#i draw illustratively cause its fun for me

[sunny-knight]

Please Reset Your Save File :)

idk what came over me but here take this forgettable au wingdings undertale ARG ass image

speaking of being a mystery image with secrets to be unlocked, i’m gonna refrain from yapping. do the sleuthing yourself I believe in you

ok…. fine….I cant resist…. BUT DO THE TRANSLATING YOURSELF IM NOT DOING EVERYTHING FOR YOU

Ill start by explaining my proccess cause it was quite eventful!

The jumping off a cliff towards something was inspired off of this tiktok :D

Thought it worked GREAT for a character who was so dead-set on his goal he destroyed himself in the process of achieving it… And thats all I had in mind, Wingdings reaching twords his goal (a star/the player) and the rest I just went along with as I drew

I didn’t intend on the background being black, was just a placeholder, so once I finished the line art I fiddled with the color. thought some sort of “blue screen of death” would go well with the themes of what happens to him since he is IN a game. so the universe literally restarts (resets :3) itself to get rid of a glitch (him)

My theory currently is that his goal was to become some sort of player/gain the ability to reset, and once he did that, the game saw him as an error/glitch, so got rid of that- bro IS Turbo from wreck it ralph

After that whole idea- I was looking at some references to replicate the text and it made me go “OOOHOOO” when I saw the QR code like “oooo I could make my own and have some fun with that…” and so I did- and decided to link my original idea for that!

Reference:

I had fun making some differences in the wording to fit the situation

In the end, 2 silly illustrations that are fun to flicker between!

talking about the actual drawing though:

The cliff Dings is running off of has echo flowers because I SWEAR those are important. trust.

Him not wearing gloves is meant to depict how little he cares for his own safety in his last days. I did the same thing in my IM SANE amv!

The “star” having an eye is meant to show how its both the player, and seeing the stars/surface that Wingdings is reaching for.

The wingdings font covering Dings’ face/eye socket is meant to symbolize that perhaps he feels defined by his inability to communicate like other people naturally can.

“Ths Stars, They Cry Out Your Name” is my favorite thing in this… from Wingdings’ perspective, the only thing that matters, that understands him, that TRULY values him…is THE STARS. its like this goal that he has that will make him feel valued. Getting to the surface = being “worth it” But truly, the stars are the PEOPLE that care about him. Asgore, Alphys, Sans, people that are genuinely concerned over his obviously deteriorating mental health- they CRY out his name, not “call” like I had originally planned.

“66%” hehehehhe funy gaster numbr

ok and last thing- Im gonna cry remembering this dialogue from the official Clock App

its so important for this AU, PLEASE

[thecrowthatdraws]

CW: Creepy/ Disturbing imagery :0 

AHHHHH one of my BIG projects for uni I've been working on for a couple weeks :0 

[genericpuff]

i find it funny that one of rachel’s drawings of herself in the afterword that just went up is just fully persephone. is that something she does a lot?

Alright so I've been making it a general rule for myself to like, not harp on Rachel in any way outside of LO as much because frankly the horse is dead now and there's not much left to say outside of what can be analyzed in hindsight. I think despite everything I have to say about her and her work, she still deserves to get away from this nonsense and I don't wanna spend eternity hovering over her shoulder.

But the afterword was posted within the LO series and is clearly meant for readers of LO in the functioning of being an afterword so let's just call it fair game LOL

I will say, on the whole, it does feel very honest and sentimental and I can respect Rachel for taking the time to write out and illustrate her afterword in a way that was personal to both her and her fans. I can understand why she went at it from the angle that she did and I'm not gonna fault her for that.

But there's also something that feels deeply... disingenuous about her approach right from the starting gun. I will say, before I continue, that I'm well aware I am biased towards Rachel as a creator, and I fully acknowledge that I could very well be reading too much into things. This is just my opinion, take it with mountains of salt.

I can get looking back on your own childhood, your past self, whatever, and going "see! it all got better!" because sure! For a lot of creators like Rachel, it must be wild to look back on where they came from and there's a lot of sentimentality on expressing that through an afterword like this where she reflects on where she came from. Though she STILL didn't acknowledge her other comics outside of LO, I can understand if she wants to leave those skeletons in the closet.

But I feel like her drawing herself as a child who's being given an Eisner by her adult self and all that just feels like some gross attempt to disarm any criticism of her because "don't make fun of me, I'm just a sad lonely baby girl!"

She's not a child. Child Rachel didn't grossly misappropriate Greek myth into their own self-indulged vanity project. Child Rachel didn't claim herself a folklorist of a culture's works only to bastardize them completely. Child Rachel didn't create a hostile environment within her fanbase by bullying anyone who she perceived as a threat, sneaking into critical spaces to try and cause trouble, and writing her own clapbacks into her comic. Child Rachel didn't claim to be challenging misogyny and purity culture only to reinforce misogyny and purity culture through her own self-insert baby-virgin-gets-rescued-by-rich-tycoon power fantasy that regularly glorified abuse towards women and the lower class.

30-almost-40-year-old Rachel did though.

At best it comes across as really cringe sentimentality from a Greek-weeb (heh, greeboo) and goes to show how much Rachel inserted herself into Greek myth without ever absorbing its messages or cultural contexts, it was all about her and her feelings as a sad New Zealand girl with dyslexia who thought Persephone's story was about another sad girl being rescued from her "horrible childhood".

At worst it's an active attempt to play on people's heartstrings by drawing herself as a child who people will naturally not want to criticize. I don't want to assume she's doing it intentionally, I really don't want to leave her afterword on a bad foot, as I can definitely understand as both a creator and a person who struggled with learning disabilities in their own childhood how and why she wants to pay homage to her past and where she came from... but let's just say, as someone who's also gotten way too "lost in the sauce" concerning personal self-reflective projects, I think there's a lot to say about how this confirms that Rachel made LO entirely for herself, about herself, without any actual intention to respect the original myths, because she never truly separated them from herself when she was a child. And, in my humble opinion as someone who has Been There with the self-insert OC's and self-reflective angsty plotlines, I can fully attest to the fact that that's not fucking healthy. Even with personal projects, you NEED to learn to get your head out of the sauce, you NEED to learn to objectively separate yourself from the narrative so the story doesn't fall apart under your own hubris and ego, you NEED to learn to draw a line if you want to have any sort of identity as a human being outside of what you make for people. And that's with just normal original stories, this was a story based on Greek myth which doesn't belong to her.

And this goes for a lot of the things she's said and done in the past, so much of her own "sources" even are tethered to things that she read / watched in her childhood and only vaguely remembers, as if she never mentally left her childhood at all, which just... if the point was to highlight her past and the traumas she went through and how they contributed to her present, an Eisner isn't going to validate those experiences. And drawing attention to her past through the lens of her childhood self absolutely 100% does not absolve her of the negative effect her work has had on the modern Greek myth zeitgeist nor the things she's said and done as a 38 year old woman who should absolutely know better.

The community she entered and took from will forever remain changed by her influence and taking, in many ways not for the better. She has the privilege of walking away and never having to think about it again, with all the awards and accolades that were bought for her, the bravado that she built around being a "folklorist" with zero credentials, and the platform she was given over many other creators struggling to even be heard.

That "place" she claims to have now was built entirely on inserting herself into another culture's works and doing nothing but taking, taking, taking, while offering nothing in return but vanity and lip service. That "place" was paid for and brought to you by Webtoons.

[revelingrexan]

made a reference sheet for Lucifer! :) he's wildly inconsistent in the show, so this sheet has helped me a whole bunch

QUICK IMPORTANT NOTE: BECAUSE HE'S SO INCONSISTENT, THERE'S NO "RIGHT" WAY TO DRAW THIS GUY. JUST HAVE FUN, REALLY! AND DON'T MIND MY SHEET AND NOTES IF YOU DON'T WANT TO

(NOTE DONE) the facial expressions in the lower left corner are more inspiration for pushing his expressions since he's SO EXPRESSIVE!! :D ...rather than direct reference since too many features change between screenshots there

(close-ups of sheet at bottom of the post but before the cut)

(his front view hair should actually curve in toward his two hair "sprigs" like it does in every other angle, but the way i drew it is just my own personal preference at times -- it helps me think of him as a bit more 3D)

below is how on earth i laid out that crazy-looking collection. there's a method to the madness! (the dashed line in the middle of the turnarounds is the "front view," and then the images spin Lucifer left and right from there. sometimes the screenshots in the turnarounds are just for body/leg/arm shape reference rather than face reference)

the note at the bottom of the "Hat angles" box says "The hat angles in the center of the ring are usually intended only for animation in-between frames, rather than for longer poses or for illustrations"

"The Ideal Man" in the upper left corner is a partially joking section name and is the Lucifer design i tend to aim for. i think of his face as "very round except for his pointy chin + his eyes are close together and take up almost the whole width of his face (except for in profile view, and except for when it doesn't look good)."

I WANT THIS POST TO STAY SORTA SHORT, SO UNDER THE CUT ARE SOME NOTES ABOUT HIS HAT plus some hat-less screenshots / screenshots where all or almost all his hair is visible

close-ups of reference sheet:

____

SO ABOUT HIS HAT. HIS HAT CAUSED ME SO MUCH CONFUSION UNTIL I THOUGHT OF IT AS A NON-PHYSICAL ENTITY LOL

short explanation: Vivziepop's art style, and especially Lucifer's design, is heavily based on what "looks right," rather than what is physically possible. so, my hat thoughts:

it's a droopy hat that folds down at the sides. so its brim droops in the back

BUT it also curves upward in the front, both to show his facial expression and in a way that sort of matches the curve of the top of his hair--

--so his hair doesn't look awkwardly cut off on the top

examples:

also, the top part of the hat has a smaller base than you might expect and then angles outward, with the front part always being taller and arcing down to the back

not every moment follows these rules, but they help me a lot when drawing him

(i often take liberties especially on the base of the hat and just do what feels right to me, usually based on similar characters i've drawn before -COUGHBLACK HAT FROM VILLAINOUSCOUGH- and based on where i sketched his head under the hat)

NOW SOME BONUS SCREENSHOTS FOR HAIR HELP. GET THAT HAT (MOSTLY) OUT OF THE WAY LOL

[i-draws-dinosaurs]

i was rewatching the rite of spring segment from fantasia and i've got to wonder. Why Did We Draw Archaeopteryx Like That. i remember toys having that same, boomerang arm shaped pose too. it's like a monkey lizard more than a bird.

Ooh okay this is a fun one cause while it technically is an Archaeopteryx and is listed as such in the production draft, I don't think the design is based on Archaeopteryx at all!

To me, this "Archaeopteryx" almost exactly resembles something else, the fascinating historical phenomenon called Proavis.

Proavis, or Tetrapteryx as some four-winged interpretations were called, was a hypothetical prehistoric creature that was proposed in the early 20th century as a best guess at what the unknown ancestor of birds could have looked like. The illustration above was drawn in 1926 by Gerhard Heilmann, a Danish artist and amateur scientist who argued that birds evolved from non-dinosaurian archosaurs like Euparkeria. In his 1916 book Vor Nuvaerende Viden om Fuglenes Afstamning and the 1926 English translation The Origin of Birds, he presented Proavis as the imagined midpoint between a scaly ground-running archosaur and Archaeopteryx, which at the time held the title of The First Bird.

Other versions of the same hypothesis, like William Beebe's Tetrapteryx above, were published and discussed around the same time, but it was Heilmann's Proavis that gained immense popularity to the point that bird evolution was considered essentially "solved" for decades. It was also painted by Zdeněk Burian, one of the Old Greats of palaeoart, which kept the concept alive in dinosaur books for decades as well.

Of course further study has shown this hypothesis to be incorrect and that birds are instead members of Dinosauria (and honestly Heilmann either missed or ignored a lot of evidence for a dinosaurian origin of birds even in the 1910s), but the Proavis to me remains a beautiful and fascinating concept that represents scientists and artists striving to understand the prehistoric world and the passage of evolution, much like we still do today!

And of course, its popularity in the early 20th century put it at the perfect time for Fantasia's artists to take... let's say heavy inspiration from Heilmann's imaginary Proavis when depicting a creature that was intended to be Archaeopteryx the whole time! The pattern of feathers matches up almost exactly, although the larger leg wings might have been inspired by Beebe's Tetrapteryx as well:

So to get back to your original question that led to this whole deep dive, artists didn't actually Draw Archaeopteryx Like That except when they were mistakenly drawing something that wasn't Archaeopteryx at all! If you want to read more about the Proavis and Tetrapteryx I recommend this Tetrapod Zoology blog post by Darren Naish, he does into more depth about the history of the concept and some of the unusual evolutionary ideas that Heilmann used to arrive at this weird and cool imaginary creature!

[epiicaricacy-arts]

without the sour the sweet wouldn’t taste

why are you as a man eating another man’s ear after you failed to make him eat his ex girlfriend. 🤨🏳️‍🌈⁉️

im allowed a bit of toxic yaoi. as a treat

process discussion utc ⬇️

for those familiar with my work you’ll know that i like trying a lot of new styles and experimenting in order to achieve a certain vibe. usually those are heavy painterly styles such as the sunday art inspired by Yuming Li, which is what i’m familiar and comfortable with, both traditionally and digitally

what im NOT familiar with is watercolour. i’ve never had a good time with it 🥲 i just cant seem to wrap my head around the process since its requires me to work backwards (light to dark vs dark to light)

for this piece i just couldn’t imagine myself rendering it in my usual style. i needed to do something new so that i’d stay invested enough in the piece considering that it has two people, meaning double the work. for some reason i thought it’d be fun to do double the work with a style i am completely uncomfortable with but oh well!! i managed to do it 🤷‍♀️ i was specifically looking at the works of Ko Byung Jun, an artist i’ve seen all over my pinterest feed

while i didn’t end up really following the style super closely i still learned quite a lot just by looking at it while i drew. i tried my best to stick to watercolour brushes and an ink pen but as i was nearing the end i needed to make some alterations that i wasn’t bothered to try fixing with the watercolour brushes so i just went over it with my digital ones 🫡 i did my best that’s what matters!!!

i had to repaint rody a few times cause i just couldn’t get it right and the colours never ended up matching vincent. i painted them separately and i think i got possessed while painting vincent cause it happened in like. 40 minutes. and i couldn’t get it to happen again 😔 it didn’t really matter cause i ended up going ham with the curves tool as always but you know 🤷‍♀️

here’s the image without all the effects:

i find lately it’s been more and more common for me to be sketching several iterations of a concept for days, even weeks before i land on something i like. i have an entire separate canvas that i’ve spent 5 hours just doing thumbnails trying to figure out how i wanted to pose these two in a way that would showcase the characteristics that mattered in the story of this piece.

that’s my process for coming up with drawings: i find inspiration somewhere, i figure out the key concepts/characteristics/symbols etc i want highlighted, and i work around those. sometimes i have a composition in mind or just a general vibe i want to portray. for this one i wanted to make sure the towel, rody’s injured finger and vincent’s face could all be clearly seen, while also portraying the fight scene and the vibe i get from the reference song. almost all of my work revolves around a specific lyric from the song which drives the story of the piece. here i interpreted the line “without the sour the sweet wouldn’t taste” as a connection to all the little actions vince takes with rody that can be seen as “sweet.” drying rody’s hair, bandaging rody’s cut. i then asked myself how i could take those actions and make them “sour” or show them in a different light, in which vince is biting the finger he bandaged and pulling rody closer, preventing his escape with the towel he used to dry his hair. what im trying to communicate in this illustration is the idea of “if it weren’t for how i’m treating you now, you wouldn’t understand how kind i was to you then” in an attempt to illustrate the complexities of the way vincent acts towards rody.

i’m truly in love with the story telling of this game. it’s hard to really say anything about how the characters acted during the story because it’s so complex in how it’s done. it’s very hard to summarize their relationship because there’s so much about it i can’t explain without just quoting the game directly. i think it’s such a beautiful portrayal of obsession and just being fucking weird about someone. i wanted to ensure the elements i mentioned in the above paragraph because i didn’t want to be portraying vincent as solely a villain and rody as a victim. i wanted the storytelling of this one illustration to live up to my impression of this beautiful game and i hope i did it justice.

thank you for reading this if you’ve made it this far. i love rambling on all my art posts cause i think it’s so valuable for artists to expand on their work outside of the result alone. i hope what im saying is at most helpful to someone and at the very least a good read. i’m probably gonna take a bit of an art break after this since it took a lot out of me, plus im on the last days of my trip. thank you again for reading!

here’s my dog

[nguyenfinity]

Long post incoming 'cause I really enjoyed making this but timeline project!! Parameters were to show a timeline using pop culture references so I did the life of a neutron star with Madoka Magica (specifically Homura's arc during the main series)!!

For some meta/symbolic/design purposes I inlaid it in a clock :]

This is a 16-inch clock btw, the design itself is like 14 inches-- Stages Nebula: Inception of a star; the gravitational collapse of dust clouds forms its base. Akemi-san's been in the hospital for some time due to a heart condition. She hasn't been to school in quite a while, so I'm sure she'll run into a lot of difficulties. Make sure you all help her out, okay?

Protostar: The protostar spinds rapidly, causing further collapse of the nebula. The star keeps spinning, trying to reach equilibrium between its internal forces and gravity. I-I'm A-Akemi H-Homura... I, uh... I-It's nice to meet all of you. T-Tauri: Energy comes from gravitational forces since the temperature is too low for nuclear fusion. The star enters the main part of its life when it can finally start nuclear fusion and achieves equilibrium. Hey, don't be so nervous. We're classmates, after all. Main Sequence: 90% of the star's life; fusion continuously occurs until hydrogen is depleted, initiating the death of the star. Homura-chan, I'm really glad we became friends. Red Supergiant: The star swells up to a massive size; nuclear fusion can still occur until the star forms an iron core. We can do this together. We'll beat the Walpurgisnacht, just the two of us.

Supernova: As soon as an iron core forms, the star instantly collapses in on itself from the sheer force of gravity. THIS time, instead of her protecting me, I want to become strong enough to protect her!

Research/more design notes below the cut

There were so many directions to take (as you can see, like lifespan of a star would also be very viable for Rinne) but pmmm is so near and dear to my heart that it would've felt criminal not to do it and especially for like. A golden idea, like I think I hit conceptual gold--

It was so hard picking a singular route 'cause there's so many ways a star's life plays out and so many fitting storylines (Godoka for a neutron star, Akumura for black hole, magical girls in general etc) but I also had to take the physical presentation into account 'cause we were allowed to do that however, and Homura's main story arc fit really well because of the time loop and how clocks are. Yeah (and also the symbolic meaning of it being a clock)

There's more symbolism in the specific route I chose being a neutron star because those are the densest object ever, like how Homura repeating that month over and over again kept converging fate onto Madoka worse and worse--

i literally had a presentation with this and I couldn't think of what to say and if i recall anything i'll add it in the replies but MAN this project was so so fun (not the illustration part. i hit major artblock when trying to figure out how to draw it.)

[mtkay13]

Qi Ye cast poster!!

This had started as a sketch, waaay back as I was still reading Qi Ye. The original is pretty different from this (I considered adding it in the post but I actually don't like it anymore haha), but the plan was already to make this big spread with most of the -more or less- important cast.

I will add here some thoughts about the whole piece, and I guess, Qi Ye itself. My main goal was probably to express my deep and intense feelings for Qi Ye, its grandness, and its awesome cast-- and along with that, flesh out my mental image of each of them, their personality, their style. Here is a table with the names, so we know who is whom, and so I can add some details about my perspective on them and their design.

Jing Beiyuan has always come quite naturally. I just go for the "prettiest face" I ever came with in terms of : my own taste, and the features I find the most delicate. I'd argue he's the easiest character to draw for me across both QY and TYK. On this image, he's probably around 16 or 17. I find his expressions to be very fun to work on in general.

Ping An is also quite an easy character to draw, just for how specific Priest is when describing him.

Wu Xi's design is mainly inspired by a discussion with my friend Hanya, who talked about how, in SHL, Wu Xi more resembled a northern shaman than a southern shaman. It made me want to explore the designs and characteristics a bit more, and come up with more colourful fabrics, patterns, and darker skin color. Same goes for Ashinlae and Nuahar, to have them matching Wu Xi's aesthetic.

Ming Hua was included in this just because of the mess the mention of his name caused in the story. The two jealousy tantrums are just so delightful!!

Su Qingluan was made to resemble Jing Beiyuan, of course. What I wanted to reflect in her face was her frustration, mainly.

Ji Xiang and Hua Yue... Well. Nothing particular about their design either, but they had to be there. Of course, of course they had to be there.

Finally, an opportunity to draw Zishu with his fan and henchmen! Not mad that he kinda looks like a villain, here.

Lu Yu!! I drew him with an Ashinlae mask, since he disguises himself as Ashinlae. I included him because he matters a lot in my headcanons about Siji Manor. (it isn't specified, in Qi Ye, whether or not he's actually part of the manor, but I like to consider that he is for various reason that I may detail if I ever make a Siji Manor post)

I'll skip Jiang Xue and Liang Jiuxiao because their designs are steady for me, now.

I hesitated a lot for Helian Pei's pose, but ended up going for this one (looking bored, out of his depth, lost in the distance with his birds around him). I considered showing him with a bird in his hands, but I guess that's not the main vibe I get from him. And then, well, golden, flashy clothing, suited for an emperor.

Helian Zhao had to be in a showy armor, and I hated making it because it's so much work, haha. I took inspiration from an armor in NiF. I'm quite happy with how he came out in terms of both vibe and showiness.

I tried going full out on Helian Qi. Making him the villain that Qi Ye deserved. Dark, showy, elegant and horrible.

Helian Yi is also pretty solid for me, by now.

About the illustration itself, the main challenge was definitely to make a nice colour palette while still differenciating all the characters. I wanted to go with something intense, eerie, that could also complement the main tones I would go for (= red, purple, blue and green). I'm quite happy with how the golden tones, along with the green and reddish lights, make the whole thing come together. I struggled a little bit with the composition at first, but once I got the flow and the main figures down, it just happened quite easily. Anyway, I'm quite proud of this, and hope it conveys the love and admiration I have for Qi Ye well.

[guppyfish77]

Another year Another summary of Art! An Entire Year of Submas lets gooooooooooo!!!! This year I feel like I really pushed myself when it comes to illustrations and I feel like I've learned a lot! But at the same time I feel a little tired, next year I think I wanna relax and experiment a bit more, I gotta learn to loosen up! Might get more art out if I do :p

I also feel the Submas grip ever so lightly relaxing (unless they decide to do Unova remakes haha XD), so I might introduce some of my numerous ocs in 2024! I'll probably start with the conductor oc ;]

Thank you for all your support! (you are all very nice! ToT), I still have a good amount of submas stuff planned in the works so look forward to that (๑•̀ㅂ•́)و✧

If you are interested, I also have some commentary and behind the scenes for some of my submas illustrations! I wanna talk about it and now seems like a good time to do so now that the year is over! (Beware! its going to be long!)

All titles are linked to the original post

Lunch Break

hoho! This one is the sort of AU thing in which the only thing that changes is that I give Emmet a Victini friend (not a part of his team, I dubbed them the "victory duo" because Emmet likes winning and Victini is the Victory Pokemon), I planned out a few wordless comics regarding the idea, they were all very lighthearted slice of life kind of stuff, usually Victini causing some mischief and the brothers having to deal with it

and here's the thumbnails for this piece! I played around with various angles but decided to keep it simple and choose a straight on angle. It was originally a snack break and Emmet sharing a granola bar with Victini, but as I was planning it, submas unexpectedly showed up in the Pokemon Anime where they were serving ekiben, after learning about it it quickly turned into a lunch break! (how fun when new information lines up with an art piece you are working on hoho! ^ ^) After studying what foods Ekiben usually have in them (there was quite a variety!) I took what I learned and try to make the food look like the gear station logo :D

In the background there are children drawings because in the battle subway one of the trainer classes you can face off against are preschoolers, and I thought at least one of them would share their drawings with the subway bosses (and of course why wouldn't they hang it up?), there is also a trophy in which you can get in the players room if you beat the subway bosses on the super trains (one day, battling competitively is not my forte), I did my best to make Emmet's office feel lived in by adding a little bit of clutter (like adding a note) but overall very organized

(hey hey that joltik mug looks familiar in the corner there, its the same one Rei is holding in the christmas drawing)

Bonus Emmet and Victini Drawings

aw come on dude, not on the trains!

ah this one, it gave me quite a bit of frustration! This piece I used to challenge myself on perspective, and challenge me it did! The version you see now is I believe the 6th iteration of this drawing! The reason for restarting so many times is because I originally wanted it to be in 3 point perspective, but I couldn't get it to look right so its now in 2 point... Haha Some valuable lessons learned there!

This illustration was inspired by the history of New York Subway Trains and Graffiti! I read about it when I got to visit the New York Transit Museum and found it super interesting!! Then I went I gotta do something with this! Since Unova is based in New York after all!

I got so many subway surfer comments, they don’t know I forgot subway surfers existed while making this and that I am a huge nerd lmao

I had a lot of fun designing the graffiti on the train (yes it says among us) stylizing the fictional letters was so fun! I studied some graffiti to see how they do it, I could've pushed the graffiti style more but then it would be illegible! I also mixed in elements of Grafaiai graffiti, and trainer that is running away is the artist trainer class in SCVL because they are graffiti artists! And the train that got graffitied is the Wifi Train, due to BW (and the DS) servers being shut down, I doubt that train gets used much anymore, which makes it a perfect target!

Derailed!

hohoho! This was a fun one! I'm not sure how many of you guys read my tags, but in there I did state that this piece was based off the fact that model trains are powered by electrifying the rail it runs on (very low watts mind you) and the fact that Joltik eats electricity, but thats not the only inspiration, it was also inspired by those videos of cats laying on the layout and derailing the train!

Theres quite a variety of thumbnails for this idea (including a comic!), and the idea was there in 2022, but this year I decided to fully commit to it! I started rendering the top right one and almost finished it, but it felt really boring to me, so I switched it up and made some thumbnails in a new perspective and viola! thats what ended up being finished!

The train that is being derailed are Sanriku Railway Type 36s, based off a model train I have in my collection! (While sharing this fact on the original post Haiku Bot detected it as a Haiku?! and this art went out of my target audience, that certainly was a day (⊙□⊙;))

Also I straight up put a picture of Thomas the Tank Engine in the background, I'm not sure if people noticed cuz its quite blurry, the fact that nobody said anything means I probably would’ve gotten away with it before sharing this fact, so hehe :3c

Unexplained Melancholy

eyy! this one! It started out wholly different

It was originally me dropping Warden Ingo in various natural landscapes around Hisui as I didn't feel like drawing anymore linear perspective (ah, but heres the thing, all environments require a little bit of perspective lol), and it was just going to be Warden Ingo hanging out in a lush forest, specifically by the train rock that was shown in his concept art! but after sitting on it, I realized I could do something more with it! by making it a snowy environment I could make callbacks to Emmet's coat being white! hence the "SNOWY!!!" being scribbled there, that was added like weeks afterwards, Then I realized I could push it even more by making the whole environment about Emmet's colors! So the new thumbnail is in color because thats whats its about!

The moon smile thing was stumbled on by complete accident, while working on it it felt empty there and I added Emmet's smile to fill the space before going "moon!!!"

The piece is also a sort of a parallel to last years piece “I am Emmet, I wish for Ingo and I to be a two-car train once more” composition wise, sort of, I tried to at least 👍

Black Tower and Whitetree Hollow

Ah! I was quite proud of this one! Black City and White Forest are some of my favorite places in Unova mainly because the parallels are so very cool!

As the thumbnails suggest it was all going to be in complete black and white, as I was working on it though I could not help but add some values in there so yup! I quite like both compositions but the perspective won me out, plus that one focuses more on the characters than the other one (as much as I love backgrounds, it really is supposed to be about Emmet and Ingo U_U)

Being places of duality and having a battle challenge in there, it really fit them!

Emmet drops the hottest single of all time 🔥🔥🔥

Not really much to say about this one since it was very much done on a whim, but

its not the first time I drew Emmet with his hat backwards, I did this little doodle around the same time I did the train graffiti piece, been wanting to do something with this silly idea, and when I heard that audio, I went :o

Following Some Rumors of a Time Machine

the finale! I decided to choose Area Zero because its a very cool place! I am inspired by cool places! and I decided to give it my all for this one!

The thumbnail I made was more for jotting down the idea, and the landscape was going to be more eyelevel? Later I decided to make it so you were looking down into the crater and you get to see the fog blocking the crystal caverns, to show that Emmet was going deeper into Area Zero and the Deepest part is his destination (the time machine, not the underdepths, I didn't know about that yet haha!) I was always going to make Emmet encounter a Slither Wing, with it being based off Volcarona, a gen 5 pokemon :]

Anyways, That's all I have to say! I hope you found it interesting! (and enjoyed my varying quality in sketches and thumbnails XD) Thanks for listening! see you in 2024! ✌

[luzlopesarts]

This is not an update to the Comic, but it still has something to do with it !!!

(call it a little gift for the Wish Rewrite and KoW fandom)

Hello my little stars! How are you?

I mentioned in the last post in the series that I would be traveling for a week or two and that's why I wouldn't be working. Well I'm still traveling Lmao.

It's been a lot of fun, I'm visiting my Prince Charming and family, both of whom I haven't been to in a long time. Still, I couldn't stop thinking about KoW and Wish's Concept Arts. Disney sealed the fate of its fan artists by discarding so much good material, now they are embedded in our minds and we will not be able to rest until we see them realized. This is crazy but it's beautiful to see how much these discarded concepts generated creative potential in the fandom.

Because of all this I couldn't help but make some small sketches! And well, I came to show them here. They are not sketches of Comic panels, but they have something to do with it and I will show the photos and explain how.

This first one, very faded, are Magnificent and Amable's clothes (designed by @uva124, for the characters in @annymation's rewrite of Wish "The Kingdom of Wishes"). The drawings that Aled did are very complex, I don't judge her for that, in fact I thank her, she gave beautiful clothes to the centuries-old Disney villains and they are perfect. I really wish I could draw them with all the details, but I will do everything by hand, alone and seeking a minimally professional quality (I want to be a comic artist/book illustrator one day. This comic is my first step Lmao, and I want to do something that conveys the best I can give at the moment), so I need to make some things easier for myself. The costumes are one of those things.

" Better something simple and well done than complex and poorly done." — This is my motto for this Comic and for my life.

The next sketches are related to aesthetics. I've been watching a lot of "Analyzing the Art" videos of some Disney films and I was inspired to adopt some "Disney Style" features in my arts for this comic (not everything obviously, because I don't want to be sued by Disney lmao).

What you'll see next is me trying to mix this influence with my own style in some KoW character sketches.

(this last art specifically references a meme in which @rascalentertainments tagged me, Thanks for that, by the way! <3 )

(credits to the artist, I don't know who it is because I was just tagged in this meme and I was busy So I didn't look for more information, but I'll leave the post link and you can check the official credits)

Speaking of aesthetics. Anny received Chiara's aesthetic from someone — the north star, "daughter of Aster", created by his magic at the very end of Anny's fanfic. This Aesthetic inspired me to create an aesthetic for Asha and Aster too and these were the results:

What's your favorite?

Lmao, It took a lot of work to make Aster's. There are almost no things for "starboys" on Pinterest.

I'm leaving this up to you to share as you wish, consider it a gift to the fandom!

Lastly, I want to say that the artistic analysis videos They also inspired me to put together a moodboard for KoW and I'll be leaving it here. Not even Anny and Aled know about this and I can't wait to see their reactions! I wish I could print this painting and leave it on the wall, but unfortunately I don't have a printer T-T.

This moodboard is helping me with the artistic direction of colors, style and is a visual motivation to stay active at work.

I hope you like it too!

That's it for today, it's already midnight in Brazil and I should be sleeping instead of posting crazy things on the internet. I'm going to tag my friends and go to sleep, Lmao.

Kisses full of light and stars!

~ Emy

@wings-of-sapphire @flicklikesstuff @frogcoven88 @chillwildwave @gracebethartacc @gracebethartacc @kstarsarts @oh-shtars Come and get your therapies after the anguish caused by certain publications by Anny!

[billygaysanguine]

teensy update on that DTIYS i wanted to do. after much deliberation i have settled on what i want the reference illustration to be. now i just have to get my shit together and Draw it lol. its gonna be kind of fun and special in a way i shant reveal yet. and also the time limit will probably be a month at least maybe more cause i want people to be able to participate even if autumn is a busy season (as it is for me) :3

[joannaliangart]

Last Name (2023) 25 page saddle-stitched book. 4-colour risograph cover, digitally printed pages. Digital illustration and poetry.

Last name is an illustrated poem. I rarely make work about my relationship with family because it always feels too fraught to draw inspiration from, but in this one instance I felt I could make art from it. My feelings around this piece and its subject are still complicated; so in an effort to be broad but accurate, I’ll say that Last Name is about not knowing what you inherit from blood.

---

Whoo man. One of the pieces that weighs heavier in my heart than most cause the subject is more of a currently ongoing thing. I always really liked this poem though its one of my favourites despite its subject matter, and I was glad to turn it into a visual art project. twas my final project for a 3rd year illustration class

Might upload all the digital illustrations of the pages someday but I want to make some new editions of the zine first! Tis another piece I'd like to sell n get out there in the world; I have like 18 copies or smth right now but to be so honest most of them are pretty fucked up lmao I did not do a great job binding these orz

Really love how the cover turned out! I was very specific with my paper choice; there's this beautiful paper (I think its name was Stardust White) with lil coloured specks in it that I bought from my school's riso studio specifically for this project and I adoreee how it turned out. My first time doing a 4 colour riso print too! Still feels very ambitious to me haha

A bit of linguistic context (yep I was playin around with the tension/differences between Chinese and English language; how v cool of me):

Chinese names have the surname come first; so while my English name is Joanna Liang, my Chinese name is Liang Shu Ran. So when I say 'last name' in English it refers to my surname, But theres a disconnect/inconsistency because when literally translated, as the surname does not come last in Chinese.

This disconnect in what "last name" means serves as the conceptual centrepoint in this zine, representing the disconnect in culture, language, and family. In fact, in the title page, I translate the zine's title to Chinese (the 5 characters on the right of the phone):

Which, to give an accurate connotative translation back to English, would mean something like "final name" or "the very last name". (fitting again, considering I don't want children but that's a whoooooolleee other fuckin can of worms lmao)

In that title page, to the left of the phone is my Chinese name. But I've formatted it the English way, with the surname last: "Shu Ran Liang". And at the bottom, my English name formatted the Chinese way: Liang Joanna, with the title "translated" underneath as "first name" (so it still refers to my surname in this reversed formatting).

It's all kinda convoluted and complicated, which was intentional because that confusing and difficult to navigate path to understanding is precisely my experience with this particular aspect of my life.

+bonus here's this satisfying clean cut stack of pages ooooo *chefs kiss* Big stack cutter my beloved I'm gonna miss it when I leave uni it just so fun to use

+sweet things: when I was showing my mock-up with the roughs in class, one of my classmates said "that's beautiful" and pointed to the spread on page 21-22, with the fireworks exploding out of the panel frames. That was nice, cause I really like that spread too

[mushtoons]

Too shy to send off anon, BUT!! As someone also going through severe OC thoughts rn, thought these might be fun, though no pressure to answer if you are unsure about any of these!

• Do any of your guys have a major turning point of their character arc, or maybe just some other fun moment that you'd really love to illustrate but haven't gotten to yet?

• Your color palettes and designs for them are really gorgeous!! Do you have any deeper reasoning for some color/design elements? Curious since the Greek Mythology inspo in the form of your latest obsession with Epic makes me wonder, but if its also mostly just going with what personally appeals to you in a design I 100% understand and respect, same

• Sort of silly question, but have you ever thought of what an "evil/reverse" version of these characters would be? As in, how different might they be if a major component of their character (visual or storywise) were changed to be the opposite? [Thinking of those memes like "evil crush 40 be like: die and forget" fhhfhfhf]

These are just some things I thought of, I hope they're okay! I've quietly been observing some of your OC things over here and been too shy to speak up and say much but hell yeah, keep doing what ur doing!! 🫶

~ 🧁

SOBBING AND CRYING ACTUALLY THANK U THESE ARE SO FUN I OWE U MY LIFE HOLD ON TIGHT ITS A LONG ONE

okay okay!!! so for turning point scenes i REALLY wanna draw the death of the king ( adriero , their son!) we kinda have this doodled out but its old (and the wrong son, we changed who dies so its out dated 💔)

it leads to iiros's character and his role (kidnapped, adriero's replacement!)

for colors its kind of a mix between symbolism and just what i like!

gala is mainly purple, for his affinity for night and sleep, originally we were gonna make him a shiny white like a star, but purple is akin to arrogance and childishness which was more his personality along with emotional!

iiros is primarily yellow because of his connection to day and warmth, but we used it also as a way to show he's a light, or like hope! and after looking into it its also a color for mourning!

izuna's is harder because we tried to appropriate his pre design into this one but nothing really fit he's been redesigned like 5 times so rn he's just for aesthetic lol, except his red which we used as a nod to his preexisting design, to mean passion and anger! and his white hair to show his loss of color/happiness!

euyco is really under developed but plays a HUGE role in their world! hes the catalyst that starts EVERYTHING and most character development! but he's one we don't draw much cuz bros dead, but i wanted to give him a bit of a free spirit vibe! the green and red for rebirth and passion, while the blue for flexibility and change

and flura is soooo aesthetic mainly because PRETTY!!! but!!!! his roses are his symbolism >:), they're yellow for danger and caution they draw attention to his face and his eyes (he's our antagonist EHEHEHEHEE)

okay last thing and I'll stop!!! i aint really got a evil version or anything considering flura is already the 'bad guy" and looks how he does, but i DO have a concept of izuna if flura hadn't caused euyco's death >:)c

before euyco died and everything he WAS the creator of beauty after all >;9

[nessiefynn]

some artists have a really distinct and appealing consistent style they bust out every time they gotta do comms or art for other people in general, like they use the same palettes and lineart and shading styles and it all looks super unfied, and im always low key jealous of those types ._. cause its nice to have this signature look that says "look, its me, and im making art for someone else and my fingerprints are all over it!" i kinda wanna develop a style like that sometimes, but also it kinds goes against my personal ideology. i dont really like having a hyper-unified body of work, i dont really want every drawing i make to look the same. i think having some stylistic dexterity is important to me, thats why i try breaking up my furries with humans and my cel shades stuff with paintings and i try to vary up my color palettes in illustrations. or idk maybe im failing and all my stuff looks samey anyways, i cant really judge my own work lol. idk. trying to do one look over and over again just makes me feel like im trying to shapeshift myself into other artists who do that kinda look and its not fun or interesting for me, and it makes me feel like... hm... theres art i wanna make, but im forcing myself down a different road in pursuit of consistency over exploration and self enjoyment. still it would be very fun to have that "signature" look... just so i can have a pretty standard aesthetic to advertise my art fights and comms as looking like. maybe ill find it someday

[thecourtjester12]

For the DCA fandom question thingie: 1, 5, 9, 16, 19, 20!

Thank you for the ask and the questions to answer from it! ^-^

how did you get here?

I'm a long standing FNAF fan! (not THE longest since I got into the fandom around late 2016 early 2017 just around when SL came out or a smidge before it really…) And when SB game out at first, from the trailer's at least; I wasn't TOO keen on the DCA's or how things would end up with the game, it was pretty out there to me. BUT! When it finally game out and watching GTLive play through it the daycare section (And Moon's part in partically) really drew my attention, was-and still is- my favorite part of the game, I grew attached to them and it grew from there!

I already had a FNAF special interest and in turn grew one for th DCA specifically as well!

if you make content, what's your favorite piece you've contributed?

Oh dear…this is a tough one….I'll start with written first It'd be a tie between 'System Overload' and 'Pretty Moon?' My first and 4th works with the DCA's they hold a bit of sentimentality.

As for drawing…While a bit of an Au drawing, this illustration of J-tol Moon (Moo) I just really love how they turned out ^-^ (Reminder to please use they/them for Moo!)

what do you think of the dca's canon appearance? Scary? Cute? Something else?

I think they look neat! All the little details are fascinating and it makes curious how they would function if they had existed in the real world!

Along with that I generally have a fondness for celestal themed things (suns, moons, stars, clouds) along with star and striped patterns, I just think they're really neat, so the DCA's design really fits these lil things I enjoy! Andddddd……..Moon's design reminds me an itsy bitsy bit of little porcelain clowns I collect so that's neat!

what's something in the fandom you'd like to see more of?

That's hard to say…theres so, so, sooooo many wonderful things already in the fandom and so much wonderful creators and creations! Always new ideas and new twists on ideas, its amazing to see!

Maybe more….I wouldn't say crossovers….but more stories and other creations with the DCA's and older fnaf games and characters! I don't tend to see this very often but I LOVE all of FNAF and I love getting to see the DCA's interacting with previous games characters and lore and making twists so the DCA are appart of older games, like new timelines and all that its just so cool to see!

do you think you'd actually get along with the dca if you met them irl?

Ignoring the fact a first meeting irl with…any of them would….not be good (many reasons…. :' D) While I haven't watched HW2 yet I have the jist of things from it and…Sun? Maybe?

But…no strong guarentee….bit more likely with Moon but….also iffy cause…its Moon.

Eclipse tho, I'd probably have the best chance to get along with them (I have…been told by friends i am 'eclipse-core' and come across as similiar vibes to them at times?) So one yes, the other two….iffy unfortunately. (I'm moreso meaning on their end, I would Irl be cool with em all personality wise, but whether THEY would with me….less so :' D)

free space! talk about whatever's on your mind

Let's see let's see...While I will admit to having been a wee bit distracted with other fandoms past little bit, my love for the DCA and the fandom has not died out!

I've still been engaging in the fandom if a bit more...out of sight such as with some fun little projects with beloved friends both with the PDC au blog (tho limited on there >_<) and other things I can't say quite yet!

And a lovely little blog that.....well if you know of it and know it's me behind it....good on you for figuring it out! Unfortunately that little lovely is one you'll have to find on your own!

And while im a tad slow, I have been picking away at working on things for LSAU lots to do, lots to do before i can get into the fun stuff and start showing it off properly tho!

I suppose last but not least...I'll leave with this!

This wonderful story by ShivaCheshire! I've recently started reading it and its just really well written and captures the DCA beautifully! Would highly recommend (and its even better if you're looking for a long fic!)

[ninjasmudge]

before my brain and motivation to function falls back into the void. this HC I have for MK is by no means groundbreaking or anything it's probably basic but it has me by the throat, i love it so much and I don't really see people talk about it as much so we all know that MK is an artist and a pretty damn good one, mean he's apparently illustrating his own copy of JTTW (if I'm remembering that correctly) which we do see in the show and it looks really good. my hc is that MK loves to draw really detailed artwork of his friends and he takes a lot of candid photos of them for inspiration. particularly action shots of them. he'll sneak multiple snapshots or video them during training or just doing something cool in general. like mei doing aerial tricks in her dragon form or racing on her bike, red or nezha doing flaming kickflips, pigsy showing off some while cooking, etc. and sometimes it's just them chilling and the scenery/lighting around them looks really lovely or peaceful, examples being MK coming across nezha or wukong meditating or doing warm-ups, or his dads sharing tea at a festival. (because MK can draw tang I think he just has a harder time drawing him like a badass like the others. he draws him best in a gentler domestic setting with him looking wise or fatherly. but that's just my thoughts) he has special art supplies he uses just for those, the good high-quality artbooks, pencils/paints, etc. of all his art projects these are the ones he shows the most focus and attention to detail on because he's putting every bit of his admiration and love for his loved ones in there. and mk is surprisingly really good at being sneaky about this cause he's a little embarrassed and self-conscious about it. like he's worried it'll come off as creepy and like so many artists question if his art looks good enough to show too his idols so he hasn't shown anyone the finished drawings yet except maybe a few to mei, partly because he trusts her partly because it's very hard to find anything from that girl. which is a shame because these art pieces would definitely make wukong/nezha/mac/redson cry happy tears because like "omb...do..do i really look this cool?? is this how Mk actually sees me?!?" i ESPECIALLY love the idea of Nezha coming across mk's secret fanart notebooks and he finds all the lovingly drawn pictures of him looking so stoic and cool and just collapsing in shaking tears because its SO HARD for that poor guy to get the respect he rightfully deserves because of his height/age. and seeing just how much his adopted little brother loves and respects him is just...fgwgfiesyygg he doesn't even know how to properly react (it probably be the same thing with mac or redson, just shaking crying stuttering messes of emotions they don't know how to express) anyway there is my long ass rant (i'm sorry for the length or any spelling errors also can you tell brotherly Nezha and MK is one of my favorite things. i....i just want to see them get more screentime together in s4 ;;-;;)

i absolutely love this idea, its so sweet, the idea of nezha especially really needing to hear from someone he cares about how much hes respected is just *chefs kiss*

its also making me think theres probably a lot of sillier fun photos that might even end up on pigsys photo board!