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wileys-russo · 2 days ago

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don't look back II l.williamson

don't look back II l.williamson

your body clock putting in a shift lately you weren't surprised to see it was hours later than you thought you'd be up, leah of course still very much dead asleep beside you, back turned and you could see her shoulders rising and falling a little the only sign of life.

you turned and attached your body to the defenders, slotting your leg in between hers and placing a tender kiss to her bare shoulder blade, the blonde not even stirring as you called her name softly a few times.

when a gentle approach didn't work, leah's eyes still shut and not even a grunt sounding, you sat up and shook her a few times, a tired exhale and some mumbled gibberish in response.

"lee, baby come on, wakey wakey." you cooed, poking at her cheek as the older girl scrunched her nose and grumbled something, pushing your hand away and scooting across the bed right to the very edge, clearly trying to move away from you making you scoff.

"leah how often do we both have the whole day off? it's like midday, we're running out of sun. please get up!" you groaned, shoving your girlfriends limp body as she sighed heavily, once again pushing your hands away.

"cmon don't be a pest babe, just let me sleep for a couple more minutes." the blonde mumbled tiredly, arms snaking around her pillow as she pulled it closer, eyes not even flickering open.

"you can sleep when you're dead leah. come on lets go for breakfast, coffee on me?" you scooted over from your side of the bed and ducked down to kiss her cheek a few times, getting nothing but silence in return.

"leah catherine!" with a huff you grabbed the extra pillow from the floor, sitting up and repeatedly whacking the older girl in an attempt to get her to stir.

you knew she'd been out late with the team last night after a big win, but mid season it was rare she'd drink enough to have this bad of a hangover, though you also couldn't quite remember what time it was she even joined you in bed.

"you're so annoying man. just fuck off and let me sleep if you can't lay here with me!" the defender snapped harshly, finally opening her eyes and snatching the pillow off you, hauling it to the other side of the room and turning onto her stomach with a grun.

"seriously? you're in this much of a mood? what did you do drink the bar dry last night?" you scoffed, crossing your arms and narrowing your eyes down at her, rolling them at the singular middle finger which popped out in response to your question.

"m'not hungover, m'tired."

"leah you haven't even let me sleep in the same bed as you without a pillow wall for the last couple of weeks. i'm gone of a morning when you get up and you're gone of an afternoon when i get home. we both have the day off, and isn't the point of a relationship that you want to actually spend quality time together occasionally?" you accused, glaring down at her where her eyes remained firmly shut.

"need i remind you love the pillow fort is because we made a pact no more sex till the end of the season because it tires me out. and cause you've been on a weird sleep schedule with switching out from working nights. if you get in here with me and even so much as touch my thigh, one of us will crack and then it's no stopping from there, its a few more weeks babe you'll live." leah sighed, arm extending out and smacking around blindly until she found your leg, giving it a little squeeze in what she likely assumed was supportive, but really you were more than a little hurt by her blunt honesty.

"right. so I'm basically only here to fulfill your needs when you're horny, run to and from collecting your shit when you leave it laying around and can't find what you need, cook your meals, do your laundry and clean the place up when you trash it because you can't keep it tidy enough to find anything?" you started in disbelief.

"so basically i'm a glorified maid? yeah perfect enjoy your sleep in leah, maybe i can find someone else to give me a kiss every now and then, wish me good morning and grab a coffee with me like i'm not some chore." you spat, swinging out of bed and making a beeline for the door as your girlfriend hurried to sit up.

"no no hey babe wait you know that's not what i meant-" the girl started with a sigh, running a hand through her hair and pausing for a moment, blinking with a wince as her eyes adjusted making yours roll.

"actually no you know what? i don't need to explain myself you know i love you and just because i want a lie in on my day off doesn't mean i don't. stop being so sensitive!" the defender blew it off, flopping back down and turning her back to you.

even further in disbelief at how little this seemed to bother her and that she'd seem to only hear half of what you were saying your mouth was open and ready to really let her have it, all the two of you seemed to be doing together lately was to argue anyway.

but not bothered for the sharp tongued comeback which leah wouldn't mean but would no doubt hurt your feelings even more you decided to leave it.

pulling on a pair of jeans and a hoodie, grabbing the first shoes in reach you left, making sure to slam the door behind you to really send a message.

the winter chill settling in you looked back at the front door, contemplating going back for a jacket or a vest of some kind but with a sigh you decided against it and ran a hand through your rather disheveled hair.

really the only person first and foremost you wanted to talk to right now was leah, and when you'd first started seeing one another it seemed that all the pair of you did was talk.

for hours and hours you covered every topic big and small, you'd often even fall asleep on the phone together, playful teasing following the next day about whose fault it was you were both so exhausted after staying up much later than needed.

you were a paramedic so you were much more well adjusted to a lack of sleep than leah, in fact you weren't sure if leah actually could survive without eight hours a day, well warned by the blonde herself that she was not a morning person and incredibly grumpy.

though you seemed to be the exception to that, leah waking up purposefully early to meet you after your night shift for breakfast, bringing you flowers and showering you with compliments that had your ears turning red and her face painted with a victorious grin at the sight.

you'd always heard of the 'spark' of a relationship dimming, especially from older married coworkers who complained about a lack of romance and spontaneity, feeding this back to leah who would always reassure you with a soft kiss that only happened to 'boring old people'.

yet here you were drowning in the same reality your girlfriend had always gone above and beyond to assure you would never be so, quelling your fears and anxieties with her undivided attention and unconditional love as much as she could spare it.

sometimes you'd think back toward the first year of dating leah and your chest would hurt, all of the romance and the dates and the late nights and the flowers, and you found yourself wanting to scream for taking it all for granted.

nowadays it seemed you and leah were no longer dating, merely...co-existing perhaps? you couldn't quite pinpoint when the 'spark' had begun to dim but what was once a fully lit bonfire was now barely a smoldering ember and the worst part of it was how blind leah was to that even happening.

so though you craved your girlfriend, there was really only one person you felt like going to talk to now.

"so you're hanging out with me on a day off." your best friend commented as she sipped at her coffee seemingly amused.

"meaning?" you raised an eyebrow curiously, the blonde smiling with a small shrug. "i love you, but i am not normally your first call for a friday coffee anymore." alessia chuckled as you flushed pink with embarrassment.

"hey i'm just joking, unclench." the striker teased, kicking you under the table seeing the apology about to be hurled her way and the obvious worry in your eyes that she was actually upset.

"i've had years of coffee's with you, you know i've quite enjoyed the break really." the blonde hummed as you now kicked her and rolled your eyes, a small smile playing on your lips.

"so not that i don't like seeing you, but i'm guessing there's a reason you called? you don't seem yourself." alessia guessed, tone softening and laced with concern as you sighed heavily. "oh its that bad? right come on then." the girl stood, nodding for you to follow her into the living room.

you wasted no time leaving your coffee on the side table and flopping down on the couch you'd slept on a few times now after other arguments with leah, though back then they'd usually blow over by the morning where she'd pick you up with flowers in the front seat and a hundred texts apologising.

but lately your arguments had been different, more personal, more hurtful, you knew one another like the back of your hand and as beautiful a connection that could be, it also meant that leah knew every little insecurity and doubt to pick at in order to hit you where it really mattered.

"okay. let it out!" alessia made herself comfortable in the armchair she'd dragged to sit across from you, legs crossed and somewhat resembling a therapist as you laid down on the couch and exhaled, taking a pause before word vomiting what you'd been holding in for weeks now.

"-and now its like she doesn't even care if i'm there or not, so why am i even there?" you finished, throwing your hands up as the room fell silent and alessia seemed to take a moment to process everything.

"oh my god she's your captain and your team mate and your friend less shit this wasn't appropriate!" you had a sudden realization as you sat up panicked and the blonde hurried to sit down next to you.

"hey hey no, it's fine, breathe." alessia inhaled and exhaled deeply as you copied her, nodding once you'd managed to slow your heart rate a little.

"yes leah is all of those things, but you've been my best friend since you cried at the school gate on the first day of school and my mum made me come over and ask if you were okay." alessia teased as you groaned and covered your face with a pillow.

"less that is not how it happened!" "that is absolutely how it happened."

"but meaning, leah is also my best friends girlfriend, and besides who was it that introduced the two of you anyway?" alessia reminded as you exhaled and she yanked the throw pillow from your grip, tossing it to the floor.

"i love leah yes, but the way she's treating you isn't okay. you're way more than just something warm she comes home to or someone who pairs up her socks and does her laundry." alessia squeezed your knee as you puffed out air in an attempt at a chuckle.

"she really is terrible at keeping her socks in pairs."

"you're also the girl in the stands she looks at every time we do the post game lap, and who makes her smile at her phone like an idiot, who she is always proudly boasting about and why she lies about needing to leave training ten minutes early so she can pick you up food before you get home from work." alessia smiled sadly which you returned, sighing when you realized you couldn't actually remember the last time those things had happened.

"but, i really think you need to tell her all of this though. i love you but you do sometimes think people can read your mind and know how you're feeling without you expressing it in the slightest." alessia poked your forehead as you huffed.

"thats not to excuse how she's been acting, but i think she needs the wake up call of hearing from you how she's been acting is actually making you feel." alessia promised as you nodded, the blonde pulling you in for a hug as you sighed and rested your head on her shoulder.

"i love you less." "i love you too, even if my mum forced me to be your friend." "that is not how it happened!"

pulling into the driveway you cut your car off and took a moment to collect your thoughts, having been driving around rehearsing what you wanted to say for awhile now until you'd charged up the courage to go through with it.

letting yourself inside you were surprised to see leah had actually moved from the bed, head turning to look at you from where she was sat on the lounge watching something, draped in a vintage arsenal tracksuit.

"you're back! babe where'd you go? i texted you, no reply." the blonde shook her phone at you, clearly having paid no mind to the argument you'd had this morning or else her first words may have been an apology, but you on the other hand weren't letting it go that easily.

"oh sorry i went to go and learn how not to be so sensitive." you pouted sarcastically as her once happy expression dropped, but you ignored it and walked off to the bathroom.

"christ i look a mess." you mumbled, wincing at the bags under your eyes and looking around for your brush to pull through your semi knotted hair.

"hey love come on don't be like this, i didn't mean what i said." leah rasped, arms encircling your waist from behind and resting her forehead against your back with a hum. "you know how i am in the mornings. how about we go for lunch yeah?" leah suggested as you rummaged through the vanity cupboard.

"fuck off leah." you muttered, pulling her arms off of you and finally grabbing your hairbrush, trying to walk off but her hand grabbed your wrist tugging you back toward her.

"babe i'm really sorry, you know i love you more than anything." the defender husked quietly, grabbing your other hand and interlacing your fingers, bringing your palm to her mouth with a kiss and a soft smile that normally would melt you like butter.

but today, all it did was make you angry.

"of course you do. i do whatever you want, whenever you want it. we fuck when it suits you, i go to your games, go out with your friends, come home from working a twelve hour shift and do your washing so you have a clean uniform for training." you wrenched your hands from hers and poked at her chest with every accusation.

"but when i want to actually spend a night sleeping with my girlfriend and have her touch me in a way thats filled with love and not just lust. thats not okay because you're like some horny teenage cretin who gets a metaphorical boner when i touch your thigh? we're both in our twenties and sleeping with a pillow wall between us, do you know how ridiculous that sounds leah?" you laughed but it was one of desperation and panic, not a drop of humor to be found.

"so i'm here for what? moral support? to look at? to play with when you're bored?" you questioned rhetorically, shaking your head and throwing your brush to the floor, making a beeline for the bedroom as you heard her scoff behind you.

"i am trying to make up for this morning and trying to show you that you're so much more to me and you won't even look me in the eye. if you don't want an apology then what the fuck do you want?" leah called out, tugging at her hair in frustration as you paused.

"what do i want? how about my girlfriend back i'd fucking love that leah, because whoever this is-" you spun around and paused to gesture at her. "-sure as shit isn't my girlfriend, or at least the one i remember falling head over heels in love with." your tone dropped in those last few words, pausing to squeeze your eyes shut and take a breath.

"baby i'm still here. i'm still me. i'm still your girlfriend and last time I checked you were still mine." leah replied with an air of confidence that made your stomach drop, really solidifying for you that she may have been listening to you but she wasn't hearing you.

"really? because last time i checked when you have a girlfriend you go on dates with them, you make time for them and you actually enjoy that time with them." you shook your head and threw your hands up.

"and you hold their hand, and you talk to them about anything and everything because you want to. you kiss them out of love and not obligation, you say good morning and goodnight and when you lay in bed with them you can hold one another without it turning into sex. and when it does turn into sex it's supposed to be filled with intimacy not just a quick fuck with no feelings attached and where you ignore the person afterwards and put up a pathetic pillow wall leah!" you spat, wiping a single angry tear that escaped.

"and if you can't see that lately you haven't been acting like my friend let alone my girlfriend, then maybe I should go stay with my parents and wait for whenever my girlfriend comes back, because I miss her leah." you finished as your voice cracked and your chest heaved with shallow breaths, waiting for her to say something, anything.

but when the silence became suffocating you shook your head and made your way to the front door. throwing it open you gave one last look back and could see the blonde begging you to stay with her eyes.

but you didn't want a look, you wanted words. words you knew she'd say after you were gone, words she thought you wanted to hear and that would get you to return to her but wouldn't contain any actual substance.

words that would come through voicemails and text messages and that would kill you to ignore, but if she wasn't hearing you through words, maybe silence was the only way to get through to her.

"i'll come back for some of my stuff later, goodbye leah." you muttered dejectedly, forcing your eyes away and stepping outside.

you paused to take a breath before wrapping your arms around yourself, giving the comfort and hug you'd been after from the blonde behind you for far too long now.

maybe your girlfriend would come back to you, or maybe she wouldn't.

#leah williamson imagine #leah williamson x reader #leah williamson #woso x reader #woso #woso imagine #woso blurbs #woso fanfics #woso community

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vaspider · 16 hours ago

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I've been thinking about the one post that had some weirdo TIRF on it talking about how "men 👏 don't 👏 experience 👏 misogyny" and everybody just kind of skipped to talking about how ofc trans men experience misogyny but like

We can't just skip how fucking asinine that sentence is on its face. That is not ground that should be conceded, bc trying to state as if it's a plain fact that "men don't experience misogyny" should get you laughed out of any room you're in.

Every time a boy is told he "throws like a girl" or is called a "little baby girl" for crying, he's experiencing misogyny because he's being devalued for traits that others see as feminine, traits which those doing the mocking see as belonging to women. Every time a fat dude's "moobs" get mocked, he's experiencing misogyny. Every time a girl makes fun of a dude for enjoying something she perceives as feminine, he's experiencing a double whammy of misogyny and homophobia.

There is no other reasonable way to discuss what these men are experiencing. That's misogyny.

The longer I talk with people in all kinds of marginalized groups online, the more convinced I am both that it's very understandable that people want their experiences and their hurts and their oppressions to be totally unique and unable to be experienced by anybody who isn't part of their group and also that anybody who hammers away on the idea that "only [X] can experience [Y]" and devotes excessive time to guarding the borders of their little fiefdom is not just not helping the cause of liberation, but is actively degrading our chances of making meaningful change.

I would go so far as to say there probably isn't a man alive who has zero experience of misogyny. Misogyny is leveraged against men constantly as a form of social control. Just because it's "do X or we will devalue you by calling you a woman" doesn't make it not an experience of misogyny.

Is it exactly the same thing that women experience? No, but also what different groups of women and different individuals experience is also different. There is no flawlessly singular experience of oppression experienced only by women, experienced the same way by all women, and never endured by men.

With that very simple fact in mind, spending time endlessly trying to police the way that another marginalized individual speaks about the method and effect of their own oppression rather than finding solidarity and commonality is fucking fed shit. It does not serve us and actively sabotages all of us, serving only those who actively benefit from our subservience and our infighting.

So fucking stop it.

#feminism #misogyny #queer #trans #trans issues

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fancysmudges · 6 hours ago

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I'm sorry I know most people will wish they kissed or interpret their relationship as romantic (as is fandom nature) but I'm feeling sososo emotional about queerplatonic Jayvik. They're partners, with a shared vision of the world, who's destinies are literally intertwined on a cosmic level. It just makes so much sense.

And aroace Victor also makes so much sense. In season one, we had the classic scene play out where your best friend stops noticing you cause they got involved in a romantic relationship. Not to mention the allusions to being cold and machine like in season two. How can you be human if you don't love like that? But what breaks him out is not a kiss, but rather a declaration that Jayce still wants him, still wants his partner by his side, imperfections and all.

I don't care how people interpret their love, as long no one implies it's somehow less than, cause they didn't kiss :')

#Just my interpretation! But I am clutching it to my chest #also tbh it definitely feels intentional #if they wanted to them to kiss they would of done it #jayvik #arcane #arcane season 2 #jayce talis #victor arc #arcane season 2 spoilers #queerplatonic #aroace

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badnewswhatsleft · 23 hours ago

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rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be?

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails.

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can...

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band.

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music.

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special.

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

#sir the ''schlubby dad'' in question is getting on stage and GROWLING. people are dying and creaming and dying and cr #time capsule #read the charts #fall out boy #patrick stump #pete wentz #joe trohman #andy hurley

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suiana · 3 days ago

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Make yandere femboy pls nya (⁠≧⁠▽⁠≦⁠)

Pweaseeeeeee

yandere! femboy roommate who has a massive crush on you but you don't seem to understand.

"hey i really REALLY would like to eat something, YOU preferrably."

"yeah I'm cooking us dinner just wait dawg"

he doesn't know whether you're playing it safe or just stupid. this guy is pretty sure his signals are straightforward and direct after all.

"do you want to go out to the park together?"

"lol as friends right?"

like??? he's pretty sure he's not speaking another language. do you not get it? are you dumb? or... are you intentionally ignoring the signs? after all... you are also talking to other people. you can't possibly not know that he's trying to get your heart.

"where are you going?"

"on a date, see ya."

oh that won't do. what do you mean you're seeing other people? people that aren't him? how could you do this? he's your roommate! he lives with you and clearly knows you better than any of these other shitheads! so why aren't you choosing him?!

no, he'll make you see that you need him just as much as he needs you. no one can love you like he can. i mean, who was the person who took care of you when you were sick? who was the one you came crying to after you saw a video of a baby panda falling down? who was the one you went to for all your problems?

it was him.

him.

not that random guy on the street, not that cute guy at the coffee shop, and definitely not your classmate. no, it was him. your cute roommate who likes dressing in feminine attire. the cute pretty boy living with you who wears skirts, dresses, and all things pretty. your very own roommate who knows more than you'd like others to know.

"hey, i like you and really see you as more than a friend-"

"yeah cause we're roomies!"

ah, he knows what you're trying to do. you're trying to play hard to get! that's it! there's no way you'd actually get with someone else right?

"lol so meet my new boyfriend..."

"😦"

okay, that's it.

he's more than willing to take drastic measures to ensure that you're his. it doesn't matter if you're a bit upset or confused right now, he'll help you realise your true feelings. your true love for him. because that's what a good roomie does, right? they help you when you need it.

and he's the ultimate roomate. so much so that he's certain he'll be your boyfriend by the end of it all.

all yours to do what you want. just accept him and everything will be alright.

#suiana's sinners #yandere #tw yandere #yandere x reader #yandere drabbles #yandere scenarios #yandere imagines #yandere concepts #yandere femboy #yandere femboy x reader #gn reader

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keferon · 23 hours ago

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Been following the Mech Jazz au for a small bit. Loving the collective glee, gremlin, feral, and menace energy everyone has when sharing art and writings. Beautiful. I have a few bouncing off what some have already said.

Jazz trying a drop of energon thinking it's cool glowing juice (sudden impulses be strong) and instantly almost dying or gets sick. Him trying to find nutrients to survive but not knowing how to explain how he can't have certain foods or energon. Prowl thinking he is starving cause he never sees him fuel so he keeps trying to give him his rations.

Jazz showing off by jumping off of things cause his mech can handle hard impacts. Prowl losing it cause he doesn't know what parkour is and why Jazz loves to randomly bounce around and do flips like he's on Syk (think thats the Cybertonian drug..)

Jazz trusting Prowl to catch him if he slips while he uses him as a jungle gym. Prowl scared stiff not wanting to accidently make Jazz fall off his shoulder or helm. Prowl pleading with him all like, "Jazz no, Jazz please. Jazz, Jazz!" Which leads to Jazz finding out he loves hearing Prowl say his name.

Jazz using human words that confuse Prowl.

"- so like ya dig?

"What, no I don't..."

"No I mean like ya feel me?"

*Prowl thinking of Jazz's empty EM Field* "No I don't." *Screaming mentally to let him in*

Jazz chilling with one of the other autobots and someone almost drops a crate on him. This leading to Prowl looming menacingly over the autobot cradling Jazz to his chassis. Jazz is a bit shocked but laughs it off and pats Prowl to try soothing him while telling jokes.

Jazz dodging medics when his mech is damaged so not to be found out about being a squishy just yet. Prowl worried thinking he has some past medic trauma on top of the EM Field 'trauma' and offers to patch Jazz up as a meet him halfway moment.

Jazz falling asleep in his mech while under water/energon pool. No one can find him all day. Panic.

OH THESE ARE 🤌🤌🤌

#mecha pilot jazz au

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lovelytayforce · 2 days ago

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I agree with this comment here so hard, I remember getting blasted for calling readers who don't comment "leeches" on R/Fanfiction and I'm glad people are seeing that for what it is even if it's four years late

So, I'm gonna share my own little story here because discord has actively ruined communities for fanfic (and art too I'm not gonna leave y'all out cause my bestie @zoetiger-1106 is an artist who deserves way more praise than she gets!!) The reason why authors and myself see the "I'm shy" shit as an excuse is because the same people will type long ass tirades on Discord without a single thought. YOU CAN EDIT AO3 COMMENTS PEOPLE! If you make a mistake, read it back over and edit it. I've watched it happen in real-time with one of my favorite commenters on my one-shot where they left a short gushing comment and then came back and wrote more, you have no excuse much less reason to go "Man fandom keeps telling me to not critique and I might make a mistake so I will say nothing and consume like the average TV and Streaming consumer who thinks there doing something!" YOU have a lot of power with comments and even those bookmark tags hell just copy-paste what you put into those bookmark tags as a comment I DON'T CARE AT THIS POINT USE THAT LIL BOX TO VOICE SOMETHING!!!! God this is all over the place idc but I read back at those bookmarks, and saw people call my works the best and super cool and I APPRECIATE THAT but tell me! Stop taking the easy route, I been blasted for misunderstandings over comments multiple times cause people take my "tone" terribly cause it sucks being black and emotive online yay and for some reason people think !!!! Is bad? yes, I've been hit with that but I keep on trucking cause fuck whatever some weirdo thinks about exclamation points! Anyways back to discord and why I hate it now, I was in a small fandom, KFP got invited to a discord cause ONE person commented on my works and saw they talked about my fic, and at first, I was happy and people TALKED about my chapters at length in the fanfic channel. I basically was the ONLY ONE posting consistently in that channel and it was great but also I wanted that on my fic to show I improved so guess what I did? I went all in trying to one-up myself to be noticed, to have the acclaim my peers did so it would evolve outside of discord channels but it never happened. And Imma tell y'all now; it never will. Readers prefer convenience over your hard work, they are not gonna take time for you no matter how much you improve. People told me over and over while I looked for solutions for this; "We can't make commenting look like an obligation." "Add more prose, space these paragraphs better" all this just for no one to take the initiative and say something SINCERE towards a work they love on it. I've had to tell my own ex-friends now to go leave comments on works they called Masterpieces while ignoring me. Despite the fact they wanted Gen content in which I WROTE. Or met people who have very weird "I don't review" rules for themselves despite getting motivated by reviews themselves!! We're in a shitty time for creatives much less community cause we don't see each other as humans much less want to treat each others as we desire to be treated. Fanfic readers want to treat authors like showrunners and I hate it. But then your peers will tell you 'not to worry about engagement" and no I am because why is my hit count going up every day but ain't no one saying shit? Make it make sense!! I sat in that community commenting as much as I could, especially on long fics; it wasn't all perfect but I TRIED. I didn't expect shit back but hey it would have been nice but it never happened and again I learned; it never would. That's the real issue, no one wants to give no more; just take and take and take til you're sucked dry of passion worse than any corpo out right now. It's why I thankfully switched fandoms. I got ONE consistent commenter and they are better than that ENTIRE SMALL CLOSED COMMUNITY!! So, to any discord reactor for fanfic you better skip on to that message you made and copy and paste it in this box right here and never utter "I'm shy" ever again cause we see you, our friends tell us about you. You are not as anonymous as you think! 🫵🏽

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

#fanfiction #fanfic #god I hate talking about that ol fandom shit #i sound like a vet whose seen some shit #but im sick of other writers and readers downplaying how we feel #taylor talks

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ventique18 · 3 days ago

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Malleus really wouldn't want to create dreams for everyone because his reason for doing this entire incident is rooted in love. And controlling others by forcing them into dreams they don't want is not love. While it's true that the characters end up realizing they don't want those dreams, that's the keyword exactly. Realizing. Their dreams are the easiest way to escape from their current biggest problem, and so they created a dreamscape where they don't have to worry anymore.

Malleus cares a lot about others and generally just wants them to find happiness, sometimes even at the cost of his own comfort. You can clearly see that in the way he just lets his knights find their purpose in protecting him, even when he himself feels a bit suffocated by the attention. You can see this in the way he made himself favor humans even when everyone else around him hates them, because Lilia loves Silver and Silver is a human and disliking Silver would make Lilia sad.

He's a bit callous because he doesn't know how to make others happy the normal powerless way, but the fact is that he's one of the characters who actively DOES NOT want to be a bad person. In fact he's always trying his best to be a good person. Everything he does is because he thinks it would make others happy. Being controlled as the sole heir to their bloodline did not make him happy, so he probably doesn't like the idea of dictating others' lives even if it's just a dream.

And I think that'll play a huge part in Book 7's conclusion. He'll probably fall apart when he realizes that he causes suffering when all he ever wanted was to make others happy. Just like usual, he could never do anything right even with that much power.

#twisted wonderland #malleus draconia #ventique rambles

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accio-sriracha · 2 days ago

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The Not-So-Near Future

@into-the-jeggyverse ~ Prompt: Warn ~ Word Count: 468

⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅

Pandora stared off into the distance, the sounds of her friends' bickering falling away.

She was having a vision.

This in itself wasn't unusual, being a seer as she was.

But the contents? Very strange.

"James!" Regulus' voice called, its quality hazy as they usually were in her daydreams.

James turned, his eyes brightened. Pandora thought it sweet, he always seemed happier when looking at Regulus.

"Hey, Reggie."

Regulus scrunched his nose at the nickname, not unfondly,

"I was wondering if you wanted to go out on a date to hogsmeade again?" He lowered his voice, "Maybe find some alone time?"

There was a seductive air to his words.

Pandora froze in her armchair.

They were together?

James agreed, they kissed.

The vision flashed forward.

Regulus and James were walking now, she couldn't make out where, she assumed somewhere in Hogsmeade.

The rain began to pour, neither of them had prepared for bad weather. They were freezing. Regulus was shaking badly.

Pandora frowned.

Regulus should remember to take a jacket. She doesn't want to get him to get sick, especially if he was trying to plan some...

Her brain didn't want to think the words 'alone time' in reference to someone who was practically her family.

"Regulus." She spoke up suddenly, tuning back into her surroundings.

She had cut someone off, nobody seemed to mind, they usually listened when she spoke.

"I have to warn you, you should bring a jacket. It's going to rain."

"Another vision?" Barty asked, his head resting in her brother's lap. Evan played with his hair idly.

She nodded, "The rain would ruin your date, I don't want you to get sick."

The words caused an uncomfortable silence. Regulus cleared his throat,

"My date?"

She frowned again. Had he not said date?

No, she was positive. He specifically used the words 'go out on a date again'. This implied there had been at least one prior.

"With Potter." She clarified.

Barty shot out of Evan's lap, staring at Regulus in disbelief,

"You never told me you're going out with Potter!"

Regulus' eyes went wide, "I didn't even know!" He shouted back, "It hasn't happened yet!"

"You like him?" Evan asked, eyebrow raised.

Regulus flushed scarlet, he shrugged, refusing to reply.

"Hmm... I suppose my eye has been growing stronger, the vision must have been further in the future than I expected." She shrugged, looking back to Regulus, "Enjoy your dates, but remember to bring a jacket, please."

Regulus' jaw dropped at the mention of dates, plural, and he quickly had to defend himself from Barty, who had launched across the common room at him.

Pandora stopped listening again, the song playing in her head was very good, she hummed along to it as her brother jumped up off the couch to help Reg.

#jeggyverse microfic #rosekiller #seer pandora #jegulus #jegulus microfic #sunseeker #starchaser #james x regulus #regulus x james #pandora rosier #james potter #regulus black #marauders #marauders era #slytherin skittles #the slytherin skittles

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razztazzel · 3 days ago

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Thought it would but cute to revisit this old au of mines and give it some lore!

I’m really passionate about this au specifically because I LOVE sci-fi like ALOT… so I might make a lot of content of it… OFC Helios planet will still be going on trust

Non filtered version + lore ⬇️⬇️⬇️

LORE!!!

All the toons are aliens!!! On a completely different planet (exoplanet) about 4.2 Light years away from earth. The company, C.V. inc. aka Cosmic View Incorporated labeled it “Proxima Centauri b” (Its a Genuine exoplanet that’s the closest known to earth it’s so cool) Let’s just say In this au, Earth is extremely Sci-FI like, reaching advances where it wouldn’t be really…. Possible as earth is now…

And so they developed travel though hyperspace (just to clarify, Hyperspace is a fictional concept and not based on current scientific understanding; it's often portrayed as a different dimension where normal space-time rules don't apply - google or something) and managed to land on Proxima Centauri b! The people traveling were highly advanced scientists and they were like, woahhh look at these little whimsical creatures!!! But only like 4 “handlers” went Cause it was still in development!!! So it was kind of a suicide mission to put it frankly

They didn’t die.. Thankfully!!! And they successfully made it back probably old and decrepit, just with a few aliens that totally weren’t kidnapped or anything (They done took the mains, Besides Zee(Vee) she didn’t exist on their planet since she’s a robot made by C.V. Inc.) Vee was made by the soon to be handlers in an attempt to collect direct data from the totally not kidnapped toons! Her emotions are 100% programmed but ran through an advanced ai that study’s the emotion of literally everything living that’s around her so her emotions can be pretty accurate to a certain degree before the robot part generally makes way, Her ai detects any subtle or visible emotion and collects data of it to train itself on how to process and express emotion, but she’ll never have TRUE emotion

Unlike original Vee they’re smart and makes her entirely water proof and very much heat resistant, Zee just cannot be Submerged in water. Anyway a group of.. more like.. scientists in like…training became handlers as a little hands on experiment for them since the owner of the entire thing was really really interested in the toons and wanted to be involved with data processing so she assigned newbies (ish) to be the handlers.. She herself handles Andy (Dandy)!

The toons are all kept in separate rooms similar to those of like experiments just less cruel, like SCP type shit but cooler and not evil… looking… trust trust… so they can be observed and have data recorded…Besides confinement they’re actually treated really well! Sprout learns to bake through his handler and generally enjoys it so he’s allowed to bake every now and then, Shelby (Shelly) gets loads of attention for being an alien bro does NOT wanna leave, Genesis Rock (Pebble) is treated like a legitimate dog gets walked and has play time even though since he’s a rock he probably doesn’t need it, but data is data, Andy hates it there they tried to feed him plant fertilizer once cause he resembles a flower..

Anyway Vee is the only one who’s not in confinement and is generally like a little bot helper for the company, YES!!! THE TOONS ARE ALLOWED TO ROAM!!! Those lovely creatures are not locked away… forever…

TOON TRIVIA

Andy(Dandy) Now has 4 arms!

Astro becomes spiderman ( Ok not really he just gets 6 arms and is constantly floating, Studies show that he cannot seem to stop..)

Shelby (Shelly) Is a mixture of an alienized fossil with a freaky chameleon, with more feral-ish aspects like protruding fangs and sharper hands compared to the others

Genesis (Pebble) can literally walk on air

sprouts hair is ALIVE do NOT cut it he will scream and he has awful fashion sense because refuses to take the scarf off because it was a gift from cosmo before being taken by weird tall things he didn’t know hashtag last thing he has from cosmo hashtag fruitcake angst hashtag NO MORE FRUITCAKE/j

Zee (Vee)is specifically meant to look similar to the alien toons, She doesn’t have a handler though the handlers like to let her wear a coat, they think it looks cute on her small frame…🫶🫶

Sprouts handler encourages sprout to wear the cute aprons they give him, he always refuses… one day.. one day..

Astro generally cannot stop floating, luckily for some reason gravity won’t allow him to float too high so he’s just chilling fr

I think I’ll call this au Cosmic Veiw incorporation /inc or to put it simply, Alien or space au for easy tagging

#dandys world #roblox #i love this damn game #art #dandy's world fanart #dandy’s world au #dandy’s world shelly #dandy’s world dandy #dandy’s world sprout #dandy’s world vee #dandy’s world astro #Cosmic Veiw Inc #Cosmic Veiw Incorporation #Lore dump #Lore #Au #Dandy’s world alien au #Dandy’s world space au

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dkettchen · 2 days ago

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top men's wear hacks by me, who has been trying to figure out pants & men's fashion for the past like year:

1 - male waistline does not go on your actual waist, it goes on your hips (yes I know this sounds insane but trust me this is basically magic)

if you're buying pants in the men's aisle make sure to measure for that (not your actual waist the way you would for women's fashion cause for most of us that actually makes a significant measurement difference unlike most cis guys (@ past!me who has cursed me with too many now unusable jeans I'd need to fully resew 🤦‍♂️))

pull pants down to appropriate level (at the very least a low waist line, if not hips, if not straight up sagging style if you're into that look)

look at reference if needed for where it's supposed to sit proportionally

you want that waistline to be low and the crotch to have S P A C E even if you're not actually filling it out

(this also applies to tops: they should end low but above the crotch's bottom (sorry to crop top and oversized top/jacket enjoyers, past!me included), so your visible waistline/delineation between torso & legs is lower but does not fully obscure the crotch (cause then who knows where ur legs end! they could be SO LONG and high-crotched!!) again look at reference for how men's wear is supposed to fit proportionally)

elastic waists are your friend & existing elastic waist pants/shorts can be salvaged via pulling them down!

also remember that shortening pant legs or rolling them up is way easier than trying to resew and let out the top part of pants (or sew ur own from scratch T^T), don't be afraid to look at bigger sizes than you're used to to fit the width you need (I'm 5'4" and apparently need L/XL pants for my hips -.-)

2 - now that you have empty space in the crotch area, you might want to add some padding, as above, to make sure it doesn't look strange

not for dick implication reasons but for "looking like how the vast majority of (passing) men look wearing clothes" reasons

if you're unsure where The Shape would need to sit on you & worried you may put it too high or too low to look natural, look at anatomical diagrams, ideally of either direction's bottom surgery before & afters, cause my friend showed me a diagram her bottom surgeon showed her of the mtf one & it was really useful to have a direct comparison like that to wrap my brain around it

happy men's day everyoneeeee

#trans #transmasc #men's fashion #I will eventually make a proper post and/or video about my whole men's fashion shape language/proportions incl waistline insights

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bbkoolkatz · 3 days ago

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hi lovey! Back here with the Kats request sighhhh… (I’m not really that guilty 🫣) I have so many tests this whole week, won’t have much time to do anything at all Ughughughugh sooooo Kats forcing you to study even if you don’t want to 😞 or smth abt studying (not about taking a break tho 🫠🫠) taken too many of those I need to be disciplined to actually study and maybe a reward or punishment just for some extra motivation 🤭🤭

-💫

sorry I took so long bby 💫 lemme know if ya like. n good luck with ur tests ( ͡°³ ͡°)

"sit." katsuki ordered, pointing to the cushion he placed on the floor next to the coffee table.

"but i don't wanna!" you whined, flopping onto the couch dramatically, tossing your books onto the floor as if the table wasn't right there.

"boohoo." he mocked, picking you up from the comfort of the sofa to plop you down by the table. "y'got exams, 'n i'll be damned if I let ya fail 'cause y'wanna act like a goddamn brat."

"ugh, you're so mean," you grumbled, with all the enthusiasm of a child being sent to time-out.

"yeah? keep it up, 'n i'll show ya what mean really is," he sassed, throwing your notes down in front of you.

you silently mocked him, but he just stared at you, as he arched a brow, unimpressed. "y' think 'm jokin'?"

"mmm, I'm gonna say, yeah," you teased, shrugging your shoulders, nodding as you leaned back with a smug grin.

"okay." he leaned over the table, caging you in with his hands on either side of you, his face mere inches from yours. "here's how 's gonna work," he growled, "study like i tell ya to, or yer not gonna like what comes next. ya feel me?"

your cheeks flushed, but you refused to back down. "what makes you think i won't?"

" 'cause it's not a reward..." he folded his arms over his chest.

"a reward?" you blinked as your interest piqued. was that all you heard?... definitely.

"yep," he said, standing up straight, arms still crossed. "y' do what i say, and maybe, i'll give ya somethin' nice. keep bein' a pain in my ass-"

"what kind of reward?" you interrupted, squinting at him as you looked him up and down, suspicious.

"yer gonna have to behave 'n find out," he said with a shrug, smirk widening across his face.

your curiosity got the better of you, and with a dramatic sigh, you sat up straight and grabbed your notes. "fine," you grumbled, "better be worth it..." and mumbled.

"mhmm," he hummed, walking to sit across from you. "now, start with this." he pointed to the section of your notes you'd been avoiding.

you pouted but obeyed regardless, mumbling the words under your breath as you worked through the material. every time your focus drifted elsewhere, katsuki snapped his fingers or tapped the table, to get your attention back.

after what felt like an eternity, you finally finished the first section and you looked up at him, eyes big and hopeful. "do I get my reward now?"

he snorted. "y' finished one part. keep goin', 'n i'll think about it."

"you're evil," you whined, but you turned back to your notes, determined to earn whatever 'reward' he had for you.

by the time you'd finished another section, your head was spinning, and your patience was wearing thin. "can i have my reward now?" you asked, edgey and maybe a little desperate.

katsuki leaned back in the couch, red eyes flickering from your eyes to your pouty lips. "think y' earned it?"

you nodded, your entire face lighting up. he leaned forward, grabbing your chin and tilted your face up to meet his. he pressed a soft, slow kiss to your lips. "there ya' go." he rasped, face still barely a centimeter away from yours.

your heart raced at the action, and your cheeks grew hot. but before you could respond, he pulled back. "now get back to work."

"that's it?!" you complained, cheeks red with embarrassment. "i thought there'd be more..."

"keep workin'," he said, ignoring your outburst. "maybe y'll get 'more' if ya finish it all."

mlist!

#bbkoolkatz #kkz asks!#kkz mha #kkz fics #mha x reader #x reader #x reader writer #bakugo x reader #bakugou katsuki #bakugou x reader #katsuki bakugo x reader #katsuki bakugou x reader #bakugou x you #katsuki x reader #katsuki x you #my hero x reader #kkz fluff

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hadersversion · 1 day ago

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‘tis the damn season.

“so we could call it even, you could call me babe for the weekend.”

pairing: rafe cameron x pogue! reader

warnings: 18+, SMUT, p in v, fingering, begging, overstimulation, use of babe....let me know if i forget anything lol. ALSO in some places in america, thansgiving eve is literally just a holiday to get drunk in your hometown

your home for the holidays for the first time in years. you've been avoiding rafe, the reason you've been away for so long, but after seeing him again all the old feelings come back. when rafe sends a text one night, you end up in the back of his truck like old times.

i parked my car out front of my childhood home, staring at the old exterior.

somethings never change.

being back in the outer banks felt strange. it has been a while since i have been back, avoiding come home for as long as i can. but with a few begging phone calls from my mom and kiara, here i am.

i knock on my front door and am greeted with a bright smile.

"jj?" i ask, confused.

"welcome home, stranger." he says, with a hug and grabbing my bag.

i walk into my living room and see the pogues, sitting with my mom. a homemade 'welcome home' banner hanging above their heads.

my mom comes over and gives me a big hug. "i thought i would never see this face again." she says with a squeeze.

"boston isn't that far, mom." i tell her but i know she would never leave the outer banks. never in a million years. i turn towards the others and smile. "i wonder who could've put this together?" i say, looking at kiara.

"hey it wasn't all me, pope was the one who brought it up." she says, engulfing me in her arms.

"guilty." pope chimes in, joining the hug. i feel jj and john b join in as well. my family.

we break away and hang out in the living room, catching up.

"don't tell me you went all city on us, y/n." john b pokes fun at me.

"not completely. but it is nice having more things to do than hang on the beach and smoke." i wink.

"who could want more than that?" jj asks, making us all laugh.

"speaking of," kiara starts. "there's a little thanksgiving eve celebration happening at the wreck. just some people from high school. nothing big."

"just a chance to get drunk of our asses and go to dinner the next day hungover." jj says, causing kiara to nudge him.

"what do you say? want to join us?" i look around the room at my friends, all eager waiting for my response. with a sigh, i nod and they all cheer. "thank god, i don't think i could've done that alone."

i smile and nod. it should be fun, it will be. but my brain can't help to wonder if the one person who's kept me away from coming home will be there. no, he wouldn't. not with the pogues. but a part of me can't help but hope to see his face.

───✱*.｡:｡✱*.:｡✧*.｡✰*.:｡✧*.｡:｡*.｡✱ ───

i fix my sweater in the mirror in my room, my body fidgeting from anxiety. it's been a few days and i still can't shake that feeling from my body about being home. sure, i'm happy but this place holds so many memories. memories i wish to bury. i stare at the photo booth picture tucked into my mirror of him and i. i guess i forgot to hide this with the rest of the stuff. i take it off the mirror and sigh, examining it.

almost four years since it was taken. almost four years since we called it quits. and yet, he still haunts my memories. his presence making itself known through cheap beer at the bar, expensive men's cologne at the mall, exhaust that leaves motorbikes as they ride down the street. he's always there, whether i like it or not.

the sound of a horn breaks me free of my thoughts.

"y/n, they're here!" my mom calls from downstairs.

"coming!" i open my dresser drawer and slip the photo in before racing downstairs. i kiss my mom on the cheek and slip out the door, rushing into the van.

"ready to get fucked up?" jj asks with his devilish smirk.

i roll my eyes and laugh. "let's go."

we pull up to the wreck, it's already dark outside and a slight breeze fills the air. we all hurry in, greeted by familiar faces. my name is called from every direction, old friends from high school or the beach. all my fellow pogues who i know and love. when i'm done making my rounds, i head over to our table. everyone has some drink in their hand, beer or cocktail, and they all smile up at me.

"who would've though little y/n y/l/n would be a pogue celebrity?" pope jokes.

i flip him off and slide in next to john b. kiara hands me a beer and i take a sip. "i'm not a celebrity, i'm just one of the only people from this island who actually made it off."

they all make jokes at my despair, teasing me in any way they could when sarah walks up. i feel my stomach flip and i smile at her. "y/n!" she embraces me. "i'm so happy to see you!"

i hug her back and smile. "me too, sar. how's everything been?"

"the usual but i can't complain." she sits next to me and lays her head on my shoulder. "it's been forever."

"it has." i sigh. "it really has."

we all share stories and laugh around the table. we take shots, chug beer, and play different drinking games. just like old times sake.

"i need another beer." i say with a slight slur in my voice, standing up. "anyone else?" everyone shakes their head as i excuse myself.

i walk up to the bar and wait my turn, twirling my debit card in my hand. it could be the alcohol but i feel content and happy to be home.

"y/n?"

until that moment.

i don't want to turn around, i don't even want to accept my fate in this situation.

i know that voice, i could recognize it in a crowd of millions of people. it was the voice that lingered in my dreams, my thoughts.

i turn around and look at the man.

"rafe."

he looks older, his hair buzzed and some facial hair covering his face. but those eyes. they are the same eyes of the boy i loved.

we stood there, not saying a word. just taking the sight of one another in.

"i didn't know you were home." he says, not breaking eye contact.

i nod, biting my lip. "i am, i got home monday."

he chuckles to himself and shakes his head. "how long you here for?"

"till saturday. then i'm going back to boston." my throat feels scratchy and my face is on fire. i want to be anywhere but here now.

his eyes continue to study me. "two more budweiser's, please." he says to the bartender. i open my mouth to protest but he shakes his head. "on me, think of it as a welcome home gift."

the bartender hands me the beer and i smile. i turn back to rafe and tip the bottle to him. "thanks."

"no problem." he clinks his bottle to mine. we both take a long sip. my eyes are desperately trying to find a place to land, ending up on the bright sign above the bar. but rafe's are still on me.

"you okay?" kiara asks as she walks behind rafe. she is my gurdian angel.

"yeah, just waiting for my beer. excuse me." i squeeze past rafe and walk back to my table. i look back at him and smiles. i hate him.

a few drinks more and my ears are ringing. it was loud and everyone was far too drunk. i excuse myself for air outside. there are a few people lingering, smoking cigarettes or waiting for ubers. i smile and take in the nostalgia.

"you know, it would've been nice to know you were home." i hear rafe's voice next to me.

i roll my eyes and look up at him. "oh, would it have been? sorry, i didn't think you'd care." i say coldly. that liquid courage is taking control.

he looks down at me. "and why would i have not cared?"

"hmm, let me think." i put my finger to my chin. "oh, right. 'don't ever contact me again. we're so over. i wish i never met you. blah. blah. blah.' do you want me to go on?" i say to him.

i watch as he processes what i said to him, the words of our last fight. he looks guilty, for once in his life. "that was years ago, y/n. w-we were just kids."

"oh, really? then why haven't i heard from you for the past few years? phone works both ways, rafe." i say, shrugging.

he stands there quietly, i got him.

"how's school been?" he asks, nonchalantly.

"are you for real?" i ask.

"what? i'm being nice." he says.

i huff with frustration. "you are such an ass." i push pass him and walk onto the sidewalk.

"where are you going?" he asks, following after me.

"away from you." i say, not looking back.

i hear him run up behind me and he gently grabs my arm. "y/n. y/n, stop."

i turn to look at him. "what do you want from me, huh? you want to torture me even more?"

he stares at me, hand still on my arm. "what? of course not. y/n, i missed you."

"fuck off." i spit out without thinking.

"you're drunk."

"and you're an asshole." i say, flatly. "you...you fucking broke my heart and you expect me to act like everything is fucking dandy?"

"y/n." he tries to plead his case.

"no, rafe. you don't get to waltz in here and act like everything is okay with us. do you know how much you fucked me over? one day you're telling me you love me and you want to move to boston with me and the next, you're dumping me over the phone." i poke his chest. "i did everything you wanted, i kept what we had between us a secret, i took care of you. and nothing was enough for you."

he looks down at his feet in guilt. "i-i know, i'm sorry. i was...i was fucked up back then. with my dad on my case and the drinking...i wasn't okay. i felt like..." he cut himself off.

"what, rafe? you felt like, what?" i ask.

"like i was going to hold you back, alright?" he raises his voice. "you are too good for this place, for me. i didn't want to hold you back. i loved you too much to do that to you." i stare at him and laugh. "what? what's so fucking funny?"

"you, rafe. you." i sigh. "instead of being a man and handling your emotions, you ran and hid. we could've worked that out. but you were too scared." i close my eyes and shake my head. "goodbye, rafe."

i walk down the street, hugging my body as the wind blows. a weight has been lifted off my shoulders but there's still that feeling i get whenever i think of him. that feeling that i miss him.

───✱*.｡:｡✱*.:｡✧*.｡✰*.:｡✧*.｡:｡*.｡✱ ───

thanksgiving flew by, even though i had a hangover that felt like it would last a lifetime.

i helped my mom clean up the kitchen as the pogues did the dishes and took the trash out. just like old times.

once we were done, we sat outside around the bonfire. you would think after yesterday, drinking would come to a halt but jj found a bottle of vodka in the freezer and mixed it with kiara's apple cider. we all enjoyed each other's company but my mind could not help but wander. my last conversation with rafe ringing through my head.

"instead of being a man and handling your emotions, you ran and hid."

i shake my head and take a sip of my spiked cider. as much as it rang true, there was still that part of me that wonders 'what if?'. the more i thought about it, the more i wanted to pick up my phone.

no, i need to be the bigger person. i'm stronger than that. i can't text him first.

then i felt my phone buzz in my lap.

rafe: hey

i stare at the text and bite my lip. i know i should ignore it, let it go unread. but my fingers work against my brain and type 'hi' back to him. i sit there, eagerly waiting for a response.

rafe: can we talk?

rafe: i'm sorry about last night, i'm a fucking idiot.

rafe: there's so many things i could say to you rn

rafe: but i miss you.

rafe: i wanna see you.

i look around at my friends and sigh, they would be so mad at me for this.

y/n: sure, give me like an hour.

y/n: park down the street at the usual spot.

my friends leave my house, mainly due to me faking another wave of hungover puking. i run upstairs and check myself out in the mirror, i look damn good. when i get his text, i sneak out the backdoor and hurry down the street. i see his truck parked under the big tree, the spot he always parked in.

i open the truck door and hop into the passenger seat. i look over at him, he's still in his dressy clothes. a blue polo that hugged his arms right and khakis that made his thighs look exceptionally big. he knew what he was doing and i can't tell if i hate him or love him for it.

we drive in silence for a bit, his radio playing music faintly. his hands grip the steering wheel as his mind looks like he's on another planet. i play with the ends of my sweatshirt, anxiously waiting for him to do something. anything.

he pulls up to the beach, the spot where we would always come to. it was dark and the waves crashed against the shore loudly. he turns the car off and looks over at me.

"thanks for meeting me." he says simply.

"sure."

"i'm sorry about last night. you went out to have fun and i ruined it, i know i did."

i just nod at him.

"and...you were right. about it all." he sighs, running his hands over his face. "i should've manned up, talked to you about how i was feeling. but you know how i get. i get too in my head and just jump to conclusions. it wasn't fair to you." he looks into my eyes. "these past few years without you have been a living hell and i have only myself to blame."

"are you drunk? high?" i ask.

"w-what?"

"are you not sober?" i ask again.

"i'm sorry, what? of course i'm fucking sober." he says. "why would i not be?"

"rafe cameron...taking accountability? i'm sorry, it just seems so...foreign?" i laugh.

"i'm being serious, y/n."

i laugh again. "oh, i'm sure. and...the sky is green. we live on the planet pluto. aliens exist and so do unicorns!"

he pinches the bridge of his nose. "y/n, i'm telling the truth! god, you always joke around."

"yeah, because i know you." i say to him. "and you would rather eat concrete than admit you are wrong."

"eat concrete?" he asks, with a smirk.

"you know what i mean!" i huff with frustration.

he grabs my hand and stares in my eyes. "y/n, i am fully sober. we are not in another universe, it is not opposite day. i was wrong and i am sorry."

my brain malfunctions as i look into his eyes. "y-you mean it?"

"every word i said."

my brain not working means i experienced a lack of better judgment. i grab rafe by his collar and connect our lips for the first time in years. this kiss, the one i have longed for since i left this place, was the missing puzzle piece i've been searching for in my life. everything seemed to make sense again.

his hands cupped my cheeks as his tongue slipped into my mouth. he was hungry for me and i wasn't going to stop him because i felt insatiable as well. his hands roamed from my cheeks down to my neck and onto my shoulders.

i needed more.

i climbed onto his lap and straddled him. my arms connected around his neck as he pressed against me. i felt his cock hard against his khakis and i wanted it. i wanted it all. i rubbed myself against him, causing us both to moan.

he continued to kiss me until he broke away and looked at me. his puffy lips formed a cocky smile as he brushed his nose against mine. "you missed me."

"shut up." i was itching for more.

"admit it, you missed me. you missed the way i made you feel." he states.

"rafe, shut up and kiss me, please."

"ah ah ah." he shook his head. "not until you tell me."

"you're such an ass." i roll my eyes, trying to catch my breathe.

"yet, here you are, rubbing yourself against me in my truck." he says, kissing my cheek. his lips then go to my ear and down my neck. "i want it all with you, right now, babe. but i need to hear it."

"fine! fuck, i missed you. are you happy?" i groan, needing him.

"very. get in the backseat." he demands. i quickly follow his order, hopping in the back over the seats. he gets out of the truck and opens up the back door, sliding in next to me. "come here." he pulls me back onto his lap and we pick up where we left off. i continue to rub myself against him as he sloppily kisses me. "just like old times." he jokes and i hit his shoulder. "c'mon, don't act like you don't think about it."

"oh, i do. but i bet you think about it more than i do." i smirk.

"probably." he laughs. his fingers fall to the hem of my sweater and he plays with it. "now are we only here to kiss or?"

"why? you wanna fuck me in your truck? just like old times." i say, making fun of what he just said.

"i do, i wanna fuck you right here, right now. it's all i've been wanting to do." he kisses my jawline. "do you want me to fuck you?"

this is what i missed the most, our back and forth.

"yes, rafe. i want you to fuck me." i moan out.

with that, he practically rips my sweater off my body and starts to kiss down my chest. his large hands palm my clothed breast. i bite my lip and let my head fall back, missing the way he affected my body. i felt his hand snake around to the back and unclip my bra quickly.

"show off." i say, out of breathe.

i smirks and connects his lips to my nipple, sucking and licking it. his hand massaging my other. "don't pretend you don't like it."

i smirk and shake my head.

he continues to focus on my tits, going back and forth between the two.

"more." i whisper, eyes clenched shut.

"what was that?" he asked in a teasing tone.

"i need more, rafe. please." i beg.

"look at you all needy for me. i knew you missed me." his hand slipped under my jeans and panties, stopping right at my core. i felt his fingers curl inside me, going in and out. "all wet for me, huh? what a good girl." he pushed in, fingering my cunt, when his thumb found my sensitive bud. he added pressure, circling it, and i felt as though i was seeing stars.

"s-shit." i cry out, moving my hips to try and gain some friction.

"feel good, baby? let me hear how could i make you feel." he picked up his pace and a pornographic moan escaped my lips. it's been forever since someone has made me feel this good. rafe knew my body like it was his own, he knew how to get me going. "there we go, like how my fingers feel?"

"u-uh huh." i nod, mouth hanging open.

his fingers worked their magic, rubbing my clit at a pace that'll make me come undone in no time. "love the way you look on top of me, baby. so fucking sexy." he attached his lips to my tits again and continued fingering me.

i felt on fire.

i place one hand on the window and the other on his shoulder, holding on for dear life. the more he whispered about me and the faster his fingers were going, i was cumming on his fingers before i knew it. i rode out my high, screaming his name. once i was done, i felt him pull his fingers out of my pants, my juices getting all over myself. i stared down at him, trying to catch my breathe, as he popped his fingers into his mouth and sucked.

"just as good as i remember." he cleaned his fingers off and kissed me again. my hands ran down his buff chest and stopped at the bottom of his polo, lifting it up. his gold chain laid against his chiseled body, he was perfect. i felt as though i was in a trance as i began to kiss down his chest. i could feel his groans vibrating in his chest and i smirked because i was the one making him feel this way. "i need to fuck you."

"you need to?" i laugh, kissing lower and lower.

"yes, y/n. i need to bury myself inside of you, please." he pleaded.

"i like when you're the one begging." i bite him lightly, causing him to hiss.

"i bet."

i unbuttoned his khakis and sat up so he could slip them off. his grey boxers were discolored from the precum leaking off his cock. he took his underwear off and his cock sprung out. "i-i don't have protection." he said, mentally cursing himself out.

"well, are you clean?" i ask.

"yes. i-i haven't been with anyone since." he openly admitted.

i felt the darkness overtake my eyes as i lower myself down onto him. his breath hitched as he slipped all the way in. he was deep inside of me, causing a few tears to leave my eyes. but the pain subsided as he started to rock my hips with his hands, moving me back and forth. i picked up the rhythm he started with me and placed my hands on his shoulder to steady myself. i felt the truck rocking back and forth as i did so.

his hands found my ass and rested there. "fuck, i missed your pussy. so good, takes me so well." he kissed my chest as i grinded back and forth.

i felt my finger nails dig into his shoulder as his cock hit all the right spots. i looked down at him and he stared at me in awe, like i was some work of art. "fuck, rafe. you're so big."

i bite my lip as i let my head fall back in pleasure. i ride him fast as i keep saying his name. "shit, y/n. you're such a good girl, you're so hot. you feel so tight."

i connect our lips, i feel his hands tighten around my ass. this means he was close. "i want you to cum in me, rafe." his eyes widen as he opens his mouth to ask for permission. "p-please fill me up. i miss it so much." i say, trying to catch my breathe.

with that, he lets out a groan and my name falls from his lips like a prayer. "y/n." i feel him coming inside me, painting me. it doesn't take long for his thumb to find my clit again. with the extra pressure applied to my overstimulated cunt, i feel my head reeling. the air in the truck is hot, making it almost hard for me to breath. it all feels too much, my body releasing onto rafe yet again.

we sit there, panting with our eyes closed. i rest my head on his sweaty chest and he kisses me gently. he rubs my back, tracing circles into it.

"felt even better than i imagine." he says, his voice gruff.

"you thought about it a lot, huh?" i smirk.

"all the fucking time."

i take him out of me and sit next to him in the truck. the windows are foggy and our hands find each other, holding them. i get a sense of weird nostalgia, from how things used to be with us.

"well that was a thanksgiving to remember." i joke, trying not to feel overwhelmed by what happened.

"'tis the damn season." he replies.

i slowly slip my sweater back on and try to find my pants.

"w-wait." rafe says. "is this...is this it? just a single fuck and you're gone."

i look at him, his eyes pleading with me.

"i go back to boston on saturday rafe, we only have like a day and a half."

i wish we could keep this going, i wish this was how things always were. but i had to think realistically. i have to go back home, i have to move on with my new life.

he grabs my hand and squeezes it. "boston is only an 11 hour drive. hour or two by plane."

"rafe." i say.

"i can't lose you again. i can't, y/n. these past few years have sucked without you. i can't wait until you come home for christmas again. now that i've got you again, i can't risk it."

i sigh and kiss his hand. "i know. i know." i close my eyes and shake my head. "we'll make it work. we almost did it before."

"we can do it again." he smiles sweetly. i kiss his lips gently, laying my hand against his chest.

"you'd do an 11 hour car ride for me?"

"y/n, i'd fucking walk if i have to." he smiles.

i roll my eyes and kiss his cheek. "you're so cheesy."

he lays me back against the truck seats and kisses me. "don't act like it doesn't work for you."

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