#i dont. i love that game. it is just flawed and i think people who already dislike DD but like AA4 want to pin those flaws on DD

[bucketbueckers]

COME AROUND

pairing: paige bueckers x fem!reader content: language, kinda angsty (but with a happy ending because above all else, i am my own target audience), friends to lovers to exes to lovers, too many gatsby references, teenage awkardness, hopkins!p, sexuality, generational fumble from paige, mental health, slight injury, painfully long

wc: 27.0k synopsis: You were always a little tender-hearted. That’s why your friends told you to stay far, far away from Paige Bueckers. You tried, you honestly did – but Paige was magnetic, and she loved you, and you were just a little too weak to say no. Eventually, you’d have to come to terms with the realization that the both of you were growing up far too fast and that there were many lessons still left to be learned, although you never thought that moment of reckoning would come in the fashion that it did. Despite losing your way over the years, the beautiful thing about life is that you always find your way back home. notes: kinda funny that i thought this was gonna be like 5-6k words long...lol sike 😍 last night's game actually killed me but what do i actually know about basketball. i just work here. this fic came to me in a fever dream and was not planned out at all, is poorly proof-read, and at the end of the day i dont actually know if its good or not cause im sick of reading it. also. please let me know how we feel about the sexuality/process of coming out. i tried to make it as authentic as possible (i did NOT feel like writing homophobia, paige and reader got enough shit going on in this one shot) but lowkey...idk how it works. crazy lore drop but when i realized i liked girls i said "ok" and went on with my day and then eventually got outed to my family so like..oh well. i think that's it though but as always let me know what y'all think and pls pls enjoy 🫶

tags: @unadulteratedcyclepaper @avvwritesstufff @surferandskater5

You were always a little tender hearted — or so you’ve been told. Your heart lives perpetually on your sleeve, bared, bleeding, beating persistently regardless of the way it breaks under the slightest pressure. You’re a patchwork of criss-crossing bandages, an amalgamation of stitches and sutures; nevertheless, you still find the bravery to love and open up your heart in spite of it all. You wouldn’t say that you let people walk all over you. You’re outspoken and proud of it, opinionated and driven. In the same breath, you’re sensitive and trusting – perhaps to a fault, but that’s just who you are.

You don’t think this is a character flaw. Yes, you get hurt, but that’s inevitable. You like to think that if people like you stopped putting love and compassion into the world, then it would all go to shit eventually. You like to think that there is someone out there who will see your effort for what it is and care enough to protect your heart as if it were their own. Platonically, romantically, you didn’t particularly mind – you wanted to forge genuine connections with people. You wanted to love in whatever form that came to be. So, yes. You get hurt. Yes, it would be easier for you to not care so much at all, but if people gave up so quickly, then how would we grow? How can we expect to glean something from the world if it was a depleted resource?

Hopkins, Minnesota, was a quaint little city, but it was where you grew up. Elementary and middle school was… well, elementary and middle school. You learned a lot about yourself, about others, and made a few close friends that have stuck by you for years. Then high school came around and things shifted. Your classmates were confusing mixtures of self-absorbed and altruistic, trying too hard to be one thing or the other, and it was this strange imbalance between finding who you’re supposed to be versus staying true to what you’ve known. It’s that weird thing called growing up, and sure, everyone does it – in a literal sense as they grow older physically, but also as they change their minds and learn new things about the world and themselves, although growing up in high school is just so daunting. It’s like you’re supposed to have all of the right answers, right now, which is scary because you don’t even have the right answers for algebra yet you’re supposed to make life-altering decisions about the person you are?

You digress, though. Freshman year is decent. You get into a steady rhythm, join a couple of clubs that will look good on college applications, and you make a few new friends, ones that feel a little more like you despite the ones you’ve been holding onto since kindergarten. Sophomore year is full of changes, yet again.

But junior year? They weren’t lying when they said it would be the hardest year of high school. You were taking a few AP classes and a dual enrollment class or two to round it out, but despite that, junior year comes with a lot more internal realizations. You weren’t a sports person by any means, but Paige Bueckers soon became a name you were intimately familiar with. She’d led her team pretty far into the playoffs during sophomore year although they ultimately fell short. There was something about her that was magnetic and you wanted to know more, see more. She was a freshman phenom, a generational player.

And when you mention this to your friends, trying to screw up the courage to attend one of the Hopkins girls’ games, you’re adamant that this new shift has nothing to do with the six foot, blonde guard with whom you share a fourth period AP Lit class with. Sure, Paige is ridiculously pretty (even though you’re 100% straight), charming, and she has a way of drawing everyone in. You’d just like to be her friend and that’s all there is to it. You don’t stare at her as your literature teacher rambles on about whatever classic book you’re reading – you don’t remember if it’s To Kill a Mockingbird or The Great Gatsby, but as long as Paige is sitting one row in front and two chairs to the right of you, there probably isn’t a chance that you’ll find it in you to care.

Then, around late October, it’s time for group projects and you’re just hoping you’re not paired with someone who doesn’t want to do the work. When your teacher rattles off your name, pausing once to glance at the rest of the roster, and calling out Paige as your partner, you aren’t entirely sure if this is something you want to celebrate or dread. You look up from your open book, The Great Gatsby, although you’ve read this dozens of times already, and you find that Paige is already turning back to look at you. Her face is a mix of easygoing confidence and gentle kindness all wrapped up in a radiant smile that makes your heart drop out of your ass.

Your classmates shuffle around and she slides into the desk seat next to yours, her knees bumping awkwardly on the sides, but she hardly pays it any mind as she introduces herself to you, as if she isn’t the most famous seventeen-year-old you’ve ever sat next to. You figure that her introduction is more out of humility than anything else. It’s probably daunting to be her, intimidating to bear the weight of countless expectations on shoulders that are barely broad enough to fill out her jersey. You give her your name and she repeats it back to you slowly, testing the pronunciation on her tongue, and grinning when you nod, ignoring the blush that creeps up on your neck.

“A’ight,” Paige says, rubbing her hands together in a way that looks corny as hell, but you can’t help but be amused by it, “What do you think?”

The prompt on the board is simple – by AP Lit standards, at least. Explain the symbolism of the green light. Common interpretations think of the light as a representation of Gatsby’s love for Daisy, the American Dream, or money. Do you believe any of these interpretations (or an interpretation of your own) reflect the themes of the story and Gatsby, or do you believe the narrator, Nick Carraway, has unreliably pushed his own thoughts and interpretations onto Gatsby? How does the green light tie into the broader themes of Gatsby and Daisy’s relationship? Your project must be in the form of a PowerPoint presentation…

You stop reading as the rest of the prompt goes into the rubric. “You first,” you tell Paige, smiling when she huffs dramatically.

“I think it’s supposed to represent Gatsby’s feelings for Daisy,” Paige states. “I mean, it’s constant, like Gatsby’s been in love with Daisy for years. Even before he went off to war. And he’s always starin’ at it at night. I do think Nick is putting his own thoughts into it. Like, by sayin’ Gatsby believes in the ‘orgastic future that year by year recedes before us.’ I’on even know what that means.” You can’t help but laugh at this, drawing a grin from Paige. “But you know what I mean, right? He fell in love with this girl before he went off to war, years pass and he’s alive but she’s married to another dude and he’s rich and lonely and I guess he’s close to her, but they ain’t really that close – I feel like that light just, you know, reminds him that she’s there.” Paige’s voice gets quieter the more she rambles, and when she catches the soft attentiveness in your features, she scratches the back of her neck, shy.

You smile at her. “You know, I wouldn’t have expected that kind of analysis from you,” you admit.

“Bro, what?” she exclaims, choking on a laugh as you dissolve into giggles. “I see how it is. It’s ‘cause I’m supposed to be a dumb jock, right?”

You roll your eyes, your cheeks hurting from the strength of your smile. “No. I mean, like what you said about the light reminding him that she’s there. I always thought I was the only one who interpreted it that way, too.” Paige’s gaze softens as she takes in your explanation. “I feel like Gatsby is trapped in two different times – the past, where he loved her, and the present, where he still loves her but can’t have her. The light simultaneously reminds him of what he’s lost but also what he could have, you know?” Paige nods, encouraging you to go on. “There’s a distance between them, literally, but I think Gatsby feels like Daisy is still within reach. That his dreams are still within reach. I don’t think he realizes he’s chasing a dream from five years ago, or that Daisy eventually moves on as Nick watches Daisy fall in and out of love with Gatsby.”

“That is…really depressing,” Paige says, which makes you laugh again, but the way she’s gazing at you makes you feel as though she’s seeing you in a different light.

You shrug a shoulder, trying to not think too hard about the way her blue eyes sparkle. “I cried over this book a couple of times. I’m kind of a professional now.”

“Now that’s somethin’ I’d expect from you,” Paige teases.

“Okay, jerk!” you gasp indignantly. “You don’t even know me. What makes you so sure of that?”

Paige hums, pretending to think about something, but her expression is undeniably smug. “Call it intuition. How about you let me get to know you and I’ll let you know if it’s true?”

Oh. You were definitely not expecting that one. Your heart thrums a little at the implication, but it softens ever so slightly because you can clearly make out the earnestness reflected in her eyes, the realization that despite the grandeur and the fame and the talent beyond her years, Paige is still human.

“Well,” you say in a manner that you hope is supposed to be coy, “we’re stuck together now for this project. Getting to know me is a little inevitable.”

“Oh, it’s like that?” Paige asks, her lips tugging into a teasing smirk, one that makes you feel exasperated – in a good way. “And what happens after the project? You still gonna let me hang around and annoy you?”

You can’t help but laugh a little, hating the way your pulse races, although you ignore it. “We’ll see if I still like you by then,” you say, which makes her smirk turn into a smile that’s a little more tender, less cocky.

“I can work with that,” she promises. And with that, the both of you start outlining your project. Paige throws in a comment here and there that makes you laugh, keeping the mood light as you work. At the end of the period, you punch your number into her phone, dutifully ignoring the grin on her face and the blush on yours. She texts you immediately after just to be sure, but she texts you during your next class to complain about how boring her history teacher is, too. Conversation comes easy with Paige. It’s like she just knows – knows you – and you’re not sure if that should scare you or excite you. Despite not knowing why your budding friendship with Paige feels so different, you just know that it feels right, and that was good enough for you.

Your last class of the day is a study hall and you’re sitting at a table in the back with two of your friends, Mack and Serena. You can all but feel the mood shift when you recount your day. The mere mention of Paige is enough for your friends to jump on the defensive.

“You need to stay away from her,” Mack says, her tone serious. You frown, glancing at Serena for some help, but she only shifts uncomfortably, finding her online work a lot more appealing than this conversation. “Paige is someone who’s gonna break your heart, okay?”

“It’s not even like that–”

“It doesn’t have to be like that,” Mack states firmly. “It wasn’t like that when Izy left, was it?”

Despite yourself, your expression sours, and Mack reclines as though she’s made her point. You suppose she has. Izy was your best friend. The two of you were attached at the hip since kindergarten, but in freshman year, she found a new group of friends. She had a lot more in common with them than she did with you – or so it seemed – and she didn’t necessarily cut you off, but it probably would have been easier if she did. The two of you talked sparingly, plans always seemed to fall through, and the loss of that friendship hurt just as much as a break up would.

“Or ‘he-who-shall-not-be-named,’” Serena adds unhelpfully, because all it does is twist your heart again. He who shall not be named, or more colloquially known as Logan, was your first boyfriend. Granted, you only dated him for about three months in the eighth grade, but the break up turned your world upside down. He was your first something. That wasn’t anything to scoff at and he wasn’t kind in the aftermath, so it’s not really your fault for feeling impossibly upset about it. Maybe there was just something about you that made it difficult for people to want to stick around, but maybe there was something about you that managed to pick wrong every time.

“Those are different,” you argue. You can’t help the way your voice wavers, and you feel angry at yourself all over again for getting upset about this. “I was friends with Izy for ten years and Logan was my first boyfriend. They meant something to me.”

“Sure,” Mack concedes. “But you felt a lot for them. Watching you work through that heartbreak…” She shakes her head. “I don’t want you to get hurt. You’ve been hurt by a lot of ignorant people, and, yeah, you always get back up at the end of the day, but I know it weighs on you.” Mack pauses, finding her thoughts as you stare imploringly at her. “People talk, you know. Paige talks to a lot of people. She’s not the type of person to stay in one place. You know as soon as she gets an offer, she’s leaving Minnesota and she’s not gonna look back. She’s destined for something a little greater than Hopkins.”

You swallow thickly, Mack’s words hitting you harder than she probably intended. Part of you knows that she’s right. Paige is only a junior but she’s a top prospect coming out of high school. She’s going to go to a great college for basketball. UConn, South Carolina, Notre Dame – one of the dynasties. You’re sure she’d get an offer to stay home and attend the University of Minnesota, but you also know that she’s worth a lot more than Minnesota. The other part of you, the part more connected to that bleeding heart of yours, doesn’t want to listen to Mack. It holds out hope that you wouldn’t be just another part of Paige’s past – maybe you could be part of her future.

Mack glances up at you again, studying your expression, and she softens. “Hey,” she says, gathering your attention. “I’m not gonna make a choice for you. If you wanna be her friend…go for it. I just want you to be careful who you show your heart to. Some people take it for granted.”

You nod carefully, appreciative of the way she looks out for you, and the two of you return to your work. Only moments later, your phone buzzes on the table. A notification from Paige lights up on your screen, then two, and you smile despite yourself and open your messages. You text her back, already pushing your conversation with Mack and Serena to the back of your mind, and you hardly notice their concerned glances as you respond.

Your project isn’t due until mid-December, the Friday before winter break, but you and Paige spend nearly every other day together when she doesn’t have practice. It’s a steady rhythm for the two of you: sitting through your literature class together, exchanging teasing glances and text messages when your teacher isn’t looking, complaining about the other classes you don’t share with each other, and finding yourselves at one or the other’s house to work on your project or simply enjoy each other’s company. You’ll admit that the two of you don’t get much work done most days, instead filling the time with pointless conversations about nothing but mean everything. Hours with Paige feels like mere minutes and you don’t part until a parent texts about dinner and you have to go your separate ways.

She invites you out to one of her games. It’s on a Friday night, and at first, you want to decline, hearing Mack’s words swirl through your brain once more. People talk, you know. Paige talks to a lot of people. She’s not the type of person to stay in one place. You don’t want to have to share Paige’s attention, which is a realization that shocks you to your core. It’s dangerously possessive and honestly, it flusters you a little. You’d never been so territorial over a friend’s time like you have been with Paige. Perhaps territorial isn’t even the right word. You have no claim over Paige, nor does she have any claim over you. You don’t like girls and you don’t like her in that way, even if that disjointed flutter in your chest makes you wonder otherwise. You don’t.

Paige seems to read your expression perfectly. That’s a new thing, too. You have been friends for less than a month, although it feels like you’ve known her forever. You know her favorite color, the women she grew up idolizing, the larger-than-life dreams that you know she’s going to make come true because Paige is nothing if not a girl who works hard and believes in herself. You know the messier parts of Paige, her parent’s divorce, her unyielding faith, and the uncharacteristically insecure “I like girls. Does that change anything with us?” that she’d whispered over the phone one night (your heart had raced and you felt warmth creep up your cheeks; you didn’t know what that meant, but you wholeheartedly meant it when you promised her that it wouldn’t change anything).

“You won’t even know I’m there,” you say to Paige, referring back to the game, and her brows furrow in a stupefied confusion. “Are you, like, aware of how many people go to your games?”

Paige rolls her eyes, but the action lacks any real heat as a smile spreads across her face, slow and insufferable in that way only Paige is capable of. “If you’re in the stands, I’m not gonna care about anyone else,” she promises, which makes your heart skip a beat. “I want you there.”

You didn’t really need much convincing after that, so on Friday night, you find yourself in the student section. You’re not even sure who the Royals are playing – probably a district rival – but the one thing you’re sure of is that Paige oozes with confidence, an easy grin on her face as she warms up on the court. She’s chatting with one of her teammates, although her eyes scan the gym imperceptibly. Then, her eyes are sliding across your figure, taking in your – her – Hopkins basketball hoodie that she forced you to wear, showcasing her last name and her number on the back of it, and her grin softens as she waves at you.

That night, Paige plays like she has a point to prove. She’s unguardable from the three-point line, demanding in the paint like she’s prime Lebron James, and she slices through the other teams defense seamlessly as she makes near impossible passes to her wide open teammates. Paige is full of energy, a searing combination of adrenaline and pure love for the game, but the trait that truly captures your attention is the unfiltered cockiness. Off the court, Paige is humble, although you’re still trying to figure out if that’s truly who she is or if it’s her protecting herself from all of the eyes that are on her constantly. But on the court? Paige plays like she’s the best player in the state (which she is) and she plays like she knows she’s the best player in the state (she knows she is). The only word that comes to mind is menace. Paige isn’t a dick, but when she sinks a three, she throws up three fingers as she back pedals for defense. When she landed an impossible buzzer beater to send off the first half, she’d glanced down at her arm, tapping on her wrist as if she were wearing a watch. Then, late in the third quarter, when she stole the ball from an opposing player and took it across the court for the easiest layup of her life and stole the ball again when the other team was trying to inbound it (she scored on that one, too), her celebration was directed at you. She pointed at you in the crowd, a grin on her face and pride in her eyes, and you couldn’t help but laugh at her, shaking your head as the warmth spread through your body.

Seeing Paige play in person is like seeing her in a different light, and honestly, you feel like you know her a little better now. You feel more drawn to her. She offers to walk you home after the game. At first, you want to decline. She just played out of her mind and lead her team to a blowout win against whoever the fuck and your mom is just a call away. Paige insists, reminding you that your houses really aren’t that far apart, and you suppose you can’t really argue against that one.

She keeps you entertained the entire walk back, cracking jokes and recounting some of her favorite plays from the game, and when her knuckles brush against yours as she rambles, you find that you really don’t mind that spark of electricity that runs up your spine at the contact. She tests the waters, pressing closer and closer until finally, she links her pinky with yours under the streetlight; you smile at her, something that’s simultaneously soft and welcoming and laced with the sudden realization about yourself that you’d been putting off the entire time you’d known Paige. You liked her. She glances over at you, mid sentence with a content smile on her face. When she registers the fact that you’ve been staring at her, she stutters, fumbling over her words, and you can’t help your laughter as she blushes bright pink.

It should probably scare you a lot more than it does. Liking a girl is scary and daunting but liking Paige, your best friend, feels like something new entirely. You remember Mack’s words again. People talk, you know. Paige talks to a lot of people. She’s not the type of person to stay in one place. As quickly as they’d popped into your brain, you push them to the back of your mind. Mack doesn’t know Paige like you. That much you’re sure of. And if you get hurt in the process of trying to live and experience things for the first time and giving your heart out to someone, then so be it; you were used to it by now, but the gentleness of Paige’s gaze under the moonlight feels like she’s promising that she wouldn’t hurt you.

The two of you pause at your doorstep. You can hear the gentle thrum of crickets, the drag of the wind across grass and leaves. Paige stands tall over you, her expression soft as she gazes down at you with what seems like a flicker of hope – for what, you’re not sure. The air between you feels charged, electric, like you’re opposite ends of a magnet and it’s only a matter of time before you fall into each other entirely.

“So,” she murmurs, cocking a wry smile at you. The usual sharp edges of her confidence has rounded out, enveloping you both in a sort of tenderness that makes your heart ache in the most confusing and best way possible.

“So,” you agree, drawing a quiet huff of laughter from Paige, who runs the flat of her palm across her jaw, contemplative. You give her the space to find her words – she’s done the same for you many times; she was usually the talker between the two of you, but you’ve come to find that she’s an amazing listener, too. A beat passes and she doesn’t say anything, drawing her bottom lip between her teeth, and that’s when you decide to step in. “You played great tonight,” you admit.

Paige blinks, as if she’d forgotten all about the basketball game she spent your entire walk home rambling about. Her brows relax, her smile turning bashful, and you can clearly see the humble pride in her eyes, illuminated by porchlight. “You were there,” she says. “Had to show out.” You roll your eyes fondly, your heart thundering in your chest. “Does this mean you’ll come to more of my games?”

You pause, pretending to think about it, but you’re sure the smile on your face gives you away as you respond, “Maybe. I’ll think about it.” Paige sighs, playfully exasperated, and you give in easily. “I’ll be there. I had to make sure you were actually good at this basketball thing.”

“My biggest cheerleader,” she mumbles dryly. The sheer excitement and relief on her face betrays her words and her tone and you can’t help but laugh.

“Thanks for walking me home,” you say. Your voice is hardly a whisper, but it seems to echo in this little bubble of space that the two of you have created.

“I – yeah, I mean, of course,” Paige stammers. She clears her throat, exhaling a long, deep breath, and you’re certain the fondness shows on your face as you stare at her. Paige quirks a smile, slightly embarrassed. “Stop laughing at me!”

“I’m not!” you exclaim, laughing for real now, which just makes Paige dissolve into laughter of her own. Soon enough, your giggles die down, and you’re both staring at each other with soft, captured smiles. The awkwardness of the moment melts away into something lighter; briefly, you wonder if she’d been standing this close the entire time – you can feel the warmth of her body as she stands mere inches away from you. “Goodnight, Paige.”

“Goodnight,” she whispers, but she doesn’t move, and neither do you. You don’t shy away when her fingers tentatively brush across your waist, her body eclipsing yours, and the both of you are slowly inching towards each other, breaths mingling when your front door bursts open and your little brother pops his head out with a shout of your name. You and Paige scramble away from each other, feeling like you’ve been caught red-handed.

“Get inside!” you hiss at your little brother, not awaiting his response as you push him back inside, closing the door and leaning against it. Part of you feels like crawling into a hole and never coming out of it. Your gaze returns to Paige, who’s staring at you with a mix of amusement, embarrassment, and a whole lot of affection. You sigh, feeling both resigned and like you’d been cheated out of something, and you press your forehead into the door to curb the awkwardness. “Sorry,” you say, knowing full well why you’re apologizing but also understanding that acknowledging the need to apologize is the same as acknowledging the fact that you and Paige were about to do something that would drastically change the course of your friendship.

“S’okay,” Paige says earnestly. You lift your head to meet her gaze, hoping that she’s not just saying it to make you feel better about yourself, but you find nothing but honesty in her features. Her hand brushes against yours once more, a gentle smile on her face. “I’ll text you when I’m home, yeah?”

You nod, exhaling again, mustering up a smile that doesn’t quite reach your eyes due to the overwhelming embarrassment. “Yeah. Night, Paige.”

“Goodnight,” she says again, her expression soft, and this time, she does leave, her hands buried in her pockets. You swear she glances back at you but it’s too dark to tell for sure. Tentatively, you make your way inside, unwilling to meet your brother’s eyes. It’s not until you’re getting changed for bed that you realize you’re still wearing the hoodie she’d given to you.

You pull it off slowly, carefully, like it’s a prized possession. To you, it may as well be. After what transpired on your front porch only moments ago – or what almost transpired on your front porch, the fact that you’re in possession of her hoodie feels strangely intimate to you. It feels right, too, which is probably more concerning, but you don’t have time to dwell on it as your phone lights up with a message from Paige, then another one. Both texts are simple with the first one reading “Home” and the second one bidding you one last goodnight with a heart emoji. You respond in kind, and when your eyes find her hoodie again, you can’t help the fond, lingering smile that spreads across your face.

You and Paige don’t talk about the almost-kiss on your front porch the morning after. You don’t talk about it the day after that, or on Monday morning when she meets you in the parking lot at school. In fact, the both of you pretend like it didn’t happen at all. It doesn’t surprise you in the slightest. You start to wonder if it even happened at all – if it wasn’t for your brain conjuring images of Paige so close to you, her hand splayed on your waist, you would be sure that you had imagined it.

So, while the two of you don’t talk about it, you do a lot of thinking about it, probably enough for the both of you. You have a lot of new things to consider, such as the fact you almost kissed your best friend (and the fact that you wanted to kiss your best friend), the fact that you have feelings for your best friend, and the fact that you have feelings for your best friend who is a girl. There’s nothing wrong with girls liking girls. That wasn’t your concern. The situation as a whole is just new and unexpected and you don’t have a lot of the answers you’ve been searching for – like do you even like like girls or do you just like like Paige? Do you only like girls or do you like boys, too? You and Logan were thirteen. You’re not much older now, but at that age, it’s difficult to determine if you actually liked anyone in a sense that wasn’t completely platonic or if you were just trying to pretend that you did so you could fit in with everyone else.

You’re fine with the sexuality crisis – for now. You have bigger things to worry about, like being attracted to your best friend. You were no expert by any means, but you were smart enough to know that having feelings for your best friend was generally a pretty terrible idea. For starters, you’re not even sure if Paige likes you back. You’re sure that she’d be cool enough to remain your friend after rejecting you, but you’re not sure if you’d be able to handle the embarrassment of going from friends to extremely awkward friends. On the other hand, there is a chance she wouldn’t want to associate with you, either. The one thing you’re certain of is that you could not handle losing Paige – as a friend or otherwise. In essence, you’re stuck in between a rock and a hard place.

The more that you think about your predicament, the more you realize. A week later, you’re overthinking yours and Paige’s most recent hangout. You’d gone over to her house to “work on the project,” but that had actually turned into Paige flopping onto her bed dramatically and complaining about being sore from practice. Somehow, that meant she wouldn’t be able to contribute, and somehow, that meant the two of you would just have to binge the entire High School Musical series. You spent hours curled into Paige’s side on her bed, her hand tracing patterns onto your shoulder as the movie played on, but you didn’t really pay any mind to Travis or Danielle or whoever the main characters were. Paige was intoxicating, casual in the way she held you, and you sat through the entire movie keenly aware of the way her body pressed into yours and the scent of her cologne on her neck – but you’re getting off track. A new fear about your situation has manifested and despite Paige being the one initially worried that her liking girls would make things uncomfortable for the two of you, you’re now the one wondering if your sexuality is a reason for discomfort.

You worry that you’re the one taking advantage of your friendship. Are you overstepping friendship boundaries just because you’re incredibly close with Paige, or is there a subconscious belief that just because Paige likes girls, too, that means you can invade her personal space like they don’t matter? You worry that you’re making her uncomfortable and she’s just too polite to say anything about it. However, you also understand the fact that just because Paige likes girls doesn’t mean she likes you. That’s simultaneously a source of relief and dread. Relief because honestly, nothing has to change between the two of you. Dread because as time goes on, your feelings for Paige only get stronger, and you’d really like it if she liked you, too.

You decide to put your impending mental breakdown on the back burner. You have actual problems to worry about now, such as the due date of your project that’s quickly closing in. Your literature teacher was usually pretty lenient, but the project was still worth a huge chunk of your grade and you’re sure Paige would kill you herself if receiving a bad score on the project meant she wouldn’t be academically eligible to play basketball. The two of you make a conscious effort to lock in during the last week of the project, a little crunched for time as you’d spent so much of your “project time” talking for hours and watching movies. Granted, Paige ends up shouldering a lot more of the work as time passes on although you do your best to help out in between daydreams about her hand on your waist again.

On Thursday, the night before the project is due and two days before winter break, things seem to reach their tipping point.

You and Paige are basically finished with the project – you were proofreading and scanning your PowerPoint for academic content and ensuring your sentences made any bit of sense. Paige was pressed into your side, “quality checking the designs” as she’d said, but you just thought she was full of shit. She’s unnaturally quiet as the two of you work, until she shifts, her legs stretching out next to yours. “Think the only thing this project’s taught me is that this book is depressing as shit,” she says to you once you click over to the slide titled Gatsby and Daisy: Doomed by Time.

You hum, glancing over at her. She’s swamped in an oversized hoodie but looks impossibly comfortable as she reclines on your bed. “Alright,” you say, “I’ll bite. Why?”

She flips onto her side, explaining, “Literally everything was working against them. Time, society, people. Gatsby and Daisy were the epitome of right person, wrong time and there was nothin’ they could do to, like, get around that, you know? He went off to war, she got married, and he missed his shot ‘cause time keeps movin’. Daisy chose stability over love – Tom’s rich and can provide for her. But Gatsby was rich too. I’on get it.”

“Well,” you murmur, “wealth is not usually a good replacement for actual love.”

“You don’t think Gatsby loved Daisy?”

“I’m not saying he doesn’t love her. I’m saying he doesn’t love the version of Daisy that actually exists,” you explain. Paige gazes at you, a furrow in her brow like she’s realizing something new — about you, about herself, you can’t be sure. “He’s so obsessed with this idealized version of her from way back when and he just doesn’t understand that’s not really who she is anymore. I feel like that’s kinda the point of the green light, too.” As you think about your next words, your voice drops to a near whisper, your throat tightening with a sudden, unrestrained emotion that you can’t quite keep at bay. You meet her eyes, your stare unwavering, hoping that she can read between the lines. “Physically, the light is far away, right? It’s out of reach. But also – it’s a light. It’s impossible to hold. It’s a lesson about the impossibility of desire, that some dreams cost too much.”

Paige is quiet for a few beats, her eyes searching yours. You have always been intentional with your words. That was one of the things she knew to be true about you. Now, she seems to fully recognize your words for what they are — a confession for what you’re otherwise too afraid to say out loud. You’ve given her an out. She could sit here and wax poetic about the same topics and themes you’ve been debating over the last two months, about whether or not Gatsby truly loved Daisy, if the feelings Daisy had for Gatsby were worth giving up her life of comfort and peace, if Gatsby were worth it. Her hand brushes your waist again, her fingertips light against the skin of your navel where your sweatshirt has ridden up, and the jolt of electricity that courses through your veins reminds you of just how risky this whole thing was. You’ve all but given Paige your heart on a silver platter, perhaps too foolish or naive in the way you always search for more, more, more. Maybe you’re asking her for too much. You know she’s leaving Hopkins the first chance she gets. All of that is pushed to the back of your mind when her gaze traces your figure. 

Finally, she speaks. “I don’t think it’s too far away,” she says, understanding exactly what you were trying to say. “Not for you.” Her words ease the tension in your shoulders, her thumb brushing against your skin reassuringly. Her voice is firm, full of conviction, like she’s never been more sure of anything else before. She pauses, your eyes locked together, and her features soften ever so slightly. “Not for us.”

You quirk a small, relieved smile, relishing in the way Paige’s face relaxes, too. “You don’t think it’s impossible?” You don’t say the quiet part out loud – the “You don’t think we’re impossible?”

But Paige knows you. You’ve given more to her  than you’ve ever given to anyone in the past, friend or otherwise, and she doesn’t hesitate. “No.” Her hand settles fully on your waist now, squeezing you gently. “And even if it was… you’re worth it.” She smiles softly, her expression vulnerable and trusting despite the fact that she’s opening herself up to get hurt, too. You’re beginning to realize that the chance of getting hurt is just a risk everyone takes.

You can’t help the entire way your face softens at her confession. You realize that subconsciously, she’d said the very words you’d been hoping to hear for some time now although you never had the vocabulary to tell yourself that – that you never had the vocabulary to tell her that. But you watch the way she studies you, the way she swallows her nerves, and you begin to understand that maybe she doesn’t have the vocabulary, either, but she’s trying her best regardless. This is something that the both of you are doing for the first time; granted, you had one previous relationship, but this new thing between you and Paige feels a whole lot different. She’s the first person you think you actually consciously had feelings for, the first girl, and despite your relief and excitement, that reminder is enough to make you clam up.

You clear your throat, shifting slightly, and you pull your laptop between the two of you. “Well, we should probably get this finished,” you say with the grace of an elephant tromping through weeds. You click over to the next slide. “Does this look fine to you?”

Paige goes oddly silent, her brows furrowing in confusion and disbelief. “Uh, what?” she says.

“I said does this–”

“No, I heard you,” Paige interrupts. When you don’t meet her eyes, she sighs, exasperated, and closes the lid on your laptop, pushing it to the foot of your bed despite your protests. Then, her hand is sliding around your waist again, resting on the small of your back and pulling you onto your side so you come face to face. Your mouth clamps shut; the heat of Paige’s gaze feels like it’s enough to pick you apart, to melt you entirely, and you know well enough by now that you’re not getting out of this conversation without explaining yourself to her. “Why’d you freak out?” Paige’s voice softens, tinged with an anxious embarrassment as she adds, “I thought we — did I say too much? Do you not…?”

Instantly, you feel guilt all over. You didn’t realize how bad the situation sounded before now, with you changing the topic uncomfortably after Paige basically told you she liked you. “No, I—” You falter, your words failing you, but Paige stares at you with a hopeful patience. “I’ve never… done this before,” you confess. “You’re the first girl I’ve ever liked.”

Realization dawns on Paige’s face. “Oh,” she says, a mixture of relief and understanding lacing her tone. 

“Yeah,” you agree, a vulnerable smile quirking on your lips. “It’s new. A little scary. I really like you but I don’t know what I’m doing.”

“S’okay,” Paige murmurs. Her hand finds yours. “I really like you, too. We can figure it out together.” Her breath catches, eyes widening just a bit. “I mean, if that’s somethin’ you’d want. No pressure.”

You laugh, eyes twinkling as Paige’s cheeks flush pink. “You’re cute when you’re flustered,” you tease her. 

Paige huffs, flopping dramatically onto her other side and putting her back to you. “Goodbye!” 

You can’t stop the smile from spreading across your cheeks but you do stop laughing. You reach out, resting your hand tentatively over her bicep as you hook your chin over her shoulder. “Hey, come on,” you say. “I can’t be the only one who has to be vulnerable.” You can nearly visualize Paige’s eye roll, but she does shift again, meeting your eyes. “I’d like that. Figuring this out with you, I mean.”

Her eyes light up, a slow smile dragging across her face. You don’t even think she’s consciously aware of how happy she looks. “You’re for real?”

You shake your head, laughing under your breath. “Yes, Paige, I’m for real.”

“Good,” she states, beaming.

“Now can we finish our project?”

Paige groans dramatically, rolling over again until she’s sprawled out over you. She hitches one of her obnoxiously long legs across yours, looping an arm around your waist and making herself at home like she’s done this hundreds of times. You can’t stop the flutter in your chest, smiling despite yourself. “Do we gotta?”

“Do you gotta pass AP Lit?” you retort. 

That prompts a sigh from Paige, who untangles herself from you to reach for the laptop she’d pushed haphazardly to the foot of the bed. You miss her warmth immediately, but she’s not gone for long before she’s leaning back against your headboard, your thighs pressed together. She doesn’t make any move to turn it back on, her eyes finding yours instead. You look at her curiously.

“I just want you to know I’m serious about this,” she says honestly, taking you by surprise. “About us.” You soften. “I know a lot of people have hurt you. I’on wanna be one of them. You’re my best friend, you know? I care about you. So…let’s take this slow for now, lemme know how you’re feelin’, yeah?”

You nod, smiling gently and she gives your hand a gentle squeeze. “Same goes for you,” you say, leaning into her a little. She presses herself into your body, her chin brushing against your temple as she nods her head. 

“Promise,” she murmurs. 

And with that vow lingering in the air, the two of you share private, almost starstruck grins and get back to work. Once you finally call it quits fifteen minutes later and you submit your project, Paige is all too content to push your laptop to the side again as she wraps an arm around you fully and begins her scroll through Netflix despite the fact that you know the two of you will be watching High School Musical sooner rather than later. You grin to yourself when she does eventually put it on, not fighting the way your cheeks burn when she absentmindedly plays with your fingers or the way your heart races when she shifts to get comfortable, your legs tangling together. 

As you watch the movie, Paige’s words circulate on repeat in your brain. A lot of people have hurt you. I don’t want to be one of them. You know better than anyone that getting hurt is just another part of life. Despite yourself, you can’t help but believe her, confident that no matter what, your heart will be safe in her hands. You don’t think much of Mack’s warning, of Paige’s celebrity, of just how young the two of you are to be making these kinds of promises. You’re not thinking of the future at all. Your happiness clouds your judgement, and whether you realize it or not, you and Paige are operating on borrowed time. 

Things with Paige are great. Scratch that, they’re nothing short of amazing. The two of you spend the entirety of winter break attached at the hip, splitting your time between your house where you drink copious amounts of hot chocolate and binge silly Christmas movies and her house where you and Drew, her little brother, gang up on her in snowball fights. She whines about the fact it’s two on one, but you point out the fact she’s got an arm like a quarterback and it’s only fair. She only really understands what you mean by that when she launches a snowball at you hard enough to bruise your side, which cuts your snow day short. Paige apologizes profusely, much to your amusement, and she insists on “nursing you back to health” which, in retrospect, seems to have been a clever ploy to get you away from her family and into her arms in the comfort of her room — not that you really needed much convincing for that. 

Sometimes, your days are spent in the park, when Paige gets too restless being inside and wants to play basketball. The two of you shovel away enough snow to reveal the three point line and you rebound for Paige as she shoots. She only manages to get a couple of shots in before her hands get too cold and she starts complaining that the only way to warm them back up is if you’ll hold them. You oblige, you always do, endlessly endeared by her (mostly because you can always spot her gloves hanging out of her back pocket).

The park becomes a place of comfort for the two of you. It’s late December in Minnesota so you almost always have the park to yourselves. You’re able to talk freely without either of your annoying little brothers constantly barging in or worrying about your parents catching you. Paige is out to her family and the Bueckers support her wholeheartedly. You’re not out to your parents yet. You know they wouldn’t particularly mind, either; if anything, they’d probably just implement a really strict open door policy, but it’s still all really new to you. You like Paige. A lot. You fall for her more and more everyday. She’s goofy, sweet (even when she’s teasing you or getting on your nerves), confident, and she always knows how to make you laugh. She’s attentive and she listens. Liking Paige is something you’ve accepted, but you can’t help but be scared of the fact that you don’t really know anything about yourself. 

You can’t figure out if you like girls or if you just like Paige. You can’t look at anyone that’s not her and before her, you’d never even looked twice at another girl. Sure, you always averted your eyes when you passed Victoria’s Secret in the mall and you were really obsessed with Shego from Kim Possible and Starfire from Teen Titans, which could mean nothing. You can’t figure out if you like boys, either, if Logan was a one time thing or if you’d just confused yourself because you wanted to fit in. You don’t know if you’re a lesbian, or if you’re bisexual, something in between or nothing at all. You should be fine with knowing that you like Paige. People always say you don’t have to label it, but labeling means that you know and that it’s real and you can’t help but think that because you don’t know what you’re doing, that you’re doing it wrong or you’re just faking it all.

So you don’t tell your parents. You’re still trying to make sense of it all and you tell Paige as much, honestly a little fearful of her rejection. Part of you feels like you’re leading her on because you can’t give her a straight (no pun intended) answer.

“You don’t gotta have it figured out right now,” she tells you a few days after Christmas. The two of you are back in the park, savoring the peace in the emptiness as you sit side by side on the swings, swaying gently.

You groan a little. “I hate when people say that,” you respond. “I feel like I should know.”

Her eyes find you, warm and patient despite the chill and the fact you’ve been going back and forth on this for days now with you stressing out and Paige being endlessly reassuring about it. “Maybe you do know and you just can’t, like, put it into words?” she offers, drawing your attention. “Sexuality is a spectrum. It doesn’t have to be difficult. You don’t gotta look back on your life for evidence to prove it or whatever. Just be you.”

You fall silent, her words hitting home, and you hate the fact that you’ve been losing your mind over this and all it really took to find some clarity was a conversation with Paige on a swing. Maybe she was right. She usually is about things like this. But you can’t help but feel like you’re missing something. You were the type of person who needed a reason or an explanation for everything. 

“I don’t wanna hurt you,” you rush out, barely registering the raise of Paige’s eyebrows. “I know we said slow. I can do that. But I really like you, like really really like you, and that’s all I’m certain of. I don’t know everything else and I feel like I should because you know everything else—”

“I don’t,” she interrupts, but you keep rambling.

“—but I like you. You’re sweet and you’re kind and you understand me when I don’t understand myself. You always make me feel secure and I hate that this is so confusing!”

Her gloved hand slides into your hoodie pocket. Her fingers tangle with yours, calming a tremor you hadn’t realized you were harboring. She murmurs your name, pulling your gaze to hers, and she squeezes your hand. “Breathe,” she instructs. You do, calming the incessant thrum of your heart. “There we go.” When you’re feeling a little more stable, she continues. “You’re overthinking it.”

“I don’t wanna mess up with you,” you confess, feeling a weight lift off your shoulders when it’s out.

“You won’t,” she promises. “We agreed we’d figure it out, remember? And even if you do mess up, it’s not gonna change how I feel about you. I like you, like really really like you.” This makes you laugh, your breath steaming in the air. “That’s what matters. You like me. I like you. You don’t need to explain why you feel a way and you can’t fake how you feel. I know you.” The expression on Paige’s face is unbelievably fond and you can’t help yourself when you smile, your cheeks heating up. “See?” Paige says with a grin, poking your cheek. “Can’t fake that blush, ma.”

“You’re impossible,” you huff, pushing her hand away, unable to curb your grin. But your rejection does little to stop Paige. Her hands find your sides, tickling you, and you immediately begin squirming in the midst of your giggles. “Paige! You are so annoying—!”

You lose your balance on the swing and you fall off, tumbling safely to the bed of snow beneath you with a slight oof sound. Paige follows you down, the both of you smiling as you try to catch your breaths. She wipes a tear off your cheek that had slipped out in your fits of laughter and it’s only then that you register your position. She’s straddling you, the beanie on her head lopsided from your scuffle, but the joy on her face is radiant despite the blush on her cheeks — whether it’s from the cold or her feelings for you, you don’t know, and when her hand lingers on her cheek, her expression softening, you find that you don’t care. “Paige,” you murmur. You feel your heart slamming against your ribcage, but for different reasons now. 

“Can I kiss you?” she blurts. Judging by the way her face contorts, it seems that she hadn’t expected to say that out loud, but you’re nodding, hands reaching up to grip the collar of her coat and you bring her down to your level. 

When your lips meet, you feel warm all over, like you’re not laying in the snow with Paige’s legs bracketing your thighs. It’s tentative, uncoordinated, and it’s clear that neither of you really know what you’re doing, but it’s your first kiss and it’s with Paige and it’s nothing short of perfect. Your lips move against hers slowly, her hands gentle on your cheeks. Your grip on her coat loosens, wrapping around her neck and pulling her a little closer to you. Her nose brushes against yours and you gasp from the chill of it, which causes her to sigh against you. You’re not really sure who’s leading, but for once, your brain is blissfully quiet; your heart pounds, feeling nothing but a nervous excitement and unfiltered adoration.

You break away for air. Your breaths mingle, clouds of steam fogging between you two and Paige grins down at you, her expression full of fondness and something electric that makes you want to drag her back down again. So you do, your hands a little more insistent this time, and she responds eagerly. Despite the intensity, Paige is unbelievably gentle and each and every press of her lips against yours is sweet. And it’s corny, but your brain feels a little clearer after having Paige’s lips on yours, like you no longer have to search for answers. Like she’s the answer.

She pulls away, her forehead against yours, and you press a gentle kiss to her cheek. Her eyes open slowly, a blush and a smile simultaneously appearing on her face in response. “What was that for?” she asks.

You smile, shrugging a little in response. “It felt right,” you respond, which only seems to make her smile grow. “Someone once told me I don’t always have to have an explanation.”

Paige huffs out a quiet laugh, her eyes crinkling in amusement and fondness. “They sound really smart,” she jokes. 

Your hand finds her cheek, your thumb stroking her dimple. “She is,” you say seriously. Paige’s expression softens, leaning into your touch. “She’s the best person I know.”

“I bet she thinks the same about you,” Paige whispers. 

Despite yourself, you grin, connecting your lips again. The chill nips at your cheeks but the weight of Paige on top of you grounds you, her warmth stabilizing and comforting, and you know in your heart that you’re doing something right.

New Year’s comes and goes and before you know it, school is starting back up in January. Between you and Paige, a lot of things stay the same. She still drives you to school in the morning, often stopping by Dunkin’ and buying you your favorite coffee. On days she doesn’t have practice, she’ll either drive you home or take you to her place where you either work on homework together (although you don’t get much done, most of the time) or binge television together. Paige has you invested in Grey’s Anatomy now, but the two of you have promised to not watch it without the other.

On the other hand, some things do change. Paige walks you to all of your classes now, even when hers aren’t anywhere near yours. Arguing with her was useless, so you learned to suck it up. She kisses you in the empty hallways, something chaste and sweet and sneaky that leaves you wanting more – that was a new thing. Before her, you never realized how nice kissing can be. You’re sure it’s mostly because you’re super into her regardless, but there’s also something about the casual intimacy that you fall for each and every time. She’s gentle and considerate and you’re just so hopelessly attracted to her that you really should have known that kissing her for the first time would alter your brain chemistry. For now, the two of you are content to appreciate the peace and the privacy that you have. Neither of you tell your friends or your family, though you’re sure Mack and Serena are starting to have their suspicions. They’ve asked you a few times, and while you’re not a very good liar, they seem to accept your rejections as they are and they don’t push any further.

Although you do have one, teensy-tiny problem. Paige hasn’t asked you to be her girlfriend yet. You’re not sure how you’re supposed to feel about that, but there is a lingering nervousness and you’re a little hesitant to ask her about it without sounding obsessive or clingy or insecure. In mid-December, you established that you liked each other, although neither of you really did much about that until you kissed in late-December after Christmas. Did kissing her mean the two of you were dating now? Since then, the two of you have kissed a lot. It reminds you of the scene from Glee where Brittany says, ‘Sex isn’t dating. If it was, Santana and I would be dating,’ and granted, while having sex and just kissing are two different things, you’re starting to feel a little worried by the fact that you and Paige are conventionally girlfriends but not technically.

You convince yourself that maybe you and Paige were just being mature about it. High school relationships have almost redefined what dating actually means. You can’t just ask someone to be your boyfriend or girlfriend and then start the ‘dating period’ per se. You should probably do the ‘dating period’ first and then make it official once you’ve figured out if you’re compatible. You and Paige, however, have been friends for a little over three months, been in this weird ‘dating’ phase for a little less than one month of that time, and by now you’re pretty certain that you and Paige are very compatible. She’s your best friend. But you really want to make it official with her. You’re just not sure how or if she’s on the same page yet.

Making it official with Paige also means making it official to your parents. That thought doesn’t intimidate you as much as it used to. You’re a lot more comfortable in your sexuality now. You’re pretty much head over heels for Paige, you like girls, and you couldn’t care less about boys. Whether that makes you a lesbian or Paige-sexual as Paige had cracked herself up calling it is a discussion for another day. You’re secure in the fact that Paige’s parents aren’t going to care, that your parents won’t mind, either, and that your classmates are worried more about themselves than whoever you of all people are dating. Being out just means you don’t have to stress about sneaking around or if someone’s going to walk into the girl’s bathroom when you’re making out with Paige. Not that you make out with Paige in the girl’s bathroom, because that would just be kind of insane. But hypothetically if you were making out with Paige in the girl’s bathroom, then you wouldn’t have to be scared of getting caught by a classmate. Hypothetically.

The first Friday night home game after winter break is one that you were looking forward to. You knew the Royals were playing a weaker team, so you were excited to see Paige show out, especially after getting to witness first-hand a lot of the effort she’d put into honing her skills over the break. She gave you a ride to school, forced you into her hoodie (yes, the one with her jersey number and her last name on the back and yes, you didn’t really need to be convinced, but you really liked the warmth of her hands on your skin as she helped you into it), and kissed you over the center console of her stepmom’s SUV. It was enough to short circuit your brain. You didn’t need to see her expression to know the reaction she’d elicited from you had made her incredibly smug, but you could visualize it all the same as she made her way to the locker room with her duffle bag slung over her shoulder. Paige Bueckers was going to be the death of you. That much you were sure of.

She’s pure electricity that night. You knew the game was going to be a blowout, but this was next level. If you weren’t so distracted by Paige and the way she was slicing through their defense, you would probably feel bad for the other team. She was putting up insane numbers – 15 points in the first quarter alone, six assists – but she was doing her thing on defense, too. She was clamping the offense, forcing their shots to bounce harmlessly off the rim, and late in the second quarter, she even had a clean block that ricocheted off of the offense and awarded the Royals with the ball. You couldn’t keep your eyes off of her. Judging by the glances she’d shoot your way anytime they’d line up for free throws, you’re positive that she knew of your evident distraction, but you couldn’t find it in yourself to be ashamed by it. Watching Paige play was a source of pride for you. She was so good at it and she works so hard everyday to show up and show out. It honestly makes you a little emotional in a good way. You’re just proud of her, of her successes. You admire her dedication and her love for the spot, the care she puts in day in and day out to be the best.

Once the game ends, you make your way out of the crowded gym and out to her mom’s SUV, starting the ignition and settling into the passenger seat. You knew that Paige would have a long line of people to greet and that she was adamant about showering before getting anywhere near you after a game. As much as you would love to see her and hang out right after, the both of you knew that you wouldn’t be able to get in a word edgewise. This arrangement, however, did have its positives. The two of you cherished the time you got to spend alone without dozens of eyes on you and you appreciated being able to speak freely. You pull out your phone, scrolling through social media as you wait for Paige.

She doesn’t keep you waiting too long. You spot her walking your direction, bag slung over her shoulder again and her hair thrown up in a loose bun. She’s illuminated by the streetlight but you know well enough by now that the glow on her face is from the sweetness of the win. You smile, your heart thrumming a kind of anticipation that only Paige has ever been able to draw from you. She opens the driver’s side door, sliding in with a happy grin, and tosses her bag into the backseat before she’s leaning over the center console with a murmured greeting, planting an easy kiss on your cheek. You don’t fight the heat on your cheeks, your smile growing bigger when her hand finds yours.

“Good game, superstar,” you tease, relishing in the bashful smile that overtakes her face.

“Thank you,” she says. She gives your hand a gentle squeeze, her eyes finding yours. “There was a pretty girl in the stands. I had to show out for her.”

“Oh?” you ask, feigning curiosity. “Where is she? Not just anyone captures the Paige Bueckers’s eye.”

Paige grins at you again, mischievous and wicked and fond all at the same time. “She’s right where she needs to be,” she retorts, which makes your smile soften into something more tender. “You’re right, though. She’s not just anyone. She’s kind, and funny, and smart, and she’s got this heart of gold. And she’s got this smile that makes you weak in the knees and she’s the most beautiful girl I’ve ever met.”

“Get a grip,” you say, trying to regain your dignity and trying to ignore the blush on your cheeks to the best of your ability. Judging by the way Paige’s smile turns smug, you don’t think it’s working. “You know I like you. You don’t have to woo me.”

“I do,” Paige insists, finally giving you a moment of reprieve when she puts the vehicle in drive and begins making her way out of the parking lot. Once the two of you became friendly and you started showing up to more of her games, a trip out to Dairy Queen became your post-game tradition. She’d buy the two of you a blizzard and she’d park in a quiet, empty lot while you chatted for what felt like minutes but would quickly turn into hours. You know the night’s only over when your spoon hits the bottom of your cup and Paige starts losing her filter. Now, it’s something that you look forward to. “Gotta keep you on your toes. Romance is lifelong, baby. You don’t stop once you got the girl.”

You can’t stop your sudden laughter, amused by her antics. “You got the girl?”

She shoots you an indignant look. “Don’t play. You know I got it like that. I’m all romantical and shit.”

“Total lady killer,” you deadpan. “I’m swooning.”

“You will be,” she agrees. “You make fun of me now but you keep on comin’ back. You just can’t resist Paige Buckets.”

“Maybe I just feel bad for you.” Paige huffs at this, but a smile is quirking on her face. “And nobody calls you Paige Buckets.”

“I do,” she retorts. “Which makes it real. I think therefore I am. That’s Shakespeare.”

“It’s not – you know what? Sure,” you snort, knowing full well that the two of you will sit here for hours arguing about it. “Don’t quit basketball.”

Paige smirks at you as she pulls into the Dairy Queen drive-thru. “Never,” she affirms, only looking away from you when the speaker crackles to life. Paige rattles off your orders (knowing yours by heart, which doesn’t make you feel a little soft) and pulls forward when requested. You make light small talk while you wait for your ice creams and Paige pays – as always; you’d tried once and she confiscated your card until she dropped you off at your house. Then she’s driving off in search of the parking lot you always chill at, her ice cream in the cup holder, her hands firmly on the wheel and eyes on the road. You feed her bites of yours when she stops at red lights, the sheer domesticity of it all feeling so right.

When the vehicle is safely in park, she moves the seat back a few inches, stretching out her legs as one of her playlists echoes through the speakers, a mix of The Weeknd, Brent Faiyaz, and Bryson Tiller. The energy in the car, mellowed out and calmer, still sparks with a sort of electricity that always encompasses you and Paige. Her smiles feel a little looser, more purposeful, and her eyes linger on your face when she looks at you. You talk about everything and nothing, recounting the game and Paige’s insane plays, the homework you’ve neglected to make the most of this time with her, and the date she was taking you on tomorrow night. You’re both nearing the bottoms of your cups, spoons scraping against plastic, and with a soft smile, she offers you the last bite of hers. Her thumb swipes at your bottom lip to clean a bit of ice cream that had run astray. It makes your heart beat a little faster. Paige always had this uncanny ability to make you nervous, to make all of your neurons fire at the same time. You came to the realization long ago that you were hopelessly attracted to her, but it’s times like these that remind you of just how magnetic she is.

The two of you have been here for over an hour now. A glance at the clock tells you that it’s nearing midnight. It always surprises you how easy it is to pass time with Paige. You know that it’s time for the both of you to start making your way home, but Paige doesn’t make any move to shift the car into gear, and you honestly don’t want the moment to end either. You also know that Paige is reaching the end of her sensibilities, her laughs a little brighter and delirious, her fingers restless in how they twist the ring on your thumb.

“You okay?” you ask her, wondering if there’s something that’s keeping her here, if she needs you to drive home or if there’s something else weighing on her. She meets your eyes, a tender smile on her face, her expression soft and sleepy and enamored.

“I’m perfect,” she whispers. “Can we just…sit here a little longer?” The last part is even quieter, if that was at all possible, and you nod. Her fingers tangle with yours fully. And then she starts rambling. “‘M really glad Mr. Mattson partnered us up for that project,” she admits. “It brought me to you. I’on know if I woulda had the courage to talk to you otherwise.”

You giggle, a little in disbelief. “You, nervous?” you repeat. “No way.”

Paige nods emphatically, completely serious. “Yes way. You’re…you’re beautiful, you know that? Like scary beautiful. Like make a girl get super rich during Prohibition, build a mansion, and yearn for you from afar beautiful.”

She grins at you as you roll your eyes. “You are so full of it.”

“And yet,” she murmurs, her thumb rubbing soothing circles across your knuckles, “you put up with me, anyway.” You nod, conceding, and she continues. “Point is, you kinda make me nervous. In a good way. I just… I feel like I need to impress you and do right by you. Guess what I’m tryin’ to say is you make me be the best version of myself. And I, you know, I really like doing this with you.”

You smile softly and squeeze her hand. “I like doing this with you, too,” you admit, drawing a smile from Paige.

Then, she’s shifting in her seat, angling her body towards yours, and her face is pensive, like she’s debating with herself internally. You almost ask her if she’s okay but her next words steal the very breath from your lungs. “Will you be my girlfriend?” she says, and your jaw drops slightly, unsure if you’ve even heard her correctly. Then, she’s sighing, clearing her throat and trying again. “I mean, can I be your girlfriend?” The clarification does little to calm the thumping of your heart. The words get stuck in your throat, emotions swirling through you. Excitement. Relief. Anticipation. An overwhelming amount of affection. Paige seems to mistake your stunned silence for rejection because she starts rambling again. “Fuck, I’m sorry. I had this whole thing planned out and it was supposed to be really romantic. I was gonna ask you at dinner tomorrow, like I already called the restaurant and I was gonna get you a slice of cheesecake because you hate the other kind of cake and it was gonna have the, you know, the question on it and I wrote you a letter ‘cause I can’t talk around you, and–”

You curl your fingers in the fabric of her hoodie and you pull her across the center console,  shutting her up with a kiss. She relaxes instantly, melting into your embrace as her hands find your hips, trying to minimize the space between your bodies. She breaks away, huffing because the center console is in her fucking way, and before you know it, she’s lifting you by your waist and drops you on her lap, kissing you again with a different kind of urgency that’s equal parts relief, gratitude, and so much unrestrained fondness. You wrap your arms around her neck, trying to angle your kiss so you can regain some control because her pace and intensity is honestly making you a little dizzy.

When you run out of air, you plant both of your hands on her chest, pulling away from her with considerable difficulty. You have to stop yourself from kissing her again because you know you’re not going to get another word out. You lean back, smiling when you take in the unmistakable shine in her eyes, the dopey grin on her lips. Your noses brush when you finally respond with a simple, “Yes.”

“Yeah?” she repeats, her arms looping around your waist to hold you a little closer to her body. She looks up at you, her happiness evident, and you can’t stop yourself from leaning in to plant one more lingering kiss to her mouth, humming an affirmative. “Knew you’d say yes. I’m irresistible.”

You pull away from her to laugh in disbelief. “Okay, I see how you’re forgetting the whole ‘I wrote you a letter ‘cause I can’t talk around you’ business. Which, by the way, I wanna see, but you’re so lucky you’re cute because you’re kind of a loser.”

“Loser?” she exclaims, indignant. “Nah, that’s actually crazy!”

“No! Like, you’re this badass athlete and you just dropped like 40 points–”

“43,” she cuts in.

“–40 points tonight and you’re over here nervous about asking me to be your girlfriend–”

“I wanted it to be perfect! It was gonna be perfect but you looked so pretty and I couldn’t wait!”

“Babe,” you say, laughing under your breath, your expression fond as you cup her cheeks, drawing her eyes up to yours. “It’s perfect because it’s us, okay? Us, cramped in your mom’s Honda Pilot, our half melted Dairy Queen and your freaky ass R&B.”

“S’not freaky,” she huffs, but you don’t pay her any mind.

“This was perfect,” you reiterate, your voice softening. Paige exhales under you, taking your words to heart. “Being with you is perfect. But is the cheesecake still on the table for tomorrow?”

“Of course,” Paige says, a furrow in her brow. “Just pretend to be surprised when it comes out.” You hum against her again, kissing her cheek, and she squeezes your waist a little, her voice suddenly a lot more nervous. “Uh, what does this mean for us? I mean…like our parents?”

You’re surprised by how calm you are by the question. You play with the stray hairs at the back of her neck, shrugging an unbothered shoulder. “You wanna tell them?” you ask her.

“I wanna do what you want,” she deflects.

“I want you to answer my question,” you retort.

Paige rolls her eyes, amused. “I would…like to be out. With them, at least. I’on wanna hide forever…but I know this is still kinda new for you. And we don’t have to do nothin’ serious at school, either. Seriously. Whatever you want.” Her hands are warm as they slip under your – her – hoodie, and the touch makes you feel more grounded.

“We can tell them tomorrow?” you offer, hesitant, but when Paige’s face lights up, you know you’ve made the right choice. “As for school, I think I wanna enjoy this while it’s still ours, you know? Just us. I wouldn’t mind being public eventually but I do mind the attention. I guess what I mean is we can be out but I don’t want everyone in our business.”

“Private, not a secret?” she asks, and you nod, relieved because she understands exactly what you were trying to say. “That works for me. And we can tell our parents tomorrow before we go out? Together?”

“Together,” you confirm, a smile lighting up your features.

She leans in to kiss you again, her own smile growing against your lips. Her nose brushes yours when she draws back enough to speak. “Just want you,” she promises. “Nothing else matters to me. Other people, the internet, nothing. Just lemme know how you’re feeling and we’ll handle it, okay?”

“Promise,” you swear. Paige grins at you again, drawing you in for a hug. You sit there in her arms for a while before you find your way back to the passenger seat and she drives the two of you back home.

She bids you a goodnight in the car, pressing one last lingering kiss to your lips before you stand on your porch to unlock the door. She doesn’t drive off until you’re safely inside. When you’re finally in your room, you don’t take the hoodie off, comforted by Paige’s scent encompassing you, and you fall asleep with an unshakable happiness in your heart and a smile on your face.

(The next day, you and Paige tell your parents, officially. You start with the Bueckers’ first and it goes as well as you were expecting. You and your girlfriend sat them down, explaining, we’re dating and we’re very happy. Moe gave the two of you comforting smiles, but Bob cleared his throat and admitted, “Uh…yeah, we saw you kiss on the Ring doorbell.” You wanted to crawl into a hole and die, to be honest, but Moe and Bob pulled the both of you into hugs and promised that as long as you and Paige were safe and happy, then they were happy for you.

Then, it was time for your family, and you were a little nervous. Granted, they had no idea that you liked girls, let alone would date one. Their reaction was basically the same as the Bueckers’, informing you that they had their suspicions since you and Paige were glued at the hip and that your little brother told them that he was pretty sure he almost saw the two of you kiss almost a month and a half ago. That was objectively worse than the Bueckers’ catching you on the ring doorbell. You were correct in assuming they’d make you keep your door open when Paige is over. And judging by the slightly horrified expression on Paige’s face when your dad finishes talking to her in private, you’re pretty sure he gave her the shovel talk of the century.

And, just so it’s absolutely clear, the date that Paige takes you on that evening is the best date you’ve ever been on – so far. She brings you flowers, pulls your chair out for you, and enchants you all night long with easy conversation. When the waitress brings out your slice of cheesecake with Will you be my girlfriend? written in strawberry puree, you sell your surprise and performance so well that the waitress brings out a second slice, chocolate flavored just for Paige. You’re sure that the night couldn’t get any better, but before she drops you off at home, she reads that damn letter to you and you can’t stop the happy tears. She kisses you goodnight, her expression adoring, and you know that you have the best girlfriend in the world.)

The rest of junior year passes in a blur. You’re the happiest you’ve been in your entire life, your grades are phenomenal, and Paige leads her team to a blowout state championship win. As if that wasn’t electrifying enough, she signed with the University of Connecticut the week after the tournament ended on April 19th. Your girlfriend was officially a Husky and would bleed blue for her college career. You couldn’t help but be overwhelmingly proud of her – playing for UConn has been her life goal, hoping to cement her name as one of the greats next to Sue Bird, Diana Taurasi, Maya Moore. While you couldn’t get into UConn with as much ease as she did, UConn would be the first school you submitted your application for once October rolled around. You weren’t sure who was more excited – you or Paige – at the prospect of going to college together, but what you did know was that you couldn’t wait to cheer her on as she took the world by storm.

With the harder parts of the school year long gone, the time for prom came around in late April. Paige secured your tickets as soon as they went on sale and was dead set on making it the best night of your life. She prom-posed to you with what was possibly the cheesiest sign in the world: it was decorated with lopsided basketballs (although you appreciated the fact that Paige made her sign completely homemade) and read ‘Together, we’re a slam dunk. Take a shot at prom with me?’ and there was no way in hell you’d ever say no to something like that. It took you less than four hours to find the perfect dress, although you spent a week with Paige travelling from mall to boutique to find the perfect thing for her to wear. Dress shopping with Paige proved to be a difficult task, especially for someone who seemed to hate dresses as much as she did. When you suggested she just wear a pair of jeans and a nice shirt, she nearly lost her mind in the middle of the store.

“What kind of date wears jeans and a shirt to prom?” she’d exclaimed, rifling through the dress racks, beginning to ramble. “No, ‘cause that actually pisses me off. Like, you see all these girls walkin’ around in these pretty dresses, make up done to the nines, and their boyfriends can’t even be bothered to iron their shirts?”

“I want you to be comfortable,” you said to her. “What you’re wearing won’t matter to me. You know that.”

She huffed, pulling a black dress off the rack and holding it to her torso, glancing in the mirror with a pensive expression. “It matters to me. I can’t be caught dead next to you lookin’ like an idiot.”

“Well…” you trailed off, much to her chagrin, and she pouted at you dramatically as you laughed. “Get that one,” you advised. “It won’t be super tight on you so you’ll have some breathing room. And I like the way your arms will look in it.” When she tried it on, you walked in on her in the dressing room flexing in the mirror, and, well, you were right.

With the dress debacle out of the way, that meant you had to consider other factors, like your matching corsages and dinner beforehand. Those were slightly less intimidating decisions to make. Paige knew next to nothing about flowers and her only demand was “they have to look nice,” so you found the corsages. You weren’t paying for dinner and Paige knew your likes and dislikes like the back of her hand, so she handled the reservations and promised she wouldn’t dirty Moe’s SUV if the two of you could borrow it for the night. All that was left was prom itself and considering it would be your first and you don’t get another junior prom, you were incredibly excited for it.

Dinner was nice – it would have been hard to fuck up since Paige chose a restaurant she knew you liked and it was hard to not enjoy your time with her anyhow. She serenaded you as she drove, belting Keyshia Cole’s Love like she was a contestant on The Voice. And, sure, it was incredibly off-key and her voice cracked during the vocal flips on “I found,” but you couldn’t help your endearment for her. Making you laugh was one of the things she was a master at. You arrived at the school in good spirits, turned in your tickets without an issue, and entered the gym with high hopes.

The music is thumping, echoing throughout the gym. You can feel the bass in the floor and your body almost immediately vibrates from the noise. Paige curses lightly under her breath, her hand finding yours with a wince, and she glances at you curiously, a simple you okay? visible in her eyes. You nod and she leads you over to the drink table where she gives the two-liter soda bottle a cursory sniff before pouring it in a red solo cup for you. You remember hearing that last year’s prom got cancelled early because someone spiked the punch bowl, which is why they shifted to pouring directly from plastic bottles, but you could never be too sure and you appreciated Paige for her protectiveness.

As you drink, you take in the decorations. The student council was tasked with setting everything up – deciding on the theme, ordering the decorations, putting them up. As you glance around the packed gym, your eyes taking in the streamers and the lights (you pretend that you don’t notice a section of lights that have already been ripped down), you determine that you really can’t tell what the prom theme is supposed to be. A girl and her date pass by you in a 20s flapper dress and a wrinkled button up with Timbs, of all shoes; then you’re passed by a girl wearing polka dots and her date in a graphic t-shirt. You’re getting a lot of mixed signals right now.

“Wanna dance?” Paige asks you and you nod, throwing your cup away, allowing your girlfriend to lead you to an emptier section of the gym. For a while, you’re not really sure what’s playing until the bass drop is over and you realize it’s some remixed version of Zedd’s Clarity. You glance around, watching people dance. There’s a group of students towards the front of the gym near the DJ stand jumping up and down like it’s a mosh pit. There’s another section of people bobbing their heads and moving stiffly. To your right, there’s a group swaying, their phones raised as they capture the moment.

“This is not what I thought prom would be,” you comment off-handedly to Paige, who’s halfheartedly shimmying. 

She shrugs a shoulder, reaching out for your hands with a smile and pulling you closer to her, making sure to leave room for Jesus, as she’d once joked. “We can make our own fun,” she yells over the thump of the music. She drags you into an awkward, uncoordinated and off-rhythm shimmy-dance-shake thing, but her smile is infectious enough that you’re throwing all caution to the wind as you allow her to lead you. You laugh along with her for the remainder of the song before you’re joined by a few of her teammates and their dates. Paige introduces you and together, the small group of you dance to a few more songs. You take a few group photos in varying poses, then find some snacks, and you burn another half hour dancing before the pain in your feet gets to be too much and the music starts giving you a headache.

You don’t want to be a buzzkill, but you have to admit that prom is a weird mix of overwhelming and lackluster. It’s a lot better with friends, though; the short period of time you spent with Paige’s teammates was invigorating but there’s just not a lot to do that’s not eating, dancing, taking photos, or watching people try to dance. You intertwine your fingers with Paige’s, drawing her attention and whispering in her ear about needing air. She nods, leading you towards the door and snagging another drink for you on the way out. The cool breeze and the peace does wonders for you.

“I’on wanna ruin your night,” Paige begins, a little sheepish, “but was this kinda…”

“Lame?” you supply, watching the relief spread across Paige’s face.

“Yeah,” she agrees. You offer her a sip of the soda and she takes it gratefully, holding onto the cup for you as you toe off your heels, lowering yourself to the sidewalk and taking a seat. You stretch out your legs, sighing when the pressure in your feet is alleviated. “Wanna get Dairy Queen after this?”

You groan, leaning your head onto hers as she wraps an arm around your shoulders. “Like you even have to ask,” you murmur, appreciative of the peace. Paige chuckles, her thumb rubbing against your shoulder. The two of you sit there for a while soaking it all in before the music inside dies down. You can hear the echo of the DJ as he tells everyone to partner up for the slow dance. Paige sets your cup on the ground, removing her arm and standing up. You glance at her as she extends her hand for you to take.

“May I have this dance?” she asks, and you laugh, unable to say no. You allow her to pull you to your feet as the opening notes of Taylor Swift’s Crazier bleed through the gym walls. She navigates you both to the grass, your feet bare against the cool ground, and she wraps her arms around your waist as yours go around her neck.

I'd never gone with the wind, just let it flow

Let it take me where it wants to go

The two of you sway, the sound of chirping crickets serving as the perfect background to the gentle hum of the music through the walls. Her hands are warm on your side, her chin pressed to the top of your head, your face cradled gently against her chest. If you were being honest, this is probably the most content you’ve been since dinner – being alone with Paige has a way of cheering you up.

I was trying to fly, but I couldn't find wings

But you came along and you changed everything

Paige starts humming the lyrics, the vibrations of her voice soothing you as you follow her lead. Your fingers smooth some of the flyaway strands at the back of her neck, hands mapping the expanse of her toned shoulders, content to just feel her and relish in this tender, unexpecting intimacy.

You lift my feet off the ground

You spin me around

You make me crazier, crazier

It’s then that you’re hit with a gentle realization, the lyrics resonating with you. You and Paige have been together for close to four months at this point, although it feels closer to five months since you admitted your feelings to her back in late December. Every day since then has been full of nothing but pure enjoyment, a whole lot of care, and some of the best times of your life. Paige has this way of always making you smile, even when the day gets hard, this way of making you feel so appreciated and cared for. You’re young and you really weren’t expecting her to come into your life the way she did, but you really can’t deny this overflow of emotion that you feel when she’s around. You know exactly why you feel this way.

You lift your head off her chest, your hands resting on the tops of her shoulders as you pull back far enough to look her in the eye. She gazes at you curiously, her thumbs rubbing soothing circles against your hips, and you can’t help your smile as you kiss her tenderly. She responds, pulling you flush against her, and you know that you’re exactly where you’re supposed to be.

“What was that for?” she whispers, an enamored little grin on her face, cheeks bright with a blush.

You don’t hesitate. “I just love you,” you confess.

You expect her to freeze up. You expect her jaw to go slack, to ask you to repeat what you said. Love wasn’t something you should just drop so casually – the both of you knew that. But Paige’s smile only grows, a lone dimple popping out as her eyes shine under the streetlight. She cups your cheeks in her hands and leans down to kiss you again. It’s soft, barely-there brushes that you can still feel in your heart; her lips ask you a simple question that you can’t help but answer. You lean into it, into the love that has built between the two of you over the months you’ve been together and the months you’ll be together in the future, into the shared promise of I’m yours.

“I love you,” Paige whispers, punctuating her words with a squeeze. “So much.”

You smile against her lips, letting her pull you back in. The music fades into nothing, your focus entirely on Paige, on the way her lips move against yours, the way her hands cradle your face, the way she loves you. You’ve given your heart over to her completely and she cherishes it like it’s her own. Sometimes, there are things you’re just born knowing, and right now, you know that everything in your life has led you to being here now, to being Paige’s. You couldn’t think of anything better than that.

SENIOR YEAR – 2019-2020

Senior year is the beginning of the end.

You and Paige spend summer break attached at the hip, but not overbearingly so. You’d gotten a part-time job mostly to make some extra money and to make your resume look a little better, so you were occupied by that four days a week. Paige, on the other hand, was spending extra time in the gym and running drills with private trainers and coaches. She was committed to one of the best colleges in the country for basketball – summer was not the time to be slacking off. It was the time for her to get better, stronger, faster; if you wanted to celebrate with the best, you had to be the best, and Paige turned that pressure into motivation.

Above all else, you still made time for each other, even when she was exhausted from practicing and you wanted to crawl into a hole and die because food service sucks (seriously, you were a cashier – what makes people think you of all people fucked up their food? Your job was to hit buttons and ask if they wanted fries with that). At the heart of it, you and Paige were each other’s remedies. You were a source of peace, comfort, and relaxation. Honestly, much of the time the two of you shared over the summer was spent napping, but you weren’t going to complain. You were busy and she was busy and you’d take whatever you could get, even if that meant being the big spoon every other night.

Things weren’t harder by any means. They weren’t any easier, but they were just different. You had to get used to managing your time, learn how to effectively maintain a relationship when the only time you really get to see each other is once or twice a week (and when Paige is snoring for most of it). You’d argue that this is just making the two of you stronger. The two of you would only be busier in college. Now is the time for growing up and realizing that you couldn’t reasonably spend every waking moment together, as much as you would like to. You were fine, Paige was fine, the two of you communicated, and you were very happy.

Well, there was one slight issue.

Following Paige’s commitment, your Instagram messages and comments had been blowing up. It started small. There were joking comments (or so you’d hoped) with messages of ‘You better not distract Paige next season!’ and their variations. It all ramped up from there. Trolls accusing you of only dating Paige because she’d become a millionaire once she’s in college, accusing you of keeping her out of the gym. Someone even said that UConn wouldn’t win a national championship anytime soon considering their starting point guard would be too busy playing the part of a doting girlfriend.

You won’t lie. All of the comments and the messages were really heavy. Here you were, barely 18 and you had crazy fans of varying age levels all in your business and saying awful things. There were comments you wouldn’t even dream of repeating. You talked to Paige about it and she’d held you as you cried. It was less of the content, but it was more about the spam and the constant onslaught and the amount of people tearing you down for no good reason. Paige posted on her socials requesting for people to leave you alone. While there was an outcry of support from the kinder folk, you’d somehow gotten even more harassment in your messages. You eventually caved and privated all of your accounts, scrubbing the nasty comments and trying to go about your life.

The damage had already been done.

Senior year was supposed to be your best year thus far, yet everything was bleak. It was nowhere close to the academic rigor of your junior year, but you were taking a few more dual enrollment classes and a lone AP, which means you were spending a lot more of your time studying so your grades wouldn’t slip. You ended up having to drop one of your clubs, too. You were less upset about that one considering it wasn’t doing a lot for you anyways. The fact that everything started piling up and you had to make all of these ultimatums was weighing on you.

Paige was incredibly busy, too. Coming off of a championship win from the year before, her coach was determined to get them back there again this year. Practices were longer, more grueling, and as if those weren’t enough, Paige was spending more time in the gym alone to get shots in and run drills, like she had something to prove. Maybe she did. She needed to show that she wasn’t an overrated high school player, that Geno Auriemma didn’t make a mistake in recruiting her. She needed to prove that she has what it takes to go from a high school championship contending team to a collegiate championship contending team. Combined with her own classwork, she was running out of time to devote to you, so the two of you were honestly just stuck.

The time you did get to spend with one another never felt like it was enough. You tried your best to fit in dates that had nothing to do with school or basketball, just the two of you. You loved each other. You would go through worse things than this, and you were dedicated to making it work, damn it. You communicated – or tried to, at least. You could tell Paige was under a lot of pressure, you knew her well enough by now. Anytime you brought it up, she’d always say that she’s just tired or that she needs to lock in because the pressure is only going to increase when she’s in college. You tried to help, but you just didn’t know how, and you were terrified of pushing her too far. She didn’t need you to be this clingy, obsessed girlfriend who can’t function without her, and maybe you were worried about becoming too much, too. It’s just a hard pill to swallow when you go from being all over each other in junior year to whatever the fuck this is now. You have to remind yourself that you and Paige need the space to be your own people. You’re changing, she’s changing, and you can’t hold onto a past version of her – if you force her to be something she’s not, you’ll just lose her, and that’s not something you can stomach. So you take her word for it, letting her be her own person, even if it feels like you’re still losing a battle you could never have won in the first place.

Growing up is hard, isn’t it? 

And it’s weird – because it’s not like everything is bad. There’s a lot of good times, too. Paige still drives you home after her games, making sure to stop at Dairy Queen, making sure to fit in some time at that parking lot just to chat with you. Sometimes it gets a little heavy when she’s a few hours past delirious and her kisses become a little more insistent, sloppier against your skin and you both have to remember to chill out because your first time is not about to be in the backseat of her stepmom’s Honda Pilot. She still smiles at you like you’re her everything, because you are. It’s hard, but she moves mountains to make time for you, even if that just means spending the night at your house and in your arms and you do nothing but sleep because you’re both just exhausted from life.

You still wear her hoodie, the one with her number and her name on the back and the one that’s starting to smell like the perfect blend of the two of you. You leave your clothes at her house and she leaves hers at yours. You and Paige integrate so seamlessly into each other’s lives that the slow-forming rift between the two of you is unexpected when it eventually cracks, sending the two of you tumbling into a bottomless chasm. Somehow, you miss it entirely — the fractures, the shifting of tectonic plates. Maybe the hard truth is you don’t miss it at all, but you ignore it in hopes that you can patch up the lacerations. 

But that rift doesn’t actualize for another few months, for for now — you’re fine. Unknowing of what’s ahead of you, too busy and too in love to focus on anything but the present. 

The holidays are a much needed reprieve. Thanksgiving and Christmas back to back means your classwork finally lessens and Paige isn’t spending every waking moment in the gym. That doesn’t mean that she didn’t try to spend every waking moment in the gym, though. On the very first day of Thanksgiving break, you could feel her shifting around in your bed at an hour that was definitely not appropriate. She was apologetic for waking you up and said that she just wanted to get some shots in before the local rec teams took over the courts. You weren’t having any of it. Half-asleep, you’d dragged her back into bed with you, climbing on top of her and resting your head on her chest, murmuring nonsense about missing her. The details are fuzzy, but you do remember waking up some hours later after the sun finally rose and Paige was still in bed with you, her arms wrapped tight around your waist.

Spending so much uninterrupted time over break reminded you why you fell in love with Paige in the first place. It wasn’t like you were starved of reminders while you were both in school – she texted you good morning (although this was anywhere from 5-6am) and she texted you good night (anywhere from 12-1am); the knowledge that you were the first and the last thing on her mind made your heart race. She walked you to and from your classes, carried your bag for you, but it was that time outside of school that you were truly missing with her.

When you brush your teeth together in the morning, she flicks water at you teasingly and wipes the foam off your lip when you miss a spot. She’ll sit atop the counter and watch as you do your skincare or your makeup with an enamored look on her face. Most days, she allows you to do her mascara or apply some new skin cream on her face, although the latter usually ends with Paige whining about how it burns and you reminding her that just means it’s working. You spend time with each other’s family, you go on dates, open presents at each other’s house, and a few days after Christmas, she takes you back to the park where you’d shared your first kiss. It’s not your one year anniversary since Paige was, ugh, a gentlewoman and “courted” you (well, as well as high schoolers can “court”) prior to making it official, but it’s close enough for you. The realization that you’ve shared your life with Paige for a year fills you with an indescribable emotion and all you really know is you can’t wait to share more and more years with her.

After New Year’s, everything shifts again. You get busy with school and Paige locks back in for basketball. Her team has been undefeated the entire year and they’re on the right track to make it back to the championship, which seems to ignite a fire under her. She spends her time in the gym, practicing and practicing and practicing. You can tell it’s wearing on her. Her texts become sparse and you often find yourself making your way to the gym at night just so you can drive her home. When you ask why she’s burning herself out like this, her response is always a variation of I need to be better or We’re so close – I can’t let the team down but you know her. You know she’s not telling you the complete truth and that kills you.

What had you done so wrong that Paige doesn’t trust you with her feelings anymore? What had you done so wrong that you’ve forced her into locking herself in the gym until her fingers bleed and her feet blister? Perhaps if you were a little more online, you’d understand why. Between the trolls and your mass amounts of homework, you hardly had the time for Instagram. You don’t see the comments under Paige’s posts, claiming you’d just be a distraction in college. You don’t see the comments arguing that Paige’s uncharacteristic performance in a recent game is your fault.

It’s in mid-February that you grow tired of the overthinking and the ache that’s made its home in your chest. It’s nearing midnight but you can’t sleep. You’ve been staring at Paige’s location on the Find My map for nearly four hours now – she’s been on the court ever since practice ended. You tried to give her space. You didn’t want to be overbearing. You know that she’s under pressure but God you just wanted her to confide in you, to feel more like a girlfriend rather than an afterthought. So, you slide on a pair of shoes, tucking your keys into your pocket and you begin the quick walk to the park.

You hear the rhythmic bouncing of the ball before you see Paige. You hear the dribble, the swish of the net, the clang of the rim. The basketball rolls towards you and you pick it up, coming face to face with Paige, whose face is a picture of surprise.

“Hey,” she says softly. You pause to take in her appearance. She’s dressed in a pair of athletic shoes, ball shorts and a loose tank top. She’s soaked in sweat, her hair sticking to her forehead and her eyes a wild mix of exhaustion and pure determination. Your heart constricts in your chest. Why is she doing this to herself? “What are you doing here?”

“It’s late,” you say, quirking an unamused smile. “Almost midnight. Couldn’t really sleep without knowing if my girlfriend was alive or not.”

She stares at you like she’s trying to read your expression. A slow wave of realization rolls over her and she sucks in a deep breath, knowing she’s in trouble. “I’m okay,” she says but you know she’s not. “Just–”

“‘Just trying to get some shots up,’” you interrupt. “‘Just wanna be prepared for the championship.’” Paige’s jaw ticks and she runs a frustrated hand across her jaw. You soften a little, knowing that you’re not the only one with shit going on. That consideration would get you in trouble one day, but you don’t really care right now. “Can we talk? Please?”

“I need to–”

“Paige,” you breathe out, your voice firm despite the way it cracks. You feel the tears prick at your eyes and you can’t help but feel frustrated at yourself for getting emotional. “Please stop running away from me,” you beg.

She looks like she’s about to argue again, although she thinks better of it, nodding her head and taking a seat on the bench where her bag rests. You sit next to hear, placing the basketball on the other side of you. Paige is silent, her hands folded together and her brows drawn in. You speak first. “I’m worried about you.” That draws her attention, confusion and guilt and hurt lining her expression, but you swallow, continuing. “I hardly see you outside of school and you spend every waking moment with a ball in your hand. I know you think that you need to work harder or train harder, but it’s killing you, Paige. You say you’re fine and I wanna believe that but we’ve been dating for a year now. I know you better than that. This is wearing you down and I just don’t understand why you can’t be honest with me about why you’re doing this to yourself.”

The distant chirp of the crickets is all you can hear. Then, she heaves a shuddering sigh. “I’m not good enough for this,” she confesses in a murmur. “That’s what everyone says. I’m overrated. That Coach Auriemma shoulda recruited someone else – someone better, faster, stronger, taller. Basketball is my future but lately it just feels like that’s another thing I have to prove to people who watch me from behind a screen. There’s so many people relying on me, watching me, investing in me and I can’t – I can’t let them down. I can’t lose. I am so fucking afraid of losing that I forget how to win.”

“Paige,” you whisper, your hand reaching out to hold hers. She intertwines your fingers so tightly that it hurts your hand. You don’t care. “You are so much more than what people have to say about you, okay? Isn’t that what you told me?”

She huffs, something akin to amusement, but there’s no enjoyment in her expression. “You didn’t sign up for that,” she retorts. “They were hurting you ‘cause of me.”

“No one signs up to be an online punching bag,” you state. “Least of all you. You don’t deserve that.” She shakes her head, disbelieving. You lean into her, trying to ground her, and she shivers against you. “You know it’s not true, right? There is no one better, or stronger, or faster than you. Maybe taller, but I love you the way you are.” That’s enough to draw a real laugh from her and you squeeze her hand. “Listen to me. Geno didn’t recruit you because of your strength or your speed or whatever else. Geno recruited you because he knew you had the heart of a Husky and because he knew you had what it takes. And – I know it’s hard, but sometimes you’re going to lose. What’s important is picking yourself up afterward and doing it all over again. Win or lose, you’re always gonna have me. There’s nothing I wouldn’t do for you, you know that?”

“I do,” she murmurs. “And I’d do the same for you.” Her words sound more like a grave realization more than a reassurance, but you don’t catch it. You don’t notice the solemn look on her face, the way she looks like she’s coming to terms with something difficult. You don’t notice the determination that reads something like I’m going to win another state championship this year and prove everyone wrong.

“Come home?” you plead. Paige nods slowly, collecting her gear almost robotically, but she presses a kiss to your lips and all you feel an overwhelming amount of relief. Everything will be okay, you tell yourself. This was just a small bump in the road.

Wishful thinking.

Paige’s state championship gets cancelled due to a global pandemic.

She’d been in such high spirits, excited at the prospect of competing, of taking home the trophy one more time before she went off for college. In March, everything shut down. You were out of school for what you believed to be an extended spring break, but the rest of the year was cancelled entirely. The state championship game was quick to follow. You weren’t expecting Paige to take the news as bad as she did.

Your texts go unanswered, again. You know she’s stuck in her house, which was always a recipe for disaster for her. Paige gets too restless, too impatient, always itching to be moving. You let a day go by of radio silence. Two days. By the third, you’re beginning to lose your mind. You simply weren’t built for online education and your little brother makes focusing impossible. On the fourth day, you send another message to Paige, which ultimately gets left on read.

You show up to her house, tired of being iced out like this, of being treated like you’re something disposable when Paige is upset. Bob lets you in, grinning, and you wave at Drew as you walk upstairs, your footsteps echoing like your heartbeat in your ribcage. You knock on Paige’s door, not getting a response, but you walk in anyways.

Her room is a mess. Clothes are strewn about, one of her comforters lying on the ground. You nearly trip over a loose basketball but your eyes lock on her – lying in bed with an almost catatonic expression on her face. Maybe the aftermath is your fault. It doesn’t take a genius to know that Paige wasn’t in the best headspace. While you were her girlfriend, showing up to her room invited while she’s spiraling would make her meltdown make sense. The ensuing argument is a blur.

Paige is frantic, her hands gesturing wildly as she chokes back sobs, exclaiming confessions of “I’m nothing without that championship,” or “I can’t handle this anymore.” It’s the first time you’ve actually been a little fearful – not of her, but for her. You knew the pressure was getting to her and you just let her deal with it instead of intervening. You were too scared to upset her and now the both of you are paying the price of your insecurity.

You tried to comfort her, but it was like something shifted. She told you to go home. That you were too much right now and that it’s obvious at this point that you’re only going to get hurt if you stay with me. You were willing to ignore her words even if they were like knives to your heart, but what truly destroyed was how she flinched away from your touch like it was burning oil. Go home, she’d said again. I don’t need you here. I can’t keep hurting you like this.

Maybe showing up in the first place was a mistake, but so was leaving her. You walked back to your house with tears in your eyes, wondering how you fucked up so bad.

The next day, Paige shows up at your doorstep with flowers. You couldn’t ignore the hurt in your heart and you didn’t want to forgive her so easily, but it was hard to stay upset with her. No matter how mad you were, you were still in love with her. She apologized, describing how the championship cancellation and the lockdown and the pressure was making her go insane. She acknowledged those wrongs didn’t make a right and she’d spend the rest of her life making it up to you. You didn’t want to fight, or argue, or hurt anymore, so you wrapped her in your arms as the both of you cried. You had a lengthy conversation full of more apologies, and foolishly, you’d thought the worst of it was over. It wouldn’t come until much later.

Miraculously, you still have graduation that month although everyone has to wear masks and you have to sit five feet apart on the football field. You and Paige graduate with honors, you take photos, and your combined families have a huge dinner at the Bueckers’s household. That evening, right before you say grace, your phone lights up with an email from the UConn admissions team.

You got in.

As your families cheer, your eyes are too full of tears to notice the expression of pure dread on Paige's face as you throw your arms around her neck. It feels like everything is finally going your way. You and Paige would be going to college together. It would be easier – it has to be. You didn’t really care about what anyone had to say about the two of you. You had Paige and that was enough for you.

You go to bed that night blissfully and ignorantly happy. Two weeks pass and that’s finally when the worst happens.

You feel your phone’s vibration before you hear its ringtone.

Groggily, you open your eyes, hands blindly fumbling through your sheets and under your pillow as you try to locate your device. At first, you think it’s your alarm waking you up for class, but remembering the fact that you’ve just graduated two weeks ago hits you like a sack of bricks. There will be no more morning alarms, not until you’re in Storrs, Connecticut and starting the fall semester. You also realize it’s far too dark outside to be morning, so the ringing of your phone can only mean one thing.

“Hello?” you answer without looking at the caller ID, knowing that it was Paige on the other end. You couldn’t think of anyone who would call you at 1:55 in the morning. The fact that Paige is calling you at 1:55 in the morning, however, is a cause for concern. She had an early flight around 8am – summer practices and conditioning were already starting up for the Huskies, as well as other freshman athlete orientations.

“Hey,” Paige says. Her voice is quiet on the other end of the line, tight and weak like she’s fighting to stay composed. Immediately, your heartbeat picks up, fearing for the worst. “I’m at your front door. Can I – can you come down please? I need to talk to you.”

“I’m on my way,” you respond, already throwing your blanket off of your legs and leaving your room. “Are you okay?”

Paige is oddly silent for a few beats. Your socked feet thump lightly against the stairs as you make your way down, your pulse racing like you’d just ran a marathon. Her name falls from your lips in a murmur and she heaves a shuddering sigh from the other end of the phone. “Please,” she begs, “just come outside.”

“Okay,” you promise, and the line goes dead as you unlock your front door, opening it to reveal Paige standing on your front porch. She’s wearing a pair of sweatpants and crocs like she’d made the last minute decision to show up to your house. Her shirt is rumpled, the UConn logo emblazoned on it – one she’d gotten from her official visit however long ago. Her hair is disheveled, too, pulled up into a loose ponytail with loose strands at the front. And her face. You’ve never seen Paige look so miserable before, but what truly shocks you is the guilt clouding her eyes, the frown on her lips. “Hey.” Your voice is quiet, opening the door wide enough for her to come in. Paige merely shakes her head, her hand finding your wrist as she guides you onto the front porch. The door clicks shut behind the two of you. “What’s going on?”

Under the porchlight, her features come into focus. Her expression is downcast, eyes red as if she’d been crying, shoulders high and tense with some monumental weight bearing down on them. You know she has a lot going on – the two of you have talked about as much. She was the number one high school recruit and she’s been committed to one of, if not the best college for women’s basketball. There’s a lot of pressure on her to live up to those expectations, to be the best in the game. You also know Paige hasn’t been the same since the beginning of the year, but she’d assured you that it was just exhaustion and the need to lock in. When you come face to face with her, you’re wracked with a near insurmountable quantity of guilt – why hadn’t you tried harder to get her to open up?

“I’m sorry,” is what Paige says. Your heart slams against your ribcage as your mind conjures up thousands of reasons why Paige could be apologizing to you at two in the fucking morning. “I know this timing is super fucked up and this is such a shitty thing to do to but I can’t get on that plane later and not –” Paige’s words trail off, the sound getting stuck in her throat.

You blink, feeling the unmistakable burn of tears in your eyes, the tightness in your chest. Part of you knows exactly where this is going, but the other part of you refuses to consider it. “Not what, Paige?”

Her hands fidget nervously with the hem of her shirt. She throws her head back, suddenly finding the roof of your porch very interesting as she takes a deep breath. “I don’t –” her voice cracks before finally, she meets your eyes, guilt and dread and something that looks strangely like atonement filling her irises. “I don’t think we’re gonna work out,” she says. Your heart all but drops out of your ass and onto the ground, but she keeps rambling in that Paige-esque way that you’ve spent months falling in love with. “We’re not gonna work out in college. I have basketball, and you – you have so many great things ahead of you. You have dreams and aspirations and I can’t…I can’t let you lose sight of those if you stay with me. I love you, so much, but we’re just gonna keep hurting each other if we keep trying to mend something that’s just gonna keep on breaking.”

You can hear your heartbeat in your ears. Something ugly twists in your gut, something that feels like a painful mix of despair, desperation, and a deep-rooted anger you’d never realized you’d been harboring. You weren’t an angry person. Sensitive, sure. You were understanding and kind. Never angry. “Why do you get to decide that?” you manage, your voice rough with emotion. Your voice rises in pitch as you continue. “Why do you get to decide that we can’t be fixed? What–”

“We’ve been tryin’ to fix this for months,” Paige points out hoarsely, her throat bobbing as she swallows.

“Because you’re not trying!” you exclaim, arms flying out. Paige flinches, but you don’t stop. “You just – you keep pulling away from me and I don’t know why but I can’t do this on my own, Paige. And when I ask you always say you’re just tired or you’re just busy but I know you. I know you and I know that you weren’t giving us your all and I still trusted you because fuck, I just wanted you! I would never make you choose between me or basketball but I’d like to at least be considered once in a while.”

“It’s not like that,” Paige argues. “I’ve done nothing but consider you–”

“Bullshit.”

Her face falls. “See?” she murmurs, laughing a little despite the hurt in her expression. “We’d never work out in college. We can’t even do this right.”

You seethe. “Because you’re trying to break up with me when we can fix this.”

“I’m trying to break up with you because I can’t fucking protect you!” Paige cries. Her words hit you like a truck and you clamp your mouth shut as she wipes her eyes. “Is that what you wanted to hear? I can’t protect you when we’re both at UConn. Do you even know what they’re saying online? They’re saying I can’t hoop because I’m too busy playing house with my girlfriend. They’re saying that her girlfriend is trying to leech off of her success, that you’re ruining my life, that my girlfriend needs to leave me alone. Everyday I’ve worked harder to get stronger, faster, better, just so there wouldn’t be anything about me they could use to hurt you but they always find something to say. I can’t protect you from that when you’re with me. I can’t let them ruin your life because you love me. You have so much ahead of you and they’ll tear you down. I can’t bear that.”

“I don’t need you to protect me,” you say, but even you know that’s a lie. You take in the look on Paige’s face, the commiseration, the resolution. Your anger melts away into sheer desperation when you begin to fully realize the gravity of your situation. It feels like your entire life is slipping from your fingertips and you’re running out of time to do something about it. “Paige…” You hate the way she flinches at her name.

“Please,” she begs again. “Don’t make this any harder than it has to be. Just let me do this for us and we can both try to be happy.”

You don’t mention how there won’t be an us if you let her walk away now, but you do step forward, your fingers curling into the fabric of her shirt as you plead, “Don’t do this to us.” A tear slips down your cheek and Paige shudders as she wipes it away with the pad of her thumb, an inexplicable amount of guilt in her eyes. “We can fix this, okay? I swear. I promise you won’t even know I’m there. I won’t say anything and I’ll watch your games online – whatever it takes, I’ll do it, Paige; just don’t fucking do this to us.”

She murmurs your name, her face falling as she brushes your hair out of your face, but you’re shaking your head, pressing on. “Just give us some time. Please. We can work this out. I don’t want anything but you. And…and – last year, you said nothing else mattered, right? What everyone else thought, what the media thought. We can be private again, whatever you want, I’ll do it.”

“I can’t ask that of you,” she whispers, voice broken. “You don’t deserve to be hidden away. I can’t do that to you. It’ll kill us before we even got a chance otherwise.”

Your lip wobbles as you say, “You’re killing us now, Paige.”

She nods, a tear of her own falling, and she wipes it away before you can even raise your hand. “I know. But at least it’s on our terms and not theirs.” You shake your head, fingers tightening in her shirt, and Paige crumbles. She wraps her arms around your shoulders, pulling her into your chest as your body heaves with sobs, your tears soaking her shirt. You can hear the tremble in her voice as she fights for her composure. “I’m sorry. Being with me will just hurt you more. I can’t put you through that,” she chokes out. “I’m sorry that I made you feel like you were the only one trying. I thought it would change things but it didn’t. I couldn’t control it. I couldn’t save us.”

The irony makes you ache – Paige killing you just to save you. Deep down, you know she’s right. Your social media have been private for months now, but there’s nothing you wouldn’t do just so you could keep Paige. But right now? All you’re truly able to process is the heartbreak, the way the criss-crossing bandages fall off, the way the stitches and the sutures come undone, revealing a festering, open wound that after all this time, you’ve never been able to repair. No matter what, it always comes back to this – your heart on the ground, stomped out and bleeding and ruined. You just never thought Paige would be the one to crush it under her heel.

You’re tender-hearted. You always have been.  That’s why your friends told you to stay far, far away from Paige. You tried, you honestly did – but Paige is magnetic, and she loves you, and you were just a little too weak to say no. Now you’re faced with the ugly realization that maybe you should have listened, that when they told you ‘She’s leaving Minnesota and she’s not going to look back’, they were right. Despite it all, you’re naive enough to say that you’d go through with it all over again. You love Paige. You would give up a lot of things in the world if only you could keep her, but her decision is made and it’s time for you to make yours.

That’s why you forgive her. You sniffle, trying your best to compose yourself as her hand rubs soothing, apologetic circles on your back. “It’s okay,” you manage, your voice impossibly soft and broken down.

“It’s not,” Paige murmurs, her voice cracking.

“It will have to be.” You feel her nod at that, her arms tightening a little, like she’s trying to savor this last moment with you before it’s gone forever. You do, too, pressing your head against her chest, listening to the rhythmic thump of her heart that you’ve spent hours memorizing the cadence of. You’ve spent so many months of your life learning everything there was to know about Paige Bueckers – her favorite color, her dreams, the parts of her that she keeps hidden. You wish you didn’t know what she looked like when she was walking away but you should have known that you and her were doomed by time from the very beginning.

You don’t want to let her go. Eventually, you have to, and looking at her face makes you want to cry and beg all over again. Her hands find your cheeks as she kisses you one last time. You can taste the salt on her lips, hear her shuddering breath, feel her forehead as it presses against yours gently. You know this kiss is more of a goodbye than it is a gesture of affection. That’s enough to make the ache in your chest return tenfold.

“I’m sorry,” she whispers again. It doesn’t do anything to fix what’s broken. “I’m so sorry. I love you.”

“I love you, too,” you promise. You hate those words because you know they’re true – Paige has just broken your heart on your front doorstep and despite it all, you still love her and you always will.

She releases you, her hands trailing down your arms, trying to commit you to memory. Then, her hands leave your skin entirely and she takes a step back. “Guess this is goodbye.”

You bury your hands in your pockets, knowing that if you don’t do something with them, you’ll try fighting for her again. “Guess it is.”

She stares at you for a long while before nodding, her final goodbye a soft murmur under her breath. You watch her go as she walks down the sidewalk, her figure illuminated by the streetlights. It feels strangely like reaching for a light, something you’ll never be able to physically grasp. It’s like watching your entire future crumble in the blink of an eye, like reminding yourself that some dreams are too costly and that sometimes, desire is impossible. Right person, wrong time.

Your lip trembles as you walk back inside, locking the door behind you. When you turn to head back upstairs and go back to bed, hoping that this is all some kind of fucked up fever dream, you find your mother waiting for you, worry etched on her face. That’s when you crumble again, sagging into her confused arms and sobbing.

“She’s gone,” you manage to get out in between heaving sobs. Your mom understands instantly, hushing you and smoothing out your hair, rocking you back and forth as you cry. You’ve hurt a lot, but never like this. You want this terrible feeling to go away but you know this is a loss that’s going to stick with you for a while.

Later that night, when you’re sure you’ve cried all you could, you lie in bed bundled in Paige’s hoodie despite the heat. On the UConn application portal, you only hesitate a little bit before you click on the Cancel Enrollment button. Then, you navigate over to the University of Minnesota application portal, hesitating a lot longer before clicking on the Confirm Enrollment button. You power your phone off entirely, unwilling to spend the night staring at the picture of you and Paige on your home screen. All you feel is a devastating emptiness and this time, you’re fully on your own now and there’s no one else to help you pick up the pieces.

FRESHMAN & SOPHOMORE YEAR – 2020-2022

To no one’s surprise, you absolutely hate the University of Minnesota. There were a lot of reasons why it wasn’t your first choice. The program it offered for your degree wasn’t the greatest. You hated the dorms. You hated campus life, too. UConn had a lot of things that UMN didn’t. A better sports scene, better programs, your ex-girlfriend who you’re still hung up on, everything. You knew you’d be just as miserable at UConn if you’d gone there, too. Paige was everywhere. The freshman phenom who could truly do it all. The work she’d put into becoming better had paid off and it led to her having an electrifying first season.

Even though your heart ached, you couldn’t help but be proud of her. She was doing everything she said she was gonna do. She’s breaking records and making a name for herself – you’d just wished you could be there for it.

It’s almost pathetic how you’re unable to get over her. You stay off of social media but the knowledge that she’s just one text message away fucks with your brain more than you’d like to admit. It reminds you all too much of Gatsby and Daisy and that stupid project the two of you partnered for in AP Lit, only you’re some weird inverted version of them. Paige is the one with the riches, the grandeur, the mansion, yet she’s the one with the green light on the dock. You spend hours gazing out and hoping that she’s looking back at you, too. You’re the one who wishes you could go back into the past where you were still together, even though Gatsby’s story taught you that you’re only yearning for something that doesn’t exist anymore. You’re Gatsby, unable to move on, unable to fully come to terms with the fact that your dream wasn’t truly attainable, that you desired for too much and you couldn’t reach it.

There’s a scary thought in the back of your head that sounds like you just weren’t worth it. Gatsby’s story also taught you that Daisy’s feelings for Gatsby weren’t worth losing her social status, her life of comfort. Were you not worth it? You would have gone to hell and stayed if only to keep Paige, but perhaps that’s just something you need to work on.

So, you do. You find yourself a therapist in Minneapolis. You’ve been unhappy for a while now, but it’s also become increasingly obvious that you need to work on setting boundaries and unlearning emotional attachments that have done nothing but hurt you. You fall in love (romantically or platonically) far too quick, too easily, and you’re too forgiving. You were told from the start that you should be taking care of your heart and you suppose it’s better late than never.

Your therapist is an older lady who has seen some shit and been through some shit. She’s blunt and honest and exactly what you need. She tells you that you can protect yourself and still give to the world, to others. She also tells you that if you’re so unhappy at UMN that you should probably transfer. You put that piece of advice on the backburner because you’ve barely been here for a semester. Maybe you’ll have more fun and make new friends come spring. Maybe everything will turn around if you give yourself the chance to grow and be happy without constantly looking over your shoulder, hoping to see familiar blue eyes and that teasing smile you’ve all but memorized.

(Spoiler: you don’t.)

The spring semester of your freshman year rolls around and you’re honestly burned out. Your first semester was rough and you had a straight C average, which was quite the culture shock after being a straight A student throughout highschool. You try to show up to all of your classes, but registering for an 8am was honestly the worst decision of your life. You miss a few, your grades remain horribly consistent (more C’s!), and you can’t hold onto anymore friends, not for lack of trying. Your clubs fall through and nothing feels right about UMN. Sure, you’re close to home and you visit your parents twice a month, but UMN isn’t home at all. You know that there’s a piece of you in Connecticut somewhere.

Therapy is helping a lot, though. Fixing yourself emotionally is really taxing, but you’re making progress, and that’s good enough for now. Although it takes a couple of weeks, you manage to make a friend in one of your classes and you study together often. Her name is Krista. She’s a pre-med biology major and quite possibly the smartest person you’ve met in your semester and a half at UMN. She introduces you to some of her friends, too – an assortment of med-school hopefuls and the lone English major. Slowly but surely, UMN doesn’t feel as lonely and your grades start improving.

Eventually, the heartbreak starts to ache a little less. Seeing Paige’s picture plastered everywhere doesn’t hurt as much. You tune in for some of the UConn games during March Madness to cheer her on. It will probably take you a long time to be fully over Paige, but you’re at least mostly over the hurt. You reach out to a couple of your mutual friends just to see how she’s doing. Maybe you’ll regret that decision one day. Maybe not. Hearing that she’s doing okay settles your heart some. That turns into weekly check-ins. It’s something.

You and Paige were friends for a long time before you made it official. You’re not mourning the loss of a relationship, but you’re mourning your best friend, too. Nobody ever told you how devastating it was to go from sharing everything with someone to watching their life in pictures. Part of you wonders if she’s doing the same as you, if she even thinks about you like that, if she thinks about you at all or if she regrets the decision she’d made.

Your first year at UMN is nothing special. There’s a nagging voice in the back of your head that urges you to transfer. If you’re not fully happy after a year, then you’re not going to be happy this year. You think about the friends you’ve made – Krista and the others. Something about them just isn’t right. You may never have the vocabulary to explain it, but no matter how nice and welcoming they are, you still feel like an outsider looking in. Things aren’t all that bad, you tell yourself. Your grades are better and honestly, maybe this is just life. You aren’t always going to have a bunch of best friends. So, you decide to stay at UMN.

(How many bad decisions can one person possibly make before you start getting concerned?)

Sophomore year isn’t any better. It doesn’t suck, but you’re still unhappy. You’re surviving, not living. You start going home every weekend rather than the twice a month schedule you’d originally planned on. Being back in Hopkins reminds you of simpler times. It reminds you of late night Dairy Queen runs, of chatting in an empty parking lot, of that time Paige accidentally honked the horn in her stepmom’s SUV when she tried to pull you onto her lap. Hopkins reminds you of your junior prom, where you and Paige slow danced to Taylor Swift outside the gym, where you told her that you loved her for the first time and she told you that she did, too. Hopkins reminds you of happiness.

In December that year, your mutual friend — Amaya Battle — informs you that Paige fractured her tibial plateau and tore her lateral meniscus. None of that sounded good, but you felt like shit once Krista explained what that all meant. That injury would bench Paige for a couple of months. Despite the time, you still knew Paige well enough to know that she’s not happy about that. You open a long abandoned text thread with her, your last message reading happy birthday! and hers reading Thank you, and begin to draft out a new message. Saying that you’re sorry doesn’t feel like enough, but anything else feels like too much. You settle on simply expressing your condolences and you let her know that you’re praying for her. You’re not surprised when you don’t receive anything more than another “Thank you” in return.

Spring semester is long and uneventful. You still tune in for some of Paige’s games, but once finals are said and done and you’re not feeling any differently, you know that it’s time to move on. You apply as a transfer student for UConn.

JUNIOR YEAR – 2022-2023

You get accepted into UConn. Reading the Welcome to UConn Nation email feels as good as it did the first time you opened it surrounded by your family. It feels like coming home all over again. The break in between semesters feels painfully short and far too long at the same time, but before you know it, you’re moving into your dorm on campus, laughing along with your new roommate Livya like you’ve been friends forever. She helps you get settled in. Then she shows you around campus, pointing out all of the best study spots and the best dining halls. You meet up with a couple of her friends for lunch and it’s like everything just clicks. You know in your heart that this is where you’re supposed to be.

The news, however, comes to you in the form of an ESPN headline rather than a text from your mutual friend. Paige had torn her ACL nearly a week ago playing a game of pick up. Your heart was caught in your throat. You couldn’t help but feel terrible for Paige. This was supposed to be her healthy season back after her previous injury in December, but here she is on the bench again, healing from an injury she didn’t deserve to get. You feel the strangest sense of deja vu when you message Paige again, extending your condolences, but what you’re not expecting is the phone call from her that comes a few seconds later.

It rings once and all you can do is stare at it, jaw on the ground. On the second ring, your thumb hovers over the answer button. And on the third ring, you commit to it, bringing your phone to your ear. Your heart nearly beats out of your chest as you greet Paige. “Hey.”

Her voice is soft when she responds. “Hey.” It’s a little rough around the edges, mature, but there’s a lingering tenseness to it like she’s trying to keep herself together.

“Wasn’t expecting you to call,” you admit.

“Me neither,” she agrees.

You sit in silence for a few moments before you shift, clearing your throat. There’s so many things you want to say to her, but you know this moment is too fragile, too new. You know you’re not talking to the same girl you once knew. She’s changed. She’s older and she’s wiser and she knows what she wants now. You don’t know how to say what you want to say, although it’s evident that Paige is a little lost, too. “How, um…how are you?” you say finally.

The noise she makes on the other line sounds a little amused. “Well,” she murmurs. “At least it’s not both knees, right?”

You can’t help the choked laugh that draws from you. “God,” you say. “Sorry. I shouldn’t have laughed at that.”

“Nah, s’okay,” she promises. You can hear the slight smile in her voice. “I missed that.”

Your heart thumps against your ribcage. “Missed what?” you ask, but you know what she means.

“Your laugh,” she confirms. “Still the same as it once was.”

You hum. “We’re not the same,” you say softly. “We’ve grown up.”

“Have we?” she asks. You swallow. “We’re older. Learned a lot. Doesn’t mean we’ve changed. Just evolved.”

“Is that not the same thing?”

“Pikachu evolves into Raichu but he’s still Pikachu, isn’t he?”

Despite yourself, you grin. “And you’re still an idiot.”

That makes her laugh. “C’mon,” she drawls. “I got a bum knee and you’re making fun of me?”

“Some things never change.”

“They don’t,” Paige agrees. “Heard you transferred to UConn?”

“I did. UMN wasn’t right for me. It didn’t feel like home.”

“It does here?”

You don’t hesitate when you respond. “Yeah. It does.”

The line falls silent again. You can hear the sound of Paige breathing on the other end. “I’m glad you’re here,” she says finally. Your grin melts into something a little more tender. “Do you wanna come to my dorm? We can catch up.”

“Is that a good idea?”

“Probably not,” she concedes. “But I’m injured and I just spent two years missin’ you and I wanna see you.”

You should feel embarrassed at how little it takes to convince you. Before you realize the words coming out of your mouth, you’re saying, “Send me the address.” She does. Paige’s dorm isn’t too far away from yours. “I’ll be there in ten.”

When you do arrive, the girl who answers the door is not Paige. It’s Azzi Fudd. She knows you by name, offering you a gentle smile and pointing you down the hall to where Paige’s room is. You thank her, your heart caught in your throat, and you make your way through the apartment. You knock and you enter.

Paige glances up immediately as you walk in, her face softening immediately. She’s sprawled out across her bed, her knee secured in a heavy brace and propped up in a pillow. She’s wearing a loose pair of shorts and a long-sleeved UConn shirt. The first thing you notice is how different she is. Her time on the court and in the gym has treated her well. Her shoulders fill out her sweatshirt, muscles taut against the fabric. She’s bulked up and she scraped her old ponytail for a slick back bun, although the ‘slick back’ part is messy, strands flying haphazardly. Her eyes are disarmingly blue, not like that’s changed from the last time you saw her, and her smile is just as you remember. It’s enough to soften you instantly.

“Hey,” she says as you close the door behind you.

“Hi, P,” you murmur. Her face shifts, taking you in, and you know she’s cataloging everything that’s different about you, too. You wear your hair in a new style and the way you carry yourself is unlike the way you carried yourself in high school. It’s not confidence, it’s surety, more you. Behind the curiosity, you can see the lingering guilt, the realization that she broke your heart two years ago yet you still dropped everything to come and see her because she’s injured. You glance around the room, breaking your eye contact, scanning the basketball posters, album covers, and pictures of her and her teammates strewn about. Her comforter is purple, which makes you smile. Some things truly never change. “Nice room.” As soon as the words leave your mouth, you fight a wince because of how awkward it sounds.

“Clean, right?” she jokes, drawing a short laugh from you – you’d always teased her for being messy, often having to motivate her to pick up her room. Her dorm is clean, but obviously lived-in as evidenced by the jacket slung over the arm of a gaming chair and a water bottle or two on the nightstand and the desk. “Nice hoodie.”

It’s only then that you glance down and your face flushes when you realize what you’re wearing. HOPKINS is emblazoned on the front, the number 1 below it. You don’t need to turn it around to know you have BUECKERS stitched on the back. Your eyes find her face again, noting that she’s not upset about it. She’s a little amused, if anything, although there’s something softer in her expression. You shrug a little. “Wasn’t brave enough to get rid of it.”

“I’m glad you didn’t.” Her voice is a soft murmur. You meet her eyes, sharing a soft smile. Then, she clears her throat, shifting, and she nods to the spot next to her. “Come talk?” she requests.

You open your mouth, ready to decline. You know that if you fell into these patterns with Paige again, then you’d truly never get over her. Part of you wonders if you want to get over her in the first place, but you know you can’t put yourself through this again if she’s not in it for the long haul. “I don’t think–”

“Please?” she asks softly, her voice catching in her throat. “I just…don’t wanna be alone right now.”

You’re moving before she even finishes her sentence. She moves the blankets for you as you kick off your shoes, sliding in next to her like it’s second nature. When you do, you’re enveloped by her, the scent of her cologne, her body wash, that same brand of shampoo she’s been using since she was seventeen. You can feel the warmth of her body so close to yours and your breath hitches. You can hear the stutter in her breathing, too, and for a moment, you wonder if she’s missed you in the way you’ve missed her. Her fingers twitch like she’s fighting the urge to hold you, like she’s reminding herself she doesn’t really have that right anymore.

“So…” she starts. “Why’d you transfer? Really?”

You sigh. “I couldn’t really find my place at UMN. I struggled in my classes for a while and I had so much trouble making friends. I found a group, but it always felt like I was a plus one. My psychologist and my parents told me to transfer. Even Drew told me to transfer.”

She cracks a small, surprised smile. “You talk to Drew?”

“Our parents still talk, you know,” you say, nudging her, listening to her laughter. “Plus, Drew and my brother are like best friends.” You pause for a moment, twisting the ring on your finger, and hesitantly, you admit, “Drew told me I should transfer to UConn specifically. For you.”

“For me?” Her voice is pitched, her expression unreadable, and you nod.

“Yeah. He said we were happier before the break up.”

Paige chuckles, rolling her eyes. “He’s such a little shit.”

“I wonder where he gets it from?” At that, Paige half-heartedly shoves you, but there’s no force or malice behind it as you laugh. “But I didn’t transfer for you.”

“Of course not.” Her expression betrays her feigned nonchalance, like she thinks you’re full of shit.

“I didn’t!”

“Okay,” she says insufferably and you shake your head. “I, uh…I’m sorry for how I ended things.”

Your smile drops instantly, features softening. “Paige,” you murmur, but she ignores your words entirely. 

“I’ve thought about it for two years,” she admits, “and every day I wish I could go back in time and undo it. I thought I was protecting you but all I did was hurt us both. In the end, it didn’t even change shit. That’s the fucked up part.” She scoffs a little. “And here we are. I broke your heart yet you text me on my birthday, reach out when I injure myself, drop everything to come see me ‘cause my knee’s fucked? Why?”

You swallow thickly, not really needing to think about your response. “It’s you,” you whisper. You hear her breath catch, see the tears welling up in her eyes again. It’s always gonna be you, is the part that goes unsaid, but you wonder if Paige understands it all the same. “I would watch your games sometimes,” you confess. Paige makes a noise that sounds like it’s in between a sigh and a whimper, like hearing you speak is hurting her. You continue anyways, needing to get it off of your chest. “I’d watch your games and I’d cheer you on and wonder what it would be like if you didn’t change your mind, if I was sitting courtside like we’d always talked about. I’d probably be wearing this fucking hoodie or maybe you’d give me some of your UConn gear. Every week, I would talk to Amaya Battle just to ask how you were, and –” Paige interrupts you with a soft whisper of your name, but you shake your head, feeling the long restrained tears drop. “I missed you and all I wanted was you. You were so close yet so far – impossible and out of reach.”

“Not impossible,” she says firmly, her voice rough with tears. Instantly, you’re transported back nearly four years ago when she’d uttered words not too dissimilar. I don’t think it’s out of reach. Not for you. Not for us. “Never impossible. Not you, not me, not us.”

A tear slips down your cheek and she wipes it away. The brush of her finger against your skin, no matter how small, is pure electricity in your veins and you’re breathless for an entirely different reason now. “Aren’t we?” you ask, your eyes on hers. They’re alarmingly blue, brightened by the pool of tears that’s found home in them. You can’t help the way your feelings come rushing back. You were always going to be in love with Paige Bueckers. That’s not a feeling that goes away overnight or even two years after breaking up with her. She’s ruined you for anyone else and you can’t even be mad about it. “We’re different. You’re different.”

“Not different,” she argues, desperation lacing her tone as she squeezes your hands in between her own. “Evolved. I’m still me.”

“That’s the scary part,” you say. It’s scary because you know you’ll never be able to say no to her. You love her too much for that, and deep down, you also there’s nothing more right than you and her.

“It doesn’t have to be.” Her thumb finds your cheek again, clearing the wetness, and your lip trembles when you look at her.  Paige’s expression is unguarded, a clear promise reflected in her eyes. If this all went to shit, you wouldn’t have the energy or the resources to pick your heart up again, but what are you if not brave despite the ache? What if it’s different this time, if you and Paige have grown, not changed, and you’re better for each other? You know better now than to make those same mistakes. You know Paige well enough to know she means what she says. So maybe you’re a fool, or you’re naive, or too trusting for your own good, but you can’t help but believe Paige. “A lot of people have hurt you. I was one of them,” she continues, uncomfortably vulnerable as she swallows. “I will never forgive myself for that but somehow, you did. Whatever it takes, I’ll prove to you that you didn’t make the wrong choice like I did. Give me time and the chance and I’ll show you. I swear.”

Your heart knows your decision long before your brain has made it. That’s just how you work. You nod at her, watching utter relief and gratitude seep through her features, and honestly, when you look back at it, you’re not completely sure who leans in first. But what you do know is that you’re tangling your fingers in her sweatshirt, pulling her impossibly close as you initiate the kiss, something intense and deep and desperate and everything you’ve been wishing for over the past two years. You know it’s a bad idea, doing this out of order, yet you can’t bring yourself to care because Paige shudders against your lips, her hands finding your hips and dragging you impossibly closer. You’re cautious of her knee, trying to minimize the amount of space between your bodies, and you loop your arms around her neck when you pull away to trail your lips down her jaw, the column of her throat. She tilts her head back, granting you more space, and you don’t sober up until you feel one of her tears fall against your cheek.

You pull away from her immediately, feeling as though you’d been submerged in an ice bath. Paige must not register that she’s crying because she chases after you with a noise of dissatisfaction, her hands pressing into your sides. You push her away gently, smiling despite yourself, brushing her tears away with your knuckle. “Maybe we should, um… not make out when we’re crying and emotional?” you suggest.

Paige clears her throat, leaning away from you with great difficulty. “Yeah,” she agrees quickly. “Probably for the best.” You can’t help the huff of laughter that escapes from your mouth. Paige’s lips quirk up, a flicker of hope in her eyes. “We’re okay?” she asks, a little hesitant.

“We will be,” you assure her, not missing the way her face lights up. “But we should probably…”

“Slow down?” Paige finishes.

You nod. “Yeah. Be friends first. We have a lot to catch up on.”

“I can work with that,” she murmurs, her words a direct echo of the first promise she’d ever made to you.

You smile, your heart feeling lighter than it has in years. You breathe a little easier knowing that you’re still you and Paige is still Paige – you’re not the same, but you’re something a little better, more improved, and you have the knowledge to take better care of each other’s hearts this time around. You and Paige have grown up and matured. You lost your way for a while but as you lay in bed next to her like no time has passed at all, you know somewhere deep inside of your body that this is where you’re truly meant to be.

(You and Paige do commit to slow. You know each other like the back of your hands and the love is still there, but you’re determined to do this right this time. So, you keep things friendly, strengthening the connection between the two of you – she introduces you to her teammates, helps you study while she’s out for the season. In turn, you help her with her rehab and you motivate her on the days that feel more bleak.

When the both of you go back home for Thanksgiving break, both of your families are ecstatic to see that you’re “back together” and you don’t think anyone believes the two of you when you say you’re just taking it slow for now. Your little brothers tease you, your dads share knowing glances, and your mothers smile like they know exactly where this is going.

However, when the two of you return to Minnesota for winter break, Paige takes you to the park that the two of you used to spend your time at, leading you to the swings. You talk about anything and everything and nothing, content to just enjoy the moment, but when Paige asks you to be her girlfriend officially – again, but second time’s the charm, right? – you truly have no choice but to say no, kissing her gently as the Minnesotan snow falls around the two of you.

You’re home now.)

[box-dwelling]

OK so as someone who just genuinely loved Dual destinies and is keeping my theis length DD apologia in the drafts at least for now. I genuinely want to know why people don't like it.

I have seen this take from so many AA fans who I completely agree about everything else with. I need to understand why it sounds like we played completely different games.

I will put some I've seen but feel differently about under the cut

Critisms I find unfair:

-it doesn't tie up the loose ends AA4 left hanging. We don't hold any of the other games up to this standard because they all properly finish up the characters arcs. Aa5 cannot be blamed for the problems we want to overlook in AA4. I do also love AA4 but it does leave a lot of dangling plot threads that the others don't and that would be a fucking nightmare to tie up *staring directly at sibling reveal*

- Clay comes out if no where. He's very well established through the game. He just isn't mentioned in AA4 just like Fran isn't mentioned in AA1 and Dahlia isn't mentioned before AA3.

Critism I acknowledge is a reasonable opinion people can have but strongly disagree with

-Spilting the game between the protagonists stops them having proper arcs. Athena is our weird girl for this game. She is our maya. We get to play as her for 1.5 cases. For the majority of the game she's taking up the weird girl screen time and she's honestly still doing that in the ones you play as her. She's just a weird girl who happens to be a lawyer. In the main game Apollo and Phoenix have a roughly equal amount of screen time by chapter. They cut the bloated filler not the arcs (yes I will argue that 5-2 is needed for Apollos arc. Its there to set up his relationship with Athena that us a catalyst later on)

-Phoenix and Apollo are OOC. No. Phoenix is still a cryptic little bitch when you don't play as him and in AA4 he was so very clearly missing being a lawyer. It makes sense. Apollo very clearly in the last case of AA4 regains a lot of his respect for Phoenix. No, he doesn't do this on screen but again that is AA4s fault not dual destinies. That's how he acts the last time we see him so that's how he's acting now.

-The Phantom comes out of nowhere. Plot wise, maybe. But so do a lot of AA villians. Thematically, he's the perfect fit. DD is a game about trust. Very, very explicitly. A spy is someone who can't trust anyone. The phantom is a man who's shut himself off so much from emotions that he no longer recognises why trust is needed. And also has an ability that directly preys on people by making them think hes a trustworthy figure. He's not an incredible villian but he is thematically cohesive.

-almost a part 2 to the last point. The Fulbright reveal comes out of nowhere. First of all 5-2 has some very very choice sprite framing lol. But beyond that it also is a thematically smart choice. We as players are conditioned in AA games to trust the recurring detective. The villain should be someone that we trust. The guy was likeable but also fundamentally always kinda hollow and did in fact pull a shit ton of strings in 5-4 that we all ignored because we trusted him. The clues are there. You're just not ment to pick up on them because of the formula of these games.

-Edgeworth doesn't need to be there. Again game with a theme of trust. He doesn't necessarily need to be there but his dynamic with Phoenix does. They spent 3 fucking games setting up how important it is that those two trust each other and in a game about trust his absence would be felt.

-I don't see this a lot but I did see it a few times. Blackquill is a bad prosecutor. Honestly this is a taste thing and I love him. He is my little bastard man. Also thematically he embodies the two people you aren't supposed to trust in these games, a convict and a prosecutor but is actually a cool guy.

-I've never seen this but I can guess it's happened. Pearl comes out of nowhere. Again theme of trust. Phoenix has just lost the two people he's been relying on to trust the most and needed to be reminded that there were other people he loved and trusted so letter from Maya and visit from Pearl.

-mood matrix. I like the mini game I think it's fun. My brain likes to sit and logically think about what emotions it would make sense for someone to feel in situations.

Criticism I agree with but really don't bother me

-Trucy is side lined. Yeah. I love her to pieces and will never complain about getting more of her but it doesn't make sense for her to not be there plot wise and they clearly just didn't have room for her. I am happy with my Trucy scraps. I would visit her and present every piece of evidence to her to get as much dialogue as I could.

-Klavier is sidelined. Also yeah. But he did genuinely need to be there for 5-3 thematically for that case. (It is literally a showdown between his school of thought and the one he thought phoenix had) but they couldn't make him procecutor because he'd be too much on their side. It had to be someone who at that point seems at least a little morally dubious. I wish there was more but I will also happily take my Klavier scraps.

-the anime cutscenes. I don't love them but I do have a little switch in my brain marked "watching anime" that I can flip and enjoy them for what they are.

-the switch of the voiced sound effects. Yes they are worse but like, I can live with it.

Stuff I don't like and won't defend

-turnabout reclaimed racism and fatphobia (also blatant animal welfare ignorance). I'm not defending it or overlooking it but it's not the only game in this franchise to be problematic.

[windowsapologist]

Real ai art spotting flowchart not clickbait:

Is this mistake something someone who can render in this much detail would make?

Yes?

The robot did it

[maythedreadwolftakeyou]

idk man been sifting through my feelings on all this. and i think what it comes down to is i don't really care/mind that there are non-canonical (BY DEFINITION, if it is not IN the media, it is not in the 'canon', and this info was in tweets) statements about Lucanis' sexuality being demi/ace/him being a virgin. and i'm glad for people who like to incorporate that into their headcanons about the game/interpretation of his character and expand on that more than the game itself does, like, this is our space now baby do what makes you happy!

but personallyyyyyyy i just do not think these new labels are some magic bandaid that solves the flaws in the pacing and writing of his romance. Lucanis never talking to Rook about his feelings as they get to know each other (but sure is willing to talk to Rook about his feelings for Neve if you don't romance him) is not solved, for me, by saying "well he wouldn't be attracted until he got to know you and also has no experience with sex". the same way calling it a "slow burn" did not solve this for me. especially because right up until release he was being advertised as a "bisexual mess". but now was secretly a "panromantic demisexual" the whole time. it just... idk. you can say anything you want online, you know? but if you don't Show Me... well. i also don't like that people who are saying 'well this was Not part of his story in the game so i don't see it' are getting labeled as anti-ace when like, many of the criticisms i am seeing are coming from people who are themselves demi/ace lol. it's not asexual representation bc it is not in the game itself. (though honestly. i AM glad that that was not jammed into his story arc, and that his quests were about his agonizing over his family and the fact that he's now bodysharing with a demon. because his writing was never going to get MORE lines, and to take away any of the ones he had to put in a sexuality arc beyond an offhand mention would have really crashed that because the existing writing barely holds together as is. like there just was not room to have more so personally i am not criticizing Mary Kirby for her decision not to add it. but you can't not add something and then also claim it's a definitive part of his character. plus i dont think a character needs to know/understand/use modern labels anyway).

and personally i DO prefer an awkward/fumbling Lucanis, to be clear. Before Veilguard came out I was never expecting the sexy antivan lover angle because we got that once already: Zevran. I didn't want poor-imitation Zevran, and bioware would not write Lucanis like that to make sure he is a more distinct character anyway. BUT i do think it's reasonable in a bioware game to expect that a romance is going to have romantic content--and the number of times after his cutscenes i literally said aloud "go girl give us nothing" after he failed to react to a flirt was pretty sad. If he's awkward and nervous give him a line where he stutters and doesn't know how to react, not just a blank stare and back to business, or whatever. Or a scene where you can literally ask "you never respond to my flirting do you want me to stop" and for him to say say he likes it but doesn't know how to reciprocate or. ANYTHING. Idk. I have seen 10 different posts/takes on how the Wall Lean Scene fits in, be it that he was imitating a romance novel or it was crow seduction training or he was just pretending because that's how he's seen Illario do it but at the end of the day. It is all just speculation because nothing in the game EVER addresses how wildly different the tone of that scene is from every other one of his romance scenes. And as much as i love the Sexy Wall Lean, given the rest of his characterization in EVERY other romance scene, i think I'm at a point where i think the romance would have been better served by cutting it out and having a different scene where you actually get to talk to him instead.

but! that is not the game we were given. we only have what we have, which is the Veilguard content by Mary Kirby, and The Wigmaker Job written by Courtney Woods (where for reference, he mentions stumbling into an orgy on a previous job, and having an "interesting" time getting out of that, so i already think we have 2 different interpretations of his character between them anyway). but yeah idk man to me "well he's ace" is not an excuse for either gaps in the writing or cut content or whatever was going on. because 1. HE IS NOT AN ACTUAL PERSON he is a storytelling vessel that i felt failed to satisfyingly communicate the entire romance story and 2. even if he was a person saying 'well in ace relationships communication sucks' would also be, not great, you know. everything beyond the text itself is just interpretation and headcanons

[zekeyboy]

I love apprentice adam as much as the next guy. Probably more than the next guy to be honest considering i want him to be alive so badly. HOWEVER. Let’s be real. Apprentice adam is so unlikely to exist for many many reasons.

Adam is not like Lawrence ideology-wise. Lawrence is an upper class white guy who like. he views his life to be ruined by these scum. these people lesser than him (ex. adam, for stalking him & photographing him, tapp, for going off the edge, so on and so forth) and its expanded on when we see the deleted scene from saw 7 where kramer talks to gordon about how like the bottom rung of society will always pull the good men down with them or whatever. like the fact that there was one trap where kramer puts a homeless man in the glass coffin and he has to like. eat shards of glass that got cut. really hammers in how kramer really views people - and in turn, the ideologies he pushes onto Lawrence. Adam is a highschool drop-out who’s, presumably, very involved in punk culture. He was originally supposed to have a huge photo of a Cuban revolutionary on the wall of his apartment. He’s probably never had a real job. In the original script, he’s very open about hating cops. He is the complete opposite of “Important White Male” Lawrence Gordon - and the perfect counter to Lawrence’s game (because, let’s be real - it was always Lawrence centric. I will come back to this later.)

Adam has always been considered the lower level of society. A “bottom-feeder.” He’s a drop-out, his line of work is very illegal, and - judging from the Scott Tibbs documentary, he’s been in that kind of crowd for a while and has forced himself to adapt to it. Trying to keep my personal view of Adam out of this analysis, he’s definitely spent a lot of time around the kind of people that kramer views as scum. He’s also, unsurprisingly, very sweet at his core. Look at how he talks to Amanda in the deleted SAW III scene, how he jokes around with those ladies. He’s like. A nice guy. Scott Tibbs even says so. Lawrence, however, isn’t the kindest. He might put on a face of nice, good guy, but he’s.. What people might expect Adam to be at their core.

Lawrence had his life together, and was dragged down by a bad decision. Adam has a different view and perspective on the world than Lawrence does. he was never at the top and pulled down. he’s been at the bottom and he works with what he has and i really like. i dont think that surviving his trap would change his perspective. i don’t think he would suddenly realize why kramer does what he does. It really wouldn’t help him. However, even if he was going to change his view of the world…

John Kramer does NOT like that guy. Like it’s very clear how biased he is here. Adam’s tape doesn’t even have rules. He doesn’t have a goal. He’s simply told that he might die, that he’s pathetic, and that he needs to ‘do something about it.’ He isn’t given rules, he isn’t given a consequence, he’s given such vague instructions. Lawrence, however, gets clear rules. Kill Adam by 6, or you and your family die.

The kicker, to me, is the fact that Lawrence fails his test. He doesn’t kill Adam by 6. He fails his test. Adam, however, is still alive at 6 - which would imply that he won. Now, I understand that the key was in the tub and that’s how he was supposed to get out. But even without that aspect of it going down the drain and him being doomed from the start, Kramer has a clear biased perspective on the two of them.

Lawrence failed, and is going to die. Adam didn’t fail - it was a design flaw, if anything, and he’s paying for it. Why does John save Lawrence, but not Adam?

It’s not Adam’s test, is the reason. It’s very focused on Lawrence. Anybody could’ve been in Adam’s place - he just had the bad luck of being selected as the photographer by Tapp. Adam was only used as a tool to counteract Lawrence - similar to the janitor in Saw VI for Easton. Adam was never intended to survive, but more to be used as a tool to teach.

Kramer, also, isn’t very fond of impoverished people. Amanda is a special case - but she’s almost more of a trophy if anything. If I got into John and Amanda’s relationship it’d have to be a completely new post, but he’s the kind of person who thinks that you just have to pick yourself up by the bootstraps i think. The fact that he, as I mentioned before, has a deleted trap where he puts a homeless person in the original glass coffin…. Is enough for me to figure out how he really views people below him.

I could probably go on. I probably will go on in my head. I’m very bad at organizing my thoughts. I hope this was comprehensive. I did my best to not accidentally mix in my own personal Adam thoughts that aren’t canon to the films (i have a lot.)

[kurishiri]

my thoughts on the presence (or rather, lack thereof) of dub-con in alfons’ route in en

thank you for the ask anon! since it contains spoilers for al’s route, i will put under a cut. also it is a long post!

hi anon! i did notice this, yes! they also made changes to some other scenes as well for a similar purpose. as far as i heard, it is sort of a general trend for the en localization to water down scenes that may be considered dub- or non-con; apparently, they have done this with other ikémen series games like iképri.

in alfons’ case, though, i have some mixed feelings overall abt doing so in this route. i hope i can explain myself ok!

on one hand, i think making it more “soft” so to speak does make it feel more accessible for readers in the western fanbase, who in general seem more sensitive (?) to the presence of dub- or non-con, compared to japan. i would honestly love for many people to be able to read his route and not feel super uncomfy? while doing so. so in this respect, i can get behind this decision.

that said.

i feel like other aspects of the story have been sacrificed as a result of this. i believe that, in the original story, scenes play out the way they do for a reason. if there is dub-con, they probably arent putting it all in just for the teehee dubious consent teehees. for example, part of what made this story interesting to me in the japanese version was that against the so-called conventional notion, sex was not used as a means to bring characters closer together, but more so as a way to make them more distant. theres this sort of irony and a theme of isolation (ironically in part due to sex) that i felt was more apparent in japan, in part highlighted due to the dub-con. i feel like making kate want this beforehand is more safe, yes, but also it sort of waters down this irony a bit compared to japan imho.

another consequence is in kate’s character. i think its kind of a strange change that in some parts of the story surrounding those scenes, kate is pretty insistent on facing reality to the fullest, but then one ask from alfons and shes ready to indulge in a fantasy, away from reality, as she asked for it. but despite that, she tries to push him as far away as she can. it sort of makes me feel there’s a gap or blip in her character if that makes sense. part of what made these scenes dub-con maybe is how alfons wanted to give an escape to kate via sex, but kate didn’t want that escape bc she wants to face reality. it creates more conflict between them.

part of kates character development in alfons’ route, too, is going from being staunch in the start of the story, to learning, questioning, and deciding for herself what is considered right? and what is considered wrong? as the story progresses. but with the whole kate wanting it since the beginning, this flaw is sort of lost since the start, making her development feel a bit more static, as by her saying yes to alfons since the beginning, it already establishes her as someone who wants to see reality, but also knows to see the benefit in an escape or a fantasy, when this is sort of what she is meant to develop into by the end.

ftr im not saying these things r completely lost! just that they feel a bit watered down? a bit less engaging? if thats the word, as a kinda byproduct of softening up the dub-con scenes. so i feel the impact may be a bit less compared to japan. but, again, i do understand why they chose to make such changes as well to en.

overall, i dont hold very negative thoughts abt it. nor do i really fully like it either. maybe its bc i play on both servers, but i feel like en just… doesn’t get an experience you could get in japan, which kinda gives me mixed feelings in a way as well, i suppose. i kind of feel that en deserves to read what was dished out in japan, without it being chosen for the fanbase what should be hidden from them (had there not been fan translators translating stuff more “word for word.”)

[strange-guy-in-the-forest]

harper appreciation/analysis rant

i think harper would hate anything that would make them feel weak or vulnerable BUT they would get turned on by it. they'd be mortified but also grateful for the unique experience then go jerk off about it or maybe make their patients re-enact it for them.

i also don't think they mind appearing weak. they are after all just a humble doctor who takes on tough cases like traumatized orphans, not a mayor or high elk or whatever, despite being a skilled hypnotist. as long as they feel in control in a situation, it doesn't bother them. probably because they think they're the smartest person in the room and out-scheming everyone else.

they're also just, so, so, so. all of the harper love points are gotten through being sexually receptive to harper, in situations where harper is in complete control. harper is vulnerable when they're overtaken by lust! they're stuttering and no longer the logical doctor so it makes sense that they'd much rather enact their lust through voyeurism + masturbation where they don't have to look like a fool. or they only enact it on people (cough cough orphans, the insane) whose opinions don't really matter. harper feeling affection for a pc who sees them in this maximally-controlled vulnerability and is responsive to it, is just, cute.

im sorry-not-sorry but harper is an evil monster but an adorable pathetic evil monster.

but like the patheticness doesn't detract from the scariness and that's like the best part! harper is deeply bitchless BUT you're going to be their bitch whether you like it or not. and, you will like it soon enough.

i just love the combo of them being this evil pervert with a need for control. they are so excessive in their lust and it's just boiling under this professional persona. like you can guilt Harper over the fact that they're a doctor into not abducting PC! they do seem to take actual pride in their work, it's not a complete farce. they're very against even letting other people directly force PC to do things. the elk cult seems like it's existed in some form for a long time, i wouldn't be surprised if harper's thought the cult was inevitable and that they were being a good person by hypnotizing sex slaves into enjoying it, so everyone's happy.

harper actually considering morals in their actions is just the cherry on top. im trying to avoid referencing the q&as as those aren't canon, but vrel has said that harper has a code of ethics and that harper's greatest flaw is that they don't do the right thing when no one's watching. like you're telling me harper feels GUILT when they're being a shameless rapist. that's fucking delicious. like their giving into their lust not only overpowers the ability to appear professional and intelligent it also causes them to loose their actual morals. like the guy who is trying to get people to give up their minds to lust is actually also giving up their mind to lust too! that's like the one morally consistent thing harper does actually!

and i dont think sexual abuse occurs because people "give into lust" or whatever, you can just get a dildo (at sirris' shop! but this isnt going to turn into a sirris post). harper's abusing their institutional power because they can get away with it. but this analysis is in the context of a game where there is evil magical horny corruption. though, i will say institutional violence is a big theme in dol, especially in relation to harper.

i just love the tension between harper's intelligent kind professional persona and their animal lust. the lust threatens to overwhelm this doctor who i think actually thinks of themselves as kind and intelligent. it's just we see pc's POV where they are cruel to the "lessers" of society. they are in a situation where they can abuse anyone and in a way their freedom to give into their lust, controls them! honestly, it probably scares them, going back to them feeling out of control from their lust. it's why they're a voyeur and why they prefer their sexual partners hypnotized or drugged.

harper isn't trying to fuck pc, they have these ethics where they think turning PC into a happy brainless slut is the right thing to do but they understand its wrong to take advantage of their patients, but they just can't help themselves to have some of pc too. and so them abusing their power to have sex with pc is also, a vulnerability and corruption of their self.

anyway i feel like im reaching and/or repeating myself now so this is all to say:

Harper is both very powerful and very vulnerable when they're lusting over PC and so PC should fuck them in the ass and take their virginity. 😋😋😋

[fenharel-babe]

Maybe it’s just me: but I do like to imagine, whenever I do think about DATV, that Varric survived the attack.

Like ik it’s so impossible or unlikely bc it’s a MAGICAL DAGGER IN THE CHEST!’ But I DONT CARE!!!

Varric didn’t deserve to die. I know he’s a flawed man, he’s said some fucked up shit, BUT I believe, in my own Fanon, that he was caring and genuinely wanted the best. Anders and his whole situation taught him that. He can’t sit idly. AND the Inquisitor taught him that as well.

I just. Like to imagine he did survive and grew along Rook, saw why Solas is the way he is, saw so many things and grown more. I love the growing of characters, sorry babes.

AND I LIKE TO IMAGINE HIM, IN A SOLAVELLAN ROUTE, ENCOURAGJNG HER!! OR MAYBE TALKING ABOUT LAVELLAN AND SOLAS TO ROOK!!!! I just see him as such a wingman, too to Rook. He just. Cares a lot.

Varric didn’t deserve to die, in my mind. He’s a flawed man, but every character is. His death is just one of the biggest problems I have with DATV. Sorry yall. I’m not very smart when it comes to the lore of DA in general—though I’ve literally played all the games—but STILL. Feels wrong. AND the way companions didn’t have much empathy for Solas? SO ODD AND WEIRD.

I feel like you can have empathy for someone and who they were before their actions, you can feel empathy for THEM BEFORE. And then you can see their actions from a different POV, maybe understand them, and see WHY people love them and want to save them. You may even agree. But Solas is painted in a horrible light, and it forever upsets me.

The companions could’ve been written better, Solas was written okay imo, Varric could’ve been written better, AND ROOK COULDVE BEEN TOO! The dialogue choices did not feel like they matched the options. The rough options did NOT feel that way, to me. It’s softened, when I want ROUGH. RUDE. BLUNT!!!

Anyways, that’s my little rant before I go to work. Love yall. May edit later who knows.

[shigayokagayama]

Could you do Teru for the ask game?

oh boy. ok.

Sexuality Headcanon:

gay. specifically. ok. maybe my most strange and specific take. but i feel like teru being into girls would kind of make his character arc... weaker? bizarre sentence i know but. hear me out. of the shots we get of him before mob enters the picture, 2/3 of them involve him flirting with girls. post mob we never ever see him with a girl again aside from one omake where there are a crowd of them trying to ask him out on valentines day who he is turning down. i feel like we are supposed to see these relationships as being a part of his fake, "perfect" persona he sheds rather than anything that came out of general interest. he's dating them because he's the handsome popular guy and that's what he's supposed to do, not because he's actually interested at all.

Gender Headcanon:

i like bigender teru a lot

A ship I have with said character:

terumob GIANT ASTERIX in the very specific context of being post confession arc. i see heart eye panel as the exact moment his false, idolized image of mob fades away and he sees him for what he truly is and still chooses to love him flaws and all. i really do think they are able to understand each other on a much deeper level than most people because they have both seen each other at their lowest and still chosen to continue wanting to be in each others lives. they both coped with their powers by creating these perfect masks to show the world (teru's as the prodigy and mob as the nice guy who will do anything for you and never ask anything in return) and were the first to be able to identify each other's facade because they recognized themselves in them and 💥. they mean a lot to me. also i do think the "they dont hang out much post canon" thing is a slight misconception, teru says they dont plan hangouts much and usually just run into each other and hang out from there. that with teru's "you should ask me to hang out more" gives such "im so used to other people making the first move that i havent developed the skills to let people know that i want them in my life" energy it makes me a little insane. anyway.

A BROTP I have with said character:

i need him ritsu and shou to run in circles hitting each other with rocks. i think any two of them on their own hang out normally and if you have the three of them + mob its normal but just the three of them and they start inventing games like "powerline volleyball"

A NOTP I have with said character:

pre confession arc terumob. like mob would never because tsubomi but if they did date it would last one month and they would never speak again itd be so bad (spoken from experience by a person with similar attachment issues who has dated people ive been hyperfixated on before)

A random headcanon:

HES SUCH A FILM BRO I KNOW HES A FILM BRO. this kid's letterboxxed is comprised solely of 1960s horror films made on a budget of 2 dollars and if you watch any of them with him he will provide trivia the entire film. also he has npd source fucking look at him

General Opinion over said character:

hes my favoriteeeeeeee the first time he showed up with the wig i went "alright this is gonna be my favorite character" and i spent the first half of season 2 mournfully going "i miss haystack boy :(" every episode he wasnt in. and then i read the manga and i got crazy insane over him. i really do feel like the anime dumbs him down a lot manga teru is a completely different person and hes so interesting i need to like. tear holes in my drywall. god. teru.

[rosykims]

ok i have avoided talking abt my datv thoughts but now ive finished and slept on it here it is. this is huge btw and really just a way to process my thoughts for my own peace of mind. and get out what i need to say. so yeah word salad below

2 disclaimers before i start. firstly i think im going to be SUPER blunt and clear about my thoughts on this post but then i will mostly be putting the matter to bed in my heart bc i am not someone who delights in being a hater nor do i take comfort in it. i will take from this the things i enjoyed and keep my distance from the rest. second disclaimer: ultimately i think i will still enjoy being a part of the fandom and seeing other people enjoy the game, because it will endear it to me and maybe take away the pain im feeling right now, so this isnt a long rant to make you feel bad about enjoying the game if you do like it! in fact quite the opposite. it comforts me that there are people who find value in the game and i hope in watching you play it i may be able to eventually be able to say the same

that being said . obviously i didnt like the game

which is an extremely difficult thing for me to say. i went into this game thinking "i will at the VERY least enjoy the game. not love it but at least like it. but im sure ill love it". it really is quite distressing for me that it didnt even really reach that bar for the most part. i TRIED to like it. i begged this game to give me ANY handhold at all that i could cling to, to forgive and like this game. i think the things i liked err more on the technical side. the graphics i loved, the character DESIGN was *fantastic*. the art. the pacing. the vague vision of what they were obviously nebulously aiming for. and honestly, i mostly enjoyed the main plot although i wish it had been more disciplined and constrained with the lore it was trying to expand on. act 3 was fantastic and naturally i am happy and fulfilled for the most part by the conclusion of solas's story, who i still believe was and is the best written "villain" of dragon age. sorry logang and meredith nation but i do still stand by this.

but thats really about it. as a disclaimer i am not an origins puritan or a da2 diehard or anything like that. i have loved (almost equally) EVERY single iteration of dragon age which has been released. i am one of the few people who sees equal value in inquisition and origins. i love them both so deeply. i couldnt pick between them.

for me what i love the MOST about dragon age - and which every single previous game has always nailed despite other flaws - is the characters. right under that is the world's capacity for introspection. and unfortunately nothing in this game provided that for me

regarding the characters: i do not care about a single one of them unfortunately. or at least i do not CARE about them the way that i have CARED about the other previous games companions. companions i would write banter about !!! just for fun when i was bored!!!! i would say my only exception is harding, but even then i care about her only because i care about her due to inquisition. overall i just found them all so ..... shallow. and devoid of any of the conflict or nuance or ethical quandries that make biowares stories so compelling - and sure, usually controversial! i would give ANYTHING for this game to have been controversial. for a unforgivable RO, or a problematic fave, or a cancelled wife. did bioware forget that their most beloved or at least enjoyed characters are people like anders, merrill, mordin solus, blackwall, sten, loghain, SOLAS??? i dont understand HOW they could have forgotten that, because solas is literally right there in game and handled (in my opinion as a fan) well. love him or hate him or dont care about him, he is such a hallmark of great bioware writing (in dai if nothing else) - characters who are not EASY to like. characters who are not SAFE to write and who WILL generate criticism from all sides because they are written boldly and unapologetically, strengthened by a foundation of consistent ideals, clear objectives and beautiful faults. characters that do not NEED you to like them, but instead invite you to engage with them critically. solas, even to someone who hates him, is nuanced and morally complex enough to muse and fight over for 10 whole years. hes IN this game, just as ethically murky as ever, but the morally grey hallmark of biowares writing really does kind of live and die with him alone. the rest of the companions feel like they barely made it out of their concept phase. what are lucanis's flaws??? genuinely asking. other than being a murderer who exists in an organization which buys and trains literal child slaves of course, but i'll get to that in a sec (because bioware sure as fuck didnt). um, i guess you could say hes broody?? and emmrich too. what actual flaws does he have?? he has a fear of death, as we're TOLD, but it does not really reflect in the overall convesations we have with him over the course of the game. mostly hes just.... a little bumbling i guess. bellara's flaw is being a scatterbrain. harding's is that shes..... angry??? but shes not???? fucking come on. i really felt the lack of actually being able to TALK to these people at the end of act 2, when i realized i still felt like i havent really MET any of them. and yet here rook is talking about found family and being a team. ok

and then there are the romances. which from my perspective - having romanced taash - and my friends who have romanced lucanis, neve and davrin..... WHAT romances. davrin's full romance is 20 minutes in a 30 PLUS HOUR GAME. solas had the least amount of content out of any companion in inquisition and was a last minute unintentional RO and still had like easily 50 minutes of content. so why did these romances feel like nothing. actually nothing. i was so excited for taash, but their romance straight up felt like neither rook nor taash even wanted to be there. i forgot they were technically together at certain points. zero chemistry. zero intimacy. all TELLING zero SHOWING. if you had told me that i would be saying these sorts of things about a writer like trick weekes a month ago i would call you fucking crazy to your face. i cannot reconcile that taash was written by the same person who wrote solas. i cannot reconcile that mary kirby - who wrote the fucking chant of light - wrote lucanis. its so dire. its devastating actually.

lastly i want to talk about my other point - bioware's famed emphasis on introspection and ethically quandries. again, i'm genuinely experiencing a sense of profound whiplash because when it comes solas's character you can still see it. its still there. they actually doubled down on making him worse than he was in trespasser which i LOVED and thought was so incredibly promising. they could have caved to solavellan fans and uwu-ified him but they didnt. thats great.

but where was that energy for literally anything else. everything has been defanged - even minrathous, the capital of the tevinter slave trade, does not even ADDRESS the elephant in the room of slavery. and i know because i played a shadow dragon. so tell me why i as a shadow dragon am happily allied with the crows, who solely exist to assassinate politicians and BUY SLAVES. THEY BUY SLAVES. THEY BUY SLAVES AS CHILDREN AND TRAIN/TORTURE THEM TO MURDER. HELLO??????????? there is no commentary made about the mages/templars. there is no discussion of the treatment of the elves in the north or Anywhere. there is no discussion of why exactly blood magic is or isnt acceptable - they simply tell us its bad. all the theories of the last 10 years were answered with handwaved comments or bare bones codex entries that honestly stripped so much nuance away from so many things (the blight, my BELOVED) that i dont know how im going to go about fixing it or making it right in my head. the introspective nature of dragon age always went hand in hand with player choice, but there really WAS no choice in this game as so there IS no real capacity for other interpretations or schools of thought. it is so..........................bleak.

i think the thing that finally made it click in my head that this game had fundamentally let me down was the gloom howler quest. and i know im not alone on this. for those of you who dont know - the gloom howler, "isseya" was the protagonist of the dragon age novel "the last flight". i would HIGHLY recommend you read it, especially if you're an origins fan. super bleak, super political, not flashy at all in terms of magic. it was set 500 years pre origins, during the 3rd blight. isseya is very similar to characters like loghain and solas in a way - a richly complex, beautifully intricate, terribly thought provoking character who did HORRIFIC things for the most NOBLE reason you could imagine, under the most traumatic of circumstances. im tearing up just thinking about her story, and how the title "the LAST flight" foreshadowed that her story had a definitive, bittersweet, finite and peaceful ending.

and then this game did THAT to her. turned her into a grotesque caricature of what she was. stripping her of her nuance and her capacity for atonement or forgiveness. and once again, i do not fucking get it. she was obviously brought back because she is a parallel to the solas dilemma. so WHY is she not afforded the same opportunity for empathy that he is. why is bellara's brother not either. its insane. its literally insane. i cannot begin to imagine the oversight or laziness or WHATEVER IT WAS that occured to have this game turn out this way.

there are innumerable other problems with the game that im not going to get into because what ive said above is the main crux of my problem. introspective and character. those are all i really wanted from this game, and like..... i thought we would get that. because the game centered around solas. and i know people dislike his fans for very fair reasons, but i hope those who know me know that i enjoy him not because hes hot (he is though) but because he is terrible. i love him because they made a character who was TERRIBLE, and then gave you the task of using your head and refelcting on your own morality and values and deciding and arguing and meditating over whether he is worth loving anyway. to me, solas is the person i point to when i want to describe why i love dragon age. its complicated, its nuanced, it is terrible and wonderful and everything in between depending on the angle you look at it from. and so having the writer of a character like THAT in charge of the whole game filled me with hope and dissuaded so many of my fears for this game. but i was wrong apparently.

so now im left with a feeling akin to survivors guilt. genuinely. because at the VERY least, despite me saying all of these negative things, i at least finished the game crying happy tears and being overjoyed that my favourite character was handled well and got an ending i enjoyed. and yet that happiness *i* got to feel and that glimmer of good writing was paid for at the expense of literally everything else. i feel almost personally responsible in a way, which sucks. im sorry to all the people who did not enjoy or care about solas, im sorry that you really did get nothing out of this game. i hope we can all be comforted by the trilogy we have and will always have, and i hope we can all take what good parts we enjoyed out of veilguard and make peace with the rest

leaving this youtube comment my friend sent me which is unfortunately a summary of how i feel about the game as a whole.

[twisted-wonderland-but-gayer]

Oh! I dont usually see Grim dislike/hate. Can I ask why you don't like him? I think there's def room for improvement for him, but I cant find it in me to truely hate him since he reminds me of a character I really like. (Puppycat from Bee and Puppycat)

He's just such wasted potential.

Look I'm into flawed characters, but I don't like stagnant asshole characters that are in the majority of a media. Grim has barely improved since the start of the game.

He's rude, obnoxious, continues to actively cause you problems and throws you under the bus quite often (I mean look at the most recent Crewels SSR card– he tries to blame you for his mistakes and yet still gets you in trouble).

In every event he's the same. Be annoying, make a few dumb/rude remarks abt the culture, "I'm hungrryyy". I think in one event I've counted him talking abt food abt 35 times? Like I don't mind the trope of "monster creature loves food" but that's all he is and doesn't have half the endearing traits. He never shuts up about himself. He's so boring/generic. How is Morgana better than him

He still seldom shows affection for you. Like you barely get to semi bond when talking about his past. This was the only main scene we had to get attached to him before book 6. Seriously throughout every book he's just been overly cocky, rude, annoying, and suddenly you care only about him and not the fact that several people were kidnapped and the school was trashed and that the world is ending.

I thought he would have a huge change of heart after book 6 and his moment of him crying— which honestly didn't move me cause he didn't do anything for us to get attached to in canon. You really have to make up your own headcanons and theories to really make him "good". He's also your buddy but it seems he aknowedges as much as the rest of the cast

He didn't even have a change of heart as he immediately went back to being him. Sure there was that scene in book 7 where he says he's gonna protect you and calls out for you but it's like... cool you had several years to develop and we have maybe 4 scenes of you being an actual character and not some plot device/instigator.

The other thing too is how he is in school. He wants so badly to be a good mage and be the best in NRC but doesn't actively do anything to achieve that. He continues to never study and slack off (which fucks Yuu over cause they're 1/2 a student).

By all means, I'm not saying he can't be annoyed at what being a mage entails or a hypocrite (flaws are important). But he's been one for years and hasn't changed a bit. He still has shown very little improvement for someone who claims to sorta care about his "henchhuman" he certainly continues to impact their grades and school life. (Plus consider yuu not being from this world and all the extra effort they have to put in for a -C, its implied in the book). I wouldn't be surprised if he hurt Yuus pockets a lot too with his selfish appetite.

The main issue I have with him overall is the lack of consequences for him. He almost set everyone on fire? OK. He apparently scratched yuu very bad and that's that. No scene where you confront him about it or the rocks that he eats that you continuously warn him about. You can argue book 6 was the punishment but it didn't seem like it. He'll cause so many issues and get a slap on the wrist for it.

I think the best thing to do right now is to have Yuu snap at him so he improves. Fuck up their friendship. Make him realize he has been bad and actually have him change. A dramatic friend breakup. It would be the only way for Grim to change quickly rn with how long it's been

Have Yuu become a full student and watch him fall apart as Yuu doesn't need to rely on him and they're able to get their As in peace as Grim gets his Fs. Let them get angry. Seriously I'm so mentally ill over the concept of Yuu in general esp in game Yuu and all the ways to make them foils to characters or have them be angst fuel.

I want to like Grim. I love found family. But he just doesn't deserve that currently. He just sucks.

Do do understand why people like him. But I'm not one of them with the state he's in. I'm sorry I don't feel bad at all.

[drdemonprince]

Hi! I remember you talking about doing shadow work (in a reply to an ask, I think); do you have any advice on how to start? Especially for someone who who has a really hard time with consistency/habits? Thanks!

For me it is not an intentional practice separate from my regular life, it is an orientation toward my own most negative thoughts/impulses/reactions. I do not believe that any thought is harmful or morally wrong to have, and so when I experience a thought that is violent, cruel, bitter, pathetic, prejudicial, short-tempered, jealous, whatever else, I accept it, and study it with curiosity rather than self-condemnation.

I notice patterns over time in what I am particularly un-evolved and unenlightened about. What hang ups do I have? What weird bullshit respectability politics or traditional gender norms do I still apply to myself or to others? Who do I fuckin hate and why?

Which of these things can I just kind of shrug at and accept as a feature of my programming and which ones do I see seriously holding back my life? That's probably the hardest part of shadow work for me. I'm very aware of a lot of my flaws and the things i'm irrationally emotionally reactive to and defensive about, but I get attached to my way of seeing things. It can be scary to become more open-minded and uncertain and less spiky. And some things just aren't easy to change even if I want them to. Part of shadow work means allowing oneself to be in an unfinished state.

Another part of it for me is accepting with a dark kind of gratitude that the world would be a pretty terrible place if everyone was like me. There is so much about humanity that I do not understand. I could never be a surgeon. I could never be a good parent. I could never be a social worker. There is so much I am so bad at. Maybe this is the Narcissism and Lack of Empathy talking, but I've had to really humble myself. I used to think I was so much more rational and less of a waster of time and resources than most people around me. Now I realize I have run on self-denial and repressed emotionality for a very long time and demanded that life have some Purpose when it doesn't. So a lot of my shadow work has been acknowledging my ultimate smallness and feebleness and just general uselessness -- i have a lot to be grateful to other people for doing, but also life has no purpose that needs to be fulfilled so i can just exist and suck for every single second that i'm alive if that's what i'm gonna do.

radical acceptance shit is definitely mixed in there, and some DBT kinda strategies. I've finally arrived at a place where I can love my dissatisfaction as a core part of me and accept that life is not meant to be happy and comfortable. we always keep moving, changing our environments to make them a little better, chasing after new passions and then getting disillusioned with them, falling in and out of love, getting lost. we're always lost. we're always making mistakes and being dumb as humans. that's like what we are. silly little freaks that make up lots of pretend games for fun but then get swept up in believing them too much. i kind of feel at peace now with the fact that i'll always be messy and impulsive and have weird beliefs and will change constantly and look back on my past with a cringe reaction every four or five years. i dont expect myself to ever arrive, because what the hell would that look like?? being satisfied and happy sure sounds a lot like being dead.

[qoldenskies]

You describing Donnie as a provider will always be so important to me because I think it’s one of the aspects people don’t use whenever they write his character. Genuinely speaking the main thing that I think gets lost in translation is that, beyond his boasting, he’s generally more passive than anything. I think his particular softness is something I kinda mourn the most in certain characterizations, because a lot of times it gets translated as aggressive protectiveness—even though his support is literally just, backline support. And more than that, he seems to enjoy that! He’s most comfortable playing support, he just wants recognition along with it!

(It’s been discussed before but I’ll say again that the odd softening of certain aspects of Raph while sharpening Donnie’s edges is kinda like. The automatic urge to associate caregiving with femininity and being a provider with masculinity. Think it’s important that Raph in particular is still very much a rough-and-tumble teenage boy, who also provides emotional support to his loved ones… alternatively I might be too woke.)

i think its funny when people give donnie a more masculine personality because aside from the fact that he's so sensitive, is he not the one that canonically enjoys granny drag

REGARDLESS I COMPLETELY AGREE WITH THIS perhaps i am ALSO that one friend who's too woke,,, this is not a game of house where raph is the mommy and donnie is the daddy and mikey is the kid and leo is the dog (actually that one might be true mb), i think its an oversimplification of their dynamic and it also gives disservice to raph who i WOULD argue is kind of canonically their father figure more than he's being given credit for. i do not mind making him feminine all (or transfem! transfem raph rocks) but i do feel like some of it stems from a kind of misogynistic perspective of him. i like that he does fr have eldest daughter syndrome while also having a pretty masculine personality ngl

i also think it shaves down some of his really interesting flaws,,, raph will occasionally be over-appeasing when he's genuinely scared of hurting people's feelings, but he can also be callous and shortsighted especially because he's a little emotionally imperceptive. he kind of stumbles when things get more emotionally complex, especially if he feels pressured to do something about it. raph generally lashes out or gets upset if he cant appease everyone (like he will actually yell or freak out this happens SO much), there's a lot of evidence for this lol. this is a big reason him and leo have a relationship that can get really rocky, they get along great when they work together but leo is extremely socially clever and perceptive, he can run circles around him and raph's solution to things is literally Smashing so he'll usually just get mad at him. he also actually shouts at them quite a bit and even whacks them a few times (and DOES try to get into a fistfight with leo in the movie are we forgetting this) like cmaaaan

^^^ raph isnt low empathy like donnie is but i DO like that he kind of sucks at reading people, especially if he's built up this idea of how they SHOULD feel, because i do think that is a very neurodivergent trait to have. my autistic/anxiety king

WITH DONNIE THOUGH!! i think its your words not mine but like. he IS already protective in canon, this isnt something that needs to be dragged into the light or played up because i would argue that donnie is an extremely protective person, i just think its a misread to treat him like he's overbearing or even like,,,, extremely nosy? if anyone's gonna get up in your business and make it all about him its gonna be mikey imo

^^ i dont mind people exploring the potential of that kind of side of him, especially because i could see stress breaking him into that kind of person, but donnie being pretty passive is one of my favorite things about him. he's built to be a follower and he likes it that way, and i think that's really evident in the way that he desperately seeks out praise for his inventions. jokes about being self-centered aside, he does it for THEM. this is way of saying he loves them, of keeping them safe. every time he jumps in front of mikey in the movie he is TERRIFIED. donnie is not an angry person in combat. literally never has been. he's either manic and gleeful because he knows he's winning or screaming and crying and throwing up because he knows he's losing LMFAOOOO

[most-datable-datable-bracket]

ROUND 3 MATCH 18

Dys propaganda:

“Autistic ecoterrorist king - not canonically autistic afaik but he's one of those characters where it's like come on. This is basically canon. He's deeply weird and very distant from most people but if you get close to him he's ride or die, he's quietly adventurous, he says at one point that he feels like he was born in the wrong species, in the prepubescent stage of the game one of the default openers for approaching him is that he's sitting there sorting rocks for fun. I love his weird emo ass <3”

“Maybe I just have a thing for sad emo boys but I immediately loved dys so so much. kind of an outcast boy for the entire game, he feels like he really does fit in with the rest of the colony kids and is honestly pretty upset about people trying to industrialize/destroy the nature of the planet they've landed on because he thinks its so beautiful and they'd be best to just leave things alone and let nature run its course. has a twin sister who's pretty much the exact opposite of him and they both have a kind of jealousy about what the other has (dys thinks everyone thinks his sister is better than him and that everyone likes her more than they like him and wants to feel cared for the way he thinks she is. she feels she has a lot of expectations on her and wishes for the freedom she believes dys has with no expectations or eyes on him) however you can make them kind of bond if you choose to. if you dont date him and kind of if you do he falls in love with a humanoid alien on the planet that the player can also date and be in a polycule. i really just wanna give this boy a hug because he desperately needs one”

Nightowl propaganda:

"VOTE NIGHTOWL MY MENTALLY UNWELL MOMMY ISSUES FUELLED PUPPYBOY BOYTOY TWINK !!!!!!!!!!! MY TELEKINESIS THROWS EVERYTHING ACROSS THE ROOM"

"HE'S SO SPECIAL HE CALLS YOU A BITCH LIKE YEAH DUDE I'M ALSO MEAN WHEN I'M ANGRY ITS OKAY HE'S STUDYING TO BE AN ARCHITECT HES CUTE AND FUNNY AND ENERGETIC HE LIKES PLAYING WOULD YOU RATHER AND JUST TALKING AND HAVING GAME QUIZZES HES PERFECT AND HES FLAWED AND THAT JUST MAKES HIM EVEN MORE PERFECR INSECURE BBY MY LOVE"

[theygotbitchesinmedia]

okay so here is her review: https://arkadymartine.wordpress.com/2015/09/27/the-traitor-baru-cormorant-a-reviewresponse/

admittedly its from 2015- i haven't poked around to see how she may have changed how she feels about it, and i know she did blurb seth's recent scifi novel (Exordia), so there's no bad blood there or anything. it's also a positive review, in general- she ends with this sentence: "I highly, highly recommend this book; I have not thought so much about something I read in a long time."

i am also coming into this as someone who has read all of seth dickinson's work for the game destiny, where he was near-singlehandedly responsible for a good oh… 80% of the interesting women (& overall interesting concepts lol!) in the game, and his writing of one of those characters in particular as a complex and flawed character got him bullied viciously off of all social media. if you've tried to find his social media presence and havent found anything, that's why. so i mayhaps have a little more emotion in the game.

THAT SAID. here are some specific parts from her review i find really fucking annoying! and color the way i feel about Memory & Desolation, despite them being so incredibly targeted at me as a classics person AND someone who fucking loves the specific sub-genre of scifi her novels are.

"[Traitor] asks a question which I find compelling as a student of an empire and as a queer woman. That question is: what do we gain by complicity? What do we – we barbaroi, we women, we queer people, we imperialized – what do we get when we say yes? When we say yes I will hide my true nature? When we say yes I will subsume myself into the beautiful machine? When we say can we speak English? Or the literature I love just happens to be written by straight white men – and mean it, too, mean it with the kind of depthless love that a person can have for a text that speaks to them, which holds up a mirror to them?"

i dont think the use of the greek word for barbarian does anything here (she also keeps coming back to the greek term orthos in her review, which also pisses me off lol), i dont think empire is a "beautiful machine," and i don't think the invocation of identity politics is useful. like. i know she's a byzantine scholar but if your first association with empire is purely a finite Historical Empire instead of, like, modern US imperialism, or British colonialism, you are going into this discussion with a certain set of values and opinions! a set of values and opinions that let you call an empire a "beautiful machine" in all earnestness. this claim probably seems unsubstantiated and nitpicky now just from this excerpt but ill come back to it with more i promise. on the idpol front, she also says immediately after this that she does believe that straight people can and should write queer people, but that they should listen to queer people when they point out those errors. she then continues:

"But then, critique: there are two points on which I think Dickinson’s portrayal of a queer protagonist has faltered, and I think both of these errors arise from the fact that he isn’t part of – as far as I know at the time of writing this review – a queer community. Firstly, I disbelieve Baru’s awareness of her own desires… …For the first portion of the book, her queerness felt more like a character trait assigned to her for reason of plot than a naturally built part of her as a person… Secondly, I wonder where queer people in Falcrest are…"

theres more to these excerpts, but. i personally didnt find the depiction of baru's desire to be unrealistic, and also this was a review of Traitor, specifically, so where on earth would baru have heard about queer people in falcrest? and more importantly, why should we care so much about queer people in the imperial core? moreover i think the way seth does it with svir is very very well done, and illustrates the hypocrisy of empire in a way that does NOT seem like what martine is asking for here!!!

"Why am I invested? I myself am a student of empire. I’m a Byzantinist. My academic work is about empire and its seductions; it is the animating principle of my professional life. And: I am myself someone who loves order over disorder. Who looks for systems in all things. Who is comforted by structures; who is concerned deeply with propriety. But here’s my real criticism of this book: I don’t buy the seduction of the Masquerade. And I think if this book fails, it’s there: in that its empire is too easily read as undesirable. As profane, unethical, fundamentally wrong. It is really overtly evil." … "The Masquerade isn’t civilized. It’s civilization, but I don’t recognize it as civilized, and this is a problem with a constructed empire. An empire relies on itself as the definition of civilization – I would footnote here Ann Leckie’s Imperial Radch as a SFnal example of an empire which is built on this principle, and which, for this reader at least, achieves the facsimile. (But then my ancestors were not enslaved, we were exterminated; not annexed, but exiled. Perhaps I like the Radch better than the Masquerade because I can find a place for myself in it, and cannot imagine a place within the Masquerade someone like me would ever be safe –)"

and THIS. THIS RIGHT HERE IS MY BIGGEST PROBLEM. critiquing the masquerade as not "seductive" enough, calling it too evil to have people join it- how does someone miss the point THIS badly??? like. are you FUCKING serious??? how do you read a book about the immense violence of colonialism and your problem is that it is boohoo too violent for people to join willingly. google literally fucking anything the US has done ever!!! and the invocation of the concept of "civilized" as an objective quality, despite the recognition that the empire constructs what counts as "civilization" is so fucking unserious/simplistic/juvenile! why do you need to imagine yourself a place in the empire? in the imperial core specifically!

and i think this particular approach bleeds into her books. i read them at Least 2 years ago, so this is mostly vibes-based, and i will avoid spoilers.

there is such a focus on the allure of the imperial core, on the "beautiful machine" of the empire as she calls it. there is violence done, but it is abstracted away from the wealth of the imperial core. there are no economics there. the empire sees her independent station as a backwater, and there is some cultural tensions there, but there is no realistic violence and exploitation! it is not clear at all what maintains the empire, besides some abstract idea of trade. i also don't know what her Point is with the naming & language conventions, which are very clearly inspired in part by ancient Mayan- e.g. the empire and core planet are called Teixcalaan. and idk this may be reductive of me but i think if you are going to pull features from civilizations that have been colonized and use them to inspire fictional colonizing forces, you ARE saying something there! idk! and like, the ancient Mayan

and on the ~representation~ front, i also don't think she does a better job than seth tbqh!!! i felt like the characters getting together came out of nowhere and felt anticlimactic- there is also not the tension i think there should be with the main character being an ambassador-ish and the love interest being… idr. junior intelligence officer iirc? idk! and for all her critique of baru's desire for women not feeling "real" or present enough, i do not remember the main character in Memory having any real focus on it!

i enjoyed Memory just fine, but i don't think it says anything interesting or novel or even critical about empire, and i found her review of Traitor extremely shallow and useless, if very revealing about her own outlook on empire lol!!!

this has been at best Minorly proofread and edited but im not like, writing an academic essay on the matter and so i apologize for any inconsistencies.

oh man thanks for this this is really interesting. i went and read the whole thing and i agree a ton with your critique. i'm going to stick my thoughts below the cut because i went on for a bit here, in typical fashion.

i personally didnt find the depiction of baru's desire to be unrealistic, and also this was a review of Traitor, specifically, so where on earth would baru have heard about queer people in falcrest? and more importantly, why should we care so much about queer people in the imperial core?

NO BUT EXACTLY... for starters this is explicitly a novel about colonized people taking place in a colony where none of the major characters are from the empire. where, when, and how would we take the time to explore what queerness looks like for them and more importantly, like you've asked, why the hell should that be a priority for the narrative in this case.

in terms of 'i found this to be an unrealistic depiction of queer desire' 9/10 times i feel like what that means is 'i found this to be an unrelatable depiction' which is an entirely different critique. i know i'm working with two additional books worth of context that martine isn't working with here. but even taking into account just the characterization we have for baru in traitor i think this is suuuuch an unfair complaint. i'm gonna pull the entire quote she says about baru's sexuality here because i have additional specific gripes with it.

Firstly, I disbelieve Baru’s awareness of her own desires. In the first portion of the book, I do not ever feel the weight of Baru’s own awareness of her sexuality; there is an absence of carnality, a kind of intellectual version of lesbian desire which is, to me, inconsistent with the sort of desire I expect. Not until the introduction of Baru’s eventual lover Tain Hu do I get a sense of Baru as a woman who loves women. Further, considering how very much the Empire of Masks and Increastic philosophy criminalizes the sin of queer desire, I wish Baru had struggled more with the nature of her desire. For the first portion of the book, her queerness felt more like a character trait assigned to her for reason of plot than a naturally built part of her as a person. This markedly improved in the second half, where Baru notices women in a way she does not notice men.

For starters, it is insanely hypocritical to me to complain that her desire both isn't carnal enough and she processes it too intellectually, but that she isn't struggling enough with it. Baru intellectually processes things! That's her entire character from the getgo! She also has a difficult time conceptualizing other people as fully realized beings with their own agency. These character traits paired together don't make for a particularly passionate and carnal relationship to her sexuality. She is also, at her absolute oldest in this book, 21! (Or 22? I can't remember. I know she spends 3 years in aurdwynn) and has spent her entire youth being groomed to be a scholar. Of course detached intellectualism is her primary way of navigating all things. Why wouldn't it be?

Baru primary motivation is to save taranoke, she wants to save the taranoki way of life, and part of that way of life includes an acceptance of nonhetero nonmonogamous relationships. Sure, a different character arc may have involved baru actually internalizing and then having to break free of the trappings of race, gender, and sexuality that the empire tries to impose upon its citizens. but that's not baru and acting like this is a writing flaw rather than a character choice is insane to me.

There's absolutely no reason for Baru to lie awake at night pontificating about how wrong and dirty of her it is to want to have sex with women because we are never lead to believe even for a minute that Baru puts any emotional weight in incrasticism. She doesn't conceptualize it as sinful she conceptualizes it as illegal!

And "Not until the introduction of Baru’s eventual lover Tain Hu do I get a sense of Baru as a woman who loves women. " is killing me in particular because like. Yeah. Tain Hu is baru's first love. thats the point. But beyond that this is just not being able to see anything other than what she's looking for because i think the chapters covering baru's childhood make it pretty clear that her feelings for aminata and cousin lao (im not double checking the name but im pretty sure it was this) are deep and strong. the fact that they're not as explicitly and straightforwardly romantic and sexual as her relationship with tain hu doesn't change that, and in fact, points to baru's struggle with/development of her sexuality that she claims was somehow missing in this book.

like i just simply can't see anything here but someone who is seeing an emotional landscape they can't relate to and assuming that means it's flawed writing. skill issue frankly.

She's also fucking insane for acting like the masquerade is too cartoonishly evil to be appealing. once again im going to post her full quote here because i think its important to see

its empire is too easily read as undesirable. As profane, unethical, fundamentally wrong. It is really overtly evil. It punishes sexual “deviants” with mutilation and death. It murders children callously. It inflicts plague and withholds vaccines. It lobotomizes its own emperors for the sake of convincing its populace that the emperor is just. Most of all, the Masquerade is a eugenicist empire: it is explicitly founded on not purity of bloodline but on purification of bloodline, on making people useful to it. It makes people: it breeds them carefully, it indoctrinates them through schools, it uses drugs and operant conditioning to transform their minds and make them into automata tools. It commits every atrocity that a modern Western reader recognizes as abhorrent. This is a problem. It is a problem because we are asked, as readers, to believe that there are reasons besides blackmail that a person would willingly become an agent of the Masquerade. We are asked to imagine that the Masquerade is a beautiful machine.

for starters. "It commits every atrocity that a modern Western reader recognizes as abhorrent." MODERN WESTERN EMPIRES DID, AND OCCASIONALLY STILL DO, MOST OF THESE THINGS!!! THIS IS US! WHAT ARE YOU TALKING ABOUT!!! I FEEL INSANE!!!!

I think the book makes it more than explicitly clear why the empire is appealing??? it has all of the capital???? its building schools and sewage systems and importing food and goods and teaching reading and writing??? baru's own internal narrative often shows her own strife at the fact that the empire has made genuinely incredible scientific advancements that offer significant improvements in quality of life to many, many people. martine actually acknowledges this in the next paragraph of her review, and then brushes it away as not being good enough. why? what about that doesn't convince you?

she is seeming to hugely ignore the fact that in the case of aurdwynn specifically, the bureaucracy of the empire is coming in to unseat feudal aristocracy! what the masquerade offers may not be particularly tempting to most of that ruling class, but its economic opportunities are more then believably appealing to the common people. i think this is made pretty clear when baru's ploy to use the fiat bank to make loans to the aurdwynni people and basically lessen the massive tax burdens from the duchies wins her huge favor with the public.

and frankly even for the ruling class the potential economic benefits are massive too if you're willing to participate in the empire properly. yes the empire doesn't have Moral appeal. it doesn't fucking have to. it owns pretty much every economy outside of the oriati mbo. the fact that that's not enough for her is as you've pointed out really really showing her biases and blind spots. 'no reason besides blackmail' MONEY!!!! MONEY! IT'S MONEY! THIS IS A BOOK ABOUT ACCOUNTING! HOW DID YOU MISS THAT!!!

and the invocation of the concept of "civilized" as an objective quality, despite the recognition that the empire constructs what counts as "civilization" is so fucking unserious/simplistic/juvenile! why do you need to imagine yourself a place in the empire? in the imperial core specifically!

And this is really it for me too, yeah. It's gross. It's absolutely gross. "An empire isn't believably appealing unless I, personally, find it appealing" there are people alive who are eugenicists, who love community policing, who believe in race science. the masquerade is an empire for them. the thing about empires is that they are only actually empowering for an incredibly small subset of people, and the fact that You, Specifically, Arkady Martine can't imagine being one of those people in this instance doesn't make it not believable. This is a shatteringly individualist way of engaging with a work.

As for your points about the way she handles empire in her own book obviously i can't have anything to say there because i haven't read it yet, but i do absolutely agree with you on this bit:

and idk this may be reductive of me but i think if you are going to pull features from civilizations that have been colonized and use them to inspire fictional colonizing forces, you ARE saying something there! idk! and like, the ancient Mayan

1000% i don't think this is reductive of you. whether or not you're consciously saying anything is one question but it's a choice that absolutely doesn't exist in a vacuum. out of curiosity i googled her to see if she was of mayan descent or anything and maybe she chose that due to some personal ties to the subject matter but she doesn't seem to be. which of course i don't think means she can't or shouldn't draw any inspiration from there but i do think all of these sorts of choices are meaningful

i don't really have much to say here to round off a conclusion but. wow. deeply deeply telling review that does not particularly make me want to read anything she has written beyond this.

[roughentumble]

God. I bet Logan gets really bad domdrop. He'll finish a scene and get real quiet and then softly asks, "Babe, am I bad person?"

GOD. LITERALLY ABSOLUTELY SOOOOOO TRUEEEEEE

because he's always at war with his desires and his impulses and he tries to act very Human, like he doesnt /hate/ being a mutant and there are parts he embraces, but he also tends to hide/downplay those sides and only bring them out when he WANTS to shock someone. he contains multitudes. he's like, big on how others perceive him and will play into that intentionally in order to get the social upper hand by not presenting exactly how you'd expect, either being more or less animalistic than his apperance and your own biases would lead you to think.

im getting a little off topic but it is related! despite all that he is scared of being Too Other, Too Freak, Too Beast, Too Animal, Too Mindless. is he too violent? can he put down the violence, will the world let him? is he only made to be a weapon? what would others think of him, if they saw all the instincts he fights against? is he the instincts he fights, or is he the thinking man who wrestles with them?

all questions he struggles with, so any scene-- but extremely and especially a scene where he's mean or violent-- is going to bring those questions back up in his head until he's found a way to settle them and accept himself. i love the idea of wade and logan going out into the woods to dismember and gut each other, and then fuck in the bloody aftermath while their bodies are still knitting together, but logan is still trying to cling to normalcy and humanity enough that it would cause MAJOR domdrop once they were done. he'd be nauseous over what he got pleasure out of doing to another person, because doesnt that just confirm every evil thing ever said about him? while wade doesnt have the same reservations, because he's made peace with his own violence, and is much easier able to compartmentalize what theyre doing here as their version of "playing" because they can both take it. logan has absolutely no desire to dismember someone who cant grow back from it(or even if he does have the urge to do so with people who wont heal, the fact that they wont heal stays his hand and makes the thought repulsive even when the urge to do so with SOMEONE remains), so clearly this doesnt say anything bad about logan, to wade. clearly logan is just someone to the left of human who has inhuman urges and has no interest in sating them with the blood of innocents, he's just a Guy. its Fine. but logan isnt able to see that distinction in himself, and really struggles with feeling like a monster

he needs a lot of TLC and gentle introspection to get over it, and even after he's dealt with it there will be times where he looks over at wade and needs to know. did i hurt you too badly? am i bad because i want to hurt you? am i a monster? could you ever love me when i have your blood in my teeth?

then there's the "dont touch me, im a fucking monster" days where he starts breathing heavy and getting in his own head, and he needs to be talked to nice and sweet, reminded of how happy it makes wade and how he isnt alone in their games. he isnt bad for being an aggressor. because that's what it comes down to, being the aggressor feels like an evil tainted role when its him, but obviously its not bad when WADE is hurting HIM-- a flaw in his logic that he cant see when he's in the moment and panicking and feeling like utter crap

logan getting domdrop is actually something that can be so personal