#i have a lot of thoughts. but with just drawing it's hard to make a meaningful distinction

[meo-eiru]

DUDE I JUST PLAYED THROUGH THE GAME, WHY IS IT SO SADDDD😭😭😭

and why is he hot

Starling went through quite a few redesigns through the entire development process so let me talk about it a bit :3

It all started with this notes app drawing I made with my finger

Right from the start we knew his tail would be made out of tongues but figuring out how many and placed how was quite hard, I really had to girlmath my way thru

This was the first actual drawing I made of him. The story wasn't complete yet but I went ahead and designed something anyway. Here he was definitely "scarier" and his scar was also placed differently. He had gills on his neck but as you will see I changed their location to under his arms later on. We were actually considering not giving him a tongue of his own so I wanted to make his mouth terrifyingly big and empty.

Here I tried giving him bigger eyes like a fish. This was when his playful and childlike personality had started shaping as you can see from the expressions. I definitely liked this direction better but it also wasn't perfect just yet so I went ahead and did a few more changes

I slowed down on trying to figure out his design a bit after that and instead focused on how his sprite would look. He is a merman after all, he can't just stand straight like a lot of the other visual novel characters. This stage was PAINFUL.

These were the first ones I sketched, we ended up deciding we liked the 3rd one the best.

I carried that 3rd one over to another canvas and started playing around with how we could place his tail, we started entertaining the idea of having him sit on a big rock

This is when his pose really shaped up. The animated Little Mermaid movie was actually a big inspiration, I sat and rewatched the entire movie and studied how they animated her tail

And after that I finally finalized his design. We decided to change the end of his tail to be more eel like for aesthetic purposes (normal tail shape looked weird with tongues)

And for anyone wondering this is what Maelyn looked like at first. Since the story wasn't complete yet I thought it'd take place in a more modern setting and designed her with that in mind but we decided to have the story take place in 1800s so I changed the design based on that. I did a lot of research on glasses and corsets to make the design as accurate as I could.

Yes glasses! We didn't use the sprites in the main story but Maelyn does wear glasses and looks very pretty in them if you ask me. You will be seeing more of it in the bonus episodes!

[pinacoladamatata]

transcribing some codex letters.... Spoilers, obviously.

all the letters i've found from Felassan (not counting the ones that actually save in the codex, these are the ones found around the crossroads.) bc i want the text easy to copy for reasons

An Unknown Artifact

What are the Crossroads doing? "The spirits of the Crossroads do as they must, Felassan. As do we all." Thank you, Solas. That's incredibly useful. Really helps your old friend pull together a rebellion against the Evanuris. -Felassan

The Blighted Tree

This is a holy place. The tree draws strength from the earth, just as the first elves did. Some younger elves grow trees in the cities to honor their ancestors. Roots have a tendency to dig down and gnarl up, then twist around things they aren't supposed to, though. Hoping that metaphor doesn't stick. -Felassan

The Cathedral of roots

When we first started, this was a safe place for spirits who joined our cause to find peace from the stress of battle. Now… I don't know. Not a lot of spirits use it any longer. Have they grown stronger, or has the fight against the Evanuris made demons of us all? -Felassan

Mirrors upon Mirrors

This place is amazing. June's normal eluvians function with twinned lyrium fragments. One always leads to another. Solas somehow talked the crossroads into making Fade-eluvians that override them. His own network to run our rebellion. Provided you ignore all the old stories about holding mirror up to mirrors and getting caught in the infinite reflections. -Felassan

A refuge for Mythal

Solas always thought Mythal would join us eventually, that she was better than the rest of the Evanuris. He made this place so she'd be comfortable here once she joined the rebellion. Now it's too late. Solas has sealed this place off out of grief. He won't let me in. I'm sorry, my friend. There was something left for the war to take from you after all. -Felassan

Calm before the storm

I come here sometimes when I need to be myself. Not Solas's friend Felassan. Not the slow arrow of the rebellion. Just me. He hasn't been right since what happened with Mythal. He's planning something with the dagger. And if it were a good idea, he'd have told me. Damn it, Solas. I'm with you as long as we're protecting the innocent from the powerful, but you make it hard sometimes. -Felassan

The Empty Forest

This place used to be full of spirits who flocked to Solas's cause. When his ritual went wrong- when everything went wrong- he vanished, and the spirits stopped coming. Where are you, my friend? You stopped the Evanuris, but broke the world. Please tell me you didn't leave me to fix all this alone. -Felassan

[sugawhaaa]

☆-TXT headcanons-☆

Cock description

Warning/genre:: SMUT...that's about it 🤡

Pairing:: ot5 x gn!reader

A/N:: not me trying to lure in moas to reply to my most recent posts 🤭 I need answers brooo. But I do really like this 🍗

Soobin

He may be a little on the short side but he makes up for it with his width. He's pretty much the same size all the way through and hear me out, he's uncut. Idk why but that's just the way it is. He's decently proud of his "package" but he would never really do anything to "show it off" however he does accidentally.

He gets boners all the time for either no reason or because he feels the slightest little bit turned on and that boner will hang around for way longer than it needs to. Therefore it can be hard to ignore sometimes which is not a problem for him...he loves to palm himself in his sweatpants and pajamas. He'd stare at you from across the room as he rubs his balls and squeezes his cock until you notice him 😵‍💫

Yeonjun

Yeonjun has a very stereotypical dick, not too long, not too thick, nice and colorful but not overkill. For Yeonjun it's definitely more about how he uses his cock and he knows how to. After having sex, like twice, he figured out all the things you loved about his body including specifically what on his cock, then he used that knowledge to his advantage.

The way the veins throbbed in his cock so he'd always make you lick the veins or trace the head of his cock. Another key thing with Yeonjun is he uses his cock in kind of a forceful way, especially blowjobs which almost makes it seem like his cock is more intense/impressive than it really is.

Beomgyu

Beomgyus never really thought about his cock much, it's just another part of him in his mind. He also has quite the stereotypical dick except he's a bit longer than your average joe...like a lot. Beomgyu never really understood the appeal of cockworshipping type stuff until you rolled around. The way you play with the base, trace the veins with your tongue, and rub those plump little lips all over his girth made him realize...he's a sucker for this.

Beomgyu has many different sides to his sex life, a little brat, lazy sex, dominant, and a big whiny baby. Usually sex with change with him depending on his mood but blowjobs and handjobs always stay the same. He loves being worshipped with words and hands.

Taehyun

Taehyun is decently proud of what's in his pants, though he can get quite shy. He'd rather people focus on his abs or arms so when his lovely partner starts to draw attention to his cock he gets nervous. I imagine taehyuns cock to be very pigmented and the type to instantly get sprung ykw I mean? Like he sees you lick your lips, stretch, or expose your cleavage and he's fighting his body to stay calm.

For taehyun though it's more about how he uses his cock but the slight curl to his length proves useful to rub against your G-Spot. Also, this is a weird take, but his cock would look so good when he cums 😫 the way it twitches with each spurt of cum 🥴

Kai

Listen. This boy is packing. He may be a little baby girl but he's got one nice cock. Nice and long but thick as well, a beautiful harmony of features. I feel like he gets wet quite quickly, his body produces liquids fast so he cums generally fast and never needs lube 🙏 in my mind I can see him being both uncut or cut so you can use your imagination with that part. One thing is for sure though, all the way from the base to the tip he's got a nice width to stretch you out nice and wide.

I think he also has a bit of curl and lots of veins, very texture overall.

[signanothername]

firstly: AAA YOUR ART AND COMICS AND STUFF ARE SO AMAZING!!!!

secondly: do you have any advice on how to come up with comics and then get them out of your head and onto paper?

BZHXHXHD THANK YOU SM!!!

And ooh that’s a good question

I usually come up with comics in one of two ways, either seeing something (whether another artwork, a text, something irl, etc) that inspires an idea for a comic, or via artworks I made that I expand on

Other times, it can actually be both

For example, the “A little life update” comic was actually inspired by this beautiful artwork, I saw it, and I immediately thought of Killer, idk something something about the despair of being stuck between a rock and a hard place etcetera etcetera (yes the comic that shows Killer to be in such a better place in life and show the hope he has, was inspired by crushing despair in actuality)

It made me wanna do something with Killer trying to call someone on a public phone, and so the first page came to be

Here’s the twist tho, I originally was gonna just make it into an artwork (yes, one single decision could’ve meant that comic wouldn’t have ever been made)

But a lil habit of mine is ask myself a shit ton of questions when it comes to my own artworks (it actually helps me turn what’s supposed to be artworks into comics), and that’s another way of how you can come up with comics, ask yourself questions, why is the character doing this? What are they doing? What if character did this? Etc

so I saw what was originally gonna be an artwork, and asked myself, who would Killer be calling if he ever did and why?

And the answer to those two questions that made sense to me most was Nightmare, but that led me to two more questions, when would Killer be calling Nightmare and for what?

And that led me to have a basic idea of how I wanted the comic to go

So it was basically like

Who would Killer be calling? Nightmare

Why would Killer be calling Nightmare if he ever did? That actually had different answers, to taunt him, to inform him of something, cause he misses Nightmare in his own fucked up way, etc

When would Killer be calling Nightmare? After he’s saved, or while still under him? After he’s saved makes more sense

What would Killer call Nightmare for? To give him an update about his life with Color

How would Killer be calling Nightmare? Through a public phone

Where would Killer be calling from? Somewhere in an AU in the surface

These six questions, what, why, when, who, where, how, are important to think of, they give you a basis to work on when it comes to comics in general

You don’t need to have a very clear answer to each of them to be able to work on a comic, but if you can at least answer 3 of them, that would give you enough information to work with in a comic

Now that I have a tiny bit of a clear idea about what I wanted to do (it doesn’t have to be perfect or completely concise) let’s talk about how you take these ideas out of your head and into paper

You can do that by imagining the dialogue in your head and then immediately putting it into paper, as I mentioned here, I actually struggle a lot with dialogue, art? No problem, I can easily imagine the art, but dialogue? It’s hell (please take the time to read the linked post, I talk in depth about how I handle dialogue)

That’s why you shouldn’t worry about perfection at this stage, just put every little piece of dialogue you imagine into paper, even if it feels like it makes no sense or is out of character, that’s something you can worry about later

Put in the dialogue, every little bit of it, and draw the panels that feels right for the dialogue

Here’s a little bit of example about what I mean when I say put the dialogue in then draw panels that make sense for it

This is a comic I plan on making, I actually drew that first panel as a stand alone artwork, then that inspired the dialogue, I wrote the dialogue down immediately, it’s a rough version of it, maybe I’ll keep it the same, maybe I’ll change it up as I work through the comic, but so far, I’m drawing the panels based on the dialogue so far, see what I mean by write the dialogue down? It helps IMMENSELY

It doesn’t have to be perfect and it certainly doesn’t have to be the final version, but writing it down will help you imagine the art that comes with it

Does that mean you can never start with the art then think of the dialogue? NO

You absolutely can start with the art for the comic first, in fact, sometimes, doing that actually helps you imagine the dialogue better, other times you can’t really think of a dialogue but have a very clear image in your head about certain character interactions, draw that it’s ok, silent comics focusing on character interaction, is a thing that you can do without worrying about dialogue

Now when it comes to the actual making of a comic, first tip is find your own footing when it comes to comic making

Like listen, people are gonna tell you that the correct thing to do is that you have to make thumbnails for the comic before you make the actual comic to make sure the flow is good and you have room for speech bubbles and what not

Here’s the thing, making thumbnails for your comic is a life saver, it’s great, if you can do that go for it! But for a person like me with little to no energy, I can’t do that without losing interest and immediately abandoning my comic, I can’t do that without becoming frustrated and hate art for it

That’s why I say find your footing, if making thumbnails before working on the actual pages works for you go for it! or you can immediately just work on the actual comic itself like I do, it’s all about what you’re comfortable with and what makes more sense to you

That being said, when it comes to the panels themselves, always aim for less panels and more pages than the other way around

Sometimes, emphasis on certain emotions or aspects of the comic can only be done with fewer panels

That’s why my own comics would sometimes have pages that are either one or two panels max

The less panels you have in a page, the more concise, clear, and easy to follow your comic is, one of the biggest mistakes I made as a beginner artist, is that I focused on cramping the story in as few pages as possible rather than focus on the clarity of the comic

Here’s an example

Good luck reading that dggxgdgdh

This is a very old comic I made back in 2018? 2019?, I wanted the comic to be one page so bad I cramped everything into it without thinking about the fact people are gonna have a very hard time reading it, like this easily could’ve been 3-5 pages but old me couldn’t imagine doing that many pages (if she could see me now with 15 pages comics dhhdhdg) not only that, but the panels’ arrangement makes 0 sense

So when you make your panels there are 2 things to keep in mind:

1- less panels and more pages = clear easy to follow comic, as well as a better emotional impact

2- panel arrangement has to make sense and should be easy to follow, you can make sure it’s easy to follow by reading your own comic over and over as you’re making it, if you find difficulty following the dialogue or art, then it’s best to refine, change or edit your panel or dialogue arrangement

Another thing to keep in mind when making the comic is the flow, the best way to go about making sure that the flow makes sense is by thinking of the comic as you would an animation, how did the character go from point A to point B?

For example this page

Killer clearly has a bit of a distance from Nightmare in the second panel, so how did Killer go from being at a distance (point A), to right in front of Nightmare in the last panel (point B)? That’s what the two panels in between the these two points are for, is to show you that 1- Nightmare is using his tentacle, and 2- that tentacle wrapped around Killer’s arm, the rest would easily be filled in by your brain that Nightmare basically pulled him closer

Now for the ending of a comic, not every comic has to have a clear ending where it marks the end of a story, but rather, you can go for whatever satisfies you as an ending, or keep an ending ambiguous or open, to expand on a comic later

I say that the perfect ending for a comic is what gets the point of a comic across, if the point is made, then it’s a good panel to end the comic with

Don’t be afraid to scarp any page or panels if they make the comic awkward or if they don’t make sense or if it seems out of character don’t hesitate to change, edit or completely delete it

An example is the “choice” comic, it actually originally was 4 pages, I just decided to scrap the last page cause of two reasons

1- it added nothing to the comic

2- it was out of character for Stage 2 Killer

My last advice is don’t force the process, sometimes, the best way to go about making comics is to make them on your own time and slowly, sometimes, you get stuck with certain things in the comic, other times, you need a bit to figure out how to proceed with the comic, completely normal in the process, that’s why it’s important to work on comics in a way that suits you, but you can’t find what suits you without trial and error, so go and test the waters, you can never learn until you practice it yourself

Good luck, hope this helps, lemme know if you need more clarification or help, i’d be happy to help where I can <333

[violetsaffron5]

Beautiful Disaster (13)

← Chapter 12 • series masterlist • Chapter 14 →

13 | Glass

Pairing: Gojo Satoru x f!Reader

A party at Satoru's house ends in disaster.

words: 3.9k

AN: Hey guys! Not sure if anyone is even reading this story anymore, but I fell of the face of the planet for a while, sorry about that. Things IRL were crazy with work and my personal life, and I just didn't have it in me to write anything. Things are much better now and I was in the writing mood, so decided to give this one a little update, since I already had the chapter mostly written already. 

I will be going through it to proofread/edit before I do the last two chapters (which will probably be posted together).

Ao3 • Discord 18+ • Social Media • Series Masterlists

April 2012

Taking a deep breath, cinching the robe around your waist a little tighter, you step into the class. There’s a murmur from students setting up their supplies, getting their easels into position, and canvases ready to draw on.

The walls are covered in art from various classes and years passed - even some portraits of past nude models hang on the wall as examples of creative liberties and proper proportions. Something many artists have a hard time getting a handle on.

As you stand in front of the class, a little stool next to you so you can sit on occasion while the other students draw, you look around the room, making eye contact with Choso.

He gives a small, shy smile, like he always does and you swallow thickly - feeling the way your chest and neck heat with the flush creeping up to your cheeks.

Satoru wasn’t particularly… pleased when you told him you were taking an extracurricular art class this semester. Less pleased when he realized Choso was in your class.

And even less so when you told him you offered to be the nude class model.

The decision was easy though, despite his grievances. His only real one was jealousy and not wanting everyone in the class to ogle you - which you assured him wasn’t likely going to be the case. You have no reason to be ashamed, and everyone who’s taking this class knew this was an assignment. Besides, the professor has made it very clear that if anyone says anything or makes you uncomfortable, they’ll fail and be removed from the class.

You offered to be the model when you found out it’s a paid gig, and you’ll take an opportunity that arises to get your own money - money your mom doesn’t need to know about and money she won’t have any reason to grill you on how or where you spend it.

Once you explained this, Satoru relented a little, though you’re confident his problems have more to do with Choso than anything else. Which is ridiculous considering there hasn’t been anything more than a friendship between you two. It’s not like you have a history with Choso like Satoru does with Mei.

“Whenever you’re ready,” the professor states after closing the classroom door. You look around, taking in the overhead string lights giving the space a warm glow - the shades are drawn on the windows, stopping anyone from outside the room from witnessing what’s about to happen.

Licking your lips, and looking up at the ceiling, you draw the ribbons on the robe, letting the soft, fluffy material fall to the floor. The air is cold in the room, immediately perking your nipples as you purse your lips, feeling a wave of goosebumps cover your flesh.

The rustling of utensils being grabbed and the scratching on canvases immediately fill the room. Gaining a little more confidence, you look back at the class; Choso’s deep black eyes are the first - and only - you see in the room. At the beginning of the class, you thought it might be more awkward with him here, being the only person you know outside of class and seeing you vulnerable in front of everyone. It’s more comforting than you could have imagined.

In reality, you don’t know him all that well, but he’s always been kind, and he hangs around Suguru a lot. You also don’t miss the way his eyes trail the length of your body before he busies himself with what he’s supposed to be doing.

There are several times during class when your eyes meet, you give a little shrug and smile and he grins full-on, laughing to himself quietly as he continues drawing your form.

When class comes to an end, the professor allows you to leave to dress in the bathroom down the hall and come back since he has a few announcements.

Once you’ve changed you take your place next to Choso as the teacher drones on about maintaining professionalism from seeing a classmate naked and urging everyone to continue working on their canvases on their own time, turning in their finished work at the next class.

Except for you, of course, being exempt from having to draw anything and getting an automatic A on this assignment.

“Thanks for drawing me naked and not being a perv about it,” You whisper to Choso, nudging his shoulder gently with yours.

He flashes his brows, chuckling, “That’s kind of my thing, you know - trying not to be a creep.”

Slinging your bag over your shoulder, you wait for Choso to finish packing his art supplies, slipping the canvas under his arm, gesturing for you to walk ahead of him out of the room.

“Are you coming to the party tonight? Haven’t seen you around the last few.”

Choso gives a wistful smile, “Yuji’s grandpa is sick, in the hospital so I’ve been joining him on his visits. But I think he’s hanging out with his friends tonight.”

“Great!” Smiling widely, you turn and walk backward toward your next class as Choso stops in front of the stairs, on the way to his, “Then I’ll see you there!”

Steam rolls out from the bathroom door when you open it, the cool breeze from Satoru’s room hitting your skin, immediately making you shiver. He’s lying on the bed, arm relaxed by his head, long legs crossed at the ankles.

As soon as you emerge, he lets his phone drop to his chest, a heated gaze watching as you meander around, combing through your hair and deciding what to wear for their house party tonight.

Per usual, there’s a fight tonight starring yours truly. How the higher-ups at the school haven’t figured this out, even with Toji acting as an “inside man” - for lack of a better term - is beyond you. You’d think schools would want to investigate why several students show up with black and blue bruises and cut lips and eyebrows every so often, but apparently, they have better things to do.

Satoru has gotten off the bed, wrapping his arms around your waist and slipping them under the towel until it becomes loose enough to drop to the floor. He pulls you close to him, one large hand splayed on your stomach, the other playful tweaking your pert nipple while he kisses down your neck.

You let out a soft sigh when he nibbles your lobe, before whispering, “You smell so fucking good,” pushing his hips into your ass so you can feel his growing length.

With a sharp gasp, he spins you around, setting you on his dresser, wrapping your arms around his neck as he continues nipping and kissing your neck. And almost inadvertently, as soon as he slips his hand between your thighs, you close your legs a little tighter.

Satoru pulls away, brows knitted as you sigh and purse your lips. His tone comes out harsher, more exasperated than you think he really means, “What’s wrong?”

The truth is your heart fucking aches at the state of your relationship. Things were so great, until they just weren’t anymore - there was a part of you that always thought people who described being in a hard relationship felt like they were drowning were just being dramatic. But it honestly feels that way.

Your chest is heavy and your heart beats so loud that sometimes it’s the only thing you can hear; your throat feels so tight you can’t catch your breath. There are nights where you’ve stayed up wondering if he feels the same way but in reality, you’re not sure he’d ever tell you.

He avoids conversations like the plague and is so much better at hiding his feelings and playing them off than you are.

Since the Okinawa trip, there’s been a lot weighing on your mind about how realistic this relationship with Satoru is. He’s fun and makes you feel alive with his silly ideas and schemes, makes you feel heard and seen. And along that same vein, there are times where you feel simultaneously loved and unwanted.

Afterall, he’s the one who wanted to keep things casual but relented only because you wanted a relationship and it almost feels as if you forced his hand with that. Sure, he made his own choice, but even then, there are things you can’t deny or look away from.

There’s no hiding Mei is a point of contention in your relationship. She has been since before it even started. And it was something you thought would go away - that she would see the two of you together and go find someone else to sink her claws into but she just keeps coming back, and for whatever reasons, he won’t let her go either.

Satoru told you their relationship was primarily physical - that there’s no real interest in one another beyond that, and the only reason they were involved to begin with was because of their family businesses being tied together. More convenient than anything.

So why won’t he let her go? And is it fair to even ask him to? Outside of Suguru, Shoko and even Utahime, she is one of his oldest friends.

You’ve also been wondering recently how much Satoru respects you. Considering how many times you’ve talked about how uncomfortable you are with this… relationship with Mei and how it hurts you, nothing has changed despite his repeated promises.

And it’s not logical to think he’d change.

Satoru groans when you hop off the dresser, grabbing your shirt and slipping it on, “I’m fine. Just not in the mood, I don’t feel great tonight.”

“You’re never in the mood anymore.” There’s no mistaking the annoyance in his tone as grabs his glasses to shield his eyes, no doubt rolling them behind the dark glass.

Despite the lie you’ve been telling, you want nothing more than to have him, let him have his way with you as he has so many times before. But you’re not emotionally ready to go there right now - you need time to think and you can’t do that when he’s buried ten inches deep in you almost every night.

So the physical aspect of your relationship has taken a hit. You’ve tried talking about Okinawa with him, bringing up everything with Mei once again - but just like always, Satoru says you’re being dramatic, making a mountain out of a molehill.

But it’s clearly not nothing since it bothers you and it’s clear as day to everyone around.

Satoru doesn’t bother staying by your side during most of the party, opting to meet up with some of his classmates. You try not to pay too much attention to him, but you sneak glances over every now and again.

He chats, a drink in hand while laughing and animatedly waving his free hand around while telling a story.

“Hello?” A pale hand waves in front of your face, snapping a few times, breaking you out of your trance - apparently you were staring longer than you thought.

Blinking a few times and turning your head, you look at Choso, “I’m sorry - what were you saying?”

He gives a soft smile, glancing between you and Satoru for a moment, “Everything okay?”

Pursing your lips and sighing heavily, you nod slowly, “Yeah… It’s just…” You trail off, not sure how much or what to actually say. It doesn’t take long to make a decision though, since looking back over to Satoru shows Mei has joined his little soiree. “He says nothing is happening, but he’s always with Mei.” You nod your head in that direction.

Choso purses his head and nods, “Yeah. I was wondering about that.”

“Great.” Your voice is monotone. Because this just confirms you’re not the only person who sees them together constantly - that it’s not just you being high maintenance or a pain in the ass. It is a real problem, and one Satoru refuses to acknowledge.

“Why don’t we,” Choso starts, eyes flickering between yours for a moment before pointing off to the side, “take some shots?”

Your eyes trail to where he’s pointing - a small group of people around a small table, just big enough for someone to lay on and take a body shot. A smile spreads across your face with amusement for two reasons: Shoko is currently taking a shot glass out of Utahime’s mouth and tipping it back and because you’re feeling a little petty tonight.

Maybe it’s the alcohol you’ve already consumed, your inhibitions are lowered but you don’t care. If Satoru gets to have someone other than you hanging with him all the time, going on family outings during the holidays and hanging on him twenty-four seven - then why can’t you do the same?

Choso’s questioning stare is innocent, so there’s a chance he won’t be up for this - there’s a part of you that wonders if he meant just regular shots, and not specifically body shots. You get your answer however, when you agree and a wide smile spreads across his face.

While you walk to the table and lay back on it once Utahime has gotten up, Choso busies himself with getting salt, a lime and a shot of tequila.

Shoko is off to the side, staring daggers at you before asking, “What the hell are you doing?”

You smile and shrug, “Playing his game. I’m tired of being the one that gets hurt all the time.”

“This is a really stupid fucking idea,” Utahime chimes in to your surprise. It’s not often she adds her two cents on your relationship - normally she just adds how stupid she thinks Satoru is.

Choosing not to answer, you lay back and turn to face Satoru. He’s not paying attention, however Mei is, you glare, lick your lips and lift your shirt just enough to expose your navel.

“Ready?” Choso asks and you nod, but he keeps a hold of the tequila shot, rather than putting it in your mouth.

Small grains of salt hit just below your belly button and then the feel of a small metal ball and cool tongue trail up. The reaction your body gives is normal; stomach clenching, breath hitching and thighs closing ever so slightly - like a reminder of all the times Satoru has done the same to you.

Looking down at Choso was a mistake - he has a mischievous smirk spread across his lips and heat in his eyes. And rather than take the shot in his hand, he presses his lips to yours. Your eyes widened in shock, because this was not part of the plan - it was supposed to just be a normal body shot, just something to make Satoru a little jealous and hopefully realize how he’s been treating you.

Panicked, you sit up and fix your shirt - Choso winks, placing the glass to his lips just as a fist connects with his jaw in a deafening crack. Satoru is seething, nostrils flared as he grabs a fist full of Choso’s shirt and pulls him in for another punch to the face.

Choso isn’t caught off guard this time, landing his own blow on Satoru’s cheek, and then his ribs.

“Stop!” You scream hysterically, covering your mouth with your hand, because this was not the mess you wanted to cause - this wasn’t supposed to happen!

Before you can take a step forward, a large hand grips your shoulder. Suguru is next to you, shaking his head before stepping in to separate the guys. Panicked, you look at Shoko who has a look of disappointment written on her face, Utahime is shaking her head, watching as Suguru stands between the two.

Satoru runs a hand down his face, Choso wipes his lip with the back of his hand as Suguru says something to them - when he’s done, Satoru stalks out of the room and up the stairs without so much as a glance in your direction.

“Why,” it’s a small noise that leaves your lips, not loud enough for anyone to hear other than yourself. Looking at Choso with upturned brows, you shake your head slightly. If you had known he planned on kissing you, there’s no way you would have agreed to do this.

He must have seen you mouth the word because Choso walks over to you, brows bunched together. “Because he treats you like shit. And you just let it happen time and time again.”

A scoff leaves your lips, “I love Satoru - you know what, I can’t deal with this right now.”

Onlookers move out of your way as you make your way to and up the steps to Satoru’s bedroom. The room is quiet, light off except the illumination of the lights peeking out from the partially closed bathroom door.

For the first time, probably ever, you knock on the door to make your presence known before poking your head inside. Satoru’s standing, head hanging between his shoulders, leaning on his palms on the cool countertop.

“Satoru,” a step forward with your hand outreached for him, wanting to check on the cuts on his lip, and the bruise blooming across his cheek, “I -”

“Stop.” He interjects, tone raspy, lifting his head to look in the mirror but not looking in your direction.

A sigh leaves your lips, because of course he doesn’t want to talk about this. He would rather let his emotions show physically - through sex or fighting - rather than sit and have a two minute conversation to talk things through.

“Okay…” You’re really not sure what to do in this situation, stay and potentially make it worse or leave him to cool off and come try and talk to him later. Opting for the latter, you take a step back - you really need to talk with Choso about what happened too, you just needed a second to take a step back and see Satoru. To make sure he didn’t need any bandages or some other medical care. With the exception of the few scrapes and bruises, he seems physically fine.

Turning and opening the door, a large hand reaches over your head and pushes the door fully closed.

“Where are you going?” Satoru asks, voice annoyed.

“To check on Choso.” It comes out quieter than you intend, which Satoru’s body heat radiating against your back, his hand still firmly pressed against the door, yours on the knob.

“Why? Kissing him wasn’t enough?”

Heat flares through your veins at the comment, because he’s acting like you asked for him to kiss you. And that was never the intention - you would never do anything like that, and he knows it - especially with your history.

He’s just trying to piss you off too.

Turning around, you snap at him, pointing a finger in his chest, “Maybe because my boyfriend went insane and beat the shit out of him,” he grins slightly at that comment, teeth pink from fading blood. “And because -”

Because you saw the way Choso looked at you when he suggested body shots. Knew it would piss Satoru off to no end. Because you were already questioning what Choso was wanting to do before you agreed. It was like you lost your mind in the moment, in all of the feelings and anger and hurt at everything that has happened, and continues to happen in this relationship.

“Because this is my fault.” Your voice is quiet, shoulders slumped, guilt written on your faces as tears well in your eyes.

Satoru’s arms are around you the moment the first tear drips from the corner of your eye, holding you close and rocking side to side gently.

“Don’t leave me,” He whispers into your hair and you’re sure he doesn’t mean physically, in this moment.

“I’m not - I won’t.” You say between sniffles, pulling back to look into his ocean blue eyes, showing his own uncertainty in this situation - a look you’re not used to from him. “Satoru, that was scary. It looked like you were trying to murder him.”

“I wanted to.”

Your brows pinch together at his admission, “You’re insane.”

“In a good way?” The teasing tone to his voice is starting to come back.

A small laugh leaves your lips, “How is there a good way to be insane?”

He thinks for a moment, pulling you back into his muscular chest before shrugging, “Dunno just, don’t go to him. Okay?”

Closing your eyes, you nod against him, taking in the warmth and safety you feel in his arms, hoping he’ll explain his reaction to that, “Why did you punch him?”

It takes several minutes of standing in silence, holding one another to realize he’s stopped swaying you back and forth, a motion you found comforting when he was doing it, and the odds of him answering are lower and lower with every passing second.

After another few minutes you pull away and sigh, wiping the smeared makeup under your eyes away.

“I don’t want him touching you,” Satoru says hurriedly when you open the bathroom door again, grabbing your free wrist, “Let alone kissing you.”

That’s not a real answer - just some fucked up possessiveness he feels he needs to display because another guy is clearly interested in you. Which is ironic considering he said the two of you could see other people before he agreed to try dating.

And clearly he forgets is attached to him at the hip anytime she’s around, but how dare anyone but Satoru do that with you. It’s a stupid double standard and one you’re tired of.

He lets your arm go when you shake your head slowly, which breaks your heart. Wishing he would fight for you right now, for your relationship - not physically fight, but actually listen to each other and work together to make things better.

Maybe it is time to call it quits. Having these feelings in your relationship continuously is not healthy and it’s taking a toll on you. At this point you’re not sure what’s worse - finding your boyfriend cheating on you with your own mother, or this cycle you found yourself in with Satoru.

There’s a deep stuttering sigh behind you, to your surprise, “Things haven’t been great between us recently,” he says quietly, clearly unsure how to say what’s on his mind, “And I - fuck -” he groans, running his hands up and down his fast several times, “I don’t know, okay, but I don’t want to see you with anyone else.”

Your brows are raised as you turn to look at Satoru with surprise, not having anticipated getting any sort of answer. It’s not much, but it speaks volumes that he’s admitted your relationship isn’t in a good place right now - honestly you weren’t sure he was even aware of it. He never wants to talk about these things, he’d rather have sex and show you how he feels by the way he delicately spreads your legs, teasingly kisses up your thighs and makes love to you.

But it also hurts that the only time he says he loves you, with the exception of the first few times, is when you feel like you have to force it out of him, or when he’s buried deep in your cunt.

“Are we gonna make it?” You whisper back. And for the first time in your relationship, find yourself wondering when this relationship will meet its inevitable end.

But maybe there is hope. He’s admitted this - maybe it’ll just take more time for him to find the words and continue learning to open up. 

Satoru kisses the top of your head, opening the restroom door and pulling you gently to his bed, laying down behind you and covering you both with a throw blanket before whispering back, “We’ll make it... Just don’t leave me.”

So you don’t.

@petalsrdead @sofiaconlaz @lovelylashawnalee @s-witch-bitch @watyousayin @desthevirgo @coffee-on-a-rainyautumn @musababy @sagejin @ritsatoru @faewithsnakes @erenputurchildreninsideme @lex-dear @hvziers @babybae-shisui @sugurunicorn @niki-sun @lilith412426 @sofiaconlaz @lxvephxbic @iam-mia9 @laylasbunbunny @creolequeen11210 @xiaosie @lem-hhn @yogurttea @slut-jr @crystxlline @ritsatoru @abba-simp @myabae @etherealkakashi @hyperfixationsporfavor @yihona-san06 @ambersea7 @knightoflove

[alxxbee]

Hiii Alex I hope you are having a wonderful day!!😊 I have a question to ask you and you don't need to answer if you don't want to of course!!

I was wondering if you would mind sharing how you became an artist, if that makes sense? Or perhaps how you draw, I think that's more like it! I've been struggling a little bit and since you are extremely talented I thought perhaps you could explain your process when drawing a character (did you learn some anatomy techniques or maybe you learned some tricks and tips from tutorial videos.)?

I guess what I am trying to say is how did you learned to draw characters, if that is a possibility for you to share of course. I don't want to pressure you or seem mean by making you reveal your process when it comes to art.

Thank you very much for reading this ask and I hope that you are doing okay.💗🤗

Thank you!!

I am a self taught artist and i only draw whatever i liked since i was a little kid, so i never really watched any drawing tutorials to “better my art” since i was doing it purely for fun. Whenever i find a cartoon i like i would try to replicate the style of it but also add my own uniqueness to it, how i draw HH characters now was not my art style a year ago! But i only just started replicating styles, I think for the longest time i would draw in a cutesy anime way. I use a bunch of referencing too, that helps a lot! I personally don’t use shapes or bases when i sketch, i kinda just go with the flow if you know what i mean? I make a lot of mistakes sketching so inverting the canvas and using the (liquify) tool to tweak it before i start doing line art helps a lot. (im also just a huge perfectionist 😔)

Of course it takes a while to get the hang of finding your own art style, when things got too hard i would go on pinterest and get inspiration from other artists there! when it comes to posing, rendering..+ I have separate pinterest boards for each thing. aaaand before this gets too long i just wanted to say thank you again! Every artist has their own unique way of their drawing process, my advice is to keep drawing, don’t focus on negatively comparing your work to anyone else’s, that can get really draining very fast. Do whatever helps you the most and one day you’ll look back to your old art and see how far youve come (i just personally think that’s the best part of it all) 💖

[sankakuto]

I have a lot of thoughts about the first Pyramid Head cutscene (in remake and OG) and I feel like I need to get them out. bare with me.

I'm going to be talking about the first Pyramid Head cutscene and whether or not it is implying SA so heres a TW for discussion of SA

I am a die-hard OG fan, and have been for a decade. I have been in this discussion for so long, and I feel like my take on this might be the less popular take for some reason? but honestly I believe that a player's individual interpretation of the scene is the one that is the most true. in the most simple words - if you see the scene as being s*xual or implying s*xual violence, then that is valid and is just how youve analyzed the scene based on the context you've been given or the life experience you have.

I KNOW Masahiro Ito has said that the scene involves nothing like that, no assault, just Pyramid Head trying to kill some mannequins... but is the creator's canon events of the scene really that important when as a player we see a sexualized monster being brutalized by a bigger, more imposing monster and are made to feel like we're a voyeur to something we shouldn't be watching?

and that feeling has to be entirely intentional as well, considering the scene is actually inspired by a movie called Blue Velvet (directed by David Lynch). the scene in the movie involves the character hiding in a closet while watching someone be SA'd, watching through the gaps in the door. and at the end of the movie, even shoots the perpetrator from the same spot in the closet. the cutscene in the game is a direct reference to this movie, and after watching the movie I can say it has some other influences on the game as well.

but even that is almost completely irrelevant, because as a first time player that doesn't have any context about the inspirations behind the game, and doesn't know about the things that the devs have stated are canon or not, we see something that is raw and uncomfortable and invokes a feeling of disgust. we are not given any other context besides what's directly in front of us. we see a creature that is all legs writhing in pain or agony in front of a thrusting Pyramid Head, who is desperately trying to hold the mannequin in place. and as we view this scene and hide, the Red Pyramid Thing turns his focus to us, and makes James feel like he has intruded upon something he wasn't supposed to see. there is a voyeuristic quality to the scene that adds to the feeling of unease and gives us this idea that something s*xual in nature has happened.

I think that video games are art, especially games like this, and an artist can definitely have a clear or direct implication of the message they are sending (and they can even tell you how it's supposed to be viewed), but ultimately the person consuming the art is going to analyze themes in their own way and find their own interpretation of the idea presented to them. in some way some might consider this type of interpretation to be "headcanon" because the actual canon of the game differs based on Ito's statements, but in my own opinion I do believe this sort of interpretation is just the player coming to a natural conclusion based on the context presented to them.

in other words, I think that it's completely fair to take Masahiro Ito at face value and trust his input that the scene is NOT at all s*xual, but at the same time it is presented in a way that can imply that it is and someone drawing that conclusion instead is also completely valid.

[browsing-and-anon-asking]

Hellooo first post

I was embarrassingly, watching back on one of my fav mlp redesigns videos and was like 'hey that would be cool... but with Fallout characters!!

Piper:

As you can see, I didn't mm change much. (Thank you Piper for your hate being easy to draw) However I assumed she's hot as fuck in all those layers and since she rarely goes out into the wastes, I thought of lessening the amount of clothing. Giving her a plain undershirt and jeans, her famous pretty jacket that has a 'closely matched' patch of cloth over one of the bigger holes in it. Also, all of her buttons are gone. So she has to have a belt to close her coat!

I also put her hair up bc I think she looks nice like that! Maid her hair a lil curly.

Gave her those belt bags to add on the 'women's clothes never have pockets' thing.

Gave her make up, since most reports before her wore it for charisma, I assume she picked that up.

Nail polish, I just think she'd like it to hide her dirty fingernails

Only does small smiles to hide her missing back teeth

Cait:

I changed a lot about her, bc honest!! I hated most of her design elements.

I forgot to put on her pit paint, so imagine this after going eirh sole survivor.

Took away her corset. Because I HATE that they would put a female cage fighter in ANOTHER unrealistic outfit. Let this woman breathe. Also, I made her tank top greasy because yes.

Made her more muscular, with more scars to show off. She's SO COOL!!!

Shortened her hair because hair is a BIG thing to grab in fights, and she's probably annoyed with how much people try to go for that. So she hacked it off! She did it herself!

I made her eyes a bit more detailed than the others to show off the drug abuse and trauma it left behind. It's not a lot, but it's a little detail, along with the needle holes in her arm.

So many missing teeth, and she's proud with a lisp.

Preston:

I love this man so much shut up.

Bethesda, let people of color have their hair! And have it be matted bc this man is too depressed to take care of himself instead of others

Made him less muscular and more on the skinnier side bc depression

Eyebags bc... depression.

I like his og coat, but again, so many layers are hard to run in, so I kept it to a minimum, like with Piper. His scarf, undershirt, slacks, and coat.

Give him more facial hair bc let that man actually look depressed bro.

Gave him earnings bc it just looks pretty on him. Small face scars he's clearly ashamed of and has tried to hide with makeup.

I mean, every word I said beside his head, they could change each other. For the better or worse

Thanks for reading! I'm gonna do a poll of other compainions to see which three I should do next :3

[ladyravenjadethe2nd]

Hisoka's sexual interests are both better and worse then we thought.

A lot of people are caught up in oh he draws the line at bestiality, but not pedophilia, but I think we need to focus on the fact that Hisoka is straight up calling fighting to the death sex.

No foreplay, not build up that makes him horny, fighting and killing someone is the definition of sex to Hisoka and that changes everything.

First of all if his end goal is to murder someone and not do anything with anyone's genitals then while he may get hard over it or even off to it we would not consider him having sex with that person by fighting them to the death.

By our definition of sex Hisoka is not a pedo because he doesn't want to actually do anything we consider sexual to kids or possibly anyone else. I want you to think about that for a min. If fighting plus killing equals sex for him he might have no interest in real sex at all. The most horny dude on the planet might not actually be down to literally fuck anyone strong that moves.

He could not even get off to it and just enjoy being horny and not letting himself cum. This fucking clown man could actually be super chaste by common meaning of the word sex. Virginity is not impossible. Let that sink in.

Even if he does cum if I came whenever I shake someone's hand they didn't have sex with me when I shook their hand. That's a me problem. If it happens when I shake a kid's hand that's weird and gross and horrifying, but I don't think that's sexual assault? Although if it was done on purpose it may be something else? Hell of a weird thing to think about. I don't know what you would call it.

So for someone that has been certain from the beginning that Hisoka cannonly wanted to stick his dick into little boys this is pretty mind blowing, but....but the thing is.

Hisoka does think he's a pedo.

If fighting a strong animal to the death is bestiality for him and fighting lots of people to the death at once is an orgy then fighting a child to the death is pedophilia by his own definition.

Assuming hear me out here that Hunter X Hunter has an age of consent in that world at all or that it's anywhere close to ours. I know gross idea. No one likes it, but it would track.

Mito allows 12 year Gon to get on a boat by himself to take a dangerous test that could kill him. The whole island loves it. No one says he's just a kid. Certainly no that's illegal children must have adult supervision or even a school is mandatory. She doesn't want him to go, but there are no laws that would make him stay. At least on whale island so let's look at the exam.

Captain, crew, and passengers think it's weird a kid is taking the exam so young, but no one is concerned about laws or what not.

Exam officials are just like here's your number. No parent's permission or signing a waver at all. No one in the exam is concerned. Moving on to the next place Haven's area is the same.

I see you two unaccompanied minors would like to enter into a tournament where you might die! Right this way please! They aren't hiding it. This is a big city and if Gon died on live TV to Hisoka no one would get sued.

Child endangerment laws don't exist. If a 12 year old can sign up to die why would there be laws about them not being allowed to jump on adult dick?

Also Hisoka says very sexual things about the children in front of people that do not treat him like the scum of the earth for it. Like there are deeply evil people that would lose their shit at a mild suggestion that someone wants to fuck kids.

You think Bisky didn't notice how he stared at the boys on greed island? The kids she felt motherly towards? Didn't bother her at all.

I mean I don't think it's wildly accepted to fuck kids, but I don't know if it's illegal there. Most people see or hear him being creepy and act like he said he likes pineapple on pizza. Everyone could hear him talk in his fight with Gon. No one was calling him out on saying he's hard in front of the child.

Does Meteor city where Hisoka is from have any laws at all? Baby's are dumped off there. As insanely dark as it is at least some kids are gonna picked up for sex work.

The reason I bring this up is that Hisoka says he's normal and while he is a lair he was talking to himself and he's normally self aware. If pedos are a thing there then I think he would consider himself one and therefore I don't think he would use the word normal.

At the very least I think the age of consent might be terribly low or Hisoka was so used to seeing kids fucked in his hometown that he thinks it's normal, but again he doesn't actually want to fuck them, but he thinks killing is fucking so......ARUGH!

Don't get me started on his thing with Illumi. Are they fucking??? Clearly Hisoka thinks their relationship is going to lead to his kind of sex. We don't know how they met so they could have started out as fighting to the death and it was a tie so he thinks they are lovers?

Does someone have to die for it to be sex for Hisoka. Like if someone is fighting of their life and he spares them for later is that foreplay or a blow job?

Does Hisoka think he's done the nasty with Gon, Leorio, and Kurapika?

If Chrollo had used the spider members to cheat with his fight with Hisoka (I don't think he did) making it more then one on one without his permission does that mean Hisoka would consider himself gangraped since the rules of the sex changed?

Lots of things to consider here. Personally I have a fanfic that I was very proud of him being in character that I need to make serval changes too. I thought killing animals if he couldn't kill people would help with him control bloodlust, but I've misunderstood him in a big way.

How does everyone think this changes their view of Hisoka if it does at all and do you think that if Hisoka is a pedo with his own way of thinking then he should be considered one regardless of the exact actions he's taking towards children?

Also what is up with everyone's weird reaction when Hisoka doesn't hide that he's getting turned on by children? Are the laws super different or does no one think he would actually fuck a kid? Like what's going on with that? Is Togashi just blind at how most people see pedos?

[theoldkyokodied]

One wedding and three funerals

Background paintings under the cut

[forgettable-au]

What do we think? I think he's like the coolest scientist to ever science

HEY HAPPY 2000 FOLLOWERS‼️HOW DID THAT HAPPEN SO QUICK?????

I'm genuinely so shocked about that I'm so so glad you're all enjoying this AU so far hehehe:D

Also I just made the 1000 followers celebration post like a month ago or something??wow

Here's the guy ‼️‼️ I wanted to practice drawing him quickly and in different poses. I think I achieved that, all this was made with just the lasso fill tool it was soooo fun and I loved not being worried about details just SHAPE

ALL SHAPE (and colors)

[medi-bee]

isat pokemon au, my liege?

my rambling in tags

[gods-perfect-idiots]

something something blood-soaked hands cradling your face something something

anyway here's the post btw

[cathalbravecog]

letting the days go by

(got a feeling someone defo already drew this so i chose a different pose ref to the mv lol.)

[skitskatdacat63]

Happy One Year Anniversary to Boy King AU!!!! 🎉

Okay wait before I start talking, look at these close ups and the process!! Aren't they so beautiful aaaahhhh

Wow, can you believe it’s really been a whole entire year since my very first post about this AU? Well technically I first started talking about the statuette a day earlier, but the very first sketch was exactly a year ago!! Let us not forget the incredibly prophetic tag on that post: “also in the sense of this au i think the only ship that would work(historically accurate wise) is Vettonso.” Who knew that after that my entire life would devolve into vettonso, this specific period of history, and the lovely combo which is Boy King AU. Also wow this means it’s taken me almost a whole entire year to actually draw a joint portrait of them hahaha. I drew this sketch around the beginning of the AU, but never finished it. It’s fine though because this one is a lot better, and I’m in love with it. Took me a year to draw a couple portrait, and took me almost a whole entire month to finish said piece. 

Okay let me explain this piece, which I am very obsessed with!!! I dragged the process out more than I usually would, but I’m glad, because it was so enjoyable. But also look at that fucking crown, no wonder this took almost a month. Usually I’d write like 50 paragraphs detailing the characterization. HOWEVER! I’ve spent over a month writing little bits of characterization, mostly for fun, but also in preparation for this very post. A lot of the earlier ones, I had this drawing in mind, thinking on how I could expand on the ideas I was drawing. Though there’s definitely some things I could still write about. I’ll probably continue to write more Lore a Days, but yeah, they basically amounted to this drawing where you can actually see the characterization I was talking about displayed. Anyways, here are the explanations of bits in the drawing:

First of all, this is some part of the long process of their wedding. Look at the married couple!! Look at their rings!!!

Okay, but why are there two, almost identical looking pieces?? Because look at their hands!! I talked a lot about how Fernando is the one to give out affection more easily, especially in public, where he knows he can easily fluster Seb. He’s acting all grumpy and out of it, I mean to be fair, it’s probably been such a long ceremony across weeks. But he notices Seb is out of it too, just better at keeping his smile (let’s be honest, even if he’s distracted, he’s super smug.) So Fernando catches him off guard by squeezing his hand. Before that, as you can see, Fernando is just resting his hand on Seb’s outstretched palm, like that one scene from Succession. Very: yes I’m getting married, but I’m not happy about it. The combination of Fernando refusing to even touch him more than lightly beforehand but now going full force, them being in public, and Seb already being distracted catches Seb so off guard he has to try to cover his blush with his fan. He thought Fernando was being super impolite, but now he’s the impolite one!! Getting all blushy and giggly over a simple display of affection, perhaps even ha-

So. Their crowns. Seb’s wearing the crown of Austria, because he is in fact only a king still! Also, because I really wanted to try drawing it after I wimped out of it before in this drawing. Fernando’s a king as well by the point, but the fact he’s wearing only a tiara-like hairpiece is to represent how much of an outsider he still is. At this moment, he’s just Seb’s wi- ,I mean husband, to all these guests. Of course this bitch wears a black veil instead of a white one, to signal that he’s mourning the loss of his autonomy and personhood. Don’t worry too much about his mental state though, considering he’s not depressed enough to be able to resist teasing Seb. 

The fan, oh my god. Back in this era, people would gift/make fans for basically any occasion. To symbolize an event, to celebrate something, to show a story, etc etc. I wish I could have drawn something more narrative, but I think the bull vs. horse is good enough. Also you can see those same symbols on the pendants they’re wearing!! I’m so happy when I can fit irl, modern stuff like that into these drawings, it feels so clever!!

It’s so funny, I wrote a lore a day from a prompt about what they’d be like when doing a joint portrait, while I was already almost through painting a dual portrait of my own! So I got to explain some stuff like their clothing colors and poses before I even posted this. I feel very coy about that still honestly. 

Hmmm what else? It feels so weird to not expand on the characterization, considering I already did it for myself weeks in advance. I can’t imagine what it’s like opening this read more, and seeing more than 10 in-text citations. Happy reading!!!

 Happy anniversary to  this wonderful, crazy AU that makes me download 500pg German papers about 18th century etiquette. I drew a couple pieces of fanart before this AU, but I definitely think it jumpstarted my insanity about drawing/making AUs, and literally is what made me insane about Vettonso in the first place. Remember, if I hadn’t learned about Joseph I/Charles VI, most of my blog probably wouldn’t exist in it's current form. Thank you if you’ve stuck around since the beginning, or if you’re even just learning about it now!! It’s so incredibly niche but I’ve had so much fun researching and building this world and these characterizations, and I hope you’ve enjoyed what I’ve made in the process. I hope I can draw/write many more things in the future. I think next, I’m gonna maybe open up requests. I’d like to try to either write ficlets or draw chibi comics about specific Lore a Day posts on request. I think that’d be a lot of fun, but also will probably kill me. We’ll see!! Anyways. PPlease enjoy this absolute labor of love, which is a result of a year’s worth of work.

[alexandriaellisart]

So now i have migraines apparently 😭