#i have less than 100 followers but i still love them all

[moonpascal]

IN THE SHADOW OF MEMORY

CHAPTER ONE series masterlist

SUMMARY II WC: 3k

When a careless spell erases her memories of Theo, he’s left grappling with the pain of being forgotten. As she returns to seeing him as just another Slytherin, Theo must navigate a world where the love they shared no longer exists—at least, not in her mind. But Theo refuses to give up. He’ll do whatever it takes to remind her of the connection they once had.

WARNINGS: angst, fighting, not 100% canon compliant 

DEDICATION

thank you so much to @amiableness for helping me with chapter! i don’t know what i would do without you and giving me motivation to write this! i love you! 🤎

thank you to @mischievousmoony for helping my brain block i was having and helping me with ideas, you’re amazing and i love you! 🫶🏼

"Is the coast clear?" you whisper to Theo, your heart pounding in your chest. Sneaking into the Room of Requirement had always been nerve-wracking, but with the additional new rules Umbridge had enforced and the rising threat of Voldemort, it felt more dangerous than ever. Even more so because Theo was betraying his own house and friends to be here.

Theo takes another quick glance down the corridor, then nods. He reaches for your hand, his fingers lacing with yours as he pulls you out from your hiding spot.

You both move swiftly and silently toward the wall where the entrance to the Room of Requirement appears. You glance behind you, double-checking to make sure no one is following, before Theo tugs you inside.

Inside, the room is already alive with the sound of practicing defense spells. You and Theo head to the corner that has unofficially become your spot. Some of the others still cast wary glances at Theo, unsure if they can trust a Slytherin among them. Only the Golden Trio seems comfortable with his presence.

As you settle in, the adrenaline from sneaking around begins to subside, but your worry for Theo doesn’t. You can’t help but think about the risks he's taking—defying his father's beliefs, lying to his friends, putting himself in danger—all because he believes in making a change. You know how much he cares for them, and it breaks your heart that he's forced to choose between them and doing what’s right.

You shift closer to Theo, your hand resting lightly on his knee, a silent attempt to anchor him. He’s still tense, his eyes sweeping the room as if on constant alert. Instead of reaching for the textbook like usual, he closes it and sets it aside, surprising you.

“I think we both know enough for now,” he murmurs, his voice heavy with exhaustion. “Let’s practice today instead.”

You know the purpose of these meetings is to practice spells, but the thought of doing so in front of your peers makes your stomach twist with anxiety. The fear of messing up or accidentally hurting someone lingers in your mind, making the idea of participating overwhelming.

Theo, ever attuned to your emotions, senses your hesitation. He gently pulls you closer, wrapping an arm around your shoulders and rubbing your arm in a soothing gesture. “We’ll start simple,” he whispers reassuringly, his lips brushing against the side of your head in a tender kiss. “Just a quick Expelliarmus. You’ve got this.”

His warmth and steady presence begin to melt away your nerves, making the idea of practicing a little less daunting. With Theo by your side, you feel like you can handle whatever comes next.

Reluctantly, you pull away from his embrace, already missing the warmth. Moments like these—where you could be close to him without worrying about prying eyes—were rare. Even in the hallways, you could barely walk side by side without Umbridge or Filch barking at you to separate.

You stand, shrugging off your robe to give yourself more freedom of movement, and follow Theo to an open space.

“Alright, you know the movement, and you’ve seen it done. You’ve got this, amore,” Theo encourages, his words ringing with confidence.

Your muscles tense. If you mess up, the spell could do more than just disarm him; it could knock him out. But when Theo flashes that smile—the one that always makes your heart skip—you find yourself believing you can do it.

You take your stance, feeling the weight of the moment as Theo prepares himself, raising his wand as if ready to duel. With a deep breath, you steady yourself and shout, “Expelliarmus!” The spell shoots out from your wand, hitting its mark perfectly. Theo’s wand flies across the room, landing with a clatter as relief floods through you.

Theo’s grin widens as he claps and cheers, “I knew you could do it, tesoro!”

You watch him jog to retrieve his wand, a warmth spreading through your chest. How did you get so lucky to have him? He’s your anchor, the reason you keep pushing forward. He makes you want to be better, to reach higher.

When Theo returns, he places his hands on either side of your face, his eyes shining with pride. “See? You were amazing. Nothing to worry about,” he murmurs, his voice low and reassuring. He leans in, and you meet him halfway, your lips brushing softly against his.

The kiss is slow and tender, each movement gentle as if savoring the moment. You taste the faint remnants of cigarettes and the sweetness of his breakfast. It’s a kiss that speaks of quiet reassurance, of the bond you share, strong and unwavering.

But then you remember where you are, in front of everyone. You pull back, your lips lingering just a moment longer before you peck his lips one last time, a small smile playing on your face.

“I love you, Theo,” you whisper, your foreheads touching, the world around you fading away as you both savor the closeness of the moment.

But as the saying goes, all good things must come to an end.

As you and Theo are lost in your own world, Harry is practicing a spell, the weight of the war and the responsibility of training others pressing heavily on him. The stress shows in his furrowed brow as he skims through spells in his textbook, landing on Obliviate, the charm to erase specific memories. Whatever memories Harry wants to erase is up for debate, but he doesn’t fully grasp the complexity of the spell.

With only a quick glance at the incantation, he swishes and flicks his wand, but nothing happens. Frustration builds as he tries again, more forcefully, but to no avail. Sweat slicks his palm, and with a sharp, aggressive flick, his wand slips from his grip.

Sparks fly out, ricocheting off the floor and walls. Harry tries to shout a warning, but it’s too late. The spell rebounds, hitting the back of your head and sending you flying into Theo.

Theo barely reacts in time, catching you as you collapse into his chest, limp and unresponsive. His arms instinctively wrap around you as he kneels, lowering you gently to the floor.

You look as if you’re merely asleep, but your breaths come slow and shallow. Panic seizes Theo as he brushes your hair out of your face, his voice trembling.

“Amore, come on, wake up. It’s okay, you’re okay,” he whispers, his mind racing for what to do.

A crowd of students gathers around you both, their whispers only fueling Theo’s panic. He snaps, his voice a sharp contrast to the desperation in his heart. “Who did this?!” he demands, his eyes wild as they scan the frightened faces.

“It was me, I’m sorry, I—” Harry begins, but Theo is on him in an instant, grabbing him by the shirt and pulling him close, his rage palpable.

“You’re dead, Potter!” Theo snarls, his grip tightening.

Fred and George are quick to intervene, pulling Theo off Harry, while Ron helps steady his shaken friend. “Let’s calm down, yeah?” Fred says, trying to reason with Theo. “We need to get her to Madam Pomfrey. She’ll be okay.”

“She better be,” Theo threatens, his voice low and dangerous. He shrugs off the twins and returns to your side, his heart hammering in his chest as he watches your shallow breaths. When someone offers to help, he waves them off, scooping you up in his arms and pushing past everyone, his focus solely on getting you to safety.

Adrenaline courses through him, fueling his every step as he rushes through the empty corridors—thank Merlin—for six floors until he finally bursts into the hospital wing.

He wastes no time, laying you gently on one of the beds. Madam Pomfrey turns to scold him, but the words die in her throat when she sees your unconscious form.

“What happened?” she asks, her tone sharp with concern.

“She was fine one second, then something hit her head, and she just… collapsed,” Theo says, trying to keep his explanation as vague as possible to avoid suspicion.

“It’s okay, Theodore,” Madam Pomfrey reassures him, her voice softening. “I’m sure it’s nothing serious. Let me examine her. Just breathe, grab a chair, alright?”

Theo nods, though he can hardly think straight. He watches anxiously as Madam Pomfrey performs a series of diagnostic spells, her brow furrowing as each result comes back normal.

“I’m not finding anything out of the ordinary, Nott,” she finally says, puzzled. “She seems perfectly fine, just asleep.”

But Theo isn’t looking at her. He’s holding your hand, his thumb gently stroking your skin as he wills you to wake up.

“We’ll wait until she comes around, okay? I’ll let you stay with her overnight to keep an eye on things,” Madam Pomfrey says, placing a comforting hand on his shoulder before drawing a partition around your bed to give you both some privacy.

As soon as she’s gone, Theo chokes back a sob, his worst fears clawing at him. He knows something is wrong—no one just falls unconscious like that from a spell. He pulls the thin blanket up to cover you and leans down to press a soft kiss against your temple.

“I love you too, amore. You’re gonna be okay, alright?” he whispers, his voice cracking as he desperately hopes for a response, his heart aching in the silence.

———

Theo stirred awake as he felt a sudden movement beneath him. His eyes opened groggily, his head lifting from where it had been resting on your stomach, his arm still wrapped around your waist. The scratchy hospital wing blanket was a far cry from the soft one you were used to, but Theo had barely noticed, too consumed by worry to care about his own discomfort.

As you rubbed your eyes harshly, Theo blinked a few times to clear the sleep from his own, running a hand through his tousled hair. He sat up straighter, trying to shake off the remnants of sleep, when he heard your voice—sharp, confused.

“Nott? What are you doing here? And why am I in the hospital wing?”

Theo’s heart dropped. The way you said his name—Nott, not Theo, not love—sent a chill through him. He tensed, trying to keep his voice steady. “Tesoro, you were hit in the head, remember?” He reached out for your hand, desperate to offer some comfort, but you jerked it away before he could touch you.

“This isn’t funny, Nott! What prank are you and your friends pulling now?” Your glare was like a knife to his chest, cutting deep. Theo’s mind raced, trying to process what was happening. This wasn’t right—this wasn’t how it was supposed to go.

He clenched his jaw, forcing himself to stay calm even as panic clawed at him. The way you looked at him, the suspicion and anger in your eyes, made everything clear that something was terribly wrong.

“Please, just listen to me—” he started, but the words felt hollow. His worst fears were playing out right in front of him, and he didn’t know how to make it stop.

Theo jumped to his feet and rushed toward Madam Pomfrey, who was just arriving at the entrance to the hospital wing.

“She’s awake, but she’s acting like she doesn’t know me—please, you have to help,” Theo pleaded, his voice cracking with desperation. He wasn’t one to beg, not unless it was to you, but now the words spilled out uncontrollably, fear gripping his heart.

Madam Pomfrey nodded, quickly following him back to your bedside. You were sitting up, fiddling with your hands, a deep scowl etched on your face. Theo’s stomach churned at the sight—he knew that scowl too well, but it had been a long time since it had been directed at him.

“Good morning, dear! How are you feeling?” Madam Pomfrey asked, her voice warm and calm as she began to check your vitals.

You shrugged, casting a wary glance at Theo, who hovered behind the nurse, his heart pounding in his chest. “I feel okay, just confused about how I ended up here.”

“Alright, I’m going to ask you a series of questions, and I want you to answer them to the best of your ability, alright?”

You nodded, and Madam Pomfrey proceeded with the standard questions—what year it was, who the Minister of Magic was, what you did yesterday. You answered each one correctly, with ease, but Theo’s dread only deepened with every word. Everything you said lined up, except for one glaring omission—there was no mention of him. Not in any of it.

Madam Pomfrey paused, her gaze flicking to Theo before she asked the question that made his blood run cold. “Do you know him?” she asked, pointing to Theo.

You rolled your eyes and huffed, your irritation clear. “Yeah, he’s Theodore Nott, Slytherin. Which I’m still confused about—why is he here?”

Theo felt like the air had been sucked out of the room. The way you looked at him, the casual indifference in your voice, transported him back to a time before everything had changed—before you had opened your heart to him. It was as if the last year and a half had been erased, and the weight of that realization hit him like a ton of bricks. He sucked in a deep breath, trying to keep it together, but the familiar coldness in your eyes made it nearly impossible to breathe.

Theo felt his world collapse around him. He couldn’t stay in that room, couldn’t bear to see you look at him like he was a stranger. As Madam Pomfrey explained to you that you’d been hit in the head and Theo had brought you in, he bolted from the hospital wing, stumbling into the hallway. He leaned against a cold stone column, clutching his chest as panic set in. His heart raced uncontrollably, his breaths shallow and ragged. It was another panic attack, but this time, you weren’t there to help him through it. You didn’t even remember him. All those memories—the ones he cherished most—were gone. And it was all because of Potter.

His vision tunneled, everything blurring except for one thought: Harry had done this. He was the reason Theo’s entire world had been ripped away. And Harry was going to pay.

Theo knew exactly where to find him. He’d memorized Harry’s schedule down to the minute, having spent so much time with you before breakfast as you walked with Hermione and Harry. If he timed it right, he’d catch Harry just before he entered the Great Hall.

As Theo rounded the corner, he spotted the trio ahead. They noticed him too, and he saw the tension rise in their shoulders. But Theo was too far gone to care about what they thought. All he saw was Harry—the cause of all this pain.

Without hesitation, Theo marched straight up to them. His usual calm, calculated demeanor was gone, replaced by a storm of raw, unfiltered anger. He shoved Harry hard, sending him stumbling back, barely managing to stay on his feet.

“Nott, let’s talk about this,” Harry started, his voice laced with caution.

“What was the spell, Potter?” Theo demanded, his voice rough with barely contained fury.

“It was an accident!” Harry insisted, his eyes wide with desperation. “It was Obliviate. I swear, I didn’t mean to hit her!”

Theo’s hand shot out, grabbing Harry by his robe, pulling him close enough to feel the heat of his breath. A twisted smile played on Theo’s lips as he tightened his grip. “Oh, but I’m going to mean to hit you.”

He drew back his fist, ready to make Harry pay for everything he’d taken from him. But just as he was about to strike, your voice cut through the chaos, stopping him cold.

“Nott, what the hell are you doing?!” you yelled, rushing toward them, your eyes flashing with anger.

Harry immediately tried to shield you from the truth. “Trouble, it’s fine, really—”

“No, it’s not fine!” you interrupted, glaring at Theo as you pushed him away from Harry. “I’m sick of Slytherins picking on you-us for no reason!”

Theo felt his heart shatter as he watched you fix Harry’s robe, your attention entirely on his supposed enemy. You had no idea what Harry had done, what he had stolen from both of you.

When you finally turned back to Theo, the disgust in your eyes was a knife to his heart. “You’re pathetic, Nott, and you’ll never change,” you spat, the venom in your words leaving him reeling.

The surrounding students watched in stunned silence, the full weight of what had just happened sinking in. They now understood why Theo had been so close to breaking Harry’s face.

As you turned your back on him and walked away with your friends, Theo stood there, frozen. The disappointment in your eyes, the harshness of your words—it was too much. He felt like he might collapse under the weight of it all. But instead, he just stood there, watching you disappear into the Great Hall, his world crumbling around him.

Your words echoed in his mind, each one cutting deeper than the last. His fists clenched at his sides, nails biting into his palms as he fought to keep from breaking apart. He wanted to scream, to lash out, but all he could do was stand there, helpless and shattered.

The hallway, once filled with tension, was now eerily silent, the students having scattered. Theo was left alone in the aftermath, cold and hollow, the life drained out of him in those few, terrible moments. You had been his anchor, his reason to believe in something beyond the darkness that had always surrounded him. And now you were gone, ripped away by a single, careless spell.

He didn’t know how long he stood there, but when he finally moved, it was like a switch had flipped inside him. He couldn’t let this be the end. He couldn’t lose you. There had to be a way to fix this, to bring you back to him. And if he had to tear the world apart to do it, he would.

first divider @saradika-graphics

[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

[causenessus]

Biggest Sweethearts. | Haikyuu

inc. atsumu, oikawa + bokuto as an extra <3

written in 2nd pov

song recc: brooklynn baby by lana del ray

word count: 1244 words

summary: defending atsumu and oikawa against playboy allegations or in other words, the kind of partner each boy needs <3

ik i already lowkey went off and defended atsumu in that one post while i went crazy in windowless rooms for 12 hours that one day but i wanted to write the full thing <3 i have not posted written content in so long!! happy 900 followers <3 this has all been written in one night while my brain is giving out so i apologize

miya atsumu

atusmu needs someone who knows what he’s doing

he definitely wants a part in leading a relationship but he wants someone who he can fall back on and isn't expecting him to be like a full-time hotshot

he needs someone who loves him unconditionally, seeing past all the fronts he puts up and loves him past the douche he can sometimes act as/be

of course it’s fine if you tease him like his friends, he’d expecting nothing less, but falling for you means you’re someone he feels safe with

someone he feels comfortable enough to be soft around, someone he can come to after a long day and let his shoulders drop as he falls on top of you while you’re laying on the couch

he doesn’t feel like he has to maintain a facade of a man whose strong and acts like nothing ever phases him around you

like yes, he’s strong and makes a show of it for you all the time, but everyone needs a rest day <3

when you guys are at home together he’s actually pretty quiet

it’s all loving gestures and soft voices

hands wrapping around your waist while you’re in the kitchen and a murmured “i missed you” while he peppers kisses down your neck

he can be so loud around his friends and it’s part of an autopilot switch that just flips on being around them, and being loud is nothing bad

but if he needs your help with something while you’re both home, he’s never yelling for you

he’ll peek his head in, finding you laying on your shared bed

“babe?”

when you look up, he’s picking at the doorframe, quietly waiting a response

“if you’re not busy can you help me with something? it’s okay if you don’t want to”

you’re already getting up from the bed, softly pulling his hand off the doorway to hold it between both of yours, “of course i’ll help you, ‘tsumu, what do you need?”

biggest baby ever actually

he could never be with someone short term or do casual relationships and he really hates hookups

everything already feels so superficial to him besides volleyball, and he knows he’s eye candy but he wants to be more than that

he wants to be more than the shallow flirt his fans seem to obsess over

(of course he’s a big flirt, but his comments are reserved for you and you only <3)

falling for you means he’s found that in you; he’s found someone who sees him for who he really is and still loves him

oikawa tooru

tooru knows what commitment is

he knows that fruition will only come from time

if he wants something meaningful, he has to put effort into it. he isn't going to get that from messing around with a girl or nothing else

of course he accepted the gifts from his fan club and ate up their attention, but once he met you, it no longer meant anything to him

he wanted you to be wholly is, and him to be wholly yours

he would never do anything to make you think that he wants anyone else but you

he’s committed 100% to you which also means you also receive 100% of his flirting because he enjoys the reactions it gets out of you

and even when he teases you, his words are light and harmless; you can hear how much he loves you behind it all

honestly probably the best communicator ever because he wants to make sure you know how much he loves you

will text you about how he’s been asked to do a photoshoot with a model and then will write you an essay on how he’s not doing it because he’s interested in anyone else other than you and in fact, he’ll only be thinking of you during the shoot

his fan club made it a little hard for him to really accept or even know who he was, he wasn’t sure anyone would value him for anything other than his volleyball skills and looks

but you’ve stayed with him, seeming to find the positives in everything he’s done. even through the games he’s lost, and when he’s acting pessimistic and is isolating himself, you’ve stayed with him

you’ve talked him through the losses. when he’s curled up and turned away from you, mind drowning in thoughts of failure, your voice seems to break through everything

you take small steps towards him, telling him that you’re coming closer, and that if he wants you to leave at any moment then to tell you

but he never tells you to leave

he’ll lean into your touch, and he feels how much it quiets his head

as soon as he’s better he’s always apologetic for how he acted and he tells you how thankful he is for you while rubbing small circles on your skin

you always hush him with a kiss

“tooru, i’m not gonna get mad at you or leave you just because you lost a game and then understandably get upset. you’re always working so hard”

you silence his biggest fear

he needs someone who really sees him

you’ve never once failed to notice an accomplishment or how hard he’s working at something and that’s what he needs, rather than someone whose only with him for what he can give them or for something physical like his appearance/manners <3

extra!! bokuto koutarou

NOT a playboy but i just wanted to sort of hc the kind of person he needs in his life

amongst everyone who always seems to be “growing up” in the world, he needs someone who will still see the beauty and the color in the world

not here for anything that those people who are always posting about “look how successful i am at the age of 18” “here’s how to make an extra 10k a year” “you should be doing this, you shouldn’t be doing this…”

just wants to be happy with u <3

he needs someone who will still get excited with him over getting ice cream, looking at christmas lights, watching new episodes, and more <3

he knows money or whatever concerns of life people have will be solved and follow after happiness so he’s also definitely your biggest cheerleader

always advocatess for you to find things to do that you enjoy. hushes any concerns you have about how much it'll pay

"i've got it, baby. you do whatever you want. whatever makes you happy. and if volleyball somehow doesn't make enough i'll find a way :) maybe akaashi will let me help him with his editing"

will check in and make sure you’re always doing good

will always always always come over immediately to be with you if you’re not

he'll brings over food or distractions to give you company, never pressuring you to feel better immediately

it’s okay to stay and work through any feelings you’re having <3 there’s no rush, but he does want you to be feeling good so he’ll stay with you until you’re doing better and even after <3

life isn’t simple, he knows that, but there’s also no reason to overcomplicate it in his mind so he’ll never fail to get excited over new movies and getting to go out with you <3

paying bills and tax days are fun

(also he's definitely the kind to be like "we should just get married rn so we get those discounts")

you’re both fighting for your lives, the table is a mess, and while some couple next door is argued over taxes, you both have your heads in your hands

then you’re both looking up at each other

“i didn’t even know we got charged for having a phone” he whispers, absolutely horrified

“me neither,” you reply, just as confused

“do you wanna go watch wall e?”

“yes” you’re both already sliding out of your chairs, leaving the bills for another day

[mpchev]

Update on fanbinding dissertation: binding the dissertation itself!

After many days and nights of writing and wrangling footnotes and proofreading (where I couldn't convince my laptop that yes, I meant textualisation, not sexualisation), 'twas time to bind the beasts! In three copies, no less! Which I approached with way too much confidence from my one fanbind experience, and came with many fun little surprises due to the format guidelines I had to follow 🤡

This is going to be a long one, so here's my happy unfocused mug to confirm that it all ends well:

First pickle: The typesetting. I absolutely loved typesetting fanfic, but the dissertation had to be A4 (way less fun, boo-hoo), one-sided, with every page numbered. Did you know that LibreOffice won't let you add blank pages and only number the non-blank ones, without skipping numbers? In order to print signatures I could fold into one-sided pages, only numbered on the right-hand pages, I ended up switching to landscape orientation and including the equivalent of a blank page in the left margin.

Second pickle: The imposing, which I couldn't figure out using the amazing bookbinder with my weird landscape 2-page layout. I finally gave in and rearranged all the pages manually, which looked like p. 1 on the recto / p. 10 on the verso, then p2/p9, p3/p8, p4/p7, p5/p8, p6/p7. And because there was no way I was paying print-in-colour prices for all of this, I further split the manually imposed pages into two files, one for the greyscale printer (cheaper) and one for the colour printer (highway robbery). Still came up to ~£70, just for printing.

Very glad I went in chunks of 10 for the signatures, it made both the math and the folding using sheets from two different piles much easier, highly recommend (if for some absurd reason you also want to bind one-sided numbered pages in folded signatures).

Third pickle: Linear time. Had planned on having so much time to print and bind this thing, but kept writing and rewriting and proofing and oops! It was due in less than 24 hours and it was still not out of the laptop. So.

22/09/24, 6pm: Got to the library, started printing.

6.45pm: Found another printer where all the paper was the same shade of white, started printing again 🤦‍♂️ (kept the the misprints to use as scrap paper when glueing)

7.30pm: Started folding the 150 sheets of paper (3 x 100-page dissertation, 2 pages per sheet). Went from the last episode of The Magnus Protocol, to an episode of Welcome to Night Vale, to deciding restart The Magnus Archive, which felt almost poetic.

9pm: Headed back home, trimmed the edges (with a borrowed guillotine), folded the endpapers, stabbed everything. Lack of pictures to be blamed on my inability to mess with linear time, and the eventual sleep deprivation.

10.30pm, I think? Started sewing the signatures together, again with Supernatural (which I started rewatching when I submitted my first dissertation assignment in mid-May, and finished 2 days after submitting the dissertation itself, again, such poetry).

2am, probably? Tipped the endpapers and glued cheesecloth over the spines. Somehow figured out where to set the three textblocks to dry (I don't have a press). Sadly gave up on sewing on (or glueing) headbands, because time.

3am-ish: Cut the missing cover pieces out of millboard (had already cut 4 of 6 covers, since I knew it had to be A4), measured the spines of the three textblocks and cut those as well.

???am: Did some math, because sure, that's the right time for that. Cut the bookcloth to size, glued the cover pieces on the bookcloth. Remarkably only messed up the measurements on one of them! That means one of the copies has a millimetre of millboard showing in the inside corners of the back cover, but not enough time/bookcloth/millboard to redo it, onward we go!

Way past dawn: Took a break for food while the covers somewhat dried. Cased the three textblocks in the three covers, with the endpapers bubbling, which took me by surprise since it was the same paper and same glue I had used for the fanbind without any problem. I'm now thinking that bigger book = more time needed to apply the glue = endpapers getting warped, but I was so exhausted by this point that who knows. Again, no time to redo it!

9.30am: Stacked the dissertations under the heavy reference books I used to write the dissertation. Toute est dans toute hein. Went to bed while they (mostly) dried.

2.30pm: Woken up by my neighbour's dj set. Eventually put all that hard work in a tote and walked to school to hand it in at 4.30pm.

Fourth and last pickle: The titling. Couldn't find paper long enough to do a half-dust jacket like I did last time. Had big cutout plans, ran out of time and couldn't finish testing those. Also had some thicker textured paper I thought of cutting and glueing to the cover as a title card, but it turned out too thin and was warping. Finally resigned myself to submitting it with a blank cover, but one of my teachers asked if I would mind adding the title on with metallic markers to make it easier to identify (one copy will eventually be on the shelf at the Institute), and I'm SO HAPPY with how it turned out. Metallic markers. Why didn't I think of that. (I did, however, think about dressing appropriately for the occasion.)

So, is it possible to print and bind 3 books in less than 24 hours? Yes! Am I glad I did it? Also yes, very satisfying, love being extra! Would I do it again? God no, I've been sleeping for two weeks and I still haven't recovered. Can't wait to start binding something else though, so I guess it wasn't that bad.

That's it! That's over! Aaaaaah! Now waiting for the grade and comments, and hopefully soon I'll be able to share the content as well.

I'll also try to post some more about the research/writing process itself, somewhere between the late nights reading international treaties on income tax and the early mornings spent figuring out how to apply for a phd next.

Thank you so much to everyone who followed along, this was way more fun than I ever could have hoped!

[luvsellie]

THE ATTRACTIVE THINGS NETEYAM DOES

always touching you. he is protective. there is absolutely no way to sugar coat this, and it is clearly demonstrated in atwow. your presence grounds him, and knowing you're there, right next to him, skin against his, instantly eases his conscious. he likes being the bigger spoon and splaying a hand across the expanse of your lower back when he's around you…he will completely blanch, though, if you're the one initiating something more intimate (back hugs, small touches or kisses on his shoulders, etc). however he LOVES to do it to you.

he is incredibly patient. as the oldest of four, patience is a necessity. he's mastered the ability to keep relatively calm when a situation calls for it. this includes when the two of you have an argument or disagreement about something. additionally, he is the type to give you space post argument. won't approach you unless he realizes he was 100% in the wrong or it's been more than a day of not talking to you. and if you're still a little bitter, he'll continue to stick around and patiently wait for you to realize how much you miss him.

luring you in by doing absolutely nothing. everything about him is just attractive. he could just be standing there and your eyes would still be drawn to him. he isn’t exactly aware, per say, about how alluring he can be, but he is definitely aware when your eyes are on him. once he's certain your attention is completely on him he'll show off or do things that make your cheeks heat and stomach do flips. he's a tease, there's no point in trying to deny it.

puts his entire trust in you and the relationship. now while he'll still get jealous at times (it's quite rare but definitely still happens), he trusts you completely. he thinks it'd be pointless not to, especially when you're already with him. you tell him all the time how happy you are with him, so why should he have any reason to worry, right?

constantly makes small quips and teases you. he loves to see you flustered and giggly, smiling so wide your cheeks ache. and one of the easiest ways to do that is to tease you about something…like he does to lo'ak, but less with the intention of annoyance. he especially likes to pester you about your height, always finishing off his taunting with something super flirtatious like, "but don't worry, my love, i like being taller than you. it makes me feel like i'm your sworn protector." he'll also comment on the size difference between your hands (!!!), always going on and on about how your palm was made to be pressed against his. "you're so small."

he's naturally competitive. this will undoubtedly lead to races on your ilu's/ikran's. neteyam likes the rush of adrenaline he receives when he's messing around with you—it makes him feel like a kid again. he can and will turn anything into a competition (only if the situation calls for it though!), and every time he intends to do this he's silently repeating the words take the bait, take the bait, take the bait in hopes of seeing your infamous eye roll followed by an "oh, you're on, sully."

gives you nicknames. as much as he likes the way your name rolls off his tongue, he loves the reaction you give him when he uses a nickname instead. at first he called you them to see you get flustered, but it soon became a sacred thing between the two of you. examples include (but aren't limited to!) my love, pretty girl, and babe.

his tail reveals EVERYTHING. no matter what he is feeling and/or trying to mask, his tail will give him away. every. time. for example, if he has noticed another na'vi get a little too 'friendly' with your smiling figure—this includes getting in your personal space or even touching you out of excitement—he won't outright say that he's jealous. oh no, this man will just let his gaze flicker between you both until you eventually return to him. and, of course, you notice his stiff stature, locked jaw, and swishing tail as you approach an obviously jealous neteyam.

© luvsellie 2023 | do not repost, republish, steal, or translate !!

[ponderingmoonlight]

Having to share a bed with Gojo Satoru at a love hotel

Listen...I've got a little carried away by this one. While I'm currently writing for Geto and Toji, this part will only contain Gojo as it ended up so damn long. Hope you still enjoy <3

Part l (Megumi, Nanami, Yuta)

Part lll (Toji, Geto, Haibara, Choso)

Sharing a bed with JJk men pt ll

Pairing: Gojo Satoru x fem!reader

Word Count: 2,8k (this was supposed to be a cute little one shot lol)

Warnings: No real smut, but it's getting REALLY spicy - you have been warned...

Synopsis: After pretending to be in a relationship with Gojo for some time, the two of you seem to be the perfect match for a mission at a love hotel.

It is ridiculous. You both know that all too well. Will it stop you from pretending to be Gojo’s girlfriend even though you aren’t more than friends? Absolutely not. You’ve been doing this for a while now, at the beginning only to take him as your plus one to a wedding and for him to fake proposals at restaurants for free meals. You are very aware of the fact that this is already going too far, especially when you consider that whole Jujutsu High seems to believe you.

“Hello there Gojo-bear!”, you cry out.

But it’s just way too fucking funny and comfortable to stop now. The thing is, it has a whole lot of benefits: easier missions, raises over raises, less trouble because everyone seems to fear your ‘boyfriend’ but most importantly you get to spend some time with Satoru himself. You hate to admit it, but the way he smiles down at you and wraps his arm around your waist does things to you you’d never say out loud.

“There you are honey!”, he replies with a sly grin, embracing you in his arms just like he always does.

The problem is, you just know that it isn’t more for him than a joke. Your heart stings in agony just thinking about the way he immediately scoots away from you as soon as nobody’s around anymore. To Satoru, you really are nothing more than a friend he enjoys to spend time and mess with.

“Yikes, why is this so cringe?”, Nobara mutters.

“Just wait until you find your true love, kids”, Satoru shouts towards them.

Fuck that ass eating smile of him and the way it makes your heart flutter. It’s all a lie and nothing else. Nothing but a made up story. Remember that.

“Satoru, (y/n). I have a mission for you. Follow me.”

The harsh voice of Masamichi Yaga pulls you out of your distress. A mission for both of you? Normally Satoru is sent alone. After all, he is the strongest and every other jujutsu sorcerer is only in his way. What is it that makes him think it is a good idea to send the both of you together?

“We were informed about a curse that killed over 100 couples within the span of a few weeks in several love hotels located in Tokyo. As you guys are the most disgusting couple I’ve ever seen, both of you were assigned to stay at the love hotel with the greatest number of deaths and exorcise that curse once and for all. Understood?”

It’s like your world turns upside down. Did you really hear that correctly? This has to be a joke, right? Ain’t no way he really thinks you and Satoru…Your gaze wanders to his shamelessly gorgeous face that seems as unbothered as usual. Of course. Everyone thinks you are a couple. Therefore, you are a perfect fit for this mission.

“Nothing easier than that. Just send me the location and we’ll get this done in no time. Right honey?”

“Right…”, you mumble.

“You know what that means, right?”, you hiss into his ear after leaving the director’s office.

“Yeah, a free night in a luxurious hotel on the back of the school!”

“No.”

You sign. How the hell is he so unmoved by all of this? Not even Satoru can be too dumb to realize what staying in a love hotel in order to exorcise a curse means…Right?

“If this curse only shows up in front of couples at love hotels then…then…”

Your mouth refuses to say it out loud. No, you are too prideful to confess to him that it makes your knees go weak and your heart bang inside your chest. Why do you bother anyway? You stretch your shoulders and look at him, face hardened.

“Let’s just get this over with.”

The ride into the heart of Tokyo is longer than you remember it, considering Satoru is sitting right beside you and watching anime on his phone.

“Damn, this part gets me every time”, he almost sobs.

“How often did you watch that already?”

“I lost count at 17. What is that look on your face? Don’t you know what happens next?”

“I never watched that one”, you admit, casually shrugging your shoulders.

Satoru drops his phone, intense gaze piercing through you even though he’s wearing glasses.

“You’ve got to be kidding right? You are my girlfriend and you never-“

Thick silence, your eyes widen at the sound of this words coming from his mouth. Girlfriend? Did he actually say that?

“I mean fake girlfriend of course. Just getting ready for later I guess”, he adds along with scratching the back of his head.

“Sure”, you reply automatically.

Can your heart just stop beating so damn loud? This is ridiculous, it was a slip of the tongue and nothing more.

“Listen, (y/n)…As soon as we step through the door of that hotel, you have to be my girlfriend”, he instructs you in a dead serious voice.

“No need to tell me, Gojo-bear…”, you comment dryly, more directed towards yourself than him.

After all, it is you whose love isn’t just a funny little prank. Your feelings are more than real, considering you can almost hear your heart shattering like fragile glass. How stupid it was to even think he could somehow feel the same way, that it’s more than a game to him. Who knows how much time he spends with other women behind your back…

“This is it. Are you ready?”

Get. Yourself. Together. You smile confidently and nod. Being in love with Gojo Satoru might be senseless, but revealing your true feelings towards him is even worse. No, you are way too prideful to give him that. Without thinking twice you grab his hand tightly just like you did multiple times before. You will get through this and bring this madness to an end after this mission.

“Hey, we’ve booked a room here for two.”

“The name?”, the man behind the desk asks while eyeing you intensely.

Fuck, don’t let your face turn red, withstand his gaze. Maybe he’s asking himself why a man like Satoru is with a girl like you…

“Gojo Satoru.”

“There you go. Feel free to use the elevator and call immediately if something is strange. Please check out before midday. Have a nice stay.”

“We sure will!”, Satoru replies with a cheeky grin before taking the key card and maneuvering you into the elevator.

“God, I can’t wait to be alone with you baby.”

You feel like choking while staring at him. Did he really just say that, is this for real?

“Listen, (y/n)…As soon as we step through the door of that hotel, you have to be my girlfriend”

Your heart sinks. Calm down, idiot. It’s only for the mission. You never know when and where the curse is, so it just makes sense to play along until it shows up. Reluctantly you smile at him with dead eyes. Why does this hurt so fucking badly? You pretended to be his girlfriend for more than a year now and it never bothered you that he held your hand and called you stupid nicknames. But this…This is something completely different. You are at a love hotel and Satoru is straight up trying to seduce you. How the hell are you supposed to feel about all of this?

“Let’s go, shall we?”

His hand rests on your hip while he leads you to the right room with ease. It feels like his hand burns against your skin, suddenly the air is way too hot to breathe properly. You want to get out of here, away from Satoru but at the same time you need him so much closer…What has gotten into you?

“Hey, no need to be nervous babe, I got you”, he breathes against your outer ear.

“I just…never done something like this. That’s all”, you admit dryly while avoiding his gaze at all cost.

“I’ll guide you, no worries.”

He closes the door behind you and cages your body with his. You are trapped between Satoru’s arms, no way to escape his intense stare and the way his large frame feels pressed against yours. At this point it seems like all of your senses and the ability to interact have simply vanished from your body. His gaze is…filthy, completely occupied by lust as it seems. You feel like your knees will give in any minute, heart almost pounding out of your chest while blood begins to pulsate between your legs. Fuck, fuck, fuck. Are you fainting? What is this feeling?

“I’ll make you feel the way you deserve it”, Satoru rasps.

Before you can react, he lifts you in the air with ease and throws you on the soft bed in the middle of the room.

“S-satoru…I-I…never done this”, you repeat with choked voice, sweat dripping down your face while you desperately try to stop yourself from wincing.

God, he makes you feel so weak with the way his eyes hungrily linger over your body and seem to swallow you whole.

“Don’t worry, I’ll be gentle.”

And then it happens. His lips brush against yours. Slowly at first, almost sweetly. You close your eyes, hands automatically grabbing his strong biceps in a frantic attempt to get a hold of this situation. Is all of this a dream? Impossible. The way his arms are wrapped around you while his unmistakable scent fills the air around is way too real for that. Satoru picks up the pace, his tongue inviting itself into your mouth to get instantly into a tangled dance with yours. Fuck, this feels so good, almost like you’re on drugs – addicted to his touch and kisses.

“Satoru”, you literally moan into his parted lips.

You need to feel his body even closer, his touch a little rougher, his lips even better. You want more. No, you need more. More of the drug that only Satoru Gojo seems to be able to give you.

“I-I need more”, you stutter, eyes gleaming in pleasure.

“I would give you the world, (y/n). Fuck, I’ve been waiting for this moment for so long…”

“How much I hate all of these fucking happy couples. Die! All of you, die!”

It’s like you get hit by a train when the distorted voice of a stranger fills the room with hatred and disgust. Satoru’s body blocks the view of the curse making its way through the ceiling at the speed of light. Automatically, you claw into his upper arms for hold.

“Took you quite some time to get here. I was almost afraid that you wouldn’t show up for our rendez-vous.”

“Would you mind letting me go for a second, darling?”, he words addressed to you.

Your hands let go of him immediately, body rolling to the other side of the bed in order to give Satoru the room he needs. The fight itself doesn’t take long. In fact, you aren’t even able to catch a glimpse at the curse before the room is lit up in purple, lilac glibber raining down on the bed with pieces of the ceiling, threatening to hit you right in your face. Pressing your eyes shut, you surrender to your fate. Not the first time you get covered in the remaining of some disgusting curse…

“Do you really think I’d let you get covered in this? You don’t know me well, darling.”

When you open your eyes again, you aren’t greeted by lilac glibber. In fact, it stopped right before hitting you with full force. You let out your breath you didn’t know you were holding, gaze finding Satoru’s bright blue orbs that seem to glitter.

“I’d say we smashed that mission”, he proudly announces, shaking the remaining of the ceiling and curse away from both of you while lifting himself off the bed.

You slowly get up from your trance, heart completely shattering at his words. You smashed the mission? Is this everything he is able to think about? Just seconds ago he laid on top of you, his tongue in your mouth while he told you over and over the finest things you ever heard from him. Everything nothing but…a lie? You want to get away from him as soon as possible, the pictures of him and you burn into your heart like a fuel rod. It was all just a game for him, a necessary price he had to pay to complete the mission.

“Thank god we did”, you hiss and abruptly jump out of bed, body swaying back and forth in dizziness.

Salty tears start to burn in your eyes, flooding over any second. No, don’t cry. What about your pride, how you always carried yourself with your head held high? A sob shakes your body before you can stop it. Fuck all of that. This hurts like hell.

“Hey, what is going on? Are you sad because I didn’t let you have your moment with that curse? Y’know, he was a pretty weak grade 1 any-“

“Is all of this a joke to you?”, you yell into his face, tears now running like a waterfall while your chest feels like it’s going to explode.

Satoru’s eyes widen in horror. Fuck, he never saw you like this. And the worst is that he seems to be the cause of your tears.

“You’re anything but a joke to me, (y/n)”, he replies dead serious.

“All the things you said were nothing but a big lie! All these kisses meant nothing to you!”, you cry out.

“(y/n)-“

“They did to me though. I never shared a bed with a man before, Satoru. It was special to me.”

Your voice sounds so defeated that Satoru instinctively gets up and walks towards you.

“But it was special to me too, (y/n)! It was always more than just pretending for me.”

“Stop kidding me. This pretending comes to an end right now. From now on, I’m not your fake girlfriend anymore.”

“Good, that’s what I wanted to say.”

You nod to yourself while his cruel words hit you like a wall all over again. So this is how it comes to an end. You always knew that sooner or later, you wouldn’t be able to keep up with the lies anymore. How were you supposed to build a future on top of a pile of foul lies? It was beneficial as long as it lasted. You shouldn’t have expected more from the start.

“I don’t want you to be my fake girlfriend anymore. Please, just make it real and official. I loved you this whole time (y/n). It always felt better to pretend than to potentially not having you at all. Today showed me that I can’t be without you, that I want to share a bed with you every night and not just for a mission. I’m beggin’ on my knees if I have to, please be my girlfriend.”

Time stands still, you are unable to move as your mind desperately tries to process what he just said. He want you to be his girlfriend…for real?

“Stop messing around with me, Gojo”, you warn him.

But a little voice inside you tells you that he isn’t lying, that his face tells nothing but the truth. Can it really be that the Gojo Satoru wants you to be his girlfriend? Your skin starts to prickle while your heartbeat picks up in an instant. Please let this be real…

“I’m not. I want to hold you like I did before that fucking curse appeared every hour of the day and not just when someone’s around, (y/n).”

“But…Why did you always break away from me when we were alone? You could have just told me, I-“

You stop. You did it just like him. Pretended that it’s nothing but a stupid joke to you, that Satoru didn’t mean more than a friend does. You told yourself over and over that your feelings aren’t real, that you are just a good actor. Oh, but it was so much more. It is so much more.

“I did the same”, you confess your thoughts to him.

“Please, (y/n). Let’s make it real, no pretending anymore. Be by my side.”

His hands gently cup your face while your arms instinctively wrap around his neck.

“Nothing better than that”, you mutter before pressing your lips against his.

“You know, that bed is still looking good and we’ve booked for a night…”

“Let’s not waste the precious money of Jujutsu High, then”, you moan while he bites down your neck.

[physalian]

What No One Tells You About Writing #4 (100 Follower Special!)

Have you got any that deserve to be on these lists? Don’t be shy! Send ‘em over.

Part 1

Part 2

Part 3

*This list contains mentions of assault, #4

1. Zero cursing is better than censored cursing

I made the mistake in the early days of writing a self-censoring character, and every “curse” she said just took the teeth out of the rest of the statement. I’m talking gosh, darn, dang, etc, not world-specific idioms a la “scruffy nerf herder” or “dunderhead” instead of “dumbass”.

Look to any American TV show that so, so badly wants to use f*ck or sh*t but has to appease the sensitive conservatives who still somehow believe strong language is worse than graphic violence and horrifying psychological damage. For shame! Your characters can be angry without expletives, so rework your sentences to include equally damning insults that don’t resort to potty mouths if you’re concerned about ratings.

Or go full-throttle into the idioms of the world or the time period like Pirates of the Caribbean. Or just… don’t. There’s zero modern cursing in the Lord of the Rings adaptation and not a single sentence that censors itself. The dialogue is above vulgarity and feels more *fantastical* that way anyway.

2. “Yeah, you aren’t the target audience.”

It’s kind of hilarious seeing the range of reader reactions to two characters I intend to have a romantic relationship. Some will go “I ship it!” after the first page of them together… and another will go “wait, I thought they were just friends” up until they kiss. Sometimes you might be too subtle, other times it might be better to just accept that you can’t rewrite your entire book to please one naysayer.

When I’m pitched a fantasy adventure book that turns out to be a by-the-numbers romance where no one is allowed to be a peasant and every important character is royalty in some way, with a way cooler fantasy backdrop, I get severely disappointed. That doesn’t mean the book is bad, it just means I’m not the target audience.

3. There is no greater character sin than making them boring

Unless you live in the wacky world we find ourselves in where any flaws whatsoever are apparently harmful depictions of so-and-so and not at all written with things like ~nuance~. I will gush over your heinous villain committing atrocities because he’s *interesting*. I will not remember Bland Love Interest who’s a generic everyman with zero compelling or intriguing traits or flaws.

There’s another tumblr post out there that I cannot find that says something like this, and I believe the post goes “his crimes are fiction, my annoyance is real”. Swap annoyance for boredom and you get what I mean. So, I don’t care what your character does so long as they’re memorable. I will either root for their victory or their doom, but I do need *something* to root for.

4. The line between “gratuitous” and “respectful” is actually very thick

Less what no one tells *you* about writing and more what no one tells screenwriters. Y’all do realize you can write a character who experiences assault without actually writing the assault, right? Fade to black, have them mention it in their backstory, or have the horrific aftermath as they come to terms with it. An abrupt cut to this devastated character when it’s all over and they’re alone with themselves can be incredibly poignant and powerful. This goes with anything sensitive, especially if it’s not coming from experience.

If you want to write it or film it respectfully, romanticizing assault, for instance, is when it’s framed as if either character has earned or “deserves” it. If the narrative in any way argues that it's justified. The victim might have "earned" it for any of the BS reasons we use in the real world, or the perpetrator might've "earned" it because of temptation, desire, pressure to assert dominance, etc. Representation is important, but are you “representing” to shed light on a misunderstood and maligned topic, or are you doing it to satisfy a fetish or bias in yourself?

5. Don’t let your eyes get bigger than your stomach

Fantasy has no limitations, which means you can dig way deeper into the well of your worldbuilding than you realize, until you look up and realize you’re stuck down there. I have never seen a more obvious inevitable disaster looming than the pilot of GoT season 5. Why? Nobody has any plans. They’re all just led around by whatever side quest the writers throw them on, twiddling their thumbs until the writers deign to pull the trigger on the White Walkers.

To the point that what should be a major character can skip an entire season because his arc is meaningless. Everything in the last half of that show was one big “eventually” while the story toiled around in an ever-expanding cast of characters and set pieces (seriously, it’s hilarious how jarring the extended version of the theme music became compared to the pilot episode to fit all these locations).

When you have too many directionless characters, too many plot elements, too many ideas you want to fully mature and get their due spotlight and then somehow combine them all together for a common foe in the end, writing can get tedious and frustrating very quickly. Why, I imagine, the book series remains unfinished. Fantasy is great for being able to create such complex worlds, but don’t be the snake that eats its own tail trying too hard.

6. No one cares about your agenda if you insult them to push it

This deserves its own post but here we go. Peddling an agenda is a paradox: those who agree with you won’t need to be preached to, and those who you want to persuade will instead reject you further because they feel belittle and disrespected. This is why so many recent “strong female characters” fail on both sides of the aisle. Feminists see an annoying caricature of the movement they’re passionate about. Antifeminists see an insufferable, shallow, liberal mouthpiece when they just want to be entertained. You have failed both sides, congrats.

The answer? Write a strong, nuanced, well-developed character. Then make them a woman. I know this has been said before but this BS keeps happening so clearly the screenwriters aren’t listening. Entertain me first. Entertain me so well I don’t even realize I’m learning.

7. Today’s audiences won’t react the same way as tomorrow’s

Sometimes genres or tropes get oversaturated and need a few years to cool off before audiences are receptive to them again—teen dystopia, anyone?—that doesn’t mean your story is inherently bad because it’s unpopular (nor does it mean it’s amazing because it is popular).

You should always write the book you want to read, not the book that chases trends. I can pick up a well-written teen dystopia I’ve never read before and enjoy it. I can continue to ignore Divergent because it has nothing to say. Write the book you want to read, but then accept that you might make no money because no one else wants to read it, not because they think it’s bad. And, who knows? You might get a boom of chatter months or years down the line when readers stumble upon an uncut gem.

8. Your characters don’t age with you

Depending on how long you’ve been working on your world and what age you were when you started, the characters, concepts, morals, and story you set out to tell might no longer reflect who you want to be as an author when all is said and done. Writing can take years, some of which can be incredibly turbulent and life changing. I wrote the first draft of my first original novel in my freshman year of college. Those characters and that draft are now unrecognizable and has left a world I’ve poured my heart and soul into in limbo.

I’ve slowly creeped up my characters’ ages. My writing has matured dramatically. The themes I wanted to explore in the height of the 2016 election are just demoralizing now. That book was my therapeutic outlet and, as consequence, my characters sometimes reflect some awful moods and mindsets that I was in when writing them. But nothing in that world grows without me tending to it. It’s not alive. Despite all the work I’ve done, there’s still more to be done, maybe even restarting the plot from the ground up. When I think of what no one told me about writing, staring at characters designed by someone I’m not anymore is the hardest reality to accept.

—

If you think I missed something, check out parts 1-3 or toss your own hat into the ring. Give me romance tropes. Mystery, thriller, historical fiction, bildungsromans, memoires, children’s books, whatever you want! Give me stuff you wish you’d known before editing, publishing, marketing, and more. 

Also, don’t forget to vote in the dialogue poll!

[haddonfieldwhore]

promise me? - mike schmidt

mike schmidt x gn!reader

warnings: a bit of angst but i think that’s it. i don’t know fnaf lore super well so if anything is inaccurate i apologize!! i’m trying my best

word count: 750

you arrived home from work around 8pm, a little later than usual due to heavy traffic on one of the main roads. quietly dropping your keys on the table just inside the door, you turned the lock to your small apartment. it wasn’t the greatest neighborhood, but it was all you could afford, and it had everything you needed. lately, your boyfriend mike had been staying with you, and he had gotten a night job as a security guard at a kids pizza place, which meant he was asleep right now as you crept through the apartment, the cold floorboards creaking under your weight as you walked down the hallway towards the bedroom.

mikes new job had him working 12-6am, less than ideal hours to say the least, but a job was a job, and it seemed pretty easy from what he had told you; all he had to do was watch the security cameras. it would only be his third night on the job today, but you could tell the change in sleep schedule was hard on mike. placing your bag on the floor softly, and your eyes landed on mikes sleeping form, the blankets tangled around his legs as he snored softly. you smiled, and lifted his arm carefully to crawl into bed next to him. his arms encircled you automatically, and he sighed contently as you snuggled into his chest, feeling the warmth radiating off of his body.

“hey,” he grumbled softly, his voice deep with sleep. “what time is it?”

“hey,” you smiled, even though his eyes remained closed. “it’s just after eight, you still have time to sleep.” he hummed happily in response, pulling you closer to him and kissing the top of your head as he drifted off to sleep again, and you quickly followed.

•

the sound of mikes alarm woke you up, and you tried to hide your head under the covers to block out the sound, as mike reached for his phone to turn it off.

“don’t go,” you mumbled, reaching for him to attempt to pull him back into your arms. he laughed at you and sighed, rubbing his hands over his face.

“i would rather stay here, trust me.”

“is it really that bad?” you asked, sitting up as he got out of bed and began to get dressed, sliding on a pair of dark jeans and a grey hoodie. he did up the buckle of his belt as he stepped into his work boots, and he looked up at you, his tired eyes meeting yours.

“no, it’s…. it’s just - we’ll you know how they have those animatronic characters?”

“yeah,” you nodded, remembering them from when you were younger.

“they get left in this… free roaming mode at night. i don’t know it’s really weird.”

“isn’t that a little dangerous?” you asked, a worried look spreading across your face. mike seemed to think for a moment, and then sort of shook his head.

“no, i mean- they’re just robots for kids. it’s just a little creepy,” he replied, and you weren’t sure he was being 100% truthful.

“mike, if you were in danger you would tell me right?”

“of course. i didn’t mean to scare you. i think my imagination gets the better of me sometimes,” he walked over to give you a soft kiss on the lips.

“promise me if anything else weird happens you’ll quit, okay?” you pleaded. as much as you both needed the money, that wouldn’t matter if something bad happened to mike.

“i promise,” he agreed. “i gotta go. i love you.”

“i love you too.”

mike grabbed his wallet off the dresser and opened the bedroom door before turning back towards you.

“i’ll see you in a few hours. get some sleep okay?”

you nodded as you laid back down and pulled the blankets over yourself, trying to mimic the feeling of his body heat next to you. you listened to his footsteps as he walked down the hall and out the door, followed by the familiar click of it locking behind him. you sighed, closing your eyes as you tried not to worry about what he had said. you trusted him; if there was really something wrong, he would tell you.

besides, how dangerous could a children’s restaurant be, right?

[uglycryinglawyer]

heyyy tumblr,

class of 2024 law student here. no offense but you know things are bad when i take it to tumblr. law school really does something to your psyche and i hate to say it but despite this whole movement on social media to be more transparent, i don't believe anyone will be completely honest about their experience when their words can be traced back to them. being believable as 100% genuine & honest while being anything less than to followers that cling to every syllable of yours does more damage than good imo.

ill start this page with some honesty that i would label as a 6/10 on the "how embarrassed would i be if someone from my post-grad job were to see this" scale i just made up.

my first semester i felt like the smartest version of myself i had ever been because i got 1 online award from a fake company (seriously what business does this "computer-assisted legal education" company have hosting awards for schools around the country & why are they receiving our grades to begin with) for having the highest grade in my class. mind you, this company/award is not at ALL affiliated with my school, its literally made up. but its something that is made PUBLIC (as in if you knew my name you could google me and this stupid award shows up), and so many schools still acknowledge it to, idk, create further divisions between students that i guess the whole system of making everyones grades 100% based on their finals and curved (not in a good way) doesn't do enough for?

now here i am, having finished my 6th semester & walked the commencement stage a few days ago ugly crying over a grade because i might have just lost my honors status. when in actuality .... ~ kim, there are people that are dying ~ why does any of this matter?? this is what 6 semesters of slowly having your confidence in your own intelligence chipped away at does to a person.

its not over yet though - bar prep starts last week :). actually it starts on may 20th officially, but no ones being honest about the fact that they really started studying the day after their finals ended, if not earlier.

so i've decided to document my experience for you all here. with bar prep & my foray into big law (you know this field was meant for babies because that's what we unsarcastically call a career at a top law firm) on the horizon, & 6 semesters of pure chaos behind me, i have a lot to say!

im not sure who this is going to reach because, again no offense tumblr, but i doubt this site has the reach it once did. maybe this will just end up being a time capsule for myself, which i would love. or maybe this will help 1 person cope, which i would love even more.

regardless, if you read this far, thank you & tttys. going to throw some random hashtags in now don't mind me.

[dystopyx-blog]

as a Floyd enjoyer

I do read a LOT of octotrio posts.

Like a lot

so, as a yandere writer

time for yandere octotrio headcanons!

a lot of this will probably tie in for my ideas for my self insert and yandere posts I’ve written in the past!

it’s hard to say who was interested in you first. Either Azul was interested and sent the tweels on you, or the tweels were interested in you and then got azul interested and then azul sent the tweels on you, all I can say for certain is that at some point, someone is interested, and you get the tweels sent on you.

So you got the tweels following you around now. The two have different ways of studying. Floyd, of course, is more hands on. Jade typically stays back, taking EXTENSIVE mental notes. He mostly only gets involved when he can tell Floyd is getting a bit too… much for any one person to handle.

of course, then you have to deal with TWO tweels, and idc who you are, dealing with BOTH of them is way more to handle than just one of them. Like, one tweel is like 100%, but when those fuckers are working together it’s like at least 110%.

but… you seem to handle them really well somehow??

so whether it was Azul who was interested first, or they were interested from the very start, safe to say they are VERY interested in you now.

The tweels, despite being chaotic neutral at best (chaotic evil at worst) are still pretty goddamn loyal to Azul. So they eagerly report back to him (either to convince him or further convince him, again, doesn’t matter)

then this is where it gets really fun (for me)

I love the octotrio, and what I especially love is the mix of platonic and romantic. Like, ofc Floyd and Jade are purely familial. But when it comes to their relationship with Azul, it’s the kind of platonic that so fucking seamlessly shifts into romantic that no one is sure when it turned, and also no one cares. The octotrio blend so fucking seamlessly with each other, that they could even be purely platonic with each other, it could be less romance and more family, but an outsider would never fucking know or understand that. THE OCTOTRIO RELATIONSHIP/S ARE SO FUCKIN NOM NOM NOM I’M DEVOURING IT —

Ahem

anyway

point is, whether octotrio is a romantic poly or just three really fucking close friends, they all look at you and go “that one, we want that one.” And they don’t even have to vocally announce they want to share you, it is understood. There is no “all in favor say aye,” after a few times of the tweels reporting back to Azul they’re just all agreed “yes, this one is ours now, we are taking them for the seafood polycule.”

calamari, unagi, and shrimp, yum yum

ANYWAY

Expect the tweels on yo ass even more than before. Not only that, but they are FULLY embracing their statuses as fucking terrifying menaces to keep all your icky clingy friends away

Suddenly they’re paying extra close attention to your flaws. All of which they find endlessly endearing, what they’re really looking for is a chance to snap.

an insecurity, a life ending mistake, anything to get a chance to whisper in your ear that you need special help. Or maybe they’ll even use the fact they’re living up to their name and stick to you like leeches to convince you you need to talk to Azul

maybe you’re strong, maybe you can’t be fully convinced. Maybe once they do bring you to Azul (trust me, they will) you decide “nope, I’m out.” Thing is though, once they get you there, it’s already decided. Azul will know exactly how to trap you, exactly what to do to get you to come back, or even better, stay.

if you’re in Yuu’s shoes, I imagine he’d be willing to let you AND Grim live in the lounge. To make it less suspicious, he’ll probably say you have to work, or that he gets to use Ramshackle. Something to make sure you’re not suspicious why he’s suddenly so hospitable. But really, ramshackle or service are not what he’s after. Obviously. No, he needs you there, with them.

I don’t even really have to get into what these guys do as yanderes, since most students are already pretty frightened by the tweels. And now that they have someone to ‘protect’? HO BOI, do they REALLY give the student body to fear.

and if they get past Jade and Floyd, then there’s Azul, who will bribe or blackmail until they leave their darling alone.

yeah, sorry to say, once they have you in their sights, it’s pm over for you.

Doesn’t matter who saw you first, cuz you were doomed from the start either way.

GENERAL OCTOTRIO + READER HEADCANONS ❤️

Pleeeasassse I cannot get the image of octotrio dog pile outta my headdd. Azul, Jade, and Floyd are CUDDLY MOTHERFUCKERS, you cannot convince me otherwise. And once they have you, you’re joining. Typically Jade and Floyd both spoon Azul (you can’t convince me otherwise (or maybe you can, let’s talk)), and you’ll likely be sandwiched between Azul and whichever tweel called dibs that night. Or, it’s the true dog pile, where limbs are kind just all over the place. There’s typically a tweel at the bottom (cuz big bois), and that tweel is typically Jade because Floyd insists on being on top, despite his height and weight. And adding you just makes the dog pile feel so much fuller ❤️ (and if you’re one of those people like me who falls asleep better with like weight on top of you… yeah, you are not gonna be awake long enough to protest)

it may take a while for Azul to get comfortable enough to go full octomer on you, especially if you’re a darling who runs away, but once he does trust you enough, he will. And like… come on, I think we as a fandom agree that octo Azul is beautiful/adorable, so of course you do not react negatively to it, even if you’re a stubborn darling.

maybe you’re speechless, and Azul gets flustered and wants to ZOOM back to the surface, but the tweels hold him back, and thank god they do, because even if you aren’t screaming “omg you’re so cute/pretty!!” like I would, you probably mutter it under your breath, just loud enough that he definitely hears (did you know sound moves faster in water?) and he is a blushing cephaloboy. (Bet you didn’t think I’d bring SCIENCE into this, HA)

Suddenly now they’re also snuggling you in the water in med form, because yes these boys cuddle in med form, and you’re one of them now. Can’t breathe in water? Silly, they got magic for that. You are not getting out of this seafood pancake 🫵🫵

you are going to have so many limbs all over you omg. The tweels are trying their damndest to wrap their eel tails around the both of you, and Azul is keeping all of y’all together with his arms

(here’s another science fact, octopus do not have tentacles, those are arms)

AND DON’T EVEN GET ME STARTED ON THE BREE—

[lukolabrainrot]

This is going to be long, I am sorry.

So, recent posts, we are all talking about them, assuming things, trying to find 5 differences and all that, but certain comments sparked a thought in me which I would like to share. What if we all are looking into timeline in the wrong way? Now I would need someone with an actual knowledge of how this promo contracts works to confirm or correct or entirely contradict my little theory. Is there a general timeframe in a contract during which L would have been supposed to post about this hotel or is a truly specifically established day? Now hold that thought, I would like to explain why this theory even came into my head and it’s a bit lengthy.

I think we all notices certain patterns and features in behavior of some less pleasant individuals in L close social circle. And even though we don’t have any concrete proof we have some pretty damning evidence that something went wrong post Part 2 premiere and more importantly during the “happiest” Italian gateway in relation to those particular individuals. We can see it clearly in their behavior during and post that, in pictures as well as drastic behavioral pattern changes. Not going to elaborate on this we have all been here during that and there are more than enough of in depth analysis on various platforms, this lovely blog including.

One such evidence which makes me pretty certain that something happened is actually N herself. There were many, many ways to post about her close friends’ birthday, but she specifically chose those pictures and that phrasing. She could have even just post those cute pictures with some other words, but no, she mentioned paparazzi and friends protecting friends. Along with someone mentioning L leaving two days earlier than his friends (not a 100% fact I concur but definitely possible), this makes me believe he truly learned something to shake those relationships, perhaps some kind of betrayal? And we know that N is protective of people in her life, even as just a friend if he shared the situation with her, I can totally see her wishing to throw some shade on people who put in jeopardy her friends’ safety and privacy. (I would have done exactly the same thing) N just coincidentally had a very convenient, easily deniable way to do just that.

Now I truly do believe that likes on SM mean nothing, just from my personal perspective. We also know that L followed and liked J posts on SM for a while even after a break up. This situation though seems different, A is different. I saw someone make a comment that L likes seem almost like a little reminder to A that he still can see what she is doing, we all know SM games she enjoyed playing promoting their supposed intimacy. At that time I dismissed it because it seemed too far fetched, but what if not? I mean, if he finally comprehended her shadiness, as well as some other people’s, what if he finally sees the bigger picture?

And after this essay finally comes my timeline idea. What if it was not A who posted before L, but he who posted after her? Now read that again. When she just posted a day before L, everyone immediately assumed that it looks like Cypress, and that even though she tries to make it look like someone tall is filming her, something didn’t seem quite right, ergo A playing games again. And is it not strange that her first hazy but more or less direct hint at him being in her life still, came after N and L had some interaction on SM (her posting him, and him liking her post for KS), as well as whole JD situation taking attention away from her? What if L saw it and decided to use his promo to clarify any assumptions. “I am in Spain and I am alone,” he connected it to Bridgeton and made sure to emphasize that he is there by himself. This, of course, is just my little theory. The reason I even came up with it is because I never saw similarities in those pictures myself, and I think L expected people to realize that. Which is why he posted another balcony pic after people started commenting on similarities to As’ post, with one towel, one cup, one person. Now I am not trying to be purposely obtuse or in denial, I genuinely do not see anything beyond passing similarities that can be found in many Mediterranean resorts. And if you look closely at the balcony pictures that most seem to be basing their views on, I suggest you look again. Truly. At picture of L in a cap standing in front of balcony with greenery, take some eye measurements. We know he is approximately 185cm high, the greenery is somewhat at his hip area, A is shorter than L but even still that greenery would not be almost reaching her breasts. But as I said, just my opinion, my observation.

.

[tagthescullion]

I feel like Hades/Pluto only falls in love rarely, so even before the oath he always had less demigod children than the others (and even now that the oath is gone he won't have any more for a good long while) but when he does, he loves deeply.

Hades stayed with Maria long enough to have two kids with her, and he didn't leave in between like Zeus did with Beryl after Thalia was born. I read somewhere that he stayed with the di Angelos until Nico was a toddler; I don't remember if it's canon or not but if it is I think it fits. I assume he helped them get to America because travel overseas, especially to an enemy country, was, well, difficult to put it mildly (especially considering Bianca and Nico presumably couldn't go by either sky or sea). He personally warned Maria, and from the sound of it that was not the first time they were having a similar conversation. He offered to shelter her and their children in the Underworld, to build her an entire palace. He was so devastated by her death that he cursed the Oracle. More than fifty years later he was still grieving her so much that he sent armies of monsters to get Thalia in revenge for Zeus killing Maria. He had Bianca and Nico dipped in the Lethe, sent to the Lotus Hotel, sent Alecto to get them out of the hotel, got them into school with presumably all the Mist and paperwork forgery that entailed (although then left them to their own devices, instead of sending them to camp or something). Any other god would have stopped caring so much about their welfare once they were in the Lotus Hotel, and possibly before that.

As for Pluto, Hazel never met him until she was thirteen, but it seems that Marie didn't want him around anyway (in fairness, she might not have wanted him around BECAUSE he'd left her and Hazel, I don't know which came first). But when Hazel was born he was "so pleased and proud" that he offered Marie literally any wish it was within his power to grant, and even though he knew what she asked for would only bring trouble he gave it to her anyway. He had apparently had the Levesques under his protection all this time, which I think is why Hazel never mentions ever seeing a monster during her childhood, even though you'd think a child of one of the Big Three would be a major target. He personally came to ask Marie not to go to Alaska, instead of sending a minion, but did not force her not to go. He gave Hazel a birthday present of pencils and drawing paper - which means he already knew she liked drawing, so he'd clearly been keeping an eye on her. He intentionally turns a blind eye to Hazel's resurrection, despite it literally going against his entire domain and everything he stands for as the Lord of the Dead.

the thing about hades/pluto is that (always speaking of the pjo version ofc) he does love his children. hazel, bianca, nico. he has shitty ways of expressing things, undoubtedly, but he seems to be much more into what they do, where they are, and if they're okay! he protects them even unknown to them

did hades love maria di angelo? 100%, nobody would doubt that. when he's talking to her about taking them to the underworld or the casino, she's very comfortable, they're both very mushy, the kids are not paying attention (they would be if hades being there was such an uncommon event), clearly he's been around --if not as a family, then enough that the novelty of his presence has long worn off--

did pluto love marie levesque? idk. she summoned him somehow, not really looking for him in particular, but eh, you get what you get. he clearly has been following hazel's life, but his relationship with marie doesn't look as if it was ever loving. it's even implied marie only wanted him bc he looked "fancy" and she wanted to be rich, and a "queen", did pluto love her anyway in return?

[littledeathdove]

Mother Miranda is manipulative, she likely changes certain aspects of herself when she is around a specific person or group of people. Why? To gain their trust, to have them love her until she desires to take advantage of it. It’s all to get what she wants, which is rats waiting to be used for experiments that will soon lead to the rebirth of her baby girl.

Mother Miranda is intelligent, very intelligent. She went from being just a mother to her child to becoming a mad scientist who studies something so advanced and complicated. Even though she didn’t succeed in her experiments the majority of the time, she still was able to do something many people couldn’t do. She was able to make four, possibly eight, successful super-beings out of the mold/cadou. All in 100 years. Not with a background dealing with scientific studies, just with the will to get back what she wants. Eva.

Mother Miranda is selfish, she doesn’t care about the people in the village who are willing to worship her and her ideals to the grave. She doesn’t care for the four lords who are willing to listen to her commands follow them through and be obedient to her. Well at least the majority of them. Miranda doesn’t care for that, she doesn’t care to see these people happy. All she wants is to see her dreams fulfilled and to take back what was unrightfully stolen from her, her daughter.

Mother Miranda is a perfectionist, she doesn’t settle for anything less than what she wants for her daughter. She could have taken Eveline, the girl who had the same DNA as her true daughter, the same girl who likely had the same face as her true daughter. Even with all of the things Eveline had in common with Eva and even being able to control the mold to a devastating extent, Miranda still called her a failure. She saw a flaw in Eveline, so that means that Eveline isn’t the right vessel to bring back her daughter. Her daughter must have the perfect body, the perfect host. Her Eva deserves it more than anything.

Mother Miranda is sadistic, I believe that woman like seeing people in pain. She probably lets out a chuckle every time she sees a lycan tearing up the body of a poor villager from a distance. There’s no doubting the fact she liked seeing the villagers afraid of her, afraid of what wonders around the borders of their village, afraid if they would be plucked away from their life in the village by one of her lords.

Mother Miranda is a nerd, sharp turn there, but it’s true. That woman likely talks about the mold and her experiments like it is the most interesting thing ever, because it is, to her. Oswell E. Spencer, the madman who is a co-founder of umbrella corporations, only confirmed this when he talked about the late-night scientific talks they had together during his stay in Miranda’s village. While Spencer likely started up these conversations, I could only imagine Miranda doing most of the talking once she realizes it’s about something she is interested in.

Mother Miranda is obsessive, she is obsessed over the mold, and she is obsessed over bringing back her beloved daughter. Miranda is like a train station that only has two stops, her mind only goes from one thing to another. Yeah, she focuses on other things like making sure the villagers are behaving accordingly, making sure the lords are doing what she commands, and making sure she keeps up her image to the oblivious villagers. But mainly her focus is set on two things, expanding her knowledge of the mold and bringing back Eva. It just shows how obsessed this woman can get, she does it with her whole soul.

Mother Miranda is unpredictable, you can’t have a set idea of how you believe Miranda operates. No, no, that’s not going to work for you at all. She can be doing things you know that she always does and then she suddenly is doing something completely different. It’s crazy, just like how she is. Speaking of crazy.

Mother Miranda is bat-shit insane, there is no denying it because it’s just one of her main personality traits. Chris, Ethan, and Heisenberg were all correct in saying that she’s a crazy woman. This woman decided that she was going to take the mold she found in a cave she wanted to die in, and put it in the villagers. Who thinks of that? What sane person does that? She experimented with likely more than a thousand bodies, elderly, adults, teens, children, and babies. I mean I doubt that woman had a limit she didn’t cross because she is just that unhinged.

Those are just traits I remember studying about her by memory. But you get the gist. Miranda is just crazy all in all, but she is doing it all for her daughter, could you blame her? So what if she has a few (many) bad traits? You have to love a woman who has the mannerisms of a crow and the persistence that is the size of the sun.

Now just imagine how these traits would affect you if you were to somehow gain to woman’s interest so much that she became curious. The more curious she gets the more she learns about you, and if you somehow can do things that shock her, it will lead to more. It will lead to her wanting to know more and more like a greedy salesman. She doesn’t take any interest in most things, so when you somehow make your way into her thoughts more than once while she is doing what she does best in her lab, good luck to you. Because now you have the village priestess becoming slowly obsessed with you. And both good and bad things come out of it. So have fun being a new major thing crow mama’s thinks about all the time.

Took a break from writing my one-shot to make this random ramble post. Anyway, look at this new header of my wife >:)

[norel-ravenclaw]

Aro/Ace Spectrum x Hazbin

Fandom: Hazbin Hotel

Featured characters: All x aro/ace spec reader

Rating: 18

Genre: FLUFFIEST OF FLUFF and aro/ace SOUL HEALING romance

Word count: 2500

Description: Dating the Hazbins as an aro/ace. These are based on my personal experience, what friends and the internet have told me, and I tried to keep things generic and up to interpretation - whether you want to see it as 100% non sexual or otherwise is up to you. Gotta say, this turned out better than I thought it would, hope you like it!

WARNINGS: | gender neutral reader | suggestive content that can be interpreted in mutiple ways | mild angst? | Valentino and Adam are included | slight yandere vibes here and there (Sera, Lilith esp) | i bully vox, mostly bc I still can’t believe I like this mf |

“Love is choice, after all. And they will choose you every day for the rest of eternity.”

Alastor -

Connection over drinks, spontaneous dances, occasional murder, and a lack of desire for the normal things brought you together. But as your odd friendship grows, you find yourselves drawn to domestic habits and more comfortable touch. It’s Alastor who proposes that you make your relationship something more official. He’d never wanted one before, but with you, it’s easy. Whatever the both of you are or aren’t feeling like is fine, when it comes to dinner or intimacy. Touch is to feel good, lounging in the bath is for simple warmth and company. You become as comfortable in your skin as you are with each other. While emotion and urges are largely lacking, the comfort of constancy together is everything. And more than enough for you both.

Lucifer -

To be honest, all of his exes were a bit emotionally unavailable, so when you tell him that you can’t feel much (if anything at all) it nearly sends him spiralling for a moment. But with a strained smile and a few drinks, he listens to you and realises, maybe this is exactly what he needs. Your honesty is a refreshing change after millennia of mind games, lies, and dancing around expectations. Whether you want touch or not is fine with him - he is happy to take care of you in any way you need (and himself, in any way you’re comfortable with). All he wants is to be with you - the person that has restored his hope and the colour to his life.

Sir Pentious -

While he may never have had the words to describe such things, they were just as common in his century as they are now. So when you first tell him, his first response is worry that he’s accidentally broken your boundaries. He adores you, and he’s willing to do anything to be worthy to be by your side. If he can be the one to make you happy, simply say the word of how you want to be courted! Of course he’s happy to invent things to make your life easier. Flowers, food, romantic sightseeing flights in his warship. His egg boys are quickly at your beck and call. If you’re comfortable with cuddling, he’ll wrap himself around you and make you feel so safe and cosy.

Husk -

Mr. ‘I lost the ability to love ages ago’ certainly understands, well, more or less. But then you start breaking all his rules and walls down. He knows your boundaries and will follow them respectfully. To be honest, he does want to touch you, as much as you’ll allow. But even if you don’t want that, just having you by his side is enough to clear his head and make him happy to live in the present again. He can be as romantic or as casual as you like, make a fuss over things or keep is cool. Praise and support for everything you do, advice when you need it. Just help him take care of his wings and help bring him back down to earth when he gets lost in his head and he’ll be your ride or die for the rest of your afterlife.

Angel Dust -

Touch and over the top sexual energy is the only way he really knows to act when it comes to lovers. So when you come into his life, suddenly he’s able to slow down, step back, and just… be. And there’s something so liberating about that. If you’re okay to cuddle, he’d love intimate touch that has no sexual expectations. If you want to be more comfortable with things, he’d go so slowly and praise you all the way. No performing, no rush, just the two of you together. He’d love to joke with you, take you around town. Buy you the most fashionable clothes, maybe jump into turf wars for kicks now and then. But he’ll be as tender and supportive as you need, no matter what. If ever you may feel like it, he has plenty of hands available to hold.

Charlie -

The most supportive and understanding of them all. Everything you are is what she needs and loves and hoped for. So whatever you want life to look like, she’ll do whatever it takes to make it reality. From pancakes in bed to renovating your own space in the hotel, your happiness is hers. Whatever touch you’re comfortable with, she’ll work really hard to never make you feel crowded or overwhelmed. Tucking hair behind your ear or holding hands, candlelight dinners or dates to the best spots in hell. (Her credit card is loaded and ready to be used for you.) No matter how much you can feel, you can be sure she’ll feel enough love and affection for you both.

Vaggie -

She was a soldier, and having seen all types of personalities in that role, there’s no discrepancy in her mind between lack of feeling and a desire to love and protect. Her love is steady and calm, as attached or distant as you need it. Hell is never a safe place, so she’ll protect you from anything that could hurt you, emotionally or otherwise. Have enemies that will be arriving in hell? She’ll keep her info network on the lookout for them so she can take care of it for you. The hotel is safest place she knows of and will work to make it a sanctuary for you both. Whatever makes you happy, feel safe, and… want to stay with her. She thought she knew what salvation was, but it wasn’t until she met you that she truly experienced it for herself.

Cherri Bomb -

Sure she’s met a few aro/aces over the years, but it never really made sense to her. How can you not be obsessed with sex and drugs?? But when you come into the picture, all she knows is that you are what she needs. Whatever you need her to be or do, she’ll do it. Over time, she learns about you and why you are the way that you are, and any hesitations she may have had in loving you vanish. All that matters is that you’re happy, and safe, and by her side. You have to have an adrenaline junkie side to hang out with her. (But how hilarious if you don’t. Maybe she can introduce you to the less explosive joys of pyromaniacy? Burning pine needles is fun.) Maybe love with you is less passionate and fiery than she would have imagined, but finally hell can be home, as long as you’re there.

Vox -

This ass. He will definitely try to persuade you to try sexy things. And either you will and he’ll have to deal with any limitations you have, or the answer is still no. And he’s left questioning everything as he realises he can’t live without you. His ego (see: crippling insecurity) is threatened when he realises you may or may not be able to feel the way he does about you. He’d need you to reassure him and show that even if you can’t feel (or do) the usual things people expect in love, you do love his dumb tv-shark ass. Once he’s more convinced that you aren’t going to leave, and you really do love him in your own way, be prepared to be spoiled in every conceivable way. Want the heart of your enemy on a platter? The best writers and costume makers to make your fave book into the perfect movie? Cuddles? Money? His soul?? It’s yours.

Velvette -

She doesn’t have time for nonsense, and tbh your way of being is just easier for her. Feelings are more straightforward with you, in theory at least, and sex comes with easy to understand rules. (Maybe the rule is simply ‘no’.) If you at all have a love for design or fashion, she’ll have you on priority contact to send you pics and concepts to get your opinion. Maybe people even start to notice her style shifts a bit after meeting you. She’s a busy woman, so either hold a clipboard and be her assistant or be a good little lover and wait for her at home, dinner and bath salts ready to help her unwind from hectic days. But whatever your dynamic ends up being like, all she knows is hell is way fucking better with you.

Valentino -

Sure he knows people can be ace, but it’s still inconceivable to him that you are. How the fuck did this even happen, him falling for someone who isn’t a nympho?? Oh now there’s a possibility, maybe hypersexuality is a thing for you, and even though it doesn’t come with attraction, he can be your outlet. No matter how much or little you’re into sex in general, he can’t help but want to dote on you. The best restaurants, clothes, shows, and drinks. No one would ever dare to mess with you, and if they did, well, consider it taken care of. (Vees PR may have to do clean up, but whatever.) Pet names, talking to you in Spanish, and generally gushing over your existence is his M.O. Whether you want to fix him or make himself worse, he’s on your leash now.

Rosie -

If anyone is going to be understanding and accommodating of you, it’s Rosie. Gossip over her breaks, strolls around Cannibal Town, getting you the perfect wardrobe. She’ll spoil you as much as you can handle while still encouraging you to stand tall and be your best. Domestic bliss with a dash of community leadership (or manipulation, same thing) and psycho thrill is what she does best. Whatever you can or can’t give is fine with her, she’s a secure woman after all. All that matters to her is that you’re safe and strong enough to handle whatever hell may throw at you. And she, for one, is stronger with you beside her.

Adam -

Oh boy. This bastard can’t fathom anyone feeling differently about sex than he does. He hates that you can’t love him the same way, but as time goes on (and several breakups later) he finally gets it through his thick head that he loves you no matter what. So, clumsily, begrudgingly, he starts to learn what you really want and need. Having things different than it was with anyone before makes him slow down and appreciate other things about you, about spending time with you. Finally he settles into your lines, and his softer side can come out more. Not that that’s the only thing that drew you to him, of course. As he falls deeper and harder than ever before, he realises that you’re perfect just the way you are.

Lute -

Is she the type to be annoyed at first? Sure there are other ways to let off steam than sex, but having it not be an option with you initially makes her want to avoid you. But she keeps coming back. Shit. She’s not exactly romantic, so it’s fine if you aren’t either. As she falls harder and harder, it bothers her that she can’t show you. Until you finally talk about it and she’s shown all the other ways you want to be loved. Suddenly it’s not so hard, and the distance between you is closed at last. Protecting you and keeping you with her are all that matter anymore. Even heaven would suck without you.

Emily -

Her job is literally ensuring the joy of souls, so of course she’s learned all about aro and ace people and how to fulfill their needs. So she’s unfazed when you tell her, overwhelming you with questions about what you like, how to make you happy. Acts of service, gifts, words of affirmation, quality time, is touch okay??? She loves you, and all she needs for heaven to fulfil the measure of its creation is to see your smile. Of course she wants to be as close to you as you’ll let her be. She’ll show you all over heaven, take you to all the best places in creation. Packed snacks in your bag, mending your clothes. Ask her to hold your hand and her wings flutter adorably.

Sera -

Now catching her attention may well be the most difficult of all. But your soul is so radiant, so captivating, it doesn’t matter what your preferences and needs are, she will move heaven and earth to have you beside her. An angel in need of a promotion? Done. A human soul that earned their wings? No problem. Even if you were a demon, she would find a way to twist your horns into a halo. Her low energy nature makes her a good match for someone with lesser passions. All she wants is you, just as you are.

Lilith -

She is a woman of fierce desire for freedom, to make her own choices - and when she meets you, she knows that you will be the one she chooses. Even if she wants to resist at first, she can’t help but want you. And what she wants, she gets. When she learns that you’re aro/ace, she’s honestly relived. Maybe things will be a little less complicated. She knows she can keep you with her no matter what you can or can’t feel, and as for touch, she’s fine with whatever you want. She’s a big girl, worst comes to worst she can take care of herself. Her only worry is making sure you’re happy and safe, because she has no tolerance for losing what she needs.

Zestial -

This demon is ancient, and while he finds a great many passions in life, having a partner like you is more welcome. Not having to worry about meeting your expectations in bed is a relief. Not that he wouldn’t give his best if you needed such attention, but he was never much preoccupied with such pastimes. His love is quiet but intense, his influence visible in every part of your life. From his protection, using his power as leverage to get you whatever you want, clearing out restaurants so you can have a private experience. As gentle as he is dangerous, he wants nothing more than to keep you safe and as close to him as you can bear to be.

Carmilla -

She is a busy woman, powerful and confident. Nothing fazes her. She knew you were aro/ace spec from the first moment she laid eyes on you. But what she didn’t expect was how important you would become to her. As soon as Odette and Clara start teasing her about it, she knew something has started that she couldn’t stop if she wanted to - for the precise reason that she doesn’t want to. It doesn’t matter to her if you don’t want to be touched, or only sometimes. She can see that your love for her is real, no matter what emotions may or may not be present. Love is choice, after all. And she will choose you every day for the rest of eternity.

Here’s the full flag if you want it 🩶

[sammy-is-not-smiley]

Let It Hurt (Pt 2)

Steve Harrington x fem!reader (afab)

Summary: Steve has been your best friend for years despite his douchery in early high school. You would tell him anything... well, anything except for the fact that you've been feeling his physical pain since elementary school. The way he finds out is less than ideal. But he's been keeping secrets of his own...

Word Count: 5.2k (I went nuts lol)

Warnings/Tags: Soulmate au (kinda), language, no use of (y/n), depictions of severe pain, depictions of torture, injuries mentioned, crying, kind of a breakdown, angst, a period is mentioned so reader is afab, set in season 3, soulmates to lovers, friends to lovers, hurt/comfort (yes there's eventually comfort this time, I promise)

A/N: GOOD GOD Y'ALL I did not expect the last one to absolutely blow up. I've gained like an extra 100 followers from all this so thank you so much. I wouldn't have written something so loved if I hadn't gotten a request. If you have an idea you wanna entrust me to write, don't hesitate to jump in my asks! I love hearing from people. (p.s. angst is my favorite to write) Now here's your part 2!

Part 1: Right Here!

You awoke to echoes of screaming. You didn't want to open your eyes, the light in the room behind your eyelids was already making your head throb with a vengeance.

"Help!! Someone, help!" Robin's desperate voice rang out, the sound bouncing off the walls and judding into your skull. It was then you realized you were sat up, straps compressing your legs, arms, and chest. You were bound even more than before.

"Hey, would you stop yellin'?" You heard Steve's voice grumble behind you.

It took you a moment to register it was him, but when you did, a small light of hope lit up in your chest. You lifted your head up slightly, trying to take in a breath. The pain in your head stemmed down your neck now. In fact, it encapsulated your entire skull.

"Steve! Oh my god," Robin exclaimed, still a bit too loud for your taste.

"Steve?" You croaked out.

"Oh my god! Oh my god, you're both awake," She chuckled slightly, simply out of disbelief. "Both awake. Um, are- are you okay?"

You shook your head no as if she could see from where she sat behind you.

Steve took in a breath. "My ears are ringing, I can't really breathe, and my eye feels like it's about to pop out of my skull…"

"That checks out," You muttered, not intending for anyone to hear. Nobody seemed to.

"But you know, apart from that… I'm doing pretty good." He finished, his nose sounding stuffy. They really liked hitting his nose.

Robin let out a breath. "Alright, well, the good news is they're calling a doctor for you both."

There was a moment of silence before Steve registered her words. "Both?" You felt him turn slightly in your direction. "They hurt you?"

"No," You quickly replied.

"Wait, I thought-"

"Robin, shush," You snapped too loud, making your head throb again.

It was silent once more as Robin connected the dots. Steve didn't know, and you didn't want him to know. "Right, no, I meant… I meant just for you Steve."

"They didn't hurt me," You tried to reinforce. "Robin's just… tired."

"Oh." He uttered, clearly confused.

"Hey, guys," Robin changed the subject. "I have an idea. Steve, you see that table to your right?"

You felt Steve turn his head to your side.

"No, your other right."

"Oh," Steve looked the other way. Apparently the table was behind where you sat.

"You see those scissors?"

"Uh-huh."

"I think if we moved at the same time, we could move over there, I could maybe kick the table, and knock them into my lap."

You snorted, turning your head in her direction. "They left scissors in here with us?"

"What morons," Steve laughed. He was definitely letting on that he was doing better than he felt.

At the count of three, you all scooched in unison, Steve and Robin to their side, you backwards. Just as you finally were seeing some light at the end of the tunnel, only a mere few feet from the table, you all over shot your momentum. All together as a unit, the chairs slid out from under you and you all fell to the floor with a hefty clank of the chairs.

At first you groaned, but then a grin slowly spread across your face. "Shit," You giggled with no choice but to look up at the ceiling as you laid on your back. This was all insane. Absolutely insane.

Robin was obviously feeling the same as she began giggling as well. She shook under you, small squeaks bubbling from her.

"You- You guys okay?" Steve asked, clearly not gathering what could be so funny to you both.

"This is fucking ridiculous," You half suppressed a laugh.

You felt Robin nodding. "I can't believe I'm gonna die in a secret Russian base in a sailor costume." You could hear the smile on her face, jovial despite the situation. The comment only made you laugh harder.

Just as your giggles died down, the door burst open once again and men flooded the room. Your giddy moods were cut short, instantly replaced with terror. Over you now stood a man in uniform, obviously some sort of high ranking official, probably the man in charge. He towered over you, shaking his head and tutting.

"You wake up too, eh? Good," He smirked, looking over the predicament you three had gotten yourselves into. "Where did you think you were going?"

He gestured with his hand, motioning the men in the room to lift you all back upright in your chairs.

"P-please-" You nearly whimpered when sat back up, nothing on your mind but to simply beg. What for, you weren't sure yet, but you were scared and desperate.

"Let us try again," The man said, ignoring your plea. Slowly, he circled around you all, like a predator observing prey, before making it back around to Steve.

Your eyes followed the man as he brought his hand up and thumbed Steve's busted lip. Not only did it elicit a wince from Steve, but you as well.

Your stomach dropped as soon as it happened, making you quickly turn your head away from the man hoping he didn't notice. However, the tingling on your neck told you he had, and he was staring right at you.

"Don't touch him," You breathed. It came out a lot less menacing than you intended.

The man hummed, standing up straight again and murmured something in Russian to one of the men. You watched as the guard walked over to Steve, grabbing him by the hair and raising a fist.

"Wait, stop!" You jolted, fighting against your restraints.

Steve struggled as well, gritting his teeth. "No, no, no, no-"

"Shush!" The general yelled, driving a spike of pain into your skull. He leaned down in front of you, eyes squinted, analyzing you for a moment. Then a question. "Who do you work for?"

"Scoops Ahoy," You responded like it was obvious.

Without hesitation, the guard over Steve delivered a swift blow to the eye socket. You yelped in pain as Steve groaned, now being held up by his hair. You on the other hand were allowed to drop your head, once again tasked with withstanding the pain.

Your breath stuttered in your throat. "Please, s-stop, it… It hurts…"

The general tilted his head, then grasped your chin roughly, tilting your head up and tilting from side to side as he examined you. There were no notable injuries on your person. Other than squinting the same eye as Steve's bruised one, not a scratch was on you. You wanted to kick yourself when you realized he took notice of it, glancing between you and Steve.

His brow was together in thought as he once again gave a command you didn't understand.

Another punch to Steve's jaw made you flinch in the general's hand, pitifully letting out a sob.

Another command, another punch, right into Steve's aching ribs.

If not for the straps holding you upright, you would have once again doubled over. Instead you only moved slightly against the mans hand, your abdomen visibly tensing.

"Stop! Stop it, you bastards!" Robin screamed, however to no avail as she was promptly ignored.

The general let you go as you silently suffered again, standing upright and smiling down at you. "Very interesting…"

The men scattered around the room as soon as another command was uttered from the man's mouth. Hands surrounded you all as the men tugged and removed the straps holding you as a unit only to strap you down again, individually in each of your chairs this time. They pushed Robin into the corner of the room, then grabbed Steve and slid him in front of you to face you. Only then did you see the extent of his wounds. Dried blood smeared on his face from an obvious nose bleed, uniform stained red, his eye a deep shade of purple and nearly swollen shut. Anger bubbled over inside you at the sight, making you finally find your voice.

"Don't touch him, he's had enough!"

The general simply smiled at you as he pulled a red handkerchief from his pocket, then circled around behind you.

The last thing you saw was Steve, worry written all over his face. Then you were shrouded in darkness as the handkerchief was pulled over your eyes, secured at the back of your head.

"What are you doing?" Steve panted as he watched. "Don't you dare hurt her, I swear, if you do anything to her-"

"Oh, not to worry," The man behind you interrupted dismissively. You could hear his footsteps walking around you back to Steve. Your teeth began to chatter as your adrenaline was surely hitting its peak now.

What did they not want you to see?

"We will not hurt her. Only you will."

"What-"

"Just sit. Watch your friend carefully, hm?"

It was silent for a moment before there were footsteps again, then Steve burst to life. "What is that? Wait, no, stop, get that away- Agh!"

Pain instantly webbed over two of your fingers as if they were slowly being crushed by a tool. You fought your restraints and flexed the hand in question, small whimpers emitting from you helplessly.

The pain gradually got worse as Steve yelled and begged, as did you. Then it steadied to a single ongoing pain. "Stop-" A cry slipped from you.

"Where is the pain, little one?" The man called over to you.

You shook your head, mostly in confusion, but the man interpreted it as resistance.

The pain fluctuated, making you lurch. "Agh- Th-the hand! His fingers, the first two fingers," You sobbed in defeat. "Stop, stop, please stop, make it stop…"

The pain was relieved then, if only enough to assure you they weren't going to break Steve's fingers. The ache of a bruise would remain and you flexed your hand again as if it would help. You still let out a sigh of relief.

Light stung your eyes when the blindfold was pulled off, now soaked with tears. When your eyes adjusted, you looked up to meet the half swollen gaze of Steve. Realization, hurt, sympathy, horror, all of it was draped over his face like a thick veil as he stared back at you. You looked down and saw the red impressions on his fingers from whatever had been clamped down on them. Next to him stood a man in white, a metal tool held in his hand.

The general stood there, holding Steve's head up by the hair to watch you. The man's grin was borderline psychotic. "Congratulations, you were correct."

You closed your eyes and lowered your head, teeth still chattering. The jolly expression on the official's face told you he planned on using this new information completely against you. Especially the longer you overstayed your welcome.

The man in power looked over to the man in the white overcoat, the man you assumed was supposed to be the doctor Robin mentioned. Another command in Russian, and the doctor walked to the table behind you. You couldn't bring yourself to look up at anyone, especially Steve.

"Now, try telling the truth this time, yes?" The general asserted as he wandered his eyes over each one of you. They pulled Robin up next to you both again. "It will make your visit with Doctor Zharkov less painful."

◇◆◇◆◇◆◇◆◇

Your body swayed slightly before you let yourself lean back onto the side of the ambulance, watching the smoke rise. The mighty Starcourt was completely destroyed. Destroyed by a-… Well, you had yet to fully comprehend what it was and the events that had even transpired. All you were able to understand clearly was that you were alive, along with a couple adults, a group of middle schoolers, and your co-workers…. Could you technically call them co-workers now? Maybe just leaving it to friends was safer to say.

Your stomach was still a little queasy from whatever drug that doctor had injected you with, and your muscles ached from overexertion. Your eyes were so heavy they felt swollen, yet you knew if you laid down, sleep wouldn't come to you easily. Watching the last remaining flames and the smoke ahead of you was mesmerizing. Like you were sleeping with your eyes open.

The moment was broken as your face twitched a little in pain. Steve must have accidentally scratched his stitches again.

You hadn't looked at him since you all threw up in the bathrooms together. In fact, once you were sober, you had walked out claiming to need another drink of water from the fountain. After that, events happened so quickly you could hardly keep up. You were grateful at the time to have had something to distract you both with. Even now you were trying to distract yourself.

Bringing your hand up to your face you rubbed your forehead, a headache still refusing to leave you and Steve be. You'd come to accept that the pain probably wouldn't subside for a while.

Robin rounded the ambulance, wrapped in a security blanket. Her eyes were still red and it was clear she needed sleep as badly as you. Yet there you both were, still up and running.

"Hey… They look over you already?" Her voice was more gravely than usual, most likely from all the yelling she had done while you all were held hostage.

You nodded, still gazing at the wrecked mall. "Other than a couple bruises, I'm fine."

"Mm-hm," She hummed, clearly unconvinced.

"What?"

She rested her shoulder on the ambulance, leaning in closer. "Look… I don't fully understand a lot of what's happened, but I do think you need to talk to Steve. At least before we go home."

You sighed begrudgingly. You knew that was probably what you should do, yet all you wanted to do was hide from him. "What would I even say, Rob?" You mumbled.

She snorted then, causing you to look at her. "Dude, all you'd probably have to say to him is 'hi' before he'd do all the talking. He always has shit to talk about."

It was your turn to snort. "Yeah, sure…" You sniffled then, guilt blossoming in your chest. "It's… It's because of me they hurt him more…"

"Yeah… I-I mean no!" She caught herself, making you smile. "That all was just…. It was…. A lot. What was all that? With the Russians I mean, and the blindfold?"

By this point, and with everything you had gone through together, you thought Robin could handle what you've kept to yourself for so long. After all, your empathy with Steve was by far the tamest secret of the night.

You let your head rest back on the ambulance and closed your eyes. "I've been able to feel his pain ever since I was a kid," You let out in a breath.

When it was silent for longer than you liked, you looked to her worriedly. She was simply staring at you, looking as though she were thinking.

"You can feel his pain? Like, all of it?"

You nodded. "Physical, yeah."

It took her a moment more, hugging herself in the blanket as she thought. "That…. Makes sense actually." She snapped her fingers and pointed. "That's why they did that stuff, they tested you!"

You nodded, a shadow of gloom over your brow.

"And that's…. Why you passed out. Because he passed out."

Another nod.

"And he doesn't know, does he?"

You couldn't help but give a grin then, not one of joy, but more out of nihilism. "Of course not."

"And why, exactly?"

"I don't know, I just…. Got into the habit of keeping it from him. I think in general I was just scared. Scared I would scare him away or make life harder somehow." You hugged yourself, finding it hard to look at even Robin now. "I couldn't lose him… or bear him not believing me."

Robin began giggling, catching you off guard.

"What?"

She shook her head, dragging a hand down her tired face in exasperation. "I seriously doubt he would do any of that, especially after tonight. Also, you weren't in the bathroom when he talked about you."

"Talked about me?"

"Mm-hm," She nodded. "You're not the only one keeping secrets."

Your eyes widened and you pushed yourself off the ambulance. "The hell does that mean?"

"Nope, no more," She put her hands up defensively, "I wash my hands of this, I'm not enabling you any further."

"Oh, come on, Rob-"

"No! The only way you'll get more is if you talk to him yourself," She smirked. "Or do I have to actually drag you over there?" Her thumb thrown over her shoulder, she pointed to Steve in the neighboring ambulance, speaking with the paramedic. For the first time you looked past her to gaze at Steve, his shoulders sagged as he had an arm wrapped around his abdomen. You could feel the bruised ribs he was cradling.

You looked back at Robin, giving her a small pout. She returned it, although much more sarcastically. Simultaneously, you both broke out in smiles and giggles.

"You're a dick," You said, shaking your head.

"Only when you guys are idiots."

You rolled your eyes, turning to glance at Steve again. This time you caught him already looking at you, swollen eye and all. He raised his hand ever so slightly to offer a tiny wave, as if he were scared he would drive you away again.

You gave a tiny wave back.

"Fine," You muttered, walking past Robin and making your way over to him, eyes trained in the ground.

From this angle, the police car lights flickered blue and red over Steve's face, almost hiding the fact he was covered in purple bruises. Slowly you slipped next to him, sitting on the bumper between the open doors. Loose gravel crunched under your feet on the asphalt.

"Hi…"

"Hey…"

A shiver ran up your spine, but you weren't sure if it was from the breeze or your nerves.

"So, uh, Robin said I should talk to you."

He nodded, a single strand of grimy hair bouncing to his forehead. "Yeah, she told me to talk to you too."

You blew a puff of air out of your nose in a laugh. "Was that when you wouldn't stop talking about me in the bathrooms?"

Steve let out a laugh then, scratching the back of his head. "She told you what I said, huh?"

"Nah. Only that you said stuff. She left me on a cliffhanger just to get me to come over and talk to you," You dryly chuckled.

"Hm," He replied, "So you were kind of ignoring me after we got out."

You grimaced, looking down at your beat up shoes. "Yeah… Look, I'm sorry, I really didn't wan-"

"Why didn't you tell me?" He interjected, turning to look right at you.

"... Tell you...?"

He scoffed and shook his head in disbelief. "That you can feel this," He lifted his arm and pinched it.

Your hand balled into a fist at the pain and you looked away. Why were you still so scared? Why did you still feel so shameful about all of this?

"You figured that out, huh?"

Steve shifted himself closer, close enough now that your shoulders were touching. "I'm not upset, okay? I just…" He sighed. "It's all so crazy. How long have you been able to feel it— When I hurt?"

You chuckled lightly. "A while. Since like elementary school."

"Shit," His hand reached out and grasped yours. "Look, if I had known, I would've-"

"I know-"

"No, you don't," He turned himself to you, bare knee bumping yours. "You really don't know. You don't know how much I would have done differently. How much more I would've cared, how I would have treated you better, how I would have… How I would have stood up to my dad somehow…" He paused, then cleared his throat. "I wouldn't have thrown myself into fights as much if I knew you were out there feeling everything, thinking you couldn't say a thing about it. If I had known, I would've realized you understood me more than literally anyone I've ever met."

You could feel your nose begin to tingle, a clear warning of tears threatening to bubble up. You pursed your lips, not trusting yourself to reply.

Steve scooched even closer, his knee now pulled up and resting behind your back, his other on the ground. He smelled of sweat, smoke, and blood, yet somehow a small wisp of his cologne still lingered. It all mixed together into a scent that would only ever remind you of this night.

His warm hand left yours to delicately glide up your opposing cheek. You sniffed as he pulled your face to turn and look at him.

"If you had told me, I would have told you that I've felt things too."

Your brow softened when your eyes went round, your heart sinking to your stomach. "Things?"

His face went downcast for a moment, as if in some sort of regret. "Remember when you dislocated your wrist in 3rd grade? And I went and got help?"

You nodded. You remembered the teacher had come to help you after Steve ran off, but then he didn't come back. The next time you saw him wasn't until school the next day. You had been upset that he hadn't come back with the teacher to help or even come over to your house to see if you were okay after school. He had apologized when you went off on him, but that was all. As kids, it was easy to just forgive and move on. Play the next game of tag.

"You were pissed at me… I ran and hid from you because I felt it too." He scratched his chin, looking off at the demolished mall. "That was the first time. It freaked me the hell out. I felt when it happened, and I felt when they popped it back in a few hours later at the hospital. I could tell when you bumped it wrong or strained it. I could feel it all." He looked you dead in the eyes then. "And everything after that."

You shook your head, your brow laden with confusion as you put your hand over his on your face. "You never said anything either…"

He smiled softly and shrugged. "I didn't think you had to know. To be honest, I thought it was all just some weird hallucination or something."

Your expression shifted into one of disapproval.

"Oh don't you even," His smile grew at you, "You're just as guilty for not telling me."

"Yeah, I…. I know… I'm sorry," You muttered, the wounds scattered over his face taunting you again. While only a few hits had been delivered upon the discovery that Russian general had made about you, all of the injuries hurt the same. Both physically and otherwise. "I guess we all have our secrets."

Steve moved his other hand to cradle your face fully, his face moving closer to nearly rest his forehead on yours. While smiling only a second before, his eyes were now filled with something more serious. Something you had never seen directed at you before. It made your attention on him freeze and heat rise to the back of your neck.

"Well, while we're confessing secrets… Can I let one more slip?"

You couldn't tear your eyes away from his, which you quickly noticed kept darting down to your lips. Was he really doing this?

"You… have another?" You squeaked, voice barely audible.

He nodded. "If you'll let me show you?"

You dumbly nodded back, your mouth slightly agape and eyes as round as a couple of full moons.

He leaned in, finally resting his forehead onto yours, one of his hands sliding down to the nape of your neck. When your noses bumped he turned his head slightly, fitting your faces together like a puzzle. His breath brushed over your lips, puzzle pieces almost completely flush.

A jolt went through you like electricity by a single thought. "Wait-" You pushed him back slightly at the chest.

His eyes shot open, gazing at you in anticipation.

You didn't continue, only stared at him a moment, trying to get a handle on the speeding thoughts swirling your mind. Your pause was just long enough to watch sorrow cover his features.

"I read it wrong, didn't I?" The hand on your neck slid down to your shoulder in dismay, the weight of it heavy.

"No… No! God no, I just…. There's…." You squeezed your eyes shut, trying to think. "You don't… Have to do that… if you dont really want to."

He tilted his head. "Who says I don't want to?"

You shook your head, biting your lip nervously. "You don't have to be close and sweet like that just because you feel bad for me." The tingling returned, tears now visibly welling.

Steve leaned back further, far enough to be able to start analyzing you. His eyes darted around, trying to pick apart what you had just said. "Because I feel ba-?… You think I want this just to make it up to you somehow?" He challenged, his thumb stroking your cheek in an attempt to possibly keep you calm.

Alas, a tear still escaped and dripped down your face. "Yeah you don't have to get with me like that just because you feel bad for a few fights, okay? I'm not upset that you-"

"That's not why," He deadpanned.

"Huh?"

"That's not why I want to kiss you."

The tears froze, as did the internalized denial of the situation at the utterance of those words.

I want to kiss you.

"I mean, it's part of it," He admitted, "The whole pain thing I mean. But I don't want this because I pity you or anything or because I feel bad for getting beat up. I mean sure, I never want you to feel that again, but… You have to know those aren't the only reasons, right?"

All you could do was stare back down at your lap, fighting the additional tears threatening to spill and flood the whole parking lot.

"Shit, you really don't…" He muttered, letting the hand on your cheek slide upwards into the roots of your hair. "You're so much more than just that empathy to me. Really, you are, you hear me?"

You sniffled, once again squeezing your eyes shut causing a round of tears to fall down at rapid fire. Steve caught all of them with a gentle brush.

"Seriously, you're one of the funniest people I've ever met. You have the prettiest eyelashes, the most adorable laugh, and you're hell of a lot smarter than I am," He lightly joked, reaching down to grab your hand once more. "You've helped me be better, forgave me when I didn't deserve it, and let me rant to you about whatever shit would piss me off. And you care so much about Henderson and his nerd friends. My life would be so sucky without you... even if I do have to feel your god awful period cramps." He snickered. "I want you in it more for as long as possible. I want you closer."

Despite the joke, your body shuddered in a frame wracking sob. The emotions were now pouring out from you in violent waves. The tears weren't just from Steve, it was buildup from the whole damned night. A dam of hurt, fear, sorrow, anxiety, disappointment, horror, regret, sadness, and pain had been building up over the course of hours and hours. Suddenly, this was the pressure that made everything come flooding out… and you couldn't stop it.

"Oh, babe," Steve cooed, his soft hand hooking your neck and pulling your face into his chest. The pet name sparked something inside you, but it was quickly engulfed by the absolute tornado of intensity ripping you apart from the inside.

Steve couldn't feel your emotions, true, but he could feel how hard you bit your lip trying to stifle any noise that tried to escape. He could feel your body shudder in his clutch. He could feel the wet tears you rubbed into his shirt. And he could feel his heart breaking, not because he was hurt by you— hurt that you thought he would do such a thing to you out of guilt. No, it was because you had genuinely thought he couldn't love you like that. He could see the denial in your face, the false belief you must have come to adopt over time.

Steve waited patiently for you to calm, rubbing your back and resting his cheek on the top of your head. Your lungs began aching with each breath, your throat was going dry and burning. Eventually your choppy inhales slowed and your whimpers began to cease. Deep breaths became easier to take in and the blur in your vision cleared. When you came back to the moment at hand, you realized you had brought your legs up off the ground and to your chest, leaning against the warm body beside you. In a ball, Steve had wrapped around you like a shell, rocking you ever so slightly.

Your body shook again, this time in a small laugh. "I should be the one comforting you, you know. You're the one with broken ribs and stitches in your face."

You felt him chuckle against you, the sound rumbling your ear against his chest. He smiled, relieved to hear you joke around again. Tilting his head, he looked down at you trying to see your eyes. They were finally open again.

When you caught his gaze, you stared back up at him in attention, eyes red and nose runny. While you were sure you looked like hell, all he could see was the damp sheen of tears and sweat highlighting his favorite parts of your face.

"Can I please kiss you now?"

You let out a breath as you sat up, wiping your nose with the back of your hand. "I'm all gross, though."

He grabbed the back of your neck again and gently yanked your face to his. "Shut up and just let me kiss it better."

You rolled your eyes. "You're such a dork-"

His lips greeted yours, warm and soothing, the obvious pain of his busted lip cast aside just to feel each other's being. Your chest exploded once again with overwhelming feeling, but this time it was manageable. It was more than manageable, in fact, it was welcome. It was no longer a spark sucked into a gloomy tornado, but a ray of light, casting a sensation of healing rays from your chest outwards. Both of your movements melded together like clay, as did your breaths, creating a back and forth that you had been longing for. It was as if you were charging each other with hope after a night full of negatives and hopelessness. It was like being at home again after being gone for so long.

He was the first to pull away, his hands holding your head with a slight tremble in them. It made your heart swell. He was just as worked up as you.

"Ouch." He said under his breath.

A woozy smile burst over your face, rays of light reaching the surface. You brought your hand up to lightly brush your thumb over his bottom lip. "I think this should heal more before we try that again."

He shook his head, eyes drooped with lovesick admiration. "Let it hurt," He mumbled before leaning in once more, pressing his mouth to yours.

You accepted it with a grateful hum.

A/N: Thanks again for reading! Seriously loved the new people flowing into this blog and the comments you all leave. It means a lot. My confidence is boosted <3 Requests are open!

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[vibingandsimping]

hi! would you feel comfortable writing up something for a godhood!gale after he assembles the crown of karsus and wields the power for himself, seeking out a vulnerable tav as his chosen? i think the darker aspects of gale’s personality, like his ego and his possessiveness, could be really attractive

I like the way your brain thinks. Keep sending me juicy thoughts like this… I am THRIVING. He 100% would seek you out.

I wanted to make this a longer post for one of my follower goal specials. I rewrote this like two or three times because I liked the prompt. Still, was never satisfied with it. I will possibly write something based off this later… but for now enjoy a drabble + some headcanons :)

(also still haven’t finished the game… work is a bitch 🤞)

Gale always sought out knowledge and power. It was how he had gotten so intimately involved with Mystra. He spent his life studying and practicing to ensure he’d be a great wizard- like his mentor Elminster. Yet, nothing ever truly felt like enough to him. The weave in his chest ever-consuming proof of his hunger. That was until the Netherstones. He nearly drooled when you held Ketheric’s in your hand. The power thrumming and sending his veins alight. He thought all to have only a fraction of their power… but these. These stones were unlike anything he’d ever seen.

Everytime he stood near Orin or Gortash, his skin would tingle. He yearned to wield that for himself. To study and debunk everything behind it and nurture his mind with the intellect he could collect. He placed his trust into you. You led the group and held them close to you after killing Orin. Gale was noticeably on edge the entire trip with Gortash. He chalked it up to nerve- partially true. The Elder Brain was a powerful entity and surely would be intimidating. So, you as oblivious as ever, smiled and reassured him. He almost envied you. Once you reached the brain with the Archduke, you handed over the two stones and reconnected the three. Piecing together the Crown of Karsus. After Gortash was slain by Bane for serving his purpose… fate was left in your hands.

He watches as you turn the artifact over to him. He’s trembling as he holds the crown, finally feeling the immense magic coursing through him. He closes his eyes and claims it for himself- finally. When he reopens he is faced with Mystra who is less than pleased. He won’t relent, no, this is what he wanted. She placed a bomb in his chest just to ensure nobody could claim this power. How ironic that he ended up being Karsus’s successor? After winning a mental duel she curses him and banishes him from her realm. Why should he care, though? Mystra was nearly useless to him. He was a god now. When he returns to your realm, his skin glows ever so slightly and his brown eyes are much brighter. You can see his changed form and sense the change of his mind. He takes one of your hands in his- his skin electrifying to the touch. It sends a shiver down your spine. Gale draws the back of your hand to his lips and presses a tender kiss. “Thank you,” he hums, “for bestowing this privilege onto me. I won’t let it be for nothing. Join me, my love. I can give you anything and everything you’d ever want.” Quite frankly, how could you turn down a god?

Gale was different from that day on. He was still tender and caring. So doting for your every need. Yet, he seemed to view you much differently. You were a mortal- so weak in comparison to him. His lips would trail your skin as if you were porcelain and he so despised not having you by his side. What if something happened to his beloved lover? Oh, and don’t you dare imply that he’s changed. His usual gentle and… a little overprotective or possessive nature will morph. He’ll become colder and stare at you. How has he changed, his beauty? What do you mean he doesn’t treat you the same? Isn’t this better? In the lap of power and in the hands of a god?

Careful what you say and do. He would hate having to punish you. Stripping you of your magic abilities or casting a spell to dumb-ify you. That, or how about being trapped in his personal quarters for a couple days? With no-one but himself to keep you company? Oh, don’t worry. Those are only if you disrespect his new placement. He knows it’s a lot to adjust to, he’s still adjusting himself. This is a journey you’ll take on together, hand in hand, just like how you started. He’ll do nearly anything for you, only ask. Just promise to never leave his side, okay? He couldn’t bare to let you go.

And if you did leave… it won’t be for long. He will find you and he’ll ensure that you recognize the mistake. You can’t escape your god, love.