#i find myself projecting a lot more there

[xx-slug-xx]

As a victim myself, there is absolutely something wrong with these people. They hide behind the guise of “protecting survivors” but really they only show us they seek to infantilize us. The idea that it’s wrong to sexualize a victim is so fucking weird to me. Like, they treat us as if we are unworthy of feeling attractive and wanting to be desired. And if we do, we’re disgusting. That’s all this sort of rhetoric does in the end. Because when they fully believe that fiction is 100% reflective of reality, they are projecting. It’s shows me that they truly feel that victims are tainted in such a way where it’s wrong for them to have any sort of sex. It’s really not something I like seeing, and from the looks of it, a lot of people would agree with me on that.

Plus the fact is that Anya is NOT a real fucking person. She is a fictional character from a fucked up horror game. She can be sexualized, and it doesn’t hurt any real person. If you enjoy Mouthwashing, you have to admit that you enjoy fucked up things in fiction as it is. It’s not something to morally police people about if you yourself enjoy fucked up shit.

I also find it strange that antis like this jump to defending Anya and not Curly also. Both are victims of horrible things, and yet, I see more people celebrating how hot they find Curly after becoming a burn victim. The same people saying it’s wrong to sexualize Anya are also sexualizing someone who’s in constant pain. That’s sexualizing trauma, but it’s somehow different because it’s a different kind of trauma and Curly is a man. Antis time and time again only show that they care more about people sexualizing characters in a way they personally don’t like, and it doesn’t go beyond that. They don’t give a rats ass if they harass real people or not, just so they can “protect” the characters that they like.

When the devs have had to go out of their way to tell people to stop harassing people and just block people if they post things they don’t like, you know it’s bad. I feel so bad that one drawing caused so much drama and threats towards the og artist. It’s horrible

“I Just Fixed Their Art—“

No, No, No. You Defaced It. Use Big Words Art Theft.

Don’t You Dare Hide Behind Wanting To Help SA Victims.

If Anything You’re Hurting Them In A Way.

[frankingsteinery]

i’ve seen a lot of people in general agreement of the headcanon that victor is on the spectrum, but i’ve very rarely seen someone examine the why, and being the persnickety superfluous person that i am (and not being immune to projection myself) i thought i’d try my hand at it and break down his autistic traits!

disclaimer that this interpretation is speculative and is simply my unprofessional neurodivergent opinion + it’s based on contemporary understandings of psychology, which were not part of shelley's context, however autistic people have always existed even if there wasnt a word for it during that time period, etc etc. you know the drill

without further ado!

-- communication & social interaction

first and foremost, many autistics struggle with socialization. victor’s inclination to attach himself to a single friend (henry) and only talking to those inside of his close circle rather than forming many connections reflects this tendency, and he himself acknowledges his dislike and indifference of strangers. for example:

“It was my temper to avoid a crowd and to attach myself fervently to a few. I was indifferent, therefore, to my school-fellows in general; but I united myself in the bonds of the closest friendship to one among them”

“My life had hitherto been remarkably secluded and domestic, and this had given me invincible repugnance to new countenances… I believed myself totally unfitted for the company of strangers”

furthermore, he lacks relationship degradation (he does not require regular interaction or relationship maintenance to sustain a bond). during the creation process, he (presumably) goes months without writing to his family and friends, which clerval lectures him for:

“Very well, and very happy, only a little uneasy that they hear from you so seldom. By the by, I mean to lecture you a little upon their account myself."

yet upon his arrival at ingolstadt:

"...nothing could equal [his] delight on seeing Clerval."

victor also takes things literally several times and social nuances can fly over his head. he demonstrates this literalism when first meeting elizabeth:

"And when, on the morrow, she presented Elizabeth to me as her promised gift, I, with childish seriousness, interpreted her words literally and looked upon Elizabeth as mine"

and, of course, the infamous i will be with you on your wedding-night scene, when the creature obviously means he tends to harm elizabeth, not victor himself:

“It is well. I go; but remember, I shall be with you on your wedding-night.” I started forward and exclaimed, “Villain! Before you sign my death-warrant, be sure that you are yourself safe!"

he also goes nonverbal and groans/vocalizes instead of speaking when upset. there's several instances of this that i can recall (i believe another is with walton), but i could only find one, where elizabeth has to speak for him during their visit to justine:

"When she saw who it was, she approached me and said, “Dear sir, you are very kind to visit me; you, I hope, do not believe that I am guilty?” ... I could not answer. “No, Justine,” said Elizabeth"

and this is more of a sidenote but he gives walton every. minute. detail. of his story, including his childhood in-depth (which was not particularly relevant to the moral of victors tale, which was the whole reason he wound up sharing his story in the first place) which definitely feels like. Something. reminiscent of infodumping almost.

-- repetitive behaviors

victor shows both repetitive motions and repetitive language to such an extent that it'd be ridiculous to put them all here, particularly when he is distressed and agitated. some of these motions include clasping his hands, covering his face with his hands, and gnashing his teeth, which he does on walton's boat, after finding out about william's death, in his confrontation with the creature, during his time at the orkney islands, etc. the use of certain phrases/verbal repetition  include his many "great god!"s and "begone!"s, which he usually says in reaction to the creature or while grieving a loved one. these behaviors are arguably self-stimulatory (stimming) and done to cope with overwhelming, stressful situations.

-- fixations/spinterests

ths one's perhaps his most blatant characteristic. victor has a highly focused, intense interest, initially in in the workings of the world itself:

"It was the secrets of heaven and earth that I desired to learn... still my inquiries were directed to the metaphysical, or in its highest sense, the physical secrets of the world."

"The world was to me a secret, which I desired to discover;"

"I have described myself as always having been imbued with a fervent longing to penetrate the secrets of nature"

this is to the extent that his education is noticeably different from his peers, both in acceleration in the topic of his choice and neglect of other, more typical studies due to the intensity of this focus:

“I confess that neither the structure of languages, nor the code of governments, nor the politics of various states possessed attractions for me.”

“…but by some fatality the overthrow of these men disinclined me to pursue my accustomed studies.”

this early fixation eventually narrows into a special interest in ancient alchemy, after victor finds one of agrippa's works and a "new light seems to dawn upon [his] mind," upon which he proceeds to acquire all the works of agrippa and other authors:

"When I returned home my first care was to procure the whole works of this author, and afterwards of Paracelsus and Albertus Magnus. I read and studied the wild fancies of these writers with delight; they appeared to me treasures known to few besides myself"

this remains his special interest until he is a teenager, upon which, after finding out ancient alchemy has been disproven, he takes up mathematics until his arrival at ingolstadt. then, his interest shifts into a fixation on natural philosophy, particularly chemistry, which becomes his "sole occupation":

"He concluded with a panegyric upon modern chemistry, the terms of which I shall never forget... one by one the various keys were touched which formed the mechanism of my being; chord after chord was sounded, and soon my mind was filled with one thought, one conception, one purpose"

"I read with ardour those works, so full of genius and discrimination, which modern inquirers have written on these subjects... the stars often disappeared in the light of morning whilst I was yet engaged in my laboratory. As I applied so closely, it may be easily conceived that my progress was rapid. My ardour was indeed the astonishment of the students, and my proficiency that of the masters"

which, of course, develops into an interest in physiology and the structure of the human frame, which leads to his obsession over the secret of life, followed by being "thus engaged, heart and soul, in one pursuit" during the creation of the creature.

-- intense, volatile emotions; resistance to change

in general, victor is very emotionally demonstrative, and has difficulty managing these emotions. he also experiences quick fluctuations in emotion. this is something he has experienced since childhood, and is something he maintains as an adult, when he acknowledges that:

"My temper was sometimes violent…"

some examples of these shifts in emotion:

"My heart, which was before sorrowful, now swelled with something like joy..."

"Sometimes he commanded his countenance and tones and related the most horrible incidents with a tranquil voice, suppressing every mark of agitation; then, like a volcano bursting forth, his face would suddenly change to an expression of the wildest rage as he shrieked out imprecations on his persecutor"

hand in hand with his emotional dysregulation, he shows resistance to change and has strong reactions to this change. the most obvious example of this is during the animation of the creature:

"The different accidents of life are not so changeable as the feelings of human nature... but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart"

"Mingled with this horror, I felt the bitterness of disappointment; dreams that had been my food and pleasant rest for so long a space were now become a hell to me; and the change was so rapid, the overthrow so complete!"

but it also occurs when moving to ingolstadt, suggesting a discomfort with unfamilarity and a need for stability:

I threw myself into the chaise that was to convey me away and indulged in the most melancholy reflections. I, who had ever been surrounded by amiable companions, continually engaged in endeavouring to bestow mutual pleasure—I was now alone.

-- black-and-white thinking

this aspect is most clearly shown through the way victor thinks about, and drops and gains interests and relationships. he spends years studying ancient alchemy and it is his principle interest, and then drops it on a dime and suddenly looks upon this passion with contempt:

“By one of those caprices of the mind which we are perhaps most subject to in early youth, I at once gave up my former occupations, set down natural history and all its progeny as a deformed and abortive creation, and entertained the greatest disdain for a would-be science which could never even step within the threshold of real knowledge. In this mood of mind I betook myself to the mathematics and the branches of study appertaining to that science as being built upon secure foundations, and so worthy of my consideration”

later, he spends four years with his mind filled with "one thought, one conception, one purpose" studying the processes of life so intensely he forgoes adequate food, water and rest. this culminates in the creation and subsequent animation of the creature, which he again turns around and abandons this interest immediately, to the extent that he cannot bear to think of natural philosophy:

Ever since the fatal night, the end of my labours, and the beginning of my misfortunes, I had conceived a violent antipathy even to the name of natural philosophy.

it's a very polarized, all-or-nothing approach that is mirrored with his relationships, too, which he alternatedly neglects -- he cuts contact when he goes to ingolstadt but abruptly picks it up again when henry comes into his life; when the creature flees victor's apartment, victor treats it as if he never existed entirely; his family only comes to the center of the narrative again when he gets the letter from alphonse about william's murder, despite 2 years having been passed at ingolstadt, etc.

and finally;

-- low empathy

victor repeatedly focuses solely on his own internal emotional experience, and struggles to fully comprehend and understand the depth of feelings of others and respond with compassion in conventional ways. during justine's trial, for instance, he elevates his own suffering above justine's, even as she faces her literal execution:

I rushed out of the court in agony. The tortures of the accused did not equal mine; she was sustained by innocence, but the fangs of remorse tore my bosom and would not forgo their hold.

Despair! Who dared talk of that? The poor victim, who on the morrow was to pass the awful boundary between life and death, felt not, as I did, such deep and bitter agony. 

similarly, victor dismisses ernest's grief after william's death, he frames it in terms of how it affects himself -- telling ernest to "be more calm" to avoid causing his own discomfort:

Ernest began to weep as he said these words. “Do not,” said I, “welcome me thus; try to be more calm, that I may not be absolutely miserable the moment I enter my father’s house after so long an absence.

this detachment suggests not deliberate cruelty (victor very clearly loves his family, and he's said to be kind several times) but a limited capacity to process and respond to other's emotions. this is a detachment that extends to his views of the dead. during the creation of the creature, he refers to the corpses he utilizes as only "materials" instead of once having been fully-fledged human beings, and he does not contemplate the lives or dignity of the deceased.

aaaaaand thats it! thank you for indulging my. headcanon projection land. let me know what you all think...

[stemcellee]

november 25 2024

i haven't really put a lot of words out there recently but i think i finally have something to get off my chest after thinking about it for a while...and to avoid spam it's under the cut D:

happy holidays to everyone though can't believe the season is already here!!!

med school is so hard!! i admit when i first got in, i was like "im not gonna let it get to me. i have amazing stress management skills and i'll handle everything so well!!" and then i fought a lot with dissapointment in myself when i was struggling with things i never imagined.

stuff i feel like i wasn't prepared for:

the constant worry about not doing enough. you see snippets of other people's lives when they are productive and it makes you feel like everyone is so much more productive than you

how hard it can be to compartmentalized. both ways!! when i'm relaxing ("relaxing") i'm planning how to somehow be productive while relaxing. when i'm working, im wishing so bad i had spent my relaxing time ACtually relaxing

attachment. this feels like such a personal problem but when i'm doing practice questions the clinical vignette is consistently similar to people in my life who have been affected by the pathologies i'm about to be tested on. a 70 year old woman with hypertension and diabetes...succumbs to decompensated heart failure. a 50 year old woman has bouts of angina...and suffers a massive MI. a 60 year old male is rushed to the hospital for chest pain...and dies of ventricular arrythmia an hour later. it's so scary thinking about how your parents and loved ones could be those patients!! it motivates me to make sure i learn these things for my future patients but it's sad carrying this around. i guess this is part of why i went to med school anyways...

how easy it is to forget about yourself. i will have days of highly productive focused studying/work but suddenly will get slapped with an unexpected migraine. i am getting a lot better about this but i have to remember that working out, eating well, etc are not wastes of time. i need to preserve myself most importantly becasue without me, i can't even do any of this!!

last thing. projection. i find myself making up problems sometimes that i think is a coping mechanism for projecting my own frustrations into something to blame. like studying is tough and i get frustrated that it doesn't come as easily to me sometimes, so i feel upset that things aren't how i expected them to be, like if i had more support id be happier/better at studying etc. while that's true, i recognize it's also a coping mechanism to place the blame externally...

anyways yeah there are a lot of things i've been thinking about in the thick of it all. med school is not what i expected it to be, and i really cannot blame others for not knowing what to expect either because truly you cannot anticipate how you will feel. thanks for reading it's been a min

[katatty]

Shifting Priorities

Thank you for all the nice comments yesterday! Some really helpful perspectives that gave me a lot of ideas on how I can tackle my simmer's block :)

Mostly, I think I need to trim down the number of neighbourhoods I consider "active" and the amount of projects I am doing in general. I have a hard time letting go of neighbourhoods, especially if I am still somewhat invested in them! But I also need to face the fact that I only have so much free time, and do not want playing the sims to be the sole thing I do with that free time XD

For some neighbourhoods I will also be trying out a more stripped-down approach to blogging, similar to what I've been doing with Driftwood. It makes me a little sad because I like my sims to feel fleshed out as characters and giving them voices is a big part of that! But maybe I can save the prose/dialogue for times when it is particularly needed, rather than including it as a default.

Finally, I am going to prioritise based on what I actually have the most fun with, rather than letting popularity drive my decisions!! Some neighbourhoods I feel sad about potentially retiring because I know people enjoy them, or I feel bad admitting I am never going to finish projects people were excited for, but I have to remember simming is something I do for myself, not for popularity or for other people.

So, plans for my neighbourhoods:

Pleasantview Plus - will continue in its current form for the most part, but holdholds I found less inspiring will just get short summaries rather than extensive documentation. This hood is waaaaaaay too big and I think not that many people follow it all that closely, but it's also my one true love and I would like to start prioritising it again rather than it always being on the backburner

Uberhood Challenge (YouTube Series) - This is a short-term series, and will continue as planned until I finish the challenge, which I'm over halfway through :)

Hollyhead - I hate to say it because I know a lot of people love it, but I feel like I have sorta outgrown this neighbourhood? Some simmers like their settings to be an escape from the real world, and when I made Hollyhead I think it was what I needed too, but these days I find how upbeat & wholesome it is a bit, idk, constraining?? I crave drama and conflict in my stories!! I also have kinda lost interest in the BACC rules and have started to find it more book-keeping and hassle for what I get out of it... Whenever I do open the neighbourhood I still really enjoy actually playing it, and I love the characters so much, but I just haven't found the events interesting enough to want to write about. I think this neighbourhood will not be retired completely (yet), but I will move towards writing much shorter updates in the form of newspaper articles and see if that helps. If by the end of this season I still feel ehhh about it, I might formally end it <3

Driftwood - no complaints about this hood, I'll probably continue with the current style of documenting major events & new builds only

Spruceburg (YouTube series) - I would like to do another season of this next year, after I finish the uberhood challenge! But I will probably go for a schedule of like, one season of series per year, rather than posting consistantly. I enjoy YouTube a lot, but its a lot of work too and I think has majorly taken away from my blogging time this year, which I am mourning now lol!!

The Fiero Legacy - it is probably time to throw in the towel with this and admit I just don't enjoy playing legacy style or with story progression that much! I always enjoy the period where the heir is dating but once they settle down and have kids it becomes a chore and a grind, plus with story progression's time system I always feel rushed and like I can't take a sim out of the house for an outing without potentially missing important milestones - the urban setting feels so wasted when its all family gameplay, haha. Hallie should be at the club!! It was an interesting experiment and a nice change of pace, but idk if I really see myself returning to it. I love the sims themselves and the setting, but whenever I actually load up the neighbourhood I just feel kinda stressed and overwhelmed :(

As for my building projects like Belladonna Cove, perhaps at some point I will get really inspired and return to them but for now they are on indefinite break. I remember saying a few time in the past that I didn't really feel much need to make over Pleasantview and Strangetown because if I wanted nice makoevers I would use frottanas, and tbh I feel the same way about Belladonna Cove - if I was playing it I would just use plumbtales makeovers XD With my past neighbourhood makeovers I was really inspired to make them because there wasn't anything out there that was exactly what I wanted but, well, there's loooooads of nice Belladonna cove makeovers these days so I just don't feel much drive to make my own version I guess?? I think I also have lost interest in building a little becasue I am no longer into super heavily decorated lots - I prefer lighter lots that won't cause lag lol! So yeah, I am probably not retiring from building forever but its no longer a priority for me :)

[just-the-mage]

This tracks. I never played undertale because it was so overhyped that I just couldn’t find it in myself to want to play. I know there are plenty of haters out there like me, and plenty of people who found it truly revolutionary, and so I always assumed it landed somewhere in the middle of those.

It did, however, make a lot of waves in the video game space, and I think there’s something to be said about that. Sometimes things are revolutionary at the time they’re released for reasons that become industry standard, or much more common over time. As impressive as it is that Undertale was a solo dev project, there are a *lot* of really impressive solo dev projects out there these days, and there were before undertale too. It just happened to catch attention in the right place at the right time.

do i post a rent lowering gunshot tier hot take

[manofthepipis]

I heavily headcanon that spamton has adhd (although tbh I am heavily projecting).

Just his erraticness and emotional instability gives off huge adhd vibes, along with no volume control (my voice too does whatever the fuck it wants and I won't notice until someone points it out lmao)

Also since I subscribe to oldest of the group hc, it likely put him behind his peers.

(Just watching everyone do what they're meant to do and just not being able to measure up because even your best effort isn't enough and you don't know why you're like this why you can't be as good as the rest of them is just...oof. it be like that sometimes)

And also he's impulsive as fuck (I choose to see the constantly changing prices on his wares as a joke on unstable e-currency and a testament to how he can't stick to some decisions worth a damn)

TLDR: comfort bastard character my beloved (that your fics actually introduced me to, so thank you very much for the brainrot <3)

honestly anon i'm w u (fellow adhd individual here) and though i desperately try not to project in my writing, trying to keep the character as in-character as possible with some leeway, some projection is inevitable lmao

i rlly think his character, while charming and fun, is also immensely relatable. For reasons you've pointed out, like relating to the other addisons and feeling like he's 'behind' them, to where he compensates this with his delusions of grandeur and a strongly-unhealthy god complex. Oof. this guy. He hasn't had the best support system or the healthiest of habits, and unfortunately was put into a very dark place during a very dark time.

but i can definitely see the build behind this headcanon. His character does give off some of those vibes. I try not to diagnose spamton, chalking his habits up to his spammy email antics and existence as email, but regardless its nice to have some personal traits resonate in a character and it can be comforting.

(he's my comfort character as well i wrap him in a blanket but also will dunk him headfirst into a pool <3)

[couchcouchcouchcouch]

HEART. LUNGS. LIVER. NERVES. HEART. LUNGS. LIVER. NERVES. HEART. LUNGS. LIVER. NERVES. HEART. LUNGS. LIVER. NERVES.

[bixels]

While I do think anon was rude, I do think it's pretty shitty to set up all this stuff you were going to add the au and then just drop it. It's disappointing. Definitely unfollowing.

Bye.

[ichorblossoms]

lots of respect for ppl who don't post/talk abt certain oc things due to not wanting to spoil their own stuff, however i will not be doing that. by the time any of this stuff is finished it'll probably be different anyways

[batsplat]

oxley bom pod was talking about the friendly atmosphere in the paddock today and they brought up vale as someone who would make himself hate his opponents in order to beat them. they mentioned biaggi before saying vale didn’t need to make up a reason there lol, and the gibernau, stoner, lorenzo, marquez. thought it was interesting to hear them say that especially since oxley specifically had a particularly close working relationship with vale!

got around to listening to the podcast rather belatedly + had a chat about this general topic that helped me organise my thoughts on this a bit. I transcribed the most relevant comments - probably some small errors because of cross-talk and like... I'm a fast transcriptionist but can't be bothered to properly do it, here:

O: One is because racing is so fucking complicated now. [...] They've got so much to do, so much pressure - to have the negative energy of anger and hatred is actually - B: It's a waste. O: It's a bad thing, you're just wasting your energy. I mean it depends on the character, okay - B: So maybe Vale was the last who really needed to hate somebody to give him - and now even Vale invites Casey to his ranch to ride with him. But he really needed to - It was not difficult for him to hate, but he - Some riders he really looked for a reason to hate them even more, because then he could dig deeper in himself - because he was just a happy chap - in order to beat them. O: Max Biaggi. B: But it was easy to hate Max! That was not very difficult. Sete Gibernau, basically he needed to try - O: Casey Stoner. Sete Gibernau. Marc Marquez. B: He hated Vale probably before Vale hated Casey! But that's another podcast. O: Yeah, I think so. No, definitely, definitely, definitely. [...] Some people - they get fired up by hating other people, and that's fair enough.

so yeah. I mean, qualified agreement, I guess? they're definitely right about casey hating valentino before valentino hated casey lol. if valentino ever really hated casey at all. which is not necessarily a mainstream take, so it's nice to hear it!

I also agree with this general take about... y'know, the creeping professionalisation of the sport and how that affects how likely you're going to get fun drama. goes beyond just hours spent looking at data and also about... having a bit of a life, having time to actually form a personality. and as I've said before, it's the fans! clickbait news + social media featuring partisan fans, who aren't just going to read every statement but also react to every statement like it's life or death shit. pecco and jorge have gotten push back for some incredibly, deeply, ridiculously mild comments these last couple years. they HAVE to phrase everything they say as inoffensively as possible while still getting their points across, and even then they'll generally be jumped. like, forget valentino, how do you think casey would have fared in this current media environment? up against a fanbase as partisan as valentino's - or marc's nowadays? not well is the answer! I think to some extent you can get away with this stuff more depending on people's perceptions of you, so marc and increasingly pedro will generally be fine... but on the flip side, the pecco's, the casey's, the jorge x2's of this world... everything they say gets read in the worst possible light, but now everyone's just so much louder about it

but this ask was more about valentino than the current landscape, so I'll get back to him. I do think it is a bit of an issue if you frame it as a completely either-or issue - at the end of the day, most competitors will probably motivate themselves through their enemies at least a little. pecco definitely uses negative emotions to fire him up, people criticising him and the like. casey absolutely used them, often directed at valentino. all the comments from the haters to fire them up right, to show everyone how wrong they are. on a psychological level, there is not something *fundamentally* different between using your rivals or the fans or the press to motivate yourself - it's still the same underlying motivational process (and indeed the podcast references lawson's distaste for the press). casey signs off his first every grand prix win by saying how nice it was to beat a spanish rider sponsored by the circuit, like are we calling that pure love for the game? he and mostly martin and to a somewhat lesser degree pecco do share a tendency to... believe the world is out to get them, and use that to fire themselves up. idk if casey strictly needed to do that or if it was just ingrained at a young age and became a stable self-perpetuating way in which he viewed the world but also, it doesn't really matter, right. maybe in both valentino and casey there is a pure unpolluted soul who could have enjoyed winning just for the sake of winning, but in practise it's clearly more complicated than that. as has been recently discussed in quite some depth in this parish, late 2007!casey was getting sympathetic interview write-ups that described his mentality as informed by 'bitterness and rejection'. including bitterness at valentino, who at that point in time was not meaningfully reciprocating any of that stuff!

so I do have a bit of a bone to pick with this idea of 'the last guy'. valentino didn't 100% motivate himself by hating his enemies, the blokes after him didn't do so 0%. I think of the aliens casey is probably the most similar to him by this metric... some are definitely less inclined to do so. lorenzo's a bit of an odd case where at times it felt like he was better at making other guys hate him than necessarily hating them himself... complicated guy but I think he actually really did want to mostly fuel himself in a positive manner, except then for various reasons both external and internal he needed to also draw a bit more from. the darkness. marc is more likely than either valentino or casey to just fight to win for the sake of winning... then again you do have cute little incidents like misano 2019 where marc - off the back of two back-to-back last lap defeats - miraculously happened to find an extra bit of motivation through a spat in qualifying after duly harrying the yamaha's all weekend. again, it's a question of degree, right. marc is just inherently less restless than valentino and less inclined to think the world is out to get him than casey, which are all contributing factors

with valentino, I think I disagree a teensy bit in terms of framing more than I do in substance. first off, not to be a broken record on this, but obviously all of these feuds were very different, involving very different emotional landscapes. I don't think it's correct to say valentino needed an enemy to fire himself up, but he did always need something. some mission to dig his teeth into, some way of making the whole thing exciting. of making it fun! I'm not all that convinced of this happy-go-lucky characterisation of valentino - a lot of the time he had to go to an awful lot of effort to keep himself entertained, and when that didn't work he could get pretty miserable. he needed to keep himself stimulated, he needed to stop himself from feeling lonely, he needed to give himself a purpose to work towards. hatred did help him in a motivational sense, and he's talked in his autobiography about how anger has made him ride faster. it's useful... up to a point. it's just not a uniform thing across rivalries

my sense is that it comes down to two things. 1) he needs something to motivate himself and get excited, be it a rival or whatever. and 2) he needs some distance from his rivals. motivating yourself through a rival is not quite the same thing as motivating yourself through an enemy. for instance!! casey was only really his enemy once they were no longer on-track rivals - it was unrelated to actual competitive calculus, and was in some ways more about casey than it was about valentino. when valentino did that shit to casey at laguna 2008, he's not like... mad at casey. he doesn't hate him. he's gleeful at least in part because of how obviously pissed casey is, but he doesn't hate him. because he doesn't need to hate casey to want to beat him! casey is already so considerable a challenge that beating him is reward enough in itself - he's this super tricky puzzle for valentino to work away at... and when he comes up with the answer at laguna 2008, he's delighted. he doesn't really hate jorge in 2009 either - dislike, yes, hate, no. he's already plenty stimulated by the challenge of beating his feisty young teammate... he doesn't need anything else. he gets through 95% of the 2015 season with barely any animosity with his title rival - there, he would have seen it as distracting from his primary mission of winning his tenth in a way that was entirely disconnected from any particular rival. he also runs into the problem that it feels like any psychological warfare feels like it's getting aimed more at marc than jorge - but that's entirely accidental, he isn't TRYING to fuck with marc in the middle of the season. why would he!! and jorge refuses to be fucked with on the track because he's just never in the same postcode as valentino, and valentino isn't attempting to fuck with him off the track. he's barely even doing like,, mild mind games, like they're quite actively friendly the entire year

(I do sometimes think you can do a bit of displacement here where you don't necessarily need to hate the person you're actively fighting to get the job done - cf marc at misano 2019, also... tbh casey 2011-12 kinda had that vibe where he was getting all that energy out of his system in valentino's direction and could then keep things civil with his actual title rival. there's a LITTLE bit of that 2015 even pre phillip island but mostly valentino does have a more early 2008 'we move in silence' vibe or whatever that pecco tweet read. this is the restlessness thing, right - he kinda needs to fill his brain with SOMETHING)

which brings us to the second element: needing some distance. zero problem with biaggi, which is kinda the training wheels feud in that it takes a bit of a life of its own before valentino REALLY was intending it to. he's a kid (literal eighteen year old) who's kinda snarky about biaggi in the press and biaggi takes it EXTREMELY poorly and confronts him about it and it kind of spirals from there. with casey + jorge, valentino ensures that they never GET too close. I do think there is an element of... y'know, not wanting to be close friends with the guys who are your title rivals, because it's harder to beat people you care about and deprive them of the thing they want most in the world. which I actually think is pretty normal!! valentino's problem is that on a few occasions he has ended up in rivalries with blokes he was at some stage close in - and either he preemptively withdraws as with marc and... ? probably...? melandri...? - or the relationship deteriorates and then blows up as with sete and also marc. the 'preemptive withdrawing' bit does suggest a degree of self-awareness with regards to his own competitive process - and as has been previously argued in this parish, valentino's relationship with marc developing as it did was in large part due to his competitive situation 2010-14. the two of them falling out was probably always going to happen if they were competing, the two of them falling out that badly required valentino's stint in the competitive wilderness to let him lower his guard to such an extent

so that's the argument in broad strokes. yes, valentino can use enemies to motivate himself - he certainly enjoys having rivals, he enjoys fucking with them, he enjoys figuring them out and measuring himself against them and also a little bit of competitive edge. that doesn't mean he needs enemies per se, or certainly he wouldn't have seen some of his rivals in quite such extreme terms (casey in particular of course felt differently). he did need SOMETHING to motivate him... rivals, definitely - enemies, perhaps. and he also needed a bit of distance from those he was competing against. which post-sete he tended to preemptively enforce, except that one time when he didn't, and when it wasn't preemptively enforced it did have a tendency to blow up rather spectacularly. so in essence, you still end up at the same conclusion, right - valentino did get a lot out of having enemies, did motivate himself with them, did need to beat someone. but the working process is a bit different as I see it. sometimes making enemies is about emotional regulation, y'know. feuding as a healthy outlet for competitive tension. as it should be

[hahniana]

ren and stimpy adult party cartoon ranked from worst to least worst imo

6. naked beach frenzy - already not very fond of the contents of the episode but knowing anything about john brings it all down for me

5. ren seeks help - mostly extremely boring to me but it did have that nice walking segment and that one frame i took a screenshot of

4. fire dogs 2 - just didnt care for it. laughed

3. onward and upward - a little gross at times but generally left a positive impression on me. laughed

2. stimpy's pregnant - would be my favorite if it werent for the poop twist tbh. i dont know what else to say about it

1. altruists - would be significantly improved if it was shaved down 10-15 minutes but like other than that it was just fine for me. actually I don't remember if I laughed watching this one.

[vampiremourning]

need at least 1 person to be mentally ill with in the dms about my own writing perhaps then ill be able to publish something

[fluffs-n-stuffs]

"Do you not realize it? Do you... truly not see what this means?"

The next Destiny Bond update is in progress! ❄️✨ –> Check out the latest part here 🔷 –> New to the series? Follow from the start! 💜

[somethingwittyandweird]

LOVE your swords 💖

do you do other pixel art outside of swordtember?

Thank you so very much! You're wonderfully encouraging (and a big reason why I realized I should be posting them more frequently here).

Aside from Swordtember, I don't usually do much in the way of art. I definitely do make little things here and there, but my creative inspirations generally tend to be pretty far between. I'm not someone with ten thousand ideas constantly clamoring to be realized- just the occasional inspiration now and then. As my header says, I spend most of my time enjoying the content of others, while more infrequently making my own. Swordtember just happens to fall into a particular niche (cool weapon design) that has always made my creative wheels spin, so it's a prompt that I really enjoy doing year after year.

But, as thanks for asking, here's a little tome animation I whipped up a while back!

[elyachkins]

spontaneously watched marahuyo project in one sitting and cried my eyes out, it's just that good i appreciate so many themes and topics it's managed to raise, but the difficulty of being queer in a small town, being queer in a place that was and still is scarred by imperialism/colonialism is something that resonated with me the most. this show felt so comforting and filled me with so much hope

[angorwhosebabyisthis]

today on my When All You Have is a D10 project: Rolling a 6 with a D100.

-

1-16: Option 1

17-32: Option 2

33-48: Option 3

49-64: Option 4

65-80: Option 5

81-96: Option 6

97-100: Reroll

-

if you get that last one you can reroll the ones column, tens column, or both, up to you. tune in next time for so fucking help me i WILL find an efficient way to substitute dice for a deck of playing cards