#i have seen so many EXCELLENT rep posts already

[coffeebeannate]

Possibly Nonsensical ToG Representation: Personal Perspective

Nate nobody wants to read six thousand paragraphs of your inane ramblings okay?

Well maybe that IS the case, maybe SO but maybe I’m going to ramble anyway. And maybe I’ll never ever undraft this post because well who knows.

I ended up not drafting it, I just posted. Because why not. Pls don’t regret this, future me.

BUT.

I will say that, one thing that The Old Guard did that really stuck out to me, and has only continued to do so since reading others posts about it was, ironically, send my dysphoria sky-fucking-high.

(Not in a wholly bad way, that is!)

(For the record, I’m 29, and an AFAB pre-T trans guy, pre-T in like pre ANYTHING, I’m barely out publicly to anyone that isn’t a personal or really close friend, or like, my therapist, anywho)

In most cases, my dysphoria is on a very low simmer, there, but something I try to ignore because of circumstances, etc. It’s always a bother, sure, but well, I live, I guess.

So, I’m a Marvel fan, and in most cases..people I see on TV have been, well, lets be real-Chris Evans. Standard Hollywood types. I do have other examples of less ‘classically’ attractive actors on my list of things I like to watch, and absorb, and I’m a basic person who has basic ass thoughts sometimes. Those people are hot, those people appeal to the most innate feelings of people who feel things from attractive looking people.

But in my head, it’s ALWAYS been through the lens of ‘This is nice to look at. Utterly unrealistic, but nice.”

(I actually only recently learned about using dehydration to get those looks, and it further cements Hollywood shadiness, but anyway)

So for me, AMAB and men on TV have never really done much to my dysphoria. It’s not a look I’d ever have..so it never set off those bells in my head. I dislike having an AFAB body, sure, but it’s not like looking at the equivalent of a modified human art project on TV really did anything to it.

And then..the Old Guard

Fuck this is long, more under the cut.

So I want to point out that I LIKE action movies. I like things that blow up and gun fights on TV. I get a kick out of the dramatics and I’ve been in the Bond fandom since Craig Bond became a thing. I have some familiarity with the genre in general, on a low scale. And again, the Marvel fandom ofc. I also like comic books, and have for years. 

None of these things are new to me.

But what is new, I think, is seeing it done differently.

I’ve noticed a HUGE difference in reviews of the Old Guard. On sites like IMDB.com. YouTube, etc, it’s..not getting the best reviews. And I know now why that is-it wasn’t MADE for the audience action movies are usually made for. And if you compare the comic for the Old Guard to the movie, it’s VERY obvious where Gina Prince-Bythewood made changes with Greg Rucka (And possibly Leandro Fernandez) to give it a better appeal over all. (Especially with giving the characters more layers, even in two hours, and making the story have more of a family and emotional value, which is a great choice and I wholly applaud her and her team. The team feels so much more lived-in in the film than in the comics, though I’ve not read through Vol 2 yet)

Compared to Tumblr, where people are raving about the movie *myself included*, and people who NEVER see themselves in a movie, let alone in a movie done WELL are flipping over themselves over it. And I am in that group entirely.

It has been an absolute delight to see people raving about this. Maybe it’s not perfect, but it’s so incredibly important to people who don’t ever get any GOOD representation that isn’t terribly forced, overdone, stereotyped, etc.

Is Old Guard perfect? No, is it really nice to see yourself in a movie outside of your ‘assigned genre’ (alternative films, etc)

Have I watched it six goddamned times since it came out? Yes, I have. I’m down this rabbit hole, I am living here.

Which brings me back to the original point I was making before this spawned into something entirely different. 

“How did that make you dysphoric, then, Nate?”

Because, to be perfectly blunt, I want to link this post here, by @lindstrom2020 which hammered home why, and that point is that, there is virtually 0 sexualization of the characters. There is nothing gratuitous about bodies on screen here, nothing. And we never.ever.see.that.

And no, I’m not going to pretend like I don’t eyeball people on screen. I’m not devoid of sexuality, I am entirely pansexual. But that’s not what I’m trying to say here. I think that, well..seeing bodies that are still entirely masculine, and yet not..what’s the word I want..’done up’? Made all the difference in the world. For the first time, I saw, on TV, an average body, presented in a way that makes it look good, strong and almost achievable. Almost completely NORMAL in that way.

And no, none of the actors in the movie are unattractive. Not even a little bit. They’re still really goddamned pretty. But it was JARRING to see them as pretty but fairly average appearing.

And my brain..synapsed.

As a trans dude, I’m going to straight up say it’s VERY hard to envision what your post-transition body might appear as. It will never be entirely cis-looking (if you will) the way a body that’s biologically created will be, if you will. So you’re stuck working with so much imagination, so much of it relies on looking at post-transition bodies, those done after surgery and YEARS of hormones and even then not knowing.

And for me, well I’m tall, bulky and overweight. I’m also curved, and have a massive back, broad shoulders and long tree trunk like legs. (None of this is said to be a put down on my end, btw, I’m not fishing for compliments, this is the best way I can describe it)

(None of the characters are overweight, so obviously there’s still something there too that’s left to my own imagination, but I digress)

But! There is still something REALLY fucking validating about seeing men on screen who are still attractive without dehydrated abs and veined out skin because the flesh is crying out for sustenance.

I dunno..for me, it was just..strange to see. And there’s also something really really fucking NICE about queer people in the action genre that haven’t been shoved to the back of the movie, appear for five seconds and leave so the movie can scratch of ‘representation’ on it’s proverbial audience appealing points card.

And I’m sure if I watched more movies on my watch list, and stuff that’s been recommended to me I will find more! I know they’re out there, but for the Old Guard, it’s a genre I’d actually watch, something that APPEALED to me and was easy to get into because with my ADHD-Autism, it’s hard to get invested at times. So 2 hours was a good starting point.

Especially if I had to take breaks *but I didn’t need to, it was engaging enough for my wandering head*.

Wow this is messy, I stg I meant for this to be cleaner, but, anyway.

The overall thing is that the Old Guard makes me feel things I really do not usually feel watching movies. Sure it’s still a fantasy, sure it’s still got flaws, but wow if it isn’t just..really goddamned nice to connect to something outside of the box.

It’s not perfect, nothing is.

But Old Guard has done various forms of representation RIGHT, it has done extremely valid and important things. And since I’m old enough to remember the NONSENSE when Brokeback Mountain came out and it was called ‘career ending’ for it’s actors..to see this is just..

It’s nice.

And I KNOW that this movie and series is always going to hold a special place in my heart as a result.

A lot of others have made excellent representation posts, and I wasn’t going to publish my jumbled up nonsense thoughts, but feck it.

It’s not coherent really-my thoughts never are, and it’s long and rambling, but hell, so is my brain.

[actualbird]

each nxx boy was Not Like The Other Kids back in elementary to middle school but for like, wildly different reasons

wc: 889

luke pearce: there is a violence in this child somehow

luke is a very much friendly boy but his main issue is that hes ridiculously codependent on mc. one time in middle school she was absent and at home resting off a bad flu and luke looked like he wanted to set the world on fire because how DARE GERMS DO THIS TO HER!!

he also keeps getting his face busted up somehow, it's because he does stupid shit like jump over 4 steps on the stairs at once or he wanted to do a sick wheelie on his bicycle. but the other kids dont know that, they assume he fights bears on the weekends because sometimes luke can get Scary at the drop of a hat, usually when somebody is dumb enough to insult or bully mc, and the nature of kids is to blow everything out of proportion. i heard luke pearce created a hole in the ozone layer. i heard he killed a man with THAT THUMB!

teachers pick up on that hidden energy beneath his straight A grades and sunshiney smile and, to joke-ify this, a text post that applies to luke pearce

-

artem wing: awkward to the point many untrue assumptions are made

he works so much, TOO MUCH. many teachers have told his mother "hes a lovely student. please tell him to relax, though"

artem also has the added buff of being intimidating intense even as a 10 year old and he DOESNT MEAN TO he just does NOT know how to interact with the others

i see teen!artem being in a hoodie with the hood up most of the time, hes That Introvert but also hoodies are just nice if one is the type of person who finds comfort from being more covered, clothing wise, and artem seems to be that type of person.

however, the constant hoodie does make him seem even more intimidating and also like, MYSTERIOUS...

[cn server spoilers] it's canon that artem got enrolled into high school a little later into the semester and everybody had their cliques already and he was awkward and didnt know how to get his own friends. nobody treated him badly tho. but he just like, looked SO AWKWARD ISOLATED VAGUELY MISERABLE that many teachers thought he was being INTENSELY BULLIED. i posit this has been a pattern ever since artem was in kindergarten

teacher: artem, are the other kids being mean to you? :(

artem: no? what?

teacher: oh you poor thing :(

artem: huh?

-

marius von hagen: rich kid honor student with a too-cool family

hes extrovert bonanza and also sometimes he likes being the class clown eventually but he puts ppl off bc 1) von hagen and 2) nobody has seen him even look remotely interested in any class sans art and yet he keeps acing everything, it's NOT FAIR

marius' academic excellence + his status = sparks jealousy and regular childlike hatred in some classmates. it's canon that he got picked on by the other kids sometimes and yep, he Does, but any and all bullying simply makes him work so much harder out of SPITE. may cause a vicious cycle of him spite achieving and others getting more and more miffed kJBKSJGS

also kids r always staring in barely concealed awe whenever giann picks him up from school in a REALLY COOL CAR and giann looks REALLY COOL, COOL ADULT VIBES, and marius is always like GIANN!!! DONT RUFFLE MY HAIR, IM NOT A KID ANYMORE!!!

actually u know that scene in Into The Spiderverse? this one?

giann and marius. it's one of marius' most embarassing moments in his life but nobody picks on him for it because giann is just, and i cannot stress this enough, SO COOL

-

vyn richter: PEAK Weird Kid representation

of them all, i think vyn would be the best rep for Weird Kids, he was going into the forest to collect pebbles and leaves to dump in a bucket and stir together with rainwater to make a potion but only for his favorite horses at the stable (which the horses drink bc they love vyn). he'd make up elaborate stories for imaginary friends because there werent too many people he liked talking to growing up and this is how he cultivates a habit of talking to himself. also i think he like, Doesnt Blink Much, like a frigging owl. it's mostly bc vyn likes observing but it unnerves the other kids IMMENSELY

all the boys are academic over achievers but vyn REALLY takes the cake because he gets into bougie extracurriculars too: archery, fencing, classical piano. it's wholly impressive but also intimidating kJBJKSD child prodigies, i figure, must be difficult for other kids to connect with. vyn is simultaneously relieved and sad about this bc on one hand, hes scared that tho others will turn on him. but on the other hand, hes a lonely child

back to Weird Kid representation: remember that one scene in lilo and stitch where lilo puts a bunch of fork voodoo dolls into a pickle jar and shakes em up? thats vyn.

vyn's father: son, what...what are you doing?

vyn, shaking the jar VIGOROUSLY: my classmates need to be punished

[beth-march]

Hi! this is out of my comfort zone really by doing this, but I needed to say something and you're the first account i thought couple help! but i've been a confident mileven shipper for years now. i've been able to handle backlash through reason, i've never worried about b*lers, let alone paid them much attention. but after volume two, everything shifted. between the hate mike got at the start for merely voicing the love he's had for the girl he's always loved, to the 180 of people strongly believing he's gay for Will again, it's just incredible. it's inescapable. im mostly observing twitter, which i'd say was a reasonably good place for milevens. it's now turned into a whole other world. infiltrated by kids who claim to want rep, which i fully support as a queer person myself, but who do it in exchange for misogyny and ableism. people who claim to love el yet want her heartbroken. and while this post is a rant, it's also one of concern, and id love to hear from someone as reasonable as you. im firm in my beliefs and my love for mileven, but the duffers have always loved their fan service, and this is unlike anything i've seen since fandoms like Sherlock or Supernatural. Essentially, my question is, do you think the duffers will give into this fan service? clearly the reasonable answer would be no, you don't ruin a 4 season build up like mileven for the sake of fan service. But id be lying if I said the sudden influx of B*ler shippers and the likes they've been getting isn't shocking. So what I'm trying to say is, as Mileven shippers, do you think we need to be worried for season 5? I can't believe im evensaying this; i wouldn't have thought it feasible even a year ago, but the public response is almost intimidating. All the best, and sorry for this dump!

Hey! I’m so happy that you decided to reach out despite it being outside your comfort zone, and I’m touched that you decided to ask me. No need to apologise whatsoever <3

Twitter is fun in that there are some really adamant Mileven defenders on there, but it’s also a deranged swirling cesspit of truly startling volatility, so yes, I understand why you’d be intimidated seeing what goes on over there. Especially given the absolute confidence that hardcore B*lers apparently have in an eventual endgame! It’s astounding to me, how much faith they have. I understand why this vehemence from so many people - making tweets that garner tens of thousands of likes - could make anyone’s faith waver, especially given the Duffers’ history of fan service.

But, I’m still not worried. I’ve never been worried. I know that you’re not really worried yourself, but I understand needing a second person to say that they’re not worried, either. And I’m not! It doesn’t matter how popular that ship becomes, the Duffers are going to stick to their guns when it comes to Mileven. They wrote Mike's monologue themselves. They said in a recent interview that they already know how the show ends and they aren’t going to be influenced by other opinions - they also said “we can’t please everyone”. So that’s a precisely comforting quote for your worries, whether or not it directly applies to By*ler shippers (I wouldn’t be surprised if it did).

If you need some more assurance, just consider where Season 4 left off, and the fact that Season 5 is the last season. In these final eight or nine episodes, the characters are going to be very busy trying to save the world. There isn’t going to be time across those episodes to not only break Mileven up, but also to suddenly have Mike go through a complete and utter change of character, come out as queer, and confess out of nowhere to wanting to be with Will.

It would be very bad story telling, and the Duffers are literally better than that. Their canon romantic relationships are all excellently written - Mileven, Lumax, Jopper and Jancy are all so, so good. So carefully developed, with such good payoffs. If B*ler was going to happen, we would know about it by now. It would not be hidden in subtext - see Vickie and Robin, and Will’s sexuality, which have all been explicitly addressed.

When it comes to our Season 5 endgame, Mileven shippers have one enemy and it’s the possibility of the death trope.

[theonetheycallhannah]

The Treatment of Capt. Syverson-Chapter One: Evaluation

Pairing: Captain “Sy” Syverson x OFC (Shane Benton)

Shane Benton gets a new patient, veteran “Sy” Syverson. He’s one of the most complex cases she’s had, in more ways than one. She thinks he’s already starting to like her and what’s worse...she feels the same.

Word Count: 2.3k

Warnings: None, really, mentions of war and trauma and some hate on the Chicago Cubs, but like…it’s not MEAN! (I’m a Missouri girl, and for the purposes of this fic, Sy is a Missouri boy, and we will bleed for our sports teams. Lol!)

A/N: Inspired by this post right here, and hopefully turning into some splendid fluffy and smutty stuff for my lovely Cavillry babes all around including the two that essentially forced me into this. Lol! (I’m thinking I’ll have at least three or four more chapters.

Disclaimer: Unfortunately for me, Henry is not mine, le sigh, and all mention of him, his characters, or his precious doggy, Kal, are strictly for transformative and recreational use. I neither ask for, nor accept payment for the work I post on Tumblr or AO3.

Tags: @onlyhenrys @cavillryarchive

Let me know if you wish to be added to the list! I’m happy to do it! 

Shane was working on her morning's notes as she scarfed down her lunch. So many hand's-on patients made for a busy so called "lunch hour." Time which their boss was always reminded them was only half for their personal use, and could be taken away if census demanded. She was pretty sure it wasn't legal to make such threats, but thankfully, the secretaries usually had the therapists backs.

As she typed, she got a notification in her messenger app.

Just a head's up, your 1:30 is such a major babe I could barely look at him while I checked him in, so good luck with that.

Heather, one of her best friends in the office, had warned her, as she always did when there was a potential problem with a patient.

Oh, and his KOOS score is 27.5! Yikes! Shit, she'd seen arthritic grandparents with better scores on that test, which essentially rated your ability with the affected knee. Ideal was 100. She pulled up his chart review to see what she was getting herself into with this guy.

Tricare insurance, so, a vet. And only a year older than she was, so, recent discharge, or even active duty. She pulled up his order…shit. Traumatic tear of the anterior cruciate ligament. With damage to the medial collateral ligament as well. And a patellar dislocation. Repairs had been done, but this guy was in bad shape. He was going to be coming a while.

She replied to Heather.

Damn, that's bad. I'm looking at his order, and I'm already thinking I'm gonna want to try to keep him on my schedule if we can. And three times a week. If not with me, Jordan, if he's got openings. Can you start working on that when you have time?

Sure thing…I think you'll be glad you kept him on your caseload once you get a look at his face…and like all of him. Even on crutches, he's tall as shit!

Heather, come on. I'm a professional. I have a doctorate ffs. Lol

You also have a uterus, to the best of my knowledge, and it's about to explode. Promise.

Haha, okay. I'll be out for Prince Charming in about ten. Lemme pop a breath mint and run a brush through my hair.

Good call.

Shane did just that, but still pulled her dark hair back into her customary functional high ponytail, made sure there was no stray food on her shirt, and headed out of her treatment room for her patient.

As she walked down the hall to the waiting area to get him, she noticed a slumped and bearded figure leaning forward on a set of crutches, a KC Chiefs baseball cap slipping up off of his forehead revealing short cropped dark hair. She smiled at his repping one of her home teams, and stepped up to him, greeting him warmly, but formally.

"Mr. Syverson?"

"Ma'am." he said, as he adjusted his cap and stood immediately at attention, still relying on the crutches, but making himself as tall as possible. He really was a soldier. Despite her proximity to Fort Leonard Wood here in St. Robert, Missouri, she didn't see many military men.

"Hi, My name is Shane. I'm a physical therapist. I'm going to be working with you today."

"Oh, okay. They told me my therapists name was Shane, I figured…"

"Yeah, I get that a lot. Don't worry, I act like one of the guys. You'll hardly notice."

"I doubt that." he muttered, but she ignored it. She didn't know which would be worse. Him being a macho chauvinist who couldn't deal with a female therapist, or having a crush on her and making things weird. She'd had both. And it never ended well for her.

"Well, let's go have a chat in the treatment room."

They walked toward the room she'd just left, and when they arrived, she asked him to set on her plinth mat.

"Could you please verify your date of birth for me? Gotta make sure I got the right patient in here."

"May the 5th, 1983."

"Thanks, and the last four of your social?"

He told her, quietly, and against her will, a shiver ran up her spine at the softness the bear of a man exhibited in his voice when trying to maintain privacy. But she kept her composure.

"Excellent." she began typing her eval note, and asking him questions. He began telling the harrowing story of the mission, the mission that effectively ended his career in the military as he knew it. At lest, what he could tell her. Obviously some of it was classified, but certain details she would need to know in order to know how he it and how to treat him. She could tell he was trying to hold it together. Reliving the trauma was probably triggering to an extent. Her heart went out for the broad-chested, blue-eyed man.

"God, that's incredible. The fact that you're alive is amazing, Mr. Syverson."

"I go by Sy, ma'am. And as aware as I am of that, it's tough to feel good about it when some friends in my squad weren't so lucky." he examined the pattern on the tile floor as he rubbed the heel of his hand against the wide thigh of his injured leg. A nervous habit, she presumed. She had similar quirks.

"That must be difficult for you." she knew she was getting off-track from what she needed for her SOAP note, but after all, he was going to be on her caseload exclusively for the foreseeable future. She'd have time to flesh out the goals and basically finish the eval next visit.

"Yeah, but I know there's a lotta guys' got it worse'n me, ma'am."  

"We think that should make it better, but it never does. And if I'm calling you 'Sy,' you have to cut the ma'am business. It's Shane, even to my patients." she smiled.

"Sorry, m--sorry. Habits die hard."

"Just like John McClean." she chuckled, not expecting him to get her ridiculous movie humor. But he laughed.

"Did you just make a Die Hard reference?" he smiled, and the sunshine of it paired with the stunning blue of his eyes nearly sent her flying into the wall. Thankfully, she had something to occupy her gaze in the form of her laptop, where she tried to document on him.

"Did you just get one of my movie references? Because nobody around here appreciates that I'm a total movie nerd. I'm wasted on these people."

"Ya know, maybe you're right about feeling like I'm getting PT from a guy." he chuckled.

"I told ya!" she laughed, but tried not to let her heart sink too far.

The evaluation continued with her doing strength and range of motion measurements on his knee. "Okay, push against my hand…now resist when I push…now bring your foot back against my hand…and resist when I pull." she did this with both sides to compare relative strength. "Great job. Okay, I'm going to see how much range you have in your knee. Lay back on the table for me, please." she thought she saw a flirty glint in his eye, but again, she ignored it. She had a job to do. And it was to hold this goniometer up to his knee and see how many degrees of flexion and extension this man had in the joint while trying not to think any salacious thoughts about the thigh connected to it.

"Okay, now, listen, Sy, I know it goes against your instinct, but I'm looking for pain-free range of motion, here, so don't be a hero. Don't move it farther than you can without hurting it. And let me know if it starts to hurt when I move it."

"Yes, ma'am." he winked.

"I'll let that one slide, I guess." she giggled. She concentrated on the numbers she was getting from the big protractor, and typing them into her eval, and not the man lying before her.

"Okay, I'm gonna get the other knee now to compare for goals."

He nodded.

"Were you pretty active before this happened?" she was more or less making small talk, as she could tell by the condition of the rest of his body that he was incredibly fit.

"Yes, m--yes, I was. We had a gym on base, nothin' like what y'all have here, just some machines and a few free weights."

"No bikes or treadmills or anything?" She herself liked the elliptical, but knew it was a considered more of a girl's machine in the gym world.

"Nah, with electric being spotty where we were stationed, we sorta had to…get creative, I guess you could say, for cardio." she let it slide, apparently there was an inside joke to which she wasn't privy.

"Right, understandable. Well, here, we don't have to get that creative. I'm gonna put you on some equipment gradually, and just warm up the knee, then get to work on joint mobilization and myofascial release. But at this point in Dr. Potter's protocol, he only wants gentle stretching and weight bearing as tolerated. We can start a bit of strengthening after next week."

"So, you think I'll be back to running anytime soon?"

"We can make that a goal, Sy, because I can absolutely get you there. But you're going to have to take it slow. You've got not one, but three major injuries we have to contend with, and there is major trauma in there. But it will heal. With time and effort. And like I said, don't be a hero. The number one rule of therapy is 'if it hurts, don't do it.'"

"I'll hold you to that, m--Shane."

"You're a quick study, Sy. I think you'll be alright. Looks like Heather's put some appointments in for you already. If any of them don't work, call us, and we'll try to get them swapped. I'd like to keep you on my schedule as much as possible, but if there's a conflict in your schedule, any of our therapists will be terrific. And I'll make sure they're looking at your chart and protocol thoroughly before seeing you."

"Sounds like a plan to me."

"Okay, I'm gonna print out your schedule for you, and a few exercise handouts I'd like you to work on, especially on days you don't come here. And I'll know if you don't do them, because you won't have improved…so, you better do them."

"Yes, ma'am." she half expected a salute. She rolled her eyes.

"Okay, maybe I'll give you three strikes on the ma'am thing."

"Baseball fan, too?"

"Not that three strikes is so obscure that I'd have to be to know it, but, yes! Major St. Louis Cardinals fan."

"I knew I was gonna like you from the start. Although, being brought up 'round Kansas City m'self, I'm more of a Royals fan."

"Hey, only time I don't root for KC is when they're playing my Redbirds. And even if my team loses to them, it hurts less than if they lose to, say…the Cubs." they shared a scowl of disdain for the Chicago team. "Although, I was happy for them and their fans when they won the series back in 16."

"Yeah, I guess we could afford to let them win one in a hundred years…I'm hoping their next one comes long after I'm in the ground." he chuckled.

"Can't have them getting a big head, can we?"

"Nope! Sure can't!" they both laughed at their mutual interest in dissing rival sports teams.

"Okay, I'll be right back with those handouts." she ran to the office all in one machine to grab the papers she'd printed for him, making sure they were all his and not another patient's. She put them in one of their folders and headed back to her room where he sat on the mat, waiting for her with a smile under his rather impressive beard.

"Before I let you out of here, what questions can I answer for you about what we did today?"

"Oh, uh, nothing comes to mind. You explained everything really well. Did you look at my schedule? Am I with you all the time?"

"Hmm, let's see here, looks like the next two, yes, but I'm off next week, so Heather put you with Jordan, which is what I asked her to do. You two will work great together and he's got a great instinct for injuries like this. And I'll talk to him before I leave. He's one of the best PTAs I've ever worked with, I promise."

"I guess, if you have to take a vacation. I'll see you next time though."

"I'm looking forward to it. That's when the real work will begin, Sy. And our number is on in this paperwork if you have questions, and I've put my card in here, too." they shook hands, and he grabbed the folder from her.

She saw him out of the room and into the lobby. She'd finished with him a bit early, but her next one was already waiting. She needed a break. To collect herself. To breathe.

"Jason! Hey! Go on and get on the recumbent bike, level two. Ride until I get there. We'll get a lot done today if you're already warmed up. I've got a note to finish. And then I'll be in. I should be 15 or less."

While the 19 year old with a torn meniscus hopped to her instructions, she went back to her computer to attempt to finish Sy's eval and pretend that she didn't already have a serious and intense crush on him. This was going to be a long twelve weeks…at least.

Up Next: Chapter Two-Therapeutic Procedure

[jarchmarto]

Some Thoughts™️ I’ve been kicking around in my head for a while... (sorry if it’s not coherent)

I’ve been on Tumblr for a while now. I’ve seen the rise and fall of many fandoms. Been a part of those rises and falls, even. And, from what I’ve seen, it’s always the same - some piece of content gets wildly popular for a few years, people (whether they consume that content or not) get annoyed, and then that content becomes - drumroll please - cringy!

And I really hope that doesn’t happen with TMA.

I’m already seeing signs of it starting - small ones, but they’re there nonetheless. The joke about “everyone became a TMA blog overnight.” The fact that TMA is trending every time a new episode comes out. People making jokes about “I’m not in the TMA fandom, but I hope they’re doing alright.”

I’ve seen this before - SuperWhoLock, Homestuck, Undertale, Steven Universe - and I’ll see it again. And sure, there are valid reasons that people don’t like content. If you’re scrolling through your dash and all you see are posts from something you have not consumed or have no desire to, it can be annoying! Sometimes content is problematic and people are too swept up in the hype/too ignorant to recognize that! Sometimes the people who like the content are just so awful/annoying/whatever that the content becomes tarnished because of its fanbase.

But please, if this does happen with TMA, don’t be so quick to “cancel” it or whatever. Remember why you love it so much - the characters, the relationships, the story, the writing. It’s probably inspired you to make art! Or to write fanfic! Or to theorize about what’s gonna happen next! Or maybe you want to create the next most amazing audio drama!

Personally, I love TMA so much because as a writer myself, I am so thrilled to hear such a well-crafted story being presented to us. THIS ENTIRE GODDAMN SHOW WAS PLANNED OUT BEFORE JONNY WROTE IT. That shit takes COMMITMENT! It takes TIME! And it’s SO CREATIVE AND FRESH in a sea of underwhelming content! (Particularly the bad rep the horror genre has, from its treatment of women, POC, and LGBT+ characters to even just those shitty horror movies you watch only to make fun of). I never thought I would like horror, and now it’s one of my favorite genres to write in, all because of TMA.

And I also know that, even though Jonny and Alex have been warning us that this show will not have a happy ending, some people are clinging onto that hope. Trust me, I want to, too. But no matter how it ends up, some people are going to be upset, and that could very well contribute to TMA becoming “cringe.” They might say it’s “Bury Your Gays” if any of the LGBT+ characters end up dying (or something similar to death... again, personally, I think death is too... simple of an ending, for lack of a better word). Depending on what kinds of trauma the characters go through, some people might say that the way the story ends up erases that trauma. I’m sure there are other potential arguments that could come up, but those are the ones I’m thinking of off the top of my head because I know those are common things that people look out for because unfortunately, they are all too common. But, like I said earlier, Jonny has had this all planned out. He’s an EXCELLENT storyteller, and I’m sure he knows enough about the fanbase to know what would be satisfying for us. I know that not everyone will be happy with how it turns out, but look at what we have so far. We have PLENTY of canon LGBT+ characters, so even if some of them end up dying, that’s not Bury Your Gays. We’ve seen how different kinds of trauma have been handled, both for better AND for worse, and the times characters have handled their traumas poorly have been written that way intentionally to show that’s not how trauma should be handled. We have had consistent characterization and development of all of the core characters from the time they’ve been introduced, so no matter what ends up happening, I have faith that it won’t be for shock value - it’ll be the completion of those characters’ arcs and what they’ve been hurtling toward since the very first episode.

TL;DR, as we approach the end of TMA (the end of wildly popular pieces of content usually being when they start to be “assigned cringe by tumblr”), PLEASE remember why you love this show and how it’s helped you emotionally and artistically. It’s genuinely one of the most well-crafted pieces of media out there today, and I would be devestated if people start to hate on it as it draws to a close.

Also, this isn’t a call for people to debate with me. I’ve tried to be as uncontroversial as I could, but I know tumblr. I know if this post is seen by a lot of people, someone’s gonna get pissed over it. I’m not making this post to spark some controversy. If you want to reblog, please do, but if you don’t have anything beneficial to add, I will not interact.

[augustheart]

Cisco was such good rep for abused and traumatized people and then *fart noise*

Oh, I’m really sorry but I’m about to use this as a chance to expand upon my “Cisco’s powers/story make a great metaphor for trauma” idea. Bear with me, because this got a little out of hand and is definitely way too long for anyone to read, but I also want to make people read it so it’s not going under a read more. Sorry. Just press the J key to skip this whole mess. 

So, obviously Cisco as a character has trauma. That’s pretty obvious to anyone who has seen the show. But I think the way specifically his visions work with regards to that trauma is noteworthy.

The first time Cisco uses his powers properly (in The Flash 1x18) to have a vision, it’s him remembering an alternate timeline where he died. He’s literally remembering a forgotten trauma that was rewritten–i.e. repressed–because of a trigger (Ray saying the same things to him that Eobard did when he murdered him). Later, he essentially undergoes hypnotherapy in order to remember that trauma properly, and while I absolutely cannot speak to the validity of hypnotherapy as a treatment in any way, shape, or form, it’s been used notably in the treatment of post-traumatic stress disorder.

I have never rewatched the first half of season two, so this part is a little fuzzy, but while Cisco is repeatedly triggered during the entirety of season two, it’s especially occurrent in part A. Harry specifically triggers him purposefully multiple times over the course of the episodes. I’m not going to turn this response into a list of every time Harry treated Cisco like garbage for no apparent reason, but when Cisco’s powers are outed to the team by him (in The Flash 2x05 (I think-again, memory of the first half of season two is spotty at best)), Cisco is again triggered into having a vision.

The visions that Cisco receives share a lot of similarities with the classic interpretation of flashbacks, which includes audiovisual stimulus. To be honest, I don’t experience those flashbacks very often if ever, so I can more easily draw attention to the similarities between the visions and the emotional flashbacks that I tend to go through. Cisco’s biggest trigger, someone touching his chest over his heart or moving toward his heart, is… interesting, because in my opinion it’s surprisingly realistic. I have a trigger similar to it when someone touches the back of my neck.

Unlike his visions, Cisco’s blasts and ability to make portals to other worlds don’t tie into the symbolism very easily, but that’s okay. The comparison already isn’t perfect (for example, the visions Cisco gets usually aren’t of the traumatic event or the events leading up to it, and he can also, you know, see the future), and it was never going to be. I don’t even know how intentional it was. So we’ll pull back from that after making the brief connection that Cisco first discovers his blasts when defending himself instead of by using them randomly the way a handful of other superheroes on the Flash specifically do (see Barry accidentally crashing into things when moving at superspeed without realizing it, Ralph shapeshifting properly because he’s angry at someone, Caitlin freezing her shower without noticing, etc) and that Cisco’s trauma in general exacerbated his tendency not to trust people (see building the cold gun after realizing Barry’s powers (The Flash 1x10) and then later after being betrayed being afraid that Caitlin would turn into a mirror of the Earth-2 version of Killer Frost (The Flash 1x15)).

Alright, so. Cisco’s storyline for approximately four seasons is about him discovering his powers, hiding them and rejecting them, coming to terms with them, and finally accepting them as a part of his life and working to make the best of them. I won’t pretend it was perfectly written or even well written most of the time. I have made my feelings on the general incompetence of the Flash writers room abundantly clear. However, intentionally or not, this makes for an excellent way of talking about trauma in general, especially trauma that’s been blocked out. Disbelief and fear and rejection are natural parts of the process, and lord knows I’ve been through all of them a million times over. What comes after all of that, though, is the first stage of actually healing from it, which is understanding that even though it may be painful, it’s not going to go away. And then, finally, acceptance that this happened and it hurt and it’s always going to be there.

If we use Cisco’s powers as a one-to-one comparison with the PTSD that results from traumatic experiences (hell, you could probably make the argument that Cisco only discovered his ability to make breaches when he opened up about how he was feeling to someone he cared deeply about), he would probably be one of the many people who believe that their traumatic experiences made them a better person. It was awful but he grew from it and now literally uses the tools he gained from it to help other people and prevent them from suffering. 

The season five shakeup that states that he just wants a normal life and doesn’t want to have his powers anymore should have ended with him realizing that the two aren’t exclusive. He can have his powers (his trauma) and a normal life at the same time. Stating otherwise sends a dangerous message for people who actually survived trauma like abuse and manipulation. It should have ended with Cisco deciding not to take the cure (another thing that doesn’t fit with the metaphor, since there’s no real “cure” for PTSD) and understanding that there is no “perfect cure” because this is a part of him and he can live with it and heal from it and heal with it. But that’s not how it ended, for some stupid reason.

I don’t know if the way they wrote Cisco’s storyline specifically was intentionally meant to mirror people with real-life PTSD. A large part of me doubts that it was so intentional, partially due to the general poor writing that the show has (which also makes me think that a lot of the choices to portray Cisco as someone who has been extensively traumatized actually come from Carlos Valdes). But if it was intentional, then the people who wrote the season five finale–and the storyline Cisco had that led up to it–need to take a long, hard look at how they wrote Cisco up until now, and how it reflects their actual views on people who have survived trauma in the real world. 

[nomadicism]

Voltron: Legendary Planning Fail

Thanks to @ptw30​‘s post, “A Few Thoughts on DW/VLD Marketing” for reminding me that I’ve had a draft about VLD toys, merch, and marketing copy inconsistencies to complete. Read her post first.

I’ve been researching the toys and merch for several months now to follow-up on weird things that I noticed much earlier. I’m a toy collector who is also a designer and have worked in advertising/marketing, and in broadcasting at Cartoon Network. I left that world to design and develop applications in genetics/life-sciences, best decision I ever made (co-founded a startup in between all of that too. Good times). My experiences had me zeroing in on this show bible business that came up during that Let’s Voltron interview (March 28th, 2019). I’ve been suspicious about it for awhile, as the gradual unraveling of VLD’s narrative, lore retconning, and OOC dialogue and behavior of the characters (most egregiously in S8) is indicative of a lot of problems, and an incomplete or poorly-done show bible is at the top of that list. Now combine that with the weirdly slow-to-market of VLD merchandise and toys.

Both manufacturers and merchandise license program partners can’t get product to market in time to meet (or even anticipate demand) if they don’t have official assets from the show, and that includes anything that would have been in the show bible. When the show-runners let it out that their show-bible was the “loosest you’ll ever see”, and then complained about the elemental icons used on the toys by the manufacturer (Playmates) not matching their aesthetic, and after they redesigned them, Playmates didn’t want to use them, I was like: “Really? Y’all got hung up on that?”

It takes months, sometimes over a year, to design and test molds for toy prototypes and then to go into mass production and distribution. Traditionally, there is also a step where the IP holder has to approve the design concepts created by the manufacturer (toys and other merch).

The IP approval step could potentially have been made more complicated by the different players involved in the communication: WEP, DreamWorks Animation, Playmates, Studio Mir, and the most complicated layer of all, DreamWorks Classics, aka Classic Media. All of them could have been involved, I’m not saying that they all were, but it’s something to consider.

DreamWorks acquired Classic Media in 2011-2012 and formed them into a separate unit within DreamWorks Animation. Classic Media were the managers of the Voltron IP among many other brands in their huge IP library. That’s the short version b/c it’s complicated. IP ownership and licensing is not always as straight-forward as one might think, especially with these toy-cartoon properties from the 80s.

So where did the elemental icons come in during the creation of the show bible and toy design approval process?

Above: packaging inserts showing the elemental icons.

I kept the package inserts because—as a toy collector—I strongly felt that the packaging was done very well. The graphics are slick and look good. The ink has a nice saturation with a lot of color depth, range, and fidelity. The die-cuts are excellent and intricate. The packaging on the larger lion sets makes great use of aqueous coating and spot varnishes. Whomever designed the packaging knew what they were doing, and also understood the print production process (Hi! I used to do that too).

I kept these even though I always ditch packaging because I wanted to scan them for collage art. There is absolutely nothing wrong with these elemental icons, and they look reasonably well integrated with the graphic assets from DreamWorks and Studio Mir. These inserts were from the toys released in 2017.

The toy packaging gets more interesting when you see what marketing copy was sent to Playmates to use (or work from if it was from the show bible).

Above: Shiro’s package insert with descriptive text that says, “Long ago a mighty robot warrior, Voltron, was created to protect the galaxy from evil. Now, five young heroes must master the power of the Voltron Lions to defeat the Galra empire and restore peace!”

“Five young heroes” eh? They must have gotten that text early on because that’s kind of a weird way to say it when the Shiro packaging also says “…wise beyond his 25 years…”. I mean, 25 is still young, but that’s not what comes to mind when I read “five young heroes” on a toy box!

Shiro is the only one with a listed age in any of the packaging. I noticed this when I got these toys in 2017 and it reminded me that I had originally read that it would be five teenagers and I had to go looking for articles that I kept (yeah I do that b/c toys).

From this article on ActionFigureInsider.com about Playmates launching the VLD toyline in 2016:

“Let’s Voltron! Playmates Toys and DreamWorks Animation today announced plans for a new toy line based on the new DreamWorks Animation series Voltron: Legendary Defender, a re-imagining of the classic property featuring five teenage pilots and mystical robot lions, set to debut as a Netflix Original Series in 2016. Playmates Toys will serve as the master toy licensee and will create an expansive line of toys set to launch in spring 2017.”

and

“Voltron: Legendary Defender follows five unsuspecting teenagers as they are transported from Earth into the middle of a sprawling intergalactic war and become pilots for five mystical robotic lions in a battle to protect the universe from evil. Only through the true power of teamwork can they unite their lions to form the mighty warrior known as Voltron. Voltron: Legendary Defender premieres on Netflix in 2016.”

LULZ. That ain’t no fluke y’all. That loosey-goosey show bible and the initial story planning drafts/concepts must have had Shiro as a teenager. Oops.

Playmates got part of the message in time to slip-in Shiro’s age on his packaging, but why the discrepancy between the article in early 2016 and the 2017 toy release in the first place?

Obviously, things changed between the first story planning phases, the release of marketing copy to media, the release of production art assets to Playmates, and when S1 was made. There still would have been time to update that copy for Playmates and media in early 2016, given that S1 would have already been in production, with S2 to quickly follow by that time. The show-runners already knew before that article ran that Shiro was not going to be a teenager anymore (and likely many other toy-relevant details). Did they intentionally not update anyone who had a right to know, or did it just slip their minds? Did someone else in the chain of communication mess up? Did that disagreement over the design of the elemental icons take up a lot of time, or possibly include larger disagreements?

Since the first wave of toys were released in 2017, when Keith was in the Black Lion, they would have been designed for production and manufactured much earlier than that. Playmates can’t turn around on a dime to manufacture toys (not to mention design the packaging) to match the seasons. They need to have the information of what will happen in a season way ahead of time. This is one of many banal-yet-important reasons why your show bible needs to be tight, and your character arcs well-planned out.

We can see the first wave of the toys in photos from Toyfair 2017. There’s even a Zarkon figure, and various toys that are clearly for young boys (prop swords, masks, and the like). I remember seeing these photos right after Toyfair and thinking that Zarkon figure was looking pretty cool looking for what it was.

Above: Zarkon prototype figure with black bayard sword. Photo by Jim Kiernan for NerdyRottenScoundrel.com.

Since Playmates was able to create a prototype of Zarkon ahead of Toyfair 2017, that means that they began the design phase in early 2016 before the show first aired (possibly before that even). This also means that they knew that Zarkon had the black bayard, so that much was planned out.

Then in Toyfair 2018, Playmates had new toys, including prototypes for the Hunk, Pidge, and Allura figures, the HyperPhase lions, and the “Stealth Mode” translucent lions. It’s worth noting that photos of the Pidge and Hunk paladin figures show up on the inserts in the 2017 toys as they were originally intended to be part of that wave.

Above: Prototypes for the Allura, Pidge, and Hunk paladin figures. Photo by Joe Moore for Toyark.com.

So salty that Playmates cancelled these.

Below, an excellent video from Toyfair 2018 where Pixel Dan asks the hard questions of the rep (if video doesn’t show here is the URL to it on YouTube):

Pixel Dan asks about the possibility of a Lotor figure, and what happened to the other villain figures from 2017 (e.g. the Zarkon figure, and there was a prototype for another robeast other than Myzax). The rep says those were pushed back, and there “will be more Lotors” (LOL) in the next phases in development. I’m pretty sure he got Lotor confused for Zarkon.

It’s important to note that Pixel Dan and the rep talk a lot about the slow distribution of the first wave of figures based upon what retailers were doing with their ordering and stock. That people weren’t seeing them in stores. The rep explains that the toys are made in response to demand and that’s also up to the retailers to order them, but there’s also some comments that I interpreted as though they didn’t have enough details about what to make in the first place.

For those who haven’t already seen me share ToyGalaxy’s excellent video about the action figure industry being broken, give it a watch:

The video above explains a lot about why Playmates had problems with distribution, as ALL manufacturers were-and-still-are having distribution problems. It’s really hard to find toys at stores, my partner and I go hunting all the time, the lengths we go to are absurd.

I’m certain that retail distribution problems contributed to demand for the toys and that’s partly why they were cancelled. But this problem with the show bible also contributes because if Playmates had future season information when they should have, then they might have been able to design toys that more closely matched the show, thus boosting demand once it hit critical mass. I also wonder how much time they lost in the beginning due to the back-and-forth over the elemental icons.

Other merch, like t-shirts should also have been in production before 2017. They would have required details from the show bible as well. We could have had lion slippers y’all. Just sayin’.

So about those Allura with the Red Lion t-shirts that @ptw30​ mentioned in her post:

Above: officially licensed t-shirts for Allura and Keith with the Red Lion, bearing the fire element icon.

Someone (ptw30? headspacedad?) called these shirts to my attention privately a few months ago—after S8 but ahead of Hot Topic’s recent new t-shirt release—and alarm bells went off in my head. Typically, this is the kind of error that you’d see in a knock-off, but these are officially licensed and they were linked to directly from the Voltron store page (at the time they had a re-direct promo image for merch on Amazon, in addition to what they sell on their own store page).

Descriptive text in the shopping page for all of the t-shirts of this style reads:

“Join the Paladins Shiro, Keith, Lance, Pidge, Hunk and Coran as they combine their lion mechas together to form Voltron! Help them take on the Evil Galra Empire with these officially licensed Voltron: Legendary Defender graphic tees, pullover hoodies and popsockets!”

Coran eh? Interesting choice for text about combining lions. Why no mention of Allura on her own t-shirt? And what the hell is a popsocket?

On another Allura t-shirt—which also has different product specification text indicating that it’s probably not manufactured by the company that made the t-shirts above—has descriptive text that reads:

“Voltron is the classic cartoon series that began in the early ‘80s. It is an animated show that brings back the nostalgia of classic cartoon fever. Not to mention a popular show pretty much stole the idea. (starts with pow- ends with -angers….) Voltron will always be number #1! This women’s junior’s shirt features a high quality character design of Princess Allura and Blue Lion.”

Why are they dragging Power Rangers in the text for an Allura t-shirt?

And actually, it’s incorrect. Power Rangers aka Tokusatsu Sentai shows came first. Voltron/GoLion descends from the combining mecha genre that began with Go Nagai’s Getter Robo series in the 70s, which was influenced by the Tokusatsu Sentai shows. So no, Power Rangers didn’t steal that idea.

Did anyone involved with VLD do their homework other than Tim Hedrick and May Chan?

We can see here that the t-shirts that are available on the Voltron store, and what’s available on Amazon are not always the same, even though the shirts say they are officially licensed. What’s going on here?

Some—but not all—of the t-shirts in the Voltron store list “From Trevco” in their description. Trevco.inc does licensing for branded merchandise, and selling t-shirts via Amazon appear to be one of their licensing product programs. Both DreamWorks Animation and Voltron: Legendary Defender are among the brands listed. Oh look, another layer in IP licensing cake!

Meanwhile, in the Hot Topic store, there’s a completely different style—in terms of aesthetic and design—of both VLD and Voltron DotU t-shirts being sold. I suspect that HT licensed VLD and Voltron DotU for in-house design, plus artist collaboration design, as these are exclusive for Hot Topic and I’ve not seen them anywhere else. That could mean they have a different kind of license than what Trevco and others selling on Amazon have. The t-shirts from HT don’t list any other manufacturer on the label, other than being made in Haiti. I kind of want to buy that weird Allura with Red Lion t-shirt to just compare them. (Surprising no one, I bought the Lot//ura and Black Paladin Shiro t-shirts from HT).

The difference in style between what’s on WEP’s Voltron store and Amazon, versus what’s in Hot Topic is very interesting, and I assume it has a lot to do with demographics for their respective markets (perceived or real). In a traditional merchandize licensing agreement, WEP and/or DW would still have to approve any designs created by—or if artist collaboration with—Hot Topic.

How long did that approval process take?

The recent release of t-shirts (Feb/March 2019) include a t-shirt with a scene from S5 (the chosen marks scene for Allura and Lotor). There are no MFEs, Atlas, white-haired Shiro, or anything else from S7-S8. There is a Keith t-shirt with his cosmic wolf, and a shirt with the Monsters and Mana designs, so they got something from S6.

Above: Funko Pops. I’ve got a poorly-painted Allura (her right earring and tiara y’all), both Shiros, and the Pidge, Hunk, and Amazon Exclusive metallic paint VLD Voltron (Pidge, Hunk, and Voltron not pictured).

The VLD Funko Pops came out in the end of 2018 but ahead of S8. I’ve seen them at Hot Topic, and online (Amazon, and BigBadToyStore.com), but I have not seen them at other retailers that carry Funko Pops like GameStop and Target. We go toy hunting to those all the time, in many different places. I guess that demographic of boys aged 9-12 just aren’t interested in VLD to demand it at GameStop and Target. At least Hot Topic knows what’s up.

The Funko Pops use Allura’s uniform from S1-S2, and have two designs for Shiro (Black Paladin, and his black outfit). How long did these take to license and approve? Funko Pops are the lowest hanging merch fruit, so they should have been an obvious licensing choice by the end of 2016 once it was clear that VLD was a hit. But we didn’t see these until just before S8?

Finally, apparently WEP and the Voltron Store don’t mind those elemental icons that the show-runners hated, since they have a lanyard with them on it in their store (image below):

It’s almost as if no one is on the same page!

If I didn’t know any better—oh wait, I do because this is kind of my thing—it looks like these elemental logos were designed to be like Boy Scout merit badges. That’s fitting as the toys were meant to be bought by boys aged 9-12, and are safe for children aged 4 and up. With over 15 years of professional design experience across multiple fields and domains of design, if I were designing these, that’s exactly what I would have done from Playmates’ end, especially if DW and WEP had told me that their target demo was boys aged 9-12.

Shouldn’t the show-runners and Studio Mir’s very different design aesthetic have been made clear in the show bible and in any discussions and communications with Playmates (and whomever else was involved)? Who was responsible for communicating that?

To be clear, I like Studio Mir’s aesthetic much better, but what I like is irrelevant when we’re talking about toys and target demographics for marketing them, vs what’s appropriate for merchandise that could be for all kinds of demographics.

I’ve been in situations where I’ve had to design in parallel with an outside agency, and in the dark with little communication between us. It’s an awful position to be in, and I’m surprised that DreamWorks didn’t know better than to make sure that didn’t happen between those designing for the show and Playmates and anyone at DreamWorks Classics and WEP that might have been involved in communications.

I spat out my coffee when I read that bit about the show bible, because damn, if you’ve ever had to design an ad campaign (which can last for years!) with a half-assed or incomplete branding guide and little-to-no marketing and romance copy (let alone a style guide to help your copy editors write it), then you’re looking at a huge mess once that thing finally gets finished.

How did DreamWorks not catch that?

[choomchoom]

I have a lot of thoughts about the new comic and the reactions I’ve seen to it and they mostly sum up to “I’m gay and I’m still smad about lost light being rushed”

This is an attempt to reconcile the two very divergent types of reactions I’ve seen to the new comic: “[spoilers] died; everything is awful; I give up” and “it’s a fun story; the worldbuilding is cool; I’m excited to see what comes next.” It’s entirely possible that it’s an excellent comic, maybe one that I would enjoy reading, but this post is about why my reaction leans toward the former. Full disclosure: I haven’t read the issue because none of the promotional materials made me excited for my favorite characters’ roles in it. As such, this is not a critique of the issue – it’s me trying to explain why I think perspectives on the events that occur in the issue diverge.

Transformers: More than Meets the Eye was the first transformers media I ever encountered, to an extent that’s actually kind of surprising with all the transformers media out there. I had never transformed a transformers toy, I had never seen an episode of G1 or TFA or Prime, and I had only seen trailers for the Bayverse movies. I did not know what an alt mode was until I was reading the back cover introduction to MTMTE (I mean, I could have guessed, but I genuinely hadn’t encountered that term before).

What drew me to MTMTE was not “It’s Transformers!” It was “this comic has gay characters. This comic has so many gay characters.”

I ended up getting into the whole thing, obviously *gestures at my blog and my AO3 page; high fives all the awesome people I’ve met because of Transformers* but the original draw for me was MTMTE/LL’s homonormative utopia. For people who came into MTMTE as Transformers fans already, I feel like maybe the incredible representation that we got in it felt like a cool addition to an overall cool story. But for me, and, I suspect, others who came into MTMTE for the same reason I did, the LGBTQ representation and the way it was portrayed was central to my investment in the story. For me, an IDW Transformers without bountiful LGBTQ representation doesn’t feel like a return to the status quo; it feels like a major loss.

A lot of people in my position or a similar one were more optimistic than me and chose to read the new issue, and many ended up bitterly disappointed. If I’d read the issue, it would have been in the hopes that there would be a hint that the representation that I consider to be a central aspect of IDW Transformers wasn’t going to disappear. People who read the issue got the opposite – an indication that the author of the new series is not thoughtfully engaging with the LGBTQ aspects of the stories in whose footsteps he’s following. Frustration about what happened at the end of the issue is not jumping to conclusions – it feels to me like a reasonable reaction to an author who has given us no reason to trust him (re: continuing to make IDW Transformers a haven of nuanced LGBTQ rep) giving us a reason not to trust him.

[residentlesbrarian]

You get rep! You get rep! Everyone gets rep!

Not Your Sidekick by C. B. Lee

This was another book I discovered during the Queering YA panel of ClexaCon 2018. That panel really was where these reviews and my current mission to shine a light on the queer fiction that is present in the library world started. I was blown away by this book! Literally squealed so many times, you’ll see down below. Now onto the review!

Unicorn Rating:

Blurb:  Superheroes? Paid internships? Pretty volleyball players? Oh my! This book is one you will not want to put down and then be sad when it ends, because you just never want to leave the world of Andover and the cast of characters that C.B. Lee has created.

Disclaimer: I will try my best to not spoil anything from the book, but my book loving rambles may give more away than a traditional review. Here we go! Ramble time!

Review:

Have you ever read a book where it was physically painful to put it down? That was exactly what it was like reading this book. The characters are immediately real in your mind the moment they are introduced on the page. The world draws you in and just doesn’t let you go.

One thing that is always hard to swallow in stories with superhuman abilities is how those abilities come about. Who gets them and why? C.B. Lee did a fantastic job of establishing the world that these types of abilities are not only possible but recognized and strictly regulated. There wasn’t a single moment that I, as the reader, had to go beyond a normal suspension of disbelief to make the world work. On that note let’s take a closer look at the plot.

I know I already mentioned how much I loved this book and I am gonna reinforce that statement here with the plot. It was the kind of story telling that pulls you in but also keeps you guessing. Even when you think you’ve figure it out you really haven’t...or at least not all of it. I love the feeling of unraveling a story and spinning theories to see if I’m right and this book was no exception, but usually when I figure something out easily it takes away from the story in the end cause I’m not surprised, but with Not Your Sidekick I was delighted when theories panned out or when I was taken by surprise. A huge part of what made that possible was an outstanding cast of characters that you fall in love with immediately.

Jess, our main character, was an utter delight to read. From her first moment on the page she felt real and vivid. Her sarcastic wit was refreshing and brought some of the best laughs of the book. One thing that was nice to see was that her sexuality was figured out long before the story takes place so it is just part of her character and is mentioned in a passing description. Her bisexuality is just part of the many things that make her who she is but isn’t at the forefront, which gives her that authentic feeling that some queer characters lack. Her attitude towards her family and how she didn’t have any abilities was a truly interesting dynamic. She didn’t have over-the-top resentment that a lot of characters in her position tend to have in today’s media. She wasn’t stoked about being the only ‘average’ member of her family, but she decided she would do the best with what she had. That kind of mindset is rarely seen in heroines, because most we see are created to be even more extraordinary than a typical hero to make sure no one can say this girl isn’t the hero of the story. There was never any doubt who was going to be the hero of this story even though she had no abilities that anyone knew about.

The dynamic between Jess, Bells, and Emma was very fun to dig into as well. These are three friends who just function through their lives with each other. If one is involved the other two are just a given. Watching as that dynamic changed into one of a less codependent nature but still didn’t change how intrinsically important they were to each other was fabulous. It was so true to real life (super powered shenanigans aside) that as the book progressed they each had different things that required their attention, like jobs and family and school projects, but at the end of the day they were still close and wanted to be around one another after the dust settled.

Now on to one of the unexpected but brightest spots of this book. My baby boy Bells Broussard. He is precious and deserves to get pampered every day and told how much he is loved. From when he was introduced he was a rather literal definition of a colorful character, with his hair and out-loud personality, but you could immediately see the depth under the fabulous hair. Then one line took him from the usual sidekick/comic relief character into a whole new dimension. Finding out he was a transman resulted in uncontrollable squealing and hand-flailing. The fact the reader has no idea that Bells is not a cis male from the beginning is something completely out of the norm. Usually a trans character is defined by that gender identity but he isn’t at all! This is the kind of trans representation that has been so badly needed. I could go on for ages but I’ll save that for the sequel, but when we get there I make no promises!

I won’t say much on Abby as a character, which doesn’t mean I didn’t like her (quite the opposite actually), but I have a hard time discussing her without going into spoiler territory. I will say that the most refreshing aspect of her character was that she wasn’t just the token love interest. She had an entire story and purpose and drive that had nothing to do with Jess. Even though her first mention was as Jess’ long time crush, the moment we actually meet her on the page she doesn’t fit the mold of the bland love interest that is nothing but a pretty face for our heroine to ogle at. The romantic subplot was so well done and woven into the story that it flowed naturally and never took away from the actual plot. I’m gonna wrap this up before I give myself any more chances to spoil this masterpiece of a book.

Something must also be said about the racial diversity in this book! Of the core group we meet, only one is Caucasian, which I have never seen in my life time of reading and it was awesome! Overall, this book and the world it brings you into through Jess, Bells, Abby, and Emma is so engaging that you don’t want to leave when the book ends. It is a brilliant example of how you can have queer characters be the center of your story but not have it focus on that aspect of them. This story is about superheroes and villains and everything that comes with that. It just so happens to be happening to some awesome diverse queer teenagers.  

Queer Wrap-up: This one wracked up quite the tally at the end of the day. We have the main character who is openly bisexual and pining after a cute volleyball player and her friends pick on her about it like you would expect in any other teen book. We also have my BABY BOY BELLS!! He is the best trans rep I have ever read! I literally tossed the book down to call my brother because I had to talk to him about this precious bean. This is also a case where I will count the love interest as an additional queer character cause Abby definitely qualifies, but again I am incapable of talking about her without spoilers, so if you want details then send me some asks. That is why this book not only gets a five unicorn rating but will also be the first inductee to the Sparkly Unicorn Hall of Gay.

Links:

C. B. Lee Website

Goodreads

Amazon

If you love superhero books and are looking for some queer rep wrapped up in excellent racial diversity and a truly enthralling world this is definitely the book for you. I will eventually be doing a review of the sequel Not Your Villain and will link it after it’s posted. If you guys want to discuss anything please don’t hesitate to send me asks. As always if you want to read this but don’t want spend the money without knowing for sure you are going to like it, go to your local library. You’d be surprised what they have on their shelves just waiting to be discovered. Trust me, I’m a lesbrarian.

[problemsofabooknerd]

LGBTQIA+ BookTubers You Should Be Subscribed To

Pride Day 4!

Check out the intro to my Pride project here.

Here’s a thing you probably already know if you follow this blog: I’m a lesbian BookTuber! For the uninitiated, BookTube is a specific subset of YouTube that involves talking about all things bookish. You want reviews? Recommendations? Discussions? People screaming about their favorite new releases? That’s BookTube in a nutshell. But, when you first join the community, it can be a little harder to find LGBTQIA+ BookTubers. Fear not, we’re out there! And today I’m recommending my favorite channels run by some of my favorite humans. If you want a quick shorlist, I have already posted one of those, but this one will get more in-depth with the kind of videos these lovely people post, and the books they read. 

Perpetualpages - This channel is run by the amazing Adriana. If you want in-depth discussions of books (some that you probably have heard of, some that you haven’t) they are the person to follow. Adriana constantly highlights queer lit, Latinx lit, and so much other diverse content. You will never run out of recommendations, and every single video they post leaves me speechless as far as giving me new insights on books and media. Their discussion videos also always astound me, and are some of my favorite content on BookTube. 

WoolfsWhistle - Nicole is out here, ready to give you all the sapphic book recommendations you could ever need. Ok, she reads beyond sapphic content. In fact, plenty of variety as far as LGBTQIA+ content is on her channel, but I’ve also gotten some of my all-time favorite wlw books from recommendations in her videos. Her video, Summer Reads for Queer Ladies, is how I found her channel originally and its such a solid introduction to her content. Nicole also has a really excellent mix of books that are super hyped, as well as ones I haven’t seen mentioned anywhere else. 

Danika Leigh Ellis - In all likelihood, if you are into finding books with sapphic content, you’ve probably seen some of Danika’s writing already. She manages The Lesbrary, plus @biandlesbianliterature here on tumblr. AND she’s a Book Riot contributor. Honestly, if you are looking for any kind of book that features sapphic ladies, Danika is the person to go to. Her videos are just as informative and full of recommendations as her posts around the internet, and she’s all around a delightful human. Also, she created the LGBTQIA+ BookTube tag so go through this playlist and you will find lots of others who have done this video. 

The Boy Who Cried Books - Joseph is here to be queer and talk about queer lit. I actually first happened across his channel when he challenged himself to read nothing but queer books for a full year, and he documented that through a bunch of wrap ups and other videos. Check out that full playlist of Year of Queer videos here! Joseph is hilarious, and constantly highlighting books about queer and/or POC folks, so you should 100% be watching his channel.

Kayley Hyde - Kayley has been doing YouTube for like ten years which is kind of mind-boggling to me, but in more recent years her channel has become a bit more book focused. She’s super sweet, always talks about queer books - mostly contemporary, but plenty of other genres mixed in there as well. Plus, and this is only slightly unrelated, but she has the BEST instagram, and it is full of pictures of Kayley and her girlfriend that I gush over daily. 

Wish Fulfillment - Sylwia is one of my favorite people on the internet, and I cannot possibly gush enough about her. Her entire channel is super focused on so many forms of representation, from feminism to mental health to the queer community and more, and every wrap up features a super in-depth look at at least a couple of the books she’s read recently. She covers a wide variety of genres (and has said in the past it’s her goal to get into every genre out there), so there is a little something for every viewer. Sylwia is deeply supportive, incredibly smart, and I love every single piece of content she uploads. 

TeaLeavesandBookBindings - What’s fabulous about Ashley, at least for me, is that we read similar books, but I feel like Ashley always has something new to add about them that I didn’t think about, or she has a wildly different opinion that can really change my perspective. We can hype books together, and then have totally opposing opinions that I love to discuss with her. She also always brings variety to her content on YouTube and I adore that. Her Reading While Queer video series started right about the same time that Danika created the LGBTQIA+ BookTube Tag, and it is an utterly engaging mix of discussion of books, representation, and anger. She’s fabulous.

Iris Moon - I have been watching Iris’ channel since right around when I first joined BookTube, and it’s been amazing to watch them grow as a reader, as a reviewer, and as a person. They’ve always been super academic and intriguing with their reviews (the thing that initially drew me to their channel) and I have constantly found totally unexpected books through their wrap ups and recommendations. They also created the Representation Book Tag, which Iris tagged me to do as well and I promise it will happen soon, but it’s fantastic and super enlightening so check that out!

DylantheReader5 - If you’re anywhere on book Twitter, you must have seen Dylan by now. I mean, he’s everywhere. Also, I adore him, just putting that out there. Dylan reads primarily contemporary, mostly emotional contemporary, mystery, and romance. He’s also mega friendly, hilarious, and I spend most of my life sad we live far away so I can’t hug him. It’s a disaster on geography’s part. But if you aren’t already watching his videos, fix that right this second! 

Things Lucy Reads - Luce is another BookTuber I feel like I’ve been watching for years! I feel like she’s one of those OG queer BookTubers that has been doing the work for so long, and I live for it. The BookTube Code of Silence videos remains one of my all-time favorites in terms of rep and how we discuss it online, but overall Luce constantly recommends incredible underrated books. Plus I never get tired of her Star Wars content.

xreadingsolacex - Kav!! Is such a gift to our community! I adore their videos, their frank and honest discussion of books, and the recommendations I get from their channel, but honestly Kav is a delightful part of bookish internet in every sense. They’re always cheering people on in the comments (sometimes I get a comments blast from Kav and I get super emotional about it), and they also talk so extensively online about representation, the book community, and how we all can constantly be doing better. Truly, I love them in every way and you should too.

That’s it for the channel highlights! There are lots more LGBTQIA+ BookTubers out there for you to find beyond this list, I promise. You could be watching Riley Marie, Ben Alderson, TheHufflePuffleBooks, jennaclarek, Winx & Ink, TheIrishReader, Pucksandpaperbacks, George Lester, and Peter Likes Books. Also check out this playlist by Danika of Queer Women Booktubers! Alright, that’s all from me today, but be sure to check back tomorrow if you’re looking for some queer SFF.

[lightsandlostbells]

why I’m not keen on Evak 2.0

fredweasleying replied to your post

“Skam Italia episode 7 reaction”

Im italian and i have the same opinions mostly....why dont you want an evak 2.0 tho im curious!!

Hi, I’m sorry for taking some time to respond! I was feeling a little sick this week and I have a long answer for this question, lol.

The main reason I don’t want an Evak 2.0 is because is that, well, I feel that Evak 1.0 is about as perfect a canon ship you can get in execution, and S3 has no major flaws for me - I only have one gripe of any substance (having to do with Emma outing Isak) and it doesn’t ruin the season for me or anything. Personally I didn’t want any of the seasons to be direct remakes and would vastly have preferred new stories tailored to the culture, with new characters developed around the actors’ personalities and strengths, but there’s not anything we can do about S1, and at least one S2 remake is mid-season, with more being set up. And I believe the contracts required the remakes to do S1 and S2 of the original? But S3 is not a guarantee. Anyway, S3 and Evak had some weird magic going for it where everything worked. Very rarely have I seen a fandom react with near-universal praise and satisfaction toward something, especially a canon ship. Obviously not everyone is going to love S3/Evak but I think it’s hard to deny that they’re overwhelmingly well-received. Not just by fans, either. I’ve seen professional film and TV critics gush about S3, too. Much of S3′s success comes from elements that can’t be replicated just by following the outline of the original. 

The chemistry is hands down pivotal to the success of S3. I can guarantee you that, strength of the writing and directing aside, if those two actors aren’t fantastic together, then the season is just not going to work. Imagine two actors with no chemistry doing all the bed scenes, or the kitchen scenes, or the O Helga Natt scene. It would be so awkward. I think OG Skam overall did really well with cast chemistry, and Tarjei and Henrik’s chemistry was really something special - you can see little things in their body language, the way they mirror each other, turn toward each other, come up with unique gestures for each other that make them seem more real as a couple.  They react to each other and feed off the other’s performance rather than just performing a script. I think it’s going to be extremely difficult to find actors who are even remotely as good with each other. (And frankly this is harder with gay fictional couples due to possible biases in their depiction ... I want to believe the best of the remake production teams but I’m not gonna lie, until I see it in action I’ll be a little apprehensive that they won’t let their Isak and Even be as affectionate together as the original. Even “progressive” shows can display double standards about that.)

You need a seriously gifted actor to play Isak. Not that you don’t need talent for all the characters, but there are quite a few scenes where Isak just looks at stuff on his computer, or gets a text message, or talks on the phone with someone, and you need an actor who can clearly communicate what Isak is feeling without help from other actors or stimuli. Then of course there are the bigger emotional moments, but Isak is a very internal, very vulnerable character for much of the season. As far as the remake Isaks go, Lucas hasn’t felt that believable to me in most scenes and his facial expressions/subtlety are especially what have left me cold, and I like Martino but his performance doesn’t feel that vulnerable to me yet. Matteo from Druck is the one who seems most capable of being Isak-like but IDK what’s up with Druck. I am very willing for these actors to show me excellent performances in the future, I’m just aware that they have a lot to live up to.

You need a seriously gifted actor to play Even. This could make or break the Evak pairing in the remakes, perhaps. I would argue that you need more acting chops to play Even than to play any of the other love interest characters in Skam, because you need someone who can pull off depression and mania convincingly. That’s really tough subject matter and someone who isn’t up to the challenge could potentially make the character a parody or caricature, the last thing you want to do in a season with positive mental illness rep. You also need someone who can walk the tightrope of carrying a big secret through most of the season while still being charming and sympathetic even as we’re stuck in Isak’s POV, being hurt and confused by Even’s unexplained behavior. We need to have some trust in Even. It will be hard to root for Evak if the Even seems like he’s just messing around with Isak and lacks that core sweetness and sincerity. Personally speaking, I never ever doubted that Even’s feelings for Isak were genuine, even when he was ghosting and giving mixed signals, because honestly, Henrik’s heart-eyes were just that convincing, lol.

Some of the symbolism and richness of the original’s writing and directing will be lost no matter what, if they stick to the S3 script. 

For instance, 21:21 does not make sense as birth/rebirth symbolism if the character is not named Isak/Isaac/some variant. Of course the story can still continue and make sense on a surface level, but it will lose aspects that gave the writing additional depth. One reason of many that I love S3 is because the symbolism gives the story so much more weight. It makes Isak and Even’s relationship feel much more important than just a sweet teenage romance. Not to sound ultra corny, but presenting Isak’s love for Even as a form of spiritual rebirth feels downright profound and puts it up there with the “epic love stories” that Even likes, tragedy or not.

The Romeo + Juliet references are not going to make as much sense if they can’t, say, get the rights to the music from the original. Like … if you do a close remake with the pool kiss, and it might be a pretty scene, but you’re going to need some R+J music over it for it to have the same resonance. But then, lol, the scene will be too similar to the OG scene. The R+J references weren’t just fun Easter eggs for the viewers; they were woven into the story very thoroughly and thoughtfully. Even’s love of Baz Luhrmann tells us a lot of about personality and outlook on life. It gives us an idea of his romanticism but also hints at his depression. Thematically, R+J is hugely important in terms of creating tension and suspense throughout the season, that undercurrent of “epic love stories have to be tragic” and making the viewers expect the tragedy, only to subvert that expectation. A story about suicide becomes a story about rebirth.  

They should not even bother trying to redo O Helga Natt, man. Just don’t do it. They’re going to lose a lot of the symbolism anyway. 

There’s some other stuff but IDK, there’s just … so much that can go wrong. The Evak relationship feels really specific - they have so many inside jokes that are unique to them, so many recurring themes, so many little gestures, and they all work together as part of a whole. Copying them wholesale is going to feel artificial. Some of the remakes have handled the adaptation part better than others, but there’s some stuff that I just don’t think will work as 2.0 at all.

Since we’ll likely be getting an Isak season in each of the remakes - it was such an international draw that I can’t imagine it not happening for each remake that is renewed - what I really want is for them to write their own S3 featuring a coming out story, with the same care and detail as Evak, and covering similar themes, just ... not Evak. Not the same scenes, the same dialogue, the same characterization. Make Even have a totally different personality. I wrote a post about different films they could reference in S3 other than Romeo + Juliet, and like, I wrote it as a joke, but also? They should pick different movie references for S3 if they decide to incorporate them. Perhaps they could pick iconic Italian/French/German films from the country of that remake. Think carefully about the story and weave in different symbolism. Just recreating those motifs will be the ultimate sign of a remake’s laziness.

I do think S3 is very important in terms of the issues discussed, and I think it would be wonderful for youth in different countries to get the LGBT and mental illness representation. I would just prefer if they created something thoughtful and original rather than trying to recreate something that’s already considered a masterpiece by many critics and fans.

[ruffsficstuffplace]

The Viridian Vanguard (Part 25)

<I’m really very sorry we have to part ways like this, Ruby...> Varryn said as they bowed, all of their belongings in a sack on their back, and the Grove’s Tube station behind them.

<It’s alright, Varryn, we all knew it was much more likely to end like this than not,> Ruby said, bowing back.

<I really do wish that I could have lasted longer in the team’s service, Ruby!> Varryn said as they bent back up. <You’ve been an excellent leader, both within and outside of the walls of the Bastion, and a great friend beside; and to say that the credentials and the experience I’ve acquired in my relatively short time with all of you will be invaluable for the rest of my life will be a severe understatement!>

<Aww, thank you, Varryn!> Ruby replied, smiling now. <You’ve been a great team member and a wonderful friend, too. I’m sure we’d have had spent way more time and had a whole lot more stress trying to navigate, hunt, and trap in the wilds if we didn’t have your skills, not to mention your help with all the Big Game, like Grarr VII!>

The colour drained from Varryn’s face, particularly impressive due to the dark colour of their skin.

<Sorry.> Ruby whispered.

Varryn gulped down the lump that had formed in their throat, before awkwardly jerking a paw behind them. <I’m just going to be leaving now, Ruby… need to get settled in my new home, get my affairs here straightened out, before it’s back out to the wilds again!> they said, backpedaling to the Log that was awaiting them.

<Good luck with all that, Varryn!> Ruby cried, waving. <And if you ever need anything from us, don’t hesitate to call!>

<I won’t, thank you, Ruby!> Varryn shouted back, before they swiftly spun around, stuffed their sack of belongings as quickly as they could into the cargo hold, before diving in and strapping the belts in place all by themselves.

The two Tube technicians looked at each other, shrugged, and proceeded to shut the hatch on Varryn, before sending them out of Keeper’s Grove for the last time. Ruby stood where she was for a few moments, before she sighed, turned around, and went back to the house with her head hung.

As she stepped back into the living room, she found everyone still at the “command center,” a table set up with Ruby’s terminal, plus a handful of loaned units. Qrow was the first to look up from his screen, and waved at Ruby. “Welcome back, kiddo, got to say goodbye Varynn like you wanted?”

“Yep! Managed to screw it up, but hey, it’s not like we’ll probably be hearing or seeing from them any time soon!” Ruby said as she plunked herself down on her chair, and reactivated her terminal. “Thanks for the break, everyone, I really appreciate it.”

Penny bid farewell to whoever she was talking to, then smiled at Ruby. “You are welcome, Ruby, and please, think nothing of it! Proper closure is absolutely vital for mental and emotional health.”

Ruby nodded as she returned to her recently moved terminal, and resumed the search for Varryn’s replacement.

“… Thanks to filters, bots, and the Codex, it was easy to screen out almost all of the folks who were completely unqualified, or that we didn’t need as badly as a new wilderness expert, but there were still LOT of folks to screen, references to call up, and a couple of extra background checks to do.”

“I’m surprised that there’s actually so many Fae who want in on the Keeper Team,” Weiss said.

“It’s probably because of all the benefits!” Ruby replied. “The regular pay may be crap, and the job is difficult and dangerous, to say the least, but even if you only lasted a single season with us, that’s the same rep and credentials as you would have had if you spent a year—maybe two—only taking some of the highest risk jobs available in the Valley, nearly non-stop.

“And if you managed to help me put down a Soul Eater? Well, provided you could still fight and venture outside the walls after, the Roost and private contractors will pretty much let you set your own fee, among other things.”

“And if you haven’t had that distinction, and can’t continue working as a Watcher?”

“Then there’s hefty benefits you could live off of if you’re not too extravagant about living expenses, let alone the folks that’d love to employ a former Keeper Team member for the PR points. And if you end up getting killed in action, whoever’s your beneficiaries will be pretty much set for life, and if you don’t have any, you’ll get a fancy, permanent memorial at the Roost—for some, that’s all they really want or need.

“Of course, there are some folks that are just using it as a stepping stone for their careers—‘High Honour Hopefuls,’ we call them. After all, nothing pleases supporters, and looks damn good on a public service record than helping keep Avalon from getting overrun by near-unstoppable monsters!

“Uncle Qrow really doesn’t like it when we get them, though...”

“Fucking hell, Penny, I thought you said you could screen out every single last one of these suck-ups!” Qrow griped as he angrily pressed the “reject” button, so hard his talon scratched the stone of the terminal underneath.

“I only said ‘Most of them,’ and I’m certain that your chronicle data will be concurrent with my own,” Penny replied coolly. “It’s not any fault of mine that some of them are able to avoid detection relying heavily on word and pattern recognition algorithms.”

“Heh, guess they wouldn’t be Honours if they couldn’t, huh?” Nora said playfully.

Qrow side-eyed her, before shaking his head.

“How many of them have you seen so far, Uncle Qrow?” Ruby asked.

“One, and that’s already one too many...” Qrow grumbled, before he sighed then started to shut down his terminal. “You know what? I’ve had enough of screening hopefuls today, I’m clocking out.”

“We have been screening for several hours with just the bare minimum of breaks, it would indeed be wise to end now and resume tomorrow morning, to avoid unnecessary error and impaired judgment due to fatigue,” Penny said.

“Great, now it’s Mender’s orders, too!” Qrow said as he got up and stretched his legs. “Time for dinner—who’s turn was it, again?”

“I think it was Varryn’s, actually!” Ruby said as she and the others began to shut down their terminals, too.

“It was indeed!” Penny said. “So, with him gone, that means it’s Qrow on dinner duty, myself with dishes, and Ruby to attend to Zwei.”

Qrow paused for a moment, before he happy look on his face disappeared. “Ah, shit, you’re right...” he mumbled, before he dejectedly marched into the kitchen, pulling his flask out of his pocket as he did.

“We’ll help,” Ren said, as he and Nora got up, and followed him.

“And just so you know, I am starving after all that work, so it’s gonna be a total crumb-pocalypse tonight!” Nora said, chuckling.

“Please remember to pace yourself so you don’t end up with indigestion!” Penny called after them, waving, before she turned to Ruby. “Would you like some assistance with Zwei, Ruby? I was thinking of contacting some more character references before I stop completely myself, but I am willing to provide an extra hand and/or company, should you need or want it.”

“Nah, I’m good!” Ruby said as she pulled her cloak back on her shoulders and turned the hood up. “Besides, I wouldn’t mind some alone time with Zwei, he’s probably been so bored and lonely all day!” she said before she made for the door.

“If that’s what you wish, Ruby!” Penny said. “Don’t hesitate to call if you change your mind!”

“I won’t!” Ruby said, before she stepped out of the house and shut the door behind her, stood on the edge of the rail and yelled, “Zwei! We’re all done for today! We can go play now!”

She smiled as she leaned on the railing, gazing out at the overgrowth down below, waiting for Zwei to rip a new straight line through them in his rush. “Heh, he’ll probably leap all the way to the balcony and take me back down with him,” she thought, smiling.

The smile disappeared when she five minutes later, she didn’t see, hear, nor smell him. “Zwei!” Ruby called out again. “Zwei! Shift’s over today! Uncle Qrow’s already getting dinner! I’ll make sure you get an extra serving tonight if you get back here within a minute! Counting down: 60… 59… 58...”

She peered out at the swamp, trying to notice anything off, closed her eyes and counted silently, skipped a few as she sniffed and tried to get even the vaguest whiff of Zwei’s powerful, unmistakable smell.

“… 3… 2… 1… 0!” Ruby cried. “Times up, Zwei! Maybe I’ll consider still giving those extra servings to you if you come back right now…!”

The door opened, Penny peered out. “Has Zwei still not returned, Ruby?” she asked.

“Yeah, it’s really weird...” Ruby said, still looking out. “He’s never strayed that deep into the swamp without us, hasn’t he?”

“No, based on my own Chronicle, Qrow’s, and the previous chroniclers,” Penny replied.

Ruby turned around, the worry clear on her face. “Do you think he’s okay?”

“Most likely!” Penny said, smiling as she stepped out of the house and towards Ruby. “He’s an incredibly powerful, durable, and intelligent dog! That aside, it’s highly probable that he’s found an incredibly comfortable, secluded spot and fell asleep there, and it just so happens that he can’t hear you.

“Shall we go look for him?” she added, putting a hand on Ruby’s shoulder and gesturing out to the swamp.

“Please,” Ruby said, heading to the boat-elevator.

“I will inform the others that we’ll be searching for Zwei, then will join you post-haste,” Penny said.

Soon, the both of them were wandering deep into the swamps surrounding Keeper’s Grove, beams of light shooting out of Penny’s unblinking eyes; her ears slowly rotating around her head like radar dishes; her mouth open and her hands cupped around it, and her tail in Ruby’s hand and leading up to her mouth as she used her like a megaphone.

“Zwei!” Ruby called out, her voice booming and echoing off the trees as they hopped and walked on the giant roots. “Zwei! Where are you?! I’m really worried, boy!”

After yet another minute of silence, Ruby whined and let go of Penny’s tail. “He’s not answering or anything! Do you think something bad happened? Should we call the others?!”

“It is extremely concerning, but I urge you to please remain calm, Ruby,” Penny said as she put her hands off her mouth, shut off the spotlights in her eyes before she faced Ruby. “I’m going to contact them now, so we can get the equipment and the heads for a proper search.”

It was then that something fell from high up above, and noisily plopped into the water, followed by some leaves and branches that had been messily cut apart, likely by accident. Ruby and Penny both looked above, into the thick branches and leaves obscuring whatever was above, before turning to the water where the object had landed.

They shared a look with each other, before Penny reached in, and pulled out a black breakneck, now covered in swamp muck and dripping with water. She reactivated the lights in her eyes, Ruby frowned as she examined the weapon.

“This is Celestian made…” she muttered.

“Indeed,” Penny said, before she contacted the others back at the house. “Sorry to interrupt your dinner, everyone, but it appears that Zwei has found an intruder, possibly still armed and dangerous. Please prepare accordingly, bring the necessary detaining equipment, and alert the Roost.”

Qrow sighed. “And of course it’s right as I sit down and got my plate ready… alright, got your location, got a visual and any info for us?”

“No visual, and two things: there’s a good chance they’re from Celestion, and down a primary weapon,” Ruby said, holding up the breakneck for the others.

“Oooh, a possible assassination attempt!” Nora chimed in, her mouth obviously full of cookies. “Isn’t this exciting, Ren?! I mean, it’s not great obviously, but we get to check this off our milestone list of being with the Keepers!”

“I suppose so, Nora,” Ren said. “ETA 25 minutes—you want us to bring anything else alongside your gear, Ruby?”

“Yeah: dinner to go,” Ruby added. “Something tells me this is going to be a LONG night...”

Note: The Watchers, Seekers, Weavers, Makers, and the rest of the Orders are free to make recommendations for replacements and additions to the Keeper’s team, but aside from the most basic litmus tests, all the screening, interviewing, and hiring is done by the Keepers themselves, usually (but not always) with the help of the current and/or recently retired members.

This is because the Keeper Team has historically had a LOT of questionable hires, who turned out to be incredibly great assets, such as Abner.

[shemakesmusic-uk]

Brixton's Cristale is on a hot streak right now. A flurry of excellent freestyles and punchy single releases have seen the South London artist carve out her own lane, matching an incredible ear for production to excellent word-play. New single 'Merryland' is out now, and it's fantastic - the perfect marriage of stellar vocal and punchy studio work. The skittering snares nod to drill while absorbing broader Stateside hip-hop elements, all while remaining rooted to the London sounds that first inspired her. Out now on 4ZA, 'Merryland' is packed with flair, presenting Cristale at her most uncompromising and alert. The video places Cristale front and centre - watch it now. [via Clash]

With collaboration credits ranging from Aotearoa hot shots Kings, eleven7four, Mazbou Q and James Milne (Lawrence Arabia), and overseas features including US producer Party Favor and majorly talented Iranian rapper Chvrsi, CHAII's follow up to last year's Lightswitch EP is a melting pot of music genius. Already racking up a few hundred thousand streams with singles 'Get It Done', 'Might Just' and 'Oh Nah Yeah', fans will be inhaling the three new releases — 'Mano Tou' featuring Chvrsi, a mellow but stunning celebration of CHAII's Iranian roots; a new version of single 'Might Just'; and of course the catchy title track 'Pineapple Pizza', stacked with sharp bars, gorgeous melodies and a joyful music video shot at the iconic Hamilton gardens. [via Under the Radar]

Taken from her latest project Hack The Planet, BXKS unveils the huge electro-rap track ‘321′, featuring the equally slick-tongued Oscar #Worldpeace. Crafting an edgy-yet-considered rap sound, BXKS’s infectious vocal delivery and juddering trap beats are just some of the techniques in distinguishing her innovative work from most. ‘321′ sees her bounce back once more. Teaming up with Tottenham-based rapper Oscar #Worldpeace, together the pair craft a sonic vision with their nonchalant flow and looping beats. Featured as the fifth track on her second full-length project of the year, Hack The Planet, the track stomps from end to end. “’321′ is very laid back riddim with not many lyrics produced by Ewhizz and featuring Oscar #Worldpeace. They both shelled it’s so I’m excited for the tune to touch roads,” comments BXKS. Having worked on the track’s accompanying music video with film director Jay Green, together they craft a shapeshifting visual, reflective of some of BXKS most favourable music videos. Across the video, BXKS plays around with trippy visuals, flashing lights, and abstract camera viewpoints. Seen to be rapping inside a metal cage whilst others dance around both artists, ‘321′ channels a sense of claustrophobia in the best possible way – reminding viewers of the pulsing energy that comes with an intimate live performance.“For 321 I wanted to contribute to BXKS's clear Y2K aesthetic, taking cues from Blade, The Matrix and So Solid's - 21 Seconds to form this gritty visual,” shares Jay Green. “Presenting her and Oscar #Worldpeace in this abstracted and infinite caged world (I guess a kind of metaphor for how algorithmic and homogeneous society/art can be nowadays.) that they are trying to break out and ascend from as unique and talented underground artists.” [via Line of Best Fit]

“Southside, Clayco, where I’m from means everything to me. My biggest song is titled after where I’m from,” says Latto in her most recent Instagram visual, posted just hours before her next release as a reminder of her Southern pride. Her brand new single ‘Soufside’ just arrived, and is another example of her repping her roots. On the new track, she shows off her signature, raunchy flow. [via Revolt]

Emerging as one of hip-hop’s hottest new voices in 2021, St. Louis rapper and singer Big Boss Vette makes her name known on her latest single ‘Big Boss Vette,’ available now via Beatstaz/Amigo Records/Republic Records. Over skittering 808s and a bass thump, she tears into one braggadocious boast after another. With raw hunger in her delivery, she warns, “B*tch you better come correct,” before adding, “Don’t confuse me with these hoes. I’m only coming for that check.”

Singapore based musician / rapper / producer Masia One returns with a brand new track 'Go Girl Go Get It'. Upbeat, heartfelt and brimming with positivity, Masia One is unafraid to break all the rules, merging elements of old school hip-hop over pop fuelled melodies and unfiltered lyricism. Masia shares, “This song is the awakening of your best self. Literally! Get up in the morning and put this on while brushing your teeth and feel energized and empowered to face your day.” Masia One has been on quite the personal journey over the last year.  She took time off during the pandemic after being told she had a tumour found in her body and would undergo a major surgery.  She changed her lifestyle, delved deep into learning about healing, balancing feminine energy and spent a lot of time in reflection. She emerged from this difficult time, cancer free with a fresh perspective on life and new music to share. ‘Go Girl Go Get It’ embodies the realisation of having another chance and getting back to a healthier hustle. While learning more about wellness and self care, Masia realised that a lot of the affirmations and music didn’t reflect the styles that would motivate her own Hiphop infused tastes. This was the inspiration to write her own rap affirmations for others that may also share this palette for sound. The lyrics of ‘Go Girl’ take us from waking up in the morning, to the busy hustle of the day as Masia adds “Even if the day is tough, a Hiphop charged affirmation can change the frequency of your whole vibe. You might even turn it around and attract the things you DO want in life.”  The chorus “Take another look, take another chance, show em’ how you feel, do another dance”, is a reminder to take a chance on yourself by cultivating happiness and expressing your voice in the face of challenges.

[janiedean]

While i hate antis and their bullying everytime they shaming a fictional ship because i believe that "Fiction is not reality", I also agree that fiction can be a good role model for the real world for example : Diana's characterisation in Wonder Woman to show us more variety of strong woman character or Theon's PTSD scene to how us what REAL PSTD scene looks like (and we're mad when people keep saying that Theon just being coward in that scene). How should we balance the two, in your opinion?

okay, so, first thing, I think we need to make a basic distinction and state that fiction influences reality and people might be influenced by fiction do not mean the same thing whatsoever.

then we have to make another distinction ie there’s such a thing as massively consumed fiction and less consumed fiction/fandom and both are also different.

then we also have to state that one thing is emulating characters, one thing is finding them interesting or recognizing yourself in them.

last thing that instead is valid for everything, one thing is good things being represented in fiction, the other is bad things being represented in fiction.

let’s go from easier to hardest.

easier: massively consumed vs fandom. now, what people on tumblr fail to realize is that most of the planet doesn’t not give a fuck about fandom or engages with it. I mean, if you’re into it you would, but I know a bunch of people who are nerds/into fandom who don’t ship nor are into fanfic. fanfic/fanart/whatever influences people maybe on a fandom-level, but if you assume that people at large might start thinking incest is fine because thor/loki exists (which is a purely fanon thing) or because jaime/cersei exists (actual mainstream stuff but not as large as idk SW), you’re frankly deluding yourself because only thor/loki shippers give two fucks about thor/loki and not counting a few people I can think of, no one thinks jaime/cersei makes incest okay nor abusive relationships okay. thor/loki isn’t even represented in fiction, it’s fanfic, jaime/cersei is represented in fiction, but no one would think either thing makes banging your brother okay whether it’s dysfunctional (t/l) or just downright abusive (j/c). in that case assuming that if you’re into t/l or j/c you want to bang your brother is the bad case which assumes that whichever fiction in existence influences reality directly.

that said, no one is actually wanting to make a social justice point while having jc being a thing or t/l being dysfunctional. it’s dynamics that are interesting to explore.

wonder woman giving more variety to a strong female character instead is extremely mass-consumption media which would show a lot of people that different type (because a lot more people watch DC movies than GOT) then you show them differently and they might start thinking differently about strong female characters. or idk black kids seeing the new star wars and liking that there’s a black lead (same for the mcu and falcon/black panther) is also an extremely mass-consumption thing, because of course most people watch star wars and know what the hell star wars is. in that case you have fiction making a positive impact on reality (or maybe reflecting reality) but it’s also, like, reasonable. because sw-the-movies have impact and normalize that the leads in the story can also be not always white blonde men with blue eyes, but the star wars fandom - and I’m just talking about the part that produces fanfic/fanart and not about the people cosplaying stormtroopers and so on - influences shit. no one is going to make people think force-choking someone is going to be okay because k*ylux fic exists, same as no one thinks that killing a bunch of children is okay because anakin did it in the prequels and no one is ever gonna think you’re a psychopath because you stan k*ylo ren same as no one who watches star wars (IN GENERAL) sees kylo and thinks WOW HAVING SUCH A BAD VILLAIN WILL BE A BAD INFLUENCE TO CHILDREN, because a generation or two grew up thinking vader was cool but no one ever thought what vader did was right. I mean, people who don’t have issues distinguishing the two facts (and usually the people who do are radical SOMETHING, conservatives or antis or whatever) are entirely aware that reality lets itself being influenced by fiction to a certain degree when it’s about positive things, not for negative things at large.

now obviously you have exceptions like fifty shades of gray which is a bad fanfic that has turned mainstream (relatively) and so now there’s a bunch of people convinced that it’s real BDSM TM, but that’s because in society people don’t get educated about how abusive relationships work or toxic relationships work so they don’t recognize it in shitty fanfic turned mainstream, but that’s where you focus your efforts and educate people, you don’t say that since fifty shades is shit then you can’t write books or make movies about bdsm period, which is what the idiots seem to want.

now, moving on to point one: as stated above, *fiction* as a thing doesn’t influence reality or every kid who’s ever read HP would have committed suicide trying to fly off the window on a broom, which is a thing that we know doesn’t exist irl and cannot exist irl. and mainstream fiction can influence reality as much as we let it for positive things, because honest, who’s ever turned violent because of videogames? no one, but since we all have violent instincts buried somewhere maybe killing people in a videogame lets you blow off some steam and whatever because you know it’s fake. of course there’s the matter of age appropriate content, but if a parent lets a seven year old watch GOT or play GTA and then that kid is traumatized it’s their parents’ fault, not the fault of the media which was clearly labeled for adults. or I mean, I read/watched media that was above my age when I was ten but I was ready for it and my parents knew it, if I wasn’t they wouldn’t have let me.

also, on the ptsd angle: in the punisher there’s plenty of examples of realistic ptsd post-war, but I haven’t seen anyone yet say anything sensed on what was to me the most realistic and well done character in that sense (lewis wilson) because people kept on saying he was *white terrorist* and that the show didn’t excuse his action with *mental illness* without knowing that having ptsd post-combat is like, being mentally ill. that show was excellent rep in that sense, but have people in fandom caught up on it or understood it? meh. people outside it yes, and maybe some people on here, too, but not as many as I’d like. same goes for theon - WITHIN FANDOM because the ptsd thing was fairly understood OUTSIDE IT. which means that the real world is getting more sensitive to that narrative, tumblr isn’t. in that case, the real world is letting himself be influenced or touched by that narrative, tumblr isn’t. what do we know.

so, tldr for this part: fiction only influences X as far as you let it and people in general do know that if wrong thing is depicted in fiction it’s wrong. I mean, I never heard of anyone becoming a pedophile after watching or reading mysterious skin, which is a really fucking good movie which doesn’t romanticize the subject at all. 

now, about the last part ie personal identification/emulation: now, never mind that emulating a character is usually done by the time you’re ten and before then you pretend to be batman while playing with your friends but you know you’re not batman, and past five you do know that if superman can fly, you a regular human being can’t. the point is that fictional people are written by real people, so if they’re realistic and the writers write them well, they’ll be relatable, and if they’re relatable they might influence you as a person or make you find shit out about yourself that might change you, and in that sense it does influence reality somehow, or if you use it to cope with trauma then it surely helps you, but who you relate to isn’t what others might. we can say that we have basic level, representation level, using-it-to-cope level.

now I’m gonna go use myself as a template since I’ve for good and for bad have used fiction to cope with shit for my entire life, so. under the cut because this is long and the next part is all personal shit so people should have the right to scroll past it xD

basic level: when I was fifteen I was having a shit time, I read the dark tower, I ran into my Favorite Character Ever, the guy used shitty humor to deal with crap all the time, it was a tendency I already had and I went like ‘okay if it worked for him why didn’t it work for me’ and today I’m someone who deals with about anything by using shitty humor or joking about it and it’s helped me tremendously honestly, if I took everything too seriously I’d be a terrible person. also, that helped me with self-confidence to a point and blah blah blah it made my life tangentially better. but that was just, like, about me. and I didn’t certainly try to emulate the guy’s worst flaws, because that wasn’t the point. anyway, I found the guy relatable but I didn’t see him as, like, representation or anything.

representation level/slightly coping level: I read asoiaf when I was twenty-two. I am sad I didn’t before because when I ran into brienne I was slammed with a brick in the face that was saying OH HEY THAT’S SOMEONE WHO’S ACTUALLY LIKE YOU/HAD YOUR EXPERIENCES. I don’t just relate to brienne, I identify with brienne to a fairly bad degree, and I’m really sad I didn’t run into her before because I might have gathered a great deal of self-confidence from seeing that there was a main character somewhere who was ugly/seen as ugly by anyone else and still was an a+++ person who could do worthwhile things and was a viable love interest for Hot Guy. (idk if it shows when I write jb fic but it’s there, so.) did brienne change my life? not as much as she could have if I had read acok when it was released, but she did give me some hope that with GOT becoming mainstream not-conventionally-pretty women would get some mainstream rep, because sure af there wasn’t much when I grew up. if that happens? fiction did influence reality, but in the wonder woman/good kind. again, no one (me or anyone else) would want to be like brienne by GRABBING A SWORD AND KILLING PEOPLE, we’d rather probably just get confidence/inspired by what she does. because she’s a well-written character that entirely gets it.

except that a lot of asoiaf fans think that she’s boring or useless or see nothing in her. which is fine - it’s not their target I guess, but again, a character who’s extremely important to me means nothing to other people and certainly doesn’t influence them.

coping/potentially badwrong coping level: so, as a person I’m really not into badwrong/dysfunctional dynamics that don’t make people better. as such, I tend to ship healthy couples/dynamics where the two people make each other better.

which is why I never was remotely interested in thor/loki as a thing in my entire life until two months ago - WAIT - and for all my time in the mcu I always felt a visceral dislike for loki I never really dwelt upon while at the same time whenever I saw thor bashing (ie he’s an idiot or he’s a bully or he doesn’t understand loki and the likes) I always felt a visceral distaste in my mouth like NO DON’T IT’S NOT LIKE THAT, but since it wasn’t even my favorite mcu franchise and thor isn’t my favorite mcu character I never, like, thought about it. I just went with the obvious ‘everyone likes loki because ANTAGONISTS which I don’t get and I get angry on thor’s behalf because he doesn’t deserve that shit’. all good until I watch ragnarok which is, like, COMPLETE CRACK ON A STICK AND NOT A SERIOUS MOVIE AT ALL and which probably did not mean to be a psychological textbook and at the end I’m like ‘fuck okay maybe I ship it a bit and now that loki’s done with the angst maybe I can tolerate him’, and then not long later or so I get hit with another ton of bricks in the face and realize that of course I always had that feeling, that was because thor and loki had the exact same dysfunctional dynamic I had with my former best friend of fourteen years that I haven’t talked to for at least seven years and which is like the root of 70% of the issues I have. all of them. and like, loki was like her except Much More Extra and on a larger scale, thor was me except Much More Extra and the more I think about it the more it just fits 100% and you don’t even wanna know how I’ve spent this last month, because I had no idea I spent six years with those feelings about that dynamic because of that, I had no idea I actually found thor that relatable on a visceral level and I still have Unresolved Issues with that person and I can’t solve them with them personally for reasons. if I actually end up writing them fanfic where I, uh, subtly address personal issues and it works, then that badwrong-ish fic has influenced me for the best (and says all that I realized it just when they reconciled, I didn’t let myself do it before). but like, that wouldn’t mean that I wanted to bang my ex-friend or that I suddenly approve of incest - because sure af I didn’t want to bang her and sure af I didn’t turn into PLEASE DO BANG YOUR SIBLINGS WHENEVER YOU WANT (ew no). that’s the damned difference. thor and loki banging in whatever fanfic won’t make anyone excuse incest and won’t influence anyone outside thor fandom on ao3 - hell, at most it’s going to influence me because if I do it I’m doing it to work through my issues. it doesn’t change reality at large.

like, fiction can be a model for something you want to see more of or you can find characters role models or relatable and it can present you a view of the world, but at the end of the day we all know that it’s not real and we only use it to filter reality and/or ourselves through it and it helps us doing it, which is why something that makes sense to me - ie that thor is extremely relatable - won’t make sense to someone who finds loki relatable for reasons I couldn’t even begin to imagine. maybe the same piece of fiction/media both influences us, but it influences us very differently because we see it through different lens. and the thing is that if you conflate the two things and start emulating characters past the age of four then you have a problem distinguishing the two things and you need to get over it/get help/whatever, because to everyone else it’s normal to see the world through fiction or part of it. if you do because I know people who think fiction is merely fiction and don’t understand the point of relating to a character in the first place. 

so like tldr, fiction influences you as much as you let it and it’s something you use actively and that is there for everyone to interpret, but it can’t, just existing, influence anything especially because if no one reads it or watches it then it’s useless. and since most **problematic** stuff is consumed by people who actively look for it and know what they’re doing - again, no one reads tentacle porn on ao3 if they don’t like tentacle porn - you can’t say that by existing, incest fic or badwrong fic normalizes abuse, because it only does if you let it and if you don’t know what abuse is and you can’t recognize it for what it is. like, a piece of fiction doesn’t need to spell THIS IS WRONG for you to know that I dunno t/hramsay fanfic is not what you should want in a relationship, you have to know that, and that’s on you, not on something that’s not mass-consumption - because badwrong fic and stuff is usually written by badwrong fans for badwrong fans, not by hired disney writers for star wars movies that have to be good for children, adults, nerds and the mass audience at large.

you balance the two by knowing that badwrong stuff is wrong irl (and it’s not a stretch) and by looking at the world through the lenses of whatever not badwrong fiction you enjoy/like/relate to, which can also be badwrong of course (see the thor/loki rant above) but like the fact that it does it to us singularly doesn’t mean that all of a sudden THE ENTIRE WORLD IS INFLUENCED BY THE EXISTENCE OF FAKE THINGS.

nor that WE SHOULD PUT THAT MUCH IMPORTANCE on fake things, because one thing is all of the above, another is saying that a piece of media is trash because it doesn’t have the representation you want in it or thinking that since something exists in fiction then you won a social justice battle. again: fiction is a tool, it’s not the ending nor the beginning of anything. having more black people in media won’t be what stops black people go to jail in the US at a higher rate than white people for the same crimes, but it might help making people relate to someone who’s different and so normalize some stuff... if you watch/consume that media and choose to engage with it. (ie, brooklyn 99′s boss is a gay black man in a stable relationship with a white professor and it’s not what you usually see on tv and it will work for casual watchers, but I doubt someone who usually watches fox news then also watches b99 - you can’t win your wars through fiction, to convince the fox news watcher to not vote trump you have to talk to him and not show him a sitcom. and mind that this can be reversed ie all the anti-russian/islamic propaganda in the US which tends to normalize russians/muslims as The Bad Guy - it works along with other things, not just on its own) the key is in knowing that fiction is made by people and consumed by people and eventually begins and ends with the people who make it and consume it in whichever way, and not in thinking that it’s above us and is something divine that changes the world just by existing.

[anctilbrayen]

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