#i don't want to ask for validation

[rogerbarel]

I hate posting snippets of stuff on twt or anywhere nowadays bc it's like "okay is my visibility suppressed or am I just ass"

[inkskinned]

hey btw if you're in the USA at  2:20 p.m. ET on Wednesday, Oct. 4, they're testing the emergency broadcast system. your phone is probably going to make a really loud noise, even if it's on silent. there's a backup date on the 11th if they need to postpone it.

if you're not in a safe situation and have an extra phone, you should turn that phone completely off beforehand.

additionally, if you're like me, and are easily startled; i recommend treating it like a party. have a countdown or something. be surrounded by your loved ones. take the actions you personally need to take to make yourself safe.

i have already seen mockery towards any person who feels nervous about this. for the record, it completely, completely valid to have "emergency broadcast sounds" be an anxiety trigger. do not let other people make fun of you for that. emergency sounds are legitimately engineered to make us take action; those of us with high levels of anxiety and/or neurodivergence are already pre-disposed to have a Bad Time. sometimes it is best to acknowledge that the situation will be triggering for some, and to prepare for that; rather than just saying "well that's stupid, it's just a test."

"loud scary sound time" isn't like, my favorite thing, but we can at least try to prevent some additional anxiety by preparing for it. maybe get yourself a cake? noise cancelling headphones? the new hozier album? whatever helps. love u, hope you're okay. we are gonna ride it out together.

[bixels]

So i have a small nicpic i wanted to share with you about your interpretation of spike in the au and i want to make two things clear before i talk

1) i havent watch the series for a little while as of now so i might be misnterpreting a aspect of this chatacter that might have never been there and only apeared in fan content and personal interpretation (since that whats been keeping me on the fandom)

2) this is not a big problem about the au i matured enough to not get angry at a interpretation of a fictional charater

Now here i go

I feel spike being the same race as the rest of his familie makes him lose a part of his character that might have not been central but was still something interesting about him and is the idea of not mayhering how diferent he looked from his adoptive family (and his cominty as a whole) he was he was still seen as part of it

Again this isnt a big problem with the au as a whole its just a small nicpic that i have about the au and its not going to make me hate the au

This was just my opinion that i wanted to share and im interested to know your opinion about what i said

I understand this criticism and agree that having Simon/Spike be a different race than Thea could speak to their relationship in the original show.

My reasoning for designing them both to be African American is this. I believe Simon's adoption is enough to explore the feelings of separation and exclusion he may have with Thea and her family. The original show doesn't bring up Twilight and Spike's racial differences much because they originally didn't consider Spike to be a part of Twilight's family. As far as I know, there's no moment where someone says, "Wow! You're telling me you're related to Twilight Sparkle? But you look nothing alike!" because Spike was more so Twilights... familiar than anything.

Later episodes that explore their familial dynamic poses the conflict through Spike's adoption. There's one episode where Spike's "biological father" returns, and Spike accuses Twilight of not being his real family, which breaks her heart. There's another that delves deep into Spike's feelings of exclusion from Twilight and Shining Armor's siblinghood. Basically, in discussions of family dynamics, the show places more emphasis on Spike's identity as an adopted sibling rather than a dragon.

I really do believe a multiracial family would be good representation, but the racial dynamics would not be something I'd be interested in getting into. That's not to say I find real multiracial families problematic or uninteresting or unappealing or unimportant. I just wouldn't be interested in having to explain in-text that Simon (non-black) and Thea (black) are related over and over; it would grow tedious. It adds an extra level of writing complication and opens up racial discourse (discourse that I feel is unrelated to their relationship in the original show) that I don't want to concern myself with, especially because I have no experience in navigating such discourse.

[jq37]

it’s really important to me that Oisin is not evil and adaine dates him i just think she deserves a nice dragonborn buff loser boyfriend

OBVIOUSLY I say this with the caveat that if Siobhan/Adaine aren't interested that's totally valid.

But also COME ON. How cute would it be?

-She gets another wizard in her social life who will actually understand when she says stuff like, "Abjurative grammar is prescriptive."

-Summer Nights "Tell Me More, Tell Me More" energy from the other Bad Kids and Aelwyn.

-Hot, dorky nerd who thinks she's really cool (because she is) to hype her up.

-She gets to shove his defection to their side in Kipperlilly's face which she'd love because she is a petty bitch first and a wizard second.

What's not to like? Also, Brennan is behind a lot of super cute romantic content in D20 (he's gotten lines I really love as Ayda, Esther, Hob, and Dale just off the top of my head) and I think Adaine deserves some of that as she's in the midst of her third potential apocalypse.

As a treat.

[ky-the-squiddy]

Every so often I come across people going on about 'queer is a bad word, I'm not a terf but we shouldn't use that word in community/academic/etc settings, don't call me queer' and just

Okay

You're not queer

I won't call you that, no one should call you that, and anyone that does is being an asshole regardless of their identity or minority status. It doesn't matter what reasoning you have behind not wanting to be labelled as queer, what trauma you may or may not have, what you've identified as in the past and present, and whether or not your preference just comes to not liking the vibe of the word for entirely inscrutible reasons. No one has any right to pry.

If you say you're not queer, then you're not queer, and that's okay.

It just also means that if I, a queer person, talk about the queer community, then I'm not referring to you. If an academic refers to queer history and queer texts written by queer people about other queer people, they're also not talking about you. If a corporation starts using 'queer' in their ads then they can eat shit because fuck 'em, they have no fucking right to use our words when they aren't and have never been one of us, but if a well-meaning ally uses 'queer' as a one-syllable shorthand for LGBTQIA+ in a verbal conversation, then there's no reason for you to get any more annoyed at them as you would if they used the word 'gay' instead.

You have every single right to be labelled or not labelled as you like, and I will stand behind you all the way. If someone is trying to shove 'queer' on you when you really don't want it? Then I will happily, metaphorically, deck them in the face for you. We are still family, whatever you choose to call yourself, and it's important that we stick together.

But

If you aren't queer, and you get frustrated when you see queer people talking about the queer community, take a deep breath, and consider:

They aren't talking about you

[masque-of-plague]

If you feel like you need "permission" to do something in fandom, this post is for you!

Something I've noticed a lot of in this fandom is that people hesitate so much to do so many wonderful things they want to do because they feel like they need someone else's "permission" in order to do it.

Understandably, there was a HUGE history of people dog-piling, harassing, and bullying people for doing things that were not explicitly approved by either the creators or the fandom at large. I am so happy that the tumblr fandom in particular has moved away from that horrible time, but the effects it had on people still linger, even beyond things that "weren't allowed."

So if you need permission to do something you've been thinking of doing, I'm giving you permission. 💕

Do you have an idea for a fan event but you need someone to tell you that you can? I'm telling you right now that not only can you start that fan event, but you will do a great job AND people will love it.

Do you have an idea for a fanfiction but you're worried that people won't like it? I'm holding your face gently and promising you that there is an audience for everything and if absolutely nothing else, you deserve to make that fic.

Do you have a headcanon that directly conflicts with common headcanons in the fandom? I support you having that headcanon. YES, even if other people dislike or even hate that headcanon. YES, even if some people are upset about that headcanon. It's their job to avoid that headcanon then-- it's not your job not to have it.

You deserve a space to be heard, to make your creations, to hold you headcanons. Anything that brings you joy, amusement, euphoria, validation, healing, catharsis, anything that you find interesting or enjoyable, you deserve to engage with it.

I promise you are capable. I promise you are not doing anything wrong. I promise you are not hurting anything.

Whatever you thought about while reading this post? I am giving you permission to do it.

[iloveacronix]

Macronix for the ship ask game??

Eeeeeeehhhh. I don't know about this ship. I will admit I used to ship them together but I was like, what, 8 or 9 when hands of time came out and I didn't think about the fact that Machia was a woman made up of snakes so I just saw her and said "oh wow cool," yet that was YEARS AGO I have CHANGED I no longer SHIP THEM and probably won't because Machia is literally with me!!!

[prettyhopemachine]

do you guys think Lestat would wear red lipstick? asking for a friend

[discworld-heritage-posts]

What do you think you add? Do you think you make a poignant post better when after scrolling down through it we see someone saying it's "official"?

I'm choosing to interpret this ask as a genuine question (albeit one that's been worded a bit rudely) instead of a hate anon, because I wouldn't want to tarnish people's dashboards with hate anons.

Now, to answer your genuine question... The "Discworld Heritage Post" tagline I add to the end of posts has as much validity as I have authority to bestow it: none. Do I think my tagline makes posts better? Of course not! And I certainly don't think I make them official, (and neither my url or my pinned post claim that I do so).

I don't know what reasons other people had to start their own Heritage Posts blogs for other fandoms, but I will gladly tell you mine: I got into Discworld. I discovered the Discworld fandom in Tumblr. And, one day, while scrolling down some Discworld related tags, the idea just popped into my head. After checking that there wasn't a Discworld Heritage Posts blog already, I decided to make one.

I personally follow a few Heritage Posts blogs, and my reason to do so is probably the same as to why many people follow this blog: I wanted to see that kind of content. Tracking tags and being up to date on the most popular posts of a fandom is doable, but doing so for the dozens upon dozens of media I'm into is impossible, so I like to follow some Heritage Posts blogs to get some of those posts directly into my dashboard (it's also worth mentioning that sometimes, some iconic posts are made when people comment stuff on them, and those don't appear in the search tags, so following blogs that post about a certain fandom is the best way to come across some of those collaborative posts, because otherwise you'd rarely get to see them). So yes, I created a blog that, had it already existed, I would have liked to follow. Also, while other blogs with this gimmick usually limit themselves to reblogging, let's call them the "greatest hits", I've said since the beginning that I didn't care about how many notes something had. Be it cool art or a funny or insightful post, if I like it, I send it to my drafts.

However, none of those reasons are the main reason why I made this blog. The main reason is that I did it for myself. After exhausting all the content that showed up in the Popular Posts tab, I couldn't help but think of all the gold and treasure that wasn't there, buried and hidden due to the way Tumblr's search engine works. If you're familiar with the Discworld concept of "lies-to-children", that's what the "top posts of all time" is in Tumblr. A 20k post from 2016 will not be there, but a six month old post with 400 notes will show up. Surely there had been amazing Discworld posts and art posted in 2015 and 2013, but I wasn't going to find most of them unless I expressly went looking for them. And this blog was the perfect excuse to do so. As of replying to this ask, there's nearly 600 posts sitting in my drafts, and if I didn't have this blog I would have never discovered 90% of them. And those are the ones I've seen. I still have dozens of places I haven't searched.

I know that if I reblog a month old post with over 2k notes, a lot of people in the fandom will have already seen it. However, a 2k notes post from 2014, or a drawing with 40 notes from 2012 is something that is less likely to have hit people's dashes recently, or at all. When you come across the "Discworld Heritage Post" tagline in a post, please don't picture me as an uppity monarch performing the Tumblr equivalent of a knighting ceremony, or a stuffy museum curator deigning a piece worthy of being included in an exhibition. Picture me as a kid enthusiastically jumping and flailing my arms around while yelling "holy shit guys check out what I just found!!", because that's how I feel running this blog.

Ultimately, whether one of my posts does better or worse is indifferent to me, because they aren't my posts, or memes, or drawings. I'm just the intermediary. That being said, of course it's not indifferent to me, because more engagement means that was a post many people hadn't seen before, or had forgotten about, and one of my goals was to run a blog that would allow people to find those hidden or long forgotten gems.

When all is said and done, Heritage Post blogs are just another one of Tumblr's gimmicks. If we're not your cup of tea, you're free to ignore or block us. If you want to reblog something and don't want the tagline, you can reblog it directly from OP (or from another reblog if OP has deactivated their account).

[gossippool]

i’ve always taken “show me you care about something bigger than you” as vanessa trying to get wade to do things that matter outside of his need for external validation. he tells happy he wants to be an avenger because he needs it, because he needs a reason to matter. at that point in his life, he was looking for big gestures or flashy ways to show those around him that he was important, that he had a place in the world outside of his usual brand of violence. he wasn’t necessarily thinking about doing things for the sake of others.

and then he goes to sacrifice himself at the time ripper for the sole reason to save his family. he doesn’t care about what it means for him, if it’ll finally make him matter, he just wants to do whatever he can to keep his family and logan safe. saving his family might not change the world, or be an issue that affects thousands, but it is bigger than wade. he saves them because they need it, bc their lives are far more important than wade’s own need to matter.

i hope i explained my thinking well 😅

ohhh this makes sense!! but then it kinda doesn't line up with everything else if you see his progression throughout all the movies—not saying that your explanation is wrong because honestly it's probably right LMAO (at least more right than whatever i was spouting in that post, but then again wade probably hadn't even understood what she was trying to say hence why he tried all those things) but more so the writers' fault in terms of not caring about continuity. this just feels like a repetition of deadpool 2 where vanessa said wade's heart wasn't in the right place, and then he proved that it was by sacrificing himself for russell

also another thing that didn't make sense to me was that vanessa broke up with wade because he never got back up when the avengers rejected him. but he only went to the avengers because he wanted to show vanessa that he mattered, which seemed like a point she only brought up during the breakup—and also something she didn't seem to have a problem with before. it would make sense if she raised the issue before which then led to him going to the avengers, but i don't think that's what happened??? who the hell knows though since they didn't show us shit

the breakup scene as a whole is just very underdeveloped lmao and i guess they just wanted to get to the whole wade and logan thing but i wish they focused more on this

[rosemaryreality]

This question is brought to you by me thinking "No but if they hug and one of them says something about selfishly wanting the other to live and some next level gay speech before sacrificing themself...i might forgive Gege, maybe, it has to be a really good hug though"

[dieselocelot]

I'M HERE AGAIN HELLOO HIIIIII :D

question about vandermorgan cuz I'm curious....

do you have any headcanons and how do you see their relationship?

They say a picture is worth a thousand words

[bixels]

So I l’ve been getting into your ko crisis story lately (it all sounds rlly awesome btw) and i was curious - you’ve said in the tags in a previous ask that ash is comphet, so is that gonna play a major role in her character arc/journey in any way?

Yeah, the story basically covers her journey of redefining her identity as a queer Asian-American disabled woman in a sports-entertainment industry, which is a media landscape that specifically targets, exploits, and fetishizes people like her.

[ckret2]

I have an offering for Bill Cipher. The first is Zooland books, specifically the 1980 version of them. They have the most amazing illustrations and I loved them as a kid. The second is Madeline Le'angles Wrinkle in Time books which is my favorite sci-fi series. Hope he likes them☺️

idk whether he'd enjoy zoobooks (all i know about them comes from those old tv commercials) but he'd be successfully hypnotized by them. book has pictures, he looks at pictures.

ngl I couldn't get past the first wrinkle in time book. Nothing wrong with the sci-fi worldbuilding, just the overall good vs evil plot was too... whimsical for my tastes? It's been years since I read it, I don't remember precisely what I didn't enjoy. so I don't know enough to decide whether he'd like the whole series.

[breezypunk]

How do you get so much love for your Cyberpunk 2077 screenshots? I spend hours posing, setting up lights etc etc but I get 0 love. Ok, I'm definitely not a professional photographer, but 0? Teach me, plsssss.

Oh my goodness, I need to gather my thoughts for this because as someone whose struggled with this for a long time, I understand 100% how you feel right now and I just want to give you a bit of advice.

I'm not a professional either, and what I mean by struggle is that when I first came into this fandom I came in with nothing. I hardly got any notes or any recognition for my posts as well.. Granted I was on console and console users sadly don't get the love they deserve, and I think they deserve just as much love if not more from people, and that doesn't happen, it's a fact.

When I started using mods and got on PC, I still barely got anything, and it started becoming a struggle for me because I fed off of validation and approval from others, and that is something I still struggle with to this day, maybe not as much, but I def still do and I think most people in this fandom do. No one can say they don't crave validation, we ALL do, if we didn't we would post n o t h i n g. And while I do agree that we should post for ourselves, we also post because when we do something we are super proud of, we want others to see it and enjoy it as well and there's NOTHING wrong with that at all. We reblog our things multiple times to push it out so other's can see (and because the algorithm truly sucks, just my opinion).

I was desperate for validation because I craved interaction and friendship, that's all I ever wanted, and I wanted to bond with people I have the same interests in and because of my desperate need for it I made enemies, still to this day. It only makes you feel icky on the inside when you're constantly trying to appease others, and while it's normal to want validation, it's not normal to only do it for that and that alone. I don't know who you are anon, and I cannot "teach" you, simply because what you're doing right now is good enough, not even good, it's great & regardless of how many people interact with your VP, you are good enough and you shouldn't stop, because if you love it that's the #1 most important thing. But also don't be afraid to reblog your stuff! Reblog it as often as you like.

Also, P.S.. I am still not always proud of what I do. I still get a little envious, it's human nature, I'm on a shitty laptop with horrible graphics and I can't do much with it, but I love taking VP, it's a passion and I will do it no matter how it looks. You should do it too, the best part of doing it is doing it because you enjoy it with no regrets. Sometimes this fandom will make you feel like you have to be the very best or at the very top for people to interact with you or enjoy your VP/art, and sometimes that's true, mostly it's true... but there are still good people here who genuinely appreciate all forms of VP, whether it's console, modding, gorgeous lighting, no lighting at all, etc. It's all beautiful, and at the end of the day, that validation is gonna come and go anyway. But you will continue to look at your art and go "yeaaaaah, I did that :)"

So please don't feel upset for getting "0" love, cos I promise someone loves it.

[silverwhittlingknife]

I noticed something in a lot of your Dick and Tim fics. It's probably so obvious, but you always write that Tim is watching Dick. In your newest one, Tim's watching Dick, in The Return Tim's watching Dick, and you even write that Tim is always watching him. Is Tim trying to read Dick? Trying to understand? Or does he understand him by watching? What is he trying to figure out by watching Dick? What does that say about Tim? I really hope this is intentional lmao because I would be embarrassed. Maybe this is just something so obvious that I'm just getting now.

YES IT’S ON PURPOSE <333 Anon. Anon. I'm so sorry this answer took forever, but listen, this was a really delightful ask <333 I think about this a lot.  I really love origin stories—I like stories that resonate through a character’s history. 

And for me, a whole lot of what interests me about Dick and Tim is that theme of watching and being watched. Seeing and being seen.

"Watch me on the trapeze, Tim. I'm going to do my act...'specially for you." | "Timmy, don't look." | "I turned away... I couldn't watch. Then I heard you crying and I turned back... I'm sorry, Dick. I didn't want to hurt you by telling you all this." Dick's watching me. Gauging my reactions. (Tim watching Dick watching Tim!) | "I'm taking off the blindfold." "No!" | "I can't see him. You can't see him. But I know Robin. And Robin's always there when you need him." | I love that kid. Too much to let him see me like this. (But Tim spots him anyway.)

Spotlights and lighthouses and cameras and photographs. Blindness and vision and masks and detective work and trust.

I'm going to try to be coherent about this but it's gonna be incoherent sdfsf BUT I'M GOING TO TRY so. Below the cut, a really long grab-bag of my rambling on vision and watchers and watching.

Tim + watching / Dick + being watched / different dynamics

Tim's origin story

Being watched goes with vulnerability/exposure

Incomplete list of moments with Dick and Tim and vision

Tim + watching

The first time we see Tim's face in LPoD: a close-up on his eyes looking for Dick, a close-up on his eyes at the moment that he sees Dick, a pullback to his face at the moment of recognition, a pullback to his face + his camera (you could maybe even argue that Tim comes into existence at the moment that he sees Dick, like, conceptually. the act of seeing is his defining characteristic. it is the thing that makes his character happen. he is the kid who's watching.)

Tim's a very vision-centric character: he's first introduced as a camera, then as a pair of binoculars, then as a pair of eyes. His whole backstory is about watching: watching Dick's parents die, watching Dick on TV, watching Batman and Robin. I've grabbed a few panels above with Tim watching Dick but there are so many more. His major deductions are all vision-based: he sees Dick-the-acrobat and later recognizes Dick-as-Robin; he sees Bruce-in-the-past and recognizes him as Bruce-of-our-time; the climactic moment in Red Robin is about going into a dark cave with a torch so he can see what's there.

And he's a detective. He pries into secrets. He analyzes people. He's a worrywart and a fusser who always wants to understand what's going on with other people. In a lot of those panels where Tim's watching Dick, his inner monologue is busy deducing Dick's emotions and trying to psychoanalyze him. Tim's caring and watchful and intuitive... but all those qualities also make him very very intrusive.

Dick + being watched

Dick performing acrobatics for Bruce, Donna, and Tim in Detective Comics 38 (his first appearance), New Teen Titans 16, Batman 441, and Nightwing 88 (where he reflects he's glad to be back in the hot glare of the spotlight)

Dick's a detective too, of course - Tim deliberately mirrors Dick, both in-universe and out-of-universe. But also Dick's a performer who loves being watched and also wants to control how he's seen. He gets a kick out of showing off, making puns, kicking ass, taking names, and he gets a kick out of having an appreciative audience. And he's got a kind of yearning for recognition - it hurts, when Bruce won't look at him, and in fights with Bruce, Babs, Roy, he'll often bring up the past, trying to get them to acknowledge a shared history.

At the same time, he's a very private person who withdraws and hides and pushes people away when he's upset. Right before Tim shows up, Dick's just ghosted the Titans because he's having emotional turmoil and doesn't want to have it in front of them, and they're trying to respect his wishes... but that solitude doesn't last long, because then Tim tracks him down. Tim will do this again when Dick's having an emotional crisis and trying to avoid everybody in Nightwing 110.

Possible dynamics

Tim watches Dick in Robin 11, while silently analyzing Dick's anxieties about Two-Face

"The watcher and the person being watched" is a dynamic that really interests me, partly because it can be so complicated?

You can see in Dick and Tim their very first roles: enthusiastic performer and the enthusiastic audience member. Dick likes to perform and show off and entertain; Tim likes to watch; those are roles they both easily slide into and they have a lot of fun together! But also you can look at the harsher side: the crime victim and the voyeur, the amateur photographer and the guy who hates being photographed. Dick's intensely private about his vulnerabilities; Tim's intrusive and watchful and constantly trying to figure out how other people tick. Sometimes Tim's the caring friend who watches Dick closely, reads him well, understands him; sometimes he's the nosy mini-detective who pries into Dick's secrets. And that's just two different ways of describing the same thing!

One of the things that kinda fascinates me about Dick and Tim's relationship is that in a lot of ways it's built on a bunch of low-key boundary violations. A lot of their early relationship is driven by Tim's desire to know more about Dick vs. Dick's reluctance to get close to anyone from Gotham; Tim's often out-of-line, but without his pushiness, it's hard to see how they would've developed a relationship at all. Later on, their friendlier relationship is marked by Dick teasing and low-key bullying Tim; it's pretty obvious that Tim isn't actually bothered by this, but it does involve Dick ignoring whatever Tim's claiming he doesn't like ("Quit it!" "Shh").

And one of the aspects of those boundary-violations is that Tim has a habit of witnessing things that Dick would prefer that nobody see. Tim's a witness to Dick's first and most miserable tragedy; he sees the aftermath of some of Dick's fights with Bruce; he's there when Donna dies. And he's sharp and observant and analytical, and I like to imagine this as being something Dick's not entirely comfortable with.

When Dick first meets Tim, it's before he's learned to wear a mask. And Tim spends a lot of time trying to see through Dick's masks, and he's pretty good at it, and a lot of that prying comes from love and care, because one of the ways that Tim shows love and respect and admiration is by trying to absorb absolutely everything about you, like a little sponge. But there's also something unsparing and even threatening about the search for the truth of someone else. It can be comforting or threatening, to know someone's watching you.

And I love how all that complexity is wrapped up in Tim's origin story? Both the giddy childish "Watch me on the trapeze" and then the awful grim reality of what Tim actually sees as a result and then the difficult connection when Dick and Alfred finally get Tim to explain how he knows their secret identities.

Tim's origin story

Tim (recounting his origin story in LPoD): My parents held me back as the thing moved to you. I cried out to warn you. (Two panels where we see just Tim's eyes, as he watches a crying Dick. He sees Batman approach and start trying to comfort Dick.)

I think fiction sometimes presents "being understood / seen / known" as an uncomplicatedly good thing, and there's nothing wrong with that! But I like complications, and I like the way Tim's origin story frames that moment of witnessing as difficult and fraught. Tim doesn't want to tell Dick how he knows their secret identities because he thinks it'll hurt Dick to know it: I don't want to hurt you, Dick, and I'm really afraid I might. And he's not wrong. It is painful; it does hurt; it's not something Dick's happy to know.

Dick's a very private person, and there's a painful intimacy to Tim's origin story - it's not Tim's fault he was there, but at the same time, it's not like Dick chose to have the most traumatic moment of his life on stage in front of an audience of strangers, you know? It's kind of a violation. In NTT/NT/Nightwing, Dick's pretty violently hostile to photographers, and he's intensely private about trauma in general, and I like to imagine this as partly a reaction to that foundational trauma of losing the most important people in his life and also doing it publicly.

And Tim's part of that audience. And he sees the worst part, the part that Dick can't talk about. He sees the bodies and the blood. He has nightmares about it for years. He hears Dick crying and sees him holding onto his parents' bodies. Not at all the kind of first impression Dick would want to make. Not at all the kind of person he wants to be seen as. And that understanding can be painful, because it's so close to the bone, and when Tim's just a stranger, it's upsetting, because Tim knows things that Dick would never have chosen for him to know. Their few conversations about it are awkward partly because Tim's thirteen and awkward... but at the same time, it's not Tim's fault so much as the situation! There's no way for Tim to talk about what he saw that wouldn't be uncomfortable for Dick.

... And yet, and yet. Tim's also one of the last people to see the Graysons alive. He sees Dick and his parents together; he even takes a picture with them. He remembers the whole thing so vividly he'll recognize Dick's somersault years later. He sees the grief. And so I think of that connection as kind of a metaphor for witnessing. Tim sees these things and they become real; Dick can't hide from them; in the act of being seen he's caught, he's in a spotlight, all the grief made real. You can't hide, that way. And Tim's got this unforgiving memory; he won't ever forget; he won't ever stop knowing.

But then, too: Dick's seen, he's known. Even at the very beginning, when Tim doesn't know enough to understand what he knows, he knows the important things.

So that shared memory is a barrier and a bond between them. It can be a source of discomfort or a source of comfort. And that's how I think about Tim watching Dick in general - it's complicated, and sometimes Dick's glad of it, and sometimes he resents it, and also it just is, it's a fact of Tim, that Tim watches. It's notable when he's not watching, when he's turned away.

Being watched goes with vulnerability/exposure

So I'm going to talk about the fraught feeling of being watched more in a little bit, but first: I think it's fascinating that Dick likes screwing around with games where Tim can't see!

Here's Nightwing 25 - Dick's come up with the idea of trainsurfing while blindfolded:

Tim: Are you sure this is such a good idea? Dick: Shh! Listen. Tune into the changing sounds and - Tim: I'm not so - Dick: JUMP!

Here's Robin 49 - clambering through a tunnel into No Man's Land:

Dick: Hard not to think about the river. All the water above us. And bugs. This tunnels' probably full of 'em. And rats. Big ones. Big blind rats with teeth as long as -

Here's Gotham Knights 9 - ambushing Tim in a sorta game of hide-and-seek:

Dick: Gotcha! Tim: Augh!

I feel like mmm I don't want to emphasize power dynamics too much because it's easy to overplay it BUT when I think about headcanons it's interesting to me to think about how maybe when Tim can't see, Dick's more in charge / in control, and so he feels more comfortable and less vulnerable, and that's often when he's most relaxed and playing around the most?

Whereas the moments when Tim's looking at him are often a bit more fraught, as here in Lonely Place of Dying:

Tim: I'm sorry, Dick. I really am. I didn't want to hurt you by telling you all this. Dick... Dick: It's all right, Tim. No matter how old you are, there are some things you never forget. Or get over. (Silent panel: Tim's watching Dick as Dick turns away and stares into the window.)

Or here in Nightwing 6, when Tim wakes him up from a nightmare:

Dick (internally, imagining a kid falling): He shouts to me. He always shouts to me. I never hear what he says. Tim: Nightwing! Wake up!

Or here in Gotham Knights 26, when Bruce is accused of murder:

(Silent panel where Tim's watching Dick.) Tim: I'm sorry. This must be hard for you. Dick: Me? Why? Tim: Well, I mean, it'd be one thing if we really knew he was innocent, but as it is - Dick: Wait, what? Stop right there. What are you saying, Tim?

Here's Tim spotting him before he can get away in Nightwing 110:

Dick (watching Tim from a distance, internally): Still, Timmy played it through nice and clean. Disarmed the perps, protected and avoided the cops. Kept any civilians from getting shot. God, I love that kid. Too much to let him see me like this. Tim: Hey! (appearing on the roof above him, fake-cheerful) You weren't gonna leave without saying hi, were you? Dick (looking away, very quietly): Hey, Timmy. Tim: Look at you, man! Back on both feet! Think you're done stopping bullets with your body for a while? Dick: Hope springs eternal. (Silent panel with Tim watching Dick, who's turned away.) Tim: You okay, Dick? Dick: I'm fine. Tim: Well, where're you staying these days? Dick: With some people.

Of course, sometimes Tim's watchfulness is frustrating but also a comfort, as in Detective Comics 874:

Tim (watching Dick, who's looking away): Are you listening to me, Batman? I'm saying the gas the Dealer used on you was powerful stuff. Dick: I'm fine, Red Robin. Besides...you're here now. Tim: You're not fine. And with or without me, you shouldn't be out on patrol ye - Dick: Sshhh. Here they come.

(Later in the comic, Dick mentally concedes that Tim's right that he hasn't really recovered from the gas, and Tim saves him from drowning when he's hallucinating. So Dick feels kind of exposed by the scrutiny, but also... he invited Tim along, so there's trust there, too - Tim's perceptiveness can be a good thing, too, when things are serious.)

Incomplete summary of moments with Dick and Tim and vision

I think I already mentioned a lot of these but here is my LIST

almost the first thing that Dick says to Tim is "watch me on the trapeze, Tim" and then Tim does and he basically never stops watching;

Tim watches Dick's parents die and watches Dick sobbing on-stage and watches him on TV and recognizes him by seeing a particular trick because he's dreamed about Dick doing the trick in his recurring nightmares about that night;

in New Titans 65 which is their very first team-up comic after Tim's origin, Dick's training pre-Robin Tim and gives him a test about watching for details and later Tim's takeaway is "I saw how [the Titans] listened to you";

there's a moment in Showcase '93 12 which is just Tim watching Dick and analyzing what's going on with him and there's another moment in Prodigal which is the same thing;

in Nightwing 6 Tim sneaks into Dick's apartment and hides in the dark and Dick spots him and tackles him; one of their most important bonding comics is Nightwing 25, where Dick insists on blindfolding him to get him to rely less on vision; when they sneak into No Man's Land they're in the dark and Tim can't see again and Dick's teasing him;

there are multiple moments when Tim can't see Dick for a bit and panics about his safety, in Nightwing 25, in No Man's Land, in Transference, in Bruce Wayne: Murderer;

Tim's there watching when Dick's wedding to Kory falls apart and he's there watching when Bruce and Dick fight and he's there watching when Donna dies and he's watching when Dick and Bruce swing together on the night before Infinite Crisis, and when Dick goes down and almost dies in Infinite Crisis we cut to Tim watching and seeing it happen and screaming;

there are multiple moments which are just silent panels of them staring at each other trying to figure out what's going on with each other or having a stand-off - in Bruce Wayne: Murderer, in Resurrection, in Red Robin;

in the aftermath of Donna's death there's a panel where Dick's watching Tim from a distance and not approaching;

in the aftermath of Blockbuster Dick spends half the comic just staring at Tim from a distance and hiding himself because "I love that kid - too much to let him see me like this," but Tim sees him anyway and chases him down and then they lie to each other and *ranting* LISTEN TO ME the whole comic is about Dick trying to AVOID being SEEN both literally but also METAPHORICALLY AND --!!!

(the only thing i'm even as halfway obsessive about for them is the heights thing because also there are a bunch of moments involving falling or Tim being anxious about heights and worried that he'll fall or Dick will fall)

In conclusion

Consider the progression in all these moments where Tim's watching an upset Dick and worrying about him!! From reaching out instinctively-but-pointlessly when he's too far away in the LPoD flashback, to almost reaching out in LPoD but hesitating, to putting a hand on Dick's back to walk him back to the Cave in Gotham Knights 10, to physically dragging him clear of the water in Batman: Black Mirror!

In conclusion I don't have a conclusion but basically YES, "watching Dick" is a core Tim characteristic as far as I'm concerned, and Tim watches Dick a lot and that can mean all kinds of things from admiration to nosy intrusiveness to worry to care to gratitude to trying-to-figure-out-what's-going-on-with-him, and sometimes Dick's resentful and sometimes he's relieved and sometimes he's playful and sometimes it's a mix of all those feelings.

And at first it's always Tim watching Dick, but later you've got Dick watching Tim too, and there's that moment where Dick's secretly watching him fight but Tim spots him in Nightwing 110 and there's a silent panel where Dick's watching him in Resurrection and at the very end of Robin there's a scene where Dick's secretly watching him fight but Tim spots him and in the very last issue of Red Robin Dick's watching the end of the confrontation with Boomerang and in Prodigal Dick's the one who notices his face is bruised and aaaaaaah

Anyway I think they're neat <3