#i have other thoughts on the adaptations i’ve seen but i thought it would be better to only talk about the bbc show

[ann-atar]

Thinking about the subtle presence of the powers that be and/or the Valar in Rings of Power, and having thoughts about what part they might play in the adaptation, specifically what we’ve seen so far, and going over how those powers that be might view Sauron and his actions, and every time I think about him in that context I feel somewhat sympathetic .

However, not too sympathetic, given his repeated offenses, to qualify him for redemption or some kind of blanket amnesty, at least not before many, many ages of serious contrition, and given that Sauron is Sauron, well. Is that likely?

There are a few different threads I’ve seen that try to make a case for TROP being all about ultimate forgiveness for Sauron, while condemning the choices and actions of Galadriel, Adar, Celebrimbor, Mirdania, or anyone who gets in his way because those individuals were short-sighted or needy, or were motivated by ego or weakness, and that the Valar were handwaving Sauron’s actions or even using Sauron as some kind of tool for divine justice(!).

Do we really think the Valar are indifferent to the suffering of elves and dwarves and men, to the point that they would condemn them to be tortured to death based on a bad choice, or a personal weakness, or a common character flaw? I don't think they are quite that severe in their judgement, but I do think, being something akin to gods, their seeming lack of presence could be interpreted as indifference, and more than that I think their actions happen on a much different time scale, so any action they take might take most of an age to show any results. And of course there would be a lot of unfortunate collateral damage in the meanwhile.

But do we seriously think this means that they would allow all of the violence and destruction we’ve seen so far just to give Sauron a second (third, fourth, fifth) chance to choose a better path before he’s subdued, just because he's a Maia and that somehow makes him their special boy?

No, and I think the show has shown us that this is not the case.

I think Sauron blew it when we were shown what happened in the season two flashback, when we saw his first days as “Halbrand”. Because it feels like that was his chance, and everything he's done and will continue to do in upcoming seasons will show him going deeper into whatever passes for insanity in demi-gods, with little or no understanding of the fact that his vision of order for Middle-earth is just as much an abomination as Melkor's path of destruction.

And that’s the compelling tragedy of Sauron.

Sadly that will mean more and worse consequences for the peoples of Middle-earth in the short term. But the Valar are not indifferent to this, and based on what we've seen they know Sauron needs to be dealt with. But what proof is there of that?

Well, they sent the Stranger/Gandalf, an Istari, and he has been explicitly put on a path to confront Sauron.

Think about the timing of him falling to earth: Sauron was on the raft with Galadriel, not long after Diarmid(!) was trying to get through to Sauron in the hold of that ship (and its subsequent destruction with Sauron on board was anything but a coincidence).

Of course Gandalf has free will too, and might make some mistakes. But he is a powerful force, who also has a different perspective and can play by different rules if he chooses, but he isn’t indifferent to the suffering of the Harfoots, and won't be indifferent to any pain Sauron causes the other peoples of Middle-earth.

So we're watching the consequences of Sauron blowing his latest chance play out, and ultimately I think we know we’ll see the realization of the Valar's condemnation of Sauron's choices and actions via Gandalf, the emissary they sent to counter him and muster forces to help subdue him. And I think the rings, all of them, will come into play during that struggle.

There’s a lot of underlying stuff about free will and the fact that power corrupts running through TROP and Tolkien in general. Celebrimbor made the Three with good intentions despite the fact that wanting to make them was also about ego and his legacy, but we can’t deny that the Three did the job he made them for, and we’ve seen them used to do good things. But Celebrimbor and Galdariel and Gil-galad and anyone else who comes in contact with the Three still have free will, and any attendant flaws that come with free will, and ultimately any powerful tool can be used for good or ill, and will inspire different things in characters according to their individual strengths and weaknesses.

But I do think the Three are more benevolent tools than any of the other Rings, with the One that Sauron will forge out of desperation being the ultimate corrupted tool that could influence the others. So Elrond or Galadriel or even Gandalf might have a better chance of using one of the Three for good, for protection and preservation for some length of time, whereas contact with someone like Sauron would change them based on his intentions, and his intentions are about gaining enough power to subjugate, well, everyone. In his hands, for instance, Nenya’s tendency toward protection would quickly decay into more overt stagnation, and just like men were drawn into the shadow realm by the Nine and the One, someone like Sauron with ill intent or a long history of general malevolence would gradually feed that into any one of the Three and reap the consequences.

In other words it’s not all about the sword, but who wields it.

I do wonder if we’ll see the Three become somewhat tied to the One in TROP, and if so how that will play out. Going back to the books, eventually the Three do lose their powers but there’s no indication that they were corrupted to the degree that the potential of any of the rings of power could corrupt or be corrupted.

The Three are powerful, and they are sought after, but they are not the Silmarils.

But would one of the Three heal or help Sauron? No, and getting back to the first part of this post, there are no shortcuts on the path to healing and redemption, and Sauron can't see that path at this point, and more than that he doesn't even know he's lost in the woods.

Quick aside because I just got a rude anon ask on the subject: Yes, I’ve read Silm and the other books and a bunch of other stuff, but I don’t treat the Legendarium as if I’m a supplicant who only accepts a literal interpretation of something Tolkien said in a lecture or a letter as something akin to religious doctrine, and I think he would laugh himself into a fit to see fans trying to contradict each other that way, especially given how he felt about the so-called dominion of the author. And given that TROP is going at Silm etc. buffet-style I don’t think we can talk about the show and expect it to adhere too strictly to every line the poor man ever wrote. This doesn't mean I didn't understand Silm, but I am coming at the adaptation mostly as it's own "thing." I hope that makes sense.

[humanoidtyphoons]

I haven't seen the BBC Musketeers show, partially because I've gotten into the book rrecently and also because I'm disappointed in reading about their incarnation of Rochefort. How is the show?

I liked how the book version of Rochefort was like a rival you'd see in a shonen; over confident older guy that frequently fights the younger protagonist in the same fighting style, follows the same code of honor, works for the villains but isn't too evil, and ultimately becomes friends with the protagonist after several times.

I wouldn't be surprised if at least some anime antagonists are directly based on Rochefort, Japan does have a fanbase for classic France literature.

I would say on the whole the show is pretty good! I feel like s1 is fantastic and a must watch, s2 is decent and mostly enjoyable, and s3 I don’t remember much about beyond disappointment. Costumes are great, it’s charming and funny and it’s a lovely take, for most part. S1 especially has the romp and adventure that’s so prominent in the books.

s1

-totally captures a swashbuckling feeling! great fun! good dynamics between the four! they’re all such loveable musketeers! you really feel the bonds for aramis & porthos as a loveable duo, athos & d’artagnan as old/young contrast, but them as a group and various combinations remains adorable to the end.

-they cast howard charles as porthos, and give an episode to his backstory, which i liked a lot, because it gave a really good historical explanation to having moc musketeers.

-i think they do right by constance/d’artagnan, and constance in general, making her a more fleshed out character, who lives to the end. tbh i was more won over by the ship in s2, but i think s1 was… fine for them, even if I’m pretty meh on how they handled her husband. don’t love it but it’s not especially a great role, not particularly likeable but at least he’s not oblivious to his wife having an affair. (i don’t think he found out in the book but… i could be wrong? edit: i was wrong)

-love athos. surly, alcoholic, aloof. his actor tom burke is perfect starting off indifferent to slowly regaining his former self, and how d’artagnan is the push he needs, breathing new life into him that continues in s2… and prolly s3.

-i think santiago cabrera is great as aramis, and how they explain how a spaniard is a musketeer. i think there’s an episode about the french-spanish war? it’s an episode about his backstory that features jj feild, who i adore.

-luke pasqualino surprisingly good as d’artagnan??? not quite as hot tempered, but still feisty and youthful and endearing in enthusiasm, that i enjoyed his portrayal a lot!

-maime mccoy as milady. wonderful! s1, she mysteriously appears and disappears in smoke constantly. the show is more sympathetic to her than the book, tho, but i’m super into the passionate lovers who can’t move on/kill each other/bound by their past, in s1&2. and i think for most part, the portrayal is satisfying, even if she’s not AS sociopathic, richelieu does tell her off for killing TOO much.

-peter capaldi as richelieu is amazing. it’s a great and nuanced performance that makes me wish he stayed on—altho maybe the plan was always one season, idk! but he’s riveting and i love him, and at his best here.

-there’s an episode where the musketeers hustle for money, in which porthos woos a widow. made me surprisingly happy because they do that in the book too! and it being handled here was good? (he actually stays with the widow all three seasons which is cute tho. edit: he does not! he breaks up with her the same episode and dates a different widow in s3, preparing for marriage)

-love the captain of the musketeers! treville is delightfully grumpy and i enjoy his ever growing role throughout the seasons!

cons:

-don’t particularly like queen anne/aramis getting a romance tbh. as hilarious as it is to have athos snidely whisper “you slept with the queeeeeeeen!” iconic, tbh, how it continues in s2-3, with aramis being the father of the dauphin… meh. edit: rewatching athos break the news to porthos/d’artagnan/treville is peak comedy tho.

-tbh don’t love aramis sleeping with the lady that richelieu is seeing? it’s only a pilot issue, i think, and i get that aramis is a womanizer, but. meh.

-d’artagnan dad dies in the pilot. one day there’ll be a version where he’s fine and his son writes him letters, but… not this version.

-the king. is. probably accurately portrayed stupidly. i think his actor is very good, in all honesty. but the character is a lil infuriating to watch bc of how he blindly obeys and is fooled by people and has temper tantrums. might be more of a s2 issue, where he starts dating milady and believing rochefort, but. hmm, elements are probably here too. tho i too would maybe listen to richelieu more than most.

s2

-it’s mostly good? the chemistry of the musketeers remains perfect, tho it departs from the book more so.

-love the messiness of athos/milady/king louis. milady sticking around makes things complicated for these two, but i’m so into it, bc yeah, athos/milady are clearly not over each other.

cons:

-rochefort. god i was thrilled initially bc a) marc warren, yay! b) NO EYEPATCH!!! (christopher lee is a wonderful rochefort but that movie starts the trend of rochefort having an eyepatch and… i hate it actually…) But then, he’s creepy obsessed with Queen Anne, and they give him an eyepatch in the final episode anyway, and his downfall is disappointing and pitiful tbh. He’s just so one note and a waste of an actor, that, yeah, I’m disappointed by it. I will say Anne saying “not once have I thought of you” was pretty neat tho, since they knew each other when they were younger, and she was initially happy to see him again.

-the continuation of the anne/aramis storyline bc she’s pregnant with his child… don’t particularly love that, and how aramis is dating the caretaker of his son once the dauphin is born? she dies, predictably. (actually the dauphin might have been born in s1, and s2 might have had a timeskip, my memory is pretty hazy since it’s been years.)

s3:

uh. everyone gets a happily ever after? there’s a time skip. athos starts dating sylvie, introduced in s3. they’re… fine.

-i think the season could have been good because there are two villains, one played by rupert everett as maquis de feron, who could have been interesting, and i think i read has some historical basis? but they do very little with him in the end. and then there’s grimaud. who was just very boring and pointless.

-milady is brought back for one episode, mainly bc the actress was pregnant so had less time to shoot. where she and athos cut ties for good, and he’s now in love with sylvie and he’s happy, and… yeah. not the way i wanted it to go, but c’est la vie.

-if you’re invested in constance/d’artagnan, anne/aramis, porthos/the widow, athos/sylvie, they all live happily.

tldr, i liked it initially, how it incorporated other historical elements, didn’t mind the divergences so much in s2, but i checked out a lot in s3.

but the camaraderie between the musketeers is cute, so I would still recommend s1-2, despite the flaws, and if you really want to finish the story, s3, but I wasn’t especially a fan of it.

re: book!rochefort. right??? he and d’artagnan deciding to be friends was adorable and I was delighted in Twenty Years Later, at their reunion!!! Why don’t adaptations include this instead of having Rochefort killed off??? >_<

ahaha, probably! There’s the anime dogtagnan, right? They do like Lupin a lot! I loved anime les mis! and anime gankutsuo was a good count of monte cristo for most part. altho now I do want examples of a similar Rochefort & D’Artagnan friendship in anime, bc it’s super cute, and R&D can’t be the only time that happens! i’ll try and be on the lookout for some similar dynamics bc it’s cute.

[hargreeves-duncan]

Can I request five x reader (takes place in s2) where reader (five’s partner) gets sent to Dallas around a year before five comes and after he does and reader sees him, she immediately tackles him on the spot and gives him many kisses. Maybe reader manages to work at a casino too

a/n: hi, thank you so much for your request! i haven’t written in a while so i'd love to hear your thoughts, enjoy!!

summary: it's been far too long since you've seen your boyfriend - he learns that the affectionate way.

warnings: reader works at a casino but there’s no actual gambling so🤷‍♀️

word count: 1.4k

You had to hand it to yourself, for someone who’d known next to nothing about life in the 1960s, you’d adapted pretty well. In no time at all, you’d managed to land yourself a job as a waitress in a casino. A very good one. It seemed in this timeline, Jack Ruby thought a casino would be a better investment than a night club - and for your part, you couldn’t say that he was wrong, nor could you complain.

The hours were long, but the pay was good enough and the other girls had taken you in as one of their own. You quickly began to excel. Strolling between the tables and flashing smiles was easy, second nature even. You developed the wit and charisma to charm the casino’s patrons without second thought, which meant you got more drinks served, more loyal customers and bigger tips to go along with them. 

Most nights the new life you’d built for yourself was more than enough but sometimes, no matter how hard you tried, you couldn’t help but yearn for what had come before - who had come before.

There was always a dull ache in your chest whenever you caught a fleeting glimpse of a lone, brown-haired man at one of the tables. In those moments, you could never stop yourself from believing for a slither of a second that Five had made it and he’d come right back to you.

You’d waited for him in that dingy, old alley for two weeks straight, because you knew that Five would never abandon his family like that. That something must’ve gone wrong, but it was okay because he’d come back and everything would be fine. That was what you told yourself. You were so sure he’d show up and solve everything in an instant, because that was what he always did. And when he hadn’t, it had almost destroyed you.

The first few months were gruelling, taking your first steps in the new world had taken a while. Grieving Five had taken longer. The obvious truth was staring you in the face. A year without contact from him or any of the other Hargreeves siblings? The probability was that you were the only one who had survived.

It was a truth that you were reluctant to admit, even now. One that led you to where you are today, starting yet another night shift, beside the casino’s bar, to serve a particularly rowdy Friday night crowd of patrons.

As you begin to set up, Mary-Anne, one of the other waitresses on shift, sidles up to you. Her honey-blonde curls bouncing around her ears as she leans against the bar. Trying to stifle her laugh, in her southern drawl, she says, “Has he tried talking to you yet?”

You raise an eyebrow at her, tilting your head to the side, “Has who tried talking to me yet?”

Her grin grows wider as she gestures to a table on the far corner of the room, laughing, “That little boy. Haven’t I said a million times that we oughta get tighter on the security in this place?”

She sighs, resting her hands on her hips, “I went over to him - trying to tell him that we don’t allow minors in here - and what’d he do?”

Deciding to humour her, you smile, looking down at her, “I’ve got no idea, tell me.”

She scoffs, shaking her head as she smiles, “He told me that he more than knew his way around place a place like this and that I had nothing to worry about with him. Can you imagine having the nerve like that at his age?”

The thought made you laugh. It reminded you of Five. His haggard temper in the body of his younger self always seemed to shock people in the very same way. You paused. It couldn’t be him, couldn’t it? You must be jumping to conclusions. After all this time, it’d make no sense if he was here now and yet…

“He said that?” You ask, eyebrows furrowing as you glance between the table and Mary-Anne. You squint, trying to see if you could recognise him.

A part of you felt silly and girlish for still holding out hope but this kid’s description was just too similar and besides, you were a teenager again, you were allowed to be lovesick and entirely delusional. It was practically your god-given right.

Mary-Anne nodded, loading her tray up with drinks of all shapes and sizes to cover her half of the room, “He did.”

Your eyes were locked onto the distant table, practically pleading for the kid to just turn around and let your hopes down already. Still, all that greeted you was the back of his head and the green fuzz of the poker table in front of him.

When you didn’t tear your eyes away, Mary-Anne looked you up and down, her baby blue eyes swimming with concern, “You alright there?”

Looking back at her, you sigh, already pent up at the possibility of Five being so close, “Yeah, I just… What did he look like?” You ask tentatively, biting your rouge-tinted, bottom lip between your teeth.

Mary-Anne hums in thought as she loads your tray for you, “Gosh, I don’t know - he had dark hair, was wearing a suit. It had the funniest, little emblem on it.” She says, tapping her chest in place of where it would’ve been.

Your eyes widen in shock and excitement as you process her words, “An umbrella! It was an umbrella, wasn’t it?”

Mary-Anne grins, giggling, “It was… how’d you know that?”

You couldn’t even answer her. You were already starting to tremble and hyperventilate, entirely overcome with nerves and joy and pure, unbridled excitement all at once. A year of being apart and now he was no more than a few strides away. Your smile brightens up like no other.

You slip your tray from over your head and place it down on the bar as you say, “Hey, cover for me, would you? I’ll be two seconds.”

Without waiting for her answer, you dash across the room - a flurry of giddiness bubbling up inside of you the closer you get. You tousle your hair and straighten your uniform, anything to keep your anxious fingers busy and to better yourself for something you’ve waited for for far too long.

Hearing heels coming towards him again, Five sighs in frustration and turns around in his chair, “Lady, I already told you-“

The breath feels like it’s been stolen from your throat as he turns to face you. It’s really, truly him. Your boyfriend is right there in front of you and you’ve never felt more relief than in this moment.

“Y/N.”

You’re not sure if you want to cry or scream or simply just take him in for the first time all over again. As you look over him, his piercing gaze, his dark hair and the freckle on his right cheek that you can’t count the number of times you’ve kissed, your eyes can’t help but be drawn to his lips.

God, how you’ve missed the feeling of them. You barely have time to think about what you’re doing before you’re cupping his face and pressing your lips against his once more, savouring every part of him in a way you’d never thought to before.

Your hands trail over every callous in his skin, memorising him with your fingertips, and as you pull back, Five’s gaze softens like nothing else as he smirks, “Hello, you.”

His hands reach out to cup your face, gazing over you as if he’s not entirely sure that you’re real. After all your time apart, you’re not sure either. You smile, nodding, “It’s me. It’s you. You’re here, you’re really here!”

You cup his face in return and you can’t help but press another kiss to his lips. He smiles fondly as you do. And so you kiss him again… and again on his cheek… and on his freckle… his chin… his forehead. Everywhere your lips can reach, you press them.

After a moment, he laughs weakly and reaches up to pull your hands away from his face and intertwines them with his own fingers instead, “Okay, love.” He says chasteningly, “Let’s calm down there, shall we?”

Your smile grows shyer as you right yourself, “Sorry.” You say, brushing your hair away from your face.

He shakes his head, brushing your hair back for you and then guiding you by the waist to the seat beside him, “No, don’t be sorry. Don’t ever be sorry. Believe me, I’m just as happy to see you. Really.”

It’s him who initiates the kiss this time. He’s soft, delicate almost, in the way that he kisses you, as if each movement of his lips is a new way of giving all of his love to you and promising that he won’t ever let you out of his sights again.

[dreamofbetterthings]

Finally Home Wolverine x mutant! Reader

Prompt: “I’ve spent forever thinking about what I’d say to you when I saw you again. Now that you’re here in front of me, I can’t seem to find the words.”

VIP: Logan Howlett aka Wolverine (Played by Hugh Jackman)

Universe: X-Men (Originally Fox), Marvel

Summary: Wade was a man of his word, and managed to get Logan back to his universe, right into the arms of someone he hasn't seen in ten years.

Warnings: This is a different ending from Deadpool and Wolverine. Minor spoilers for the plot. Reader is basically a modern-day avatar (The last air bender universe, not the Jake Sully blue folks lol) since all the good powers are already taken haha. Also, The Last Stand doesn't exist in this universe because I refuse to acknowledge the pain I had watching that movie.

A/N

Holy cow I took my boyfriend to see Deadpool and Wolverine, and we loved it! Originally, there were a couple of stories for these two individually that I had in my WIPS, but I just needed to get a couple of stories out while the movie was still fresh in my mind. The ending might be a little out of character for Wade and Logan, but I had no idea how to end it, so it is what it is. Once again, minor spoilers ahead for the film. I'll have another one out soon for you all.

Enjoy!

Logan was never one to be straightforward with his emotions. Nobody knew what he was thinking, or how he felt about anything. The only thing he managed to convey was anger and rage. Not now though. The party at Wade's apartment was in full swing, and everybody was having a good time knowing their existence wasn't on the verge of collapsing.

Almost everyone, anyway.

Logan sat on the couch and watched Wade interact with his friends, his newfound family, and that damn dog. He watched as they all smiled and joked with each other, passing food and drinks about. It was a domestic life that he hadn't quite learned to adapt. He almost did though, with you. Logan pulls a photo out of his jeans and a melancholy look spreads across his face as he looks at it.

"That's not fair, you can teleport!" Brushing what was left of the water balloon off your clothes, Kurt shrugs his shoulders. "You'll just have to be faster and catch me!" You quickly aim before he disappears again, leaving you without a target.

It was a sunny day, thanks to Storm, and Charles decided to give the students a break. With so much going on in the last few months, everyone was exhausted. He thought it would be a good idea to set up a pool and let everyone relax. Most of them were just kids after all, and they were pushed so much harder than they needed to be for the sake of a world that won't always accept them. They yearned for a day to be themselves, to be kids, and today, was that day.

Everybody was outside either in or by the pool. Students were chasing each other with water balloons and water guns. Others were taking turns jumping into the pool, or playing water polo, or volleyball. There was a barbeque off to the side when the kids got hungry, and of course, alcohol for the adults. The sun was out, and it gave a warm contrast to the nippy water of the pool. The X-Men team, the adults anyway, were sitting in lounge chairs or standing around, making sure the kids were being careful and not hurting themselves. Storm was even walking around and taking pictures of everyone having fun, mentioning she wanted to get them developed and put in a scrapbook. A memento of when life was easier and calm.

Then there was Logan. Off to the side drinking a beer, watching everyone have a good time. He wasn't much for the domestic life, as he didn't make a habit of getting close to people. But, these were his people, and he was thankful to find a community that accepted him as he was, even if he would never say it out loud. He watched all the kids run around, but his eyes always found their way back to you. You looked happy and relaxed, even when chasing Bobby or Colossus around with water in your hands. This was a huge contrast from how you looked during the missions you went on. It was a good look for you.

Logan was pulled from his thoughts when a sudden burst of cold hit his chest. Looking down, he noticed his once-dry black shirt was sticking to his body, water dripping from it. All the kids gasped and stopped their movements. Charles looked at his friend, a slightly amused look on his face. He looked around, trying to figure out who had just signed their death wish before his eyes once again landed on you. Standing next to the pool, you looked around, pretending like you didn't just water bend to hit him from across the yard. Logan did something that confused everyone. He simply grunted, wiping off his shirt before taking another drink of his beer. Everyone relaxed and continued to have fun, although slightly surprised at the lack of reaction from the stoic man.

You had stopped the antics and started talking with Scott, asking him how things had been with him and Jean. The last mission put a bit of a strain on their relationship. Your back was to Logan, so you didn't see when he put down his beer and started to creep up towards you. Scott noticed when he finally made his way behind you but decided not to say anything. After finishing his sentence, Scott quickly excused himself and stepped away. That was when Logan decided to grab you from behind.

You screamed from suddenly getting picked up and tried to reason with the man as he walked towards the pool. "Logan, come on, let's talk about this for a second. You don't have to do this. I'm sorry, please just put me down!" Unfortunately, your pleas fell on deaf ears, and the others sat there laughing as Logan hurled you into the pool. The kids all yelled in excitement. They'd been trying to get you in the water for hours. Had they known it was that easy, they would've splashed Logan themselves earlier. When you finally came up for air, everybody was laughing, and you even heard a couple of shutter clicks from Storm's camera.

Logan just stood there with an amused smirk on his face. You fake pouted before he came over to the edge of the pool with his hand out. "You shouldn't have splashed me." With a huff, you go over to meet him at the edge. "You don't sound too sorry about it." He pulled his hand away and shrugged his shoulders. "Alright, I won't help you out." "Okay, okay. I accept your apology. Would you be so kind as to help me out of the pool?" He reached his hand back out, and you happily took it, only to shock him by pulling the man with all your strength into the pool with you. This got everyone laughing. Scott laughed so hard he fell to his knees. Logan finally came up for air, his poor shirt clinging to his body for dear life, and wrapped his arms around you to keep you from getting out.

He was smiling.

He didn't smile often, and it always warmed your heart to see those pearly whites. Storm ran up and managed to get a couple of photos of the two of you before running off again. "I think that makes us even." You shake your head. "Not even close, however, I don't want the entire school to think you aren't the brooding mysterious man that you waltz around as.” Leaning close to his ear you whisper so the kids can't hear. "So, if you want, you can make it up to me tonight." Logan stays frozen in place, his eyes following you out of the pool to look for a towel.

Storm had the photos developed later that night and slipped a couple under Logan's door with a note. "Don't worry, I didn't put these in the scrapbook. I think the fourth will be your favorite." - Storm

Logan's eyes welled with tears as he held the photo. She was right, the fourth photo was his favorite one. The two of you were soaking wet in the pool with your arms around each other, smiling towards the camera. The picture got crumpled over time, always in his pocket or folded out of reach, but he kept it.

He missed you.

Dear god, he missed you.

Your body was never found when the mansion was raided. He always assumed you were taken and experimented on. He would've rather you be killed instead of kept alive and tortured for who knows how long. After looking for you for what felt like forever, he finally gave up, assuming you were dead. The crumpled-up picture was the only thing he had to remember your smile, your laugh, you.

Logan blinked the tears away when Wade approached. "Hey there peanut. You got a second?" A grunt left Logan's lips. "What do you want?" The self-proclaimed marvel Jesus took his hand and pulled him towards the door. "I got a surprise for you, I think you'll like it. Don't worry about the party, we'll be quick." As the two men walk out the door, Wade pulls a TempPad out of his pocket, and Logan starts to protest. "I'm not about to do more universe jumping with you. Once was enough." Wade nods. "I understand, but I think you might change your mind once you find out where we're going." Before Logan can say anything else, he is pulled through a portal into a hallway that looks like a carbon copy of the one he was previously in. "I swear if I have to listen to another one of you assholes I'm going to kill you both." Wade shrugs the comment off. "It's not another me." He gets serious for a moment.

"I know I lied to you about being able to fix your universe, and I'm sorry. However, I did jump around and find someone that you've been missing for ten years." Wade knocks on the door and then steps back. It opens a few seconds later.

"Logan?"

You stood there, shock and disbelief on your face. Without a second thought, both your feet move until you collapse in each other's arms. A sigh of relief leaves the broken man's mouth as the war in his mind begins to subside. "It's me bub. It's me." Tears spill down your face as you hug the man who you haven't seen in years. The two of you finally pull away, and Logan turns to Wade. "How did you do this? I thought they were dead." The merc shakes his head no. "Took a while to track them down. I almost thought they were dead, luckily I was wrong."

A portal appears behind Wade as he reaches out to hand Logan the TempPad. "I couldn't fix your past, but I at least wanted to give you a familiar future. Don't expect you to, but come visit anytime. My door is always open. We'll miss having you around." Logan took the device from Wade's hands. He starts to walk through the portal before Logan calls him. Turning around, Wade sees tears in the older man's eyes. "Thank you." He nods, before walking through the portal, and everyone in his apartment smiles and waves goodbye, before it closes.

Logan puts the device in his pocket, before looking at his lost love. He reaches his hand out and touches your face, afraid that this is some sick illusion and you'll be ripped away from him. “I’ve spent forever thinking about what I’d say to you when I saw you again. Now that you’re here in front of me, I can’t seem to find the words.” You smile and take his hand in yours. "Well, luckily for us, we have the rest of our lives for you to figure it out." You begin to walk back into your apartment, Logan's hand in yours. He thought about visiting Wade again when the time was right, but right now, he had a life with you to catch up on.

He was finally home.

[woundedoves]

How They Would Suck Your Blood: Vampires (Sunday, Dr Ratio x Bottom GN!Reader) Headcanons Part 2 (NSFW) ⟡part 1 ⟡part 3

a/n: sunday my savior

CW: Sunday has guilt about being a vampire, biting, blood, slightly violent thoughts on sunday’s part, slight insecurity in Ratio’s part

Sunday

⟡ Sunday hates himself for what he is, he hates himself for deceiving his planet of who he truly is, not a soft hearted, warm angel with a halo but a disgusting creature; walking among his people as if he doesn’t see them as food as soon as he gets a whiff of their blood. Were it not for Robin, he would have banished himself from Penacony a long time ago.

⟡ Regardless, your relationship with him is complicated to say the least. He’s convinced himself that you’re just another servant that just so happens to have the blood that his taste buds enjoy the most, nothing more nothing less.

⟡ At least, that’s what he tells himself as his fangs pierce your flesh, his length throbbing against the fabric of his underwear as he listens to your silent whimpers, your silent breaths, the way the drug that is you; you in your entirety hits his system, he feels like he’s truly reached the heavens.

⟡ He quickly realises that he doesn’t only enjoy your blood, the way your skin feels against his, the way your hands feel in his, the way your lips quiver when his own get way too close than they should to the lips of a servant. These… urges, let’s say, he’s always had them and yet— when you came into the picture they ramped up by a hundred, as they say.

⟡ He’s ashamed to even admit it to himself, ashamed to even think about it but… it makes him feel cathartic as he sits on his desk, agonisingly long papers sit atop his desk as he taps his fingers against his pen, clicking his tongue as his stressed thoughts wander to you. The way you quiver and squirm when he places his hands on your waist to keep you stable, the way you say ‘master Sunday’ when he goes too far with the feeding, the way your hips rut against his gloved hands when they ghost around your clothed sex; you’re oh so angelic when your neck is covered in your own blood, his fangs claiming you as his the moment they grazed your neck.

⟡ He wants to bite down on your pulse, he wants to tear you apart, he wants to cling onto you, tell you to never let go, he sees the want in your eyes, the desire and the love behind your lingering gaze and your lingering touches and yet he feels too ashamed to ever give the satisfaction of indulging…

⟡ His eyes that he didn’t realise were closed snap open as he hears a crack, he broke his pen in a desperate attempt at gripping it to stabilise his sinful thoughts, he sighs as he looks at the inky streaming down from his gloves as he thinks, ”would it be a sin to bite the apple, when I’ve already been born a sinner?”

Dr. Veritas Ratio

⟡ I don’t think he’d see it either as a bad or a good thing, it’s what he is, rather than lamenting and parading around with self pity, he’s taken the initiative to see the safest ways to feed on humans. The only thing is… he thinks the act of feeding on a person is rather… embarrassing.

⟡ He hates to admit it but he can get pretty desperate and messy, so he appreciates the fact that you don’t tease him when he is feeding on you, he is his most vulnerable self in that moment, he’s basically trusting you with his life. To some vampires human blood and the act of feeding on it is just a normal routine, some do it every day some do it every week and some do it every month, ratio does it every week to keep himself stable; and yet he just can’t adapt to it like others have, it’s so private and so vulnerable for him, you’ve seen him shed a few tears sometimes.

⟡ He feels guilty, no matter how much he tells himself that it’s just what he needs to do to survive now it doesn’t take away the fact that he’s drinking human blood now, his best guess is this sensitivity is because he’s been a vampire for roughly a year and a half now; he’s still adjusting.

⟡ You’ve suggested having sex while he feeds on you, his knee jerk reaction was a surprised, “absolutely not!” Though the more he thought about it, the more sense it kind of made. You’d feel good during the feeding and maybe, just kaybe the pleasure clouding his mind could keep his guilty thoughts at bay?

⟡ He was, admittedly, a bit nervous so you took action when he was in the bathtub, his favourite relaxing space as you let your hands wander down into the water, to his cock. He took a sharp breath as he closed his eyes, opening them when he felt the weight of you on his thighs, tapping his favourite spot to feed on on your neck as his hands snake around your form, pulling you closer and capturing your lips in a deep kiss as you sigh with pleasure. You withdraw from the kiss as you levitate yourself upwards a few inches with the help of the water, both of you moaning softly as you sink down on his dick, feeling his body quiver under you as his hips thrust up sharply.

⟡ You whine in pleasure as he sinks his fangs into your neck after peppering the spot with kisses, his hands kneading your ass as you slowly ride his cock, the pleasure has his mind foggy, his body numb and his cock hard, throbbing inside you as the taste of your blood hits his tongue. He should listen to your advice more often… maybe.

[jbaileyfansite]

Critics Reactions to Jonathan Bailey's perfomance as Fiyero (Master Post)

“Dancing Through Life,” on the other hand, is the adaptation’s biggest musical accomplishment. Although Wicked is primarily about the relationship between these two women, the charming prince Fiyero always threatens to steal the show, and never more so now that Bridgerton heartthrob Jonathan Bailey is playing him in a dazzling blue/gold suit. Setting this song in a library full of rotating, cylindrical shelves allows the dancers to really show off their moves, while Bailey succeeds at infusing the number with his personality as he flirts with men and women alike. Unless Wicked really hits big with the Academy, it’s unlikely that Bailey will score a Best Supporting Actor nomination at the Oscars, but surely he deserves some honor for being the sexiest actor on Earth at the moment — hope you’re taking notes for next year, PEOPLE! [x]

And Bailey, from his boot-toe book choreography to ovation-worthy gymnastics, is hoofing his way through every step of “Dancing Through Life;” there will be deserved awards attention coming Grande and Erivo’s way for Wicked, and Bailey should be as much a part of the conversation. I can’t remember the last time a performance was so instantly charismatic, the kind of movie-star heist—he nearly runs away with the film during that musical number—that makes going to the cinema so exciting. [x]

A character I was worried about going into this. Jonathan Bailey, he plays Fiyero, who is this kind of just over the top cocky, flamboyant, kind of douchey, but in a fun way character. And there’s just so much there that it could be really easy to mess up. And I didn’t know that he was into song and dance performance, because I’ve only seen him in Bridgerton, so I didn’t know what else was in his repertoire. But I feel like he absolutely crushed that character. You cannot help but love everything he does when he’s on screen. He nails it. [x]

Jonathan Bailey oozes sex appeal and charisma as Fiyero Tigelaar in an utterly swoon-worthy performance, unleashing his West End talents with the dazzling “Dancing Through Life” sequence that cements himself as a true superstar, while his chemistry with both Erivo and Grande is off the charts. [x]

I have to give Jonathan Bailey his freaking flowers. I thought he was going to be good. He got an Olivier award for Company and if you haven't, there is a video of him singing The Last Five Years from years ago….So I was like I think he's going to do a good job, he's also so charming and everybody loves him. I was not prepared to see what we got. The perfomance, the vocals, the gymnastics, the charm, the way he says 'you're perfect' is just engrained in my brain in the right way. And he's so…like he would have chemistry with a chair, I'm convinced. Everyone in 'Dancing Through Life' is now pregnant and so am I. His entire arc of Fiyero being like the daft person and then becoming who he becomes is so clear and every choice, and look, nuances he has…it is calculated but effortless. [x]

Jonathan Bailey delights in the supporting cast as her love interest Fiyero, also offering a fantastic interpretation of someone who hasn’t been called upon too often to be serious but might be willing to give it a try. [x]

“Dancing Through Life” triumphantly translates the joy of seeing Wicked live: Dancers perform acrobatics in rotating circular bookshelves, Jonathan Bailey (who I swear has chemistry with every single person on the planet) taps his way across books with a flippancy perfectly suited to the charismatic prince Fiyero, and the ensemble works (and sings!) in harmony. [x]

Jonathan Bailey uncorks an outrageous scene-stealer as the heterocamp Fiyero, a performance to put alongside Cary Elwes in The Princess Bride. [x]

Chu's usual choreographer, Christopher Scott, delivers again with vibrant, inspired moves, particularly in the elaborate "Dancing Through Life," which takes place in the school's rotating, multilevel library. "Bridgerton" star Jonathan Bailey gets a chance to show off his musical theater background here, and he's terrifically charming as the glib Prince Fiyero, the object of both Elphaba and Galinda's romantic interests. [x]

The true surprise, even more than Grande, is Jonathan Bailey as Fiyero, the charming prince with hidden depths that both Galinda and Elphaba gravitate towards. Bailey has such a light comic touch to him and his performance of “Dancing Through Life” might be the best part of the movie, and the most ambitious set piece in the film. [x]

The true standouts are three-fold, with Grande, Erivo, and Bailey embracing the tonal shifts with unbridled glee. […] Fiyero has major bisexual vibes, and chemistry with every single character. Bailey’s take on “Dancing Through Life” lets the Olivier Award-winning actor unleash his sex appeal on a library full of unsuspecting Oz-ites. [x]

Jonathan Bailey adds renegade bravado as the devil-may-care Prince Fiyero, selling the character's journey from apathy to activism with aplomb. [x]

Elsewhere, British heartthrob Jonathan Bailey steals the show as the vain Prince Fiyero Tigelaar, a love interest for both young witches. Bailey effortlessly dances and sings his way through the film’s most demanding musical numbers. [x]

It's Jonathan Bailey who threatens to steal the show though, instantly charming during Flyero's meet-cute with Elphaba. Anybody not swooning already will be with his excellent 'Dancing Through Life' number, Bailey's palpable charisma shining through the extended number which culminates in a reimagined Ozdust Ballroom. [x]

One more: Jonathan Bailey. His dashing Prince Fiyero is one charming prince, so cheeky that he will have boys and girls everywhere swooning. And swoon they do, within the film — it’s a small thing, and not to get all #RepresentationMatters about it, but I was delighted to see Wicked make very clear that both male and female Shiz students are equally lustful whenever Fiyero’s around. There are some deliciously flirtatious moments between Fiyero and some guys during “Dancing Through Life,” and it had me thinking about the fact that, for as fabulously gay as musical theater so often is, you don’t usually see that kind of thing in a massive mainstream film. Kudos all around. [x]

The standout to me: I’m going to go with Jonathan Bailey as Fiyero. He pops up into the film and immediately comes off so cocky, but so charming and likable. Just everybody he talks to, he has this fun rapport and chemistry with them, and just brings to life every scene that he’s in, whether it is just dialogue, joking, dramatic or his big dance number in the library. He’s so good. And it’s one of those things where I am not super familiar with him outside of this, and you just see him and you go - man, that guy is a star, this guy is really good. [x]

And while Wicked is all about is two leading ladies, we must spare a moment or several for Jonathan Bailey’s virile, twinkly Fiyero, who quite literally leaps onto the screen on his horse while clad in tight britches and sturdy riding boots. He’s charming in a way I never found the rather bland character to be onstage, bringing vibrancy to the role as a big screen heartthrob who tears up the floor (and library books) with his aggressive dancing. Now it makes sense that he could turn the head of both Glinda and Elphaba. A West End veteran himself, Bridgerton actor Bailey also boasts an exemplary voice – the casting directors truly spoiled fans here – and there are no exceptions made when every number is treated as a potential show-stopper. [x]

In terms of supporting performances, Bailey’s absolutely dashing and magnetic, giving a star-making performance – a la Rupert Everett’s in MY BEST FRIEND’S WEDDING. He lights up the screen as the object of romantic affection in screwball-esque scenes shared with Grande as much as he does during the library set number leading “Dancing Through Life.” [x]

Bailey is a charming Fiyero, using all of his Bridgerton swagger in exactly the right ways. He arrives well into the term, a transfer student who has reached the end of the number of schools to be kicked out of. Fiyero is sometimes treated as a throwaway character–the generically hot love interest for two girls to feud over. But this Bailey’s Fiyero will not be so easily dismissed and his “Dancing Through Life,” plays well when accented by talented professional dancers that make the entire scene pop. [x]

Then there’s Jonathan Bailey, who manages to steal the show from his very entrance. Not since Dan Stevens first showed up in The Guest, or perhaps when Glenn Powell out-cruised Tom in Top Gun: Maverick, has there been this much tantalizing testosterone employed in such an effective way. Bailey’s bravura take on Fiyero Tigelaar, the Winkie Prince who sings about “Dancing Through Life,” is by far one of Chu’s most accomplished moments of filmmaking, managing to make the character simultaneously seductive and disarmingly silly. It’s also a moment in Wicked‘s storytelling where there’s fun to be had, and the massive sequence is absolutely a joy that by far exceeds the smaller scope of the on-stage presentation. [x]

Jonathan Bailey is so very “that guy.” His Fiyero doesn’t have the foppish facade of the original. His portrayal makes us aware he’s more complex than he appears from the moment we meet him and his talking horse, but as a Prince Charming, his rizz is high. Who wouldn’t fall in love with Bailey (and who hasn’t)? [x]

Bailey as Fiyero is the ultimate casting as the Lord becomes a Prince. He delves into Fiyero’s shallowness and his moments between Elphaba and Galinda are so starkly different as Bailey plays into both relationships organically with wonderful chemistry between all three. [x]

Jonathan Bailey has a standout musical number with “Dancing Through Life,” and he manages to have chemistry with everyone on screen as the handsome Fiyero. He’s fiercely flirtatious and fun to watch. [x]

Jonathan Bailey could have chemistry with an inanimate object. That man absolutely shines in the role of Fiyero. [x]

But, it’s Bailey’s Fiyero (surprise!) who steals the movie’s second-best scene: the elaborately choreographed “Dancing Through Life.” [x]

Galinda immediately sets her sights on Prince Fiyero (Jonathan Bailey, bringing an outstanding amount of Kenergy to his role). […] And there are certain sequences, specifically Galinda’s signature number “Popular” and Fiyero’s “Dancing Through Life”, where everything does click together nicely and the film suddenly sparks into life. [x]

Jonathan Bailey is absolutely swoony as the flirty Fiyero. While Wicked: Part One is just the beginning of his story, you can already see how Elphaba’s impact is starting to influence him to think more of others versus being shallow and self-consumed. [x]

Jonathan Bailey‘s Fiyero is a joy to watch, and you can see in his physicality and the sparkle in his eyes who he is destined to become. Once we see him dance and sing, he sweeps everyone off their feet. [x]

Fiyero gets one of the film’s most appealing numbers, brilliantly delivered by Bailey, “Dancing Through Life”, as the dashing Prince disturbs the peace of Shiz’s library to entice his classmates to join him for an evening of fun at “the most swankified place in town”, the Ozdust Ballroom. With Bailey gleefully taking on Christopher Scott characterful, silky smooth, choreography, he goes on to offer us seductive glimpses of the more substantial man hiding behind his mask of superficiality. [x]

I can’t say the word scene-stealer without talking about Jonathan Bailey as Fiyero. Give Jonathan Bailey awards, give him every role … for being so amazing in this movie. He is just so effortlessly cool and charming and funny, but I love the heart that he gives certain moments … Fiyero just lives with me now … He enters this movie giving me one of my favourite performances. [x]

The supporting cast proves equally magnificent. Jonathan Bailey’s Fiyero exudes oodles of charisma and a strong voice, easily proving he can handle Christopher Scott’s limber choreography while simultaneously putting his own stamp on it.  While his character plays a more major role in the second film, his introduction, through the stunning “Dancing Through Life” number, leaves a lasting impression and makes for a compelling counterpoint for both leading ladies. [x]

Not to be outdone, Jonathan Bailey of Bridgerton fame plays Fiyero. The heartthrob, almost brainless hunk, who arrives at Shiz and drives so many of the students crazy with lust. Now Bailey’s carefree, but passionate, and decisive in both singing and choreography. With his signature song “Dancing Through Life”, Bailey gets to showcase some awesome footwork, along with amazing vocals, for a scene that is just mesmerizing thanks to the energy and the camera work. [x]

That said, it's BRIDGERTON (2020) star Jonathan Bailey who winds up stealing most of the scenes he's in as the Prince, Fiyero Tigelaar. Bailey is fantastic as the Prince, bringing an entertaining sense of levity and delight to the film. This is to the point that Bailey's absence in the film's finale is quite noticeable, with the film feeling somewhat dull without his presence. [x]

Elsewhere, Jonathan Bailey is charismatic as the dumb-but-charming Fiyero, and there’s a campness to his song-and-dance number, “Dancing Through Life” that will stir the loins in a whole range of viewers. [x]

One standout is Jonathan Bailey as Fiyero, the Winkie prince who quickly makes a mark on Shiz after his enrollment. Bailey is not only charming and funny throughout, but exudes an energy that many of the other supporting players simply lack. [x]

Supporting roles are strong too, most notably from Jonathan Bailey as Fiyero, full of bravado and fun, as well as a hefty dose of yearning – and fans of Bridgerton will know that no one does yearning like Bailey. His 'Dancing Through Life' is a blast but he's just as powerful in the film's quieter moments as his chemistry with Elphaba burns. [x]

As for the supporting cast, Bailey absolutely shines in his biggest film role to date. Much like Galinda, Fiyero is initially privileged and arrogant, but Bailey instils him with so much undeniable charm that you can easily understand why literally everyone at Shiz is falling under his spell. The seeds are sewn for Fiyero to open up in Part Two, but, for now, Bailey nails it as a seemingly one-dimensional hunk with hidden layers to explore. [x]

The film’s biggest strength is its perfectly cast triple-threat performers – Cynthia Erivo as Elphaba Thropp, Ariana Grande-Butera as Glinda Upland and Jonathan Bailey as Fiyero Tigelaar, a handsome prince whose subplot is best not spoiled. […] The charismatic Bailey, Emmy-nominated for “Fellow Travelers,” is known as the oldest son Anthony in the “Bridgerton” TV series, but in England, he is also an accomplished musical theater performer. He won an Olivier Award as Best Supporting Actor in a Musical for playing Jamie in the revival of “Company” in 2018. Fleet-footed and a nimble vocalist, he gives Fiyero an allure that wasn’t initially apparent on stage. [x]

Meanwhile, Jonathan Bailey channels his incredible Kenergy to bring the effortlessly charming Fiyero to the screen, with his fun take on “Dancing Through Life” almost stealing the show (someone please give him his own musical!) [x]

The same goes for Fiyero as Jonathan Bailey who makes his male lead into a much stronger character by leaning into the sobering moments as strongly as the lighter ones. [x]

Another pleasant surprise was Bailey as Fiyero. Best-known for his role in “Bridgerton,” Bailey isn’t as well-known for his singing chops, but he deftly carries one the most dazzling musical numbers of the whole show, “Dancing Through Life,” serving up both impressive vocals and dancing. Beyond his musical talent, Bailey is charming and roguish as the Winkie prince, while hinting that there’s a little more to him beyond his care-free persona. Bailey also has the unique ability to have chemistry with practically anyone he’s a romantic lead with, so he has great chemistry with both Grande and Erivo. The few, briefly swoon-worthy interactions between Fiyero and Elphaba specifically will likely have fans excited to see Fiyero and Elphaba’s relationship develop in “Wicked: Part 2.” [x]

[sensivs]

𝐩𝐚𝐢𝐫𝐢𝐧𝐠 : ryomen sukuna x m! reader x mahoraga

꒰ঌ ໒꒱ : mmmmmm yummy yummy mahoraga cock yummy in my tummy

˚₊· ͟͟͞͞➳❥ - dead dove do not eat: dub - con , mahoragas big juicy meaty cock , megkuna testing out divine general smth smth mahoraga before his and gojos fight , mentions of the reader being similar to sukuna (not being able to die unless his vessel dies) , MAJOR BELLY DISTORTION , mentions of blood and guts , gore basically but in written form , pushy sukuna , sukuna ‘s a cuck lmao , mindbreak

— this fic is mainly for my male audience, but fem readers r free to read as well <3

“yuck , your new host makes you look emo” y/n spat out, cocking his hip to the side with his arms crossed along his chest. Such a comment made sukuna stop mid bite on his food, his eyes carefully scanned y/n’s body up and down, “and who might you be?”.

“quit the act sukuna you know it’s me” once again, sukuna eyed the man closely, trying to see any familiar features, but nothing clicked in his head. “I don’t know you, now run along brat I’ve got important business to take care of” sukuna scowled, he turned his attention back to his final finger, consuming it in one bite.

y/n gritted his teeth, “quit acting like you’re so high and mighty! you do remember me! so stop acting like you don’t!” Sukuna began to grow pissed, the whining coming from the mouth of this random started to press on all of sukuna’s buttons.

“look here brat, if another word comes out of your mouth im going to fucking—” the imaginary dots inside sukuna’s head slowly began to connect to one another, whiny.. rude.. insufferable.. could this possibly be..? “y/n?”

y/n smirked, “finally! some of your fried brain cells seem to be working” sukuna let out a chuckle, “oh my god, it’s been so long!” sukuna stood up from where he was previously sitting.

sukuna made his way towards y/n, his eyes solely focused upon his face. “my goodness, look at your glow up!” ryomen exclaimed “happily”, y/n’s eye twitched, “woww thanks a lot sukuna”. Ryomen saw how much his comment irked the man, which made the cocky smirk on his lips grow even larger.

“what’s new hm? i saw your wife cooking for you in the kitchen, her cooking smells really good” ryomen perked up, “wife? I don’t have a wife?” y/n giggled, “that’s what I thought! you’re not husband material at all, so how’d you get her hm?” sukuna grumbled, “well, she’s not my wife, she’s my chef.. or servant.. whatever she wants to call herself”

“ohh? the great sukuna letting a mere human choose what they are? the times are really changing aren’t they?” with that, y/n snickered at his own words. “not funny” sukuna said as he crossed his arms across his chest.

“so, you got any new.. hm.. techniques with this new body of yours?” Y/n ran his finger through the middle crevice of sukuna’s pecs while resting his other hand on sukuna’s shoulder. “matter of a fact, I did. ever since I took over megumi’s body, i’ve been able to gain the ten shadows technique”

sukuna gloated on the fact that he was smart enough to obtain such a cursed technique, “sounds fun, want to tell me what the ten shadows have to offer?” y/n traced over ryomen’s tattoos, taking in how soft they felt against such youthful skin.

sukuna hesitated, not because he didn’t wanted to talk about the ten shadows technique, but more because he thought he would look like a dork by talking about it. “Well.. there’s nue..”

y/n hummed as he listened to sukuna’s rambles, who knew such a malevolent and violent being such as ryomen sukuna would be such a nerd about a random cursed technique?

sukuna ended his ramble with mahoraga’s abilities, telling y/n about how mahoraga could adapt to 9 different attacks. but the man didn’t care, his focus was only on sukuna’s supple skin and how defined his body had become the last time he saw him.

“i’ve only really seen mahoraga’s abilities once, during shibuya, he surely was.. something” once sukuna had laid eyes on the divine general, he knew he had to have him. And gaining the power of mahoraga became his first mission.

“now that i have him, and since you’re here, i want to show him off to you” y/n gasped dramatically, “oh my! my dearest sukuna is showing off his precious mahoraga to me? what an honor!”

instead of being pissy at y/n’s sarcasm, sukuna just rolled his eyes and chuckled. ryomen ordered y/n to stand back a bit and to “feast his eyes on a once in a lifetime chance to see such a creature”.

“with this treasure i summon..” and just like that, a massive hand reached out from the hole summoned from the ground, then its ring appeared, along with its head and the rest of its torso. After his torso reveal, was its bottom half, two big pair of muscular legs made their way out of the large, dark ditch.

“holy shit.. he’s huge” y/n gawked at the size of mahoraga, he topped over him over a dozen times! “i know right? an absolute unit” sukuna walked over beside y/n, admiring such a sight, “you don’t say..”.

“do you really want to see how much of a unit he is?” sukuna’s lips curled up into a sinister grin, “how?! i can already tell how much of a tank this guy is!” y/n expressed great shock towards mahoraga, pointing out how muscular the being was.

“well, you haven’t seen all of him, yknow?” sukuna snaked his arms across y/n’s shoulders, bringing him closer, y/n turned his gaze to ryomen, “I don’t get what you’re hinting..” sukuna cocked a brow, “you suree?”

y/n shrugged his shoulders with a confused expression on his face, sukuna chuckled as he retrieved his arm back and began to walk towards mahoraga. sukuna pulled mahoraga’s cloth away from his crotch, revealing an inhumanly large cock, it was white down to the base but the tip was colored a pretty pink color.

y/n jumped, a pink flush covering his cheeks, “sukuna! how.. how big exactly is that thing?!” ryomen shrugged, “about a couple inches” y/n was at a lost for words, as the sheer size of the cock in front of him was astronomical. Sukuna pulled on y/n’s arm, dragging him close enough to where he was standing right in front of mahoraga’s cock.

“go on, touch it” sukuna purred into y/n’s ear, “what?! I-I—!” sukuna placed a finger on the man’s lips, “go ahead, I know you want to do it”. ryomen got y/n there, but it wasn’t his fault! with a cock that big, how could you not try to aspect it more precisely?

y/n gulped down his fear and reached out towards the shaft in front of him, the tips of his fingers graced along the base of mahoraga’s cock. It was surprisingly soft, a couple ridges caused by its pulsing veins littered here and there. “move down more would you?”

y/n followed sukuna’s command, almost as if he was under a spell, his fingers dragged along down towards the pretty pink tip mahoraga had. even with such a small touch, mahoraga’s cock twitched ever so slightly.

y/n caressed the tip, taking in how heavy it felt in his hand. If it was possible, the blush on y/n’s deepened, making his face a deeper shade of red. mahoraga’s tip leaked pre-cum, pearls of it dripped from its slit down to the ground.

“he seems to be getting excited, how about you help him with that?” sukuna’s steamy voice slithered into y/n’s ear canal, plaguing his thoughts. ryomen placed both of his hands on either side of y/n’s forearms, guiding him to put both of his hands on the base of mahoraga’s cock.

slowly, y/n jerked off the shaft in front of him with the help of sukuna. “good, you’re doing so well y/n” y/n shivered, ryomen’s praise always got him hot and bothered. “i’ll leave you to it, alright?” y/n let out a shakey and small hum as he felt the warmth of sukuna’s hands leave his forearms.

but, y/n still did what he was asked of, and that was to keep stroking mahoraga, who was now letting out animalistic breathes. As y/n continued to stroke mahoraga, he realized how big he had already gotten. The size of its cock was now way bigger than it was before and was glistening with smeared pre-cum.

“how about you take a taste as well?” sukuna laid his head on the shoulder of y/n, taking in the sweet musk that vaguely stuck onto his neck and collarbone. ryomen placed his hands over y/n’s, guiding them to cup the bottom of mahoraga’s tip and to lift it up enough to where the slit aligned perfectly with his mouth.

y/n hesitated, looking at the tip in front of him and then at sukuna’s shit-eating grin. “I don’t—” “think it’ll fit? don’t worry, you don’t have to take all of it inside” ryomen provided false hope to y/n, knowing he’d always take his word.

ryomen grew impatient with seconds passing by, “just take it in already” y/n whimpered, “but it’s gonna hur—!” sukuna scoffed, “since when has that ever mattered? I know hundreds of curses you’ve taken in, but it seems their size doesn’t matter now?”

y/n pouted, “but this is different!! this thing isn’t a curse! it’s a shikgami!! and there’s no way in taking him inside me in any way!” the man then tried to take a step back, but was stopped when he realized sukuna was not budging. “sukuna.. there’s no way im willingly going to take him inside me…”

ryomen’s frown deepened, “whatever” he took a step back from y/n. giving him enough space to not be uncomfortably pressed against mahoraga’s cock, “since your not willingly going to take him in, i guess im going to have to make you do it the hard way.”

as y/n’s mind was processing sukuna’s words, ryomen had already gave mahoraga the ‘go ahead’ to pick y/n up from where he stood. He squirmed and struggled against the shikgami’s large hands but it seemed nothing fazed it. “sukuna! tell your shikgami to let go of me!!”

puffy tears threatened to spill from y/n’s bottom eyelids as he watched for any possible expression other than smugness on sukuna’s face, but there was nothing. the tears began to flow as y/n realized what was next to come, and with a snap of a finger. y/n felt as if he was being split into two.

mahoraga’s tip probed at the entrance y/n’s puckered hole, “his tip seems a bit cold don’t you think? why don’t you let him inside so that he can warm up, hm?” sukuna snickered, finding himself humorous. “t-this isn’t funny ryomen!! please! tell him to—!” a sudden moan shoved its way out of y/n’s throat and into the air.

such a tip could easily rip a normal human into two, but y/n wasn’t no human, he had “borrowed” his vessel from a random high-school. his vessel was just some plain boy that was stupid enough to release y/n from the binding he had been cursed to.

y/n felt mahoraga’s tip force it’s way into his tight walls, begs and pleads of being released poured out of y/n’s mouth like a waterfall. but it seemed that sukuna was purposely ignoring his pleads just to get a rise out out of him.

y/n’s begs were then plagued by both loud and strained moans, drowning out the pleads that had no effect whatsoever. he wanted to hate how easily mahoraga’s tip touched his prostate, but he couldn’t bring himself to, as the feeling of pleasure was too overwhelming.

mahoraga continued to force himself inside, but y/n’s gummy walls were clamped shut around his tip. making mahoraga resort into one trick up his sleeve.

he pulled out the entirety of his tip from y/n’s hole, making him let out a submissive whimper. y/n thought that this was the end of his punishment, but he was far from right.. as mahoraga shoved his way back inside.

y/n felt both his stomach and liver touch each other, as if to give one another a kiss. his head flew back as he let out a gut wrenching scream, he sobbed out for sukuna, who was now rubbing himself to such a sight in front of him.

“p-pull out! nghh— pull out you monster!!” y/n screamed at the top of his lungs, trying to get the shikgami to react in any way, but there was nothing. none of y/n’s attempts had worked, could this possibly be the rest of his life?

y/n sobbed at the thought of being skewered on mahorgaga’s cock for the rest of his life like a shish kebab, “p-please.. let me go.. i can’t.. take—“ and once again, y/n was interrupted mid-sentence.

mahoraga had no time for y/n’s pleads, he was summoned only to breed and fuck and there was no way he would pass up such an opportunity for another hundred years of inactivity. his thrusts were harsh and brutal, mahoraga’s thighs slapped against the supple skin of y/n, there was no doubt that y/n would wake up the next day with bruises on his arms and thighs.

y/n felt as mahoraga’s cock painfully slid in and out of his hole, against his own thoughts, y/n looked down to see how much damage was being inflicted to his once untouched and youthful skin.

his eye twitched as he watched the outline of the massive cock thrust in and out of him, and for some reason, he found it extremely hot. what was happening to him? these weren’t his thoughts! this isn’t something he’d say in a million years!

could it be? that his mind was finally turning into nothing mush? could this be the punishment he deserved for being a slut? no, he didn’t want to become dependent on some shikgami’s cock just for pleasure!!

y/n felt as his brain melted into the walls of his skull, infusing with the hard bone that protected his once intelligent mind. “i-i.. I can’t.. no.. I don’t wanna.. I don’t wanna stay on this cock for any longer!”

it felt as if he was on a carousel that wouldn’t stop even if he begged the conductor to stop, his eyesight began to fuzz and he began to become dizzy. but through all of this, all his mind could think about was the cock thrusting inside him, and the fact that sukuna was watching him become a cock-sleeve to his shikgami.

y/n was then ripped out of his daze as he heard the disgusting sound of two wet items rubbing against one another, and then his torso became cold and numb. he looked down once again to see his insides outside of his body.

he let out a bloodcurdling scream as he watched his stomach smushed up against his liver, “oh, whoopsies! guess he went a little bit too hard, huh?” even though his friend’s intestines were out in the open, sukuna couldn’t help but chuckle.

“sukuna! i-it hurts! tell your shikgami to stop! please!” even though y/n knew his plead would be ignored once again, it wouldn’t hurt but try to get sukuna to help, right? “you’re doing fine! you’re still talking to me right? you can survive a couple more hours”.

y/n was about to yell at sukuna again, but he felt mahoraga begin to move again, mixing up his organs and misplacing them. his larger intestine was wrapped around mahoraga’s cock like a scarf and his smaller one was uncomfortably smushed against his stomach.

y/n hated the sight, but he couldn’t take his eyes off of mahoraga’s cock, who was still plowing through his insides even through the blood and pre-cum. he tried hanging onto consciousness for as long as he could, but he began to slip, and soon everything went black.

[nina-renmen]

Yandere Hybrid Team 141

I’ve been seeing posts like this and thought I would jump on the bandwagon. The idea of yandere hybrid 141 is not my idea but this specific scenario is.

Summary: Team 141 stumbles upon y/n. Thinking that she’s small and fragile they attempt to ‘take advantage’ of her only to figure out she’s a polar bear hybrid. (Polar bear hybrid was chosen because they actively hunt humans.)

Team 141 had relocated, their base stationed in colder weather. Soap didn’t mind, considering he was merged with a wolf. He quite liked the snow and throwing snowballs at his captain.

Price was not amused at all. Given the fact that he was a grizzly bear hybrid his instincts told him to get ready to hibernate. Thus, leaving the male annoyed most of the time. A few times he almost lunged at Gaz for flying around so much in his little ‘battle’ with soap.

Gaz, being a harpy was the most human like out of all the men. The only thing that changed about him was his arms, meaning that the male usually stayed bundled up which in turn was given odd looks by ghost from time to time. But now ghost, an undead being began to get used to seeing his fellow teammate underneath two layers of clothing

Gaz was the first one to stumble upon you During one of his rounds he looked up from above, his eyes catching sight of you in the cold, crisp water. White, round ears were on top of your head. You must’ve been a panda hybrid. You didn’t seem dangerous at all.

A wicked grin crossed Gaz’s face. Swooping down, the sharp claws grabbing you. But before he could get far with you, you bared your teeth at him. Sharp canines covered in blood from your latest kill were flashed. Your sharp claws slashed his face before dragging him down into the water. Immediately your form switching making Gaz’s eyes widen in horror. Such a sweet, helpless looking girl was actually a polar bear hybrid. Your pupils dilated, jaws snapping at him as the beast seemed to foam at the mouth, getting ready to rip his throat out.

Price was the first to arrive, hearing Gaz’s screams and yells.

While Gaz was under you he saw a flash of brown. The harpy sitting up, wincing in pain at his broken leg but his eyes leaving the mangled leg and up towards the fight that was happening. The roars of both the bears attracting the attention of the rest of the team. Gaz has never seen price almost loose a fight before. Polar bears were already larger than grizzled bears but because you were a female you have a good two feet over him. Your fur was more adapted to the arctic waters but Price’s wasn’t, his movements were a tad bit slower than yours due to the below freezing temperatures. Just as the rest of team 141 arrived you were gone.

After the ‘fight’ Price scolded Gaz. Grumbling about how he shouldn’t have assumed what kind of hybrid you were. But based off of your human descriptions he didn’t blame Gaz for trying to snatch you up.

Price only had minor injuries. A couple of gashes and bruises. It would leave some scars but nothing too serious. On the other hand Gaz’s leg was broken. The gash on his face had left a nasty scar. Ghost only mocked the younger male, telling him to suck it up and to not do dumb shit.

Soap had the second encounter with you. After a few months Gaz was able to walk again. But Soap was to accompany him as they did their rounds.

“That’s her.” Gaz whispered, crouching down making Soap follow suit. The wolf hybrid peeking around the corner to see you. He couldn’t believe that you were the one that did all that damage. Granite it was in self defense but you looked so fragile and soft.

When y/n turned around she had a fish in her mouth. Her eyes immediately catching onto Soaps who had been careless when admiring y/n from a distance. Y/n’s gaze wasn’t threatening like what Gaz had described. She seemed curious.

Soap took this as a green light to fully come out. Gaz whispers to not falling on deaf ears. When soap began to get too close a growl came from y/n as she took a step back making her drop her fish. She had to look up at him, which she didn’t like.

After a few moments Soap gained her trust, picking up the dropped fish and slowly inching close to her. Y/n opened her mouth, taking the fish from his hand. Nuzzling her black button nose against his hand, a purr coming out of her but she stopped. A whiff of Gaz’s scent on Soaps hand making y/n pull away. “No! No, no, no! I’m friendly.” Soap exclaimed, putting his hands up. He needed to avoid all conflict. The only person that was able to take you down was captain price, he doubted that Ghost could take you down in your monster form. Soap knew he’d need to calm you down. Polar bears actively hunt humans, meaning Gaz and himself were on your lunch menu. But y/n only turned around leaving once more.

Now price’s encounter with you went a little bit different. The man went out to have a smoke. “That shit stinks.” A feminine voice came from behind Price. Turning around he seen your form crouched down, a wolf torn open in front of you. It was the same size as Soap in his monster form. Its guts spilled out, coating the white snow in its blood.

“Didn’t know you could talk.” Price muttered, breathing in the smoke from the cigar. His eyes taking in your form. You were fragile looking, just as Gaz said. Your big doe eyes could have fooled him.

Y/n didn’t respond, instead opting to rip out more chunks from the wolf with her jaws. Tearing into the predator that turned into her prey. “Ya’ hurt one of my men.” Price said loud enough for y/n to hear.

“That lousy excuse of a bird?” Y/n said as she ripped into the wolf. “Tell him to keep thinking with his dick. Maybe next time I’ll tear his throat open.”

Price chuckled, leaning back on the tree as he watched you eat. You were fiesty. The longer he stared at you the more the gears in his head turned. You had wide hips, perfect for carrying his cups. You looked healthy, a few scars hear and there but each one told a story.

Pushing himself off the tree he stalked towards you. A growl ripping through y/n’s throat as she make eye contact with Price.

“I ain’t gon take your food sweetheart.” Price said as he crouched down in front of you and your kill.

“I said that shit stinks. Put it out.”

“And if I don’t.”

“I’ll eat you before you can turn.”

The two looked at each other for a while. “I’m stronger and faster than you darlin’.”

“Not if I drown you in that water you won’t be.” Y/n shot back. Ah, so she’s caught on to his weakness. Price was considerably weaker in colder water temperatures. Especially if the waters were deep.

Needless to say, Price put out the cigar.

[thelifeofchuckmovie]

When it comes to ending the world, Stephen King is a repeat offender. He has brought life as we know it to a brutal conclusion several times over the decades, usually highlighting the cruelty and desperation that erupts among the last to go. But his 2020 story “The Life of Chuck” uses doomsday to evoke some unlikely sentiments: Wistfulness. Gratitude. Even joy.

The idea of creating an apocalyptic version of It’s a Wonderful Life is what led filmmaker Mike Flanagan to call dibs on the rights to the novella more than four years ago. The breakdown of society, extinction-level natural disasters, and the disintegration of reality itself is explored through the lens of one relatively meek and mild accountant, played by Tom Hiddleston, whose memories and choices are mysteriously connected to these tribulations. Retirement posters congratulating him on “39 great years” pop up everywhere. But who is this guy? What job does he do (or did he used to do)? And why does it matter so much to the fate of the world? This apparent nobody named Chuck Krantz has lived larger than anyone thought possible.

Having explored King country before in 2017’s Gerald’s Game and 2019’s The Shining sequel Doctor Sleep, Flanagan got involved after reading an early copy of “Chuck” before it was published in the collection If It Bleeds. The Haunting of Hill House and Fall of the House of Usher creator produced the film independently, believing it might be too offbeat for risk-averse studios to greenlight. He even secured a waiver from the striking Hollywood guilds last year to move forward with the shoot while the rest of the industry was stuck in the work stoppage. Now he and Hiddleston are ready to reveal the finished version of The Life of Chuck as it heads to the upcoming Toronto International Film Festival, where it will screen for potential distributors.

Among the skeptics about this adaptation was King himself, according to Flanagan. “His initial responses to me were a little like, ‘Oh, okay. Yeah. If you think that’s a movie…,’” he says. “He did say several times that he thought it would be a challenge to get it supported through traditional means.”

King has now seen the finished movie and no longer has doubts. He described it to Vanity Fair as “a happiness machine.”

“Well, he’s written something very tender and very wise,” Hiddleston says. “I think there is a great wisdom in the soul of the story, which is that it takes courage to hold on to what is good in a world that feels like it’s falling apart.”

Flanagan hopes others see it that way too, although the overpowering dread that begins the story may be more immediately relatable. “I’ve heard it said that every generation feels a little like the world is ending at some point, [but] I still feel like it’s different for us,” the 46-year-old filmmaker says with a mordant laugh. “Institutions we took for granted as propping up our society are failing left and right. Our politics have degraded spectacularly. The sense that it’s breaking down, that the world is moving on, has been increasingly palpable. When I talk to my parents or members of older generations who have been through their own turbulent times, the thing that strikes me is that they’re like, ‘Oh yeah, this is really bad.’”

But…it’s not entirely bad. And that’s the underlying message of The Life of Chuck as its various mysteries play out. “There’s no sense of terror in the way that King drew it,” Flanagan says. “Even as the world feels as though it’s ending, people become introspective, they reach into their past for loves that have left their lives for one reason or another. Strangers engage in open and fearless communication.”

It’s an indie-film variation on the big-budget cataclysm story. “A disaster movie has people meeting the end while running from tidal waves, and this story has people sitting quietly holding hands looking at the stars,” Flanagan says.

The key to it all is Chuck himself, although he doesn’t turn up onscreen until the second segment of the three-act story, which plays out in reverse chronological order.

The beginning is actually the end, as the whole world circles the drain. Caught in this spiral is Chiwetel Ejiofor (12 Years a Slave), a school teacher trying to apply logic to the planet’s troubles; Karen Gillan (Guardians of the Galaxy) is his ex, a hospital worker determined to save everyone she can; Matthew Lillard (Scream) is a construction worker neighbor who finds zen amid the chaos; and Carl Lumbly (Alias), plays a funeral director who has dedicated his life to easing people through death.

The end of the movie is actually the beginning, showing young Chuck (Benjamin Pajak) when he was a boy being raised by his grandparents (Mia Sara of Ferris Bueller’s Day Off and Mark Hamill). The insight of these two—coupled with the otherworldly revelations he finds in an eerie room tucked into the peak of their Victorian home—help him learn to seek out bright spots when life is marred by sorrow and darkness.

In elementary school, young Chuck discovers some important things about himself thanks to guidance from a brusque dance instructor (Samantha Sloyan), and a kindhearted English teacher, played by Kate Siegel, who gives the boy (not to mention the audience) some important information that serves as a code breaker for the story's more cosmic puzzles.

As for the middle of the film: It’s a dance number. That’s when Hiddleston steps in.

Compounding the peculiarity of The Life of Chuck is the question: Why is this song and dance sequence so important? The answer is for the movie to reveal, but it matters a lot. “The life of every human being is a constellation, as expressed in this film,” Hiddleston says. “There are certain moments which will burn most brightly as individual stars. Sometimes it feels like the world is going to hell in a handcart, and it’s full of pain and suffering, and it is—but there are moments of deep joy and deep connection.”

Hiddleston shows the audience this single moment in the life of a buttoned-up fellow who somehow controls the destiny of the world. It’s not necessarily the most important day in his life, but it’s a memorable one involving a street drummer (Taylor Gordon), a lovely stranger (played by Annalise Basso), and a fateful decision to cast aside caution and cut a rug. “It’s a reminder to do whatever it is that expresses whatever gives you that feeling of being alive,” Hiddleston says. “Whether it’s music or dancing or math or writing or creativity—do it. Do it now. Those moments are what you’ll remember.”

Flanagan considered casting a relative unknown as Chuck to “give the audience the experience of ‘Who the hell is this person?’” as the peculiar retirement signs begin to appear in the midst of the apocalypse. But he felt the promise of the Loki star would build more curiosity as the world falls apart. “You grow an enormous amount of anticipation to finally spend time with an actor like Tom, who can be a literal god in one story, and then an everyman in another,” Flanagan says.

A TikTok video of Hiddleston getting his groove on sealed the deal. “He had a completely unfiltered joy on his face,” Flanagan says. “He was a good dancer, but that wasn’t what struck me. I wasn’t amazed by the technique so much as the degree of happiness that was radiating off of him. The look on his face made me smile the same way I smiled reading that particular portion of the book.”

The resulting scene was created in a month-long collaboration between Flanagan, Hiddleston, Basso, choreographer Mandy Moore (So You Think You Can Dance, and La La Land), and Gordon, a real-life percussionist who performs under the name the Pocket Queen. “Taylor was there for all of the dance choreography. She wrote that piece of music for that performance. They built it together,” Flanagan says.

Hiddleston rattles off the lists of influences: “I had to learn in six weeks the full regime of any dance training. We did jazz, swing, salsa, cha-cha, the Charleston, bossa nova, polka, quickstep, samba. We were trying to tip our hat to anything that might have influenced Chuck. It might’ve had a bit of Gene Kelly or Fred and Ginger. Certainly moonwalking—Stephen King is very specific about the moonwalk.”

Precision was not the goal, exuberance was what they sought. “We need to always bear in mind that this man is an accountant. We needed this to be an earnest, escalating explosion of joy, and a remembrance of who he was,” Flanagan says. “It’s a chance to step back into the skin of his younger self, not caring that his feet are going to kill him the next day, not caring that he’s going to wake up with a horribly stiff neck.”

A surprising thing happened while shooting the scene over the course of several sweltering afternoons in the deep South. “I burned holes in my shoes,” Hiddleston says. “I was dancing out on the asphalt in Alabama, and by the time we’d finished, you could see my socks through the soles.”

The sequence begins awkwardly: Chuck is self-conscious as he first hears the busker’s rhythm while walking back from a banking conference. That feeling quickly gets shaken off. “Tom was very committed,” Flanagan says. “He was like, ‘If I look silly, that’s fine. As long as I look happy.’”

Flanagan remembers being in a bad place when he first discovered “The Life of Chuck.” Then again, everybody was.

His copy of the manuscript arrived in March 2020. “That was just as the world shut down for COVID,” he says. “We had been a week away from starting principal photography on Midnight Mass in Vancouver and had fled across the border before it closed to make it back to the States. We were hunkered down in our homes and had no idea if this was going to last for two weeks or if this was going to last forever.”

With everything halted as the lockdown set in, Flanagan had plenty of time to do nothing but read. The new King book seemed like the perfect escape. Except…

“The first third of ‘The Life of Chuck’ just rattled me,” he recalls. “There’s no way he wrote this before the world ground to this bizarre halt—but he did. And the feeling of anxiety, and uncertainty, and that everything was falling apart came roaring out at me. I wasn’t sure I could finish it. It just felt too close to the anxiety I was feeling.” But he kept turning the pages. “By the end of it, I was in tears, and incredibly uplifted, and convinced I’d read maybe the best thing that he’d written in a decade. I just was floored by the thing,” Flanagan says. “So I fired off an email to him right away saying how much I loved the story, how incredible I thought it was, how meaningful, and important, and how it had really tattooed itself on my heart and said, ‘It’s the movie I want to make so that it’ll exist in the world for my kids.’”

King’s response: Not so fast. Flanagan and his producing partner, Trevor Macy, had at that point secured the rights to King’s fantasy saga The Dark Tower through their company, Intrepid Pictures. The eight-book series is threaded throughout King’s other works, and adapting it was a massive undertaking that Flanagan is still working to make happen. Other filmmakers had either abandoned the project, were canceled midway through, or bombed miserably. The author didn’t want him to be distracted. “He doesn’t like to give the same filmmaker more than one thing, because it typically means one thing is not advancing at all,” Flanagan says. “He said, ‘Well, let’s focus on The Tower and I’ll try to keep this one available for you for later.’”

The quest to The Dark Tower remains a priority for Flanagan, but a number of disruptions to that epic undertaking led him to reapproach King last year about Chuck. Intrepid’s deal with Netflix, where they had created Hill House, The Haunting of Bly Manor, and other shows, had come to a close, and Intrepid signed a new development agreement with Amazon. That meant starting over on The Dark Tower. Meanwhile, the threat of a double-barreled strike by writers and actors was on the horizon, stalling nearly every major new project. The industry plunged into another production-halting lockdown, this time over contract impasses rather than a virus.

Since The Dark Tower was suddenly further off on the horizon, Flanagan saw a chance to make The Life of Chuck happen in the short term. “It’s so rare that I get to approach any project that just has not an ounce of cynicism to it. I just really believed in this thing,” he says. “But it was also clear that we would have an incredibly uphill battle bringing the story to any major studio. They would try to make it as familiar as possible, instead of leaning into what makes it so different.”

King gave Flanagan his blessing to proceed. “I was off like a shot,” the filmmaker says. “I think I turned in the draft to him before he got around to sending the formal agreement.”

For everyone involved, The Life of Chuck became a bright spot in an otherwise dismal time, which matches the theme of the film. “There is a profound optimism in this story,” Hiddleston says. “As the world is spinning off its axis, there are moments of magic.”

[imyourbratzdoll]

𝒕𝒉𝒊𝒔 𝒊𝒔 𝒏𝒐𝒕 𝒂 𝒍𝒐𝒗𝒆 𝒔𝒕𝒐𝒓𝒚

part 1 of 🌧️welcome to hell🌧️

summary - you begin to spiral as you are betrayed by the two people in your life, causing you to question if everything was a lie.

warning - ANGST, !SMUT BUT CHEATING!, heavily detailed cheating, heartbreak, betrayal, bad thoughts, swearing.

18+ only please, the gif I use isn't mine, headers by me.

part 2

Warnings and Reminders - Please do not plagiarise, copy, repost/republish, adapt, or translate any of my work on any social media platforms, apps, or third-party sites. The only platforms I post my work on are: Tumblr and Wattpad. I do not own any character of any franchise (Marvel etc.) All my works are fiction and may be dark or triggering content: READ ALL WARNINGS BEFORE PROCEEDING.

Do you remember the pain of your crush rejecting you? The pain of a man you like, liking someone else? The pain of your boyfriend leaving you for someone else? Or the pain that you feel when you find out your partner is cheating on you? The pain that only love seems to cause. Because you know that pain extremely well, that pain has only embraced you recently. Like a flame wrapping around your body, slowly slithering inside of you, and burning your insides. That afternoon STILL haunts you, no matter how many times you try to push it out of your mind; the thoughts, the touches, the feel, the smell, everything is still so alive and killing you inside. It was the day you understood how powerful love could be if used improperly. You understood why so many people were afraid, why so many protected themselves against it. Some people don’t change… They just find new ways to lie. 

Your best friend, Sarah, who you had known since you both were five, your mum’s having met while watching you on the playground, watching how you both clicked. Your bond had only grown stronger the older you got. Had come into town after having planned to hang out for much needed girl time and you had invited her to stay at yours and Johnny’s house.

You were rushing around the house ensuring that everything was set up, even though Johnny had told you everything was done. You huff. “Baby, are you sure everything is ready and perfect?” You asked your husband, your fingers entangled with one another from nerves as you played with them. 

Your husband was Johnny Storm, famous ex–playboy. When you had met him. He was annoying, he was hilarious, he was the world’s biggest arsehole, he made you want to scream, he would ruin your day and save it at the last minute, he drove you crazy, he was out of his mind, you hated his guts, and he was everything you wanted. Somehow, you made it work. You had thought he changed.

Johnny grins, pulling you into him causing you to sink into his hold. “Yeah, babe. It’s going to be fine. Why are you stressing so much?”

You shrugged, biting on your bottom lip. “I haven’t seen her in a while. I just want everything to be perfect. I want her to feel at home.” Oh, how those words would come back to bite you on the arse. 

He kisses the top of your head, “She will, babe. Don’t worry.” 

Once everything was sorted and checked about twenty times. You hear a car pull up and quickly head towards the door and as you swing it open, arms wrap around you and pull you into a hug. You both squeal, squeezing each other. Your chin rests on her shoulder, eyes closed and smiling. Yet, her eyes were open and set on your husband with a smirk. You pull back, smiling brightly as she mimics yours. “I’ve missed you so much! I’m so glad you could make it!”

Sarah licks her lips, eyes flickering over to Johnny’s before going back to yours. “I wasn’t going to miss this opportunity!” You didn’t know that her words seemed to have a double meaning. You helped her with her bags, leading her over to the guest room which is next to yours and Johnny’s. The two of you chatting away as you catch up, your voice filled with such happiness, such pure joy. 

The afternoon rolled around, and you both decided to start getting ready, after spending the day in the pool before dinner, you both desperately needed to wash the chlorine off. You let her shower first while you picked out your outfits, once she was done, a small towel tightly wrapped around her body. You headed into the bathroom, her close behind so that she could do her makeup. It had become a routine that you had grown used to growing up together. Neither of you were bothered by it. 

You stripped once you had turned the shower on and ensured it was hot enough, when it was, you got in, the heat caused steam to coat the glass, making it foggy and hard to see through. You could only make out blurry shapes and Sarah’s fuzzy figure. You decided to take a longer shower, dinner wasn’t until later and you wanted to make sure everything was properly shaved, washed, and rinsed. 

You were so zoned out while lathering yourself with soap that you didn’t notice Johnny sneaking into the bathroom and standing behind your best friend. His arms moved around her body as he began pressing kisses onto her exposed flesh. He pressed his bulge into her towel covered arse, groaning quietly. Sarah leans back into him, covering her mouth as he bends her over the counter slightly, lifting one of her legs onto it. “Keep doing your makeup, babygirl.” Johnny grunts quietly, running his fingers through her soaked cunt. 

You moved under the water, sighing as it hit you, watching the soap roll of your body. Johnny’s head turns as he checks to make sure you haven’t noticed. His hand strokes up and down his hardened member before he slides into your best friend’s cunt. His gaze turns back to hers, watching as her mouth falls open. He smirks, thrusting all the way in as he leans close, whispering into her ear, making sure to keep their eyes connected. “You missed feeling me inside you, didn’t you? You’ve gotten so fucking tight, such a good girl for me.” She moans softly, rocking back into him. Johnny bites his lip as his thrusts pick up, the rush of being caught fucking his wife’s best friend makes him so fucking hard. He wondered if you would catch them, wondered how you’d react.

His eyes roll back at the thought, hands gripping Sarah’s hips tightly as he pounds into her harder. “Fuck, babygirl. I’m gonna fuck you so much while you’re here. Gonna pump you so full, make up for lost time.” One hand leaves her hip and moves up to her hair, gripping a fistful, pulling her back against him, she still tries to apply her makeup as he fucks into her harder and faster. Her eyes flutter, desperately trying to make sure she doesn’t screw up anything, her mouth falls open as Johnny begins to pound into her sweet spot, her hand drops and she grips onto the counter, pushing back into him, meeting his thrusts. “What a little slut.” He grips her hair tighter, nipping a sensitive spot on her neck, groaning when he feels her tighten around him. “You like getting fucked by your best friend’s husband while she’s in the room, huh? Like being my dirty girl?” 

Their heads snap over when you open the shower door slightly, their movements not stopping, Johnny only fucks into her faster, a shiver rushing through him at the thought of your eyes connecting with theirs, watching him ruin your childhood friend. 

You grab a small cloth to rub some shampoo out of your eyes, not noticing the two in the room. You close the door and go to continue your shower until a moan cut through the air. Your brows furrow, wondering if you imagined it or if someone really did moan. Your question is answered as the moan is followed by a muffled shut up and you begin to focus on the glass, squinting to try and see who is making the noise.

Johnny growls lowly, his hand covers Sarah’s mouth, cupping it roughly as he fucks into her faster. His other hand slides between her and the counter before finding her swollen clit, rubbing it. Their eyes focused on each other’s as he rests his chin on her shoulder. He fucks and looks at her so intimately, more intimately than his own wife. Johnny’s thrusts become rougher and sloppier as he feels his end approaching. He had missed her sweet, tight cunt. Leaning forward, he whispers. “You better fucking take my cum and keep it in you while you are with my wife, I want to see it still there when I come into your room tonight. Understand, slut?” Sarah whimpers, fucking herself onto him as she nods.

Your eyes widen and tears immediately fill them as you see the figures through the glass. You had wiped some of the steam off only to see your husband fucking your best friend and your hand shoots up quickly to cover your mouth as you try and muffle the sob that tries to escape. You couldn’t pull your eyes away, no matter how much you wanted to. It was like watching a car wreck, you wanted to look away but no matter what your eyes would not stray. You felt sick, your stomach twisted and your heart broke. They didn’t seem to care that you were in the same room, that you could catch them at any moment. You DID catch them…

Johnny grunts, fucking deep into her soft cunt. He feels his tip twitch and his balls tighten, she felt like heaven to him. “I’m going to cum, babygirl. You gonna be a good girl and obey me?” She nods and he lets go, burying his cock deep inside of her, his cum spurting out and painting her walls white. His head falls back, cock still twitching as cum continues to leak from his tip, his hand still rubbing her clit as she cums around him, squeezing his thick cock with her tight walls. With a groan, he slides out of her and tucks himself away. “Good girl.” 

Sarah spins around and smiles, she gets on her tippy toes and places a rough kiss on his lips, as though she was claiming what was hers. His arms wrap around her, pulling her closer as he deepens the kiss. Johnny pulls back, smiling down at her with a look not even you had seen. With a wink, he leaves the bathroom and Sarah rushes to fix herself, trying to make it look like nothing happened while you sit broken on the shower floor. 

You pull your knees close to your chest as silent sobs slip from your lips and your eyes close. You couldn’t get the image out of your head, them fucking and kissing was engraved into your brain. You don’t want to think about it, but you know deep down that this was probably not the first time, especially with how comfortable and familiar they already seemed with each other. Your throat clenches as the need to throw up hits you, you gulp as you try to stop it. 

“Hey! You nearly done? We gotta get ready or we’re gonna be late!” Sarah’s voice cuts through the rushing water and the tower of thoughts filling your mind.

“Y–” You clear your throat, trying to get rid of the quiver that attaches itself to your voice. “Yeah!” You reply, not having the strength to say anything else. You watch through the glass as she leaves the bathroom, probably to get dressed or fuck your husband again. The thought causes another wave of tears to fall, how had your life turned upside down so fast? You quickly finish up, not daring to go close to the area they were. You could see there was some cum still on the floor and it had made you feel like throwing up again. You couldn’t bother with makeup at this point, you hurriedly got out of that room and into your bedroom.

You could hear the game on downstairs as well as Johnny’s shouts, so you guessed that he was down there and your supposed best friend was here, in your room… Where you sleep next to your husband, falling asleep to whispered, ‘I love you’s’. The clothes you had picked out for her were already on and showing off an extreme amount of skin. You could’ve sworn those clothes were bigger. “Finally! How do I look?” She turns, hands on her hips. 

You had to pull yourself out of your thoughts when she spoke, you could feel yourself slipping. You swallow and nod your head. “...Great.” How were you supposed to act around her now? She was staying for the weekend, and it seemed they probably weren’t going to stop. Was this why Johnny hadn’t slept with you since your wedding? Your eyes widened as you thought back, you hoped your thoughts were wrong, prayed even. “Uh… I might have to cancel for tonight.” You cough, hands falling to your stomach as you put on your well–practiced sick face, you had to play it out that you felt sick. Which wasn’t really a lie… “I think I might’ve come down with something… Or the food I ordered last night might’ve not been so good…” 

Sarah pouts. “Well, that sucks.” She looks down at her clothes. “I don’t really want this outfit to go to waste though, do you mind–?” You shake your head, wanting, NEEDING her to leave. If it were any other situation, you would’ve questioned her selfishness and lack of care, but it really just made sense on why she was fucking your husband. Your grip on your towel tightened as you held it closer to you, following her out as she leaves. You didn’t miss the way Johnny looked at her or how she smirked at him. Has it always been like this? Were you really that blind? You quickly utter a bye before hurrying past your husband without sparing him a look. 

But you weren’t so lucky. “Aren’t you supposed to be going with her?” He had followed you, watching as you slipped your pyjamas on. You didn’t like him seeing you naked, not that you now knew you weren’t the only one. You hadn’t looked at him once, but he didn’t seem to care.

“I… I felt sick so she went herself.” You chewed on your bottom lip to the point it began to bleed, but before Johnny could see, you sucked your lip into your mouth. You crawled into your bed, suddenly feeling dirty as you peered down at it. Had he brought others into it? Was it tainted like your marriage? You quickly shook off the thought and laid down, curling into the mattress, and pulling the blankets closer to you. You needed to think and cry, you didn’t know what to do. Your life had just been flipped upside down and you had no one else, where would you go if you left him? Have other wives felt this? Had they stayed until they had things sorted or left and figured it out on the way? Johnny nods, shrugging before he leaves. How could he switch up so fast? You didn’t sleep with each other, but he still at least gave you a kiss or made it seem like he cared. Was it all an act until she got here? Or did he care but she had clouded his mind? 

thank you for reading!

feedback and reblogs are greatly appreciated.

[rhiannonsknife]

https://x.com/femmeflix/status/1852896350481825792?s=46&t=PsXAfTCJv59FchQIdn66aA

I’ve been obsessed with Jackie/your Jackie fics and thoughts lately.

This with Jackie in the wilderness though..? Maybe an AU where she never died and find excuses to keep you “warm at night” in winter? You’re in the farthest corner of the cabin when she starts grinding against you softly. The others are asleep but you still have to be quiet, silently sighing into the other’s mouth as you get each other off…

-🪩

thank you 🪩 anon!! i probably added way too much background lore, but i hope this is what you had in mind <3 nsfw below so: mdni!

i feel like, unlike shauna, jackie would not be so in denial about how touch starved she is. i think she’s well aware that she needs somebody’s comfort, yet ever since doomcoming, she and shauna have not spoken properly and she won’t even look in travis’ direction.

it wasn’t just the betrayal itself, you think, without ever saying it out loud, it was the audacity of it. now, every time jackie glanced at shauna, all she could see was the life she used to have, the life she had taken away piece by piece: her boyfriend, her best friend, her sense of control. nobody is ever calling it by name in spite of the elephant (shauna’s bump) in the room.

jackie hadn’t acknowledged the pregnancy out loud, yet the unspoken tension hangs in the air whenever they are forced to share space, impacting all of you.

the more time passes, the colder everyone gets.

except for tai and van, the rest of the team has sort of neglected the need for physical touch and closeness. without anyone around that you’d be comfortable enough with to ask for a simple hug, you try to do the same as everyone else. only at night, with the others fast asleep, you ever dare to wrap your arms around yourself, picturing it’s someone else holding you.

you won’t let it show to the others, though, not wanting to be the first to break under the current circumstances.

turns out you don’t have to wait too long for someone else to be in a similar position: jackie had been the one to lose it from the start. sure, you’d all been terrified, but out of all the girls, jackie had been the most stubborn when it came to her chores out here.

she’d always been the one least likely to adapt to any of this: to the wilderness, to the cold, to the isolation that gnawed at all of you. she wasn’t built for this life, and everyone knew it, including her. but jackie wasn’t one to let people see her break easily: the same jackie who once thrived on attention now barely spoke, her haughty attitude replaced by something more brittle.

it had only been a matter of time before this facade cracked.

you’d seen her unraveling slowly. the way she avoided shauna, the way she avoided everyone, really. how she snapped at taissa for trying to delegate chores or rolled her eyes at nat’s attempts to hunt. she’s so desperate to seem untouchable, but it is clear to you that jackie’s just lost. and hurt.

and then came the nightmares, too.

you start to wake at night to the sound of her gasping, a sharp cry muffled into the blanket she clutches around her. she must’ve shot up, her breaths coming fast and shallow, and for a moment, you think she might wake everyone else. but the others keep sleeping, too used to the sounds of restless nights to stir. that’s how it starts because you -unsure of what else to do- only reach out and put a hand on her shoulder. jackie flinches, not expecting anyone else to be up at this time. you two never talk about it afterwards but you feel the way she instantly melts into your touch.

that small gesture is what makes you realize how much you’ve missed being close to another person.

after this, it is like a switch has been flipped: jackie is fixated on always lingering in your presence, eager for any kind of touch she can get, whether it’s a brush of hands, her palm to your back, or sitting shoulder to shoulder. she even picks up certain chores just to be near you. whether it is a desperate attempt for proximity and closeness or a real crush that’ll keep on growing beyond this place where you’re stuck, it feels nice to be wanted like this.

one of these nights, with the cabin quiet and the air heavy with the sound of soft snores and the occasional crackle of the dying fire, jackie takes things one step further.

everyone else is huddled together for warmth, but in the farthest corner of the room, it’s just you. or at least it was, until jackie had slipped down beside you, her breath visible in the freezing air as she sits close -closer than she needs to.

she whispers, careful not to wake the others, “it’s freezing. you’re practically an icicle over here,“ she hesitates, her hands tugging at her blanket as if trying to decide what to say next. after another moment, she ventures, “i don’t know how you’re even handling it. i feel like my fingers might fall off any second”

her eyes flicker to yours, searching for something. permission, maybe, to come even closer than she already is. “you know,” she says lightly, almost offhand, “it’d probably be warmer if we shared. not that anyone would care… or even notice.”

she doesn’t press it further, leaving the idea hanging between you. sure, the two of you have shared your moments before, but you certainly hadn’t spent the night cuddling yet.

the silence stretches out, her gaze darting to yours again, waiting for any sign. and then you shift, just a little, leaning closer, not quite touching but enough to give her what she needs. the corner of her mouth twitches, and without a word, she slides her blanket open, wrapping it around the both of you as she settles closer.

jackie voice is barely above a whisper, the words brushing against your ear. “this is okay…right?”

you nod, softly, knowing she’ll see from where she’s curled up against you from behind. like this, the two of you lie in silence for a good while. you know jackie is awake still: you can feel the way she occasionally shifts, or how her breathing won’t still in a way that it would if she was asleep.

it’s strange, how natural this feels: being this close to someone, so comfortably tangled together after such a long time. a part of you had forgotten how it would feel. another part, the one that’s been falling in love with jackie taylor long before your plane crashed, longs to have her even closer and tries its very hardest not to allow your mind to wander…

jackie, on the other hand, hasn’t felt this close to any of the other girls either. without thinking, her hand moves of its own accord, around you to rest on your stomach. her fingers are cold, even through your layers of clothing. she brushes them lightly over your skin, the touch gentle. you audibly gulp, but let her.

after another moment, you are finally brave enough to shift. you lift yourself up and adjust until you’re facing her. jackie’s hand remains on the dip of your waist underneath the blanket.

your bodies are flush against each other, your breaths mingling in the sliver of air between you. jackie’s eyes widen a fraction as you turn, her hand instinctively tightening its grip on your waist. the shift in your position has brought you even closer together.

her hand slides further, fingertips tracing over the shape of your hip. “you’re still cold,” she murmurs, her voice low and hushed in the quiet cabin. her eyes rake over you, her gaze lingering over the curve of your lips.

“it is cold in here” you point out, shivering at the realization of her wandering eyes. jackie isn’t exactly subtle about it either. after all, there’s not much she’s ever wanted that she didn’t get.

her touch is moving from your hip down to the curve of your thigh. her fingers dance over the fabric of your pants underneath the blanket. she’s still fixated on your mouth, her breath hitching as she sees the way you shiver under her gaze.

jackie leans in a little closer when she feels the way your legs fall open under her hands, her lips nearly brushing against your ear as she whispers, “you know, i think i’ve got a few more ways i could help warm you up…” her hand moves again, sliding further up your thigh.

it’s pathetic, really. it’s a desperate attempt to cling to normality. to feel wanted in spite of everything. it’s a short moment in the terrors of the wilderness that she won’t speak about in the morning. but, fuck it, you’re willing to take it.

your breath hitches in your throat when jackie’s hand inches up your leg, a small noise slipping from your lips. immediately, jackie hushes you.

“sh” she says, eyes darting to where the others are fast asleep. “we have to be quiet” and with that, your last restraints are gone. it only confirms what jackie is up to right now -if it hadn’t been clear yet, it certainly is now. and while you know, rationally, that this is a bad idea, the need to feel someone’s touch is too strong for you to neglect it any longer: awkward attempts of trying to get off under the covers whilst everyone else sleeps are clearly not doing enough for you.

at least jackie seems to be on the same page.

you both shift and adjust against each other. it’s a little clumsy, and it takes a moment to find a good position, but it’s driven by the need for something you’ve both been craving, so you make it work. before you know it, jackie lingers above you in a way that has her center pressing against your own under the sheets.

she exhales a shuddered breath and your hands jump up to hold her hips. your eyes are wide as you stare up at her, partly in disbelief that this is happening, mostly because you can’t believe that jackie wants you like this.

jackie leans in, not kissing you yet, but with her arms bracing her weight on either side of your head, caging you in. her eyes are dark, her gaze flickering over your features in a way that makes your stomach flip.

beneath the covers, her legs shift, her body pushing further into yours, grinding against you for the first time, in a way that is deliberate and calculated. her breath stutters, her voice hoarse as she speaks, “you’ve gotta be-” she gasps, and bites her lip, resisting the moan that threatens to escape. “quiet”

oh, how you wish you could’ve met her under different circumstances. how you wish jackie could’ve wanted you like this all the way back home, so you could’ve heard the way she sounds when she’s moving on top of you.

when you finally come back to your senses, you decide to make the most of this opportunity. holding her hips a little tighter, you lift your own from the ground to meet her halfway.

jackie, who’s only ever known sex to be something merely mediocre, is surprised that grinding against you (fully clothed, and in a room full of sleeping people that prevent you from going all the way) is already better than anything she’s ever had.

she shivers as you take the initiative, matching her movements with a gasp that she barely manages to bite back. she arches into you, her body moving steadily now.

her hands slide up your sides, fingers slipping under the edge of your shirt to feel the warm skin of your stomach. she leans in, her breath a shaky, quiet: “god, yes…just like that…”

you can feel your own underwear, clinging to your arousal which is growing exponentially at this rate. there’s no way you’ll last long like this, not when you’re embarrassingly close to creaming your pants just from watching her. each of your movements is mirrored by one of hers, until you’ve found a good rhythm to grind against the other. at some point, jackie’s body goes slack and she drops forward. you instantly hold her to your chest as she keeps rutting against you, moaning the faintest little “ah, ah, ah” sounds into your ear.

the friction between you spikes, both of you desperate and greedy for more connection. your hips keep meeting in a slow, steady rhythm, both pushing and pulling each other into deeper contact.

her hands are still wandering over your body, exploring every inch of your skin she can reach through the clothing that’s supposed to keep you warm but is severely restricting right now.

she draws you closer, her mouth by your ear, her voice a low, husky whisper, “i want you…i want you so badly…” she whispers. whether jackie means it or not, it works on you.

“don’t stop” you tell her, rocking into her equally desperately. at this point you can only pray that no one will hear the creaking floor boards. the sheets are a tangled mess around the two of you, the covers having slipped down to her waist as the heat between you escalates.

“jackie” you whisper, hoping the urgency to your tone will get the message across. judging by the way she nods erratically, that seems to be the case.

“yeah” she says, bobbing her head still. “yeah, me too”

you, embarrassed as you are, cum first. it’s quiet, your lips parted in a silent scream as jackie’s constant rocking sends you stumbling over the edge you’ve been toeing since she began straddling you. she watches you fall apart beneath her, not once slowing down or stopping altogether, determined to make herself cum too.

her eyes flutter and she struggles to keep her breathing steady as her hold on you tightens. “don’t- don’t you dare stop-“ she hisses, your pleasure not yet ebbing by the time she follows. jackie is beautiful, obviously, but you’ve never seen something that could ever compare to her when she makes herself come against you: her head falls back and her eyes close tightly. she’s biting her lower lip so harshly she could be drawing blood for the sake of not being too loud.

finally, after her body has gone tense for a couple of seconds, jackie slumps against you. she’s panting right into your ear, unable to speak as her orgasm washes over her. you can feel her thighs trembling around yours as she recovers.

for a few moments, the only sound in the room is the ragged breathing of the two of you as the silence hangs heavy in the air. the cabin is quiet, the rest of the team blissfully unaware of what just happened a few feet away.

“holy shit” you finally breathe, unsure of what else to do or say. thankfully, jackie doesn’t move away like a part of you had anticipated. she stays right there, on top of you, giving you the courage to hesitantly wrap your arms around her and hold her to your chest.

if you don't move, you'll fall asleep like this and the others will have plenty of questions in the morning. still, neither of you has got the strength to get up, to move away from the heat you're providing. your eyes grow heavy before you know it. it's the first night of good sleep in a long time.

[onlydylanobrien]

Live from New York, It’s Dylan O’Brien!

The 33-year-old plays Dan Aykroyd in Jason Reitman’s Saturday Night, and he’s not sure he hit it out of the park. But he’s okay with that.

DYLAN O’BRIEN HAS led movies that grossed hundreds of millions of dollars at the box office. He’s shared the screen in a thriller with Michael Keaton (2017’s American Assassin), exchanged jokes with Vince Vaughn and Owen Wilson (in 2013’s The Internship), been a long-running MTV teen heartthrob (in 92 episodes of Teen Wolf), voiced a Transformer (in 2018’s Bumblebee), and, hell, went toe to toe with Larry David while playing himself on Curb Your Enthusiasm. At 33, he’s accomplished a hell of a lot.

By the time we meet at Men’s Health’s New York City offices to chat on an early September Friday, I’ve already seen a lot of his work. I’ve always liked the way his relaxed demeanor on-screen fits with an undeniable movie-star look—and that holds true in his latest project, Saturday Night (in select theaters now and out nationwide on October 11), in which he stars as comedy legend and original Saturday Night Live cast member Dan Aykroyd; the movie is a depiction of the chaotic 90 minutes before the very first episode of SNL. But I wasn’t sold on his sheer determination—the pure conviction in his character—until I learned that, like myself, he’s a long-suffering fan of the New York Jets.

“I get psyched for the Jets,” he tells me, rocking a full beard, a T-shirt, and a pair of comfortable lacrosse shorts. As he finishes his thought, his eyes light up, but they maintain the slightest sense of eternal frustration behind them. “Even though it’s always like, Jesus Christ.”

Misfortunes of past football seasons aside, O’Brien is as hyped as he’s ever been for the season to come—he’s already done all of his fantasy drafts, though he feels better about some than others—but right now he has one potential problem: He’s going to be in Toronto, for the Toronto International Film Festival, on the night of the Jets season opener. But don’t worry, he’s got it figured out. Saturday Night’s premiere is on Tuesday, and his press schedule on Monday (when the Jets are set to play the San Francisco 49ers) concludes at 5:30 p.m.

“I’m like, I’m going to a pub. I’m getting out of the area, and I’m just going to sit and have some beer and watch the Jets on Monday night all by myself,” he says with a huge smile on his face. “It’s going to be awesome.”

It’s a relatable feeling—for most Jets fans, there’s no happier time than before the season starts, before the annual feelings of dread and doom start to set in. (The Jets would wind up losing to the 49ers, 32-19, in their Week 1 MNF matchup.) But, as Jets fans have learned so well to do over the years, we move on.

O’Brien has a long career behind him, but a long career ahead of him, too. In addition to his upcoming role in Saturday Night (which has earned strong reviews in the early goings), he’s also got the M. Night Shyamalan-produced Caddo Lake premiering on Max this month, and Anniversary, in which he stars alongside Diane Lane and Kyle Chandler, coming at some point in the near future. (It doesn’t currently have a release date.) O’Brien is the kind of actor who elevates the project he’s in, even when the project is already really, really good—but if there’s anything being a Jets fan says about someone, it’s that they know how to adjust, adapt, and bounce back. And in an industry as fickle as show business—which is put on full display in Saturday Night—that’s about as important a quality as any to have in your back pocket.

Ahead of the release of several of the biggest and most exciting projects of his career, O’Brien sat down with Men’s Health to discuss how he keeps himself sane and centered, prepping to play a comedy icon, and some of those casting rumors about him out there on the Internet.

MEN’S HEALTH: What kind of routines do you maintain for your mental and physical health?

DYLAN O’BRIEN: I don’t go to the gym. I’m not a gym guy, but that doesn’t mean I don’t exercise or train or anything. I would say I go in and out of that. I’m usually the type who’s either on a pretty consistent routine and trying to hit it hard and take care of myself for a period of time, and then I’ll let it go for a little bit. Some of that’s influenced by my schedule, too. When you go to work, it’s hard to keep up some kind of regimen. But when I’m home and I’m in between jobs, I’ve become a very domesticated individual. I love grocery shopping and cooking my own meals.

MH: What’s your favorite thing to make?

DOB: If I had to pick one thing, I love, to the soul, making a soup. It’s literally the first thing I’ll do when I go anywhere to settle in. Just a homemade chicken soup, with a chicken carcass, and get creative with the veggies.

MH: Do you have a mental health routine?

DOB: That’s typically what drives the eating and the exercising. I always feel best when I’m in a nice routine and taking care of myself. As I’ve gotten into my 30s, sleep is so important, and periods of laying off alcohol are so important. Just treating your body right and getting rest. I like to do a cold plunge session, and that’s very meditative for me. I’ll follow the simple program of “exhaust the body, relax the mind” when I’m going right.

“I was self-conscious that I DIDN’T LOOK LIKE HIM, that I DIDN’T SOUND LIKE HIM, that I thought people wouldn’t think me—Dan Aykroyd.”

MH: I totally understand the concept of using whatever levels us as therapy. Sometimes after work I just need to put the Yankees on and do absolutely nothing in order to fully detox and feel right.

DOB: That’s my soul. The Mets… obviously, baseball is a nearly every day thing. And even when the Mets are not going well, what’s soothed me since I was closely following them when I was a kid is [broadcasters Gary Cohen, Keith Hernandez, and Ron Darling]. Literally, even just throwing the game on in the background while I’m getting dinner ready and just listening to those guys talk baseball—that settles me to my core. I’m totally with you on that.

MH: Is watching sports your main way of decompressing at the end of a long day?

DOB: If it’s baseball season, yeah, nightly Mets is nice. If I’m working, I’ve been known to be on jobs and randomly be bingeing some reality show while I’m on it. It’s such a decompressor at the end of the day. I love reality TV.

MH: What’s your favorite?

DOB: Of all time?

MH: Yeah.

DOB: Well, it’s between Jersey Shore and Vanderpump Rules as far as the all-timers. I’ve been a longtime OG Vanderpump fan, pre-Scandoval, and I just think that show’s a masterpiece. And Jersey Shore is a masterpiece, too. I did a film, Ponyboi, that’s very Jersey-centric, and so I drilled all of the first four seasons of Jersey Shore. My whole routine for that movie, when I needed to decompress, was just working out and watching reality TV. I lost a lot of weight, too, for that movie, and I was just trying to make my little chicken breast, and eat my salad, and work out, and watch Jersey Shore.

MH: Let’s talk about Saturday Night. How would you describe your version of Dan Aykroyd?

DOB: It might be the thing most open to interpretation I’ve ever done. By that, I mean it really was just leaping out of the nest. I’m playing this real person, but [director Jason Reitman] had no intention of just copying the person coming in. He really wanted everyone to have their own spin on the person, which, if you’re overthinking it, can be tough to do because it can be very easy to do. If you’re like, I’m just going to watch my guy’s interviews and sketches, then you can kind of fall into imitation. As far as I know, I was just doing what I thought he was like. But I don’t fucking know. That instinct was that Jason was always telling me what to run with. He was big on not overpreparing, not overwatching things, and not impersonating. I’m curious to hear people’s take, because I don’t really know. I just went with my gut.

MH: Was there one signature quality of Dan you wanted to capture?

DOB: A very earnest intelligence—he’s so quick, it was exhausting. I would always say how exhausted I was, because I’m playing someone who’s way quicker than I am, and so I’m constantly operating at a speed I can’t operate at, because he’s so sharp and fast and he never fumbles and he never curses. He never bides time. You know what I mean?

MH: Absolutely.

DOB: He’s so precise with his improvisation and his comedic skills. I came away with such a larger appreciation than I even had for his genius. And he was so young—he was a kid. He was 23 on that first season of SNL. I never processed him as being too worried about too much, which was a funny contrasting energy to the very tense atmosphere of the film in the hour and a half before showtime. He’s so loose.

MH: It’s interesting you say that, because it’s something I totally clocked, too—Dan is kind of the calm part of a storm that includes people like Chevy Chase (Cory Michael Smith) and John Belushi (Matt Wood). How did you maintain that presence as the movie’s level head?

DOB: My way of achieving that, with permission from Jason, was to embrace this quality in myself that I didn’t originally associate to Dan—that I only then did after Jason pointed it out to me—which was to have an aloofness on set. I feel very relaxed in that space. In a way, I wasn’t too worried. But that comes with the caveat that I entered this process thinking I was so wrong for the part.

MH: Why did you think that?

DOB: I don’t know. I was self-conscious that I didn’t look like him, that I didn’t sound like him, that I thought people wouldn’t think me—Dan Aykroyd. And I guess it was an insecurity that I would be skewered for being miscast or something. But even with that insecurity, again, I’m still so happy to be there and, like, whatever, fuck it. I don’t care if that’s the response. I’m boned, but whatever. It’s great to be here and get to do this, and what a blast of a thing to get to be a part of. So, weirdly enough, that type of aloofness amidst other people having to handle some really tense stuff was what Jason was telling me to embrace.

MH: Have you met Dan?

DOB: No. Not yet. I’m supposed to meet him at TIFF. And apparently that will be both of our first times seeing the movie.

MH: That will be great.

DOB: There was a moment early on, when you go into something like this, you’re playing someone, you imagine that they might want to speak to you. They might be hell-bent on speaking to you, they might be crazy about getting their hands in it, or they might be totally hands off. And to hear that he was so not worried about it, if anything, was the first moment I was like, Oh, maybe we’re right. Because I would’ve met with him, too, but I also didn’t need it. I would have if he insisted. I’d be like, Of course—I’ve got to do that. But I vibe with the fact that he was like, no, let the kid go do it. That’s how I feel like I would react.

MH: What’s your favorite movie of his?

DOB: I was a big Blues Brothers kid. I did the Blues Brothers for my talent show in third grade. I was also a big Tommy Boy kid.

MH: I’ve loved a lot of the comedic stuff that you’ve gotten to do, including your Curb Your Enthusiasm guest appearance. What was working with Larry like?

DOB: Oh, it’s just a blast. He’s a Jets fan, too—I remember that was our first conversation we had. It was like I was just talking to a buddy, at [the popular TriBeCa bar] Walker’s, or something about the Jets. I’ve worked with a lot of comedians, and that space can be weird. The energy can be very overstimulating, and those personalities can tend to be really loud and competing. It can be a very odd atmosphere sometimes. Going to work with a guy like that… I was like, Who knows, he could be a fucking total narcissist tycoon, and he wasn’t. He couldn’t have been more generous, couldn’t have been quicker to laugh at someone else and let someone else have the spotlight. I couldn’t think more of the guy. He’s amazing.

MH: It’s been almost a decade since your accident on the Maze Runner set. When you look back at your recovery, how has that experience most impacted your life?

DOB: It was a life-changing incident. I’ve approached everything differently, you could say, particularly with regards to standing my ground on set. It’s very commonplace in the culture for young actors to be controlled, and the way they strive to do that is by always being like, Oh, don’t become difficult. Don’t be a pain in the ass. Or Are you complaining, are you being difficult? Things like that. I learned after the accident to not conflate taking care of yourself and looking after yourself. Don’t let them manipulate you into thinking that is being difficult, because I can look at that day and know I was a 24-year-old kid who was raising concerns about how we were approaching things, and they were not listened to, they were not respected. And then what happened happened. And by all accounts, it was all pretty gotten away with, I would say, as well. It’s taught me that, at the end of the day, in these spaces, you have your own back, and that’s the most you can rely on. I just turned 33. I’ve been doing this for 15 years. I know the person I am, and the character I bring to set, and the way I treat people and the way that I treat a workspace, and I know I’m not difficult. I know I’m not an asshole. I know I was trying to protect myself that day, and so I’ve just never forgotten that. That’s always rung true as being the thing to hold with me.

“It’s taught me that, at the end of the day, in these spaces, you HAVE YOUR OWN BACK, and that’s the MOST YOU CAN RELY ON.”

MH: And this is something that’s always in the back of your mind, just knowing that you’ve had this experience and it’s shaped where you are now.

DOB: It helps me. It’s a shame. It’s a shame that it had to be that for me. To build this armor for myself of just being like, No, man, I’m going to look after myself, I’m going to take care of myself, and there’s nothing wrong with that. There’s nothing wrong with asking questions. There’s nothing wrong with bringing ideas, even if we’re talking creatively. It’s our job to bring ideas. There’s nothing wrong with raising concerns. There’s nothing wrong with being like, “I think we could do this better, I think we could do this differently.” You know what I mean? That’s the process. It’s a collaborative process. It’s a creative process, but also you’re dealing with big dangerous shit sometimes, too.

MH: Throughout the years, you’ve been rumored to become the Flash and Spider-Man. Is there any truth to the rumors?

DOB: No, never.

MH: Nothing?

DOB: No, none of it. Yeah.

MH: Is that of interest if an opportunity ever came up? Are you a comic book person?

DOB: I never have been. But I wouldn’t rule out anything. Certainly, it’s not of interest to me as of now. Maybe when I was 20 and they were rebooting Spider-Man—I was excited about that. But I didn’t even get past the casting pre-call or anything. No, none of those rumors have ever been true. I didn’t even know there were rumors. I just thought they were people just putting it out there.

MH: People put a bunch of stuff out there and then places pick it up and then stuff snowballs.

DOB: None of anything I’ve ever read about myself is true. So, if you want to use that template, that’s my experience.

MH: So what is of interest to you? What’s your dream?

DOB: There are obviously filmmakers I’ve loved since I was a kid who I would love to work with. I always want to challenge myself, and I always want to go with my gut and trust when I respond to something, I’m responding to it for a reason. Trust that when I’m scared of something, maybe that’s a good thing I should lean into. Try to find the new filmmakers, and try to champion them, and be a part of the early parts of the careers of our new wave of filmmakers. Try to champion original things as much as I can, too. I feel like that’s obviously trending so much further and further away, and towards extinction, that I just feel like it’s important to lend yourself to those things when you can, as much as you can.

This interview has been edited for content and clarity.

Source: menshealth.com

[im-so-normal-iswear]

Hi!! I love your writing!! Would it be possible for your thoughts on Ford/stan with a girlfriend who is a therapist or psychiatrist? (I’m studying psychology so this is a totally self indulgent ask!) thank you!! 🫶🏼

A/n: Ok! I'm sorry these took long

Stan/Ford pines x therapist!reader

Ford Pines:

Ford is instantly intrigued by your profession. He’s always been interested in how the human brain works, and having a girlfriend who understands the mind on such a deep level excites his curiosity.

He loves asking you questions about psychology, sometimes treating your discussions like he’s learning from a textbook.

“So, if someone were to experience prolonged exposure to isolation, how do you think that would affect their psyche?”

Ford absolutely loves to hear your insights on everything from mental health to obscure psychological theories, often adding his own knowledge of psychology.

Ford greatly values your calming presence. As someone who has gone through trauma from his interdimensional travels, Ford finds comfort in how you can guide him through his anxieties and ground him during his moments of overthinking. It’s not that he’s asking for therapy, but the way you talk and listen to him brings him a lot of peace.

Sometimes Ford gets lost in his head, overanalyzing everything or diving too deep into his research, and you’re the one who pulls him back. You know just how to approach his worries without invalidating them, and he’s beyond grateful for that.

“You always know exactly what to say to bring me back to reality. How do you do it?”

He’s particularly interested in your take on the psychological impact of interdimensional travel or exposure to anomalous phenomena.

He’ll often turn to you for discussions about the mind’s adaptability and resilience. You’ve become his go-to person for talking about the human condition in the context of the strange.

Ford is also incredibly supportive of your career and education. If you’re studying or need quiet time to work, he’ll make sure you have the perfect environment to focus. He’s always ready to offer encouragement when you’re feeling stressed.

“I know it’s a lot, but if anyone can do this, it’s you. I’ve never seen someone so dedicated to understanding the complexities of the mind.”

Ford loves sharing intellectual moments with you, like reading papers or discussing recent psychological studies. Sometimes, he even helps you with your work by giving you unique perspectives from his travels, and in turn, you help him manage the more stressful parts of his past.

Stan Pines:

Stan doesn’t fully get what a therapist or psychiatrist does at first (he’s used to handling things by “toughing it out”) but he quickly comes to appreciate how insightful you are.

“So, you talk to people about their problems? Gotta hand it to ya, you’ve got a lot of patience. I can barely deal with the customers.”

Stan is amazed at how you can listen to other people’s issues all day and still come home well. He’s constantly in awe of how much you care for others and how you help people through their darkest moments.

“You’ve gotta be some kinda saint to listen to people’s problems all day and not go crazy yourself.”

He loves that you don’t push him to talk, but when he does, you listen attentively. You’ve taught him that it’s okay to share his feelings without making him feel weak. Sometimes he’s caught off guard by how much better he feels after talking to you.

“Huh, I guess it’s not so bad… all this feelings stuff. You really know how to make a guy feel better.”

Stan appreciates your ability to see through his tough-guy act. You can read him like a book, and while it’s a little intimidating, it’s also a relief. You pick up on the small things, like when he’s more stressed than usual or when something’s bothering him.

“How do you always know what’s goin’ on in my head? It’s like you’re a mind reader or somethin’. Say how bout we put that to use in the shack? I'm joking, unless you want to.”

He loves to brag about your career, even if he doesn’t always understand it.

“Yeah, my girl’s a therapist. Helps people sort out their problems. She’s smart as hell. I dunno how she does it, but it’s pretty impressive.”

If you’re ever feeling overwhelmed by your work, Stan is the first to encourage you to take a break. He might not know all the details of your job, but he knows how important it is for you to recharge. He’ll pull you away from your books or laptop and suggest watching a movie or doing something fun together.

“You’ve been workin’ hard all day. Come on, let’s kick back and relax. You deserve it.”

He’s a little protective of you, especially if you’ve had a rough day. If you come home stressed after dealing with a difficult client, Stan will be there to comfort you in his own way, whether that’s making you laugh, cooking a simple meal, or just sitting beside you.

Stan will occasionally ask for advice, though he’ll frame it casually. “So, let’s say someone I know has a lotta stuff from their past they don’t like talkin’ about. What’d you say to help ‘em out?” He trusts you more than he’ll admit and values your wisdom, even if he’s not always ready to face his own feelings head-on.

A/n: you give them therapy they need, the end ^^

[dailyadventureprompts]

The Mechanics of Baldur's Gate 3

As someone who's constantly tinkering with the mechanics of my favourite RPG, I LOVE a lot of what Larian has done with D&D; not only accurately translating the base system but improving upon in ways I never thought of.

Playing BG3 feels good, and I want to see how much of their work I can adapt for my own table. As such, here's a breakdown of a bunch of little tweaks they've made to 5e (taken from the bg3 wiki) and whether or not I think they're a good fit for regular pencil and paper d&d.

Shove is not a part of the attack action. It is a bonus action available to all characters. Shove only pushes the target back an amount that depends on the shover's strength and the target's weight. It normally does not knock them prone unless they are shoved off a high ledge.

This might be THE best design Larian implemented and is instantly going in my games. Bonus action shoving is such a natural addition to combat, gives so many more tactical options. My one protest is that I am NOT calculating the weight of every creature and object ( mainly because I'm terrible at guessing weights for things) so I'd go with the distance calculation based on the creature's size and con score.

Gaining inspiration based on backgrounds

Gee, a mechanical reward for roleplaying your character, one that's way more straight forward than the DM arbitrated "ideals, bonds, flaws," system. From now on I'm going to give each of my players an upfront " You gain inspiration when you ______" note on their character sheet based on their backgrounds.

The party is limited to two short rests per long rest. Short rests restore each ally's hit points by an amount equal to half their maximum HP (rounded down). There is no hit die rolling. Long rests require camp supplies, which are food items that must be looted or purchased. In towns you will be able to rest at an inn.

This is a mixed bag for me only because I like hitdie as a mechanical abstract and I don't want to see them removed. Tbh I wish more mechanics interacted with them and they were called something abstract like "stamina" or something. That said I ADORE the camp supplies idea because it not only gives you something minor to reward exploration with besides GP. On the otherhand tracking all those supplies without the game's inventory management would be tedious as hell so it'd need to be highly simplified.

I especially like the idea of limited short rests/supplies in larger survival based adventures where time isn't at a premium like it is inside a dungeon.

If you hide while not in a creature's sight cone, you automatically succeed. If you try to hide while in a creature's sight cone, you automatically fail. If you are hidden and enter a creature's sight cone, you must roll stealth against the creature's passive perception. This may be a straight roll, advantage, or disadvantage, based on the creature's senses and the level of lighting. Some creatures with different senses such as blindsight may follow different rules

Congrats on fixing stealth rolls Larian. No notes.

LOTS more opinions under the cut.

When a creature is at least 10 ft above their target and makes a ranged attack, they receive a +2 bonus to the attack roll due to high ground. When a creature is at least 10 ft below their target and makes a ranged attack, they receive a -2 penalty to the attack roll due to low ground.

This is fine, and quite inline with a lot of fixes I've seen for flanking rules. I'm fine with a little extra battlefield math in order to make moments of advantage (spending inspiration, reckless attacking etc) shine.

The game does not stop a character from casting a leveled spell with both an action and a bonus action

Mixed on this, on one hand I've played enough clerics to know how much it sucks to have to use your bonus action to do a necessary spell and then be stuck with a so-so cantrip or melee attack for standard. On the other hand there's some design balance issues at play here.

Help is an Action. This ability allows characters to aid an ally in combat and remove negative Conditions. Using the help action on a downed ally brings them back to 1 hit point and leaves them prone.

Love the idea of help doing multiple things AND being a solution to minor status conditions. and giving everyone the ability to help means I can be a lot more aggressive when it comes to knocking character to 0. if I had to further patch this, I'd say that this also allows for a medicine check to allow a creature to spend a hitdie when they're downed, or allows the helping character to make a "SNAP OUT OF IT, WE'RE YOUR FRIENDS" charisma roll for charmed allies.

Jumping is a bonus action which consumes 10 ft of movement speed. With a Strength score of 10 or below, a creature can jump 15 ft, and this increases by 5 ft for every two points in strength above 10. At 20 Str a creature may spend 10 ft of movement speed and a bonus action to jump, and can travel 35 ft effectively increasing the creature's movement speed by up to 25 feet.

This, combined with the prone rules (see below) is JUICY, as it allows for risk-reward battlefield mobility . That said I'd add some caveats/clarifications: The jump always succeeds in moving you, but if you're taking damage, jumping up or down more than 10ft, or into rough terrain you need to make an acrobatics check not to beef it and fall prone (ending your turn). Your jump is likewise a buffer for how far you can willingly fall before taking damage, but if you fall after your jump, you always land prone.

Weapon actions, 'nough said.

It's more complexity than I'd give to first time players but HOT DAMN if it isn't a great idea to give the martial characters some options instead of just making the same attacks over and over again. I've actually been sockpiling 3rd party versions of this for a while now and I can't wait to add them in.

All The conditions are great:

Blinded: In addition to the other effects, ranged attacks are limited to 15 ft range. Blinded creatures can also make opportunity attacks.

Frightened: Creatures which are frightened are unable to move at all (rather than being unable to move toward the source of their fear), unless the effect instead makes them "fearful" which gives them the frightened effect as well as making them flee.

Prone: Being prone gives disadvantage on Strength and Dexteritysaving throws, attacks against a prone creature have advantage out to a range of 10 ft rather than 5 ft, and ranged attacks against a prone creature do not have disadvantage. Your character cannot do anything while prone. Starting the turn while prone will cause you to automatically use half your movement to stand up. Becoming prone during your turn automatically ends your turn.

Wet: This is a new condition that prevents the character from burning (e.g. from Searing Smite) and grants resistance to fire damage, but also makes the creature vulnerable to lightning and cold damage

[luminnara]

Feyd Rautha headcanons plsss

Like what was his upbringing and training like? How did he become what he is?

Okay I think about this A LOT and I just wanna say that I know people argue a ton about the original Dune book(s) vs the older adaptations vs the new DV movies, and these are just my thoughts! Frank Herbert was a great writer and he gave us complex characters with tons of subtext, but the original Dune was also published in the 60s and the other best known older adaptation is from the 80s, and both have some definitely outdated and not great stuff was used to show how bad a character was (like the Baron having an affinity for uh young boys who look like Paul 😬). I think that DV made some really smart changes to these characters that are more in line with contemporary thinking, while also remaining true to what Frank Herbert was trying to tell us about them—like the Baron is a Bad Man and Feyd is angry and impatient and definitely wants to kill him. ANYWAYS leggo, this is long and my thoughts jump around a lot but I hope you enjoy!

WARNING for some talk of SA! Also mentions of violence and murder and cannibalism, the usual stuff

The more serious ideas that are backed up by text and movie evidence:

Feyd-Rautha was taken from Lankiveil, a Harkonnen planet ruled by his birth father Abulurd (Vladimir’s younger half brother) by his uncle, Baron Vladimir. Feyd definitely knows this, and knows that Glossu Rabban is his older brother…so imagine all of the conflicting thoughts he must have surrounding his own position and future. On the one hand, he was taken and raised by his uncle so that he could inherit the title of Baron. On the other hand, he was taken as a punishment to his father. There must be resentment there, towards both his father and his uncle, and even his older brother. Even though Feyd was essentially chosen to become something more than Rabban, he grew up away from most of his immediate family. Even though he was raised to become Harkonnen royalty, imagine how he might have turned out if he had remained with his father, who had renounced the Harkonnen name.

He was brought up in a cruel and harsh environment. He was made into a killing machine, partly because of Harkonnen customs, partly because Vladimir enjoyed the carnage, and partly because it was the only thing a young Feyd ever knew. As a young man, he loves killing and shredding because it feels natural and is second nature to him, but does he ever wish he had known what it was like growing up in a softer environment? Food for thought.

He hates his uncle. In the book, he attempts an assassination. In DV’s part two, he mentions to the Baron that he should kill him, and the Baron laughs. Vladimir finds it amusing that Feyd would say something like that, because he knows he’s got Feyd under his thumb. Perhaps Feyd is even scared of him.

The Baron is, and was, cruel to him. In the book, after the failed assassination attempt, Vladimir tells his nephew that if he agrees to stop trying to kill him (lol), he’ll step down and let Feyd have his position. BUT he kills his darlings as a punishment (who in the book are female slaves, who act as his lovers)

I already have a ton of headcanons about his darlings in the DV movies, and I really think that Feyd cared for them. So imagine that your own uncle WHO YOU WANT TO KILL takes away the only things you care about?? That’s fucked up man

The Baron abused Feyd to some degree, very possibly sexually—I’ve seen a lot of people pointing out how heavily this is implied by the subtext in both the book and part two. Feyd is actually a complex character, but neither Frank Herbert nor DV really spelled that out, and you have to dig a little and think about it. While I obviously don’t want ANYBODY, even fictional characters, to experience something like SA, I think it does add to the depth of his character and gives more fuel to his rage. It also shows us just how terrible Vladimir really is. I’ve seen it suggested that this is part of what Margot Fenring means when she says that Feyd is sexually vulnerable, but I take that comment to more mean that he opens himself up to the possibility of harm a LOT in bed and that’s when he’s most emotionally vulnerable. BUT I don’t think those things are mutually exclusive

NOW THE MORE FUN IDEAS THAT I ENJOY (fun is a subjective term here lol)

Feyd-Rautha has a vulnerable side, and it’s very, very guarded. It’s buried so deep he may not even be aware of it.

He really does care for his darlings, and that’s the closest thing he feels to love. It’s a possessive, ownership kind of love that we would consider toxic irl, but they’re the only things besides his weapons and power that he cares about.

He doesn’t revere his weapons, but he respects them. They’re not personified, but he appreciates a good killing tool, and likes to take care of his knives.

He views lives as very black and white. There are people who can be killed (slaves, servants, rivals, his uncle), and people who ABSOLUTELY cannot be (his darlings, an SO, his hypothetical children)

He views everyone else as weaker than him, and it’s partially because his uncle would never LET someone as important to his plans as Feyd be harmed, so Feyd rarely feels that his life is actually in danger. Almost everyone he fights in the arena is drugged, and it isn’t like his trainer would fight without shields. He’d be confused and intrigued by someone who could actually defeat him, and he’s so into the art of war and battle that he would respect it (but also be upsetti)

He spends a lot of time watching and calculating in silence. While he’s impatient and has a short temper, he likes to learn about things that interest him.

He’s up to date on Giedi Prime beauty trends and sets a lot of the standards himself. He gets massages and spa treatments regularly and has been known to undergo more serious procedures.

While he doesn’t partake as regularly as his darlings, he occasionally consumes human flesh and blood and doesn’t think it’s weird, because he views almost everyone as lesser than him, so eating them is akin to eating livestock. Alternatively, I could see him going down the “I feel so overwhelmingly deeply about you that I must consume you body and soul” road about someone special but I really don’t think he’s got that brand of romance in him lol

Like lady fenring said, he is, in fact, sexually vulnerable. In the bedroom, he can let out his emotions, and sometimes they’re ugly and sometimes he needs to not be in charge for the night. He leaves himself open to manipulation and harm. Man just really needs a good hug tbh

Canonically hypersexual as a result of trauma

Is harsh as a result of a harsh upbringing, one that looked comfortable from the outside but was anything BUT for him. Beneath the surface, he’s messy.

Aggressive because he’s always had to be to survive. His uncle probably wouldn’t have killed him because he was always integral to Vladimir’s plans, but did a young Feyd know that?? NO

is NOT well traveled. He’s lived on Giedi Prime his whole life, has probably seen Lankiveil, which is cold and watery, and has been on Arrakis, but I think he would NOT know what to do if he was on a lush green planet. All he knows is harsh, extreme environments. If you plop him down in a meadow, he will have NO clue what to do

As a child, he watched his uncle kill anyone who inconvenienced him. This definitely warped Feyd’s concepts of kindness and the value of life.

His childhood was just unbelievably strict and harsh and at the same time he was spoiled in certain ways, and that has led to him growing into a pampered yet still caged man

He would LOVE to slaughter his uncle and feed him to his darlings

In an arranged marriage, something about his spouse would have to suddenly intrigue him, and then he would be HOOKED. He would sink his teeth in and refuse to let go. Opening up to someone who isn’t one of his darlings would be strange and difficult for him

Remember how I said he isn’t used to fighting sober opponents? I think that once he gets a taste for fair fights, he becomes a little addicted to the thrill of it and the power that those victories bring him, and he loses interested in drugged fights. After a lifetime of living under this uncle’s thumb, the control he has over someone’s life and PROVING that he’s better and stronger and meaner than them is the most validating feeling he knows.

He never shows mercy, because no one has ever showed it to him.

[raven-at-the-writing-desk]

Tale of the Cursed Raven -- Author’s Notes & Afterthoughts

The full series:

Part 1 I Part 2I Part 3 I Part 4 I Part 5 I Part 6 I Part 7 I Part 8 | Part 9 I Part 10 I Part 11 I Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20

Miss Raven sketch is by shimmeryspark!

Well, it’s been quite the journey but we’ve finally made it to the end of ✨ Raven’s origin saga ✨. It was such a wild experience to write it all and hear your feedback for each installment. I hope that you all enjoyed reading it as much as I loved creating it... and I hope that it sheds more light on why Raven is the way she is.

Now that the series is done, I’m feeling really nostalgic about it (maybe it’s Mis Raven’s enchanted inks working their magic on me)💦 so I wanted to relive the memories a little, and share some of the feelings, insights, and thoughts I had before, during, and after writing the saga.

If you’re interested in reading that, it’ll all be below the cut for your convenience.

“May those who accept their fate be granted happiness, may those who defy their fate be granted glory.” — Edel, Princess Tutu (2002)

The Origins

I’ve always loved stories—more specifically, fairy tales. When I was little, they’d always be on my mind. Actually, they still are to this very day. If I wasn’t reading them, I’d be watching them or thinking about them, making theories and spinning stories of my own.

I loved the fantastical elements, the whimsy of magic and talking animals, the witches and the monsters, the royals and the warriors that protected them... I loved it all. That childhood love of fairy tales followed me into adolescence and adulthood. That’s really where this all began.

Of course, I gravitated towards media that prominently featured elements of, or borrowed from, fairy tales. This would lead me to the rabbit hole that is Twisted Wonderland 😷 (you all knew this was coming). Due to the blank slate nature of the game’s protagonist, Yuu, TWST was ripe for an OC community to crop up.

I saw a lot of unique characters in the fandom, so I wanted to create a character too. However, no matter how hard I tried, I struggled to develop a “Yuu” that I was satisfied with. At times, I even felt uncomfortable because I felt I was either putting too much of myself into “Yuu”, or not enough. It was then that I realized I would have much more fun making a character based on a preexisting story. A theme, a concept—they’d all be pre-set for me, and I could let my imagination run wild from those.

I didn’t want to adapt a character from a Disney movie (say, the Mad Hatter or King Triton). While I had seen many cool interpretations made by other people, I didn’t want to limit myself to personalities and character traits that were already determined by the movies or stories for me. I started looking into fairy tales themselves, looking for a character or a concept vague enough for me to base my OC on—and I found it in the wording of a riddle from Alice in Wonderland.

Why is a raven like a writing desk?

It captured the spirit of whimsy I wanted to evoke in the OC. Ah, but there's also an underlying sadness and dread to her character. It's mostly Alice in Wonderland with a whisper of Edgar Allen Poe.

And thus, Raven was born.

Tsunderes — but why???

At first glance, you might look at Raven and label her personality as “tsundere”. It’s a popular trope in Japanese media where a character that is initially cold and harsh shows or develops a warm, friendlier side over time. One problem that I’ve always had with the tsundere archetype is that the media that employ it rarely, if ever, explain the reasoning for why a character is a tsundere. More often than not, tsunderes are used to comedic effect nowadays, with the tsundere characters acting violent towards their supposed love interests—and that’s something that has never really sat well with me. I don’t think that’s necessarily good writing, but I won’t fault the people who do enjoy that kind of thing. I personally prefer it when we get to know the characters and the reasoning behind their personalities and decisions more. Character-driven storytelling is my jam.

Familiar of Zero’s Louise lacks the magical power to back up her noble lineage, and she has an inferiority complex as a result of that. Toradora’s Taiga has a complex family situation which has left her distrustful of others. When writing Raven, I didn’t want her to fall into the trap of “no explanation” tsundere. I wanted to outline a clear reason for why her personality is “hot and cold”, like Louise and Taiga. Even more than that, I wanted Raven’s reason to line up with the concepts of “freedom” and “expression” that tie with her bird and storytelling motifs.

And so, her story started taking shape in my head. (If you want to read more specifics on my thought process, I’d check out this post. I also talk more about the concepts behind her there.)

Her Magic

I wanted to tie in her personality and philosophy into her unique magic too. After all, it's a spell that defines who she is as an individual. In the beginning, Raven was excited about the prospect of writing, as it would help her comes to understand others--however, she struggles to come to grips with their emotions and keeps holding herself at a distance. Only when she empathizes with her characters and with the people around her does her unique magic come into fruition. With it, she can see into others' hearts and rewrite their feelings--that is, if her willpower and coaxing can convince them to.

I didn't want Raven to be a particularly gifted magic user; she's someone that had to work hard to come into her own. I think of her humanoid form as something still awkward and developing, which sometimes interferes with her spellcasting. What really makes Raven shine is her determination, and the strong imagination that pairs with it. All she truly lacks is the ambition and the confidence, things that I hoped would be honed at Night Raven College.

The Characters for the Series

Initially, I wanted to feature a much larger cast of characters. At some point, I was ambitious enough to think I could somehow include every NRC student in the plot... but thank goodness I realized that just wasn’t feasible. I saw the narrative mess that happened whenever a creative piece tried to get too many characters involved. It just made it hard to keep track of and care about anyone on an individual level. Sometimes, it also distracted from the central themes and conflict. Now, that’s not to say that Raven has never canonically engaged with other characters (because she definitely has)! It’s just that those interactions aren’t as important to this story, so I left them out of it.

In hindsight, I’m so glad that I kept the core cast (up to a certain point) small. That way, I could dedicate more of my time writing each of their individual thoughts and emotions. Raven remains the main character throughout, while Rook, Crowley, Jade, and, to some extent, Azul, Floyd, and Octa A, are secondary characters. Idia, Vil, Epel, the Fates, etc., are very much tertiary characters that showed up a few times total 😂 but they all played their parts and still contributed the overall story.

A character that was introduced in part 6 was the timid but well-meaning Octavinelle A-kun (whose name is Kon, like konbu, or Japense kelp). He was actually included as a gag character because I couldn’t think of someone from the main cast for the role he ended up filling. I unintentionally got attached to Kon and decided to bring him back later in the story, because I guess I like the irony of a mob character that lacks eyes having more screen time than two Dorm Leaders (Vil and Idia). I think the inclusion of Kon also really helped the themes of the story, because, in a meta way, he’s like Raven. He’s a “background character” who ended up having time in the spotlight (and even earned himself a small but dedicated fan following), which proves that it’s possible for Raven, who also sees herself as a “background character”, to ascend and become a “main character”.

Speaking of semi-original characters, I also had fun doing my interpretation of the Fates in part 10. I doubt that’s what they’re like in canon and watch TWST prove me wrong, but it was super fun to write regardless of that. I think my favorite thing about them was how they bicker when they’re out of the public eye, but it was also interesting to come up with their idol poses and phrases.

The cast noticeably expands around part 15, and that was a very purposeful move on my end. Raven has had her revelation then, as well as a stronger understanding of how her unique magic works. Art that point, the story shifts from Raven being on the outside looking in to the characters witnessing her tale unfold. It's to indicate that Raven has finally properly begun integrating herself with the stories that she has always isolated herself from. Characters that have previously had smaller roles before (Vil, Idia, Azul) return for a reprise and to add their own context to what's happening now, and the characters never previously mentioned (Lilia, Riddle, Kalim, Leona) give their perspectives as people who had no direct involvement. I wanted to show the shades of familiarity that they have with what Raven's been up to on her lonesome, and how these different kinds of relationships and points of view are all important when looking at a story.

I was very excited to introduce the Enchantress (Estella) as an onlooker that has a tenacious history with Lilia; she's an original character I've been working on and hiding in the shadows until her first appearance late in this saga. Estella is a very complex person, whom I would describe as a mix of the Enchantress (Beauty and the Beast), Giselle (in both Enchanted and Disenchanted), Isabela (Encanto), Frollo (The Hunchback of Notre Dame), Mother Gothel (Tangled) and Fairy Godmother (Shrek 2). She gives... "tough love", but often acts in morally self-righteous and self-important ways, believing that it is for the "own good" of the people she becomes entangled with. Sadly, I was not able to go into her own background and motives, but someday I'd really like to!

The Plot of the Series

There’s a lot that you don’t see that goes into writing. I went through several iterations of Tale of the Cursed Raven, especially with the rising action and climax. You should see my writing drafts--there’s no rhyme or reason to them! You might see some bullet points to show a sequence of events, but the rest of the document is just random lines or ideas I think would “sound cool” that I just scribbled down while on the bus or something.

When I write a story, I usually know how I want things to begin and how I want them to end, and I have trouble filling in everything that’s in between. I usually took large chunks of time between the release of each installment to review information from the previous part and make sure the continuity carried over to the part I was currently writing.

It was also common for me to write, rewrite, and rewrite the parts again several times over before I actually put it to the public. Sometimes I would almost be done with an installment, and I’d delete it all and start over because I thought of something much better. I’d be irritated with myself in the moment for wasting all that time and hard work, but I think it ended up working out.

sadibasudbad Okay, I want to talk about some of the plot points that I scrapped, because some of them were actually interesting... They just took the story nowhere or caused issues with other things I had planned, so I had to drop them 😅

After Jade’s betrayal is revealed in part 3, I was going to have Raven become Azul’s business rival. Not in the restaurant sense, but more like she would offer similar “wish fulfillment” services as Azul, mostly because she needs something to do to keep herself positive. Her services were going to be called “Fairy Godmothering” and involved sending wishes on slips of paper in little black boxes she placed all over campus. However, she’d probably need a lot of help or strong magic to make that happen, neither of which really applies to her. I guess the tradeoff would have been that Azul offers more but asks for a price, whereas Raven offers less but works for free. She’d write stories as kind of a “road map” or “plan” for how she would personally fulfill her a wish, as opposed to Azul’s contracts, and which required a mutual agreement to the terms. I also didn’t know where to take the story after this point was introduced, so it had to go.

Part 8 was originally going to open with Raven and Riddle having a tea party and catching up. Floyd was going to emerge from some rose bushes with Cater and Trey chasing after him 😂 and Floyd was going to kidnap Raven from there for the boat scene with Jade. Like I mentioned before, I decided to cut this out to keep the number of characters the story had relatively short. (Plus, I guess Floyd would have had to run a shorter distance to the lake if Raven was already in the forest area than if she were all the way in Heartslabyul?)

There was a large hiatus between part 10 and part 11, because a lot of rewrites had to happen for the latter half of the series. Part 11 in particular went through several different versions—one of which would involve Prince Rielle visiting NRC for a magift game and knocking Raven out cold with the frisbee. Because Raven didn’t remember the face of the “prince” that saved her from drowning when she was a bird, I was going to have her mistake Rielle as that “prince” (similar to how Eric mistook Ursula/Vanessa for Ariel). Djsbsjsbshs But I already took a huge chance by writing my interpretation of the Fates, so I didn’t want to also do my interpretation of Rielle in case TWST gives us more details about him later. Rielle is based on a Disney princess, so I thought it was more likely that he got more details revealed about him over of the Fates, and I didn’t want to make my series too reliant on headcanons or unconfirmed information about a character we haven’t even seen yet.

Finally (and this is the biggest change of all), parts 10 through 20 were originally going to be heavily focused on action and adventure. Raven was going leave NRC in search of the Enchantress (who originally cursed the Storyteller several years go) and ask her to lift the curse, and the Enchantress was going to send her on a series of heroic quests to prove that she is “worthy”. But the more I thought about it, the more I thought the scale was too grand 💦 At the end of the day, Raven is just a bird trying to be a normal human girl... and I wanted her development to be more of a traditional coming of age story instead of a literal hero’s journey where she confronts dragons and saves villages. Something more down-to-earth makes her more relatable, so I went with that route instead of the action-adventure one.

I don’t know if you noticed, but the saga happens alongside the events of the main story (as some main story events, such as Overblots, are referenced). The last 5ish parts happen around the transition from the Ignihyde arc to the Diasomnia arc, sooo... :)) You can think what you like about whether Raven’s happy ending is reality or a dream conjured up by Malleus~

I argued with myself a lot while writing the series, especially about the ending. I had a lot of my friends (and readers, too) telling me “you’d better not kill Raven” and “Raven and Jade should kiss and make up/date each other at the end” (some of which came true, some of which didn’t). I was so conflicted at the time because while I never intended to kill Raven, it was clear that my audience was expecting a perfect “happily ever after”... and I didn’t know if such a conclusion would fit the overall tone of the series. I think what I ended up doing was satisfactory, though. It’s happy, but not overly so, and it keeps the door open for future shenanigans in a light-hearted and hopeful way. I think leaving it open-ended like this suits the theme of the saga and Miss Raven's struggle to find her freedom.

Raven’s Growth and Development

Raven has come so far.

The saga here is written kind of like “oh, this is her main story”, but it’s meant to be supplemented by “vignettes” and “event stories” (ie all the side content of Raven which fleshes out her relationships with other characters). The idea is that all her experiences at NRC helped her to develop her own sense of self, and granted her the confidence to fly in the face of her own fate, which she was once so hopeless about. When I look back on the last few years, I’m amazed at how much of it there is, whether produced by myself, by friends, or by fans. It’s really humbling that I get to share this journey with you all.

Raven used to be scared and shy, a timid bird with little to no understanding of the world, or of the creatures in it. Then she picked up a quill, ink, and paper—and a whole new world opened up to her. Her story is one of how freedom of self expression and creative works can connect us not only with others, but with ourselves. Because of that, Raven was able to grow and become a much more mature person (with the support of her friends and family, of course)!

Just because the saga is over doesn’t mean Raven is suddenly perfect, though. She still very much struggles to be emotionally expressive and honest with her feelings of affection (since she has gone so long burying those), so she’s still got a long way to go in that regard 💦 She also has some lingering self-esteem issues that she’s got to work on. Raven’s always changing...! Always willing to learn! Jade and Rook, please help her—

When people read Tale of the Cursed Raven, I don’t want them to “just see it as a love story” or “TWST OC x TWST Boy” fanfiction 💦 because the focus isn’t just on romance, but on Raven discovering herself, and her voice, in a world that once confused and scared her. It’s not just a story about finding love, it’s also about a girl growing up, gaining confidence, finding new family and friends to support her... It’s a lot of things, and I feel that it’s doing the saga a disservice by calling it just a love story.

I’ve mentioned this a few times before, but while Raven is not meant to be a self-insert character, I feel that her struggles are very relatable and I hope that you, too, can see some part of yourself in her and her journey. A lot of the writing process involved me analyzing and coming to terms with difficult feelings, particularly ones of self-loathing, self-acceptance, coming to terms with emotions, and trying to find one’s place in a world that can be confusing and scary to navigate. I feel that writing Raven’s tale was able to help me through those tough times in my life. For that reason, this saga will always hold a lot of sentimental value to me.

So... What’s next?

There were originally plans for me to make a follow up/spin-off series where Octa A/Kon was the main character. The theme of that series was “even the unnoticed and ordinary can be noticed and extraordinary!” It was going to focus on Kon and his mob student friends (one from each dormitory), along with their struggles of being “noticed” (as they are often just one face in a sea of mob students) and “fitting in” with their respective dorm’s ideals. I think it would have been a series that resonated a lot with introverts and people who see themselves as “less than” others or as “not fitting in” with others’ expectations. I might still do this, but it would probably be another huge project that would take months of planning and revision.

Another idea I had was to write a series of stories that are just flashbacks of Raven’s life prior to Night Raven College, whether as a bird or whether as the Storyteller’s apprentice. I also considered writing in-depth about how the Storyteller was originally cursed, and about the Enchantress responsible for it. I would like to get into her backstory and her motivations for spinning the Storyteller’s curse to begin with. (Maybe I’ll do those as blog anniversary or follower milestone specials?) Some friends of mine also jokingly suggested I write a sequel series focused on Raven and her relationship with L*ONA 🤢 dfhlbahefvqoeuq Lots of ideas, lots of possibilities!

As for Raven, she’s definitely not going away just because her origin saga is done. She’s still the beloved poster child of this blog, so of course I want to continue writing about her! It’s just that she’ll be a little freer to speak her mind now that her curse has been lifted. After all, "the end" is just "the beginning" of another story!

I kind of feel like a proud parent, seeing my bird daughter growing up, making friends, finding love, and developing her own sense of agency and independence ��� I’m excited to see where this next chapter of Raven’s life takes us.

Before I sign off, I’d like to thank you, dear readers, for following Miss Raven’s story until the very end. None of this would be possible without you!