#i dont think it's that big a deal

[thrumbolt]

I see people continue to lose their shit over printed fanfiction - and yes it's obviously illegal and yes most of the time it's not even the actual people who wrote that fanfic who sell the prints (which is EXTRA scummy) but I keep wondering....

Is it really different from selling fanart prints, stickers and other merch? Why does the community accept doing art commissions of licensed characters, but printed fanfictions (assuming they were done by the actual writer) are where everyone is losing their shit and worries about legal repercussions?

Like, I see fanart sticker sets with stolen artwork on Amazon, but printed fanfic will bring down the legal hammer on fandoms? I just don't really see it.

[bugcatcherkit]

Man that sure is a Situation where two 14 year olds push the limits of each other’s trauma responses until they both reach extreme breaking points. and then they deal with the aftermath basically all by themselves. Isn't that super awesome and totally not kinda fucked up at all.

[meamiki]

silly comic based on a time i struggled to read live on stream :thumbsup:

context clip compilation below ASDASDFASA

(cw for brief mention of hospitals/strokes)

[butchvamp]

we know EA interfered a lot with veilguard, i definitely do attribute the "sanitization" of the setting directly to EA's meddling, i even think to some extent taash's quest and the corporate representation feel of it all was influenced heavily by EA and not just weekes. and i think a lot of the companions being so shallow and their quests feeling half-baked is also mostly due to time constraints and rewrites/cut content-- the writers genuinely did do the best they could with what they had, and i feel for them and their frustrations. but. there are also just a lot of really bad decisions made elsewhere, too. like i said the racism has always been present in these games and it's always been a problem, it's literally baked into the worldbuilding, though i can definitely agree that some of it was potentially made worse specifically in veilguard due to constant rewrites and the loss of context and cohesion, but like... it was always there to begin with... and it's not "unfair" for players to point this out.

both things can be true-- EA absolutely fucked these people over, and we shouldn't be speculating conspiracy theory-type shit about the writers hating fans or whatever when we know. we know EA interfered, we know there were creative differences, we know they ruthlessly laid off a lot of the people that poured their blood, sweat, and tears into this game! EA is both stupid and actively malicious, they get no sympathy from me. veilguard absolutely is a casualty of the current state of the gaming industry. and i also think there were a lot of poor writing decisions made independently of that as well, that are fair to criticize and question. a lot of these problems are the same problems we've seen in every single DA game, and this consistency makes it clear this is not just an issue with corporate overreach.

but i really feel for everyone involved with making this game, this shit was clearly a very long and tiring fight, i can't even imagine the kind of constant corporate shitstorm they had to deal with for ten fucking years, and personally there is no NDA in the world that would keep me from talking shit. so these guys are stronger than me lol

[thylacid]

Queerplatonic relationships are not bad. I do not think queerplatonic relationships are Bad and Shouldnt happen -- ive been in qprs myself in the past, however I think when a character turns to the camera and says "I dont want to be in a relationship, the concept of it grosses me out" and then the rest of the story goes lengths to show just how important platonic love is, something that is very rare in media and something that Needs to be said and portrayed more, it just rubs me the wrong way to then see that character shipped. idk. this is once again just my take as an aromantic

[usertoxicyaoi]

"Despair and sex go well together."

TAIKAN YOHOU (2023). EPISODE FIVE.

[kyonshi-8610]

ᜉᜓᜆᜁᜈ ᜀᜅ᜔ ᜎᜃᜐ᜔ ᜅ᜔ ᜂᜎᜈ᜔ ᜀᜇᜏ᜔ ᜀᜇᜏ᜔ ᜊᜓᜋᜊᜑ potaina ang lakas ng ulan araw araw bumabaha

[stromblessed]

Mizu's spectacles, and the levels of her disguise

In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.

Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.

I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!

Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.

In my view, this was pointed out in episode 1:

I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."

Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.

I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.

This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.

There's the little girl who looks at Mizu and then hides on the way into Kyoto:

When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!

By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.

It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:

(Zatoichi reference, anyone?)

If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.

Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:

Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:

No wonder Mizu gets mad after this, lol

So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.

And yet no one spots that she's female.

Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.

Let me explain.

She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.

But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:

I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."

Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.

Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.

One detail that proved this to me is after the Four Fangs fight:

Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)

And Taigen is right there, but he doesn't give a shit:

Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.

Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol

There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:

After all, Swordfather can't bear to listen to Mizu confess to being a woman.

So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.

May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.

Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."

[introspectivememories]

nah cause like you dont get it!!!! the sully kids and spider are a unit!!! they're puzzle pieces that fit together perfectly. the very definition of "the gang is what i trust"!!! they're together their whole lives and then spider gets taken and all of a sudden the puzzle is in disarray. kiri's so spacey cause she doesn't have spider to bring her back down to pandora. lo'ak's acting out cause he doesn't have his usual partner-in-crime/fellow outcast to make light mischief with. neteyam is like two seconds away from a heart attack/stroke the whole movie because the other kid he used to parent his siblings with for the past like decade is gone!!! and spider on the other hand? is completely alone. at least the other four have each other. all spider has is his alien racist, genocidal, imperialist dad dragging him on the world's worst war crime road trip. there's no kiri to get him out of his head. there's no lo'ak to to be outcasts with. there's no neteyam to have a quiet reassurance that they're in this together with. there's just him and his stupid, fucking mind. and then they blend his brain at bridgehead and it's over for him.

[stealingpotatoes]

Once in an interview I think the actor of Yord said that Anakin blew up the Death Star.

let him cook maybe he's onto something

[medi-bee]

isat pokemon au, my liege?

my rambling in tags

[radioactive-mouse]

so i got to thinking about the timeline a bit

[anime-related]

Satou and Toritsuka are in the same class...

And Toritsuka's class did a cross dressing maid cafe...

Which means Satou was involved in a cross dressing maid Cafe.

Why is there no art about this??? Why are there no fics about this???

[cosmicheartz]

CLEM AND CRYSTAL SCREENSHOT REDRAW

og screenshot

[redrobin-detective]

I’ve never seen this talked about but I found this a truly interesting bit of Skull lore. When he was alive it was a good century before the Problem started and ghosts were generally thought as fanciful.

But Skull could clearly see them, enough to be able to ward them off while making the bone glass. It gives so much context as to how and why Skull ended up with Bickerstaff and possibly explains how he’s able to communicate in the modern day.

I think Skull had been another ‘once in a generation’ psychic talent like Marissa and Lucy had been. Hell, Marissa has proven that with enough talent one could see spirits pre-problem. Skull’s innate talent from when he was alive is the reason he’s able to talk to Lucy, another talented Listener. Does Skull even know how incredible it was to see spirits before it was a nation wide problem???

[dykedvonte]

Jimmy killing himself because he knows he is incapable of living an life without Curly and knows that in the miracle chance they were found and saved they would not let him have contact with Curly and he hates the idea he'd actually have to take responsibility.

Even if he lied, its only a matter of time before Curly is capable of showing or telling what a monster he really is, no matter what delusions tell Jimmy Curly would never do that to him.

He understands that he was the monster in everyone's worse moments but refused to accept that at the end. So he made sure that he died without the possibility of it being actualized as he's the only one that saw death as an escape rather than a release. Jimmy truly didn't believe Curly had anything to escape from even after everything and let him have what he perceived as glory as the sole survivor and thus Captain of the Tulpar.