#i have a lot of words about this okay

[kanerallels]

Me: Gee I sure hope this fan fic is pretty long it feels like it should be a long one. Maybe 5 or 6k words Me: *checks the word count* The word count: *is 5,130* Me: Me: Hmm. Well. I'm gonna succeed at my goal at least

[schemelin]

non-verbal "I Hate It In Here" Lone Wanderer just wants her dad back.

[inkskinned]

i love when words fit right. seize was always supposed to be that word, and so was jester. tuesday isn't quite right but thursday should be thursday, that's a good word for it. daisy has the perfect shape to it, almost like you're laughing when you say it; and tulip is correct most of the time. while keynote is fun to say, it's super wrong - i think they have to change the label for that one. but fox is spot-on.

most words are just, like, good enough, even if what they are describing is lovely. the night sky is a fine term for it but it isn't perfect the way november is the correct term for that month.

it's not just in english because in spanish the phrase eso si que es is correct, it should be that. sometimes other languages are also better than the english words, like how blue is sloped too far downwards but azul is perfect and hangs in the air like glitter. while butterfly is sweet, i think probably papillion is more correct, although for some butterflies féileacán is much better. year is fine but bliain is better. sometimes multiple languages got it right though, like how jueves and Πέμπτη are also the right names for thursday. maybe we as a species are just really good at naming thursdays.

and if we were really bored and had a moment and a picnic to split we could all sit down for a moment and sort out all the words that exist and find all the perfect words in every language. i would show you that while i like the word tree (it makes you smile to say it), i think arbor is correct. you could teach me from your language what words fit the right way, and that would be very exciting (exciting is not correct, it's just fine).

i think probably this is what was happening at the tower of babel, before the languages all got shifted across the world and smudged by the hand of god. by the way, hand isn't quite right, but i do like that the word god is only 3 letters, and that it is shaped like it is reflecting into itself, and that it kind of makes your mouth move into an echoing chapel when you cluck it. but the word god could also fit really well with a coathanger, and i can't explain that. i think donut has (weirdly) the same shape as a toothbrush, but we really got bagel right and i am really grateful for that.

grateful is close, but not like thunder. hopefully one day i am going to figure out how to shape the way i love my friends into a little ceramic (ceramic is very good, almost perfect) pot and when they hold it they can feel the weight of my care for them. they can put a plant in there. maybe a daisy.

[meamiki]

silly comic based on a time i struggled to read live on stream :thumbsup:

context clip compilation below ASDASDFASA

(cw for brief mention of hospitals/strokes)

[poorly-drawn-mdzs]

Congratulations to Dungeon Meshi on the first episode of the animation adaptation!

(June 2024 Redraw)

[harmonictechnicality]

It’s the way Steve places a pin in that damn map of Hawkins. Two fingers, muddy knuckles. Fuck if Eddie knows the actual destination because all he can navigate is the curve of Steve’s index finger as he smooths out the edges of the map.

And it’s stupid, right? Because the world is folding in on itself and he’s looking at a guy in the kind of way Victorian novelists would only describe as ‘longingly.’ It’s objectively stupid. Probably some adrenaline bullshit that a doctor could explain with a brain scan.

The rest of the group has scattered, plotting amongst themselves. Pulling plans out of their asses. Finding layers of courage behind clues and cassette tapes.

Eddie should do that too. Plan. Make decisions. Do anything other than stare at the dirt underneath Steve’s goddamn fingernails.

“Please blink, Munson.” Steve says while clearing his throat. He’s been doing that a lot. Which is, like, understandable after coughing up lake water all night long.

He clears his throat again. “Show sign of life before I ransack the supply bag for that shit you call music.”

“That… shit?” Eddie spits out the words. Briefly forgets his swirly Steve feelings because of the fucking audacity on this guy. “Rightrightright, because Bob Seger is so fucking dignified, huh?”

“Uh-oh.” Dustin murmurs behind him.

“Because Old Time Rock and Roll is the highest ranking of ear candy?” Eddie searches through their duffel bag until he finds Steve’s Vecna Saftey Tape. Waves it around wildly as he speaks. “Forgive me. I didn’t know entry-level chord progressions were considered Carnegie Hall worthy these days. But by all means, call my music shit.”

He throws the tape at Steve’s lap before dropping back down to his seat on the couch.

“Well,” Steve smirks. “At least we know if the music won’t wake you up, mocking it sure as hell will.”

“Guys. Focus.” Nancy steps into the center of the room. Everyone nods, even Eddie. They listen intently to her directions. Henderson doesn’t interrupt her, not even once.

Nancy’s entire demeanor is charged with currents of determination. It’s honestly impressive. Truly. She could convince congress to change the fucking constitution if she wanted. Have the supreme court eating out of her palm with how persuasive she can be.

And the only thing that distracts her, is the same thing distracting Eddie.

Two fingers. Muddy knuckles.

Eddie follows her gaze back over to Steve. Her expression softening when she sees him.

It’s cruel and expected. Cruel that Eddie has to witness such softness, knowing exactly how it feels. Expected because wedding bells can practically be heard every time those two interact with each other. No one can deny that.

But knowing all this doesn’t stop the cruelty from squeezing Eddie’s stomach till his insides feel raw.

He swallows down his flimsy fantasies. Keeps repeating those words from back in the woods:

It’s jealousy, it’s jealousy, it’s jealousy, it’s-

“Hey, man.” Steve says.

Man? Not ‘Nancy, my betrothed?’ Not “Nancy, my muse?”

… Man?

Eddie blinks. Glances up to see Steve looking at him. “Your taste in music isn’t complete shit.”

Which isn’t exactly an apology. But the teasing scratches an itch in Eddie’s brain that he hasn’t be able to reach for a very long time.

“Yeah.” Eddie says. “I guess Bob Seger’s stuff is… intermediate. Assistant managerial-level chord progressions.”

He pauses. Then leans in and adds a quick, “At best.”

They both laugh a little. It’s cut short by Steve clearing his throat again. One of the many reminders that they’re not well.

That nothing they’re going through is fair. Not even in the same universe as Fair. Eddie’s eyes fall to the red markings around Steve’s neck. Wonders if that makes his cough hurt worse.

“Look.” Steve nudges Eddie’s arm. Pulls his attention back into this moment. “We’ve got this, okay?”

Eddie can’t exactly tell if there’s softness in Steve’s eyes - the same kind Nancy gives to him so freely. Or if it’s just regularly scheduled Concern. But it doesn’t even matter because Steve said that.

We.

‘We’ve got this.’

Him and Steve.

And, okay, was Steve referring to a collective ‘we?’ Sure, yeah. Obviously. But Eddie is allowing himself to wallow in delusion while the world’s expiration date remains questionable.

So he aims a lovesick smile at Steve and sighs. “Whatever you say, Harrington.”

[vaguely-concerned]

having seen at least the rough outlines of all the romances now I have to say that I think emmrich's is probably objectively the best in terms of coherence and completeness of story arc (with the understanding that ultimately the 'best' romance is whichever one makes YOUR heart sing anyway so objectivity is a silly thing to claim that way, it just felt like it's the arc with the most well-paced focused content and the least dangling threads)... but lucanis' is my favourite haha. just. the whole kneeling before your beloved full of reverence but without any of the distance that usually implies??? his complete undramatic certainty and calm in every scene with rook after this, having spent the whole game caught between fear and longing???? mr. lives in a pantry but it says nothing about my psyche don't worry about it it's purely for tactical reasons that I keep myself contained in a small dark room not entirely unlike a cell, love among the parsnips -- finally coming to rook in their room and it's so comfortable and comforting???? after all the times rook supports and comforts him through the game he's finally able to return the same to them when they need it while being so calm and steady and it's so fucking sweet and feels so effortless and with no price attached?????? he basically assigns himself the role of your bodyguard and he WILL stab a god over it??????????????? the turn to protector (which was in his heart all along longing to get out and find a place) of it all????? he sounds like he's found himself unexpectedly stumbling into such a soul-lightening state of revelatory existential relief, full on 'you only have to let the soft animal of your body love what it loves' mary oliver style, and he goes and he shares that with rook and protectively envelops them in it when they're hurting??????????????????????????? hello for the maker's sake hello can anyone hear me?????

[katierosefun]

pyramid game is such a perfect little drama for the sapphics because you've got a whole demented psychological thriller going on about high school girls creating a whole fake social class system that results because one bored little princess bitch thought it'd be funny, and you've got all these dynamics that can only be boiled down to some kind of love story because like. ye lim and eun jeong's dynamic? the princess idol and her athlete bodyguard. soo ji and ja eun's dynamic? the cold mastermind and the compassionate heart. even whatever da yeon and seol ha have got going on? typical hitter and loyal dog dynamic. the list can go on.

[freckleslikestars]

FARSCAPE | 1.06 Thank God It's Friday, Again.

[halfbaked00q]

Im soooo weak to when Bond is like casually being used or exploited at his expense for some ostensible Greater Good except the situation doesn't HAVE to come to that, not really, and he's so inured and even numb to it that he barely pays it any mind; meanwhile, Q absolutely minds and is very indignant on his behalf and works overtime to like either try to avert or forestall the situation before it gets to the point where Bond has to dig his own claws into more of his soft underbelly to offer up on the sacrificial alter of politics of all tawdry things, or to manufacture a way in which he does the needless "needful" so as to spare Bond at least one unnecessary additional wound upon his psyche.

bonus if Bond finds out and maybe after being angry or indignant about it - I don't need you to do my job for me, Q, this is what I'm here to do - and either Q tells him/lets slip or he deduces that like, this isn't Q thinking he can't get the job done, this is Q finding him precious and worthy of protecting, and like. he's just very in awe of that and does in fact feel very safe and cherished within the cradle of his Quartermaster's regard

[fightmewiatch]

The emotion behind the way Edwin uses fuck is so heavy, because outside of the pilot episode and the scene on the stairs, he doesn't swear. He's a proper boy, repressed and focused and he bottles everything up.

In the Pilot, "The police don't know what to do with a fucking witch", he isn't swearing about the witch. He's angry, and he's upset, and he's frustrated. He's trying to focus on solving this case, saving the girl, doing the right thing, fixing things. Edwin spent seventy years in Hell, fighting for a way out (the detail in his journal, he didn't get out on the first try, he spent those 70s years trying over and over and over to find a way out - but that is a story for a whole other time), torture and pain and heartbreak, only to get out and fall into the school to find out no one cared that he died. "An act of God." The school wrote him off, everyone wrote it off and that was it, that was the end of it, no one cared that a 16 year old boy went to bed and was never seen or heard from again, poof, gone. He spent Charles' last moments with him to keep him company, and calm, and not scared, the two of them knowing what had happened only for the school to once again cover up the death of a 16 year old boy and pretend that whatever happened didn't. Edwin spent the next 30 years connecting with Charles, trying to help ghosts so they don't spend their entire afterlives in a state of absolute sorrow and heartbreak like has. We get such a bare taste of the ghosts they've saved and helped move on, who knows how much good they've truly done, how many they've saved from going to Hell on technicalities like Edwin had done. He's frustrated with Crystal, because he's spent 30 years working with Charles and only with Charles, he knows his friend, he knows how he behaves and how he works and how he acts, those two are connected on a level some people only dream about, and here she comes, she latches on, and she joins them to help but she's so hyper focused on herself and David (understandably so), that she isn't giving the same attention to the case that Edwin and Charles have always done, and he's angry, and he feels like it's going to happen to this girl, he is worried that her focus on David, is going to cause them to fail. Crystal has every right to be upset and scared and everything else that she is, but she doesn't consider, until that moment, that Edwin has a right to be upset about how it seems to be interfering with the case. The way that she reacts when he says "The police don't know what to do with a fucking witch," she realizes it then just how important this case is. Edwin was dragged to hell, the boys around him obliterated - leaving behind the idea that maybe he was, too - so to the school, maybe Edwin just disappeared, like Becky, like all the other little girls over the years in Port Townsend. Solving Becky's case is so damn important to Edwin that he is taking it personally. And while it's subtle, Charles reacts to him swearing, too, as though Edwin does not swear. And based on the rest of the season, it's clear he really doesn't. The way he swears in the pilot is from a place of complete and utter sorrow and anger.

In ep 7, it's different. He's spent the whole season struggling with who is he, trying to come to terms with a feeling he'd repressed for at least a century, and he's had to do it while dealing with the Cat King and Monty and watching Charles flirt with Crystal and struggle through his own rage, he's done it as quietly as he could, as if bringing it up out loud might ruin everything that he's worked so hard for. But now he's in Hell, again, now he's trying to get out, again. Edwin encountered the reason he was sent there in the first place, and found out what really happened. Edwin spent all those years thinking it was purely malice that got him sacrificed, only to find out it was just because Simon had a crush on him, and did an absurdly stupid thing thinking it was harmless. I think in that moment, Edwin realized how easy it is to misunderstand something - because clearly, Edwin had absolutely no idea that Simon liked him at all, until the moment he admitted it in Hell. And then Charles shows up. Charles came to save him, armed with a bomb, a Molotov cocktail, and Edwin's notebook with a map of hell on it. Charles came down, he listened to Edwin's directions, he ran behind him most of the time to make sure Edwin was going to get out. Charles was with him, saving him from one of the rooms, following him to the stairs and up. He stopped with him, even when they needed to keep going, Charles let him have a moment on the steps. Edwin is in shock, he cannot believe it. All these years, all these write offs, all these moments where Edwin genuinely didn't think he'd ever get out of Hell if he were to go back, believed that if they ever got caught by Death or anyone from the afterlife, he would be damned forever because who gives a shit about a technicality, who cares about the poor boy that was sacrificed and written off by the rest of the living. Edwin didn't know what else to do or say, the emotions he'd kept bottled up while he tried to figure them out were coming out one way or the other. "It's so fucking stupid, it's unbelievable." Edwin didn't think he deserved it, thought it was stupid to come down and save him, because who would do such a thing. Charles risked himself to come down to Hell to save Edwin. Edwin never thought he'd be worth it. And when Charles just shrugs it off a bit, reminds him that he was gonna do it, and he's so easy about it that Edwin just. Confesses. And corrects him, when Charles misunderstands for a second. Charles didn't think twice about "Great. Love you too. Can we go?" And he really didn't even hesitate to reassure Edwin when Edwin clarified what he meant, that they had forever to figure things out.

[orions-aether]

just thinking about jawbone saying "you're easy to love" to adaine at the end of sophomore year and sobbing what about it

[kineticallyanywhere]

Time & Space pages 1-2 ( This is the start || ao3 (not yet!) || next ) Starts less than 24 hours after the death of Willy Stampler. With the job done, there's finally time to sort some things out. They just need the right amount of space.

[the-hot-zone]

recommendations for @mail-me-a-snail & honestly everyone who follows me bc y'all know i give out recommendations like candy. i think especially you may like I think love is something that happens to other people and HOW TO BE A DOG (the latter is similar to Your Faithful Servant).

[unriding]

a … a gift from the talented @kruinka 🥹 thank you so much!! ദ്ദി ༎ຶ‿༎ຶ)

[thereweredragonshere]

I skip all Hiccstrid scenes in Rtte because buffstrid is not canon💔