#i have so many comfort characters that this was actually a challenge

[jweekgoji]

I keep laughing when I think about the scene where Motorcycle!Reader is so small that they don't have their own charging chamber and have to live in someone else's charging chamber because after all they are so small that they don't take up much space.

TFO!Chars/Motorcycle!Reader [hcs]

tw: none, i guess. word count: ~1600 additional tags: gender neutral reader, cybertronian reader, motorcycle!reader. characters included: B-127, Optimus Prime, Elita-One, Megatron, Sentinel Prime.

That is both a curse and a blessing in my opinion, but well, it depends on whom the tiny reader is stuck with 😋

I mean, >B-127 didn't even have his own place to sleep. All the yellow bot had, was a conveyor belt, which I doubt it was really comfortable, haha. Well then, after just ending Sentinel's regime, the ex-cogless group at least have some places to stay.

When Bee found out you'd be living with him for a while, he was overjoyed! First he made many, many new friends, gained the ability to transform, started working for the government, and now...he has a roommate? A real roommate? The one who can open their mouth when 🐝 talks to them? The day couldn't be any better! (Not that Bee wasn't happy with Steve's company...).

To be fair, Bee himself isn't exactly a bad neighbor either. It all very much depends on what kind of personality you have. If you really get along well with him, despite his extremely emotional state, which sometimes seems to never end, then good luck!

Sharing a chamber with him is going to be an absolute challenge. We remember that he talks in his sleep, don't we? And if Shockwave was so sick of Bumblebee in that short time, imagine how you have to recharge, but now all you can hear, instead of the silence you crave, is constant mumbling into your audio receptors.

Sometimes he's just mumbling about what a cool day he had with Optimus or what an intense training session Elita gave him.

Sometimes you notice how his servos only pull you harder against him. For a moment, you'd probably sigh wearily or try to make some space between you until he starts whispering softly about how happy Bee is to have you in his life. He genuinely, really genuinely loves you. After cycles of being alone, he really misses your company. Will you decide to move him away from you nevertheless?

The next morning, surprisingly, he has no memory of what he told you at all.

> Optimus apologizes to you so much when he finds out that now, unfortunately or thankfully (?), they don't have any time or resources at all to build new quarters. The new Prime has so many new responsibilities that he doesn't even know where to start! He has to clean up and fix Sentinel's mistakes, not to mention his divorce with D-16 Megatron, which has caused him a lot of trouble. But that's okay, our favorite Prime has a solution for that!

And as a good, true leader...yes, yes, you will be the one sharing the room. Lucky, huh? Oh, lucky you.

Optimus is actually one of the best candidates to share a chamber. I find that most of the time, he doesn't have much time to go to his room and fall asleep. You often fall asleep alone, only to wake up later...alone. Was he with you? Did he come in at all? In response to this, you sometimes notice him passed out at his desk. You should definitely tell Elita about this to scold him about such a bad habit.

Actually, he'd be happy to share the charging chamber with you. The thing is, he's extremely shy.

When you fall asleep with him, there's just not enough room! Yeah, you're a pretty small bot, he's just so huge. It takes the two of you a long time to finally find the only comfortable solution.

With you on top of Optimus, you can put your helm on his chassis. The soft shimmer of the Matrix of Leadership doesn't bother you at all; if anything, it calms your nerves. All night long, your leader may never move from his position. He's so afraid he might accidentally hit you if he rolls over or decides to stand up...poor Prime, even Megatron didn't set such dangerous traps for him!

The first few nights, Optimus doesn't sleep much. He's nervous; he thinks up to the late night, but in the end, he can't resist you, and you two can get your well-deserved rest.

I think after Prime, the best candidate for your roommate would be >Elita. I like to think she always sleeps in “mom's pose” (if you know what I mean).

She can lie on her back with her servos on her chassis and not move a muscle all night. Other than that, she's a completely silent sleeper. Sometimes, you can stay up late at night; your shared room is unlit, and you don't want to turn on the lights so as not to disturb her. If she finds out you've been out the whole night instead of recharging, she'll kill you!

You swear you didn't even make the slightest creak, and just then, you see those bright blue optics staring at you in the darkness. Without even seeing her face, you know you're in trouble...She has very sharp hearing, unfortunately for you.

Elita isn't the tallest bot; sure, she's still taller than you, but her frame is pretty slim, unlike the others'. She is not the type to cuddle, even if you are extremely close to her. The most you can expect is her servo around your waist or shoulders.

You can tease her about it, but she'll try to deny everything, saying “just don't want you to fall and hit the floor 🙄” of course we all believe you, Elita!

I can see D-16 being a similar type to Optimus, but Megatron is a different story. I have no idea where our young Decepticon leader went with his guards, but at least they have a few cycles to spend building a base, especially one with all the comforts.

Megatron himself is not a fan of sharing, and when he realizes the problem, he doesn't even ask you if you want him to or not. You will share the chamber with him, period. Should you be worried or happy...?

Megatron, especially if we're talking about a young and inexperienced leader who was only recently forced to leave Iacon, is in need of support. He won't show it in front of anyone, not even you. But you know him enough to know what is troubling him.

He is so isolated, betrayed and saddened, he is afraid to open up to anyone else. And yet, he genuinely wishes someone could just hold him.

Megatron rarely sleeps. 24 hours a day, all he has on his mind is what he should do next. It used to be so easy; the mere thought of it makes him grit his teeth. When there was Sentinel, all that was required was to just follow the protocols. Now, with hundreds of high guard members expecting him to do something, he's lost.

At some point, Starscream or Soundwave will remind him of the importance of rest, and without any enthusiasm, he'll join you.

Now, the two of you are extremely awkward.

Of course, you can't tell much from his looks. Is he asleep? Or still lying there with his optics closed? This awkward silence makes you afraid to move. But the truth is, Megatron himself doesn't know what to do. You're so small compared to him; by some miracle, the two of you can fit, but it's so extremely uncomfortable.

Eventually, he can't stand it and just lifts you up to lay you on top of him. Luckily for him, you have no intention of moving away from him. Perhaps you're afraid; maybe you're okay with this change in positions. Either option is fine with him.

He repeats in his head that this is only temporary...when resources become available, you will get your own separate quarters, and you will be able to sleep separately. And yet, he doesn't want that. Your presence around him, for whatever reason, makes him forget his worries for a while, and he can finally rest.

You may disagree with me, but >Sentinel, no matter how sexy man people try to show him to be, would be just a terrible roommate! If he can even be called a roommate? Sometimes, he forgets that you're resting here too, and even if you remind him of that, he'll pretend to “listen” to you, only to forget after a while.

In fact, he could easily order a separate room for you; he's got plenty of them in his tower, but he's like.... no. He wants you around just because he can. There's no other reason.

I think he's more or less tolerable at first? He likes to keep something small next to him; imagine it like the cybertronian equivalent of plush toys, but only that toy is you. And it seems he may see you as such.

Every night, he can grab you at any time he wants and hold you against him. One time he just held you by his side; another time he decided to put his servo around you; tonight he wanted you on his chassis! The worst part is that his berth is quite spacious. And you can lie on the very far side, only for him to snatch you whenever he wants. Not very funny.

Recharging with him is pretty uncomfortable because those damn wings keep hitting you in the face every night. He's a pretty big bot on his own, and his wings are another big nuisance. Of course, he's not that terrible. Still, his room is very large, and you're probably very cozy, but Sentinel...sigh.

It's funny, but I like to think of him mumbling in his sleep too. Only this time all you can hear from him is about how often he praises himself. Wow.

[bibliophilicstranger]

I investigated the TV trope page and noted something you may have missed: there are numerous examples of the same trope far predating the Harry Potter series. The idea of turning a good character bad for one reason or another, including for shipping, is not a new one. It wasn't started by Harmony fans. Someone could easily have named the same trope The Roman's Odysseus, Zeus the Rapist, or Raoul the Alcoholic. The trope may have been used by Harmony fans, and the existence of those fics may have given the name to the trope, but frankly that says more about the media preferences of the people writing the article. If I had to guess, it was created during the heyday of Harry Potter, as that coincides with when TV Tropes was getting popular (there are approximately 24 pages with Harry Potter-related titles, three of which, including "Ron the Death Eater," are fanon terms). Based on the current Trope-naming guidelines, were the same page created today it might well not mention a character at all but be named "Good Guys Go Bad."

I'm going to have to ask you to provide some kind of credible article on Harmony shippers sending death threats as unfortunately Rowling gets so many of them that my searches are turning up more recent events. Were that to be true it would be unfortunate. Disappointment is warranted, and the expression of that disappointment is allowed, but one should not send death threats, especially not over this.

I can't comment on "classist body shaming and look shaming comments" as I've never seen those particular attacks made. Unless you're referring to the bit from canon where he's got dirt on his nose? Ron is canonically tall and thin-- who on earth is body shaming him for that? And in comparison to whom? Harry is also skinny, with knobby knees.

Attacking Harmony shippers for their reading comprehension is another ad hominem attack and I must request that you desist on that front. For one, it's inaccurate to say that someone who ships Harmony lacks reading comprehension. Reading comprehension is simply the ability to read a text, process it, and understand its meaning. Two people can have equally good reading comprehension but reach a different understanding of the text by focusing on different aspects or bringing different theories to bear.

You seem to adhere to the opposites-attract, pigtail-pulling-is-cute, antagonistic-bickering-is-a-sign-of-attraction school. I concede that is a common enough trope of its own. You focus on the expressions of jealousy toward other romantic interests, the virulence of their squabbles and the explicit details provided. The very things you seem to favor, the "love-hate relationship" are the same things which concern Harmony fans, who worry that such a relationship would ultimately be unhealthy and devolve into domestic violence. If the 'hate' part of love-hate got significantly better over time, then it wouldn't be as much of an issue, but as late as book six Hermione has escalated from trading insults with Ron to sending birds to attack him. In book seven, when Ron returns Hermione punches him, yells at him, and wants her wand to curse him. We don't see them practicing a lot of healthy conflict resolution-- Hermione rightfully bears a grudge that doesn't seem to be resolved until after they visit the Lovegoods, and we don't see them have a discussion where they talk it out as much as they just go through another particularly dangerous event and it makes them ignore and forget any previous conflict-- just like books one and three. Once they're no longer fighting trolls, death eaters, and Voldemort, can Hermione and Ron actually resolve their disagreements?

In contrast, I, and many other Harmony fans, look for exchanges of support and comfort, understanding one another, prioritizing one another. I look at details such as Hermione's words to Harry in the Potions Challenge in book one, her bringing him toast the morning after the Triwizard champions are selected in book four, and his trust in her and prioritization of her desires in book five. There are also the details in book six of Harry comforting Hermione and talking her up to Slughorn and her comforting him in book seven when they visit the Potters' grave or when they learn about Dumbledore. There are a variety of times where they display compatibility by knowing what one another is thinking, or how they're likely to act. While Harry and Hermione do argue, they still treat each other with respect and even while at odds Harry usually acknowledges that Hermione's position is well-meaning. There are other examples where he expresses anger around her, but acknowledges he's not angry at her, but the situation or other people.

Before the explicit introduction of romance in book six, there were only hints in either direction. Even after book six, there was a chance that any romance or attraction wouldn't last. There are many couples who make it through all of high school only to break up as they get older. A first attraction between Ron and Hermione could have flared and burnt out, and Harry and Hermione could have gotten together in the end. Neither Harry's attraction to Cho nor Ron's to Lavender lasted, after all.

Now for the Ginny "fanfic" you mentioned. Are you talking about the forum post of that name from twenty years ago? The one that's not a fanfic, but a conception of ways that Ginny could be removed in book seven? That only actually has only 196 ways? I'll grant you they're not the most tasteful, but this has been done for many characters over the years, including Hermione, Draco, and Edward Cullen.

I'd disagree about who the most toxic people in the fandom are. You yourself reblogged a post acknowledging the toxicity of the Romione fans. In addition to having seen numerous attacks on Harmony fans by Romione fans (including yourself), I've often seen incredibly toxic behavior from Marauders era fans (ex: 1 2 3), especially the ones who ignore most of canon. I think there has been a decent amount of hatred towards Tonks and Remadora (ex: 1, 2, 3) but it's also easy for most Wolfstar shippers to ignore her existence, considering most Wolfstar occurs before the Remadora relationship is even remotely possible. I can't be bothered to expose myself to HarryxDeathEater ships to find examples of them being abusive to Ginny-- I have most of those tags blocked-- but I'm fairly certain Drarry fans have engaged in just as much Ginny bashing and the use of that love-potion trope you don't like.

Accusing someone of "playing the victim card" is a common form of gaslighting and I suggest you remove it from your vocabulary before your erroneous use causes harm. You're also applying it in a situation where it's false. To play the victim card, one must be fabricating or exaggerating victimhood. To see two asks where someone called me a bitch, look here and here. I've deleted others. Here's an out of the blue attack on Lily and here and here are some against Hermione. In your above response you validated what I said about attacks on reading comprehension, but here's another example. And here's the call for negativity against Harmony shippers. As you can see, these are neither fabrications, nor exaggerations and therefore your accusation is false.

Further, you would really rather preach that all Harmony shippers should accept being victims of cruelty, simply because some may have engaged in negative behavior in the past (and a past that in some cases is twenty years and a whole generation of fans ago)? That seems a rather slippery slope, don't you think? It's thinking like that which has synagogues in Canada and Australia firebombed, when those with particular views on Israel/Palestine attack all Jews over their disagreement with the Israeli government, even when those Jews have no say in what the Israeli government does. It's one thing to disagree with a particular person holding views you don't like, it's another to call for an attack on all shippers. Such an attitude only perpetuates toxicity in fandom.

Defend your ship if you like, but if you want a less toxic fandom, constrain yourself to arguing over the text. After all, don't you want to sow positivity for yourself, lest you dislike what you reap?

There is one thing in common with the PeterMJ (Spider-Man/Marvel) and Romione (Harry Potter) shippers; both of their pairings are 'canon' and have everything going for them thanks to favoritism by the author (J.K. Rowling)/ comic writers (Marvel). Despite all that, these

'canon' shippers aren't satisfied with having an already huge following and seek/continue to tear down on other ships (Harmione & PeterGwen) just to push their pairings to front and center. People like these are why we hate fandoms.

I can't comment on the Marvel portion of this ask as my knowledge of that universe is limited in scope and I'm not an active member of its fandom.

As for the Harry Potter part...

I think Romione fans have the issue that while their pairing is canon, it's not well developed in the text (very few pairings in Harry Potter are). We're told that they get together, marry, and have children, yet we don't actually see a lot of development of the relationship blocks that would support the longevity of their marriage. Yes, they went through the war together (although Ron abandoned them for a good portion of that) and yes they were friends, but their friendship was highly contentious and they spent significant portions of each year not speaking to one another or not hanging out (first year before they were friends, second year when she was petrified, most of third year, part of fourth where Hermione was more with Harry, part of sixth year, and part of seventh). Now, technically, first and second year don't count, but honestly, the only year they spend the entirety of together where they don't have a major fight is their fifth year. We know they like each other from Hermione's actions in book six and Ron's in seven, but we don't really see why they do, why that would turn into love rather than a teenage crush, or why they'd make it as adults.

Supposedly Hermione likes Ron because he's funny. Supposedly Hermione's maturity makes up for Ron's lack and he gets her to open up. While there's something to her liking someone who can lighten things up, if that's all then she could just as easily have liked one of the Weasley Twins instead. As a Hermione-type myself, I've often liked guys who were funny, but them being funny isn't enough. The guy I dated when I was 17 was funny, but he also lacked drive and dedication and in the end that made us incompatible in the long-run. Yeah, it's nice to have friends that can make you laugh, but in a partner for life you want someone you don't have to nag all the time when you need them to do something.

We also know that JKR admitted that Romione was her personal wish-fulfilment, clinging to her original idea of the plot, whatever that was, rather than a natural outcome of what she actually wrote. She also said they'd have needed counseling and their relationship was further questioned in the Cursed Child.

This puts Romione shippers on a weaker footing than most canon-pair shippers in other fandoms, making them defensive. Yes, they have the benefit of canon, but not the textual support, other than 'well, our people got married.' They can be threatened by Harmony supporters, who have fairly well crafted arguments grounded in the text for why Harry and Hermione make sense as a pairing. This makes Harmony a greater threat than pairings which are more loosely grounded in the books: Dramione, for instance, is never going to happen in a close-to-canon universe, but it takes very few tweaks to make Harmony work. Additionally, many of the arguments used in favor of Romione are equally as powerful for Harmony, such as the length of their friendship. Indeed, many of the arguments regarding Hermione's feelings for Harry specifically are a lot stronger, because we do see instances where she chooses Harry over Ron, such as in the seventh book.

It is unfortunate that these tend to become rather nasty fights that devolve into personal attacks on the sanity, demeanor, or reading comprehension of the Harmony shipper. I've seen many people go after another Harmony shipper on here pretty nastily, and I've heard tiktok and instagram are worse. Some screenshots I've seen are basically Romione shippers vowing to spread negativity about Harmony just because they don't like some of the fanfic people have written. As if it weren't possible to just, you know, not read the fanfic you don't like.

It would be nice not to get people randomly calling me a bitch in my inbox, but you know, such is life. I don't know if they dislike me more for shipping Harmony or Jily at this point but I really don't care.

[haven-of-dusk]

'Five' Comfort Characters, tagged by @wolfboy88

(I'm doing six, because I feel like it, and I still had to leave one out)

EJ Caswell (HSMTMTS):

Eddie Diaz (9-1-1):

Colin Hughes (Ted Lasso):

Isaac Lahey (Teen Wolf):

Claude von Riegan (Fire Emblem):

Plo Koon (Star Wars)

Tagging @mmoosen, @rosesradio, @orbitalpirate, @careless-whispers, & @azurecanary (No pressure)

[feathersandblue]

So, full disclosure, I haven't been a Solas fan before.

I am now.

And that's because of Veilguard and the many, many ways in which I felt let down by this game.

The aspect that bothers me most is the reduction of nuance and complexity.

Rook's hero's cakewalk (because “journey” really isn't the right word) is a ready-made path that offers no deviation at all and never challenges the player in any meaningful way.

Sure, you can spend some time pondering the pros and cons of saving Treviso or Minrathous. Ultimately, it makes no difference. Rook does their best, they just can’t be in two places at once.

Same with the companion character arcs. What does it mean if you decide to you turn Emmrich into a lich? For the most part, it's idle musing. Indulgence. He’ll be happy either way, there are no real stakes. Yeah, your actions do have consequences, just not the sort of consequences that make a substantial difference. It’s the illusion of choice – reduced to cosmetics.

The problems with decisions that cost nothing is that they don’t feel like an accomplishment. They also don’t allow for character growth. Rook doesn’t change, they remain static. Even the section in the Fade where Rooks faces their regrets is easy and comparatively lightweight. Varric was killed by Solas, Harding resp. Davrin died in combat and either Bellara or Neve was abducted by Elgar’nan. It’s not like Rook’s decisions actually caused these events, it’s not like Rook actually failed through a choice they had to make that turned out to be the wrong one. Everyone was there willingly and volunteered to fight the good fight. Rook’s regrets are not about real guilt, they are about feeling sad and guilty. And that – it needs to be said – is not the same thing. At all.

At the same time, the story carefully avoids any kind of true ethical dilemma.

It's not even about the lack of mean or edgy dialogue options; that’s just a symptom. The cause is the writers’ unwillingness to let realism intrude in Rook’s fairytale – the lack of anything that would require Rook to compromise on morals, or fight temptation. Rook is never faced with any sort of moral conundrum, or allowed to act out any kind of vice that realistic characters have. In its straight-path simplicity, Rook's story is apparently written for children and people who remain child-like in their yearning for simple, uncontested truths.

Of all the sorts of conflicts that a story can offer, Veilguard carefully avoids the most realistic and (in my opinion) interesting ones: Character vs. self and character vs. society, aka, politics. The game firmly refuses to go there. To the point where it creates a completely unrealistic consensus on all sides that eliminates yet another sort of conflict: character vs. character.

If Rook and their companions would talk politics, they’d all be on the exact same side. In a two party state, they’d all cast the same vote.

I am sure that there are many players who feel comforted and reassured by that fact, who sincerely believe that this is how stories should be written. That stories should reflect the world not as it is but as they think it should be. But for everyone who likes their stories a little more realistic, that lack of meaningful interpersonal conflict, that lack of real diversity which comes not from appearance but from different cultures and opposing viewpoints amounts to a frankly cringe-worthy, artificial and juvenile surface-level interaction between characters. Or, to phrase it differently: the diversity remains skin-deep and doesn’t extend to the philosophical, and even in the few instances where it does, it shies away from the political.

Which means that the only conflicts that remain are the most boring and stereotypical ones: character vs. monsters resp. the supernatural, where all foes are evil in the blandest way (Supremacist Venatori! Fascist renegade qunari! Power-hungry necromancers!). These conflicts are resolved through exploring maps and endless, repetitive combat.

The only thing that brings a bit of nuance to the game is Solas’s story. And there is an element of character vs. character in Rook’s and Solas’s relationship, but the sad truth is that what could have been a fascinating mirrored character journey falls flat for all the reasons already explained – because where Solas is a character as layered and controversial as it gets, Rook is anything but.

Solas’s story shows how even people with the best intentions and the greatest integrity are ultimately broken by what life throws at them, both by the decisions that are forced upon them and the choices they make on their own. It shows how a prolonged war is always a sunk cost fallacy: I’ve gone this far, if I stop now, it was all for nothing.

Rook’s victories, on the other hand, come without a cost – both in terms of moral corruption and in accountability. The guilt Solas bears is real. The fight against the titans, followed by his war against the Evanuris, requires compromising his own morals, one day at a time, one century after another, he’s trying to save the world yet doomed to fail. Sacrificing the spirits to win a battle after the war has gone this far? Every single war leader around the globe would make the same decision. In fact, all of them do: They do sacrifice the lives of others if it will help them win, they do send soldies into the trenches to die, whether these soldiers want to or not, and they are rarely, if ever, truthful about the reasons why.

In a certain way, the story of the spirit of wisdom turned flesh is reminiscent of the biblical Fall of Man: the original sin. Solas has fallen, and he’s broken. In trying to heal the world, he’s trying to heal himself. The burden is too heavy, the responsibility to great, the knowledge that he is responsible for all of it too devastating. Solas’s greatest conflict is character vs. self. It has the potential to be great. In a way, it is. It’s the single redeeming quality that, depending on your interpretation of what went on behind the scenes, the writers managed to salvage from the original concept of Dreadwolf or the lone pillar that withstood all their attempts to bring it down.

Only sadly, infuriatingly, in the end, that fallen hero’s ending is put into the hands of a protagonist who judges him from the perspective of someone who has never even stumbled – not because they are wiser, braver, or kinder. No, just because the writers were gracious – or cowardly? – enough to never let them fail.

The game gives Rook a moral high ground which isn’t earned in the slightest because Rook never had to walk even a quarter of a mile in Solas’s shoes. They don’t know what they would have done in his stead, they have no idea what it actually means to see the sorry shape the world is in and know that it was your hands that shaped it. And even where Rook might actually be culpable – the interruption of Solas’s ritual that freed the remaining Evanuris – anyone is quick to assure Rook that it wasn’t their fault.

Whatever regrets Rook carries, they’re born from self-doubt and trauma response. Survivor’s guilt, mostly. When compared to Solas’s immense guilt, Rook’s regrets are, for lack of a better term, insignificant. That Rook manages to face them doesn’t mean that they are more truthful or emotionally mature, it just means that Rook’s story is a tale for children and Solas’s is not.

It’s not that I’m necessarily opposed to the idea that the player decides Solas’s fate through their actions. It’s the injustice of it all that bothers me: The player is led through a game that provides a safe space for their character, one that is devoid of any interpersonal conflict and any ethical quandary. Rooks succeeds through kindness and heroism and taking their companions on team bonding exercises.

As if Solas could have won the war against the Evanuris if he’d taken the time to take his companions on coffee dates.

The juxtaposition – Rook vs. Solas – fails, simply because of this deep divide. Rook’s story is detached from reality and yet Rook gets to be Solas’s judge, jury, and executioner. On what grounds?

As I said, right in the beginning, I haven’t been a Solas fan before. But by the end of Veilguard, I was firmly, irrevocably, Team Solas, just because I was so annoyed that the narrative put Rook in a position of moral superiority. I detested my own character. Jesus, what a goody two-shoes! I was rooting for Solas simply because his story was so much more: a genuine tragedy, a study in complexity. Rook, on the other hand, remains bland, snotty, unchanged. Untried.

The thing is, I don’t believe that my reaction was one the writers had intended. I strongly feel that they didn’t mean for me to pick up on their double standard, that they expected me to walk away fully satisfied, convinced that Rook and The Team were the Good Guys because they went on picnics and petted the griffon, their final victory well-earned and just. If only Solas had had a Team and taken care of their emotional needs – he could have taken down the Evanuris with nary a scratch!

It’s all so very disingenuous.

Rook and, by extension, the player exist in a bubble of sanitized content. That is clearly deliberate. The player is meant to like it there. (In that sense, it’s only logical that they changed the title from Dreadwolf to Veilguard.) And clearly, it does resonate with a certain kind of their player base: mostly with people, I think, who would like their real life to be a bubble too and whose only experience with moral corruption is when they find it in others.

[lilislegacy]

as a huge fan of both harry potter and percy jackson, it always rubs me the wrong way when people criticize harry by saying, “percy challenged the corrupt system and held them accountable, harry became part of it.” if the aim is to criticize jk rowling, i’m more than willing, but there are plenty of other decisions she made that actually deserve scrutiny. harry becoming an auror is not one of them. he didn’t join a flawed institution to become part of its corruption; he joined because he intended to FIX it. harry is extremely powerful, headstrong and determined, naturally drawn to mysteries, and has a deep commitment to justice. he was made to be an auror. and his goal is to make the wizarding world safer, to pursue dark wizards and death eaters, and to eliminate the threats that hang over the post-war wizarding world.

i love percy more than anything, and his choice to step back and live his life instead of becoming an immortal god was a brave and humble decision. i adore him for it. i love how our seaweed brain just wants to live his life in peace with his girlfriend and his besties. but harry, after all the betrayal and trauma he endured from the ministry, choosing to work within it — knowing how broken it was — took IMMENSE courage. he could have lived comfortably on his fortune or pursued a much more fun path in quidditch. but instead, he chose to be right there in the thick of it, determined to fix a broken system and put dangerous individuals where they belong. after everything he’s been through? that’s fucking amazing. it’s very on brand for harry.

so yeah i have endless admiration for percy for calling out corruption. but harry didn’t tell them to fix it. he chooses to fix it himself.

stop pitting my boys against each other. jk rowling has made a lot of mistakes in her life, many that i will never forgive her for. but making harry an auror was not one of them. he was born for it, and it would have been cheap and out of character to say he chose a career that’s fun or easy. because harry never backs down from a challenge, and especially not one that saves a life.

[tetragonia]

A Wave of Feelings

Rafe Cameron x F!Pogue!Reader

Blurb: Rafe and (Y/N) got into an argument for God knows how many times, about literally anything when they breath the same air, ranging from a small accident to a heated one about their cultural beliefs. But something in the air was different this time. Or was it only in the air? Not something in their heart and mind when the two of you finally realize something big that could change your lives?

Note: I have always wanted to write an angst especially for this character and it has occurred to me one day that arguing/miscommunication plot is kind of my fave trope so here we are lol.

Warning: angst, hurt/comfort, miscommunication, argument, bad writing lol English isn't my first language. also, soft!Rafe in the end!

Words: 1490

The sun hung low over the Outer Banks as Rafe Cameron and you found yourself embroiled in yet another heated argument. This was clearly not the first time you both got into an argument. Some of them were heavy like that one time when your best friend asked you to go to the party just to talk to Rafe (which she did) but then he dumped her after the party and she cried for weeks on your shoulder, or some Kook-owned properties that limited your access, or some insulting banter between Rafe and your friends (that got you realized how much he hated JJ).

But most of the time it was just about silly things: when he knocked up your beer accidentally, when you sailed in front of him and accidentally splashed some water (it didn't even make his already oily hair wet), or when you were napping in a near beach and he claimed that it was his territory (he was in the Cut area, for God's sake!). You two always found a way to argue.

This time, your voices clashed like crashing waves, echoing off the walls of the old shipwreck where you had sought refuge.

"You're impossible, Rafe! Always acting like you own this place, roaming around thinking that you're so much better than us Pogues," you exclaimed, your voice tinged with frustration. Pogues always owned this place, not some rich snobby kids like him, you thought.

Rafe's jaw clenched, his temper flaring and pride wounded. He hissed, "Maybe if you Pogues have some ambitions, you wouldn't be stuck in the same place your whole life!"

Oh, this was definitely one of those heavy arguments.

Your fists clenched at your sides as took a step forward. Your voice trembling with emotion. "You have no idea what it's like to struggle, Rafe. You've always had everything handed to you on a silver platter."

For a moment, you needed to convince yourself that you saw Rafe's gaze softened. You wanted to believe that a flicker of remorse crossed his features before he quickly masked it with a defiant glare. "At least I don't have to scrape by just to survive. Maybe if you Pogues worked harder, you'd actually amount to something."

His words struck deep, a painful reminder of the challenges you and your community faced every day. You recoiled as if struck by a lightning, your eyes stinging with unshed tears and your face was red, "You don't know anything about me, Rafe. You don't know what I've been through."

Your argument drew the attention of Sarah who was nearby with John. She was one of your best friends and you felt nothing but pity every time you realized that she shared the same blood with Rafe. With a furrowed brow, she stepped between you two, her hands raised in a gesture of peace trying to calm you down.

"Hey, what's going on here? Can't you two go five minutes without arguing?" Sarah pleaded, her voice filled with concern and annoyance. She must be tired with all these arguments, you thought. But those were all about Rafe's incapability to control his temper! And that might or might not be your issue as well...

Rafe shot you a scorching glare before turning his attention to Sarah. "Stay out of this, Sarah. This doesn't concern you."

Your eyes flashed with defiance as you stepped forward beside Sarah. "You're the one who concerns everyone with your existence!"

"What did you say to her, Rafe?!" Sarah looked at you with a concern. You were one of her strongest friends and she rarely saw you tremble like this. "Come on, talk it out like an adult, will ya!"

Rafe's fists clenched at his sides, his frustration boiling over. "Talk? What's there to talk about? I said, stay out of this, Sarah."

His gaze turned to you, "You think you know everything, (Y/N). Being the weaker one of the community, blaming us for having some money. If you said that I don't know anything about you, then you also don't know anything about me!"

His words cut like a blade across your pain. Your expression softened, a hint of hurt flickering in your eyes and you were not sure whether Rafe realize that or not. "Let's just cut it out. You would never understand what I've been through. What we have been through. Let's go, Sarah. Let's get out of here."

Sarah watched the exchange with growing concern, her heart aching for her brother and her best friend. She knew there was something deeper at play here, something that neither of them wanted to admit.

"Come on, you two. Let's take a step back and calm down, especially you, Rafe," Sarah suggested, her voice gentle yet firm. She glared at his brother. His face was as red as you, his forehead frowned deep.

You and Rafe exchanged a wary glance before reluctantly exhaled a deep breath. As much as you hate him, as much as you didn't want to admit, you really want him to apologize. The tension in the air began to dissipate, replaced by a palpable sense of unease.

Sarah sighed, running a hand through her hair as she tried to find the right words. "Look, I know things have been tense lately, but I really can't bear another sight of you guys bicker over things. If you still want to do that, please not where I can see you. I need you two to be in your best behavior when I'm around. Especially with you, Rafe. I have enough of you already."

Rafe's gaze softened as he looked at his sister, a pang of guilt tugging at his heart. "You're right, Sarah. I'm sorry for snapping at you earlier."

Sarah still held her concern, but she relieved to see them finally finding common ground. "It's okay. Now I'll leave it up to you. I can't mom you around like this, geez."

She walked away from you both. She lived long enough with both you and Rafe and there was no way she did not realized that beneath the surface, there was a different kind of tension simmered—a tension born from unspoken feelings and unacknowledged desires.

You stood still, refused to meet his gaze. The wind blew your hair as the sun began to set. You started to feel the chill and instinctively hug your own body, fixing your shirt together. You accidently drew a sharp breath when a cold wind sent chills down your spine. You sniffed and looked over the horizon. Refusing to take even the tiniest glance at him, you kept looking at the sea while stroking your upper arm.

Despite the heat of your argument, Rafe couldn't ignore the way the cold seemed to seep into your bones, making you appeared small and vulnerable against the vast expanse of the beach. His heart ached at this view.

You didn't see that he wanted to reach out, to wrap his arms around you and shield her from the biting wind; his hesitation to offer you warmth and comfort in the midst of your argument.

But his pride held him back, a barrier he had built long ago to protect himself from vulnerability and pain. Yet now, standing on the windswept beach with you before him, he couldn't ignore the truth any longer.

With a heavy sigh, Rafe took a step forward, his voice barely above a whisper as he spoke. "(Y/N), I... I'm sorry. I shouldn't have said those things. I was out of line."

Your eyes widened in surprise at Rafe's apology, your anger momentarily forgotten as she regarded him with cautious curiosity. You had expected him to be stubborn, to be the usual Rafe: to dig in his heels and refuse to back down. But instead, here he was, standing before you with such humility you'd never seen before.

For a moment, the two of them stood in silence, the only sound the crashing of the waves against the shore. And then, slowly, hesitantly, you took a step forward, closing the distance between them.

"Rafe," you said softly, your voice barely audible above the wind. "Thank you."

And with that, Rafe's resolve crumbled completely. Ignoring the voice of doubt in his mind, he opened his arms and pulled you into a tight embrace, provided you with the warmth of his body against yours. He could feel the softness of your hair against his cheek and he kissed your head softly it almost gave you a heart attack.

So you were not hallucinating all this time. The glances, the gestures, the underlying concern for her.... He felt the same way, too.

In that moment, with the cold wind whipping around them, you knew that he had finally acknowledged his feelings for you. And as you stood together on the windswept beach, you both vowed to never let your pride stand in the way of your connection again.

[anachronismstellar]

I'm still in a weird mood, but at least I'm writing lol

This was supposed to be a fun/cute cumplane fic, but my brain got taken over by @mysteryteacup post about Airplane being a good writer he just couldn't afford the time to write.

Hope you guys enjoy it!

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"Do you think we would have met before?"

The question came a bit out of nowhere, disrupting the soft mood of the bamboo house. The weather was warm, rain hitting the roof in a soothing pattern, the open doors bringing in the green hues inside the living room along with a gentle breeze.

Shen Yuan closed his book, setting Airplane's latest story aside. The plot was not so terrible now that they had stepped down as peak lords. Retirement had a good look on him, made his shoulders relaxed and his posture elegant, as if he had finally made himself comfortable with his body, fear a mask long forgotten.

"What do you mean?" Shen Yuan didn't pick up his fan as once he would, his own insecurities whispers from the past. Instead, he just turned his face at Airplane, both watching as smoke curled up from Airplane's long pipe.

Outside, thunder rolled over them like the Gods were dragging clouds heavy as stones.

"Before," Airplane waved at the scenery in general, and it didn't need much for Shen Yuan to catch what he meant. "I mean, I didn't participate in any of the big conventions they invited me, but..."

Shen Yuan hummed, head tilted to the side, imagining how would he react if he ever met Airplane under other circumstances. It would have been disastrous for sure, both of them struggling with the different challenges of a world without flying swords and demons. Would they even be friends? Probably not. Shen Yuan had spent so much of his time stuck on his own head, going from doctor after doctor, too bitter to enjoy nice things, dedicating his whole life on hating a poorly written book. And from other conversations, he knew that Airplane had been bitter as well, sacrificing his words and his world in the name of the next meal, the next rent.

"I don't see how," he reached for his cup of tea, heating up his cold hands against the warm porcelain. "Like you said, you never went to the conventions. I didn't either, to be honest. Too many people."

Shang Qinghua nodded slowly as he filled his lungs with smoke, letting it go through his nose. Shen Yuan waited for a bit longer, curious to see where Airplane wanted to get with his question. He was almost picking up the story again when-

"I was just..." He started as he put his pipe down to comb his hair with his fingers, putting the strands behind his ears. Another big change from when they had passed their mantle to the next generation: Airplane had started to wear his hair down, Northern braids adorning the sides of his head, silver beads glittering among chocolate brown. "Is the book good?"

The sudden change of topic made Shen Yuan blink. However, it wasn't as if he weren't used to Airplane's mind jumping around, so he just took it in stride, nodding slowly.

"I enjoyed how you developed the main character relationship with his old master, although I still think you should stop killing mothers left and right."

Airplane couldn't help but chuckle, his smile making his eyes curve into half moons.

"Leave some tropes for me to work with, bro, there's so much this poor writer can come up with!"

Shen Yuan could only roll his eyes at the other, picking up the book once more, touching the pages without actually reading it, just enjoying the feeling of paper on his hands.

"Well, it is an improvement. And as always your beasts are impeccable, I'll give you that."

And he regretted immediately the compliment when Airplane dramatically clutched his robes, pretending to faint. The little shit.

"Oh! Oh praised be the Heavens! A compliment from the immovable Peerless Cucumber! Oh my heart! My heaaart-"

Shen Yuan did his best to hold back his frustration and just throw his fan at the writer. Good thing that Airplane calmed down again, chin up so he could stare at the top of the bamboo trees outside. Only then Shen Yuan realized that the entire time Airplane hadn't looked at him.

He felt an uncomfortable weight in his stomach, heart squeezing tight.

"Are you going to tell me what is this about?"

Airplane took a long drag of his pipe, bending his head back a bit further to blow little circles in the air. He should be thankful that Shen Yuan had worked on his patience in the past decades, or he would have been hit with a fan already.

"I was thinking of your first review for Proud Immortal Demon Way," he said as he tapped the pipe on a little vase Shen Yuan had offered him earlier to use as ashtray. "You were so mean... I couldn't write for like two days."

They had commented about their forum fights before, they have even apologized for some things they had said to each other back then, but Airplane had never-

The thought of hurting him so bad to the point of making him give up on writing was-

"Huang Hua..." He whispered as he took the writer's hand close to him, brushing his thumb over the callous on his forefinger.

"Don't look at me like that, bro... Don't mind me, I'm just-" he cut himself off with a sigh, squeezing Shen Yuan's hand back. "I've been in a weird mood that's all."

Shen Yuan understood, he understood a bit too well. For all they enjoyed the benefits of magic and cultivation, they weren't meant for this immortal world, Huang Hua and him, human beings who had always had a clock ticking over their heads. He would get stuck on his own head, too, sometimes; making Binghe walk around him with soft steps and prepare his favorite foods.

He loved his husband food more than anything blessed be Airplane for deciding to make the main protagonist a good cook.

But Binghe couldn't prepare him a burger the size of his head with golden french fries.

"Well, I think the new book is going great. And to answer your question, well-" Then it was Shen Yuan's turn to pause, trying to imagine how their meeting in the real world would go. Poorly, for sure, but also... Shen Yuan was old enough, wise enough to admit that if he knew Airplane's struggles, he would probably have helped. He had been so rash in his comments because he had seen the potential, the grandeur of Airplane's mind, while describing the fauna and flora of Proud Immortal Demon Way.

"I don't know, I think if we had met, we wouldn't become friends," he admitted with a shrug, keeping his face towards the forest, feeling his cheeks burning. "I was... I was going through a lot and you had your own problems too. But depending on the day I might would have asked for an autograph." And what an embarrassing thing to admit. And while holding Airplane's hand nonetheless! Muscle memory made him take his fan and snap it open, the sound muffling Airplane's giggles.

"Well, I can't autograph your Binghe body pillow-"

"Shut up it was a collectable item!"

"- but I can autograph this copy if you want." and then he tapped the book on the table with his pipe, Shen Yuan's eyes going wide as plates.

"What?"

"I had to change a lot of things... Mostly the names and places, but-" Airplane nervously played with his hair, stealing glances at Shen Yuan's direction. "I thought, now that everything is kinda over, why not write it properly, right? Besides, the entire Proud Immortal Demon Way had never had a beta reader, although I thought about asking you sometimes way back but uh-"

"I've could have been your beta reader?!"

"Well, yes, in a way you kinda were- wait. Haven't you noticed?" Airplane let go of his hair to turn his entire body to Shen Yuan, surprise written all over his face. "Bro, you're the only person I answered more than once on the forums. Most of the time I couldn't take your ideas and use them, that would be insane and asking for a lawsuit, but when you gave me writing advice? Or when I needed to remember which wife was which or who had died? I used your comments to remember what had been happening in the last chapters."

Shen Yuan's hands got tingling all over, his face heating up to the point of boiling. He had always thought Airplane had despised him, and it was with reason. He knew he had been a hater, to the point of Airplane remembering his name after years, but he had never known that Airplane actually had paid attention, he had actually-

Wait, rewind, write what properly-

"Hold on, you're telling me that-" he picked the book again, scanning the first page and then the second, recognition downing upon him. It had felt familiar when he read it for the first time, but he had thought it was just him being used to Airplane's stories. But this...

"Proud Demon Immortal Way could have been this good?" He gasped as he turned to stare at the author, shaking the book on his hand. To which Airplane had the audacity to shrug, light pink dusting his cheeks.

"Told you many times, Bro. No time to edits, had to pay the bills."

"Airplane, how many drafts you wrote before posting that monstrosity?"

"Uh." He turned his face away again, scratching the back of his neck, then his cheek. "I mean I didn't have a draft. I wrote it down in one sitting most of the time-"

Shen Yuan was going to pass out. No wonder the story made no sense most of the times! And he still was able to follow some type of plot?!

During their lifes as cultivators, Shen Yuan faced many situations in which Airplane had his turn to shine. He might not be aware of it, oblivious writer that he was, but he could be insanely smart and think fast enough to avoid wars between tribes that any other person would fumble and make it worse. So he knew how intelligent and smart Airplane was, although he wouldn't straight up compliment him like that.

But this... Six thousand six hundred and sixty-six chapters with no draft or beta reader? This... Was insane.

"You better honor Shen Qingqiu's past this time," he heard himself say, mouth moving before his brain could catch up. And funny enough, he had mean it. "You better give him closure so I can at least glare at Yue Qingyuan without feeling guilty."

This time Airplane threw his head back and laughed, hand over his belly, the other tapping the table. Then he turned to look at Shen Yuan with his sly fox smile, forefinger moving side to side.

"Nonono, I'm sorry, bro. I'm not writing to make the readers happy this time," he said with a sharp nod, tapping his fingers against his temple. "There's a story to be told, and I'm not gonna mess up a second time."

And Shen Yuan felt as if he should be angry, he should shake Airplane by his shoulders and scream, but at the same time... He felt like Airplane had passed his test, one he wasn't aware he had set for the other.

He huffed, sliding the book over the table until it was closer to the author, opening the first page.

"You better think of a hell of dedicatory then," he said as he got up to pick writing materials, warmth spreading through his chest to the sound of Airplane's laughter.

--------

Shen Yuan is going to find out some things about Binghe and Mobei in the book lol

Again, thank you for giving it a read!

See you next time~

[thewriteadviceforwriters]

Hii,

I am writing a story with a female lead. She is going to go through a self discovery arc in which she explores her sexuality. I want to jump back and forth in timeline to when she’s a teenager and doesn’t realize she is queer (and in love with her best friend) but i am having a hard time figuring out how to show she is queer without telling (bc it’s from her pov). Any advice or thoughts?

Showing Queer Identity: Tips for Writing Self-Discovery Arcs

Hey there, fellow writer! 💖✨

First off, I want to say how awesome it is that you're tackling such an important and nuanced topic in your story. Self-discovery arcs, especially those involving sexuality, can be incredibly powerful and relatable for so many readers. It's fantastic that you're putting thought into how to present this journey authentically!

Now, let me dive into the meat of your question: how to show your character's queerness without explicitly telling, especially when she doesn't yet realize it herself. This is a challenge many writers face, and I'm excited to share some thoughts and techniques that might help you navigate this delicate balance.

Showing vs. Telling in Sexuality Representation

The age-old writing advice of "show, don't tell" becomes particularly crucial when dealing with a character's sexuality, especially in a coming-of-age or self-discovery narrative. It's about creating a tapestry of moments, feelings, and interactions that hint at the character's true nature without spelling it out for the reader (or the character herself).

(I have an entire post on Prose Tips with Show, Don't Tell. And another one where Telling Is Better Used Instead of Showing)

Here are some ways you can subtly show your character's queerness:

Physical Reactions: Pay attention to how your character's body responds to her best friend or other girls. Does her heart race? Do her palms get sweaty? Does she blush or feel a flutter in her stomach? These physical reactions can be powerful indicators of attraction, even if the character doesn't recognize them as such.

Lingering Gazes: Describe how your character looks at her best friend or other girls. Does she notice small details about them? Does her gaze linger on lips, hands, or other features? This can be a subtle way to show attraction.

Comparisons and Contrasts: Have your character compare her feelings for her best friend to her feelings for boys. She might notice that she feels more comfortable, excited, or "herself" around her friend than with male love interests.

Dreams and Daydreams: Use your character's subconscious to hint at her true feelings. She might have dreams about her best friend that leave her feeling confused or flustered upon waking.

Jealousy: Show your character feeling inexplicably upset when her best friend spends time with others, especially potential romantic interests.

Admiration vs. Attraction: Your character might think she's just admiring other girls' appearances or personalities, not realizing it's actually attraction.

Discomfort with Heteronormative Expectations: Show her feeling uncomfortable or out of place in typical heterosexual dating scenarios or discussions about boys.

Intense Emotional Connections: Highlight the depth of her emotional bond with her best friend, showing how it goes beyond typical friendship.

Personal Thoughts and Advice

As someone who's written queer characters and explored sexuality in my own work, I can't stress enough how important it is to approach this topic with sensitivity and authenticity. It's not just about representing sexuality; it's about capturing the complex emotions, confusion, and eventual self-realization that come with discovering one's identity.

One technique I've found particularly effective is to focus on the emotional journey rather than the physical aspects of sexuality. Especially for a young character who hasn't yet realized she's queer, the emphasis should be on her feelings, her confusions, and her gradual understanding of herself.

Remember, sexuality is a spectrum, and coming out to oneself is often a process, not a sudden realization. Your character might go through phases of denial, curiosity, experimentation, and finally acceptance. Each of these stages provides rich opportunities for character development and storytelling.

Unique Tips for Showing Sexuality in Writing

Use Metaphors and Symbolism: Incorporate imagery that subtly reflects your character's emerging sexuality. For example, use blooming flowers or changing seasons to mirror her personal growth.

Contrast with Heterosexual Experiences: If your character dates boys, show how these experiences feel different (and perhaps less fulfilling) compared to her interactions with girls.

Pop Culture References: Have your character relate strongly to queer characters in movies or books without fully understanding why.

Physical Proximity: Describe how your character seeks out physical closeness with her best friend - sitting close together, finding excuses to touch, etc.

Internal Monologue: Use your character's thoughts to show her confusion. She might question why she feels so strongly about her friend or why she's not interested in boys like her other friends are.

Microexpressions: Describe tiny facial expressions or body language cues that betray your character's true feelings, even if she's not aware of them.

Avoidance Behavior: Show your character avoiding situations that might force her to confront her sexuality, like setting up her friend with boys or talking about crushes.

Mirror Scenes: Create parallel scenes in different timelines to show how your character's understanding of herself has evolved.

Navigating the Timeline Jumps

Your idea of jumping back and forth in the timeline is brilliant for this kind of story. It allows you to contrast your character's oblivious teenage self with her more self-aware adult version. Here are some tips for making the most of this structure:

Echoes and Parallels: Create situations in the past that echo or parallel events in the present, highlighting how your character's understanding has changed.

Dramatic Irony: Use the reader's knowledge of the character's future to create tension and poignancy in the past scenes.

Evolving Language: Show how the language your character uses to describe her feelings changes over time, reflecting her growing self-awareness.

Physical Changes: Use descriptions of physical changes (hairstyles, fashion choices, etc.) to quickly orientate the reader in different time periods.

Pivotal Moments: Identify key moments in your character's journey and use these as anchors for your timeline jumps.

The Importance of Authenticity

When writing about sexuality, especially from a perspective different from your own, research and sensitivity are crucial. Consider reaching out to LGBTQ+ organizations or individuals who are willing to share their experiences. Reading coming out stories and queer literature can also provide valuable insights.

Remember, every person's journey with their sexuality is unique. While there are common experiences, avoid falling into stereotypes or oversimplification. Your character's story should feel genuine and personal.

Balancing Subtlety and Clarity

One of the biggest challenges in showing rather than telling sexuality is finding the right balance between subtlety and clarity. You want to drop enough hints for the reader to pick up on, but not so many that it becomes obvious to everyone except your character.

A good rule of thumb is to make the signs clear enough that a queer reader or someone familiar with the coming out experience would pick up on them, but subtle enough that someone without that perspective might miss them – much like how your character is missing them herself.

The Power of Supporting Characters

Don't forget the role that supporting characters can play in showing your main character's sexuality. Friends, family members, or even strangers might notice things about your character that she doesn't see in herself. Their reactions, comments, or questions can be powerful tools for indicating to the reader what's going on, even if the main character remains oblivious.

Addressing Internalized Homophobia

Depending on your character's background and the setting of your story, you might want to explore themes of internalized homophobia. This can manifest as your character actively pushing away thoughts or feelings that don't align with heteronormative expectations. Showing this internal struggle can add depth to your character's journey and make her eventual self-discovery even more powerful.

The Journey of Self-Discovery

Remember that realizing one's sexuality is often a gradual process. Your character might have moments of almost-realization followed by retreat into denial. These back-and-forth moments can create tension and keep the reader engaged in your character's journey.

As your character grows and changes, you can show her becoming more comfortable with herself in subtle ways – perhaps she becomes more confident, more authentic in her interactions, or more willing to stand up for herself and others.

——————————————————————————————————

Writing about sexuality, especially from the perspective of a character who hasn't yet realized their own identity, is a delicate but rewarding challenge.

Remember, the key is to weave these elements naturally into your narrative. Don't force it – let your character's experiences and emotions guide the story. Trust your readers to pick up on the subtle cues you're laying down.

I hope these ideas and tips help you in crafting your story. Remember, every writer's approach is different, and what works for one story might not work for another. Trust your instincts, stay true to your character, and don't be afraid to revise and refine as you go.

Writing about sexuality and self-discovery is not just about representation – it's about creating stories that can help readers understand themselves and others better. Your story has the potential to be a light for someone struggling with their own identity, or a window for others to understand experiences different from their own.

As you write, keep in mind the impact your words might have. Approach the topic with sensitivity, respect, and an open heart. Your character's journey of self-discovery is a beautiful and important story to tell.

Final Thoughts and Encouragement

Writing about sexuality, especially in a coming-of-age context, can be challenging but incredibly rewarding. Here are some final thoughts to keep in mind as you work on your story:

Authenticity is Key: Stay true to your character's voice and experiences. Even if you're writing from a perspective different from your own, strive for authenticity in emotions and reactions.

Embrace Complexity: Sexuality is complex and often fluid. Don't be afraid to show the messy, confusing aspects of your character's journey.

Avoid Stereotypes: While some common experiences exist in the queer community, try to avoid relying on stereotypes. Make your character unique and three-dimensional.

Consider Intersectionality: Your character's sexuality doesn't exist in a vacuum. Consider how it intersects with other aspects of her identity, such as race, class, or religion.

Show Growth: As your character becomes more aware of her sexuality, show how this knowledge impacts other areas of her life and relationships.

Be Patient: Writing about such personal topics can be emotionally demanding. Be patient with yourself and take breaks when needed.

Seek Feedback: If possible, get feedback from sensitivity readers or members of the LGBTQ+ community to ensure your portrayal is respectful and accurate.

Remember, your story has the power to touch lives, open minds, and maybe even help someone on their own journey of self-discovery. It's a beautiful responsibility, and I'm excited for you to embark on this writing adventure!

Keep writing, keep exploring, and most importantly, keep being true to your characters and your story. You've got this! 💖🌈✨

If you have any more questions or need further advice as you write, don't hesitate to reach out.

Happy writing!📝🎉- Rin T.

Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with fellow wordsmiths, writers and aspiring authors. 

[writingicing]

Been reading a lot of posts about how much the ML in When the Phone Rings is too toxic and unromantic and how can he possibly not have learnt sign language if he loved her all this time and all of that... and here is what I think.

I haven't read the book, and although I did see some spoilers, the show might change things up a bit (and as far as we have seen, the changes made in the show has been for the better.) But, I think before judging him for being too toxic, a couple of things need to be considered.

I mean, what's the genre, guys, come on -

Everyone is entitled to their opinion but the whole point of such a story and such a show is to write weird, dark, toxic characters who are fucked up. People aren't finding his not knowing sign language as romantic because to some extent, people are just letting themselves get lost in the story and experience it first.

If that is like a genuine trigger for someone, that is completely understandable. But on the other hand, can't imagine having a stance of only watching perfectly good non-toxic politically correct characters on screen - is that not boring?

And that is the point - he is fucked up.

The way I see it, it makes sense that he has not learned sign language to communicate with. Like others have been posting, I don't think he intended to ever have a proper relationship with her.

We have only seen hong hee joo's backstory and we've only seen some of it, but because of this we have an understanding of her behavior and where it comes from.

Don't we at least owe that to baek sa eon as well?

People who are fucked in the head don't always know how to love someone best. And that's okay. I don't think that the drama is saying, "hey look we are going to romanticize another husband who won't get his shit together until his wife threatens to leave him." I think the drama is trying to say, "hey, look at both of these fucked up people who have spent so many years together refusing to communicate with each other and refusing to open up."

I find that to be one of the most interesting parts of the show actually - that BOTH of them have refused to open up to each other. She hasn't opened to him in the way she hasn't opened up to ANYONE because her mother forced her to go mute and took her agency away... her mother took her right to being herself away from her, and so she is as much fucked up as he is.

And for him, it seems like his own right to be himself has been taken away as well.

While it is absurd that he hasn't attempted to learn sign language until now, I think this dialogue gives a lot of insight into how he views her in her life: "She is a brand new language."

When you don't know who you are, when you don't know how to love, when you don't know how to receive love, when you are only a fraction of your own self, would you really learn a new language? You might have that book on your shelf... it might give you comfort... it might even give you hope that you will pick it up one day to learn it... but there might still be fear within you to commit, to put effort, to approach something as scary as learning a new language (and I don't just mean sign language, but hong hee joo herself.)

Is he objectifying her in a way? Yes, he is. But he is living an objectified life as well. This is his normal, this is the worldview that he has been taught, and nothing ever has given him the hope that taking a step, a risk, will lead him to something good.

And that is exactly what is finally happening right now. I don't think he's even seen her emote, let alone resist - I mean, he seems surprised to see her angry, to see her cry, to see her make noises, to see her be so confident in her skillset, to see her challenge him. I don't think either of them have ever had stupid playful annoying moments like switching the light on and off, her stealing back her pillow from under his head, them having a tug of war with the trash bag. They have never experienced each other this way and he has especially never experienced her in this way. I don't think he has experienced anyone in this way.

So yeah, he didn't learn it before. But the best way to bridge a communication gap is to reach across it yourself. I don't even know if he's realizing it, but to pay for her dad's new care home is taking power away from her mother....to tell her she needs to stop thinking about what their family will say and go get a job next to him, publicly showing herself right by his side as his EQUAL (not just his trophy wife, mind you) when their family has been asking her to quit her job... to bring her favorite food and telling her comforting words to the best of his abilities... to defend her worth to a random kidnapper bitch... all of this is his way of reaching across that gap himself. And now she is reciprocating, she has accepted that job and she is going to teach him how to communicate with her... she is going to teach him how to learn and understand HER, who is a brand new language for him.

And yeah, alright, maybe he didn't reach across that gap until her safety was actually threatened. But sometimes, when you're so numb to yourself and to the world around you, you need cold water splashed on your face, you need an explosion by your ears to wake you up. Maybe he needed this rude awakening as not only a warning, but a sign that he can indeed go ahead and make a connection with her. That she is real and she won't hurt him, and that he can maybe even trust himself not to hurt her.

Not everyone is perfect, not everyone is created with only green flag qualities. And hong hee joo never has to forgive him, she doesn't have to do anything - but no one can deny that she can forgive if he has earned her forgiveness.

[mit0bee]

Twisted Wonderland boys sharing a tent with you!

Part 2 will come eventually probably most likely

Stuff you should read: Romantic intent! Was supposed to be bulleted but i got lazy, Setting is set in Camp Vargas 1/2 even though i havent actually read CV1 and im only on book 1 of CV2 *cries* leona favouritism because i didnt realise how long writing an entire events drabble would take, sleeping on the floor because i have never camped before and the idea of figuring out how this would work with sleeping bags makes me want to do bad things

Characters: Leona Kingscholar, Malleus Draconia, Azul Ashengrotto, Lilia Vanrouge

(count how many times melora uses the word exhaustion challenge, go!)

LEONA KINGSCHOLAR

After thanking Ruggie and Epel for their help setting up yours and Leona's tent, it was time to help everyone else, so that the Spelldrive Club wouldn't get chewed out by Vargas.

Well… That's what you had in mind, before Leona pulled you down to the grass with him, ordering saying you should relax with him.

“Oi. Come sit down with me.”

“Leona, I have to help everyone else get set up.”

“They'll be fine without you. Now, come sit.”

Helping them would have to wait for whatever else was in store.

Once the first event was announced, and the three objectives were set, you were determined to help the Spelldrive Club at least a little. Pulling yourself from Leona, you decided to follow Ruggie and Epel through each objective.

After an exhausting 3 objectives, night had come, and everyone in the Spelldrive Club were relaxing by the campfire. Whether they be sharing stories, or cracking jokes, everyone was fairly lively for having just gone through the ringer. Everyone except Leona, A.K.A. the only one who didn't do anything, that is. He had his head resting on yours, half-asleep.

Ruggie was actually the one to point out that you two should go to bed, stating that you looked like hell, and that Leona was already snoozin'. So, you practically dragged Leona from the campfire, saying goodnight to Epel and Ruggie, and finally went to the confines of your tent.

Once you got in the tent, and got decently comfortable, Leona, who by this point was already asleep, attached himself to your back like a leech.

“….ve you.”

“Leo? Did you say something?”

“No. Go t' bed, Herbivore.”

he totally said ily then got to shy to admit it in his borderline sleeping state.

i love him

ok so i didnt realize how long these end up being sooooo the rest are gonna be just the tent shenanigans *sighs*

MALLEUS DRACONIA

Once you two got into the tent, you couldn't help but sit down with a sigh. Even though you two were part of an art club, it felt as if Vargas was just as hard on you as he was on the sports clubs.

“Child of Man, is something wrong? You seem down.”

You answered him with another sigh, “It's nothing. Today was just a little tough, is all.”

Malleus sat next to you, opening his arms, “Why don't we lay together, then? You seem to always feel better afterwards.”

Your face would light up ever so slightly, crawling from your spot and into his arms as he laid down. Your head was next to his chest, and you could easily feel his calm heartbeat through his attire. Eventually it was enough to lull you into a light slumber, yet through the drowsiness, you could feel Malleus' lips on your head with a few soft words.

“Goodnight, Child of Man. I love you.”

I AM SO IN LOVE

AZUL ASHENGROTTO

Out of the two of you, Azul was the one to cave into exhaustion first. He practically flopped onto the tent floor the second he walked in. He was a mess. His face was beet red, his breath ragged, and he couldn't stand the thought of staying awake a single second longer.

With the last ounce of energy he had left, he grabbed your hand as he went down, pulling you with him.

“Wuh- Azul!”

“[Name]...” He groaned. Obviously the soreness and drowsiness was getting to him, “'m so tired.” He wrapped his arms around you, groaning again, “Let's sleep now.”

You slowly wrapped your arms around him, chuckling, “Okay. Goodnight, Azul.”

“Mmn. Night.”

You didn't see him this tired very often, but it seemed you'd have to find a way to see him like this again.

“[Name]!!! Azul! Look at this cool stone I found! +20 MP!”

Oh lord......

LILIA VANROUGE

Lilia was, surprisingly, nowhere near tired, even though he was decrepit. So, when you were sat at the campfire with the rest of the pop music club with your head on his shoulder, he chuckled.

"My. Are you falling asleep, [Name]?"

You shook your head insistently, "No. 'm not tired, just resting my eyes, is all."

You could practically see him laughing through your closed eyes, "Uh huh. Wise words from an old man such as myself; I can tell when someone is falling asleep. Oftentimes that person should go to bed."

You pulled yourself from dreamland and opened your eyes, "No, I'm awake. See? I was just resting m' eyes."

"More wise words; Fae can tell when humans lie."

Kalim gasped, "Wha?! Seriously?! That's so cool!"

Cater agreed, much to your chagrin, "You could totally be put on those lie detector shows! Those ones where they ask those suuuper toxic couples questions about each other!"

"Mmn. Is that true, Lilia?" You looked over to him. He had a minor habit of telling you something to prove a point , then taking it back.

He nodded, "Mhm. So we should get to bed, right?"

You slowly nodded. As much as you could deny it, nothing could get past Lilia the Lie Detector. You stood up while rubbing your eyes. Lilia waved goodbye to his club members, retreating with you to your tent.

The second your head hit the pillow that Vargas had so kindly given the arts groups, you were asleep. Lilia gazed upon your sleeping form, smiling softly. Fae couldn't actually detect lies, but you didnt need to know that. All you needed to know was that he knew you very well. You two were together, after all.

He laid next to you, admiring you, and how your body rose and fell with each calm breath, and how your hair fell to frame your face beautifully, and especially the drool trickling from your mouth already.

He would definitely have to tease tell you about that tomorrow.

AAAHHHHHHH FIRST EVER POST!!! Did you guys like it? I'm hoping to write some more in the future, including a second post to this one! currently, sebek, jack, and floyd kinda have a chokehold on me so they'll probably be in the second part! --------------- m.list @mit0ee 's work, please do not steal!

[ceratedfish24]

Your takes on c!Scott and flower husbands have honestly been so refreshing that its reignited my old Hot Takes on c!Jimmy bc I detest the way people characterize him.

I feel like so many people portray Jimmy as this dejected downtrodden victim of bullying, which feeds into a narrative that Scott was cruel and abusive and awful or whatever, and tends to act like Jimmy doesn't have any agency ever. But IN REALITY??? Jimmy is not downtrodden and dejected and sad!!!!! In my opinion, Jimmy's defining character trait is his unshakable TENACITY! Ppl never want to admit that Jimmy is a little shit! That he acts out of spite, that his friends' teasing only tends to motivate him!! He *thrives* in environments that challenge him! AND to be so for real, he is a grown man with agency and decision-making skills and I'm tired of people acting like he isn't.

In general I feel like people just have the wrong outlook on him as a character. Maybe they've just collectively misunderstood him, or a Helpless Miserable Victim is easier to write about in fic, or they just want to project their own bullying-related trauma onto him or whatever. (People do similar things to Scar when talking about desert duo, which I understand even less). IDK. These are just my thoughtssssss sorry for rambling :P

No because you’re literally so real for this. Jimmy is SUCH a little shit. His response to Joel being mad at Jimmy for trying to kill him was to SHAKE HIS ASS AT JOEL. He taunted Joel because Jimmy successfully used Lizzie to bait Joel out. He tried to guilt trip Scott into giving him time. These aren’t negative qualities. This is a guy being silly with his friends. Embrace them when writing c!Jimmy. These are wonderful and realistic qualities.

Jimmy’s tenacity is so remarkable. He gets knocked down and all of his friends tease him about it, and he stands right back up with pep in his step. A lot of people treat Pearl the same way. Like, guys, these people are adults who make their own choices, and, often times, people who are given free will are not going to make the responsible choice most of the time when there are no real world consequences to their actions other than maybe “I might not get to be in the finale of this Minecraft series”.

There is SO much favoritism in the Life Series. Jimmy and Pearl are always reduced to their greatest tragedies, while Scott and Cleo are reduced to their most selfish moments, even though everyone else is equally selfish because IT IS A DEATH GAME. IT IS A COMPETITION. THAT IS THE POINT.

A lot of Jimmy’s deaths tend to be his own doing. Whether he unnecessarily made an enemy or just wasn’t being careful, a lot of Jimmy’s deaths are his fault, and that’s fine. He likes to play into bits. He’s not that serious about winning as opposed to making fun content. Pearl has made her fair share of mistakes and enemies, and that adds plot and drama to her content. That’s how she plays it, and it’s fine! Don’t infantilize them for dealing with the consequences of their actions just like everybody else!

Scott was widowed, and he had to watch his allies die before he did for seasons. Nobody ever comforts him about it. Nobody says “oh this man is so sad he’s just doing his best but he can’t keep his friends alive and it’s eating him up and everyone should baby him”.

Nobody even calls Joel toxic for constantly targeting Scott, but somehow Scott is toxic for teasing Jimmy now and then? (Which is not to say that Joel is toxic. He just finds it fun to target his good friend and knows where Scott’s limits are. It’s actually a sign of how close they are in real life). Nobody calls Etho and Bdubs toxic for being so mean to each other. Nobody calls Impulse manipulative when his whole thing in Third Life was betraying people. Nobody says Ren is controlling for taking the lead in Dogwarts or calling the Renwood Mound the Ren Mound. Scar is a liar and a scammer and no one thinks less of him for it.

Do you wanna know why? Because they’re friends having fun. Scott and Scott’s character should be treated with that same respect given to everyone else. Also, people need to keep in mind that Scott is not actively playing a character. Scott is just playing the game the way that cc!Scott wants to play the game, so any in depth analysis of Scott’s “character”? That’s an over analysis of cc!Scott in a competitive environment, and that man is literally on this site, people. He knows about Gaslight, Gatekeep, Girlboss, Girldad. I’ve seen him reply to analysis posts on why Scott is manipulative. He’s literally just a guy playing a game for fun.

Imagine if someone accused you of playing an evil and selfish character because you asked your friend to give you the monopoly money they owe you. Or, worse imagine if someone accused you of playing a manipulative character because you let your friend land on your monopoly property without paying you????? Because you love your friend??????? Like, excuse me????????

Thank you for the ask!!!!!! 🩵🩵🩵 It’s always flattering when someone calls my posts “refreshing”💕💕💕(also I see you all the time and I love seeing your additions to my posts💖)

[noellefan101]

Their S/O Is a Gamer, But They Arent Really One

Characters: Pantalone, Childe, Albedo, Nilou, Tighnari x GN reader

Summary: Your partner doesnt really into playing online games, but you do, so what do they play when you introduce them and what would they be interested in playing.

Warnings: mentions of blood, and horror games but nothing bad jsut the mentions of it, otherwise just fluff, modern au

Note: love the idea of playing games with someone who has never really touched an online game, so you introduce them to some not so weird games and play with them. i sound so lonely- love you

Pantalone

He definitely lives in a giant place, so you have your own room with a pc and all that stuff, even though he doesnt really understand it he loves you, and your hobbies are apart of you.

Would love to play something with you, but he for once isn't sure how to ask, and he doesn't have much free time. But would love to play some cozy games with you, either on a console or with him sitting in your chair while you teach him how to play.

Likes playing more business-focused games, just so he can also show off all his knowledge of marketing to you, but could also get into horror games if you played with him.

He plays the sims with you at times, and he definitely has one of the sims run a store and can make a lot of money really quickly, even without knowing what he's really doing.

Childe

He has played a few games, but only combat games where you could also see blood, so think shooters and that stuff. so if you play more cozy games, or just sweet games i dont think he would be very interested at first.

But if you wanted to play with him he totally would, he would sit next to you at his own desk and look over to see what you were doing once in a while when he was lost.

He likes playing with you but doesnt do it often, only when he really feels like it. Also loves horror games, but especially if you get scared easily so he can tease you and comfort you, plus he gets to hold your hand.

Albedo

He is definitely interested in video games, and has some on his phone that Klee can play when she's with her but he's busy.

So he has gotten you to talk a little about the games you play, and seen you play as well. But has never actually tried playing it, so he would like to try.

Likes to play dress up games, just for fun but also because he can draw the outfits and get inspiration form them. Plus he has you beside him so he can tease you by drawing you in a rather embarrassing outfit.

He's not really into the concept but still likes to just watch while he's doing an experiment, but would play science games on his own if he found one he liked.

Think if Dr. Stone made a game, so stuff with a lot of scientific aspects to it. Games that would put you to sleep after he started talking about it.

Nilou

Loves to look at you play, she sits on your lap at times to get a better view. She doesn't really take an interest to what you're doing as much, but would still love to play with you.

She would like playing the sims, making both of you and building a pretty house for you to live in. She has also made you kiss many times, but got embarrassed when you commented on it.

Would also challenge you in fitness type games, but she wins almost every time. You now have a Wii in your living room where you both do yoga together every week.

Tighnari

He is way more interested in nature, plants, and the outside world of living beings, so he hasn't really touched the concept of playing games on a computer, more so looking up information.

But he would be so into Stardew Valley, yes he does know way more about all these plants and will rant on and on about why these plants need to planted in the spring and stuff. But he would have so much fun playing if you got im into it.

GRASS, did i scare you? go out and touch some please, you need it

And yes, he is interested in what you play otherwise without him, and would encourage you to talk about it for hours just like he does with plants. He's very supportive of you and likes just looking at you play games while he studies a special species of fox that he just learned about.

Walks into your room from time to time and opens the windows, because you need more sunlight, and he doesn't accept the excuse of him being your sun, though he does blush if you say that.

Thx for reading pookie, luv ya-Masterlist

You are welcome to reblog and like any of my posts, but you CAN NOT translate, copy or hate on anybody for liking my posts

[always-just-red]

hello hi! ik the fandom mostly favors interactions between LIs & MCs/Readers but i was wondering if you have your own ideas between the LADS boys like friendship headcanons between them? how their dynamic works and which would be the best bros with each other or strongest siblings rivalry vibes between them (⁠ ⁠╹⁠▽⁠╹⁠ ⁠)

hopefully this is alright to request! 🙏🏻

Hi!! That's totally alright, I've seen so many good takes on this already and I love a good character analysis, so would love to weigh in! I waited to answer this since I was actually working on this fic when you sent it, and that's got all the guys interacting, so check it out if you're interested! 🥰

Disclaimer: These are all my personal headcanons! I'm not the authority on the boys and their characterisations, nor do I claim to be, so pls be respectful if you disagree with anything!

Ok so!

I can see Rafayel and Sylus getting on well once they're more familiar with each-other (though maybe that's just wishful thinking on my part).

I think Sy would honestly force Raf to confront a lot of his own insecurities? After all, Sy seems a lot more comfortable in who he is-- he's got that self-assuredness and charm that we all know Raf has to put more conscious effort into portraying. Whilst we don't know the extent of his past, Sylus has clearly made peace with the fact that he has to do bad things sometimes, whereas Rafayel still seems to have a lot of inner conflict around his actions, morality and identity.

I imagine Raf resenting Sy a little at first and so acting out a bit, trying to one-up him etc, and Sy being Sy, I think he'd probably rise to the challenge (he could be the bigger man, but like, where's the fun in that??)

Sylus is smart, so I think he'd probably realise pretty quickly that Rafayel is masking. They've both been through a lot, and once they see that in each-other there'd be a mutual respect I hope. Plus they probably have common enemies?? So if they can both get over the instinct to lone-wolf it, that's one kick-ass team ready to go (and I will be SEATED, ready to enjoy the view!!!)

If the guys are all out together, Zayne's probably gonna take it upon himself to be mediator, care-taker etc, especially as I think he'd be the one to read between the lines and notice if any of the others are struggling (e.g. if Rafayel's getting worn out in a social setting).

At first, it would be because they're MCs friends! He knows she cares about them, so he's gonna be looking out for them all. But he needs a break! So once they're all more familiar, I can see the others trying to coax him into relaxing and letting his guard down a bit, and he'll appreciate that! (But he will keep one eye on the ball because, like, imagine Raf coming up to you and saying 'I've got this, you can totally trust me' like you would have a med-team on standby, y'know?)

I think Sylus and Zayne would naturally have a bit of rivalry in terms of authority, but it would be light-hearted. There's an ongoing debate around who MC left in charge (Zayne) but there's only one person who's actually convinced by that debate (Sylus). He's gonna assume leadership position anyway, and Zayne lets him get away with it to a specific extent, unless it crosses a line, and then it quickly becomes clear who the real leader is.

Xavier!! I can see Xavier being the 'quiet one' of the group who secretly has a lot more sway than any of them realise. The others are super comfortable around him, especially Zayne when he actually wants to relax, or Rafayel when his social battery is dead. But! Xavier's no push-over, and that quickly becomes apparent in any conflict.

I actually think Sylus would enjoy stoking Xavier's darker side (if Xavier gets involved in an argument you best believe Sylus has the popcorn ready) and that the two would make pretty good sparring partners. They'd have fun with the whole Hunter's Association vs Onychinus thing, similar to the MC/Sylus dynamic.

But at the end of the day?

There's a reason we love the boys-- they're all good guys, and whatever conflicts there are, they're gonna figure it out for MC's sake. They've all been through so much, and they're all selfless in their love for MC, so that's always gonna be something they can relate to and appreciate in each-other.

And I think they could all benefit from more genuine friends?

So yeah! That's my take! I know I love angst but I'm choosing to be an optimist, mostly because I love the found-family trope and I wanna see the boys getting up to sitcom-type shenanigans! 😭😭😭

[solarmorrigan]

space au neighbor au steddie

So I wasn't actually sure what a space AU is meant to entail, so I hope a little vaguely Star Trek-inspired AU is okay?? This was a challenging combination, but it was fun!

Fanfiction Trope Mashup: 22. Space AU + 11. Neighbor AU

cw: vague mentions of injury, mentions of background character death

-

Lieutenant Steven Harrington transfers from the U.S.S. Nora and onto the U.S.S. Forrest about six months into the Forrest’s mission. He works in security. He can usually be found stationed somewhere on the ship, but sometimes he’s called up to go planetside.

(He’s also too pretty for Eddie to believe he’s one hundred percent human, but that’s neither here nor there.)

Eddie knows all of this because Harrington gets the previously vacant room right next door to his.

It isn’t bad, really; sometimes the sound of someone shuffling around on the other side of a wall that had previously been silent is comforting. Much as Eddie loves the hum of the ship around him—you can’t really work in engineering and not be a little enamored of the sound of the engines purring—sometimes human noise is what he craves.

(Particularly out here in the void of space. Eddie loves his job, loves working in the guts of a starship, but he wishes sometimes it didn’t come against the backdrop of an endless dark nothingness.)

Eddie doesn’t have reason to see Harrington very often during the day, but they work the same shift rotation, and they catch each other coming back to their rooms now and then at the end of a shift. They mostly exchange nods or waves, brief pleasantries if one of them is in the mood, but that’s really it.

At least, that’s really it until a few weeks in, when Eddie gets back to his room and sees Harrington still standing outside his own, mashing the buttons on the keypad and swearing quietly.

“Everything alright?” Eddie asks as he draws up at his own door.

Harrington lets out a long sigh. “Uh, yeah, just–” He shakes his head. “Apparently if you get your code wrong too many times in a row, the keypad locks you out. And you can’t get into your quarters. Which is… great.”

“You forget your code?” Eddie can’t help but ask.

“No,” Harrington snaps, then softens a little, looking sheepish, even a little embarrassed. “No, I just– sometimes the numbers get a little jumbled.”

“Ah.”

“Yeah. Anyway, I’m gonna have to go find someone from maintenance to reset this and let me in, so…”

“Nah, don’t bother. You’ve got in-built tech support right here.” Eddie gestures for Harrington to move aside and crouches down in front of the keypad to reset it; doors and security locks aren’t technically his remit, but it’s not like they’re hard. It’s the work of moments to get the keypad to unlock, and Eddie shuffles back out of the way. “Go ahead and try it now.”

Harrington steps up to the keypad and slowly punches in the six-digit code that should get him into his quarters, and this time, instead of beeping angrily and flashing red, it chirps and gives him the green light. His door slides open and Harrington sighs.

“Thank you,” Harrington says, turning a smile so bright on Eddie that he momentarily forgets how to function. “You’re a lifesaver.”

“Nah, t’weren’t nothin’,” Eddie says for some insane reason, slipping into a ridiculous accent like he does when he’s running tabletop games in the rec room with a couple of other guys from engineering.

If Harrington thinks he’s being weird, he mercifully doesn’t mention it. Instead, he sticks a hand out towards Eddie, still smiling. “I’m Steve, by the way. I don’t think we’ve been properly introduced.”

“Eddie,” Eddie says, taking the hand to shake (Steve’s hands are big, and strong, and warm, and Eddie tries not to think about it).

“It’s nice to meet you, Eddie. And not even for the obvious reasons,” Steve says, nodding towards his door.

“Yeah, you too,” Eddie says.

He then realizes that he’s still shaking Steve’s hand. He lets go, but Steve is slow to draw back. They’re quiet for a moment, both unsure how to end the encounter, before Steve lets out a little huff of a laugh.

“Well… have a good night,” he says, backing away towards his door.

“Yeah, you too,” Eddie says again, wondering where the hell all his eloquence has gone to.

With one last dorky little wave at Eddie, Steve disappears inside his room, and Eddie does the same.

They talk more, after that. Whenever their schedules coincide, they spend an extra few minutes outside their doors, learning more about each other, bit by bit. Eddie talks about why he’d joined up with a starship even though he really hates space (he’d had to get out of his small-minded hometown), and Steve talks about how he’d ended up really enjoying his work even though he’d only joined to appease his dad (captain of another ship, one Steve prays he’ll never, ever be assigned to).

Their conversations edge past five minutes, past ten, past fifteen. Eddie talks about his uncle, who taught him at least half of everything he knows about fixing things, who had encouraged him to reach for the stars. Steve talks about his best friend in the galaxy, who works up in communications and speaks “about a million languages.” He mentions that they’d met as ensigns, both stationed on the U.S.S. Butterscotch, but he doesn’t say much more than that (and Eddie won’t make him; he knows the story already. The ship might have had a ridiculous name, but the fate that had befallen it had been anything but: it had been taken over by hostiles and eventually gone down in flames. The number of survivors had been abysmal, and fact that Steve is here at all is a small miracle).

Steve learns that Eddie loves music and roleplaying games. Eddie learns that Steve has a knack for avoiding medical staff after altercations planetside and for brushing off minor-to-moderate injuries.

He’s not as good at avoiding Eddie, however, who makes a point of dragging him down to medical one evening after spotting a still-bleeding gash on Steve’s arm.

“One of these days, you’re gonna come back with something you can’t walk off,” Eddie warns him, “and I’ll be there to say I told you so.”

“Well, as long as you’re going to be there, I guess it won’t be so bad,” Steve replies, and Eddie tries not to be swayed by the flirting.

When Eddie turns out to be right, though, he doesn’t even have the heart to say I-told-you-so, which he feels a bit cheated about later.

The evening starts out so promisingly: Steve and Eddie are loitering outside their doors, Steve gravitating further and further into Eddie’s space as they talk, and Eddie is just about to pluck up the nerve to invite Steve inside when Steve’s communicator goes off.

He frowns, pulling it from his pocket to check the message, and his demeanor immediately turns serious. “I have to go,” he says, and apprehension prickles at the base of Eddie’s skull.

“Everything alright?” Eddie asks.

“I’m sure it’ll be fine.” Steve offers Eddie a brief smile. “We can pick up where we left off as soon as this is taken care of.”

Eddie wants to ask just what “this” is, but he finds out soon enough. The promising evening turns into a hellish night with too little sleep and too many hits to the machinery for comfort, under attack from some unknown, hostile force. When things finally calm down and reports start rolling in, things aren’t as bad as they could be. No casualties, minor damage to the ship, and minimal injuries. It sounds reassuring, until Eddie finds himself standing next to Steve’s bed in the infirmary.

“I’m going to be fine. Stop looking at me like that,” Steve says, even though his eyes are closed and he can’t possibly know how Eddie is looking at him.

And the thing is, Eddie knows he’s right – Steve might sound an awful lot like he’s in pain right now, but the medical tech on the ship is top of the line, and the staff is equally good. Steve will be fine, but that doesn’t give Eddie any comfort right then, realizing how lost he would feel without his and Steve’s hallway conversations every day.

How lost he would feel without Steve.

It scares him– for a moment, it scares him enough that he wants to run from it, to put a halt to things before they get too serious, before this really hurts him. But even more than that, there’s a feeling greater than the fear: one of rightness when he’s with Steve, a feeling that’s worth the risk, that’s worth holding onto.

Eddie reaches out and takes Steve’s hand where it rests on the bed.

Steve cracks his eyes open to look at Eddie.

“You know…” he says slowly. “They said I should be fine on my own by tomorrow, good to go back to my own quarters, but– I’d feel a lot better if there was someone nearby. Just in case.”

“Like someone right next door?” Eddie asks, a tease of a smile beginning to grow on his face.

“Maybe a little closer than that,” Steve says, squeezing Eddie’s hand in his own.

“I think I can do that,” Eddie says, finding that he’s prepared to do a lot of things, if it means he can keep Steve close.

[multifandumbmeg]

JJ, guy who has panic attacks calming Kie down in the hyberbaric chamber. Thinking about how this is both a cute relationship moment and another astoundingly consistent characterization moment. JJ is shown having what can pretty comfortably be called panic/anxiety attacks after John B's supposed death (although considering his childhood, I think it's safe to assume he's had more of them outside that timeframe). Of those times, though, he is never in actual danger. When he is in danger, like the hyberbaric chamber, he is always clear-headed and ready to go, just like real people with anxiety disorders (especially caused by things like abuse and other real dangers). When the moment hits and the threats are real, he can finally act on that adrenaline for once. And this is also likely why he is so recklessly drawn to dangerous situations. When you have a panic attack your body goes into the fight flight etc mode and when the "aggressor"/threat is something that doesn't actually threaten bodily harm, like a fear or an emotional (but not threatening) conflict - which is definitionally what a panic attack is - you can't do anything about it. You feel out of control. You're terrified in the grocery aisle and there's nothing to hit, nothing to run from, no one to appease or diffuse. But when the danger is real, you get that same rush of adrenaline only this time you can do something. And you've run these life-threatening scenarios over in your head so many times you have a plan, you can think clearly.

I love how they write JJ in this show. He's so consistent and realistic with his backstory while still being dynamic and having character growth. And I love that his romantic relationship with Kiara has been a part of that development, as the unique intimacy of romantic relationships often challenges people who've experienced abuse, but can offer opportunities to grow as well. I love that they have written Kiara in such a way that she actively encourages that (keyword active, not just magically by existing sexily beside him or dying) instead of rejecting him, giving up, and making it worse (especially for unecessary relationship conflict reasons). Props OBX writers.

[imagining-in-the-margins]

I feel like so many people have a different interpretation of how Spencer Reid would handle sex. There’s the classic nerdy spencer who keeps stuttering and doesn’t know how to do *it* but knows everything technical, and there’s the mega dom spencer who knows exactly what he’s doing, and everything in between. I’m curious to know what you think is most accurate to how he would be? This can also change from first season to last, etc. I’m just curious what u think!

S.R. Sexual Headcanons (NSFW, 18+)

Early Seasons

Shy and slightly insecure, but eager to please

Would spend a lot of time on foreplay because it is the best way to ensure his partner’s pleasure (and it’s a fun kind of science)

Prefers an emotionally attached partner since sex requires vulnerability he is loath to give

Has a lot of things he wants to try, but he is too embarrassed to bring them up, so he’ll wait for his partner to suggest it (very nonjudgmental)

As he gets older, he becomes more confident and lighthearted in bed

Understands the importance of aftercare and insists it’s his responsibility to hold you (he is actually just a cuddlebug with a really good excuse)

Interested in the power dynamics of kink culture but averse to it because he lacks the self-confidence

Preferences/Priorities: Perfecting oral sex techniques, kissing erogenous zones, sensory seeking activities (experimenting with light/hard touches, but not pain).

Middle Seasons

Brat and Switch Era

More willing to have fleeting sexual relationships

Beginning to feel confident in his sexual identity, more willing to ask for what he wants

Enjoys roleplay, more intense power dynamics, and sensory-heavy foreplay (although still loath to grant true vulnerability)

Confident in his ability to please his partner

Seeks out relationships where he can feel challenged in some way (intellectually, physically, emotionally)

Views sex as one of many ways to establish and express intimacy, would easily forego sex for an intellectually stimulating activity (and loves them as foreplay)

Preferences/Priorities: Ensuring his partner is open/comfortable, advocating for his own pleasure, having fun while having sex, exploring deeper rooted sexual proclivities

Late Seasons

Just wants to feel desired for who he is (he is so tired)

Seeking companionship but unwilling to have long term sexual relationships without emotional vulnerability on part of all parties

Struggles with the darker parts of himself and requires reassurance from his partner (both that he is gentle and strong/“a good man”)

Less likely to engage in heavy roleplay, established “scenes” are rare

A more intuitive lover that adapts to emotional and physical shifts, but very cautious to escalate

Craves physical and emotional intimacy before and after sex (he requires aftercare and is so, so touchstarved)

Occasionally uses sex as an outlet for his frustrations, but usually would prefer to ground himself through sentimentality

Preferences/Priorities: Feeling close to his partner, maintaining boundaries, ensuring the overall experience is enjoyable and everyone involved feels safe

What do you think? Sound off in the comments/reblogs and let me know!

*These lists are just for fun and based purely on my perception of his character. Outside of the variety of my fanfiction portrayals, this is what I consider my “truest” perception of his character. No one characterization is “correct” because there is no knowledge of his sexual personality in canon. Heavy submissive/dominant portrayals are, in my view, valid and arguable for any stage of his character. Do not read anything I’ve said as a condemnation of another headcanon. This is all in good fun!