#i don't need to explain why it doesn't make sense

[wannaeatramyeon]

DG x Reader: Bodyguard

G/N. Cracky. You, the bodyguard. DG, the 'helpless' idol. Masterlists

When the rest of DG's senior team insisted he get a bodyguard, he thought it was a joke.

What sort of idiot would attack James Lee.

Then he remembered he's not James Lee, at least not to the general public. He's Diego Kang, CEO of PTJ Entertainment, an idol with amazing moves and an ass that won't quit but no fighting experience.

Right. Right. 

He supposes that makes sense. It would've been suspicious to say no, especially with his legions of stans and stalker, and his prior history.

.

.

You're not exactly who he would have picked.

Bodyguards are usually monstrous, huge, intimidating men. You're not really any of the above.

In fact, you're kinda cute. And apparently your resume is also impressive enough too.

"Perfect candidate." 

"Extensive training." 

"Unmatched awareness." 

-were chirped into his ear before he gave you his nod of approval.

Besides, DG thinks it might work to his advantage to employ someone so unassuming.

.

.

"No upskirt pictures!" You yell at the paparazzi, parting them to make way for the pink-haired idol, and pointing accusingly.

DG, in a moment of complete confusion, peers down to his own legs in case he really did wear a skirt.

No. He's in his pants, of course he is. His clothing is supplied as part of his sponsorship deal. Why would he be wearing a skirt?

"What was that?" He asks, when you're piled into his minivan. Brows knitted together instead of his usual cold, impassive expression.

You give him a shrug, "Just in case."

"In case of?"

"Just in case," you repeat, tapping your nose and nodding knowingly at him.

.

.

Now, he remembers.

During one of his many many boring meetings, when you were officially under his employment and before you started, he had been warned you might be like this.

.

.

“No pictures today!” you holler and the paparazzi groan.

Someone brave enough shouts back why.

“DG lost all five MAMA noms and he’s in a terrible mood. He might ask me to kill you if you take any pictures,” you say back solemnly and without humour.

DG feels bitter but not that bitter. Upon hearing your words, he stifles a laugh into his sleeve and disguises it as a cough.

.

. 

To sum it up, you're an oddball. 

Still, DG tolerates you because of your flashes of brilliance and your brutal honesty.

"Here, sir." You offer up a steaming hot drink and DG raises an eyebrow. "Honey and lemon. For your throat."

When DG doesn't take it, you finally explain. "Your singing sounded awful, sir. Thought you might need it."

Ah.

He did think he sounded off but the yes-men at the studio told him otherwise. He should have trusted his own instincts and makes a mental note to replace them.

DG chuckles to himself before taking the first sip.

.

.

"No touching please," you jump in just as a fan is starting to get handsy.

"Excuse me?!"

You turn away from them, letting their indignant outrage slide off you and usher DG on to the next group to interact with.

DG gives you a nod of thanks and you give him a subtle wink back.

.

.

"You best not be zooming in on his tits," you snarl at another paparazzi. "No under boob, side boobs, any boobs!"

DG glances down at his chest. Fully concealed in a mock neck jumper. There's no bare skin on show at all.

"Can you explain?" He asks, once you climb in the minivan after him and slide the door close.

"You know." You say, handing over another honey and lemon drink.

"I don't, actually."

"You know," you repeat, eyes signalling towards his chest area and hand gesticulating at your own. "And, y'know." 

You nod at his hot drink and pull a face, indicating that he was pitchy as hell in the last rehearsal.

DG shakes his head at your antics but takes a sip regardless.

.

.

"For you, sir." You hold out a brand new baseball cap with both hands and head bowed respectfully.

"I don't want this."

"Yes but you need it."

"..."

"For your bad hair day."

"What?"

"Trust me, sir."

DG narrows his eyes at you. You're rude as hell, no tact at all. He’s not sure if you even have a filter, or you just say whatever thought pops into your mind. 

However.

Somewhere along the way, he finds that you're the only person that tells him the truth.

He takes the cap and thrusts it on his head.

"Much better!" You pipe up with an oblivious grin, adding insult to injury.

.

.

"What are you doing?" DG pulls a face as you wrap your arm around his waist and hurry him on.

"There's someone tailing you," you murmur, "I've been watching them for the last five minutes."

There is? How on earth did this person get past his radar?

As if answering his thoughts, you tell him, "They look like a normal ajumma. No-one would have suspected her if I wasn't watching."

You pick up the pace and DG matches you stride for stride.

"Your manager is waiting just up ahead with the car. I'll take care of them." You give DG a salute and a toothy smile as he looks at you in alarm.

In all honesty, you look a bit helpless. Yes, your resume looks great and yes, your recommendations are glowing but DG hasn't actually seen you in action yet. He can't help the way his stomach lurches thinking about you in danger.

And what if this isn’t an untrained, rabid stan, but someone who knows about his other life and is after James Lee?

"I'll be fine, sir!" You turn quickly and sprint off in the opposite direction at breakneck speed.

.

.

A couple hours later, after DG has paced endlessly back and forth, you show up at his office.

Your hair is a little out of place, and your regulation suit is a little dusty but you're otherwise untouched.

"Are you ok?" his eyes snap to yours.

"Of course, sir!" Your beam is as bright as ever.

DG exhales deeply, pinching the bridge of his nose, relief overwhelming him and he desperately wills his pulse to return to normal.

"Call me James," he sighs when he realises it's not working and his heart seems to beat quicker and louder now you're in sight.

You don't ask any questions like why James, why not Diego. You accept it at face value, no doubt having some secrets of your own.

Your smile is unfaltering as you respond, "Sure thing, James, sir!"

[mrgrimreaper1]

Dude this is sick, reminds me of this cool different Undertale multiverse idea I've made one day.

[this whole Multiverse happens like, years down the line, pretty much a time skip AU causing error and ink to be much stronger for some reason, there's a reason why I scrapped it a lot of the story is me making a scenario in my head and struggling to explain why it happens the way it does.]

In it error sans finally managed to end ink, and once he does it he regrets it later on because of the boredom that come from no one on his level to really attempt to fight back against him destroying things, and since there was no one making Another AU protector for so long, he needed to slow down on destroying the AU's because of [reasons that don't really make any sense for his canon character to do, because he would probably destroy them all regardless of how he would feel about it afterwards, which is why I've made this a completely different multiverse altogether AND scrapped it.]

Because in this MV (MultiVerse) he would die of absolute boredom if he actually destroyed everything in one swoop, so he needed to balance destroying things and then wait for creators to create more anomalies for him to destroy, which he finds really annoying, so in his absolute bored out of his mind state, he makes the choice to create something himself.

A replacement for ink that could rival him and force creators to work overtime and make more anomalies for him to destroy, he takes a pen and paper and sketches a sans design heavily based on ink, which is why this version of "ink" is named "sketch!sans" with nicknames like "sketchy, sketched, sketchup." [Ketchup joke, made by either classic sans or fresh sans, haven't really chosen who did it, could be any Sans', really.]

Then to bring this character to life error after a while of trying he would get really frustrated, because he doesn't know how to do it, making him throw the drawing away.

Causing it to fall down to the bottom of ink's doodle sphere where the remains of the destroyed AU's remained or something causing sketch sans to actually be created...

[...This only works here because I reworked what happens once you destroy an au, in this multiverse once you destroy an AU, the Portal to said AU in the doodle sphere turns into magic ink and it remains at the bottom of the doodle sphere for the rest of eternity, but thanks to how many AU's we're destroyed they accumulated and mixed together, making a huge mess.]

Thanks to the ink being mixed together this version of ink sans would come out with a lot defects, he would come out of the ink "colorless" or just "black, white and grey." Being straight up a blank Canvas, a husk of what the real ink is supposed to be, so a lot of his emotions were muddled and he didn't act like what you'd expect ink to act like...

...Causing sketch sans to be very insecure? Maybe, his whole character arc that I've had planned for him is him trying to live up to error's expectations and straight up trying his damnest to act like ink would, causing a lot of identity crisis's until he met the star Sanses and they explain to him why he simply can't get his whole attempt to imitate ink right, so they introduce him to the vials ink used to act the way he did, then sketch would start going after said vials to act more like ink, as he kept finding and drinking more of these vials he would slowly and surely becoming a lot more like ink and he would regain his colors with each vial, with error constantly encouraging this to make him keep going and get the real ink back, thanks to error's inability to care for sketch's whole identity crisis causing sketch to reach his breaking point when he meets Cross!Sans and his whole thing and experience with identity crisis's and making him realize how abusive this relationship with error is, causing him to either cut ties with error or just become his own person and completely ignore error's wishes, and just deal with him without the pressure of having to act like ink, or whatever, I don't have a proper ending to it.

It was nice getting this off my chest and head.

ERROR!INK (ASYNC SANS)

ok so, finally came with a full idea of this character:D an error version of ink. i'll be listing some facts and clarifications about him to prevent any kind of confusion, just under the cut!

i wanted to write his entire backstory on here but it ended up being a little too much longer than i expected so maybe i'll make a comic about it- or no (wheheh). but basically everything started when he also tore his soul but appeared in the anti-void instead of a normal void that would eventually become his doodle sphere

now, his design choices

he's wearing the first ever clothes he used in His Story comic

his eyes colors were chosen thanks to their inverts, those specific magenta and blue are the opposites of green and yellow, the first colors he experienced in his original story

the marks on his body are white to represent the meaning of the few white garments in his original design: "The white layer underneath says how he attempts to hide who he is, but his emptiness sometimes shines through."

his "tattoos" are no longer illegible when he turns into an error, they become common binary codes (the font used for these is Note This, ink's official font)

the red (magenta) eye is on the right side to somehow symbolize the blood his "scar" would cause

there is no yellow on his clothes to show how secretive he is, as he constantly hides half his face in his scarf

personality traits and extra facts!

as said before he is someone incredibly reserved, mostly because while being in his 5 senses he is afraid of his self without his doses of paints and tries to not attract attention

nonetheless, he likes being around people, he would probably travel across universes to hang out hidden in crowded places

the "specific situations" mentioned on the first part of the sheet refer, for the most part, to self-defense. but there may be other situations where he simply creates stuff that people ask for from time to time

compared to his original counterpart, he will take much longer to drain as he'll rarely use his powers

if he talks for too much time he'll glitch for an instant and forget everything he was saying. that is one of the reason he doesn't enjoy talking so much

when he's in the doodle sphere he often has momentary traumatic hallucinations, so he tries to leave that place as quickly as possible

these previously mentioned hallucinations also happen in panic situations or as a sign that the ingested paints are no longer effective

okie dokie i think that's all for now<3 if anything comes to my mind later or anytime i'll try to post it or smth! hope you like it🫶

ink sans by @/comyet

[azaharinflames]

Will you share your theory on what you think is happening behind the scenes of 911?

Hi, Nonnie!

Sure! As long as everyone is aware this is purely speculation, and nothing I say should be taken as proof of anything, I have no problem.

I've gone over a few things in my head, to be honest. I thought that JLH having filming conflicts could've been a major factor, and I still don't exactly disagree with that initial idea, but overall I think it was one of the things that threw TM for a loop.

Now, I've seen a lot of people theorize that perhaps Angela is leaving and that is what is causing so much chaos in BTS, but I am on the fence about this. I do think she might've asked to not have such a big role moving forward, especially if they get a season 9 (which I am also on the fence about ngl), like perhaps retiring, or just having a more laidback position training new recruits. The seeds are planted for that, not so much for her fully leaving. And it would give Angela more free time to dedicate to other projects (which, yes please. I need her in new projects ASAP).

So... (and please don't kill me for this, it's just a theory).

I think it all comes back to Ryan. And that he perhaps is leaving, or actively wants to leave. I will try to explain myself as concise as possible:

A couple of months ago there was already speculation about this. In all of his individual interviews (which were a lot, to be honest), Ryan made a point of talking about his work beyond 911 and talking about what he would like to do after 911.

On top of the individual promo, there was an uncharacteristically high amount of BTS dedicated to him and the godforsaken mustache. To the point where they threw a mustache party. And in the pics of that party, the vibes were that it was a party for Ryan, not in general.

Small thing, but Josh randomly dressing up as Eddie for Halloween. Perhaps unrelated, but I wanted to add it.

The 911 account reposting and celebrating Ryan's 100th ep, when 1. it wasn't his 100th (if we count the eps he was actually in) and 2. it was also JLH's, and yet they didn't say a thing about it. Ryan reposted that as well and the message he reposted it with was more nostalgic than anything else. Very much giving 'it was an honor to work with you, what a journey'.

I could be wrong, but I do think his contract ends this season. So, that just adds to it.

The timeline of the move to Texas. By the reactions alone I was fully expecting Eddie to leave for Texas at the end of 808, and then to be back with Chris (in a lazy way of solving their conflict off-screen) by 809-810. But the way he's currently thinking about it makes it very sus for me. As in, it can be a thing for the end of the season, and an actual goodbye for Eddie.

Of course, nothing of this has to actually happen, and it's quite possible it just exists in my brain. But this makes sense in my funny brain because then it explains why BT had to break up so soon... because they wanted Buck to feel completely isolated.

We know 809-10 will deal with Maddie being kidnapped. That alone will make Buck spiral. But if on top of that his best friend is also leaving... well, being alone just adds to the isolation and the angst. Because if Tommy was still around he'd be able to lean on him, and have him help him through this. But it seems like the writers wanted Buck fully alone for this, because sure, seeing a character never learning and being completely isolated is so much fun.

If this ends with BT getting back together, I honestly don't know. It wouldn't surprise me if Tim doesn't know. But, all in all, I wouldn't be surprised if RG deciding he's done is the thing that kinda created the domino effect.

(Also: I do not believe Oliver was telling Tim to fire Lou and end BT. Sorry. I just don't really see it. Nor do I think there were actual conflicts between actors BTS, as much as everything they're doing right now does feel a bit weird)

Anyway, thanks for letting me rant, Nonnie! My inbox is always open for ranting, venting, or discussing

Take care <3

[lullabyalikpoptarot]

Jeon Jungkook Perspective Reading

Disclaimer: No facts here, just a messenger of the cards and my interpretation of what I get.

Now, on to the next member of BTS for this reading. His energy can be a bit messy for me, so let's see if we go deeper into who he is. So, the song he gave me was Goriila by Bruno Mars, that is a pretty sexual song, so I was like, nah, give me something deeper and got Sexy Back by Justin Timberlake and Sexual Healing by Marvin Gaye and gave up. Dude likes sex, just saying it and the sexual appeal, but he may also enjoy the intimacy of it with a romantic partner. He may not just be into sex with anyone, maybe with his particular person, anyway, let's see if we get something more in the cards.

Ugh, I am not liking what I am getting here, crap. So, we start with Temple of My body, this is giving me sexualized energy. Now, we know how sexualized he is, but do we know how sexualized, if you catch my drift. I can't move past the first card, because I am creeped out by this energy. I hate that I am getting this energy. Ya'll I want to cry, anyway, I really don't want to beat around the bush with this one. I am so scared to say this, but I just keep hearing Justin Bieber in my head if you know his story, then you know. Now, he is a fan of him, but I don't think that is why his name keeps popping up. The Temple of my Body card has the number 2, which reminds me of the 2 of Wands and I am getting sexual favors from that. Now, with the next card triumph of lies, lies wins over, everything around him is a lie, or they sell a story about him, or they sell him lies. Now, with the Sacrifice card, I mean, hello, sacrifice, being a sacrifice. Or having to sacrifice himself. With Black Flower Fragrance, he is hardened, this may have led him to dark places or opened up a void and darkness in him. I am sorry, but this is pissing me off. I really hate what I am getting, and I hope to god, I am wrong here. This could explain his messy ass energy. His story reminds me of Justin Bieber legit, it is his story all over again. I hate that these readings goes how I expect it to go. I knew I was in trouble when that first card came out. Anyway, this could also be a reason for his sexual nature, victims tend to be hypersexual. Allegedly, no facts here. But I call it how I see; I am not sugarcoating anything. Okay, I need to pull out the Conscious healing deck, because he needs healing energy.

Okay, what I am getting is there is patterns, cycles, maybe coping strategies that he may need to release. I see the circle on this one card, and I see things spiraling or a continuous loop for him, a lack of conclusion for him. I mean, I totally get it, very hard to heal from things like that, and face it. If that is what he went through. But this is telling him he needs to move forward. There is a lack of confidence he does have, a sense he isn't good enough or worthy. He may just see himself as a pretty face, or sexy body, that is all people may want for him, so he may see himself as that. He may feel people may not care about what he thinks, and by people, I mean the higher powers. People in control. This makes me sad. It seems there is a bubble, a protective shield he has built, which makes sense, so he makes it hard for people to come close to him, which once again, makes sense. It is like he built a safety net for himself. He should work on clearing away anything in his life he doesn't need, be it people, things, habits or situations. I am looking at this card and what I feel he should do is go on some retreat, in nature, away from all the bullshit and business of his life, that is what he needs, now would he get that, probably not, he makes too much money for these clowns for them to let him do that, but I feel that can help him heal.

So, what I find interesting is that he got similar cards to Wonyoung with this deck, who may have experienced things similar to him, so that intrigues me. These cards are saying that he can rise above whatever has happened if he allows kindness in. If he can allow himself to connect with his spirituality and tap into his feminine energy. To allow his creativity and passion to drive him in a positive direction. There is an opportunity for him to find love and a happy ending if he allows someone in. There is growth and abundance for him. He should work on communicating from the heart and show love towards himself and others. There is abundance for him. It could be an abundance of love, happiness, or success, whatever that could mean for him.

I feel these cards here are telling him to connect with his spirituality. I feel connecting with a higher power would be significant/beneficial for him. He would need to do some introspection and reflection and also learn to allow his intuition to guide him more and learn to listen to it, but there is this guard he has, this hostile energy, vengeful, aggressive energy he holds on to. He feels he needs to be on defense. To protect himself. All understandable, but it does halt him from healing. There is still anger and frustration within him. He should work on healing his heart, being more emotionally open and to not be too in his head and too analytical. I feel this is regards to his relationships. There could be opportunities for love with him, but he tends to overanalyze things and things don't move forward.

There is this need for him to find himself, to love and accept himself. But there is a need for closure for him to be able to find that peace within him. When he is able to find that closure and to close that chapter. He will be able to find strength. To gain his power back. This is a time for him to transform himself. To become a better version of himself. To break out of the cocoon they created for him. There is a lot of stress and tension built within him. He may need to practice breath work to help him through this process. There is this need for him to control others, the narrative, this may be in relationships. As he may not have much control in other matters of his life, or even body. He may need the control in his relationships to balance that. But that creates problems in his relationships. I can see him being clingy as well, and that can be a problem as well.

Alright, let's finalize this with Tarot. Interest combo of cards, so these cards give me an indication of someone speaking out and wanting to make changes, so he may do that. He may speak out about the struggles of the industry. With the Queen of Swords, he tends to be good at detaching from his emotions, people can do that once traumatized, but some people are just this way. I am just getting from this card and the King of Wands, is sharing information, speaking up, not sure where this is coming from, or if he will, but his energy wants to share, to speak to the masses and share his story. Not sure, he would tell the full story though. I am just getting there could be something he says that may change things. He is the type that wants to confront things and create some sort of movement. But he is also bold and willing to face any challenges that come his way. Loving this ending energy. Now, he does have this energy, but these cards could indicate it is something he should do, but may not do, because there are insecurities that may hold him back.

Okay, why I love these reading is because it helps me understand the idol so much more, but the first part was difficult as it always tends to be. But he comes off as a bad ass in the end. It just gives me more of an understanding to why they behave the way they do in my shorter readings.

[abysshare]

Wow..i saw the leaks and just. Wow.

I was hoping they were fake and its everything i hate in a series. I was biting my tongue until i saw the episodes but here we are.

Before i go into spoilers i do want to say that i AM grateful that we even got anymore of Arcane, but sometimes less is more.

Spoilers underneath

Edit: these are kinda messy thoughts.

My biggest gripes:

Too many plot points for a finale

Family trade in ( Bio sister for found sister for bio sister again )

Vander dying, Alive but fucked up, okay, fucked up again, dead, alive but fucked up, dead.

Not bringing up Isha at all??? Not even a quick funeral?

People being brought back to life but Isha and Jinx has to die.

Jinx has to sacrifice herself to save Vi and herself. 😒

The SEX scene.

Better explaination:

Too many Plot points:

I knew it was gonna be too many. I KNOW we needed answers/resolved plots, as well as needing things to make sense. But it.. was too much. Like most media at this point.

Family Trade In:

So... no one really talks about this trope? Or whatever you want to call it. But it bugs me, so much. If you don't know what I'm talking about..

To me a family trade in is when a Character, no matter their role, has family, turns evil or gets lost and finds a family of their own, and then when it seems perfect for them, they end up back with their original family because the new family died for them/their old family or they just.. don't belong/want to go.

Perfect example that isn't Arcane: Amphibia. Anne has to leave her adoptive found family from another universe and can never go back ( until she dies basically ). As well as her friends have to leave their found families as well and also cannot go back. Anne loves both her families..

And while i understand life isn't fair, and that people are allowed to not want to stay here or there.. it just bugs me the trope is to always trade back in for the old.

With Jinx, she "loses" Vi ( and yes Silco but it isn't about him right now ), And gets Isha. I KNEW the second i saw her she was gonna die ( this isn't a bash against those who didn't see it coming ( /genuine ) at some point. While i adore Isha and i am fine with Jinx adopting her, i am not okay with the writers choice of adding her just to kill her and be practically a trade in for Vi later on.

It sucks. I'll just say it out right.

And i want to be very clear. By trade in i do NOT mean replace. I know Isha was never a replacement for Vi ( or Powder ).

Again, i know life sucks, and you just don't get everything you want in this world, especially when it comes to war. But since this is a trope or at least a thing i see constantly, whether its in a pg way or an R rated way... its annoying.

Which brings me to....

People dying / Jinx / Vander:

Why? Other than shock value?

Jinx Dies, and it felts uncomfortable to me as a Psychotic/Schizospec person like her. She should have lived, she should have been able to find her own happiness after properly grieving Isha.

Isha Dies, happy to do so for her big sister(s), but like.. it ends up not being worth it. It both does and doesn't. She saved them time but then-

Vander. Vander is killed, then brought back to life in a fucked up way, then okay for awhile, then fucked up again, then dies ( by Isha ) and then is fucked up again and alive, and then dead.......... and then fucked up and alive again! And then dies, with Jinx!

It doesn't feel satisfying. Of course that one moment was very sweet and worth it. But oh my god? Why do it at all if you're just gonna kill and reanimate him again and again. Its not shocking its annoying by the third time and a joke by the fourth.

Viktor.. Same deal with him? And I'm not even clear if he is dead or just fucked off to space-time with Jayce, but still. It wasn't shocking anymore. Or thrilling. Just like "ah. Okay. Cool mask".

Heimerdinger... when i read the leaks i thought he was gonna die. Then i was watching and thought "oh no okay, he's gonna stay in that universe. Thats nice he deserves that". Nope. He's either also dead or also in space time. I just sighed really hard rather than be sad.

And finally.. The Doctor's daughter gets to live- AND HIMSELF- even he gets a happy ending? Over Jinx or Vi? What.. i mean yes Vi gets Caitlyn , but.. ? Ugh

The Sex scene:

I'm glad for Sapphic rep i really really am. I like Caitvi a lot as well. But this didn't feel comfortable for me. Not because it was an intimate moment, but because neither of them talked things out properly. On top of that it was really random.

Vi was upset, then suddenly horny for i guess.. make up or grief sex? Or both? And Cait was obviously fine with it, but then to suddenly try and talk about Maddie. I'm glad Vi wasn't the typical ">:( you fucked someone else while i was hurting?!" It was so... random. This is why they needed to talk before hand. At LEAST say it before getting into it.

And doing it in Jinx's cell? It feels so.. weird and wrong in a way? I don't know how to describe it.

TLDR: what in the five marvel hells was that other than visuals pretty

[papaya-inspiration]

This is really interesting! I hope you don't mind if I do a bit of analyzing of your loglines, because this is also something I struggle with and I'm interested in seeing what I can learn by breaking down the ones you've posted.

Some quick context first: I haven't read any of your longform fiction. I know from my sister (she's a fan) that they would probably be right up my alley (and I fully intend to read WtC, it's just long and I haven't quite gotten to it yet.) So I can't how accurately these capture the actual stories, but I can analyze them from the perspective of someone in the target audience who might pick up one of these books on the strength of the logline.

The thing that stands out to me most is that nearly all your loglines break up nicely into two parts: the first clause sets up the context of the story and the second clause provides the main thrust of the plot. In your stronger loglines, it is immediately apparent how those two things play off each other. In the weaker ones, the two parts feel disjointed or don't have an immediately obvious connection, and thus are missing the "twist" or "hook" that draws potential readers in.

Let me explain through some examples. I think your strongest logline here is the one for Shadows of the Limelight. The set up is both clear and snappy ("In a world where fame gives you power") and the plot hook immediately sets up several dramatic questions (what is protagonist going to do with all this sudden and unexpected power? what expectations come with it? how does the hero he saved feel about this? how does the protagonist's status as a "fanboy" affect with that?) The relationship between the set up and the plot is immediately obvious and it comes with the "twist" built in.

On the other side of things, I think several of your other loglines suffer from the same issue, particularly The Dark Wizard of Donkerk and Millenial Scarlet. Both have a set up and a plot hook, but the relationship between the two isn't clear. For Dark Wizard, how does "being raised by dark wizards" affect going on an adventure? Does it hinder the protagonist, or prepare them to approach their quest in a particularly unique way? Does it make them a particularly unlikely duo with the wayward princess? Are adventures a normal thing for this world? I think a stronger logline would tie the protagonist's unique background to how their quest will go down, which also has the added benefit of preparing the reader for what the tone of the story will be.

Similarly for Millenal Scarlet, the logline would be stronger if we got some sense of how the dead mother's plans came into conflict with the protagonist's job. I love the set up--"gig-economy demon hunter" is an inherently interesting premise (at least to me) and it sure seems like the kind of job that could bring you into conflict with a loved one's last wishes. But the logline doesn't actually tell us enough about the nebulous "plans" to show that there is a conflict, or what it is going to be.

So yeah! I hope something in there is helpful to you, or at least minimally annoying to receive. It was fun to look over your examples and think about why some of them jumped out as more appealing to me than others (and hot damn I really do need to read WtC one of these days.)

Also, in the spirit of practicing and improving I'll tack on attempts at loglines for two of my own stories (though they are currently not available to read publicly anywhere, alas):

Zivanka at Baytown - In a harbor town ravaged by unpredictable storms and unfriendly to outsiders, an orphan girl discovers the lengths she will go to secure a place for herself.

Death and the Doctor - Accompanied by the personification of Death itself, a plague doctor must free a village from a strange malady with otherwordly origins.

Save the Cat is a snappy read, and only 8 chapters, so I'm just doing a liveblog of them unless I get bored or distracted.

Chapter one is about the pitch, the logline, the title, what you put on a poster and how you sell it. It doesn't necessarily come first, but I get the sense that for Snyder this would be his preferred way of doing it. (A logline is just the one-sentence "what is it about" that you use to sell people on the idea.)

Snyder says that writing loglines is awful, soul-crushing work, and I agree there. I'm awful at it. But Snyder also says that if you don't have a good logline, maybe there's something wrong with your movie, and that I don't agree with.

I think there's a fairly wide set of stories that have good, snappy, easy loglines, and are also good stories. But I think there are other stories that are good stories and don't have a great way to pitch them. The lack of a good pitch can exist for a lot of reasons, and sometimes it's just that it's more complex than can be summed up in a single sentence, or even a handful of sentences. I think in practice writers will often dumb down the story for the logline, lying about what's contained within, just to make sure that it will sell, that people will want to know what's inside.

One of the other main points of the chapter is that a good logline has irony to it, a twist inherent in the title, some kind of thematic tension, and I disagree with that too, maybe not from the standpoint of selling a script, but from the standpoint of storytelling.

Why does everything have to have an irony to it? Why does everything have to have a twist? Why can't we have stories that are just well-told explorations of conflict and character? It's like at some point people decided that they only wanted Distinct Pieces of Media, so if you wanted to tell a story that's been told before, something with its own unique texture, you're just shit out of luck.

I find this all the more irritating because often the twist/irony/idea/pitch is good, and then the execution is shit, and then people don't want that idea again. It's not like you can say "like that thing that flopped, but good".

Blake Snyder is trying to tell good stories, but he's also trying to sell stories, and this is a good thing for authors to know how to do. I accept this. I just don't like it.

So as a writing exercise, here are some loglines for things I've written, without the amount of care and polish and revision that a good logline needs:

Worth the Candle - A teenaged dungeonmaster gets thrust into the worlds he's created, where his recently deceased friend is a historical figure. (This is bad, not short and snappy enough.)

This Used to be About Dungeons - Five young adults team up to delve dungeons and bake pies. (I don't know man, I said I was bad at this.)

Thresholder - A man travels through portals to different worlds and genres, gathering powers and skills as he fights other people just like him.

Shadows of the Limelight - In a world where fame gives you power, a fanboy saves the life of the world's greatest hero in full view of the public.

The Dark Wizard of Donkerk - An orphan raised by two dark wizards adventures north with a wayward princess.

Millennial Scarlet - A gig-economy demon hunter grapples with the death of his mother and the plans she set up before she passed.

Alright, I found that less soul-sucking than usual, but I don't think that these are the oiled, muscular, perfectly toned and smiling loglines that are necessary to sell, just to be clear. The marketing unit of written fiction is not really the logline, though that helps, it's the blurb, and I am equally awful at writing those. I just don't agree with Blake Snyder that a blurb or logline coming poorly is a sign that you don't know the story.

[beevean]

What bothers me about how forceful/unbased some neurodivergency/LGBT+ headcanons are is how they give off the vibe only neurodivergent or queer characters are allowed to have anything going for them. Not even anything special! Let's take TMOSTH: Tails feels empathy for many things? Autistic! Espio speedread a book to spoil the ending for Knuckles? Autistic! Or what you pointed out in Archie, with Shadow stating he likes his motorcycle? Autistic! As someone who only recently found out they might not be entirely neurotypical, I recall quite disliking and feeling somewhat hurt that every single thing a character did immediately gets spun around to fit the OP's projecting, with the attached "fuck the straights and the neurotypicals only gay people would ever do this" that tends to come along with it (where the thing "only gay people do" 99% of the time is the most basic thing in the world). It's almost like people don't want to consider that the most normal, down-to-earth, "boring" (used in the way such OPs tend to use it: as an easy jab) neurotypical cishet person can feel empathy for many things, speedread, or like a motorcycle. I feel like there is more behind that due to the state of the world at large, but it's annoying to see have to come across it in fandom all the time, and then have the "proof" be complete nonsense or entirely taken out of context to "support" the statement. Not to mention the "joking" accusations of bigotry if you do not share such headcanons that occasionally get added as well.

Another example I thought of the moment I hit the "ask" button: Surge getting revealed as Sonic's "clone" and the ENTIRETY OF TUMBLR immediately deciding this meant Sonic was trans. The fact they aren't even the same species nor look alike in the slightest and the fact I thus promptly got very worried about the biology knowledge of the entirety of Tumblr aside, thank god that shit died down when it got revealed Surge legit was just some rando Starline plucked from the streets with no relation to Sonic.

You hit the nail on the head.

When autistic headcanons are created from the basis of "X has a passion for Y!", I'm here like... do you think autistic people are the only ones who can feel any sort of love or attachment over something? Do you think neurotypical people can only blandly tolerate things? Isn't hyperfixation something much, much more intense than a passion? Isn't autism much more than "being shy and with something they love", and isn't ADHD much more than being excitable? This shit makes legit harder for people to realize if they're neurodivergent or not because I swear that literal human nature is deemed to be "divergent". If "neurotypicalness" is associated with being an emotionless, insensitive asshole, no wonder no one would want to identify as, or call their favorite character, neurotypical!

Don't get me started on how for some people "straight" is a synonym for boring and "gay" is a synonim for fun and quirky. Shocker: love and fun are not limited to non-cishet people. It's not a "weird", exceptional state of humanity. Cishet people can have a personality too.

lmaooooo I remember that headcanon, good times. Speaking of which, while the headcanon "Sonic is trans because he doesn't have chest fur" is... something, I side-eye people who headcanon Surge as trans. Oh, you think that the nasty, aggressively masculine bully is trans? It doesn't look good in either direction :) (same for the people who headcanon her as a lesbian, despite her having 0 meaningful interactions with female characters, solely because she's "butch". I wouldn't want to do that, but I may be biased lmao)

[inkskinned]

one of the things about being an educator is that you hear what parents want their kids to be able to do a lot. they want their kid to be an astronaut or a ballerina or a politician. they want them to get off that damn phone. be better about socializing. stop spending so much time indoors. learn to control their own temper. to just "fucking listen", which means to be obedient.

one of the things i learned in my pedagogy classes is that it's almost always easier to roleplay how you want someone to act. it's almost always easier to explain why a rule exists, rather than simply setting the rule and demanding adherence.

i want my kids to be kind. i want them to ask me what book they should read next, and i want to read that book with them so we can discuss it. i want my kid to be able to tell me hey that hurt my feelings without worrying i'll punish them. i want my kid to be proud of small things and come running up to me to tell me about them. i want them to say "nah, i get why this rule exists, but i get to hate it" and know that i don't need them to be grateful-for-the-roof-overhead while washing the dishes. i want them to teach me things. i want them to say - this isn't safe. i'm calling my mom and getting out of this. i want them to hear me apologize when i do fuck up; and i want them to want to come home.

the other day a parent was telling me she didn't understand why her kid "just got so angry." this woman had flown off the handle at me.

my dad - traditional catholic that he is - resents my sentiment of "gentle parenting". he says they'll grow up spoiled, horrible, pretentious. granola, he spits.

i am going to be kind to them. i am going to set the example, i think. and whatever they choose become in the meantime - i'm going to love them for it.

[lucienne-thee-librarian]

Okay but also because I'm a pedantic bitch...in relation to that post I just reblogged explaining part of gay-on-gay bigotry...what if some people are just assholes who happen to be gay, or bi or trans? And they're all for oppression or just plain cruelty as long as it's aimed at other people? Like that's also something to consider.

I don't actually think, any longer, that "internalized self-hate projected outward and also suppressed envy for someone who's doing and being all the things you were convinced into not allowing yourself" is...all there is to this phenonemon. And I wish we'd stop fixating on that quite so much just because we want to be frankly, nicer than some of these people have ever deserved. It's always more satisfying on some level, to imagine your enemies as Tortured deep inside (whether it's because you feel a bit malicious or you just want to believe that there's a way to reach out and heal them with kindness.) than to admit that Sometimes They're Just a Shithead.

Now, do I think that complex can be a big part of it? Oh yeah. And of COURSE, different people have different motivations in different amounts and yadda yadda yadda. No group of people, ethnic, gender, political or otherwise is a Monolith. (For one thing, when it comes to these Pick-Me Gay/Trans pundits and Influencers, money and clout should never be left out as an explanation. Just saying.) But that's the point, isn't it? Any ONE explanation can't explain them all completely.

Tbh, I think we need to consider some people are just bullies who happened to be born not cis or straight. And even if they were bullied at one point for their identity, they learned absolutely nothing from the experience except Don't Be On the Social Reject Side. So they moved their thinking just enough that "woman who likes women" "man who likes men" "I just happened o want to be a woman instead, or a man instead despite how I was born" could be put in the Safe category and they fight for that. Everyone else though, is still fair game and even a fair target. Some people don't just want power to escape oppression and live their lives in peace, they WANT to BE the ones oppressing. Like, do we ACTUALLY understand that LGBT people are humans too and that that includes the bad side?

It tracks a lot better too, when you consider that a lot of people like the masc4masc gays are openly racist and fatphobic. "No fems" Yes but also "No fats. No Asians." Christ, I could think of countless examples of white thin (and sometimes but not necessary cis) queer people doing that sort of thing. I'm sure y'all can too. This idea of some poor lost soul Tormented by Self Hate and Envy of the Freedom of Others doesn't do shit to explain that. Like, even if the two things coexist and they can, it doesn't explain that part.

I honestly just think the uglier but more accurate truth is that lot of queer people aren't all Hashtag Gay or Trans Rights or aren't Liberal out of any sense of justice AT ALL but only self-interest. Being an activist because you're a member of an oppressed group is like, entirely normal and fine of course BUT it becomes real clear when someone's framework of ethics and politics is PURELY "I think me (and people I personally like and approve of) being oppressed is bad" and literally not one inch deeper.

You can tell because if it was deeper, why would they find it so easy to turn around to a fellow queer/trans person to jeer at and humiliate and throw them under the bus if they think they're a Deadweight to the group by being a Weirdo I Don't Want to Stand Next to, Eww...or if they just don't personally like them? Why have you clearly spent absolutely no time unpacking any of the prejudice and biases around gender sexuality (or GOD FORBID race) that society throws at you.. at least no more time than it takes to rationalize yourself out of the category of Should Be Destroyed and Oppressed?

We are not immune from this sort of terminally self-interested activism. I just feel like we'd get a lot further as a society, as a community, if sometimes our analysis of bullies and assholes didn't fixate on finding some deep pain and trauma inside them, to explain their actions in a way that makes them look more tortured and less malicious (even if we say, even mean, that it's not supposed to be an excuse). Sometimes people are just racist, or fatphobic. Sometimes lesbians or gay men or bi or trans people just want to be judgmental bullies too.

Sometimes the reality isn't Tragic Villain Backstory. Sometimes, its just a selfish, deeply pathetic person refusing to become any less, because it's easier not to; even if you had a unique chance to see how the other side lives, a chance your straight cis bully peers didn't get by virtue of their identities.

[thisismycorneroftheinternet]

*ahem* May I step in and join on this theorizing?

So, one of the common ways people interpret that Dr. Sloth article is that Faerie magic ousted him from the surface of Neopia, and Faeries are aliens from another planet who created life in Neopia. That aligns with the fact that a lot of Faerie lore sort of parallels Mormon/Catholic/religious lore IRL, including the city in the clouds stuff, and with the idea that Faeries are guardians, protectors and controllers of Neopia, which is basically Christian angel lore with a fantastical coat of paint.

But I feel like the explanation could be more simple than alien Faeries, which would just push the creation of Faeries to another planet, without answering where they come from. I suggest that the primordial magic that created the Neopets and the world of Neopia created the Faeries as well, and they are more like, strong expressions of that magic, with much more ability to manipulate that magic that is innate to the planet, like particles of a physical force field, that both are created from the energy in the field and also are the cause for the different interactions (think gluons, Higgs bosons, photons, etc). It makes sense, given that Neopia *is* very magical, to the point that a lot of things don't make physical logical sense, like the fact that entire lands' weathers can be affected by the belief of said land's residents on what the weather should be, or the fact that the islands aren't geological formations from vulcanism, but floating pieces of rock that need to be anchored and protected against attackers. Heck, even the day and night cycle and the seasons seem to be affected by magic, as the single hour fuse of Neopia implies that every single land, be it on what side of the globe, has the sun rise and set at the same time, and the entire globe experiences seasons concomitantly, things that literally cannot happen due to basic geometry and the fact that light from one source will never hit more than one side of an object ever. The reason why all of that is possible is because the magic of this world literally breaks the laws of physics and logic, because it's so omnipresent and powerful.

Going back to the Faeries, basically, the first Faeries and a part of the Faeries nowadays would have just sprung into existence where the primordial magic was strongest, and later on Faeries could have come from either asexual or sexual reproduction. That would explain the fact that both Faeries AND Neopets have elemental affinities, where all of the Neopets' abilities fall within the realm of the six Neopian magic elements, and Faeries can affect those abilities and bless Neopets with higher affinities to their corresponding magical elements. That would also explain why Faeries all seem very associated with the lands they come from, not just in their outfits and closeness with the lands, but also, their magic varies from land to land, for example Ilere being a Dark Earth Faerie in the Haunted Woods, which has a history of dark magic land contamination (as told by the story of the Neovian Catacombs), while Illusen is more of a basic Earth Faerie, since Meridell doesn't have that same contamination on the ground.

Now, as to the Faerie overpopulation in Faerieland, I'd assume that 1. given that, mainly when it was in the clouds, it is a highly magical city, and 2. Neopets seem to flock together by species, as seen by single species tribes, and Faeries seem to do the same, so any Faerie from outside of Faerieland would probably feel compelled to go to there unless they have a reason otherwise to stay in their land of origin, and 3. given that there are probably more than one way to produce Faeries, and their long lifespan, they probably do have that more and more young Faeries are sprouting up in Faerieland because, um, yeah.

Anyways, my additional suggestions for death of Faeries is that they could probably die like 1. Gods in modern fantasy, where they fade out of existence once they are no longer relevant; or like 2. Ghosts (or Sailor Scouts on the Sailor Moon manga) where once their purpose is done, and whatever brought them onto this world has ceased to be, so they also cease to be; or, in sort of similar fashion to the higher state of being, they 3. Fade back into the magic, like a particle fades eventually, and its energy is integrated back into the field that originated it.

So yeah... Now my theorizing moment is over.

Neopets Lore (and Theory) - Faerie Aging and Faerie Populations

Here's another fun poking-at-the-Neopets-canon post about faerie aging and population numbers (this is a long'un, so to be nice I'll put a Keep Reading break in to make it easier to scroll past in the #neopets tag. ;))

1. Faeries are very long-lived, and don’t seem to grow old. In Fyora’s and Illusen’s Neopedia articles, their ages are listed as “Ageless.” (Jhudora’s age, for the record, is listed as “She’s certainly not telling.”)

"Go on. Ask. See what happens."

Neopets, in contrast to faeries, have been described as mortal (such as in the Altadorian Book of Ages—“Siyana, the First to Rise, blessed [the city's] mortal heroes with the gift of great longevity”—plus I’m pretty sure Jhudora calls you a pitiful mortal or something like that as one of her quest-completion messages), which implies that faeries are immortal—that they don’t die of old age. (They do seem to be able to die of other causes; there’s at least one faerie ghost out there—Valeane, from the “Aethia and the Battle Faerie” Neopedia article.)

2. Faeries appear to, at minimum, go through a “teenager” phase during which at least some of them attend a school called the Faerieland Academy, though what that actually involves, age-wise, seems to be ambiguous—in the Neopedia article for Kaia, whose backstory involves leaving her homeland of Shenkuu to attend the Faerieland Academy, her age is simply listed as “Younger than most of her kind.”

"I'm [ambiguous] years old!"

It’s not known whether Kaia is literally a teenager when she goes to the Academy, or if faeries age differently—it’s possible, as long-lived beings, that they age more slowly and reach the faerie equivalent of adolescence at a much older age than Neopets (or humans); likewise, it’s possible that faeries are “born”/created from magic and never go through a baby/young child stage, jumping straight from nonexistence to the equivalent of teen-hood. (I don't believe an infant or toddler-stage faerie has ever shown up in canon.)

3. The ongoing existence of the Faerieland Academy implies that faeries are being born/created at a fairly steady rate—there’d be no need for a school for young faeries if there weren’t an ongoing stream of faerie youths to be schooled.

(It’s not impossible that Neopets might attend the Faerieland Academy as well—there’s an old TCG card that references a “Faerieland Magic Academy” that Neopet would-be mages could attend. However, this may not be the same as the Faerieland Academy that Kaia and other faeries go to, and Kaia’s article doesn’t mention her interacting with other Neopets as students—only faeries.)

"And all of those faeries are jerks!"

4. It’s not clear how faeries are born/created.

At least one faerie mentions her mother—in the “Aethia and the Battle Faerie” Neopedia article, Aethia introduces herself as “student of Shyvara, daughter of Dreeana.” There is also an item called “Illusen’s Family Recipe Cake,” which means that Illusen presumably has a family that passed down the recipe for that cake.

However, it’s never clearly stated whether these familial relationships come about through birth or adoption. It’s possible that faeries reproduce through parthenogenesis, or--given that they're magical creatures--just use some sort of spell to conjure up children out of thin air. It’s also possible that faeries simply pop up spontaneously from Neopia’s natural magic (or something like that) and are then adopted by an adult faerie, though that option raises an obvious question—what happens if a young faerie pops into existence somewhere remote, without any faeries or Neopets nearby?

(The worst option, of course, is for faeries to be like ants or honeybees, in which the Queen is responsible for producing all the eggs necessary to keep the colony going. I would not wish that on Queen Fyora--it seems like an awful lot of work, and ruling a city-state seems hard enough on its own.) (Though there's a part of me that's strangely amused by the idea of faeries being insect-like enough to have a grub-like larval stage.)

"Why would you even suggest that."

5. However it is more faeries enter Neopia, here we run into a problem—that is, population.

If faeries don’t die of old age, and more faeries keep being born/created… eventually you’re going to start seeing overcrowding.

This presents a few possibilities:

a) Faeries do actually die of old age; it’s just that none of them have hit that age yet.

If Dr. Sloth's Neopedia article is to be believed, Neopia as we know it came into existence around 2,000 years ago—prior to that, Neopia was a wasteland without Neopets or faeries, until one day the world spontaneously became covered with greenery and Neopets popped into existence (much to Dr. Sloth’s dismay—he’d liked having a nice wasteland to fill with cool mutants!). It’s possible that faeries do have a maximum lifespan, but it’s simply higher than the number of years faeries have existed as a species. After a certain point, therefore, the faerie population could then stabilize.

b) Faeries do actually die of old age, and some have already done so, but faeries don’t like to talk about it—and might even deliberately hide their mortality from Neopets.

We know that Fyora has been Queen for at least 1,000 years (since she was the one to seal away the Darkest Faerie 1,000 years ago), so faerie lifespans would have to be at least 1,000-plus-however-old-Fyora-was-when-she-became-Queen, but (again, assuming the Dr. Sloth article is accurate) less than 2,000-and-change.

(As a side note, it’s implied that Fyora wasn’t the first Faerie Queen; according to the description of the (on-site item) book A New Day, Fyora was once an “up-and-coming faerie princess,” which raises the question of what might have happened to the previous Queen—untimely death, abdication, or something else?).

c) Faeries don’t die of old age, but after a certain point they leave Neopia in some manner.

Perhaps they abandon their physical forms and ascend to a higher plane of existence, or merge back with the natural magic of Neopia, or something… which seems a lot like death, actually, depending on one’s spiritual beliefs. Or maybe faeries have a retirement home on a planet next door (though that really just kicks the overpopulation can down the road).

d) Faeries don’t die of old age, don’t disappear from Neopia, and are, at some point, going to have to grapple with the whole overpopulation issue.

Digging too deeply into that train of thought could get a bit more dystopian than I’d necessarily like from a petsite, but hey, there it is.

"What a depressing topic..."

6. Leaving aside future concerns about faerie overpopulation—how many faeries are there, anyways?

There isn’t a solid answer for the whole of Neopia, but the Neopedia does give a few specific numbers that could be used.

The “A Dark Faerie” and “A Light Faerie” articles both have estimated populations for dark and light faeries—25,000 for dark faeries, and 33,000 for light faeries.

If we were to take those numbers and extrapolate them for the other elements—the mean of those two numbers is 29,000, so for this exercise we’ll assume that’s a reasonable average for each element—we’d get around 174,000 faeries in Neopia.

However, that is definitely not the total population, because there’s another source of faerie population data: the Neopedia article for Faerieland.

According to that Neopedia article, the total population of Faerieland is 1,620,000, 80% of which is composed of faeries. 80% of 1,620,000 is 1,296,000 total faeries—and that’s just in Faerieland; there are also faeries living outside of Faerieland (though the ratio of non-Faerieland faeries to Faerieland faeries is unknown).

Still, this leaves us with a few options:

a) Normal option: Whoever wrote the Faerieland Neopedia article simply didn’t use the numbers from the “A Dark Faerie” and “A Light Faerie” articles (which is fair enough; it’s not like those population numbers were a vital part of Neopets lore that would cause issues if retconned) Besides, other aspects of those articles are a bit outdated anyways--the dark faerie article straight-up says that dark faeries are evil (vs. the current canon that they can be good or evil, like any other faerie).

b) Hilarious option #1: The population numbers in the “A Dark Faerie” and “A Light Faerie” articles were accurate to the state of Neopia at the time the articles went live, but the faerie population has exploded exponentially in the years between those articles and the Faerieland article. How or why this could have happened is anyone’s guess, but now faeries have a massive Baby Boom generation.

c) Hilarious option #2: The population numbers in “A Dark Faerie” and “A Light Faerie” are accurate; dark and light faeries are extremely outnumbered by faeries of every other element.

If we were to assume that literally every dark and light faerie lives in Faerieland (demonstrably not the case, but let’s roll with it for now), then that’s a total of 1,238,000 faeries who are neither dark nor light vs. 58,000 total who are. Assuming a relatively-even population distribution between earth, air, fire, and water (though you could argue that there’d be a lower ratio of water faeries, as given that they have mermaid tails instead of legs they’d likely prefer to live in… well… the water), then that’s around 309,500 faeries of each of the non light/dark elements, which would mean there were a little over 9 faeries of any other of the “main” elements for every light faerie, a little over 12 faeries of any of the other “main” elements for every dark faerie, and, grouping the dark/light and earth/air/fire/water elements together, a little over 21 non-dark/light faeries for every dark/light faerie.

But again—that’s only using Faerieland numbers. The numbers from the “A Dark Faerie” and “A Light Faerie” articles appear to be for all Neopia, so the ratios would be even more lopsided as long as there are significant populations of faeries outside of Faerieland (which is surely the case; I don’t think Balthazar is walking right into to Faerieland and bottling faeries in the streets).

"Personally, I think we could use a few more of us around... but at least dark faeries are in the same boat."

But really, this one can probably be chalked up to those two older articles having relatively-arbitrary numbers slapped on them years before the Faerieland article was written and someone having to ask themselves "hey, Faerieland seems like a pretty big city... what's a reasonable population?"

[hermitsdump]

I wish all jujutsu kaisen fans a very media literacy and manga reread

[orchideae]

I have so very much to catch up on, my sincerest apologies, seriously— there's been mental madness going on behind the scenes, including this weekend. Please, let December be the month where normality starts and stays.

And on a more IC note, I often talk about solitude and isolation (and its origins in a very specific kind of loneliness) that is chosen and accepted, but I don't know if I ever talk about what that looks like exactly, and why, quite frankly, it's a little... for lack of a better word, concerning. Do me a favor, if you're in Genshin, turn your clock to nighttime, then go out into any of the cities, villages, camps, footholds and look up, no matter the nation you're in. How many characters are able to do that, and see a night sky that is nothing but void of any and all bounds and limitations? How many of them see that endless array of stars that illuminate it, and how many feel the cool fresh air that tickles their skin? For many, they can leave the four walls that house them, and experience that sight and sensation, because all of us to an extent, crave that. And honestly, so can Yelan— but she also, if not more often so, chooses to see something else. And the unusual concept of choosing that, is a driving force to my decisions for her and why I deem them so incredibly important: it's about the state of mind, it's about the mental that drives her.

On many days and nights especially, this is what she sees, and this is only if she doesn't descend further into the Chasm (which we know that she does), closer to the Abyss and to the Celestial nail itself that rests at its heart. And yes, it is beautiful in its own way, a pathway illuminated by the light of the moon and the nail, but it's also a cruel reminder of just how far the surface, and humans that live there (that she is by all accounts a part of, of course), are. But then, when she returns her gaze to the ground, her surroundings are void of light and dare I say, void of hope. The Chasm isn't just one of the places where you can get the closest to the Abyss, but it also consists of ruins of more than just one civilization. We see glimpses of Khaenri'ah (which we explore more closely through Dain's quest), but we know there is 'fauna' down there, even deeper, that is referenced as belonging to an even more ancient civilization that predated it. The Chasm is surrounded by reminders of death, ruin, and in that, it feels as if it's the direct foil of the world above it. The Chasm was almost the end of Liyue five-hundred years ago during the fall of Khaenri'ah, just as it had, apparently, once been to a civilization before it (please remember, the impact of the meteorite/fallen star that created the Chasm occurred roughly 6000 years ago), and its creatures wouldn't have stopped at its borders. The Chasm is the engulfing darkness in direct opposition to the light of life overhead, and the hope that humanity holds in the palms of its hands. It's dark, it's grim, and it's cold in more ways than one (See one, two, three, four).

And this place is a choice that Yelan makes to venture to and stay in, yes, yet calling it a choice is where it gets so interesting. Once upon a time, long before she got her vision, she was part of a team that surveyed the surroundings of the Chasm, and like many others before them that have descended into it, all members of this team, excluding her, died. The circumstances aren't clear, but following Yelan's line to Ning, I'm lead to believe that the Chasm's surroundings, which are all rather clearly threats to non-vision holders in specific (which Yelan also was at the time), were directly responsible for their demise. I'll note my hypothesis on what could have happened to them in a different post in the future, as I don't want to go far off-topic, but despite having likely witnessed what occurred to them, seeing the ruins of the Chasm, the threat of the Abyss and barely understanding what the Abyss even is, she continues to venture down there because the possibility of what could happen to the people of Liyue, is more important than her own existence and/or survival. And this bears even more weight following the events of Perilous Trail part 2, where she witnessed just how much the Chasm is capable of. Is this walking engima of a woman also drawn to equal or greater mystery than herself, much like a moth to a flame? I think that's part of it, but I definitely think it's infinitely more multi-layered.

Mostly, I think that this plays into the heart of what Fontaine has shown us that 'hydro' seems to represent: it's not merely a sense of responsibility (and/or justice) or selflessness, but a semblance of self-sacrifice either during the duration of one's life or at its end, either literally or figuratively. But keeping that in mind, what I really want to shine a spotlight on, is what kind of self-sacrifice seems to be the case with Yelan, and the way in which she seems to not just be at peace with it, but has truly accepted it almost as something akin to normality. And more importantly, note how this isn't normal behavior. An acceptance of solitude in such depressing surroundings is incredibly saddening, because it's not something that we ever crave by any means or should ever come to crave. Any regular individual, even most vision-holders surely, would find what she does insane to some extent. And yet, she walks the depths of the Chasm, of all places, with a similar routine as a Millelith guard patrols the outskirts of the harbor. Regardless of her clear reason for it— god, I have difficulty explaining what I'm trying to say; how does someone get to a point where they no longer do something so depressing out of necessity, but because it's... normal? That's her. The Chasm isn't... as eerie to her as it is to others, even if she knows better than most what these surroundings are; the Chasm it isn't as dangerous, even if she knows that it is and it's why she's there in the first place, to her as it is to others. Perhaps it's simply an acceptance that regardless of its dangers, that her fate lies in those depths as it did for her ancestors, that the Chasm's ruins will include her own legacy one day. But again, how does one come to terms with that? How do you come to make the decision that you will sacrifice yourself for others, especially when it means resigning yourself to a place like the Chasm, a place that is home to a pathway to the Abyss, which inherently holds the power to drive mortals to madness and death. Many wouldn't do this, or rather, many couldn't do this, not until they had no other choice and even then, think of Boyang, and even Bosacius, granted the latter had lost his mind by then. And that's where I think she's unique, because she technically has a choice, unlike individuals like Xiao whose... direct 'responsibility' and contract it is to do what he does. She could walk away tomorrow if she willed it, but she doesn't. Yes, responsibility plays into it, but the Chasm really hits differently when you tie it into that.

Now, I do need to note that I firmly stand against any believe that she a death wish or is thoroughly depressed. She isn't going down there over and over because she seeks an end to her life in some way or because she believes her life to be worthless. Quite the contrary, actually, and one could argue that the reasoning for that lies with her survivor's guilt. But all in all, before I get sidetracked again: Yelan embraces solitude to a rather extreme extent, and yet she doesn't seem to harbor a dissociation from the rest of humanity or dislike of it, but she does seem to place a firm line between non-allogenes and herself (and others who hold a vision). But what I mean with embracing solitude, is that while she is social, and she understands the laws and diplomacy of social behavior, she isn't one to always engage in it, simply because many don't seem to quite... share her headspace.

[magentagalaxies]

having a moment about my gender rn and i'm just like ugggggh @ my brain do we have to. like can we just not

[insecateur]

I know it's not canon at all - we're even told it's not the case in Masters - but I like to think Sycamore and Lysandre were childhood friends, along with Siebold, Malva, the Santalune sisters... 😍

i rly don't like that at all personally tbh, good on you if you do (like really!! if anything i'm glad there can be variety in how people want them to be/see them) but childhood friends are kind of boring to me i'd rather have them meet as adults 💔 even having them meet like e.g. in school later on in their late teens/twenties i don't rly like either honestly . i know it's a thing people commonly like tho!! it's just not my thing

i do headcanon lysandre n malva as being related tho so there is that

[nonokoko13]

<<DNI if you shame people for having "cringe" interests>> *proceeds to shame or disrespect someone for having interest in fictional stuff they don't like instead of using the block button even though that person has done anything to anyone*

[lvicevlk]

MLC questions because my memory is failing me

A) Does anyone know if there was ever an in story reason given for why Di Feisheng doesn't kill women?

B) I vaguely recall seeing/hearing that Di Feisheng was also poisoned in the battle 10 years back but I can't recall where or when I did, can anyone point me in that direction?

C) I cannot for the life of me remember if we were given any information at all about the third of the Three Kings. Did I just completely blank on this or did they really give us nothing?