#i have no idea how this would happen or what would cause it but it seemed too funny not to doodle

[demilypyro]

My father chases ghosts.

In a moment of uncharacteristic boldness, I once questioned my father on why he treated me with such cold detachment. Why his advice only ever seemed to come in the form of lecturing, and why he never hugged me, or even said he was proud of me. His words in that moment caused the small amount of respect I had for him to shake. He told me that he saw it as the mother's role to love a child, and that it was the father's role to keep the child on the straight and narrow. After some contemplation, I decided in that moment that I disliked him, not just as a parent, but as a person.

My father doesn't have a father. He was the product of an out-of-wedlock pregnancy between an interracial couple in the 60s... My grandmother was never willing to speak about what happened to my grandfather. I can only imagine he didn't stick around long, since my father never knew him, and grew up with only his mother. And it's always been clear to me that this bothered him. The man idolizes masculinity. Maybe desperate for a father figure, he found role models in his grandfather, whose portrait still hangs in his house and which he treats with great care, and his stepfather, whose surname he took (discarding his mother's last name) and passed on to me. Supposedly, his stepfather left his mother in a matter of years, so why my father idolizes him so, I don't understand. I've never met the man.

Perhaps similarly, my father left his mother's care the second he turned 18. Having lived with my grandmother for some years when I was in college, I can honestly understand why. She is prone to smothering the people she loves. In light of that experience, it maybe becomes easier to understand why my father would prefer a more distant form of parenting. Still, I don't agree with his philosophy on gender roles.

Some years after I transitioned, I had a conversation with my father that stuck with me. He said that he actually saw himself as rather unmasculine, a possibility that had never once occurred to me. With that in mind, I suppose he is somewhat short, and not especially muscular. He told me he had always felt insecure about it. But, unlike me, he had never once considered abandoning the pursuit of masculinity entirely. Rather, in his own words, he felt he needed to chase it even harder. To live up to the image he'd set for himself. The ghost of masculinity.

A lot became clear to me in that moment. My father is obsessed with chasing ghosts of how he thinks things Should Be. My mother once told me how he had this "plan" for where he wanted to be in life at each age. He wanted to live on his own by 20. He wanted to be married by 30. He wanted children by 40. When he found out my mother was pregnant, he married her as fast as he could. My mother didn't really care, but he said they HAD to be married before the baby was born. Things had to go in the right order. According to him, that was just how things Should Be.

He was chasing the ghost of the perfect nuclear family that was denied him.

They divorced when I was eight.

In light of all this, it becomes very clear why he acted the way he did when I was younger. I wasn't how his child Should Be. No matter how many things I was diagnosed with, he never bothered looking into what neurodivergency was, or how to deal with it, and simply held me to the standards of a neurotypical child. My mother tells me that when I was six, he yelled at me in a store for wanting to try on a dress. His child being autistic was something to be ignored until it went away. His child being transgender? Forget it.

In recent years, I think my father has started giving up on me. In a good way. Seeing me become happier as my transition progresses seems to have finally convinced him that he doesn't understand what's best for me, at least somewhat. I speak to him maybe once a month. But I often mourn the idea of a father I could've been closer to. A father with whom I could have had a relationship of love, and support. A father I never had.

Maybe I'm chasing a ghost too.

[badnewswhatsleft]

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE  WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be? 

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails. 

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can... 

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band. 

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music. 

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special. 

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

[seewetter]

This seems like a series of perplexing opinions.

Sure, trains were built by capitalists for the needs of capital. Unsurprisingly, that's their historical context and intended purpose.

And yes, trains imply long-distance travel. Trains imply transporting goods across vast distances. Trains imply an interconnected society, a society whose needs and ambitions are geographically quite far-ranging. In a world with train networks, someone or something is traveling far beyond a local village.

And I agree with girl-debord's first post in this thread and don't see anything particularly weird about it. But that's because I give people the benefit of the doubt when I can. To me, saying "tech is not neutral" is a fine statement to make, because tech is embedded in social processes and can often cause harm through them. We can use mass surveillance tools to monitor the health of animal populations, for example, but that is not their main use -- and in cases like that, the wonderful use case is only relevant because of problems caused by capitalism to begin with. Would we worry about rhinoceros or dolphin population decline without a capitalist society, where "free markets" have generated mass production processes for fishing industries and generated market pressures on black-market ivory trade or the cutting down of forests?

"what are you even trying to say here? mass movement of things and people is bad?" Not every Tumblr post drawing a connection between capitalist interests and the creation of something is morally condemning that thing. That said, it's possible to assume that the Debord quote "it should be understood that this apparatus is in no way neutral" is being used as moral condemnation here, so it's a fair question, I guess.

"moving objects for significant distances along the ground" is a priority to a particular global system under which trains were invented.

It's also a priority for a lot of people who find parts of that particular global system appealing for reasons that are entirely understandable. People all over the world do in fact want access to resources not found in their neck of the woods.

And I will be careful here. I agree, for example, that the mass transportation of medicine, for example, is often only necessary because big medical conglomerates are legally prohibiting and violently enforcing their patents.

But it's kind of odd to argue that it's a bad thing that large numbers of people can flee a large natural disaster (say a volcanic outbreak) with the help of fast transportation.

trains are "efficient" within the parameters of that system--that disrupting ecosystems and exploiting immigrant workers are acceptable trade-offs for the value generated by global trade

Trains are not global trade.

Global trade does not, intrinsically, involve exploiting immigrant workers.

"those bad consequences you bring up aren't an inevitable consequence of a connected world."

Are we going to argue that train tracks don't disrupt ecosystems?

"technologies are neutral. politically they don't actually cause people to act."

Depends. If you have a train, you might go looking for work far further away from home than if you didn't have a train. Your family might not see each other much because the availability of the technology (paired with market pressure to get a job) has conditioned you to behave a certain way.

"i don't want borders. you know what makes for a great border? the inability to just fucking physically go somewhere else."

I don't think that's a good way of framing your opponent's ideas, transfemsriseup. Plenty of immigrants cross borders without trains.

Actually, come to think of it, how can technologies not actually cause people to act if without them, people supposedly act differently?

"but what I'm suggesting is that the consideration of whether or not trains are "worth it" has happened within a framework that I don't ascribe to as a communist, a framework of value."

You don't ascribe to value as a communist? Not even use value?

"railway workers don't build railroads because they believe that the railroad will be a good thing for everyone, they build them because they are paid to and without that pay they can't eat or afford a home. and these technologies were invented for similar reasons."

We could apply the same argumentation to paleolithic technology still in use today. Under capitalism, workers don't (generally, unless they happen to be enthusiastic) do anything at work except to get paid so they can eat or afford a home. We can't argue that trains mustn't exist because their construction and operation has some environmental impacts that are imperfect and because the workers who built them weren't free. Might as well argue that people should live without homes, because workers don't freely build homes but do so in order to eat.

Okay, maybe that's not what you're saying. Another thing you might be saying is "just as workers are restricted to certain choices, so too are profit-seeking capitalists restricted and under these restrictions they invented the train".

But I think a similar rebuttal applies. An abandoned military barracks can serve as a makeshift shelter and will not turn people into servants of the military-industrial complex if they take shelter there. Similarly, a train can serve more purposes than the one for which it was built.

"i think if you can understand the idea that maybe car-centric suburbs are terrible & wouldn't exist without the pseudo-needs created by a capitalist society, this shouldn't be much of a jump."

Understanding the argument isn't much of a jump, no. It's just odd to argue against the least intrusive form of adaptive long-distance travel. Trains are less environmentally intrusive than highways, shipping lanes and air travel routes. Yes, people could walk, but if people walk, they can't escape unforeseen disasters or physically connect with family members on the other side of the continent. Then there is no way to supply people with emergency aid or help out with a resource shortage.

"wow, an ML, the supposedly scientific and materialist ideology, saying that material conditions dont affect how people act? and in the defense of consumerism, no less?"

The ML you are mocking mentioned 3 benefits:

Medicine (an essential supply)

Immigrants (freedom to travel)

Food (potentially a consumer good, but also a vital necessity)

How do we conclude that this is a defense of consumerism?

on the topic of trains and the role of technology in ongoing atrocities, i think something to consider if this is shocking to you is that the development of all technology since the start of the industrial revolution (and a lot of it before that tbh) has been dictated by the needs of capital. trains wouldn't exist without the reign of an economic system that demands mass circulation of commodities. the world has not been shaped by what's best for everyone but what's best for perpetuating that economic system. as Debord says about media technology, "it should be understood that this apparatus is in no way neutral and that it has been developed in accordance with the spectacle’s internal dynamics" (The Society of the Spectacle, thesis 24).

[sinofwriting]

Share - Ollie Bearman

Words: 1,155 Summary: Ollie just wants to cling to his girlfriend after being away from her for weeks. Their nephew has a different idea. Note(s): Slightly NSFW, Clingy Ollie, Set After Jeddah 2025 (ik ik), oh and this is inspired by the vids of guys coming home and wanting to kiss their wife only for their son to be like, no, that’s my mom!

Masterlist | Support Me!

Ollie lets out a sigh of relief as he closes the door to the apartment behind him.

He was finally home.

He knew he was going to be exhausted after his first ever triple header as a Formula 1 driver but then as if everything in 2024 hadn’t been enough, more surprises and drama had cropped up just one race in and left him nearly scrambling for the final two.

But now he was home and would get to see his girlfriend after the last few grueling weeks.

“Ollie?”

He smiles, “Yeah, it’s me!”

Toeing off his shoes, he kicks them out of the way and steps out of the small entryway into the living room and the breath gets knocked out of him.

God, she was gorgeous.

He nearly runs to her, throwing himself onto the couch beside her and wrapping his arms around her.

“I missed you so much.” He mumbles.

Her fingers comb through his hair, “I missed you to bear.”

He pulls away a bit, lips already puckering up a bit when tiny hands are smacking against his side. He jerks away and then a small body is wiggling between him and his girlfriend, legs kicking at him.

“Mine!”

“Noel!”

Ollie looks at the toddler in between them, surprised to see a glare on the normally happy three year old's face.

“Hey buddy.”

He waits for the angry face to turn happy, for the exclamation of ‘Uncle Ollie’ but it doesn’t happen. Noel turns completely away from him, wrapping himself around her.

“What did I do?”

She gives him a sorry look, reaching out to hold his hand where conveniently Noel can’t see. “He’s decided that no one is allowed to touch me. He nearly screamed Joe’s ear off yesterday when Joe tried to hug me goodbye.”

“Oof. How’s Hil feeling about that?”

She rolls her eyes at the mention of Noel’s mom. “She thinks it's great, which is why I’ve had him every day for the past week.” Seeing Ollie’s look, she nods. “Yeah, Joe isn’t happy about it. But they leave today and Joe is off for three days, so I will be off.”

“So, I’ve got to share until bedtime?”

“No share!” Noel chimes in and it’s cute, Ollie even gets it. He loves hugging his girlfriend, everyone and their mother calls him clingy, but he can’t help but already feel tired of it and it’s barely been ten minutes.

He can share, he has shared his girlfriend's attention and affection, but he can’t help but just want her full focus after three and a half weeks away. He hasn’t even gotten a kiss yet and the thought makes him frown.

“No cause papa is gonna be here early. I think I remember something about going out to eat and the park.”

It’s funny to watch the way Noel seems both excited about it but also displeased, already knowing that his favorite and only aunt won’t be coming with.

“Hey, Noel.” His voice is gentle and he pokes at his shoulder. “Could I get a hug from my favorite kid?”

He fully expects Noel to refuse with the way he’s managed to wiggle himself onto Y/N’s lap, but he slowly moves off her lap and hugs him.

“Hi buddy.” Ollie says, hugging him tight. “You been having a fun time with Auntie?”

“Mine.”

“I don’t get to know what you guys have been up to? Have you played race car?”

Noel’s eyes light up and he shakes his head. “No! I want to play!”

Ollie grins, easily standing up and picking him up. His neck aches a bit, but he ignores it as he puts Noel on his shoulders and begins to pace around the living room in laps.

Giggles fill the room and he can’t help but smile, occasionally spinning or making a weird turn that makes Noel claps his hands together before asking him to go faster.

It’s only when he starts to get dizzy that Ollie stops, moving him off his shoulders and holding him upside down.

“I hope he hasn’t been like that long.”

“Papa!” Noel shouts and Ollie quickly rights him and puts him in Joe’s arms.

“Only for a few minutes.” Ollie jokes.

Joe shakes his head with a laugh. “Well, as long as it was only a few minutes.” He looks over at Y/N. “How was he?”

“Good, like always. Still clingy though. He told Ollie that I was his.”

Joe has to stifle a laugh, well aware that Ollie had probably hated that.

“I got to hug her for I think five seconds.”

“Better than me, I got to for maybe a second yesterday before nearly losing an eardrum.”

Ollie sucks in a breath through his teeth. “Tough luck, mate.”

“Very. Alright, bud say goodbye to Uncle Ollie and Aunt Y/N.”

Noel pouts a little and extends his arms out towards Y/N who is now standing.

“Goodbye Auntie.”

She hugs him, pressing a kiss to his cheek. “Bye Noel. I’ll see you in a few weeks.”

“Bye buddy.”

“Bye, Uncle Ollie.”

As soon as the door shuts, Ollie whirls around and is tugging her close, their lips pressing together.

It’s a frantic kiss, desperate, and Ollie can’t help the way his hands slip under her shirt, pressing her closer as his fingers dig into her bare skin.

It doesn’t stay a kiss for long. Clothes fall onto the floor and they barely manage to make it to the bedroom, the bed only a few steps away, but they end up on the floor, bodies pressed as close as they can get.

“Fuck, Ollie.” She breathes later, laying on top of him.

He lets out a breathless laugh, kissing her sweaty brow. “I told you I missed you.”

“You fucked me twice. There’s missing me and then there’s that.”

“Is it bad I want to go again after dinner?”

“If you don’t go again after dinner, you're sleeping on the couch.”

He grins, pressing another kiss to her skin. “Fantastic.”

His fingers trace shapes along her back as they both slowly get their breath back, hearts slowing to a better beat.

“Y’know,” She breaks the silence after a few moments. “You’re going to have to share me.”

“I do share you. I just did with Noel.”

She laughs, kissing his chest. “Yes, and I’m so proud of my clingy bear. But I mean, if we ever have kids and we have a boy. He’ll probably be just like you.”

Ollie feels his heart speed up at the idea of them having kids. He can see it in a few years after they’ve been married and are in a house. “Just like me?”

“Yeah, loves me to bits and never wants to be away from me. Your smile, hair, love for racing. Just a mini Ollie.”

“I guess if it’s our kids, I can learn to share you.”

[beloveds-embrace]

My brother in christ I NEED MORE ANGST, I crave it actually. Like I need duchess to get pregnant by Konig but since it isn’t John’s him and the boys start acting weird then BOMB,

she loses her baby from stress….

I need angsty secret baby where the father is an asshole cause he’s still hurt that she kept his kid from him.

And don’t think I forgot abt that little ghoap stunt you pulled four hours ago. SHE LEAVES but instead of telling them, she wants to see how long it would take for them to notice she’s gone, And that my friend is where my other idea come into place[evil tiktok face]

Angsty ghoap + secret baby….

omg if that happens, especially if reader was really looking forward to the baby despite knowing all the difficulties, she’d be crushed. She was slowly regaining a semblance of peace and happiness with König, but now? All gone. Maybe postpartum depression, too, leaving you painfully, horribly vulnerable and stuck in a house with John and the boys even if König is there.

(What if he can’t be there, though? A doctor who snitched, who had seen how König’s worry and anxiety over you isn’t normal for a simple knight, and the rumors that start from the whole mess means your own damn parents have him forcibly taken back to their estate, far away from you? Just crumbs to think about :3)

AS FOR THAT, oh my god this by @baduzzxy is so fucking delicious?? I recommend 100/10 (though it’s on the deliciously darker side, rather than angst)

HOUR COUNT TOO??? ur so cruel to me anon smh. no longer brother in christ 🙂‍↕️ jk

Secret baby with thosw two seems to be a common theme for that little drabble i will Most Definitely Not Expand Upon (haha. Noona that’s what u told urself for everything u wrote haha.) and I fully support it!! They are assholes through and through, using you as just a temporary fix so surely they won’t care for their babies. Surely. Since they don’t even seem to care for you.

Wrong. So, so very much wrong. But also extra angst: they love the babies, they don’t think they love you :)

[prozacwhorehouse]

paparazzi | mgg x SNL cast member gf

Summary: comments from the paparazzi instill doubt in you, but Matthew is there as a voice of reason

this was a request but it got deleted when I was making edits so I hope this finds its way to that lovely person !

—————————————————————————

pre and post show paparazzi outside the studio wasn’t uncommon. but when speculation that you and Matthew were dating blossomed, they got more incessant and difficult to ignore. it seemed as if they were always around, with the intention of spotting the two of you and documenting it. they were constantly nagging for answers and details about your relationship, most specifically mentioning the age gap.

the both of you knew it’d would be hard for some people to understand, but the idea that you were both legal consenting adults seemed more logical and would be accepted easier. originally, you had kept the relationship private - wanting the intimate moments to be kept to yourselves, only for yourselves. eventually the love becomes to great to hide, so you started dropping hints to the public. hints weren’t enough, there were always the small few who liked to dig a little deeper, push sensitive buttons - almost always internet trolls, or worse, in person paparazzi.

no matter what, they’ll always jab at the age gap. it’s always flashing cameras followed by comments, from “your relationship is inappropriate” “she’s young enough to be your daughter” and even, “is you dating an older man rooted in daddy issues?”

a video of the interaction goes viral and all the comments are offering support for the two of you:

they are both consenting adults. those who can’t accept that need to grow up and mind their own business.

these poor angels. the paparazzi is disgusting, ill never understand why it’s still a thing

they’re both grown leave them the fuck alone

daddy issues?? holy shit. the pap is getting so much worse.

two talented people reduced to their relationship. do better

you knew accepting a job on television came with its consequences, but you weren’t going to let people who get paid to be nosy stand in the way of your dream. so, with time you had learned how to handle paparazzi with ease. what was typically praise now being sprinkled with hate, it got harder and harder to ignore.

because the more someone says something about you, the more you start to believe it.

why is he with me? is this weird? am i wrong? is he wrong?

Whenever Matthew happened to be with you during these paparazzi incidents, he’d always guide you through the crowd by the small of your back or your hand. Weaving through people wordlessly, only whispering assurances into your ear, squeezing your hand to calm your heart beating in your ears.

—————————————————————————

The whole ride home to your apartment is silent. With Matthew, you two are always talking, always sharing thoughts, making the occasional silence reason for concern.

“Are you okay? You din’t say more than a word or two at a time not the way home,” he says while shutting the apartment door behind him.

“Are we, wrong?” you turn to gaze up at him through your lashes, the look on your face hurt.

“What do you mean, angel?” he croons, concern and confusion blossoming across his face.

“Like,” you pause and scoff, trying to find the words for your question. “Is what we’re doing wrong. Being together.”

“Do you not want to do it anymore? Cause we don’t have to-” his face turns to worry, your heart dropping at the thought of him thinking you’d say anything other than no. because no matter what anyone says, he’s so in love with you he can’t even imagine losing you.

“no! oh my gosh, no.” you’re quick to assure, holding his face in your hands. it’s just exhausting. why are they so concerned with our lives? can they not just-“

“you love me?” he interrupts, looking at you intently.

“what?” you scoff in disbelief, pulling back slightly. “of course I do - why?”

“because I love you. And that’s all that matters, yeah?” he brushes his thumb across your cheek, gazing into your eyes so lovingly. he always looks at you that way.

“It could be worse. They could be comparing me to Leonardo DiCaprio,” he smiles, causing the corners of your mouth to turn up, “and I’m definitely not DiCaprio level.”

“If you were, you would’ve dropped me when I turned 25,” you snicker and he sighs, throwing his head back.

“You’re funny, you know that?”

“I’d hope so. It’s kind of my job.”

—————————————————————————

mgg x SNL cast member taglist

@sarcasm-and-stiles @mystargirl-interlude @rubyirene @ashrrams @ghostatrixx @forevermorepassionate @saint-boudica @reidmarieprentiss @awakeforu @spencerlicious @kittycat-april @baudarling @delusional-4-fake-people @avenlymars @angelinajolie0213 @arusio @littleslayofhorrors @jezabelle9299 @jaemnationnn @princess-ofthe-pages @flow33didontsmoke

[swaqcenix]

༻ Stardust of your soul | N. Romanoff ༺

Natasha Romanoff x gn!reader

Summary: Being new to SHIELD and it's agents you'd always kept yourself to yourself & hovered in the background. Yet a new chapter opens up when being invited to the compound for 'team bonding,' and it turns out another star shined just as you did without even knowing. Simply the trust to fall asleep on another's lap really does open up the deepest of souls.

Warnings: None! Just pure fluff & sentiment of how Natasha falls asleep on your lap..

Pairings: Natasha romanoff x gn!reader, sort of black cat x golden retriever (ish?)

Word Count: 3.8K

DC: cafekitsune

AN: I don't know where I got this idea from, but I wanted to get back to writing again, so I figured some soft reading of Natasha falling asleep on the reader's lap by accident would cut it! <3 Might make a P2!

(also if ppl can teach me how to get a sapphic relationship-)

Walking through the halls of the building always seemed daunting when you worked for SHIELD. It wasn't like you feared anyone there, just everyone was so equipped and skilled- they'd been there for a good chunk of time. Many beginning their journey's with SHIELD years before yourself, forming bonds and friendships.

You were merely a baby taking their first steps within the walls of SHIELD headquarters, simply learning the ropes & where to start. Still, you were eager to always take on a challenge and being accepted as a SHIELD agent wasn't something you'd expect to happen, yet changing that decision to take on the role wasn't even a consideration for you.

A simple few weeks at the headquarters was all it took for you to slowly begin to feel more comfortable with the said environment. You'd spoken to Maria Hill the Deputy Director of SHIELD and while she could be intimidating, she and yourself shared views similar making it easy to get on. Fury was a little more on the complex side but some of the other agents you'd definitely enjoyed bonding with.

You'd been called in to a meeting for god knows what, but that was the generalised idea these days. Most agents yourself included never seemed to be informed prior of your missions only simply assigned upon the day. It did albeit stress you out given your organised schedule and how you felt with being thrown into the deepest ends of the pool was stressful.

However, when you dedicated your time and complete energy and effort within SHIELD's walls and work you had to be prepared for anything, without fail. You'd found yourself being so lost in thought with how you'd ended up in this role and position that you'd realised you'd come to a halt.

Seeing the door to Fury's office was a surprise to your eyes, having not realised you'd walked all that way. Slowly bracing yourself, your hand reached for the door handle before it was pulled open and Nick Fury himself stood there in the flesh.

"Come on in," His voice that always sent chills down your spine seemed warmer than usual today.

It did strike you as odd but you hardly had the time to think more of it. Instead you simply merely nodded entering the room at a gentle pace, before your shoes caused a loud squeak of a sudden stop.

Your eyes glanced around the room to see people you hardly ever thought you'd be in the same room with. The Avengers, the actual known hero's themselves sat around a table as their eyes slowly drifted up to study you.

Tony, Steve, Clint, Thor, Natasha, Bruce, Wanda, Rhodey & Sam. All of them were waiting for your arrival.

Natasha let out a soft smile at you nodding an approving look, which didn't surprise you at all. You'd become accustomed to the redhead while at SHIELD given her status and her ability to train new recruits which yourself was in fact one of them.

You'd never quite been able to read her fully, only knowing she had a closed off position about her, including the past everyone was forbidden to know of. All the recruits and fellow agents knew that it was a road nobody dared cross, including interacting with the redhead outside of working hours.

Standing there waiting for Fury or anyone to say something felt like an agonising amount of time & it was making the clock feeling like minutes were passing by. In reality, it was most likely to be mere seconds before Fury coughed and began to fill the silent room with his voice.

"So Y/N.. There's been some form of talk amongst myself and the Avengers," he began and you felt your body froze.

Without the intention of doing so, you glanced over at Natasha with concern and worry glazed over your eyes. Nobody else would recognise the small but clear look she gave to you, it was something you'd come to somewhat understand. She gave you a curt but firm nod and her eyes softened only for a moment but that moment was enough. It was okay.

You felt your shoulders and body language relax a tad as you nodded towards Director Fury to continue his conversation.

"We feel that.. we need a new member to work with the Avengers. Think of it as a new position a higher role. One that we thought you'd fit most well into. More like a team bonding so you'd say."

You gawked at the older man before shaking your head back to reality as it sunk into your brain and your bones. He thought you were the best for the role? You as in just someone from a town that had nothing now working along side the Avengers, more specifically her.

"M-Me? What, there has to be some sort of mistake. Director I don't know if I-" You began stuttering over your words.

While you did admire your strengths and abilities, it was a big step to be working with the earth's mightiest hero's. You certainly didn't want to make a fool out of yourself, however Fury decided to interrupt you.

"All due respect Y/L/N, it wasn't really a request. We need you on the team. The mission that's required is going to need all the assets and best that we've got. It's important," he stated firmly looking around the room at the Avengers before moving his gaze back to you.

"Director I-"

"They'll be trained and ready. I'll make sure of it," you heard her voice echo through the room with determination.

Your eyes drifted around the room landing onto her, staring at Natasha in pure shock and partial annoyance. You knew your own weaknesses and strengths and didn't need anyone speaking for you.

However, she simply stared back at you with a firm all serious look showing she wasn't backing down. Why was she so fixated on having you on the team? Her eyes changed ever so slightly and only for a moment looking at you with something you couldn't quite place. However, in a small blink just a tiny moment the look disappeared and her normal stoic expression was back.

"Thank you Agent Romanoff. Anything anyone else has to add?" He asked looking around the room with sheer authority.

Nobody seemed to speak, Tony flamboyantly flapping his hands up to speak for them. Clearly they weren't against having you on the team, you must be some important asset they required. With nobody speaking, you were all dismissed and the Avengers all fluttered out of the room.

All except one. Natasha stood leaning against the wall, half slouching her gaze fixated onto you. Head tilted in an almost questioning way towards you. Mirroring the action, you stared at the redhead inquisitive facial expressions painted on both of your faces.

Natasha cracked first, shifting off the wall walking towards you with her hands in her pockets, her signifying black leather jacket around her shoulders.

"You know, you should have more belief in yourself Y/N. We both know your abilities, I've witnessed them myself," she added her eyebrow arching.

"I.. You think so?" You managed to get out slowly.

Without a warning she leaned forward, whispering in your ear causing your body to stiffen. With her being this close you could smell her perfume, invading your senses like a warm blanket alluring you and drawing you in. The proximity of her was sending heat to your face and you knew her voice was sending shivers down your body.

"I know so sweetheart, I know so," she hushed out and if the floor was made of lava you'd melt right through it and into the ground beneath you.

Natasha was like a temptress, a woman who knew how to lull people in just with a few simple words. You knew this but still felt yourself floating towards the singing of the siren.

She stepped back smirking at you sending you a wink causing your heart to hammer against your chest. It was like she was looking into the depths of your soul and you were trying not to give her the key to opening your soul.

Just before she opened the door to exit the room she flung her body around to face you at an angle. The tension in the room was intense, dancing around you in a heavy feeling as she spoke.

"Training starts at 7. Don't be late sweetheart. I don't do late."

With that she left the room without allowing yourself to respond and you felt an internal groan bubbling inside of you. She was seeing into your soul now you needed to try and allow Natasha to let you see her own.

Tossing and turning at night in your bed whilst the minutes passed by seemed to be what was happening for you. The clock was ticking yet you were significantly restless especially knowing training started at 7am with Natasha wouldn't settle your mind to rest.

Her words played over and over again in your head, on a constant never ending loop. 'I know so sweetheart.' You couldn't remember the last time you had that much confidence running within your veins, let alone someone else. Yet, her voice ran through your mind, your soul almost touched by her belief.

Turns out you must have been laying there for that long tossing and turning throughout the night you'd managed to not succumb to a single ounce of sleep. That perhaps would come back to be biting you on the ass at some point today. Especially if you have training with Natasha.

As your head spun to view the clock next to the nightstand, elicting a loud groan from your lips. It read the time of 6:15AM. That's always your luck, never helping with the concept of you being the polar opposite of a morning person. If anyone was grouchy in the morning it would always be yourself.

Flinging the covers off yourself, grudgingly, you found your legs dragging themselves to the bathroom to have a shower, the need to freshen and wake up becoming excruciatingly stronger by the minute.

The water cascaded down your body, a soft sigh leaving your lips. It warmed you up within the speed of light, relaxing your current running thoughts, muscles relaxing slightly. Taking a shower has always reassured your senses with its water-hug, warm and cozy.

As you dressed for the training, you slipped out of the room deciding to take a small detour around the compound. The passing of Agents in the corridor, seemingly more professional and adjusted to the surroundings of the compound than yourself.

It almost made you shrink into yourself, wanting to knock your confidence. However, Natasha's words from the previous day replayed in your head on repeat, warning your insides for reasons unexplained.

Almost as if by sheer luck you'd past the main lounge of the compound where a few of the known Avengers seemed to be sitting around. That included, Tony, Steve, Wanda and Clint. As if your presence was like a dark shadow lingering into the room, all of their heads seemed to twist into your direction.

One thing you despised being more than anything is being the centre of all attention, eyes gazing on you like you'd become to be on a stage you weren't supposed to take. It bought bile rising from the depths of your stomach up at the mere concept of it.

Yet, their gazes lingered in a none judgmental way, almost like the comfort of understanding, an overwhelming sense but peaceful. Steve was the first to speak up, nodding at you firmly but not with an intensity of malice.

"If you're after the training room, it's just down the hall. Natasha's waiting for you there. Good luck, just believe in yourself."

With a curt, but gentle nod you headed to the training room giving your best definition of a half smile. Though, it probably looked more like a grimace, unintentionally of course.

As you entered the training room, Natasha was working on her punching exercises. Each one better than the last. The glimmer of sweat trickling down her cheeks and side of her hair, shone like water in the moonlight. For a moment you almost stopped to admire her.

However, you'd clearly being staring too long considering, when you came out of your dazed trance, Natasha stood smirking at you. Her head was now tilted to the side, her crimson hair braided and cascading down her shoulders. Immediately you flushed, a sudden realisation you'd been watching her working out, like some puppy in awe of the smallest of things.

"See something that you like?" Her voice carried huskily, but with a hint of a smirk lingering causing your knees to weaken.

Why she was having this effect on you, you'd never know. Part of yourself wished the feeling would vanish, disappearing like particles of atoms into the air. Dust vanishing away, yet another piece of you thrilled for the unknown drawn, the tranquility you felt. It felt exhilarating, the need for an escape.

As your eyes drifted around the room you realised just how much equipment had been invested within the 4 walls. Several different types of equipment were laid out in different selections, ranging from treadmills to yoga mats, leg presser's, even a shooting target range.

"N-No sorry I-" You stuttered still trying to distract your gaze to anything but at the redhead whose smirk had now grown wider.

The pair of you trained for a while, Natasha teaching you combat, which albeit you weren't as talented as herself. Several times she's managed to knock you down and pin you to the ground. Which, just happened to always end up with you looking up at her both your bodies in an extraordinary comprising position.

Natasha, on the other hand never judged you. Her skills and assets were on a scale of unbelievable, making you feel as tiny as an ant. Yet, the redhead never made you feel smaller than herself. She always seemed to root for the best in you, causing you to admire her as the minutes passed on.

"You've got more talent than you know," her voice whispered during the last training session.

Her voice sent a small shiver through your body shooting down your spine, as though a melody yet to be sang was ready to be heard. A soft nod a content true smile painted your lips setting a thousand suns alight.

"Thank you, Romanoff," your voice responded a little stronger than prior.

"Hey to you, it's Natasha."

A soft giggle passed your lips and she smiled, a rare one you could have sworn in the short time including familiarities of SHIELD, had never seen cross her lips before.

"it's like before when you were training me isn't it?" You asked your mouth speaking before your brain.

She simply nodded with a hum, putting herself once again in a position of combat causing you to follow suit. Her hair was now slick with sweat, but yours was drenched. Almost as if you'd been training the whole day, yet in reality it was a simple couple of hours.

"Exactly like before. Just harder and with stronger combat skills and assets."

Before you knew it, the pair of you were back at it. Training like you'd done the several times previously. Your skills had improved remarkably. How you didn't know, perhaps it was her words and further encouragement. Her sense of purpose that brought tranquility to you an ideology of lack of judgment.

One minute you were slightly stumbling and within the blink of an eye, you had her pinned. It was like the world had stopped, her own eyes had widened in shock, your body freezing as though ice had embedded itself within your veins, shocking every atom inside you.

The Natasha Romanoff, had been pinned down onto the floor with you hovering over her. A huge sense of achievement fell over you, a joyful relief that you had finally believed something within your bones for so long.

She felt it too, winking with no insult or any sort of ruined pride. Natasha merely looked and presented herself in a way that ran through to the pit of your stomach.

You scrambled off her slightly embarrassed as reality began to hit you, considering the positions you were currently in. Helping her up, Natasha stood there hands on her hips for a moment analysing you, but for once no feeling of unease overcame you.

"Told you could do it sweetheart," she said wiping her head with a towel.

If words could make your body melt into a puddle, like snow in the winter. You would have right there. Like an icicle on a tree branch waiting for its calling of life that's how you felt. Glistening but melting into bliss.

Natasha headed towards the door, her black tank top sticking to her in a way that was sheer attractive to practically everyone undeniably. Her abs could practically be seen through the material, causing your eyes to look up towards the ceiling scolding every part of your brain.

"Oh and, same time tomorrow," Natasha stated her voice carrying a tinge of something unplaced that caused you to look up at her. Yet she's disappeared through the door before anything more could be thought of it.

That's how it continued. The form of relationship building between yourselves, training continuing everyday. Your combat becoming stronger, fighting harder each time, not only did your skills improve but also your mindset. It began to light up your moments like a firefly, shining thousands of miles into you lighting up a hope in the sky.

There were times Natasha beat you, earning a playful comment from her lips.

"Gotta be faster than that honey," she'd husk out in that voice of hers.

Yet, you never stopped enjoying your training moments, the building of an established unknown. The way you and Natasha formed was rare, unseen and unbecoming, but there was no regret. No simple doubt that you enjoyed the form of relationship the pair of you had formed.

One morning your alarm clock went off once more, 6:15AM on the dot. Making no time to convince yourself to fall back into a peaceful depth of slumber you headed to the shower. Getting ready fast in the morning had become the new norm for you.

You'd managed to get changed at the speed of light hopping around to get into your gym wear. Just as you were about to leave F.R.I.D.A.Y spoke up warning you.

"Excuse me Y/N, I was informed to let you know most of the Avengers got called out for an emergency mission. You were called to go on it but, Miss Romanoff debated otherwise."

Your heart sank, upset slightly about the lack of training. You'd become quite accustomed to the way of life in the morning, training with Natasha before amusing yourself for the remainder of the day. However, it sank further when she mentioned Natasha stated she didn't want you there.

Were you not qualified enough? Would you ever be? Your mind spiralled around with overwhelming and overthinking thoughts, like a tornado sweeping through miles of countryside. No, you couldn't do this to yourself again.

The entire day became yourself training practically with little to no breaks, until the very darkness of night emerged the atmosphere, clicking your brain into knowledge.

Taking your last shower felt less like a privilege and more like a burden. Something undeserving, especially when you're clearly not welcome on missions. However, you knew you needed it.

Eventually you'd changed into some warmer fuzzier lounge wear, settling on some grey jumpsuit. It allowed you to feel more relaxed. The feeling sent you into a deep slumber, curled into the couch in a content creation.

A form half leaning on your body caused you to almost jolt awake, but you heard a whisper next to you. For a mere few seconds your surroundings became an enemy, training become reality. Yet, as your eyes adjusted to the light around you an awareness grew within you.

The Avengers were sat down around you, watching some random Christmas film you presumed Sam chose considering the choice. Clint was sat a few feet away glancing at you contently.

"You'll wake her," he mumbled his voice lower than usual that caused an unprovoked raised eyebrow from yourself.

Following his gaze, your heart pounded harder, eyes widening in a sudden surprise. Natasha was lying on your shoulder, her body almost slipping towards your lap. She seemed more at ease than Natasha ever had before.

Like the weight of a thousand worlds, a thousand men had been lifted by one single sleep. No, a single person. You. Her hair was now loose, drifting down her shoulders, making her look almost incredibly soft and it melted every aspect of you.

"She seems exhausted," you murmured without thinking.

"She took the most hits. I know what you were thinking. Natasha she.. She didn't want you on that mission, because she didn't want you hurt. Not because she doubts your capabilities. All I could see was her guilt and want to be back training with you."

Clint's confession and confirmation sent a warmth unexplainable feeling through you. Looking deeper at Natasha, you noticed the cuts and bruises. The winces when the redhead shifted in her sleep. A shatter through your heart came hard, one you had no idea was possible as you glanced softly at the older woman.

She cared. Natasha stirred slightly her eyes fluttering glancing up at you. Her eyes met yours and in that moment it unlocked everything and anything possible. It's said eyes are window's to one's soul. The key to unlocking everything about a person there was to be done.

Glancing at her emerald eyes all you saw was stardust, the pain of stars shimmering thousands of light years away trying to find their way back. She smiled weakly, trying to pull away. However, instead you adjusted Natasha to rest her head on your lap.

A frozen form hit your lap, tense in shock before fully relaxing into your hold. A soft hum left her lips and without thinking you began to caress her hair, bringing her to a warmth blanket of safety.

"She's never like that, looks like you're something," Clint mumbled smirking causing you to roll your eyes.

Natasha wasn't just an assassin, nor an Avenger. Sure you had no doubt words would be interestingly mentioned later when she awoke. Yet for now, as you had previously gazed into her eyes, all you saw was the stars of light wanting a home. Stroking her hair was like touching the star's of the soul itself, no matter the distance they'd always have somewhere or someone to go to.

[charlotteking23]

The Lion's Lamb - Chapter 7 - MV1/33

Max Verstappen x reader

The Lion's Lamb Series: Aesthetics, Ch.1, Ch.2, Ch.3, Ch.4, Ch.5, Ch.6

Over the next few days, the two would meet up casually, either to get coffee at the cafe they met at, going for walks, and even getting casual dinners together.

Their conversations usually surround you, about your life, dreams, and aspirations.

Whenever the conversation switched over to Max, mainly about his line of work, he would always quickly change the subject.

You thought it was odd, but figured it wasn't something he wanted to talk about and he'd open up when he wanted to.

It was Friday evening and sadly Max was pushed into a boys nights with his friends, leaving you to figure out what to do for the night.

You knew Max had told you to text him if you needed him, but you didn't want to bug him, especially if he was around his friends.

You didn't want to be the type of girl that would continuously blow up a man's phone while he was out.

It was around 8pm when Amelia came storming into your room, "you're coming out with me tonight."

"Why do I have to go out?" You asked.

"Well I can't go alone," Amelia said dramatically, like it was the most obvious thing in the world.

"Cant you go out with your friends? I really don't feel like going out tonight."

"You have too! Who knows what will happen to a young, pretty girl like me all alone at a club!"

You bit your lip while nodding your head slowly, feeling guilty if you left Amelia to go out alone and something were to happen to her.

"Great!" We leave at 10:30," Amelia said smugly before happily leaving the room.

By 10:45, the two girls had arrived at the club. You're trying your best to keep close to your roommate as they made their way through the busiest club in Monaco to get to the bar.

It was true that Amelia wanted the girl to go out with her so she wouldn't be alone, but it wasn't the full truth.

She knew how pretty the you were, how your aura of innocence you projected attracted men like a moth to a flame.

You had no idea that your roommate was using you to attract men. You were playing the oblivious wing man.

After ordering both of the girls a drink, Amelia was quick to pull you out onto the dance floor before you could even think about protesting.

While your roommate started dancing, trying to attract men towards her while you sat there awkwardly taking small sips of your drink.

You were uncomfortable with the amount of people surrounding you causing you to feel claustrophobic.

They were on the dance floor long before two men found their way towards to the pair.

One was blonde with brown eyes, average built and height. The other was brunette with brown eyes so dark they could be mistaken for black. But this man was shorter then the other but slightly more built. They were both attractive looking, and just by looking at them, a person could tell they reeked of daddy's money.

While the blonde went over to Amelia and whispered something in  her ear, the brunette stood there, staring at you. The look in his eyes made you nervous and intimidated the hell out of you.

"We're joining them at their table," Amelia interrupted before grabbing you by the hand and dragging you to the two men's booth.

Amelia is moving to sit next to the blonde and the brunette coming to sit next to you, uncomfortably close.

"I'm John," the man stated after an awkward amount of time passed with them just sitting in silence.

"(your name)," the girl responds softly, giving the man a small smile, trying to be polite.

The smirk that rested on John's face told the girl everything she needed to know. He knew he was an attractive man and used it to his advantage.

He knew that any girl at that club would be clawing to get his attention, yet he was intrigued on the one girl who didn't want it.

You continued to talk to him, making small talk because you didn't know any better.

You thought you were being polite and just trying to make it through the night. John took it for flirting.

Little did he know that the only person you were interested in was a blue eyed Dutchman.

"What is a pretty girl like you doing in a place like this?" John asks while slowing inching closer towards you, resting his arm behind you on the back of the booth.

"My roommate wanted me to come out with," you politely stated, deciding to ignore the compliment and keep it short.

Before John could continue, alcohol was brought to their table. John, his friend and Amelia all were taking shots, the man next to her talking at least 5 in a 30 minute period.

They asked the girl if she wanted some, but you declined, okay with sipping what was left of your original drink.

It didn't take long for John to make his move after that. Thought their conversation, he had scooted closer until his knees were touching her.

His arm behind your back, causing you to be slightly trapped when he leaned in and started to run his hand up your thigh.

"Why don't you and I get out of here baby," he whispered in her ear, his lips grazing her ear.

You quickly jumped back from your seat, trying to get out of his reach.

"No," you stated sharply, but fear filled your entire body. You turned to catch Amelia's eyes to try to signal to her for help, but she was too busy making out with John's friend.

"Come on sweetheart, you wouldn't be here dressed in that sexy little dress if you weren't trying to get someone attention," he said slowly moving closer again, like a predator stalking its prey.

In an instant, you stood up mumbling about having to go to the bathroom. you bolted to the toilets in hopes of escaping the situation.

Max had spent the evening hanging with his friends and playing videos games together.

He hadn't done it in a while since meeting you, but you insisted he hang out with his friends, thinking he never gets to see them because he travels so often.

He was glad he did it because he had time to relax a bit before their next race in Qatar next weekend.

He arrived home close to midnight, and immediately laid down in bed, ready for a good nights rest when his phone sudden rang.

Looking at the caller ID he couldn't help the smile that erupted across his face.

"Hello beautiful," he said gently.

"M-Max," he heard your weak stuttering voice through the phone.

"What's wrong?" He asked, sitting up immediately.

"I'm scared." Your broken words echoed through the phone, leaving an impact on his heart with those two words.

"I-I went out with Amelia, a-and this man started to put his h-hand up my dress and I'm scared."

"Where are you? I'll come and get you right now"

"I don't know," you say softly, "I've never been here before. I don't remember the name."

"Okay love, can you send me your location?" He spoke softly, not wanting to cause anymore fear or anxiety.

"Okay," you mumble.

Max looked at where you were at and luckily the club was only 5 minutes away from his apartment.

"Okay love, I'll be there in 10 minutes. Why don't you go wait outside in front so the bouncers can watch out for you."

"Okay," you stated quickly before hanging up.

The Dutchman quickly bolted towards his front door, scared out of his mind. In his line of work, fear wasn't an option.

If they have fear while driving, they wouldn't survive. For the first time in his life he actually felt fear when hearing your meek voice say those words.

I'm scared

Those words echoes through his brain as he drove to his little lamb. He felt like someone stabbed him in the heart.

He made a promise to himself that his little lamb will never have to feel this way ever again.

You decided you had to grab Amelia and take her with you, or at least have to decency to tell her you're leaving if she refuses to come with you.

Swiftly, you left the bathroom to go back to the booth where you end up finding no one except one person, John.

"Where's Amelia?" You asked with hesitancy, wanting nothing more than to just leave.

"She left sweetheart," he said with a smirk.

"What?"

"She went home with David," he started to make his way closer to her again, his eyes darkening even more than they already were, "Now it's just me and you daring. Why don't we go and have some fun?"

"No," You said, taking a few steps back, "my friend is waiting for me outside."

Without another word, you finally made your way towards the exit, deciding not to give John the chance to keep coming after you.

It wasn't until you felt the cool Monaco breeze on your skin did you actually let out a breath of relief. You tried to even out your breathing, calming herself down but you couldn't.

The loud pounding of the music emitted from the club caused you to slowly make your way down the street towards the street corner.

You started up in the night sky. A wave of peace and calm washed over you as you gazed upon the stars that filled up the dark night sky.

Sadly, this peace did not last long as you felt a hand grip your arm tightly, making you cry out in pain as the person turned you towards them.

John stands before you again, yanking your body closer to him, leaving no room for you to struggle.

You scratched and tried to fight him but he quickly gripped your wrist, tight enough that there will surely be a bruise there tomorrow.

"I've been looked my everywhere for you darling," he whispered close to ear, pulling back with a wicked grin on his face.

"Let go of me," You hoped your voice would come out strong but it came out weak and fearful.

"I can't do that sweetheart," he tilted his head slightly to the side, starting you down like you were a monkey in a zoo, "you're coming with me."

"No!" You shouted hoping that someone would hear you. You need to escape somehow now or else-. You honestly didn't want to think about what would happen if you didn't.

"Stop fighting," John snaps, annoyed at your struggling, but You refused to go down without a fight.

One minute you struggled with John, the next you were being pulled away from him into someone else's arms.

This person wrapped you up in their arms, their firm chest provided you some form of comfort.

You didn't care who this person was, anyone was better than being stuck with John.

"Don't you dare fucking touch her!" The rumble of a familiar voice vibrated through the chest you currently leaned into.

Max.

Taglist: @shelbyteller, @smithieandy, @fangirlforever2000, @herexpertcollector, @vip-access, @genevieve-blr, @a-beaverhausen

[ego13]

𑜷 ” 因為 𝑺HE SAID '𝑭UCK ME LIKE IM FAMOUS' – 𝑨UDI𝒁 X FEM!READER | 𖥻˙.⭒

𖥻˙.⭒ https://now_playing : 𝚌hase atlanti𝚌 - OKAY

˳  ୭ ꕀ https://synopsis : coming to another boring party, you found yourself a wonderful company with whom you didn’t mind retiring in the spare room of the mansion.

ʾ ִ𓏸 𝆬‌ ۪ . https://warnings : lesbian sex, threesome, sex tape, thigh riding, sloppy sex, hickeys, cunnilingus, multiple orgasms, fingering, sex with strangers, loud sex, praise kink, service top!audiz

ˑ ִ ֗𖧷 https://pairing : yu jimin x uchinaga aeri x reader

ᨦ꒰ ៸៸ ꒱ https://authors_note : this is the stupidest thing I've ever written, so excuse the poor writing, I'm having writer's block right now, and it's hard for me to come up with something better. <3

༄ ₊ ꒷https://word_count : 1,9k

L0AD1NG . .

loud music, flashing lights and the voices of drunk people are what surrounded you at the moment, in principle, such an environment has long been commonplace for you, and perhaps someone feels uncomfortable being in such companies, but not you, because your brain already subconsciously felt as if you were really where you should be.

so, having dragged yourself to another party for the sake of free booze, you entered the mansion that you had already known for a long time, you met the owner of this house a long time ago, but it was only recently that you led such a riotous lifestyle by going to such events, after all, you are an ordinary student who spends hours studying and prays every day to think about something other than papers, textbooks and exams.

after another hard day at school, your legs instinctively carried you along the corridor, in search of the door from where this loud music was flowing, and finally the cherished gates opened, and dozens of drunken people appeared before your eyes, and grinning, you were anticipating how you yourself would soon find yourself in a similar state of nirvana, so finding an 'impromptu' bar which consisted of an ordinary table and a dozen bottles standing on it.

you approached the guy standing at the table, he smiled when he saw you, because it was clearly not the first time he had seen you, and you didn’t even have to say anything before his hands independently took the plastic red cup in his hands, pouring colored alcoholic liquid into it, holding it out with such a smile, "so, because of the booze here again?” he asked, picking up his cup and taking a few small sips, "you know, it's better to go to parties for the sake of drinking, and not in the hope that someone will fuck with you."

he playfully rolled his eyes, realizing that the hint was about him, "come on, I won't get anything tonight anyway, so let's just have a drink," you clink cups, and you drank all the contents in one gulp, causing him a pleasant surprise, "what are you, a professional alcoholic? I've never seen a girl who downs half a glass of liquor in one go." you playfully pushed him on the shoulder before grabbing the first bottle you came across, pouring the contents into your cup as you walked away from the table deeper into the dance floor.

still, drinking alcohol in one gulp is clearly not the best idea for you, because a few minutes after you left the bar, you felt your head pleasantly spinning, and as a result, you didn’t notice how you accidentally bumped into an unfamiliar pink-haired girl standing with her back to you.

you immediately began to apologize, saying that it happened by accident, but before you could finish half the sentence, you saw how she turns to face you, and behind her you can see another girl who puts her elbow on her shoulder, "baby, is everything okay?" asked the pink-haired girl, in whose voice there was absolutely no hint of anger, rather, on the contrary, her voice was so calm that it literally intoxicated, "hey, why don't we take care of such a beautiful girl? we see that you are alone here, so why not fix it?"

your evening sucked so much that hearing these words, you only enthusiastically said “yes, please", and upon hearing permission, you felt both girls’ arms wrap around your waist, helping you move away from the dance floor and up to the second floor of the house. the three of you walked along a corridor with a bunch of doors, while the dark-haired girl randomly opened all the doors that came to hand, someone was sleeping, someone was fucking, and she was quietly swearing under her breath, because they urgently needed this fucking spare room, which is finally there, and they both push you needily into it, closing the door from the inside.

in an instant, you found yourself sitting on uchinaga’s lap, while yu’s predatory hands explored your body, pressing her lips to your collarbone, you felt how she ran her fangs along the milky and tender skin, knocking out the first quiet moan from you, obviously not the last for this evening.

you feel the warmth of aeri's breath settling on your rosy face. your fidgets in place and shyly fiddles with the bottom of your black dress in your damp fingers, her gaze penetrates you to your core, making you involuntarily tense and bring trembling hips together. it starts to pulsate between your legs.

jimin finally exhales loudly. the heat mercilessly makes its way to your aching groin and she grabs your dress with her fingertips, exposing a strip of skin on your stomach, "look at her, so fuckin' pretty..." uchinaga only grunted in response, looking at you with interest, greedily licking her lips when her gaze fell on the bare skin of your stomach.

your arms suddenly weaken, as if a huge weight is falling on you, but jimin continues to lift your dress until you are left in just your underwear. your dress flies somewhere into the corner of the room, because now you definitely don’t need it, you feels with your skin how their eyes is crawling scrutinizingly and greedily over your trembling body, and it’s suddenly so exciting, so nervous, and you could swear that no one in your life looked at you like that, and you never felt so wanted in your life.

aeri's palms immediately find themselves on your hot cheeks, in whose eyes adoration and reverence are unmistakably discernible, "you are incredible, princess, so needy, good girl..."

jimin's palms slide over the delicate skin around the ribs and freeze under the seductive small roundness. you sucks in your stomach and sighs heavily, while your skin is covered with goosebumps from the feeling of the hot hands of both girls on your body.

uchinaga's eyes sparkle with anticipation when she inquisitively looks into your ruddy face, at the same instant, her palms carefully grasp your breasts, completely covering them, and with her thumbs she circle the wrinkled nipples, lips, at the same moment cover her sensitive nipple, pulling it deep into the mouth and rolling it between the teeth.

a long-awaited moan escaped your lips again, pressing your breasts into aeri’s face, at the same moment you felt how the lips of jimin, who was behind, left a trail of wet kisses and bites along your spine, while her hands were on your waist, holding you in her pink haired lap.

aeri impulsively squeezes the delicate skin with her fingers, and more demandingly closes her lips on the tense lump of flesh, you choke on a groan and nod desperately, squinting your eyelids and grabbing the girl’s shoulders with shaking palms, she naturally grins and impatiently places her hands on your ass, squeezing it slightly.

trembling all over and whimpering softly from sensitivity and painful sharp outbreaks from unexpected tingling sensations, you spread your legs wider and slowly lower yourself onto her exposed knee, pressing your wet crotch tightly against it and bending your lower back pliantly, "come on, sweetheart, move a little, like that... good girl."

you strains the internal muscles of your cunt, which rapidly contract, pushing out the lubricant more actively, from the girl’s approving tone and presses your groin harder into your in the hope of a long-awaited relief, you moan loudly and again sits heavily on top of the girl, responsively pushing towards her hot and demanding mouth.

aeri's breath is pounding heavily, a dull rhythm beating in her ears as she tries in vain to pull herself together, but you can only more persistently suck on your breasts and press your seductively swaying hips to yourself as tightly as possible.

you throw your head back and part your dry lips to let a quiet moan escape them, finally feeling the long-awaited climax, while yu's hands continued to hold your trembling body, helping you stay in one position, whispering in your ear in a quiet and hoarse voice about how well you did and how good you were.

her strong hands helped you get up from your knees, her strong hands helped you get up from aeri’s lap, carefully laying you on the bed, while uchinaga's hand reached into the pocket of her pants, taking out her phone from there, opening the camera app, placing it on the bedside table so that the three of you could be seen, "well, princess, let's make this night a little more fun?"

a shiver of anticipation runs down your back, and a hot wave settles between your thighs again, you whine pitifully and spread your legs further, allowing jimin's hand to slide under your underwear, she carefully pulls off her already soaked black panties from your rounded hips, she kisses the sunken belly, inhaling the faint aroma of your desire, as uchinaga positioned herself behind you, allowing you to rest your back on her, her hands slid to your breasts, squeezing them lightly, enjoying your languid sighs and needy whines.

you whine pitifully and pleadingly again, and jimin makes her way to the wet flesh, impatiently penetrating inside the delicate folds, teasing your clit with her tongue, squeezing your thighs in her hands, leaving red prints of her palms on them. your back arches when her skillful tongue touches you there, and mixed with the aeri's touches, who continued to play with your breasts, burning the tender skin of your collarbone with my breath. finally, yu’s tongue slid inside you, pushing so deeply that you couldn’t even imagine that someone could touch you there.

it only took you a few damn minutes before your back arched to the point of a crunch, and a loud moan escaped your lips, repeating the name of both girls like a mantra, pulling away from you, the black-haired girl greedily licks her lips, licking the remnants of your taste from them, which made you blush even more, "you're so delicious, it seems to me that I could eat you all the time and never get tired of it," these words made uchinaga giggle, moving his lips to your earlobe, "hey, jimin-nie, don't make our girl even more embarrassed."

just as you were about to relax, you felt the pink haired hand slide down your stomach, a slight shiver runs through her body, and she rubs the slippery spot harder with the pad of her thumb, you cry out quietly as she slowly slides into her, pushing deeper, all the way to the knuckles, you squeeze her finger with your muscles. aeri freezes with her whole body, feeling resistance, "shh, princess, relax, okay? you're doing so well..." she kisses your rosy cheek and circles her sensitive clit with her thumb.

you clearly wants to say something, but chokes on another moan and a sharp slurping thrust. now two long fingers confidently slide in you, jimin's hands held your thighs, not allowing you to close them, despite your desperate attempts to do so, "baby, everything is fine, yeah, just relax..."

after her shameless statement, you sob subtly, gently squeezing her fingers, and carefully kiss aeri on the lips, in response to which yu's lips gently kissed the back of your neck, "good girl... should we continue, huh?"

after these words you realized that the night is still damn long, and a wonderful company of two damn sexy girls and several hours of damn porn on aeri's phone awaits you...

[band--psycho]

Vander x Reader - 5 Years Later...(Part 2)

Please be kind, reblogs are always welcome and greatly appreciated!

Requests are still open so if you have any ideas/requests, you're more than welcome to send them over (thank you to everyone who's requested a story so far, I'm working my way through them!)

Part 2 to my Vander x Reader series - Part 1

I hope you all enjoy this! 💛

Thank you all for the continued support!💛

I do not give permission for any of my works to be copied or translated onto this site or other platforms!

Vander Masterlist / Arcane Masterlist / Join My Taglist

Warnings: Mentions of death, mentions of grief, feeling of dega-vu

You knew the Undercity wasn’t the safest of places to go, at least that’s what your father had always told you. 

So why were you down here? 

Because as much as you appreciated your fathers protectiveness, what type of friend would you be if you let one of your closest friends go down there alone? 

A pretty shit one. 

Which is why, despite the risks, you went with Jayce down to the Undercity. 

Besides, seeing as you were training to be an Enforcer and Jayce was just a student at the academy it was basically your job to escort him and make sure that nothing happened to him; that’s at least what you’d tell Greyson if she asked where you’d been…and your parents, if they asked which you hoped they wouldn’t. 

“Remind me where we’re going?” You asked in a slightly hushed tone as the two of you turned a corner walking down a dimly lit alley, before 

“I need to get some supplies for a project I’m working on,” Jayce answered simply; with an optimistic gleam in his eyes. 

“What project?” you inquired, unable to keep your curiosity at bay; it had certainly been a while since you’d seen Jayce this excited about a project.

“It’s best I don’t tell you, until I can get it working,” he replied; his answer only furthering your curiosity, but perhaps it was for the best for you to know as little as possible…especially if the academy wasn’t aware of it, which by the seams of things, they weren’t. The less you knew the better; though it still played on your mind as the two of you continued walking through the Undercity.  

To most people the Undercity was just an underdeveloped land across the river, deep in the canyons,  beneath Piltover, filled with misfits and thugs; but as you walked through the lanes of the Undercity, you couldn’t help but admire the beauty of it. 

The beauty of how vibrant the lights atop of the shops shone in the darkness; the difference of industrial architecture, making each building its own, if only in a little way.

It was different from Piltover, of course, but beautiful nevertheless. 

Since you'd arrived down here you couldn’t shake this feeling of deja-vu…like you’d been here before. 

It was odd. 

You’d never been down here; not once; so why did it feel so familiar?

You were so lost in your own thoughts that you hadn’t realised Jayce had stopped walking until you walked into the back of him. 

“Sorry,” you whispered, hearing a small chuckle fall from his lips. 

“Lost in your own world again?” he teased, turning around to look at you. 

You simply rolled your eyes at his comment and looked at the building you’d stopped outside; a pawn shop. 

You shot Jayce a confused look; you didn’t understand what this place had that any of the shops in Piltover didn’t; except from some anonymity. 

Down here no one knew him. 

But that only caused the curiosity you had about his project to grow. 

“Stay out here, I won’t be long,” he said before disappearing inside the shop. 

You went to follow him, before you heard a song in the distance, that halted your steps. 

You knew it. 

But you were certain you’d never heard it before…

How did you know a song from the Undercity? 

You turned on your heel, following the sound of the song; you knew it was risky, venturing off into the Undercity alone and you knew Jayce would be worried if he came back outside and noticed you gone, but you couldn’t help it. 

It was like your feet had a mind of their own and before you knew it, you’d come to the source of the music, it was a bar, or at least that’s what you assumed it was seeing as it was called ‘The Last Drop’ and had a logo of a tankard in the middle of the name. 

‘Why does this place seem so familiar?’ you thought to yourself, your eyes narrowing as you stared at the building in front of you. 

You were about to take another step, before you felt someone grab ahold of your wrist; instinctively your training kicked in and your guard went up, ready to fight. 

That was until you saw that it was Jayce who was holding your wrist; he was panting slightly with a worried look in his eyes, “I thought something had happened to you.”

“I’m sorry,” you apologized, guilt washing over you, “I didn’t mean to worry you,” 

“It’s okay,” he answered softly, tugging on your wrist slightly, leading you away from the bar, “Let’s just get out of here.”

And with that the two of you made your way past the pawn shop Jayce had been in, passing a little boy with white hair leaning against the wall, he had a proud smile on his face that was until he saw you. 

You waved at him politely, confused about why he was staring at you; but the little boy said nothing, he just continued to stare at you, his mouth hanging slightly agape as you vanished out of his view. 

All you could think about as you made your way back to Piltover was how strange today had truly been. 

The deja-vu, the song, the bar, the little boy….none of it was making any sense….

~~~~~~

Vander hated seeing Vi hurt; he also hated that she was a mirror image of how he was when he was younger, so eager to rebel against the topsiders…but it wasn’t that simple. 

That’s what he was trying to get her to understand.

Every action had a consequence. 

He knew that better than anyone. 

He was the one who was too stubborn to call off the uprising, because he wanted to show Piltover that they were worthy of not being left behind on all the grand new ventures Piltover were indulging in; and because of that, he lost so many people that were close to him. 

But no ones ghost was more haunting than yours. 

He just needed Vi to understand that violence wasn’t the way to play this. 

He knew Greyson would probably be paying him a visit soon; the kids, unintentionally, broke an agreement that he’d made with the current sheriff of Piltover, to keep a peace between topside and the Lanes. 

A peace that was now hanging by a thread. 

Once he was sure Vi’s injuries were clean, he rose from the table and began putting away the supplies he’d used to clean her cuts. 

“Vander…there’s something else,” Vi began, halting Vanders movements and making his attention focus back on her. 

“Go on,” he  said calmly, though in his mind he was dreading the next words that were going to come out of her mouth; she’d just been part of blowing up a building in Piltover, what more could there be.

“Ekko said….he said he saw Y/n,” 

Her words short-circuited his mind at the mention of your name.

“What?” he asked; thinking that maybe, somehow, he’d misheard what Vi had said. 

“He said he saw Y/n walking with that topside guy that came into the shop,” she repeated, noticing how Vanders eyebrows furrowed together as he tried to process her words. 

“That was partly why I went up there….to see if she was there,” she continued, rising from her seat, walking over to Vander and placing her hand on his arm. 

She knew how much Vander loved you. 

She knew how much losing you broke him. 

She knew how much losing you hurt both her and Powder; who’d grown so close to you in the few years prior to the uprising. 

That’s why she wanted to be sure that Ekko wasn’t wrong; she’d barely believed him herself when he first told her, but before the explosion happened, she was sure she heard your voice; but without actually seeing you, she couldn't be sure if it was you or if it was just the wishful thinking in her mind.

“She’s dead, Vi,” Vander stated; his voice remaining balanced; although the look in his eyes showed a growing sadness. 

“You’ve never believed that,” 

It wasn’t a lie; he didn’t believe it. 

He might’ve said that you were dead; but Vi knew that deep in his heart, he had never believed it.

He never found your body; and without your body, he could still cling on to the hope that you were alive. 

Vi never really understood why he couldn’t believe your death was real; but now she knew that he was right all along. 

“Ekko got it wrong, it can’t have been her.”

“Vander, he knows what she looks like….” Vi tried to counter, they all knew what you looked like from the photos Vander kept of the two of you; but Vander just went back to putting away the medical supplies before heading to the stairs. 

“He got it wrong,” he answered back, slightly harsher than he’d intended to,before leaving the basement entirely and heading to his own room. 

He all but collapsed onto the side of your bed; his eyes landing on the photo of you he kept on his bedside table. 

You were dead.

That’s what he kept telling himself. 

That’s what he'd had to tell himself for the last five years to keep his own sanity. 

But there was a little voice in the back of his head, a voice that reignited his failing hope…what if you weren’t…what if what Ekko said was true…?

Vander didn’t know what to believe….the memories from that day flooding back into his mind as the pain he’d felt re-entered his heart, tears fell from the Hound Of The Undergrounds eyes, as he tried to work out what to believe. 

What if all these years you’d been alive? 

Why were you in Piltover? 

Why hadn’t you come back to him? 

Did you blame him for what happened on the bridge….did you blame him for the deaths so many people had succumbed to…? 

Is that why you never came home?

So many thoughts were running through his mind; but even if his mind hadn’t settled on a decision, his heart had; he needed to find out the truth. 

And he would; just as soon as he’d smoothed everything out with Greyson about today's incident.

Taglist:

@xacatalepsyx @the-lone-librarian @conretewings @barbersjoy @eternallyvenus @trixiex2 @newlosadventures @eternalgoddessofart @cass-brightwood @fortune-fool02 @arielpanda1 @mothratic @simping-ella @stickyrice5096 @levis-butterfingers @lesbianinyourarea @nagislemontea @dazecrea

I apologise in advance to those who have asked to be on the taglist and aren’t - I’m not ignoring you, I just can’t tag you in it for some reason :(

[ghost-bison]

I tried to think about it for the Doctor and like. I think for some regenerations, no, the self-hatred is too strong (also i'm part of the crowd who wouldn't fuck their clone but understands the "who'd know how to fuck me better than myself" mindset so if you do think you would, i'm not judging).

I think Eleven and Ten are more like siblings? they absolutely wouldn't go there

Twelve is too judgy i feel. He would be like no. all those guys suck. He would totally make a board in his room though with all the pros and cons

Nine hates himself way too much for that to happen but if he had to choose, it would be Fifteen. Definitely

Eleven wouldn't understand the question (i mean he would pretend that he doesn't not to admit that he wouldn't peg any of them because he knows all of them would be like no ew he looks like he's 12 y/o)

Thirteen..... well you already know the answer to that one lmao

Fifteen would be more open to the question and maybe a bit too comfortable with it. I feel like he'd be like yeah Nine, maybe Twelve, definitely Eight, probably Two and Three, certainly Four, maybe Ten? (probably not Ten though I think he'd act as a therapist to him, rather). Fourteen is too close to him for that to happen though. Five I think he would, Six I have no idea (cause like Six is kinda considered the cringe fail regeneration but idk what Fifteen thinks of him), and Seven well. I don't think so. As for One, he would make jokes about it but ultimately probably not

Four and Ten don't know what sex is do they

One would ask wtf is wrong in you

Two has too much of a Jamie-wired brain for that to happen

Three would deadpan you with a yes and then not elaborate

Five mmmmnnnn not sure

Six is too self-absorbed but he's sure they'd all fuck him

Seven would give you the bitchiest bombastic side-eye. But being kind of a freak you never know what would happen next

Eight I feel like he'd try to change the subject (sus)

Fourteen? he'd be curious about it. Donna would cover his ears though. Not in front of their salad

just know that i haven't seen classic who so this is just based on the vibe i've gathered from what people say and all the clips i've seen here and there, feel free to correct me if you think i'm wrong lol

Do you think time lords ask people if they’d fuck their other regenerations in the same way we ask if you’d fuck your clone

[kyxhiin]

Captain Marvel gets Road rage (well space rage?)

Hi guys, I know I said I'll be taking a break. But with all these idea's I just can't, also my mood has improved quite a bit from my mom's words. And also I catcher a really bad cold today and didn't have school suppressing my ideas! I know it's only been a day but I've made the decision to post but not as much as I used to. So I'll just continue on with the post!

Captain Marvel aka Billy gets intense rage from small things, rather then really big things. So he tweaks out alot on the smaller possible things. (WonderJanga post ref.)

And so by that the JL has never caught onto him. So they all thought it would've been a great idea to let Cap drive the space ship during a particularly rough traffic. (Don't know how you get traffic in space but so on forth.) He's a great guy! He teaches the Young justice members how to ride the ship! And he has mentioned more than once of him owning a plane. So the JL assumed his civilian job was a pilot. I mean, what could go wrong?

Batman, catching up on some important things as he sits in the Co-pilot seat. Robin right beside him reading an animal encyclopedia. Captain Marvel with his wide smile on the traffic waiting for whatever mess happened to be disputed.

Broodman notices alot of time has passed, when he checked the clock. A heckling 5 hours have passed and they still haven't moved. He raised his head to see how Captain was holding up.

Oddly enough.. He still had that big old smile, but something. Something was wrong, the normal smile who would butter anybody up has been replaced by an uncomfortably forced and tired one. His once excited face, has become pink-ish with pent up something he assumed? And he was just so sure that there was this big pulsing vein on Marvel's forehead.

Batman: Captain. Are you alright? You seek quite drained.

Captain Marvel in a really passive aggressively annoyed voice: Oh Haha? Really? I'm fine Mr.Batman. I'm totally fine!

Robin: Tt you're obviously lying. A flushed face, bulging stress veins, the way you grip the steering wheel. You're mad, even an idiot can decipher that.

Captain Marvel: ME? MAD HAHA NOOOOO...

Batman: Captain. You're clearly agitated, do you need a break?

Captain Marvel now losing it: ME??? A BREAK?? IT'S THESE FUGGLING IDIOTS WHO NEED A BREAK NOT ME? THESE SON OF A LEECHES BETTER MOVE BEFORE I FREAKING CRASH INTO THEM!

Captain Marvel pressing the accelerator flying over the other ships so fast that it caused a turbulence in the other area's of the ship, which included in everyone falling to their knees and wondering what the hell is going on.

Captain Marvel with a maniacal smile: HAHA THAT'S WHAT YOU GET YOU MOTHER FLIPPING BLEEPERS!

Batman, his hand reaching out to Marvel: Marvel, stop!

Captain Marvel, now realizing who he just did: Oh.. I'm so sorry Mr. Batman sir I really didn't mean to lose my temper like that. I'll do anything to make up for that..

Robin who's now staring directly at Cap' with a shocked expression: Wow..

When they all looked back to see where they were, to their luck. They were right next to the place where they were trying to go.

When Batman told the Justive League this they never believed him, for like the first time ever. He's now sure of it, cap hides his true self around everybody. But, he still managed to keep his no swearing policy intact right?

And Robin refused to back up Bruce's story, with a new found respect for the Captain. He let him pet Alfred the cat for 2 whole seconds.

[dykedvonte]

I think a big misunderstanding is the power people give Curly to actually change things about the way the pony express operates or could’ve done things on the Tulpar.

We are talking about a company that docks pay for bad synergy despite mandated psych evals that should tell which staff members would work well together, only allots for 5 hours of sleep despite having literally no other tasks to truly do and locks all resources behind the access of one person. The last one is likely to manage resources and make it easier to justify collective punishment and blaming one person for it; someone needs something in “excess” or the captain gives in? It’s all on them your pay is docked. Instant resentment.

It’s insidious how the company works, it’s by design to distract you from coming after them, to force tensions to line their own pockets. With all the restrictions and forced interactions, altercations are bound to happen. 5 hours of sleep a day, limited sources of entertainment, no real tasks… the monotony alone would cause bad cabin fever, mix that with just only one absolute mediator and you get the exact environment that allows shit like in the game to happen.

The idea he could just complain and try to throw his weight around to get them to dig into their pocket for the crews comfort is laughable and misses the predatory and dehumanizing aspect of capitalism the Pony Express represents. Curly was and is still just another asset to them. Being a top show pony doesn’t mean he’s anywhere close to the actual top. He is the top of the working ladder, not whoever’s in corporate, he wouldn’t even be on the bottom step unlike what Jimmy perceives. The resounding recommendations he would get are almost mocking as they throw him out like nothing just like the rest. Being a shitty fucking company, how much do you bet they’d mean anything anyways, especially since he wanted to leave the field all together.

He made a fuss and they didn’t listen, he says he should’ve done more but you can tell he knows it wouldn’t have changed anything. Jobs like this are willing to make a sacrifice if it means even a penny more. Curly makes a bigger fuss they likely would’ve just found an “unrelated” reason to fire him, hired a more pliable guy or, terrifyingly, promoted Jimmy. The company was failing, going to shut down whether anything happened on the ship or not. But knowing that they were shutting down and that everyone, including him, would be out of a job with this being their last paycheck, he had to factor in not destroying the last bit of their financial stabilities combined with every other issue on the vessel and his own. He gets another cryopod or locks and then he has to break to them that they are not only fired but there will be substantial cuts to their paychecks due to the “upgrades” (things that already should’ve been in place on their part) on top of anything else that could be docked along the way.

You can blame him for saying it so early into the trip but then again, if he mentioned it later who’s to say it wouldn’t have been worse? On the capitalism side alone how would people in a galaxy away from home, out of a job and already stir crazy react? Don’t get me started on how Jimmy would have reacted if he realized he only had two days left to fix what would be a very hard to miss “problem” in his head…

I can’t even consider explaining this as devils advocate because it’s just facts of the world we and they live in and factors that heavily affected the situation. People are just so quick to make claims on the ease of the choices when P.E literally makes it hard to choose to do anything but suck it up.

[howlsofbloodhounds]

Art by superyoumna.

I briefly talked about it in this post, but I was thinking about this image again, about the idea of color being filled with kindness, and how it could work as passive influence from the Kindness soul (who is a child), and how being influenced by the souls would differ drastically from things like Color himself being kind, brave, or patient in that how he approaches these things could potentially differ drastically.

Like, Color can be kind while understanding the full context and emotional complexities of a situation and the person or people he’s talking to or trying to help.

Whereas whenever something leaves him filled with Kindness, he could approach the situation with the understanding and innocence a child would have and a child’s understanding of what kindness is—such as assuming that everyone is kind and kindness can fix anything, often putting color in danger of being hurt or manipulated or just generally causing an inconvenience for himself that didn’t have to had happened.

[tsukis-marauders-microfics]

microfic biased off this post by @we-were-starss because why not

It had been a brilliant idea.

After all, they’d already planned to brew Polyjuice, and what else to use to for other than pranks?

Right before class, James had put his glasses on Sirius’s face, and then James had pulled off a strand of Sirius’s hair, and Sirius to James. They put it in their cups and drunk the whole bottle, causing both of them to crumple in pain.

When they arose from their fetal positions on the floor in their dorm, Sirius looked up, shocked to be met with his own face.

“Bloody hell, Potter. This brilliant!” Sirius said, examining his arms his arms, and flexing.

“Merlin, Sirius, how do you deal with your hair this long?” James brushed his fingers through his (Sirius’s) hair.

“How do you deal with glasses?” Sirius asked, taking off James’s glasses and squinting across the room. “Your eyesight is fucked, mate.”

“Are you two ready to go to class?” Remus asked, coming out of the bathroom and straightening his tie. Peter had music blasting in his ears as he attempted to put his shoes on. Remus walked over to “Sirius” and was about to kiss his cheek before James jumped back, and Remus looked at “Sirius” confused.

“It’s me. James. I’m James.” James said frantically “He’s Sirius” Remus’s brow furrowed before a wave of realization flooded his face.

“Polyjuice.” he muttered, as Peter pulled out his earbuds.

“Polyjuice?” Peter asked, standing up.

“Those two idiots took Polyjuice.” Remus sighed waving his hand between James and Sirius. Peter stared at both of them shocked.

“Smart as ever, Moony.” Sirius winked at Remus.

“I am not kissing you until this wears off” Remus called over his shoulder, walking out of the dorm. Sirius sighed lovingly, before continuing to examine his body and Peter bombarded them with questions.

☆☼☆☼☆��☆☼☆☼☆☼☆☼☆☼☆☼☆☼☆☼☆☼☆☼☆☼☆☼☆☼☆☼☆

Sirius and James had decided to just go to the others classes to draw less attention to themselves. They enjoyed walking around Hogwarts, nobody else knowing that they weren’t who they were supposed to be. They agreed to continue to take it throughout the day, but to have it end before quidditch practice (Sirius drew the line at him and James’s swapping positions).

The day started to get interesting after Potions, when Sirius said that he had to go grab something he forgot from his dorm. The others waved him goodbye and headed off to lunch, while he made the trek back to the Gryffindor common room.

Nothing interesting had happened, until he suddenly felt someone pull his robes. He yelped out of surprise, which was only heightened when he was shoved into a broom closet. Once in, the person moved their lips closer to his, but he was able to push the person off him with little effort. His eyes widened as he looked at the person in front of him.

“What the hell Reggie??” Sirius shouted. Regulus shushed him, and was beetroot red.

“Sorry.” He mumbled.

“Sorry??? Why did you do that?” Sirius recoiled, very confused.

“You said I could.” Regulus seemed to be making himself smaller as he adjusted his clothes.

“Why in the name of merlin would I say that? You’re my bloody brother!”

“What?” Regulus’s eyes snapped up to meet his.

“I’m your brother! Why would you try to snog me?” Sirius repeated himself.

“You’re not my brother. You’re James.” Regulus tilted his head to the side, just as confused as Sirius. Suddenly, Sirius’s mouth dropped open.

“Fuck. Regulus, have you been dating James?” Sirius asked.

“James? Yes. You are James. Stop playing with me, Potter.”

“Regulus, I’m Sirius. Me and James took Polyjuice.” Regulus’s eyes widened in horror.

“Oh shit.”

“Yeah. Shit.” Sirius grumbled, his mind still spinning from the realization.

“I’m sorry. Actually, no. I’m not sorry. Me and James are together and if you don’t like it then that’s your problem.” Regulus snapped, his eyes aflame.

“I never said I had a problem with it, Jesus. Give me a second.” Sirius adjusted his (James’s) glasses. “I’m going to go talk to James.” Without another word, Sirius fled from the broom closet and ran all the way down to the great hall.

Once he was there, he scanned the hall, and then ran up to the table where the other three marauders sat. Once he got there, he stood over himself (James) and crossed his arms.

“Hello pads-prongs.” James corrected himself. “Care to join us?” Sirius stayed where he was and narrowed his eyes at James before shaking his head fondly.

“You brother-fucker.”

[antianakin]

Someone mentioned in the notes that Obi-Wan would have already done this with Anakin by taking Anakin on after Qui-Gon's death. The idea that he might have to attempt it TWICE is very depressing.

I do think that this would be an interesting dynamic in a lot of ways because Ahsoka I think would be FAR less receptive to Obi-Wan taking on thaat role than Anakin was, and than Obi-Wan would've been to Qui-Gon. Anakin barely spent all that much time with Qui-Gon before his death, so the switch from Qui-Gon to Obi-Wan isn't quite as difficult, and Obi-Wan would've likely spent quite a lot of time with BOTH Feemor and Qui-Gon before Feemor died and was still on good terms with Qui-Gon when Qui-Gon took over his training.

Ahsoka, by contrast, hasn't even fully decided she wants to become a Jedi by the time Order 66 happens and is on somewhat rocky ground in her relationship with Obi-Wan at the time (she's relatively friendly in their last conversation, but she's still distant and she was pretty quick to jump down his throat when he didn't immediately tell her what she wanted to hear earlier). There's also the issue of Obi-Wan knowing that he's taking over for Anakin because Anakin BETRAYED THEM ALL. Depending on when in the timeline Ahsoka actually met up with Obi-Wan, Obi-Wan may not know that Anakin survived (and also depending on which canon you ascribe to about when he discovers that information), but if it's after he DOES know that, then he's taking over for a master that ISN'T ACTUALLY DEAD.

And we all know how attached Ahsoka is to Anakin and how unwilling she is to accept the truth about what he did, her guilt surrounding what she believes to be her part in Anakin's ultimate fate and how that hinders her. I don't get the feeling that Ahsoka would take this information well, and I could EASILY see her turning on Obi-Wan and blaming him for not trying to give Anakin more of a chance and for either killing Anakin or leaving him to die.

The history that Ahsoka and Obi-Wan have together and their shared connection to Anakin COULD be helpful in allowing Ahsoka to face those feelings head-on and heal from them and return down the path of becoming a Jedi, but it could also go the exact opposite way. That history and their shared connection to Anakin could become a wall between them, something that just causes more pain and misunderstandings.

It would be the MESSIEST transition of them all since it involves having to heal individually from the pain that Order 66 encompassed on its own, as well as having to get over all of Ahsoka's issues stemming from the Wrong Jedi arc, and likely having to UNDO some of the bad training Ahsoka got from Anakin in the first place before Ahsoka is even willing to admit she wants to return to being a Jedi and even once she reaches that point, she and Obi-Wan might both feel like this isn't a particularly great match anymore and that Ahsoka would be better with literally anyone else. They MIGHT choose to stick it out together, but I think they'd have to be pretty careful around each other and couldn't necessarily fall into the more typical Master/Padawan dynamic. They can't just go back to who they were, they're both irrevocably changed by what's been done to them.

There's potentially some healing that could happen between them, but my instinct is to believe that even if they DID help each other heal from Anakin's betrayal, they still can't slot into a Master/Padawan relationship and would need to start fresh with other people in order to let go of that desire to cling to the past that just continues to cause them pain. (I also think Ahsoka would probably chafe at being stuck on Tatooine the way Obi-Wan has committed himself to and needs someone more willing to go out and be more active in the rebellion.)

One of the reasons that the headcanon that Qui-Gon "repudiated" Feemor post-Xanatos really bothers me is that the characterization we get of Qui-Gon really lends itself more to the idea that he might've CLUNG to Feemor rather than pushed him away. There's zero indication that Qui-Gon has cut off all contact with the people he had relationships with prior to Xanatos (Yoda, Mace, Tahl) and one of the reasons he's so disinclined to take a new apprentice is the fear that he'll make the same mistakes he did with Xanatos and cause their fall. But if he has a whole other apprentice that he WAS successful with, wouldn't he instead cling to that proof that he's not actually a failure? Even just as a comfort?

I propose an AU where Qui-Gon actually ends up partnering with Feemor post-Xanatos in order to always have that comfort nearby. Feemor wants Qui-Gon to get back into the saddle of teaching but knows Qui-Gon well enough to understand that throwing him into that saddle won't go well for anybody, so he decides on a trickier plan and takes a Padawan of his own (his first Padawan since he became a Knight) and ask for Qui-Gon's assistance. Since Qui-Gon is partnering with him, it's inevitable that they'd end up basically sharing the responsibility of teaching any Padawan that Feemor takes, but Feemor intentionally makes sure Qui-Gon knows that he's nervous about it and will want his Master's guidance.

So instead of becoming Qui-Gon's Padawan, Obi-Wan ends up becoming FEEMOR'S Padawan. Qui-Gon sees right through all of this of course, but he can't really do anything about it and he doesn't really mind helping Feemor with a Padawan the way he would if he had sole responsibility. He bonds with Obi-Wan relatively easily and the three of them become an incredible team.

And then you can get real angsty with it and say that Feemor died before the events of TPM, so Qui-Gon obviously took over Obi-Wan's apprenticeship on his own afterwards.