#i don't HAVE to be perfect because it doesn't MATTER because its just this art i'm putting passion into

[zllyhoo]

tbh 90% of the reason i made this blog is cause i'm unhappy w/ my art as-is and i really want to force myself to get out of my comfort zone, but for some reason i can't do that to my ocs??? like every picture of my ocs has to be Perfect or else i won't upload it to toyhouse.

so instead i am here. posting homestuck.

[bnecaz]

HEADCANONS ᯓᡣ𐭩

Art Donaldson x Fem!reader

warnings: Infidelity(tashi doesn't give a damn) I mentioned tashi more than I would like!! Smut

₊˚⊹⋆ Can't help but get clingy with you even when you're around tashi

₊˚⊹⋆ Who already knows that Tashi noticed the way his pupils dilate whenever you appear in front of him and don't say anything

₊˚⊹⋆ Who spoils you and recognizes this, always being mocked by Patrick about how you commented about wanting a watch and the next day having it in perfect condition on your wrist

₊˚⊹⋆ He insists on having you in the front row, so you can see him win or lose, as long as you have the best view

₊˚⊹⋆ He started winning more games after you started watching him play, Tashi doesn't complain and doesn't even hesitate to invite you when she can to watch him

₊˚⊹⋆ That he can't help but be worried when you leave without warning, calling you, sending you messages and even thinking about the possibility of coming after you, wherever you are

₊˚⊹⋆ He's an idiot and every time he finishes playing he comes to hug you, no matter how sweaty and disgusting he is, he knows the difference in strength between you and him, and he knows that you would never be able to get out of his grip (he just doesn't hug Tashi because he knows she would punch him

₊˚⊹⋆ begs you to try playing tennis, which doesn't happen because even though he plays weakly with you, you can't catch the ball at all

₊˚⊹⋆ He loves to grab you, no matter if you're in public or alone, when he sees you he just runs to your small body in contrast to his, and hugs you, your face hitting his chest

₊˚⊹⋆ Can't even hide how he hit the tip of the racket against him crotch every time you leaned over to get something he needed

₊˚⊹⋆ Who started winning over and over again after you started rooting for him, always looking at you and looking for validation and a thread of pride in you, like a puppy wanting its owner's attention.

₊˚⊹⋆ Who spied Tashi telling you that if you were having sex, or he was in love with you, it didn't matter, as long as you supported him in whatever he was doing because only then would he be able to win

₊˚⊹⋆ Who gave subtle hints that he wanted you to wear shorts and tight skirts, making a point of buying from the best brands and giving them to you as gifts with some stupid excuses like "Tashi had seen them in a store and gave me the idea of buying them for you" you don't even bother to pretend that you believed it, how are you going to believe it when he is stuttering, while his fingertips turned white from squeezing the straps of the bags with different short clothes

₊˚⊹⋆ That every time he wins a very important match he runs to you and Tashi and casts glances in silent permission to hug you

₊˚⊹⋆ begged you to join his team, Damn, he had money left over to hire 10 helpers but he insisted on hiring you to do what? get him water, accompany him?

₊˚⊹⋆ Who is noisy, you've always known that, and he knows that, always whimpering when he kisses you, and it was worse when you had sex, feeling tears streaming from his eyes whenever he was close to cumming, as he grabbed your waist and put his face in your neck

₊˚⊹⋆ Who needs to hear or tell you every minute that he loves you while he fucks you so hard and squeezes your wrist so hard that you know it will leave ugly marks that are difficult to hide

₊˚⊹⋆ During the day, he calls you different pet names like darling, baby, candy, or something so outdated that you'd want to vomit if he wasn't the one saying it, but while you're fucking he gets worse, whines for hours about how you are so good to him, and how you are the love of his life

₊˚⊹⋆ he is the definition of "make love" he doesn't curse you, and he treats you so well that it hurts

₊˚⊹⋆ loves eating you out, he simply gets drunk on your pussy, pulling you to his face and eating you like he's been hungry all week

₊˚⊹⋆ Always comes up behind you and rubs the visible bulge in his shorts against your ass, he has no shame on his face

₊˚⊹⋆ He rolls his eyes and moans very loudly when he cums, he simply can't control it and his body has a life of its own

[justrymesblog]

aphroditeapprenticee

the void obsession is anti-neville, anti-law, anti-mental health, anti-well being, anti-manifesting, anti-everything. i hate it. it's all coming from the lack of understanding of the very fundamental foundation of the law. creation is finished. nothing and no one to change but SELF.

but, do you really understand that creation is finished? because if people did, i highly doubt they'd try to get into the void. creation is finished means you don't "create" anything. everything you can ever conceptualize is already created. if creation is finished, that means there is nothing to achieve, nothing to change, nothing to try, and nothing to fix. all you need to do is align yourself with that reality(state). you shift to that reality(state) in imagination/consicousness. that's literally it. here is a great post i highly recommend reading regarding the concept of creation is finished. If you're in your room right now, do you have to build a kitchen in order to be in a kitchen? no. you leave your room and go to the kitchen. because your house is already built. it's the same thing. you don't "change" your 3d. you leave your current state and move to your desired state.

the reason you're trying to get into the void is because you don't like your current life and because there are so many aspects you want to change, you're carrying the burden of changing the 3d on your shoulders, you're viewing the void state as something that will magically change and solve everything. so you're trying to get into the void so you can finally change the 3d. but again, nothing and no one to change but SELF. you're not changing the 3d. I need you to understand this, you're NOT changing the 3d. you're changing your SELF. when you change self, the 3d changes on its own because everything and everyone is SELF pushed out. i have no experience with the void, so i can't give you any advice on how to get into the void except for relaxing and just focusing on being.

but if i were you, I'd let go of the void. what is your obsession with the void helping you in any way? how long have you been obsessed with it? please let go of what does not serve you.

you're lacking. you're feeling lack. you're desiring. I suggest you scroll down my blog and read my other posts and replies to other asks. the very first step is to stop desiring NOT by suppressing your desire, but by fulfilling it all in imagination only. there is only fulfillment or lack, you have to make a choice. will you fulfill your desire in Imagination or will you continue to live in lack in imagination. in imagination, which is your kingdom, where all things exist and fulfillment is totally unconditional?

leave the 3d alone. i mean it when i say manifesting has nothing, i mean NOTHING, to do with the 3d. it's all about you. your inner self. you're not changing your face, you're changing your SELF. you're not changing your body, you're changing your SELF. you're not changing your bank account, you're changing your SELF. you're not changing your family, you're changing your SELF. YOU'RE NOT CHANGING THE 3D YOU'RE CHANGING YOUR INNER SELF (state of consciousness aka self-concept).

if you were my sister, i'd do anything to make you completely give up on the void state and study and apply the law instead. but, i can't do that to you because the choice is up to you. will you continue to do yourself a disservice by obsessing over something that doesn't get you anywhere or will you let it go and study&apply the law which guarantees the fulfillment of your desires?

your 3d doesn't need to be changed. no matter how horrible it looks, there is nothing wrong with your 3d. your 3d is perfect as it is. it's your consciousness. you have to change your consciousness, your SELF.

if you have time to obsess over the void, read neville. read edward art's series. You think manifesting is about changing the 3d. that's why you see manifesting as something that requires hard work, that's why you're obsessing over the void because you think the void will remove the "hard work" you think you should do to manifest. when you realize that all you need to do is literally just fulfill your desire in imagination only, you will no longer be interested in the void. the void obsession started last year. never have i ever once tried to get into the void. because to me, manifesting isn't about changing the 3d. it's all about my imagination/ consciousness.

if you want to take my advice, which i hope you do, unfollow every single void blog you follow. delete void information you wrote down anywhere. unsubscribe to every channel relating to the void. cut off every online friend you made talking about the void. let go of it. and i can guarantee you this much, if you focus on changing yourself in imagination, your results will show up in the 3d SO fast you'll be scared(in a good way).

it's up to you whether you're going to obsess over the void for the next 3 months and get nothing out of it but worse mental health OR spend the next 1 month on studying&applying the law and reap a good harvest, if you do, your results will be satisfactory.

Start tonight. start with at your command and the power of awareness. the law and the promise contains over 50 success story letters neville eceived from people. Read this series, his interpretation of neville's teaching is amazing and he also touches on subjects neville barely did that people may be struggling with. neville and edward art are the only teachers you need imo. debunk everything you know about the void and read what i linked above and apply. You will reap a good harvest.

[nadas-dirthalen]

just want to say again that bioware did an amazing job with the inquisitor's missives. it's impossible to nail the voice of every single inquisitor that has ever existed in the last 10 years, but if you go over the actual events described in the missives, they are perfect.

they fit just as well for celene being kept as empress, gaspard ruling alone, or briala using gaspard to rule. they impact the divine no matter who you chose as divine because val royeaux falls to the same anti-emperor/empress rebels. ferelden/orlais tensions are kept high throughout, with the inquisitor acting (again!) as the sole peacekeeper between them.

oh, and the dwarves? orzammar is mentioned throughout, has its own storyline, and survives the final blight. the avvar? good news! the chasind/avvar are recruited as the inquisition's allies, and negotiate a temporary peace with ferelden, and are responsible for most of the inquisition's resources/food in the late game!

the entire series of missives is filled with constant callbacks to da:o, and even goes out of its way to say that the events of da:o are why the blight is shaped like it is in the south. the blight left behind seeds of itself, which makes sense, because all along, the blight has been the evanuris' weapon controlled through their archdemons, and elgar'nan/ghilan'nain would know that june's recent death was due to the hero of ferelden. the evanuris are family (however you decide to interpret that) despite their disagreements; of course both remaining evanuris are spiteful enough to re-enact origins just to hurt the people of thedas that much more.

i constantly see posts saying the inquisitor has no role, no purpose, in veilguard.

to me, they're wrong.

the inquisitor's role is holding all of southern thedas together as solas' failed ritual threatens to tear it all apart. everything they worked for, together. everything they did, everything they feared losing once, together. whether you headcanon that as an incredibly angry and upset inquisitor seeing the last of the good parts of solas' efforts destroyed, or you romanced solas and your inquisitor is fighting to preserve what remains of their relationship with solas while rook works on freeing him... the inquisitor is doing something, and on just as grand of a scale as rook.

and there is no one else who could do it but them. the only person that both orlais and ferelden will listen to equally is the inquisitor.

they are not going through da:tv to free solas. that has to be done by someone that solas doesn't expect, doesn't know (and no, he does not expect/know rook; they continually surprise him in ways not even the inquisitor surprised him).

the inquisitor is holding the world together so that there is anything at all left in the south to rebuild, and the instant they have a free moment, they charge into minrathous as the very last (and perhaps most vital) piece of rook's entire plan. something rook kept carefully concealed the entire time.

you know.

the pawn who was subtly moved all the way across the board, despite the fact that solas was looking for it the whole time.

that isn't rook being stupid, or mindless. that is rook, morrigan, and the inquisitor being incredibly smart.

don't believe me? still want to cry "but the art book" about it? go look for the page where it says that trying to reason with solas too early led to the game ending prematurely, with rook dead.

[punkitt-is-here]

How can I cultivate the same, "just keeping making stuff all the time" kind of energy you have? It's very impressive and something I wish I could do!

well, theres a couple reasons i think! one is that i just found ways to be satisfied with small amounts of work. its in part because of my ADHD, but my parents were always trying new things (motorcycles, leatherwork, acrylic paint, collage art, photography, video editing) so that definitely rubbed off on me; i had a great example of people just wanting to try stuff. i keep making stuff all the time because i love trying out new things; you don't have to be an expert to try something new! you just have to have a desire for it! wanna make a zine? google it! wanna write a comic? give it a shot! wanna get into woodworking? buy a carving knife and find a stick or something! i think theres plenty of ways to find entry points into interesting stuff and you gotta let yourself be okay with making shit that sucks just because its fun. which leads me to my second point!!

im okay with being dogshit at stuff! i try new things, i kind of suck at them, and i think it's either 1. cool that i made it this far or 2. kinda funny that this is what its like at the moment. i know that sucking is never permanent, everything can be improved with time, and rarely does anyone ever magically get good at something first try. i think of myself as a talented artist, but its over the course of 2+ decades of drawing; im always improving, and no matter what im going to find things i want to get better at, so why fault myself now for not being perfect? a couple of months ago i really wanted to try woodcarving, so i made spoon with my dad. did it turn out great? not really! you cant even use it as a spoon! but im glad i tried it, it was fun, i had a great time with my dad, and now i know a little bit more going in next time. the idea that you have to be perfect or make tangible progress every single time you try something new is a recipe for burnout. i promise you, it doesnt matter if something doesn't come out like God's Gift to Humanity! Did you have fun? did you learn something? are you satisfied in some small part? good!

(pictured: tha spoon)

last, im just really easy to please myself! I'll make a doodle or implement an idle animation in my game or color a piece and go "wow! thats so cool i did that :)" and it really is just a matter of realizing that its fucking COOL to create stuff, no matter how small! whatever you made didn't exist before you, especially in your own unique way, and now it does! doesn't that rule?! i'm obsessed with it! even if its just a stick figure, its a stick figure you made, and it wasn't there before. thats fucking awesome!!! art is so cool!!!! i think that being happy with small goals and victories is a great way of trying out new things and showing off cool stuff u made, no matter what skill level. :) this turned into a whole big thing, but i hope this helps! tl;dr is try things if they seem fun, be okay with not being good at them, and find stuff about it that makes you happy or satisfied!

[thefaiao]

seeing your clowns made me go feral since my fixation is cringe and clown flavored

Who let you cook like that who let you cook AUTHHFFH UR ART IS SO COOL IM BEING DRAGGED AWAY

You’re hatching is so fucking inspiring since it’s soMETHING I try to do in my own work I LOVE UR ART

would it be fine to ask what brushes you use? I love ur values also, you’re so so good at shapes and form WAAAA I LOVE UR STUFF. I did dig up an old ask you made iirc, but I’m not sure if it’s changed

Hey! Thank you very much. I'll go through the brushes I use for each program: Drawpile

From what I understand most of these are MyPaint brushes... but I only know them as drawpile brushes because that's what I use. Main ones I've used lately is Irregular Ink and a default brush for coloring

I don't really change the size of irregular ink much and the pressure doesn't matter that much. It has high stabilization which I haven't changed, but I'm sure you could get away with lowering it. For the other brush I'm pretty sure it's a default one that I slightly tweaked (drawpile is a bit bad about communicating what brush exactly you are using to you.) I quite like it because it feels like playing with clay, makes it easy to map out the volume. I use it for those lineless pieces I do from time to time too. I change its size a lot while drawing. I've also used these two, one of the pencil brushes and a second one I stole from Jokioro that I have no idea what is called

I used the first one for the D'arce I did a while ago and the recent VTMB piece. It's great at emulating sketchy graphite pencils, I like layering it to do multi-colored hatching rendering. The second one I don't know how to use super well yet but it's probably my fourth most used as of late. It works very weirdly so if you wanna figure out how to make it work I recommend looking at how Jokioro draws. Clip Studio I bounce around a lot with all the brushes, but I use a loooot of stuff from the Frenden pack. Mainly Meeko Leako for lining and even coloring, it has a great texture to it, very fun

This has been my most used brush for years. It's great for super straight lines and produces a great difference in value between quick lines and thick lines. I haven't used it as much since I picked up drawpile more recently, but it's amazing! Other than that I use the default G-pen when I just want simple lines without much texture

It's a bit ugly at a glance but I think if you lock in it's great for super clean lines, just trying to get the point across without much noise. I also like coloring with it at times, when I'm going lineless. SAI Binary pen. Use the binary pen. It's the best brush ever made

It just feels super right to draw with it, it's so simple but it makes your lines look super slick, and it's just a binary pen. I guess they just got the behavior down perfect for it. But yeah, love this brush. IRL I've always used these archival ink pens in different sizes for basically everything I've done traditionally, and of course just a simple number 2 pencil for sketching and such. I've used a bit of charcoal recently, and been wanting to deep into darker pencils for detail, but this is still the default. I also will probably try out dip pens sometime

That's all I can think of immediately, but I always like to mess around to try and find another great brush, and you should do the same even if you end up using these a lot.

[primrosebow]

HEYY!!! i love your art soo much!!! Your post abt the hazbin hotel women 🩷🩷 its so GOODD!! As Vaggies #1 fan i love how you wrote for her and drew her! I love how you added little details like the night dress(id fuck her in her night dress too she looks so cute:3) but i was wondering if you could maybe do some rosie x reader nfsw🙏 PLSS she barely gets any love and your writing(and art but yoy dont have to draw her if you dont want tooo) is so good!! Anyways could i maybe be 🎀 annon? i hope you have a good day!!! Bye

Hey I'm back from trying to find out how to be a good artist

I did not figure it out 🗣📢📢📢💥💥 also we're on strike.

❣️_-->Rosie x reader

//

!Content warnings!: nsfw, rosie being rosie (she bites you fr), uhhhhhhhh the usual??? I still don't know how to do content warnings, gender neutral reader because I didn't specify anything, good luck reading my handwriting (every day it becomes less readable and becomes more like a doctor's. I am transforming. I am becoming the doctor.)

Guys if I don't buy the skulls on a string I'm going to die. I need to buy it.

//

//

One may be surprised to find that in my opinion she doesn't hold any regards to who is "topping" or not- little of that matters to her. What really matters is how close you both are- she is all about the intimacy when it comes to this. Talkative all the way through, she will be affectionate with the sweetest words she can offer you. She uh... really doesn't make much of an effort to be understood by you if you are unfamiliar with the 'slang' she tends to use- you can ask about it later, after she is done with you.

Another thing she does, something much more predictable: is that she tends to bite you. There are no intentions of hurting you when she leans into your body and digs her teeth into your skin, it goes without saying that you will of course bleed, and, afterwards she earnestly and truthfully showers you in apologies for harming you! it's just.. your taste is truly intoxicating to her- you need to understand! She has said it herself in the unfiltered delirious state you both get to: she'd most definetly eat you, you tasting so perfect the way you do- if she wouldn't miss you so much if she did. Your company brightens her days, makes every little moment worth it, she wouldn't be capable of existing in a world without you now; sometimes she wonders how she made it so far without you to begin with.

Any compliments you may give her are met with shy looks to the side and comments for you to "oh stop it- you're much too sweet..", being truly invitations to get you to do it further.

//

Stupid little edit I made of her with the creative liberties I took :-]

@bigfatbimbo as usual

Somehow despite typing with numbers between my words to shorten everything I still manage to not sound completly unhinged and like a severely brainrot infected individual

Moral of the story is: delete tiktok

[its-a-me-mango]

HI!!

I really like how you draw smg4 and 3 and was wondering if you have any tips that could help someone like me who can't seen to get it to look right? Its alr if not, i'm just curious! :D

(*Consumes your art aggressively but respectfully*)

Hi, thank you for asking me! I'm not the best at giving art advice/help but I can try my best! :'D

I guess my general advice for both of them is that there is no "right" way for them to look, both of them have fairly simple designs in comparison to other characters in the series, which in turn gives a lot of legroom for stylisation and stuff like that! All you really need to do is pick out their key features (which can be hard with simple characters since... there ain't a lot of obvious ones) and the rest will fall into place!

You can see this with the way SMG4 is shown in official merch, while yes he's more stylised compared to his official model, they all still read as being SMG4! It's through these as well that you can see what aspects of his design stay consistent throughout different drawings of him, namely his wider eye shape, short stature, bold eyebrows, etc. You get the idea, picking up on these and referencing them can help if you're struggling to get them to look right with your own art!

If you're still struggling to stylise them for your own style, I find it helps to heavily reference/trace the original design first, just to get as close to their intended design as possible, parts of your own style will already start to show through from that (I normally don’t condone tracing others' work unless it’s for stuff like this). 

From there it's just a case of refining them and practising, adding/taking away parts as you go until you get to a style that you're happy with! It doesn't matter if they're not 100% accurate, as long as it's easy and consistent enough for you to replicate them, then it's fine!

You'll have much better results and an easier time drawing them if you let yourself be more experimental with their designs and learn as you go, rather than trying to get them perfect right away. I know it can be frustrating to not get them right the first time, but you'll find it much easier to adapt them to your style and get them how you want them to look if you just learn and adapt as you go.

I hope this helps in some way! I'm not the best at explaining stuff like this because my main method is just to say "fuck it we ballin" and then draw a character over and over again until I can do it in my sleep, so I hope my ramblings help in some way! You can apply this to any character by the way, not just SMG4, if in doubt just go back to the original reference and keep at it until it looks how you want it to.

Don't be afraid to make drawings that don't turn out right or ones that you're not happy with, it's all part of learning as an artist! You will get there in the end if you put in the effort to learn! <3

Also no one will tell you this so I will but, SMG3 is just SMG4 with a beard, so if you can draw SMG4 you can draw SMG3 no problem LMAO.

[i-yap]

Hi! You mentioned in a prev oneshot that you were Indian, as a fellow south asian it is so nice to have someone into the fandom as well !!! May I have a request if batboys with an south asian so who does Indian classical dance like bharatnatyam or odissi please?

Heyyy I have never professionally learned classical Indian dances but I love watching them so ill try my best. Im sorry if its offensive, Im doing fem reader cuz gn wasn't requested..hope that okay too

Batboys x Dancer!Y/N

Dick grayson

He loved the story the dances depicted. He learned all the meanings and history behind all the hand movements and music.

Dick had probably been to India for a mission so he does know a little about indian history but now he has a much stronger motivation to learn everything and anything about that culture .

Also we all know dick has a thing for strong powerful women. And Bharatnatyam or Odssi or any indian classical dance for that matter REQUIRES SO MUCH STRENGTH . The facial expressions, the precise movement and the beauty of it all..he is whipped.

'He also loves when you get in touch with your culture. Dick is like a culture connoisseur and having a beautiful south asian girlfriend who is proud and expressive of her heritage makes him so proud.

He for sure has videos on videos which he show or boast about to anyone- even at galas , his favorite thing to talk about you and he is just so proud.

Jason Todd

I dont think todd will take the time to look into the difference meanings or stories these dances depict.

I have mentioned how much he stares and now he has a new found excuse to stress. Its like those movie montages of the wife through the husbands eyes where there is like a light glow behind her and he is just laughing (and then she dies or something)- idk if you know what I'm talking about but that exact thing happens with him.

you are like his salvation , so beautiful, golden poised and graceful. Its like a beggar seeing a goddess , a murderer on the steps of church or a ray of sunshine in the cold cold dark city - it becomes his way to spirituality.

He doesn't talk that much about it. the whole experience feels too surreal for him and he loves to see that side of you. when your practicing and don't have the routine perfected, he loves seeing the side of you no one else would get to see.

Tim drake-

This boy probably went to the ballet as a kid and I mean western rich parents-gotham city- I don't think he knows anything about indian classical dance so when he sees it for the first time he is shocked

He Is so intrigued , It just makes you so much cooler. He will love dropping in the middle of his patrols to watch you train and bring you snacks

He also loves doing your makeup for you , and the whole outfit....it looks super complicated and he is good with assembling stuff so he'll be really into it.

He would tbh encourage you to use your skill to start and internet channel and use that to promote movements. Also if you are into the idea of teaching immigrant kids on how to dance, he'll help find the means because being connected to your roots are just so important.

Rather than boring ass ballet in galas , he will promote other styles of dance especially indian classical.

Will cheer like a madman after your performances , even if they are at rich gotham galas. "WOHOO THATS MY GIRL THATS REAL ART YOU SEE THAT YOU RICH PRICKS"

Yea just because you have this super serious super cool skill doesn't mean you both wont be sitting in a dinner eating greasy food in the whole costume+makeup after performances. Youre still teenage dirtbags after all

Damian wayne-

he will draw you . loves sitting and sketching you dance .

He too is really into strong women and appreciates the beauty and precise art of indian dance.

Itll remind him of his home, like up in the mountains. Maybe dance is taught as a way of developing balance and precision. So to him you look like a strong fighter.

It just brings nostalgia and you look so ethereal while you dance. I think out of all batboys he would be most appreciative of the art

these are comparatively shorter but i didnt have too many thoughts. hope its okay tho

[lotusmi]

The faith challenge <3

This is a small manifesting/void challenge I made for myself that helped me to manifest my dream life.

Aimed for people that overconsume or overcomplicate getting their desires.

Note: you know enough! you have overconsumed enough information. stop now, its time to finally get what you want!

If you overcomplicate things, you probably listen to subs for hours, affirm 10,000x every hour, etc. You view them as things you must do to get your desires. But remember, you are not doing this to get results in 3d, you are doing this to fulfil yourself inwardly. Its like you have your hair down and your looking in the mirror. You cannot change the hairstyle in the mirror, right? leave the mirror and change your hairstyle. (fulfill your desire inwards), and the mirror(3d) must reflect that.

The actual challenge:

Read/listen to edward art's though false lecture. ONCE. ONLY. ONCE!! aim to truly understand what he is saying. this lecture is all you need. After that, delete your tumblr. unsubscribe to manifestation ppl on youtube. no more information for u.

No affirmations, no subliminals, no scripting, no visualizing. (unless you're doing it just because it helps make you feel fulfilled. you dont have to do them!!! preferably stop all methods.)

you will write your own rules on a slip of paper. ex. 'my manifestions must come within 3 days because i said so and i make the rules', 'everything must always work in my favour'. keep it simple. it doesn't matter what anyone else said, make the rules however u want!

you will stick to those rules. you will just know that everything in your reality has to abide by your rules. do nothing else.

Wavering is fine. if you waver, no jumping back to tumblr to overconsume information. simply ask your inner self for confirmation. your inner self will always say 'yes u have ur desires!'

idc about your 3d. you are under no obligation to accept those circumstances as true, your imagination is the only true reality anyway. don't complain abt how bad ur circumstances are, because one well known blogger here grew up in in extremely abusive situation, was tossed from foster care to foster care, was searching for shelter at night because the abuse was too much. she wavered just like u. And yet, she did it! she changed her entire life. drastically. and you can too.

TLDR:

listen to edward art's though false lecture ONCE.

delete tumblr and all manifestation related stuff. do not do methods.

write your own rules

stick to them

fulfill urself inwardly only.

!!!success story + amazing challenge! oh, anon! You are amazing! 💐💌🌷

This ask is beautiful, this is so well done and the whole post is so well written, organized, and helpful! Omg, you are a real angel! I am so happy that you did it, and even more happy to receive an ask from someone kind like you, I appreciate you so much, I know this will help a lot of people. Congrats for your own journey and success! Please know that you are an amazing soul, and I wish you all the best and so much love, you deserve to live all the happiness! ...🌷💗

The Faith Challenge! <3

꒱This challenge is perfect for you that are overconsuming or overcomplicating the law and want to leave this cycle, manifesting your dream life! Everyone, let's appreciate this anon work! 𓆩♡𓆪

💐💐 those flowers are for you, my dear Faith anon!

[thisthirstisreal]

I HAVE SO MANY THOUGHTS ABOUT THE FINALE AND I MUST SHARE THEM

Okay, to preface I want to say that I have been very ambivalent about the current KNY season. I can understand both sides of the mixed reception, one declaring that Ufotable is padding things out too much, the other saying that this is perfect to flesh out slice-of-life character moments that weren't present in the manga. Me, I find myself agreeing with both sides and have been having mixed feelings. Either way I've kept watching.

So the finale just dropped. And oh my gosh. It's so. Fucking. Good. I loved it — and not just because of the animation, which was bonkers this episode and obviously one of its main highlights. But I'm not here to talk about that.

The narrative was SO good.

From the moment Muzan meets Ubuyashiki, he calls him hideous. This is very important. Their entire meeting this episode revolved around their different ideologies — Muzan believes in the beauty of immortality, while Ubuyashiki believes that true immortality stems from human bonds and wills. He makes an excellent point: after he dies, the Demon Slayer Corps will continue to thrive, if not rally harder against Muzan because of their bonds and Ubuyashiki's legacy.

If Muzan dies, everything he stands for ends with him.

Look at Muzan. He's beautiful. He is unblemished and young and Amane even describes his physical appearance out loud. In contrast — Ubuyashiki is, well, not looking great. His skin is scaly and he's covered in bandages and he's coughing blood. That's the point. Mortality can be ugly. People decay, people die, but what matters is that their bonds and traditions live on forever. That's literally the definition of culture in our real world today.

During the climax, we see that. We see Muzan stripped of his beauty again and again, to reveal all that monstrosity beneath his skin before his beauty is restored.

Meanwhile we don't see those demonic visuals with Ubuyashiki and his family — because they died and disappeared into nothing in the fire. We don't see their skin stripped away, their eyeballs bulging from raw muscle, nothing. They moved on with grace. Mortality can appear ugly on the surface, and immortality beautiful, but the author is trying to tell us it's the OPPOSITE if we look deeper.

Is this a groundbreaking theme? Hell no. There's nothing subversive or unique about this, and that's perfectly fine. There is a reason Demon Slayer is so popular, and part of it aside from the animation is, ironically and unbelievably, the story. Because simple storytelling can also be incredible if executed right, and Gotouge knocked this out of the park.

Man, just seeing all the Hashira pull up to attack Muzan, Gyomei being entrusted by Ubuyashiki to pull Ubuyashiki's scheme off, Tamayo showing up (really ties up her debut this season) and weaponising the Blood Demon Art from the man Muzan carelessly turned into a demon in S1 was so good. Time and time again, Muzan has done things at his whim without giving a shit about the consequences because he doesn't think there are any. He says so himself — that he doesn't face retribution.

He was wrong. Everything he did caused a ripple effect that led back to him. I loved how Gyomei's backstory last episode tied in with his respect and love for Ubuyashiki this episode. How Ubuyashiki saving him from prison sealed Gyomei's loyalty to him and how this bond lived on in Gyomei with his entrance against Muzan. I loved how Ubuyashiki's character was portrayed. He's not physically strong, he's not a swordsman, but he's a leader, a conveyer of wills, a symbol, and we felt how he conveyed his message to his Demon Slayers and to Muzan in this finale. He had to die to expound his message.

He was the perfect foil to Muzan's character (Muzan, who was also born sickly but went down a different path, who clung to immortality rather than accepting his death) and he truly went out with a bang. RIP.

This may not be a perfect season for everyone. But I am so fucking glad it happened anyway. I can't wait for Infinity Castle. I can't believe this episode was so phenomenal when we haven't even gotten into the peak of the series (the movies).

[tokiro07]

Ichi the Witch ch.10 thoughts

[(N)Ice Boat]

(Topics: thematic analysis - Death for Death/talent, character analysis - Hisame, speculation - Kumugi/Magik/Minakata)

Dammit, I was wrong again, Ichi really did just make sashimi instead of turning Hisame into an outfit...I think @wickedsick predicted that, so good job, Wick

It was certainly well telegraphed, he was literally fileting her, and Desscaras/Kumugi were wearing the iconic sushi chef headband, I just was hoping for something a little more on-theme I guess

I'm not at all disappointed in this outcome, mind you, I'm just bitter about how I keep whiffing on what seem like easy pitches. I'll probably feel a lot better about it on reread, but right now I'm just a bit embarrassed

Enough lamenting though, let's focus on the chapter itself!

Good Enough to Eat

The sashimi boat really is the perfect solution to this trial, honestly. First and foremost, it's a solid reflection of Ichi's philosophy of Death for Death. As Ichi says in the flashback, the sashimi boat is an artistic and ritualistic expression of both respect and gratitude for the prey, the core ideology behind only killing when it is necessary for survival and not wanton destruction in the name of entertainment. The prey's life is not more valuable than the predator's, so Ichi wants to honor the life that he has taken for his own by treating it with dignity

Moreso than just the spirit behind Death for Death, it is also literally taking that philosophy to its logical conclusion by reflecting Hisame's own actions upon her. Hisame enjoyed putting her victims on display, making their frozen corpses into macabre architecture, so it's only fair that the same would be done to her. A punishment that fits the crime

However, it also is what allows Ichi to actually pass the trial because while it is a gruesome fate, it is not actually a punishment for Hisame. Like I said, it's a reflection of her own artistic sensibilities turned back on her; she is now the one being put on display as a grotesque art piece - of course she'd find that more beautiful than being trussed up in flowers or frills! She was telegraphing it the whole time!

It's also a fun play on Desscarass' attempt to cheat last week by saying true beauty is on the inside - by rending and exposing her flesh, Hisame can see her literal inner beauty in a way that is both novel and a perfect encapsulation of her sense of aesthetic

I do think that turning her into an outfit would have ultimately had the same effect, but focusing on Ichi's established specialties works much better as a bookend for this arc's themes

Playing to Your Strengths

While I initially wanted Kumugi to learn the lesson of individual capability directly, having her see it firsthand through Ichi's talents is a great way to set her arc on a slow burn rather than simply cooking it all the way through in one shot

Before, she was simply told of the idea, and now she's merely witnessing it in action, but she has yet to personally experience or internalize it, steps that will come later as she's forced to contend with her own shortcomings and insecurities

My guess is that she's meant to be more of the Usopp of the team, who even to this day is struggling to recognize just how far he's come in his personal journey. Like how Usopp had to learn to be brave in increasingly personally challenging scenarios, Kumugi is likely going to be put in scenarios that make her feel less and less suited to them, but through emulating Ichi, will slowly come to learn that her unique capabilities make her just as skilled as Ichi in her own way

But again, I'm getting ahead of myself. For now, what matters is that Desscaras' line about Ichi doing things that only he can do seems to have resonated with Kumugi, even if she doesn't fully understand why just yet

Speaking of things we don't fully understand yet, this chapter has left me with a couple of questions that I'm very excited to see addressed in the future

Gotta Catch 'Em All

First, as this is the first time we're seeing a non-combative trial, is it common for Magiks to be so peaceful when they become magic stones? Obviously Uroro was distraught, but should we expect most of them to be satisfied or even happy to be bested?

And for that matter, what does it actually mean to be turned into a magic stone? We know they can be returned to normal upon the death of their spell holder, but is it more of a seal or a cycle of death and rebirth?

Cus if it's the latter, then Magik psychology must be fascinating, as they're likely able to accept their deaths because they have such clarity of purpose in their lives. If it's the former, though, that raises a bunch more questions about their cognition

Are they conscious while in stone form? Is there any circumstance where they can be retrieved?

Uroro is obviously an exception where he can manifest of his own will, but when Ichi cast Inazuri and Inazuri appeared, was that simply an apparition to represent him, or was it literally Inazuri coming to summon the lightning? He didn't say or do anything, so it seems like it was just imagery, but is it possible that with more advanced mastery of a spell that a Witch can fully materialize a Magik as a familiar?

I'm starting to suspect that this might be the case, as Hisame's last words were "I wouldn't mind letting you take me on a date." Perhaps she meant it metaphorically to represent giving herself to Ichi as a stone, but with how bombastic and unique her personality was, I think it would be a huge shame if she's just gone from the cast forever

On the other hand, though, how many Magiks is Ichi going to acquire? He already has three, and one is already a major cast member; will the other two and all subsequent Magiks become a rotating ensemble cast, throwing in their two cents whenever the author deems it funny or interesting but forgetting about them the rest of the time because there's just too much to keep track of?

Or will they simply be inert, effectively dead to the narrative and only contributing as MacGuffins to solve increasingly specific and harrowing challenges with no semblance of personality or individuality ever again?

Both options sound bad when you put them like that, though they both serve a specific purpose to the narrative that would help it flow. I'm pretty sure that's why Shaman King abandoned the Pokemon-esque ghost of the week premise pretty early, since it wouldn't do to have Yoh juggling a bunch of side characters when one would perfectly suffice. Come to think of it, I think Kagamigami did the same thing...

Only time will tell, but I do hope there is a way for Ichi to connect with his Magiks on a more personal level, especially if it turns out that it's something Witches either weren't aware of or deliberately don't do to avoid forming personal attachments

Even if we don't get more insight into Ichi's relationships with Inazuri or Hisame, though, there is one relationship of his that I'm confident we're going to be seeing a lot more of

Teach a Man to Fish

I have no idea what role he's is going to play going forward or how long it's going to take to get there, but there is simply no way that Minakata isn't meant to be important

Minion to the Big Bad? The Big Bad himself? The Big Good?? I don't know! But mentors that protagonists fondly remember and were heavily inspired by as children always do one of two things: turn evil or die horribly. Sometimes both! Lookin' at you, Kite HxH

I don't want to speculate too much since we've basically learned nothing concrete about him, but being that he's a wanderer with a mysteriously hidden face, I'll bet right now that Ichi's going to meet an oddly large man later, walk away none the wiser, and then the man is going to pull out the deer skull mask and say something cryptic about how much Ichi has grown

Buuut just to make a particularly wild shot in the dark now with no basis whatsoever: I won't be surprised if it turns out that Minakata has something to do with Ichi becoming a Witch. Maybe Minakata did something to him, maybe Minakata is also a Manwitch. Either way, there's definitely going to be an explanation for Ichi winning that lottery and Minakata is currently the best (and only) lead we've got on that

And with that, we've completed the first full story arc. It's definitely proving to be as fun as I expected it to be, I'm just surprised it's taken this long to establish a long-term goal. I won't be surprised if we get another mission to establish a bit more of a daily life-style pattern, but I worry in Jump's current climate that waiting too long to raise the stakes will prove detrimental to Ichi's longevity. It was around this point when Shigaraki showed up in Hero Academy, Geto showed up in JJK, and God was established as the antagonist in Undead Unluck, so I'd say we'll at least get a glimpse of the antagonist in the next few chapters hopefully

Until next time, let's enjoy life!

[cheetour]

The Void Within's dialogue is sloppy to the point of not being fully literate*.

It's been noticed that the rough sketches and the final artwork don't match up in quality, and seem to be declining as the plot goes on. The same is happening to the writing.

This is, I am sorry, a post about the latest major Neopets update. Not only that, it's about the GRAMMAR in the dialogue for that update. Riveting.

I SWEAR I AM NOT JUST A PEDANTIC ASSHOLE, I GENUINELY WANT USERS TO KNOW THERE'S AN ISSUE!

Most people who complain about "incorrect" grammar in games and comics are wrong. Homestuck, Night in the Woods, We Know the Devil, and Captain Underpants all have fine grammar, just stylized.

I really, really, really like The Void Within. I think it's a fantastic idea, and I am determined to enjoy it as much as possible.

I am a professional editor. Noticing this stuff is my job.

Now, PLEASE bear that in mind when I say:

tl;dr: Neopets is asking you to pay money to a product that does not meet the quality standards of a primary school English test for ages 10+.

*I don't mean to use "not literate" as a stand-in for "stupid and bad at writing." Literacy is very complicated, illiteracy is more common than you think, and there is no shame in being illiterate - you can be very intelligent and also have no written or digital literacy. I mean the literal "not able to use written language to its fullest extent".

It's clear whoever wrote the dialogue didn't have a perfect grasp of English punctuation. AND THAT'S FINE. Good writers don't always have good grammar, and you DON'T need fluent English to write good stories in English.

That's why writing, proofreading, and editing are all separate professions, and why a well-run creative project delegates those roles to separate people. They still matter.

People are more likely to notice grammar mistakes the more they read books. Correctly formatted English is how older, less online, and disabled people with visual or linguistic processing difficulties read. Text-to-speech doesn't work correctly on writing without correct punctuation. These are serious professional standards, and they exist for a reason. They're not worthless just because you don't understand them.

A good-quality publisher of books, comics, or video games wouldn't release dialogue like this to a paying audience. They would consider this standard unacceptable. They'd either use correct grammar, or stylized grammar. (Inconsistent grammar, with no logical or narrative rules, isn't a style. They're not choices if you don't know you're making them. They're mistakes.)

To an extent this is nitpicking, and most people wouldn't notice this stuff.

But Neopets is MAKING MONEY. They are SELLING PRODUCTS for this. They have MULTIPLE PHASES of NC Market sales for this plot.

As an educator, there is no way I could show this (perfectly kid-friendly) comic to a classroom of children - it would have no educational value. It's not written correctly or with any obvious care. If they paid attention to it too much, they'd get the wrong idea about the English language!

I think it's fair to say that if you're publishing an official Neopets story, and you want Neopets to be a kid-friendly, fan-driven, story-based brand with a target audience wider than "people who don't really care about whether stories are professionally written", the script should've been proofread.

To give you an idea of how many typos Chapter 3 has, here's one of the dialogue pages with the missing punctuation added; I also took 5 minutes to rewrite each line for coherency.

And THIS is a website showing you at what points in primary eduation we teach children to use commas correcty:

Art is hard. Programming is hard. Hell, good writing is hard. It's HARD coming up with dialogue and a plot that people actually want to experience.

Grammar is boring and sometimes pointless. It's not difficult. It requires only basic literacy. Children learn how to use commas at ages seven and up.

If you don't care about the story you're telling enough to check that it would get a good grade on a child's school test, how can you possibly expect anyone to pay for it? You need specialist skills to code a website or create a high-quality digital graphic, but the only thing you need to get this right is... one literate adult who cares enough to try.

So where are they?

**There is no shame in being illiterate, but there is CERTAINLY shame in selling illiterate writing.

tl;dr: Neopets is asking you to pay money to a product that does not meet the quality standards of a primary school English test for ages 10+.

Finally, here are some browser petsites/RPGs who have never prompted me to write an 800 word critique:

Fallen London

Pixel Cat's End

Lioden

[beevean]

The Devil Forgemasters in Netflixvania: why you shouldn't fix what is broken

I have a lot to say about how the show completely ruined Hector and Isaac, as characters and thematically. Adding more and more to the original post about how the changes made to Dracula and the Belmonts ruin the story would derail it more than I'd like to, so take this as some sort of lateral continuation.

Devil Forging is not tied to Dracula.

This is, admittedly, an obscure detail that not even many game fans know, but it's a good starting point.

Devil Forging (Japanese: 悪魔精錬術, Art of Devil Refining) is described to be a blasphemous branch of alchemy that creates life out of a wisp of conjuring matter. While it's ambiguous whether Hector and Isaac are the only Devil Forgemasters in the world or simply the most talented ones, it has been confirmed that they were infused with Dracula's own power to become Forgemasters.

Igarashi said it in a pre-release interview of the game...

"Innocent Devils are created out of strong magical essence. Previously when Hector was part of Dracula's army, Dracula himself provided that magical essence, so it was easy to create Innocent Devils..."

It was shown in a page of Prelude to Revenge...

And Death's entire plan in Curse of Darkness hinges on both Hector and Isaac being "suffused" with his master's power, making them the perfect vessels for his resurrection.

In the show, Devil Forging (or just Forging) is nothing of the sort. Forgemasters create Night Creatures by putting souls from Hell into recently dead, intact corpses. Hector in particular knew how to resurrect creatures in a zombie state since he was a child. Neither him nor Isaac, who studied by himself, needed Dracula to become Forgemasters: he met them when they were already adults and well-versed in dark arts.

This, on its own, doesn't ruin the story much: it's not a big deal if Devil Forging is changed from alchemy to necromancy, especially since this Dracula didn't use to be the alchemist Mathias Cronqvist. I also don't mind in a vacuum that the art has more limitations, like needing fresh corpses or tools. But, much like removing any hint that Lament of Innocence happened, it spirals into worse and worse consequences.

There is, however, something that can be mentioned here. The show makes a frequent point, through Carmilla, Lenore and the Captain, that Dracula might have planned to kill Hector and Isaac together with all the humans: Isaac accepted this fate and for this reason refused to befriend Hector, Hector could be manipulated at the other vampires' leisure. This conflict wouldn't have existed if Isaac and Hector trusted Dracula with their lives, as in, if he was the one who "made" them as they were: in fact, a big deal is made out of the Devil Forgemasters' humanity. I will elaborate more on the details next.

Dracula hired Hector and Isaac shortly after Lisa was killed.

In the prequels, Hector and Isaac went to knock to Dracula's door out of desperation (in one version when they were young boys), because there was no other place in the world for them. Dracula welcomed them and taught them the dark arts, on the condition that they would serve him, which they did out of gratitude for being allowed to live. Their talent was enough to earn them the titles of Devil Forgemasters and Generals. Their loyalty was then put to the test after Lisa's death, when Dracula used their powers to make an army to crush humanity with: Isaac was perfectly fine with it, Hector had reservations.

The wording implies that Hector was shocked by Dracula's descent into madness. One can even read his "indiscriminately" as a hint that at first Hector was also alright with punishing the guilty, but then had second thoughts the moment he realized Dracula's slaughter was beyond reason.

Only bits and pieces of all of this was kept in the show. As I mentioned, Dracula met the two when they were already adults and hermits, one in Rhodes and the other in the Sahara, and the two were impressed by how Dracula was the first one who treated them with kindness. Then he returned to them after Lisa's death, more or less telling both of them "I need you to exterminate the human race". Isaac was, again, up to it, while Hector had to be convinced with a lie: Dracula promised to him a compromise, that of culling the human race and using it as livestock. Then, he took them to his castle and immediately promoted them to Generals, because he trusted them as humans against humanity.

Why does it matter? Hector started off with all the building blocks to go through a similar character arc he goes through in the CoD prequels, but he's turned into a less sympathetic character, as he was on board with turning humans into cattle from the get go. An anti-villain who'd enslave his own kind out of a misguided sense of mercy needs a carefully woven narrative to justify, and possibly redeem. We all know what happened to him.

To be fair, the story wasting Hector is not the fault of the lore changes, so there's no point in elaborating here. I will mention, however, that some fans genuinely believe Hector deserved to be enslaved and raped precisely because of his original plan, which makes the narrative even grosser.

Why does it matter? 2: Hector not feeling grateful for Dracula giving him a home, because their relationship is now more shallow and cheaper, makes him weaker to Carmilla's and Lenore's manipulations: game Hector, pre-character development, would have had the right counterarguments against them, and he would have come off as less passive.

Why does it matter? 3: Hector and Isaac only worked under Dracula for a year, and they're already called Generals. In the prequels, it's implied they spent years studying under him and gaining experience, both in the alchemy lab and in the battlefield, which is why they're called Generals in the first place (unlike the show version, who allegedly aren't even physical fighters). While Dracula explains that he trusts them due to being humans willing to exterminate other humans, it's questionable that Dracula would trust their qualifications so much; this is made even worse by the fact that Hector was "hired" thanks to a lie. Their importance and talent are diminished, and Dracula comes off as more impulsive and less caring of those he trusts.

(and while this is more minor, Dracula, who in this version is meant to be more sympathetic, looks like more of a bastard for leaving Hector and Isaac in their isolated homes until he had a need for them. The story could have put Isaac through a character arc where he realized that his "friend" only saw him as a tool and discarded him as such, but nothing comes from it.)

Neither Dracula nor Isaac respect Hector.

In the games, Dracula respected both Hector and Isaac as his trusted Generals, but he favored Hector, which caused Isaac not a small amount of grief. Isaac himself was torn between respecting Hector as a friend and comrade and resenting him for "getting closer to Lord Dracula". In any case, it's obvious that both of them had a role in Dracula's court, it just happened that Hector was more talented than Isaac.

Before talking about the show, it's necessary to talk about the stats sheets that came out with Season 2, that implied that Hector and Isaac were meant to be both physically weak, with the former slightly stronger and more powerful in "necromancing" than the latter. This implies that the original idea was more in line with the games, with Hector being more talented than Isaac: this would have explained why Dracula resorted to lie to him to hire him.

But this, for whatever reason, was not kept at all. Not only the two are roughly on the same level of raw power; not only Isaac eventually is shown to be a menace in battle; but Dracula and Isaac have nothing but contempt for Hector as a person. They insult him gratuituously, calling him "a child in a man's body", "just a little boy", "a creature too simple for betrayal", "easy to lie to", and making fun of his love for animals. Furthermore, Isaac in particular says that he never cared to befriend Hector because he assumed, and accepted, that both of them will eventually die at Dracula's hands, so there was no point in forming a connection - but it could have been just an excuse because it's clear that he simply cannot stand him.

This is not just petty bullying, it's baffling writing.

Why does it matter?: this Hector should not even be in the castle, let alone with an important role like a General of Dracula's army. If Forging is a branch of magic well known in certain circles, unrelated to Dracula, why couldn't he attempt to find another one that would be on board with his plan? Especially since it seems to be common to shun them for their blasphemous powers, so there has to be another Forgemaster with a chip on their shoulder that wouldn't need to be manipulated.

Hector is kept in the dark about Dracula's real plan. He is considered so stupid that anyone could sway him. He yells in the middle of the war room that he doesn't enjoy paddling in the blood of children, confirming that he doesn't want to target innocents. He is also not special compared to Isaac, who is also shown to be quicker in Forging and capable in fighting. Hector is nothing short of a liability for Dracula, and it's all his fault for not realizing how much of a detriment hiring a naive "manchild" for a plan that goes against his very morals would eventually become.

But then again, Dracula in the show seems to like having liabilities in his castle.

Hector did not challenge Dracula of his own volition.

While the details are unclear and can only be inferred, it is pivotal that, at some point, Hector decided that he couldn't be an instrument of slaughter. He may have come to this conclusion out of principles (PtR) or out of pride for his own humanity (MF manga), but what matters is that he decided that he would rather flee to live in the human world that rejected him than to keep living in Dracula's castle where he was respected as a Devil Forgemaster but not as a person.

Hector's choice to run away in search of freedom, while understandable and admirable, has terrible consequences on Isaac, his foil and rival. He had to leave the castle to pursue the traitor: the two fought, and Isaac lost. Not only Hector left him alive instead of mercy killing him, letting the failure soak in, but thanks to their absence from the castle, Trevor and his companions had less obstacles to overcome, so they managed to reach Dracula and kill him. Isaac was beyond furious at Hector's betrayal: not only the rival he respected turned his back on both him and their Lord, but with one act, he stripped Isaac of everything he held dear in his life, from his position to the Lord who accepted him to his very home. Thus, the tragic cycle of revenge the two get stuck in during the game.

In the show, the real agent of S2 is Carmilla. She is the one who has decided that Dracula is an insane old man and she has to stop his insane plan (because it would harm vampires in the long run, of course). Her plan is to manipulate Hector into convincing him to convince Dracula to move the castle at Braila, all while praising his skills and reassuring she only wants to save his life from Dracula's insanity. Hector, who already had doubts, easily goes along with Carmilla's will, and by the time she reveals she disdains him as well, he doesn't have the strength to rebel, which leads to his beating and imprisonment in S3.

Why does it matter?: the most important theme of Hector's character is him gaining agency and choosing to amend his mistakes by being a better person than those around him. He is meant to be a parallel to Isaac (who close loyalty over freedom and couldn't rise above his bitterness and anger), Alucard (who is burdened by his family, not his wrong choices) and Dracula himself (who lost his heart out of grief and, like Isaac, kept spiraling downwards). Stripping him of his thematic relevance leaves Hector with nothing to his name: while Hector is canonically someone who clings in search of affection, the show takes this trait to absurd and frankly humiliating degrees.

Contrast the climax of game Hector's character arc of facing his former benefactor, telling him he has no right to judge mankind, and swearing that this time he will fight him face to face instead of running away:

with the climax of show Hector's character arc of protecting the woman who abused him, gaslighted him, raped him through deception, imprisoned him, never once respected him as a person and put a cursed ring on him that forced him to mutilate his own hand to break free, and then allowing her to die on her own terms so that she won't have to face the consequences of her actions, crawling back to her (and Dracula! He wanted Dracula back after everything he had done!) because up until the end, he never acknowledged the fatal flaw of weakmindness and insecurity that led him to being tortured in all sorts of ways.

(Isaac telling us that "he changed" is the biggest lie of the show. "He never had agency", he also says, and not only that is true, it keeps being true until the end of the show, in the face of any character development.)

Hector's character is much more than being a generic badass: he is meant to be an inspiration to not falter and succumb to your weaknesses because you are valuable as a person and human, regardless of how others see you. Even if you make mistakes, you can choose to become a better person, and you can find people who love you for who you are. It is incomprehensible how much his show's counterpart ends up promoting the complete opposite message.

Why does it matter? 2: while the story beats the viewer over the head that Hector is a simpleminded manchild, Dracula and Isaac actually look like the biggest idiots in the castle. Carmilla makes clear from her entrance that she has no respect for Dracula and would rather do as she pleases, yet Dracula keeps her alive, allowing her to talk with the "manchild easy to lie to", and Isaac flippantly agrees to her plan to "stop her from causing mischief". Hector gets all the blame for his naiveté and is punished beyond measure, while the other two gets off scot free from their plot-mandated stupidity. It's one thing when in the mangas Dracula and Isaac trusted Hector and thus were left blindsided by his betrayal: they have absolutely zero reason to leave Carmilla alive, let alone trust her.

Why does it matter? 3: Isaac has no solid reason to resent Hector. The two have no connection whatsoever, Carmilla is clearly the one in charge, Isaac sees Trevor, Sypha and Alucard storming the castle with his own eyes, and he was also partially responsible for Carmilla betraying Dracula. He never feels guilty for his negligence in recognizing her as a threat or Hector as someone capable of betrayal. His glee at seeing Hector suffering and his desire to kill him are far less motivated, impactful and tragic. It also comes as a slap in the face that in S4 he "forgives" Hector for lacking agency, without a word about his blind loyalty and stubbornness that nothing could harm his Lord.

Addendum: this is a smaller point related to the previous one, but I feel the need to mention it: there is a very big difference between an insane, ruined Isaac spying on a happy Hector from the shadows, plotting his downfall, and a gleeful Isaac spying on a tortured Hector and rejoicing in his suffering. The former creates palpable tension, because we are rooting for Hector's new happy life, and Isaac ruining it cements him as a despicable and threatening villain; when Isaac in the show is glad to see Hector in pain but still wants to kill him, it has no impact because everyone wants to see Hector suffer, and by that point, killing him would have been a mercy. Once again, it only feels spiteful and kicking someone when he's down.

Isaac and Hector swapped places without reason.

This is by far the most unpopular opinion and perhaps the most biased, but it has to be included.

Isaac in the games had a very specific role of being Hector's foil. He was the loyalty to Hector's pride, he saw himself as a tool while Hector recognized his own humanity, he succumbed to his own hatred while Hector eventually rose above it. He has a negative character arc, becoming more and more obsessed, unhinged and destructive from the prequels until the end of the game where he meets his tragic end, both puppeteer and puppet - his sister Julia is proof that he too had people who cared about him and he cared about, but it was not enough against Dracula's influence. Even his design tells us a lot about him: not only he let his uniform rot off his body in his insanity, but the intricate tattoos on his body can be seen as proof of how far he'd twist himself to show loyalty to his Lord.

While it's not necessary to recreate 1:1 his story in the show, it is immensely frustrating that show Isaac pretty much stole what should have been Hector's arc, leaving him with a flat arc that can be vaguely read as "forgive your abusers if they're sad enough".

It's not just about Hector, though. Show Isaac comes off as a worse version of both characters. I have already explained how in S2 he comes off as more negligent and thus less sympathetic than game Isaac in similar circumstances. S3 and 4, combined, should be about him travelling around, meeting new people and slowly realizing that he can be more than Dracula's right hand because not all humans are rotten to the core. In practice, show Isaac spends the majority of S3 causing much more reckless havoc than game Isaac, targeting people who merely dared to stop a dark wizard from invading their towns, flip-flopping between "maybe humans can be good" to "nevermind you are all rude and deserve to be used by me as demons", until in S4 he suddenly has the realization that he enjoys having agency and would rather build a better world (which includes killing people for "just" reasons); it's almost like the arc game Hector went through in the manga, except we actually see him trying to atone for his past sins, acknowledging that his dark past makes him hateable, and genuinely reforming thanks to Rosaly's influence.

Why does it matter?: Isaac is nowhere near as sympathetic as the show wants him to be, and his arc is shallow, rushed and generic. This is because he switches between two different characters with little buildup.

Why does it matter? 2: Hector and Isaac were meant to be foils in everything, from designs to personalities to arcs. They make each other stronger as characters. In the show, they have no thematic relevance, and the only contrast is that Isaac keeps getting what he wants while Hector keeps getting tormented and humiliated, not for a good narrative reason but out of petty favoritism and spite respectively. It makes their reunion in S4 ring hollow, because, much like the three protagonists, the two didn't have a relationship in the first place to make their mutual forgiveness poignant.

Bonus: the uniforms.

This is the hill I will die on: Hector and Isaac's designs in the games are crucial to the understanding of the characters, and the way the characters were redesigned in the show makes no sense.

In Prelude to Revenge, we see the Devil Forgemasters' full uniforms:

They wear a big, dark cassock with a sash, that makes the both of them look like priests, and bat-shaped chest armor bearing the crest of their position. As we know, Isaac also went so far as embedding that crest on his back, signifying how devoted he is.

After the events of the prequel and during the game proper, their outfit changes. Hector wears what we can assume are the clothes underneath the cassock, haphazardly stitched back together, but keeping the sash (now with Rosaly's ribbon tied around it) and the chest armor, symbolizing how he's forced to face his past again to avenge his wife. This outfit is also designed for running and combat, as shown by the one glove and the arm guard.

Isaac, on the other hand, is unrecognizeable. After three years of rotting in the ruins of the castle, the uniform fell off his body, and he did not bother to fix it. He only modified the chest armor, making it smaller and creating chains, shoulder pauldrons and a collar to keep it on his body. It is meant to contrast his previously put-together design, and convey that Isaac's sanity is as gone as his clothes. Furthermore, he is flaunting the tattoos that symbolize his utter devotion and belonging to Dracula.

In short, Hector and Isaac started from a similar place, but they diverged to very different paths.

This, on the other hand, is nothing short of lazy.

There is no explanation as to why they wear different uniforms. There is no color coordination, no red/blue motif in their clothes. There is no reason Isaac wears a dark priestly uniform while Hector still looks combat ready when he's only a smith (wouldn't the arm guard get in the way?). Hector is shown wearing a red sash ever since he was a child, which doesn't explain why it's included in Isaac's uniform as well. Even the crest on the armor looks different:

There was no thought put in any of this, it was all sloppily stolen from the fandom wiki, and once again, it ruins the carefully woven connection between the two characters.

Hector and Isaac's story was airtight, with just enough room for speculation but enough material to get invested in, emotional, a great example of tragedy, and every choice was made for a reason. It was a story of revenge on the surface, but it also tackled quite well, despite its limitations, themes of humanity and agency and freedom. The writing in the show is not only sloppy and more shallow, but it accidentally promotes terrible themes in its misanthropy, cruelty, and lack of care regarding abuse and trauma.

[saltywinteradult]

What I hate most about the last Rhaenicent scene is how holier than thou Rhaenyra is shown to be, the writers aren't even trying to hide their bias.

In the first season they told us Alicent's evil for putting a child abusing rapist on the throne rather than their Mary Sue who's so perfect she won't even order Vaemond Velaryon's execution.

Then in the second season they have Alicent become a pathetic cockroach who will hand her son over on a silver platter to save her own skin. It doesn't matter if you see it differently, this was their intention: to show how much better a mother/woman/Queen/ruler/politician Rhaenyra is because she would scream bloody murder if anyone even suggested disowning Jace whilst Alicent doesn't even protest when she demands Aegon's head.

This show is not for Alicent Hightower fans, Rhaenicent as a ship is not for Alicent Hightower fans. I think the sooner we accept this the easier it will be to abandon HotD once and for all.

(I'm going to assume you're the same anon​ who sent me this.)

*Sigh* Okay. I've already said that I think Rhaenicent can't be canon without butchering the characters, like they have now done with Alicent, and therefore it shouldn't happen. Alicent has been made into Rhaenyra's bootlicker and I hate it. I have already said, very clearly, that I agree with all of that.

However, I have also said, very clearly, that I still enjoy Rhaenicent in some ways despite this. So why are you sending me this, anon​? Are you trying to convince me to stop liking the things I still like about Rhaenicent? Are you trying to convince me, an Alicent fan and a Rhaenicent enjoyer, that it's not possible to be both? Because I'm not the only person in this fandom who is both. We're in the minority, but we exist. You are entitled to your opinion that Rhaenicent and HotD are not for Alicent fans, but this Alicent fan has to disagree. It's not for you to decide what is or isn't "for" anyone other than yourself.

I agree that the writers' intention with that awful last scene was to show Rhaenyra in a better light - because that seems to be their intention with just about everything. This is an issue with the entire show, not just Rhaenicent. The whole story has been twisted to fit into a cookie-cutter pseudo-feminist narrative with Rhaenyra as the hero she was never meant to be, and every character, not just Alicent, has suffered for it. (I would argue that Rhaenyra's character has been butchered too. Making her a feminist hero is so much less interesting than she was in the book.) So as it happens, I don't see that differently than you.

But so what if I did? I'm sorry, but what the hell are you trying to say with a statement like "it doesn't matter if you see it differently"? I am allowed to see it however I want. People can and do have different opinions on art than its​ creator, or different opinions than you for that matter. That's literally just how art works.

And not to be blunt, but if you hate the show this much, why are you even here, anon? Are you trying to convince me to stop watching? Because if so, that's really not for you to decide. Why not just stop watching the show yourself and let other people do what they want? Personally, I'm still watching the show because while the writing is shit, I still think the cinematography is gorgeous, the special effects are great, the music is beautiful, the acting is amazing, and the schadenfreude of watching the Targaryens self-destruct spectacularly is as satisfying as ever. I enjoy some aspects of HotD and not others, just as I enjoy some aspects of Rhaenicent and not others.

[canmom]

the main reason the ending of Hades is frustrating is because on all technical levels it's a brilliant game. the actual moment to moment gameplay is tight as hell, its art direction is incredible, the way it presents its story is a perfect answer to the problem of 'how can you put narrative in a roguelite'. as a game dev working in a similarly small team, there's so much to inspire there.

if it wasn't so thoroughly well made it wouldn't be as frustrating!

moreover on a line by line level the writing is generally really strong - the game does humour very well through characters like Theseus and Skelly or just the way Zagreus plays off the bosses, and while there's so much in the game that not every line will be a winner, the baseline is solid enough that it makes wandering around and talking to everyone between runs very satisfying. Zagreus has a compelling motivation as a protagonist, and his interactions with his dad are really tight. the Olympian gods are generally much more one-note characters but that doesn't really matter as much (Jen Z's illustrations do a lot of heavy lifting of course).

like, yes, ok, Zagreus through his attempts to escape becomes tied up in the stories of the various people of the underworld, and through his stubborn busybody nature he puts right a bunch of needless problems that were persisting for no reason other than insitutional inertia - I get what they're doing there. so, it's the story of how he reunites his family and convinces his dad to try to be a better person (at least as far as his family is concerned...). you have the narrative reversal of 'trying to escape' becoming 'bringing back mum', it's a character arc of changing what you can and reconciling what you can't. but I don't think it sells how sad that is, and the epilogue arc especially is just such a clunky afterthought.

it's also frustrating because I know Supergiant can do better. Bastion, Transistor, and especially Pyre - perhaps not as avant-garde as something like Pathologic, but all had a comfort with a bittersweet or ambiguous ending, and didn't feel the need to wrap up everything neatly with a bow. Pyre especially had an intriguing, rich story that responded in fascinating ways to how you play it, it's so structurally brilliant.

I hope the sequel mixes things up a bit.