#i genuinely think its worth persevering with “slow” books esp bc these days everyones attention span is being corroded so its like. very

[soracities]

I'm reading Possession by A.S Byatt right now, and I saw in one of your posts that you've read it!! I'm not close to finishing it and i haven't opened it since december, I really really want to love it, and part of me does but it's just very slow. Please tell me how wonderful it is to motivate me to continue, everyone who has read it seems to really like it!!

honestly most of my reasons for loving it as much as i do (aside from the fact that it really is just an astonishing book) are very personal ones so i don't know how much help those will be, but one thing i can say about it--and that i'm still captivated by--is how intense of a love letter it is inside and out--literally, and figuratively: it's not just a book about books or a book about reading and writing and study but also about the very intense hinterland that lies beyond and within those things and what kind of a resonance this holds--it's a book whose love language is language, by which i don't mean "words of affirmation" language, i mean the very texture and nature and depth of language itself and the act of engaging with it as intimately as writers, readers, and critics do (it's also got a very healthy dose of the Gothic which i love).

it is a slow read at the start, but thinking back on it i'm also not so sure how much of this is exceptional and how much is down to us being used to having narratives that move rather quickly through their own set-up because Posession absolutely does not do that. i do think its slowness, though, genuinely fits the book perfectly: most of the book revolves around academic detective work in an attempt to untangle this large, unexpected mystery but the act of research itself is slow (especially pre-internet)--even so there isn't a single chapter or a page that i think is extraneous to the story as a whole--whatever the characters are doing or experiencing, we're experiencing in tandem with them--the pace at which this narrative builds is also the pace at which the protagonists are moving through it, trying to uncover it or simply living it: they, and us as readers, are heading towards the same place, at the same time--to me (and maybe it's paradoxical, i don't know) this slowness is part of what makes it so immersive: each detail, each dead end, each archival trip, each story within the story, demands your attention in such a way that you're pulled in deeper as you attend to it all--you're part of this investigation, too.

if, as i said, your love language is language, is the historic, emotional resonance of storytelling (or you just love sardonic and pointed jabs at academia bc Byatt excels at this), then i definitely believe its worth seeing it through, purely for the immersion alone. but at the same time, i also want to say that i do think there's a time for certain books and you shouldn't put unnecessary pressure on yourself if that pressure is coming solely from seeing other people love it and feeling compelled to "catch up". but if there is a part of you that does love it then you are free to take your time with it and progress through at whatever steady pace feels best until you get a feel for it. but please don't feel as though it's something you HAVE to do either 💗