#i feel like redrawing gifs is boring but i like it
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Obsessed with this ominous looking gif of Shiv from America Decides and it seemed appropriate to post now since we all just lived through it... 😭
Anyway ask me about my drawing process cause I'm actually super happy with how this came out!
#succession#shiv roy#siobhan roy#America Decides#succession hbo#succession fanart#my art#i feel like redrawing gifs is boring but i like it
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Don't have allot to post, but i figured yall would like this Homestuck panel redraw I made cus I was feeling bored.
trying to figure out a good way to replicate the lighting in the original thing was a bit of a pain but I think this turned out well enough!
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do you have any tips for getting better at drawing anatomy? your poses are always so fluid and realistic
first of all THANK YOU!!! that makes me happy to hear!
under the cut because i got long winded... i hope something in here is useful! some of it may stray from the point, and i have no idea what stuff you already know.
in my experience a lot of it is about paying attention to form/volume. at one point or another i realized i vastly prefer art that emphasizes this, as opposed to flatter more stylized anatomy, as far as things i want to emulate in my own work go (flat styles can be cool when other people do it; this is a huge thing with art i think, developing a sense of discernment when it comes to the art you Want To Make versus the art you like but wouldn't want to mimic...)
so i add contour lines to everything i draw as i sketch because it helps me figure out where the object is in space, in relation to the viewer. doing this immediately establishes where the subject is in relation to the "camera" because lines curving one way mean you're looking up at something, and vice versa. if you've ever seen the coil method of foreshortening before, it's the same principle.
while construction lines won't always be there in a finished piece, you can communicate form in the curves of your lines. the round end of a sleeve is a countour line, so are fabric folds (although they have their own volume too), etc.
the feeling of looking up at someone, or their arm moving towards you, or their back turned away from you, that's where a lot of tension and dynamism comes from--some of the "fluidity."
another thing is to focus on weight, and how things interact when they touch... if you grip someone's arm, how does the skin fold/warp under pressure? can you actually draw it doing that, instead of leaving the arm being grabbed unaffected? stuff like that. a huge inspiration for this (and i think it shows in some of the artistic choices i've been making lately) is margot maison's work. like, check out this panel from bora the brain:
or this one of mine, where i just grabbed my own arm like that to see how it felt and what the skin did...
these are both examples of smaller details but the same principle applies any time you're drawing two people touching, or even a bent leg where the thigh and calf meet. i'm more interested in how skin/fat moves around than i am in getting the nitty gritty details of muscle groups and bones right. knowing the muscles and bones certainly HELPS; my personal favorite bones are the radius and ulna in the forearm, and keeping the way they move in mind Is useful because it reminds you that the arm isn't a uniform tube shape, it's a flat rectangle type thing, and it'll look wider or narrower depending on the angle... etc. see pronation/supination gif below:
they get recomended all the time but the morpho books are my favorite reference for doing actual intentional anatomy practice & in redrawing stuff from them a ton of tricks for constructing bodies have stuck in my head. like, here i was focusing on how they simplify the shoulder/armpit in relation to the ribcage:
(you can download most of 'em for free off of libgen btw.)
you can also get something kinda special drawing bodies from life. if you don't have other people to draw, your own hands/legs work too, and it's good for foreshortening and perspective because you're always seeing them in relation to your own viewpoint:
granted both this and the morpho studies are things i find fun to do. on the off chance that you're someone who finds studies tedious or boring, rather than pushing through it you might want to paint a character you like onto the pose you're practicing or something like that to keep yourself invested?
i also use references gratuitously. usually many pictures at once, where i'm combining them to get the pose i want. either just referencing different photos as i draw different things or literally editing them together depending on what it is. over time, i've gotten better at coming up with dynamic and interesting poses without a ref, because using them has built up my understanding of the body (it's actually way easier IMO to draw a dynamic pose without a ref than it is to draw a dude just standing there without one ?!)
there's sort of a push and pull for me between accuracy/realism ("can the arm Actually bend that way???") and exageration/stylistic liscense ("if it doesn't, does it look cooler like that?") where it helps to KNOW if you're drawing something that isn't technically "anatomically correct."
there's also a lot to be said for tracing over photos for practice!
thank you for the question, i love to talk about these things ^_^
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Well. I tried it again. And o boi, Pandoras box got opened again.
I used to write in notebooks all the time, but with the modernisation of my life that kinda got lost. But boi have I been enjoying it!!
I just finished a single chapter in my notebook, which, currently, already feels longer and better thought through than my previous chapters. (Don't know if it actually is longer, but considering I always feel like my chapters are too short, it feels nice)
Personally, I also love the visual image of notebooks filled and filled and filled with words. It gives passion, and tbh, a computer doesn't give the same vibe. But just. Ahh. It makes me go Ahh. This single chapter is 7 pages, and the joy of going through them! I get it now. I forgot. I remember. (Also the fact that this is a cheap notebook that I've used before for recipes means it is very beaten, which only adds to the 'this has been looked through a million times before' vibe, which, again, joy joy joy. )
So, some thinkies
Writing on paper has thus far made it easier to start (which is odd, because I typically can't really touch paper (sensory issues go yikes) so normally that is really difficult. So maybe my hands have been kind to me, or the RA obsession was big enough to override the sensory stuff.
I have been wanting to write so much more. It no longer feels like a chore. Is that some primal early on memory being awoken in me from when I used to write stories on memoblock pages and old school books? Is it my new temporary focus of enjoyment until I grow bored? Idk. But it got me craving writing a lot more than I have lately
It did allow me to puzzle a lot more with the structure of the chapters. It gives me more of an overview. Yet another thing that I knew but had forgotten/never really applied in writing. Constructing the general storyline and 'rules' of my worlds and stories always seemed sensible on paper, because of the overview and how nicely you can place it next to you when writing (typing). Why I never considered to use this construction in the actual writing? I dunno.
Again, something I could've known, but somehow didn't. A thing my art teacher would always say was 'if you go to correct a line, redraw it first, then erase it. How will you fix a mistake you can't see anymore? You need to base yourself off of something.' For writing, it seems, this works too! When a word was being funky, I always replaced it, until I found a good one, or deleted my sentence until it was somewhat nice. This is long and tedious and a good way of getting me stuck. But! Now, I don't know if you can see, in the beginning of the gif, there is a little pink square. That is my way of saying 'go forward a bit to the next pink square, a piece of sentence needs to be added, or I am reworking this bit further on...etc. giving me more like, freedom to move stuff around? Like I could just restart that piece, without having to forget what it was before.
Anyways that was really long, but I have really been enjoying this. Thank you for reminding me what this feels like<3 It is seriously appreciated. I don't know how, or why, I forgot the feeling of filled notebooks, puzzling words and the comfort of a pen in hand, being able to see my hurry, peace or tiredness reflected in my handwriting. But I did. I am genuinely grateful for making me remember.
Yk, I was going to ask this in the comments, but then I thought, why not a nifty little ask?
Do you actually write all your stories by hand? And how does it work? Cuz personally I am always put off by the fact I like, don't write fast enough to be able to keep up with the sentences forming in my head, yk. And do you then retype the chapter after you've handwritten it? Genuinely curious as to why/if/.. you prefer doing it this way
I'm glad you asked! And I'm glad you asked as an ask, because this would be a weee bit long to go in a tumblr comment 😅
I handwrite most of my fics, yeah! Tho it's more of a hybrid model instead of strictly handwriting, then typing. I bounce between handwriting and typing based on if I'm having writer's block or not. If I get stuck when typing up a chapter, I save what I have, close down my computer, and pick up a notebook and start writing from the last point I remember. Not being able to refer back to what I've written previously means I'm not stuck agonising over it, and allows me to write more freely than if I was constantly going back to earlier paragraphs. If I get stuck when handwriting, I boot up my computer again and transcribe everything. Y'know that bit of writing advice that's like "if you have writer's block, your problem is actually half a page back"? Yeah, that's why I transcribe! The process of rereading my earlier writing lets me identify what's not working and how to fix it.
TRR2 is actually the first fic where the majority of it has been handwritten beforehand, because Angel bought me a gorgeous notebook to write it in (and he got me a second to continue with!). A good portion of every chapter so far has been handwritten, and some chapters were entirely handwritten before I transcribed them :D
Further reasons I like handwriting include...
...no longer worrying so much about making it "perfect", and letting a first draft just be a first draft Sometimes in the middle of writing a scene I'll realise it works better in another character's POV, or in another setting, or any number of things. Instead of going back and changing it, I make a note saying what the change is and then keep writing as though I've already made the change. That way it doesn't break up the flow of writing and I can continue on a roll! Similarly, if a line is wonky or weird, but I can't immediately think of a better one, I just write down the wonky line and continue. Without the ability to erase what I just wrote, I don't get bogged down making every line perfect, and usually when I go to transcribe it later I have a better idea of what to write
...it helps me be more considerate of my words Wait, isn't this a direct contradiction of what I just said? Let's pretend it isn't I also write slower than I type, which I find is a bonus! My brain keeps working on the words and scene while I write, and they can often end up more refined than if I was typing everything because I had more time to turn the words over in my brain. There's also just something about handwriting things that helps my brain remember them more
...it's way more versatile I can't type on phones - it's actively very uncomfortable for me (small hands yaaay). Unfortunately, this means if I'm not at a computer, typing anything more than a couple of sentences is a no-go. Notebooks are easy to carry, don't require an external power source, and I can easily curl up with them to write in the car, in bed, or outside (bonus: it's MUCH easier to see a notebook in direct sunlight than it is to try and make out words on a screen). It also means I can write at work without worrying about keystrokes being logged, people seeing what's on my screen, forgetting a USB, or - disaster of disasters - computers crashing and erasing my data
...purely autistic/aesthetic reasons :D Writing is a huge physical stim for me. Typing can be too depending on the keyboard I'm using, but writing with a pen on paper is remarkably calming in a way that very little else is. Also, notebooks pretty ❤
thanks for dealing with all that (and also giving me an excuse to ramble on for way too long :D)!
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old art dump!?1!11?!! [part 1]
yeah I really wanted to post these at some point but they're so fcuking ugly they don't deserve to be posted out in the open for all to see 💀💀
like if I were to ever post these one by one I think my dignity would take a huge blow, and that's coming from someone with a massive crater in their chest where their ribcage once was because all their self-respect got absolutely THWACKED out of their body the moment they started simping for the krang. SPOILER ALERT I'm that someone
anyways they're all under the cut peer at your own risk
I know I already posted this here on my improvement post but fun fact: this was the very first fanart I made this year getting back into Rise
also yes there will be commentary, I will always feel the need to explain myself when it comes to things I would greatly want to apologize for 🧍♂️
WHY DID I DRAW THEM SO HORRIBLY DEFORMED WHO DROPPED THEM RAPH OVER HERE LOOKING LIKE MEGAMIND AND LEOS BUILT LIKE A PIATTOS CHIP
I literally do not remember the context of this at all. not sure if it was a continuation of something, but if it was I can't find the rest of it
don't know how to draw the turtles???? MEME REDRAW BABY
character development is finally realizing Mikey isn't a literal circle lIKE????? WHY IS HE SO BOILED EGG
this was also in my "I have no idea how to properly color" phase, which explains why it's so monotonous compared to the colors I tend to choose now. Everything just looks so murky.... like dirty paint water.....
the mystic door symbol thing doesn't mean anything, I think past Michael just wanted to fill in the space
mikyomix name reveal real?? jk it's always been out, I just haven't mentioned it here, anywho yes hi it's me a Michael
might redraw this soon actually, who knows
this was the very first time I ever actually drew Donnie right, where he didn't make me nauseous just by looking at him, and IT WAS FROM THIS WEIRD SPECIFIC ANGLE FROM SOME REASON. If I ever drew him in a way that looked good it was almost always THIS angle, especially in doodles, it was never ever Donnie actually facing front, it was just him with this weird slouch and his back turned slightly.
am I using too many of whatever "," is, listen I almost flunked English I can't punctuate for crud but I'm trying my best over here ok
(side note: the file name is called "dunkin donuts"???)
this was never supposed to see the light of day, but I think this would be considered fanart of a fanart?? I saw taytei 's species swap au on pinterest before I knew who they were and decided "yk what?? yeah I'll steal it but only for me because I'm bored"
which brings me to the next few drawings
LOOKING AT THESE SENT SHIVERS DOWN MY SPINE AND MY DINNER UP MY THROAT I DON'T LIKE THEM
we're moving on I don't like looking at these they're gross 💀
I made a joke about Donnie giving Leo his own tablet because he kept stealing it based on a very old drawing back in 2019 and it led to the idea of Leo turning into an Ipad kid, crusty screen and Ipad case in all its glory
if it wasn't obvious the background is a png of McDonald's because of course they're at McDonald's
ok, this is gonna sound so stereotypically ADHD of me but listen it makes sense lemme explain
so basically, I had a silly thought in my head that I've had for a long while about Donnie being British for no reason with no explanation as to why, it's not a headcanon it's just a funny thought I like to think about (so maybe it's an AU idk)
and I was binging Jack Whitehall (who was British) and it got to the part where he went on a schpiel on Robert Pattinson where he was talking about what it was like to go to school with him and there was this one section where he talks about being in school theatre with him.
and I thought.... "man wouldn't it be funny if that was the disaster twins..." and everything spiraled from there.
I made up this whole Yokai school they would have gone to if they didn't live in the sewers. Donnie is the head of the drama club, he always plays and casts himself as the main character in his own productions that he himself directs because he's just that good at his job. Leo joins the drama club and shows Donnie up, making him a little bit jealous. Leo is only let in because of the club members vouching for him, Which then leads to Donnie treating him poorly and casting him as a tree (SEE WERE COMING FULL CIRCLE) this obviously upsets Leo and ends up giving him more of a reason to become the center of attention, What was supposed to be a drag ended up helping Leo more than harming his chances of ruining Donnie's plans.
Everything then spirals into a competitive back and forth as to who is the better actor. It stops being about who gets to play which part and more about who comes out of this feud alive with a prestigious acting role tied to their name.
That was everything I thought about at the time though I just thought "HAHA DISASTER TWINS HIJINX" and that was it
someone send me that Donnie toy with the big head and maybe I will start writing fanfiction/JJJJJ
I had this idea of Donnie adopting a dog from Todd because it had an attitude and then the dog ended up being just as smart as him helping him solve equations and stuff and eventually it became his lab partner
yeah that paired up with the RotTMNT drama club thing I sound like I have a very weird brain we're moving on
I have to admit this because I really didn't wanna post this without a heads up but yes this is inspired by that one drawing made by h*bermen right before I even knew about what they did and I feel guilty about this one sometimes just by the sheer fact that it's even loosely associated to them :/
I have nothing to say about this one other than I suck at rendering
this drawing of the boys fighting over their childhood blankie was supposed to be a bit of a concept for a comic I wanted to make but never got around to even writing it out,
the gist of it was that the lair was starting to get a bit messy with the things they've hoarded over the last couple of years, so the turtles+splinter decided to clean everything up, managing what to throw away and what to keep
they come across a blanket that they used to have as kids (which was the same blanket from the flashback in hidden city's most wanted) The individual turtles are hesitant at first and decline wanting to keep it, but overtime they start to realize just how much they want their childhood blanket back. They start making excuses and stealing the blanket from one another, insisting that they needed it for something important, which was very much not the case.
soon everything ramps up to the point where their methods of trying to take ownership of the blanket start getting wilder and wilder and hijinx ensues, not long before everyone overtly starts fighting over it like their life depended on it at the climax of the episode.
I didn't really have a plan yet as to how it was going to end, but if I were to make something up on the spot I'd say either:
A.) it's revealed that the blanket was actually splinter's old bath towel that he doesn't use anymore, the turtles are disgusted by this and stop fighting over it. That is until the twist at the end where one of the turtles comes back for it and takes the towel for themselves when no one is around. gross.
B.) Mikey stops the fight before it gets too serious, calling him and his brothers out for acting like savages over a blanket. Soon everyone realizes that the blanket isn't important, the blanket may be of great significance to them, but their memories together will always be more important, and they can't let a simple piece of cloth tear them apart.
and then after everyone else has left and made up, turns out that it was actually Mikey's plan all along to have them stop fighting to keep the blanket for himself.
this is more of a doodle but I had to bring this one up because it's just funny to me
basically, I was drawing Leo and I had two separate layers, I drew Leo photogenically on the layer above with the deranged Leo invisible underneath, and after some time I completely forgot what I drew on the layer below and made it visible again
yeah you can imagine my soul leaving my body
white-eyed Raph freaks me out,,, where did the yellow go,,,,
"I'M SENSITIVE LEO"
this is the only non-turtle drawing in this whole post I think
okay, a bit of a backstory on this one, this was my very first actually finished RotTMNT animation. It was for a trend on TikTok not too long ago where artists would be drawing a character and the character would move to let the artist continue drawing them
This one animation has single-handedly given me so much clout, like holy crap it's literally at 5M views now and it scares me a little 😭😭
for anyone wondering, its this one
YES I AM AWARE OF HOW CRINGE IT IS LEAVE ME ALONE IM NOT THE SAME PERSON I WAS BACK IN MAY
or whatever month it was, I have no idea what 5-5 is supposed to mean I can't read tiktok dates
not rise related but oh my word I absolutely do not have an actual art style 💀
donnie gets trolled
very eyestrainy. this is a WIP screenshot from an animation meme I never finished
I still have the Krita file btw, so maybe one day ill get to show u guys the full soon if I ever get around to finishing it
I have no idea why I formatted this the way I did, but I'm assuming this was most likely a doodle right on top of the animation meme I mentioned earlier and I just didn't bother cropping it
yeah idk why I drew them with really big eyes
he's sleep-deprived and done with everything he's about to go apeshit
also, weird brush
when I tell you guys I was SO READY to see Leo die in the movie before any information on it came out
vine reference in 2022 baby
I'll have you guys know this was completely by accident
Anyways that's as much as I could fit in one post!! I have a bit more but ehhh maybe sometime later
these are all in the order I made them in, which explains why it kind of gets better the more you scroll, so I hope your eyeballs have been cleansed even slightly by the newer ones jfdsjfkI
I have no idea how to end this post uh like and subscribe
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Sugaya headcanons because I think he’s really pretty
He draws on his tests after he’s finished or just bored
Draws on his erasers as well
Sometimes, he accidentally draws on his desk
Wouldn’t watch an anime he didn’t like the animation style of
Somehow knows how to do eyeliner
Puts his hair in a ponytail when it gets hot or just whenever he feels like it
Used to paint on the walls when he was a kid
Redraws manga panels
Has neat handwriting
Listens to Tame Impala
Draws on people’s faces while they’re sleeping
His favorite anime is Keep Your Hands off Eizouken and he sometimes watches it with Okajima and Mimura
Is a night owl
Has pretty much drawn everyone in the classroom
Played with Play-doh a lot as a kid
Goes to art museums about every week
Has a different piece of art from various of places brought to him by his sister Yoroko
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Good afternoon pretty ☺️ I’m feeling a bit hot (it’s 33 here in our place) so i might head inside the bathroom to sleep /j take a quick shower before doing my Ghibli redraw in a bit *chugs some cold water*
How about you? How’s your day?
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Eyes zeroed in on ghibli redraw— share crumbs ma'am jxgdkwlsmxk jkjk watchu drawing?
My days been dragging out just fine. Bored to the max,,, like,,, I started renovating my rp blog,,, that bad,,, and ye I totally get the hot part— this heat ain't playin bro I'm drinking liters per hour because of this heat😭😭😭
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It'll probably be a while, but the options that this opens up are near infinite, and it's appealing to those that don't care to dress up pets.It looks like some of the more boring poses might get some cool redraws too. Honestly I was kinda hopimg that they would do something like Grundo's Cafe, since some colour combos feel like missed opportunities.
So I was looking at the new Neopets art and I noticed something...
It looks like there is the old Zafara artwork in the BG!
Zafara have been anthro for a while, so it looks like we might be getting some classic poses!
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Bad Habits (Bucky x Reader)
WARNINGS: Smut, Angst, Mental Health, Unhealthy Relationships
SUMMARY: The only thing that makes you feel better is being in Buckys bed, even if it makes you feel worse at the same time. Because you’re addicted to the hurt as much as you’re addicted to him.
It hurts and it stings and it burns and it breaks your heart and yet you keep doing it, not in spite of the agony it causes you but because of it. When the worlds a little too loud and being alive is a little to exhausting, when your skin starts feeling too tight and your that tight ball of pain in your chest makes it’s presence known, you run to him.
When the world is too much for him and he remembers that his own mind is his own worst enemy, when the nightmares of what his hands have done without his minds compliance haunt him, he runs to you.
Eventually, something breaks and you always end up with your bare skin pressed against his, his teeth embedded in your neck, his hands bruising your hips, his cock buried deep inside you and his eyes looking straight through you.
Sometimes it’s a pattern. He knows to expect you when you come back from your therapist, already stripped down to his boxers and waiting on the bed for your return, knowing you’re going to climb onto his lap and ride him until you can’t feel your legs anymore.
When he comes back from a mission with someone else’s blood on him you know to step into the shower after him and bend to his will, letting him use you to remind himself that he is in control.
He’ll wake up from a nightmare and won’t bother stopping to wipe the cold sweat from his skin before he makes the journey to your room, sliding beneath your sheets and hands pushing your panties aside before you’ve even fully woken from your slumber.
Because the worlds a cruel place and life is painful, there’s not a day where you don’t bear the marks of your unhealthy union with Bucky on your skin. Bruises on your thighs from his fingertips digging in when he holds your legs splayed apart and fucks the anger into you, a perfect imprint of his teeth on the back of your neck from where he bends you over and claims you in the basest most primal way. Your marks on him always fade too quickly but you’re provided with plenty of opportunities to redraw the lines down his back, your nails slicing through his skin as he brings you to the precipice of pleasure and shoves you over, drowning you in bliss and self-loathing.
It used to be so much kinder between you, before the clothes came off. He would smile at you like he smiled at everyone else, you would smile at him more than you smiled at anyone else.
THEN
You could see his figure in the doorway, shoulders hunched like he was inadvertently trying to make himself smaller.
“Can’t sleep?” You asked without really looking away from the tv screen.
“No.” He rasped.
The broken sound of his voice actually made you look up and you inhaled sharply at the sight of him. Sweat rolled in droplets down his bare chest as it rose and fell rapidly while he fought to regulate his breathing, trying to fight back some semblance of calm. Metal fingers pushed damp strands of hair out of his face, his bloodshot eyes boring into you and you knew he was having similar thoughts about you. Your own skin was clammy, your own eyes so tired and dark they looked almost bruised. In the shadowy room, in the middle of the night you were both exposed for what you were. Two very broken people. He moved slowly, like he was in pain, as he dragged his body over to the couch and slumped down beside you.
“What are we watching?” He asked.
You turned your head away from him and back to the tv.
“No idea.” You said.
He didn’t reply and you both lifelessly watched the screen, neither knowing nor caring what was on it. At some point he leant to the side and without saying a word, laid his head on your chest, stretching his legs out across the cushions. Some of the tension eased from his shoulders and he took a shuddering breath and that was that. He stayed that way for hours, until the sunlight started to intrude on the almost peace you were sharing.
“I’m going to go to bed.” He announced, standing up lithely.
You just nodded, eyes still focused on the screen. He looked down at you for a moment, expressionless.
“Come with me.” He said.
It was worded like a question but sounded more like an order.
“Why Bucky? Why would I do that?”
“Don’t you want to feel something? Fucking anything? I do, and... and I wanna feel it with you.” He asked with a bitter, humourless laugh.
When you didn’t answer, didn’t even look at him he walked away.
You did want to feel something, something other than the cold numbness that came after the dark soul crushing pain. Your mind could be cruel, pushing anger and depression onto you for so long but eventually something inside you would snap and you’d stop feeling altogether. You didn’t want to be numb anymore.
With every step towards his room there was a voice in the farthest regions of your mind screaming at you to stop, turn around before it was too late but you ignored it. The awful truth was that when you could feel, when you weren’t cold inside, you were in love with Bucky. Even now when you were lost, he meant more to you than anything and you would follow him into hell itself if he asked you.
So you knocked on his door and into your own personal hell you went.
NOW
You had tasted every inch of Bucky’s skin except his lips. His hands had picked you up and pinned you down, his fingers had been wrapped in your hair or pushed deep inside your pussy but he had never held your hand. Your arms had been wrapped around him as he thrust his cock inside you but you’d never held him. Your legs had been spread for him, wrapped around his waist, slung across his shoulders, tangled with his under the sheets but he had never even walked by your side. Unless you were fighting bad guys or fucking each other, you acted like the other didn’t exist.
He was using you, taking everything you had and draining you dry but you were doing the same to him. Deep down, you both knew it wasn’t healthy, that was why you couldn’t look each other in the eye anymore. He was your crutch, your addiction and you were his outlet, his metaphorical punching bag.
For the thousandth time, you returned from an appointment to find him waiting for you.
He was sat back on your pillows like he belonged there, his hair fanned out, framing him. This might be hell for you but he sure as hell looked every inch the Angel. As soon as you stepped through the door he held his arms out, waiting for you to crawl into them like you always did. It might be wrong, this affair, but he knew you, he knew what you needed and he relished in providing it. It was more than most people could say about their partners.
Your therapist suggested that loving Bucky was safe for you, because you thought he didn’t love you back and you were afraid of having a normal, healthy relationship. She was right in a way. Love was dangerous in your eyes. Every day, all across the world, people were destroyed by it. Wars had been waged, lives ruined, people killed all because of love and how it can break us when it goes wrong. At least with Bucky, you knew the kind of pain you were setting yourself up for. And maybe the kind of pain you felt with him was addictive. Being hurt by Bucky was better than being loved by someone else. You didn’t love him because it was ‘safe’, you loved him because you didn’t have a choice in the matter. He had your heart from the second you’d met him and his hold on it was too strong to fight, even if you wanted to.
You joined him on the bad, straddling his thighs and feeling the familiar burn of lust in your veins.
“If I asked you, would you kiss me?” You said softly, too ashamed to look him in the eye.
He stilled underneath you and inhaled sharply. You chanced a look at him, your heart contracting painfully at the tick in his clenched jaw and the hard look in his eyes. His hand cradled the back of your head, gently pulling you to him. His lips brushed lightly against yours and you waited for the other shoe to drop, to be pushed away, for him to laugh or be angry but that wasn’t what happened. His lips parted and he caught your bottom lip between his, kissing you tenderly.
“I’d give you anything you asked for.” He murmured against your mouth.
You could feel the burn of tears behind your closed eyelids and you knew you should walk away, should run. You should be brave and strong for both your sakes and end this. But you couldn’t just kick the habit. You needed him. So what the hell were you going to do?
“Maybe we should just share a room, instead of having to come looking for each other all the time.” He whispered.
Maybe he was just as addicted as you were. Maybe the fact that you could find solace in each other actually meant something.
“I love you.”
He didn’t say anything for the longest time, just looked at you with an undecipherable expression. You almost flinched when he slowly cupped your cheek in his hand.
“I’ve been waiting a long time to hear you say that doll. I love you too.”
Maybe two broken halves actually stood a chance of making a whole.
A/N - Believe it or not, this was 100x angstier before i edited it for public consumption. It’s just an angsty kinda day folks, at least I gave it a happy ending?
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Experiment Three
This took way longer than expected!! I thought I would finish it in maybe two sittings, but no! SIX sittings (and 41 frames)! Therefore, this could be my final product - I do really like how it turned out anyway.
I have to admit, I was getting bored of it by the third session, so ended up only doing a little at a time, and I didn’t want to give up and leave it unfinished.
I decided to put this on a black background, as I felt it looked better and was easier on the eye. I also chose to redraw the entire composition for each frame because I like the ‘wiggly-ness’ it gives the animation, compared to a completely still composition which would feel a bit serious/not playful, especially with the black background. It makes it appear more ‘alive’.
I’m considering adding the quote from my poster, although that may take away from it this time, so might just title it with the quote.
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