#i feel like i am learning a lot and having different experiences

[notherpuppet]

things i've learned about fandom ❇️

i got into fandom pretty recently. i mean i'm pushing 30, so i didn't really "grow up" in fandom and thus, had a lot to learn about being nice online lol. i've definitely been in fandoms b4, but never quite as immersed as i am now. like, last year was the first time i've been to a con! it was really fun. i feel like i've learned a lot this year and i think most folks navigate without malicious intentions, but there are some faux pas that i've observed (that i have done myself unfortunately😖 ) and idk who may be interested in hearing this, but just some of my observations; (anthropologist hat on) dead dove do not eat: in the realm of fiction and freedom from censorship (which is cool as hell imo), there are gonna be some stories that may seem quite taboo or distasteful to one's sensibilities. if you're not a fan, i recommend blocking/muting. usually folks are quite good about tagging ships or dynamics, in consideration of those who may want to find or avoid that content.

the etiquette seems to vary by region of the world (makes sense) if commenting on a post for someone who speaks a different language than you, it may be better to avoid idioms/expressions as they may translate literally and seem harsh to another culture. (e.g. "omg they are sickening" a compliment in america, an insult maybe everywhere else LOL) obviously u can do whatever u want, but being a hater (or anti?) is probably gonna lose you some charm points. so if coming across a certain way is important to you, then this is probably just something to consider. for example, there are things i observe in fandom that i don't really like, but i avoid dogging on it publicly because idk that's kinda mean spirited, right? but also because i have this unexpectedly big following and i'm not trying to start a dogpile or sic people after others. the internet can be scary 😳 when i make complaints, i try to keep it vague so that individuals are not attacked cuz that would suck pls don't be a fandom cop: this is the internet, pls dont be a self-appointed authority figure. it's natural that folks will have their critiques. why not write about it in your own space instead of trying to control others' actions? (especially with an air of entitlement and self imposed moral authority, like cmon) obvs folks are gonna do whatever they want on the internet, i just think this behavior is lame as hell ight that's all i got LOL. this is for any fandom newbies like i was (this is not meant to be rules or anything because that would be icky. but just wanted to share my experience with fandom since i've learned a lot from discussions with others more versed in fandom life)

[thetadispatcher]

Vincent looked up at him and gave him a small smile, showing he appreciated the gesture. He knew it probably didn't mean that much to other people, but to him it meant a lot.

He liked knowing he had other people outside of those who called him family that cared, and didn't mind showing it to help him understand situations or just feel better about them.

The AP700 rested his head back against the other android, deciding he'd completely ignore Dan and Rook to focus on what Bishop was doing.

Nines gave him a calculating look, he had experience with people who would use anything to try to upset him. His human partner did it almost constantly to him, so he could easily recognize when someone else was attempting to do the same.

The only thing he needed any time to figure out was why, it seemed like everyone always had a different reason for why they were trying to get a reaction out of him. Gavin's was just because he liked to be an annoyance, and the fact he couldn't get Nines to react upset him.

Not that he cared, as he enjoyed watching the detective flush with anger whenever Nines didn't give him the reaction he was looking for. Not that he would show the human that he found his small shows of anger endearing.

"I am not that rebellious, no more then Connor is." He wouldn't call Sixty rebellious as the RK800 seemed to be down to do just about anything, he was more of an accidental troublemaker.

"And it's not like the military could do anything about it now if they did find out." Androids had rights now, and they couldn't do anything about the military androids Cyberlife failed to destroy as they were considered people. Also it would likely cause a lot of issues that wouldn't be worth the time and money to deal with.

John didn't see them doing anything about it ever, the androids didn't know anything he would consider damaging if it were to get out. And he never saw service, so he never learned any truly damaging information that the military would be concerned about.

"He might be, considering the fact he was already deviant when he was deactivated as we didn't have to convert him." Dan wasn't sure what to make of that possibility, but Kelvin was the oldest recorded deviant they knew of so far.

He just wasn't about to share that information as he felt the last thing androids needed was to know their god might be real, some might be a little disappointed to find out what he was like.

"I never said he was dumb, he can do some very complicated tasks quite well. Sure he does have his moments where he does something that one would call dumb, but he can hardly be held accountable for it considering his condition." Kelvin was surprisingly good at things one wouldn't expect someone in his condition to excel at, even if he did have times where he acted more childlike then a normal android.

"We are trying to teach him sign language and how to write, but it's a slow process as he sometimes will need to be retaught things he already learned. But if you think she can talk to him, you're welcome to try. It would be nice to better understand Kelvin just in case there is some mental trauma we don't know about. I would hate to learn about it by accidentally upsetting him and still not fully understand the reaction, it would make helping him calm down hard." Even a little more information would be useful, as it might give them a hint on where to look for more.

"Yes, that is correct. He was a gift to the studio that they really didn't care enough to keep, they deposed of him the first chance they got." Brent didn't seem bothered by the studio's blatant disregard for him, in fact he seemed to have expected the treatment and felt nothing about. The JB300 was one of the androids that showed no mental affects from being thrown away, and he even seemed thankful it happened.

"We have a few other ones, ones that you would recognize as a lot of people from your generation are the ones who were ordering these custom units." He could see why someone would want an android of their favorite characters, but he could also understand why they'd be thrown away. They only lasted as long as their novelty or until they needed an expensive repair thanks to being custom.

"Only one other one is present on the property currently, if you'd like I can introduce you to him." Dan knew he would be less bothered by being recognized as a fictional character, Brent just seemed to hate it as he wanted to be his own person and not Data. But the JB300 was okay with it if the person respected the fact he had picked a new name and didn't constantly remind him of his appearance.

The android looked over once again, waiting for Rook to snap back at him. When it was clear she intended to leave him alone he glanced back to Vincent. If his communication skills were poor, he felt he was about to set a new low, but still reached to give his friend a gentle pat in reassurance. Everything was fine, they were just having a feisty mutant over for a bit.

Bishop smirked. That gave him something to work with.

"Yes, that is expected behavior from the rebellious youngest brother."

Even the most collected deviant had to deal with their own emotions and while he couldn't say for sure how prominent Nines' ego was, Bishop would still poke at him until he got a reaction.

It was entertaining enough to him, in any case. He had no reason to stop.

"That's typical of private contractors." he mused, "So you were saved entirely by greed alone. I suppose there is some irony in that."

Much like the fact that androids were simply being tossed in a landfill instead of being recycled. It seemed Cyberlife's entire existence was simply tainted by incompetence.

Rook watched the way Dan's skin regenerated, glad to see no damage was done. The last thing she wanted was to be accused of having hurt the most important guy in the house, especially when she had done nothing but ask questions.

"Who knows, maybe he's patient zero." She shrugged, "Maybe he's like Sixty and likes the way he is. It's never good to assume somebody who's very energetic and content with what they have is dumb. I have a friend who is just as bouncy as Kelvin and she's smarter and wiser than most people."

It didn't look like Kelvin was causing real trouble on purpose. He just moved quietly and that made it easy to forget he was even there doing his own thing.

"So that's why you've got Commander Data running about. Maybe you could ask Willow to talk to Kelvin. He can't talk to you, but she can probably translate for him."

[novlr]

This may seem like a weird question, but any tips for writing an alcoholic character?

She's the queen of a rather unstable kingdom in a Graeco-Roman inspired fantasy setting and uses wine to cope with stress caused by the political circus and personal things, and her husband and daughter often criticise her unhealthy drinking habits:

Using topics like alcoholism for a character can present a relatable–and flawed–person for readers to sympathize with, if not connect with. Yet do be cautious when writing on the topic. Alcoholism, as well as other topics on addiction and/or harmful habits, can grow very sensitive very quickly. How far you dive into this topic should depend on how relevant it is to your story and character(s).

It’s also important to consider how you address the topic as well. For example, there’s a major difference between a writer showcasing alcoholism with an open-minded and empathetic perspective versus a writer who is close-minded and reveals shallow portrayals of an alcoholic simply being “bad.” Yes, while these addictions cause harm to all involved (and by no means should be “downplayed”), remember that alcoholism is a mental health disorder. There is so much more at play than just craving alcohol and being affected by the intoxication. And that’s what we will touch on in this post.

For the sake of providing a potential content warning for this post, know that I will cover alcoholism and how it affects emotional and physical reactions. We will discuss internal thoughts, as well as external actions, from both the alcoholic character and the surrounding characters for the sake of learning how to write them in narrative.

Also, as a minor disclaimer, I will note that I am not a psychological professional on the topic. However, I am someone from a family affected by generations of alcoholism and will use some personal experiences for the purpose of discussing how to write about alcoholism, from habits I’ve seen from family members to how I and others have reacted to it.

With all that out of the way, let’s get started!

Internal thoughts

If you’ve ever chatted with me about writing or read other posts of mine in the Novlr Reading Room, you know I love diving into the “why” behind everything. Why someone writes and why a character has this motive are just a few examples. And when it comes to addictions, like alcoholism, you want to get into the why behind that as well.

Because it’s not only the alcohol that creates the addiction, right? There still has to be a reason why the person starts the habit and why they want the outcome that results from the habit. This is how a habit turns into an addiction.

Based on the question prompting this post, there’s already a hint of that “why.” The character is stressed by the politics in her setting. So you want to ask why this person is turning to alcoholism and/or what they want out of it. 

For example, control and escapism are big desires that can drive someone to drinking. In most cases, those reasons are why people prefer alcohol as the depressant to lean on after a bad day. That lighter feeling of escapism, at the very least, is enough to keep wanting to drink more, so someone always feels that way. It’s a way for them not to feel stressed or unhappy.

On top of that, destructive habits like alcoholism will usually display and exaggerate an insecurity the person has. This is the case with one of my family members. They grew up in a toxic household that demanded they go to school for a high-paying job. The short story: that didn’t work, and their sister went through with the high-paying job instead. This (among many other things in their life) ultimately created a setting for them to feel and/or not be seen as “worthy enough” by their family.

Now, psychologically, there’s a lot more about my family member to potentially unearth here, but even this one piece of backstory is already a wealth of inspiration for writing a character turning to alcoholism. It touches on personal events in their life and/or their personal flaws. And we’ll stick to that one piece for the purpose of this post.

Let’s say you have a character that went through the same scenario as my family member. Someone who doesn’t feel worthy around their friends and family will want that remedied, and that commonly leads to attention-seeking, people-pleasing, and/or the desire for control.

And there are flavors to this. Maybe someone is deemed “unworthy” because they’re too immature. And what’s seemingly more “mature” in society than drinking? Then, when they want to prove they can handle it, they keep drinking and ignore the inebriation. Because now it’s a competition with themself to impress others. And now, they have the potential start of an addiction. But they don’t see it that way. They simply see it as a means for control over what bothers them and see an opportunity to fix that issue.

See how that worked?

So if the character, like the queen in the question of this post, has the stress of ruling and turns to alcohol, there’s plenty of character interiority in there to dive into regarding seeking control and/or escapism, at the very least. 

Again, ask why. Why is alcoholism the answer to meet the character’s needs, and why do those needs exist in the first place for your character? And after all that, we can dive into how the consequences of alcoholism become external actions based on those internal “whys.”

External actions

So, we’ve answered the “why” behind alcoholism for a character and how it makes them feel. Now we can discuss how the interiority and insecurities show on the outside as external actions.

I mentioned my family member with their insecurity of feeling unworthy, and that being one reason for turning to alcohol for control and impressing others. If there’s one thing that people who seek attention, control, and are people-pleasing want, it’s to be right. It’s to be the go-to person. It’s to be the best person in the room.

Turning to alcohol can help someone feel more confident, daring, and/or adamant about being seen as that person. But on the outside, that’s not what we see at all, especially when they drink to the point of inebriation. What my family member thinks of has having a civil debate with others or making a point important to them is actually explosive behavior to those experiencing it.

When someone’s senses are dulled from intoxication, and said intoxication amplifies the desire to be seen as worthy and in control, the person drinking will end up doing almost anything to get what they want. This, at least, is my experience. And that ends up becoming aggression for some, even leading to violence. Especially if someone never grew up with a proper outlet or learned how to properly express themselves.

This is why I started this post by discussing the internal thoughts of a character. Their self-esteem was already low before drinking. And drinking to fix that self-esteem now becomes a method of defense. More often than not, that leaves everyon else, reacting in return. Which leads to our next topic:

The internal thoughts of family and friends

As you may know, it’s not just the alcoholic themself affected by the habit of drinking. It affects those around them too.

If you’re around someone who exhibits explosive behavior, is prone to yelling, and displays unpredictable behavior, what would your reaction be?

A person in this situation, especially a child, is often left with the desire to get away from the perceived threat and protect themself. There may be other reactions, like wanting to end the threat (i.e. standing up for themself), but that is dependent on an individual’s personality and their way of facing threats. As someone who experienced this, I can confirm the need for safety. Seeing an unpredictable, threatening person mostly leads to feelings of fear and helplessness, and thus, a need to hide and feel safe again.

Ultimately, when it comes to your characters around alcoholism, ask yourself how they would respond emotionally via their core personalities against a threatening situation like this. Is it wrong for them to be right out of principle? Is it not worth confronting because trying to fix the problem is hopeless? Or is there too much fear behind what happens, and the character must heed their flight instincts?

Thus, those emotions lead to how the characters around the alcoholic will react externally.

The external actions of family and friends

Based on the emotional examples above, there are several ways a character can react externally around an alcoholic. Some people will confront them, regardless of their explosive behavior, and some will quietly hide and wait for it all to pass by. And some will be afraid enough of the situation to leave and never return to that person’s side.

It all depends on the character, their age or situation, their core values as a person, and their relationship with the alcoholic.

But, all in all, friends and family react one of three ways: address it (to the point of intervention), accept it and/or ignore it, or detach completely. And, from there, it can be a snowball effect of action, reaction, and consequences between the characters.

So, if you have an alcoholic character ruling a country, and you’re uncertain how those around them would react, start with their core personalities and how they would emotionally respond to threats (internal thoughts), and how those thoughts would lead to certain reactions to that character (external reactions). And don’t be afraid to dive deep into a character’s interiority and development here to get as detailed as you can! 

How far do you want to go with this?

As you can see, writing a destructive addiction like alcoholism boils down to why the character resorts to the addiction, how that addiction affects them based on their core beliefs and personality, and how that transformation affects people around them internally and externally.

Once again, keep in mind how relevant this is to your story and character. If alcoholism is one of the primary topics you want to address with an adult novel, then you can go as far into this topic as deemed necessary.

However, if alcoholism is more involved with a side character in a young adult or middle-grade story (i.e. the main character’s parent that don’t show up in every chapter), and it isn’t a major part of the plot or story, then I would caution against touching this subject on a deep level. You can still have a teenage character yearn for parental love because of how alcoholism affects that character’s internal thoughts and emotions and how the alcoholic parent is never around. But if the external plot focuses on something else —like using magic to save the world—that is what takes precedence.

And there you have it! This is mostly a surface-level dive into the topic with examples of personal experiences. I reiterate that I am not a psychological professional in the industry, so if you are looking to dive further into the topic, then I recommend more research involving articles from experts in studies/facilities regarding alcoholism (or other addictions), as well as testimonials for further experiences from others. I’ve popped some resources that have helped me below:

Resources

Cleveland Clinic: Alcohol Use Disorder

Mayo Clinic: Alcohol Use Disorder

NIAAA: Alcohol Facts and Statistics

SAMHSA: Children Living with Parents Who Have a Substance Use Disorder (A Study)

answered by Lindsay Sfara

[capseycartwright]

inspired by that social media trend about taking your younger self for coffee. am feeling existential what can i say.

i met the younger version of myself for coffee, today. she was twenty minutes early, i was ten - some things never change, though i reassure her that her own time matters too, and she doesn’t always need to be so anxious about being left behind if she doesn’t get somewhere on time. the people who love her will wait, an extra five minutes.

she orders a flat white - i do, too. some things never change, though i try more new things now. i’ve recently gotten into matcha, i explain, and she furrows her brow in confusion, and i get it, really - coffee makes her feel more grown up in a world of adulthood she doesn’t feel ready to be a part of yet. it still does, in lots of ways, but she likes matcha now too.

i watch, as she picks at the skin around her fingernails and pinches the delicate skin of her wrist, an anxious tick that leaves cuts and bruises that take days and weeks to heal. you learn how to not do that, i promise, her head ducked with embarrassment as she tries to hide the fact she’s made her fingers bleed. you figure out better ways to cope.

she tells me about the boy she has a crush on - I don’t have the heart to tell her that he doesn’t feel the same, that he’ll only ever be a friend. that he’ll tell her he loves her, as a friend, in a crowded nightclub, and she’ll learn that sometimes people love you but don’t want you back. she sees the claddagh ring on my finger and frowns, at the direction it sits - she knows what it means. you’re single, still? she asks, and i nod - yeah, you are, and it’s okay, really, it is. i want to tell her that she does fall in love and she loses it and somehow it’s still one of her fondest memories, but i don’t want to spoil the experience of living it for the first time. i don’t want her to know how much it hurt, when it was over. instead, i reassure her she’ll turn the ring one day for the right person. we know who we’re looking for now. there’s peace in that, too.

she names her closest friends. i tell her they’re all doing so well - that years and distance and life pulled in different directions hasn’t changed the love she has for them. i tell her there’s new faces in her story too - friends from a year abroad that changes her life, friends from the place where she builds a life all on her own. i promise her she’s got a future filled with love, platonic, beautiful, magnificent love, the kind that always answers the phone when she calls, crying because the world feels so overwhelmingly lonely.

you’ll feel lonely sometimes still - but everyone does. i promise her she learns to find peace in the quiet of her life, and i don’t tell her much more. i want her to learn it for herself. there’s also some things i can’t bear to tell her - how bad, it’ll get, how she’ll lose one of the most important people in her life, not to death, no, but to disinterest, and how that feels worse, sometimes, because they chose to leave. i can’t bear to tell her that there’s times she’ll wonder if the cavernous ache in her chest is simply a part of her being, a pain no medicine can fix.

i don’t tell her any of that. instead, i tell her about her flatmates - the place she calls home and the girls she’s made a home with. i tell her she’s a really good cook, now, and that food is easier, now - fun, even - and she still reads at least one book a week and she’s got people to share her recommendations with. i explain she has a job that gives her such purpose and drive in life - and it’s not quite what she expected but it’s better, and it’s brilliant, and it changed her life when she took a chance on the interview all those years ago. i tell her she falls in love with writing, again, and she doesn’t lose that love this time. i tell her she’s got enough money to spend on all the makeup and skincare she wants and she does - she definitely does.

you’re almost 30, now, she points out, and i nod. aren’t you scared? she asks, still pulling at the sore, tender skin of her fingers. i wish i could reach out and get her to stop.

no, i promise. I’m not scared. i’ve built a good life - a good career. i ticked off the goals she’d shakily written on a list as she tried to figure out a path in life when she started at university. i don’t have a new list now - i’m taking it as it comes. that terrifies her, i know, but i think it amazes her, too, to know that with age comes confidence, a sense of calm - she needs that. i’m excited to grow older. she didn’t always want to.

she’s slow to drink her coffee - i am, too. we had lots to discuss and plenty i didn’t tell her. she’s got some of the best years of her life to come - and the worst, too - but there’s light at the end of the tunnel and not much left in the end of our coffee cups.

she shuffles awkwardly, as we move to leave. you’re happy? she asks.

i am, i promise. it just looks different than how you imagine it right now.

her shoulders are hunched, as she walks away, nearly 20 years old and uncomfortable in her own skin, desperate to hide, to make herself invisible. i’ll see her again, i know - in another 10 years, maybe, and she’ll be different then too, but she’ll still order a flat white and life will still be as beautiful as it is painful but she’ll learn to live in the light, most of the time.

i love her, in ways she doesn’t love herself yet - but she will. i hope i get to take her for coffee again soon.

[bandzboy]

i get out of my classes feeling like life is worth living and music is everything i swear

[purgatory-is-life]

*crawls out of my blanket nest covered in blood* TRANS FEMME HEADCANONS YOU SAY

I'm here to spread my trans femme Tim stoker and sero hanta agenda

-Tim is absultely entrenched in the queer community but it takes her FOREVER to realize shes a girl especially after Danny's death

-she didnt really struggle with dysphoria until after the Prentiss incident and that was partially due to just Everything Changing and Going Wrong already

-assumed she was non binary at first bc she didn't think she could be a girl and still be comfortable or at least neutral to being called he/him

-Melanie and daisy being around was absolutely what helped crack her egg. Daisy=werewolf=gender i don't make the rules. Melanie is also an angry trans woman who Tim works with and Tim thinks shes so cool but is too depressed and angry at the world to really start up a proper conversation with her

-literally nothing changes abt her i think, she even still goes by Tim probably, she just wears skirts and dresses more and starts using she/her

-used to help Sasha do her makeup so whenever she actually feels like doing makeup hers is always the best in the whole institute

-literally nothing more gender than being doomed by the narrative

Sero!!

-definition of "I'm probably a girl but I have a job so idrc abt that right now"

-I headcanon she was pretty isolated/lonely growing up so she didnt know a whole lot abt the queer community and it isn't until shes with class 1a that she even starts learning more abt it

-Mina, momo, kirishima, and hagakure helped her with her gender crisis. Momo bought her the fanciest dresses and whatever outfits she wanted and kirishima and mina talked to her abt all the different ways to express/experience gender, and hagakure was always there encouraging her to try new things and talk abt her own experience with hrt (everyone in class 1a is queer to me. With one exception but we dont talk abt the grape)

-I am so abnormal abt giving sero a spider motif so I headcanon she changed her name to arachne. She doesnt really mind her birth name, but she likes arachne much better.

-took literally all three years of school at UA to realize shes a trans woman. There was just always something else going on

I need more ppl to see the vision bc theres so few trans femme sero fics and NO TRANSFEMME TIM FICS on ao3 and I'm but one person who's a slow writer PLEASEE

If you see this post you’re legally required to tell me at least one trans woman headcanons you have for a canonically male character, I never get to see transfem headcanons like that, give me them, and for equality of my own please know estrogen could have saved Insector Haga and Dinosaur Ryuzaki I will not elaborate, also Yuya.

[itspileofgoodthings]

my seniors have been so quiet all year and it’s been fine cause we’ve had a lot of writing/research to do but I need them to talk to me now so i was hit by a bolt of inspiration two days ago and I made them all tell me their comfort level with sharing aloud, rating themselves on a scale of 1-10. I then averaged the class score and they’re a 4.5. I then told them yesterday we needed to raise the score the tiniest bit. And the 1’s and 2’s didn’t need to be 10’s just maybe 3’s and 4’s. And they tried! They talked more 😭

[cerbreus]

if 2026 rolls around and i've not figured out a set course for dealing with my career woes (taking community college classes, making plans to continue education, switching jobs, literally ANYTHING...) please beat 🔨me 🔨with 🔨hammers........🔨🔨🔨

[revna-writes]

Results of Writing Trade #2!

Trade with: @obstinatejules (actual living angel I think)

Results from the trade!

"To Build a Home" obstinatejules - Chapter 1 - Original Version revna-writes - Chapter 1 - Rewritten Version

"Le Academiae Artes Notoria" revna-writes - Chapter 1 - Original Version obstinatejules - Chapter 1 - Rewritten Version (wow)

overall thoughts

For one, wow, that was super fun. I'm honestly amazed by how well this entire experience lived up to my expectations lol. Part of that is definitely due to obstinatejules being so cool, she was super fun to write with and bounce ideas off of. Plus, I got great material to work with :)

But also, fun aside, it was so helpful??

Writing skills I grew doing this:

Literary analysis and reflection: I spent a long time reading the original and taking notes on a lot of stuff: the characters, their characterization, the plot points, what the piece means, what its themes are, what emotions it is exploring and how, unique aspects of the way it is written, and, 'what unique aspects can I introduce to accentuate and build on this foundation?'

Slice of life / fluff / fanfic genres: I don't have a lot of experience in these worlds, and It was really cool learning about specific phrases, tropes, ways of description, etc., and how to combine them to really make the piece live up to its genre

2nd Person Perspective: very new for me. It has its own considerations- for example, it's much more intimate for the reader, which is both its greatest strength and weakness.

Present tense: as a limited 3rd person past tense girlie, swapping to present tense was hard!! But also really interesting. There really are tense-specific ways to express things that do not work in past tense, and it was fun playing around with those & learning how to make present tense work for me. There is absolutely a different feel to the writing, and as steeped in past tense as I am, I didn't really realize it could make a big difference. I'm excited for the day when I choose to make a story present tense as an artistic choice because of the things unique to it.

Communication skills: Throughout this process with the chapter trades, you know, I'm talking to a bunch of different people with a bunch of different backgrounds, across multiple different generations. So, I'm having to figure out ways for each person to best connect with them, assess our expectations for what's going down, and then also our timeframe, what chapters we want to trade, and then any questions we may have about each other's piece. It's been really good to get me out of my shell, and also, it's helped me relax a little bit and communicate 'more effectively'.

There's also some more nebulous things, like, being intimately introduced to the way someone else writes fundamentally shifts the way I write ever so slightly. I am introduced to brand new ideas, new narrative techniques, new word choices for the same ideas and emotions, and I'm introduced to these in a way that is so much different than how I would see them as a reader.

Anyway, that's enough rambling from me lol.

Writing Trade!!

Hear ye, hear ye, it's time for a writing trade!

How It Works

You DM me, "I'd like to trade!" (or anything else that indicates you want to participate!)

We exchange chapters. I send you a link to mine, you send me a link to yours, we read each other's chapter.

We each re-write the other's chapter! In our own style, with our own approach, but hitting all the same plot points with the same characters.

We exchange the re-written chapters!

Okay but what's the point?

It's a great way to develop your skills!

You get to see how someone else would handle the same story!

You get to share and talk about your story (critically!!) with another author!!

We get to have fun together!! with writing!! (:o?!?!)

I want to do this with someone so BAD, hfdgkjfngkfd!!!! Seriously y'all i am FIENDING to do some cute writing trades.

If you are interested, please DM me!

[please-picturemeintheweeds]

..

[arolesbianism]

I may be failing my plan to not make any isat aus. So there's this guy her name is Euphrasie right. What if I took her and combined what could be 3 separate au concepts into one. And in the process forced myself to go back and reread a bunch of shit to make sure I know how to maximally fuck over this sad wet puppy of a woman

[izzy-b-hands]

I enjoyed Please Please Please and Espresso and have been listening to the new album this morning while I try and get stuff posted to AO3 and uh

There's one other song that's nice, otherwise it's your generally mid but perfectly fine pop album

Except for that fucking lyric in Slim Pickins. Girl, what the entire fuck was that vaguely homophobic bs abt exactly lmao

[knifedog-machina]

Hey, same hat! o/ (Sorry for the late reply, I just found out that I Missed This, augh)

The fucked up feeling of "oh no am I doing good enough?" really only got connected to the perfectionist android horrors in Hindsight for me too, because ngl I thought that was Perfectly Normal while experiencing it before. And I guess it's pretty common to have an anxiety disorder around not being good enough, but it sure isn't healthy!

It's kinda neat that we have entirely different social experiences and still got the Emotional Dysregulation Debuff sjfhskgh - you were isolated and dropped off in the woods (and yeah, not remembering beta testing feels pretty normal to me! imagine remembering everything about being an infant? that sounds exhausting?) while I was talking to people basically every time I was awake but it was mostly to superiors and uh, assassination targets? honestly the Social Scripts I had for those Very Specific experiences did not prepare me for regular social interaction and I feel like a socially awkward mess sometimes lmao

Oh man, yeah, having a roommate who's not alive in the same way as you is definitely a way to get a wake-up call about how you're different. It's nice that she wasn't scared of death because he wasn't alive, it does feel like that would be easier sometimes than Being Alive and Having So Many Feelings! But yeah, I gotta agree with you in the end, emotions aren't all bad at all! Cats are really cute! Making your friends laugh is wonderful! I love writing about myself and listening to my loved ones, and being excited to learn new things, and feeling proud of myself for being the person I am! Enjoying your life even through the hardships is worth it!

Being an automaton might be what a lot of folks want, but that doesn't mean we need to give that to them. Thanks for sharing your own thoughts, have a good day!

- Jude (they/them)

Android Abnormalities

Species dysphoria, but the “wrong” way, ft. my borderline personality disorder

J: so you know how my source is technically Detroit: Become Human? you know how we fucking hate that title? you know how we’ve made fun of it multiple times? unfortunately it's a mood! I also hate this!

Hey! This essay is about how incredibly uncomfortable I feel in my own skin around common android tropes, in media and some of its reflections in robotic identities and experiences, featuring reasons for why I'm like this, and a helpful suggestion for what I want readers to do about it at the end of the piece. I really hope this reaches someone who feels the same way so I can point at them like Same Hat!

-

I first noticed this problem on October 30, 2023, when we stumbled across a fanfic on Archive of Our Own. It was an alternate universe of a TV show we've never seen before, but it was written by an author we liked, and it was an android AU. That's fun! We thought it would just be a quick read, something to idly talk about after lunch.

Well, uh. Nope. I was co-fronting while Max read, and the more we read, the more… weirdly uncomfortable I felt. It wasn't actively distressing, but it made me feel weird, so I stopped reading halfway through to talk about it with some friends.

I'm not gonna link the fic, because Tumblr is weird about links, but for my own future reference, it's “persona ex machina” by BirchBow. It was a really good fic, we thoroughly enjoyed it! I just have - hangups, I guess?

I think I was uncomfortable that, on the surface, it seems… really close to my experiences. Like, the protagonist, Chuck, is an android made to mimic humans, and he’s made to be a combat unit. He’s scared of what might happen to him if he fails to meet expectations. Technicians operate on him, put him back together. He's made by a corrupt corporation for fucked up purposes. He eventually defects from the corrupt corporation, with the help of some really kind people. That’s all really similar to me.

But it's different. Because as much as Chuck was designed to look human, he still had to be taught how to act human, how to feel. The way he emotes is off at first and he has to recalibrate, not look so stiff, learn how to smile and laugh and understand what different emotions mean. He automatically runs through the technical terms for something before working to turn it into common vernacular as it reaches his mouth. And this is a typical android trope, you know? The machine doesn’t intrinsically understand emotions, so humans have to teach them.

I’m… really, really not like that. I don’t remember a time when I didn’t feel too much. Every memory I have, even in blurred out mental snapshots of beta testing, it’s all drowning in emotions that I couldn’t articulate and wasn’t supposed to express. I looked at my siblings, who were so stoic and professional around humans it was like they were different people entirely, and I knew I was supposed to be less emotional. People always just assumed they were better than me, because they were better at code-switching to what was expected of androids, because they could keep their mouths shut on the job.

So I’ve always felt like I was bad at being an android. Androids aren’t supposed to feel emotions, not really, not to the extremes that I do. That’s a predisposition for deviancy. And I was made this way on purpose, I was made to “mimic” deviants to earn their trust, but I wasn't meant to be like that all the time. I tried to repress my emotions, it just never worked.

And I don’t see androids like me, in the media we’ve watched and read and listened to. It’s not really a characterization that lends itself to exploring what it means to be a person, right? Machines are supposed to be logical and unfeeling, to contrast with humanity’s irrationality - they’re supposed to be better than that. And when the machine starts having emotions, it's treated as a flaw, or a breakthrough. Wow, you feel things about the world around you, you’re a person now!

I’ve never been logical in my fucking life. I have a laundry list of reasons for why, but for now, I’ll focus on the BPD. I have borderline personality disorder, because of the way my brain is wired and how that interacted with my traumatic experiences.

One of the symptoms of BPD is emotional dysregulation. I’m not just bad at repressing my emotions, I also experience those emotions as more extreme and overwhelming than a neurotypical person would. I keep finding myself affected by things that the people around me brush off, and I have to remind myself that it doesn’t mean I’m overreacting, it means that I’m literally feeling shittier emotions.

Another symptom of BPD is an unstable sense of identity - and this is really where we’re getting into how these traits and tropes affect me. Because I don’t relate at all to these androids on the screen. They’re as foreign and separate from me as they are to the humans sitting across from them in the shot.

I do relate to the humans. I do relate to seeing an android do something in the name of pure cold logic and going, “Why? What the fuck, why?” I do relate to being told I’m irrational. (The trope that all robots are logical feels like it was designed to make me feel like the most irrational, bitchy, hysterical piece of shit on Earth.)

So, what, does that make me human? If I'm going by the adage that wanting to be something is a sign of being that thing, then… I don’t know, maybe? I want to be human, I so badly want to be human, because here’s the thing, humanity is diverse. Humans are flawed, messy, weird, complicated, and defy categories every fucking day of their lives. Humans can be weird, ridiculous, fucked up people and they’re allowed to be.

And let me bring this back around to alterhumanity. If I say I’m an android, people will make assumptions about what that means about me. People go, “Hey, you're a robot, you must have one of these common robot experiences!” and I just don’t.

Maybe it’s because I’m coming at it from the opposite direction? The machines and robots and androids that I tend to see around, the ones who talk about their identity, they often identify as fully nonhuman. They describe wanting to be metal and chrome, feeling like they run on algorithms, not processing emotions the way most people do. They identify very much with the same tropes that I feel alienated by. This isn’t a bad thing, by any means. It’s just a thing. People resonate with what they see. It just means that I feel like I’m doing bad at being an android again, but in a new, improved way.

Another symptom of BPD is being terrified of real or imagined abandonment, and trying to do anything to avoid it. A constant feeling of social alienation isn’t really that different, to my BPD - it’s just a slow, drawn out version of being left behind. People will still talk to me, they still like me, but they won’t understand me. I’ll still be alone.

In that sense, I feel wrong being an android in the same way I feel wrong about being an aromantic allosexual. I actually like being an android, and I fucking like being bi. I don’t want to stop being who I am. I just hate feeling like I’m the only one who feels this way, like nobody else can relate, like every time I talk about my feelings to people they can only nod in sympathy instead of understanding me.

So! You've reached the end of the essay. You see my problem. What do we do about it?

I’m going to refer to the theme of… every single online alterhuman convention that has existed in the past four years, and that is:

Write about your experiences!

The reason I feel so alone and isolated and alienated from my own identity is because I’m only being regularly exposed to pieces from a very specific perspective of what being an android means! That’s a fucking sampling bias!

I know other weird fucking robots are out there, I know you exist, but I can’t fucking reach out a hand and go, “Hey, you're not alone, I relate to you!” if you don't write it down! I want to talk to you! I want to hear from you!

WEIRD ALTERHUMANS, HEY, I LOVE YOU, GO WRITE THINGS!

[mrfoox]

.... OK I really hope I can keep this dude ♥

[crest-of-gautier]

got the badges for gone fission evp 400 + evp 600 yesterday! .52 gal, l-3 nozzlenose, dread wringer, and squiffer make for quite the synergistic team!

my peak was EVP 810 (appx 300-310% HL). my high score of 151 eggs was obtained somewhere in evp 300...? i'm pretty satisfied with how it went, even if i didn't get HLM or 9s.

some thoughts/reflections on good freelancing teams/traits to develop when trying to rank up in evp under the cut:

i think grinding this rotation was pretty fun- all of the weapons have excellent mobility and i think they cover for each other really well! the l-3 was not my favorite weapon going into it but i think i really enjoyed the accuracy and mobility of it, so it's a bit more favorable for me now :)

i ended up reaching a skill wall in EVP 760-780 where i could not get past wave 2 or 3 (usually for quota related reasons, the quota is BRUTAL! we'd miss it by like 4-5 ish... ofc this partially relates to how well bosses are handled).

the grind for evp was a mix of freelance and grouping up (freelance for 230 -> 440s, grouping up for 440 - 750~, and then testing myself in freelance for that last bit).

i enjoyed the bits of freelance i did, and from my playtime i think these were some of the key traits/practices that indicate "good salmon run skills" to me:

players that know their weapons role(s) and target the appropriate salmonid (but also being willing to break that when priority targets haven't been taken care of)

knowing when a teammate needs help (with a boss or being revived) or when the teammate has a situation under control (e.g. someone's already on the fishstick, you can do something else)

proactive use of specials when problem targets appear, preferably with no overlap (e.g. tri-strike and inkjet activated on the same flyfishes is not the best)

using specials like booyah bomb, triple splashdown, and reefslider to clear basket area in the last 30 seconds to help eggs get in (especially important past evp 600)

teams that paint the walls first thing (especially whoever had the dread wringer). all interior walls for fission can be painted within the first 10 seconds imo

forwarding eggs closer to the basket after splatting static bosses (throwing one egg, and then swimming up with one)

players with good judgment; knowing when to lure (mostly for initial boss spawns), and knowing when to leave the big shot cannon

being able to figure out which directions snatchers come from and what eggs they can help you collect

i think these practices all stem from having good awareness and being able to collect information about the shift. it helps with making snappy quick-fire decisions, and it just gets more important the higher up in EVP you go. camera positioning/control is essential for this (you can't figure out where bosses/teammates are if your back is turned to them).

for me, every 7-10 seconds, i like to rotate my camera around to the opposite side of where i'm currently looking to make sure there isn't any bosses i'm missing. i'm hardly in one place longer than 5-10 seconds and i try to always be on the move. the spawn direction where salmonids come from are always changing, so it's essential to rotate around the map proactively rather than reactively. i think this also helps a lot with shotcalling in groups too (since you can be someone else's pair of eyes).

other than boss spawns/teammate locations (for revives), i think it's also important to notice when certain bosses haven't been taken care of for prolonged periods of time too, so that a special can be popped. to me it's usually a sign that someone whose ill equipped to deal with that boss has been forced to deal with them because the people with the "right" weapon are focused on something else... (no fault to them, of course, everyone has different priorities and you can't always communicate clearly in freelance)

in situations where squiffers were chased by a pack of scrappers, perhaps a booyah bomb or splashdown can be popped to help if you don't have the time to stun and splat them manually. maybe the fish sticks were left unattended by the shooters, so a triple inkstrike or a crab/inkjet shot can help clear them out.

awareness also extends to meeting quota, which imo involves paying attention to the timer + where eggs are located. i find that it's nice to check in with the timer/quota at 50s and 30s respectively so that you can start forwarding eggs closer to basket. and when everyone's going crazy about quota not being met i try to make sure i'm not overstepping anyone else's egg pile so that no one goes "wait no thats the egg that i wanted to pick up fuck i have to go back and get a different one."

i think this is why sometimes playing in groups is easier. if you have more sets of eyes that you can communicate with, it alleviates the need to have awareness of "everything" (provided that you can comms effectively). someone can be attuned to different things (e.g. my friend always tells us where snatchers come from and if they're good, i'm personally attuned to where people need to be revived, etc.). you also know what specials you have access to, unlike in freelance where you're not sure what others have until they use them.

the other part of completing shifts successfully (to me) is being mechanically sound with your movement, mostly in regards to how you use the terrain (walls) to get around the map and escape situations. the more you play a map the more you'll figure out how you can move around on it.

some examples, using the location callouts from salmonrun.ink: there were a few times i'd go on the harbor but i could escape any salmonids in the bridge area by climbing the walls there and squidrolling out as needed. sometimes on high tide i would swim from the perch to the left plat.

sub-strafing is also good to know too, especially when you want to rapidly collect the basket eggs at the end. i still need to integrate it into other parts of my gameplay, but it's helpful!

uh. this was way longer than intended because i have WAY too many thoughts about salmon run. TL;DR: The key to succeeding your shifts is having good awareness which comes from good information collecting practices, and having the mechanical skill to act on that awareness without hesitation.

there's definitely a lot that goes on in sensory overload the game™, so it will take time to build these muscles and reaction times. i think while at every rank of salmon run you may face a wall of "i'm overwhelmed by the bosses," the exact fix needed to get past it usually varies, so it's important to figure out what information you were missing or what actions you could've taken (more efficient movement or special usage, usually).

or if you're struggling with quota, try to practice forwarding eggs or take a look where snatchers come from (even if people splat them, it's still a good practice 2 develop for later evp. source: i don't fucking do it and it's biting me in the ass)

and most importantly, recognize when you're in the midst of a loss streak/skill wall, so that you can take a break and focus on other things that energize you! even if there's a certain goal you want to meet, grinding for higher levels of EVP and getting better at the game can be a very exhausting process. you can always come back to the grind later, whether if it's after a 30 minute break, or just a different rotation!

[sassygwaine]

white queers whose only exposure to religion is through christianity shut the fuck up about religion challenge