#i have no choice but to be mean to him

[chloesimaginationthings]

RIP Michael Afton, you would of LOVED Foxy’s log ride

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[swiggity-swexual-i-am-asexual]

As per usual, it’s DP crossover with (probably) DC, although you could probably adjust it for other fandoms

ANYWAYS

A little kid and his mother are trick or treating in another city, perhaps at some kind of event rather than knocking on doors, and the kid is dressed as Phantom. It’s very adorable, with his little ghost-shaped bucket and clearly homemade and already stained costume—listen, white only works if you can just fly over street grime or phase it out of your clothes—and his slightly I’ll fitting wig. The kid is SO happy to be out and about dressed as his favorite, and maybe even showed it off to Phantom back in Amity Park before his family left.

The hero, insert whoever you wish here, is probably in civvies and just enjoying the event. The kid, meanwhile, is so glad when people ask who he is so he can explain, and so- the hero gets to hear ALL ABOUT the local town hero who is probably pretty small time despite the kid’s clearly exaggerated stories. The hero certainly never heard of him, but the kid’s mom confirms that Phantom really was the town hero, despite some mixed reviews of the poor guy.

“Did you manage to show him your costume?” the hero asks.

“Yeah! We went down to the cemetery to leave flowers and I got to show him my costume.”

Wait. Cemetery? Maybe it was part of theme, because Phantom had to be named that for a reason, but… it sounded like…

The kid ignores the suddenly VERY still hero and instead turns to his mom. “Momma, do you think we should bring him candy? He doesn’t get to trick or treat like we do, and I can work super hard to get him a bunch!”

The kid’s mom just smiles. “We could, but maybe we should bring him something homemade. I bet he’d like something more filling, teen boys like him have a hollow leg.”

The kid wrinkles his nose. “Like Vernie with the pizza bagels?”

“Like your cousin, yes. We can make some cinnamon rolls and take them to his memorial, maybe bring some of the apples from your grandpa’s garden…”

The hero is pretty much forgotten as the two-part family wanders off, not quite intentionally forgetting the hero is there so much as the hero somewhat accidentally ended the conversation when they just froze and didn’t ask anything further.

Not that the hero didn’t want to. But they’d learn something very serious.

One—there was a small town hero they’d never heard of. Two—that hero was apparently a teen. Third—most pressingly, the teen hero was both beloved enough to have kids dressing up as him and dead enough to have a grave.

This… might require some phone calls.

[keferon]

Did you think I was done? Ahahahaha no, I have more.

Because chapter 70 of MOMU gave me the very dynamic between them that I missed so much, I just blacked out and started drawing uncontrollably lmao

Also. ALSO. I noticed a while ago that Prowl has the habit of..like…constantly frowning. So. I did a bit of research and made this graph.

In 70 chapters, Prowl frowns rougly 104 times. And the intensity of this gesture is very clearly correlated with the development of his relationship with Jazz, as you can see ahahahahah It might be wrong tho don’t take me seriously I’m not good with graphs

[pretty-weird-ideas]

Episode Seven and White Tears

The trial's allegory is not just a lynching, it is a lynching for a Black person entering a relationship with a respected White man, and proceeding to leave him. It's not a murder case, as seen through the show, there's actually very little emphasis on the murder in the episode in regards to Louis. The emphasis is on his "seduction", his "ungiving nature", and "refusing to give his body". It is a public humiliation and lynching for turning a respected white man down. The crime isn't hurting Lestat, it's hurting his feelings.

Lestat doesn't speak to the audience about the pain of his throat being slit. He speaks of loneliness, the audience chants and jeers about how cheating was justified if Louis isn't putting out. Santiago isn't talking about the murder, he's talking about how much of a sexual deviant Louis is the second he is introduced. The show is telling us what's important to the case, and what language hurt and stuck out to Louis the most. The deciding factor in the eyes of the audience, the story that Sam and Santiago are trying to tell, is that the crime is heinous because Louis turned down Lestat.

The audience isn't mad about the murder, they're mad about Lestat's emotions, they're mad about the betrayal, and they are mad that Louis and Claudia didn't put up with things. The case built against the two of them isn't based on violence, it's based on white tears. Louis isn't called a monster for slitting Lestat's throat, the audience member calls him a monster for turning down Lestat's advances.

The show is clear that the trial isn't really about the murder, it is about Louis not "giving enough" for Lestat. It's about Louis asking Lestat to turn Claudia and literally bargaining his happiness where he literally gets on his knees and says "I'll be happy for you, I will never leave you if you do this for me". It's never been about the murder, it's quite literally just shaming Louis for not "loving a good man who might be abusive".

At the end of the day, the trial as framed and written by Sam is building a case off of Lestat's tears, not actual physical harm.

Like my skin is crawling but also the show is so chilling with how it portrayed the "He's a good man so hold your tongue and endure! Lest you read as ungrateful".

Anyways someone take the laptop from me before this becomes my life.

[divineandmajesticinone]

4 MINUTES (2024) I 1.01 "I'm sorry. My dad wants me to go home now. For dinner."

[mollysunder]

I know Heimerdinger's Christian Linke's favorite character, and I sort of tolerated it in s1, but now it feels like things are a little too indulgent. Heimerdinger gets to team up with Ekko to launder his reputation through Ekko and the Firelights. Heimerdinger gets the first narrative game and second character teaser in the promotional cycl. Heimerdinger gets to SING A SONG that's included on the s2 Arcane soundtrack (Spin the Wheel).

Maybe I'd be less annoyed if the show at least did more to acknowledge Heimerdinger's failings as a leader, but his character description can't even do that. This is how the official Arcane website describes Heimerdinger:

"Heimerdinger warned the Piltover Council about the dangers of using magic without tangible solutions for safeguarding its use. Learning from his mistakes with Jayce, Heimerdinger inspires Ekko to keep looking for a solution and works with him to solve the problem, instead of just offering advice."

That's not Heimerdinger's main problem! The problem is the fact he's the person most singularly responsible for the state of Zaun and Piltover. It feels like the show and the cast are just dancing around the fact that Heimerdinger technically has the highest body count in the show (Day of Ash, pollution, extreme poverty, etc). The one time someone puts him to task (Jayce), the show makes it seem like Jayce is wrong or overstepped, and yeah he did do it for Viktor's sake, but Jayce was right! Heimerdinger's bad at his job, he shouldn't be in a leadership position if he's a bad leader.

[yeonjune]

Yeonjun about the strain he felt while preparing for his debut solo project ✙ "GGUM" MAKING FILM

[kirkwallguy]

extremely funny coming from writers whose characters return and play major roles in more than one game. yeah sorry guys we couldnt do anything interesting with the game because we had to protect our fans from the conflict we would write if we did <3

[blueskittlesart]

the master works discourse on twitter is killing me. none of these bitches understood the game or its characters AT ALL

[lunacias]

statement of jonathon sims, regarding a childhood encounter with a book formerly possessed by jurgen leitner

[albaharu]

i dont wanna doom people with the taint without them knowing, but the game doesn't let me warn them ú_ù except with velanna. she deserves to make an informed decision

[dollypopup]

Today I'm thinking about how so much of Colin's narrative speaks to the neurodivergent experience of having to pretend to be someone else as a survival mechanism. Of the pressure in masking because your real, authentic self is rejected or ignored: too weird, too quiet, too loud, too gullible, too soft-heart, too. . .everything. Too anything. And at the same time, not enough.

Colin gets excited about his travels, about his hyperfixations, talks and talks and talks about them, and no one cares. So, Colin shuts up. Colin writes letter after letter, and gets no reply. So, Colin writes in a journal just for himself. Colin tries and tries to make his family proud, tries to marry, tries courting properly, and it blows up in his face. So, Colin chooses not to date, to become a spectator. Colin is yelled at for trying to invest, so he no longer asks or talks about money, doesn't try to rock the boat in his city. Who Colin is, what he wants, ceases to matter, the fabric of him folded smaller and smaller- instead he focuses on the shell. Builds it in image of his older brothers, of the men around him. Mirrors them.

Anthony says he should have taken Colin to brothels, that he's a fool for trying to marry and his engagement blows up- Colin thus goes to brothels. Colin hops from city to city, trying on new personas like outfits, fine tuning each one. Is this it? Will this be what finally makes them accept me? Colin's appeal to the women of the ton is that he does not talk about himself- but about them. That they're wearing beautiful dresses, that surely they'll find husbands. Separating himself from them- cannot tell them of his travels, that he's not the brave one, it was everyone working together to help with the balloon.

Deflect. Never centered. Colin exists on the outskirts as Pen does, he's just hypervisible for his exterior, and invisible otherwise. His charm is that he pleases those around him. His wounds are that the truest version of him cannot accomplish that. Thus, he becomes hyperaware of what his impact is, first to apologize and last to be forgiven. Living for the approval of others is a trap. He knows. He's fallen into it, a bear claw around his ankles.

He feels like the only way he's worthwhile is if he's providing something for someone. An apology, or comfort, or ease, compliments or winks, a laugh or a distraction, good looks or a fantasy. Providing a happy life for Pen by stepping out of the way, his own needs secondary. It's being there for his mum for an escort or a soft heart to heart. It's taking Anthony's disappointment in him and being indulgent to Eloise's insults. It's giving Benedict his special tea and saying hardly anything about why he bought it in the first place. Bringing gifts to family members who did not write back to him as he wandered the world, alone. It's sticking his neck out for Penelope with Jack, it's providing a dance or a rescue or a good time, checking on Marina to make sure she's alive and okay, listening to Phillip. Colin isn't at all comfortable being himself, the himself that is messy, so he covers it in the himself that is useful.

But what he does, what he provides other people, is not his actual worth. He thinks he's being altruistic by stepping aside and languishing in his feelings for Pen, believing she'll be happier in the future with Debling, waiting and waiting and waiting, until that candle burns out and he's at the 11th hour- and when he snaps and goes after her, when he cuts into her dance, when he runs for her in that carriage, he makes a choice for himself that he thinks, in some way, is selfish.

But it isn't. It's what she wants, too. And there's something beautiful in the fact that with Penelope, his being real, what he thinks is so difficult and unwanted, is actually giving her what she has desired all along. They both find fulfillment and contentment in his unmasking. Penelope never wanted the shell. She saw what was beneath it. She loves what's beneath it.

And I think there's something. . .healing, in that narrative. That us ND peeps who mask as a means of fitting in- that will never bring us happiness. Not really. That it didn't bring Colin happiness.

His arc is realizing that he should be his true, authentic self, and that love will bloom from it. And it does.

I don't know. I think I can learn something from that. I think I'm going to carry that with me for a while.

[edwinisms]

it’s actually so wild to me that this fairly quirky YA type show gave both of its main characters deaths that can, in one way or another, solidly be considered hate crimes. they were both flat out murdered as a result of being A) gay and effeminate or B) brown (south asian, specifically) and you could argue whether or not those kids thought of it that way in the moment or whatever but the bottom line is that they would not have been in the situations that killed them if they weren’t of their respective minorities. like legitimately that is a ballsy choice for this kind of netflix show, let alone for the two Main Characters, and i respect it big time

[fumifooms]

Canines

The hand that feeds

Mickbell Tomas & Kuro Dungeon Meshi

^ 1: Ink-the-artist, I will remove my teeth / 2: Margaret Atwood / 3: C.S. Lewis, The Horse and His Boy / 4: Mitski, I’m your man / 5: Ojibwa, I love you like a rotten dog / 6: KotOR II / 7: Stardrop, Everything that’s ever been mine is covered in teeth marks / 8: Sodikken, People Eater / 9: Mitski, I’m your man / 10: maxime., The life and death of a dog / 11: Mitski, I bet on losing dogs / 12: maxime., The life and death of a dog / 13: hun, I did not bite with Malice / 14: C. Michael Davis, Don't Pet the Dragon / 15: Mitski, I’m your man

v 1: Early versions of the myth as in aeschylus orestes / 2: Ink-the-artist, I will not remove my teeth

[fondesmode]

Okay okay, Owl House officialy ends in like. Today. So heres a checklist of all the things i need to happen in the finale. For my emotionsl sake.

Belos fucking dies

Raine is okay

Collector keeps his powers but is chill

Luz gets to live where she wants n isnt depresso forcing herself into human realm

Its all goooood :)

At least 3 of these and ill be satisfied fbcfbcdg