#i got it spoiled like when i started on s3

[mothstiel]

saturn by sleeping at last always makes me ugly sob as a destiel fan. wym "with shortness of breath you explain the infinite / how rare and beautiful it is to even exist" and "how the universe was made / to just be seen by my eyes" !!>?>?!>?!>?!!!!>?!>!?!?!?!?!??!.

[shrimpybbq]

rafe, his fiancée and their family in the 18 month gap between s3 and s4

“What do you think about another baby?”

rafe is ecstatic about the prospect of another kid, and he shows it. he’s constantly spoiling his girl, always doting on her and helping her around the house. he makes sure to hire staff around tannyhill and ensure she doesn’t have to stress, making sure to spend time each night with his family despite the chaos of his day. rafe knows her first pregnancy wasn’t the best (bc of him) and he wants to give her a whole new experience

high school gf was worried about telling him she was pregnant again, knowing how badly it all went the first time. she knew rafe had grown to love his son and his family, but she was still apprehensive about his reaction, knowing he was in a stressful period of life rn. she didn’t have anything to worry about however, seeing straight away how different rafe was with her now. he loved being a father and was so keen to have another baby, especially now everything is his, and he can provide for his family the way he wants

baby no. 2 was a girl, just as rafe wanted. he already has little charlie, who is a carbon copy of himself, but he wants a little girl who looks just like her mother. rafe already loved to stare at his fiancée’s face, but imagining her looking after a mini version of herself - rafe thinks he might die.

as his fiancée and mother of his child, high school gf is living good. rafe is struggling with his father’s death, but mostly, they’re happy - really, really happy. charlie is starting to speak, and he is so excited to have a baby sister

oh you know the jokes are going around the OBX about how rafe just can’t keep it in his pants (but who could blame him when his girl is just so hot)

rafe doing the absolute most to have his fiancée relaxed and resting at all times - he loves to take her out on the boat and let her lay in the warm sun, especially because she gets so clingy when she’s sleepy and calm

rafe who begins to secretly hunt for a new house for the family to move into, wanting a new space just for themselves. tannyhill had too many bad vibes and rafe wants to start fresh

the family are often seen out and about the island with little charlie either toddling in front of his parents, or being swung in between their outstretched arms

charlie becoming known by those on the island as a cheeky little boy, always pulling faces and trying to play with everyone

rafe watching his girl get closer and closer to her due date and growing more and more anxious - he was so coked up the first time that he never really worried, but now he is always hovering and checking in on their baby

rafe is there for this delivery!! he's 100% holding his fiancée’s hand and brushing her sweaty hair out of her face, whispering "you can do this, baby, you've got this"

the nurses let him cut the cord once his daughter is born and he is definitely crying and trying to subtly wipe away his tears

the whole family spending the next few weeks hiding in their new house enjoying their first moments with their new little girl

rafe picks her name and decides to call her emmeline, emmy for short

if any family ever gave off rich vibes, it's the cameron's. rafe has his kids dressed to the nines, nice cars in the driveway of his new house and his fiancée wearing the nicest jewellery

all the women on kildare being so jealous once they see sexy muscular rafe cameron fussing over a tiny little baby, emmy clutched tightly in his arms as his fiancée holds charlie's hand

rafe would never admit it, but he loves the looks he gets when he walks around his little girl - he might be loyal but he still likes to be reminded he's hot sorry not sorry

wedding time!!!!

i think their wedding is actually very casual, maybe even a holiday elopement

rafe doesn't really like the people in the obx that much and so when his girl suggested getting married somewhere quiet, just the two of them, he was like "mmm, why not?"

the pair get married on a private beach in hawaii, rafe in a loose white shirt and a pair of linen trousers, his girl in a silky dress (this is so serious to me)

they hire a photographer and definitely put a big wedding pic on their hallway wall

everyone in the obx knew it was coming (bc they were engaged) but people are still a little shocked that the high school couple actually got married?

i see them settling into a nice routine once back, really just wifey looking after their little family, rafe running cameron development and the family spending all their time together happily

idk i'm just very passionate about the concept of rafe being loved and giving love in return bc it's clear he's capable of it, he just needs to feel safe and nurtured

click here for pre-season 1 rafe, gf & their unborn son

click here for season 1 rafe, gf & their son

click here for season 2 rafe, gf & their son

click here for season 3 rafe, gf & their son

click here for season 4 part 1 rafe, gf & their son

[whateverisbeautiful]

♥️ Ranking Richonne

#13: I Love You (S8E14)

Ahhhh probably one of the most anticipated exchanges between Rick and Michonne, and of course, it was sensational. This scene powerfully reiterated that these soulmates truly mean the world to each other. And after seasons of communicating those special three words through every look, touch, kiss, and conversation, we finally got to hear Rick and Michonne directly say what's always been true - they love each other 🥰 Wholly, Deeply, and Forever...

This ily moment, adorably spoiled by our lovely captains 😋, is so tender and heartfelt while also being so natural and clear that these two have been verbally expressing I Love You’s for a while. 

(Side note: I know there’s often debate on Rick’s hottest season lookswise, and really you could make a great case for any season, but lemme just place my vote here for season 8 right quick. 😊 Something about Season 8 Rick was extra fine. I feel bad cuz he was in pain all season, which I truly hate to see...but Rick was looking real right even while everything was going wrong ijs. even tho I think Rick Grimes' TOWL era is about to take the cake 🤭)

Something I so love about Rick and Michonne's relationship is that whenever they go through hardship they ultimately step closer rather than apart. They always eventually close the distance, which was evident in this lovely 'I love you' scene.

And I feel grateful that after experiencing such a devastating loss of their son, Carl, (why, TWD, why? 😭) and having to go on their journeys of grief, Rick and Michonne find their way back to each other truly in this moment. It doesn’t always go that way when a couple loses a kid as we’ve seen from other characters in this very series. But for Rick and Michonne, what they have is so unbreakable that, even in the hardest storm, their love still shines through, rises above, guides, and centers them.

So reflecting on Richonne's I Love You scene will forever have me like...

There’s also a beautiful and heart-rending honorable mention scene in this ep where Rick wipes Michonne's tears and Michonne opens up with Rick (and even makes reference to her son Andre 😭) while trying to help him heal at Hilltop instead of running out and about to get away from his grief.

But Rick still has a bit of savage Rick to get out of his system, so he and Morgan go hunt down some saviors first.

(Side note: while we're talking season 8, this 100th ep kiss in the season 8 premiere also deserves a big honorable mention because...🥵🔥🔥)

When Rick returns to Hilltop after wildin out with Morgan, he’s finally gained clarity on what he needs to start focusing on and who he needs to be healing with. Which leads to him saying those three very special words to the very special woman in his life. 🤗

So the scene starts with Rick returning to his room in a clean fresh tee, showing a clean fresh start to me. (Also Rick + a white tee has been a great combo since season 1, y'all) And he finally knows it’s time to let his wife and son guide him and read Carl's letter.

Michonne enters sorta hesitant I think because when Rick and Morgan returned they def looked like they had dabbled in the dark side out in those woods, and so she might be wondering what headspace Rick's in after whatever he just did.

But the thing about magnets is they always find their way back to each other and so Rick's not grown more distant but rather more aware of how he needs to navigate this season with her.

She finds him holding the letter, and Rick first says, "Thank you." Again, I love that Rick always thanks Michonne. Like as early as when they were strangers in s3, Rick has always vocally expressed gratitude for Michonne. And, in this moment, he knows how much Michonne has been his rock during this unbearable time as well as still fighting for their son Carl and his wishes, and so Rick thanks her for it. Her presence in his life is invaluable and he knows it.

Also, I adore the shared breath they both take when he says this. #TheyAreOne. And Michonne's so relieved that Rick has arrived at this point in his grieving journey.

Then Rick says he’s sorry which is also great cuz he knows going out and handling all this alone is not how magnets do. And Michonne is so understanding when she says, "You don't have to be."

It's just more proof that she is the exact kind of loving presence Rick needs in his life because she’s so good at both accountability and empathy. (Also in 4.09, Rick tells Carl sorry, and Carl also responds with, "You don't have to be." 😭)

And then Rick, knowing how blessed he is to have Michonne love him and stand with him through it all, turns to her and so tenderly says, "I love you." Beautiful x10. 🥹✨

I love how melodic it's said. 🥰 It’s this lovely quiet moment and Rick says it truly like it is a reassuring reminder of something he has expressed to her often and feels deeply.

I love that he turns to really look her in the eyes and has this little nod and subtlest smile when he says 'I love you.' And you just know he genuinely means this. It’s so great, and I could replay it 1000 times idc. 

And Michonne really does complete the perfection when she so movingly says, "I love you too." 🥹✨

Again, you can feel how much she means this. The emotion on Rick's face, when he hears his wife say she loves him too shows that he also can feel how much they both mean this, especially as a small tear can be seen. They are everything to each other. 🥲

(Side note: One of the many reasons why I was so elated to hear Rick call Michonne his wife in that TOWL trailer (which I'm still there btw - haven't left since I first heard it 😋) is because we who love their love story of course already knew he views her as his wife (since 2016) and that he'd refer to her as that in the spinoff series, but by saying it in the trailer it showed that this isn't some big reveal they have to wait to say in the new show. Michonne has been his wife for the longest. Rick has viewed her as his wife for seasons. Their marriage is not a new TOWL development, it is an element of TWD. And scenes like this ily scene in season 8 make that crystal clear. (also I cannot wait to hear Rick call Michonne his "wife" even more and to hopefully hear Michonne call Rick her husband 😊)

I adore that we had so many moments of Rick and Michonne communicating 'I love you' to each other in different ways leading up to this point, and then this scene gifted us with the actual direct ILY exchange between them, and of course it was perfect and proof that...

I really feel confident this wasn't intended to be R&M's first time ever saying "I love you" directly either. In this scene, both of them seemed to communicate it in a way that said this is something they've said before and often. (like it feels like they don't show Michonne's facial expression upon hearing Rick say 'I love you' because this isn't a first. She's heard that man tell her this several times before 😋)

I like to think that why these season 8 'I love you's carry so much weight right here and now is because it might be the first time they've said it to each other post-losing Carl. 😭

How heartwarming is it to know that even in a sea of pain, Rick and Michonne still want each other to know that while their whole world has been changed, the one thing that hasn't changed is their love for each other. 🥹

Their love story is just heavenly. To go from staring at each other through a prison fence and thinking they’d patch her up and then she’d be gone to now declaring their love. Perfection. 🙌🏾

And ILY’s do not seem like a phrase either Rick or Michonne take lightly or would just say to anybody. For them to express this and fall in love with someone, the connection was going to have to be deep and special. And what they found with each other is the deepest love so of course they can tell each other these 3 words with ease.

And because Richonne is the gift that keeps on giving the scene doesn’t stop there. Michonne then approaches Rick and lovingly takes his face in her hands as they share a sweet kiss. 🥹

And only Richonne can make their movement after the kiss feel as passionate and intimate as the kiss itself. Cuz after finally connecting like they’ve been longing to do, Rick and Michonne stay in the moment, looking deep into each other's eyes before leaning their heads against each other with that blessed mirror giving us all the angles. 😍

I love that mirror, y'all. 😋 I'm deeming that mirror and the set designer who placed it there some Richonners cuz, baby, they knew what we needed to see...

The way Rick and Michonne touch each other is always electric, and I love that they seriously feel like one as she rests her hand on his heart and he gently moves his hand up her side. These actors are so gifted at not wasting a single moment or action because they communicate Richonne's love in every second of a scene.

(and when richonne inevitably does that signature forehead touch in TOWL, after years apart...y'all I just might ascend to the heavens right then and there 😇)

It’s also sweet the way Michonne looks at Rick before leaving for him to have this time alone to connect with his son and read the letter.

Having the scene end with Rick reading his son's letter in a whole mirror as opposed to the shattered mirror he saw himself in earlier in the ep, is lovely. And it speaks to the power of Richonne that Rick could arrive at this point, ready to slowly but surely start healing. 

“I love you” really is communicated in every Richonne scene. And while season 8 was a weak one overall, one thing it did well was illustrate the stunning strength of Rick and Michonne’s exquisite and powerful love.

And I love knowing that, thanks to TOWL, we're sure to have some more Richonne "I Love You" moments in store. #GiftThatKeepsOnGivingAndGiving 😌

[orbitariums]

christopher moltisanti x black! reader (snippet) as promised literally LAST YEAR... i know my people are still waiting on it i'm so sorry for leaving yall hanging, gays can u ever forgive me?

this is a SNIPPET of the shit i literally started last week... there's room for improvement and hopefully this will force me to finish this. also if any of y'all are also into challengers, i've got some patrick zweig and art donaldson (x black reader) fic posted and more incoming ehehehe.

anyway. set in like s3/s4, when christopher was working in an office (completely blanking on when that actually was but you'll have to forgive me i literally started this last summer (and still haven't finished the sopranos because i am notoriously slow at finishing tv shows))

cappuccino w/ extra cream | christopher moltisanti x black!reader

contains: smut, mentions of racial tension, christopher is NOT an abusive racist in this sopranosverse <3

You and Christopher Moltisanti were not a predictable match. It was only by chance that you met, while he was ordering lunch at the bodega you worked at after he had scored a hit in your neighborhood. He knew better than to come back, especially just for you, but he did. Over and over he came in, ordering a turkey and cheese on a roll with extra relish, shoving an inappropriately large tip in the tip jar just for you— just enough times until you caved in and let him take you out to dinner.

Of course, your family had a fit, and you didn’t even want to think about what Christopher went through with his crew when it came time to finally tell them about his forbidden love life. But all of the ruckus had died down, and now between the two of your crews was this unspoken, stifled agreement that they would let this union exist in peace. It was the 90s for god’s sake, and Christopher was a stubborn mule. 

Once he knew what he wanted, there was no backing down, even if it made him look like an idiot to those whom he served. And by god, did he want you. He was obsessed with you. Always wining and dining you, showing you off without shame. Of course, you two had been through your ups and downs, but Christopher treated you right. You were probably the first woman he’d treated right, the first he cared for unconditionally. No pains in sight except those he took to spoil you and cherish you beyond the diamonds and Versace pumps he gifted you. Even Paulie could respect it, along with the rest. It’s partially why they left it alone, and even smiled and shook your hand when you showed up on his arm. He thought about you every waking moment, he was positively lovestruck. 

It was a slow day at the office. Already Christopher had to reprimand Thing One and Thing Two for trying to intimidate the new guy. He was secluded now in his office, scrolling aimlessly on his chunky desktop computer when he heard a knock at the door.

“Who is it?”

“It’s me, baby!” came your voice, tinkling like bells in his ear and positively soaring through the room from the other side of the door. 

Christopher stood up, standing straight as if he’d just downed a shot of espresso, and he had to physically resist flinging himself at the door for the sake of the guys outside who were watching him. He opened it, first looking past you and glaring at the guys who had frozen on their phones and computers, gaping at the sight of you being let into Christopher’s office. Like they’d never seen anybody before. 

“What are you jerkoffs looking at?” Christopher barked. “Get back to work!”

Immediately resumed the punching sounds of typing and the drawls of the sleazy salesmen on the phone with their poor customers. As if it were nothing, Christopher retreated back, facing you with a broad, charming smile.

“YN, baby… what are you doin’ here?” he asked, that dopey lover boy tinkle sneaking into his voice, which always did anytime he talked to you. He sounded like a completely different person— like the Chris he might have been if he weren’t born into the family he was born into. He took your arms into his hands, caressing them gently, softly smiling. “Here, come in.”

He opened the door wide enough for you to come in, glared at everyone once again when you walked past, and then closed it, clicking the door locked. Not that anyone would try to come in unannounced anyway.   

“Wanted to see you, that’s all,” you smiled, plush lips pressed against one another. “Got off work early, got you a capp and chocolate biscotti. Extra creamy, just how you like it.”

You sat down at the chair opposite his desk, setting down two coffee cups and a crinkly paper bag. Christopher felt like he was dreaming. His discontent seemed to fade away now that you were here— bright colors replaced the dull dram palette of his lonely office and he only had eyes for you. The smell of creamy espresso wafted towards him, mingling with the praline swirls of perfume that glided off of your pressure points. He was in Heaven— he was sure of it. All of his senses were overwhelmed by beauty when he was around you. 

“My girl. Always so sweet,” Christopher picked up a cup and sat down in his desk chair across from you. He pried open the lid and took a deep sniff, all the while maintaining the most tantalizing eye contact with you, both of you staring at each other with smirking smiles painted on your lips. 

“Go on, drink it,” you prompted him, unable to hide the smile from your voice. 

“What, I can’t look at you instead?” Christopher crooned back. “C’mere. Come, sit on my lap. Sitting across from me, what are you, a client?”

You shook your head, laughing at Christopher’s incessant demands to always be close to you, always be looking at you. He was always touchy-feely and lovey-dovey. His affinity for physical touch lurked not so far beyond the cold mobster exterior. You got up anyway, slinked over to him, and sat. One leg crossed over the other, the skin of one thigh sinking into the other. He wrapped his arms around you and nuzzled his chin into your shoulder, gazing up at you. 

“Your hair looks nice,” Christopher commented, gently grabbing a handful of your fresh auburn-colored braids and stroking his hand through the gaps.

“Oh, thank you,” you snaked a hand through your hair, tilting your head so you could see Christopher better. 

“You go to that salon? Put it on my card?”

“Of course, baby. Thank you,” you smiled coyly, kissing his cheek with a loud smack.

“You just tell me anytime you need to get your hair done. With you, it’s every two weeks, but I can’t complain.”

You snickered,

“Yeah, until I make you sit there and wait for me for six hours to get some braids.”

“I dunno how you do it. You’ve got patience like nobody else,” Christopher replied, pushing some of your braids to the other side.

“We have patience like no other.”

Christopher looked down at your skirt— a tight pencil skirt that matched the brown hues of your skin and hugged your curves nicely. You matched it with a blazer and a white blouse. You looked so sexy and professional, and elegant.

“And this skirt,” Christopher continued, layering on the compliments with a renewed curiosity, the kind of curiosity that wanted to know what was under the skirt. His hands, rough and large, found their way onto your lap and your thigh. His hands, marred and toughened from his profession, felt nothing like your buttery smooth skin, but still, you found yourself melting into his touch. Your wispy lashes brushed against your cheek as your eyes fluttered slightly closed. 

“Burberry. You like it?” you bit down on your lip, giving him doe eyes as you craned your neck to coo at him. 

A deep smirk set on Christopher’s lips and his thick brows rose slightly. His hands left your body for only a moment to raise up in the air as if considering the question, then they were right back where they belonged, 

“Do I like it? I wanna fuck you with it on.”

Your mouth dropped.

“Christopher!” you enunciated each syllable, glaring back at him with twinkling, faux scandalized wide eyes. 

“What? I can’t be honest anymore?” Christopher asked, his words beginning to sound muffled as he pressed his lips against your neck ever-so-gently, but enough so that you could feel it. “I’m Catholic. Lying is a sin.”

“What’re you doing, Chris?” you scoffed, rolling your eyes amusedly. You wouldn’t keep up this facade for long, but he would play along and break down your walls. 

“You smell so fucking good,” Christopher practically inhaled your scent, his big nose pressed against the nape of your neck. “You got more of this stuff?”

You frowned slightly, remembering that you were savoring the last of it,

“I’m almost out.”

“I’ll get you more,” Christopher replied immediately. “Make that your signature scent.”

You chuckled at Christopher’s insistence, his matter-of-fact way of speaking about certain things. Not controlling, but honest about what he wanted. 

“Okay, I will,” you grinned. 

Christopher pushed away your braids so that one side of your neck was completely bare for him to continue peppering kisses upon. It was clear to you that he wanted more than just this, as sweet as it was. And you wanted it too, but not without teasing him first. 

“I want you right now,” Christopher said, a certain desperation tinged in his voice that only you could provoke. He knew he’d have you, and could have you… but still, every time, he seemed to rescind into this character of the enthralled lover boy who didn’t quite have the girl. Like he was still ordering sandwiches from the other side of the counter and telling you to keep the change. 

“Christopher! You’re at work. What if someone hears?”

Christopher snorted through his nose, 

“I don’t give a fuck. ‘Sides, only thing those jerkoffs can hear is the sound of their own 

mouth-breathing.”

You giggled, but half-heartedly, trying to catch your breath. Christopher wasn’t the only one who was defenseless in this relationship. You wouldn’t be able to guess it right away, but he had you wrapped around his finger too, right along with his Cuban ring. Everything he did positively enraptured you, even if it made him dangerous. But when you were with him, everything was swathed in the softest fabrics, and the air smelled of fresh linen and fields of flowers. None of the blood and tears that his work consisted of. 

You crumpled under his touch, easily. He knew you, mind, soul, and more presently, body. The room was silent, bar for the slightest sounds of lips against your neck and fabric swishing against itself as he eased his hand further up your thigh, pushing underneath your skirt. By now his kisses against your neck had you tilting your head back in pleasure, your lips slightly parted. You could feel the outline of his cock against your ass and wanted nothing more than to get closer. Each time you saw each other it was like you hadn’t seen each other in years, would never see each other again. The passion never dissipated. 

His hand crept further and further until it reached the side of your panties, lifting the elastic band and then letting it slap against your skin. His kisses against your neck grew deeper and traveled up to your chin, his other hand wrapped around your waist tightly. You gasped slightly at Chris’ suggestive touch.

“Christopher…” you whispered, your voice reduced to a weak shiver, lids becoming heavy. 

“What?” he responded, his breath heavy. 

“Please, I need you to touch me.”

“Where?” Christopher asked, fighting the smile that was pulling at his lips. 

“Here!” you exclaimed with desperation, grabbing his hand and pressing it against the center of your panties where there was a wet mark. 

“Oh, there,” Christopher replied, fingers pressing into you over the delicate fabric. 

“Yes, please,” you whimpered, your whole body beginning to tense up as if preparing for sweet impact. 

You were relieved when you felt him push your panties to the side and you could finally feel his fingers against your flesh, prodding at your folds as if collecting your wetness along his fingertips. 

“You’re always so wet,” he shuddered, wasting no time and pushing a thick finger into your hole, making you nearly jump out of your seat on his lap. Instead, though, you simply arched your hips up against his finger, letting out a deep exhale. “And so warm.”

“Oh!” you yelped out in pleasant shock when Christopher added another finger, fully stretching you out now and sending a buzzing vibration up your spine. 

“Thought you didn’t want anybody to hear us?” Christopher taunted you, lips hot against your ear. 

“Ugh,” you moaned, rolling your eyes. “Just—please.”

“Please what?” Christopher asked, all while quickening the pace of his fingers inside you, switching from slow, scissoring motions to a fast slam that caused you to collapse against his chest, your legs pried open. Christopher moaned to himself at the feeling of your wet slick against his fingers, the way he could feel you getting wetter as he pushed his fingers in and out of your hot entrance. 

“Please fuck me,” you whined, your voice taking on an entirely new high pitch as you jolted into the pleasure and the change of pace. 

“‘M gonna fuck you, don’t you worry your pretty little head,” Christopher kept pushing his learned fingers into you, hitting your g-spot with ease. “Gonna make you take my cock.”

“M-mhm,” you gasped out. Chris wanted to see this through, but the way he was straining against his pants was killing him. It was painful not to be able to be inside of you. 

“Fuck, I’m taking this off,” he announced, and you both fumbled together to unzip your skirt and toss it onto the floor. His pants and boxers came next, along with your panties. All thrown carelessly around the room. Then he lifted you and turned you around so you were facing him, straddling him on his desk chair. You were already desperately grinding against the base of his cock, your arousal trailing up his shaft. 

“You’re such a fucking slut,” Christopher’s voice seemed to grind into a growl as he watched you roll your hips desperately against his cock. 

“Please,” you pouted, his words passing through you like a gust of wind— you hardly registered them. You were too busy grabbing at his cock and trying to 

“Why’d you really come here, huh? To get fucked?”

You hated and loved how easy it was for him to turn you into putty. 

more soon i promithhh <3 keep me on my toes yall

[tennessoui]

I just watched Bridgerton s3, and now I’m rereading your regency au tag and ughhhh it’s so good!! Do you by any chance have any little snippets set after they get together?? 💗💗

after they get together anakin gives obi-wan a lil gift every single day. literally every breakfast, anakin has some small token to give obi-wan and obi-wan had no idea where he’s finding these trinkets and clothes and jewelry because he knows anakin is NOT leaving the house (obi-wan has personally made sure that he is too exhausted to leave the bed, let alone the house)

and then after a month or so anakin does not gift obi-wan anything and like fine whatever obi-wan was never spoiled and he is not spoiled now but like did he do something?? where is his daily gift to start the day?? he is vaguely affronted. anakin does not have little treat? just a little gift???

and then in the afternoon, anakin takes him to the stables where he has a very elegant horse stabled with a very silly bow around its neck

and obi-wan recognizes that horse because anakin tried to give it to him before when they were just trying to be friends and he rejected him because it was too nice of a gift and what would other people think if obi-wan accepted that gift and not anakin’s suit?? It would look bad.

and obi-wan is like what you found the horse I turned down and got him for me now it won’t reflect poorly on either of us? 🥺🥹

and anakin is like no don’t be silly. I never gave the horse back. It was to be a wedding gift to you if you found your match, or a gift to you when you were old and gray if you never did. I’ve kept it since you rejected it

and obi-wan is like wait. You just kept that horse. It’s been months.

and anakin is like I kept everything I bought because of the thought of you that I could not give to you. Where do you think all your trinkets have come from? I can give them to you now and I intend to.

[humanitys-strongest-bamf]

Hi Kat! Congratulations on 2k followers congratulations 🍾🎊

May I request Dadvi fluff in pre-liberio; levi with his twin daughters, where Levi take his daughters and his wife to beach?

Thank you!!

hi san!!! i was giggling and kicking my feet as i wrote this, he's 100% the type to spoil his little girls

Drenched | 2K Follower Event | Canonverse Dadvi Drabble

✧ word count ➼ ~750 ✧ notes ➼ post-s3, fluff

"Daddy, can we go play in the water?"

Levi paused, his eyebrows coming together as one of your twins hovered in front of him, basically vibrating with excitement. You could clearly tell that Levi wasn't a huge fan of the idea of the ocean water, likely because he had no idea what was actually in it, no doubt being the actual definition of filthy.

He eventually let out an exasperated sigh.

"Fine," he groaned, "but first thing you're doing is showering once we get home."

You watched as both of your daughters raced each other into the water, grimacing when you saw one of them fall onto their knees, immediately getting drenched in the seawater.

Being outside the Walls made you uneasy. Levi had mentioned that there was a beach at the edge of the island and both your twins immediately began hopping up in excitement, begging to go. You knew that the Titans had long been extinguished, but it still took some getting used to.

Levi watched from the shore as you rolled up your pants and got into the water with your daughters to watch over them in case they tried to go deeper into the water or got hit by a particularly strong wave. They were mostly splashing around and having what looked like the time of their lives exploring the sea for the first time.

Knowing how attached they were to Levi, you weren't surprised when they were whispering amongst themselves as if they were plotting a heist before running out of the water and sprinting towards him at full speed.

By the time you looked up to see where your restless children had run off to, you saw them both trying to tug their unmoving father towards the water, who was already cursing underneath his breath about now having to deal with 'three little shits' on a daily basis.

"It's okay," one of them reassured, sounding completely serious, "if you start drowning, mommy can save you."

It took all your willpower to not burst out laughing both from their comment and the scowl that immediately popped on Levi's face as a result of it. Your children legitimately thought that their father was scared of swimming and that was why he was reluctant to get into the water, having yet to pick up the hint that Levi was avoiding the water because of how filthy it could technically be.

He put up a strong resistance for about thirty seconds before he let the two little girls grab onto him and "drag" him towards the water. He slightly stepped into the water, but kept his boots on so that the water wasn't actually touching him as an unsettled look appeared in his eyes.

"No fair!" the other one protested. "That doesn't count!"

You knew you had to go rescue him at this point.

"Girls, leave him alone or he's going to be grouchy for the entire trip home," you called out, slowly stepping out of the water.

By the time the sun started to set, the girls were worn out, and so were you. You didn't know if you had it in you to chase them across the entire beach again whenever they got enamored by some odd sea creature that you couldn't possibly attempt to name.

You untied the horses and secured their saddles when you looked over and saw Levi furiously patting the girls off with a towel before dropping a fresh set of clothes into their tiny arms.

"Get changed before you get sick," he scolded. "Or I'll have to feed you that bitter medication that you threw a fit about last time."

You immediately heard the girls scream as if their life was on the line as they ran towards the bathroom to change, noting the slight upturn of the corner of Levi's lips as he watched them race each other.

"Didn't expect you to have packed towels and a change of clothes," you muttered as you stepped up to him, "given how reluctant you were to let them get into the water."

Truthfully, he already knew exactly what the twins were going to want to do. He knew his kids, and he knew that they were going to want to fuck around in the water.

"...didn't want them to just be drenched on the ride back to the Walls," he eventually reasoned. "Plus, they're a pain in the ass when they're sick."

[genericpuff]

The Mishandling of LO’s S3 Mi(n)season Hiatus - Part 3 2/2

ALRIGHT. THIS IS THE LAST PART. I MEAN IT THIS TIME.

I had completely forgotten how long the mi(n)season finale for S3 was, but I suppose it makes sense considering it was operating as the true cliffhanger before the 4 month break.

If you haven't read the first 3 parts of this episodic breakdown, please go check these ones out first:

Part 1

Part 2

Part 3 1/2

Alright, let's get this show on the road!

CAUTION: THIS IS PART 2 OF THE THIRD PART OF A 3 + 1 PART SERIES IN WHICH I WILL BE SPOILING MUCH OF EPISODES 251-253. THIS EPISODE CONTAINS TOPICS SURROUNDING SEXUAL ASSAULT. THIS WILL BE A LONG POST. BRACE YOURSELF.

We've gotten delusional Leuce. We've gotten erasure of the SA. We've gotten a complete bastardization of the original myths that this story got its claim to fame on. The dread has set in, and all I want to do is get off Mr Bones' Wild Ride. But we have one more stretch of mind-numbing track to go, because the reveal of Persephone starting winter was not the end, oh no. The true cliffhanger of this episode - upon which the fans and critics alike have sat on for 4 months - proves that when we think Rachel has gotten crazy enough in this circus she calls a "retelling", she manages to prove that yes, she can make things even crazier, and no, you will not have a good time.

Ironically, despite that opening, I actually have a lot less to say about this last part of Episode 253 than I did about the first part. Obviously there's no feasible way to top "Persephone causes winter", but this episode does come rather close in its absurdity. Ultimately, if these essays have proven anything, it's just how much Rachel retcons things, to such an extent now that she seems to be retconning or outright forgetting information that she established just a handful of episodes prior. You'll see what I mean here as we go along in this.

As soon as it's hinted at that Persephone has started winter, we cut away to Apollo. Because, as per LO tradition, we can't spend longer than 10-15 panels on a single scene.

Already this seems like... really odd framing.

This is Apollo. A character who has been a villain since basically the beginning of the comic, when he sexually assaulted Persephone. This is not something that's up for debate. This is not something that can be refuted, as much as the comic may try to erase it or twist it into something else.

And yet, the vibe I get from this is, "Misled but good-deep-down character being taken advantage of by a sinister being." This isn't the type of framing we should be seeing around a character like Apollo.

I mentioned it ages ago in my post about the SA erasure that it really feels like Rachel is slyly trying to make Apollo empathetic, from giving us an entire episode in his perspective to adding extra panels into the books to making Persephone weirdly reminiscent of feelings for Apollo that she never had.

One thing I also touch on in that post is how Apollo is framed against Zeus. Zeus is also a villain character for much of the series, and even after he's "redeemed", the fanbase still considers him largely to be an antagonistic force. So to have Apollo be trying to take down Zeus comes across as very "the enemy of my enemy is my friend" and I really don't like seeing that framing when it's regarding a rapist.

And this scene largely feels the same. It feels like Rachel's trying to sway the audience into believing Apollo is like Draco Malfoy - a misled boy who "didn't know any better" and was being manipulated by a greater evil. If you haven't guessed by now, that "greater evil" is Ouranos.

Why is it Ouranos? In my opinion (so take this with grains of salt) this is because they need to somehow "one up" Kronos and give Persephone and Hades a tangible force to fight against, to draw a clean line in the sand between "good" and "evil" so that we, the audience, will be forced to categorize Persephone and Hades as "good" and someone else as "evil".

But really, why Ouranos? We're told that he manipulated Gaia to use her powers in an attempt to create "hierarchy" (whatever the FUCK that means, I don't think Rachel really understands how societal hierarchies are created) but there's NOTHING to imply that he was tyrannical or "evil" in the same way that Kronos has been depicted. Rachel's basically submitting this whole plotline to "well it's in the prophecy" but there was NOTHING dictating that she had to try and write a "prophecy" storyline to begin with. So as a result, it feels very tacked on and it's hard to tell what the point is, it really just seems like Rachel watched too much Marvel one week and decided that Lore Olympus - a fantasy romance - needed a big bad.

And by extension it feels like Apollo is being used as a pawn in this dynamic. By making him subservient to an "evil" force, it means he can labelled as definitively "evil", and thus it gives Rachel a vehicle to have Apollo taken down - or even perhaps empathized with much like in the Draco Malfoy sense - without having to touch the SA plot that she set up and never resolved.

He was evil before, but he wasn't the kind of evil that Rachel could write around. Because she doesn't know how to write SA or give her female characters any sense of retribution or agency. We've seen that already with her robbing Demeter of winter and Persephone of her feelings regarding the SA. There was never going to be a chance in hell she was going to be able to write herself out of a plotline she's been procrastinating for 4+ years.

That said, this is just a vibe I get, so I'm not gonna speak on it much more. This is one of those "we're really not gonna know until the comic returns" situations.

Once again, Rachel's trying to make Apollo seem like a "master manipulator", but she's also trying to make him seem like he's the one being manipulated, but she's ALSO trying to write him as a big dumb idiot who literally can't grasp consent. Apollo has to be one of the most inconsistently written characters in the entire comic, and yes, that includes Persephone. Again, it just goes to show she hasn't been able to fully commit to the SA plotline because Apollo's motivations and intelligence levels change with each passing episode. Sometimes he's being nefarious and plotting to overthrow the King, other times he's literally asking a nymph if she'd be willing to cut her hair to look like Persephone. The comic can't choose and so we, the audience, can't tell why Apollo is even still here.

Again, this is SUCH bizarre framing. If we're to believe that Persephone has been "cursed" by no longer being able to create Spring, only Winter, then does that make Ouranos and Apollo the heroes here? Because Ouranos is right, if Persephone is causing winter, that's going to kill the mortals, which is the complete OPPOSITE of what she's trying to do. So what are we left with? A plotline where Apollo and Ouranos might actually have a point about how she rushed into a marriage with the King of the Underworld and sacrificed everything that gave her agency and power - both metaphorically and literally - in the process?

Again, this is why Rachel fundamentally misunderstands the original purpose of The Hymn to Demeter and how she's, by and large, made her retelling worse in an attempt to be "subversive". It puts the plot and character motivations in a place where it's hard to tell what the story is trying to say, I can understand if maybe Rachel's trying to write a conflict where Apollo uses this information to manipulate her, but it doesn't help that knowing EVERYTHING we know about the H x P relationship within the context of this comic, Ouranos has a point that Persephone's union with the King of the Dead is problematic. It might not be the same "problematic" that we're all thinking of, but it really just reinforces the criticisms of this relationship. Is the comic really asking us to say "fuck the human race, they're in love" ??? Because that's NOT what the point of the original myth was in the slightest and it's just a really weird place to put your audience in.

It's 4:45 AM right now as I'm typing this so my thoughts are a little scattered, but all this really feels like is an attempt on Rachel's part to create a new "big bad" for her to use as a distraction from the SA plot and to give Persephone a "flaw", but that "flaw" really only takes away the strength of another character.

Oh, and by the way? This whole "you need the fertility goddess" thing? THE COMIC HAS ALREADY TOLD US THIS WON'T WORK BECAUSE SHE HAS TO BE IN LOVE WITH APOLLO FOR HIM TO BE ABLE TO USE HER POWERS. SO RACHEL'S ALREADY WRITTEN HERSELF INTO A CORNER THAT SHE'LL EITHER HAVE TO SOLVE OR RETCON ENTIRELY. DO YOU SEE WHY THIS IS SO ABSURD???

This line is kind of jarring because we had the Kassandra prophecy at the beginning that talked about the herb, but the prophecy Ouranos is talking about is the one about the sons of kings overthrowing their fathers. I definitely forgot about that one for a hot second reading this, I didn't get how this sequence related to the poisonous plant thing because they're framed as completely separate prophecies. It's not like Kassandra said in her initial prophecy that this plant would be used to overthrow a King again, she just said that the plant still existed and Psyche figured it out on her own that Apollo was gonna use it on Zeus. IDK that's just something that bugged me (also again, why are they believing her prophecies when we literally just had it established an episode ago that no one believes her prophecies LMAO)

Because if it wasn't enough for LO to have one Evil Robot Jeff Bridges villain, it had to throw in another one for good measure. It's just a line of dads and grandpas going back centuries waiting for their turn in the ring with Persephone.

lmao I love this 'hint' at Apollo being the one to write the note from Hebe and leave the cupcake for Zeus. Like... duh? We already put that together as SOON as Psyche said gasp "Zeus!" and then it showed Zeus eating the cupcake while Psyche called him on the phone telling him Apollo was gonna try and harm him. This sequence of 'revealing what really happened' doesn't work here because we've already been told what happened.

Except we know he won't. There's no tension to this whatsoever.

That's Hebe by the way.

It's odd that Apollo is embracing this prophecy when he has a kid himself. He literally has a fully grown son in this comic. I guess Apollo forgot about that, just like Rachel.

And that's it. That's the midseason finale. Ouranos is the new twist villain and Apollo is... whatever the fuck Rachel plans on doing with him.

Now, this leads me to my original motivation to create this series of reviews. It spawned from a conversation we were having in the Discord, discussing what it must be like to be a free reader who hasn't paid for the FP episodes that are still behind a paywall. This is not standard for LO, it hasn't kept FP episodes behind paywalls in the past during long hiatuses like this. I can even prove this with screenshots from the Wayback Machine, during the last midseason hiatus:

(whoof, that rating has dropped. I know it doesn't seem like much but for a series with millions of readers, by law of averages it takes a LOT of poor ratings to pull that number down compared to a series that only has a few readers)

Point is, this is the first time Rachel/WT have done this. Now, I will make this perfectly clear, I don't think this was a decision that was purely on Rachel. WT controls much of the backend like paywall costs, release dates, etc. so I'm not gonna go pinning this on her.

However, I do think this is a completely bungled attempt at trying to get people to pay up. LO has been dropping in views steadily but surely since the midseason break for S2. It's not pulling in the peak numbers that it used to, while it does still pull in a lot more views and money than other series on the platform, it's nowhere near the juggernaut that it once was in terms of record-breaking numbers, and I think WT knows that. So this really comes across as a stunt to get readers to FP, assuming that people will HAVE to pay if they're left waiting for 4 months.

But here's the flaw in that logic - people are still going to have to wait 4 months anyways. Reading those 3 locked episodes, especially all at once, will still leave you in the same place as you were beforehand.

And it shows in the numbers that people aren't falling for the bait.

Again, 17k likes still isn't anything to sneeze at for a FP episode, but it's still just barely above the new average that LO has gained over the past two years. I remember a time when those like counts would be 30k+. And now, despite being on break 4 months with these episodes still locked behind a wall, it's barely able to scrap by its new average of roughly 14-15k, and that average is when episodes are actually updating.

Obviously like counts = / = viewcounts but when they fluctuate, we know that the views have to be as well by extension, at least to some extent, and that's still engagement that's dropped of in and of itself. And we can also see a rough look at how the views have dropped off through the comic's landing page. Now, it's hard to compare data because there was a time when WT actually didn't give follower/view counts on the landing page (this was also when the like count capped at 99k) but we can still see a downslide in growth very visibly in the view count, sub count, and most of all, the rating, which has been steadily dropping for years now.

August 2020:

May 2021:

November 2021:

March 2022 (don't get confused by the 995 million, this is where view count comes in):

September 2022:

March 2023:

Today (October 24th, 2023):

Again, there's no way to get a true clear picture of LO's stats beyond this surface level data, but it does show that LO is just not getting the rapid growth it used to. People are moving on from it. And while its view and sub count are steadily increasing (albeit slowly for a webtoon that gets as much marketing as it does) the average rating is going down. It's clear that the majority of LO's growth happened between 2018 and 2020, which would make sense as the series was still relatively new compared to how it's become old news today, and Webtoons experienced a boom in 2020 due to the COVID-19 lockdowns - a boom that they think still applies in the year 2023, judging by their attempts to import as many series onto the platform as possible and capitalize on an audience that just isn't there anymore.

All of this leads me to wonder - what's in it for free readers after all this? Because if you recall from where we started, the cliffhanger they started on was Hades - possessed by Kronos - attempting to strangle Persephone, a cliffhanger that was resolved within seconds for FastPass readers. If they don't FastPass after that, they'll be met with numerous reveals that don't even make sense for the plot as a whole (such as Leuce making up the text messages).

Again, I don't want to claim that this was a decision on Rachel's part, but it really seems like either she didn't plan this hiatus, or her inability to write naturally without the need for addictive-style formatting as a crutch made it so that the free readers would be given the worst midseason premiere ever.

And what are we, the FastPass readers, going to return to? There are still so many plot threads that have been left unresolved, multiple villains being setup, and as far as Webtoons and Rachel have revealed during NYCC, LO is supposed to end by the spring. That's 20-30 weeks TOPS, which isn't exactly a whole lot of wiggle room for a writer like Rachel who's chronically bad at pacing and getting to the point of the plots she's established.

I know there are so many readers right now anticipating the return of this comic, some of whom genuinely believe this comic is "better than ever" and others who are critical of it but hope that the comic will come back in a better state after the hiatus. But right now there's so much evidence to support the contrary - that LO is about to come back in as bad, if not worse, condition than it was in when it left.

And through all this, for a comic that's finally ending after 5 years, I have to ask - where is the hype? Why are Webtoons and Rachel keeping the finale of this comic behind closed doors? Where's the promotional art, the hinting at what's to come, the attempts to generate any semblance of excitement for the readers who are still left after clinging onto this ride for 5 years? Why were the fans themselves barred out of their own communities during the majority of the hiatus?

And that just leads me to an even more discouraging thought. This is not meant to accuse Rachel or make assumptions. It's simply a thought that I had while thinking about what the series could possibly pull upon its return, so please, take this with MOUNTAINS of salt. It's one thing I hadn't considered with the knowledge that LO will be returning with 3 episodes still behind a paywall, a 'buffer' in and of itself for Rachel to work off of.

Rachel only technically needs one episode ready for the release. Not three as she normally would if the episodes had been unlocked like in previous hiatuses. That's not including whatever buffer episodes she would need beyond the upload schedule, but she's proven to be chronically bad at maintaining a buffer as well since day one.

We haven't seen any promotional art. No hinting. No hyping beyond what's been seen for her "Rachel Smythe Presents" series.

With all that in mind, I have one question to leave this on:

Has Rachel even started working on Episode 254 yet?

[zabala0z]

Okay. So. Hi. I’m your host who is rethinking life??? Or just thinking a lot right now, my brain got so much information. I would’ve posted sooner but I needed a couple hours to get my bearings yall ⛹️‍♀️ anyways! The final 4 episodes of TMA s2!!!

I’m not gonna do my usual format but to start with: I knew Elias was a bastard. I knew it, I CALLED IT. I mean it was pretty obvious but I’m just happy I figured it out. Although I’m very destroyed over the fact Sasha is definitely dead. Like I heard Dekker in MAG 78 and even then I was still in denial until Leitner said “yeah no she’s dead”

In MAG 79, I’m mostly pissed at Michael. Like the moment it put Tim and Martin through its creepy ass doors, I was just like full wheezing out of shock. I wheezed a lot today. Michael does not seem to know shit about humans too since it was like “I…I think it’s called a sport”. Love Michael but also stop being so cryptic oh my god. Also Not Sasha was low key horrifying. Like props to Michael and Not!Sashas voice actors because man I have never felt my muscles seize up like I did when hearing them.

Not Sasha mentioned like being sent to the house of its enemy that had the biggest eyes you ever saw. I thought the enemy was the institute but later I found out…no. Oh yeah! Mag 80! What the hell!

Jurgen Leitner being like “yeah my assistants kinda were killed a lot” like okay go supporting boss. I did not predict it was LEITNER who was living in the tunnels. It’s nice he worked with Gertrude though.

Also, these entities. Again, I was vaguely aware of some since their name was thrown around but I didn’t really realize the extent. Jon mentioned Michael and Leitner refers to it as “The Distortion” and that’s its part of “The Spiral”. AND THATS WHERE FRACTALS COME FROM. God.

Also, when Leitner and Elias are talking, Leitner talks about “the Stranger” and Elias asks what they call it which is “The Unknowing”. The last episode, Not Sasha says that Jon will miss the Unknowing but he wouldn’t understand so I’m assuming the replacement things fall under The Stranger

One final thing I noticed was that he mentioned his assistants getting killed on that day of the attack and all the ways they got killed or I dunno attacked, corresponds with different themes from other statements

“Stabbed through the throat by something with too many teeth and weird limbs”- the replacement things (The Stranger)

“Pulled into a cavernous maw that opened beneath her”- I think this is related to The Butchers Window where Jared Hopworth would throw bones down that pit with teeth

“Gregory Todd ran into a door that shouldn’t have been there”- Michael. What are you doing 💀 (The Spiral)

“A great hand reached down through the roof” -I actually don’t know. Thought it was Freefall but misremembered it.

“Pulled into a great, pulsating pile of meat”- literally every episode with a meat theme. (EDIT 9/2/24: this is related to MAG 18 actually!)

“Doors with darkness and doors on fire”- so the cult I think is related to the darkness but with the fire, I know that Burned Out and that statement with Agnes could be related

So I’m guessing every way an assistant like got killed is one of those entities. I know The Vast is somehow related because Michael Crew mentioned that name before throwing himself out the window and then like changing. Guess he’s like a servant now or something?

Oh god that’s most of it. I’m wondering where Jon is now and I hope Tim and Martin don’t like fully believe he murdered a man. Also I swear to god, Elias, if I catch you. Like Leitner was not a super good guy but come on. I’m glad Not Sasha is gone but…my OG girl ����😔😔

if you got this far in reading me descend down into my little obsession thank you 🫶🫶🫶 like all this is for fun but everyone I talked to in this fandom is so chill and doesn’t try to spoil which is nice. As someone who was in crazy fandoms, this is pretty calm for such a horrifying media. I’ll probably continue these posts for s3 but I’ll try to condense it I swear guys.

[cupcakeslushie]

Okay. I've been tip-toeing around this AU for a while now, but I just got caught up, and now I think I have a (decent) grasp on what's going on. So I wanna go over everything I know so far to see if I'm right or wrong on anything. Don't know if you'd be willing to correct me or not. Either way, I hope my mistakes can help you understand what to clarify to other fans like me. But, I also have some questions. You probably won't be able to answer most of them, but it's at least worth a shot.

First, where's Venus? Like, why is she not in your comics that are (sort of) separate frome the canon now story. The ones that skip to the future way after all the turtles reunite. Did she die? Did she escape? Is it because she wasn't introduced yet when you made those comics?

Two, why do you keep on making references to the future timeline? I know you're planning on possibly making your own stuff leading up to the events of the movie. It just gives me a jumpscare when I see certain...imagery in those comics. I guess you're hinting at what your version of the future apocalypse would look like, but it just hurts to see. Specifically in the comic explaining both the events and aftermath of the movie and the bad future timeline. It's starting to really confuse my brain as to where this story is headed. What's meant to be the main focus? The Hamto's reuniting? The aftermath? Or the future?

Third, did you make all those min-comics before you started the actual AU? Or did you do them during?

Fourth, are any of those mini-comics relevant to the actual story now? Or have you changed your mind on a few things? It's just that everything is so all over the place, I don't really know whether to trust if they're accurate. I know most of them are just there for funzies, but the longer ones concern me. I guess I'm just not used to the storyteller doing sequel, start, prequel, start, sequel, prequel, prequel, sequel, and then end. Or maybe it's just me, and I'm sleep deprived.

My little observation speech is gonna take a while for me to get out in your asks because when I get theoretical, my speech gets long, and my proper English goes down the drain. So I'll be back. I appreciate your work very much. Despite the pain it causes me, it's still amazing.

I’ll try my best to clear up what confusion I can!

1. As far as Venus. The answer is kind of a mix of, I was still figuring out her design and backstory while coming out with some of those early comics, and then, once I had that down, I wanted the boys to grow strong bonds as a main cast. That’s why a lot of the side characters are only making small appearances in the Sep!AU Life stories, as those are mainly for the boys reconnecting. (Usagi shows up the most because I love him and am totally biased towards him).

This maybe hasn’t been stated outright, but I wasn’t really expecting so many ppl to like Vee as much as they do, and now im trying not to spoil too much of her story. It’ll unfortunately just take us a while to get to the meat of it. Since the boys reconnecting takes up a lot of the early s1s2 story, Im trying to follow the familiar Rise blueprint of Draxum, Shredder, Krang, and then in s3 we’ll have crazy fun new stories with the extra characters.

Ive also decided to take this little nugget from one of the Q&As, and use it for Venus instead of Jennika. It was a much needed bit of inspiration to explain why Venus sorta disappears for a while and will go through some major physical changes (not yet revealed) before the family can figure out a way to reach her.

2. I’m not sure if you mean jump scared in a bad/triggering or neutral way, but if you need me to tag anything on those posts please let me know!

The glimpses of the future timeline, are being scattered throughout wherever they parallel the present story in little ways, but that’s only for now. As we get closer to the movie plot, bigger chunks of the future will be revealed, because the future versions of the boys will have a larger role to play in the present timeline. So we will need more backstory than what the canon got. And also I just enjoy drawing my future versions so sometimes I don’t think too hard on a reason. I just like throwing them at ppl with no warning or reason.

When s2 ends, I plan on collecting all the future related stuff that’s been released, and recapping it for easier reading. Right now, it’s just little sprinkles of foreshadowing to give ppl an idea that, ‘oh crap. The doomed timeline is a bummer’. In my mind, I guess i thought it’d be kinda like a fun scavenger hunt for clues, but maybe ppl don’t like that 😅

3. All of the side-stories were written as the main comic was/is being released. A lot of them resulted from asks that just spawned the need to expand on certain ideas, or a desire to give all the turtles their time to shine.

For instance, when I was doing Donnie’s section of the main comic, it was a good few months where we hardly saw anyone but him and Venus. I wanted to just mix it up, and give Raph some love with his ‘Raph Time’ short. When Leo was front and center in the main, we hardly saw the others, so Mikey and Donnie got their little ‘Secrets’ short (and it was also I fun thank you for EW making it so far in the tmnt sep competition).

4. Anything that has been reworked/revised or just plain dropped should have an ‘Edit’ note because yes—I have gone back and changed some things, but more so from the asks i got in the early days, and some movie idea drafts.

All the short comics done in the last year, especially the ones that are listed in my pinned post, are canon and fall somewhere in the timeline. They’re like supplemental reading though—extra meat to give the world and the characters more personality. They do have particular backstory plot and important info in them, but nothing that shouldn’t eventually be re-visited/repeated in the main story.

um I hope that cleared up some things! I know it’s kind of a crazy amount of lore. I’ve tried my best to organize it in the pinned post, huge timeline, and search bar tags, but I know it’s getting harder and harder for newer ppl to jump in as it just get bigger. Thanks for reading regardless!

[jfkonfucius]

do u have any random confucious headcanons u wanna share? :3

OF COURSE ! I think about him everyday

- The airspray shirts he makes don't sell very well, but he still makes use of the equipment to make and gift shirts to his friends and loved ones

- He spoils people all the time with expensive stuff, he thinks people will be less likely to abandon him if he does so. He thinks the fact he has money is the only thing that makes him remotely loveable

- Cries easily

- Makes animation memes on Flipaclip. He is not very outstanding at it. He has a protogen fursona

- Has horrible reflexes, but is extremely cracked at Geometry Dash and Subway Surfers

- He doesn't have a very good relationship with his sister, his jealousy caused by his parents' favoritism towards her makes him act unusually petty, even though his sister is actually pretty nice to him

- Borderline Personality Disorder. Very bad abandonment issues. Was splitting on Joan in S3 E9

- He likes JFK, but would never date him cuz he's clingy and he thinks he would interfere with JFK's not-very-monogamous lifestyle

- He gave away the "I only got eyes 4 u" shirts to some random couple without telling them the backstory

- Somehow still does not know that Top-her69 was Topher

- Amab genderfluidddd all pronouns + ey/em + bro/bros + other neopronouns probably. But if asked in real life he's just gonna go "Uhh I'm a guy but I don't care if you call something else"

- Has a bit of an issue with vaping and energy drinks

- His favorite food is pizza

- He treats Kevin like a big puppy dog. Even though it's a Giant Bear

- He listens to EDM, hyperpop, dubstep and similar. Probably had a Skrillex haircut when he was younger

- ADHD+autism, he mainly stims vocally by making noises (pew pew!) or quoting internet vids he finds funny

- His special interest is Fast and Furious

- You know his ass never charges his Nintendo Switch

- The reason why you don't see him in the episode anymore after he gave Abe the suggestion that got him cancelled, is because he felt super bad and started hiding ("I run from like, 99% of my problems")

- Not a very good singer

- As we all know his parents are very absent, but they did help him dress up for the Valentine's day week dance

- Has a huge admiration for Frida, and is very intimidated by Cleo, which is a funny combination because the two of them were together for a year

- Owns an Itemlabel Dinkle

- First thing he does when he wakes up is message Joan good morning . or good afternoon . The only thing holding his schedule together is having to go to school

- His parents wanted to get him a panda because they know he loves em. But it was a pain in the ass because of the whole "former endangered species" thing. So they got him Kevin instead because close enough

This is definitely not All my headcanons, but that's enough for now 😎

[wandringaesthetic]

OVERTHINKING 30 SECONDS OF ALUCARD CASTLEVANIA:

I deliberately spoiled myself for whether he would be showing up before I started watching because I didn't want to disappoint myself if he didn't. So I saw this screenshot out of context and was like "no, put him back." He looks a bit too smooth and cherubic. Doll-like and a bit too feminine.

In context it's not so bad, in profile the change isn't so drastic and I think it's more that they have him exceedingly pale and that flattens out all of his shading than that they changed his facial shape much. Some of this is also just the slight difference in art style. Lines are lighter and more sketchy here and we don't have as much dark dark shading.

I expected that he would probably have white/gray hair a la Symphony of the Night and he does. A lot of the Ayame Kojima artwork he looks more pale blond but I most people playing the game interpret that sprite as having gray or white hair.

Also like Symphony of the Night, he's got a cravat. All laced up to the chin versus loose, low necked shirt or walking shirtless scene in Series 1

I always guessed that they had his first appearance like this to confirm beyond a doubt that the long haired pretty person was male so foreign language markets wouldn't be tempted to change his gender. And also I guess let's show off that scar.

ANYWAY. I always interpreted Alucard's silvery SotN hair as an expression of age/weariness/grief. He's canonically been taking a dirt nap for a while, right? An expression of the fact (?) that he hasn't been feeding. Homeboy is anemic.

By the way, it's never really made clear in Castlevania the animation whether Alucard needs to drink blood. I always assumed that he did at least sometimes. In part, because of this:

He has a confidence here that says to me that this is not the first time he has lunged after someone's throat.

Also it looks like the coffin apparatus he rises out of when he's introduced is feeding him blood somehow.

[He also eats food obviously, from his foraging and cooking montages in S3. my fanon interpretation of this is that he needs some of both but not as much blood as a full vampire would need and not as much food as a full human would need. He can survive a long time (probably a very very long time) without either but he'd suffer for it]

Some Castlevania vampires have more inhuman features than others. I'm speculating on this being more true the more old/powerful the vampire. Drolta's black sclera, Dracula's ridiculous height, Olrox's glowing eyes, etc. So the white/silver hair (and the 'is he glowing or is he REALLY white' complexion) might be an expression of Alucard aging and coming into his powers. Because a lot of our Castlevastle vampires are paper white but not all.

Him being laced to the chin versus tits out implies a more closed personality. Maturity, perhaps. Less emotional and sexual availability.

(In the first season he just woke up so you can't blame him for not wearing a shirt. In season 4 the shirtlessness is a Choice.)

I would say "please, someone fuck this man" but we all know how that went.

IIRC, in games canon he went immediately to sleep after Castlevania III and then didn't wake up until Symphony of the Night. This implies some self hatred and maybe depression. Feeling like you're something that shouldn't exist but being unable to easily self terminate and/or sticking around just in case you need to fight a monster worse than you.

Animated Alucard doesn't seem to have that level of self hatred. In series 1, he seems to identify more as a vampire than as a human (his comment about being less than excited about the Belmont hold because it's a museum dedicated to the extermination of his people) and doesn't seem to think that existing as a vampire is wrong in and of itself. In fact he seems to have some pride in vampires as preservers of knowledge even after the events of season 2. ALSO, his relationship with his father seems more positive in the animation than in the games. In the animation, he loves and respects his father up until the point he decides to exterminate all humans. In the games it seems like that father son relationship was more fraught and possibly more distant.

HOWEVER. If his kill count really is in the thousands, that makes me believe that not only has he been awake most of the last 300 years, he's spent most of that time killing vampires and that he may have started killing vampires generally rather than just those making problems. Even if he hasn't come to the conclusion of "all vampires must die and then when I have finished my grim work I shall die too" if he has been hunting and killing vampires for SO LONG he has to have started seeing them, and the parts of himself that are like them, as the problem.

I don't love that kind of moral absolutism, but. In Castlevania we have (correct me if I'm wrong) two morally ambiguous vampires (Dracula and Olrox) and the rest are evil. Castlevania the animation seems to not come down on the side that vampires are soulless monsters, but the overwhelming majority are evil. I think it would go against the series core to argue that vampires aren't people or can't be good people, or that you get one choice and that determines your whole life and impact on the world going forward (how Christian of you--also, a lot of them didn't get a choice!) But the fact remains that vampires have a strong incentive to view human beings as not really being people.

Alucard MIGHT be choosing to abstain from blood and that MIGHT be why he's so pale he glows. Drink your juice, Alucard. Take care of yourself.

I don't love the idea of Alucard being so self hating because I love him and I want what's best for him, but I have to admit that this kind of self hatred is what makes Symphony of the Night Alucard and most notable dhampir characters compelling. A monster fighting worse monsters. A cursed, bastard existence that nonetheless gives you great power. Choosing to do good even though you yourself are damned. Being constantly on the verge of a fall, of awful temptation, of becoming the thing you hunt. Fighting for a world that has no place for you in it.

LASTLY. As a Trephacard shipper. In animation canon he probably AT LEAST stayed awake for more or less a human lifetime. With Sypha and Trevor, in whatever capacity. Undeniably, he loved them. But there are ways that might contribute to the self hatred. It would have distanced him from the vampire part of his identity. I keep thinking of the fact that Trevor corrects Alucard ONCE when he refers to Dracula as "my father" and Alucard refers to him as "Dracula" for the rest of the series. I keep thinking about him staring at the cabinet of vampire skulls in the Belmont hold and Trevor and Sypha both seeming to not really notice. It would be tempting to minimize or fight against that part of his identity. He might feel like he has no place with them if he doesn't.

(AND THAT'S NOT EVEN GETTING INTO THE FACT THAT DRAC IS ALIVE NOW. I have no idea how they're going to choose to deal with that, but I have trouble imagining Alucard and Dracula having a positive relationship going forward. That might even contribute to Alucard feeling like he had to choose.)

[bigolbard]

Okay. I literally just finished S3 of LoVM and I have thoughts. Also, I just need to write those thoughts out to try and process what I'm feeling. Because I'm feeling a lot.

If it isn't obvious, everything that follows this is going to spoil the fuck out of all of LoVM and also CR C1, so, y'know, stop reading if you haven't watched yet and care about spoilers. You're beautiful, and I love you.

Okay. So. First, things that I want to praise unabashedly:

Laura Bailey is a fucking angel sent from the heavens to show humanity what god-tier voice acting is. I cannot get over her, and at this point I don't think I ever will. Love's First Crit was fucking phenomenal and heartbreaking and you bet your ass I was crying in the club.

Thordak-Raishan was cool as fuck and I loved the way they did it. I actually wish we got a bit longer of a fight there, it almost felt too quick. Would have loved to see Raishan fully let loose, but the narrative supported a sort of Keyleth v Raishan finale, so not a huge thing for me. I thought it was dope.

I saw you reading Der Kattenprintz to your daughter, Syldor. Don't think I didn't see that.

Kaylie's Song was as beautiful as I knew it would be. Sam and Mr. Fantastic and Neal Acree having been making fucking gold from Day 1 on this soundtrack, and I suspect they'll continue to do so in Season 4.

And now...the rest. The thoughts. The things. There are two big ones, and I'll start with the smaller of the two:

I did not like everyone splitting up for the first half of this episode drop. Was it technically both thematic and narratively sound? Yeah, absolutely it was. And I 100% get that this is something you can take advantage of in a TV show that doesn't really work at a D&D table. But for the Matron's sake, the show is called The Legend of Vox Machina. It is still about Vox Machina as a group, not as individuals. And the party is the heart of the story in the animation as much as it was in the live play. And splitting them up for such big moments feels like shit.

The other teams members not being there to see Earth Elemental Keyleth? That sucks. I know she got to show it off later when she killed Raishan, but it still sucks that that huge development moment for her happened completely devoid of the rest of VM.

Vax and Vex killing Ripley on their own? Sucked. Absolutely sucked. They went through all the extra work of building Ripley into a much bigger villain in the show -- both by having her survive Glintshore but also by us seeing her working with Umbrasyl in Season 2 and then again with Thordak in Season 3. They turned her into a proper major villain, and then never had the party as a whole fight her.

Her and Percy go mano y mano at Glintshore with no party intervention, and then the twins kill her with not only no party intervention, but not even telling the party they were going after her.

Like I get that Percy matters a whole hell of a lot to Vex, and by extension to Vax, but the rest of the party also loves him? And misses him? And wants him back? And they just...never get to fight Ripley?

Yeah, it's a TV show, you can have characters doing different things, but now you've lost a party experience. Vox Machina did not kill Anna Ripley. Vex and Vax did. And I'm sure some people are totally cool with that, but to me it really kills the heart of the story which is the party as a whole and the experiences they have together.

And speaking of splitting up.... what the fuck was that decision to replace Bard's Lament with the entire party just being like "well I guess we'll go do our own stuff now!"

Yes, the threat of the Whispered One will force them back together. Yes, because of the streamlined nature of the show we don't have as many side plots holding the group together now that the Conclave has been defeated. Yes, TV is different than D&D.

But holy fuck did I hate that decision, from both an adaptation standpoint and a narrative standpoint.

The first bit there is self-explanatory -- they fully removed one of the most iconic parts of C1. Despite -- in my and a lot of other people's opinions -- spending the better part of Season 2 and 3 setting up Scanlan's departure only to pivot at the last moment. I get making changes to fit the medium and the time constraints. But it was so obvious they were setting Scanlan's leave up from Season 2, and all the writing was on the wall, and then it was just nothing. And I'm disappointed. I'm disappointed we won't hear "what's my mother's name."

But even if I look past that disappointment, the narrative of it feels underwhelming on its own. Scanlan leaving is a huge moment for him, realizing he needs to look after his own needs, and having Keyleth basically echo the same sentiment really diminishes that moment. It feels like a goodbye episode -- and I get that S4 just got picked up like three days ago so they probably made that change so the show could end there if S4 wasn't ever made. That's probably the realistic answer.

But wow did I not like it. Wow wow wow. Like.... wow wow wow. I just...it felt so underwhelming. I kept waiting for the big moment, for the big season ending punch -- like the Chroma Conclave flying in at the end of S1 or the Raishan reveal at the end of S2 -- and there was just nothing. Yeah, we got the Vecna stinger, but that didn't involve the party. That didn't command immediate "oh no what's this."

It felt like it was setting up four new spinoff shows, not another season of the Legend of Vox Machina.

And let me be clear, this is all one dude's very fresh rant. This means nothing. If you loved these episodes, do not let me dillute your enjoyment. And I know CR and Titmouse don't owe me a damn thing -- they're not making this for me. I get that. But I just cannot believe that's the route they took.

In my opinion, the first two season very much felt like an adaptation. But this season felt more "inspired by," rather than an adaptation. And how much of that hits for you is totally personal preference. If I'd never seen any of C1 I'd love every moment of this. As its own things, it's still an incredible show and incredible art.

But it just felt like the heart was missing -- for me, at least -- in the back half of this season. Maybe I'm a hater. Maybe I'm resistant to chance. But it just didn't quite land and I needed to write all this out just to process my own feelings. Which is all they are. Feelings.

I still love CR. I still love LoVM. And of course I love y'all. Bidet.

[biolizardboils]

so heads up! im popping a LOT of Prime Season 3 posts into the queue--they'll start coming out one week from now, on January 22nd! if you can see this post and haven't watched it yet, here's some tags to block: #prime spoilers, #sonic prime spoilers, #sonic prime s3 spoilers, #sonic prime season 3 spoilers.

got all that? great! here's my final unorganized little rambles about the show:

shoutout to Rusty Rose's Birdie, who only appears in the very first and very last eps for some reason 😭 her speech about it not being her power source came outta nowhere too, but i loved the message behind it

when everyone arrives at the Grim, just before the ep ends, Nine starts breathing heavily and it. instantly reminded me of Movie!Tails when the bar was calling them freaks. fuck. its a nice reminder of where Nine's coming from

speaking of Nine his poses getting more unhinged over time!! hell yeah

i love that the final fight(s) felt like a kid smashing 3 different Lego sets together, real Robot Pirate Island shit

i laughed a little too hard when the Grim's dome started closing in cus Nine's citadel-thing already reminded me of a thing that happened in Fortnite once, but hell naw they had to add The Storm too sdfghj

METAL BIG DESTROYED ME LJKHGFDV im SO glad i wasnt spoiled about it!!! a while in i started finding it creepy instead of funny, which is an added bonus

i was spoiled about the Advance flashback and its clashing sprites though. the utter whiplash of seeing that without warning mightve made me choke on my hot cheeto puffs. someone's already remade it btw, check it out

i fistpumped at the small reprise of "me beauty" gfhjk ill miss you so much Dread

we're four years into the 2020's and Sonic has nearly died an agonizingly slow death 3 times in 3 different continuities! and dare i say it was delicious every time >:)

unless Word of God says otherwise I'm gonna assume that the giant shadow at the end was The Return Of Metal Big lpoihgfds

So... Twitter, huh? My spoiler filters there had some leaks, and I saw some discussion out of context that... actually made me kinda scared to finish the show. But then I did, and had fun with it just like the other two seasons, and I remembered that Twitter gets high-strung about things that don't matter so much, and that giving it sway over how much I enjoy things is silly lol.

Yes, I think the last season could've been paced differently so it wasn't 5 episodes of the same Final Boss Fight. Yes, I think the writing switches jarringly between gearing for a young new audience and for a seasoned old one. Yes, I think the 2D flashbacks look and move worse than what fans constantly make for free. Yes, I think the final episode doesn't do nearly as much housekeeping as it should (does the Shatterverse still exist or not??). Yes, I think declaring the show is canon to the games or whatever they said probably wasn't the best idea. And yes, I think Black Rose should've had a shoulder-parrot!Birdie to match the other Amys. All valid critiques! All sensible things to think when you've been around the Sonic bush!

But I swear to god, people on Twitter act like these things spoil the whole package. Where's the nuance? Why does every opinion there become an absolute worth tearing others down for? Is it the character limit? I bet it's the character limit.

There's so much I love about this show that were infeasible for the Sonic brand just 3-4 years ago. Externalizing the characters' facets to explore them in-depth. Said exploration spanning multiple episodes instead of being one-and-done. The sheer amount of genuine Sonadow food (and I don't actively do shipping, so me adding it here should hold a lot of weight). The snappy, playful, yet blistering fight scenes that, dare I say, feel like a successful TV-budget Spider-Verse. It was all so much fun!

But I guess stuff like Green Hill being the gang's "home" is a big deal-breaker?? Like?? I thought that was silly too, but not worth ratio'ing people with Mickey Mouse Clubhouse over? Get well soon, I guess??

Rambling over, shout-out to the entire country of Canada for giving me the most fun I've had with a Sonic show since X! I'm gonna go figure out how to address all this as The End lol

[vidavalor]

i keep seeing these thots that crow or azi or both are casanovas and got all the experience. or just some experience whtever

but i dont want that

i want them both to be complete unexperienced so they can have all the experiences together!!!!! (If they want them, if they arent ace which would be just as fine i just want them to be each others first everything if they arent ace)

and i so hate the thought of either of them being a player. Like ik they would treat everyone with kindness and respect but i just dont want them to have any experiences with others

Hi, friend. C'mon in and have some cookies. I made chocolate chip today. :)

First off, I can understand where you're coming from and I appreciate that your Ask to me wasn't unkind in the way you expressed it. I think we need more media with asexual characters in general, even if I don't think that's the story that is being told with Crowley & Aziraphale. (It might be with some other characters on the show and I hope that it's conclusively shown in some way in S3 as it would be a good thing.)

A word of advice from my ancient self here: I would caution you against equating virginity with "purity" or "romance" in a way that suggests that people who have had other partners are somehow "spoiled." There's nothing wrong with choosing to wait for a partner you feel comfortable with or for marriage or for any other reasons. Everyone's decisions regarding that are their own to make. The idea, though, that you judge romance relative to experience is a little worrisome. Life is full of many firsts. I'd caution you against holding a "first time" up in such high regard. There can be many different kinds of firsts. People grow and change throughout life and every experience is different and no worse or better than another one just because of when it happens. The idea of virginity meaning a "pure" experience is also oppressive to childhood sexual abuse survivors (of which there are, sadly, many, myself included).

There is nothing wrong with having sex-- just as there's nothing wrong with not having it. How many partners a person has had does not make them any less "pure" than people who have had none, nor does it mean that the sex would be less intimate or romantic with someone who has been with other people. How many partners a person has had does not impact the potential romance or level of intimacy they can have with a new partner. You don't both have to have never had sex to have a beautiful experience together.

As for first experiences with one another, I actually think they did have quite a few first experiences with one another-- regardless of whatever else did or didn't happen before. They've only ever loved each other so neither of them had ever slept with someone they were in love with before they started sleeping together. Forget first kiss-- I think Crowley is the first thing Aziraphale ever tasted, period, as I think their first kiss happened before the Job minisode. My next meta is actually about another "first" related to their relationship that they had with one another that I have the feeling from your ask that you might like. (It's called "Fish" & will be up soon.) There are still plenty of "firsts" in this story, if that's your thing, regardless of them having sex with other people.

[dododan]

Rick and Morty - Analysis of the final episode "Fear No Mort"

The finale of the seventh season was brilliant and exciting. I think the creators did a great job with this episode and you won't be disappointed watching it ^^

I had a lot of thoughts about this episode - what was going on with Morty, what fears they had to face and what consequences this might have for the future....

A lot of it was sitting in my head and I wanted to share it, so spoiler alert!

If you haven't seen the new episode of Rick and Morty, don't read it or you'll spoil all the fun of watching.

And I apologise for my English if anything is not understandable.

Morty's fears

Morty struggled with many fears when he entered The Hole. You can see from the beginning that he feared Rick would leave him. He was afraid of being unaccepted and laughed at because of his difference. He feared that Rick would kill himself because he had not dealt with his trauma. Or that Morty would end up like his own father.

But most of Morty's fears and nightmares revolved around Rick and that he would leave. I also think Morty feared that Rick's departure/death would be his fault, which is why he couldn't openly admit it.

Nonetheless, Morty faced these fears himself, realising that he was afraid of the extent to which he was dependent on Rick and afraid of his leaving. As well as the fact that Rick didn't jump into The Hole after him but stood by and watched. By realising the truth Morty was able to get out of The Hole.

It is puzzling that Morty became 'fearless' because he overcame the nightmares The Hole created. He has overcome his fears, so what implications will this have for his further development?

Most of Morty's fears were about Rick, in which case Morty would try to be more open in their relationship.

Morty overcoming this fear means that he can talk to Rick more openly and confront him because he is no longer afraid of Rick’s leaving, but this does not mean that Morty no longer cares about Rick. You can see it when he told Rick that "you don't want to face it because it's fucked up shit" and somehow he wanted to spare Rick that.

 Maybe next season Morty will try to help Rick and bring up topics they didn't talk about before because Morty was afraid Rick would leave?

Maybe the topic of Diane and Rick Prime will come back next season, because it's hard to determine if Rick (C-137) has actually dealt with it or is just pretending.

I also wondered about the other option of Morty becoming "fearless". By Morty overcoming the fear associated with the passing of his life, won't he start to distance himself from his grandfather and become a more independent person by doing so, pushing Rick away? But that's actually just a loose thought that popped into my head. I rather doubt that this is what will happen, because just because Morty is no longer afraid doesn't mean that he has stopped caring about Rick.

How does The Hole work?

Does it recreate fears and the world based on the knowledge of the person who fell into the Hole (e.g. like the detoxification machine in „the Rest and Ricklaxation” episode [s3 e6]), or does it fully recreate the real world, bringing the fears into confrontation?

The episode is very twisted and not made any easier by The Hole itself. I've watched a lot of horror films and the theme of overcoming one's fears to break the illusion is quite familiar. Across the board, it's one of my favourite motifs, as it leaves you questioning until the end whether the protagonist actually got out, as the nightmare world is virtually indistinguishable from the real world.

Having said that, I'm not sure if The Hole refers to any particular film. I usually have a hard time picking out pop-culture references.

And this is where the spoiler already comes in, so if you haven't watched it, catch up on this episode.

The twist of the episode is that Rick never went into The Hole. He preferred to wait for Morty to deal with his fears himself. The reason he just sat and waited was because the nightmares or fears could overlap and create contradictions. All in all, a logical explanation and typical Rick behaviour. That said, I think Rick was somehow monitoring Morty's condition (maybe through some implants?), because if his life was in real danger he would rather have reacted. I think initially Rick thought The Hole was untrue or exaggerated, which is why he left Morty alone. 

But what is puzzling is how The Hole itself worked. On what basis did it know who was afraid of what? How did it create the world of nightmares in which Morty was stuck?

Theory one - The hole created the world on the basis of Morty's knowledge and his guesses

If this theory were true then Diane's whole plot and what we learned about Rick would go in the bin. The character of Diane and her conversations with Rick or some touching on their shared past would be worthless to the character of Rick himself. It would contribute nothing to the development of Rick and the facts about his past, as it would only be Morty's imaginings or his guesses.

It would also be a solution that would somehow disappoint the fans.

Theory two - The nightmare world created by the Hole is just like the real world

And this theory changes everything.

The Hole somehow replicated the real world and the behaviour of the other members of the Smith family and Diane and Rick.

The behaviour of the other family members was authentic. Jerry being afraid of the spider and rejecting Morty for eating the spider. Beth's reactions to her mother's return, or how Rick from the nightmares (that's what I'll call Rick, who appeared in Morty's nightmare and overcame certain fears with him) behaved throughout the episode.

I think if Rick had jumped into the Hole, this is how the action of the episode would have gone. He would lose himself and Morty would have to rescue him. But Rick's fears will be discussed in a moment.

Also in favour of this theory is the fact that if the Hole had been based on Morty's subjective perception of the world, then Rick would not have rescued him at the moment of the show, but abandoned him for Diane. But this was not the case.

The Hole recreated the fears and behaviour of the real Rick. With one exception, when Rick recognised Morty as irreplaceable and when he admitted that he would not abandon him. Rick had always thought of his family as theoretical, and that any of them could be replaced.

Even if Morty knew that Rick valued him in some veiled way, he would never admit it because of his pride. Therefore, Morty realised at that moment that he was afraid of how much he depended on Rick and how much he defined himself by him.

If this theory seems true, what about Diane? Diane was true to some extent. The Hole did the impossible and recreated Diane, or rather who she was at the time of her death. An alternative was presented where Diane survived but Rick died. Rick met Diane and we had some interesting interactions between the two, so it can be assumed that the kind of Diane that Hole showed us was the Diane of the C-137 Dimension. A strong and intelligent woman who loved Rick very much. Unsurprisingly, the real Rick in the episode 'Wet Kuat Amortican Summer', admitted that Summer reminded him of Diane. In several ways they are similar. Since we believe that Diane and Rick from the nightmares were real to some extent, there is a question related to Rick and Diane's past. It seems to me that Diane must have been a very intelligent person. Certainly not to the same extent as Rick, but her thesis was about super intelligence. I also think Diane may have been connected to the government. I got the idea when Rick admitted that the robot hands came from a robot created for the federal government. Rick was somehow connected to the government and may have been working for them. This is not surprising, looking at the fact that Rick is the smartest man on Earth. The government may have offered him a job in exchange for financial support for his research. During this job he met Diane. Which overall leaves us with more questions....

Why didn't Rick jump into the Hole at the end of the episode?

Rick's expression at the end of the episode when he heard that Diane was in the Hole made me believe for a moment that Rick would go down there.

Such an ending to the season somehow wouldn't have surprised me at all, as it would have shown Rick's great desperation to get Diane back even if it wasn't the real Diane.

But he didn't, the question is why? 

Was it Morty's words that stopped him, that it wasn't worth going in there because it wasn't worth it and it was just fucked up shit?

Or did he not jump in because he feared that in his nightmares, Diane would not be there? Maybe in his nightmares, he would be forced to replay Diane's death again and again, unable to do anything?

Maybe he feared that Diane would walk away from him because he had changed so much and she no longer wanted him?

Or did Rick know he couldn't cope with his fears and wouldn't get out of his hole because he knows exactly what he fears and knows he can't overcome his fears? And that brings me back to the fact that Rick from the nightmares reflected the fears of the real Rick.

Rick's fears from the world of nightmares In the episode, not only did we see the fears Morty was facing, but up until a certain point we thought we were also seeing the fears Rick was harbouring. Assuming that The Hole was recreating the real world Rick's fears from nightmares may have mirrored those of the real Rick. The fear of not knowing everything. The fear of losing Morty. The fear that he had changed so much that he would let Diane down. Fear of being happy. Looking at what happened to Rick from the nightmare world, I think the real Rick would have lost himself like that too. He would feel an inner fear of happiness, that it would end and that he would lose Diane. Rick wouldn't get out, but would give in to that illusion. Rick has sought self-destruction at many points in the series and you can see that he suffers from depression, so at some point he would have given up. He would have wallowed in this illusion, fearing that it would pass in a moment. That's why I think Rick gave up the jump because he knew he would lose. It was Morty who helped the fake Rick break out of the nightmare. If Rick had jumped in at the end of the episode I doubt anyone would have been able to save him. Morty did something Rick would never have done. He faced his fears and won, which is why he pinned Morty's picture on the board. Such a small digression, but it's very cute that Rick had Morty's picture in his wallet. He probably carried it around with him all the time and knowing Rick, probably no one in the family knows he had the photo. Pinning Mortie's photo on the board shows Rick's appreciation of Morty and what the boy has done. Morty has surpassed Rick and become better than he was because he did something Rick wouldn't have been able to do. I don't know to what extent, but in my opinion this is a reference to the first episode of season two, 'A Rickle in Time', and Rick's words that Morty is supposed to be better than he was when he fell into the abyss when their house fell apart.

Such observations:

When Mortie takes over the nightmare (or rather, he seems to do so so he can fall into the trap), Diane stutters like the characters in the simulation from the episode "M. Night Shaym-Aliens!" [s1 e4]. In general, this episode is itself a reference to how Rick got stuck in the simulation in that episode.

It makes me wonder if Rick actually has that anti aging serum? If he did have it then why does he need Project Phoenix?  Why did Rick use a younger version of his "Tiny Rick" clone in the episode "Big Trouble in Little Sanchez" instead of using the rejuvenation serum?

[buddiebeginz]

Have you seen Six Feet Under? I just started it and… my god, Peter looks incredible!

Six Feet Under is my favorite show of all time. It's something I think everyone should have to watch at least once and it might sound silly to say but I really think it will change how you look at life.

Be warned though there is a lot of talk about death in the show. I mean I assume people know that going in considering it's a show set in a funeral home but like some episodes get really dark and can hit really close to home. There's also a lot of focus on mental health stuff so that can be triggering for some people too.

Peter is amazing in it though Nate is one of my favorite characters of all time. I'm still amazed at the way Peter was able to play a character like Nate and then go on later to be so successful in other stuff especially with 911. When I look at Bobby I don't see Nate at all. I know the fact that Peter is a lot older in 911 is part of it but it's really mostly Peter's acting that so drastically separates the two characters.

If this is your first time watching SFU I'd avoid as many spoilers as you can because certain things happen in the show you definitely don't want spoiled.

If you're interested in other people's thoughts on the show there's this site from around the time the show originally aired: https://www.douxreviews.com/2000/01/six-feet-under.html#season1

This woman reviewed all the eps and gave a lot good thoughts and insight into the show.

I have some SFU gifs/edits that I reblogged a while back here and this is a fav old tumblr I used to follow for SFU stuff too cause I know tumblrs search function sucks now. But again watch out for spoilers.

Oh here's the promos for s3, s4, s5 highly recommend watching them before each of those seasons cause hbo used to release some cool promos back in the day.

Sorry this message got so long 😅like I said it's my fav show. If you ever want to talk about it feel free to dm me.