#i don't like when a character feels like they're supposed to be relatable but i can't relate to them

[qcomicsy]

Lately I've only been wishing to grab a comic about my favorite character and just have a genuinely good time reading it.

[balconyswirls]

.

[jonnywaistcoat]

What’s your opinion on the contrast between “silly” and “serious” spaces? Do you think people can have very serious interpretations about a genuine piece of media and also be goofy about it? I’m asking this particularly because I’ve seen people in the Magnus podcast fandoms fight about people “misinterpreting” characters you, Alex, and the many other authors have written. Are you okay with the blorbofication or do you really wish the media you’ve written would be “taken seriously” 100% of the time?

And follow up question, what do you think about the whole “it’s up to the reader (or in some cases, listener) to make their own conclusions and interpretations and that does not make them wrong”, versus the “it was written this way because the author intended it this way, and we should respect that” argument?

This is a question I've given a lot of thought over the years, to the point where I don't know how much I can respond without it becoming a literal essay. But I'll try.

My main principle for this stuff boils roughly down to: "The only incorrect way to respond to art is to try and police the responses of others." Art is an intensely subjective, personal thing, and I think a lot of online spaces that engage with media are somewhat antithetical to what is, to me, a key part of it, which is sitting alone with your response to a story, a character, a scene or an image and allowing yourself to explore it's effect on you. To feel your feelings and think about them in relation to the text.

Now, this is not to say that jokes and goofiness about a piece of art aren't fucking great. I love to watch The Thing and drink in the vibes or arctic desolation and paranoia, or think about the picture it paints of masculinity as a sublimely lonely thing where the most terrible threat is that of an imposed, alien intimacy. And that actually makes me laugh even more the jokey shitpost "Do you think the guys in The Thing ever explored each other's bodies? Yeah but watch out". Silly and serious don't have to be in opposition, and I often find the best jokes about a piece of media come from those who have really engaged with it.

And in terms of interpreting characters? Interpreting and responding to fictional characters is one of the key functions of stories. They're not real people, there is no objective truth to who they are or what they do or why they do it. They are artificial constructs and the life they are given is given by you, the reader/listener/viewer, etc. Your interpetation of them can't be wrong, because your interpretation of them is all that there is, they have no existence outside of that.

And obviously your interpretation will be different to other people's, because your brain, your life, your associations - the building blocks from which the voices you hear on a podcast become realised people in your mind - are entirely your own. Thus you cannot say anyone else's is wrong. You can say "That's not how it came across to me" or "I have a very different reading of that character", but that's it. I suppose if someone is fundamentally missing something (like saying "x character would never use violence" when x character strangles a man to death in chapter 4) you could say "I think that's a significant misreading of the text", but that's only to be reserved for if you have the evidence to back it up and are feeling really savage.

I think this is one of the things that saddens me a bit about some aspects of fandom culture - it has a tendency to police or standardise responses or interpretations, turning them from personal experiences to be explored into public takes to be argued over. It also has the occasional moralistic strain, and if there's one thing I wish I could carve in stone on every fan space it's that Your Responses to a Piece of Art Carry No Intrinsic Moral Weight.

As for authorial intention, that's a simpler one: who gives a shit? Even the author doesn't know their own intentions half the time. There is intentionality there, of course, but often it's a chaotic and shifting mix of theme and story and character which rarely sticks in the mind in the exact form it had during writing. If you ask me what my intention was in a scene from five years ago, I'll give you an answer, but it will be my own current interpretation of a half-remembered thing, altered and warped by my own changing relationship to the work and five years of consideration and change within myself. Or I might not remember at all and just have a guess. And I'm a best case scenario because I'm still alive. Thinking about a writers possible or stated intentions is interesting and can often lead to some compelling discussion or examination, but to try and hold it up as any sort of "truth" is, to my mind, deeply misguided.

Authorial statements can provide interesting context to a work, or suggest possible readings, but they have no actual transformative effect on the text. If an author says of a book that they always imagined y character being black, despite it never being mentioned in the text, that's interesting - what happens if we read that character as black? How does it change our responses to the that character actions and position? How does it affect the wider themes and story? It doesn't, however, actually make y character black because in the text itself their race remains nonspecific. The author lost the ability to make that change the moment it was published. It's not solely theirs anymore.

So yeah, that was a fuckin essay. In conclusion, serious and silly are both good, but serious does not mean yelling at other people about "misinterpretations", it means sitting with your personal explorations of a piece of art. All interpretations are valid unless they've legitimately missed a major part of the text (and even then they're still valid interpretations of whatever incomplete or odd version of the text exists inside that person's brain). Authorial intent is interesting to think about but ultimately unknowable, untrustworthy and certainly not a source of truth. Phew.

Oh, and blorbofication is fine, though it does to my mind sometimes pair with a certain shallowness to one's exploration of the work in question.

[piratecaptainscaptainpirates]

Okay, so, there's one thing that I'm kind of tired of beating around the bush with white fans about, and it's this: if you pretend to "ignore" race in OFMD, you will miss a lot of what the story is trying to tell you.

Now, I do not truly believe that race is something you can ignore in a story. I just don't think it's possible, and when you try, what you wind up with is something like the conservative worldview of "not seeing color." Trying to ignore race will make you sound racist and ignore important racialized themes.

You can't understand Stede's need for character growth at the beginning of the show if you just focus on how he's "cringe" instead. When Stede makes his crew members of color serve them at dinner when the English board, this is gross, and their faces tell us exactly how they feel about it. Stede unlearning his biases here isn't subtle (guy who called him and Pete "fucking racists" I love you forever), and learning to take all of his crew members seriously as fully actualized people, moving away from the sort of Kindergarten-teacher behavior at the start to truly valuing them as people and taking their input and suggestions, it's an important aspect. Stede asking Abshir for intel at the party isn't just funny, it's also proof he's learned to see value in people in positions like Abshir's.

You can't understand the motivations behind Ed's actions, especially the violent ones, if you ignore the racist overtones. Ed is not a randomly violent person - he gets angry at a captain for calling him a "rich donkey," and if you think it's unreasonable for a brown man to want to get revenge on a white man for calling him that? Then fuck I'm glad you can't see the conversations I have with my other black friends, man. Ed's anger and frustration at the party aren't just because he fucked up with some spoons, lol, you can't get it unless you realize he's the only brown guest in that room. Yeah, he's ignoring Stede's advice, but he's immediately under a pressure Stede never has been. Ed's wanted posters in s2, too, rely on heavily caricaturizing Jewish features to make him look grotesque and monstruous. We're supposed to be horrified by that aspect.

And, yeah, when we ignore the racist tones to Izzy's behavior, I think that's undermining an important aspect of who he is as an antagonistic character. Him buying Ed from the English should feel like a gross violation, because it is. When he sits in front of the crew eating and making Fang and Ivan serve him, I think it's a pretty obvious parallel to how the crew members of color were similarly insulted in the pilot. It's impossible to ignore race in the way he dehumanizes Ed and tries to force him back into a caricature of behavior he hates and is horrified by - when he calls Ed a "wild dog" in s2, if that doesn't cause a visceral reaction of disgust in you, I dunno what to tell you. This doesn't mean that Izzy is irredeemable - just as Stede wasn't - but it does mean that racist biases are things Izzy had to unlearn.

OFMD so often takes so much care with how its characters of color are depicted. We get thoughtful, relatable moments (those French boat people getting humiliated and setting their boat on fire after they'd tried to touch Ed's beard is so satisfying, guys) and excellent, supportive friendships between men of color. The characters of color on OFMD are clean, smart, respected, and it's wonderful. And just because these things aren't always relatable to you specifically doesn't mean they're not important parts of the story.

[love-takes-work]

I've seen a fair number of people interpret Rebecca Sugar's (and the Crew's) decision to put Ruby in a dress as subversive, and I want to discuss why that feels like a clear miss to me.

Every time--every single time--I've heard Rebecca Sugar talk about the queer relationships on this show, it comes with this expression of wholesomeness, and often glazed with a sheen of wistfulness, flavored something like "I needed this as a child and young person, and I didn't have it." Much of Rebecca Sugar's work to bring this wedding (and other unapologetic queer relationships) to the screen was framed as an emergency--as in, we HAVE to get this out there for those kids we used to be, because we know they're drowning.

Yes, it's funny sometimes when people make jokes about Sugar deliberately "adding more gay" or "making it gayer" as a big eff-you to the people who spoke against it, but that doesn't sit right from where I'm standing. It took so much strength (and resulted in so much battle damage) to fight that fight, yes. But from everything I can see from the interviews and conversations I've seen and read, this wasn't served up in a "ha-HA, take THAT!" kind of way. These characters having these kinds of relationships should have been a non-issue, and the fact that their very wholesome kids'-show wedding and very sweet kiss and very adorable love for each other was seen as Political when it should have been just two characters in love is so sad to me.

I've seen dozens of people suggest that Ruby is in a dress and Sapphire is in a suit "to fuck with the bigoted censors in other countries" or "to give the finger to gender roles," but again, I think it is simpler and sweeter than that. Rebecca's said that Ruby in a dress is how she feels in a dress. Celebration and exploration of feminine-coded stuff felt wrong to Rebecca for a long time, like it wasn't hers, because she wasn't really a woman and didn't want it forced on her. As a result she was robbed of all the beauty that should have been a non-issue, from what TV shows and toys she was supposed to enjoy as a kid to what kind of person she was supposed to marry and what she should wear as an adult.

Ruby never got a choice about how she looked really. Once she got to choose her presentation for a significant event, this is what she chose. It means so much more to see that than to construct it primarily as a reactionary measure, as if it would somehow foil the sinister censors in more homophobic countries (who, incidentally, are not therefore forced to show Ruby in a dress even though they tried to hide that Ruby was a "she" or that she was in a romantic relationship with another "she"; y'all, they just don't show the episode).

We see plenty of other examples of gender-role-related expectations being casually stepped on and squashed, like when they took the trouble to give traditionally masculine and traditionally feminine "clothes" to some watermelons to make the audience think there was a husband and wife watermelon only to have the wife be the warrior and the husband stay home with the child. With stuff like that, yeah, sure, maybe it's designed to make you think "oh isn't that very feminist of them!" Or maybe it's more "well why do I see this as a 'reversal' when it's just a thing that happened?" This show is full of ladyish beings who fight and have power. And as for Steven. . . .

Nobody has negative reactions onscreen (or even particularly confused reactions) when Steven wears traditionally feminine clothes, and it is (of course) also not presented as a "boy in a dress gag"--it's not supposed to be funny. When they go all in slathering Steven in literal princess tropes throughout the final act of Season 5, we understand that it's because the powerful Diamonds expect him to be Pink Diamond, not because the show is trying to girlify him or embarrass him or even make the audience think positive thoughts about boys in girls' clothes. It's more neutral than that in my interpretation: "these are literally just pieces of cloth, and while some of them have meaning, they don't inherently have a gender." I don't see this as transgressive. It's just in a world where putting on what you want to wear doesn't HAVE to be a political statement. (Though obviously it CAN be, and plenty of people wear a variety of clothes as a fuck-you to whoever they want to give the finger to. I just don't see that as happening here.)

Don't get me wrong; Rebecca Sugar certainly knew about the politics (intimately) and has lived at many of their intersections. She was not ignorant of how queer people are seen in this world. She was silenced as a bisexual person because her identity supposedly didn't matter if she was with a man and planned to be with that same man forever. She was shunted into "omg a woman did this!" categories over and over again, which she wore uneasily as a nonbinary person while accepting that part of who we are is how the world sees us. But what is it like if everything someone like her embraces is seen as a statement synonymous with "fuck you" to someone else?

She is married to a person who happens to be a man and happens to be Black. Her relationship isn't a "statement" about either of those aspects of his existence; her love is simply something that is. She is Jewish working in a society that's largely Christian. Her cultural perspective to NOT center her cartoon around Christian holidays and Christian morals; her choices to make an alternate world in this specific way is simply something that is. Her queer perspective as a nonbinary bisexual person has helped inform the Gems' radical philosophy of "what if we learned to explore and define ourselves instead of doing the 'jobs' we're assigned and being told it's our nature?" Her decision to include queer people in a broadly queer cartoon isn't designed PRIMARILY as a battle against baddies, or to drown out all the relentless straightness, or to deliciously get our queer little paws all over their kids' TV. It's an act of love.

So this is just to say that though I DO understand that sometimes subversion and intentional transgression are very necessary, I do not think that's the HEART of what's going on at this Gem wedding. We got a wholesome marriage scene between two of the most lovely little flawed-but-still-somehow-perfect characters, and I very much want to see their choices as being about them. About how Ruby feels in a dress. About how Sapphire feels about not having to always wear a dress. About them incorporating a symbol of their union into their separate lives so they can have some independence in their togetherness. About them celebrating their love by letting Steven wipe his schmaltz all over them.

There are many choices in the show that ARE carefully constructed to counter existing narratives, you know, giving the Crystal Gems' only boy all the healing, pink, flower imagery; having a single-sex species that's ladyish with all the members going by "she"; featuring many nurturing male characters who cry and cook and raise kids without mothers; pairing multiple fighty ladies with gentler guys; and importantly, intentionally loading up the show with stories, characters, and imagery any gender will find appealing despite being tasked with expectations to pander to the preteen boy demographic.

But it's very important to me that the inclusion of queer characters and the featuring of their choices be seen primarily as a loving act, and way way less of a "lol screw the bigots." I want our stories to be about us. Yes, I know it's a necessary evil that sometimes our stories are also about fighting Them. But every time I see someone say they put Ruby in the dress to "piss off the homophobes" or "stump the censors" I feel a little gross. Like the time I picked out an outfit I loved and my mom said I only dressed in such an obnoxious way to upset her, and I was baffled because my aesthetic choices, my opinions, my choices had nothing to do with her. Yet they were framed like I chose these clothes primarily to cause some kind of petty harm to her, when not only was it not true but I was not even that kind of person who would gloat over intentionally irritating someone.

The queerness of this show isn't a sneaky, underhanded act trying above all to upset a bigot or celebrate someone's homophobic fury. It lives for itself. Its existence is about itself. It's so we can see ourselves in a show, and it's so people who aren't queer or don't have those experiences can see that we exist, we participate, we want very similar things, and definitely are focusing way more about celebrating our love at our own weddings rather than relishing the thought of bigots tearing their hair out and hating us.

It's dangerous to turn every act of our love into a deliberate movement in a battle strategy when their weddings just get to be weddings.

I think there’s this idea that that [queer characters] is something that applies or should be only discussed with adults that is completely wrong. And I think when you realize that talking to kids about heteronormativity is just like air that you breathe all the time, it’s kind of amazing that that is not true in any other capacity. I think if you wait to tell kids, to tell queer youth that it matters how they feel or that they are even a person, then it’s going to be too late! You have to talk about it—you have to let it be what it gets to be for everyone. I mean, like, I think about, a lot of times I think about sort of fairy tales and Disney movies and the way that love is something that is ALWAYS discussed with children. And I think also there’s this idea that’s like, oh, we should represent, you know, queer characters that are adults, because there are adults that are queer, and you should know that’s something that is happening in the adult world, but that’s not how those films or those stories are told to children. You’re told that YOU should dream about love, about this fulfilling love that YOU’RE going to have. […] The Prince and Snow White are not like someone’s PARENTS. They’re something you want to be, that you are sort of dreaming of a future where you will find happiness. Why shouldn’t everyone have that? It’s really absurd to think that everyone shouldn’t get to have that! --Rebecca Sugar

[crabonfire]

☆ Would merc still like you if merasmus turned you into a worm 🪱 ☆

characters: all mercs

tags: crack but not really I'm taking it kinda seriously, reader has a platonic relationship with the mercs

note: maybe someone's done this before idk I felt compelled to write something tf2 related and this is lowkey all I fucking got lmao

Also this is ridiculously long for a fic that was supposed to be crack so my bad (this was longer actually, but I cut out a bunch of yapping)

●○●○●

• I feel like Scout's first reaction instead of panicking is to curse and threaten Merasmus.

"OUT OF EVERY SHITTY THING YOU COULD'VE DONE, YOU TURNED THEM INTO A FRIGGIN' WORM?!"

• He's yelling, so much to the point where Merasmus just teleports away and ignores it, finding it funny (of course he finds it funny what a dick)

• He realizes that when he was so busy yelling at Merasmus, he had lost you. He panicked, looking around the ground with a horrified frown, cursing to himself as he started to dig, looking closely. When he finally found you, he placed you on his hand with a frown, looking at how you moved against his fingertips. He wanted to cry a little, he really didn't know what to do.

• He's placing you under his hat. Usually he'd find worms or maggots gross as hell, and if he was going to be honest he still found you gross, but it was you, so...

• Then he rushes back to base, the panicked look on his face never leaving him. He alerts all the other mercs, making a huge fuss over how, you're a worm now, and they need to help him get back at merasmus to turn him back.

He's holding you in his palm, and you're just wiggling around like nothing is wrong cause you're a worm now. And the rest of the mercs look at him like he's crazy.

• Spy, Sniper, Medic, and Heavy are convinced he's lying. Demo believes him a little since he's experienced Merasmus' antics. Soldier automatically believes him fully since the worms there, but you're not, so that must be you. Engineer is just trying to keep the peace, trying to calm scout down, but it doesn't work as no one is listening to him.

• The team is skeptical, thinking that this is some elaborate prank and that, you're just out for a couple hours. But when you don't return tomorrow for the fight, or return after, that raises some suspicions on where you are.

• Ms. Pauling doesn't know where you are either. So is it true? Are you really the worm?

• A meeting is held, everyone stands around the rounded table, the light shining down on you. You're in your little wormy home, slithering and worming your way through life, forgetting your identity, eating leaves and sleeping in dirt.

The mercs watch as you're doing your worm thing.

Engineer clears his throat, making the attention go to him. He turns to Scout, and the confusion in his voice is evident as he speaks.

"Scout, you're absolutely positive that, this worm is (y/n)?"

Scout responds with an aggresive nod, the slight panic and frustration shown in his expression.

"I told you, its them! I saw it happen with my own two eyes, Merasmus found em, they got zapped and poof- they're a worm! A freakin' worm!"

• The team continues to look at you, so peaceful, so calm, being a worm. They don't know why, but, now it was much easier to believe him. The worm was just like you, chill and...cool...and awesome...and wow... amazing..

"So...what? They're just a worm now?"

Sniper said, picking up the jar you were in, looking at you curiously.

"I don't think they'll be too happy stuck like that."

Engineer spoke once again, "If they got turned into a worm, there's...probably a way to turn em' back, right?"

• That was enough to bring hope to Scout's mind. Of course! That was it, if he could find Merasmus and maybe force convince him to turn you back, everything would be okay! All his sadness had dissipated, and he was quick to start making plans.

• So they did, the team would go hunting for Merasmus, and make him turn you back. In the meantime, they'd take turns taking care of you.

• Scout liked to hang out with you, pretending like it was just like before, where you and him would sip sodas together and talk about anything and everything. He'd pour some soda in the dirt you were in, not really caring of the consequences and thinking everything was the same with you two. He really missed having someone to talk to, though.

"Man, I hope you can hear me. It'll be like, super fuckin' weird if I've been talking to you and you're not even in there.."

• Pyro wouldn't really see a difference. That sounds mean, but its really nothing personal. Though now that you were a worm, you weren't as scared as them as you usually were. They'd sit you down, with their plushies, having a nice tea party, watching carefully as you'd just slither about as a worm.

• Soldier was...confused. You, who once was a brave and selfless fighter, was now a worm. It fascinated him and scared him at the same time. He'd get awkward around you, wondering if you remembered him. He'd talk to you mostly, sometimes petting you...He'd try to.

"EVEN IF YOU'RE A WORM, YOU'RE STILL STRONG TO ME!"

"...You're still in there aren't you?"

• Demo wouldn't really know what to do with you either. He finds it kinda funny how you got turned into a worm. Unlike Scout or Soldier, he doesn't really panic, knowing you'll probably be fine, worm or not. He does miss having you to talk to, like scout. Sometimes he'd just be in the living room, and you'd be by the table in your little jar. He'd just watch curiously, but wouldn't really do anything.

• Same thing goes for Sniper. He legit doesn't really know what to do or say. But, he is a little afraid that you won't turn back into a person. Unlike Scout, he found that you weren't 100% obnoxious or annoying, someone to have chill conversations with after battle. He'd keep watch over you, letting you sit with him as he's chilling on top of his van. Sometimes he'd even bring you out with him in battles as he's camping out enemies during fights. He always makes sure you're safe, though.

• Heavy really liked you. He found you someone worth talking to, and a solid member of the team, so it was a bit jarring to see you turned into a worm. He'd keep his hopes up, though, talking to you like normal. Sometimes he'd watch you like Demo did, curious about you and your little world. It was weirdly calming, after battles he'd be worn out, and when he'd see you worming your way through leaves and dirt, it relieved him a little.

• Engie was a little off put by it, the same way soldier felt. You're just...a worm now? Huh. He doesn't really know what to say to that. Medic and him share the same thought, and that thought is, are you concious? Are you aware that you're a worm? Or are you mindless?

They can't help but think of it that way, in a practical sense. Medic would have to hide you from archimedes and the rest of his doves, who would love to eat you at any given chance.

Sometimes they'd do tests on you. Nothing painful or dramatic but, tests to see if you're still in there. They're really overthinking it.

Engie likes having you in his workshop late at night, makes him feel less alone when you're just worming. Medic keeps you at a distance, just to make sure he doesn't lose you or, have one of his doves eat you.

• Spy, is, kind of grossed out. Nobody has a close relationship with him. He did have a lot of respect for you, both on and off the battlefield. You were just a decent human being who he found a liking to, now you're...a worm. A gross, slimy worm.

He never let you into his smoking room, actually he never even let you out of your jar. He liked you, respected you, but liked you more as a person.

He feels pity, honestly, and just wants you to either be out of his way, or back to normal.

• When you do eventually turn back into a worm, they're all pretty glad. They all have questions, ranging from "Were you really in there? Like were you- aware?" And then "Was it nice being a worm?"

I'm sure you can tell who's asking which question and such.

○●○●○

this what comic 7 leak does to a person

[bnhaobservation]

Todoroki family and chap 430

In case it wasn't obvious by now, I was very invested in the Todoroki family storiline and one of the things that sadden me the most about chap 430 is this image.

We've Enji, or maybe I should say Endeavor, Rei is pushing his wheelchair as he goes somewhere, we don't know where, some want to think he's visiting Touya but it's not said and, around him there are 3 men and a woman.

It's not his children, it's his sidekicks and Hawks.

The final chapter doesn't touch what happened to Natsuo and Fuyumi, we've to assume Fuyumi is happy with her work and Natsuo with his marriage.

We don't know if Touya is still alive but, anyway, he's going to die. Even if we assume he died happily he had said smiling was why they lived their lives. He could keep on living out of anger and grudge but not out of smiles and happiness?

Fuyumi has fought for all those years so hard because she wanted back her family and she basically get nothing, not her old family as Natsuo leaves and Touya dies and it's not even hinted she has a new one as it was Natsuo the one who got a girlfriend as soon as he entered university and marries her basically a year and a half later.

Natsuo is just rushedly married to this character of which we don't even know the name. We don't know if, in the end he visited Touya again or not, we don't know if he ever managed to overcome all the anger and pain he felt inside for how his father ruined the family.

Shouto became a Hero, but his mother is not with him to support him but she is with his father. We don't see his siblings around him, cheering for him. We don't know which effect had on him to reconnect with Touya only to lose him. We're only told he became a good Hero so people don't call him anymore Endeavor's son, forgetting people also looked poorly at him for being Dabi's brother. How did he overcome that? Evidently it somehow disappeared as all the first years are already all his fans and even Dai said all the kids wanted to be like Shouto... but, at the end of the day, we aren't shown Shouto having a good moment with his family, his good moments come from being a Hero and being with his friends.

Even if we assume that, despite having to marry Enji out of duty to help her family, Rei had fallen in love with Enji while their family was having a good time before he turned abusive, and now that she had forgiven him and he stopped being abusive she's glad to be back with him... skipping this was very vaguely constructed she lost 10 years in a hospital and we can't see her with her children. She's supposed to be happy being with him with one of her children dead and one of her children keeping away from his father because just being in the same room with him makes him feel bad.

Mind you, I'm not saying Natsuo should forgive Enji or force himself to be with Enji or whatever but having a person that's related to you that makes you to feel bad just by being in the same room with you so that you've to avoid that person, is not something that's good. If Enji and Rei live together and Natsuo wants to visit his mother he has to make sure to do it when his father is somewhere else. In the past Rei was split between taking care of Shouto, who couldn't be with her other children, and taking care of Touya, Fuyumi and Natsuo, with the result Natsuo felt neglected because he was very small when all this happened and needed his mother... but likely she ended up neglecting Fuyumi and Touya too because you can't be in two places at the same time. Now, instead than having to take turns with Shouto, Natsuo have to take turns with Enji.

Ad for Enji... all his atonement for what? He doesn't manage to rebuild a relation with his children, apparently his sidekicks and Hawks have replaced them, they're conveniently of the right number. His children would have gotten where they were even without his atonement because all we hear is about others helping them, he only get the cool sentence, we see nothing of his struggle. But this is also supposed to be a happy ending for him. Who care if he doesn't have his kids? He has his sidekicks and Hawks his newfound family he would have had anyway had he focused on his work only.

The story tried it's hardest to make me think he cared about his family but then I'm supposed to think he's happy not having any of the sort apart for Rei and a new found family.

Horikishi had already established in the previous chapter Enji would have his sidekicks and Hawks' support, I didn't need a reminder of that.

I needed to see THIS image at the end...

...maybe including Natsuo's girlfriend as he could have introduced her to the rest of the family... or him holding his firstborn and letting Rei see her grandchild.

I needed to see Fuyumi finding someone with whom to form a family since she can't have her own back and she wished so badly for it.

I needed to have this being shown to me...

...or at least to see Touya out of that contraption as he died in peace, a smile on his lips since happiness somehow couldn't save him but grudge could.

I needed to be told something that Enji did that HELPED his kids, that made them be better. Not something vague, I need something concrete. Even if they would never be with him, since he's supposed to atone to them, I need him to make something more than just give them a new house and pay for the bills because he'd been paying bills through all his life so that's not new.

I would have been fine with him watching them smile from a distance or hearing from Rei how they were doing and smiling.

Mind you, I'm willing to believe in Horikoshi's mind Enji now is a changed man and very sorry for what he did and loves his family and yadda yadda but there's a reason why we say 'show, don't tell' and so far Horikoshi is more interested in telling than showing.

I get that in his mind Enji is a character more important than Rei, Fuyumi, Natsuo or even Touya, I would have been fine with all that I've mentioned being shown through his perspective because he cares about his family and so he's happy if they're happy.

If, in all that talking Midoriya does about reaching out to others, what he wanted to point out was Enji had continued to reach out to help his family even if they had cut him out of their lives.

But no, the good part is that his sidekicks and Hawks are reaching out for him. Okay, I can take this as the test trying again to point out Enji will never be a Hero, in the end he's not the one reaching out but the one others have to reach out to help but, again, it was established in the past chapter so I didn't need a reminder and it kind of steps all over his arc of trying to reach out for his family.

In the end the most he does is to just take it when they want to yell at him and let them live the live they want... I do think it's a great thing if an abuser were to realize what he had done to his victims and try to atone. It's kind of a miracle turned true... but there's just too little of it in this story.

Maybe I'm missing some deep cultural context, maybe Enji is doing something AMAZING for his family that Horikoshi thought he didn't need to show because it's obvious to Japanese readers but... but I wish he had shown it. Instead the moment Enji finally stop being a Hero and could do something for his family, the manga ends with his family disregating but I'm supposed to see it as a happy ending.

I prefer it had just been called a sad ending. Bad things happen, I can stomach them but honestly "Ano Hana" makes a much better work at portraying grief and atonement and the same goes for "Koe no katachi".

Horikoshi knew he was selling this manga also to foreign readers. I'm not saying he should have made his manga thinking to them but, if this atonement arc was so important, maybe he should have made it more understandable for us as well. This makes the diffference between a national mangaka and an international one.

[blossomthepinkbunny]

Hazbins bad character design

I feel like there is a definitive lack of varitey when it comes to the designs in HH as well as a problem of characters' designs not fitting them or what the show wants us to assume about them.

I've said it before and I'll say it again (like lots of other ppl already) but the designs in HH specifically mostly don't work. They're fine if you look at them disconnected from the show. Maybe as just random characters who don't really have to carry a show visually. But they don't work if you actually put them into context and into the background of Hazbin Hotel.

Obviously this stuff is very objective and if you do like the designs thats fine (which I shouldn't even have to say). Also I didn't study art or character design and I don't think you have to to be good at it/be able to form opinions on it and this is mostly just me compiling what I don't like while using some basic knowledge on how shapes, colours etc work.

(rant under the cut)

One problem I really have is, that as soon as you have a design there are immediate assumptions about the character. In the sense that if person A is very muscular and fights against person B, who is maybe slimmer or less buff, you would probably immediately assume that person A wins, atleast in physical combat. Whereas person B would probably be the assumed winner in a stretching or flexibility competition. Often characters are designed with these assumptions in mind. Muscle, height, weight, age, clothes etc. give way into assuming stuff about people, their condition, lifestyle or personality.

The expectations that are set up by the design choices are usually either picked to genuinely represent something about a character or to be subverted and shock/confuse the audience.

Like how a lot of fighting types in Pokémon will either be more muscular or have other details relating to certain fighting styles/sports and the fairy types are usually pinkish, fluffy and cutesy. Because these elements are something typically associated with these types and when we look at them we can pretty easily tell which type they're supposed to be.

Otherwise, Monster girl from Invincible is drawn as a twelve year old girl, so it subverts expectations when she turns into a big green monster and generally doesn't stray away from violence, because it's something you wouldn't have assumed about her from her appearance.

In Hazbin Hotel most of the time the character designs don't necessarily fit what they're supposed to be and they also don't use the other design choices as subversion (the one that would probably count here is Nifty with looking and acting very childlike usually but then also acting violent/crazy sometimes).

The first thing would probably be that characters don't look their age mostly.

Charlie and Valeria (Vaggie, but I really don't wanna keep calling her that so she gets a new name) look fine as they're supposed to be around 20. Rosie and Carmilla also look alright for what we can assume their ages are supposed to be. But Alastor is in his 30s or 40s (what it says on the fandom wiki) and he looks around 20 as well. The same thing goes for Lucifer. He looks so young that he could also count as just Charlies brother or friend rather than her dad, because he doesn't look like he could be the dad of a 20 year old. This makes the song "Hell's Greatest Dad" a bit awkward because these men are singing/competing about who is better as Charlies father but they don't look a day older than her. Husk also looks way too young for someone in his 60s-70s (again from the wiki).

The body types being all the same also doesn't help.

Mimzy and Adam are pretty much the only more relevant characters who aren't like all the others in terms of body shape. All the other relevant women in the show have a tiny waist and either big boobs/big hips or just a slimmer build in general. All the men have thin waists and then broader shoulders.

And for some characters it makes sense. Like Angel is really flexible and his more lanky body fits with being a spider. But why are Lucifer and Valentino like that? Other than the fact that Viv doesn't like drawing muscles there is really no reason for them too being build like every other skinny man there. Valentino is supposed to be intimidating not just by how he acts but physically too. He seemingly has a bit more muscle than others but his arms are still super thin and look like they could snap if I look at them wrong. I'm not trying to say that abusers all have to be buff, but simply from a design perspective the scenes with him would be a lot more effective if we saw him actually have a big physical advantage over Angel and others, even when he isn't necessarily threatening them. As soon as he comes on screen, we could see him as a much more intimidating presence, especially when all the other characters look like sticks. Or they could make it so, that he hides his muscles under his coat and when we get the reveal of him actually removing it, it's more shocking and immediately makes the situation more tense.

Lucifer could've had a more confident frame as well. He's the king of hell and the strongest being in hell, so just for the diversity I would give him some muscles too. Husk is also super skinny and for someone who only sits around and drinks alcohol all day, he should definitely have a beer belly (please I swear to god I wanna see more men with bellies, Mammon was great). Also for Valeria and Lute and pretty much all the Angels I don't get why they wouldn't be more buff either. Valeria is a fighter, she's Charlies bodyguard but she looks like all of the other women there. It's stated that Angels fight so wild because they don't know they could get hurt. And while I know that the Angels can really only get hurt by angelic weapons, having this whole reveal that they can be injured would've definitely suprised me more, if they actually looked like they couldn't be injured in the first place. But then again, Valeria looks like her arms would break as soon as a breeze hits them too hard. In some episodes her thighs look a bit more muscular, but not notably and she also doesn't fight using her legs (like Carmilla) so only her thighs being bigger sort of doesn't make sense. In general, she or Lute don't show any difference to the women who aren't physical fighters. And obviously just to have a more interesting show to look at, including different body types would do a great job at making these characters stand apart from eachother more.

While we're on the topic of diversity, another obvious thing that makes the characters redundant and borig (sometimes ugly too) is the reused colour pallette. Colour coding is probably one of the easiest things when talking about character designs and it's something atleast Helluva Boss understands.

What effect warm/cold tones have or what feelings we associate with different colours is a great way to bring stuff about characters across without being too on the nose. Obviously colour can also be used to either connect characters or to make them very distinct. Shape language also plays into that of course. In Inside Out the emotions are mostly characterized by their respective colour and by their distinct shapes.

Joy = yellow (bright colour often associated with the sun/light)

Sadness = blue (cold colour often associated with tears/rain)

Anger = red (very strong colour with aggressive association with fire or when someone turns red because of anger)

Fear = purple (light colour here, mix between red and blue as fear often falls into a more angry or sad feeling)

Disgust = green (colour of most dirt or puke or other stuff people usually see as gross)

Or in a show like Bluey, where different patterns, shapes and colours show the breed of the dog and also how characters might be related to eachother (same breed/mix of breed = usually related).

Or how colours can be used as lighting effects to create cool shots when the colour pallette changes all of a sudden. In JJBA these changes happen often when someone is in distress or unsure of themselves. Also in tense moments to make them seem more exciting and interesting.

Hazbin Hotel has very limited range when it comes to the colours of the main cast. All of them feature some form of red and that usually in combination with black or white (if they aren't just purely red like Alastor or Rosie). This makes them not stand out from eachother and creates very similar colour pallettes which get boring once you've seen them repeated over and over again. It also makes the visual connection between characters who are actually related (like Charlie and Lucifer) a lot less strong because so many characters share similarities already.

Also they just hurt to look at sometimes because the background is mostly red as well and with a lot of them being very overly detailed. People have also spoken before about the show being pretty inaccessible for colour blind/vision impared people due to these issues with the colour.

And now you might say that it's hell and therefore it makes sense for all of them and the background to be red. But firstly, I don't think that there is a definitive source which decides that hell is red and can only be shown/interpreted as red. And also there is another show, also set in hell which actually does a much better job at that and actually shows different colours in hell. Like in Helluva Boss the rings are all colour coded.

And I know, that HH plays in the pride ring fully, but imagine how cool it would've been to see sinners have colours similar to the sin(s) they committed. This could lead to them looking distinct from eachother and the background and would also lead to us being able to assume stuff about them, if we're familiar with the colour coding. In "Hell's Greatest Dad" they do a fun colour change with different light and it's really refreshing and I just wanted to see more variety like that (of course I kinda get that the colour changing isn't really part of the shows design but it was pretty cool to see in that song).

There also is the issue with characters that are supposed to be animal-like sinners not looking like the animal they apparently take inspiration from. The thing is that the animal/object parts don't necessarily have to be visible to understand a character. But in the show, how sinners look in hell is often influenced by their life on earth. Vox's head being a TV is because he was a Tv-show host when he was alive. Nifty also is supposedly a bug, which makes sense because she hates bugs and probably hated them in real life too. But that is where it would be great to actually have Nifty resemble a bug, instead she has no features of one and just looks like a regular humanoid sinner. The same thing happens with Alastor being a deer, Valeria a moth, Charlie goat-like and Angel a spider (also Mimzy is apparently based off of a chicken). Like I said, the animal inspiration isn't essential to the characters, but emphasizing these design elements could help the characters stand out instead of them all just looking like sort of human characters. Sir pentious and Husk work the best in terms of presenting their animal inspiration (though pretty much everything else about Husks design sucks ass).

And then there are complaints about the characters that are supposed to be people of colour not having any features that resemble their race. It's just a bit weird when a mostly humanoid sinner doesn't really seem to resemble how the person looked in real life. Black characters have really desaturated and sometimes just straight up grey skin in HH. Alastor is probably the most egregious in that regard, but also Emily has just light blueish gray skin and no textured hair or other black features like the nose or lips or palms. Velvette and Sera have darker skin but also no other features (except for when we see Velvette's natural hair texture in like one shot at the end of the season). I know there are other things wrong with how Voodoo is presented in HH or with Mimzy's design often being seen as a jewish caricature, but I don't wanna focus on that fully, because I feel like there are people better suited for talking about that (black people or jewish people ofc).

In general HH is a show with pretty bad designs (imo). That's actually a thing I prefer about Helluva Boss, because there the designs are mostly okay or actually sometimes pretty good. Striker is probably my favourite design in both shows (he reminds me of Dillon and that's cool).

I like Mammon, Asmodeus, Octavia and Loona as well. I would still probably change a bunch if I were to redesing the HB cast but they overall look more solid than the HH cast.

This was another post which pretty quickly became an excuse to talk about other media I enjoy. I might do that more often, because comparing elements of HH or HB to other stuff makes it kinda easier to articulate my feelings. Also just because I enjoy talking about other stuff too.

[danieyells]

@2flowerz also asked for Lyca so

NOW WITH 100% MORE DOGGO LYCA. HE IS DEFINITELY A HUMAN AND NOT A WEREWOLF. He is trying very hard to be a human. I love him very much. . . .

Hello: (the first time the game is opened after that character is set as home screen NPC. Only happens once per day, unless the character is switched out and back.)

"...You again. Where're we going today?"

You've Got Mail: (whenever there's something in the inbox, usually Arena rewards)

"Hey, you got letters. Don't you have to read them? Oh, don't you know how?"

he understands if you can't read, man. neither can he.

Default: (requires no affinity, has no time constraints)

"You smell sweeter than usual today... Stop. Go away."

after learning that the pc is going to turn into the anomaly that cursed them any sort of 'you smell nicer than normal' feels like such a threat lmao

"You want to touch me? Fine. Ten seconds and that's it."

that is more than enough my good sir

"When I find Neros, I wanna prove I've been getting along with humans. Then he'll definitely let me live with him."

considering he related the term 'neglect play' to what Neros did to him. . .I'm not so sure. . .and if Neros was as old as he sounds like he was, I wonder if he's even still alive. . . .

"Hey! Moth-eaten Casanova! Where'd you go? I'm gonna show you my special move today."

"special move" in Japanese is 「必殺技」 or 'lethal move'/'killer technique', usually unique to a person or fighting style. Not sure if he wants to show Ed how cool he is or try and kill him lmao--

"This phone thingy they gave me keeps making noises and making me jump... Why do I gotta carry it everywhere? It's scary!"

Affinity 1: (between 5am and 11am)

"Mnn... Let me sleep... Don't touch me... Zzz..."

Affinity 2: (between 11am and 4pm)

"Laws, school regulations, anomalous law... Manners, morals, rules... How're you s'posed to remember all that?"

man i wish i could tell you. . .i've mostly got the morals in order, that's basically just 'don't do harm to others' when you get down to it. laws are about 50% 'don't do things that may endanger you or others' and 50% bullshit. the rest you're kinda on your own with.

Affinity 3: (between 4pm and 8pm)

"Urgh... My skin's crawling... Moon must be gettin' round soon..."

Affinity 4: (between 8pm and 5am)

"At first I was sad 'cause I got put in a different house to Suba, but all kinds of stuff happens here every day so it was fine."

awww he was sad because he doesn't get to see Subaru as often but he's not bored so it's alright! glad he's comfortable ;u;

Affinity 5: (between 8pm and 5am)

"H-Hey, don't come so close! Somethin' about your scent makes my stomach feel weird!"

WE'RE ONLY ON AFFINITY 5 DUDE YOU CAN'T BE CATCHING FEELINGS THIS EARLY it's probably because he's scared of girls or something lol

Affinity 6: (between 4pm and 8pm)

"I didn't do anything wrong! Those guys were saying mean stuff about me 'cause they thought I couldn't hear. All I did was yell at them."

I hate how they won't even let Lyca defend himself verbally. . . .

Affinity 7: (between 11am and 4pm)

"I don't mind classes. The teachers say cool stuff. Once I learn to read the textbooks and the notes and the blackboard it'll be perfect."

HE'S GONNA BE SUCH A GOOD STUDENT WHEN HE CAN READ???

Affinity 8: (between 4pm and 8pm)

"There was this big noise in our practical class and my ears popped out. Everyone ran away screaming. Damn it..."

wow they're cowards if the ears alone scared them. . .how're they supposed to deal with anomalies if that scared them!?

Affinity 9: (between 8pm and 5am)

"This? It's a picture book, duh. How come you don't know that when you're a human? I study with it before bed, everyone does it."

I wonder who made him a picture book of all the things he'd be learning as a first year to study with. . . . . .or maybe it's just a generic picture book lol

Affinity 10: (between 10pm and midnight)

"This blanket's not trash, it's just dirty. I can't sleep without it, so hands off."

he really loves that blanket huh. it must be one of the only things he had from his childhood or from being looked after by neros. . . .

Affinity 11: (between 5am and 11am)

"What's a "so-shul skill"?  That blond gigolo was talking about them. He said I don't have any. Is that a good thing?"

he's got social skills!! Just. . .not very human social skills!!!

Affinity 12: (between 11am and 4pm)

"I'm starving... I wanna eat Sho's food, but I can't order it without Suba... Wait, you can read, right?"

Lyca slowly realizing how many people he knows can actually read and thus can help him with placing orders for delicious foods--

Affinity 13: (between 4pm and 8pm)

"That moth-eaten Casanova's in his room all day so I tried to take him for a walk, but he locked his door and ignored me. The hell?!"

LYCA CONTINUES TO SCRATCH AT ED'S DOOR COME FOR WALKIES ED!!!!

Affinity 14: (between 5am and 11am)

"That stupid blond gigolo ran off with my blanket. I'm not done sleeping yet..."

tbf your blanket is filthy. . .and I get it, it's what you've got and it smells familiar but. . . .

Affinity 15: (between 5am and 11am)

"I can't get back to sleep... I'm gonna wake up that moth-eaten Casanova for a walk."

lyca is a dog scratching at your bedroom door with his leash in his mouth like 'yes it is time for walkies now rise human'

Affinity 16: (between 11am and 4pm)

"The teacher asked us to name an anomalous plant you can eat but when I did he said humans can't eat it. So what? I can, so I'm not wrong."

I AGREE WITH HIM HE SHOULD NOT GET THAT MARKED WRONG. if you only want a human applicable question say 'humans' not 'you.

Affinity 17: (between 10pm and midnight)

"In the last place I never knew what time it was and I pretty much just slept all day. Now I gotta get used to having a "roo-teen.""

Affinity 18: (between 8pm and 5am)

"I'm drawing. If I draw all the good stuff and bad stuff that happened every day I won't forget about it."

if he could write he'd keep a diary but since he can't write he's keeping a picture diary. . .and he's a really good artist according to his character story, so it's probably a pretty faithful recreation of whatever happened that day. i'd love to see his picture diary. . . .

Affinity 19: (between 10pm and midnight)

"Huh? The blood on my bed? ...It's nothing. Don't touch my stuff, you're gonna get your smell all over it!"

WHY IS THERE BLOOD IN YOUR BED, BUDDY. ARE YOU OKAY??? IF YOU ATE SOMETHING IN BED THAT'S FINE I JUST DON'T WANT YOU TO BE INJURED. . . .

Affinity 20: (between 5am and 11am)

"...Did you cry? Your scent is all squeezy. How come?"

smelling you sad makes him sad too so tell him why you're feeling sad and he can make the sad go away?

Affinity 21: (between 11am and 4pm)

"I wanna go to the cafeteria, but the teachers won't give me my pocket money. They said I'll get "spoiled." The hell does that mean?!"

GIVE HIM SOME MONEY SO HE CAN BUY FOOD???? HE NEEDS TO EAT????? HE'S BUSY WITH CLASS SO HE CAN'T GO ON MISSIONS YOU CAN'T JUST STARVE THE BOY????

Affinity 22: (between 4pm and 8pm)

"That moth-eaten Casanova told me humans like it if you ignore them sometimes. Something about playing hard to get? I'm gonna try it tomorrow."

I wonder if that has anything to do with Subaru's home screen chat where he wonders why Lyca hasn't messaged him back. . .he's trying to play hard to get because he thinks it'll make Subaru like him more. . . .

Affinity 23: (between 8pm and 5am)

"I'll stay here and be quiet at night, even when the moon's not round. 'Cause you're tired, aren't you? Go sleep."

even if he doesn't have to stay or even if he wants to make lots of noise, he'll stay and be quiet so it's easier for you to fall asleep. He won't be loud and you don't have to worry about him! so sleep tight!

Affinity 24: (between 10pm and midnight)

"Sleep here. Huh? Is there a law that says we can't sleep together? There's not, is there? Hurry up and lie down."

it's pretty much innocent. . .he just wants you close by. . .being able to smell you while he sleeps would probably make it easier to fall asleep. . .feel safe and familiar and everything. . . .

Affinity 25(max): (no time constraints)

"I'm gonna work hard... I'll gonna work so hard, they're gonna say I can live with humans forever..."

Lyca, despite being a werewolf, is a lot like Kaito in that he just wants to be a normal human. Except he never started as a normal human, so he has a bit further of a distance to go to become one. . .he's not a dog, he doesn't wanna be a pet or an animal or anything like that. He wants to be a person like everyone else. But it's hard when others reject him, and when everyone says they think he's too dangerous even when he hasn't done anything wrong. Other ghouls--other humans--do way worse stuff than he does, and yet he's still held to a higher standard. It's not fair. But he's working as hard as he can to catch up. . . .

Spring: (March-May) (between 5am and 11am)

"That blond gigolo tried to wash my blanket! He's never coming in my room again!"

he does not like spring cleaning--

(between 11am and 4pm)

"Lately there's flower smells everywhere, but sometimes there's one that kinda smells like you."

IT'S GONNA BE HILARIOUS IF THE ANOMALY THAT CURSED YOU HAPPENS TO LIVE IN OBSCUARY'S FOREST. . .LIKE YEAH IT'S JUST OUT THERE IT WAS ALWAYS ON CAMPUS IDK WHAT TO TELL YOU WE COULD'VE BEEN WORKING ON THIS CURE BEFORE YOU GOT IT.

(between 4pm and 8pm)

"Harurin kept nagging, so I went to the safari park. Not gonna lie...it was super fun."

I love that Lyca uses the nicknames Rui uses for some people lol and I bet he loved running around Jabberwock!!! All that fresh open air and the wildlife. . .he's a wolf at heart really and truly.

(between 8pm and 5am)

"Cherry blossom petals are super fun. They're like, whoosh, then they fall everywhere. I wish our house had some."

Summer: (June-August) (between 5am and 11am)

"Urgh... My head...it hurts... This? It's shaved ice. The blond gigolo told me to eat it so I don't get "heat eggs-aw-schun.""

oh buddy you're eating it too fast. . . . . .

(between 11am and 4pm)

"I was just in that moth-eaten Casanova's room and it was so cold I thought it was gonna snow! Is he secretly a yeti?"

okay it was only 63 degrees in there it wasn't THAT cold Lyca.

(between 4pm and 8pm)

"I'm gonna go practice swimming at Harurin's place. Can you do other stuff besides doggy paddle?"

I can't swim at all so. you are miles ahead of me my friend.

(between 8pm and 5am)

"I know I said I always wanted to do sparklers, but... you sure this's okay? I thought we're not s'posed to play with fire!"

canid instincts are kicking in--fire BAD and SCARY and DANGEROUS. ABORT MISSION.

Autumn: (September-November) (between 5am and 11am)

"I just tried to join in with some guys playing with a ball, but they said I don't know the rules and told me to go away."

THEN TEACH HIM THE RULES god they're such jerks around here.

(between 11am and 4pm)

"Blond Gigolo was makin' this massive fire near the garden just now. It smelled all burnt and sweet... Is that some kinda ritual?"

(between 4pm and 8pm)

"Finished my picture. That Romi guy who comes to the bar all the time said he wanted one, so it's for him."

Romeo does like fine things. This just goes to show how good of an artist Lyca is! I bet Romeo's gonna frame it and put it somewhere people can see lol or maybe just keep it in his room. . .that or he wants to see if he can get him to make a forgery and profit off poor Lyca--

(between 8pm and 5am)

"Moth-eaten Casanova said humans like looking at the moon... D'you get sad if you can't see it?"

Winter: (December-February) (between 5am and 11am)

"I'm gonna go play at that big ice castle after class! Huh? 'Cause playing in the snow's fun."

THE FROSTHEIMERS BETTER NOT GIVE HIM TROUBLE LET MY BOY RUN AND ROMP IN THE SNOW!!!!!!!

(between 11am and 4pm)

"Mm, I don't really feel the cold. Humans get warm when they run around too, don't they? Race you over there! "

he is having so much fun in the winter ;;;;; just running around and playing. . . .

(between 4pm and 8pm)

"My fingers have been gettin' all tingly and stiff and my hair's all crunchy! What's up with that? "

maybe playing in the snow a little too much lol--

(between 8pm and 5am)

"How d'you drink hot drinks so quick? They always burn my tongue... Huh? Dogs have sensitive tongues? I'm a wolf, not a dog..."

His birthday: (April 19th)

"Oh right, it's my birthday. Neros told me my mom wrote down the date."

Your birthday:

"It's your birthday, right? No, I only know 'cause that blond gigolo was yelling about it. ...Here's your present."

I bet he drew something really nice or found you something really cool ;3;

New Years: (January 1st)

"Hope you have a happy and prop...props... prosp...prospinous? new year... Damn it, I practiced that for ages..."

Valentine's Day: (February 14th)

"Oh, thanks. Professor Nicolas said I can't eat chocolate, so I'll give it to Casanova and Gigolo!"

why would you even risk giving him chocolate in the first place lmao. . .also in Japanese he says "I'll share with those two idiots" instead of "casanova and gigolo" lmao

White Day: (March 13th)

"This is for you. I dunno what kinda stuff human girls like, but Suba helped me pick it, so it's prob'ly fine."

Subaru knows girls' tastes is Lyca's logic I guess lmao Subaru is a lil on the femme side comparatively--

April Fool's Day: (April 1st)

"Why's everyone being so mean today?! Telling lies and laughing at me... They're all jerks...!"

please explain the day to him. . .people are mean enough to him as it is. . . .

Halloween: (October 31st)

"My ears and tail are out? I know, I'm doing it on purpose. The moth-eaten Casanova said it's okay today."

THE ONE DAY HE CAN BE HIMSELF IS HALLOWEEN BECAUSE NO ONE WILL THINK ANYTHING OF IT. . .they'll just think it's a cool costume or maybe a fox robe! And he'll get candy for it!!!

Christmas: (December 25th)

"Hey, look! When I got up this present was next to my pillow! Santa really came..."

WHO TAUGHT HIM ABOUT SANTA. . .AND WHY. . .then again Romeo said Santa's reindeer is real so. . .it probably isn't actually harmful to teach him about Santa since Santa's probably somewhat real here. . . .

Idle: (about 20 seconds without interacting with the game) (below 13 affinity)

"...I'm going for a walk."

(13 affinity and above)

"Hey, you alive? Huh, you're breathing so I guess so."

Absent: (logging in for the first time in 2 or more days?)

"How come you stopped coming? Do you hate me? It made my heart all squeezy, so don't do it again."

oh no sweetie. . .sometimes we just have to take care of things and disappear without wanting to. . .sometimes life gets in the way instead of finding away. . . . . . . .

JUST. . .SWEETEST OF SWEETHEARTS. HE'S SO CHILDISH AND ADORABLE AND SWEET AND GOOD. . .I WILL USE MY TEN SECONDS OF PETTING TIME WISELY. He really does try harder than anyone, he's so determined and I believe in him so much. I want my boy to be happy.

[kittyandco]

something i've been thinking about for the last few... forever.

shout out to the people who identify so strongly with, and/or find the most comfort in, the worst character(s) of any media that you're into. some of us find connection and similarities with the most terrible figures that canon has to offer. often, you're expected to identify most strongly with the good guy, or aspire to be like them (and not to say you don't, because i do sometimes). but that often doesn't happen for me, and i see more of myself in the evil impacting them.

not because i think i'm a bad person, and not because i aspire to be a flamboyant supervillain, but i often understand their feelings, their mindset, i understand how they got there, because i often went through a lot of the same things they did, even if only emotionally. it often goes beyond sheer appreciation for me (though i often find them more interesting from a narrative sense). and if i were in their world, i might become like them if things were even slightly different. if i didn't try to unlearn the fact that destruction is the only way to get what you want. catharsis is a powerful motivator.

i think it's important to embrace the "they're just like me" perspective when it comes to characters who aren't always "morally sound," and i do unequivocally include the "unsympathetic" ones. we're always going to find fictional characters we admire so long as art keeps being made, and sometimes admiration moves into "i identify with this character because of our background/personality/etc.", and sometimes these characters are the ones you're supposed to hate and root against... intentionally or not, many antagonists are very relatable (though often in unspoken ways).

none of this is to say that your taste in favorite characters means anything about you as a person, because it doesn't. how you treat others says all it needs to say about you as a person. i've seen this first-hand: people being surprised that i am friendly and compassionate (i try my best!) simply because i have a deep love for fictional guys who commit atrocities. yes, my worldly experiences, and the way i view them, as well as my fantastic taste draws me to fictional bad guys, but at the end of the day, i strive to be the best i can be every day. i aim to exude the kindness that i didn't always get when i practically begged for it. on the other hand, you could like the most sugary sweet, do-good fictional characters ever created (and good for you! no shame here!) and still be a nightmare to those around you.

i don't like the idea that you CANNOT like these characters, or identify with them, without condoning some sort of evil or being a bad person. they are people (or robots, or monsters, or whatever they are) who did bad things, whatever their reasons -- here's no inherence about it, and i think that belief has helped me in trying to understand them. i try to practice this with everyone i encounter. and along the way, i actually find that we aren't so different

[wilcze-kudly]

The Gaang being 'bad parents' didn't ruin their characters.

I've seen this argument tossed around a couple times and it's honestly one of my least favourite criticisms of lok.

Katara (and Sokka but we have no confirmed kids for him, which seems unrealistic with how much game he had) lost their mother as children and their father was forced to abandon them when they were barely starting their teens. They were raised by their grandmother with little to no peers of their own age.

Aang did not know his parents and a huge chunk of his childhood was him being groomed into taking up the mantle of the avatar and mastering airbending. He also was isolated from other kids his age. His closest parental figure was Gyatso who was more of a teacher than a father. Also the Air Nomads were literally wiped out so that adds to the trauma pile.

I really don't think i have to talk about Zuko's family life here, but at least he had relatively positive parental figures in the form of Ursa (though i do have a burning personal dislike of ursa) and Iroh. Despite this his struggle around the subject of his family and his trauma relating to his upbringing was a focal point of his character arc.

Toph was raised in isolation by her asshole abelist parents who did not listen to her, sent people to capture and bring her back and then disowned her. (If my cursory understanding of 'the rift' is correct, I need to actually read it because i am unreasonably obsessed with the Beifong family.)

Where, pray tell, were they supposed to learn proper parenting skills? On their brief stint as child soldiers? While fighting a war as literal children?

There is the argument that they must've matured later in their lives, of course. But you can only recover so much from copious amounts of childhood trauma.

Being a bad parent doesn't necessarily make you a bad person. Sure it makes you a failure in an incredibly delicate and important aspect of human life but it doesn't make you a bad person. And saying that it does takes a lot of nuance out of the conversation.

Like, do you know how easy it is to fuck up a child?

Especially that the ways the members of the Gaang 'fucked up' as parents feel mostly in character.

Bumi was going to face some struggles with self worth due to being the firstborn child of the Avatar and arguably one of the most powerful waterbenders in history, while being a nonbender himself. That much was unavoidable, no matter how his parents approached the issue.

And Aang was obviously going to be over the moon when Tenzin was born. Think about it. He's literally the last of his people. He has no one else 'like him'. No one else to pass down the traditions, the teachings that Gyatso and everyone else he cared about and who were horrifically murdered to. Aang is getting older and he feels like his culture and history and his entire life before he got trapped in that damned iceberg will die along with him. And then Tenzin is born and Tenzin can take up the mantle that had been thrust upon Aang.

I'm going to withhold my judgement on Izumi and Zuko, since we barely know anything about them. She seems well adjusted but that's all i can say right now. But Zuko has also been shown to be extremely, painfully aware of how fucked up his family is and has clearly been putting in a lot of work to unscrew what his ancestors have screwed up.

Toph situation feels very tragic to me,because it's obvious that she thought she thought she was doing better than her parents. She gave her daughters the freedom to do what they want, to not feel opressed and trapped like she had. How was she supposed to know that she was making her girls feel like she didn't love them? (Here's another post of mine about the Beifong family and how they just feel like they're cursed or something at this point.)

TLDR; I get annoyed by people saying that the Gaang being 'bad parents' ruined their characters, because to me it felt like it actually enhanced them.

Neither Aang nor Toph acted out of malice or a lack of love. On the contrary, Toph was trying not to repeat her parents mistakes, accidentally committing a bunch of her own. While Aang probably didn't even realise that he was neglecting Kya and Bumi.

But just loving your children doesn't always make you a good parent.

I think these flaws only add to them as characters. It makes them feel more real.

It's unrealistic and, frankly, just plain boring to go 'oh the Gaang were all good people so they would be good parents too.'

The Gaang were a gaggle of traumatised children forced into saving the world, because the adults around them failed them, that then grew into traumatised adults who have no idea how to be good parents.

[violet-moonstone]

highlights from "mi amore wing"

im fairly certain these screenshots are out of order. i am not going to put them in order

absolutely wild to put this dagcup-ass pose in the same episode as dagur and mala's engagement. like we dont see dagur and mala's actual proposal moment but we see this. (and im not complaining)

also - can we appreciate the autumn colours in these shots? damn

Hiccup not noticing the necklace Astrid is literally dangling a few feet away (Toothless notices it though) meanwhile he spots a dragon eye lens from several feet away

Hiccup...

Honestly?

Relatable.

hehe I love Snotlout's grumpy little "shut up" responses

Hiccup once again being extremely relatable when he's struggling to understand how he's supposed to respond to Astrid's frustration. Just straight up asks "what would you like me to say?" Honestly...people should just say why they're upset or what they want you to notice. And tbh I felt like Astrid was a little out of character in this episode. I feel like it would have made more sense for her to be upset but she would keep it bottled up inside because she *didn't* want Hiccup to notice.

he. is. so. fine

I understand where Astrid is coming from, but I strongly believe that what Hiccup and Astrid have is stronger and more stable than Dagur and Mala's relationship - not just because they've known each other longer, but because I just think the fact that they're comfortable with each other is a better indication than the life or death intensity of Dagur and Mala's attraction. That intensity is going to lessen at some point and if they don't learn how to adjust after the rose-tinted lens honeymoon period, things will not go very well.

(hence the dysfunctional dagur/mala dynamic ive referenced briefly before in a fic and that I will focus on in more depth in other fics)

Extremely bold of Krogan to say this while said "friends" are nearby

Each facial expression here is priceless. Tuffnut is lucky to be alive.

THIS. IS. WILD TO PUT IN A FAMILY SHOW.

ok yeah theyre definitely getting into some freaky stuff at home lol

I really like this shot of Astrid. looks very dramatic and mysterious

Have i mentioned before that I love Dagur? I love him. Watching him rile Krogan up was so good.

Also...correct me if I'm wrong, but Dagur doesn't interact with Viggo after his redemption, right? I think it would be interesting to see whether Dagur would trust him or not.

Astrid is blushing SO HARD

this scene had me giggling and kicking my feet ngl

and again - Astrid got cut off before finishing her though but they really don't have to be like Dagur and Mala. The level of comfort and familiarity Hiccup and Astrid have is wonderful.

[megapocalypse]

.

I think Shen Yuan's reluctance to accept his own feelings and emotions is the crux of why he unintentionally hurt LBH, or at least I think it's allegorical for something similar. He's a neurodivergent 20 something year old who's in the closet and represses his emotions, he's definitely not a guy to be trusted by words but rather action.

When he doesn't want to come to terms with something he either denies it, doesn't think about it, or pretends it's because of something else.

(if we wanna take this further off tangent onto an analysis of depression: I relate to these feelings quite a bit. Mental health issues are a work in progress within society, and when you feel that way you expect there's supposed to be a "reason" for feeling that way.

You have a good life, a good family and home, so why are you feeling this way? Why aren't you happy? Why do you feel different? You don't want to be different.

Shen Yuan could be feeling this way, but he wouldn't say it, or think about it, because even if he is, he doesn't want to be so he just won't be.)

Oh he's depressed? No he isn't. He's gay for Binghe? Nope, he's as straight as an arrow he just appreciates Binghe's dick from time to time like a normal heterosexual male. He's crying? No see it's just the sun in his eyes or the pain he felt earlier. His balls hurt looking at Binghe? Oh man it must be because of the cold room or the fear.

Oh he keeps dying? (Crickets)

Nobody wants to be different. Shen Qingqiu wants to be normal and he'll tell you he's normal. But he's not normal. That guy's a fucking weirdo.

Because he refuses to acknowledge his own feelings and depersonalizes, he in turn fails to acknowledge his own surroundings and his effect on people.

The transmigration aspect is taking the allegorical to the literal, he sees people and his surroundings as characters, through the story he learns not only of the effect he has on these "characters" who are now real people in his eyes, but this also coincides with him coming to terms with his own hang ups, his feelings, and his sexuality.

Because of his own lack of acknowledgement towards his own feelings and the way he evades those emotions, he hurts Binghe in the process. It's only when he learns to acknowledge the change he caused within Binghe and his feelings he had for Binghe, that's when they can finally mend their relationship.

Anyway both of them are deranged but they're deranged together 💞. They're both so fucked but fucked enough to the point that the mess tangles up in odd places and weirdly enough those pieces just end up fitting.

See, the strange and almost voyeuristic dynamic they play up where the crybaby disciple gets himself lightly scolded and comforted by his teachermommy is healthy for them. In a very strange and fucked up Freudian way.

And you need to understand, the uncomfortable milf and little baby roleplay they do in public is, in fact, very productive for their relationship and it's vital everybody and their grandmother is watching them, see, it's very therapeutic actually

Wait where are you going

[ccl-c]

four things sort of related to the drawing:

first, this was supposed to be inspired by marianne stokes's death and the maiden but somehow ended up looking more like psyche revived by cupid's kiss. (i also really want to do something with izzy's obsession with fire but haven't come up with any good composition ideas yet.)

second, i don't know if anyone seeing this can get it but i just realised that izzy has a lot in common with dokuga from dorohedoro (these two are probably my favourite type of characters): both are brave, smart, skillful and elegant fighters (both pretty tiny as well; dokuga is 177cm/5ft8 which seems fine but still makes him smaller than most people around him); both have knives with them as part of the defaults; both extremely repressed although for different reasons; both have put on a pretty “look” once although for completely different reasons also; both scarred on the upper body (dokuga canonically has no scar on his legs; not sure about izzy but from the toe scene it seems he doesn't have large scars on his legs either); both are their (towering) bosses' right-hand man and probably the most trusted person, and know (terrible) backstories that the crew/gang don't know; both have come back from near-death and lost a limb (dokuga was healed in the end but he still stayed in that state for half a year); both extremely loyal and devoted to their bosses even in the worst circumstances despite their love not returned (even the way kraken!ed makes the crew stressed and scared and confused and burnt out is in some way similar to kai with his gang near the end).

third, is it just me or does ed's earrings in this scene look like they're made with … toe bones? the little parts that line up? i wouldn't be surprised if he made izzy's toes into earrings. someone on the ship probably even had to make them for him, and that's how they knew ed took more of his toes.

and the last thing, i have been thinking about izzy's pain/torture kink and i've come to wonder if it's because pain makes him feel somewhat safe. it's familiar, it doesn't have to be bargained for, and it reminds him of what he is. it allows him to be the centre of another person's attention without having to deal with feelings. it probably also lets him ease into some sort of quiet headspace without voluntarily being “vulnerable”. a sort of “rational pleasure” that he considers matching what he's supposed to be like. and when it's over he can always blame the pain and not himself for whatever sensations he had.

[wolfscarr]

Helluva Broken Narrative and the most useless character..

Disclaimer: Not saying you can't enjoy this show folks. Enjoy it all you want, this is just a rant about the lack of a cohesive narrative!

I really was completely dead on posting, but I just can't get this out of my head.

I feel people should be acknowledging this far more than it has been, this is extremely important. This goes beyond just episode pacing, this goes beyond the characters....this is something that without it? There is no real show, which is....

Helluva Boss has a BROKEN NARRATIVE.

Some fans wanna claim it has this 'complex' writing and I'm sitting here going like "really? Where?"

It doesn't sorry and know why? Because Season 2 of this show, basically broke the narrative that Season 1 was building.

These past posts of mine, will show you why the narrative is broken.

Now can they continue on with the story they are telling? Yes of course they can, but it won't fix the fact that it's not coherent to Season 1, that it's not needed.

Wanna know who the most useless character in the show is now? If you guessed Stolas, you're correct! In the meaning of making Stolas this guy who did nothing wrong and who's sad....they took away his character purpose.

Stolas has ZERO purpose being within the show now, given how things have played out.

But you might say

"Well he's needed to give Blitz the Crystal and end the deal!"

Except....no, he wasn't. They could have just delivered the crystal to I.M.P. They have Blitz’ number, just call him, get a servant to send it etc.

Remembering my posts above, where you can have I.M.P. killing in Hell as a Season 1 thing?

Maybe they're just getting started with their company? So Blitz wants to supplement with killing in Hell by killing those up top so he goes to see about getting an Asmodean Crystal?

See let's backtrack here folks, the episode Oops it was mainly about Blitz and Fizz reconciling right? Which they do at the end of the episode. Now follow this, if we take into account the above, Blitz' dialogue could be.

Blitz: "Fizz look, I know what happened to you was horrible. I don't...expect you to forgive me, but I'm struggling to support myself, my daughter and my employees with my company. I....if you can just think on it, perhaps I could get one of those Asmodean Crystals?"

The scene ends and Fizz goes back to Ozzie, while along the way he's thinking about Blitz' words and how he was saved by him where in the end, Fizz agrees to send Blitz a Crystal because he's earned it from saving his very life.

Or here's another scenario, Blitz has a Crystal from the start(which he took from Verosika when they were dating, maybe she gave him one as her bodyguard?), but as things get far more hectic up on Earth with more dangers. The Crystal ends up shattering after I.M.P. gets back to Hell after a job, thus Blitz goes to actually confront his past and reconcile with Fizz in order to try and get a new one.

See how easy it is now, to just remove Stolas entirely? They took away a character's purpose of being in the show....that to me, is completely disappointing. Characters, especially those that are suppose to be IMPORTANT, should have a purpose...without that? You may as well just delete them entirely.

Blitz could have had 2 whole Seasons with relating to the past and those that he hurt, that he TRULY hurt(Verosika, Fizz and Barbie) that would actually matter to him as a character. But instead, all these characters are instead shoved to the wayside, for a character who doesn't matter anymore and only actually matters because the writing is FORCING him to matter.

You can write the narrative in so many different ways with what Season 2 gives us, that completely destroys what Season 1 told us. Are we now expected to just....IGNORE AN ENTIRE SEASON?

Even still you DON’T EVEN NEED a Crystal considering I.M.P. was killing in Hell before. Which isn’t HB supposed to expand upon Hell anyway, because Hazbin was taking place in one location? Wasn’t that one of the reasons why it was made? So you make a show that's suppose to explore Hell, yet some of the episodes...don't even take place within Hell?

You could have also made a whole Season actually EXPLORING Hell with I.M.P. going through the various Rings of Hell, assassinating targets. This could explore the various lives of Hell, customs and so forth while exploring the I.M.P. crew too. But no...that's wasted as well.

They can do this whole "sad Stolas is sad and Blitz is hurt and Stolas is going to give him a crystal." Thing all the way to 'try' and fix things, but it'll fix nothing....because the deal between them was retroactively made completely pointless.

The show will continue obviously, but in the back of the minds....it will be a broken narrative and Season 1 is basically buried 6 feet under. As a writer, this really annoys me....because they had how long between Seasons to nail this down? How long have we all waited just in-between episodes? This shouldn't have happened.

Yes, is storytelling hard? Obviously, none of my stories are perfect....but at least the narrative is coherent from beginning to end.

Anyway...I just...had to get this out of my head, because it was really frustrating and I want it to be acknowledged more. The narrative is important folks, if it's broken...that's not a good thing.

I'm still watching this show....if only because I'm knee deep in it now and I still somewhat actually like the characters, but what I don't like...is this broken narrative that is still hanging around with a pointless character that doesn't matter to the show anymore.

Narratives, coherent narratives are important to a story, without it? You don't have characters and you don't have a story.

^ For Part 2.

^ For part 3.

[zukosbangtan]

"zutara shippers are just a bunch of girls who self insert as katara bc they have a crush on zuko" okay... and? while this is not the case for most zutara shippers i still don't see the drag in it even if it was.

literally who cares. it's a fictional ship between two fictional characters from a fictional world. they do not exist. it's a tv series. a tv series made for entertainment. and oh how DARE girls even try to derive joy from a tv series meant to entertain!?!!

it's really annoying how kat@@ng shippers use this argument as a drag but i honestly also don't like how some zutara shippers seem to get weirdly hostile and defensive abt it and feel the need to fight tooth and nail to deny it. cause again, there's nothing wrong with it! there are no rules to shipping !! (i mean. in my opinion there are a few rules but they don't apply here so we move lol)

it's literally just misogyny. shipping is supposed to be fun but i forgot that girls, especially young girls, aren't allowed to have fun.

i know that a lot of kat@@ng shippers won't see anything wrong with this "drag" but i do wish that at least zutara shippers would stop acting like it's something girls should be shamed for and embarrassed abt.

also how could being a "self insert ship" be a drag when it comes to zutara but not to kata@ng when kata@ng is literally only canon bc it's brykes version of a self insert ship. and so the same thing they try to drag female zutara shippers for.

most of us first watched avatar when we were kids. zuko is a handsome and strong (and angsty) teenaged firebender prince; it's not surprising that a lot of young watchers had a crush on him. katara is a beautiful smart and powerful young waterbender that a lot of young girls growing up related and looked up to; it's also not surprising that a lot of girls imagined being her (at least i did lol). and if some of them decided to ship zutara based on that then so fucking what?? what's so wrong about that??

cause you're trying to tell me that it's weird and wrong when young girls insert themselves into a ship between two teenagers but it's totally fine and normal when bryke (two grown ass men) make a 12 year old boy their self insert character and make him date a 14 year old girl? like..that's not weird to yall?? i need you to be so fr.

again, it's just pure misogyny. it's like there's no space in which girls and women won't be ridiculed and shamed for even the most innocent things we do. they'll always try to deprive us from any type of joy and fun, even if it harms literally no one (well in this case, harms no one but the idea that katara could never possibly even think abt wanting anything else for herself than brykes idea of a self insert ship. cause remember, self inserting is only bad when girls do it. but when it's grown men? no problem!!).

the atla fandom is sadly no exception from that. i genuinely couldn't care less what or who ppl ship but it's just so sad to see how much misogyny is directed at specifically female zutara shippers. and what makes it even more fucked up is that it's not only from non-zutara shippers but from bryke themselves.

there's so many things that are wrong within this fandom but young girls imagining that they're katara and shipping themselves with zuko is definitely not one of those things and should be the least of our problems. like this is just such a dumb argument against zutara and such a silly thing to get mad abt in generel. like. why do u gaf. genuinely. why is this something that makes u mad. please be normal. and being misogynistic is definitely not normal.

well okay these are quite a lot of words for me just wanting to say that hi if you're a girl that ships zutara bc u like to insert yourself into the ship that's totally fine pls don't listen to those weirdos and i hope u have a lot of fun 👍👍

okay actually while we're at it it doesn't matter why you ship zutara; if it's bc you like their bond or their dynamic, bc you like the development of their relationship during the series, bc you're a fan of the enemies to lover trope, bc you're a fan of the betrayal trope, bc you like the red and blue symbolic of their ship, bc you just like how they physically look together, or bc you have a crush on zuko and/or katara and like to insert yourself into the ship or just bc it's a random monday evening and you just felt like shipping it or whaaaatsoever it doesn't matter okay none of these reasons are superior over other reasons and none of them are dumb reasons as long as you have FUN.

let's strive to make this a kinder and fun place for everyone but especially for girls and women please. thank you👍