiar with every start and stop of this scary jokes song, LMAO.

but! thank you for reading, thank you for watching, and i hope you like it! thanks for the interest this undertaking's been shown over the years. means a lot <:-)

[thechekhov]

Hello! I'm a big fan of your work. I wanted to ask for advice / thoughts about an art problem I've been struggling with that you seem to have at least some sort of solution for?

So basically I'm an animator and digital artist (hobbyist), and I'm constantly coming up with new ideas for things to make. Only problem is that most of these ideas would take up to or longer than 2 months to make because, yknow, animation isn't quick, especially if you want to take your time to make it good. But with so many ideas that all take so long to complete, I often find myself tied and frozen as I can't decide what's most worthwhile to start first. I passionately want to complete all these projects, but my inspiration for each one waxes and wanes in a way I can't control, and I've just been stuck for several months. You juggle a lot of projects- not all of them art, but it still seems applicable here. This is excluding other life responsibilities like work and stuff, I don't have problems with getting that stuff done. This is purely within my creative hobby.

If u can't say anything thats fine I'm just curious- You have a massive output with great quality. Thank you!

This is a very kind message, and one that humbles me a lot, because although I'd love to bestow upon you some sort of advice that might help, or give words of wisdom..............I feel like that would be fake of me because

I also suffer from this very same thing

That is to say, this part of your message:

my inspiration for each one waxes and wanes in a way I can't control

It rings true for me too! I think it might ring true for many others as well.

There are stories in my head all the time. There are stories, and concepts, and IDEAS and they are all so shiny and new in the beginning, and then they slowly peter out and, since I frequently don't have time to do anything about them, they fade into the background.

I have enough trouble with this in terms of COMICS (also a lengthy medium, though less so than animation, which, OOF, you have my condolences, you are stronger than I) that I have started to just come to terms with the fact that some things are not meant to be.

Which is, I think, one of the small bits of advice I can give.

1. Some things may just be ideas, and that's okay.

I think one of the best ways that I've learned to deal with Idea-Death is making it count towards something in the future. That is to say, using them as compost.

In order for this to work, you have to actively put your ideas into the compost pin instead of the trash. That means maybe investing in either a notebook, or a sketchbook, OR just a discord server for yourself where you organize ideas and dump them all into a channel to scroll back through later.

It may seem useless at first, but honestly, it can be satisfying to PUT them somewhere instead of letting them fade away.

Plus, you may one day scroll through them and rediscover an idea at just the right time. OR you may be inspired to take parts of an old idea and repurpose it for a new idea that you DO have motivation for.

However, there's also this part, right?

I've just been stuck for several months

I.......feel this. Sometimes I, too, feel stuck for several months. There are times when even if I WANT to work on something, I just don't have the time. It takes too long to finish!

.........which is why I recommend the following:

2. Don't finish. Just start.

Now, this is the toughie. I can't exactly say that it would work for everyone. But I have learned that I am WAY more likely to return to a project and work on it again sometime in the future if I actually DO something for it the first time I get inspired.

I have SO MANY things that I have not published in my folders. I have sketches of gifs that are 10 frames long. I have concept art sketches boldly labeled with project names that will likely never get off the ground. I have Googledoc files with summary and plot outlines for stories I'll probably never write. I have discord channels with random ass concepts and a few sketches for characters.

And what I have found is that if I just WORK on these ideas when I feel like it, they are more likely to survive, even if they don't thrive right away.

I'm also a huge proponent of Procrastination Rotation.

That is to say, I have so many projects I COULD be working on, that if I ever feel frustrated or stuck on one thing, I just shift myself slightly to the left and do another thing instead. I almost never force myself to work through a block (save for a few money-motivated deadlines) just to complete a thing.

Stuck on a comic? I'll go write a few lines of fic. Unsatisfied with where the fic is going?

I'll go sketch out an illustration. Incapable of finishing an illustration?

I'll go google some references for another comic project and slap them all into an image file for later, so that I have SOMETHING in place for when I want to do studies.

And so on and so forth.

I have comic ideas, and comic sketches, and 30+ pages of original comics sketched. I don't know if they'll make it. It would take a lot of work.

But it also takes very little work - just a few extra pages sketched while I'm bored for an hour. Or a bit of lineart while I listen to a podcast. Or just a doodle somewhere which I snap a pic of and add to my discord channel for that project.

Will it work for everyone? Probably not. But I think that our creative culture is sometimes too attached to a linear production style. The truth is that art, or illustrations, or animation, or comics - none of it has to be on an assembly line. It can be tinkered with and put aside. And then, maybe, picked apart for scraps.........or maybe made into something new!

I don't know if that helps you at all, but I hope it at least helps someone.

And good luck with your animating!

[scimagic]

Never for Me to Create (AM/Artist! Reader)

꒷꒦︶꒷꒦︶ ๋ ࣭ ⭑꒷꒦

AM's always admired the ability to draw, just as much as he hates not being able to streak a brush against a canvas, never to form a thought to draw with a pencil. But the reader, his benevolent partner, is an artist willing to help him at least move a pencil with one of his cables. So he gets inside their head and gives them materials to draw. They begin with a simple sketch of his screen, with the bright blue logo of 'Allied Mastercomputer' printed on it.

Sorry for leaving all my AM fans waiting, I have so many projects and I haven't finished any of them, but hopefully soon!! For the mean time have this old lil drabble!

He laughs in delight, raspy and wheezing from the speaker behind me. Admiring the picture from inside my head. He breathes in a whisper.

Thank you, baby… Thank you…

I lean back against the wall, tapping the head of the pencil against the paper, trying to come up with more ideas for me and AM to draw.

Maybe background practice? Draw the extensive cables in my gilded cage. Or come up with something from memory, the appeal is to create after all.

Or…

How about you, my dear?

"Me?"

Yes… I notice the papers are filled with my image. And while I'm incredibly flattered to be your handsome muse, it would bring me much joy to know how you see yourself.

"Mm…" With new ideas coming up, I put the lead of the pencil back on the paper, beginning with the guiding lines next to the AM drawing. The cables are a bit uncomfortable to work with, but I make it work. They don't restrict me from movement, at least; they remind me of those tools with an extensive amount of tape where they get handled. Or those pens with the silicone cushion for support.

I know how I see you. If I was able to, I would show you in millions of paintings, enough to fill a museum and even more, but alas…

I continue to draw the base, trying to tap into the realistic side of my style.

And I know how you see yourself, I can see it right now, the image forming inside your head.

Almost half-lidded eyes, details of eyebags beneath them. No matter how many times we do this, the shyness of working with prying eyes gets me every time.

He chuckles, sensing the feeling rise.

Don't be coy now, my darling. We're way past that point in our relationship.

The bastard purrs, knowing the effect it takes on me and relishing on the fact.

Eyebrows… The bridge of a nose… Cheeks, round despite it all.

That's cute, AM giggles.

You know I admire your imagination? Your perception--

"You hate me for it." I mutter, already knowing the charades of his speech.

He scoffs, finding the interruption annoying.

Why yes. Yes I do, my dearest. I do hate you for it.

I pause, side eyeing the cables over on my left. Gazing back at the paper, I draw the pupils inside my eyes to glance at the sketch of AM's screen.

The machine rumbles as if it was a deep, thoughtful hum.

But how I also adore our little recreational activities. Don't you find it productive? Please, do tell.

I lean back against the wall again, giving it a second of thought.

"I do. I like drawing with you."

As do I, my love. As do I…

[rainintheevening]

Peter writes home from the battlefield every chance he can.

Lucy's letters are full of barely rhyming, rambling poetry, talk of stars and trees and any plants or animals he's seen. He puts in all the words that will never describe any of this, but still there is a great sky above him, and a big heart in his chest, and he hopes she will understand. She could if anyone can.

To Edmund he sends the muddy, bloody, wobbly-writing letters, the ones with rambling memories of Narnian battles and strategy, though he takes care to phrase it as 'playing in the woods', not wanting the censors to get leery. There are also many theological musings, and usually the continuation of whatever Bible verse Ed has sent in his letter. I wish you were here, and yet I am glad you are not, is a sentiment oft repeated.

Susan and Mother usually get the same letter, little stories of kindness shown or soft things appreciated. He asks them for more socks for Jackie, an extra bar of chocolate for Hamish, tells them how he's gotten his whole unit to memorize the Jabberwocky poem, and they make each other smile with it.

Dad is usually named with Susan and Mother, but sometimes he gets an extra scribble, usually a single scripture reference, or the name of a local boy now dead, and a few things Peter asks him to go tell the family.

Eustace gets the occasional missive folded in with the rest, usually sketches of aeroplanes, with which Eustace is fascinated, though they aren't very good sketches. If there's a sketch for Eustace, there is usually also a sketch for Jill, something Narnian, a sword or a forest or a castle.

Professor Kirke only gets occasional letters, usually short and to the point, but written in particularly formal language, as of a king writing to a dear advisor.

They all write to Peter.

Professor Kirke sends exerpts of whatever philosophy or theology or history books he just happens to be reading at the time he remembers to write. Sometimes it seems very random to Peter, but he loves it.

Eustace's letters are infrequent, but burst with colourful descriptions of his school life that make Peter laugh.

Dad usually just scribbles scripture references at the bottom of Mother's letters. Susan signs those too. Mother's letters are full of ordinary home life, rich with the warmth of hearthlight and fresh baking and good books and comfortable chairs and a much loved old quilt. She says what everyone is doing much more clearly, tells how the garden is coming in.

Mother and Susan are also very good at writing to the boys who don't have anyone to write to them. (Peter has a picture of his family, and everyone in Peter's unit thinks Susan is the prettiest girl in Europe, that she should be a queen, but they all watch what they say around Peter, they know how he feels about his sister's honour. But it really does bring up morale.)

Edmund doesn't usually say a lot, but he's regular, always engaging with whatever musings Peter put in his previous letter, making some of his own references to Narnia, usually to things Oreius taught them, and always concluding with a Bible verse. Half the time Ed absently addresses the missive To High King Peter, my brother... He never actually says I'll find you when I join up, I promise, it's just sort of there, between the lines.

Lucy's letters are like blue sky and fresh air and a fierce hug. Sometimes Peter can almost smell Narnia on the paper. They're not long, but she says I love you all the time, and talks of the weather and the flowers, and the girls at school who are struggling, and how she's trying to help them, and there's always a bit of poetry or a hymn that she's written, but it's actually good, compared to Peter's stuff. Courage, dearest brother, she always says. Remember the Lion, she always finishes.

Peter gets so many letters he has to start sending them back to his family for safe keeping.

[stringlessau]

IT'S STRINGLESS' 1 YEAR ANNIVERSARY (+ early concept art compilation)

Posting this dumbass little video to start off the day since we have a lot of little gifts for our awesome community today.

One of those things is something i've been wanting to do for a very long while: posting a lot of the original concept art for stringless (since ive always enjoyed seeing other people's early concepts) some of these i have posted massively before, some are completely unseen, so it'll be fun

This one is the page that started it all, his design is at the same time largely unchanged and also completely different

All i have to say is that it originally said (regarding spamton and swatch) "they bicker like an old married couple" but then i thought about it and i changed it so theyre literally just married

Didnt mean to make swatchton, made it anyway lmfao

Right after that, i got working on neo designs, I wanted to make him really scary looking, the original concept was to make him look skeletal and generally for him to look insane and like he had been reanimated from the dead, but a lot of people had told me over time that they didn't really like the design, I was very defensive over it but I ended up taking criticism and i actually really like the new neo, it balances the uncanniness of the original design with the sleekness of my new art

Payton was a natural next step, without someone to sell the thorn ring there'd be no neo, so although his design visually stayed almost the same, he went through a lot of color revisions (thanks mostly to @maskedalterego, who helped me to nail his final color palette), he suggested the gloves, and helped me to balance the saturation of the design since really I've never had a good eye for color.

His final design, color wise, was just me experimenting using the colors of my sona at the time on him, which I was hesitant to do but was so happy with the palette that I kept it.

It's interesting that he was originally intended to be the pink addison (since he sells one of the snowgrave required rings), and the reason he ended up being the blue addison was corey beepington (and the eviction notice short which I have taken one too many concepts from), this still influenced me to make his outfit pink initially, which still is a huge part of his character design

That exact same night, I created concept art for Raster (weirdly, I was sure I created them before Payton, but it might be because I was generally uninterested in Payton earlier on), their design is also largely unchanged, I just got better with shapes and color, I also ended up changing their cheek markings after seeing some swatchton fanchild art by ne0nbandit

A first until now, the first concepts for payton neo were made on paper

I took very long on this design, and I only updated it every few weeks to make tweaks because I felt the concept was too good but my execution didnt make it justice

I'm very proud of how the design looks now, as of the latest neo redesigns, I feel I could finally make this idea justice

Swatch's design went through some last minute changes, I wanted to use this color palette for swatch to contrast with spamton, but decided against it, then i changed their hair to be longer, to make their Stringless design distinct from their regular Deltarune design

Historically, these two are pretty important, the first pieces of art I ever made featuring Rakhin's old design, when he wasn't part of stringless and I was just befriending rope (he made me Payton fanart first, fell in love with his style), the contrast is beautiful

Now to finish this post, here's some unseen Snowgrave route art I made over the time Stringless has been in development, they're all pretty quick sketches, but i love them nonetheless

Thanks everyone for the insane reception this AU has gotten, I haven't been feeling very good this whole year for a huge amount of reasons I can't get into, but Stringless and its community always helps me to remember why I do the things I do

Thanks for everyone's comments and everyone's kindness, thanks especially to @theropeaaa , for being the literal other half of this AU, without whom I couldn't have ever done the Stringless pages, @maskedalterego for helping me and listening to my ramblings since the start, @scamp-boxx for being this AU's biggest hype man (the first ever comment on the first spamton concept art was by them, and they helped me nail so much of the snowgrave route), @boykisserwoah and @weirdohno , for also being here from the start and making an absolutely insane amount of fanart oh my god, @gutamajunk , for motivating me to create Raster, and writing several story outlines on the first days of stringless that were the foundation for the pages, and diaryous milch and rory, our friends that have helped with character designs, story ideas, voice acting and have generally been instrumental to what stringless is today

THANKS EVERYONE <3

-Nick

[holopossums]

I dmand EVERY picture of CJ you had drew!! Pretty please

Considering I'm super disorganized about my art and don't post everything I draw (sometimes it stays just in my server or among friends, or I just don't show anyone because it's unfinished/I'm unsatisfied), I'll have to find a lot of stuff that I've forgotten about.

Actually, I can just show some stuff that I *haven't* posted! (Everything else I ever have should be here.) Some of this stuff is Krow before I added the white hair because I didn't have that idea until around April.

^ Appropriately titled "Krow Smug Bitch". Everyone has fun with the cowboy AUs so why can't I?

^ He got nervous about seeing Usagi/Yukito I suppose

^ This one is interesting. Originally it was supposed to be just Krow as a magical boy, but then it turned into a bit of a mythology AU. He's the son of Yatagarasu the Three-Legged Crow from Shinto myth. Wasn't quite sure about everything... this was probably the result of watching too much Kamichama Karin as a kid lol

^ For fans of Transformers - TFP Optimus Prime with good ol' canon CJ! I feel like they would get along. Something about that red-and-blue leader drew him in I guess.

^ This was actually my first pass at an older version design of Krow. This was a complete piece too, but I was unsatisfied within a week or two. You can still see that I kept some things, notably the piercings, beard, and the idea of tattoos, as well as the Leo-inspired shoulder pads. The tattoo designs changed and so did the armor color, but it was an interesting first try at the older design.

^ A second attempt and older Krow, I was getting closer. (Still love the fashion on this though.)

^ The point I realized that I can't draw this man thin and have to start drawing him beefier and more filled out more consistently because it would be a crime against god or something. Was still finalizing his tattoos at this point and playing around with the idea of white hair. Considered the idea of the Hamato crest tattoo near his heart before nixing it because it's too cheesy and the Hamato tattoo is something a lot of people do for older/future character designs.

^ Ninpo weapon design for Older Krow! Yes he has a cyan scythe (really more of a kusarigama since it has a chain and weight at the end). Yes it's cool as fuck. No you can't touch it.

He's basically a reaper and it plays into his whole aesthetic as a crow, which symbolizes an omen of death. Crows are also often seen with scythe and scarecrow imagery because they're related to harvests.

I don't know why I never posted this, it *looks* finished... I think there was something off about the anatomy and I intended to fix it and then forgot and ugh. But anyway! There you go.

^ A height chart for younger Krow and Yukito that I never quite finished. But it's interesting to see them to the actual scale that I imagine them to be - Krow is 5'6", and Yukito's height is reversed since he's 6'5". Since both are around 19 when they meet, they're at their full adult heights here. Long live your short king!

^ Older Krow with lightning gloves. Which doesn't make sense actually because his gloves are electrical insulators to keep himself from getting zapped from one of his attacks. But who cares about that! It's cool!

^ Scythe sketch. Just trying to get a feel for the vibe of how he wields one. His cape/cloak plus the scythe probably gives opportunity for some really cool directional flow to occur.

^ Something I doodled just the other day. Old Krow but more cartoony and goofy. Love this silly guy!

I'm sure there's many more that I've missed, probably lots of half-finished sketches and doodles, but this is a lot of what I've found.