#i feel like it *should* mean moderately but the only uses for it i can think of mean very

[almostempty]

Self Esteem

Pairing: fuckboy!joel x f!reader

Summary: Joel blows you off for your date. You end up blowing him when he shows up looking to score. Inspired by the song Self Esteem by The Offspring. 

Warnings: kinda mean/fuckboy joel, mild dub con, smut, PWP, oral sex (m receiving), unprotected piv sex, joel comes on your tits, dirty talk, one (1) slap, choose your own joel era, readers on some dumb bitch juice for this man (i would be too), hit and run, smash and dash,

Notes: PLEASE send any feedback, this is the first thing i’ve ever written and posted, i’m tryn’ to practice and gain confidence bc my dream fic doesn’t exist so i gotta write it, it’s scary to post, y’all are so brave wtf 

WC: 2.9K

AO3: https://archiveofourown.org/works/57513220 

Part 2: Want You Bad

Part 3: Kick and Scream

Masterlist: Here

It’s a moderately painful type of suffering. Like purgatory. You’d made plans to go out tonight with Joel. It’s useless to expect him to show up, but you got ready and anxiously paced around your living room anyway. Checking your phone, at thirty minutes past the time he had said he’d pick you up. You sent him a text. His read receipts were on; he saw your message. Another thirty minutes pass agonizingly slowly. He hasn’t responded. You can feel a mild headache forming behind your eyes. 

You grab a drink from your fridge and collapse on the couch with a sigh. A mixture of anger, regret, and rejection churns in your gut. You shouldn’t have set yourself up for disappointment. 

No, he shouldn’t be such an asshole. You’ve got to stick up for yourself. Tell him off for his bullshit. The manipulation, standing you up, the lies. You know he’s using you. 

Unfortunately, you find the toxic rush addictive. The way he charms and seduces you after disappearing or acting like an idiot. You enable his behavior every time. 

And it’s sick that you like it. You like knowing it’s your door he knocks on in the middle of the night. He won’t take you on a date, but he still can’t stay away. 

No. Not this time. You’re done letting him waste your time with plans that never materialize. You’re going to practice all the things you should say. Tell him to fuck off. 

You grab another drink and return to the couch. The rejection is sinking in, and you’re feeling pretty low. You silence notifications from him in an attempt to take control of your thoughts. To stop waiting for it to light up with his name. You aren’t going to keep waiting for him. 

You shower and change into a big T-shirt and underwear. Returning to the couch, you turn on some trash TV to shut your brain off. It helps. Keeps you distracted. When it hits 2 AM, you crawl off the couch and turn out the lights. You hope you’re tired enough to sleep without Joel haunting your thoughts. 

You’re getting a glass of water to take to bed when you hear the knock at your door. Your stomach swoops and your body tenses with excitement. 

You’re fucked. 

You can’t stop the smile that breaks out on your face. 

He’s like a stray cat. Or, more like a tomcat. You know he’s gonna sweet talk his way in. You should ignore him. You should leave him outside on your doorstep, horny and alone. Let him feel rejected this time. 

You crack open the door and face Joel. He glows in the moonlight, stupid eyes sparkling when he looks at you. He leans an arm on the door frame and purrs at you. 

“Baby.”  

You roll your eyes. His breath smells like whiskey. 

“What the fuck, Joel? Where were you?”

He frowns. Big brown eyes try to weaken your defenses. 

“Work thing.” 

“Til 2 AM?” 

“One of the guys on the crew. Was his birthday, so we had to take him out.” 

You don’t believe him. You feel the urge to slap him across his scruffy cheek. You feel the urge to pull him in and kiss him. 

No. You can’t listen to that voice. The voice that still gets butterflies over him showing up at the door. He’s only here because all the bars closed, and now he’s looking to score. 

He preys on your moment of weakness. You’re in a debate with your inner demons, and he barges his way into your space. He moves like a blur. You blink and his rough hand is tracing the line of your jaw. 

He’s caging you in against the back of your door. He leans in closer. Hot breath fanning over your face. Your breath is still caught in your throat. You have half a mind to shove him off of you and begin your lecture, but he gives you no chance. 

He presses urgent kisses and bites along your jawline and down the column of your throat. A vampire at your door. You didn’t invite him in, but he’s got his teeth sinking into your flesh anyway. 

He smells like sweat, sawdust, and some over-scented men’s deodorant. Smells like a man, your lizard brain thinks. 

Trapped between him and the door, the closeness is intoxicating. His body is large and powerful and radiates a frenetic energy. Like he’s buzzing with need for you. You can’t help it; you like feeling wanted like this. Desired. The way he crashes into you like a feral beast—

“Wait.” Some sense flashes into your conscience. 

“Hmm?” he growls in your ear. His face is still buried against your neck while his hands grope at your body. You can feel the heat radiating off of him. His hands move to knead at your breasts through your soft, faded shirt. You fight to ignore the pleasure. 

“Joel.”

“Hmm.”

“You can’t just show up in the middle of the night after bailing on me and expect to get laid.” 

His hands slide under your shirt. The skin-to-skin contact makes you dizzy. He pinches and pulls at your nipples, and you fight back a moan, trying to refocus. 

“Joel!” you snap at him. 

“C’mon, I’m sorry, baby,” he coos into your skin. 

He rocks his hips against you, and the sensation of his hard bulge in his jeans against your soft skin sends a jolt of need through your nervous system. The words you practiced earlier slip further and further from your mind. 

“You can’t keep treating me like this.” You lob at him. The rest of your speech is hazy. You're grasping at sentence fragments, trying to remember the points you wanted to make. 

“Not gonna keep working.”

“Quit,” he replies sharply. 

“What?” 

One of his large hands slides up, still under your shirt, bunching it up, and wraps around your throat. He bites at your chin. Sharp teeth. He kisses your cheek. Soft lips. He nips your earlobe. You gasp. He sucks it into his hot mouth. Your eyes slam shut. 

You feel like you’re at his mercy, and the cavewoman inside of you just wants him to drag you to bed. 

“Quit arguing,” he grumbles. His deep voice in your ear sends a rush of arousal down your spine. 

“It’s not fair,” you protest. 

He shifts. His hands travel downward to squeeze at the plush skin of your ass. He tugs you forward and shoves his knee between your legs. You lose any train of thought. Cruel man. You don’t care anymore. You’ll let him keep tearing pieces out of your heart. As long as you can keep using each other's bodies. 

The pressure and friction of his thigh against your tingling pussy is the ultimate betrayal. You can’t stop the whiny gasps that come out of your mouth at the contact. 

He lets out a satisfied chuckle at that. Cocky bastard. 

“Not fair,” he repeats after you. “Hmm. Tell that to your wet cunt dripping on my leg, baby.” 

Your core flutters at his words. You feel your face flush, but it’s hard to argue with him. 

“I think you want me,” he continues. 

You try to glare at him. Your hips don’t care, though, as they roll against him. 

“S’alright, baby.”

You wish it were. 

“I only want you.” 

You desperately want to believe him. You shove that thought out of your mind. 

He pulls your shirt off and rakes his eyes down your body. He’s menacing. His broad shoulders and tense muscles loom over you. He’s fully clothed while you’re bare except for your wet panties clinging to your folds. 

Your chest heaves as you watch him. He has a carnivorous gaze. You’re prey with your soft body exposed; he’s a hungry predator waiting to make a lethal move. 

But he doesn’t strike. 

He moves painfully slowly. Tracing a finger down over your lips, down your chest, and belly, to the hem of your underwear. He slips the tip of his finger underneath and skates it across your skin from left to right. 

“Fuck,” you breathe, tense and twitching at the sensations. It’s too delicate. His expression looks like he wants to eat you whole, but his movement is restrained. 

“Know you do.” his voice washes over you, and a slight hum echoes in your throat. 

“You want me.” he husks. 

He pushes you back off his thigh. His hand dives further into your panties, and he drags his fingers through the pool of your arousal and spreads it through your folds. A smile breaks out on his face. 

“Yes,” you exhale as your body shudders. 

A look flashes across his features, and his eyes darken with lust. You peer down to watch his hand disappear in your underwear. 

“Say it.” He demands. 

“What?” Your eyes flick up to his. 

“Say it.” He repeats firmly. 

You writhe a little as he continues to toy with you. He’s wicked. Tracing circles around your clit, but not long enough to build a satisfying rhythm before he dips down and fills you with two fingers. He moves them lazily for his own enjoyment. 

You groan in frustration. It’s a tempting sound to his ears, but he doesn’t look amused. He’s waiting to hear it. 

“I want you?” you guess what he’s waiting for you to say. 

There's no use lying about it if that’s what he wants to hear. You want him. Even if you’ve been ruminating over his shitty behavior all night. 

“You askin’ or tellin’?” 

“Want you,” you repeat as a statement. 

He pulls his hand away completely. Your body jerks, chasing his touch. 

“Please,” you try. 

“Again.” he’s gruff. Ferocious as he demands you confess your desire. 

You sigh. Maybe for giving up so quickly or maybe because you always knew you would. 

“I want you.” 

He doesn’t relax. Or move. 

“Again.” He repeats like he’s a malfunctioning robot. 

“I want you, Joel.” 

“Again.”

“Please, Joel, I want you.” 

The hint of a smirk appears on his face. 

He taps your chin, encouraging you to part your lips. He slides his wet fingers in your mouth, along your tongue, and then removes them. He holds your open mouth, fingers around your jaw, and looks as if he’s assessing the quality of your tongue. 

“Prove it.” He commands. 

His tone does something to your brain.

Tomorrow, you might be confused at how he blew you off, but you ended up on your knees blowing him. But right now, you’re chasing a desperate need.

He steps back to give you space. You drop to your knees as he undoes his belt. Your eager hands work his jeans and boxers down far enough to expose his leaking cock. 

If you looked, you might’ve caught his condescending smirk, now fully exposed. 

You don’t look. You don’t wait for further instructions. You lap at his tip and tease with your tongue. You start working him into your mouth. 

The weight of his cock on your tongue causes you to moan. The vibrations cause him to moan right back. 

His arm shoots out to the door behind you for support. His head hangs, watching you move. 

“Fuck,” he groans at the sight of your lips wrapped around him. His clipped grunts and the way his core flexes encourage you. Your soft hand works in tandem with your mouth, and you’re drooling openly. You coat him in saliva. Messy. Your lips are swollen. 

When he breaches your throat, you slow down to focus on your breathing and swallowing. Little gags contract around the head of his cock as you focus on relaxing. 

“Fuck. Yeah, baby, show me you want it,” he rambles above you. 

You keep going and take him deep until your jaw aches and your pussy throbs. Hearing him react and spew filth at you stokes the fire in your core. 

“Knew your cock hungry mouth was waiting for me,” he slurs. 

A flash of embarrassment courses through you at that statement. 

You did wait for him. You should’ve said no. But it’s so hard when he shows up ready to go. You may be dumb for tolerating his actions, but you’re not going to turn down a man that looks like him and fucks like he does.  

“Eyes up,” he orders. 

You whine around him, looking up through your lashes. Obedient. With your eyes locked on each other, something passes briefly between you. Easy to miss, hard to describe. Like you could look at each other like that forever. Then it’s gone. 

He slides out of your mouth. Ogling the pornographic way spit trails between his tip and your tongue. The way your lashes are wet from trying to blink away the tears of exertion. 

“I did wait, Joel. Waited for you all night,” your voice comes out a little hoarse. You can’t be bothered if it sounds desperate. 

“‘Course you did,” he smiles and cradles your cheek in his palm. “Get up.” 

You don’t argue. He helps to pull you up, spins you around, and walks you the few steps over to your couch. He bends you over the armrest. You’re burning with need. 

He takes his time pulling your panties off. The way he has you presented for him makes you impatient. 

“Joel,” you whine his name in protest. 

“Quit.” He slaps your ass to make his point. 

You huff, but when both of his large palms spread your cheeks wider for his own enjoyment, another needy whine slips out of your throat. 

He chuckles darkly at you. 

“I’ll give you what you need,” he assures you before he sinks into your desperately empty hole. 

You groan in unison as he fills you. 

“So deep,” you murmur. He fits like he was made for you. Fills you up, so you can’t think of anything else. Can’t think of what you wanted to say or how you felt watching the time pass while you waited for him to show up earlier. 

“Always,” he agrees. 

He picks up a bruising pace. On edge for so long, you might go blind with the force of your building climax. 

He grasps your hair at the base of your skull and pulls, further arching your back and ripping another moan from deep in your chest. The sensations are overwhelming, and your mind feels blank. The sounds of his hips slapping into you and your combined panting, grunting, and babbling turn to white noise. The consistent drive of his cock against the perfect spot inside of you has you hurtling to the edge. 

“Yeah, baby, I know what you want,” he croons. Your breasts bounce with every thrust, and his other hand wraps around you to squeeze at them tightly. He remains steady and brutal with his movements. He does know what you want. And he keeps giving it to you. 

“Please, yes, don’t stop,” you beg. 

You wriggle one hand down to touch yourself. The pressure from your fingers around your clit brings you over the edge. You clench around him and gasp as you come.

“Yeah, that’s it. You come on this cock,” he rasps behind you as he works you through it. 

You feel the release melt your muscles, causing you to slump forward. 

“Oh, fuck,” he breathes, and you know he’s trying to hold on as he pulls out and pants heavily. 

“Turn around for me,” he demands, stepping back. “On your knees.” 

You obey and turn to kneel in front of him. He looks wrecked, his eyes half-lidded and his mouth hanging open. His fist wrapped around his cock, still glistening from your release. 

It’s a debauched scene. He’s still fully dressed, only as exposed as necessary. He charges towards his climax with frantic force. You pose for him eagerly despite your boneless, damp form. 

He looks so primal it makes you lightheaded. You bite your lip to stop yourself from letting a giggle out. Your face shines with a sated glow.

You tilt your head up and squeeze your tits together for him. 

“Fuck, fuck,” he rasps out like it’s the only word he knows at this point. Your glossy, swollen lips pout up at him. Like, you need him to finish for you. That sends him. He comes across your chest as you release your hands, dropping your breasts with a little bounce.. 

He stares at you as his breathing slows. His warm spend is rapidly cooling against your skin. You still have a glowy, dreamy look on your face. Content.

“You look so good like that,” he praises you. A flush creeps up your chest and neck. 

You stand up and grab your forgotten water from the coffee table. He tucks himself back into his jeans and fastens his belt. 

“You gonna buy me breakfast to make up for bailing?” you float the idea with a joking tone, but there’s hope behind it. 

“Sorry, baby, got a job early in the morning.” 

“Right,” you snarl at him as he leans in to kiss you. 

“How about dinner after?” he suggests and fishes for his keys in his pocket. 

“Okay, yeah, what time?” You ask. 

“Not sure when I’ll be done.” He’s not looking at you. “I’ll text you.” 

He turns, slips out the door, and then he’s gone. 

You’re still standing there, naked and dumbfounded, with his drying come across your tits as he drives away. 

You groan and curse at yourself. He’s not going to text you tomorrow. 

You should stick up for yourself. But he did say he wants only you. And the more you suffer, the more it shows you really care, right? 

[maybankswhore]

𝐌𝐈𝐒𝐒𝐈𝐍𝐆 𝐏𝐈𝐄𝐂𝐄.

summary: even though jj refuses to admit his feelings for you— he doesn’t want anyone else to have you.

warnings: cursing

prompt: “why are you mad?” “i’m not mad , i just think you can choose better people to kiss.”

The dynamic between you and JJ was undoubtedly strange. You’d two hold hands , hug for longer than ‘friendly’ hugs usually went for , have sleepovers where you’d cuddle and kiss his cheek. It was like a relationship without the title and without the kissing and sappy lover girl esqe commitment.

But it started to get hurtful. To be the girl that was always there , the only girl that was ever there , and still be seen as nothing more than just a friend. God , how you absolutely hated using the word ‘friend.’

There was hookup after hookup , one after the other. JJ would tell you all about them , seeing nothing wrong in confiding his deepest thoughts with his ‘best friend.’ It was harmless in his mind. If you were too hook up with anyone , he’d want to hear about it. I mean— it’s not like there were guys lining up for you at the door. You were stagnant and clearly into JJ so most guys didn’t bother trying. So while JJ figured he’d be okay with hearing about it— it turned out to make him feel the complete opposite.

All four Pogue’s were sitting around the fire in John B’s backyard as you sat there bashfully , remembering your work shift earlier that morning.

It had started like any other day— the same old faces that come for the same old cup of coffee. Some were a bit less frequent and the tips were all in the same. Business wasn’t necessarily ‘booming’ but it was a moderately profitable day. Today had seemed like any other day— until it wasn’t.

A boy who was not much older than you were had walked in and you swore your heart stopped. There wasn’t many people you looked twice at , beings that you suffered with the cruelty of unrequited love. But this one had made you look twice. His hair was shaggy brown , stopping right above his eyebrows. His green eyes seemed kind , the minute he had mumbled ‘hello’ to you.

You were surprised he asked for your number. The banter between the two of you , and how charming he was seemed to brighten your morning just a bit— and since JJ hadn’t seemed to be confessing his undying love for you any time soon , it seemed to be the right time to try and put yourself out there.

“No way you actually gave some random guy your number.” JJ scoffed from the side of you. He wasn’t sure why hearing you talk about another guy that way made him feel so. . . mad. Sure he cared about you , but never really paid attention to what kind of care it was. He always chalked it up to knowing you his whole life , declaring you his bestfriend for life. But watching the way your eyes danced amongst the flame with a certain girlish glow , his heart beat faster than he had ever felt before.

You rolled your eyes. “Okay and? It’s not like you don’t give out your number at every boneyard party.” You defended yourself.

“She’s right.” Pope pointed at her.

“Yeah I think it’s sweet.” Kiara gushed , hyping it up more than it really was. She knew JJ had a crush on you— anyone with two eyes could see that. He was just too stupid to bother realizing it. “It’ll be like those movies where the girl falls for the guy from the coffee shop.” She placed a hand on her heart dramatically. “That’s like , super romantic.”

“I know!” You sighed dreamily. You had always been such a romantic. Reading , writing , watching it. Those silly little cliche book plots coming to life.

JJ rolled his eyes. “It’s not that romantic.”

“Why’re you being such a hater right now?” You asked JJ , crossing your arms over your chest annoyed. “You should be happy for me! Stuff like this never happens to me.”

JJ began to think back over the years before realizing that you were right. You were always with him or the other Pogue’s and when there were parties , he’d find some girl to mess around with somewhere before finding you so you two could go home together like you always had. He hadn’t remembered the last time you even talked about liking someone. His chest began to ache at that— feeling bad. Of course he wanted romantic stuff to happen for you so why did he feel so defensive about it? Sighing , he shook his head of the confusing feelings. “You’re right , I’m sorry. What was his name?”

He swallowed down whatever he thought he was feeling , doing what he did best ; ignoring the problem until it eventually went away. Because he couldn’t think of you like that. . . The two of you were just friends. You always had been— right?

John B and Pope shared a knowing look. You smiled obliviously and continued.

“Nate.”

“Nate?” John B asked with his face turning red.

“Yeah?”

“As in Nate Montero?” Pope pressed further.

JJ shifted in his seat uncomfortably , looking at you. “As in the guy who cut my hair in Kindergarten?!”

You covered your mouth as you gasped , remembering how much JJ had cried because some kid on the playground cut a chunk of his hair off. The name did seem familiar to you at the time but you hadn’t even remembered then. JJ’s face was scrunched up with disgust while the Pogue’s doubled over into laughter. How ironic.

“It was a long time ago!” You groaned.

“I don’t give a shit! That little bastard cut my hair. The hair I had been growing for years.” He threw his hands up in the air. “You can’t go out with him.” JJ said immediately with his nose turned in the air.

“Oh yes I can.”

JJ raised his eyebrows at you , taken aback by the seriousness in your voice. Something bubbled inside of him— something he couldn’t quite figure out. Whatever it was , though , he didn’t like it. “That’s like a betrayal!” He said after a few seconds.

“John B literally dates Sarah Cameron!” You pointed out , giving him a soft smile of apology when he shot you a look. “Sorry but it’s true.”

“She isn’t wrong.” Kiara chirped up.

“You’re literally friends now!” Scoffed John B.

“Yeah— now.” You pointed out. “But at first there was hella beef that was deeper than getting your hair snipped in Kindergarten.”

John B groaned. “Can we not bring me up into this? This is between you and JJ.”

“There’s nothing between me and JJ—” you ignored the way your stomach began to hurt at that. The words only fueling your desire to see the guy , Noah , from the coffee shop again. “I’m seeing him.”

“Y/N this conversation isn’t over!” JJ called after you once you picked up your beer can and started walking towards the house. You didn’t bother looking back , throwing him the middle finger as you disappeared behind the doors.

JJ’s eyes turned to slits and looked at the Pogue’s with an annoyed expression. “Can you believe her?”

“Believe what? That she finally finds a guy attractive other than you?” Kiara folded her arms across her chest. “If you aren’t going to be with her then let someone else who wants to be and be happy for her.”

JJ furrowed his eyebrows at Kiara. He glanced at Pope and John B before looking back at her. “Y/N/N does not find me attractive.” He waved her off.

“Oh please.” Pope muttered under his breath.

“I say we just let this play out.” John B stretched out with a yawn.

“This could end badly—” Pope pointed out.

“Or JJ will finally get his head out of his ass.” Kiara snorted.

JJ stood up in front the Pogue’s with an uneasy look. “I don’t know what you’re all talking about but the only way this ends badly is if Y/N decides to go ahead with that guy. He’s bad news.” He huffed , running back into the Chateau.

“He’s so jealous.” John B smirked while shaking his head.

“Very.”

It had been very tense between the two of you. You were so mad at him for thinking he had any right to tell you who you could or couldn’t date— especially after years of pining after him , and watching him go through girl after girl without so much as glancing your way. You weren’t going to keep hoping for someone to look at you anymore.

Nate had texted you to meet up and you did. It was a nice date , nothing too fancy or mind blowing. Just a simple date. One that ended in a small goodbye kiss on John B’s front porch— the place you normally stayed on on the weekends when your parents were out and about , barely thinking twice about you.

You were glimmering when you walked back in. You figured the Pogue’s would be in the backyard like they always were , so you breezed past the living room and into the kitchen for a glass of water. Your thoughts were everywhere because you did like Nate , and the kiss left you breathless— but it wasn’t like what you thought it would be. Though , none of the past kisses ever were. There was always something missing , making you rethink them.

“Oh so the traitor is back.” JJ strolled into the kitchen without looking at you , his tone hard.

This had been the first time in the past two days he bothered talking to you. You figured he was just pissy you decided to go out with Nate after all , despite the silly Kindergarten incident.

“Why are you mad?” You put down your water bottle and stepped in front of him so he couldn’t look away from you.

“I’m not mad. I just think you could choose better people to kiss.” JJ said. His fingers dancing towards the side of her face.

You felt your breath catch in your throat. Pulling your face away from his hand , you sighed. “If this is about what happened in fricking Kindergarten—”

JJ grabbed your face in his hands , your cheeks hollowing out between your teeth as he did so. You looked at him through fluttering eyelashes , your cheeks burning up. “This isn’t about what happened.” He murmured to you.

This whole conversation had him thinking. That feeling he was feeling— it wouldn’t go away. He had tossed and turned all night that night because his stomach was so sick thinking about you with someone else. He didn’t know why it never occurred to him that you’d eventually find someone else. He didn’t know why he wasted away all this time being with girls who didn’t mean anything. JJ wanted to kiss you. And to hold you like more than a friend. He didn’t want you with Nate— or with anyone. And he felt so bad about never realizing it , and always pushing away those feelings you’d make him feel because he was scared to lose you.

But he couldn’t lose you to someone else.

“I don’t want you to kiss Nate. . .” JJ breathed , inching closer to your face. Your eyes were wide with shock as you watched him , your heart beating crazily in your chest. He still held your face in her hands , watching your reaction to his words. He only hoped that you’d want to kiss him back.

“JJ—” you mumbled. “What’re you—”

“I want to kiss you.” JJ told you , swiping his thumb on your bottom lip. “Only if you’ll kiss me.”

Your heart began to race as you studied JJ’s face. The crush that you had buried inside of you for years was bursting in your chest , making friends with the butterflies in your stomach. Your mouth went dry as you looked at him. JJ left go of the hold he had on you to simply cup your cheek.

“JJ don’t be mean.” You whispered. “If you’re doing this just because I went out with Nate—”

“This isn’t because of Nate.” JJ cut you off. “Not completely , anyway. It was at the beginning but I couldn’t stop thinking about you. His hands on you.” His left hand slithered down to your waist , snaking around it. “Your lips on his.” His other hand pulled at your bottom lip again. “I got jealous.”

You stared at stunned. “Jealous?”

“I think I like you , Y/N.” JJ sighed to himself , looking at you sweetly. “And I think I’ve always known but I just ignored thinking it would go away.”

You swallowed thickly looking up at him. “Did it?”

“No.” He shook his head. “It didn’t.”

“Then. . .” you took a deep breath and stood taller , clearing your throat to sound more confident. “Then I think I want you to kiss me.”

With wild eyes , JJ was treading a line he wasn’t sure it was safe to cross. But the way his heart burned inside of his chest , his ears ringing and pulse getting faster— it would be worth whatever outcome if it meant he got to feel what it was like to kiss you. JJ got closer to you , so close that you felt his breath fan your face. “Do you think or do you know?”

Quietly you weighed your options in your head. There were so many things going through your mind , telling you a million different things. But the way you felt was telling you to kiss him. Finally. After all this time— you wanted to make him wait it out like you had for so long. But you couldn’t control yourself. “I know.” You took the initiative to connect your lips to his , tired of this waiting game. It was either now or never.

He kissed you back immediately. His hands finding home around your waist. His knees felt weak and your heart felt mushy. As your head tilted to the side , a sense of relief fell over you. This was it. This was why no other kiss had ever compared or felt like it mattered. Because it was JJ , it was always JJ.

He was your missing piece to it all.

JJ was the first to pull away , breathless. He felt crazed as he looked at you with eyes wild. Nothing had ever felt like this with him— no other girl could ever compare to you.

“Like I said. . . this ended badly!” Pope bursted out , practically falling out into the kitchen. Kiara and John B rolled their eyes at him.

“Finally!” Kiara groaned. “I was so sick of the sappy back and forth shit.”

“I for one , agree.”

You hid your face in your hands embarrassed while JJ smirked triumphantly. “I have a full head of hair and I got the girl.”

“I hate you.”

[nocturnowlette]

Hypnotic triggers, just like everything else with the hypnosis community's understanding, is limited and flawed.

In general, when people do not understand how something works, they will imitate those who did it before them and ultimately give importance and distinctions to things that are arbitrary.

A hypnotic trigger, just like any psychological trigger, is an A, a stimulus, that causes B, a recalled stimulus. Neither A nor B need to be reinforced but are useful to do, most especially B.

Triggers are also not stronger than regular suggestion, they are just more convenient and more compressed. You create a concept in someone's head, a Thing, and associate effects, ideas, and feelings with it, so you can then have someone recall all of those effects, ideas, and feelings without needing to completely re-explain it. It is not unlike learning any other concept and its meaning. You are creating a new definition for what some stimulus means.

You could generate the same effects, if not stronger ones, without a trigger, but condensing it all into one moment is inherently useful and can lead to a myriad of possibilities, which can ultimately add up to more than the sum of their parts. Time and timing is important in hypnosis, and triggers save it.

While the "B", the effect, does not need to be conditioned (for any subject a somewhat competent hypnotist has any experience with, you should be able to prime the A and B with a single sentence and have it work at least moderately well), it is much more useful to condition it deeply. Triggers do not really atrophy if someone did an even somewhat passable job of conditioning, but it does need to be refreshed before use via priming and evoking the necessary ideas in the subject's mind.

The more the subject's mind needs to work to interpret something you've said, the more they will be taken out of that state where they're being guided. If the first time you use it in months isn't set up and as such doesn't work as well as it used to because of the need to process it, the subject will be convinced it doesn't work as well, and then it will actually have lessened effects due to the perception.

As for the "A", the trigger phrase, it is hardly necessary to actually have a deeply installed one outside of the effects of expectation and general structure you operate your subjects with. I even have a test to demonstrate exactly this, for experienced subjects only.

Trance itself is a conditioned idea that is then triggered. An experienced subject has the concept of Trance in their head: its effects, its ideas, and its feelings. It is always a limited conception of what trance is, but it is the reference point for what hypnosis is to someone. Most times, when a drop trigger or a fast sink into trance is done in any way, the subject is effectively triggering themselves with a stimulus A to reach the generalized stimulus B of trance itself. Memory recall is what brings someone down, and it does not require a traditional trigger to work.

If you are an experienced subject, I want you to try something for me. This is called the Orange Test. Ready?

Oranges are hypnotic now.

Think of an Orange.

If you have begun to find yourself sinking into a light to moderate trance, you may realize how utterly arbitrary all of this is. Your mind knows what trance feels like, and some magic ritual of the right words is not what is needed to access it.

Oranges are no longer hypnotic, in fact, they wake you up. Think of an orange again.

The thing is, you don't even need to tie it to any concept in particular.

Just remember what trance feels like. Focus on the idea. You might find that you can go into trance all on your own, skipping the line from A to B through initiating memory recall yourself.

This principle of memory recall is generally why I do not use drop triggers or anything a person has pre-installed. These fictional misunderstood boundaries the hypnosis community makes up have a self-perpetuating nature, one where someone being convinced of them creates a "pass or fail" state in their brain.

If you don't follow these correctly, you are doing hypnosis "wrong", and they are taken out of trance. It is why the first thing I do is educate someone, and why the second is to softly take down every barrier they have. Beyond that point, their mind is a fresh canvas, and not one with the lines painted for me by those who believe that canvases just come that way.

Painting by numbers is convenient for hobbyists, but limiting for anyone beyond that.

[lasirenatarot]

{18+}What turns them ON about you?❤️‍🔥

Pick -a-card reading.

*intended for your specific person in mind, but can be used for future spouse if you modify the question. If traditional gender roles don’t apply to your situation convert the words to feminine&masculine energy.*

->Pile 1

{Brad and Angelina}

{cards that fell: king of fire; mirror; justice; the world;5 pentacles;ace of swords; 7wands; ace of swords;2 wands}

This pile is really interesting, this person loves earning you in a way, feeling emotionally $ubmi$$ive, like you have control over them in all aspects without even touching them.

You may be bossy,this is definitely a turn on for your person. Ironically you chose the Brad&Angelina pic, and the situation being painted with those cards is exactly Mr and Mrs energy.

They enjoy a push and pull dynamic. If you try to dominate them I feel like they would also enjoy it👀 (even if they seem sceptical at first).

Arguing may be a turn on of theirs, puni$hing them with your absence or other ways when they don’t act accordingly; (that includes the makeup $£x after.) May sound toxic for some, but they may be one of those people that start little arguments for the smallest things sometimes, on purpose, so you two can ‘make up’ and they can ‘apologise’ by being good and pleasing you however you want (you know how) after..

They like when you’re acting kinda bitchy & like you’re ‘the prize’ they need to earn, but the key here is to do everything in moderation and not be mean&rude 24/7.

Your confidence may be a turn on for them. When you’re seducing them on purpose and then pulling away &acting like they can’t have you..(yet), because they should work more and ‘be better’ to get your attention. Your person needs constant passion to feel stimulated.

->Pile 2

{Vincent and Monica}

Cards that fell: 2fire,the punishment,earth,the priestess, 9water,king of water, 9swords,10chalices,knave of chalices,9pentacles,2pentacles }

This person loves the fact that you seem to have no restraints around them, you are quite open emotionally, in tune with your emotional side and know how to balance it well. (earth sign moon/venus energy).

Getting dolled up for them is sth they would probably appreciate- nice dress, hair & makeup done..

It may be a turn on for them knowing only they can have you in ways other people cannot.(you can tell them some bs like ‘yOu’Re tHe bEst I eVer Had..’ etc😂😂 it doesn’t matter if it is actually true, it would make them feel like a God.)

Praising them may be a turn on as well, it would make them feel more dominant, more in their power. Letting them take the control in bed, as well as non-$€xu@l situation would also be a little turn on for them, again, it would make them feel appreciated.

Knowing they can be the person that is capable of fulfilling all your needs is something very important to them. This pile is heavy on the praise k/ink, they need to feel desired&needed.

When you attend to them & their feelings, have obvious feelings for them ( i feel like this is important to mention, they may have been in a relationship where they’ve felt unappreciated, unwanted, not desired enough by their previous partner. The partner might have used them in a way.)

$€xting and writing notes to keep the anticipation during the day when u’re not together may work on them.👀

->Pile 3

{Jane et Serge}

Cards that fell: the moon, justice, the tower, 8pentacles, 10wands, 8fire,6air, 4swords, the world, king of air, ace of fire, temperance }

It will be hard to explain this energy but bare with me:

This person probably likes what I like to call more « bright » women- women who are confident&feminine, such who love the spotlight and getting lots of attention. ( in my mind is this scene where Jessica Rabit where she performs..)

People who are sensual & confident but not arrogant may be just their type.

A situation where they can feel turned on by you is for example if (hypothetically speaking) you’re in a group setting with some ppl who do not like you, they are passive aggressive with you, but you choose not to reply with the same energy and remain kind&graceful.(they may feel the urge to protect you and stand up for you in such situations) When you act like a « damsel in distress » basically, and they can be your « savior »..

A turn on for them I feel like it would be a situation where you’re ‘feeling yourself’, for example if you’re dancing in the club and they happen to be there as well and see you doing that.. $educing them in public places where you can get caught (or public $\€x)

Another turn on for them would be for you to ‘put on a show’ for them (you can decide yourself how, ex. give them a lap dance or sth, beautiful lingerie, a special dress..). They probably like the concept of « femme fatale » type of women who can ‘turn their life’ around.

This may not resonate for all, but if you are from a different culture/country, this may also be a turn on for them.

Decks used: ‘$£xual magic’ oracle deck by Lo Scarabeo; ‘Manara’ €rotic tarot deck by Milo Manara/ Lo Scarabeo;

That was all from today’s PAC.

thank you for reading! Hope it resonated.💞 Don’t forget to follow for more.

-La Sirena.💋

[thefirstknife]

Besties, I need help. Especially people who have a lot of reach on twitter.

Two of my friends had their Destiny names forcibly changed at the roughly the same time. Their Destiny names were "bisexual mara sov" and "trans king oryx." They just logged in and got a pop-up saying that for some "crossplay" reasons their names were changed to a default Guardian####. None of them are using crossplay. Both are on Steam only, if that's important.

One of them posted to Bungie forums and got this reply:

Both of my friends suspect that they were mass reported. Obviously falsely. Their names are not breaking any rules and are in fact canonical statements about the characters. They always play together so if some homophobe sees them, they would report both, so it would make sense why this happened to them at the same time, possibly (the other option is that there was a wave of forced name changes happening recently that caught them both, but for all intents and purposes, their names should not be subject to change).

This upset both of my friends quite a lot. It means there's enough homophobes out there falsely reporting their names. It's also upsetting to think that these reports were reviewed and then accepted. I genuinely don't think there was a manual review. If there was, I think everyone would like to know which rules this is breaking and why.

Another friend tried raising this issue on the official Destiny 2 reddit, but his thread was not approved by moderators because of "politics":

Thanks reddit! /s My friend also messaged the moderators, but to no avail.

The only thing that remains is trying to raise this issue with the community managers somehow, but clearly this isn't possible on reddit, so we want to try twitter. Unfortunately with the way twitter works, unless you have the reach, nobody will see it. One other friend literally made a twitter account for this to tag the Destiny 2 Team, but as expected her attempt has zero visibility. These are her two tweets. I'm not sure what would be better; to just boost this existing tweet or to make new tweets tagging Destiny 2 Team, but if anyone knows and thinks they could help, feel free to do either!

I don't expect much to happen, but I would like to at least try bringing some awareness to this because it's quite upsetting if homophobes can just mass report a completely innocent name, while absolutely gross names are allowed and visible every day in the game. It's also not a good look if these mass reports are acted on without review, and they are worse if they were acted on WITH review.

A lot of people have usernames that are about in-game characters; I think a lot of us would like to get some information on why these aren't allowed anymore. Both of my friends have had them for years.

Anyway, if anyone knows something they could do or has the ability to get this visible somehow, it would be appreciated!

[doberbutts]

I remember reading a post that men are the oppressor class so why would they bother to dismantle systemic patriarchy when they actively benefit from its existence? And as I read it, I thought, Damn, so an entire half of the population can never conceivably help us, and the people who love men in their lives are doomed. It wasn't a helpful post. It basically felt, here's some actual material analysis on feminism and said, That trying to educate and make men be part of feminism is fundamentally a flawed effort, because again, they are the oppressor class, why should they care about uplifting the oppressed?

And it made me think about this very good pamphlet I read, explaining how the white worker remained complacent for so long because at least they weren't a Black slave. And that the author theorized the reason labor movements never truly created exceptional, radical change is because of internal racism (which I find true) and failure to uplift black people. And the author listed common outlooks/approaches to this problem, and one of them was: "We should ignore the white folks entirely and hold solidarity with only other POC, and the countries in the Global South. Who needs those wishy-washy white fragile leftists who don't care about what we think or want?" (roughly paraphrased.)

And the author said, This sounds like the most leftist and radical position, but it's totally flawed because it absolves us of our responsibility to dismantle white supremacy for the sake of our fellow marginalized people, and we are basically ignoring the problem. And that blew me away because this is a position so many activists have, to just ignore the white folks and focus entirely on our own movements. I wish I knew the name of the actual pamphlet, so I could quote entire passages at you.

But I feel this is the same for men. Obviously, we should prioritize and have women-led and women-focused feminism. But saying that men are an oppressor class so they can't reliably be counted upon in feminist activism--it's such a huge oversimplification. And mainly, I'm a Muslim, and I've been treated with plenty of misogyny from Muslim men. And also plenty of misogyny from Muslim women. And I love my male friends, I want men to be part of the movement, and I dunno. Thinking about communities, movements, and the various ways we fail each other and what it means to be truly intersectional keeps me up at night.

I don't know the pamphlet you're talking about but I've read and been taught similar. There's a reason much of my anti-racism is so feminist and most of my feminism is anti-racist. Many people coming at this problem from a truly intersectional angle have seen that there is no freedom to be had without joining hands across the community. Not picking and choosing our allies based off of identity but off of behavior.

As used in a previous example, a white abled moderately wealthy man saying "wow Healthcare sucks in this country, why does this system suck so bad" should be told "hey, this system sucks so bad because it's built off of sexism, racism, classism, and ableism. You want to improve the system? Fix those things and it will be much better in the long run" and not "shut up you're a man. Healthcare is always going to be better for you". The second response doesn't fix that Healthcare is still a problem even if you are at the "top" of the privilege ladder. If we want true change, we have to dismantle the entire system at it's core and build it up without the yuck, otherwise you're gunna get to the top and realize this place sucks too.

Something something if the crabs worked together to hold each other up, they could all get out of the bucket and be free.

[pumpkinpaix]

Regarding #EndOTWRacism’s summaries of 2023 OTW Board election candidate positions

Before I begin, let me say now that while I am a volunteer with the OTW, my views are personal and should not be taken as any kind of official statement from the org, its leadership, or other volunteers, especially not the candidates in question. My focus here is on the Asian candidates for obvious reasons, but this post is not meant as endorsement or disavowal of any of the candidates, whose bios and platforms can all be read here.

Do not take this as an excuse harass the mods running EOTWR. I cannot make myself clearer.

--

I am making this post to express my extreme disappointment with End OTW Racism’s post purporting to summarize the platforms of the candidates for the upcoming Board elections. It is no longer rebloggable, but can be read here.

The way that the candidates with Asian names were spoken of is deeply insulting when compared with how candidates with English-language names were discussed. Asian candidates had their platforms misrepresented, their expertise downplayed, and their lived experiences reduced down to “bringing an international presence” to the board, which was then further caveated with, “diversity alone is not going to solve the issue of racist harassment currently allowed in the OTW’s policies and enforcement practice”. While it is true that diversity alone is not a solution, it’s pretty offensive to essentially have “remember! Just because they aren’t white doesn’t mean you should vote for them!” tacked on to one of the Asian candidates’ platforms. 

End OTW Racism seems more concerned with whether or not candidates used the buzzwords they wanted to hear rather than with how racism is discussed holistically within the statements. While I can appreciate that EOTWR has a specific agenda, to say things like, “[s]he does not mention racism, racist harassment, or hiring a DEI consultant in her platform, so outside the outreach and support she mentions, there is not enough for us to conclude that these would be priorities for her” regarding Zixin Z.’s position, directly following the statement, “[s]he also mentions the need for outreach towards non-English-speaking fans and has a desire to provide support to volunteers from minority groups” is fucking laughable, especially after the initial mistake of stating that Zixin Z. only wanted to do more outreach to Chinese-speaking fans. Again, I understand that people make mistakes and that this mistake has since been corrected, but I hope it prompts some reflection on the sort of biases that would lead to such a mistake in the first place. It may have been completely innocuous, but in charged discussions about racism, please understand that it gives an impression that is difficult to shake. I do thank you for not trying to hide that this happened. 

Why is Anh P.’s lack of discussion on TOS/PAC a point against her, while Zixin Z.’s years of experience on PAC, her role as a mod on Weibo, and her background in nonprofits don’t even warrant a mention? For that matter, why did none of the Asian candidates’ skills or experience warrant mention? Qiao C. and Zixin Z. have both been volunteers with the organization for several years now, and Anh P. has years of moderation and volunteer experience elsewhere prior to her work with the OTW.

It is so fucking frustrating that despite each one of these candidates specifically talking about the need for diverse voices, they had their platforms essentially passed over because they didn’t use the right words, and it is particularly fucking aggravating to see that EOTWR will use Chinese issues as props when trying to press OTW leadership on the racism that occurs within the org, but then completely fail to connect the dots on why these candidates are running because the wrong language was used. Zixin Z. is one of the Weibo mods, for fuck’s sake. 

The entire post feels like an exercise in virtue signalling, from every time it was brought up that a candidate did not provide pronouns in their platform statements, despite every one of them having pronouns provided in their bios (why mention this detail at all? You could have simply used the pronouns), to what felt like willful obliviousness to the anti-racism stances in the Asian candidates’ platforms. It feels like the concern starts and ends with racism in Anglophone terms, on Anglophone terms.

I can respect the driving ideas behind EOTWR, even if I disagree with the way that EOTWR pursues their goals. I do believe that we want the same things in the end, and therefore chose not to interact with the many posts I have seen about the protest. However, I saw the summary post and could not let it pass without speaking.

For a protest group supposedly dedicated to ending racism in the OTW, this felt incredibly hypocritical, conscious bias or not. In my most charitable frame of mind, I can see this as misjudging and overcorrecting to ensure that there was no favoritism shown to the obvious non-white candidates lest EOTWR be accused of tokenizing– again, it is true, that diversity in and of itself is not a solution to racism. 

In my least charitable and most bitter frame of mind, I feel inclined to wonder if EOTWR, much like the OTW itself, is uncomfortable with the lack of influence they could exude over an international candidate. It would be much, much easier to push their agenda forward with more culturally familiar candidates, particularly white ones. Guilt and public scrutiny are powerful weapons and easy to wield against those with perceived privilege in our current atmosphere, often to the detriment of the actual discussion at hand in my experience. I know that’s cynical. It’s hard not to be. (For clarity's sake: I do not know the other candidates' races. This is a hypothetical.)

This isn’t a demand for an apology. I think we fetishize the capital-A Apology to the point where I find them sort of meaningless unless they are given freely. I don’t need EOTWR to agree with me, and I don’t really want to keep talking about it. Rather, I would prefer that EOTWR take action to do better as they continue in their campaign. What that action is is their decision. If they truly mean to stand against racism in the OTW, then I’d like them to demonstrate it.

--

DO NOT HARASS EOTWR MODS. I AM FUCKING SERIOUS ABOUT THIS.

[bycmykae]

🍵☕️Caffeine Rush: A Coffee and Tea x Color speed run zine

Concept: Contributors will about 2 weeks to complete a mini piece that relates to the theme of coffee/tea, features one of the colors from our palette and incorporates one of our secret prompts.

Content Restrictions and Requirements

Prompts: 🤫 Our secret prompts will be revealed in the Discord server once the project begins to add to the challenge. We will have 4 prompts that your work should relate to. Our prompts are open to interpretation.

Rating: SFW, PG

Original Zine: Caffeine rush is an original zine. OCs are not necessary as work just has to feature coffee or tea and people are not a requirement.

Zine Specs: Free Digital Artists: 1748 x 757 px Writers: No Min or Max but you only have 2 weeks FAQ listed after the “Keep Reading”.

🍵 Schedule

Interest Check: September 01 - 14

Contributor Sign Ups: September 17 - 30

Finals Due: October 19

☕️ Moderators

@cmykae - graphics, design, social, org

@thelocalmuffin - all things writing, org

🍵 What is a zine? New to zines? Check out https://zinebaby.carrd.co/ for some general information. For this project, a zine is a digital PDF that will be released for free.

☕️ Who can participate? Anyone who applies during the application period. No previous experience. No portfolio needed.

🍵  What type of mediums are allowed? 

Anything that can be put into a PDF, which means no music or animation. (Although contributors are encouraged to turn their pieces into animations if they choose to outside of this project).

Physical mediums like painting, clay, or embroidery is allowed as long as the contributor is able to crop and prepare files to zine guidelines. Please apply as an artist.

Chefs, baristas, and bakers are allowed to participate to create recipes using coffee/tea flavors, write about coffee blends, etc. Please apply as a writer.

Although short stories (fics) are most popular in zines; poetry or article styled writing is also welcomed.

☕️ Contributor Expectations:

Adhere to the guidelines

Discord attendance: mandatory.

Final deadline: non-negotiable.

🍵 Cover Artist Due to the nature of this zine (a speed run), we will not have cover artist applications.

☕️ Using our Color Palette: The main highlight of your work should be the one of the five colors provided. Artists: You only have to use ONE of our colors. It does NOT have to be monochromatic. You are NOT required to use all our colors. Writers: How you interpret and incorporate the color into your piece is up to you. 🍵 Is romance allowed? Coffee dates are okay! Please remember this zine is rated SFW, so nothing scandalous is allowed.

☕️ Can I draw digital merch? Although not a popular choice, artists are allowed to make digital merch. From social media assets to printable pages. If you are interested in making digital art, please apply as an artist. 🍵 Is it only Coffee and Tea? Anything made from coffee and tea is allowed as well. Fruit tea, Milk tea, Affogato, Iced Coffee, Tea Cookies, etc, etc.

☕️ Is fanart allowed? Yes, fanart will be allowed in this project. — - — - — - — 

Additional Questions? Feel free to reach out through email or ask box

[writingwithcolor]

Running Commentary: What is “ok to do” in Mixed-Culture Supernatural Fiction?

Dear readers: 

Today we are trying something new. To give you some insight into our process in the Japanese moderator section, we are presenting our response in the form of running commentary to show you how we dissect and answer long asks. We hope this makes clear what points are useful and not useful when sending us a query. As always, this is for learning purposes, not callouts. Be prepared: this is a long one. 

To summarize: the asker is looking to create a comic drawn in Japanese manga style, and has provided a long summary of the story and worldbuilding which involves a mix of “reimagined” Japanese yokai mythos and cultural symbols from many other sources. They have questions with respect to cultural appropriation, coding etiquette, and “what is and isn’t ok.” 

Opening Comments

I know a common advice when it comes to the thing I am about to ask is to talk to people involved in __, but I struggle with opening up to strangers for reasons I'm uncomfortable explaining. 

Marika (M): This is already a red flag. If you want to engage with another culture without talking to people from that culture, then research is going to be very challenging. You won’t have members of that culture to guide you towards sources and perspectives they feel most accurately represents public opinion. If I were in your shoes, I might start with tackling my discomfort when engaging with other people, if only to improve my work. If you aren’t ready to engage with a culture and its people directly, then I think you should wait until you are. 

I should note, reaching out to the Japanese mod team at WWC does count as engagement, but WWC should not and cannot be the only point of contact because there is no single, legitimate cultural perspective. 

Rina (R): Also, you don’t need to “open up” to strangers or talk to them in person to get perspectives. Asking specific research questions anonymously to a forum or on social media requires very little vulnerability. You managed to do it here on WWC. So give it a try! 

Anyway, my question basically amounts to the what is and isn't ok [sic] in terms of depicting fantasy creatures and concepts outside of their respective culture.

R: So, the reason why we turn away rubber stamp questions by that ask “is XYZ okay?” is because “okay” & “not okay” 1) is vague and 2) creates a dichotomy where there isn’t one. 

When we say something is “not okay,” do we mean:

It’s offensive to the general majority of XYZ group? 

It’s contentious among people who ID in the group? 

It has a potential to be interpreted in a certain negative way, but may not be a red flag to everyone?

Insetad try asking:

What are the reasons this subject is offensive? 

What makes cultural appropriation bad? 

When might it be “okay” to intentionally discuss a difficult or controversial topic?

What is your reason for including something that may be interpreted as offensive and can it be sufficiently justified? 

What stereotypes or tropes might it be consistently identified as or associated with, and why? 

When might it be justified to bring up these tropes?

With That In Mind...

Let’s get into the rest of the ask below. 

…a story I've been working on in recent times is largely inspired off the Japanese yokai, and the setting is basically Earth in the far future, as far as when the next supercontinent may form. These yokai, although portrayed differently here, do retain their main characteristics [...] Included in this world are two goddesses of my own creation, primarily representing the sun and the moon. [...] There will be thirteen nations, named and based after the Chinese Zodiac, and the life force found in the living things in this world, called qi, comes in two forms that are always opposing each other but can never fully overpower the other, this being based off yin and yang. They're even directly named this; yin qi and yang qi.

M: This reads more like using Japanese and Chinese culture for the “aesthetics”, not the cultures themselves, which I personally feel falls under cultural appropriation. From a world-building/ coding standpoint, the actual use of concepts is workable, and, dare I say, typical, given how Chinese cosmology influences Japanese culture. However, naming a concept “yin qi” or “yang qi” is the equivalent of naming something “- charge” or “+ charge”, respectively. That you don’t seem aware of this tells me you are pretty early in your research phase. In that vein, we’ve covered translating terms and names from foreign languages in fantasy before. See the following article linked here for our recommendation against using RL terms outright but instead encouraging people to create their own conlangs. 

R: Worldbuilding-wise, I think you would have to figure out the chicken-or-egg of the zodiac nations. Did the nations come first, and the zodiac later as an origin folk story (which you would have to rewrite to serve the nation-building narrative)? Did the zodiac come first, and the nations named (most likely re-named) by a political entity? What is the justification? Otherwise, again, it’s a shoehorning of aesthetics. 

There is also a third, lesser known god based off of fox spirits and trickery and I imagined he's the patron deity of a family that honors and worships him, but his influence on them has transformed them into Kitsune-tsuki, which I depict as fox-like anthros. 

M: Not related to this ask directly, but I have jokingly ranted about how often non-Japanese people prefer using imagery related to kitsune-tsuki in Japanese coded world-building (link). This makes me feel the same level of petty irritation. See my troll answer below for a similar experience.

R: Same. It’s boring tbh. 

M: Troll Answer: I get that kitsune-tsuki are very sexy furries, but Japanese folklore has other sexy furries too! These underrepresented demographics also deserve recognition and appreciation!!

The plot of the story is this; modernization has left the goddesses neglected of their worship and forgotten, something that is necessary in this world to stop them from fighting each other. The Moon Goddess awakens first, punishing the humans by unleashing the yokai. Then the Sun Goddess wakes up to fight in humanity's defense…

M: This could feel rather like Shinto-like coding (Ex. the myth of Amaterasu and the Cave, or Tsukuyomi slaying Ukemochi), but something about this scenario feels a bit too binary in terms of themes of good v. evil, light v. dark to be Shinto. The plot also feels more Gaelic/ Nordic in influence for me as a person raised in a Japanese Buddhist and Hindu household. I imagine this dissonance could have been fixed with better guided research. 

…but their fighting has caused a perma-eclipse and this world is in danger of ending. The yokai have run rampant; some are loyal to the Moon Goddess, and some aren't, and it lies to the main characters to bring balance back to Midgard. Yeah... the name of this future Earth is Midgard. I debate changing it since it and some other things I will mention sorta feel out of place.

R: Marika, looks like you were right on the Gaelic/Nordic influence /j 

Also, worldbuilding question: if the Earth is in the far geologic future, how long has it been since modernization (19th-20th century)? Centuries? Millennia? How long has this fighting gone on for? What triggered the perma-eclipse, and why now? Why is this time depth necessary? 

One of the main characters in question is a humanoid woman with wolf features named Ling, and she is a descendant of the dynasty that had first ruled the one of the nations, particularly the one based off the dragon zodiac. She accidentally summons the other main character to this world as she's praying at a shrine, a humanoid with dragon features--I call them drakon--named Angelynn.

[on the names of characters] is it appropriating by not having the world entirely based on [Chinese, Japanese, and Indian] influence? it's a little weird to me how worldwide the creatures are referred to as yokai, implying a strong Japanese influence not unlike how it is today with Western culture being so dominant, yet there are still names like Keith and Kiara.

M: I will give you credit for recognizing you have unconsciously veered towards white-washing/ race-bending: either presenting European cultural influences (drakons, Angelynn, Keith, Kiara, Midgard) as default or utilizing general E. Asian cultural influences and aesthetics for a Western-style story (Ling, qi, Chinese zodiac, yokai). I agree with you that this creates a sense of cultural dissonance. At this point, I’d say you have a clear choice: write a Western-style high fantasy using a background with which you have more familiarity, or get some better guidance on research with East Asian cultures so you can code the story more effectively. 

The focus of this story is centered around meeting all these yokai and showing that there's more nuance to them than Ling believes, all while saving the world. But I worry if I'm appropriating these concepts and creatures by 1, drawing from more than one culture--I initially imagined that there would be a mix of Chinese, Japanese and Indian influence because according to a website I am getting the info on yokai from, the yokai in question already draw inspiration from or have been based on something in Chinese mythology or Hinduism [...]

R: Sure, some yokai have Chinese or Hindu parallels as that tends to happen with folk tales. But not all–some are unique to Japan, and some are more modern. Sometimes it’s very political–some people consider the Ainu Korpokkur as being a “Yokai of Japan” despite it belonging to the indigenous culture. It’s up to you to research, untangle, and understand these influences. 

The fact that you bring up that the Asian continent has seen a lot of cultural exchange is not a sufficient reason to randomly combine influences for the sake of visual appeal or “coolness.” That is appropriation. These influences must be understood in their historical context so that you know how/why certain things combined or morphed into another, and what makes sense to combine/morph. 

M: This also indicates that the character views the yokai as evil/inherently bad, which I would argue is not a typical stance for much Japanese folklore. Again, this shows a deficit in research. 

2, reimagining these yokai in a new context even though I have done the research on them, because one thing I kept seeing in regards to cultural appropriation is that it's bad to do that […]

R: Refer above to my note on “okay” and “not okay.” The thing with folklore and fairy tales is that every–and I mean every–folk tale is reinterpreted with every new iteration of it. Reimagining in a new context is what people do every time they pass on a story or tell a story with the same plot or characters. Do not think of folklore as an “original” that is altered and rebooted, but rather a living document that gets added to. Reimagining is not the inherent issue. HOW you reimagine something matters. 

So I suppose my question is...if someone were to do research upon the creature they want to use, given they are allowed to use it, and gained an understanding of what the creature or concept stood for, are they allowed to pick it apart and reimagine it? Alternatively, is it ok if it's explicitly pointed out that it is derivative of the original?

It has actually become my biggest fear that I may have internalized something that could both continue to do harm long after the fact and attract the wrong people to me work. I don't wanna let people down!

M: As Rina has noted several times, I think the problem is in trying to ID a set of specific variables and circumstances that make a thing “okay” or “not okay.” I want to recommend that you read my joking response about writing in secret rooms while wearing a disguise (Linked here). Who can you hurt if no one knows what you are doing? There’s a difference between creating for oneself and creating to share. 

You have internalized a message incorrectly, but not the one you cite. The goal of many recommendations against cultural appropriation is to avoid causing direct harm to people who have seen their cultures demeaned, discredited and devalued, especially in shared spaces. Assessing cultural engagement, whether we are talking about appropriation, appreciation or exchange is not a measure of personal virtue or a collection of commandment style do’s and don’t’s. Rather, I believe engaging with other cultures is the state of mind of acknowledging that when using these cultures’ in one’s own work, there is value in consulting members of that culture and giving credit where credit is due. This will be challenging if you are only comfortable engaging with all of these cultures in a distanced, minimal capacity. 

FWIW, I’ve written stories that probably will offend people from other cultures and backgrounds, but I don’t show them off. I don’t think writing these makes me a bad person, but I also don’t see the need to give unnecessary offense, so those stories are just for me, to be written and read in my own secret room. However, I’m not ashamed of having written them, and I’m also comfortable to “let people down” provided that my own shared work reflects my personal principles of what I consider to be sufficient research and engagement with other cultures,  As a creator, my work wouldn’t be mine if I didn’t first please myself. I think the trick to the creator role is deciding what to keep private, what to share and what constitutes sufficient engagement. 

P.S. 

We’ve referenced the need for research multiple times in this ask, and in some of the other asks that have gone up this week, so we thought this would be a good place to plug a beginner’s guide to academic research created by the mod team.. Look for it soon under WWC’s pinned posts!

[rongzhi]

genuine question, what other option is there other than to vote harris? because third party votes aren’t going to be able to overtake both democrat and republicans out of nowhere and the only other person to vote for is trump, who wants to completely dismantle democracy

I feel like I’ve seen this question get asked all over the place and there is no good answer to satisfy the person asking, because when you say “What other option is there” and then immediately discount the idea of third party voting, then you’ve already made it clear that all your faith is in the popular vote to prevent Trump from attaining office again, which is all that matters to you, presumably.

And before the accusations fly from anyone else, obviously no, I don’t want Trump in office any more than the next guy, however I do not think he will dismantle democracy even if he was because he would be incapable. The idea of project 2025 and Trump as some ultimate ender of democracy is ridiculous if you beat down the hysteria for long enough to think about: first, project 2025 is nothing new, just everything the likes of the Heritage Foundation and conservative lawmakers have already been pushing for years (ie turning the U.S into a Christian theocracy more or less), written out in a way to get liberals dizzy with fear. It is alarming but no more alarming than the slow slide in this direction that I personally think we have already been taking for several decades. And it is insane. People can see that it is insane and extremist and as much as people who are terminally online like to wring their hands about it, I think that the average voter that we don’t hear from is going to be put off by it. It is offputting to liberals/Democrats obviously, it is offputting to centrists, and it is offputting to many moderate conservatives/(mainstream) Republicans. It is fringe and unpopular enough that even Trump himself doesn’t want to be directly tied to the whole thing. Like, I feel like people are not grasping just how fringe true MAGA and extremist Christian Nationalists are in the broad scheme of things. I think the cable news is getting a lot of mileage out of the current election cycle in their usual gleeful way, but for all the 24 hour coverage and charts and panels and panic, I don’t think Trump is going to win. Of course, feel free to come back in a couple months and wag a finger at me if that turns out not to be true.

Either way, by asking “what other option is there?”, I feel you overestimate the power of your individual vote. You are not voting for the president anyway. You are voting for electoral delegates, and to put it broadly, those guys don’t have to listen to you. Or have we all just forgotten about that too?

And I’m not saying “don’t vote”, either. I just think you should be voting for something and not against something else, and I don’t subscribe to the way of thinking that a third party vote is somehow less of a vote (see previous paragraph for the irony). I think voting has its uses, especially in local elections where council members, etc, have the power to more directly effect your life. As to the matter of Harris, look, as I said, if you’re already planning to vote Democrat, I’m not going to persuade you to not do so—I can understand people feeling the need to do so, especially if they live in a swing state, and that’s their prerogative. Of course, I think that should also be done recognising what that means in terms of what foreign policy decisions you are voting for when voting for Harris. And that being the case, I think Harris voters have no ground to turn around votescold (not saying you are doing that, anon, but simply speaking to the broader trend I’ve seen online over the past months), especially toward any single-issue voters voting third party or abstaining over the very serious single issue of supporting genocide. Me personally, I voted uncommitted in the primaries and will likely vote for Jill Stein or Claudia de la Cruz, depending on who gets ballot access in my state, as Cornel West didn't get ballot access.

So, those are my approximate thoughts on the matter and sorry for any typos or unclear thoughts. Probably forgot to say some things, but I don’t think I’m saying anything new, either, and I will not be answering any additional asks about voting or the U.S elections, including the ones that have come in after this one, as it’s not really my wheelhouse. There's been enough discourse on the matter that I feel like at this point, you should know what you're going to do one way or the other.

EDIT: bolded a few areas that some of you could afford to reread!

[cursedbyastro]

beauty/attractiveness, style, & where to look in astrology

TROPICAL chart ruler the chart ruler in your chart can point to the general aura or vibe you give off which and the energies that can affect how the energy your ascendant gives of

for example, since i am a leo rising, my chart ruler is the sun. in my chart, my sun is in the 5h

venus, it's placements, sign, and aspects venus is the planet of beauty, charm, grace, and harmony. when it comes to appearance, venus is said to influence our aesthetic preferences, the way we present ourselves, and often how we look. this doesn't mean that venus entirely determines physical characteristics like height or bone structure, but it does suggest that venus influences how we beautify ourselves and what we perceive as attractive.

for example, my scorpio venus squares my leo ascendant which shows that my secluded scorpio venus aesthetic clashes with my leo’s bold aesthetic to be seen

ascendant and aspects to it including degrees of course your rising sign is the basis of your physical appearance. aspects to the ascendant and even the degree of your rising can give more insight into your appearance and how it might be expressed and should be considered first. degrees can be important. i have notice that the 5°, 9°, 14°, & 23° can be expressed as beautiful, which i will explain in further post

for example my leo rising is at 14° which gives my leo rising a taurean nature to it making it more luxurious, seductive, grounded, & sensual

1h placements the 1st house, also known as the ascendant or rising sign, is the house of self. the 1h represents the physical body, awakening consciousness, the image one presents to the world, and the initial impact one has on others. just like the sign of the ascendant, any planets that are located in the 1h have an immediate, visible influence on your personality, physical characteristics, and image/vibe you give off.

for example, my mom has a 1h stellium with the moon. pluto, venus, and mars in her 1h. (whew) this can show not only that her appearance is beautiful and everyone notices (venus), but also her appearance can transform (pluto) during emotional waves (moon). this can also indicate that she is fierce and intimidating to others on first appearance as well. (mars/pluto)

persona charts specifically the ascendant and it's ascendant persona charts are my favorite. a persona charts is an in depth view of a luminary, planet, or asteroid. the natal chart itself is a persona chart for the sun. you can find persona chart’s for your ascendant, venus, and the aphrodite asteroid (1388) for an indepth look at how your physical appearance might manifest. aphrodite and venus both can point to how your physical body and beauty will manifest. the ascendant persona chart will show you not only your physical appearance and characteristics on a deeper level, but also a deeper look into your conscious world, how you look/react with different emotions and states, how others see you, etc. in my opinion the ascendant persona chart is one of the most important persona charts to look at.

for example, my natal chart ascendant is in leo but my ascendant persona chart ascendant is in virgo. therefore, i come off as more reserved, polite and smart than the typical leo rising. i have the features of a leo, but also the features of a virgo. i look very sophisticated and classy with a clean cut presence. at first i might approach things in a virgo way-taking sometime to analyze and think it through, then after i feel comfortable you will begin to tackle it in that confident leo way.

prominent beauty asteroids asteroids can help to add more detail and support to our charts with their different energies when used in moderation (i personally use only orbs of up to 4). these asteroids, specifically asteroids linked to beauty/attractiveness, when touching important points/planets/luminaries in your chart, can affect your appearance and aura and also make them prominent in your chart as a whole. it is also a good idea to take a look at persona charts of these asteroids to get a deeper look at their energy.

beauty degrees according to degree theory and some concepts for numerology, the degrees 5, 9, 14, & 23 can be seen as “beauty degrees” the 14° is ruled by taurus, which is ruled by venus. the number 5 is seen as good looking in numerology. because of this, numbers like 23, which add up to be 5, can be seen as an attractive/beauty degree as well. i have also found the 9° to be a beauty degree not only because it’s number of completion or the highest level of something, but also its connection to sagittarius/jupiter. jupiter expands and grows. so, if these degrees are in personal planets/points such as the ascendant (asc), midheaven (mc), sun, moon, venus, and mars or a planet in the 1h, it can symbolize attractivenes

dominant planets & signs and also stelliums with stelliums, the stellium's ruling planet is usually the dominant planet in your chart. dominant planets do affect your personal appearance.your dominant planet and sign can significantly influence your personality and potentially even your physical appearance. the dominant planet/sign is the planet/sign that is most strongly represented in your birth chart, and the dominant sign holds the most influence..

when it comes to appearance, we mainly look at the 1h placement, ascendant, and its chart ruler as the primary influencers. however, the dominant planet and sign can add nuances or further influence the overall impression one gives off. stelliums can also change the vibe you give off because of the abundance of a certain type of energy in one sign/house.

for example, if your dominant planet is mars, regardless of your ascendant, you may have a dynamic and strong presence, perhaps with athletic tendencies or a somewhat assertive or competitive demeanor even if the sign is in a less aggressive and upfront sign

VEDIC the 2h in conjunction with the things I have mentioned above like the chart ruler and ascendant sign, in vedic astrology, the 2nd house, also known as the dhana bhava, rules over a majority of the face features. The 2h can indicate the general appearance, facial features, and expressions of an individual. this only applies to the 2h in your vedic chart.

however, it's important to consider the entire birth chart and the specific placements of planets in order to gain a better understanding of your physical appearance in

this is all for today, but today is the beginning of the beauty series, an astrology overview of different versions of beauty/attractiveness and where to look. i will try to update on this series weekly, so make sure to keep up to day with the masterlist. tell me below how this post resonates with you and comment feedback as well. as always, luv yall and be safe. until next time. ♥

© 2022 cursedbyastro all rights reserved

[qqueenofhades]

I frankly sometimes feel like social media has ultimately given a lot of people the illusion of power, while also causing them to become corrupted in a similar way to traditional forms of power, only without any actual power that goes with it. The similarities in their behavior to the latter is disturbing as hell, ESPECIALLY given the horrid behavior of online types the past few months.

I really can't emphasize enough how much of a constructed and artificial environment social media is, especially these days, and especially the Social Media Platform Formerly Known as Twitter, which is still the main avenue by which a lot of people attempt to "do" social justice. Once upon a time, Twitter was a moderately beneficial public communication service because everyone and God was on it and you could therefore get communiques directly from the source, there was a blue-check verification service that actually helped you understand who was real and who was not, and while there were serious and ongoing flaws such as there is when useful public discourse is sacrificed on the Great Altar of Profit, there was at least some attempt to monitor or ban Nazis, white supremacists, bad actors, and eventually Trump himself. All of that changed and/or was directly destroyed when Apartheid Clyde took over and turned it into a revenue-generating service for Russian propaganda, alt-right cranks, bots, and the rest of the Elon Fanclub willing to pay $8 for a meaningless blue checkmark, while trashing the site's guardrails and any other useful features. It basically exists for Elon to fanboy Putin, Trump, white supremacy, his 4chan trolls, and anything else that makes his money (while Mr. Free Speech Absolutist arbitrarily bans anyone who hurts his man-child fee-fees). This is not an unbiased, neutral, or constructive environment to start with. You don't have any certainty about who you're interacting with or who is amplifying your messages, and only a hardcore-radicalized (of whatever persuasion) base of human users remain, while a lot of casual users have left.

As such, if you're basing anything (hypothesis, claim, source, evidence, opinion) on "what everyone on Twitter thinks," that is fatally flawed data to start with. Even at the peak of its popularity, something like 24% of all American adults regularly used Twitter. That still means 76% of the country who doesn't (and the number is larger now as Chucklefuck McGee has continued driving it into the ground). If you're forming your ideas or looking for "what America thinks" just by quoting or relying on the tweets of people who already agree with you, you've done basically nothing and you certainly haven't proved it, you've stunted your own critical thinking skills, and you are selecting from a data source that is already fatally poisoned and limited in any number of ways. Adding to the echo chamber of similar opinions on Twitter is not going to actually influence public policy or make lasting change. Yes, the interns and/or public relations staff of the public figures still on there will probably check the feed every so often and make note of things that come up, but couching it as mindless vitriolic abuse and/or demonstrably nonsensical things is not going to get back to their boss. It will just be ignored and/or given less weight in the limited space available for things that are deemed important enough to actually follow up on/make policy around.

Also, a lot of people saw Trump tweeting insane things at 3am for four years, and somehow decided that was actually how US/American presidential and governmental policy was made, rather than that he was a fucking narcissistic-personality-disorder psychopathic lunatic. But uh, and it should go without saying, it didn't work. Just because Trump posted something absolutely unhinged and announced it was now policy, that doesn't mean it was. Half the time he didn't even do so much as issue an executive order, those can be and regularly are challenged in courts, and so forth, because despite all its flaws, America is not an absolute monarchy where the king can rule by fiat and have it totally done, no questions, the end. That's also why Trump's second term would be even more dangerous than his first. In his first, he was flailing around and yelling on Twitter and not really paying attention to anything. In his second, the administration will be staffed top to bottom with dedicated fascists like the Heritage Foundation's Project 2025 people, who have spent the last four years brooding on revenge and drawing up detailed plans to actually co-opt and suborn all the levers, checks, balances, controls, and functions of government directly to Trump's personal will (and/or the outrageously evil people pulling strings behind the scenes, because Trump is now basically a gibbering orange vegetable and the media is still far too beholden to the Biden Old!!! narrative to accurately report this).

In short, another Trump term (God fucking forbid) would be run by the kind of methodical and careful evildoers who know that policy isn't made by tweet, and would act accordingly. That would be much, much harder to remove, counteract, or fix, it would almost certainly lead to the end of American democracy at least for most of our lifetimes, and the repercussions of that would be absolutely terrible. But because we still have people who act like Trump is somehow a preferable option, who think that it's bad that Biden is trying to work through established and long-term channels to make sustainable policy and not just get short-term chuckles from an internet dopamine approval rush, that is the risk we are running from now until November 2024. After that, either way, we'll know for sure: we'll finally have a measure of safety, or we will be comprehensively fucked for generations. We all have the power to influence which of those outcomes come to pass. I suggest we use it.

[ponds-of-ink]

The Certified Pond Analysis of Scraptrap Voicelines

Because I haven’t talked about this rabbit’s voice lines as much as I should.

Buckle up. This is gonna get wordy.

-

So, going in the order of this video, we have:

“I always come back!”

The most quoted Afton line. And understandably so. This is the man at his most triumphant, even with his.. questionable suit-repair choices. The emphasis on “always” as well as the moderately louder volume really sells that confident air Springtrap continues to have in FNAF AR. Though, as we’ll soon see, this is not the only emotion he feels as Scraptrap.

(Also, before we continue: This gives me the first point on the “I can hear the smile in his voice” scoreboard. It’s a surprise tool that should help us later.)

”Bittersweet, but fitting”

…And by “later”, I apparently mean now.

There may be a smirk at the end, but it’s not a strong one. The overall line read is much more reserved here. Maybe even somber, if I’m inferring correctly. The choice of words is interesting here too. Whoever’s the owner of the Pizza Sim building, he may not be as fond of jumpscaring them as one would think…

”What a deceptive calling! I knew it was a lie the moment I heard it— Obviously, but it is intriguing nonetheless…”

Ah, yes. The big monologue post-Salvage. Couple of things I noticed here that aren’t debatable lore implications:

(1) Man’s rushing through that second half for some reason. Don’t know if that was an editing error, an intentional line read, or Scraptrap trying to.. reason with himself? Sound smarter than he thinks he is? I dunno, something about the pacing is off here.

(2) Oh, hey, first line with a “snake hiss”! This isn’t a consistent trait with his lines, but it’s a key feature that I use to differentiate Springtrap and Scraptrap during voice impressions.

(3) This man puts so much emphasis on words sometimes. So much so that I can not only hear the smile near the end, but I can also feel the eye roll during “deceptive”. And PJ Heywood never voice acted before FNAF apparently? H u h.

Anyway, moving on before I start implying that Scrap-Trap might’ve been lured in by a newspaper or something…

“Fascinating! What they have become…”

Another point to the “I can hear the smile” board. We’re on three points now; three and a half if you count “Bittersweet”.

This one I’ve already brought up before, but the abridged analysis is: This guy (unlike Glitch-Trap in that one Security Breach trailer) actually compliments his.. uh.. teammates? Workmates? ..Just realized that the relationship dynamic between the Salvage Gang doesn’t have an official term. Bummer.

That aside, it’s genuinely interesting that he doesn’t diss them at all. You think he would given his reputation, but no. He just has this twisted sense of “oh wow they’re so cool”.

…Come to think of it, has he directly dissed somebody in the games specifically? I’m not even sure if the “Deceptive Calling” monologue or the AR Springtrap lines count. AR Springtrap tends to boast about himself more than put the player down and Scraptrap was having an ‘I’m smarter than that lol” moment.

If I’m right, then I think I may have found a proper difference between a pretend Mimic Afton and the real one. Huh.

“How can I resist a promise such as this?”

Getting back to the main topic, we’ve got a return for the snake hiss and the emphasis on certain words. Also, add another point to “I can hear the smile”— Except it’s more of a smug grin than a bizarre, wide-eyed look of wonder.

Not sure what that promise is post-jumpscare, but I do know that this has a chance to play during the office sections. So the promise is either Henry’s lure or seeing his son Mike one last time. I dunno, dude, it’s all vague to me.

”That was easier than I thought it would be…”

AKA The line that makes me wonder “Dude, you good?”

No seriously. The quick halt in-between the second and third word. The sudden choke that happens at the end. Like his voice just properly broke for the first time in ages. The overall somberness of it all. There is literally no smile here and I’ve checked. There may even be tears starting to well up, but I obviously can’t be sure.

It’s even implied that he thought he’d had a tougher time fighting the owner! He actually assumed he wouldn’t win this easily!

Something about this feels.. unnerving. He’s not supposed to sound this upset. At least, not usually. So what, pray tell, is going on with this voice line?? Why was this the take Scott used??

“You may not recognize me at first, but I assure you: It’s still me”

Well, that’s one more point for the “I can hear the smile” board. Also, I believe this is confirmation of that ‘Springtrap switched suits after FNAF 3’ theory? That’s what it sounds like, at least?

But, hey, at least Scrap-Trap is canonically aware of the sudden shift in appearance. Let’s hope his potential FNAF World 2 version isn’t as nervous about it as I assume FNAF 6 him would be… If he had access to the internet, of course.

Also, for the one person who may or may not care about this: He’s using contractions here. I think it’s been established that he only uses these at certain times, but I can’t remember where exactly I read that analysis. Anyway, he’s unafraid about “slipping up” at this point.

One more thing…

Compared to AR Springtrap, Scraptrap is much more.. casual in tone, if that’s the best way to put it. Much more low energy, though his antics are anything but.

Like, yes, he’s still coming for you if you keep letting ads play on your computer. But maybe he’ll let you live for a few seconds longer just so you could turn the ad off? He’s not in a rush, as far as I can tell.

Maybe that’s another reason why my brain jumps to Scraptrap more than Springtrap. If he wasn’t tied to this “attacking the guard” business, he could probably chill for a second and give advice on paperwork. Wouldn’t last for long, of course, but at least one could potentially die knowing that you drank coffee with a much more business-savvy Spring Bonnie… Grungy though he looks. Springtrap, on the other hand, wouldn’t give you the time of day.

TL;DR:

PJ Heywood put more nuance into this guy than even I was expecting. Big round of applause, genuinely.

[rdbrainz]

info post 💪 this one may read a bit stranger than the last one because i just translated the text i initially wrote down in russian (lazy ass) sorry in advance Volto Pirro Ljung Number 3 Zanpakuto: Pazuzu, a rapier twisted into a cone-like shape with golden wings and a skull on its guard Resurrección: Vulture Other: h - 187cm, w - around 84kg, he's not particularly large, but he's also not skinny Status at the end of the story: Alive, location unknown

Volto is the direct personification of someone surrounded by the wrong company. And not so much a company that instills bad habits and opinions, but a company that makes you feel alone. Despite being the number 3, Volto is both an outcast and an integral part of the troupe. He is Pierrot. This is his role, and it's often the subject of jokes and ridicule from the other Arrancar. No theater or circus performance can do without a sad clown because other people's grief is funny. Ljung doesn't share the views of the other members of the troupe about the importance of fun and entertainment in life. He does understand them, because he has been in the same boat as them for hundreds of years now, but he can't find the strength to be content with the same things as others. There is simply nothing to smile about. He has a somewhat nihilistic outlook on life and considers his situation hopeless. But he is still firmly convinced that the seeker will always find either death or answers to his own questions. Only he doesn't know what exactly he should be looking for. As he will realize later - the right people. He clearly understands his position in the group and in this world. He is still here, despite the condescending attitude of others, only because he is useful and there is no point in running away - he has explored Hueco Mundo from high up several times, each time convincing himself even more that there is NOTHING there, and in the human world, he will forever remain a stranger. And there was nothing to do there alone anyway. So Volto simply accepted his fate, smothering the last shreds of hope. He sees his own salvation in fulfilling the troupe's goal, whether it be his own death or world domination. In fact, Volto isn't half as pessimistic as he appears in the story, he's just tired and apathetic due to circumstances. If you strip away all that, you'll find that he has a rather rebellious attitude and a kind, relaxed personality. He's no stranger to emotions and feelings. He's also a cunning son of a bitch and knows a lot about others because he's omnipresent, even though you may not even realize he's around. A moderately cruel but loyal friend. My friend once said he has a hippie vibe and she's probably right. Well, bro is something between a metalhead and a hippie, if we're gonna get into archetypes. Volto is very interested in befriending Ikkon, as they are both loners with untapped talents and potential, but it is to no avail. He constantly follows him around the building whenever the opportunity presents itself and tries to strike up a conversation one way or another. Agreda, as you can imagine, doesn't like that very much. But the two of them have developed a close bond nonetheless.

His ability is to manipulate flesh while absorbing enough of its biomaterial - either the flesh itself or blood. With the living, it is limited in time and effect (plus, the amount he's eaten also plays a role), but with the dead, he can do whatever he wants, up to completely altering the body structure into something completely different - like weapons, wings, or decorative elements. The formation of the troupe was by no means an easy or quick process and "selecting the cast" and establishing the rules of coexistence left behind mountains of corpses, almost all of which Volto got to use. Even now, what remains after his comrades-in-arms falls into his hands. From ones deliberately killed for some peculiarity that would come in handy, to decapitated victims of Ikkon's doings. As time went on, the presence of once-living puppets around him began to take a toll on Volto. No matter how depersonalized he tried to make them, the thought of their origins would not leave him. Activating his Resurrección gives Volto wings with a very large spread and an additional joint that allows him to fold them over his head like a roof. On the back side, they look normal, but on the underside, they are not fully covered in plumage and are full of a large number of strange-looking furrows of flesh and holes from which poison or poisonous gas oozes. Also possesses a deadly breath. The ability aims to take either the life of the victim or someone around them as quickly as possible to use as a puppet later. In short, pessimism is contagious, it poisons not only your life but also those around you, you know *wink-wink*. The power of his wings easily helps him to lift sand into the air and make sandstorms. Pazuzu is a demon of winds, bringing death and drought. Was named after an archetype of Italian theatrical masks (if you can call it that) that most resemble a human face without emotion - Volto. Pirro is a variation of the spelling of Pierrot's name, and the last name Ljung belongs to the Norwegian bass player from Zeromancer, Kim Ljung.

[valkyriexo]

Since you want the attention that bad. Here you can have it.

statement and rant below the cut

If you're going to post screenshots of a conversation. Post the full thing. But since you didn't. I will.

let's start at the beginning, shall we?

the first time you felt "attacked" was in a staff channel, where you claimed one of our moderators at the time was attacking you. Here is a screenshot of that conversation.

Mind you, this is in response to you saying you didn't think fake texts were a valid form of fan fiction or work. But of course you can have your opinion,

but so can we.

The second time you claimed you were attacked was when you were called out for your negative criques every single time someone posts anything to general chat. In this case, it was a photo of Chan. The original messages between both you and ace were removed, so I'm not going to recount them as it will just be hearsay. However, what I can show are the screenshots of our conversation when I put both of you on timeout (cant send messages for a period of time) and issued warnings out.

Here is the official warn.

Here is our conversation.

I was not rude to you. I did not attack you. I did not blame you.

In the meantime, you continue to make remarks about others' appearances, making people in the server feel like they can't share anything without being invalidated or ignored because you always find a way to make it about yourself. You've turned what should be positive spaces into negative ones, and it's giving serious pick-me energy. You can't blame others for not wanting to engage with you or for voicing their concerns when your behavior pushes them away. Maybe instead of questioning why people aren't talking to you, you should consider why they don't feel comfortable doing so in the first place.

Here are some of the many statements you've made in public chat channels.

No one sent anyone to hate on you. the statement had to be made public because it wasnt just two or three people complaining. it was 12+ people through different forms complaining about how you were making them feel.

You're saying the complaints weren't real? The only reason i am not showing you them is because people came forward confiding in me. so i will not be putting them on blast.

HOWEVER.

You stated and i quote

"People claimed they felt so horribly unsafe by my presence, God knows why (nobody ever explained it beyond insulting me on anon lol) "

But here is the original message that got sent to you from our admin. TELLING YOU EXACTLY WHY.

You chose to leave, that was YOUR decision. We did not remove you.

You also stated and i quote "but sending your minions to harass me, insult me and tell me to kill myself is totally safe. This is absolutely fucking insane."

Here is the post i made both on discord and tumblr, along with Bel ( a mod) post that was also made

No where in this did we ask people to hate on you. and this is the message you sent me.

Apparently, I'm supposed to control the community? hm interesting.

I'm not a dictator, I'm not the president, and I'm not even the only administrator of the community. The name says it itself, it's a COMMUNITY. I'm not here to control people on the internet.

I'm sorry, your getting hate. But I'm not Tumblr's help desk. you can report your issues to tumblr.

Now onto the statement you said about @seungminindabuilding.. here are all the messages you so kindly left out.

But .. you have the full conversation, so you can re-read it yourself.

During this conversation, is when you blocked me. While I was responding to your message, you sent me on Tumblr.

You know... when you "recognized the language being used" as if i was the one sending the messages.

I'm sorry you're receiving hate; I don't condone that kind of behavior. But I want to be clear—I am not the person sending any of it to you.

I value myself as someone who is kind and calm, but that doesn't mean I'll tolerate disrespect. You do not get to bash me, this community, or its members without expecting a response. Respect is a two-way street, and it’s about time you learned that.

In short.

I stand by what I said.

You do not get to be rude to me and my staff and then play the victim in my messages. We were genuinely trying to help you, and in return we get you attacking us and blaming us. no thank you. You blocked me. now its my turn.

Have the day you deserve

-Val

[lord-angelfish]

So! This is the full argument that I made, copied word for word from the draft that I sent a dear friend of mine to proofread. This happened during the conversation with the other Bangs & Bangability mods leading up to my resignation sent in the discord server and the subsequent fallout here. I'll also include a direct transcription of the response I got to it. All under the cut because it's very long.

Regarding the earlier conversation, there are a few points I need to make with regards to the direction we seem to be heading in. To start, organizing in favor of a specific subset of participants to the detriment of another is unethical and unjust, which will make us seem and in truth be untrustworthy and unreliable in a management capacity. As stated previously, should that be the course of action taken, I will be obligated to step down and will no longer be able to participate in good faith. The reception and handling of the primary brought-upon issue (re: Wincest and incest inclusion) have been presented in a way that implies a strong personal bias amongst administration. If this was going to become a significant problem, or in the event that there were concerns with how it would affect the bang's run, it should have been addressed during the discussions and preparations before sign ups were opened to avoid false advertising and participant fallout. The point of a moderation team is that it's supposed to function as a team. Should a member of said team struggle with a personal bias or aversion to something stipulated in the rules upon sign up, yet still wanted to participate, then discussion ought to be opened up immediately. As I am someone capable and willing to handle the content prompting the aforementioned problem (re: Wincest and incest), the entire situation could have been smoothed over far sooner and with significantly more finesse. Personal boundaries can and should be set for both staff and participants, but without alienating an entire subset of participants or abandoning responsibility for said participants entirely, after already promising inclusion, safety, and accomodations for. On a personal level, fundamental to my moderation policy is that a moderator can not and should not be expected to be personally responsible for the triggers or squicks of every individual in their event or server. As a member of any given staff, one can only provide tools for each individual implement on their own to protect themselves at their own discretion. To wit, our goal should be to be able to say "We have enabled you to avoid the chat that makes you uncomfortable. It's now up to you to curate your space and stay out of conversations and spaces that upset you."

The response I got to this (transcribed directly from a screenshot and names left out to protect the privacy of the person in question) was this:

"Wow don't even. I would like to be inclusive and I did just open a dialogue with the mods, in the private mod chat, not in the middle of the fucking server. And if you read back, you will note that I said absolutely next round the rules are being changed. But you know what? If I need to do it sooner, I will. Bottom line, this is my baby and I can adjust so everything is copacetic for the majority of participants. And if that means alienating a handful of people who think fucking their siblings is a valid lifestyle choice, well, shit. Sorry if that's offensive to you"

I'm posting this in the interests of full transparency so please do not send hate or anything to the mods of the bang. I'm just very disappointed that an event that was supposed to be inclusive ended up going to shit for people. I'd also like to point out that the phrase "...a handful of people who think fucking their siblings is a valid lifestyle choice..." is just recycling old anti arguments and banking on a disgust reaction to back up the completely nonsensical argument made.

Please feel free to ask me any questions you have about this!