#i don't know enough people for this

[ifonlyweknewwhatiwasdoing]

Username Song Game

I got tagged by @frostbitebakery (who chose violence with this but also I approve).

I I Sent My Therapist to Therapy by Alec Benjamin

F Feel by Fletcher

O Over Her Over Here by Lauren Weintraub

N Need a Favor by Jelly Roll

L Lighthouse by Kelly Clarkson

Y Your Side of the Bed by Loote

W Wish You Were Here by Lukas Graham

E Echo by Jason Walker

K Keep It To Yourself by Clinton Kane

N No Matter What by Jordan Critz

E Excuses by Olly Murs

W Walk Away by The Script

W Winona Ryder by Picture This

H Hands Clean by Alanis Morissette

A Armor by Landon Austin

T The Smallest Man Who Ever Lived by Taylor Swift

I I Wanna Love Somebody by We Three

W Woke the Fuck Up by Jon Bellion

A Anyway by Noah Kahan

S SOS by Quinn XCII

D Do It Now Remember It Later by Sleeping with Sirens

O Only Love by Jordan Smith

I Into the Dark by Point North

N Nothing Ever Changes by Nico Collins

G Get Up by Shinedown

I'm tagging (unfortunately not quite as long names): @littledumplingwrites @flowerparrish @skylariumrose @bluemaskedkarma @brokenphoenix99 @nightoftheland

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[writeouswriter]

People sorting ao3 solely by stats and only clicking on fics with a certain amount of kudos or comments, you will not survive the winter, nor the summer, nor at all, *brings out knife,* run

[bixels]

this is coming from the position of a student, so don't take my word as gospel, but i want to strongly encourage people to prepare for the coming years and look outward to find communities in real life. this can be big like getting involved in fundraisers or organizations or small like going to poc/queer/art social spaces and talking to people. making friends and connections will help you and others build support networks, something you will need as we enter the new term. i know talking to strangers in real life can be scary, unfamiliar, or difficult (depending on where you live especially) and it may take a lot of compromising and work –�� and i don't want to condescend –– but we have to try starting now. this is about your safety and welfare, as well as the most vulnerable people's.

if leftists/progressives/minorities want to survive and beat back what's coming, we need to do our work offline too and take up space. an example of getting involved would be (if you're an artist) reaching out to fundraising organizers and making prints of your artwork to donate for raising funds.

[lotus-tower]

Mask recommendations for ordering online (NA)

Note: for consistency, practicality, and simplicity all prices are listed in USD.

masknerd has a comprehensive data set on hundreds of masks he's tested according to his own criteria and methodology (pinned tweet). find his recommendations on his youtube channel. many of the following are on his list as well!

DISPOSABLE MASKS

3M Aura and Vflex: one of the most commonly recommended brands of N95. Where to buy?

- US: see here - Canada: see here - Multiple sizes per model. These suppliers are good for bulk ordering. If you aren't sure if something will fit you, check out the sample kits in the next recommendation - Price point: varies from $1-1.3 USD per mask depending on supplier

Breatheteq (US):

- KN95s that come in small, medium, large, or XS (kids) - Offers sample kits so you can test out what your size is - Comes in a few different colours. shoutout to the lavender - Earloop only - Price point: $69.75 USD for a 50-pack (~1.4 USD per mask)

Canadastrong (Canada):

- The Canadian equivalent to Breatheteq, but also carries N95s of other brands such as 3M Aura and Vflex, Vitacore, and Drager X-plore

Vitacore (Canada and US):

- N95 certified, but actually has 99% filtration - Both earloop and head strap versions (warning that the head strap seems to fit considerably smaller) - Regular and small adult sizes offered, also a kid's size - Price point: $33.99 for a 30-pack (~1.1 USD per mask)

Wellbefore (US, ships to Canada):

- N95s, KN95s, and KF94s - Head straps, normal earloops, or adjustable earloops depending on model - Kids/petite size available for certain KN95 models - Wide range of colours (excluding N95s) - Price point: varies per model, from $0.79 USD to $2.09 USD per mask - Also sells Covid tests, over the counter medication, and medical supplies

Masklab (US):

- This is an indulgent option for if you want to go out and look good, while still staying safe. These are masks that are part of your outfit - FFP2 certified, equivalent to KF94s - Standard size and slim fit series - Many beautiful patterns - Price point: $24.44 USD for a 5-pack ($4.88 per mask) for the patterned KF ones, ~$3.4 USD for the plain KF ones, ~$3.3 USD for the slim fit series, including patterns.

ELASTOMERIC MASKS

Flomask (US, ships to Canada):

- Reusable elastomeric mask (with replaceable filters) that meets KN95 standards - Two adult sizes (low/medium nose ridge and medium/high nose ridge) and a kid's size - Adjustable straps - Price point: $122 USD. 50-pack replacement filters: $81.46 (filters to be changed after 20-40 hours of use, depending on filter type)

A humble P100 elastomeric respirator from your local Home Depot or similar store! Magnitudes cheaper than the Flo mask (both the respirator itself and the filters)--however, I can't offer estimates for how often filters should be replaced. May not look pretty, but the most economical option for the highest degree of filtration if you aren't self-conscious.

General advice:

N95 or higher are the most reliable. They normally come with head straps, which offer better protection by making a tighter seal around your face.

But fit and comfort are the most important! Find a mask that fits your face and leaves the least amount of gap possible. KN95s are often more comfortable and breathable--find what's right for you.

You can wear different masks for different situations depending on risk level!

If you're hesitant to buy online, here's advice on how to tell if your respirator is legitimate.

A SIP drinking valve can be installed on any disposable mask to allow you to drink in public with less risk.

If anyone has other recommendations, please feel free to add!

[cangrellesteponme]

wife

[kuromi-hoemie]

ngl it does really annoy me when everyone accepts “ace people don't have sex” as the baseline assumption instead of ace people just not experiencing sexual attraction.

you can still have sex but be driven by different reasons, like to me it is a kind of affection and way to hang out with people that is influenced by the relationship we have with each other. i can think people are pretty to look at with or without their clothes without sexual attraction in the mix.

when i see something full of ppl assuming ace people don't have sex i always want to jump on it and be annoying like MEEEE I'M ACE PEOPLE WHO HAS SEX, WE EXIST WE EXIST STOP ASSUMING WE DON'T THERE ARE PEOPLE WHO STRAIGHT UP WILL NOT DATE OR BE INTERESTED IN ACE PEOPLE BECAUSE OF THIS MISCONCEPTION AND WE E X I S T.

stop!!!! assuming ace people do not have sex!!!!!!!! if you don't know then ask if it's appropriate!!!!!!!!!!! stop thinking about it in a binary you either do or don't have sex kind of way!!!!!! this is fundamentally off!!!!!!!!!!!! if you are ace you do not have sexual ATTRACTION!!!!!!!!!!!

as to how we feel about and handle sex, that varies person to person but sex favorable aces are a lot more common than you'd think. hell, figuring out I'm ace was the hardest thing to figure out about myself because all i ever saw people talk about was whether you have sex or not. I'm sure there's a lot more people who haven't figured it out for this same reason, and let me tell you it's hard to know you're missing a whole ass type of attraction when you've never experienced it before and didn't know it was missing to begin with!!

ace is not synonymous with sexless. aces who don't have sex don't speak for me, and y'all gotta stop letting them be the only face of the community. there are More Of Us, it is All Of Us.

accepting that baseline at face value leaves you uninformed and it's frustrating to see this over and over again. challenge yourself to do better and try understanding ace people more.

[lucabyte]

Taking pride in One's own appearance.

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[sonicaspeed123]

You don't get to misgender people yes even if you think they're cringe (get over it), yes even if you don't understand it (get Over It), yes even if you think they're a terrible person (irrelevent), yes even if they have done objectively horrible harmful things (still irrelevent,) and yes, even if you think they "can't really know for sure" because of their disability (that's fucking ableist, shut your goddamn mouth.)

[bogleech]

I still can't fathom what in the entire world I could have ever said or done to make that gerrysherry (also known as spot-the-antisemitism) person come after me, and try every possible way of reframing every anti-war feeling I have as somehow, secretly, anti-jewish. Unless they don't actually believe that, but they hope saying it enough will make people believe it?? I don't know them, never did anything to them, and yet this person has reportedly still spent weeks and weeks boosting the same thread over and over, in which they urge people to boycott my book - something I'm depending on to even be able to afford my home in the future - because they apparently insist I have only antisemitic reasons for wanting to support Palestinians. How would that even make sense?! Jewish people aren't doing anything to Palestinians, a government is. They failed to make any dent in my follower count which just keeps jumping up every day, and I'm technically making more income off my art than ever (even if it still only barely covers cost of living), but I can't get over the sheer principle of someone hoping they could spread misinfo like that with the hope of impacting my ability to live. I've never run into anything that personally vicious before, all over sentiments they just up and pretend I have? For what??

[crabsnpersimmons]

"Your heart was in the right place. Don't blame your earnestness and efforts for their lack of understanding—the right people will appreciate your heart."

EDIT: i mention this in the tags already, but please don't copy my vent tags in your reblogs. thanks for understanding.

[poorly-drawn-mdzs]

Welcome to the Dungeons of Fear and Hunger.

[starry-bi-sky]

mmmmm danny with sensory issues both in and out of his ghost forms, but on the opposite ends of the spectrum. Ghosts can't experience sensations the same way humans can when they're in the mortal realm. They're naturally intangible, and it takes energy to be physical. When they're physical, all touch feels the same barring the texture. They feel no heat, no chill. Sunlight passes through them, and so does wind and rain.

You know when your foot falls asleep/goes completely numb, and you go to touch it with your hand and it causes a strange jumble of sensations? You can feel the skin there, your palm is pressing against an object and there's resistance, pressure, but you can't feel the heat? It's kinda something like that. Like he's feeling everything through a set of gloves.

As a ghost, when it rains, he can feel the raindrops hitting him, and he can feel his hair getting wet, but he can't feel the chill of the water and he can't feel the wetness. His suit is soaked but there's no weight like there should be. During the winter snowflakes don't melt when they land on him, and he can't feel the chill of the snow when he gets buried under it.

Sunlight passes through him, a nice breeze ruffles his hair but there's no relief in the sensation. All pressure, no sensation. It's like a strange form of sensory deprivation. And of course, the internal things. It's even worse when he's intangible, when he's not putting energy into being physical. He doesn't feel real.

As human, things become too much. Especially when he's been a ghost for hours. He can feel the weight of his ribs pressing against his ribs, he becomes hyperaware of the expanding of his lungs when he breathes, the feeling of his heart pulsing in his chest.

He curls his fingers in and out slowly and becomes fascinated by the feeling of the joints moving. He turns and grabs Tucker's hand, and soaks in the warmth of his body heat -- he can't feel it as a ghost. He runs his fingers through his hair, and he can feel the individual strands.

There's a weight when he walks. A small drag when he bends his knee and lifts his leg and takes a step, and when he's been a ghost for too long he stumbles over himself, drags his feet along the floor and stomps when he doesn't mean to because he forgot to weigh his steps. Sometimes when it rains he goes out and sits on the front steps of the house just so he can come back in shivering and soaked through to the bone. Runs his fingers obsessively over the goosebumps up along his arms and legs because he can't get them as a ghost even if he's cold.

Because there are certain things, even when he's in the ghost zone, that are exclusive to the living. The little internal things you don't notice and take for granted. Things like breathing and goosebumps and exhaustion exclusive to running that makes your heart pound against your ribcage and your chest hurt with the need for air. Sore muscles from working out and sweating. Thirst and dry mouths, chapped lips and hands, blinking and dry eye, the feeling of the sun soaking into your skin on a nice summer's day.

As a ghost, Danny faces sensory issues in the form of not enough. When he can't feel the hair behind his ears or the weight in his limbs where there should be muscle, tissue, and bone. He can't feel the sun or the wind, everything is in a permeable state of 'just fine', and its maddening. He can breathe if he wants, but there's no point to it. He has no lungs, he can't feel them expand, and there's no relief behind it. He's going through the motions without any of the reward.

On those days, the idea of going ghost again makes him feel ill. Paranoid. He can't stand the thought. He needs to feel. He needs to feel the soft texture of the rug beneath his feet and the grooves in his knuckles, he needs to feel dirt crumble beneath his fingers and get stuck under his nails, he needs to feel the heat of his sister's hand and the feeling of body warmth passing from her to him. He lays on the carpet room and stretches out, and focuses on the feeling of his heart beating and the weight of his bones and muscles and tissue pinning him to the floor.

As a human, Danny faces sensory issues of too much. When all the things he's starving for suddenly make him sick. He feels trapped in his own skin. His ribs become a cage and breathing becomes a dumbbell that he can't put down. He can feel the hair along his arms and it rashes him. He's too cold, he's too hot. He feels like a ghost puppeteering its own corpse and he needs out.

On those days, Danny dips away when he can and goes ghost, and Sam and Tucker don't see him for the rest of the day. He's gone invisible, intangible, and he does nothing but exist.

Just, him experiencing sensory issues as both ghost and human, but in opposite directions from each other. And the idea that ghosts experience the mortal realm differently, and that there are certain things that are just exclusive sensations for the living that Danny doesn't realize until he's a halfa.