#i feel like that could be why some of the things were written the way they were

[hoovesandfloorpaws]

"That said, both Styles and his therapist have questioned why he cares quite so much about being likeable. This is one of the things he thought about a lot in his big pandemic reflection. In part, it's a choice, he explained. He recalled moving to London after The X Factor and hearing tales of petulant celebrities screaming because someone got their coffee order wrong and deciding to never be that guy, to never give someone a petty reason to bad-mouth him. But more recently he's come to worry that the drive for approval came from a more complex place, a place of caution, fear, control." "Styles said he often spent interviews terrified about saying the wrong thing until he stopped to question what abhorrent belief or bizarre opinion he was scared he'd accidentally reveal and realized he couldn't think of anything."

"And he thought about the cleanliness clauses in the contracts he used to sign, which would dictate that they would be null and void if he did anything supposedly unsavoury, and about how terrified that used to make him. And about when he signed his solo contract and learned that the ability to make music would not be affected by personal transgressions, he burst into tears, a reaction he still seemed shocked by, retelling it to me now, years later. "I felt free," he explained."

"When Styles began therapy about five years ago [so in 2017], he was reluctant initially, feeling it was a music industry cliché. "I thought it meant that you were broken," he said. "I wanted to be the one who could say I didn't need it." He returned to the home theme that has underpinned our conversation, explaining that therapy has allowed him to "open up rooms in himself" that he didn't know existed, allowed him to feel things more honestly, where before he had tended to"emotionally coast.""

"Recently Styles began to work through issues related to intimacy, dating, love. "For a long time, it felt like the only thing that was mine was my sex life. I felt so ashamed about it, ashamed at the idea of people even knowing that I was having sex, let alone who with," he said."

"You look back, especially now there's all the documentaries, like the Britney documentary, and you watch how people were abused in that way, by that system, especially women. You recall articles from not even five years ago, and you're like, I can't even believe that was written."

He has been thinking a lot recently about autonomy, ownership, privacy. About what he should be able to keep to himself, what he should be able to simply communicate through his music without follow-up questions or prying. Around the time of Fine Line, he faced scrutiny around his sexuality. People became incredulous that he wore dresses, waved Pride flags, and yet hadn't clarified with precision, publicly to a journalist or on social media, the specifics of who he'd slept with, how he defined. This expectation is, to him, bizarre, "outdated." "I've been really open with it with my friends, but that's my personal experience; it's mine," he said.

Despite the acceptance that some things could, should, have been different, he still feels lucky every day, he said, lucky to make music, lucky to do what he loves.

"You can't win music. It's not like Formula One," he said. "I was like, in my lifetime, there will be 10 more people who burst onto the scene in that way, and I'm only going to get further away from being the young thing. So, get comfortable with finding something else that makes you happy. I just found that so liberating."

"I just want to make stuff that is right, that is fun, in terms of the process, that I can be proud of for a long time, that my friends can be proud of, that my family can be proud of, that my kids will be proud of one day," he said.

““In lockdown, I started processing a lot of stuff that happened when I was in the band,” he said. He thought about the way he was encouraged to give so much of himself away, “to get people to engage with you, to like you.” He thought about the fact that no baby photos exist of him that aren’t on the internet (you give a bunch to an X Factor producer doing a piece on your backstory without much thought, and suddenly your childhood is online). He thought about the journalists asking questions, when he was still a teenager, about how many people he’d slept with and how, rather than telling them to go away, he would worry about how he could be coy without them leaving the room annoyed. “Why do I feel like I’m the one who has done something wrong?” he said to me.”

— Harry for Better Homes and Gardens Magazine

[notsodailycake]

Part 3 for the fitclet I did for @keferon 's mecha pilot jazz au! (ﾉ◕ヮ◕)ﾉ*:･ﾟ✧

For those who missed it:

Part 1 || Part 2

This is probably the longest out of all the 3 parts, dear god, I went all in. It came out bigger than I ever expected it to be. I was not expecting it to go this far honestly, but the parasites in me, they begged for more. So here we are! :D

Again tho, idk how in character they will be here, but I tried my best ＼(*T▽T*)／. Also, kinda bullshitted my way through in worldbuilding bc idk how things work exactly- and I had to come up with stuff on my own, even tho I'm not that good in mecha world stuff, so I'm sorry for any inaccuracies ^^;;

Now, to give credit to those who so desperately deserve it:

My sister @saltynsassy31 for helping me when I couldn't write out some of my ideas and doing it herself (so consider this as a bit of a frankenstein monster of both our writing styles, mainly during intense scenes. If there is any fancy words in this, it's cuz of her) and being my beta reader for this part. Seriously yall, this wouldn't have been as coherent and well written without her help!

Also huge thanks to my online sister @yayadrawsthingz for helping out when I hit a few road blocks during this!

And finally, a huge huge thanks to my honorary online uncle @hexyz09 for helping me finish off the final fight scene when I got stuck during some plot holes and road blocks, or generally just writing myself into a corner and having to help me leave it, despite not knowing jackshit about the au, let alone the ship and characters themselves, but was still willing to help me through in working on the plot, in this crazy obsession of mine XD

Yall have no idea how much help these guys were. Probably wouldn't be able to finish without either of their help ᕦ(òωóˇ)ᕤ

Oh and an honourable shoutout to the song "Headlock" by Imogen Heap! Kept listening to this on loop as it kept my drive up to write this.

Now onto the fic!

---

Prowl ignored Jazz's various attemps to push out his servo from the cockpit. Despite the mech being weak himself, the human was still no match against thousands of pounds of metal, especially in his own weakened state.

Which was a matter of its own at the moment. Prowl knew he had very little time to be able to run ahead before the other humans caught on to them, having noticed the alarm bells ringing through the facility.

So he ran towards the exit Jazz had initially pointed out, the only plan they had at the moment.

...

"Prowl! Prowler, hey! I know you can hear me! Prowl!" Jazz shouted as he slammed yet another fist in a failed attempt to nudge the bot's servo out of the way. He hasn't said a word since picking Jazz up, and he wasn't sure how long that was, maybe not that much, but it felt too long yet too little at the same time (what a headache).

Sliding down, he gently hit his forehead over the protective servo and let out a sigh of defeat. No way he could get him to move like this.

Why was he trying to anyways? Didn't he want to be with Prowl? He certainly did, but somehow, something in him made him feel like he shouldn't just be accepting this.

And maybe Prowl also knew this, which is why he took off and hasn’t said a word since. Both held conflicted feelings about the whole thing. If only things didn't feel so blurry right now!

Suddenly, a hard shift made Jazz stumble a bit, grasping at whatever he could so he didn't fall back, loud noises of metal scrapping metal could be heard as something got kicked open on the outside. Jazz scrambled over to the small crevice that opened between Prowl's digits, not enough for him to fit anything over other than his hand, but enough to get a glimpse of what was happening outside.

Prowl had kicked down the exit door to the lab ('not like he had the hands available to properly open the damn thing anyways' Jazz thought to himself). It was meant for mechas to exit the room after they finish off whatever it is they do in here, that Jazz knew, and if he was right, just down the hall there will be another exit leading to the backroom where they stockpiled the mech suits. No one but the technicians were usually supposed be there, it would be an easy fight to get to the big gate that lead to the outside training grounds, which is why Jazz had pointed for the mech to go down there in the first place.

There shouldn't have been a problem besides giving him time to leave unscathed. Which Jazz assumed would not be the case as he was currently inside Prowl and not buying him time to escape. But, to Jazz's surprise, nothing had come close to attacking them, yet.

The pilot did not have much time to contemplate it as suddenly he heard Prowl rumble an annoyed grunt.

"Don't move."

In shock, Jazz stumbled back as Prowl removed his hand and reached for the end of the overhead gate, seemingly alot harder to kick down than a two way door. The only thing it would really do would be to bend the metal a bit but it wouldn't give an open entrance. Jazz didn't dare leave, not like he could from this hight, but even if he could, Prowl would probably just pick him up again; it be a waste of energy really (just admit it, you don't want to leave him). But something about this felt wrong, so far they haven't had a single guard come down the hall, just this small pause would give them enough time to catch up to the two runaways, Jazz was sure that guards had been on his tail when he was under his rampage.

Unless...

Wait.

"Prowl! Wait don't open that gate!" But he was too late, the moment he uttered those words the mech had already been in motion and pushed the gate up with all his might and as quickly as he opened it a gun shot came through the otherside. They had been waiting for them, they knew where they were heading. The bastard he kicked down prior to this probably saw them and reported it, dammit.

Prowl let out a strangled cry of pain as the shot landed right on his left shoulder (like it wasn't damaged enough by the lack of arm), Jazz fell backwards with the harsh motions, hitting the back of the pilot's seat, the impact leaving his vision to go dark for a few seconds before he collected himself as quickly as he could. In an instant though, just as he tried to get back up to see what was outside, Prowl had put his hand back over the open cockpit.

No...he wouldn't be able to fight like this, protecting him as he is would only hinder the bot to more damage. And that's exactly what Jazz intended to express to the other. "Prowl! You won't be able to fight with your hand over me! Forget about holding me inside, I won't leave, I promise!"

"That's not the point!" Prowl growled, letting out another hiss of pain as more shots were loaded, someone shouting out for them to stand down.

Prowl couldn't risk leaving Jazz exposed. Unlike the human, Prowl could take a few shots, their weapons not being strong enough to inflict any serious damage to his plating (though perhaps a bit to his exposed protoform, though he could handle it for a little while longer). But it would take one lucky shot on Jazz to have him dead in an instant, and Prowl couldn't take that chance.

It seemed like Jazz got the message, not spitting back any sort of remark about Prowl's lack of explanation.

But the mech couldn't linger too much on those thoughts, he had to get out, and fast. He was losing too much energon, and his vision was starting to get blurry, which wasn't a good sign. It didn't help that his thoughts were a hazy mess, his usual ability to think logically overthrown by the panic of needing to get out of this place while ensuring Jazz's survival.

It's not like he had much to do, though. Any possible escape hindered by the fact he couldn't use his weapons unless he risks Jazz's life to one lucky shot. Perhaps he could make a run for it, knock through the mechas in front of him and let them tumble over as he reached the final exit; it wasn’t the best plan perhaps, with at least a 19% rate of success, given he isn't in the best physical state at the moment, he probably wouldn't be strong enough to knock them over. Added to the fact the exit wasn't shut by a gate he could simply knock over easily either, like the previous one. He'd have to push it open from the bottom, and there wasn’t enough time for him to act on it.

But he'd have his back turned to the shots, reassuring Jazz's own safety, so he could perhaps risk removing his servo to push the gate open once more.

With a quick warning from his HUD telling him his energon levels were getting dangerously low, Prowl decided to take the risk, with little time left, he took a step forward making a run for it.

The mechas seemed to ready themselves for his attack, quickly positioning their weapons to target him, closing any narrow space they had between each other.

What they didn't expect was for the mech to charge his whole body weight onto them. Despite not feeling any pain, they certainly could not fight against gravity itself. They all stumbled against each other as Prowl made a mad dash to the gate. He slid on his knees and made a quick reach for the bottom of the gate, anxiously removing his hand from over the cockpit, bending over protectively as to not have anything be able to aim inside.

He could feel his spark beating fast from anxiety, they were so close, they'll be able to leave soon enough. Jazz was most certainly having a good feel to Prowl's anxious beat, the loud thruming reaching the bot's own audials was most certainly deafening to the human sitting near it.

Then, a shot.

A pop.

A blinding light.

And the beat stops.

Jazz was curling in on himself as an instinct to protect himself from the sudden burst behind him. It only took a few seconds for him to realise what that was once he couldn't hear a single beat of a spark, or the burning sensation it left, feeling his own heart stop and drop to his gut.

It felt like the world around him suddenly stopped, everything going into slow motion, with no sounds to accompany the dread. Feeling as Prowl's body leaned foward to crash on the ground.

But just as quickly as the silance came, it left. Prowl catching himself from hitting the ground with a grunt, a slam could be heard as his arm and elbow made contact with the concrete floor. His spark beating, weakly, but beating nonetheless. What felt like hours of silance was only a quick few seconds of deafening dread.

"Prowl!" Jazz called out in desperation, reaching out to hold the edges of the cockpit, so not to fall out, but to also try and comfort his anxiousness as he tried to look up at the mech's face. The mech made a sound of acknowledgement, which came out more like broken static, but didn't make much effort to move, his face scrunched up in pain, optics shut. They shot him on his back, too close to where his spark would be, causing him to skip a beat, and busting a bit of his left doorwing, but it still seemed to function somewhat.

Suddenly, both of them picked up on the sound of something opening, giving no time for either to fully process what had just occurred. Prowl made a quick move to get his hand over the cockpit once more (with slight struggle as he stumbled and fell on his aft) as a thick metal slab emerged from above and beneath, right in front of the gate, shutting it close with a protective layer of metal. Guessing by the red alarm ringing around them, an emergency protocol to keep anyone from leaving. Slag.

The mechas surrounded them, guns all aimed to shoot at the alien mech if he didn't comply.

It was silent for a brief moment, in exception to Prowl's anxious beating spark (which wasn't a problem for Jazz at the moment, the burning warmth being somewhat comforting) and Jazz's own heart beating over his ears. Both catching their breaths.

"There's no point in fighting. So make this easy for all of us and surrender yourselves." A nobody pilot finally spoke out, weapon leaning a tad closer than the others.

The atmosphere felt heavy, they were pinned down. Really, the only thing they could do was surrender, but Jazz would sure as hell be reprimanded for his actions and Prowl.....he didn’t want to think about that. No, he wouldn't even allow that thought to become any sort of reality.

"Prowl" he whispered, knowing only the mech would hear him, leaning a gentle souch to his servo as if to beg, "I know you might not have alot of trust 'n me, but this might be our best shot." There was a tense shift, not too noticeble unless you could see the mechanisms from the inside, Prowl knew what he was about to suggest. "You need to let me pilot you." He cringed as he felt the other's servo stiffen, he wasn't pleased with the idea, and neither was Jazz, but he knew this place alot better than Prowl did, and knew how to properly defeat the mechas, knowing their weak spots. And Prowl was all too aware of that too, Jazz knew it. They both were very aware of it all.

"Please," he begged, leaning his forehead on the mech's servo yet again, "I can't lose you again." There was slight shift, Jazz looked up, though he obviously couldn't see the mech's face, the sigh he let out was loud and clear. The controls on the pilot's seat shifted, Jazz got the message:

'Alright'

He couldn't help but let a small smirk creep over his face, making way to sit down and start piloting.

"Under one condition though," Prowl suddenly whispered to him, though it was alot louder to Jazz on the inside.

"And what would that be, partner?" The title flew out too fast for Jazz to stop himself, feeling so natural to call Prowl partner once more. The mech didn't seem against it though.

"No removing my hand."

Jazz was left stunned for a quick second, though it felt like a minute for Prowl as he waited for a reply eagerly.

"I can work with that." Prowl let out a sigh of relief at that, allowing the human, his partner, to take control of him again.

It took a moment for Jazz to adjust himself, in the meantime, the people waited outside anxiously for the other to make a move. When Prowl finally started to shift around to stand up with a small grunt, everyone raised their guns and loaded them up, but didn't shoot just yet. The mech looked up at them with a deadly glare, but made no move to attack, his remaining arm not leaving the open cockpit for a second, he simply stood up with a slight slump to his posture, doorwings drooping down slightly. In all possible ways, he looked weak and defeated, no signs of fighting back.

One of the mechas walked closer, gun still aiming at Prowl, but it was lowered slightly. They reached a hand out expectantly.

"The pilot, hand him over." They demanded, no sympathy whatsoever.

Prowl clutched his chasis, anger pooling over in his spark, doorwings twitching up slightly, but he made no move to attack. Not yet. He heard Jazz speak to him in a low tone so only he could hear it, with a sigh, he relaxed. He slowly, very slowly, drew out his hand from the cockpit, the action in itself having the other mecha have their body relax slightly as they approached the mech, weapon being put down slightly enough, and so did the others around them. Jackpot.

Before he fully removed his servo, the mech made move to crouch down and in a swift motion swung a peed over to the mechas own, catching them off balance and knocking them down. Jazz let out a small hiss to the action, forgetting his own injured leg, but pushed on regardless.

Using the thrusters of his doorwings, they were able to balance themselves back up, Prowl's servo going back into fully protecting it's pilot once more. With most weapons being aimed up and not down, it took a delayed second to aim correctly, but it was enough time for the human and cybertronian duo to twist themselves out of harms way.

Before the fallen pilot could attempt to get up, Jazz made move to aim over the weak spot of their mecha's knee and stepped hard enough to break its mechanisms so they couldn't stand back up easily. But the glory was short lived as more shots were fired their way.

Jazz's hand twitched to move and use its weapons, but he resisted the urge with a slight huff, "Man, 's hard to fight without an arm!"

"This is none negotiable, Jazz." Prowl hissed as they made move to avoid more shots.

"I know, I know! Don't mean it makes it easier!" Jazz tried to analyse their surroundings, though it was made difficult with the many HUD warnings from all the injuries (the pilot couldn't help but mutter a broken "I'm so sorry" to his partner, whether the mech heard him or not he wasn't sure), but pushing through it, he took note of a few key details. There was a metal catwalk grate near above the mechas' heads, running with a few on ground troops, the bastard of a boss being one of the few amongst them. Near a corner stood an elevator to go up and down the area.

How that could help, Jazz wasn't sure yet.

A shot hit Prowl's arm, pain flowed through the mech as he moved out of the way once more. Jazz looked around in a frenzy to find a place to shield themselves....the mechas! Making a run for to the lifeless husks, he swivelled around between them and hid behind the many rows of mechas knowing full well that they would not risk such precious resource and money just to reach them. At least he hoped not, because he just needed a little bit of time to figure something out.

Hearing the big man call out to hold their fire was good enough indication that his idea worked.

"Ok, now we just need somethin' to distract them long enough for us to make a jump to the ceiling." Jazz explained

"The ceiling?" Prowl inquired, not so certain about his partner's ability to properly think at the moment.

Jazz rolled his eyes, but didn't make mention of the mech's tone. "It's the weakest point here, plus" he made way for Prowl to look up to where he remembered the area to be at, "there's a trap door for flying mechas and emergencies. One quick press of a button will open it up, even under "safety protocols."" Prowl let out a hum in thought, seeming to analyse the situation.

"Possible, but where is this said button?"

"Behind the elevator, by the catwalk grating on top. There's a control panel, and one big red button, can't miss it."

"Would smashing it still get it to work?"

"Yes."

"Then I don't have any complaints."

"Good, now," Jazz went back to scanning the area, "how to cause a distraction?"

"Would that broken pipe be of any use?" Prowl made an effort to twitch his head over to the direction of what he wanted Jazz to see. And just as the mech stated, there, by the first floor of the elevator, stood a broken pipe, steam coming out of it.

Jazz smirked "it would actually. If we can get somethin' to shoot at it, we might cause an explosion, giving us time to jump up without being the target anymore."

"Sounds like a plan." Prowl shrugged.

"Don't have anything to add?" Jazz asked a bit surprised.

"No, I don't." The pilot didn't push.

"Okay. Well, let's get these bastards shootin." In quick motion, they made way to the elevator, already hearing the commands to shoot fire, 'but watch for the machines!' Weapons were loaded from above as well, shooting down at the two runaways once again.

Jazz made sure to move swiftly behind the mechas, making sure they were shielded properly. Any gaps they had to cross was a small risk they needed to take, scrapes and scratches being left in its wake, but tried not to do it too often, just enough that they could follow them. They eventually reached where the pipes were, Jazz took a deep breath.

"Ready, big guy?"

"Ready."

They stepped foward, making sure to call the attention towards where they were, but quickly retrieting back behind the mechas suits as they shot directly where they wanted to hit. "Bingo."

Quickly, activating Prowl's thrusters, they leaped over to the metal grates that stood above them as the pipes behind them burst, causing a huge commotion as empty mechas fell down and whatever machine near the crossfire tumbled down. Prowl let out a gasp as he felt the world around him spin, the grating beneath them not being of any help as it shook with his weight. Jazz was quick to hold on, helping the mech stablise himself before aiming with his left foot to kick the big red button with their ticket out of here, the motion causing his vision to flash in pain, but he bit his toung until he could taste iron and pushed forward.

Hearing the metal door above them open up, Jazz readied himself, but hesitated with the warning he'd received from Prowl's HUD from his low energon levels. He didn’t even get the chance to fully check on it though, Prowl quickly pushing them out of the way himself.

"I'll live, just one more push." The mech hastily reassured the human. Jazz wasn't inclined to belive it though, feeling the other's spark beat anxiously (and for some reason that made him feel slightly dizzy. Though he chalked it up to it being his possible concussion).

It took one shot to slip an inch away from Prowl's face for them to finally snap out of it and jump. One more push from his thrusters as they flew up through the trap door and landed on top of the roof with a grunt, the mech's left wing finally giving out.

But they weren’t in the clear yet. Looking out, a wasteland of a forest awaited them, with dense trees at the bottom.

"We'll have to make a jump for it. If we're lucky enough the trees will be big enough to hide us." Jazz supplied.

"45% of that happening. But we don't have much of another option at the moment." Prowl added

With all that being said, Jazz moved into action. With so much at stake, he had to, he couldn't waste another second in debating. Hefting Prowl up, he used all remaining strength to jump where they needed to go, but as the training grounds began to get closer than anticipated, Prowl knew they didn’t make the jump and that made the mech almost freeze.

Though Jazz had other plans, because as their impending flat doom approached in rapid speed, Prowl's remaining thruster burst to life and gave that final impusle they needed to reach the slope. They both braced themselves as they were thrown up and over to their intended destination, Prowl having half a mind to tighten his hold over his chest so none of the debris and impact could reach the fragile human still in his care.

They rolled down the slope, Prowl just barely being able to shift himself so that he was sliding on his back instead. The aggresive motion of going down a not so smooth path causing bigger cuts and slashes against his already damaged frame. But the only thing he could think of at the moment was that they made it.

Jazz was quick to let go of his control over Prowl, who in turn made an effort to sit properly. Though the sudden slamming to his servo made him look down worriedly, moving it slightly to see Jazz leaning on it desperately.

"Prowl-" he heaved, "Prowl put me down I'm feeling sick."

The mech panicked and quickly made move to help the human down, gently placing him on the grass below. Jazz made no effort in being graceful as he hurled over and puked his guts out, luckily avoiding Prowl in all of this.

Clutching his stomach in pain, his heaving and coughs agitating the injuries on his abdomen. Everything around him felt blurry and muffled as his body made sure to get everything he had eaten in the past day out of him.

What made him panic was the sudden taste of iron in his mouth as he coughed up whatever he had left inside. That's not good. And that definitely didn't escape the giant mech's notice, who kept a hovering servo near him.

"Jazz! Is that blood?!" His voice sounded so broken, static lacing over his words.

"Uh- Yeah. Yeah it is." He wasn't sure how to deny that really, and he felt too light-headed to try. But his attention diverted to the sudden pink glow that landed at the side of his vision.

Energon.

Quickly looking up, he finally got a glance at his partner's battered condition. Energon leaked from many different parts of his body, but the main source being from his missing arm. Jazz couldn't help but cringe at that.

But what hurt him the most to see was the weak light from the mech's optics, which still held visible concern on them. Despite being close to going into offline, he still looked at Jazz as if he's about the crumble into dust and leave him. Which he honestly, maybe, felt like. But seeing Prowl's optics flicker as they fought to stay online, Jazz panicked

"What 'bout you?!" He called back, catching the bot off guard. "You're losing too much energon! You look like you're about to go offline!"

Prowl cringed a little, not having anything to counter that. "Well that's because I-"

"No! I'm only a little bit dizzy, but I'll live. We need to patch you up right now!"

"I can help with that."

The new voice catches the duo off guard, Prowl immediately reaching out to Jazz, hand shielding the human from whoever that might be. Jazz looked down from where he was looking at Prowl and turned to see who it was that the voice came from.

There standing in front of them was a human carrying a simple tool box and a huge backpack strapped over one shoulder, filled with questionable things.

---

BEFORE YOU LEAVE, a little something I would like to point out for the fic, that some of yall with either like or not, during the process of writing this, I've seen a few posts keferon made about the spark being radioactive and such, and it sorta made me think a bit while developing Jazz's condition. So well, take Jazz's health in this as you will with this info :)

But anyways, yippie!! That's all for today folks! I hope yall enjoyed this one bc I definitely had a heck of a time writing this one XD

It got alot bigger than I anticipated and took much longer to finish than I originally planned (was supposed to be done 2 days ago).

Now, I know I keep saying "not sure if I'll make another part to this" but then proceed to do so anyways. But I mainly do so because everytime I shared it someone said something that added to the story somehow and gave me ideas to continue foward.

So like, if yall liked this and wanna see more, don't be shy to suggest/add anything to this as it may help inspire me to add more onto this, cuz honestly idk what the fuck I'm doing rn, I'm just going with the flow ᕕ( ᐛ )ᕗ

Also, a bit of note for the doodle, holy shit I did not expect it to look this good!! Tho I suffered with Jazz's suit, plz ignore any inaccuracies tee-hee. Prowl's knee and hands were hell too, especially his knee, but i could like, hide most of it lmao. Actually mainly struggled to not have his hand cover Jazz too much bc it kept covering the parts I actually wanted to show off lmao.

Oh and the guy at the end? Yall can take a good guess as to who it is :)

But since he doesn't have any official design, I kinda went with whatever felt right lol.

I also really wanted to draw out more scenes to add to the fic, but then it would take me a lot more time to actually post the fic as I figure out how to draw robots :'). But maybe I can try and doodle them out another time if I can, no promises tho-

[maxarchive]

Listen to the full interview here.

Now, just as the championship was starting to get to a really tense point around Austin, there was this big controversy about driving ethics between you and Lando. The drivers had a big conversation with the FIA after that race about the guidelines and it felt in some ways that it was a consequence of what had happened in Austin. How did you feel about that? Did you ever feel like they were singling you out?

You know, honestly, I don't, even if they would have done or did, I, first of all, I don't care because I drive to what I think is possible and what is allowed in the rules. And if the rules are written like that, I will use the rules. I'm just not the type of person that I think, if that would have happened to me the other way around, you know. There is then other people commenting on, other drivers commenting on that were not involved in that whatever incident or whatever you call it. I don't think I would have been the person then to complain so hard because I would just think to myself that, okay, if that's the rules, that's how we do it instead of screaming that we need to change the rules. Because the problem is, if you make less rules and then something happens, then they will start screaming for more rules. Now we have the rules, maybe not perfect, but it will never be perfect. Because if we get to a certain rule set, there will be another incident where someone is not happy about and then they start screaming that the rules are not correct again. It's the same in football. If there's a foul and there are some clear rules about certain things, it's not always that the right decision is made on it, or is it a penalty given or not? Or was it offside or not? That's why you can never, at the end of the day, do it right. Do I think that consistency in the penalties can be better? Yes, for sure. But that only comes with, I think, stewards that are paid, you know, professional stewards. Not that I think that the stewards that we have right now, you know, they're doing their very best to what they have, you know, but I do think that, you know, in a sport like this, like you see in other sports as well, that when you have a paid board of stewards, I think it just works way better.

You said something very interesting there about the rules that you were always driving to the rules. And that's the fundamental point. I think no one said in Austin or thought that you'd done anything against the rules. But there was this particular kind of defense, you know, the kind of race to the apex, trying to be ahead and all the rest of it that people are talking about now. Do you think that just taking a step back from that particular incident, do you feel that that's the right way to go racing? Would you choose to do it that way if those weren't the rules? How would you like to do it?

Like I grew up with go-karting, where it's not about who is ahead of the apex or not. I think every driver is anyway a little bit different. I remember from go-karting as well with some, you just knew that if you went around the outside, you could hang it around the outside. And with some others, you couldn't because they would push you off. And I think you need a little bit more freedom on that. Because when... When it's that clear rule that you need to be ahead or alongside fully to the apex, you will create other issues with that, right?

So would you naturally want to give someone room on the outside on the exit if you were racing?

Well, me personally, I don't race like that.

You don't... What, sorry, what do you mean?

Well, it's like when I... So when I race with someone, I would... Well, he will not be able to overtake me around the outside.

Okay. Why?

Because that's how I grew up racing.

Okay. So you always think it's okay to go to the edge of the track and force someone off?

Yes, but I've raced against other people in go-karting that would give me space. You know, it's like, it's just a driver-related thing, that some drivers are just a bit more passive, you know, in racing. And that's just how they are. And some I know that even in F1 I can't hang it around the outside because they will push me off. It's just, it's like a bit more of like a racing, I would say, instinct.

So I think if you were to play the devil's advocate, how would someone ever overtake you? Because you will always go to the inside to defend.

It depends on the track layout. I think the main problem is that when you have so much tarmac on the outside, you, even if you lock up a little bit, you just run a little bit wide. But on old-school tracks, you normally never really have these kind of issues because it just doesn't happen because people are a little bit more tentative on the brakes. Also, the guy that is trying to overtake knows that if he makes a mistake and locks up, he's in the gravel and his race is done. You know, so that's what I think is the problem is the track layout is letting us do these kind of, like, you then have questions with some moves. Where if you go to, like, Suzuka or even Red Bull Ring in turn four, the downhill right-hander, where sometimes, you know, it's very rare that there is any, like, question mark move that has been done there because if you make a mistake and you brake too late, you go off in the gravel and you're penalized anyway. And I think we have to try and go back to these kind of things that when a driver goes off the track, there's a harsher penalty with just natural, like, track limits.

So you would never give someone in the outside room on the exit of the corner if you were racing?

Well, that's just normally the case, yeah.

Yeah, okay, cool.

And, of course, when the track is naturally the limit with the gravel being there, then no one even want to go around the outside because they know that. So you then try to go for a cutback or, you know, set yourself up in a different way.

[wishesofeternity]

I have a lot of mixed feelings about Arcane Season 2, especially after Act 1.

I enjoyed the season and there was a great deal I loved about it. The animation, in particular, was spectacular. But I had a lot of issues about its pacing, characterization and key narrative choices.

(Spoilers)

Why does the finale of a show that's supposed to be about two sisters revolve around two men? Why were all of its other female characters also sidelined to focus on them? Why was Sky fridged yet again?

Vi had no proper arc or goal across this season and was very inconsistently written. Jinx had comparatively more consistency but still had major issues. Their relationship, as mentioned above, was also not handled properly or given adequate attention.

Vi and Caitlyn's relationship was a mess in almost every way, I'm sorry.

Mel and Ekko were both almost entirely sidelined after Act 1 (and the Firelights barely played any role at all?)

The way they handled Viktor's terminal illness, specifically how Jayce spoke about it, was fucked up

The socio-political conflict between Piltover and Zaun was almost completely swept under the rug by bringing in a new Big Bad and common enemy for them to "unite" against. Piltover's oppression of Zaun was also massively minimized after Act 1 and ignored altogether; after defeating Noxus, there is no reason not to believe that they would go back to the status quo of inequality and martial law. Sevika getting a seat on the council (still Piltover's council) is mere lip service with no discussion on what that actually entailed, or what they planned to do in the future. Zaun is still not free. I've seen people try to justify this by claiming that "that was the point, it's meant to show that things are imperfect" but the fact of the matter is that there is no indication that the show wanted to make this point at all (and if they did, it was very badly done). They should have addressed the oppression of Zaun directly, which they never did. What they instead did was actively downplay it on far too many occasions.

There were some plot points I personally disagreed with, like their decision to bring Vander back, but those are personal grievances that I could have made peace with if they were written well. Unfortunately, they weren't.

A lot of these problems stem from pacing, tbh. The show also introduced far too many plot threads last minute without resolving anything properly. If they had three seasons, or even a longer second season, maybe they could have committed to addressing what they had previously set up. But it doesn't seem to have been their priority in the first place, so 🤷🏻‍♀️

Also, the way the fandom is relentlessly attacking anyone who dares to critique/criticize this season is pathetic and needs to stop.

[carbonfiction]

Could you do some angst Logan x mutant!reader comfort. Like maybe she has a similar origin to Logan where she was tested on for her powers and escaped. She ends up at the mansion and that’s how her and Logan end up together.

I’ve been wanting to write this myself for a while but haven’t had time. I need to see some truama bonding and comfort for that man with someone who really understands what it’s like. I would give anything to be that person. 😭

Hi anon!! Im so sorry this has taken me so long to get to- despite some little changes on the request, and my unsureness on writing angst, i hope you enjoy this drabble!

One step at a time

Summary: sleep can be a fickle thing, a struggle more personal than most.. But it just so happens theres another person in the mansion that understands. Written with X1 logan in mind!

Warnings?: angst, mentions of nightmares and troubled sleep, self doubt, slight depression? Comfort and fluff at the end? Idk how to tag this really.. Words: 1.5k Masterlist

People were scared of things they didn’t understand, of people that didn’t fit in to a societal box. And being a mutant? Well, you became the scariest thing of all. An unknown, a secret unshared in a room full of people.

To some, that fear, that little nagging doubt about what you are, what you could do.. fuelled somthing else entirely. Not fear, not quite, more an evil kind of curiosity. A fixation to poke and prod, bend and snap, push the limits of their fear regardless of yours in the name of science. Regardless that you too, we’re a person, different now yes, but still born of the same matter once.

Careless to the person you were, only the thing you could become. And even then, if you weren’t useful.. you were useless. Another mistake in a pile of scraped idea's, a caged creature begging for a way out.

You never wanted it, never asked to sit in a room and wonder why. Why you, why this. There was never a good enough answer, never a reason, not really. Some People were just cruel, vile and nasty, out for their own gain.. to test the limits of humanity.

But then it begged the question, what was humanity? Because it wasn’t this. It wasn’t the sleepless nights afraid to close your eyes. The sanctity of sleep a luxury. Peace a rationed thing.

Therefore It had become normal to find you in the dead of night, curled up the couch in front of the fireplace; whilst everyone else slumbered. Sometimes a book in hand, other times just your thoughts. Embered flames burning bright and warm, the crackle of wood often the only sound. It was how your relationship with Logan had bloomed.

From wordless nods walking down corridors to conversations and nights shared infront of the fire; he had become pleasant company, a friend you regarded higher- one who understood better- than most. He'd seen the same horrors behind his eyes, the years a tiresome thing.

So it's here you sit, like always, in your spot on the couch peering between pages of a book and the old grandfather clock, waiting for Logan.

It was late and he'd usually show up around now, your meetings held in a trusted pact- an agreement that if sleep held pain, this is where you'd find one another. It was up to choice then, if you'd relocate to one of your room's; if you felt the embrace of the others arms would quiet the horror, just for a while.

Because while it's true that you both may no longer be broken here in the mansion.. you'd always be bruised bone deep.

"Hey" Logan murmers softly, breaking you from your thoughts as you crane your neck toward him. Hes stood tall in the doorway, clad in sweats and a white vest, two steaming mugs in hand as he pads closer, handing you one over the back of the couch. "Figured you'd want a drink, tried to make it how you like"

You nod, taking a tentative sip with a greatful smile. Your eyes fluttering shut a moment as you swallow, relishing the warmth. Logan had indeed made it the exact way he knew you loved, and it swells your heart; the fondness you feel for the action- for him. "'S perfect, thank you.."

"Was nothin.." he shrugs, sighing into his own cup, back hitting the couch besides you. the cushions are a soft embrace for his aching body, the days seeming longer. He'd confessed one night, that the winter had never helped his affliction. That the cold air made his adamantium bones ache in a way that seemed impossible to describe. The sting of his knuckles that bit sharper with each snikt of his claws.

You shift quietly, book page marked and now placed on the coffee table. Logan watches silently as you reach for the soft blanket that lays dormant on the back. Your fingers adjusting the fabric carefully, unfolding and draping it until it rests over his knees too.

Logan smiles, a look reserved for these nights- for you- in his eyes. Its a soft, greatful, little thing; Unreminicent of his usual gruff demeanor. he lifts a large arm bringing it to rest snug behind your shoulders, tugging you closer.

Theres a comfortable silence that follows then, sat side by side. Logan simply watches as you pick the book back up, resuming your page. A warm feeling in his chest that he hasn't felt for a while as your eyes flit across the words.

He still cant understand how anyone could- would- hurt you. Would even dare harm a delicate hair on your head. It boils a possessive type of anger inside of him, that people, the very same that had hurt him, had dared. That they had ruined your trust, made you into something of their design, just like him.

And Its then that Logan cant help how his mouth moves, how it burts the words before he can even think to stop them, make them sound less jumbled. "You uh.. didn't deserve it you know?.. What they did"

The words feel foreign on his tongue but they hold meaning- one that you can feel as you cast your gaze to him.

Theres a look in your eyes he cant quite read as you hum honestly. "Neither did you. you know that right?"

And Logan knows. Hell its deep down but he knows. Yet hearing the words still bring an ache to his chest. Its beyond hard for him to even think about- admit really- even after all this time. He hadn't deserved it and neither had you. But that was certain weather perceived or not.

"Im.. Tired, logan" you trail quietly, casting your book aside as your head falls to rest on his shoulder. "Just.. So tired of being tired."

A shattering feeling stabs at Logan's chest from your admission, a sigh falling against your hair. "I know you are. Hell so am i but.." he pauses, trying to find the correct sentiment.

"We- you- can do this"

You can't help the exhaled sound that slips from you, not a laugh, not not a breath either. "Logan-" you try to protest, try to shift back inside your non vulnerable shell ready to shut down, but he has you locked next to him, fingers coming to rest on your jaw.

"No, look at me, Cmon" he murmurs, cupping and turning your cheek gently until your gaze meet his. "like you told me that once. Its one step at a time alright?"

You recall saying it, remember the context, and yet the idea of saying it to yourself feels foreign- as foreign as the words blurted from logans tongue.

He'd had a nightmare that night, had woken with a hoarse scream and his claws embedded in the plush mattress; pillows ruined with feathers everywhere, soaked in sweat. You'd come barreling in from downstairs having heard his sounds of distress, knowing the situation.

But.. You hadn't laughed, despite him being so surrounded by pillow feathers that he's sure he looked like big bird. You hadn't been cruel or judgemental, pitty in your eyes. You'd just been.. Well, you. Kind and understanding, reassuring him that it was okay, that he was safe. To take a shower and you'd sort the rest. It was from then that the fondness he felt for you had bloomed to something a little more inside of him.

You nod gently, a small, barely there smile on your lips now as you repeat. The light of the fire a soft glow in your eyes, tone a fraction more hopeful. "One step at a time"

"Yeah, thats it sweetheart" he smiles gently, a proud look in his own eye's, before his throat clears. A bashful look taking over his features as he continues, thumb absentmindedly stroking over your cheekbone. A distraction to the honesty he was going to drop "Besides.. you got this knucklehead who'd really like to keep this.. Us.. up"

You swallow, breath stuttering as your cheeks heat."You.. You would?" you sound a little surprised, yet a little hopeful, and It makes Logan smile, hearing your heart pounding in your chest.

"Yeah sweetheart" he breathes, voice a low gravel as he anxiously nods, before rushing to add. "if- if thats something you'd want?"

"Yes!" you exclaim, so excitedly it makes logan chuckle, the deep rumble joining the crackling fire. "I, uh, i mean.. ofcourse i do Logan"

Logans fingers tilt your face higher, his forehead coming to rest on yours as your fingers trace over his scruff coated jaw. "Things are better with you.." you murmer, breath puffing over his lips. "Lighter. You get it, get me.. This.."

He hardly lets you finish before his lips are pressed to yours, breaking the miniscule gap between them. His kiss so uncharacteristically gentle, like he was afraid one taste and you'd break.

"Things are better with you too.." he says quietly, forehead on yours, a smile against your mouth as his nose rubs your cheek.

And so Its that night you both agree, while wrapped up in one another, that things are better together. Better with each others shoulder to lean on. And despite the darkness that would still linger sometimes, that's all that mattered. You and him. Him and you.

[darkmatilda]

𝐰𝐢𝐭𝐡 𝐭𝐡𝐞 𝐥𝐢𝐠𝐡𝐭 𝐨𝐟𝐟 | 𝐬. 𝐫𝐞𝐢𝐝

𝐬𝐮𝐦𝐦𝐚𝐫𝐲: spencer takes care of you after a serious accident.

𝐜𝐨𝐧𝐭𝐞𝐧𝐭𝐬/𝐩𝐨𝐭𝐞𝐧𝐢𝐚𝐥 𝐭𝐰: hospital, rehabilitation, neck and brain injury, nud1ty

𝐚/𝐧: this is one of the potential endings of my fanfiction "with the light off" which officialy remains open up to your own interpretation. this version written to comfort all the hearts i've broken <3

𝐰𝐨𝐫𝐝𝐬: 11k

Spencer felt embarrassed by how, just an hour after leaving the apartment, he already wanted to call her.

She had already occupied a near-constant presence in the back of his mind, slipping in like a shadow—elusive and playful—darting between his thoughts, flitting from one corner to another whenever he tried, even briefly, to forget about her. But now? After that night they had spent together?

Spencer knew a lot about obsession. He understood the weight of the word and was acutely aware of its gravity. Yet he couldn’t deny it—he was obsessed with her. Physical contact had always been a sensitive yet profoundly significant subject for him. He didn’t allow many people that close. 

For him, touch was the ultimate proof of closeness and trust. Intimacy bred attachment. This wasn’t about desire in its rawest form—it was something else… though he wasn’t entirely sure what. He couldn’t define the bond they shared.

He felt bored, detached from the world when she wasn’t in it, and the only thing keeping him tethered to some semblance of normality was the thought—the imagining—that at this very moment, they were breathing the same air.

He was starting to think he might be losing his mind.

He held off on calling her precisely to avoid coming across as a lunatic in her eyes. He managed to restrain himself only once he was at work, where the seriousness of his profession demanded it. In a way, though, he felt lighter. Throughout the day, he was buoyed by the thought of their upcoming meeting, the excitement it brought—and the nerves. That mixture of emotions was enough to make the entire team glance at him with curiosity.

Garcia was handing out case files, her hair recently dyed a vibrant shade of red. Rossi, instead of opening his folder like everyone else, was watching Spencer from across the table, leaning on his elbow.

“Did you win the lottery or something?” he asked, so unexpectedly that Spencer glanced around at the others, unsure who the question was meant for.

When he realized the question was directed at him, he swallowed hard. Morgan’s raised eyebrow seemed to challenge him to a duel.

“Not that I know of. Why?”

“Because you’re practically glowing, sweetheart,” Penelope chimed in with a sly smile. “Don’t think you’re getting away without telling me everything later. I’ll get it out of you, don’t you worry. But for now, let’s get started…”

They immersed themselves in the case, but a few hours later, during a brief moment of downtime, he realized he was looking for an excuse to call her. Was a simple desire to ask what she was up to reason enough?

He wondered if she was still at his apartment. He hoped she was. He knew she’d eventually have to leave to prepare for the shift she was starting later that afternoon, but he couldn’t shake the unease gnawing at him about the whole situation with her roommate’s ex-boyfriend.

Realizing he’d been staring at his phone for far too long and that he’d soon need to get back to work, he made a snap decision and called.

But no one answered.

Logically, he reasoned that mornings were probably her time to sleep. Afterward, he tried sending a text message. But by late evening, when he finally returned to his apartment, he was starting to feel genuinely worried.

The question nagged at him: could it have been about the previous night? Maybe he’d done or said something wrong, something that had put her off completely?

Slowly, he walked into the bedroom, pausing in the doorway as his eyes landed on the perfectly made bed. It definitely hadn’t looked like that when he left it.

Then his gaze fell on the slightly ajar safe, and he froze. The combination was incredibly complicated, so he must have left it open when he took out his gun and badge. Besides those items, there was one more thing inside.

He had once again fallen into the trap of keeping Dilaudid close, even though he wasn’t using it. Was it possible she found it, and that’s why she hadn’t reached out?

It wasn’t that he had lied to her about being clean. She had seen how much effort it took for him to talk about it, so she approached the subject with incredible subtlety, never asking directly, but watching him closely, carefully, yet without pressing.

If she had really found it in his safe, she might have felt betrayed. Or maybe she decided she didn’t want to get involved with someone who had such a problem. Perhaps she had seen the whole previous night as one big mistake and then decided to throw him out of her life. Spencer, though it pained him, couldn’t help but feel that he deserved it.

He sat on the bed, crushed by his own thoughts. Something didn’t sit right with the version of events he had imagined. First and foremost, she wasn’t the type of person who would turn him away because of this. Her heart ached to help others; she couldn’t ignore someone else’s troubles. Even if he had hurt her, her immense capacity for understanding would have remained intact. Empathy was imprinted on her, like a deep, unshakable mark.

Driven by a hunch, he reached for his phone to call her again. That’s when he noticed two missed calls from an unknown number, just fifteen minutes ago.

He pressed the phone to his ear, his brow furrowing in confusion as he heard the first sound on the other end… a sob?

The sound went on and on, and Spencer was too confused to utter a single word.

“Who am I talking to?” he finally asked. Unable to stop himself, he stood up. He didn’t even know what was going on or who he was talking to, but he sprang to his feet anyway. His body compelled him, his insides twisting with unpleasant spasms.

It could just as well have been some stupid prank. The problem was, it wasn’t.

“H-hey, it’s J-Jude,” a voice came from the other end. Female, shaky, and choked with sobs so severe that if he didn’t already know her name, he would never have guessed he was speaking to her roommate. He stopped pacing the room. “I-it was me…I called earlier. S-she doesn’t have any…any family, and I didn’t know…I didn’t know who to inform…I can’t handle this on my own…they just took her away again…”

It wasn’t as if the world suddenly came to a halt. It simply became both sharper and blurrier at the same time. Spencer could see that single, bright strand of hair on the pillow with perfect clarity, yet his own legs seemed out of reach. When he looked down, all he saw was darkness stretching below him. Somehow, he was still breathing.

“What are you talking about?” he asked. Later, he couldn’t explain how his voice—those first words—had sounded so composed. “W-who took her… where… and why…?

“I have no fucking idea!” she shouted, followed by a long silence during which Jude took a desperate gasp of air. “I mean, I do, I do know! They just brought her in, but... but suddenly they took her back because there was some kind of…bleeding…”

“...ding?” he blurted out, the first syllable swallowed entirely by his panic.

“No, I don’t want anything to calm me down, I am calm, can’t you tell?” Her voice grew distant, as if she’d pulled the phone away from her mouth. Then it came back, clear and pleading. “Please, come here…”

She hung up. The phone slipped from his hand as if it burned him. In a frenzy, he bent down to grab it, only to drop it again. Finally, he fell to his knees, managing at last to pick it up. As he stood, he felt as though some substance was spreading through his brain—black, toxic, and utterly destructive. Its effects left him barely tethered to reality. He could hear and see, but everything was overlaid with Jude’s words, looping in his mind like printed text on a screen.

The next thirty minutes were a blur.

How could it be logically explained that, in a state of complete detachment from the outside world, he somehow managed to figure out, based on the map of the area imprinted in his memory, which specific hospital she was in? How did his panicked, trembling hands manage to cover that distance by car without causing an accident?

The only thing he knew was that he ended up at the nearest hospital, wearing just a shirt with no outer layer. It was shocking that he even had shoes on. 

He should have been looking for the woman who had called him, demanding every bit of information she had. But somehow, instinctively, his eyes searched for someone else—a familiar face. He prayed it was all some sort of misunderstanding. Maybe he was fooling himself, hoping to spot her among the people passing by. A part of him simply refused to accept the possibility that anything could have happened to her.

Nothing had happened.

She was fine.

Her blue eyes were soaking in the surroundings, their gaze carrying that faint sparkle that always appeared at night. Maybe there was even a smile on her lips. He couldn’t—wouldn’t—allow himself to imagine what might have happened to her. It felt as though the universe itself should be ashamed for ever entertaining the thought of harming her.

"Are you family?" the man at reception asked. Spencer nodded. "I'm sorry, but I can't provide you with any information,"

"Just tell me, is she alive?"

"I can't…"

"Just fucking tell me…"

"They’re operating on her right now," a voice spoke from behind him. Spencer turned and blinked. Only then did he realize he was in a hospital. Before, he’d only had a goal—an urgent need to get there. The surroundings were just beginning to take shape in his mind. He had never seen this woman before, but he guessed it had to be Jude. Her face was swollen from crying, but she seemed less shaken than during their call. She had probably accepted the sedatives. "Again. First, they spent almost four hours working on her neck… they said she was stable, asleep, but then suddenly there was that bleeding… I watched them take her out of the room right in front of me…"

“Did you see her?”

Unexpectedly, she hid her face in her hands.

“I didn’t know who to call. She mentioned you a few times, and I had your number, and I didn’t know what to do…” she began explaining chaotically, as if it mattered at all. “It’s my fault, you know, all of this is my fucking fault…”

They were standing right in front of the receptionist, blocking his access to others who needed help. Spencer snapped back to the moment, pulling her a few steps aside.

“W-what did you say? That they operated on her for four hours?”

“Yes, the first time…”

So, she had been there for at least four hours. Longer, considering the time needed after surgery before visiting a patient. Pain spread across his chest. While he was wondering why she hadn’t answered his calls, coming to various conclusions, she had been fighting for her life?

He... had been at work, moving around, talking to others, living, while all of this was happening? He felt as if... as if he had betrayed her. It was absurd, even he knew that. Despite the state he was in—tragic, to be precise—he understood just how absurd that thought was. But he couldn’t stop the guilt and shame that washed over him every time he tried to imagine her on the operating table while he had been completely unaware of her condition.

“I need to sit down," Jude muttered, and after a moment, they found themselves on narrow chairs lined along the hospital walls. Spencer barely managed to force his knees to bend, his body to settle into the seat.

He was only beginning to adjust to the foreign gravity that was pressing down on him.

In his head, there was only one thought, one resolution, one desire. The only thing that could save him from losing his mind in this waiting room.

"I need to see her."

"We have to wait," Jude replied, pressing her hand to her forehead. More tears appeared in her eyes. She wasn’t just terrified, she was completely falling apart. "We... we once gave each other permission to access information about our health. You know, in case of an accident. The doctors told me everything. A neck sprain. A concussion. Two broken ribs and a broken forearm." Although her speech had been unclear earlier, when she listed the injuries, she sounded like a movie announcer.

Spencer quickly realized that these words must have been echoing in her head since they were first told to her. The same thing had been happening to him. Each word was like a blow delivered with full force, and his extensive medical knowledge wasn’t helping him avoid panic. He was too aware of the danger and too aware of the suffering her poor body must have endured.

They both squeezed their eyes shut tightly. Spencer felt as though his temples might explode. Waiting. Was there anything worse in the world than waiting? Being stuck in ignorance, teetering between uncertainty, relief, and utter despair? Feeling all of it at once?

"How did this even happen?" he asked the woman sitting next to him.

He was sure he already knew the answer to that question. She didn’t even need to say it. It was enough to see how she dropped her gaze, heavy with pain, and how tightly her jaw clenched.

“She... fell down the stairs.”

Spencer wanted to scoff at the understatement. The real version of events couldn’t pass Jude’s lips, but in some way, he considered that a blessing. If Jude had openly admitted that she had been pushed, he might have crumbled under the weight of the fury flooding him. But for now, his anger didn’t matter. Only the passing time did.

He felt as if he hadn’t taken a single breath since leaving his apartment. Leaning his head back in his seat, he endured what felt like two whole days, then glanced at his watch only to realize that exactly forty-seven seconds had passed.

Time—a relative concept. In physics and in human perception. Einstein had proven it, and so had that particular moment.

He started to fear that he might never leave the waiting room. Memories and emotions began to blur together. He formed a theory: that he had been trapped there for quite some time—weeks, perhaps. Back when another loved one had been on the operating table, and he’d been losing his mind in much the same way.

Could it be that, under the strain of this torturous waiting, he’d lost his sanity? That his brain, desperate for relief, had simply imagined everything that followed? The trip to the library that night, finding himself at her door, the string lights on the Christmas tree, the Venus flytrap, the bar, opening the door that night and seeing her on the stairwell—at once flushed from a night spent at the club and chilled from the December air?

And now that illusion had simply shattered, like a fragment of broken glass. He was back in the waiting room again, waiting, hurting too much—and yet feeling as though he had no right to. His pain was nothing compared to what she was going through. He should be doing something, anything, to make himself useful, to not succumb to the weight of his own helplessness.

When the doctor finally approached them, Spencer almost knocked over his chair in his haste to stand. The doctor, however, focused solely on Jude as he delivered the update, leaving Spencer questioning whether he even existed.

“We managed to stop the bleeding. That’s the good news,” he began, his dark eyes unreadable—at once cool and concerned, with the practiced composure characteristic of people in his profession.

“Thank God,” Jude whispered, rubbing her chest as if trying to calm the frantic beating of her heart.

Spencer, on the other hand, felt no relief. Not even a sliver.

"‘That’s good news,’" he repeated the doctor’s words, drawing the man’s gaze to him. ‘But… but is there something bad?’

That brief moment before the doctor answered felt longer than nearly the past two hours of waiting.

“Due to suspected brain swelling, we had to induce a coma.’

“What?’ Jude mouthed silently. “How… how could she be in a coma? Why? Was that necessary?’

“They needed to reduce the intracranial pressure,’ Spencer replied, the words spilling from his mouth without him even realizing he was speaking. ‘The coma prevents further damage and minimizes the brain’s oxygen consumption. But will she… how long will she…?’

“Only for a few days,’ the doctor assured him, understanding the question he couldn’t quite form. “As long as there are no further complications or additional bleeding. But I can reassure you for now: there’s no indication of that. Her condition seems stable. She was… incredibly lucky. It was a serious accident—a miracle, a sheer miracle—that she didn’t break her spine.’"

For a moment, he couldn’t utter a single word, his throat still tight, and the relief never came. He knew he wouldn’t feel it until he saw her, fully conscious and awake. Until that happened, he would grimace every time he heard the word miracle. 

"When will I be able to see her?" he asked, surprisingly calm and composed. The question was so important to him that his voice didn’t tremble even once. In fact, it was the only thing that mattered right now.

"You’ll need to wait a few hours before visiting. We have to make sure there’s no risk of a sudden deterioration in her condition. Also, only authorized individuals can visit her."

The last part of the doctor’s statement felt almost like a slap in the face.

"How many hours?" he pressed, impatience creeping into his voice. "Two? Four? Six?"

"Please, calm down," the doctor asked, making a gesture with his hand.

“Eight?”

His voice grew increasingly sharp, desperately demanding an answer. The doctor opened his mouth to respond, but Jude interrupted with a question.

"As an authorized person, can I, on behalf of the patient, allow him to visit?" she asked, catching Spencer’s gaze for a brief moment before quickly turning away. "She would want this, I know it."

The doctor shook his head in refusal, providing them with a few more details about the surgery before turning to leave. Spencer watched him leave, something in him wavering between a sigh and a snort. So they wouldn’t even let him visit her? He understood the hospital procedures and rules perfectly well, but when it came to his own case, he hated them with all his heart. They wouldn’t allow him to see someone who meant so much to him, simply because they weren’t bound by blood or a ring on his finger. A ring on his finger… maybe he should lie and say they were engaged?  Although, would it really make any difference in the eyes of the hospital staff?

Before the loose fragments in his mind began to form a plan, he noticed that Jude was staring at him. She had sat down again, pressing her back tightly against the chair's backrest. She hadn’t cried for a while now; a certain relief had settled on her face when she heard the surgery had been successful, but then the old devastation returned, stronger than ever before.

"I won’t be able to visit her," she said, her voice hollow. "Not even while she’s unconscious. And when she wakes up, look her in the eyes. Tell me, how could I do that after everything? After all of this was my fault?"

Spencer turned away and walked off.

He knew that if he didn’t, something inside him would break. He couldn’t stop the anger he felt toward Jude. From what he knew, she had repeatedly refused to report her ex-boyfriend to the police, perhaps more or less aware of the danger he posed. She had the right to do so, theoretically. But that didn’t change the fact that someone else had suffered because of her foolish decision.

In his eyes she deserved the guilt she felt.

Not knowing what to do with himself, he found a place far from her, far from anyone, where he spent the next few hours, hardly moving. Sometimes he observed the relatives of other patients in the hospital, also broken, but he had some selfish feeling that even they wouldn’t understand what he felt. He placed himself on some distant, elite orbit of suffering and felt almost embarrassed by it. 

Pain always makes sure that a person feels as lonely and misunderstood as possible in it. That is when it has the most power over them.

He kept away from the windows, the darkness outside, slowly losing its intensity, putting him into a state of shock and contemplation. Maybe time was a relative concept, but that didn’t change the fact that it existed. Somewhere far away, there was light beyond this waiting room.

For some time now, he had been occupied with a certain task. He was aware of the hours passing and how, with them, his desperation grew. He felt he would go mad if he didn’t see her. The designated time during which the patient should be ensured complete rest after surgery had ended, yet he knew they wouldn’t let him in to see her. But he had a brain for a reason, right?"

He found the room where everything that mattered to him at that moment was. A young doctor was just leaving.

"Excuse me, ma'am,” he approached her politely, trying to appear calm, though his appearance and trembling hands clearly suggested otherwise. “I need to visit this patient.”

“Are you a relative?”

“No, actually…” He knew this was a desperate move and resorting to a lie, but he didn’t care. What was morality in his situation? Just a word. He reached for the badge he had with him and cleared his throat. “I’m with the FBI. I’ve been assigned to see this particular patient; it’s a matter that cannot be delayed."

Believe it or not, but people often lost their minds at the mere mention of the FBI. Spencer suspected that such a young doctor might have some gaps in experience and not know what procedures were in place in such a situation.

The surprised woman took a half step back.

“But she’s in a coma…” she said uncertainly, turning toward the room. “Are you sure it’s this patient?”

“Absolutely. And as I said, there’s no time to waste.”

He didn’t put his badge away, still holding it raised, with a serious expression on his face, as if he were interrogating someone. It was clear she was torn with doubt, but fortunately for him, she decided to give in without consulting the decision.

Spencer almost ran into the room, unable to hold back his impatience any longer. At first, he felt as if in a dream, one where you achieve your greatest goal. However, it quickly turned into a nightmare, all because of what he saw.

Whatever he had imagined, he was not prepared for this sight. 

Especially because before he even noticed her face, the face he was so desperate to see, he first noticed everything else surrounding it. The hospital equipment, the machines and devices monitoring her vital signs. The wide orthopedic collar tight around her neck. The sterile whiteness of it all, obscuring her and making her almost disappear against its backdrop. It wasn’t until he approached the bed, his legs weak and unsteady, that he started to look at her, but again, not specifically at her, but at the injuries. The sight of swollen temples, the sunken eyes, pale and dry lips, skin like a sheet of paper. Every injury on her body caused him unimaginable pain, so intense it almost stopped him from breathing. He felt so much anger and injustice that she had to go through this that he almost wanted to fall to his knees and apologize to her, beg for forgiveness. For what? He couldn’t decide. It wasn’t a need driven by logic, it was something deep inside him.

And that’s what he did, even though there was a place beside the bed where he could sit. He slowly knelt down, his hands touching the edge of the bed, but not her body. After all, he wasn’t about to risk causing her any pain due to his lack of control. But he had such an overwhelming desire to take her hand, the one whose fingers shyly peeked out from under the cast.

"I should have gone with you," he said, after about five minutes spent in complete silence, undisturbed even by his breath, which he was holding back. "I should have. Walked you to the door and made sure you got inside safely. I’m sorry…"

He felt that with his pitiful apologies, he was disturbing her peace. She needed it to fully rest. So, he fell silent again, alternating between looking at her with furrowed brows in tender concern and resting his forehead against the edge of the bed whenever the sight became too painful. While before, time seemed to crawl at the slowest possible pace, now it was racing forward wildly.

In his perception, barely a minute had passed when someone’s presence appeared behind him. He turned over his shoulder, noticing the young nurse who had let him in, and it took him a long time before he even realized it. After all, he had lied to her, saying it was some professional matter, yet she had found him kneeling by the hospital bed.

He quickly got to his feet, nervously rubbing his face.

“For the patient’s well-being, no visits should last longer than twenty minutes,” the woman said surprisingly gently, leaning slightly against the door with her shoulder. An unidentified expression lingered in her eyes, making them seem...warm.

He didn’t answer, just nodded. He no longer felt the need to play that little charade that had helped him get inside. He allowed himself one last long moment, looking at her face, peaceful in sleep. He passed the doctor in the doorway, feeling her eyes turn to him, and he did the same, out of curiosity. She smiled, sadly and with compassion.

"This had nothing to do with any FBI assignment, right?”

Her understanding seemed almost touching. However, Spencer, caught in the moment, quickly withdrew, once again making his way down the hospital corridors, now completely unsure of what to do with himself. He leaned against one of the walls, slowly feeling the fatigue from the entire night spent waiting to see her. He found his phone in his pocket, realized it was already morning, and that… Hotch had called him.

It was a quick collision with the outside world. He called back, as nothing else came to mind that he could focus on.

"Reid," the serious voice of his boss came through on the other end. "Why aren’t you at work, and why aren’t you answering?"

He needed to take a breath before he could respond.

"Sorry, Hotch," he said, trying not to sound weak, but that’s exactly how he sounded. Weak, a little pitiful, and on the verge of exhaustion. "Something... something really important happened, and... I... I won’t be able to come in today..."

Spencer realized he had no idea how to explain himself in this situation.

"I can’t remember the last day you were even late. What happened?" He didn’t answer. "Where are you?" Silence. "Spencer."

"It’s... a personal matter."

There was a brief silence from his boss, and Spencer could almost imagine how he furrowed his dark brows in confusion.

"I understand." His voice was tense, but not with disapproval, which surprised Spencer. More with... concern. Had he managed to read the seriousness of the situation just from his voice? Probably, after all, he was the best profiler Spencer knew. "You’ll need to explain later, but for now... take care of yourself. Do you need any help?”

He assured him insincerely that everything was fine and found an empty chair to sit in, hunched over. A strong pressure formed in his head, amplified by the helplessness and uncertainty about what he should do next. She was in a coma, and according to the doctor, she would be in it for the next few days. And what was he supposed to do during that time? He felt that physically, he could spend another hundred hours on that specific chair. Occasionally stretching his legs. It was his plan, one that seemed more real with every passing minute. At least, until a figure cast its shadow over him.

"Reid," a familiar voice spoke.

He looked up, surprised, at Morgan. His mouth was slightly open in confusion, his forehead deeply furrowed.

"What are you doing here?"

"How... how did you know where I was?" That was the first thing that came to his mind.

"Penelope. How she knew, I have no idea, but I’m starting to suspect that her joke about having us all chipped wasn’t really a joke. But anyway, what’s going on? Hotch told me you called, and you sounded... unsettling."

His friend was watching him closely. His wrinkled clothes, his tired face.

"So... Hotch sent you to find me?"

"Reid, you’re our friend. Did you really think we wouldn’t be worried about you?"

Spencer lowered his head, listening to his words. Derek was silent for a moment, his hands resting on his hips, his tense face scanning the surroundings. After a while, he focused his gaze back on him.

"Who is the person you’re visiting?"

He hesitated before answering, not because he didn’t want to share the information, but because he wasn’t sure how to refer to her. What should he call her? After all, it wasn’t like they were in an official relationship, and the word friend seemed to leave something unsaid.

“Someone... someone very important to me. She had an accident. She has... a cervical spine injury, and the doctors, suspecting brain swelling, decided to put her into a coma for a while.”

Morgan's eyes widened.

“Damn, Reid. I’m so... I’m so sorry.”

He sat down on the empty chair beside him, his face still showing shock. Exhausted, Spencer simply rested his head on his knees, no longer able to keep his posture straight. He felt drained, yet at the same time, he couldn’t bring himself to leave—couldn’t leave her…

Morgan’s hand fell onto his back, and finally, then sighed.

“Come here, man.”

With a firm pull, he drew him into an embrace.

Spencer found it hard to admit, even to himself, how much he needed this. No words left their mouths for a long while; only that brotherly, supportive embrace remained between them.

“Have you seen her?” Morgan asked after a while.

He confirmed, but didn’t reveal the circumstances. His friend paused for a moment, as if he wanted to say something but hesitated.

“Okay, listen to me. You need to get back to yourself.”

Spencer scoffed and shook his head, ready to argue.

“Let me finish. I know you don’t want to leave her right now, but with all due respect, you look like death. You need to eat and get some sleep.”

“I can’t,” Spencer replied firmly.

“You’re going to collapse soon. You said she’ll be in a coma for a few days. You won’t make it sitting here, think realistically. No one’s asking you to go back to work, you just need to rest.” He looked at him seriously, knowing how hard it would be to convince him. Finally, he sighed once more. “Do it for her, alright? Do you really think she’d want you to wear yourself out like this?”

He had no ready answer for that. Well, he did, but it sounded like no, she wouldn’t want that.

“I’ll take you home. For God’s sake, you came here without even a coat?”

It's a strange feeling to let someone take care of you. Completely. Derek not only drove him to his apartment but also came inside with him. There was no emotional discussion between them, which he found to be a relief. Silent support, he thought.

His relationship with the other team members had been tested after Emily's death—or at least, that's what he had thought up until now. He had begun isolating himself, not wanting to intrude on their grief or burden them with his own problems. But in reality—something he hadn’t seen until now—it had been the opposite. It strengthened their bond.

The next few days revolved mainly around hospital visits. Somehow, he had managed to gain visiting rights, and the time spent by her side filled him with a certain sense of calm. He could see how stable her vital signs were, and he clung to the doctors’ reassurances that she would regain consciousness in just a few days.

He once read a series of articles and interviews with people who had been in comas. Their accounts sometimes contradicted medical facts and often included embellishments, but a significant number of them mentioned remembering the voices of loved ones and certain sounds.

He didn’t want her to remember only the sounds of medical equipment from this period. But he also wasn’t sure what he could talk to her about. Would she want to hear about the overly salted carbonara that Garcia had forced an entire pot of on him? Or about the abstract mural being painted across from his apartment—something he was sure she would have liked?

In the end, he decided to read to her, though choosing what to read proved challenging. Sleeping Beauty seemed too ironic, even though she would probably laugh about it later. She had once told him Girl, Interrupted was her favorite book, but its hospital setting made him suspect she might prefer something that let her escape this place, even if only in her imagination. The Silence of the Lambs referenced one of their past conversations, but if a doctor overheard him reading it to her, he would surely be banned from visiting altogether.

“All right,” he began one day, sitting down in the chair by her bed. “I know you’re not a big fan of fantasy. And yes, you’ll have every right to call me out on this when you wake up. But still, I hope you’ll like it.”

Arabian Nights was a collection of tales and stories originating from the Middle East, India, and Persia. Somehow, he assumed that the mysterious, often nocturnal atmosphere might resonate with her, even soothe her. After all, night had always been her favorite time of day—the backdrop to so much of her life.

That day, as he was about to leave, he leaned slightly over her bed, lowering his voice to a whisper.

"Tomorrow, I'll read you a romance, how does that sound? But I’ll have to go to the bookstore because, despite your beliefs, I don’t have any in my collection. I wish I’d had more time to get to know your reading preferences better."

During none of his previous visits had he touched her, afraid it might disturb her peace in some negative way. Besides... in the state she was in, she looked so fragile and delicate that he feared even the slightest touch could hurt her. But that time, he simply couldn’t hold back. After a long internal struggle, he placed a very brief kiss on her forehead.

Spencer couldn’t keep his promise. While he did buy a romance novel recommended to him with enthusiasm by a young bookstore clerk, he never had the chance to read it to her.

The next day, he received a message. 

She had woken up. 

*

You didn’t remember much.

Only fragmented scraps. The memories began with a brief moment of complete physical helplessness, a terrible pain in your neck, and a series of flashing lights mingling with raised voices—even shouting. Then came silence, vile and terrifying.

But that wasn’t the end. Something came after the silence.

Softly spoken stories. For some reason, they were comforting. In your mind, only a few blurred images remained—no clear events or words. What you remembered most was that soothing, calm voice. It felt like an embrace, like warm bedding, the first rays of cosmic light piercing through clouds, or the gentle chill of evening air.

It was… beautiful. But it couldn’t last forever. After an indeterminate amount of time, your body decided to reject that comfort and tried to open its eyes. It was an excruciating effort. You sighed with the strain. The first colors and surreal shapes began to appear before you. Slowly, you started to become aware of your existence, yet at the same time, you felt suspended somewhere outside your body and mind—alone and terrified.

The sensations were both faint and overwhelmingly intense, making you want to hide, to somehow cut yourself off from them. Yet you were equally afraid to close your eyes again. You muttered things that made no sense. You remained in this panicked state until two tiny brown points hovered above you, widening with concern. Only then were you able to calm down—at least enough to stop straining your body with attempts to move. Attempts, because your body seemed entirely unwilling to follow your commands.

The fear buried itself deep within you, drilling into your chest. At first, it suffocated you, but eventually, it began to weaken and fade.

This was how the first hours after waking from the coma unfolded.

Weakness, disorientation, mumbling, pain, discomfort, and light sensitivity.

It took a long time before you regained awareness of being in a hospital. Even more time passed before you remembered why. And then, your own condition and state.

You were so incredibly weak that it filled you with disgust, terrified by how much effort even the smallest movement required—like the twitch of a finger or the blink of an eye. Frustrated by it all, you cried, and he cried too. But his tears were born of relief and joy.

Those two specific emotions reached you the latest—only after they transferred you to a different ward, and your thoughts began to clear. Relief and joy. Hand in hand with fear and anxiety. 

It felt so unreal, yet it was real—real like nothing else, and it held you tightly, exactly the way you needed it to.

*

Spencer was aware that her awakening was just another step in a very long journey.

His medical knowledge, modestly speaking, was fairly extensive, and he understood the gravity of the injuries she had sustained. Their first meeting after she had opened her eyes for the first time was nothing like a scene from a movie. She was confused, still drowsy, and as she slowly started to comprehend everything, she was primarily terrified. Her body, after the time spent in the coma, though brief, was extremely weak, and every little movement exhausted her as though she had just run a marathon.

The fear on her face pierced his chest.

He had the impression that none of the words he spoke, almost whispered in an attempt to calm her, were having any effect.

"I... I can't move," she stammered as one of the first things she said. Her eyes intensely focused on his face, searching for safety in it, and he feared he wouldn't be able to provide it for her.

"It's just temporary," he reassured her gently, leaning over her bed and trying to smile, but it came out uncertain, he was too worried about her condition. "The doctors say so, and that's the truth. Your body is just very weak right now."

"Will... will it be like this forever?"

"No, no, it will pass. I promise, it will pass," he nodded fervently. She hesitated and took a breath, as though discovering an entirely new action. But as soon as she did, out of fear, it became fast and irregular. He was terrified that his touch might cause her pain, but he didn't know what else he could do to help her. Gently, as gently as he could, he placed his hand on her cheek, barely grazing it with his thumb. "You'll feel better soon. Really, it won’t be long now. For now... just don’t overexert yourself, please, breathe."

At first, she flinched. He wanted to withdraw his hand as quickly as possible, but then he felt her press her face against it, almost nuzzling into it. A shy tear danced in one of her eyes, barely noticeable.

"It’s good to see you," she said after a brief silence, a soft sigh escaping her lips—almost like a laugh, though it didn’t quite make it. Her breath was still shallow and uneven, but with each passing moment, it seemed to steady as he held her close.

And in that moment, seeing her like that, feeling her presence so close, a smile spread across his face—a smile so genuine, so long-awaited—and with it came the tears he’d been holding back for what felt like forever.

"I feel the same," he whispered, his voice thick with emotion. "You have no idea how much."

*

The orthopedic collar pissed you off like nothing else.

It wasn’t even the discomfort that bothered you, it was just... the collar was such a painful reminder of your condition, a testament to what you had been through. And you were supposed to wear it for another six to eight weeks.

Two weeks after waking from the coma, preparations for leaving the hospital were beginning. The risk of brain swelling had subsided, the injuries were healing, and the concussion still made its presence known, but the pain was no longer as intense. You could even have a normal conversation, which you seized almost immediately, striking up a chat with the teenage girl in the bed next to you, her sad expression tugging at your heart.

Few people visited you; you preferred that the two most important ones could spend as much time with you as possible, rather than inviting coworkers or acquaintances you hadn’t spoken to in months. The two most important people.

Spencer had been with you since the moment you woke up, and as the doctor confessed to you with a small smile, he had also stayed by your side while you were in a coma. You were in shock. Not because he had done it—it made perfect sense, given his caring nature. The shock came from the simple fact that one person could care so deeply about another, about you.

It didn’t take long for you to realize that the moments when he visited you became your favorite part of the entire day. And not just because they revolved around checking your condition, tests, and the first, incredibly light rehabilitation exercises. You simply found yourself waiting for the moment he would appear in that doorway again, holding his coat in hand, smiling.

"Hello, handsome stranger," you greeted him one day, the first day you were starting to feel better.

 Spencer stopped at the sound of that term, tilting his head with an even wider smile.

 "How else did I used to call you?" you mused aloud. "Ah, I used to call you Mr. Mysterious. But I suppose that's no longer fitting, you smile too much to seem mysterious."

 "Because I have a reason," he replied, stopping beside your bed and glancing at the flowers placed there, the ones that had greeted you when you woke up that day. "But in that case, 'Handsome stranger' doesn’t fit either, since you know me now."

"But you are handsome. Half of it fits, so I have the right to call you that. Who... who sent me these flowers?"

"Better question would be, who didn’t send you those?" he muttered, referring to their large number. You could only admire them—the beautiful, colorful arrangements—but you hadn’t had the chance to read the notes and messages attached. Spencer glanced at one of them, his smile fading, though not in a bad way... somehow, the expression that appeared on his face was even more pleasing than his smile. "This... this one’s from my team."

You were simply speechless.

 "They... they even know I exist?"

 "Of course they do, how could they not?" Spencer paused for a moment, looking at you thoughtfully. "They... they were with me the whole time you were in a coma. They helped me keep my head together."

 "Don’t exaggerate," you tried to dispel the sudden serious mood. You didn’t want to delude yourself into thinking he had been that worried about you during that time. 

 "It’s not an exaggeration," he replied briefly and seriously, his face almost motionless.

For a moment, you fell silent, your hands resting on the blanket in front of you.

 "Sorry, Spencer. I just realized I’ve never thanked you for this..."

"What?" he asked, surprised, his brows furrowing. "This isn’t something you have to thank me for..."

"But I feel like I have to. This... this isn’t some small, silly favor. You really did so much for me... I still don’t fully understand why..."

 "You don’t understand why?"

"Yeah," you sighed uncertainly, not sure how to put it into words. "Don’t get me wrong... I’m so grateful to you, it’s just... look at it this way. We didn’t know each other that long, we saw each other rarely. We slept together once. It’s not like you were…obligated to help me."

"I didn’t have to be obligated to do it," he said after a moment of hesitation, circling your bed and sitting on the edge, just barely touching it. "And I didn’t have to know you for years. I just wanted to do it because of how much I cared about you. And if that explanation doesn’t convince you... then..." He swallowed hard. "Remember, you were there for me during one of the worst moments of my life."

“It’s not the same...”

 “Oh, but it is. For me, it is. But I don’t want you to think that I was there for you because I felt like I owed you something. Or that I had to... I don’t know... repay you in some way. That’s not it at all.”

You didn’t answer, something tight gripped your throat. You just tilted your head, overwhelmed with emotion, speechless. The only thing you truly wanted to do was stretch out your arms and drape them around his neck, resting your chin on his shoulder. Spencer sighed, surprised and tense. It wasn’t until a brief moment passed that his hands gently touched your back.

“How much longer are you going to act like I’m made of glass?” you asked.

You knew his caution was justified, but Jesus. You just really wanted to hug him properly.

“Probably forever,” he replied, to which you rolled your eyes.

He was the one to break the hug, but in compensation, he quickly kissed the top of your head. You leaned back against the bed, feeling a pleasant sensation in your stomach. Spencer returned to the flowers to tell you who had sent them all.

“So these are from my team,” he picked up the lost thread, pointing to the arrangement of white and pink carnations. He chuckled. “And I’m pretty sure Penelope picked them out, not just because her name is listed first. White represents perseverance and strength. Pink stands for admiration and respect.”

“That’s really thoughtful. And beautiful. I’ll have to thank them. And these tulips?”

Spencer took the note attached to the mentioned flowers between his fingers.

“From... Jerry.”

“What? My husband sent me flowers?”

 “What?” He jerked his head up in surprise.

You laughed so hard at the look on his face that it made you wince in your ribs.

 “I’m fucking kidding, you fool,” you replied, clutching your side with a groan. “Jerry is the librarian. You should know him. He once asked me what flowers he should buy for his wife, and I suggested yellow tulips. By the way, it's so nice of him”.

You said it affectionately, but it sounded incredibly weak. Along with the pain in your ribs, a headache joined in, and suddenly all the energy you'd had earlier evaporated.

“What's happening? Should I call a doctor?”

“No,” you shook your head in refusal. “I just need to lie down for a moment. Come here.”

Spencer followed your request and sat beside your bed, his body a little stiff, as if in guilt.

"I'm sorry I made you laugh."

"That's probably the strangest thing you could apologize for," you muttered, lying down in the position that was best for your neck, one you almost hated as much as the orthopedic collar. "Well, I guess I could come up with something stranger. Sorry I left that million dollars in your nightstand. It won't happen again."

"I'm not sure if this kind of chatter is particularly good for your condition."

"It helps me mentally, and that's what matters most. Besides, stop complaining."

"How could I possibly dare?"

He fell silent, simply watching you with quiet concern. You closed your eyes for a moment, unsure if you might accidentally drift off. After spending a week in a coma, your sleep routine had become completely erratic. You slept through the nights, mostly because there was little else to do, and you didn’t want to disturb the other patients in the ward. During the day, Spencer would visit, and you wanted to be as rested as possible when he was around.

When he wasn’t there, you sometimes napped during the day as well. According to the doctors, it was one of the best things you could do for your recovery—sleep and rest as much as your body needed.

"Is something bothering you?" he asked.

You hesitated for a long moment, because yes, something was weighing heavily on your mind. Had he guessed, or had he read it on your face?

“It’s just…” you began with a sigh. “You know Jude barely visits me? I mean, she shows up every day, but… she’s so tense and distant when she’s here. She doesn’t say much, and she won’t look me in the eyes.”

"She’s blaming herself," Spencer said softly.

“God, that’s so stupid,” you muttered.

You had a strange relationship with the accident. You thought about it as little as possible, keeping it at arm’s length. You knew Richard had been arrested, but you didn’t want to know the details of his sentencing. In no way did you see any of it as Jude’s fault, and it hurt you deeply to think that she did.

You spent a quiet moment together before Spencer leaned over you again, intending to kiss your forehead.

“I’m sorry, but I’ll have to go now,” he said, to which you nodded in understanding.

But then you shifted your head, pulling back just enough to stop him from brushing his lips against your forehead. He looked at you, puzzled, since you’d never minded it before.

This time, though, you wanted him to kiss you on the lips.

He kissed you slowly. You had almost forgotten how he tasted.

After that, you didn’t bother opening your eyes again. You let yourself imagine that he wasn’t leaving at all, and with that comforting thought, you drifted off to sleep.

*

Spencer had felt strange since the morning.

 Energized and excited. In the absolute best possible way.

That day, he could finally take her home. Well, to his apartment. She needed someone to take care of her, and he felt honored to be that person.

The day before, he had made a very important, yet difficult decision. He invited JJ over and confessed everything to her—about the past few weeks and his struggles with relapsing into addiction. He needed to rid himself of that burden. Besides, he had promised himself that as long as she was living with him, not even the smallest dose of Dilaudid would find its way inside. Never again.

In his worst moments, he imagined that his friend would react with disgust—pure, painful disgust—and push him away. Instead, her eyes filled with something strange the moment he began to speak about how he had felt after Emily's death. Over and over, she whispered apologies, as though she were the one responsible for it.

He still missed Emily, of course, and he knew he would always miss her. That was just the way of things—people left, and it was up to you to decide whether you would remember them with heartbreaking despair or with a wistful sigh. In fact, these were merely two ends of the same spectrum, and it was very easy to get stuck at the beginning, unable to move forward.

She was surprisingly quiet in the car and seemed depressed. Actually, it was hard not to blame her. She had spent a long time in the hospital, gotten used to that routine, and the change made her feel lost. Sitting in the passenger seat, she kept her gaze fixed ahead, but not on the road. She couldn’t see where they were headed, which made it difficult for Spencer to tell her something… at least important.

 When they stopped, she furrowed her brow in surprise.

 “Why are we here?”

They were parked under his apartment, and she had been under the impression they were heading to her place.

 “Sorry, I should’ve told you earlier, I really apologize,” Spencer blurted out in one breath, chaotically. “I absolutely realize that this is like putting you in a situation you didn’t expect, but… but when you were in the hospital, Jude found herself a new roommate. She didn’t really know how to tell you, but she had to do it because she couldn’t afford the rent on her own.”

For a long moment, she stared at him in silence, her face a mixture of shock, followed by understanding. She took a deep breath.

 “Okay,” she muttered. “I understand her, I just… I don’t understand why she didn’t tell me this herself.”

Their relationship still remained deeply complicated, put to the test by guilt. Spencer couldn’t say much about it. It was something between the two of them, and he hardly knew Jude at all.

 “I’m also sorry for asking you this so late,” he continued after a moment. “But… you can’t live alone, you know that. Someone… someone needs to be with you over the next few weeks and… I’m willing to be that person.”

Her lips remained slightly parted for a moment.

“You want… no, wait, you want me to move in with you?” It was clearly a rhetorical question, because before he could answer, she started shaking her head. “Spencer, I can’t. I can’t be that burden for you.”

“A burden? You’re not…”

“But I will be. In the next few weeks, I definitely will be.”

He took his hands off the steering wheel, placing them loosely on his knees.

“Can you… can you look at me for a moment?” he asked.

It took a moment before she hesitantly met his gaze. Her eyes were filled with embarrassed tears, tears full of unjust shame. Seeing this, pain spread through his chest.

“If the accident hadn’t happened, would you want to live with me?”

 Her lips remained pressed together, and she sighed.

 “It’s a big decision. Aside from the fact that if it weren’t for the accident, I wouldn’t even have to consider this option…”

“I just want to know if you would want to. Don’t think of it as an option, just as… a completely normal, life decision. Do you think you’d be able to handle having me around every day?”

She couldn’t help it, and her lips curled into a slight smile.

“We could try,” she finally replied.

Spencer straightened his arms.

“In that case, let’s go inside.”

 “No, wait, it’s not that simple! My opinion shouldn’t matter; it’s you who needs to think about whether you want this…”

 “I do.”

She snorted, resigned, not knowing what else to say.

“I can’t even tie my own shoes,” she tried one last time.

“I’ll gladly do it for you. What’s more, I know all kinds of knots. Simple, sailor’s, Chinese…”

“Spencer Reid, you’re impossible.”

For the rest of the day, she tried every possible way to talk him out of his decision. But when she finally accepted it, she struggled to accept his help with tasks she couldn’t do on her own.

 It wasn’t until later that he realized how much she had been pretending in the hospital. He had only seen her for a fraction of her day, and she seemed so positive then. But this temporary disability had really taken a toll on her mentally. He could repeat and assure her, completely sincerely, that she wasn’t a burden to him, but deep down, she still believed otherwise.

So, when two days later, she timidly appeared in the bedroom doorway with the question of whether he could help her wash her hair, Spencer felt like he had won the lottery.

“Sure,” he agreed, probably a bit too enthusiastically, jumping to his feet so quickly that he almost tripped.

She pretended not to notice.

In the bathroom, he slowly helped her pull the shirt over her head, careful not to catch it on the collar still around her neck or accidentally cause her any pain. 

“Be careful not to tilt your head too much, okay?” he asked, wetting her hair with the showerhead. She closed her eyes when a few drops of water splashed onto them. “Sorry!”

“For god's sake, Spencer, you're doing it more carefully than I would have done myself.”

It was true; he was acting as if he were performing some task at work that required absolute precision. He shrugged, massaging the strawberry shampoo into her hair. Foam quickly appeared, smelling sweet.

Suddenly, her hands tightened around the front of his shirt.

“Sorry,” she whispered, loosening her grip. “I got a little dizzy.”

Spencer immediately pressed his hands, still covered in shampoo, to her waist, afraid she might fall. He stared at her face for a long moment, waiting for the dizziness to pass.

And just then, her body suddenly went limp, falling forward.

Terrified, he let out a strangled cry.

“Hold on, please, don’t fall!” he kept repeating, doing everything he could to keep her upright.

Her hands hung limply on his shoulders, the foam and water soaking into his shirt, but he didn’t care at all.

“I’m right here, hold on to me as much as you can. C-c-can you hear me at all?”

He wondered whether it would be better to stand her up or lay her down while he could get to the phone and call an ambulance, when suddenly her weak touch grew stronger, and she let out a soft groan.

“Sorry.”

“Don’t you dare apologizing. I’m still holding you, can you hear me?”

His heart was pounding incredibly fast as she gently pulled her head away from his chest. He, of course, didn’t let her stand on her own, constantly supporting her body, protecting her from a fall that could be disastrous.

Together, they left the shower cabin, her hair still covered in foam.

“Are you aware that this is how it’s going to look now?” she asked seriously.

Completely unfazed, he wiped the foam from her forehead, which was dangerously close to her eyes.

“I’d rather have you lose consciousness in my bathroom, right next to me, than risk… I don’t know, cracking your head open.”

For a moment, she was silent, the color beginning to return to her pale face, her gaze becoming more alert. He had a strange feeling that she was about to start crying, and since he really didn’t want that, he pulled her close again, in his usual protective gesture. Everything around them smelled of strawberries.

“Do you really have to be this good?”

Spencer snorted.

“I’m afraid it’s just my curse.”

*

“Are these people really arguing about whether a cucumber is a fruit or a vegetable?”

Sitting on the couch, you jumped when a voice spoke right behind you. At the last second, you caught your laptop before it slipped off your lap. You had been reading some absurd discussion on an online forum you stumbled upon completely by accident. And yes, these users were indeed arguing about whether a cucumber is a fruit or a vegetable.

“Damn it, Spencer!” you shouted, putting your hand over your heart, which was pounding in an agitated rhythm. You looked at your boyfriend with a scowl. “You almost gave me a heart attack. How is it possible I didn’t hear you come in?”

He shrugged. Leaning his elbows on the back of the couch, the rolled-up sleeves of his shirt revealed the skin of his forearms. In that position, he had a perfect view of the screen on your laptop. He had just returned from work, a rainy July evening, his hair slightly damp.

“I wasn’t sneaking around. You must’ve just been lost in thought. Want to tell me what’s occupying that beautiful mind of yours?” He leaned in to place a kiss on your temple.

“Beautiful mind, huh?” you repeated, raising an eyebrow. “Just a few days ago, you told me that if a 19th-century priest heard even one thought from my head, he’d go into anaphylactic shock. Whatever that was supposed to mean.”

"In a big simplification, what I meant is that even though I love you, sometimes your way of thinking scares me."

"I'll take that as a compliment."

"By the way, I bought land for Alexander."

Alexander was your new flycatcher, which had grown so much that it completely prevented the other flowers on the windowsill from growing. Due to its conqueror tendencies, you decided to name it after one of them.

"Do you want to repot it into a new pot now...?"

"No. Now you need to come to me."

You set the laptop aside and waited for him to take a seat on the couch. Before fully snuggling into him, you untied and removed the tie from his neck, then unbuttoned the first few buttons of his shirt, just the way you liked.

You sighed almost instantly; his body was more comfortable than a pillow. Warm, with your favorite scent. You rested your head on his chest as his fingers gently combed through your hair.

In the first few weeks after you were discharged from the hospital, you couldn’t even sleep in the same bed. There was a risk that, in his sleep, he might accidentally bump into your neck and cause damage. Spencer enforced that rule strictly, as he did with every precaution related to your health.

Six months had passed since the accident, and for the past four months, you hadn’t worn a neck brace or needed help with daily tasks. But that didn’t change the fact that, sometimes, when you showered together, he would wash your hair just like he used to. Anyway, you were still attending rehabilitation and would need to for a long time, but despite that, you felt like you had fully returned to normal life.

You lifted yourself slightly to look at his face.

"I was walking to the bar today," you began.

You’d been considering going back to work for a while now, and the doctors had assured you there was no reason you couldn’t. You wanted something to occupy your hands and craved the sense of purpose that came with a task. You’d mentioned it to Spencer long ago, so he didn’t seem surprised when you brought it up.

"And? Will they take you back?"

"No. I mean, it’s not that they don’t want to, I just didn’t get there. That’s why I said I was walking and not that I went to a bar. Are you following?"

"I'm trying."

"So, listen to this. I took the subway and got off at that station near the room I used to rent."

The landlord had asked for the keys back shortly after your accident. Your arrangement had been that, in exchange for using the space, you cleaned it daily. Of course, you hadn’t been able to keep up with that anymore.

"...And I don't know, I was overwhelmed by this strange feeling, like I wanted to go back to it. Helping people."

"You help people all the time," Spencer reminded you. "All our neighbors come to you to vent about everything happening in their lives."

"That's true, but I mean, you know, professional help," you said, taking a deeper breath. You couldn't decide whether you were more excited or nervous about the decision. "I've been thinking about going back to uni, Spencer."

He straightened up, almost causing you to slide off his chest. Filled with tension, you watched his reaction closely. You’d spent the entire day wondering what he might say. Would he share your enthusiasm and support your plans, or would he try to talk you out of it, reasoning that you’d dropped out of school once and might not manage it again?

These thoughts were incredibly silly. Spencer—knowledge-obsessed, ever-curious Spencer—would never say something like that.

Instead, he pulled you into a tight embrace, whispering how incredible the idea was. You melted into it completely, feeling more elated than ever and unable to stop thinking about the crazy chain of cause and effect that had led to this specific moment, this particular relationship, and above all, this exact happiness. 

do you accept this overly sweet ending as my apology? :> tagging: @nightfullofparadox @lillaberry @fortheloveofgubler @opheliahotchner @cowboy1ikereid @penelopegarciaismygf

sorry if i forgot about someone!

[celestiamour]

‧₊˚✧ ❛[ kinda like a rom-com! ]❜

ft. scott summers x f! reader — xmen, marvel

╰₊✧ watching a horror movie is the perfect set-up for romance, but unfortunately for the xmen, scott’s a bit of a dumbass┊1.4k words

contains: ooc scott probably, he’s the biggest dumbass ever, i thought this was cute, anyways, fluff, the entire x mansion ships it, descriptions of horror movies, the title & ending probably doesn’t make sense because i don’t actually watch rom-coms but i think it fits because it’s romantic comedy shortened, written before october started

➤ author's note: do people even want scott content?

it’s adorable, really, how a mutant who has faced countless dangers throughout your entire life and bravely battled adversaries head-on was now cowering by his side and covering your eyes with your hands, fingers slightly parted to still allow you to peer at the screen to satiate your curiosity of what would happen next.

“i didn’t think you would be this terrified,” he chuckles.

“i didn’t think we would be watching a horror movie tonight!” you hissed in return. “we usually watch superhero movies, why are we suddenly putting on supernatural stuff when october hasn’t even started yet?”

movie nights were pretty commonplace in the mansion, one of many activities hosted to encourage bonding between the inhabitants just in case being mutants on its own wasn’t enough to do the trick. scott loved these nights, because not only was it a nice break from being a professor who would have just spent this night grading papers, it also let him grow closer to you as you always find yourself in his company one way or another whether it was simply sitting next to each other or happening to hide in the same spot to catch a break from all the screaming children with unpredictable powers. 

little did you know that all of these coincidences were a result of careful planning by your co-workers in hopes that a confession would bring itself closer to the present. from ororo making it rain on the way home to force the two of you to share an umbrella, to jean nudging him during the best times to talk to you after reading your mind and helping him pick out personalized gifts you would love— hell, even logan let him steal two bottles of beers so that he could help comfort you after a bad day (although, it might have just been because he wouldn’t stop begging and shut up until he handed some of his stash over. he brings it up every time they bicker to get a leg up on him).

it seemed everyone aside from you knew about this, like an inside joke you missed out on because even the students had the tendency to giggle when seeing you two interact. the only reason scott hasn’t confessed first was simply due to your obliviousness to your own feelings which would likely end in a rejection. it’s not in vanity where he believes this, but in fact when the redhead telepath informed him that you just hadn’t realized what you felt for him wasn’t platonic. realization was inevitable and bound to hit you like a ton of bricks, and after some squealing from embarrassment in your room, it would only be a matter of time before you sought him out to confess. except, no one has the patience to wait for you to do so organically, hence the constant match-matching that has become so common that they don’t even think before doing so sometimes. everyone plays the part of wingman except for charles who thinks they should wait until you’re ready, but that doesn’t mean he doesn’t find it highly amusing. 

it was actually the wolverine who suggested picking out a scary movie for tonight as he claimed it was “one of the best ways to get a girl all over ya.” scott didn’t quite believe him at first because it sounded too much like something straight out of a cheesy teen drama, but he now realizes that he shouldn’t question the two-hundred-year-old guy who has more experience with such things than he could imagine.

you tightly gripped on his bicep, not even realizing that your nails were starting to dig into his skin, staring wide-eyed at the projector image as another character died in a rather gruesome way. really, these movies always overdid the blood and gore, but criticizing it was the last thing on his mind because you were currently holding onto him with a vice and he needed to plot his next move.

his eyes began to wander around the dark room to find nearly everyone focused on the film playing in front of them and a couple of students asleep, turning his head subtly to look around behind his red-lensed glasses until he spotted the white-haired weather manipulator doing the same thing because she was bored out of her mind. (isn’t it funny how some people were so uninterested in the movie that they are falling asleep or counting how many heads are in the room while you’re unable to tear your eyes away despite looking like you’re about to cry? you’re so damn cute.)

she mouthed something to him while tilting her head in your general direction, completely inaudible in order not to attract attention. unfortunately for her, scott was an idiot who didn’t know how to read lips even though everyone around him assumes that he’s blind and most of the time he might as well be. she rolled her eyes in frustration, wrapping her arm around jean’s waist (who was understandably a bit confused at first but then did the same) and highlighting the action with a simple motion of her hand— signaling to him that he should do the same.

it looked like a fucking lightbulb went off in his head or something when he mutter a silent “oh” before following her example and pulling you close, resting your head on the side of his chest as if to soothe your fears. it worked like a charm, you buried your face into him and held on for dear life as you braced yourself for another jumpscare, trying to focus on his hand patting your back instead of trembling like crazy. 

“it’s not even that scary, chill out—”

“no! don’t say that!”

scott stopped mid-statement, trying to figure out what the fuck that was until he realized it was jean’s voice in his head. “how did you even hear me from where you’re sitting?”

she ignored his question, so he wasn’t sure if he was just being too loud or if she was already reading his mind to make sure he didn’t fuck up. “don’t finish that sentence, she’ll think you’re making fun of her for being more sensitive towards these things. the poor thing is petrified, how about you take her up to her room instead? i don’t think she’ll be able to stomach the ending of this movie.”

he hummed and nodded in agreement, remembering that everyone dies at the end, pulling on your arm to grab your attention and whispering, “come on, let’s get you out of here.”

you nodded weakly and swallowed, not letting go of him for even a moment as he escorted you out of the living room and up the stairs. “thanks, i didn’t think that the movie would be that terrifying… and we’re showing that to kids?”

“just the older kids, all the younger ones are already in bed.”

“and i’m about to join them,” you shuddered, opening the door of your dark room and cringing at the sound of the hinges squeaking. you lingered at the doorway before turning to look at scott, “could you come hang out in my room with me for a bit?”

“what, you want me to check for monsters under your bed?” he laughed.

“s-shut up! i’ll just go look for logan then!”

“no-no-no, don’t do that, i’ll go with you! i’m much better company than that old man— we can watch some rom-coms until you fall asleep and forget about that stupid movie.”

“i didn’t know you were a fan of rom-coms,” you said, turning on the lights and looking noticeably less afraid as the shadows disappeared. 

“well, i think my life right now is kinda like a rom-com…” he slipped, admiring how your bed had so many stuffed animals meticulously stacked so that none of them would fall off. your room was just like you— cute.

“really? how?”

“i’ll, uh, tell you eventually… it’s a… whole thing, i don’t feel like getting into it tonight— anyway,” he quickly diverted the conversation, digging through your stack of dvds before picking one out. “i haven’t seen this one yet— ‘someone like you’— i’ve heard good things about it— the male lead kinda looks like logan if he took care of himself.”

he’ll tell you soon when he finally hears your confession, or if he goes crazy before then because he has to spend one more day without being able to call you “his.” whichever comes first.

[ancientwastedlores]

Homelander Only Breaks His Favorite Toys

I’m a Loki girl through and through, but a recent The Boys rewatch kinda got me obsessed with Homelander, so I thought I’d write a quick little angst fic based on the Somebody Else x My Boy Only Breaks His Favorite Toys” mashup (which I have been playing non-stop by the way. My boyfriend has accepted this new way of life.)

Huge thanks to @blindmagdalena for encouraging me to write this! 

I haven’t written fiction in a while, so I hope this is good! ------------------------------------------------------------------------------------------------------------------------------------------------------------

Homelander Only Breaks His Favorite Toys

Oh, here we go again. 

You put on a plastic smile while he holds your wrist in a death grip behind your back. 

The cameras flash incessantly, almost making your eyes water - whether that’s from the ache throbbing in your arms or the flashes, you can’t tell anymore. 

"Homelander! Are you going to cameo in A-Train’s multiverse movie!?"

"Homelander, is there a universe where you are A-Train!?" 

Homelander laughs, flashing his sharp pearly whites. He exudes charisma as he raises his hands to stop the line of questions. 

"I guess you’ll just have to catch the movie next week, boys!" 

He pulls you closer to him. "For now, the missus and I have to make it Vought for the premiere!" 

With a flourish, he flips his cape like the showman he is and then holds you as he launches, leaving the reporters in the dust. 

You feel your tears trail behind you as he whisks you to the penthouse. Normally, New York looks bejeweled from this incredible height. Tiny dots of lights up and down the massive steel and glass buildings. At this height, life is erased. Humans are erased. It’s tall shapes and big shadows, like an unfinished rendering of a video game. 

You’ve always loved flying, but you suspect you’re in for a hard time once your feet touch the marble floors in the penthouse.

------------------------------------------------------------- 

Homelander stayed silent for hours after getting home. You decided to bake him some banana bread - his favorite - and whip up a good old-fashioned chocolate milkshake. The scent of it usually makes him forget whatever he was angry about, but it doesn"t seem to be working right now. 

He paces the room, his rich red cape trailing behind him in the most dramatic way. Homelander has his theatric tendencies, and you have learned to indulge them. 

Even when the cost is high. 

"What’s wrong?" you ask despite your better judgment. 

"What could possibly be wrong? You’re the Jackie Kennedy to my John Kennedy. What could be wrong about that?" he snaps. 

"John…" 

"Why you?" he asks. "Why you and not me?" 

"Me BECAUSE of you, John; they wouldn’t care about me if I weren’t dating you!" 

He heaves, his eyes red without the aid of a laser. His chest rises and falls as his brain scrambles for a response. He is angry; no, he wants to be angry. He just wants something to rage about. 

He isn’t actually angry that the reporters swarmed the two of you and bombarded you with a hundred questions before paying attention to him. After all, the questions were about him. What’s he like as a boyfriend? What’s the cutest thing he’s done for you? Have you ever worn the cape? Would you ever be in a movie with him? 

No, there"s something else. You’ve given up trying to dig deep and find meaning in his outbursts because, more often than not, you get it wrong. Some obscure random thing might have happened 5 minutes or 5 years ago and he seethes about it before calming down. 

This is life now. 

"Are you actually mad at me?" you ask. "I won’t leave this penthouse if you don’t want me to." 

He laughs - a sarcastic, painful one. You’re all too used to this. 

Homelander looks you up and down as if scanning you. Assessing you. As if asking himself what you mean for his approval points and how you look on his arm. 

You are by no means perfect, but Homelander loved that about you. He never lied that you were the hottest one he’d been with or even the most intelligent. But he loved that you loved him. He loved that you forgave his outbursts and allowed him space to throw a tantrum or brood silently. 

He loved that you were patient with him, which is more than anybody had ever been with him. But he often tested that, too. 

"You know what, I think I'll do this premiere alone. I wouldn’t want you to feel out of place in such a big crowd." 

That stings. You’ve never been a showman or particularly extroverted, but you wanted to try. For him. And you thought you were getting pretty good at it, too. 

But you nod. There’s no use in arguing. 

Clearly, though, he isn’t done. "I mean, I know you hate putting yourself out there, and you end up a nervous wreck after these events. I don’t want to spend the night taking care of you." 

"Sure. I understand." 

Somehow, your neutral, bland response does not anger him. For some funny reason, it relieves him that he doesn't have to fight with you to get what he wants. 

He turns on his heel and exits the house without another word. 

------------------------------------------------------------- 

You exit the shower and spot the dress you were going to wear for the premiere. In typical Homelander fashion, he wanted you to match his colors rather than A-Train's colors. This was A-Train's night, but he'd be damned if you wore anyone else's aesthetic on your body. 

It’s a red-white-and-blue dress with a dramatic, asymmetrical neckline and fitted bodice with sparkling red and blue sequins transitioning into a voluminous, flowing skirt. Homelander picked it and got it tailored just for you. He knew the parts you were insecure about and made the designer alter the dress to ensure you felt your best. The poofy ball gown style skirt hid your ass, which you didn’t like the shape of. The neckline softened your broad shoulders, which you always felt made you look too masculine. But Homelander made sure the neckline didn’t hide your neck and collarbones, which you loved. 

You touch the rich satin fabric, your heart aching. You were so excited to show this dress off, hanging on to his arm as he flashed his charming, boyish smile. You consider wearing it, even if it's just to clean the kitchen, but decide against it. It would hurt too much. 

You put on a clean pair of sweats and potter to the kitchen. Pouring yourself a glass of wine, you decide to just watch the live broadcast of the premiere and make do with that. 

Three hours pass - you’re asleep on the couch at this point with the TV still running. The premiere ended, and now the channel is playing clips of all mentions of the multiverse in all the past movies. You’d watch if you weren"t so emotionally exhausted. 

A click of the front door wakes you, and through blurry eyesight, you see a smudge of red-and-blue enter. You prop yourself up and rub your eyes sleepily. 

"Hey." 

He sounds like he’s in a jolly mood. 

"Hey," you say back. "How was the premiere?"

"I missed you…" he says, voice dripping with sincerity. 

"I missed you too…" you bring your arms up as if inviting him to cuddle. 

You know he had a miserable time without you. He fucks things up for himself and comes back like a baby in need of consolation. 

Sure enough, he makes his way to the couch, where you’ve created a little nest of fluffy pillows and blankets, and practically falls onto you. You wrap your arms around him as tightly as you can while he buries his nose in your neck. 

"So. Is the movie every bit as terrible as you thought?" you ask, knowing he’s in the mood to shit-talk A-Train. 

"Worse," his voice comes muffled. "Terrible. Horrible. Garbage." 

You laugh and push him lightly so you can have an audible conversation. "Tell me about it." 

"It baffles me the bullshit Vought comes up with. So pointless and bland and unnecessary. And A-Train was eating it right up. Lapping up every last bit of praise like a fucking dog."

"A-Train looked lost in the spotlight. He cannot handle it like you do," you say. "Nobody does." 

A giddy smile crosses Homelander’s face. You pinch his cheeks lightly and then run your fingers through his perfect blonde hair. "Do you want to watch something half-decent and doze off on the couch?" you ask. 

"No… I want you to put that dress on so I can fly us to dinner."

You look at him, your heart twisting painfully in your chest. His boyish grin is disarming, softening your resolve just like it always does. You want to say no. You want to tell him you’re too tired, that the emotional whiplash of his moods has wrung you out like an old sponge. 

But you know that’s not what he wants to hear.

You force a smile instead. "Sure.”

You stand, your legs unsteady, as you head to the bedroom to slip on the dress. It feels heavier now than when you first tried it on. Maybe you’re tired. Maybe it’s just your mind playing tricks. 

You catch your reflection in the mirror. The dress is stunning—perfect, even. He had it made for you, tailored to his vision of you. But when you look at yourself, you see the hollow shell of the person you used to be. You see someone who bends and folds and breaks under the weight of his love.

You hear him calling from the living room, impatient. "You ready yet? You’re gonna knock 'em dead."

You close your eyes, gripping the edge of the dresser until your knuckles turn white. No, you cannot leave him. He needs you, and he doesn"t mean to be mean. He’s trying to make up for it, isn’t he? Stop being such a sensitive, emotional baby. Get the fuck out there and let him show you how sorry he is.

You enter the living room, the satin catching the light and making you look almost ethereal. Homelander is stunned by his own creation. 

"Gorgeous. Fucking perfect." 

You smile and do a little twirl, feeling like the most beautiful girl in the world. 

He rises from the couch, his cape draped dramatically over one shoulder, and strides toward you like a man who owns the world because he does. "You’re my queen. The only one who can keep up with me."

Yes, but do you want to? Or do you want to slow down a bit? Savor the small moments and not spend your life waiting for the next attack? 

You can do nothing but kiss him. He pulls you close by the waist and almost devours you in his frenzy. Waves of emotions crash over you, voices urging you to both switch off your brain and get far away from the broken man. 

How much more of this can you take? He will make it his mission to find out.

He pulls away and flashes his pearly whites. "Ready to lift off?" 

"Abso-fucking-lutely" you smile back. 

------------------------------------------------------------- 

The restaurant is one of the most exclusive in New York—floor-to-ceiling glass windows that overlook the city, tables spaced far apart to ensure privacy, and a waitstaff so attentive it’s almost suffocating. Homelander loves it here. Not because of the food, though it’s excellent, but because everyone here knows who he is. They don’t gawk or ask for autographs, but you can feel their reverence in every stolen glance, every hushed whisper. He thrives on it.

You sit across from him, the candlelight bouncing off the sequins of your dress. He's been in an unusually good mood since you arrived, and for a moment, you let yourself believe tonight might actually be different. He's been complimenting you all night, his eyes lingering on yours in a way that makes you feel like you're the only person in the world.

“See?” he says, leaning back in his chair with a self-satisfied grin. “I knew this dress was the one. Look at them.” He gestures subtly to the other diners, some of whom are clearly trying not to stare. “They’re jealous. You’re the most beautiful woman in the room.”

You smile faintly, murmuring a soft “thank you” as you sip your wine. It’s moments like this that make staying feel worth it. But then, as always, the warmth starts to curdle.

The turning point is subtle. It always is. He starts picking at his food, his jaw tightening ever so slightly. You can tell something’s shifted. You don’t know what triggered it this time—maybe it was the waiter who smiled a little too warmly at you or the couple at the next table who didn"t acknowledge him quickly enough.

“Do you think they’re staring at me or you?” he asks suddenly, his tone sharp enough to cut glass.

You blink, taken aback. “What?”

“I mean, they’re obviously looking at me,” he continues, his voice low and dangerous. “But you’re the one soaking it up, aren"t you? Sitting there like some fucking… princess.”

The words hit like a slap. “John, what are you talking about?”

He leans forward, his eyes narrowing. “You love this, don’t you? The attention. The glamour. The fucking dress. You think it’s all for you.”

“Of course, I don’t,” you say quietly, trying to keep your voice steady. “I came here because you wanted to. I’m here for you.”

“For me,” he repeats mockingly, his lips curling into a sneer. “That’s rich. You think I don’t see the way you look at them? Like you’re just waiting for someone better to come along. Someone who doesn"t scare you.”

“That"s not true,” you whisper, but your voice sounds hollow even to your own ears. You glance around nervously, hoping no one is listening. Of course, they are. Even if they can’t hear the words, they can feel the tension radiating off him like a live wire.

Somewhere, you blame yourself for enabling this behavior. Your timidness… your eagerness to please… your avoidance of conflict… it feeds him. If it were Starlight or Stormfront or anybody else, they would stand up to him and draw a boundary. And that’s what he needs - not a timid, sniveling fool who would bend over backward to play into his fantasies. 

He laughs bitterly, almost as if he agrees with your thoughts, and leans back in his chair. “You know what"s funny? You’re so scared of me, but you’re the real monster here. You just sit there, pretending to be this sweet, innocent thing, and you judge me for every little fucking thing I do or say.”

“I don’t judge you,” you protest weakly, your hands trembling in your lap. “I—”

“Save it,” he snaps, his voice rising just enough to make heads turn. “You’re just like everyone else. You love me when I’m the hero, but the second I let my guard down, you look at me like I’m some kind of freak.”

“John, please,” you beg, your voice barely above a whisper. “Can we not do this here?”

“Why not?” he says, his smile cold and cruel. “You embarrassed me at the premiere, didn’t you? Couldn’t even be bothered to show up. Do you know how pathetic that made me look?”

“I was just respecting what you asked of me. And I thought you said you missed me,” you say softly, tears stinging your eyes. 

“Yeah, well,” he says, waving a hand dismissively. “What do I know, right?.”

The rest of the dinner passes in a blur. He doesn"t apologize. He doesn"t even look at you. You pick at your food, your appetite long gone, and force yourself to smile when the waiter comes by to clear the plates. You feel like you’re suffocating, the weight of his words pressing down on your chest like a boulder.

When the bill comes, he doesn"t even glance at it. He tosses his card onto the table and leans back in his chair, looking more like a king about to call for an execution. 

“Ready to go?” he asks casually, as if nothing happened.

You nod, your face carefully blank. “Of course.”

------------------------------------------------------------- 

He flies you back to the penthouse in silence. The city lights blur beneath you, but you barely notice. Your mind is racing, your heart pounding. You know what you have to do. You’ve known for a while now, but tonight was the final straw.

When you land, he kisses your cheek and tells you he’s going to shower. “Don’t wait up,” he says with a wink, and then he disappears down the hall.

You wait until you hear the water running before you move. You slip out of the dress and back into your sweats, your hands trembling as you pack a small bag with just the essentials. You don’t know where you’re going yet—maybe a hotel, maybe a friend"s place—but you know you can’t stay here.

As you zip up the bag, you glance around the penthouse one last time. It feels empty, like a stage set after the actors have gone home. You think of all the times you convinced yourself this was enough. That he was enough. That you could fix him if you just loved him hard enough. And he would love once you fixed whatever was wrong with you. 

But you can’t. You know that now. He needs someone stronger. 

Braver. 

You leave the dress draped over the back of the couch, a silent goodbye. Then you slip out the door, the sound of the water still echoing in the distance.

For the first time in what feels like forever, you don’t look back.

------------------------------------------------------------- 

It happens on the fourth night. 

You"re staying at a hotel under an alias, the type of place he wouldn"t normally stoop to visiting. You"ve been trying to keep your head down, trying to breathe for the first time in what feels like years. But deep down, you knew it wouldn"t last.

When the knock comes at the door—sharp, insistent—you freeze. Your heart hammers in your chest. You don’t have to check; you already know it’s him. You’ve been bracing for this moment since the night you left. And honestly, he took longer than you expected. 

Still, when you open the door and see him standing there, you’re not prepared. He looks almost unhinged, his hair slightly mussed, his eyes blazing with something between fury and heartbreak. His red cape is gone, but the suit clings to him like a second skin. 

“I found you,” he says, his voice soft, almost tender, but there’s a dangerous edge underneath it. “Of course I did.”

You step back instinctively, your hands gripping the edge of the door. “How did you—”

“Don’t.” He pushes the door open with ease, stepping inside like he owns the place. “Don’t ask me stupid questions. You really thought you could hide from me? Me?” He laughs, but there’s no humor in it. “Come on, sweetheart. Give me more credit than that.”

“John…” you start, but he cuts you off, pacing the room like a caged animal.

“You left,” he says, his voice rising. “You just walked out. No note, no call, nothing. Do you know what that did to me? Do you have any idea?”

Your chest tightens. “I needed to.”

“Bullshit.” He spins to face you, his expression twisting with anger. “You didn"t need to do anything. You chose this. You chose to hurt me. After I rescued you from a pitiful existence and made something of you. Little Y/N wanted to be a writer but had no time. I rescued you from your shabby little apartment and gave you everything. Time. Money. Luxury. And this is what I get.” 

“I wasn’t trying to hurt you,” you say quietly, but your words only seem to inflame him further.

“No?” He stalks closer, his voice dripping with venom. “Then what do you call this? Running off in the middle of the night like a fucking coward? Hiding in some fucking run-down rat-shit hotel like you’re afraid of me?”

“I AM afraid of you,” you admit, the words tumbling out before you can stop them. His face freezes, a flicker of something almost like pain crossing his features before the anger returns.

“You’re afraid of me?” he repeats, his tone incredulous. “I’ve protected you. I’ve given you everything. Everything you asked and didn’t ask for. You sound so fucking ungrateful. I loved you.” 

The words hit like a slap. You take a step back, shaking your head. “That's not love, John. That's control.”

“Don’t,” he snarls, his voice trembling with fury. “Don’t you fucking psychoanalyze me right now. I loved you. I still love you. And you—” he can’t stop his maniacal laughter. He wags his finger at you. “You!” 

Tears well in your eyes, but you refuse to let them fall. “I just think this isn’t meant to be.”

“Oh, you’re a fortune teller now?”

“John…” 

“Such a fucking saint, aren't you, saving us all from unhappiness. Or…” he smiles. A dangerous smile. “There’s someone else!”

The question knocks the breath out of you. “What?”

“You heard me,” he says, his voice low and deadly. “There’s someone else, isn’t there? Is that why you left? Did you find someone who makes you feel all warm and fuzzy inside? Someone who doesn"t scare you?”

“No,” you say, your voice breaking. “There’s no one else.”

“Then why?” he demands, his voice rising again. “Why did you leave me? Why did you—”

“Because it’s not love!” you scream. The first real, raw emotion you allow yourself to feel in forever. 

Homelander almost looks proud of you for it. 

“You keep being cruel to me. You keep saying horrible things, and I get it; I'm not intelligent or gorgeous or fucking V'd up like your other girlfriends, but GOD. Why are you with me if you hate me so much?” 

For the first time, you see Homelander shocked. “What? I don’t… I don’t hate you; what the fuck are you talking about?” 

You laugh in resignation and wipe your tears with the neck of your sweater. “Homelander, I’m not the one for you. I’m done.”

“You’re done? YOU are leaving ME?” 

He stares at you, his chest heaving, his hands clenched into fists at his sides. For a moment, neither of you speak. The silence is deafening. He’s confused that you think he hates you and cannot fathom why you would believe that. He gave you everything. In what universe is that hate? 

“I gave you everything,” he says, more to convince himself now, his voice raw. “I’m the best thing that ever happened to you.”

“I’m sorry,” you say again. Part of you wants to desperately say you want to be back together when things are better. When you are stronger, and he is kinder. You want to believe that once you fix you, he will miss you. He will return and be so much nicer. Softer. 

But you know that time may never come. 

Just at this moment, Homelander wishes his powers had allowed him to read minds, too. Your face inscrutable, he has nothing to latch on to. He looks at you like you’ve just plunged a knife into his chest. For a moment, you think he might lash out, that he might destroy the entire block in a fit of rage. 

But instead, he takes a step back, his expression crumbling.

“You’ll regret this,” he says, his voice barely above a whisper. “You’ll miss me. You’ll see.”

You nod, tears streaming down your face. “Maybe I will.”

He stands there for a moment longer, his fists clenching and unclenching, his jaw tight. Then, without another word, he turns and leaves, the door slamming shut behind him.

You collapse onto the bed, your entire body shaking. The weight of the confrontation crashes over you. Hot tears finally gush out as you clutch your pillow and sob quietly, knowing Homelander can still hear you. 

This isn’t over. Not yet. He will forever stalk the edges of your life, watching. Waiting for you to need him. 

You know Homelander well enough to know he doesn't let go of his toys without a fight.

------------------------------------------------------------- 

[vidavalor]

Ok,Since the Good Omens Finale is only going to be 90 minutes,I have a feeling we might not get a flashback sequence.

Hi there, @rougeside4 💕 I made an apple pie, if you want some. 😊Allow me to offer a different take? I wouldn't worry about this. There will be flashbacks. It's not the show without them.

Short thing on why we're definitely getting flashbacks and on which ones we can maybe see as being very likely still in The Finale.

The secret sauce of Good Omens, imho, is that the real juice of the story is actually always in the flashbacks. The flashbacks that we see are not random; they're always written to support the story in the present. There's a point to why it is these flashbacks we are seeing-- and when and in what order we are seeing them--when Crowley and Aziraphale have been on Earth for over 6,000 years and we could see any of their adventures. They're designed to inform our understanding of the story in the present. The real beating heart of the story is in the scenes set in the past and the story in the present would lack... *searches for words* emotional resonance? thematic weight? general, dramatic oomph? all of these?... if they were to cut the past. Put more plainly: it would suck 😂, and they're smart enough not to do that.

I think some of the most exciting parts of The Finale are actually going to be the flashbacks, just like how they were always the biggest treats in S1 and S2. In the way that they roll those out to us, piece by piece, they're changing our understanding of what we're watching in the present. The meaning of the story in the present is driven by the flashbacks in the past to a point that you cannot have one without the other.

Good Omens is actually driving all of its suspense and anticipation through the story in the past and that's what makes its non-linear storytelling clever. After all, right now, most people know this thing has a happy ending and aren't worried about that, right? We know Crowley and Aziraphale will get back together and be fine and no one is stressing over that. (And if you are... really? Guys. Honestly?! It's called Good Omens. It's a romance. It's a sweet, cuddly show. It's going to be fine. 💕)

So, what are we curious about, if not where it's going in the present?

1941, Part 3, right? Whether or not there's an ancient times vavoom coming our way? What the deal is with Jane Austen and/or 1650? Whether or not we might be surprised with a flashback that hasn't already been set up earlier in the story and what that might be?

Our biggest questions in the story aren't about what will happen in the future but about what we might get to see that has already happened in the past.

There is actually no conceivable way to do The Finale without flashbacks because the entire story is built towards having at least a couple of essential ones happen in its end game. I would not be surprised if at least somewhere around a third of The Finale is set in the past. Are there ones that we would have had with a full season that will be cut? Yes, but, are there also ones, though, that are too essential to cut because the entire story for two seasons has been building towards eventually revealing them to the audience in the final part of the story? Oh, yeah. 😉

Guaranteed: 1941, Part 3. There is no chance that they cut this-- none. They have built the ending of this trilogy of flashbacks to support the ending of the story in the present so it has to happen. It doesn't need to be an entire minisode in length. Part 2 really did all the heavy-lifting with plot and themes here, and Part 1 was a single, brilliant, not terribly long scene. If Amazon reduced The Finale to 15 minutes long, I think the show would still find a way to put 1941, Part 3 in there. The first two parts were so pivotal to the themes and parallels of the story in the present and it's the only flashback that we keep getting installments of throughout the story so its Part 3 is going somewhere massive. If there's one flashback that's in The Finale, it's this one.

Extremely, extremely likely: the ancient times vavoom to which they have been building in clues and hints for two seasons that is going to flip the entire show on its head by going back to The Flood. It would parallel and add extra weight to all the conflicts we have in the story in The Finale that were set into motion by the end of S2-- the kiss, one of them leaving/them being separated, the threat of an apocalyptic-like event, etc.. It would, in almost no time at all, complete the narrative magic trick of the show by turning it inside out for the audience.

The show that shows everything backwards has been sitting on the real first kiss the entire time and saving it until the end game of the story and that end game is The Finale so expect that angel and that demon to be sheltering under a canopy from a rainstorm in the very long ago days and break the internet in the process.

If I were them, I'd even open The Finale with this flashback, just because of how much it's going to pull the rug out from under The Final 15. After all, the first two seasons opened with a canopy-and-rain-themed scene, did they not? Just one wing at a time, though... no under a canopy together yet. No gazing into each other's eyes and vavooming. That bit of the beginning of their story has always been going to be shown to us in the end of the story. It could well be the, well, beginning of the end of that story by opening The Finale. We'll have to see. Either way, it's in there.

It's also worth mentioning that both of these above flashbacks would be going back to eras we've already visited in the story so no time would need to be devoted to setting up the scenes. That would seem to make them easier to not cut, in addition to how narratively important they are.

Going To Be In There In Someway, Somehow: A flashback that sets up the South Downs Cottage ending, which is suspected to be the Jane Austen flashback because of her living in real life in the South Downs around the years that it was mentioned in S2 that Crowley and Aziraphale knew her.

When this was set up for S3 back in S2, the Jane Austen story felt juicy enough to potentially be a whole minisode in length. Maybe especially since it's probably how they are going to be build a history of the cottage between Crowley and Aziraphale to help give emotional weight to them going to live there in the present at the end of the story. I've no idea what this looks like with a shortened run time. They might abbreviate or maybe it was never even that long in the first place? They might do something different in its place? It's hard to say, since we don't know, but they've got to do something to set up the cottage, so...

Whatever this winds up being, though, we're now up to three flashbacks that have to happen because of how they connect to the story in the present in The Finale. These are three, non-negotiable ones, basically-- and we are obviously only looking at ones that we can see having been set up already.

There is also the fact that there's usually a surprise flashback that wasn't set up but which is crucial to the story, like the Job minisode was in S2. It fits in perfectly, retrospectively, but we were intentionally not really given enough in S1 to see it coming in S2 so that there was something unpredictable for us to enjoy. I'm not expecting anything as long as Job again but there could still be a scene more 1.03 Cold Open in length that we don't even know is essential at this point because we aren't meant to know at this point but, much like we did with Bildad 😊, we will see as vital to everything once we see it.

Including that as a possibility, we're now up to four flashback scenes that seem unlikely to be chopped from The Finale. What I just described, give or take and depending on the length of 1941, Part 3, is probably collectively getting within shouting distance of the run time of the 1.03 Cold Open-- and that's going really bare bones and only talking about the scenes that seem too story-essential to consider cutting. There's also one more that might meet that criteria...

Could Go Either Way: 1650. If this has nothing to do with Agnes Nutter, it's probably gone. If it's how Agnes has an appearance in the end of the story to pull stuff together, they'll probably find a way to put it in there because... Agnes. 😊

No one knows what this thing is supposed to be about but we do know that it was set up in S2 for S3 and, between Aziraphale mentioning it, the historical ties to eccles cakes to this era, the fact that it could potentially show a Whickber Street in early development and, most importantly, that it's set five years before Agnes Nutter died, whatever this thing is? It's intriguing. We don't know how long it was meant to be but if it's something that was minisode-length but could be reworked to be shorter-- or if just was always short in length-- it's probably still in there.

It's very possible to have many, quality scenes that hop throughout time in a very short period of time. The 1.03 Cold Open is about 23 minutes long and jam-packed with goodness. I have no idea if they're going to sprinkle flashbacks in throughout The Finale or if they're going to do a flashback sequence like 1.03/Ineffable Bureaucracy again but I do think that at least a third of The Finale-- so, roughly 30 minutes of it, give or take-- are likely flashbacks.

We are going into this movie a lot closer to the end of the story in the present than I think it may appear to some at this point. All the set up work to get the characters into place to overthrow The Metatron in The Finale was already done in S2. It's not going to take 90 minutes for Aziraphale to be in trouble, Crowley and Ineffable Bureaucracy to find out and rally the troops, everyone to challenge The Metatron, expose him as a fraud, and kill the threat of Armageddon by overthrowing Heaven and setting it up to be democratized. That's pretty much what everyone knows needs to happen in The Finale and what is likely going to be the main story in the present in S3.

We know what is going to happen because we know it has a happy ending and we know that we need the Armageddon threat gone for the South Downs Cottage happy ending to occur. We know the only answer is that they've got to overthrow The Metatron. Whether you think the plot is Supreme Archangel Aziraphale or whether you're like me and think the plot is that Aziraphale is in mid-fall as of the end of S2 and that's the thing that triggers the other characters to come together against Heaven, the end result is still going to be the same: The Metatron's gotta go and everyone's got to come together to make that happen if we're getting the happy ending we already know we're getting.

We are all sitting here knowing pretty much exactly what the story in the present is going to be in The Finale and that's because the story has set it up so that we do. Yes, there's going to be joy in watching that unfold but a story designed like a magic trick has to have suspense and give the audience a sense of anticipation. We feel that from this story and from where are we getting that?

The past. The flashbacks.

Everyone knows what the end of this story in the present is but no one knows for sure where, say, 1941 is going, or what new things about Crowley and Aziraphale the past will show us in The Finale. Every new thing we see in the past? Changes our view of the present. That's what makes the story clever. It's also what makes it enjoyable. They cannot cut flashbacks because they'd be cutting the most interesting parts of the story and what makes Good Omens the quirky, unique bird it is.

The present and the past are so interwoven in the story that I'm pretty sure that it is impossible to do Good Omens without flashbacks. The only question going into The Finale is which ones they're going to surprise and delight us with. Don't lose faith or sleep over it-- at minimum, we'll see Crowley's 1941 hat again and that, truly, is all any of us really need to survive.

[lolashifts]

SHIFTING ISN'T SPECIAL

please bare with me on this one bc it might be a bit longer than i expected (and excuse my very bad title-naming skills 😭)

in this essay i will try to put down in words exactly what i realised today as i started my first day into reprogramming my mind, something that i’m doing while following reya singh’s method. what is that?

shifting IS easy.

yes, i know everybody says it, but it’s the truth and i’m not telling you this as someone who shifts regularly to her drs, because i don’t (yet!). however, it did just click in my mind why people always say it and mean it. and i feel incredibly stupid for not understanding it waaay earlier than just now, 4 years into my journey.

now, let me walk you through the thought process behind this.

in reya’s 4-day method for reprogramming your mind, she instructs to write a list of your beliefs and non-beliefs. this may sound really silly and kinda useless at first - believe me, i woke up this morning thinking “what exactly am i supposed to do after that?” - but there’s a valid reason for it, which is to help you delete from your mind the idea that shifting is like a superpower that’s simply not for everyone and very hard to reach, when that is not the case at all!

in my own beliefs list, i’ve written “i am capable of shifting” right in between “i can speak english”, “i can write and read” and “i can eat --” (and some other things like “i can’t eat gluten”, bc i have celiac disease, “i can dream”, we all do! and “i can lucid dream”). you see where i’m going with this? i’m putting shifting in the same category as things we all normally do, that we sometimes don’t even think about doing since they’re such a natural activity. to this list i could add “i can breathe”, because we do it automatically, without even realising unless we focus on it. the same can be said for drinking or eating really, if you’re angry or thirsty you just go and get whatever pleases you the most and not dwell on it.

in the non-beliefs list, i’ve written obvious things like santa and the easter bunny (which isn’t common here in italy tbf but yeah) and sentences like “i can’t swim”, “i can’t draw”, “i can’t eat strawberries” and in between them also “i don’t fear shifting”. here, the point is that all these listed beliefs are stuff i know for a fact to be false: i can swim perfectly, i am an artist and i love strawberries + i’m not allergic to them or anything. by placing shifting there, i'm stating that just like i KNOW i can swim or whatever, i also KNOW i'm not scared of shifting.

you’re literally gaslighting your subconscious mind into believing what is real for a fact and what isn’t.

after writing down this list, which can be done on paper just like on your preferred device, i reread everything twice explaining to myself why i chose these things and why they are beliefs or not. that’s how i realised that shifting is easy. when people talk about it “clicking” they weren’t lying!

shifting isn’t special, this is what the list thing tries to prove you. it’s not special because, just like breathing and eating and reading, we do it subconsciously everyday. take your own first language: you speak it naturally without having to doubt it, and if you know a second language well enough like i know english for instance (my mother-tongue is italian) then you can even start talking to yourself and think in that language without having to search up translations.

what’s the difference with shifting then?

the difference is that shifting hasn’t been taught to us in the same way as a language has been, all throughout school. the same thing goes for reading and writing: we read and write naturally because we’ve been taught how to when we were young and it’s now engraved in our brains, just like with learning our first language, which is something we normally do thanks to our teachers, our families and the people around us, of course. this doesn’t happen with shifting in most cases, as we all know, which means it’s normal for it to take a bit to grasp as a concept and existing thing/activity. it’s natural, most of us human beings just don’t know about it, nor that we’re capable of doing it.

this is why i said it’s not special: just like breathing, everybody can do it (and so do you)!

going back to the non-beliefs list; i should also add that as a society we usually are taught what to believe in from a young age, and specifically what is believed to be a fantasy, a dream, or something real. as grown-ups, though, we have the right to believe in whatever we want, like shifting. as a realistic person, i understand that some people may have a hard time believing something as great as shifting could be true, because it genuinely doesn’t sound like it! so yes, this is also a factor that can and does make it harder for someone to trust their guts and expect to wake up somewhere that’s only fictional here.

shifting clicks for everybody at different times, but i hope this post will help some of you here understand it better and know that what more experienced shifters say always has a meaning, you just need the time to properly reflect on it to get it!

when it clicked for me a few hours ago i felt a huge rush of adrenaline and happiness bc yes, i can actually shift. i’m just overcomplicating it for no reason and so many of you are doing the same!

it’s okay though, we’ll all get there <3

(psa: if you saw any grammar mistakes or anything NO YOU DIDN'T and also please don't mind if this rant doesn't sound logical, i tried my best to explain myself like i wanted to 🥲)

[thatguyisdrowning]

thoughts on arcane season 2

spoilers below

season 2 was definitely giving "trying to wrap up an insanely large cast of characters stories in only 9 episodes" and none of them were really given the care they deserved. it all happened so fast that it was a little confusing at first.

the entire isha thing feels so manufactured. she just appears, "fixes" jinx, then dies/is implied to have died but we don't actually know for certain because we never see her death. and then there's the entire lack of any proper mention of her in act 3. where did she come from? where did she go? where did she come from cotton eye joe? why did warwick survive but not isha if he was the one to actually get shot?

jinx also seemed to mellow out far too quickly, i think if we had a third season and it was spread out more it would feel more authentic. i was expecting her to lose it again in the aftermath of isha's death but she didn't. yes, grief to the point of not caring about herself anymore and just wanting to get vi (the only person she has left) to safety makes sense however it doesn't match up with anything we've seen from jinx in the past. if she'd had a longer time getting to be happy with her family of 4 and healing herself it'd make more sense but she didn't. i think a downward spiral before some sort of realization that she doesn't want to be like this anymore/doesn't want to harm other children like isha/something along those lines would have been more conducive to a well rounded story and conclusion when it comes to the isha/jinx relationship. but for this to happen, we needed more time.

the way jinx's character was written, the way her story played out, it would have made sense for her to take her own life and been a satisfying conclusion. however, because i know she didn't actually die i'm pleased she didn't commit suicide because i like her, her character, her champion, and her story and i want to be able to see more of it all in future projects from riot. and for that to happen the "death" needed to be a little uncertain. the "oh no the metal beam is breaking, guess i better sacrifice myself to save my sister" trope is very overused and hard to do well because of that, but i did like the way they implied jinx was still alive at the end.

jayce and viktor's story was confusing and rushed, while also being the main focal point and the most fleshed out story of the whole show. if viktor knew he and jayce were meant to be together in every timeline, why was he trying to fuck shit up? again, if we had more time in the form of a third season or perhaps longer episodes in season 2, we would have seen their story explored in more depth and had a greater understanding of it.

vi's character was watered down by the inclusion of a single line: "i am the dirt under your nails, cupcake." as something said in passing it wouldn't have held as much weight, but this was one of the last things she said on screen. it essentially boils her character down to nothing but a supporting character for caitlyn when the entire series began and ended with vi and jinx's relationship.

"are you still in this fight, violet?" what fight? against jinx? no, caitlyn seems to have forgiven her and as far as we know vi still thinks she's dead. against noxus? no, mel's in charge (but is she? we see swain make an appearance...) against the undercity? no, they've made peace and sevika is on the council. against singed? no, he's saved his daughter so will live happily ever after now, right? against jayce and viktor? no, they had some weird story conclusion and also died in the astral realm, killing their earthly bodies but realistically they could have survived. i don't want them to have survived, but they could have. all i can think is either she was referring to their relationship OR to their future as enforcers which would make sense in the league lore.

the death of 4 major characters (not including heimer or jinx i'm 100% sure they arent dead) and what it means for the lore and their champions is just??? brushed over??? their champions almost definitely won't be removed but a tiny part of me wishes they would be for continuity and lore reasons.

i wish we were given more insight into what noxus is like now after ambessa's death. mel is seen to be ruling now but in the league lore, swain is the ruler of noxus. it's common knowledge that arcane lore is replacing league lore where necessary/sometimes where it isn't necessary, so it wouldn't make sense but would be easily passed off if we just didn't see any mention of swain, but we do see him (or to be specific, one of his ravens). while i wish we were given some clarity here, i think it was a smart move to not explicity reveal who swain is because to those who know it all but confirms the villian for the next netflix series set in runeterra, but it also leaves the venue open for the story to take an entirely different path, because arcane only fans won't know who he is, and for the league fans it can somehow be passed off as an irrelevant appearance in arcane.

some other points i don't have fully fleshed out thoughts/opinions on:

i would've liked to have seen more of felicia's story

i don't think jayvik should've kissed, the forehead touch was just as, if not more meaningful

the story of singed's daughter wasn't explored as much as it should have been, especially considering it's a huge part of why shimmer was ever created and of the pre-existing league lore

while there are parts of the story i found unsatisfying, i'm totally in love with all of the characters and the artistry. while almost all of the female leads fit perfectly into specific overused tropes, they turned those tropes on their head and executed them well. the women in arcane are attractive but they all have agency. ekko is the best side character ever written. they wrote the "morally grey" characters really well. it's plain to see the writers spent so much time and energy on creating these perfect characters. the artists knocked it out of the park, arcane is the most visually appealing animated show i've ever seen. arcane is a masterpiece in so many ways and i look forward to seeing what's to come :)

if you've read this far, first of all go outside (kidding of course), and second, let me know your thoughts and if you agree/disagree. if you have any theories on what's to come next, let me know!

[brights-place]

Okay so I watched the whole trolls trilogy and am down EMBARRASSINGLY BAD for Trollex. It’s ROUGH.

If possible (I’m sorry this is so highly specific) could I get Trollex x a male techno troll reader who is very sound sensitive, shy and antisocial but totally comes out of his shell and becomes super caring and nurturing to Trollex when they’re together? Especially how SCARED TROLLEX LOOKED WHEN THE ROCK TROLLS ATTACKED OMG!! I see a bubbly, confident always positive man and go “no I should care for and comfort him really” lol

Sorry if this rq is a mess—

Trollex X M! Techno S/O

Pairing: Trollex X S/O

Warnings: Lots of Fluff, Mild cursing

A/N: TROLLEX LOVER UNITE!! FUCK YEAHHHHHHH and oml I love this idea it's so cute anyways I haven't written for trolls in awhile *this was a draft I forgot to upload sorry pooks) - Trollex loves you and understood how you were shy and not very open yet he helps you grow out of it - The way he always beams at you when you speak up more coming out of your shell but he also panics when he saw you cover your ears fast due to how he accidentally boosted the music up - He slowly helps you get use to loud music and would take you out in small group parties which will expand that will help you out - As soon as you came out of your shell more he got so excited and his eyes sparkled when you pampered his face - the way you nurture and care for him how he does back to you cuddling and pampering you - Little dates every now and then as he does have royal duties he always escapes thats why lagoona always searches for you when she can't find Trollex - She always finds him being near you or draped over your back grinning

- Trollex and You have a special connection and when together you both act like little kids and often seen doing dumb things which makes some people confused

- King Trollex and you have a certain nickname or inside joke between them that is special for eachother

- Due to your appearance you have certain things that your very insecure about, and may be more self-conscious than you let on but trollex loves every part of you - When the rock trolls invaded he looked panicked so when you held his hand and stared ahead with an expression that said 'we got this' he couldn't help but feel prouder - When he was getting taken you slammed into a rock troll throwing yourself infront of him as you both got put into the same cage together - so here you were in the same cage holding trollex is hand with teary eyes as he cupped your face wiping your tears as he muttered to you in hushed voices - Barb didn't hesitate to hit the bars of your sell "Well look here" barb lips twitched up "Lovers? I assume don't worry rock n roll can help bind it stronger-" "Shut up... just let us be you ahev teh string " "hm... fine Put this techno troll in a different cell farther from trollex" - The panic in Trollex eyes as he grabbed your hands trying to keep you in his arms before you were dragged away from rock trolls into a separate cage horrified him as he was calling out for you as you were chucked into a separate cage hidden by many others

reblogs + comments are appreciated ⸜(｡˃ ᵕ ˂ )⸝♡

©brights-place 2024 — do not repost on another platform, copy, translate or edit my works! if you fit my DNI list please don't interact

[senselessviolets]

random will graham headcanons (childhood, teen years, college, etc.)

Rating T

WARNINGS:

Mentions of murder (canon typical), homicidal ideation, child abuse, alcoholism.

Author’s Notes:

Title says it all. Just some headcanons based off of the show, bits of Red Dragon and my own personal intuition because I'm THAT good. /s

He doesn’t know why his mom left because his dad refuses to tell him and would get furious anytime he brought it up as a child. 

He experienced corporal punishment from his dad but if asked, wouldn’t consider it to be abuse—no matter how emotionally traumatic it was for him. 

His dad George was a survey technician in the US Army Corps of Engineers. His mother Adaline had worked as a pharmacist before Will was born. 

He was never allowed pets growing up, hence why he now owns so many dogs.

With his undiagnosed ASD and constant moving around for his dad’s job, Will struggled to form any long-lasting, meaningful relationships in his youth.

His dad would occasionally write letters to Will and send him various gifts (Bourbon, aftershave, new lures) around the time of his birthday or the holidays. He stopped after Will was imprisoned and hasn’t written to him since. 

Will tried to approach girls he had crushes on when he was a teen but they were always dismissive of him or thought he was weird.

He lost his virginity in a clumsy drunken one-night stand in his sophomore year of college. She was his roommate’s ex and there was some drama over it.  

Will has experienced lots of frustration with the women in his romantic life who in his mind toyed with his feelings and strung him along. He was always so willing to commit himself to the right girl and even imagined himself as the kind to settle down and get married young but the opportunity never arose.  

Throughout his teenage years, he imagined often how he would kill his dad and was convinced he could get away with it.

Will dated a Law student in his junior and senior year of college and they had been going steady until after they’d slept with each other one night and Will had a hyperrealistic dream in which he strangled her in her sleep, dismembered her, and scattered her all around campus. This dream disturbed Will so deeply that he broke things off with the girl right after, providing little explanation as to why.

Will’s want to become a father and to protect and nurture his “strays” (Abigail Hobbs, Georgia Madchen, Peter Bernadone, his actual fucking dogs) is very much ego-driven. It’s not as genuine or wholesome as he might want you to think or how he even perceives it to be.

Will was pretty widely disliked at the police department he was a detective for as well as the FBI Academy.

His alcoholism developed as a way to numb his overstimulated senses and to cancel out the intrusive thoughts he has. As time has gone on, his reliance on liquor has only grown; a habit he picked up from his father.

Will is a notoriously harsh grader and is quick to shut down any dissenting opinions about his “style of teaching”.

He’s definitely had inappropriate thoughts/fantasies about a few of his students, ranging from shallow sexual attraction to full-blown abduction. 

He doesn’t own a television or a computer and begrudgingly owns a smartphone for his job. 

The majority of his interests and likes/dislikes are ones he got from his dad. His dad loved to fish. His dad’s favorite singer was Johnny Cash. His dad liked the color green. Will probably feels as if these are what he should like and if you actually asked him how he felt about ____ or if he really liked XYZ; he wouldn’t know how to answer. 

A huge part of the reason he loves dogs is that they do not know they are ‘kept’. As opposed to a human being who could recognize if they were taken from everything they know or forced to live the life of another; dogs don’t think that way and above all, they are undyingly loyal. 

^^ And yes, this is my way of saying I subscribe to the popular headcanon that Will has stolen some of his dogs.

Morally grey sweaty dog man.

I hate him.

Follow me on twt: @endlessviolets

<3

[ryuzakemo128]

Am I Boring You? Part Two

Pairing: Tommy Miller x you / Joel Miller x you

Content Warnings: Fake Relationship (Tommy x you), Angst, Mild Violence, No outbreak alternate universe, age gap (Reader is 25, Joel is in his early 40s and Tommy is in his late 30s), Albino! Goth! Female Reader, Implied Sexual Content, female reader is a big tiddy goth gf, Joel is suspicious of fem reader, wealthy Miller family line, Tommy's secret.

Words: 2,045

Credit for Dividers: @cafekitsune + @strangergraphics

Masterlist

Summary:

“Written all over his face. Think about it. Girlfriend who wants to kick his older brother’s arse for being a dick? Girlfriend who stands up for their boyfriend too? He’s probably scared shitless that you’re going to turn into me and cut off his balls and feed them to him.”

“Not to mention. A girlfriend who likes it when her boyfriend is a cuddle slut? Yeah, I think he’s jealous as fuck.”

The ex-fiance, great, you wonder who called her over.

It couldn’t have been their parents. They wouldn’t touch that issue with a ten and a half foot pole. It certainly wasn’t you because you don’t even know or have her number.

You were sure as fuck knew Tommy blocked her number and still had it blocked to this day. 

There was only one answer. 

Only one obvious answer. 

Why should cheaters get to live their life normally when the people they harm have to pick themselves back up and move on afterwards?

Why should they stroll off without getting any consequences for their actions?

It’s not fair. None of this is ever fair.

“You can’t waltz back into my life and pretend that you didn’t cheat on me with my older brother!” Tommy yelled from the front porch. He was beyond pissed at the implication of his ex-fiance coming around to see him. 

You should feel how he became angrier and angrier. As if his girlfriend was picking at the old wounds, hoping to let them reopen into something worse. To prove some form of sick point that he wasn’t enough for someone else. 

People loved to compare him with his older brother, fuckers took too much enjoyment from vilifying him and placing his older brother upon a high pedestal. Wanted nothing more to knock Joel down from it. To bruise him in ways he had been in the military to prove he was nothing but the bastard who did nothing for anyone but himself. 

“Don’t speak to me, fucker. I have had it with you and your stupid bullshit. Speak to our parents. But stay the fuck away from me.” Tommy stormed back inside the house. Slamming the front door behind him. He shoved his brother into the bookshelf, having more than enough of his constant belittling. “I went into the military. You stayed at home. You don’t get to speak down on me. You don’t get the privilege to even know me. You don’t deserve a damn thing from me! So shut up and get over yourself!”

You could have sworn he would have started throwing punches at him if his parents weren’t in the kitchen. 

“You don’t get to have your cake and eat it too.” Tommy continued gripping his brother’s collar, getting right up into his face. “You will get nothing from me. Or from her. Got it? Say you understand.”

“I understand.” Joel whispered softly.

“Louder.” Tommy growled.

“I understand.” Joel spoke louder. Like a clear rung bell. 

You were always proud of Tommy when he stood up to his older brother, he knew his limits and he knew when to tell Joel to back off. 

If Joel thought he could ruin his brother into doing the things he wanted for the rest of his life. Then he had another thing coming. 

“I’m telling everyone what you are, what you have always been, and there is not a damn thing you can hope to do to prevent it this time.” Tommy revealed to him. As if the weight was finally leaving his chest. 

He didn’t have to hold it in anymore. 

He couldn’t hold it back anymore.

Finally able to step out of his older brother’s shadow. Straight into the light beneath the stars.

You don’t feel bad for Joel. You can’t, no, you couldn’t, find it inside yourself to feel remotely bad for a man hellbent on making his younger brother’s life miserable as possible. 

“You called his ex on purpose, didn’t you?” you asked coldly, eyes narrowing. “You did that to prove something. I don’t care what it is. But that is fucking disgusting. I’m so glad you’re not my brother because I would have disowned you long ago.”

“And if I catch you doing stupid bullshit like that again? You don’t have to worry about Tommy finding you again. Cause, you know, I’ll fuckin kill ya myself.” you growled into his ear as if you were tempted to tear off his ear. 

Joel frowned, nothing in his background search, hinted at the possibility of you being capable of killing someone in cold blood. Nothing he could find about you said ‘cold-blooded killer’. What if he was wrong? What if you were much more capable of getting your hands dirty than he initially assumed? 

A chilling thought to be sure. But something he should consider.

He was getting far more than he bargained for when he planned this weekend. 

You were going to make him regret crossing his brother time and time again. Like a dog with a bone, you are always going to get things your way. 

It didn’t matter whether Joel made it easy or hard. You were going to make sure Tommy escapes him once and for all. 

Joel’s feelings on the matter isn’t important. 

As far as you are aware. 

He’s the main cause of Tommy’s problems. 

The main reason for things going sour.

Cut out the cause. Remove the problem. Simple right?

Remove a whole entire person like they weren’t there to begin with, or remove yourself from their sight?

Acting like cuddling with your friend is a sexual act. Pitiful. You wonder if he still has friends that care about him as a person.

Cuddles with Tommy were never sexual. 

It never stopped you from giving people death threats whenever someone tried to belittle him in one way or another. He’s your friend. And you protect your friends. Right?

If his older brother can’t handle it. Then may he choke on his own tears.

Sexualising cuddles. It irked you more than hot sweaty British summer. 

“I have nothing to say to you.” You reminded him whenever he tried making an excuse for calling his brother’s ex-fiance over. “You made your choice. Lie inside the bed you made for yourself.”

Joel felt a grin spread across his face, smug by the look of things, “For someone who doesn’t have anything to say. You sure do a lot of talking.”

“Only when a jackass likes to fuck over his younger brother.” you sneered.

“I’m taking care of my younger brother.” Joel rolled his eyes.

“You fucked his fiancé. You call that taking care of him? Don’t be pathetically stupid. And grow up. Find someone else. Instead of taking people who are already wanting to be in a committed relationship with your brother. If you can’t see the problem. Maybe you should seek therapy and find out why people don’t like you nearly as much as you think.”

“Think before you start ruining lives around you. Think about someone else other than yourself. Then maybe people might want to stick around longer.” you added before he could get another word in, edge ways. 

“You’re addicted to fucking over people you should be caring about. You’ve got an addiction to hurting people, and even if I wasn’t dating your brother. I wouldn’t want to date someone like you.”

Joel didn’t know how to feel about your declaration. What do you mean you wouldn’t date him? Don’t you see what you’re missing out on?

“If you can’t be willing to let your brother live his own life. Then what good of a person are you really?” you taunted. “You’re in your forties and acting like you’re still in your twenties. What the fuck is wrong with you?”

But, as always, Joel remained calm and collected on the outside, his eyes never leaving yours. “You’re one to talk about hurting people you’re supposed to care about. How’s that working out for you?” he spat back.

“I have friends I can count on. It's going great, actually. You should try being less of an asshole sometime.”

Joel’s smug expression never left his face, you could see the irritation seeping through his facade, giving you more enjoyment from this than he could hope to imagine. This man was so used to getting his own way.

He couldn’t fathom you standing up to him like this. 

You weren’t supposed to have a backbone.

You weren’t supposed to have opinions.

You weren’t supposed to have a say in this world he crafted to serve his own needs and desires. 

But you did. But you do. You were always going to be his downfall. 

Watching him walk away. As Tommy remained behind you. The heat of the moment finally manage to dissipate. Slowly disappearing. 

“Thank you,” he murmured, his voice hoarse from the argument. You turned to face him, seeing the pain in his eyes. 

“For what?” you asked, playing dumb.

“For sticking up for me,” he replied, his grip on your hand tightening. “I know I can be... a lot to handle, but you've never left my side through all of this.”

“Nah. You’re a breeze compared to most men I’ve been with.” you quipped, trying to lighten the mood a little. 

Tommy’s grip on your hand loosened a little, a hint of smile on his lips. 

“Yeah, right. Like that one guy who had more issues than a library.” He tried to laugh, but it came out as a painful chuckle.

“Libraries still envy how books than can come out of his issues alone. Had a problem with women doing porn. But would turn around and watch porn afterwards. It was a lot of, ‘Damn dude, if you don’t like it. Why do you use it so much?’ and I would bring it up because it would sound off, it sounded very hypocritical of him.”

Tommy couldn’t help but laugh, the tension from before slowly fading away. “Yeah, that sounds like a real winner.” His smile grew a little more genuine.

“Luckily, I didn’t date him longer than three months. Longest three months of my dating life.” 

Tommy’s laugh grew a bit more genuine, “I’m surprised you didn’t strangle him in his sleep.”

“It took every fibre of my being not to. It was indeed a struggle.”

Tommy nodded in understanding, his gaze dropping to the floor, “You know, I’ve never told anyone this but, when I found out about the two of them, I was so fucking mad that I wanted to do the same to Joel.”

“Gutting. Like a fish without its innards, and everyone around you expects you to be fine with it. Even when you’re anything but.”

“Strange that he got so weird about you getting cuddles so often. Like damn dude, tell me you don’t get jealous without telling me you get jealous.”

Tommy's eyes snapped up to meet yours, surprise flickering in their depths. “You think he's jealous?”

“Written all over his face. Think about it. Girlfriend who wants to kick his older brother’s arse for being a dick? Girlfriend who stands up for their boyfriend too? He’s probably scared shitless that you’re going to turn into me and cut off his balls and feed them to him.”

“Not to mention. A girlfriend who likes it when her boyfriend is a cuddle slut? Yeah, I think he’s jealous as fuck.”

“And I bet you ten bucks that he’s in a corner somewhere seething, fuming about it too.” 

Tommy's smile grew, “You're probably right. But I don't care if he's jealous. What he did was unforgivable.”

“About time Joel got his dosage of karma. You're giving it by the spoonful. Not matter how much he hates the taste.”

As Joel fumed in his bedroom, he couldn’t believe your audacity at your accusations. Yet, deep down, a spark of doubt ignited in his chest. Was he truly that despicable? 

His thoughts raced back to the events leading up to this weekend. The way he had manipulated the situation, pushing Tommy into a corner with his cruel words and actions. He hoped to break him down, to show him that he wasn’t enough, but instead, it had only brought the two of you closer together.

Pushing you further together. In the hopes of pulling you two apart. He did the opposite and now he’s paying for it. Slowly eating every single one of his vile words he had ever said about his younger brother, Tommy Miller. 

He became the problem his younger brother needed to get rid of.

He wasn’t going to be in his younger brother’s life for much long if he kept going down this path.

[thunderboltfire]

I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.

It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.

The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.

What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.

But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.

There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.

On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.

But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.

My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.

The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.

I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.

And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.

It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.

And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?

There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.

[slozhnos]

i think that the way the great gatsby musical is portrayed is somewhat through the lens of how gatsby saw the story.